Browse content similar to Easter Sunday. Check below for episodes and series from the same categories and more!
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Happy Easter Sunday and welcome to Songs Of Praise | 0:00:04 | 0:00:07 | |
on the most important day of the year for Christians, | 0:00:07 | 0:00:10 | |
the celebration of Christ's resurrection. | 0:00:10 | 0:00:12 | |
I'm in Manchester, | 0:00:12 | 0:00:13 | |
where final preparations are underway for an ambitious | 0:00:13 | 0:00:16 | |
one-off performance of the story of Christ's life, | 0:00:16 | 0:00:19 | |
and they're all volunteers. | 0:00:19 | 0:00:21 | |
I'll be finding out how the story is being made relevant | 0:00:21 | 0:00:24 | |
for a modern audience. | 0:00:24 | 0:00:26 | |
I haven't had a decent meal in weeks. | 0:00:26 | 0:00:28 | |
Also in this Easter Day programme, Claire McCollum discovers | 0:00:28 | 0:00:32 | |
an ancient carol found among the doodlings of a medieval monk. | 0:00:32 | 0:00:36 | |
And I'm in East Sussex to meet an inspirational bell-ringer | 0:00:39 | 0:00:42 | |
who's raised millions of pounds for charity. | 0:00:42 | 0:00:45 | |
We've got some favourite Easter hymns both old and new | 0:00:55 | 0:00:58 | |
and we'll begin with this modern, triumphant hymn | 0:00:58 | 0:01:02 | |
announcing the good news that Christ is risen. | 0:01:02 | 0:01:05 | |
The kingdom of God is like a tiny mustard seed. | 0:03:32 | 0:03:36 | |
Here in Manchester, the performance of Christ's Passion is underway. | 0:03:36 | 0:03:41 | |
You must be salt and light to the world. | 0:03:41 | 0:03:44 | |
Blessed are the poor. | 0:03:44 | 0:03:46 | |
It tells the greatest of all stories about Jesus' teachings, | 0:03:46 | 0:03:49 | |
his betrayal, his trial, | 0:03:49 | 0:03:51 | |
his journey to the cross, known as the passion, | 0:03:51 | 0:03:54 | |
and followed, of course, by the resurrection. | 0:03:54 | 0:03:57 | |
For the past few months, amateur and professional actors, | 0:03:58 | 0:04:02 | |
all unpaid, have been rehearsing for their one-off performance. | 0:04:02 | 0:04:07 | |
We've become such, like, a family. | 0:04:07 | 0:04:08 | |
It's such a community, like, spirit, and it's just, | 0:04:08 | 0:04:12 | |
yeah, it's just really fun. | 0:04:12 | 0:04:13 | |
You realise the suffering that Jesus went through | 0:04:13 | 0:04:16 | |
and the sacrifice which he gave. | 0:04:16 | 0:04:19 | |
That is the real message about the crucifixion of Jesus Christ | 0:04:19 | 0:04:24 | |
and him coming back again to life. | 0:04:24 | 0:04:26 | |
Hopefully, all the love that will be around the place | 0:04:26 | 0:04:30 | |
will cascade to everybody. | 0:04:30 | 0:04:33 | |
The production has been written and directed by company owner | 0:04:33 | 0:04:36 | |
Geoff Millard and the process had a profound effect on him. | 0:04:36 | 0:04:40 | |
I had to start reading the Bible and Jesus became relevant, | 0:04:41 | 0:04:45 | |
God became relevant. I learned more how to pray. | 0:04:45 | 0:04:48 | |
Geoff hopes the play will attract those unfamiliar | 0:04:48 | 0:04:51 | |
with the Easter story. | 0:04:51 | 0:04:52 | |
And he's added a few contemporary characters to the script. | 0:04:52 | 0:04:55 | |
We've got a homeless guy and we've got those elements. | 0:04:57 | 0:05:00 | |
And it seems to work quite well, actually, | 0:05:00 | 0:05:03 | |
and they approach, they heckle Jesus. | 0:05:03 | 0:05:05 | |
Blessed are those who are hungry and thirst for righteousness. | 0:05:05 | 0:05:09 | |
What about just plain hungry? | 0:05:09 | 0:05:10 | |
I haven't had a decent meal in weeks. | 0:05:10 | 0:05:13 | |
I feel persecuted wherever I go because of this headscarf. | 0:05:13 | 0:05:16 | |
Where does gentle get you? | 0:05:16 | 0:05:19 | |
Nah. | 0:05:19 | 0:05:20 | |
I tell you, the gentle will inherit the earth. | 0:05:20 | 0:05:24 | |
While it's been given some modern references, | 0:05:24 | 0:05:26 | |
the Manchester Passion follows the traditional story | 0:05:26 | 0:05:29 | |
of the Last Supper. | 0:05:29 | 0:05:30 | |
I am the living bread. | 0:05:30 | 0:05:32 | |
And then the betrayal and the arrest of Jesus. | 0:05:32 | 0:05:36 | |
Your day's done, teacher. | 0:05:36 | 0:05:38 | |
Are you not scared of me, Jesus? | 0:05:38 | 0:05:41 | |
At his trial, Jesus' fate is sealed by the judge Pontius Pilate, | 0:05:43 | 0:05:47 | |
who is swayed by public opinion. | 0:05:47 | 0:05:49 | |
Barabbas! We want Barabbas! | 0:05:49 | 0:05:52 | |
Pilate is played by Nakib Narat, who is fascinated by the role. | 0:05:52 | 0:05:57 | |
It's just a wonderful man to portray because he is so complex. | 0:05:57 | 0:06:02 | |
No more! | 0:06:02 | 0:06:04 | |
I feel personally that he saw Jesus as possibly God. | 0:06:04 | 0:06:09 | |
With my interpretation he started off quite arrogantly, | 0:06:09 | 0:06:13 | |
and yet, when he washed his hands of this, | 0:06:13 | 0:06:16 | |
he was genuinely sorry. | 0:06:16 | 0:06:18 | |
His blood is not on my hands. | 0:06:18 | 0:06:21 | |
WOMAN SOBS | 0:06:21 | 0:06:23 | |
Salesman Rob Slater plays the part of Jesus. | 0:06:26 | 0:06:29 | |
To be able to act this out | 0:06:31 | 0:06:33 | |
when you've got a faith | 0:06:33 | 0:06:34 | |
is everybody's dream, I suppose. | 0:06:34 | 0:06:37 | |
Is there a better role? | 0:06:37 | 0:06:39 | |
I have prayed about this and asked for help, | 0:06:43 | 0:06:48 | |
because how could anybody know how Jesus felt? | 0:06:48 | 0:06:52 | |
You know, I mean, he had these people putting him to death, | 0:06:52 | 0:06:57 | |
but at the same time love them. | 0:06:57 | 0:06:59 | |
Emotion will take over, I'm sure, | 0:06:59 | 0:07:02 | |
and it's going to be quite a poignant moment, I think. | 0:07:02 | 0:07:07 | |
And a connection, if you like, for me, with God. | 0:07:07 | 0:07:10 | |
Father... | 0:07:10 | 0:07:11 | |
..it is finished. | 0:07:13 | 0:07:14 | |
Into your hands I commend my spirit. | 0:07:15 | 0:07:19 | |
WEEPING | 0:07:19 | 0:07:21 | |
Leading the music at the Manchester Passion | 0:09:24 | 0:09:26 | |
are Manchester Inspirational Voices, | 0:09:26 | 0:09:29 | |
the current Songs Of Praise Gospel Choir of the Year. | 0:09:29 | 0:09:32 | |
Their musical director, Wayne Ellington, | 0:09:34 | 0:09:36 | |
had the idea of giving solo lines to some of the actors. | 0:09:36 | 0:09:40 | |
# I worshipped him | 0:09:40 | 0:09:43 | |
# In his eyes... # | 0:09:44 | 0:09:46 | |
One of them is Ben Rigby, who plays Judas. | 0:09:46 | 0:09:50 | |
I mean, I'm singing in this | 0:09:50 | 0:09:51 | |
and I don't come from a singing background, | 0:09:51 | 0:09:54 | |
so we've spent a lot of time developing on song. | 0:09:54 | 0:09:57 | |
That's absolutely petrifying. | 0:09:57 | 0:09:59 | |
# Every night... # | 0:10:01 | 0:10:03 | |
It's totally outside of my comfort zone, | 0:10:04 | 0:10:07 | |
performing in the middle of Manchester. | 0:10:07 | 0:10:10 | |
# Who was friends with the rich... # | 0:10:10 | 0:10:12 | |
Dealing with the singers who have never sung before, | 0:10:12 | 0:10:15 | |
trying to get people to watch me for timing and also to help out | 0:10:15 | 0:10:20 | |
with pitching and so on, that was a challenge. | 0:10:20 | 0:10:23 | |
We also have the Manchester Inspirational Voices here as well, | 0:10:24 | 0:10:27 | |
who won the Gospel Choir of the Year last year. | 0:10:27 | 0:10:30 | |
And they're really excited. They're very excited. | 0:10:30 | 0:10:33 | |
And here are Wayne and his choir with an uplifting gospel song. | 0:10:36 | 0:10:40 | |
# I will be with you | 0:10:46 | 0:10:53 | |
# I will be with you | 0:10:56 | 0:11:02 | |
# I will be with you | 0:11:04 | 0:11:12 | |
# If you will only trust me | 0:11:12 | 0:11:20 | |
# Trust me | 0:11:21 | 0:11:24 | |
# Trust me | 0:11:25 | 0:11:28 | |
# I'll never leave you | 0:11:30 | 0:11:36 | |
# I'll never leave you | 0:11:39 | 0:11:45 | |
# I'll never leave you | 0:11:48 | 0:11:54 | |
# If you will only trust me | 0:11:55 | 0:12:03 | |
# Trust me | 0:12:04 | 0:12:07 | |
# Trust me | 0:12:08 | 0:12:11 | |
# Oh | 0:12:11 | 0:12:12 | |
# I am | 0:12:12 | 0:12:16 | |
# That I am | 0:12:16 | 0:12:19 | |
# Oh | 0:12:19 | 0:12:21 | |
# I have all the power | 0:12:21 | 0:12:27 | |
# Oh | 0:12:27 | 0:12:29 | |
# I will deliver | 0:12:29 | 0:12:36 | |
# If you will only trust me | 0:12:36 | 0:12:44 | |
# I'll be there, yes, I will | 0:12:44 | 0:12:46 | |
# Trust me | 0:12:46 | 0:12:48 | |
# I'll be there | 0:12:48 | 0:12:50 | |
# Trust me | 0:12:50 | 0:12:52 | |
# Whenever you call | 0:12:52 | 0:12:54 | |
# If you will only | 0:12:54 | 0:12:56 | |
# I'll answer your prayer | 0:12:56 | 0:12:58 | |
# Trust me | 0:12:58 | 0:13:00 | |
# Yes, I will, yeah | 0:13:00 | 0:13:02 | |
# Trust me | 0:13:02 | 0:13:05 | |
# Oh, yeah, yeah | 0:13:05 | 0:13:06 | |
# Trust me | 0:13:06 | 0:13:08 | |
# If you will only | 0:13:08 | 0:13:10 | |
# If you will only | 0:13:10 | 0:13:13 | |
# Trust me | 0:13:13 | 0:13:15 | |
# Trust me | 0:13:15 | 0:13:17 | |
# Oh, I'll answer your call | 0:13:17 | 0:13:19 | |
# Trust me | 0:13:19 | 0:13:21 | |
# Trust me. # | 0:13:23 | 0:13:28 | |
Here in Manchester, | 0:13:38 | 0:13:39 | |
the Easter story is being told in a contemporary setting, | 0:13:39 | 0:13:42 | |
but of course it's been told | 0:13:42 | 0:13:43 | |
in lots of different ways over the centuries. | 0:13:43 | 0:13:46 | |
Claire McCollum has been to Battle Abbey in Sussex, | 0:13:46 | 0:13:49 | |
where the Battle of Hastings took place, and where they've | 0:13:49 | 0:13:52 | |
discovered an ancient carol telling the story of Christ's life. | 0:13:52 | 0:13:56 | |
For the best part of 500 years, this abbey was home to | 0:13:58 | 0:14:02 | |
a thriving community of Benedictine monks | 0:14:02 | 0:14:05 | |
founded by William the Conqueror to atone for the bloodshed | 0:14:05 | 0:14:08 | |
at the Battle of Hastings. | 0:14:08 | 0:14:10 | |
Very little survives from those times thanks to Henry VIII | 0:14:13 | 0:14:17 | |
and his Reformation. | 0:14:17 | 0:14:18 | |
But one book, complete with a monk's doodles, | 0:14:18 | 0:14:21 | |
has brought to life a very special piece of music. | 0:14:21 | 0:14:24 | |
MEDIEVAL HYMN IS PERFORMED | 0:14:26 | 0:14:30 | |
The carol's found in a Latin service book and it's doodled, | 0:14:51 | 0:14:55 | |
jotted down on the end pages of the manuscript. | 0:14:55 | 0:14:59 | |
A couple of pages later, | 0:14:59 | 0:15:00 | |
there's a little poem about the deaths of three of late medieval | 0:15:00 | 0:15:03 | |
Abbots of Battle, and a couple of recipes for gastric complaints. | 0:15:03 | 0:15:07 | |
And for me, it provides an insight into the wider religious life | 0:15:07 | 0:15:11 | |
of the monks who lived here. | 0:15:11 | 0:15:13 | |
And when would it have been sung? | 0:15:23 | 0:15:25 | |
Well, in the Middle Ages, carols were never sung in church. | 0:15:25 | 0:15:28 | |
They were sung in secular spaces. | 0:15:28 | 0:15:31 | |
They could be sung throughout the year. | 0:15:31 | 0:15:33 | |
We have carols on the Trinity and any number of saints - | 0:15:33 | 0:15:36 | |
this one is on Christ himself | 0:15:36 | 0:15:38 | |
and Christ's suffering and the example that Christ sets | 0:15:38 | 0:15:42 | |
for all of humanity. | 0:15:42 | 0:15:44 | |
And we're here at Eastertide, | 0:15:44 | 0:15:46 | |
and I think a focus on Christ's suffering | 0:15:46 | 0:15:49 | |
would be an appropriate time to be singing at this, | 0:15:49 | 0:15:52 | |
the great relief that comes on Easter Sunday. | 0:15:52 | 0:15:55 | |
You can break your fast again. | 0:15:55 | 0:15:57 | |
It would have been a great time to be singing this carol | 0:15:57 | 0:15:59 | |
in somewhere like the abbot's hall. | 0:15:59 | 0:16:01 | |
'To preserve the book for future generations, | 0:16:04 | 0:16:06 | |
'it has now been safely archived.' | 0:16:06 | 0:16:08 | |
You're one of the very few to have actually held this book. | 0:16:08 | 0:16:12 | |
For somebody like you, what is that like, that experience? | 0:16:12 | 0:16:14 | |
It's always fantastic to have | 0:16:14 | 0:16:16 | |
an original medieval manuscript in front of you. | 0:16:16 | 0:16:19 | |
And so few of these survive from Battle Abbey. | 0:16:19 | 0:16:22 | |
The abbey would have had over 1,000 books in its library. | 0:16:22 | 0:16:24 | |
27 survive today. | 0:16:24 | 0:16:27 | |
And to be able to look through it and see not the formal text, | 0:16:27 | 0:16:31 | |
the formal Latin text but the things which were individual to the monk | 0:16:31 | 0:16:35 | |
who was using this book, who was making these little jottings | 0:16:35 | 0:16:38 | |
and thinking these are important things to be writing down. | 0:16:38 | 0:16:42 | |
And tell me about its relevance today. | 0:16:50 | 0:16:52 | |
It talks basically about not being too materialistic, | 0:16:52 | 0:16:56 | |
and also thinking about being charitable. | 0:16:56 | 0:16:58 | |
The chorus changes from being a follower of Christ's word | 0:17:10 | 0:17:14 | |
to being a doer of Christ's word. | 0:17:14 | 0:17:16 | |
So after singing this carol, after even dancing to it, perhaps, | 0:17:16 | 0:17:20 | |
in the abbot's great hall here, your life has been improved | 0:17:20 | 0:17:24 | |
and you're being kinder, both to yourself and to your fellow man. | 0:17:24 | 0:17:29 | |
The story of Christ's life is also told in our next song, | 0:17:34 | 0:17:38 | |
a contemporary setting of the Christian creed. | 0:17:38 | 0:17:41 | |
You may have heard your local church bells ringing out today for Easter. | 0:20:13 | 0:20:17 | |
But for the past year the bells in | 0:20:17 | 0:20:19 | |
St George's Church in the East Sussex village of Brede, | 0:20:19 | 0:20:22 | |
along with churches and cathedrals in the world, have been ringing out | 0:20:22 | 0:20:26 | |
a special tune, as the Reverend Kate Bottley has been finding out. | 0:20:26 | 0:20:31 | |
CHURCH BELLS RING | 0:20:31 | 0:20:32 | |
These bells are ringing a new tune. | 0:20:35 | 0:20:38 | |
This conversation was created for | 0:20:38 | 0:20:40 | |
and named after bell ringer Julie McDonnell. | 0:20:40 | 0:20:44 | |
And whenever it's rung, it raises money for her cancer charity. | 0:20:44 | 0:20:48 | |
An incredible £7.2 million | 0:20:48 | 0:20:52 | |
in less than 12 months. | 0:20:52 | 0:20:54 | |
An achievement made all the more remarkable | 0:20:54 | 0:20:58 | |
because Julie herself is fighting an ongoing battle with the disease. | 0:20:58 | 0:21:02 | |
When you are first diagnosed with cancer, | 0:21:02 | 0:21:05 | |
first of all you're very shocked. | 0:21:05 | 0:21:09 | |
Then you get numb. | 0:21:09 | 0:21:11 | |
Then you get really angry and quite annoying, I think, | 0:21:11 | 0:21:14 | |
because you want to hit out at somebody | 0:21:14 | 0:21:17 | |
so you hit out at those closest to yourself. | 0:21:17 | 0:21:19 | |
And then you get that kind of strength | 0:21:19 | 0:21:21 | |
and I think that's the strength I actually got through my faith. | 0:21:21 | 0:21:24 | |
And then you get the determination to do something | 0:21:24 | 0:21:27 | |
and not just sit there | 0:21:27 | 0:21:29 | |
and wonder what's going to happen to me. | 0:21:29 | 0:21:31 | |
It strikes me, Julie, that this is your mission. | 0:21:31 | 0:21:33 | |
-This is your calling. -It's pretty crazy, isn't it? | 0:21:33 | 0:21:36 | |
Bells ringing across the world, | 0:21:36 | 0:21:38 | |
but it's just a unique thing to do. | 0:21:38 | 0:21:42 | |
I think bells do call people to worship | 0:21:42 | 0:21:44 | |
but I think I wanted those bells to support people with blood cancer, | 0:21:44 | 0:21:49 | |
to actually say you're not on your own. | 0:21:49 | 0:21:51 | |
Because every time I hear those bells ring | 0:21:51 | 0:21:54 | |
I don't feel like I'm on my own. | 0:21:54 | 0:21:56 | |
You say, is this your mission? | 0:21:57 | 0:22:00 | |
People have been put on Earth for different reasons. | 0:22:00 | 0:22:03 | |
It could be all part of a plan, I don't know. | 0:22:03 | 0:22:06 | |
But without it I don't think it would have given me | 0:22:06 | 0:22:09 | |
the strength to get this point when I am now, | 0:22:09 | 0:22:13 | |
and I'm very, very grateful. I feel loved. | 0:22:13 | 0:22:15 | |
Now I know that your campaign has had a massive boost recently. | 0:22:15 | 0:22:19 | |
-Tell me about that. -Oh, absolutely. | 0:22:19 | 0:22:22 | |
I actually wrote the Dean, Dr John Hall, at Westminster, | 0:22:22 | 0:22:25 | |
and I asked him like I asked many people, including yourself... | 0:22:25 | 0:22:27 | |
I remember you writing to my church. | 0:22:27 | 0:22:30 | |
..asking them to ring out in support of blood cancer. | 0:22:30 | 0:22:33 | |
CHURCH BELLS RING | 0:22:33 | 0:22:35 | |
Usually the bells at Westminster Abbey are reserved for royalty | 0:22:35 | 0:22:38 | |
and state occasions. | 0:22:38 | 0:22:40 | |
But today Julie is here to enjoy the sound of bells | 0:22:40 | 0:22:44 | |
ringing out in her name | 0:22:44 | 0:22:45 | |
as a guest of the Dean. | 0:22:45 | 0:22:48 | |
How many towers have you grabbed? | 0:22:48 | 0:22:50 | |
-What, for Julie McDonnell? -Yes. | 0:22:50 | 0:22:52 | |
There's been 569 quarter peals rung for Julie McDonnell. | 0:22:52 | 0:22:58 | |
But for cathedrals and abbeys and minsters, | 0:22:58 | 0:23:01 | |
this will be the 31st that's rung for Julie McDonnell. | 0:23:01 | 0:23:04 | |
-Wow, and you've been to each one of these? -No. | 0:23:04 | 0:23:06 | |
SHE LAUGHS | 0:23:06 | 0:23:07 | |
I'd like to think that people that maybe don't have faith, | 0:23:09 | 0:23:13 | |
but to hear bells rung out for them, | 0:23:13 | 0:23:16 | |
for people with blood cancer is incredible. | 0:23:16 | 0:23:18 | |
And actually it gives me a huge boost. | 0:23:18 | 0:23:21 | |
# There is a redeemer | 0:23:27 | 0:23:30 | |
# Jesus, God's own son | 0:23:31 | 0:23:38 | |
# Precious lamb of God, Messiah | 0:23:38 | 0:23:45 | |
# Holy one | 0:23:45 | 0:23:51 | |
# Thank you, oh, my father | 0:23:52 | 0:23:58 | |
# For giving us your son | 0:23:58 | 0:24:06 | |
# And leaving your spirit till | 0:24:06 | 0:24:14 | |
# The work on Earth is done | 0:24:14 | 0:24:19 | |
# Jesus, my redeemer | 0:24:25 | 0:24:32 | |
# Name above all names | 0:24:33 | 0:24:40 | |
# Precious lamb of God, Messiah | 0:24:40 | 0:24:48 | |
# Hope for sinners slain | 0:24:48 | 0:24:53 | |
# Thank you, oh, my father | 0:24:55 | 0:25:02 | |
# For giving us your son | 0:25:02 | 0:25:08 | |
# And leaving your spirit till | 0:25:08 | 0:25:15 | |
# The work on Earth is done | 0:25:15 | 0:25:21 | |
# Thank you, Lord | 0:25:21 | 0:25:23 | |
# And thank you, oh, my father | 0:25:23 | 0:25:29 | |
# For giving us your son | 0:25:30 | 0:25:37 | |
# And leaving your spirit till | 0:25:37 | 0:25:45 | |
# The work on Earth is done | 0:25:45 | 0:25:51 | |
# And leaving your spirit till | 0:25:53 | 0:25:59 | |
# The work on Earth is done. # | 0:25:59 | 0:26:11 | |
I can't get over the fact that I'm not going to see him again. | 0:26:13 | 0:26:17 | |
At the Manchester Passion we've reached the moments | 0:26:17 | 0:26:19 | |
that follow the Crucifixion. | 0:26:19 | 0:26:21 | |
It's the women who are first to discover the empty tomb | 0:26:22 | 0:26:25 | |
as the Resurrection becomes clear to them. | 0:26:25 | 0:26:28 | |
No! | 0:26:28 | 0:26:30 | |
Mary Magdalene is played by Gillian Freeman, | 0:26:30 | 0:26:33 | |
who feels a strong connection to the role. | 0:26:33 | 0:26:37 | |
My take, really, is she was just a really broken and lost woman. | 0:26:37 | 0:26:41 | |
Because she was just seeking love in all the wrong places, | 0:26:41 | 0:26:44 | |
when really what she really needed was the love of Christ. | 0:26:44 | 0:26:48 | |
Why do you connect with her personally? | 0:26:48 | 0:26:51 | |
Because I lived a similar life to Mary | 0:26:51 | 0:26:54 | |
before I came to know Jesus. | 0:26:54 | 0:26:56 | |
I lived a life of promiscuity and alcoholism | 0:26:56 | 0:27:00 | |
and I sought love and fulfilment in all the wrong places. | 0:27:00 | 0:27:06 | |
Woman, why are you crying? | 0:27:09 | 0:27:11 | |
Who is it that you are looking for? | 0:27:11 | 0:27:13 | |
It doesn't matter how far down you've been. | 0:27:13 | 0:27:17 | |
Jesus can forgive anybody and he loves every single person. | 0:27:17 | 0:27:21 | |
Mary? | 0:27:21 | 0:27:24 | |
Teacher! | 0:27:24 | 0:27:26 | |
You can't touch me yet. | 0:27:26 | 0:27:28 | |
I believe that Jesus is real | 0:27:28 | 0:27:30 | |
and alive and he transforms lives. | 0:27:30 | 0:27:34 | |
And I'm hoping that other people will be able to see that it's real. | 0:27:34 | 0:27:38 | |
Go now, out into the world. | 0:30:03 | 0:30:07 | |
And tell everyone the good news. | 0:30:07 | 0:30:11 | |
APPLAUSE | 0:30:11 | 0:30:12 | |
The Manchester Passion performance is coming to an end | 0:30:12 | 0:30:15 | |
and it's clearly moved the audience. | 0:30:15 | 0:30:17 | |
It was fantastic, it was moving. | 0:30:20 | 0:30:22 | |
-Oh, it was so good. -Really good. | 0:30:22 | 0:30:24 | |
It had just the most incredible raw power, | 0:30:24 | 0:30:27 | |
I think perhaps because it was not simply a professional performance. | 0:30:27 | 0:30:31 | |
This was really people being passionate about the Passion. | 0:30:31 | 0:30:34 | |
It's great to see so many people come together, | 0:30:34 | 0:30:37 | |
diverse backgrounds, to hear it today. | 0:30:37 | 0:30:39 | |
APPLAUSE | 0:30:39 | 0:30:41 | |
That's it from the Manchester Passion. | 0:30:42 | 0:30:44 | |
It went very well. | 0:30:44 | 0:30:46 | |
And we leave you with a glorious Easter hymn. | 0:30:46 | 0:30:50 |