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Six of the best amateur choirs in the country are here in London | 0:00:03 | 0:00:07 | |
to take part in a special Songs Of Praise. | 0:00:07 | 0:00:11 | |
The audience are gathering. | 0:00:11 | 0:00:12 | |
-It's an awesome occasion. -Just really excited. | 0:00:12 | 0:00:15 | |
I'm hoping that our choir will win. | 0:00:15 | 0:00:17 | |
The choirs are raring to go. | 0:00:17 | 0:00:20 | |
It's time for the Gospel Choir of the Year. | 0:00:20 | 0:00:23 | |
Hello, Josie and I are delighted | 0:00:27 | 0:00:28 | |
to welcome you to the historic Hackney Empire. | 0:00:28 | 0:00:31 | |
Over its long history, this stage has witnessed | 0:00:31 | 0:00:33 | |
some incredible performers, from Charlie Chaplin to Cliff Richard. | 0:00:33 | 0:00:36 | |
From Laurel and Hardy, to Russell Brand, | 0:00:36 | 0:00:39 | |
and tonight, we aim to raise the roof | 0:00:39 | 0:00:41 | |
with the glorious sound of gospel. | 0:00:41 | 0:00:44 | |
CHEERING | 0:00:44 | 0:00:47 | |
Over the next two weeks, these six choirs, | 0:00:47 | 0:00:50 | |
who have made it through to the final, | 0:00:50 | 0:00:52 | |
will sing with passion and faith, | 0:00:52 | 0:00:54 | |
but only one will become the Songs Of Praise Gospel Choir of the Year. | 0:00:54 | 0:00:58 | |
I, for one, can't wait. | 0:00:58 | 0:01:00 | |
Josie, tell us what you're going to be up to with the choirs. | 0:01:02 | 0:01:04 | |
I'm going to be backstage, | 0:01:04 | 0:01:06 | |
capturing their reaction as they complete their performance. | 0:01:06 | 0:01:09 | |
So of course I'm expecting tears... Of joy, everyone! | 0:01:09 | 0:01:12 | |
I'll get there and I'll see you when you finish. Thanks, David. | 0:01:12 | 0:01:15 | |
See you later! | 0:01:15 | 0:01:16 | |
Now, it's time that we introduce our six choirs. | 0:01:16 | 0:01:19 | |
We have, from London, the BIG Choir. | 0:01:19 | 0:01:23 | |
From Coventry University, Gospel Rhythms. | 0:01:25 | 0:01:29 | |
From Barking, Living Faith Connections. | 0:01:29 | 0:01:33 | |
From the North of England, it's Aine. | 0:01:33 | 0:01:36 | |
From East Sussex, it's Lewes Sings Gospel. | 0:01:37 | 0:01:40 | |
And from right here in Hackney, it's Reapers Choir. | 0:01:42 | 0:01:46 | |
They're a real mixture of church, community | 0:01:51 | 0:01:53 | |
and University choirs, each with their own distinct of style | 0:01:53 | 0:01:56 | |
and over the next two weeks, | 0:01:56 | 0:01:57 | |
they'll sing two of their favourite gospel songs. | 0:01:57 | 0:01:59 | |
With this standard of singing, | 0:01:59 | 0:02:01 | |
it's going to be a real challenge for our celebrity judges. | 0:02:01 | 0:02:04 | |
So let's meet them. | 0:02:04 | 0:02:06 | |
She grew up singing gospel music in her church and went on | 0:02:06 | 0:02:09 | |
to become a successful singer and a Queen of Soul, and a fashion icon. | 0:02:09 | 0:02:13 | |
Please welcome Mica Paris! | 0:02:13 | 0:02:16 | |
He's the voice of Premier Radio and with his group, River Songs, | 0:02:19 | 0:02:23 | |
is an internationally acclaimed | 0:02:23 | 0:02:25 | |
multi-award winning UK Gospel artist. | 0:02:25 | 0:02:28 | |
It's Muyiwa Olarewaju! | 0:02:28 | 0:02:30 | |
And finally, when it comes to singing, this woman knows her stuff. | 0:02:33 | 0:02:37 | |
She's taught me a thing or two! | 0:02:37 | 0:02:39 | |
She's a MOBO gospel award-winning celebrity vocal coach, | 0:02:39 | 0:02:42 | |
television presenter and wife to a very lucky man, Carrie Grant! | 0:02:42 | 0:02:47 | |
Our first choir has chosen a song famously sung by artists | 0:02:50 | 0:02:53 | |
such as Paul Robeson and Louis Armstrong. | 0:02:53 | 0:02:55 | |
Here with their own take on the traditional spiritual, | 0:02:55 | 0:02:58 | |
Go Down Moses, it's the BIG Choir from London. | 0:02:58 | 0:03:02 | |
The BIG Choir is a training choir. | 0:03:06 | 0:03:09 | |
We're not just teaching singing techniques. | 0:03:09 | 0:03:12 | |
I wanted to empower people to take control of their voice. | 0:03:12 | 0:03:16 | |
It has helped me get through some pretty dark times in my life, | 0:03:17 | 0:03:22 | |
just singing this very dynamic, joyful music | 0:03:22 | 0:03:25 | |
that gives you energy, gives you hope. | 0:03:25 | 0:03:28 | |
I really strongly feel the connection | 0:03:28 | 0:03:31 | |
to something greater than myself, | 0:03:31 | 0:03:32 | |
and it gives me a lot of joy as well. | 0:03:32 | 0:03:35 | |
So, Go Down Moses is a very powerful song | 0:03:36 | 0:03:39 | |
that's synonymous with the slave trade. | 0:03:39 | 0:03:41 | |
# So let my people go... # | 0:03:41 | 0:03:43 | |
It's definitely a very powerful song to sing. | 0:03:43 | 0:03:46 | |
It's really just about sharing that story that's in the song, | 0:03:49 | 0:03:54 | |
and that's your faith, that's your passion. | 0:03:54 | 0:03:57 | |
# Let my people go! # | 0:03:57 | 0:03:59 | |
# Tell old, tell old, tell old | 0:04:00 | 0:04:05 | |
# Phar-aoh | 0:04:06 | 0:04:12 | |
# Let my people | 0:04:14 | 0:04:20 | |
# Go | 0:04:21 | 0:04:25 | |
# Go down, Moses | 0:04:36 | 0:04:39 | |
# Way down in Egypt's land | 0:04:39 | 0:04:42 | |
# Tell old Pharaoh | 0:04:42 | 0:04:44 | |
# To let my people go | 0:04:44 | 0:04:48 | |
# Go down, Moses | 0:04:48 | 0:04:50 | |
# Way down in Egypt's land | 0:04:50 | 0:04:54 | |
# Tell old Pharaoh | 0:04:54 | 0:04:56 | |
# To let my people go | 0:04:56 | 0:04:59 | |
# When Israel was in Egypt's land | 0:05:02 | 0:05:05 | |
# Let my people go | 0:05:05 | 0:05:08 | |
# Oppressed so hard they could not stand | 0:05:08 | 0:05:11 | |
# Let my people go | 0:05:11 | 0:05:14 | |
# Go down, Moses | 0:05:14 | 0:05:17 | |
# Way down in Egypt's land | 0:05:17 | 0:05:20 | |
# Tell old Pharaoh | 0:05:20 | 0:05:23 | |
# To let my people go | 0:05:23 | 0:05:26 | |
# Go down, Moses | 0:05:26 | 0:05:29 | |
# Way down in Egypt's land | 0:05:29 | 0:05:32 | |
# Tell old Pharaoh | 0:05:32 | 0:05:35 | |
# To let my people go | 0:05:35 | 0:05:37 | |
# Let them go | 0:05:38 | 0:05:43 | |
# Let them go | 0:05:44 | 0:05:48 | |
# Let my people go | 0:05:48 | 0:05:50 | |
# Let them go | 0:05:50 | 0:05:56 | |
# Let them go | 0:05:56 | 0:05:59 | |
# Let my people go | 0:05:59 | 0:06:01 | |
# Let them go | 0:06:01 | 0:06:07 | |
# Let them go | 0:06:07 | 0:06:11 | |
# Let my people go | 0:06:11 | 0:06:13 | |
# Let them go | 0:06:13 | 0:06:19 | |
# Let them go | 0:06:19 | 0:06:22 | |
# Let my people go | 0:06:22 | 0:06:24 | |
# Let my people go | 0:06:25 | 0:06:27 | |
# Let my people go | 0:06:28 | 0:06:30 | |
# Let my people go! # | 0:06:31 | 0:06:33 | |
The BIG Choir! | 0:06:40 | 0:06:42 | |
Well, Mica, BIG were the first choir. | 0:06:42 | 0:06:46 | |
Did they set a high enough standard? | 0:06:46 | 0:06:49 | |
That was pretty high. | 0:06:49 | 0:06:50 | |
I loved the way their faces looked, they looked so passionate, | 0:06:50 | 0:06:55 | |
and they were singing from the heart. | 0:06:55 | 0:06:58 | |
I was watching all of them, they were giving everything they had. | 0:06:58 | 0:07:01 | |
Muyiwa, they started with a traditional spiritual, | 0:07:01 | 0:07:04 | |
what did you think of their interpretation? | 0:07:04 | 0:07:06 | |
The message of the song is liberation, freedom, and I got that | 0:07:06 | 0:07:10 | |
from the faces and the hands of some of the guys, | 0:07:10 | 0:07:13 | |
especially at the back. | 0:07:13 | 0:07:15 | |
I was ready to run out of here saying, I'm free, I'm free, | 0:07:15 | 0:07:17 | |
praise God, I'm free! | 0:07:17 | 0:07:19 | |
Carrie, they're called BIG, the Big Choir, | 0:07:21 | 0:07:23 | |
did that sound live up to their name? | 0:07:23 | 0:07:26 | |
By the time you are going full pelt in the middle, | 0:07:26 | 0:07:29 | |
it was fantastic, and more than anything, | 0:07:29 | 0:07:31 | |
this genre is about telling a story and you certainly told the story. | 0:07:31 | 0:07:35 | |
Thank you, judges, and thank you, BIG Choir. | 0:07:37 | 0:07:40 | |
That was great! | 0:07:43 | 0:07:45 | |
You seem really thrilled with that performance. | 0:07:46 | 0:07:49 | |
Oh, yes, the choir just gave it everything they had. | 0:07:49 | 0:07:52 | |
I'm really, really happy with that. | 0:07:52 | 0:07:53 | |
Lots of energy in there, we were in the zone | 0:07:53 | 0:07:56 | |
and I felt we just gave it everything we had. | 0:07:56 | 0:07:58 | |
Did you enjoy that? | 0:07:58 | 0:07:59 | |
All: Yes! | 0:07:59 | 0:08:01 | |
Time now for a University choir. | 0:08:01 | 0:08:03 | |
From Coventry, with Here I Am To Worship, it's Gospel Rhythms. | 0:08:03 | 0:08:08 | |
Sometimes you feel down, you've got so much coursework, deadlines, exams, | 0:08:12 | 0:08:17 | |
and you still see people coming together, | 0:08:17 | 0:08:19 | |
not just to relieve the burden and stress | 0:08:19 | 0:08:22 | |
but just really enjoy each other's company | 0:08:22 | 0:08:24 | |
and also enjoy something that we like doing, which is singing. | 0:08:24 | 0:08:27 | |
I think music is a thing that attracts people to the choir | 0:08:29 | 0:08:32 | |
initially, but faith really, and just the love between us | 0:08:32 | 0:08:35 | |
is what holds us together as a choir. | 0:08:35 | 0:08:38 | |
Rebecca? | 0:08:38 | 0:08:39 | |
She really puts her heart and soul into leading Gospel Rhythms | 0:08:39 | 0:08:43 | |
and she is strong for us and really encourages us to do our best as well. | 0:08:43 | 0:08:47 | |
We have chosen to sing Here I Am To Worship. | 0:08:47 | 0:08:50 | |
# Here I am to worship... # | 0:08:50 | 0:08:54 | |
It really is the heartbeat of the choir. We love to worship, | 0:08:54 | 0:08:58 | |
we love to praise God with our music. | 0:08:58 | 0:09:00 | |
It would be amazing to win the competition. | 0:09:02 | 0:09:05 | |
Amazing really is an understatement, it would be phenomenal. | 0:09:05 | 0:09:08 | |
This could be the year, you never know. Fingers crossed! | 0:09:08 | 0:09:12 | |
# Light of the world | 0:09:21 | 0:09:24 | |
# You stepped down into darkness | 0:09:24 | 0:09:30 | |
# Opened my eyes | 0:09:30 | 0:09:33 | |
# Let me see | 0:09:33 | 0:09:38 | |
# Beauty that made this heart adore you | 0:09:38 | 0:09:47 | |
# Hope of a life spent with you | 0:09:47 | 0:09:53 | |
# Here I am to worship | 0:09:57 | 0:10:01 | |
# Here I am to bow down | 0:10:01 | 0:10:05 | |
# Here I am to say that you're my God | 0:10:05 | 0:10:13 | |
# You're altogether lovely | 0:10:13 | 0:10:17 | |
# Altogether worthy | 0:10:17 | 0:10:22 | |
# Altogether wonderful to me | 0:10:22 | 0:10:30 | |
# I'll never know | 0:10:35 | 0:10:39 | |
# How much it cost | 0:10:39 | 0:10:43 | |
# To see my sins | 0:10:43 | 0:10:47 | |
# Upon that cross | 0:10:47 | 0:10:51 | |
# I'll never know | 0:10:51 | 0:10:55 | |
# How much it cost | 0:10:55 | 0:10:59 | |
# To see my sins | 0:10:59 | 0:11:03 | |
# Upon that cross | 0:11:03 | 0:11:08 | |
# I'll never know | 0:11:08 | 0:11:11 | |
# How much it cost | 0:11:11 | 0:11:15 | |
# To see my sins | 0:11:15 | 0:11:19 | |
# Upon that cross | 0:11:19 | 0:11:25 | |
# The cross... | 0:11:27 | 0:11:31 | |
ALL SING HARMONIES | 0:11:31 | 0:11:35 | |
# The cross | 0:11:35 | 0:11:40 | |
# The cross | 0:11:44 | 0:11:49 | |
# The cross | 0:11:52 | 0:11:57 | |
# Here I am to worship | 0:12:00 | 0:12:03 | |
# Here I am to bow down | 0:12:03 | 0:12:07 | |
# Here I am to say that | 0:12:07 | 0:12:11 | |
# You're my God. # | 0:12:11 | 0:12:19 | |
Gospel Rhythms, everybody! | 0:12:32 | 0:12:33 | |
That's a popular worship song, I know it's hard to judge worship, | 0:12:35 | 0:12:40 | |
but was that a sincere performance? | 0:12:40 | 0:12:42 | |
I think, absolutely. | 0:12:42 | 0:12:44 | |
The message of the song, because Tim Hughes who wrote the song, | 0:12:44 | 0:12:47 | |
always talks about his message was humility and wanting more of God. | 0:12:47 | 0:12:51 | |
You got that from their performance | 0:12:51 | 0:12:53 | |
cos many a time, people think, gospel music, | 0:12:53 | 0:12:55 | |
you've got to jump all over the place | 0:12:55 | 0:12:57 | |
and jump up and down, but they delivered. | 0:12:57 | 0:12:59 | |
Carrie? | 0:12:59 | 0:13:00 | |
I thought it was a very brave choice | 0:13:00 | 0:13:02 | |
and I loved the fact that you took a song | 0:13:02 | 0:13:04 | |
that was normally very middle-of-the-road | 0:13:04 | 0:13:06 | |
and you put a totally different sound to it, | 0:13:06 | 0:13:08 | |
which was great. I loved the tone and diction. | 0:13:08 | 0:13:10 | |
I'd like to see more of a connectedness between the lyrics | 0:13:10 | 0:13:13 | |
and the whole person. | 0:13:13 | 0:13:15 | |
Certain people, you can see it on you, whereas for others, | 0:13:15 | 0:13:18 | |
you're a little bit like, I'm standing here | 0:13:18 | 0:13:21 | |
and it's a performance and it's scary! | 0:13:21 | 0:13:23 | |
It is a bit scary standing in front of a big audience, isn't it? | 0:13:23 | 0:13:26 | |
Mica, you started singing at a young age, how scary is it? | 0:13:26 | 0:13:29 | |
Don't ask me! | 0:13:29 | 0:13:31 | |
I started when I was 11, singing in front of an audience like this. | 0:13:31 | 0:13:35 | |
So it's really terrifying, | 0:13:35 | 0:13:36 | |
but I want to say that the presentation was fantastic. | 0:13:36 | 0:13:40 | |
What I loved was the harmonising. I thought it was so perfect. | 0:13:40 | 0:13:45 | |
Every single note together that they sang sounded just so beautiful. | 0:13:45 | 0:13:49 | |
Ladies and gentlemen, Gospel Rhythms! | 0:13:51 | 0:13:54 | |
What did you think about what the judges had to say? | 0:13:54 | 0:13:57 | |
I really appreciate their comments. | 0:13:57 | 0:13:59 | |
Connecting more with the song | 0:13:59 | 0:14:01 | |
is something that's really crucial in gospel, | 0:14:01 | 0:14:03 | |
especially when we are the youngest choir and sometimes | 0:14:03 | 0:14:06 | |
nerves can get in the way, so we appreciated having them say that - | 0:14:06 | 0:14:09 | |
relax and just connect. | 0:14:09 | 0:14:10 | |
Next up, it's the turn of a choir from here in Hackney, | 0:14:10 | 0:14:14 | |
although they tell me they've never performed on this stage before. | 0:14:14 | 0:14:17 | |
It's Reapers Choir! | 0:14:17 | 0:14:19 | |
The Reapers Choir, I'd say, is a young, vibrant, gospel choir. | 0:14:21 | 0:14:25 | |
I grew up in this church and so I have always | 0:14:25 | 0:14:28 | |
sung in the church. | 0:14:28 | 0:14:30 | |
Then I came to direct the Reapers Choir. | 0:14:30 | 0:14:33 | |
Well, what can I say about Anu? | 0:14:33 | 0:14:35 | |
She knows what she wants, so if you're not pushing and pulling, | 0:14:35 | 0:14:38 | |
she's really keen on that and having wide mouth shapes. | 0:14:38 | 0:14:41 | |
You're not singing correctly if you don't have that. | 0:14:41 | 0:14:43 | |
I wrote Stand Still after my dad passed away. | 0:14:46 | 0:14:50 | |
He was the overseer of the church | 0:14:50 | 0:14:52 | |
and that was a difficult time for me, personally. | 0:14:52 | 0:14:55 | |
It really just came to me that whilst everything is crashing down | 0:14:55 | 0:14:58 | |
and unrecognisable, really, just stand still, let God take over. | 0:14:58 | 0:15:04 | |
We're not really in it for the win. | 0:15:06 | 0:15:08 | |
The real winning is getting a chance to be on this stage, | 0:15:08 | 0:15:11 | |
being on this platform, and to be able to share Christ, | 0:15:11 | 0:15:14 | |
and that's what being a Christian, essentially, is all about. | 0:15:14 | 0:15:17 | |
And if we win, hey, we thank God. If we lose, we thank God. | 0:15:17 | 0:15:21 | |
# When your world is falling down around you | 0:15:30 | 0:15:36 | |
# Crashing down around you | 0:15:36 | 0:15:40 | |
# Coming out about you | 0:15:40 | 0:15:45 | |
# And your life is spinning so fast | 0:15:45 | 0:15:51 | |
# You can't see | 0:15:51 | 0:15:54 | |
# Your way through | 0:15:54 | 0:16:00 | |
# Your way out | 0:16:00 | 0:16:06 | |
# You can't see the light | 0:16:06 | 0:16:12 | |
# For you | 0:16:12 | 0:16:16 | |
# Just be still | 0:16:18 | 0:16:21 | |
# Stand still | 0:16:21 | 0:16:24 | |
# Watch the Lord take it over | 0:16:24 | 0:16:28 | |
# And fix it for you | 0:16:28 | 0:16:30 | |
# Just be still | 0:16:30 | 0:16:34 | |
# Stand still | 0:16:34 | 0:16:37 | |
# Let Him move in and take the control | 0:16:37 | 0:16:41 | |
# And give you victory | 0:16:41 | 0:16:46 | |
# Nobody told you it would be easy | 0:16:48 | 0:16:51 | |
# But nobody told you it would be this hard | 0:16:51 | 0:16:59 | |
# When in your life the storms are blowing | 0:16:59 | 0:17:03 | |
# Only one place where you can find your guide | 0:17:05 | 0:17:13 | |
# Just be still | 0:17:13 | 0:17:16 | |
# Stand still | 0:17:16 | 0:17:19 | |
# Watch the Lord take it over | 0:17:19 | 0:17:22 | |
# And fix it for you | 0:17:22 | 0:17:25 | |
# Just be still | 0:17:25 | 0:17:28 | |
# Stand still | 0:17:28 | 0:17:31 | |
# Let Him move in and take the control | 0:17:31 | 0:17:36 | |
# Just be still | 0:17:36 | 0:17:39 | |
# Stand still | 0:17:39 | 0:17:43 | |
# Watch the Lord take it over | 0:17:43 | 0:17:46 | |
# And fix it for you | 0:17:46 | 0:17:49 | |
# Just be still | 0:17:49 | 0:17:52 | |
# Stand still | 0:17:52 | 0:17:55 | |
# Let Him move in and take the control | 0:17:55 | 0:18:00 | |
# And give you victory | 0:18:00 | 0:18:03 | |
# He will give you victory | 0:18:03 | 0:18:07 | |
# He will give you victory | 0:18:09 | 0:18:14 | |
# He will give you victory | 0:18:15 | 0:18:20 | |
# Yeah, yeah, yeah | 0:18:20 | 0:18:22 | |
# He will give you victory. # | 0:18:22 | 0:18:29 | |
-CHEERS AND APPLAUSE -Reapers Choir, everybody. | 0:18:29 | 0:18:35 | |
Now, Carrie, that song was written by the choir director, Annie. | 0:18:36 | 0:18:41 | |
It's a brave choice to sing an original composition. | 0:18:41 | 0:18:44 | |
Was it the right choice? | 0:18:44 | 0:18:46 | |
It's not a brave choice when the song is that good. | 0:18:46 | 0:18:49 | |
CHEERS AND APPLAUSE That was...brilliant! | 0:18:49 | 0:18:52 | |
Soprano's sound... Mwah! Mwah! | 0:18:53 | 0:18:56 | |
Amazing! Amazing! | 0:18:56 | 0:18:58 | |
Even... | 0:18:58 | 0:19:00 | |
Even to the extent that your vibrato, the undulation in the voice, | 0:19:00 | 0:19:03 | |
is all in time. Amazing! APPLAUSE | 0:19:03 | 0:19:06 | |
-Mica, I think Carrie quite liked it. -Yeah, yeah! | 0:19:06 | 0:19:10 | |
An all-female choir, completely different balance of voices. | 0:19:10 | 0:19:13 | |
-Did that balance within the choir work for you? -It does. | 0:19:13 | 0:19:16 | |
It totally works. There's no doubt. | 0:19:16 | 0:19:18 | |
It's quite refreshing as well, to see all females singing in a choir. | 0:19:18 | 0:19:22 | |
I think the presentation was really good. | 0:19:22 | 0:19:25 | |
I felt that they were all together. I thought they were great. | 0:19:25 | 0:19:28 | |
-CHEERS AND APPLAUSE -Really nice. | 0:19:28 | 0:19:32 | |
The problem I have is they brought out the vain side of me | 0:19:33 | 0:19:37 | |
cos they came on, I looked at the prints on their skirts | 0:19:37 | 0:19:41 | |
and thought, "I'm so glad I'm not the only one wearing African print!" | 0:19:41 | 0:19:44 | |
CHEERS AND APPLAUSE | 0:19:44 | 0:19:47 | |
But on a serious note, the song is still ringing in my heart, | 0:19:49 | 0:19:53 | |
just be still, stand still, | 0:19:53 | 0:19:56 | |
and for me, this is the beauty of this competition. | 0:19:56 | 0:20:00 | |
It allows us to see | 0:20:00 | 0:20:02 | |
the great quality we have in the UK in song writing and singers. | 0:20:02 | 0:20:06 | |
Keep going. | 0:20:06 | 0:20:08 | |
CHEERS AND APPLAUSE | 0:20:08 | 0:20:10 | |
Ladies and gentlemen, let's hear it for the Reapers Choir. | 0:20:10 | 0:20:13 | |
CHEERS AND APPLAUSE | 0:20:13 | 0:20:16 | |
You turned that audience into a congregation just then. | 0:20:16 | 0:20:20 | |
I don't know what to say! | 0:20:20 | 0:20:22 | |
I'm speechless, which people who know me | 0:20:22 | 0:20:24 | |
will find very funny cos I'm never speechless! | 0:20:24 | 0:20:27 | |
It was just...really wonderful to sing on that amazing stage | 0:20:27 | 0:20:31 | |
and to minister for all those people. | 0:20:31 | 0:20:34 | |
Well, we're halfway through our Gospel Choir competition | 0:20:34 | 0:20:37 | |
in the wonderful setting of Hackney Empire. | 0:20:37 | 0:20:39 | |
There are still three more choirs to perform, | 0:20:39 | 0:20:42 | |
so don't decide on your favourites yet. | 0:20:42 | 0:20:44 | |
Our next choir say they're mainly from the north of England. | 0:20:44 | 0:20:47 | |
I'll let them explain. It's Aine. | 0:20:47 | 0:20:49 | |
In Aine, our members | 0:20:51 | 0:20:54 | |
aren't bound by geography. We're bound by | 0:20:54 | 0:20:57 | |
a shared commitment to the same musical and spiritual values. | 0:20:57 | 0:21:01 | |
So, we come from different cities, and as often as we can, | 0:21:01 | 0:21:05 | |
we come together and sing. | 0:21:05 | 0:21:07 | |
Alex as a conductor is very intense and he expects a lot of us, | 0:21:10 | 0:21:15 | |
but he also has really high expectations of himself as well. | 0:21:15 | 0:21:19 | |
We are Bible believing Christians who sing to express our faith | 0:21:19 | 0:21:23 | |
and share it and worship God at the same time. | 0:21:23 | 0:21:26 | |
# Shout to the Lord All the Earth, let us sing... # | 0:21:26 | 0:21:31 | |
Shout To The Lord is a very simple but very powerful song that is | 0:21:31 | 0:21:36 | |
directly about praising God and an act of praise all at the same time. | 0:21:36 | 0:21:41 | |
Being part of a small choir, you have no place to hide, | 0:21:43 | 0:21:46 | |
so we have to make sure that we do know the music really well. | 0:21:46 | 0:21:50 | |
# My Jesus, my saviour | 0:22:02 | 0:22:07 | |
# Lord, there is none like you | 0:22:07 | 0:22:11 | |
# All of my days | 0:22:11 | 0:22:13 | |
# I want to praise | 0:22:13 | 0:22:16 | |
# The wonders of Your mighty love | 0:22:16 | 0:22:23 | |
# My comfort, my shelter | 0:22:23 | 0:22:28 | |
# Tower of refuge and strength | 0:22:28 | 0:22:32 | |
# Let every breath | 0:22:32 | 0:22:34 | |
# All that I am | 0:22:34 | 0:22:37 | |
# Never cease to worship you | 0:22:37 | 0:22:44 | |
# Shout to the Lord | 0:22:44 | 0:22:46 | |
# All the Earth, let us sing | 0:22:46 | 0:22:49 | |
# Power and majesty Praise to the King | 0:22:49 | 0:22:54 | |
# Mountains bow down and the seas will roar | 0:22:54 | 0:22:58 | |
# At the sound of Your name | 0:22:58 | 0:23:04 | |
# I sing for joy and the works of Your hands | 0:23:04 | 0:23:08 | |
# Forever, I'll love you Forever I'll stand | 0:23:08 | 0:23:13 | |
# Nothing compares to the promise I have | 0:23:13 | 0:23:18 | |
# In You | 0:23:18 | 0:23:22 | |
# Shout to the Lord All the Earth, let us sing | 0:23:22 | 0:23:28 | |
# Power and majesty Praise to the King | 0:23:28 | 0:23:33 | |
# Mountains bow down and the seas will roar | 0:23:33 | 0:23:37 | |
# At the sound of Your name | 0:23:37 | 0:23:43 | |
# I sing for joy at the works of Your hands | 0:23:43 | 0:23:47 | |
# Forever, I'll love You Forever I'll stand | 0:23:47 | 0:23:53 | |
# Nothing compares to the promise I have | 0:23:53 | 0:23:58 | |
# Nothing compares to the promise I have | 0:23:58 | 0:24:02 | |
# Nothing compares to the promise I have | 0:24:02 | 0:24:07 | |
# Nothing compares to the promise I have | 0:24:07 | 0:24:12 | |
# Nothing compares to the promise I have | 0:24:12 | 0:24:16 | |
# Nothing compares to the promise I have | 0:24:16 | 0:24:21 | |
# Nothing compares to the promise I have | 0:24:21 | 0:24:25 | |
# In You | 0:24:25 | 0:24:28 | |
# In You | 0:24:28 | 0:24:30 | |
# In You | 0:24:30 | 0:24:31 | |
# In You | 0:24:31 | 0:24:33 | |
# In You | 0:24:33 | 0:24:34 | |
# In You | 0:24:34 | 0:24:36 | |
# In You. # | 0:24:36 | 0:24:40 | |
CHEERING AND APPLAUSE | 0:24:40 | 0:24:42 | |
Aine, everybody. | 0:24:47 | 0:24:49 | |
Mica, they're our smallest choir in the competition. | 0:24:50 | 0:24:54 | |
Does that mean that they have to work harder to create the sound? | 0:24:54 | 0:24:58 | |
Yes, and I think they did it. The sound is very soft and sweet. | 0:24:58 | 0:25:02 | |
And what was lovely was those minor chords | 0:25:02 | 0:25:04 | |
that were coming in were just really nice. | 0:25:04 | 0:25:07 | |
-I liked that kind of jazzy blues stuff. -Muyiwa. | 0:25:07 | 0:25:11 | |
When you have a choir of 30 people, 40 people, going before you, | 0:25:11 | 0:25:15 | |
and you feel, there's only eight of us, you can get rather nervous, | 0:25:15 | 0:25:19 | |
but I think the commitment they had to the song, | 0:25:19 | 0:25:22 | |
-once they got in their zone, was clear. -Carrie. | 0:25:22 | 0:25:25 | |
I would have liked the arrangement to have been a little bit more simple | 0:25:25 | 0:25:29 | |
so that we could then really hear the blend. | 0:25:29 | 0:25:31 | |
This size group has to be about the blend. I loved the sincerity of it. | 0:25:31 | 0:25:35 | |
I'd say that, above everything else about you guys, it just felt | 0:25:35 | 0:25:38 | |
very simple, very sincere, in terms of your performance. | 0:25:38 | 0:25:41 | |
-I liked it. -Thank you, Aine. | 0:25:41 | 0:25:43 | |
I'm just happy and grateful to the Almighty | 0:25:45 | 0:25:48 | |
that we were able to go out there | 0:25:48 | 0:25:49 | |
and give a good account of ourselves of a difficult arrangement. | 0:25:49 | 0:25:53 | |
I'm grateful to God and hugely proud of my singers. | 0:25:53 | 0:25:56 | |
Singing next is a community choir from East Sussex. | 0:25:56 | 0:25:59 | |
They take their name from their town. It's Lewes Sings Gospel. | 0:25:59 | 0:26:03 | |
We're here in Lewes, it's the county town. | 0:26:07 | 0:26:10 | |
We're sited in 1,000-year-old church, dating back from the Norman conquest, | 0:26:10 | 0:26:14 | |
and it's the best setting to sing this special sort of music. | 0:26:14 | 0:26:18 | |
There's something really special | 0:26:20 | 0:26:22 | |
about community choirs, where you have | 0:26:22 | 0:26:25 | |
people from all walks of life, all different backgrounds, | 0:26:25 | 0:26:30 | |
but when we come together, we're all saying the same thing. | 0:26:30 | 0:26:34 | |
Karen is firm, but very fair. She doesn't take any nonsense. | 0:26:36 | 0:26:41 | |
She pushes us to the point of perfection and it's amazing. | 0:26:41 | 0:26:44 | |
Our song is a cappella. Oh, Lord, I Know I've Been Changed. | 0:26:48 | 0:26:52 | |
# You know, the angels... # | 0:26:52 | 0:26:55 | |
You can really feel the emotion in it and I really hope everyone enjoys it. | 0:26:55 | 0:27:00 | |
# Ooh, ooh | 0:27:02 | 0:27:06 | |
# Ooh, ooh, ooh | 0:27:08 | 0:27:14 | |
# Ooh, ooh | 0:27:15 | 0:27:20 | |
# Ooh, ooh, ooh | 0:27:20 | 0:27:23 | |
# Ooh, ooh, ooh, ooh | 0:27:23 | 0:27:27 | |
# Ooh, ooh | 0:27:27 | 0:27:31 | |
# Lord, I know I've been changed | 0:27:31 | 0:27:37 | |
# Lord, I know I've been changed | 0:27:37 | 0:27:44 | |
# Lord, I know I've been changed | 0:27:44 | 0:27:49 | |
# Cos the angels in heaven done sang my name | 0:27:49 | 0:27:56 | |
# Jordan's water is chilly and cold | 0:27:56 | 0:28:01 | |
# You know, the angels in heaven done sang my name | 0:28:01 | 0:28:06 | |
# Said it chilled my body but not my soul | 0:28:06 | 0:28:12 | |
# You know, the angels in heaven done sang my name | 0:28:12 | 0:28:17 | |
# If you don't believe I've been redeemed | 0:28:18 | 0:28:23 | |
# The angels in heaven done sang my name | 0:28:23 | 0:28:28 | |
# Then follow me down to Jordan's stream, that's where | 0:28:28 | 0:28:33 | |
# The angels in heaven done sang my name | 0:28:33 | 0:28:37 | |
# Oh, Lord | 0:28:37 | 0:28:39 | |
# I know I've been changed | 0:28:39 | 0:28:42 | |
# Lord, I know I've been changed | 0:28:42 | 0:28:46 | |
# Changed for you, Lord | 0:28:46 | 0:28:49 | |
# I know I've been changed | 0:28:49 | 0:28:51 | |
# Because those angels in heaven done sang my name | 0:28:51 | 0:28:56 | |
# I said those angels in heaven done sang my name | 0:28:56 | 0:29:00 | |
# Doo, doo, doo-doo, doo-doo | 0:29:00 | 0:29:04 | |
# Doo, doo, doo-doo, doo-doo | 0:29:04 | 0:29:08 | |
# Doo, doo, doo-doo, doo-doo | 0:29:08 | 0:29:12 | |
# Doo-doo-doo, doo-doo doo-doo, doo-doo | 0:29:12 | 0:29:15 | |
# Doo, doo-doo | 0:29:15 | 0:29:17 | |
# Doo-doo-doo, doo-doo doo-doo, doo-doo | 0:29:17 | 0:29:19 | |
# Doo, doo-doo | 0:29:19 | 0:29:21 | |
# The angels in heaven done sang my name | 0:29:21 | 0:29:26 | |
# I know I've been changed | 0:29:26 | 0:29:30 | |
# Lord, I know I've been changed | 0:29:30 | 0:29:34 | |
# Lord, I know I've been changed | 0:29:34 | 0:29:39 | |
# Because the angels in heaven done sang my name | 0:29:43 | 0:29:48 | |
# The angels in heaven done sang my name | 0:29:48 | 0:29:52 | |
# The angels in heaven done sang name. # | 0:29:52 | 0:30:00 | |
APPLAUSE AND CHEERING | 0:30:04 | 0:30:07 | |
Lewes Sings Gospel. | 0:30:07 | 0:30:10 | |
Muyiwa, how did they do? | 0:30:12 | 0:30:14 | |
My toes are still tingling, I'm telling you. | 0:30:16 | 0:30:19 | |
This has proved positive that gospel music, or choir singing, | 0:30:19 | 0:30:23 | |
it's not a black thing, it's not a white thing, | 0:30:23 | 0:30:25 | |
it's a heart thing. | 0:30:25 | 0:30:27 | |
Their hearts and the song connected with my heart | 0:30:30 | 0:30:33 | |
and I'm like, "Yes, the angels in heaven sound my name." | 0:30:33 | 0:30:36 | |
APPLAUSE | 0:30:36 | 0:30:41 | |
-Carrie. -Amazing discipline in terms of your singing. | 0:30:42 | 0:30:46 | |
I have to draw focus on your conductor, Karen Gibson. | 0:30:46 | 0:30:49 | |
I'm like, what does all this stuff mean? | 0:30:52 | 0:30:55 | |
-I want to know how you're doing that. It's fantastic. -Mica. | 0:30:55 | 0:30:59 | |
I'm just going to tell you right now, that's what a choir is, OK? | 0:30:59 | 0:31:03 | |
Unbelievable. Moved me. This vocalist... Oh, my gosh! | 0:31:05 | 0:31:10 | |
Shocking. You, as well. Fabulous. Awesome. | 0:31:12 | 0:31:16 | |
Thank you, Lewes Sings Gospel. | 0:31:18 | 0:31:20 | |
How did it feel? | 0:31:20 | 0:31:22 | |
It felt relief but it felt really good | 0:31:22 | 0:31:27 | |
because the audience were really supportive. | 0:31:27 | 0:31:29 | |
The judges said some lovely things. | 0:31:29 | 0:31:31 | |
I'm never going to forget that audience. | 0:31:35 | 0:31:37 | |
Our final choir is from Barking in Essex. | 0:31:37 | 0:31:40 | |
With their version of the popular gospel song, Total Praise, | 0:31:40 | 0:31:43 | |
it's Living Faith Connections. | 0:31:43 | 0:31:46 | |
THEY SING | 0:31:46 | 0:31:49 | |
Living Faith Connections | 0:31:52 | 0:31:54 | |
started off in Africa, Nigeria, | 0:31:54 | 0:31:55 | |
and has gone around the world. | 0:31:55 | 0:31:58 | |
It's just a dynamic group of people sending forth the gospel | 0:31:58 | 0:32:02 | |
but we do it through music because that is our medium, | 0:32:02 | 0:32:05 | |
that is our ministry. | 0:32:05 | 0:32:06 | |
Evans is our music producer, he's music director, | 0:32:09 | 0:32:12 | |
he's fun, he's lovely, he's nice. | 0:32:12 | 0:32:15 | |
Yeah. And he's my husband, yeah. | 0:32:15 | 0:32:17 | |
He's a very dynamic leader. | 0:32:20 | 0:32:22 | |
He listens. You couldn't find a more encouraging human being. | 0:32:22 | 0:32:26 | |
Total Praise is a song, for me, | 0:32:29 | 0:32:31 | |
that I use to communicate with God, to worship. | 0:32:31 | 0:32:34 | |
It's like a prayer. | 0:32:34 | 0:32:36 | |
It's one of those things that, with each time you sing a song, | 0:32:39 | 0:32:42 | |
it always, always makes me well up. | 0:32:42 | 0:32:45 | |
It just puts me in that state of, you know what? | 0:32:45 | 0:32:48 | |
I've got my God sitting right next to me | 0:32:48 | 0:32:51 | |
and I don't know the right word to use. | 0:32:51 | 0:32:54 | |
Perfect worship, that's just it. | 0:32:54 | 0:32:56 | |
# Lord, I will lift | 0:33:01 | 0:33:10 | |
# My eyes to the hills | 0:33:10 | 0:33:21 | |
# Knowing my help | 0:33:21 | 0:33:30 | |
# Is coming from you | 0:33:30 | 0:33:40 | |
# Your peace you give me | 0:33:41 | 0:33:49 | |
# In time of the storm | 0:33:49 | 0:34:01 | |
# You are the source of my strength | 0:34:01 | 0:34:08 | |
# You are the strength of my life | 0:34:10 | 0:34:17 | |
# I lift my hands | 0:34:20 | 0:34:25 | |
# In total praise to you | 0:34:25 | 0:34:34 | |
# You are the source of my strength | 0:34:39 | 0:34:44 | |
# You are the strength of my life | 0:34:47 | 0:34:53 | |
# I lift my hands | 0:34:56 | 0:35:01 | |
# In total praise to you | 0:35:01 | 0:35:10 | |
# Amen, Amen | 0:35:10 | 0:35:19 | |
# Amen, Amen | 0:35:20 | 0:35:29 | |
# Amen, Amen | 0:35:29 | 0:35:36 | |
# Amen | 0:35:37 | 0:35:42 | |
# Amen. # | 0:35:42 | 0:35:51 | |
APPLAUSE AND CHEERING | 0:35:54 | 0:36:02 | |
Living Faith Connections, everybody. | 0:36:06 | 0:36:10 | |
Mica, very well-known gospel song. Did they do it justice? | 0:36:10 | 0:36:15 | |
Yes, they did, and very, very powerful. | 0:36:15 | 0:36:17 | |
One of the strongest choirs today in terms of sound. | 0:36:17 | 0:36:21 | |
Sometimes, for me, it was a bit too loud, | 0:36:21 | 0:36:23 | |
but the blend is definitely there, for sure. | 0:36:23 | 0:36:25 | |
Muyiwa, Total Praise, did you totally believe them? | 0:36:25 | 0:36:29 | |
I'll tell you what, it's difficult for them because so many people | 0:36:29 | 0:36:33 | |
have done this song, but then I had to say to myself, close your eyes, | 0:36:33 | 0:36:37 | |
feel what Richard Small wanted out of this song, because | 0:36:37 | 0:36:40 | |
he wrote the song whilst he was losing his mother and his brother. | 0:36:40 | 0:36:43 | |
He was caring for both of them. | 0:36:43 | 0:36:45 | |
His response was, I will give, I will give total praise to God. | 0:36:45 | 0:36:48 | |
So I thought, close your eyes, can I feel that in there? Yes. | 0:36:48 | 0:36:54 | |
APPLAUSE | 0:36:54 | 0:36:58 | |
I felt like you took me on a journey and I felt that | 0:36:58 | 0:37:01 | |
the light and shade of it was absolutely beautiful. | 0:37:01 | 0:37:04 | |
Not too loud for me. It was great. | 0:37:04 | 0:37:06 | |
Thank you, judges, and thank you Living Faith Connections. | 0:37:08 | 0:37:12 | |
-Happy? -Yay. -Very happy. | 0:37:12 | 0:37:16 | |
I could feel the power of God while we were administering that song. | 0:37:16 | 0:37:19 | |
God was glorified and we just gave God all the praise. | 0:37:19 | 0:37:22 | |
-I couldn't agree more. -Amen. Thank you, Jesus. | 0:37:22 | 0:37:26 | |
We've heard some fantastic, inspirational singing | 0:37:29 | 0:37:32 | |
from our six choirs. Next week, they'll have another chance | 0:37:32 | 0:37:35 | |
to impress before the judges have to make their decision. | 0:37:35 | 0:37:38 | |
It's not going to be easy. | 0:37:38 | 0:37:40 | |
So, judges, at this stage of the competition, give me your thoughts. | 0:37:40 | 0:37:45 | |
-Mica? -Yes. -Which choir gave a stand-out performance for you? | 0:37:45 | 0:37:49 | |
The Lewes Choir. | 0:37:49 | 0:37:50 | |
APPLAUSE | 0:37:50 | 0:37:52 | |
Muyiwa, which choir, at this stage, were you touched by most? | 0:37:52 | 0:37:57 | |
It's real difficult to say but I have to say, | 0:37:57 | 0:38:00 | |
the African Prince got it for me. | 0:38:00 | 0:38:02 | |
The Reapers Choir. | 0:38:02 | 0:38:04 | |
Carrie, which song is still ringing in your ears? | 0:38:04 | 0:38:08 | |
It would have to be Living Faith Connections. | 0:38:08 | 0:38:10 | |
Thank you, judges. | 0:38:10 | 0:38:13 | |
-Josie, how are the choirs holding up? -Oh, wonderful. | 0:38:15 | 0:38:18 | |
You've all had a great time, haven't you? | 0:38:18 | 0:38:20 | |
I suspect they'll be slightly more nervous next week | 0:38:20 | 0:38:22 | |
when they are ever so close | 0:38:22 | 0:38:24 | |
and it's just in reach, that all-important trophy. | 0:38:24 | 0:38:26 | |
Which of our choirs will you be rooting for next week? | 0:38:26 | 0:38:30 | |
Do join us when all six choirs will sing another great gospel song | 0:38:30 | 0:38:34 | |
before the judges decide which of them will become | 0:38:34 | 0:38:37 | |
Songs Of Praise Gospel Choir of the Year. | 0:38:37 | 0:38:40 | |
Bye for now. | 0:38:40 | 0:38:41 | |
APPLAUSE AND CHEERING | 0:38:41 | 0:38:43 |