Browse content similar to Bible Sunday. Check below for episodes and series from the same categories and more!
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It's an epic tale of the struggle between good and evil. | 0:00:04 | 0:00:08 | |
Telling stories of love and hatred, | 0:00:10 | 0:00:13 | |
sex and violence... | 0:00:13 | 0:00:14 | |
..self-sacrifice and betrayal. | 0:00:15 | 0:00:18 | |
It's not just a good book - | 0:00:20 | 0:00:22 | |
it's THE good book. | 0:00:22 | 0:00:23 | |
Today is Bible Sunday, when many Christians celebrate | 0:00:23 | 0:00:26 | |
the biggest-selling book in the world - | 0:00:26 | 0:00:29 | |
The Holy Bible. | 0:00:29 | 0:00:30 | |
Tonight, congregations from all over the country | 0:00:34 | 0:00:38 | |
sing songs of praise inspired by some of the Bible's most beautiful poetry. | 0:00:38 | 0:00:43 | |
And a performance from Grammy Award winners The King's Singers. | 0:00:43 | 0:00:47 | |
Made of up 66 books written by many different authors | 0:00:58 | 0:01:02 | |
between 2 and 3,000 years ago, the Bible as we know it today | 0:01:02 | 0:01:06 | |
has been translated into more than 2,000 different languages. | 0:01:06 | 0:01:10 | |
This year, we're celebrating the 400th anniversary | 0:01:10 | 0:01:14 | |
of the most famous of all English translations - | 0:01:14 | 0:01:18 | |
the beautiful words of the King James, or Authorized, version, | 0:01:18 | 0:01:22 | |
were translated from the original Hebrew and Greek | 0:01:22 | 0:01:25 | |
by a group of scholars based in Westminster, Cambridge, | 0:01:25 | 0:01:29 | |
and here in Oxford. | 0:01:29 | 0:01:30 | |
Colleges including St John's and New College provided | 0:01:30 | 0:01:35 | |
their finest Old and New Testament scholars for this mammoth task. | 0:01:35 | 0:01:40 | |
Interpreting the word of God in poetry and music is, of course, | 0:01:41 | 0:01:46 | |
what hymns and psalms are all about. | 0:01:46 | 0:01:48 | |
So let's begin with words based on Psalm 150, O Praise Ye The Lord! | 0:01:48 | 0:01:52 | |
As a novelist and scriptwriter for film and television, | 0:04:02 | 0:04:06 | |
Frank Cottrell Boyce knows what makes a convincing story. | 0:04:06 | 0:04:09 | |
I think first and foremost, | 0:04:09 | 0:04:12 | |
what's great about the King James | 0:04:12 | 0:04:14 | |
is that wherever you open it, it feels like someone is talking to you. | 0:04:14 | 0:04:17 | |
It may be someone from the past, | 0:04:17 | 0:04:19 | |
and you might have to listen a bit harder than you would listen to me, | 0:04:19 | 0:04:24 | |
but it's a person speaking to you. | 0:04:24 | 0:04:26 | |
For any written thing to walk off the page into the real world - | 0:04:26 | 0:04:29 | |
that's the thing you're aiming for, | 0:04:29 | 0:04:31 | |
and I think the King James does that time and time again. | 0:04:31 | 0:04:34 | |
For me, if there was nothing else left | 0:04:34 | 0:04:37 | |
apart from the fact of Jesus' life and the story of the Prodigal Son, | 0:04:37 | 0:04:41 | |
that would be enough, to me. | 0:04:41 | 0:04:43 | |
I think the Prodigal Son is an astonishing thing. | 0:04:43 | 0:04:47 | |
As a writer, it's miraculous. It's one paragraph long, | 0:04:47 | 0:04:50 | |
but it's more emotionally complex than any Shakespeare play | 0:04:50 | 0:04:54 | |
or any novel that you read. | 0:04:54 | 0:04:55 | |
Everybody feels this sort of amazing rush at the end | 0:04:55 | 0:04:59 | |
when the father runs to meet his lost son. | 0:04:59 | 0:05:02 | |
Everybody recognises all the emotions in it - sibling rivalry, | 0:05:02 | 0:05:05 | |
and love of a parent. | 0:05:05 | 0:05:07 | |
It's this amazing moment in human thought, | 0:05:07 | 0:05:10 | |
that you will call God "Father". | 0:05:10 | 0:05:12 | |
He won't be some avenging thing that you've got to placate, | 0:05:12 | 0:05:16 | |
it will be someone who's waiting for you, who's desperate to see you, | 0:05:16 | 0:05:20 | |
who loves you more than you can possibly imagine. | 0:05:20 | 0:05:23 | |
Time and again, the Bible speaks of the good shepherd | 0:05:26 | 0:05:29 | |
searching for his lost sheep to welcome them home. | 0:05:29 | 0:05:33 | |
Psalm 23 has been made into one of our most beloved hymns. | 0:05:33 | 0:05:37 | |
Its familiar lines are a paraphrase of the words | 0:05:37 | 0:05:40 | |
and imagery used in the King James Version. | 0:05:40 | 0:05:43 | |
Right at the heart of Christianity is the Easter story. | 0:08:11 | 0:08:15 | |
It's the ultimate example of devoted self-sacrifice. | 0:08:15 | 0:08:19 | |
But who would have thought that a book with such a message of love | 0:08:19 | 0:08:23 | |
at its heart could have caused so much strife? | 0:08:23 | 0:08:25 | |
There's a connection in my mind between the historical context | 0:08:28 | 0:08:32 | |
of the King James Bible and the Easter story itself. | 0:08:32 | 0:08:35 | |
St James's Piccadilly is an oasis of calm amidst the noise | 0:08:36 | 0:08:41 | |
and conflict of central London. | 0:08:41 | 0:08:43 | |
Theologian Lucy Winkett is the rector of this busy parish. | 0:08:44 | 0:08:49 | |
The King James Bible straddled two centuries of horrendous | 0:08:50 | 0:08:54 | |
religious conflict in this country where Catholics and Protestants | 0:08:54 | 0:08:59 | |
were attacking one another and burning one another. | 0:08:59 | 0:09:03 | |
The King James Bible is right at the heart of that maelstrom | 0:09:03 | 0:09:06 | |
of religious conflict. | 0:09:06 | 0:09:08 | |
And the Easter story itself is a four-day story | 0:09:13 | 0:09:19 | |
of dreadful political manoeuvring | 0:09:19 | 0:09:23 | |
and abusive actions by religious leaders | 0:09:23 | 0:09:29 | |
to bring this innocent person to the point of crucifixion. | 0:09:29 | 0:09:33 | |
There is a kind of a link between those two stories, | 0:09:33 | 0:09:38 | |
centuries apart as they are. | 0:09:38 | 0:09:40 | |
As a courtier of King James I, the composer of our next hymn tune, | 0:09:42 | 0:09:47 | |
Orlando Gibbons, experienced the political unrest | 0:09:47 | 0:09:50 | |
that gave birth to the King's version of the Bible. | 0:09:50 | 0:09:54 | |
In later centuries, wordsmith Charles Wesley | 0:09:54 | 0:09:57 | |
and his brother John also lived through turbulent times. | 0:09:57 | 0:10:01 | |
Wesley's words remind us that, as Christians, | 0:10:03 | 0:10:06 | |
we're required to reflect our faith in all aspects of everyday life. | 0:10:06 | 0:10:10 | |
As well as presenting the BBC Proms, | 0:12:34 | 0:12:37 | |
journalist and classical music enthusiast Katie Derham | 0:12:37 | 0:12:40 | |
is also a member of the King James Bible Trust. | 0:12:40 | 0:12:43 | |
By happy genius, the 47 scholars who sat down to translate | 0:12:45 | 0:12:49 | |
the Bible into English happened upon forms of words | 0:12:49 | 0:12:53 | |
that lent themselves to not just reading out loud, but to being sung. | 0:12:53 | 0:12:58 | |
Composers have always wanted to set wonderful words to music, | 0:12:58 | 0:13:02 | |
they are always looking for sources of inspiration - | 0:13:02 | 0:13:05 | |
poetry, plays, dramas. | 0:13:05 | 0:13:07 | |
Wonderful composers, music we're very familiar with | 0:13:07 | 0:13:10 | |
if you enjoy going to church or listening to choral music, | 0:13:10 | 0:13:12 | |
and they're all using these words from the King James Version. | 0:13:12 | 0:13:16 | |
Let's take Handel, for example. | 0:13:16 | 0:13:18 | |
Some of his most wonderful, famous anthems - Zadok The Priest, | 0:13:18 | 0:13:21 | |
sung at every coronation - words from the King James Version. | 0:13:21 | 0:13:25 | |
Messiah - we all know the Messiah. | 0:13:25 | 0:13:26 | |
That's entirely from the King James Version. | 0:13:26 | 0:13:29 | |
# And the glory The glory of the Lord | 0:13:34 | 0:13:38 | |
# And the glory The glory of the Lord | 0:13:38 | 0:13:42 | |
# Shall be revealed | 0:13:42 | 0:13:45 | |
# Shall be revealed | 0:13:45 | 0:13:47 | |
# Shall be revealed | 0:13:47 | 0:13:49 | |
# And the glory The glory of the Lord | 0:13:49 | 0:13:53 | |
# And the glory The glory of the Lord | 0:13:53 | 0:13:57 | |
# Shall be revealed | 0:13:57 | 0:14:01 | |
# Shall be revealed | 0:14:01 | 0:14:02 | |
# And the glory The glory of the Lord | 0:14:02 | 0:14:07 | |
# Shall be revealed | 0:14:07 | 0:14:10 | |
# And all flesh shall see it together | 0:14:15 | 0:14:20 | |
# And all flesh shall see it together | 0:14:20 | 0:14:25 | |
# For the mouth of the Lord hath spoken it | 0:14:25 | 0:14:31 | |
# And all flesh shall see it together | 0:14:31 | 0:14:35 | |
# For the mouth of the Lord hath spoken it | 0:14:35 | 0:14:42 | |
# And all flesh shall see it together | 0:14:42 | 0:14:45 | |
# And all flesh shall see it together | 0:14:45 | 0:14:48 | |
# For the mouth of the Lord hath spoken it | 0:14:48 | 0:14:56 | |
# And the glory The glory of the Lord | 0:14:59 | 0:15:03 | |
# And all flesh shall see it together | 0:15:03 | 0:15:08 | |
# The mouth of the Lord hath spoken it | 0:15:08 | 0:15:11 | |
# And the glory The glory of the Lord | 0:15:11 | 0:15:14 | |
# Shall be revealed | 0:15:14 | 0:15:16 | |
# And all flesh | 0:15:16 | 0:15:17 | |
# And all flesh | 0:15:17 | 0:15:18 | |
# And all flesh | 0:15:18 | 0:15:20 | |
# Shall see it together | 0:15:20 | 0:15:22 | |
# For the mouth of the Lord hath spoken it | 0:15:22 | 0:15:27 | |
# The glory, the glory of the Lord shall be revealed | 0:15:27 | 0:15:32 | |
# And all flesh | 0:15:32 | 0:15:34 | |
# And all flesh | 0:15:34 | 0:15:35 | |
# And all flesh | 0:15:35 | 0:15:37 | |
# Shall see it together | 0:15:37 | 0:15:39 | |
# The glory, the glory The glory of the Lord | 0:15:39 | 0:15:42 | |
# And the glory The glory of the Lord | 0:15:42 | 0:15:46 | |
# Shall be revealed | 0:15:46 | 0:15:52 | |
# Shall be revealed | 0:15:52 | 0:15:54 | |
# And all flesh shall see it | 0:15:54 | 0:15:57 | |
# Together, together | 0:15:57 | 0:16:01 | |
# For the mouth of the Lord hath spoken it | 0:16:01 | 0:16:07 | |
# For the mouth of the Lord | 0:16:07 | 0:16:12 | |
# The mouth of the Lord | 0:16:12 | 0:16:16 | |
# Hath spoken it. # | 0:16:17 | 0:16:25 | |
Ready? And... | 0:16:30 | 0:16:33 | |
THEY SING | 0:16:33 | 0:16:35 | |
The King James Bible Trust held a competition | 0:16:35 | 0:16:38 | |
to encourage young composers. | 0:16:38 | 0:16:40 | |
Chris Totney won the Royal School of Church Music category | 0:16:40 | 0:16:43 | |
for a simple four-part anthem | 0:16:43 | 0:16:45 | |
with words taken from the King James Version. | 0:16:45 | 0:16:48 | |
I think it's very important to bring music into the Christian faith. | 0:16:49 | 0:16:54 | |
The sort of choirs that would sing my piece | 0:16:54 | 0:16:56 | |
are parish church choirs, possibly even school choirs, | 0:16:56 | 0:17:00 | |
and amateur choirs who would like | 0:17:00 | 0:17:02 | |
to include a sacred piece of music in their concert, maybe. | 0:17:02 | 0:17:05 | |
I love the fact that something so ancient as the King James Bible | 0:17:05 | 0:17:09 | |
can speak to people today. | 0:17:09 | 0:17:11 | |
The words "the mystery of Christ" really made a statement, | 0:17:12 | 0:17:16 | |
and encouraged one, I thought, | 0:17:16 | 0:17:18 | |
to ponder what that sort of thing might mean. | 0:17:18 | 0:17:21 | |
I think the opportunity to write this composition | 0:17:23 | 0:17:26 | |
has probably deepened my own faith. | 0:17:26 | 0:17:30 | |
That's probably because faith, for me, is based on experience, | 0:17:30 | 0:17:34 | |
and I'm very lucky in an environment like Dauntsey's School | 0:17:34 | 0:17:38 | |
to be able to work in so many different walks of the school community, | 0:17:38 | 0:17:44 | |
whether it's a classroom situation, musical activities outside | 0:17:44 | 0:17:47 | |
of teaching time, just making a difference to an individual | 0:17:47 | 0:17:50 | |
or whether it's enjoying a concert performance. | 0:17:50 | 0:17:53 | |
# I have long time holden my peace | 0:17:55 | 0:18:03 | |
# Now will I cry... # | 0:18:05 | 0:18:09 | |
The texts I chose for this piece, there are actually three of them. | 0:18:19 | 0:18:23 | |
One from Isaiah, one from Revelation and one from the Book of Colossians. | 0:18:23 | 0:18:28 | |
I just love the way that they go together as one seamless story. | 0:18:30 | 0:18:35 | |
It's as if there's this person who has been waiting | 0:18:35 | 0:18:37 | |
very patiently to find the right moment to speak, | 0:18:37 | 0:18:40 | |
and when they finally do speak out, then Jesus leads them | 0:18:40 | 0:18:43 | |
to the water's edge and leads them over | 0:18:43 | 0:18:47 | |
across the water of life and into a new world | 0:18:47 | 0:18:51 | |
where they can go out and serve and be helpful to others. | 0:18:51 | 0:18:54 | |
That refrain, "let there be light", | 0:21:08 | 0:21:11 | |
is just one of the many phrases | 0:21:11 | 0:21:13 | |
made famous by the King James Version of the Bible. | 0:21:13 | 0:21:16 | |
I'm surprised every time by how fresh the language is, | 0:21:16 | 0:21:21 | |
how rich and lyrical and beautiful it is, | 0:21:21 | 0:21:22 | |
but also how very "un-churchy" it is in many ways, | 0:21:22 | 0:21:26 | |
and how many phrases that we use in everyday language | 0:21:26 | 0:21:28 | |
have come from this document | 0:21:28 | 0:21:31 | |
that was translated by committee - imagine that! - by 47 scholars | 0:21:31 | 0:21:36 | |
400 years ago. | 0:21:36 | 0:21:37 | |
Phrases that we use every day - "casting pearls before swine", | 0:21:37 | 0:21:42 | |
"the apple of his eye", "Jezebel", | 0:21:42 | 0:21:44 | |
"as old as the hills", "an eye for an eye". | 0:21:44 | 0:21:47 | |
And I think it fertilised English culture, | 0:21:49 | 0:21:52 | |
and I think a lot of the things we love, | 0:21:52 | 0:21:54 | |
whether it's a cup final or a coronation | 0:21:54 | 0:21:56 | |
or whatever it is, there's bits of the King James DNA in there. | 0:21:56 | 0:22:01 | |
It's got a kind of rhythm of speech | 0:22:01 | 0:22:03 | |
that sounds like someone talking, | 0:22:03 | 0:22:05 | |
and then suddenly a ringing phrase will come out of it - | 0:22:05 | 0:22:08 | |
"abide with me, because the evening is coming" | 0:22:08 | 0:22:11 | |
and just the way it will suddenly give that little twist | 0:22:11 | 0:22:14 | |
where the phrase will just lodge itself in your head | 0:22:14 | 0:22:17 | |
out of something very ordinary. | 0:22:17 | 0:22:19 | |
# Abide, O Lord | 0:23:56 | 0:24:02 | |
# Abide with me. # | 0:24:02 | 0:24:10 | |
After the invention of the printing press, | 0:24:16 | 0:24:19 | |
scribes no longer had to copy out the Bible by hand, | 0:24:19 | 0:24:23 | |
and the scriptures could be mass-produced across the globe. | 0:24:23 | 0:24:26 | |
A new project commissioned from the Queen's scribe, | 0:24:26 | 0:24:30 | |
the Saint John's Bible, will be the first illuminated manuscript Bible | 0:24:30 | 0:24:34 | |
to have been made since the Middle Ages. | 0:24:34 | 0:24:37 | |
I am now the ultimate cliche. | 0:24:39 | 0:24:41 | |
The bald-headed old guy who sits at his desk and is writing a Bible. | 0:24:41 | 0:24:46 | |
Calligrapher Donald Jackson and his team have now completed | 0:24:46 | 0:24:50 | |
their millennium project for the Benedictine monks | 0:24:50 | 0:24:53 | |
of Saint John's University in Minnesota. | 0:24:53 | 0:24:56 | |
Ever since I was a small boy, when I was encouraged to do calligraphy | 0:24:56 | 0:25:00 | |
and decorated letters at school, | 0:25:00 | 0:25:03 | |
one of the ideas at the back of my mind was I would love | 0:25:03 | 0:25:07 | |
to write and illuminate the whole Bible. | 0:25:07 | 0:25:10 | |
It's a calligrapher's dream. It's a calligrapher's Sistine Chapel. | 0:25:12 | 0:25:16 | |
How do you make something look sacred, as in a sacred text? | 0:25:18 | 0:25:23 | |
That is my job, to interpret that | 0:25:23 | 0:25:25 | |
in a way which you can read clearly in a modern day. | 0:25:25 | 0:25:29 | |
What calligraphy has, which type does not have, | 0:25:30 | 0:25:34 | |
is it has connection. It has a sense of touch. | 0:25:34 | 0:25:38 | |
You are maybe not aware of it intellectually, | 0:25:38 | 0:25:41 | |
but on one level you are drawn to the fact that somebody's breath | 0:25:41 | 0:25:46 | |
went into every mark, | 0:25:46 | 0:25:47 | |
somebody's hand made every shape. | 0:25:47 | 0:25:51 | |
Some of the stories and some of the texts | 0:25:53 | 0:25:56 | |
seem so insane to a modern person. | 0:25:56 | 0:26:00 | |
They have so little relevance on the surface. | 0:26:00 | 0:26:04 | |
But once you delve into it, the one thing | 0:26:04 | 0:26:07 | |
I would say about the whole experience | 0:26:07 | 0:26:11 | |
is how utterly pin-sharp relevant are those Bible stories, | 0:26:11 | 0:26:17 | |
those texts, for the present day. | 0:26:17 | 0:26:20 | |
So often you look and read a page out of the Bible | 0:26:20 | 0:26:25 | |
and it's just like looking at the nine o'clock news. | 0:26:25 | 0:26:29 | |
There's war, there's threats, | 0:26:29 | 0:26:32 | |
they're full of love, they're full of hate. | 0:26:32 | 0:26:35 | |
For instance, the parables about forgiveness. | 0:26:35 | 0:26:39 | |
I always felt that that Prodigal Son needed a good smacking - | 0:26:40 | 0:26:44 | |
in other words, it made me angry. | 0:26:44 | 0:26:46 | |
While I was doing that, it was a very short time after 9/11, | 0:26:46 | 0:26:53 | |
and I found myself saying, "What is impossible to forgive? | 0:26:55 | 0:26:59 | |
"What would I find it almost impossible to forgive?" | 0:26:59 | 0:27:03 | |
And I found myself putting in an image, a reference, | 0:27:03 | 0:27:06 | |
of the Twin Towers in gold in the background | 0:27:06 | 0:27:11 | |
of the illumination for the Prodigal Son. | 0:27:11 | 0:27:14 | |
How do you forgive the unforgivable? | 0:27:14 | 0:27:16 | |
And it came to me as I did it, | 0:27:16 | 0:27:21 | |
the words "you are going to have to love your way out of this one. | 0:27:21 | 0:27:25 | |
"You can't hate your way out of it." | 0:27:25 | 0:27:27 | |
# This is the truth sent from above | 0:27:29 | 0:27:36 | |
# The truth of God, the God of love | 0:27:36 | 0:27:44 | |
# Therefore don't turn me from your door | 0:27:44 | 0:27:51 | |
# But hearken all, both rich and poor | 0:27:51 | 0:27:59 | |
# The first thing which I do relate | 0:28:01 | 0:28:08 | |
# Is that God did man create | 0:28:08 | 0:28:14 | |
# The next thing which to you I'll tell | 0:28:14 | 0:28:21 | |
# Woman was made with man to dwell | 0:28:21 | 0:28:29 | |
# Thus we were heirs to endless woes | 0:28:31 | 0:28:39 | |
# Till God the Lord did interpose | 0:28:39 | 0:28:45 | |
# And so a promise soon did run | 0:28:45 | 0:28:53 | |
# That he would redeem us by his son | 0:28:53 | 0:29:01 | |
# And at that season of the year | 0:29:03 | 0:29:11 | |
# Our blest redeemer did appear | 0:29:11 | 0:29:17 | |
# He here did live and here did preach | 0:29:17 | 0:29:24 | |
# And many thousand he did teach | 0:29:24 | 0:29:32 | |
# Thus he in love to us behaved | 0:29:34 | 0:29:42 | |
# To show us how we must be saved | 0:29:42 | 0:29:49 | |
# And if you want to know the way | 0:29:49 | 0:29:57 | |
# Be pleased to hear what he did say. # | 0:29:57 | 0:30:05 | |
Blessed Lord, | 0:30:13 | 0:30:14 | |
who hast caused all holy scriptures to be written for our learning, | 0:30:14 | 0:30:19 | |
grant that we may in such wise hear, read, mark, | 0:30:19 | 0:30:23 | |
learn, and inwardly digest them, | 0:30:23 | 0:30:25 | |
that by patience and comfort of thy holy word, | 0:30:25 | 0:30:28 | |
we may embrace and ever hold fast the blessed hope | 0:30:28 | 0:30:32 | |
of everlasting life, which thou hast given us in our saviour Jesus Christ. | 0:30:32 | 0:30:38 | |
Amen. | 0:30:38 | 0:30:39 | |
The Bible is so much more than just a dusty old book - | 0:30:40 | 0:30:44 | |
the way God's word has been revealed throughout the ages, | 0:30:44 | 0:30:47 | |
by the Old Testament prophets, by Jesus himself, | 0:30:47 | 0:30:50 | |
and by those who followed him, | 0:30:50 | 0:30:51 | |
still has a massive influence on millions of people | 0:30:51 | 0:30:55 | |
all over the world. | 0:30:55 | 0:30:56 | |
Next week on Songs Of Praise, | 0:33:27 | 0:33:29 | |
my special guest is the tenor Alfie Boe. | 0:33:29 | 0:33:31 | |
In a classic rags-to-riches story, | 0:33:31 | 0:33:33 | |
Alfie was talent-spotted whilst working in a car factory. | 0:33:33 | 0:33:37 | |
Now he's a West End star. | 0:33:37 | 0:33:39 | |
He talks to me about the importance of his faith, | 0:33:39 | 0:33:42 | |
and he performs some of his favourite hymns and songs. | 0:33:42 | 0:33:45 | |
Subtitles by Red Bee Media Ltd | 0:33:52 | 0:33:54 | |
Email [email protected] | 0:33:54 | 0:33:56 |