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For the fourth Sunday in Advent, | 0:00:03 | 0:00:04 | |
we're processing back in time to the Middle Ages. | 0:00:04 | 0:00:07 | |
Welcome to Songs Of Praise where, tonight, | 0:00:11 | 0:00:13 | |
I'm in the Somerset village where, instead of electricity, | 0:00:13 | 0:00:16 | |
candles light the high street as thousands of visitors come to | 0:00:16 | 0:00:19 | |
experience Dunster by candlelight. | 0:00:19 | 0:00:22 | |
I hear how the Dunster carollers are inspiring the younger | 0:00:24 | 0:00:27 | |
generation to carry on this age-old tradition. | 0:00:27 | 0:00:30 | |
THEY SING | 0:00:30 | 0:00:34 | |
Singer Katie Melua explains how her Eastern European roots have | 0:00:34 | 0:00:38 | |
-inspired her music. -Take Carol Of The Bells. | 0:00:38 | 0:00:43 | |
The original is in Ukrainian. | 0:00:43 | 0:00:45 | |
And I'm helping hand out Christmas presents with hundreds of | 0:00:45 | 0:00:48 | |
Santas on motorbikes! | 0:00:48 | 0:00:49 | |
Merry Christmas! | 0:00:50 | 0:00:52 | |
For our singing tonight, we have some seasonal favourites, | 0:01:01 | 0:01:04 | |
including O Holy Night, we have the latest Christmas song from | 0:01:04 | 0:01:07 | |
Russell Watson, plus some great carols that you can join in with. | 0:01:07 | 0:01:11 | |
So let's start with The First Nowell from Romsey Abbey. | 0:01:11 | 0:01:14 | |
Around 10,000 people have converged on this usually quiet | 0:04:24 | 0:04:27 | |
Somerset village to experience Dunster by candlelight, | 0:04:27 | 0:04:30 | |
and I tell you what - you can see why. | 0:04:30 | 0:04:32 | |
-It's great, isn't it? -Yeah. -Yeah. | 0:04:32 | 0:04:34 | |
This year is the 30th anniversary of the festival, | 0:04:42 | 0:04:45 | |
which celebrates the medieval origins of the village. | 0:04:45 | 0:04:48 | |
There's been a castle here since the 11th century, | 0:04:48 | 0:04:51 | |
and it's one of the best examples of a settlement from the Middle Ages. | 0:04:51 | 0:04:55 | |
But back then, not all was as harmonious as it is today, as | 0:04:56 | 0:05:00 | |
I found out earlier on when I popped into Dunster's medieval church. | 0:05:00 | 0:05:04 | |
-Hello, Caroline. -David, hello. Welcome to St George's. | 0:05:05 | 0:05:08 | |
It's lovely to be here. | 0:05:08 | 0:05:09 | |
This is an amazing place, | 0:05:09 | 0:05:11 | |
and particularly this beautiful partition. What exactly is it? | 0:05:11 | 0:05:16 | |
This is a rood screen. | 0:05:16 | 0:05:18 | |
It was put up many hundreds of years ago by the monks, who were | 0:05:18 | 0:05:21 | |
established here in the 12th century. | 0:05:21 | 0:05:23 | |
They were Benedictines, | 0:05:23 | 0:05:25 | |
so the people in the town resented the fact there were | 0:05:25 | 0:05:28 | |
a few monks who were rich and living on them and used to do | 0:05:28 | 0:05:32 | |
practical jokes to annoy them. | 0:05:32 | 0:05:35 | |
They tied the clappers of the bells together, | 0:05:35 | 0:05:37 | |
they came in and caused trouble. | 0:05:37 | 0:05:39 | |
And eventually, it got so bad that the bishop decided | 0:05:39 | 0:05:42 | |
he needed to do something formally about it, | 0:05:42 | 0:05:44 | |
so he came down in all his pomp and glory and decided to divide | 0:05:44 | 0:05:48 | |
the church, and this is the division. | 0:05:48 | 0:05:50 | |
So the monks were on one side and the parishioners were on the other? | 0:05:50 | 0:05:53 | |
And never the twain shall meet. | 0:05:53 | 0:05:55 | |
Lovely to see all the candles. What do the candles mean to you? | 0:05:59 | 0:06:04 | |
Candles are very important. | 0:06:04 | 0:06:06 | |
They're a focus for prayer and we use it in all sorts of ways | 0:06:06 | 0:06:09 | |
to remind us that Jesus is the light of the world and we are | 0:06:09 | 0:06:12 | |
called to be lights on a hilltop and show that we can be hopeful, | 0:06:12 | 0:06:16 | |
and that's helped by the meaning of Christmas and John's Gospel - | 0:06:16 | 0:06:19 | |
a light coming into the world, which is Jesus, to go out and | 0:06:19 | 0:06:24 | |
to make people understand what Christians can do and can be. | 0:06:24 | 0:06:27 | |
Round the corner from the church is the primary school, | 0:06:29 | 0:06:32 | |
where they're busy preparing for the procession. | 0:06:32 | 0:06:35 | |
-Hi, guys. -Hello. | 0:06:35 | 0:06:37 | |
-Hello. -How you doing? Oh, this looks great! | 0:06:37 | 0:06:40 | |
-This is all for later, yeah? CHILDREN: -Yeah. -Fantastic! | 0:06:40 | 0:06:44 | |
What do you think of the procession? | 0:06:44 | 0:06:46 | |
I like seeing all the lanterns and lights in the dark sky. | 0:06:46 | 0:06:49 | |
-It always looks amazing. -Yeah? | 0:06:49 | 0:06:51 | |
It feels like you're doing something really important. | 0:06:51 | 0:06:54 | |
At Christmas, what do you learn in school about Jesus? | 0:06:54 | 0:06:57 | |
In the Nativity Play, we found out that he was known as the Good | 0:06:57 | 0:07:00 | |
Shepherd, and they were sent out to look after everyone. | 0:07:00 | 0:07:03 | |
We learnt that he was born in a stable in Bethlehem and we | 0:07:03 | 0:07:06 | |
learnt that he was a very special boy, and that he was God's son. | 0:07:06 | 0:07:11 | |
-This one's for you. -Oh, thank you! So, we've got our lanterns. | 0:07:13 | 0:07:17 | |
-Are we ready for the procession? CHILDREN: -Yes! | 0:07:17 | 0:07:20 | |
And here we are to light up Dunster. | 0:07:27 | 0:07:29 | |
Our next hymn is dedicated to Pope Francis, | 0:07:30 | 0:07:33 | |
who celebrates his 80th birthday this weekend. | 0:07:33 | 0:07:36 | |
It's written by the Catholic composer Bernadette Farrell | 0:07:36 | 0:07:39 | |
and is appropriately called Christ, Be Our Light. | 0:07:39 | 0:07:42 | |
# This is the closest thing to crazy | 0:09:41 | 0:09:44 | |
I have ever been... # | 0:09:44 | 0:09:48 | |
Katie Melua's one of Britain's most successful recording artists | 0:09:48 | 0:09:51 | |
of the millennium, | 0:09:51 | 0:09:52 | |
selling more than 11 million albums and receiving 56 Platinum awards. | 0:09:52 | 0:09:57 | |
# If all your dreams were on fire.... # | 0:09:57 | 0:10:02 | |
For her latest album, she's gone back to her Eastern European | 0:10:02 | 0:10:05 | |
roots and has teamed up with a choir from her homeland of Georgia. | 0:10:05 | 0:10:09 | |
# Should I be afraid? | 0:10:09 | 0:10:12 | |
# Should I ... # | 0:10:12 | 0:10:15 | |
Katie, thank you for coming on Songs Of Praise. | 0:10:15 | 0:10:17 | |
What was it that prompted you to return to your birthplace | 0:10:17 | 0:10:21 | |
in Georgia? | 0:10:21 | 0:10:22 | |
The biggest thing that triggered it was discovering this choir, | 0:10:22 | 0:10:26 | |
the Gori Women's Choir, that I heard on Spotify, | 0:10:26 | 0:10:30 | |
and their sound was unlike anything I'd ever heard before. | 0:10:30 | 0:10:33 | |
# All your dreams were on fire | 0:10:33 | 0:10:36 | |
# Which one would you save? # | 0:10:38 | 0:10:42 | |
The choir unites 24 female voices into sounding like one | 0:10:42 | 0:10:47 | |
incredible creature. | 0:10:47 | 0:10:48 | |
They just want the music to be the best that it possibly can, | 0:10:49 | 0:10:53 | |
'and that's so inspiring.' | 0:10:53 | 0:10:55 | |
And did cultural and spiritual connections | 0:10:56 | 0:11:00 | |
-with your heritage mean a lot to you? -Well, they mean a great deal. | 0:11:00 | 0:11:04 | |
The discovery that a lot of Christmas carols | 0:11:04 | 0:11:08 | |
-originate from Eastern Europe was phenomenal. -Really? -Yeah. | 0:11:08 | 0:11:12 | |
So, take Carol of the Bells, which is a great, you know, | 0:11:12 | 0:11:16 | |
joyous choral piece. | 0:11:16 | 0:11:18 | |
The original is in Ukrainian. | 0:11:18 | 0:11:20 | |
SHE SINGS IN UKRAINIAN | 0:11:20 | 0:11:23 | |
The first song I sang when I moved over to the UK, | 0:11:25 | 0:11:30 | |
I was nine years old and so that was the first time | 0:11:30 | 0:11:33 | |
I had my first Western Christmas | 0:11:33 | 0:11:36 | |
and I didn't speak a word of English, | 0:11:36 | 0:11:39 | |
but I got to be really welcomed into the society | 0:11:39 | 0:11:44 | |
and to learn to speak English by joining the choir | 0:11:44 | 0:11:48 | |
and so when we sang O Holy Night, | 0:11:48 | 0:11:50 | |
it was one of those incredible musical moments. | 0:11:50 | 0:11:56 | |
There was a moment where it goes into the refrain section, | 0:11:56 | 0:11:59 | |
where the chord changes, and it blew my mind and I was nine | 0:11:59 | 0:12:01 | |
and I was like, "How can something that you can't see | 0:12:01 | 0:12:05 | |
"and you can't touch affect you so much?" | 0:12:05 | 0:12:08 | |
And since doing it at the age of nine, | 0:12:08 | 0:12:11 | |
this is the first time I've covered it. | 0:12:11 | 0:12:13 | |
# O holy night | 0:12:16 | 0:12:20 | |
# The stars are brightly shining | 0:12:20 | 0:12:25 | |
# It is the night of our dear Saviour's birth | 0:12:25 | 0:12:33 | |
# Long lay the world | 0:12:35 | 0:12:38 | |
# In sin and error pining | 0:12:38 | 0:12:44 | |
# Till He appeared and the soul felt its worth | 0:12:44 | 0:12:52 | |
# A thrill of hope | 0:12:52 | 0:12:56 | |
# The weary world rejoices | 0:12:56 | 0:13:01 | |
# For yonder breaks | 0:13:01 | 0:13:05 | |
# A new and glorious morn | 0:13:05 | 0:13:10 | |
# Fall on your knees | 0:13:10 | 0:13:18 | |
# O hear the angel voices | 0:13:18 | 0:13:24 | |
# O night divine | 0:13:24 | 0:13:33 | |
# O night divine | 0:13:33 | 0:13:44 | |
# Led by the light | 0:13:46 | 0:13:50 | |
# Of faith serenely beaming | 0:13:50 | 0:13:55 | |
# With glowing hearts | 0:13:55 | 0:13:58 | |
# By His cradle, we stand | 0:13:58 | 0:14:04 | |
# So, led by a light | 0:14:04 | 0:14:09 | |
# Of a star sweetly gleaming | 0:14:09 | 0:14:14 | |
# Here come the men from the Orient land | 0:14:14 | 0:14:22 | |
# The king of kings | 0:14:22 | 0:14:27 | |
# Lay thus in lowly manger | 0:14:27 | 0:14:32 | |
# In all our trials | 0:14:32 | 0:14:35 | |
# Born to be our friend | 0:14:35 | 0:14:39 | |
# Fall on your knees | 0:14:39 | 0:14:47 | |
# O hear the angel voices | 0:14:47 | 0:14:55 | |
# O night divine | 0:14:55 | 0:15:03 | |
# O night | 0:15:03 | 0:15:06 | |
# Night divine | 0:15:06 | 0:15:17 | |
# Oooooh | 0:15:19 | 0:15:25 | |
# Ooooooh | 0:15:25 | 0:15:31 | |
# Ooooh-oooh-oooh-oooh | 0:15:31 | 0:15:35 | |
# O night divine. # | 0:15:35 | 0:15:46 | |
The beautiful voice of Katie Melua there. | 0:15:51 | 0:15:54 | |
Now, young or old, | 0:15:54 | 0:15:55 | |
we all like a gift or two at Christmas | 0:15:55 | 0:15:58 | |
and Kate Bottley joined an unusual team of Santas | 0:15:58 | 0:16:01 | |
on their delivery round, but it's not on a sleigh. | 0:16:01 | 0:16:04 | |
Morning! Morning, all right? | 0:16:04 | 0:16:06 | |
Every year, just before Christmas, | 0:16:06 | 0:16:08 | |
2,000 bikers descend on a car park on the outskirts of Reading. | 0:16:08 | 0:16:13 | |
This is the Reading Toy Run. | 0:16:13 | 0:16:16 | |
It delivers thousands of presents | 0:16:16 | 0:16:17 | |
to the children's charity Barnardos for those most in need. | 0:16:17 | 0:16:21 | |
Ben Spiller and Sean Stillman first organised this event 31 years ago | 0:16:21 | 0:16:26 | |
with only a handful of other Christian bikers. | 0:16:26 | 0:16:29 | |
So, this started with just a few bikes | 0:16:29 | 0:16:31 | |
in a pub car park and now it's 1,700 bikes and 2,000 people. | 0:16:31 | 0:16:37 | |
You could never have imagined it would go like this. | 0:16:37 | 0:16:39 | |
Well, you couldn't imagine it, but it's not me who's doing it. | 0:16:39 | 0:16:42 | |
-Who's doing it, then? -God. You know, He's doing it. | 0:16:42 | 0:16:46 | |
They come every year - He's making them come. | 0:16:46 | 0:16:49 | |
It's to the glory of God, all the time. | 0:16:49 | 0:16:52 | |
Quick, cos Rudolph's coming, look. | 0:16:52 | 0:16:55 | |
Tell me about your parrot outfit. | 0:16:58 | 0:17:00 | |
-They said, "What's a parrot got to do with Christmas?" -Well, exactly! | 0:17:00 | 0:17:04 | |
-And I said, "I'm a Christmas parrot!" -A Christmas parrot! | 0:17:04 | 0:17:07 | |
This is an event organised by Christians, but everyone is welcome. | 0:17:09 | 0:17:13 | |
So, why not just hire a big van and deliver them like that? | 0:17:13 | 0:17:17 | |
-Wouldn't that be a lot easier? -It'd be a lot warmer! | 0:17:17 | 0:17:20 | |
But we're bikers and this is the tribe gathering together | 0:17:20 | 0:17:24 | |
to celebrate Christmas and sharing gifts | 0:17:24 | 0:17:26 | |
with our friends in the community. | 0:17:26 | 0:17:27 | |
Some people taking part, | 0:17:27 | 0:17:29 | |
some of them may not have families or children in their families | 0:17:29 | 0:17:32 | |
that they buy gifts for so this is their big Christmas moment. | 0:17:32 | 0:17:36 | |
For the girls, I've brought some scarves | 0:17:36 | 0:17:39 | |
and some little bubbly things with a nice little presentation box | 0:17:39 | 0:17:43 | |
-and all of that sort of stuff. -Oh, nice! | 0:17:43 | 0:17:44 | |
-What presents have you brought? -Yeah, I've got a little police car. | 0:17:44 | 0:17:47 | |
Oh, fantastic! | 0:17:47 | 0:17:49 | |
Well, you might want to avoid those today! | 0:17:49 | 0:17:52 | |
You know, it's not unusual to see a guitar on the back of a motorbike. | 0:17:52 | 0:17:56 | |
Oh, fantastic! | 0:17:56 | 0:17:58 | |
Right, I've got my present and I've got my Santa so let's go! | 0:17:58 | 0:18:02 | |
Just because you wear a leather jacket don't mean | 0:18:06 | 0:18:09 | |
that you're an outcast or you're unruly. | 0:18:09 | 0:18:12 | |
I did come from a children's home myself when I was younger | 0:18:12 | 0:18:15 | |
and since I've been on the bike, | 0:18:15 | 0:18:17 | |
I've given something back to where I've come from. | 0:18:17 | 0:18:19 | |
In many ways, we might be the most unexpected bunch of hoodlums | 0:18:19 | 0:18:22 | |
to be doing what we do, but there's very much the spirit of Jesus | 0:18:22 | 0:18:26 | |
is at the heart of this particular event. | 0:18:26 | 0:18:29 | |
And the people that line the route watching, it's wonderful. | 0:18:29 | 0:18:33 | |
Yes, it's just a big community thing that we do. | 0:18:33 | 0:18:36 | |
The atmosphere, the noise, the bikes, it's just really amazing. | 0:18:36 | 0:18:40 | |
-And what does today mean to you? -Erm, it means a lot. | 0:18:40 | 0:18:43 | |
If you ask any of this lot, it's all for the kids. | 0:18:43 | 0:18:46 | |
Any time of the year somebody talks about this, I get emotional. | 0:18:46 | 0:18:52 | |
-It obviously means so much to you. -Yeah. | 0:18:52 | 0:18:55 | |
Bikers arrive at a Barnardos school six miles down the road. | 0:18:55 | 0:18:58 | |
From here, the presents will be distributed around the country. | 0:18:58 | 0:19:02 | |
Wow! Look at all these toys, it's amazing! | 0:19:04 | 0:19:07 | |
There's piles and piles of gifts. | 0:19:07 | 0:19:09 | |
There you go! Thank you so much, that was so much fun. | 0:19:11 | 0:19:15 | |
The school pupils help collect the presents. | 0:19:17 | 0:19:20 | |
That all of these people have come from nowhere, | 0:19:20 | 0:19:22 | |
not actually knowing us and bringing all the presents. | 0:19:22 | 0:19:24 | |
It's absolutely amazing! Best people in the world! | 0:19:24 | 0:19:29 | |
It seems to me you're using your passion for bikes | 0:19:30 | 0:19:32 | |
-for Jesus, aren't you? -Yep. -And to serve your community. -Yep. | 0:19:32 | 0:19:35 | |
There's nothing better than helping people. | 0:19:35 | 0:19:39 | |
# Glory to the newborn king... # | 0:22:08 | 0:22:12 | |
Back in Dunster, the carollers are singing with gusto. | 0:22:13 | 0:22:17 | |
Later on, we're going to be discovering | 0:22:17 | 0:22:19 | |
a little bit more about the tradition of local carol singing. | 0:22:19 | 0:22:22 | |
First, with a Christmas classic, here's Russell Watson. | 0:22:22 | 0:22:26 | |
# Said the night wind to the little lamb | 0:22:30 | 0:22:35 | |
# Do you see what I see? | 0:22:37 | 0:22:40 | |
# Do you see what I see? | 0:22:40 | 0:22:42 | |
# Way up in the sky, little lamb | 0:22:42 | 0:22:46 | |
# Do you see what I see? | 0:22:48 | 0:22:51 | |
# Do you see what I see? | 0:22:51 | 0:22:54 | |
# A star, a star | 0:22:54 | 0:22:57 | |
# Dancing in the night | 0:22:57 | 0:22:59 | |
# With a tail as big as a kite | 0:22:59 | 0:23:04 | |
# With a tail as big as a kite | 0:23:05 | 0:23:09 | |
# Said the little lamb to the shepherd boy | 0:23:13 | 0:23:18 | |
# Do you hear what I hear? | 0:23:20 | 0:23:23 | |
# Do you hear what I hear? | 0:23:23 | 0:23:25 | |
# Ringing through the sky, shepherd boy | 0:23:25 | 0:23:29 | |
# Do you hear what I hear? | 0:23:31 | 0:23:34 | |
# Do you hear what I hear? | 0:23:34 | 0:23:36 | |
# A song, a song | 0:23:36 | 0:23:40 | |
# High above the trees | 0:23:40 | 0:23:42 | |
# With a voice as big as the sea | 0:23:42 | 0:23:46 | |
# With a voice as big as the sea! | 0:23:47 | 0:23:54 | |
# Said the shepherd boy to the mighty king | 0:24:02 | 0:24:08 | |
# Do you know what I know? | 0:24:08 | 0:24:11 | |
# Do you know what I know? | 0:24:11 | 0:24:14 | |
# In your palace warm, mighty king | 0:24:14 | 0:24:20 | |
# Do you know what I know? | 0:24:20 | 0:24:23 | |
# Do you know what I know? | 0:24:23 | 0:24:25 | |
# A child, a child | 0:24:25 | 0:24:28 | |
# Sleeping in the night | 0:24:28 | 0:24:31 | |
# He will bring us goodness and light | 0:24:31 | 0:24:36 | |
# He will bring us... | 0:24:36 | 0:24:40 | |
# goodness and light. # | 0:24:40 | 0:24:52 | |
# Oh, tidings of comfort and joy... # | 0:24:55 | 0:24:58 | |
'Carols are a big part of a traditional Christmas, | 0:24:58 | 0:25:01 | |
'dating back hundreds of years. | 0:25:01 | 0:25:03 | |
'We're all familiar with carollers singing in the streets, | 0:25:03 | 0:25:06 | |
'but the tradition is more likely to have begun in graveyards, | 0:25:06 | 0:25:09 | |
'as I discovered earlier.' | 0:25:09 | 0:25:11 | |
So, what was a carol? | 0:25:11 | 0:25:13 | |
It's a medieval song with dancing, | 0:25:13 | 0:25:16 | |
-and the dancing is just as important a part as the singing. -Right! | 0:25:16 | 0:25:19 | |
-So anything like that, that's a carol? -Pretty much. | 0:25:19 | 0:25:21 | |
Usually with a bit that comes round and round, a refrain. | 0:25:21 | 0:25:25 | |
What is this, and what does this have to do with carolling? | 0:25:25 | 0:25:29 | |
This is so exciting. This is a preaching stone, | 0:25:29 | 0:25:31 | |
and it's one of the few remaining preaching stones in the country, | 0:25:31 | 0:25:35 | |
and it's where people would come and do a sermon. | 0:25:35 | 0:25:37 | |
So they'd go to church in the church, and then, after the service | 0:25:37 | 0:25:41 | |
had finished, everyone would come out into the graveyard, and this | 0:25:41 | 0:25:44 | |
is where they would have a sermon, where they would preach to people. | 0:25:44 | 0:25:47 | |
But the churchyard is also the place where, after the service... | 0:25:47 | 0:25:50 | |
It's a nice, big, open space, wall round it, no livestock, so people | 0:25:50 | 0:25:53 | |
would have a song and a dance in the churchyard after church. | 0:25:53 | 0:25:56 | |
So then you've got the preacher on the preaching stone trying to | 0:25:56 | 0:25:58 | |
preach to everyone and the carollers all dancing round. | 0:25:58 | 0:26:02 | |
And we had these sermons where they talk about, | 0:26:02 | 0:26:04 | |
"You've got to stop the carolling!" because it's getting in the way. | 0:26:04 | 0:26:07 | |
OK, so where did the carollers go when they were thrown out of | 0:26:07 | 0:26:10 | |
-the churchyard? -So, then we don't know exactly, | 0:26:10 | 0:26:12 | |
but they'd probably end up going down into the village, | 0:26:12 | 0:26:14 | |
onto the main streets | 0:26:14 | 0:26:16 | |
and continuing their carolling and their carousing down there. | 0:26:16 | 0:26:19 | |
# ..comfort and joy. # | 0:26:19 | 0:26:22 | |
Dunster has its own tradition of carol singing, | 0:26:22 | 0:26:25 | |
and Emma and I headed up to the Tenants Hall, | 0:26:25 | 0:26:27 | |
part of the castle, to catch up with the Dunster Carollers as | 0:26:27 | 0:26:31 | |
they practised with their new recruits. | 0:26:31 | 0:26:34 | |
# Let us by the fire, the fire... # | 0:26:35 | 0:26:40 | |
This is The Dunster Carol. | 0:26:40 | 0:26:42 | |
Would you describe this as being a medieval-style carol? | 0:26:42 | 0:26:45 | |
In some ways, it really is. They've got the refrain going on, | 0:26:45 | 0:26:48 | |
where they come round and round to the same bit each time. | 0:26:48 | 0:26:50 | |
# Sing until the night expires | 0:26:50 | 0:26:55 | |
# Sing until the night expires. # | 0:26:55 | 0:26:58 | |
They're setting it in a season, so it's clearly December. | 0:26:58 | 0:27:02 | |
# In December ring... # | 0:27:02 | 0:27:05 | |
And then, at the end, they bring in the God bit, | 0:27:05 | 0:27:08 | |
so they do the baby in the manger with the shepherds. | 0:27:08 | 0:27:10 | |
So in that sense, yeah, absolutely classic. | 0:27:10 | 0:27:13 | |
# Shepherds at the grange Where the babe was born... # | 0:27:13 | 0:27:21 | |
In the Middle Ages, most musical traditions were oral traditions, | 0:27:21 | 0:27:24 | |
taught by ear and learned by ear, | 0:27:24 | 0:27:26 | |
and there are these gentlemen of the village teaching the children | 0:27:26 | 0:27:30 | |
in exactly the way that people have learned carols for hundreds | 0:27:30 | 0:27:33 | |
-and hundreds of years. -What's The Dunster Carol all about? | 0:27:33 | 0:27:36 | |
Well, I know it's very old and the children who went to our | 0:27:36 | 0:27:40 | |
school many years ago also learnt it. | 0:27:40 | 0:27:42 | |
Well, it, like, keeps a tradition going, and, like, it's really | 0:27:42 | 0:27:47 | |
special to us, because it's about the village where we go to school. | 0:27:47 | 0:27:50 | |
The words were written by the poet Longfellow in the middle of | 0:27:51 | 0:27:55 | |
the 19th century and were set to music. We don't know by whom. | 0:27:55 | 0:27:58 | |
Well, I learnt it orally from my dad. | 0:27:58 | 0:28:01 | |
So, that's my dad singing there in full gusto. | 0:28:01 | 0:28:04 | |
I'm down there, and behind is my brother. | 0:28:04 | 0:28:07 | |
-I've got here his old carol book, over 50 years old... -Wow! | 0:28:08 | 0:28:14 | |
..which is the last they've got of these, actually. I love it. | 0:28:14 | 0:28:17 | |
And in it, it's got all the carols that we sing. | 0:28:17 | 0:28:21 | |
We hope that in future, it will carry on even after we're gone. | 0:28:21 | 0:28:25 | |
# Sing until the night expires. # | 0:28:25 | 0:28:29 | |
Throughout history, folk tunes have been added to sacred words | 0:28:29 | 0:28:32 | |
to popularise songs, and our next Christmas carol does just that. | 0:28:32 | 0:28:36 | |
I'm sure you're going to recognise the tune of Greensleeves. | 0:28:36 | 0:28:39 | |
Thank you to everyone here in Dunster, | 0:31:41 | 0:31:43 | |
and let me tell you that next week, | 0:31:43 | 0:31:45 | |
we join Aled at the Royal Albert Hall for | 0:31:45 | 0:31:48 | |
a Christmas Day celebration, where he'll be singing along with | 0:31:48 | 0:31:52 | |
Gareth Malone and his choir, Laura Mvula and many others. | 0:31:52 | 0:31:56 | |
Let me wish you a happy, joyous and peaceful Christmas, | 0:31:56 | 0:31:59 | |
and we end today's show with this festive favourite. | 0:31:59 | 0:32:03 |