Browse content similar to A Tale of Six Towns. Check below for episodes and series from the same categories and more!
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Today, I'm managing to be in six places at once. | 0:00:05 | 0:00:08 | |
Can you work out where I am and how I'm doing it? | 0:00:08 | 0:00:11 | |
Well, here's a couple of clues. | 0:00:11 | 0:00:13 | |
Cue music. | 0:00:20 | 0:00:22 | |
# I'm loving angels instead. # | 0:00:22 | 0:00:25 | |
Coming up - | 0:00:29 | 0:00:31 | |
pots, pits, and postage stamps, | 0:00:31 | 0:00:33 | |
and the daughter of football legend, Stanley Matthews. | 0:00:33 | 0:00:37 | |
Plus music from Kristyna Myles, Stuart Pendred, | 0:00:37 | 0:00:41 | |
and six cherished hymns. | 0:00:41 | 0:00:44 | |
Any guesses where I am yet? | 0:00:54 | 0:00:56 | |
Well, I'm exploring six towns while in one city. | 0:00:56 | 0:01:00 | |
No, I'm not suddenly Superman. | 0:01:00 | 0:01:02 | |
I'm in Stoke-on-Trent! | 0:01:02 | 0:01:04 | |
In 1910, the towns of Hanley, Burslem, | 0:01:06 | 0:01:10 | |
Longton, Stoke, Tunstall, and Fenton | 0:01:10 | 0:01:13 | |
came together to form Stoke-on-Trent - | 0:01:13 | 0:01:16 | |
still often called "the Potteries" | 0:01:16 | 0:01:18 | |
after the industry that once defined it. | 0:01:18 | 0:01:20 | |
The name "Stoke" comes from an Old English word "stoc", | 0:01:21 | 0:01:25 | |
which had several meanings, | 0:01:25 | 0:01:27 | |
including "place of worship." | 0:01:27 | 0:01:29 | |
The first stone church was built here | 0:01:29 | 0:01:32 | |
around 1,200 years ago. | 0:01:32 | 0:01:35 | |
And this could be the remains of a cross | 0:01:35 | 0:01:37 | |
from the original Saxon church! | 0:01:37 | 0:01:39 | |
This church isn't quite that old. | 0:01:42 | 0:01:44 | |
It's the Methodist Central Hall and it's stood here in Longton - | 0:01:44 | 0:01:46 | |
the most southerly of the six towns, | 0:01:46 | 0:01:49 | |
since the mid-19th century. | 0:01:49 | 0:01:51 | |
Our first hymn also dates back to that time, | 0:01:51 | 0:01:54 | |
when Robert Walmsley wrote these beautiful words. | 0:01:54 | 0:01:57 | |
In the Old Testament, God says to the prophet Jeremiah, | 0:04:38 | 0:04:42 | |
"As the clay is in the potter's hand, so are you in my hand." | 0:04:42 | 0:04:46 | |
The message is that no matter | 0:04:48 | 0:04:50 | |
how messed up our lives have got, God can remould us. | 0:04:50 | 0:04:53 | |
Which is more than I'm going to be able to do for this pot. | 0:04:54 | 0:04:59 | |
HE LAUGHS | 0:04:59 | 0:05:02 | |
At one time, there would have been more than 4,000 brick kilns | 0:05:04 | 0:05:08 | |
on the Stoke skyline. | 0:05:08 | 0:05:10 | |
About 46 of these remain today - like these ones | 0:05:10 | 0:05:13 | |
at the Gladstone Pottery Museum. | 0:05:13 | 0:05:15 | |
Beautifully preserved, they give a real sense | 0:05:15 | 0:05:18 | |
of what a pottery would have looked like in days gone by. | 0:05:18 | 0:05:21 | |
Everything from teapots to toilets were made here. | 0:05:24 | 0:05:29 | |
One of the most recognisable names and designs is Wedgwood. | 0:05:30 | 0:05:35 | |
Josiah Wedgwood was born here, in the town of Burslem. | 0:05:35 | 0:05:38 | |
He started his business here, too, leasing his first premises in 1759. | 0:05:38 | 0:05:44 | |
Josiah Wedgwood was born, literally, in the churchyard pottery, | 0:05:45 | 0:05:49 | |
which was adjacent to St John's Church in Burslem. | 0:05:49 | 0:05:53 | |
But his mother, Mary Stringer, was, in fact, Unitarian. | 0:05:53 | 0:05:58 | |
And Unitarians were classed, | 0:05:58 | 0:06:00 | |
at that stage, | 0:06:00 | 0:06:01 | |
as a dissenting religion | 0:06:01 | 0:06:02 | |
from the Church of England, | 0:06:02 | 0:06:04 | |
although highly respected. | 0:06:04 | 0:06:05 | |
And he was to be extremely interested | 0:06:07 | 0:06:09 | |
in the whole of the dissenting movement - | 0:06:09 | 0:06:12 | |
those men who were prepared to push out the boundaries of education, | 0:06:12 | 0:06:17 | |
and to do things for the benefit of mankind. | 0:06:17 | 0:06:20 | |
And when he built his new purpose-built | 0:06:21 | 0:06:23 | |
Etruria manufactory, | 0:06:23 | 0:06:25 | |
he also built housing for his workers. | 0:06:25 | 0:06:28 | |
Similarly, he was extremely good about providing healthcare. | 0:06:28 | 0:06:32 | |
The life expectancy of a potter at that time was 34 years | 0:06:34 | 0:06:37 | |
the majority of them dying | 0:06:37 | 0:06:38 | |
from what is rather graphically described as potter's rot. | 0:06:38 | 0:06:42 | |
It was inhalation and absorption of lead. | 0:06:42 | 0:06:44 | |
And Weslie, when he comes to the area, | 0:06:46 | 0:06:48 | |
writes that he's met a young man by the name of Josiah Wedgwood | 0:06:48 | 0:06:51 | |
who makes his workman wash their hands and faces, | 0:06:51 | 0:06:54 | |
and, he adds, that he's small and lame but his soul is near to God. | 0:06:54 | 0:06:58 | |
His greatest example of humanitarian activities | 0:07:00 | 0:07:03 | |
was his huge support for the abolition of slavery. | 0:07:03 | 0:07:07 | |
He, of course, also manufactured thousands of small medallions | 0:07:08 | 0:07:12 | |
showing the manacled kneeling slave | 0:07:12 | 0:07:15 | |
and the motto, "Am I not a man and a brother." | 0:07:15 | 0:07:18 | |
And he freely distributed those, | 0:07:18 | 0:07:20 | |
both here and in America, | 0:07:20 | 0:07:22 | |
to anybody who would support that course. | 0:07:22 | 0:07:24 | |
Our next hymn is also associated with the struggle to end slavery. | 0:07:28 | 0:07:34 | |
It was written at the height of the American Civil War, | 0:07:34 | 0:07:37 | |
when the author, Julia Ward Howe, heard some Unionist soldiers | 0:07:37 | 0:07:41 | |
singing "John Brown's Body Lies A-mouldering In The Grave". | 0:07:41 | 0:07:45 | |
She thought such a great tune deserved more uplifting words. | 0:07:45 | 0:07:49 | |
Well, she certainly achieved her aim. | 0:07:49 | 0:07:52 | |
All over the Potteries, there are places like this one in Longton | 0:10:41 | 0:10:45 | |
selling a local culinary delicacy - the Staffordshire oatcake! | 0:10:45 | 0:10:49 | |
I don't know what it is. I'm going to find out. | 0:10:49 | 0:10:51 | |
It's a savoury pancake that you can put anything that you put on bread. | 0:10:54 | 0:10:58 | |
It all began with colonial times | 0:10:58 | 0:11:00 | |
when the soldiers came back from India | 0:11:00 | 0:11:02 | |
and tried to recreate the chapati but failed. | 0:11:02 | 0:11:05 | |
Ended up with an oatcake and became very popular and a local delicacy. | 0:11:05 | 0:11:09 | |
Our next hymn was written by Emily Huntington Miller | 0:11:13 | 0:11:16 | |
with children's voices in mind. | 0:11:16 | 0:11:18 | |
But the words are so lovely that people of all ages can enjoy it. | 0:11:18 | 0:11:23 | |
The most famous literary son of the Potteries is Arnold Bennett. | 0:13:55 | 0:13:59 | |
His novels were closely based on the lives | 0:13:59 | 0:14:01 | |
he witnessed here in the latter half of the 19th century. | 0:14:01 | 0:14:03 | |
His most famous novel was Anna Of The Five Towns. | 0:14:06 | 0:14:10 | |
Why five instead of six? | 0:14:10 | 0:14:11 | |
Because Arnold Bennett left out of this place - Fenton. | 0:14:11 | 0:14:15 | |
Pottery wasn't the only industry in Stoke-on-Trent. | 0:14:18 | 0:14:21 | |
The six towns that make up the city, were all originally built | 0:14:21 | 0:14:24 | |
along the clay and coal seams. | 0:14:24 | 0:14:26 | |
This was the site of Glebe Colliery. | 0:14:29 | 0:14:31 | |
Now, the word Glebe means land belonging to a parish church. | 0:14:31 | 0:14:35 | |
And this area was associated | 0:14:35 | 0:14:37 | |
with the Glebe lands of the Church Of St Peter-Ad-Vincula. | 0:14:37 | 0:14:41 | |
This church, now known as Stoke Minster, | 0:14:42 | 0:14:45 | |
is in the town of Stoke itself. | 0:14:45 | 0:14:48 | |
People have worshipped on this site for over 1,200 years. | 0:14:48 | 0:14:52 | |
The original church was built near the River Trent, | 0:14:52 | 0:14:55 | |
so people would literally have come Down To The River To Pray. | 0:14:55 | 0:14:59 | |
# As I went down in the river to pray | 0:15:03 | 0:15:09 | |
# Studying about that good ol' way | 0:15:09 | 0:15:12 | |
# And who shall wear the starry crown? | 0:15:12 | 0:15:16 | |
# Good Lord, show me the way | 0:15:16 | 0:15:20 | |
# O, sisters, let's go down | 0:15:20 | 0:15:24 | |
# Let's go down, come on down | 0:15:24 | 0:15:28 | |
# O, sisters, let's go down | 0:15:28 | 0:15:32 | |
# Down in the river to pray | 0:15:32 | 0:15:37 | |
# As I went down in the river to pray | 0:15:37 | 0:15:41 | |
# Studying about that good ol' way | 0:15:41 | 0:15:44 | |
# And who shall wear the starry crown? | 0:15:44 | 0:15:48 | |
# Good Lord, show me the way | 0:15:48 | 0:15:52 | |
# O, fathers, let's go down | 0:15:52 | 0:15:56 | |
# Let's go down, come on down | 0:15:56 | 0:15:59 | |
# O, fathers, let's go down | 0:15:59 | 0:16:03 | |
# Down in the river to pray | 0:16:03 | 0:16:07 | |
# As I went down in the river to pray | 0:16:07 | 0:16:12 | |
# Studying about that good ol' way | 0:16:12 | 0:16:15 | |
# And who shall wear the robe and crown? | 0:16:15 | 0:16:19 | |
# Good Lord, show me the way | 0:16:19 | 0:16:23 | |
# O, mothers, let's go down | 0:16:23 | 0:16:27 | |
# Come on down, don't you want to go down? | 0:16:27 | 0:16:31 | |
# Come on, mothers, let's go down | 0:16:31 | 0:16:35 | |
# Down in the river to pray | 0:16:35 | 0:16:39 | |
# As I went down in the river to pray | 0:16:39 | 0:16:44 | |
# Studying about that good ol' way | 0:16:44 | 0:16:47 | |
# And who shall wear the starry crown? | 0:16:47 | 0:16:51 | |
# Good Lord, show me the way. # | 0:16:51 | 0:16:54 | |
Tunstall is the most northerly of the six towns, | 0:16:59 | 0:17:04 | |
and nearby is a clue | 0:17:04 | 0:17:05 | |
to why the pottery industry here was so successful - transport. | 0:17:05 | 0:17:10 | |
There are more miles of canal in Staffordshire | 0:17:10 | 0:17:13 | |
than in any other county in England, including the Harecastle Tunnels. | 0:17:13 | 0:17:17 | |
When the first one was built in the 1770s, | 0:17:17 | 0:17:20 | |
it was twice the length of any other tunnel in the world. | 0:17:20 | 0:17:23 | |
I'm going to take a look. | 0:17:23 | 0:17:25 | |
-Can I catch a lift? -Of course you can, David. | 0:17:25 | 0:17:27 | |
-Thank you. -Where to? -Harecastle Tunnels. | 0:17:27 | 0:17:29 | |
Excellent, that's the way I'm going. | 0:17:29 | 0:17:31 | |
The first tunnel didn't have a tow path, | 0:17:37 | 0:17:40 | |
so the boatmen used to have to lie on their backs | 0:17:40 | 0:17:42 | |
and push the boat through with their feet. | 0:17:42 | 0:17:45 | |
Fortunately, this one's got an engine. | 0:17:45 | 0:17:47 | |
Our fifth town is the town of Stoke, itself, | 0:20:09 | 0:20:12 | |
where the artist and sculptor, Arnold Machin was born in 1911. | 0:20:12 | 0:20:17 | |
Now, you might not realise it, | 0:20:17 | 0:20:19 | |
but you're already very familiar with one of his works. | 0:20:19 | 0:20:22 | |
In fact, if you sent a letter in the last 45 years, | 0:20:22 | 0:20:26 | |
you've probably licked the back of it. | 0:20:26 | 0:20:28 | |
My uncle Arnold was a fascinating man. | 0:20:30 | 0:20:32 | |
Of course, as a young child you never appreciate what he had achieved, | 0:20:32 | 0:20:35 | |
you know, you think everyone's uncle did a picture of the Queen | 0:20:35 | 0:20:38 | |
that appeared on the stamp. | 0:20:38 | 0:20:39 | |
He came from a potteries family. | 0:20:41 | 0:20:43 | |
His father and his older brothers were already | 0:20:43 | 0:20:45 | |
working in the potteries and he was going to be an apprentice. | 0:20:45 | 0:20:48 | |
-So, he was from a working-class background? -Oh, completely. | 0:20:48 | 0:20:51 | |
I mean, at the age of 16, he was at Minton's gilding plates. | 0:20:51 | 0:20:54 | |
At the time, working for Minton, they had a worker's library. | 0:20:54 | 0:20:58 | |
And he educated himself. | 0:20:58 | 0:21:02 | |
The big thing that I think, actually, | 0:21:03 | 0:21:04 | |
really pushed him forward was actually the war. | 0:21:04 | 0:21:06 | |
The Second War. | 0:21:06 | 0:21:07 | |
Because of what had happened to his brothers | 0:21:07 | 0:21:10 | |
in the First War, he was a conscientious objector. | 0:21:10 | 0:21:13 | |
So, when Arnold received his call-up papers - the bit of document | 0:21:13 | 0:21:16 | |
that said, you now, "Mr Machin, present yourself for a medical." | 0:21:16 | 0:21:19 | |
You had to go along. If you didn't go along, you were sent to prison. | 0:21:19 | 0:21:22 | |
So, while his health was very poor, | 0:21:22 | 0:21:24 | |
and he knew he was going to fail the medical, | 0:21:24 | 0:21:27 | |
he decided not to go, because that was principle. | 0:21:27 | 0:21:29 | |
So, he stuck to his principles. | 0:21:29 | 0:21:30 | |
He was put in front of the magistrate in London | 0:21:30 | 0:21:33 | |
and then sent to Wormwood Scrubs for 12 months. | 0:21:33 | 0:21:36 | |
He was a deeply spiritual man and a great deal of his art at that time | 0:21:38 | 0:21:43 | |
was entirely religious in nature. | 0:21:43 | 0:21:45 | |
I mean, St John the Baptist was his best known piece | 0:21:45 | 0:21:47 | |
that was produced in the '40s. | 0:21:47 | 0:21:49 | |
And that was entirely driven by his experiences with a war. | 0:21:49 | 0:21:54 | |
So, can you explain how a conscientious objector | 0:21:54 | 0:21:57 | |
goes in two decades, from that status | 0:21:57 | 0:22:00 | |
to being the person commissioned | 0:22:00 | 0:22:02 | |
to design the most iconic image of the Monarch. | 0:22:02 | 0:22:06 | |
In the early '60s, | 0:22:06 | 0:22:07 | |
the Mint decided that they had to start designing decimal coins. | 0:22:07 | 0:22:12 | |
Arnold set to work with some other designers | 0:22:12 | 0:22:14 | |
and produced the best thing the committee had seen. | 0:22:14 | 0:22:17 | |
John Betjeman was involved | 0:22:19 | 0:22:21 | |
and the story goes that he said, | 0:22:21 | 0:22:22 | |
"He's made her Majesty look a little bit sexy." | 0:22:22 | 0:22:24 | |
And then, the same time, the Stamp advisory committee | 0:22:26 | 0:22:29 | |
were meeting to look at changing the design of the stamps. | 0:22:29 | 0:22:33 | |
When people look back at this age, | 0:22:35 | 0:22:37 | |
and they're looking for something to put on the poster | 0:22:37 | 0:22:41 | |
that says "the age of Elizabeth", it will be his head that'll be used. | 0:22:41 | 0:22:44 | |
It's that iconic figure. | 0:22:44 | 0:22:46 | |
# O Lord my God | 0:22:52 | 0:22:57 | |
# When I in awesome wonder | 0:22:57 | 0:23:03 | |
# Consider all the works | 0:23:03 | 0:23:09 | |
# Thy hand hath made | 0:23:09 | 0:23:14 | |
# I see the stars | 0:23:14 | 0:23:19 | |
# I hear the mighty thunder | 0:23:19 | 0:23:26 | |
# Thy power throughout the Universe displayed | 0:23:26 | 0:23:37 | |
# Then sings my soul | 0:23:37 | 0:23:40 | |
# My Saviour, God, to thee | 0:23:40 | 0:23:46 | |
# How great thou art | 0:23:46 | 0:23:52 | |
# How great thou art | 0:23:52 | 0:23:58 | |
# Then sings my soul | 0:23:58 | 0:24:02 | |
# My Saviour, God, to thee | 0:24:02 | 0:24:08 | |
# How great thou art | 0:24:08 | 0:24:12 | |
# How great thou art | 0:24:12 | 0:24:17 | |
# How great thou art | 0:24:17 | 0:24:22 | |
# How great thou art. # | 0:24:22 | 0:24:30 | |
The town of Hanley | 0:24:34 | 0:24:36 | |
is now considered to be the city centre of modern-day Stoke-on-Trent. | 0:24:36 | 0:24:40 | |
While some people flock here at the weekends | 0:24:41 | 0:24:44 | |
to do their shopping, the fans of Stoke City Football Club | 0:24:44 | 0:24:47 | |
head for the nearby Britannia Stadium, | 0:24:47 | 0:24:49 | |
and I'm off there now | 0:24:49 | 0:24:51 | |
to meet the daughter of Hanley's most famous son - | 0:24:51 | 0:24:54 | |
footballer Stanley Matthews. | 0:24:54 | 0:24:56 | |
He was a great dad. | 0:24:57 | 0:25:00 | |
Very loving, very family-orientated. | 0:25:00 | 0:25:05 | |
Lots of things we did quietly. He hated to be in the public. | 0:25:05 | 0:25:10 | |
What was his proudest moment? | 0:25:10 | 0:25:12 | |
As far as we're concerned, | 0:25:12 | 0:25:14 | |
it's the 1953 cup final. | 0:25:14 | 0:25:17 | |
Right, tell us about that. | 0:25:17 | 0:25:19 | |
Blackpool were 3-1 down with about ten minutes to go. | 0:25:19 | 0:25:21 | |
We thought, really, it was all over. | 0:25:21 | 0:25:24 | |
And then it was just magical. | 0:25:24 | 0:25:26 | |
We all expected it to be extra time. | 0:25:26 | 0:25:29 | |
But the last goal in the last minute. | 0:25:29 | 0:25:31 | |
He ran down the wing using his speed, like he does. | 0:25:31 | 0:25:35 | |
'Matthews beat the defence, | 0:25:35 | 0:25:36 | |
'centred for the South African Bill Perry to score the winning goal. | 0:25:36 | 0:25:39 | |
THEY CHEER | 0:25:39 | 0:25:41 | |
'For Blackpool, it was like a boys' school story come true. | 0:25:41 | 0:25:45 | |
'Congratulations to Blackpool, | 0:25:45 | 0:25:47 | |
'and from the whole world of sport to Stanley Matthews.' | 0:25:47 | 0:25:50 | |
Was he a man of faith? | 0:25:50 | 0:25:52 | |
He didn't talk about it, but he was. | 0:25:52 | 0:25:54 | |
He never asked God to help him win a game. | 0:25:56 | 0:26:00 | |
But I know he would ask him to give him strength. | 0:26:00 | 0:26:05 | |
Like we all need strength. | 0:26:05 | 0:26:06 | |
He thanked God for the gifts that he had given him. | 0:26:07 | 0:26:12 | |
But he didn't think he was anybody special | 0:26:12 | 0:26:14 | |
he reckoned he got to use these gifts | 0:26:14 | 0:26:17 | |
for the benefit of everybody else. | 0:26:17 | 0:26:19 | |
During the '50s, and into the '60s, he was doing something else | 0:26:21 | 0:26:24 | |
that people didn't know about, as well, wasn't he? | 0:26:24 | 0:26:27 | |
Yeah, he was going over to South Africa. | 0:26:27 | 0:26:30 | |
He went to coach, and he coached the black people in Soweto. | 0:26:30 | 0:26:35 | |
He loved the people, and he went back every year. | 0:26:35 | 0:26:39 | |
It was quite dangerous to go in there for a white man, | 0:26:39 | 0:26:42 | |
but it was fine. | 0:26:42 | 0:26:43 | |
They actually loved him. | 0:26:43 | 0:26:45 | |
They called him the black man with a white face. | 0:26:45 | 0:26:49 | |
Getting football coaching from Stanley Matthews | 0:26:52 | 0:26:55 | |
was a rare glimmer of hope for boys growing up in Soweto, | 0:26:55 | 0:26:58 | |
boys like Paradise Moeketsi. | 0:26:58 | 0:27:00 | |
During the Apartheid, as a young boy, | 0:27:02 | 0:27:05 | |
it was very difficult. | 0:27:05 | 0:27:06 | |
Very difficult. | 0:27:06 | 0:27:07 | |
It was so bad that one can think | 0:27:07 | 0:27:09 | |
he was born in the wrong time. | 0:27:09 | 0:27:12 | |
We were unprivileged. | 0:27:15 | 0:27:17 | |
You know, we were living in shacks, and we didn't even go to school. | 0:27:17 | 0:27:20 | |
We didn't have any hope of changing to become a better person. | 0:27:20 | 0:27:25 | |
You're good players, yes. You've got to work hard. | 0:27:25 | 0:27:28 | |
You've got to work. You've got to work. | 0:27:28 | 0:27:31 | |
That opportunity to be taught by him, it was a big blessing, | 0:27:31 | 0:27:34 | |
and hence, today that man changed our lives. | 0:27:34 | 0:27:38 | |
We didn't even have money, to buy a real ball, | 0:27:39 | 0:27:42 | |
so, we used to have plastic and fill it with some papers inside. | 0:27:42 | 0:27:46 | |
It must look round, and so we played. | 0:27:46 | 0:27:48 | |
So, that was the only thing that was making us so much happy. | 0:27:48 | 0:27:51 | |
And that was the only thing that was giving us hope. | 0:27:51 | 0:27:53 | |
Stanley's influence helped Paradise turn his life around. | 0:27:56 | 0:27:59 | |
And he's now a football coach in Johannesburg, | 0:27:59 | 0:28:02 | |
passing on the legacy. | 0:28:02 | 0:28:04 | |
After he gave us a pep talk, that man, he changed my heart. | 0:28:06 | 0:28:10 | |
And I changed for the better. | 0:28:10 | 0:28:12 | |
You know, I started to believe that God is alive. | 0:28:12 | 0:28:17 | |
Loving, heavenly Father, | 0:30:37 | 0:30:39 | |
we pray for our city - | 0:30:39 | 0:30:41 | |
rejoicing in its history, the skills of its people... | 0:30:41 | 0:30:45 | |
..and new signs of regeneration. | 0:30:48 | 0:30:51 | |
We pray for our friends and neighbours, | 0:30:51 | 0:30:54 | |
that they may find inspiration and fresh hope in their hearts and lives. | 0:30:54 | 0:30:59 | |
In the Saviour's name. | 0:30:59 | 0:31:01 | |
ALL: Amen. | 0:31:01 | 0:31:04 | |
It's time to say goodbye from the Potteries. | 0:31:07 | 0:31:09 | |
Did you know that the word "goodbye" | 0:31:09 | 0:31:11 | |
comes from the phrase "God be with you"? | 0:31:11 | 0:31:14 | |
And that's our final hymn today. | 0:31:14 | 0:31:16 | |
Next week, Aled introduces a Big Sing spectacular | 0:33:31 | 0:33:36 | |
from the Royal Albert Hall. | 0:33:36 | 0:33:37 | |
5,000 voices sing | 0:33:37 | 0:33:38 | |
some of Britain's biggest hymns - | 0:33:38 | 0:33:41 | |
and there'll be great music from special guests - | 0:33:41 | 0:33:43 | |
Alfie Boe and Jaz Ellington. | 0:33:43 | 0:33:46 | |
Subtitles by Red Bee Media Ltd | 0:33:55 | 0:34:01 |