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I have a date with a living legend - | 0:00:03 | 0:00:06 | |
a lady who's sung with all the greats. | 0:00:06 | 0:00:08 | |
She's even marched with Martin Luther King - she is Mavis Staples. | 0:00:08 | 0:00:12 | |
Together with her family, The Staples Singers, she sang | 0:00:12 | 0:00:15 | |
some of the most distinctive songs of the '60s and '70s. | 0:00:15 | 0:00:19 | |
The good news is she's still going strong. | 0:00:19 | 0:00:21 | |
Mavis has one of the best voices around - | 0:00:21 | 0:00:24 | |
but don't just take my word for it! | 0:00:24 | 0:00:26 | |
Mavis Staples is quite simple one of the greatest singers of all time. | 0:00:26 | 0:00:31 | |
When she sings a song, the song become alive. | 0:00:31 | 0:00:33 | |
I love to hear Mavis sing. | 0:00:33 | 0:00:35 | |
In a special Songs Of Praise, Mavis talks to me about her | 0:00:37 | 0:00:41 | |
remarkable life - including her time with Dr King. | 0:00:41 | 0:00:45 | |
There's some uplifting gospel hymns. | 0:00:45 | 0:00:47 | |
More from Jools Holland and we find out why at 72, | 0:00:47 | 0:00:51 | |
Mavis just keeps on touring. | 0:00:51 | 0:00:54 | |
Welcome to North London and a building that used to be a church before it was converted | 0:01:00 | 0:01:06 | |
into a high-tech recording studio by Sir George Martin. | 0:01:06 | 0:01:09 | |
Great music has been made here over the years, | 0:01:09 | 0:01:12 | |
and today will be no exception. | 0:01:12 | 0:01:15 | |
I'm with a congregation eager to meet the legend that is - | 0:01:15 | 0:01:17 | |
Mavis Staples! | 0:01:17 | 0:01:19 | |
APPLAUSE DROWNS WORDS | 0:01:25 | 0:01:27 | |
Thank you so much. | 0:01:27 | 0:01:29 | |
Mavis Staples! | 0:01:29 | 0:01:31 | |
Thank you. | 0:01:33 | 0:01:35 | |
-Mavis, I guess they love you! -I think they do. | 0:01:35 | 0:01:37 | |
-What an honour to have you on the show. -Sounds like it. | 0:01:37 | 0:01:41 | |
It's a wonderful pleasure to be here. | 0:01:41 | 0:01:43 | |
How do you feel being called a legend? | 0:01:43 | 0:01:45 | |
I feel good about it! | 0:01:45 | 0:01:48 | |
I guess I've earned it. | 0:01:48 | 0:01:49 | |
-You most certainly have. -I have. I've been around a while. | 0:01:49 | 0:01:52 | |
-You've enjoyed every moment, though? -They weren't even born! | 0:01:52 | 0:01:56 | |
You know. I've enjoyed every moment. And I'm not tired yet. | 0:01:56 | 0:02:00 | |
-I'm not finished yet. I've got a ways to go. -I'm really glad you said that! | 0:02:00 | 0:02:05 | |
There's so much to talk about but I think we should get into the heart of the music, if you like. | 0:02:05 | 0:02:09 | |
-OK. -What are you going to perform first? | 0:02:09 | 0:02:11 | |
I'm going to perform I'm Going To Lay Down My Burden. | 0:02:11 | 0:02:14 | |
-Fantastic. -Down by the riverside. | 0:02:14 | 0:02:16 | |
-The stage is yours. -Thank you. Thank you. | 0:02:16 | 0:02:19 | |
No more! | 0:06:02 | 0:06:05 | |
CHEERING AND APPLAUSE | 0:06:05 | 0:06:07 | |
-Thank you, Al. -Come and sit down. | 0:06:11 | 0:06:13 | |
Thank you. | 0:06:13 | 0:06:15 | |
Thank you. | 0:06:15 | 0:06:17 | |
How amazing was that? I was thinking whilst I was watching it, | 0:06:17 | 0:06:20 | |
it takes you to make Air Studios back into a church. | 0:06:20 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:24 | |
It is just a wonderful feeling. | 0:06:24 | 0:06:27 | |
Do you hear those voices? They sound like angels. | 0:06:27 | 0:06:31 | |
They take their energy from you and you've got so much of it. | 0:06:31 | 0:06:33 | |
The world got to know of the Staple Singers through Respect Yourself and I'll Take You There. | 0:06:33 | 0:06:37 | |
-Yes. -But you guys have been singing, as a family, for so many years. | 0:06:37 | 0:06:40 | |
Oh, my god, we've been singing now since 1950, 61 years. | 0:06:40 | 0:06:46 | |
Goodness me. | 0:06:46 | 0:06:47 | |
APPLAUSE | 0:06:47 | 0:06:49 | |
And I'm not tired yet. | 0:06:52 | 0:06:54 | |
It's obvious you're not tired. | 0:06:54 | 0:06:56 | |
Yeah, we're ready to go on and on. | 0:06:56 | 0:06:58 | |
My father started us singing... | 0:06:58 | 0:07:01 | |
I was like about eight years old. | 0:07:01 | 0:07:04 | |
Pops used to sing with an all-male group. | 0:07:04 | 0:07:06 | |
The Trumpet Jubilees, six guys... | 0:07:06 | 0:07:09 | |
And, these men wouldn't come to rehearsal. | 0:07:09 | 0:07:11 | |
Pops would go to rehearsal, there might be two there. | 0:07:11 | 0:07:14 | |
He'd come home disgusted. | 0:07:14 | 0:07:16 | |
He'd go to next week, there may be three. | 0:07:16 | 0:07:19 | |
He came home that last time and he went straight to the closet, | 0:07:19 | 0:07:22 | |
pulled out a little guitar, he had bought at the pawn shop, | 0:07:22 | 0:07:25 | |
and he called us children into the living room. | 0:07:25 | 0:07:28 | |
Sat us on the floor in a circle | 0:07:28 | 0:07:30 | |
and began giving us voices to sing | 0:07:30 | 0:07:33 | |
that he and his brothers and sisters would sing down in Mississippi. | 0:07:33 | 0:07:36 | |
One sister lived with us, Aunt Katie. | 0:07:36 | 0:07:40 | |
Aunt Katie came through one night and she said, | 0:07:40 | 0:07:42 | |
"Shucks, you all sound pretty good." | 0:07:42 | 0:07:44 | |
LAUGHTER | 0:07:44 | 0:07:46 | |
I believe I went on to sing in my church. | 0:07:46 | 0:07:48 | |
And, Lord, we were so glad we were going to sing some place else, | 0:07:48 | 0:07:51 | |
other than on the living room floor. | 0:07:51 | 0:07:53 | |
What was the first song you learnt? | 0:07:53 | 0:07:55 | |
-The very first song, Will The Circle Be Unbroken. -How does that go? | 0:07:55 | 0:07:58 | |
# Will the circle be unbroken | 0:07:58 | 0:08:03 | |
# By and by, Lord, | 0:08:03 | 0:08:06 | |
# By and by... # | 0:08:06 | 0:08:09 | |
Yeah! | 0:08:09 | 0:08:10 | |
# There's a better home awaiting | 0:08:10 | 0:08:15 | |
# In the sky, lord, | 0:08:17 | 0:08:19 | |
# In the sky # | 0:08:19 | 0:08:21 | |
Whoo... | 0:08:21 | 0:08:22 | |
APPLAUSE | 0:08:22 | 0:08:24 | |
Yeah! | 0:08:25 | 0:08:27 | |
Yes, indeed. | 0:08:27 | 0:08:29 | |
-You're called God's greatest hit makers. -Yes. | 0:08:29 | 0:08:33 | |
You know, we made a song back in the '50s, Uncloudy Day. | 0:08:33 | 0:08:38 | |
And, lo and behold, it was the very first gospel record | 0:08:38 | 0:08:42 | |
to sell a million. | 0:08:42 | 0:08:44 | |
We moved on, like you say, Respect Yourself, I'll Take You There, | 0:08:44 | 0:08:48 | |
some of the church people, | 0:08:48 | 0:08:50 | |
"The Staple singers, they're singing the Devil's music." | 0:08:50 | 0:08:53 | |
You know... I would tell the people, "The Devil ain't got no music." | 0:08:53 | 0:08:57 | |
All music is God's music. You know? | 0:08:57 | 0:08:59 | |
APPLAUSE | 0:08:59 | 0:09:00 | |
The Devil ain't got no music. | 0:09:00 | 0:09:02 | |
-Listen, I can hardly contain myself. Please sing again. -Yes, I will. | 0:09:06 | 0:09:10 | |
-What are you going to sing? -I'm going to sing Wonderful Saviour. | 0:09:10 | 0:09:13 | |
-Fantastic. -Oh, what a wonderful Saviour! | 0:09:13 | 0:09:15 | |
-Make your way to the stage. -Thank you, Aled. All righty. | 0:09:15 | 0:09:18 | |
Tell you what, it doesn't get much better than this, does it? | 0:09:18 | 0:09:22 | |
Mavis Staples and Wonderful Saviour. | 0:09:22 | 0:09:24 | |
APPLAUSE AND CHEERING | 0:09:24 | 0:09:29 | |
# I have found a wonderful Saviour Who is freely | 0:09:32 | 0:09:35 | |
# Blessing me forever, I am His | 0:09:35 | 0:09:38 | |
# I am His | 0:09:38 | 0:09:39 | |
-# And He is mine -# He is mine | 0:09:39 | 0:09:43 | |
# Lord He's forever walking beside me | 0:09:43 | 0:09:45 | |
# He's my redeemer He never deny me, I am His | 0:09:45 | 0:09:50 | |
# I am His | 0:09:50 | 0:09:51 | |
-# And He is mine -# He is mine | 0:09:51 | 0:09:55 | |
-# Yes, Jesus is mine -# Jesus is mine | 0:09:55 | 0:09:57 | |
-# I know it's true -# I know it's true | 0:09:57 | 0:09:59 | |
# I'm holding His hand on my to heaven | 0:09:59 | 0:10:03 | |
# On my to heaven | 0:10:03 | 0:10:06 | |
# Lord, I have found a wonderful Saviour | 0:10:06 | 0:10:08 | |
# Who is freely blessing me forever I am His | 0:10:08 | 0:10:13 | |
# I am His | 0:10:13 | 0:10:14 | |
-# And He is mine -# He is mine | 0:10:14 | 0:10:17 | |
# Oh, Lord My burden is now behind me | 0:10:17 | 0:10:20 | |
# Never no temptation to find me | 0:10:20 | 0:10:23 | |
-# I am His -# I am His | 0:10:23 | 0:10:25 | |
# And He is mine, hallelujah He is ever walking beside me | 0:10:25 | 0:10:32 | |
# Trust He'll never, never deny me | 0:10:32 | 0:10:35 | |
-# I am His -# I am His | 0:10:35 | 0:10:37 | |
-# And He is mine -# He is mine | 0:10:37 | 0:10:39 | |
-# Yes, Jesus is mine -# Yes, Jesus is mine | 0:10:39 | 0:10:43 | |
-# And I know it's true -# I know it's true | 0:10:43 | 0:10:46 | |
-# I'm holding His hand -# I'm holding His hand | 0:10:46 | 0:10:49 | |
-# On my way to heaven -# On my way to heaven | 0:10:49 | 0:10:51 | |
# Lord, I have found a wonderful Saviour | 0:10:51 | 0:10:55 | |
# Who is freely blessing me forever | 0:10:55 | 0:10:58 | |
-# I am His -# I am His | 0:10:58 | 0:11:00 | |
-# And He is mine -# He is mine | 0:11:00 | 0:11:04 | |
# I shall follow Jesus to glory | 0:11:04 | 0:11:07 | |
# Even holler his wonderful story | 0:11:07 | 0:11:10 | |
-# I am His -# I am His | 0:11:10 | 0:11:12 | |
-# And He is mine -# He is mine | 0:11:12 | 0:11:14 | |
-# Yes, Jesus is mine -# Yes, Jesus is mine | 0:11:14 | 0:11:18 | |
-# And I know it's true -# I know it's true | 0:11:18 | 0:11:21 | |
-# I'm holding His hand -# I'm just holding His hand | 0:11:21 | 0:11:23 | |
-# On my way to heaven -# On my way to heaven | 0:11:23 | 0:11:27 | |
# Lord, I have found a wonderful Saviour | 0:11:27 | 0:11:30 | |
# Who is freely blessing me forever | 0:11:30 | 0:11:33 | |
-# I am His -# I am His | 0:11:33 | 0:11:36 | |
-# And He is mine -# He is mine | 0:11:36 | 0:11:39 | |
-# I am His -# I am His | 0:11:39 | 0:11:42 | |
-# And He is mine -# He is mine | 0:11:42 | 0:11:45 | |
-# I am His -# I am His | 0:11:45 | 0:11:47 | |
# And He is mine-e-e-e. # | 0:11:47 | 0:11:51 | |
CHEERING AND APPLAUSE | 0:11:52 | 0:11:55 | |
# I know a place... # | 0:12:02 | 0:12:06 | |
Mavis Staples has made a big impact, both inside and outside America. | 0:12:06 | 0:12:10 | |
For one of our leading soul and gospel singers, Beverley Knight, | 0:12:10 | 0:12:14 | |
Mavis is a major influence. | 0:12:14 | 0:12:15 | |
'I think the first time I ever recall' | 0:12:15 | 0:12:19 | |
hearing the voice of Mavis Staples was on the seminal anthem, | 0:12:19 | 0:12:25 | |
I'll Take You There. | 0:12:25 | 0:12:27 | |
Hearing that song, hearing that voice and the earnestness behind it, | 0:12:27 | 0:12:33 | |
just went inside and it never left me. | 0:12:33 | 0:12:36 | |
I think anybody who has ever sung | 0:12:36 | 0:12:39 | |
a gospel song, particularly the more traditional gospel songs | 0:12:39 | 0:12:46 | |
or spiritual anthems, has nicked a little bit from Mavis Staples | 0:12:46 | 0:12:52 | |
and her approach. | 0:12:52 | 0:12:53 | |
It's so earnest the way she sings, you have no doubt that she is | 0:12:53 | 0:13:01 | |
delivering a message, but more importantly, | 0:13:01 | 0:13:04 | |
it's a message that she believes, wholeheartedly. | 0:13:04 | 0:13:07 | |
And that is the essence of gospel music. | 0:13:07 | 0:13:10 | |
The first time I worked with Mavis was | 0:13:10 | 0:13:14 | |
I was doing a TV show in New York. | 0:13:14 | 0:13:17 | |
And one of the great things about her was her vibration was one | 0:13:17 | 0:13:20 | |
of such generosity of spirit that the music came together. | 0:13:20 | 0:13:23 | |
It's very important in music for people | 0:13:23 | 0:13:28 | |
for the music they make and the way they play it to be an extension | 0:13:28 | 0:13:31 | |
of their personalities and that's what happens with Mavis. | 0:13:31 | 0:13:34 | |
And her generosity and kindness of spirit makes all the music | 0:13:34 | 0:13:37 | |
all the better because of the way that she is. | 0:13:37 | 0:13:40 | |
One of the great qualities of her voice is that, | 0:13:42 | 0:13:44 | |
whatever she sings, it connects the song to the listener | 0:13:44 | 0:13:47 | |
and that's the important thing that all the great singers - | 0:13:47 | 0:13:50 | |
whether it was Frank Sinatra or Caruso, | 0:13:50 | 0:13:52 | |
whether it was Bessie Smith or Mahalia Jackson - | 0:13:52 | 0:13:55 | |
when they sing...when they sing the song, the words and the poetry | 0:13:55 | 0:13:59 | |
of the song go like an arrow into your heart. | 0:13:59 | 0:14:02 | |
And that's the point of a great singer and that is really what | 0:14:02 | 0:14:06 | |
Mavis Staples has. | 0:14:06 | 0:14:08 | |
I think she's singing from a relationship she has with God, | 0:14:08 | 0:14:13 | |
the knowledge that she is a child of God, | 0:14:13 | 0:14:16 | |
also the awareness or the gratitude | 0:14:16 | 0:14:20 | |
that God has given her this wonderful gift, erm, | 0:14:20 | 0:14:24 | |
to be able to sing. | 0:14:24 | 0:14:26 | |
And not just sing, but sing in a manner that will get an audience | 0:14:26 | 0:14:32 | |
believing her and that her relationship with God is what | 0:14:32 | 0:14:38 | |
underpins everything that one is seeing and hearing. | 0:14:38 | 0:14:41 | |
# Lo-oo-oo-sing, anything... # | 0:14:41 | 0:14:46 | |
She's so crucial. She is so important and deserves her place among | 0:14:46 | 0:14:52 | |
the gospel greats. | 0:14:52 | 0:14:54 | |
I don't know about you, but Mavis has definitely inspired me to sing, | 0:14:56 | 0:15:00 | |
so let's have a congregational offering. | 0:15:00 | 0:15:02 | |
This is a traditional hymn, but it's been given a gospel twist. | 0:15:02 | 0:15:04 | |
Of course it has! This is What A Friend We Have In Jesus. | 0:15:04 | 0:15:08 | |
-All right. -All right, indeed. | 0:17:47 | 0:17:49 | |
Mavis, your family has a fantastic link with history. | 0:17:49 | 0:17:53 | |
You were the musical voice of the Civil Rights Movement. | 0:17:53 | 0:17:56 | |
Erm, it's a big statement. How did it come about? | 0:17:56 | 0:17:58 | |
Ah, you know, one Sunday, we happened to be in Montgomery, Alabama. | 0:17:58 | 0:18:04 | |
We didn't have to work until that night, | 0:18:04 | 0:18:06 | |
so Pops, he had been listening to Dr King on the radio. | 0:18:06 | 0:18:10 | |
He called my sisters and I to his room and he said, | 0:18:10 | 0:18:13 | |
"Listen, y'all, this man Martin is here - Martin Luther King." | 0:18:13 | 0:18:18 | |
He said, "I've been listening to him on the radio and I like his message. | 0:18:18 | 0:18:22 | |
"He has a church here. Do you all want to go? | 0:18:22 | 0:18:25 | |
"I want to go to the eleven o'clock service, do you all want to go?" | 0:18:25 | 0:18:28 | |
We said, "Yeah, Pops, we want to go." | 0:18:28 | 0:18:31 | |
We all got in the car and went down to Dexter Avenue Baptist Church. | 0:18:31 | 0:18:34 | |
We were ushered in, seated, someone that Dr King knew | 0:18:34 | 0:18:39 | |
that we were in the service and he acknowledged us. | 0:18:39 | 0:18:42 | |
He said, "We're glad to have Pops Staples | 0:18:42 | 0:18:44 | |
"and his daughters here this morning." | 0:18:44 | 0:18:46 | |
And, after the service, | 0:18:46 | 0:18:48 | |
he was standing at the door to shake the worshippers' hands | 0:18:48 | 0:18:52 | |
as they filed out. And my sisters and I, | 0:18:52 | 0:18:55 | |
we walked past, shook Dr King's hand, and when Pops' turn came, | 0:18:55 | 0:18:59 | |
he stood there and talked to him for a while. | 0:18:59 | 0:19:01 | |
He finally came on, we get back to the hotel | 0:19:01 | 0:19:05 | |
and Pops called us to his room again. | 0:19:05 | 0:19:08 | |
He said, "Listen, y'all, | 0:19:08 | 0:19:10 | |
"I really like this man, I like his message. | 0:19:10 | 0:19:13 | |
"And I think that if he can preach it, we can sing it." | 0:19:13 | 0:19:17 | |
So we began writing freedom songs. We joined the mood. | 0:19:17 | 0:19:21 | |
The first song was March Up Freedom's Highway | 0:19:21 | 0:19:24 | |
and then we wrote | 0:19:24 | 0:19:25 | |
It's A Long Walk To DC, But I Got My Walking Shoes On. | 0:19:25 | 0:19:28 | |
LAUGHTER | 0:19:28 | 0:19:30 | |
What did you think of Martin Luther King? | 0:19:30 | 0:19:32 | |
You know, I loved his laughter. | 0:19:32 | 0:19:35 | |
I loved to hear him laugh - you know, loud and jovial - | 0:19:35 | 0:19:40 | |
because most of the time when I looked at him, he looked so sad | 0:19:40 | 0:19:43 | |
-and he looked serious, you know. -Is it true that | 0:19:43 | 0:19:45 | |
you were dating a white man and were worried about what Dr King thought? | 0:19:45 | 0:19:49 | |
Yeah, you know, like I said, Aled, I was a young...I was very young | 0:19:49 | 0:19:53 | |
and stupid. | 0:19:53 | 0:19:55 | |
LAUGHTER | 0:19:55 | 0:19:58 | |
I told Pops, I said, "Daddy, you know, how do you think Dr King | 0:19:58 | 0:20:02 | |
"would feel about me marrying a white man?" | 0:20:02 | 0:20:05 | |
He said, "Mavis, all white people aren't bad, girl. | 0:20:05 | 0:20:09 | |
"Haven't you seen all those white people marching with us?" | 0:20:09 | 0:20:12 | |
And I said, "Oh, Lord!" I had turned down the proposal. | 0:20:12 | 0:20:17 | |
I couldn't go back and say, "Hey, propose to me again." | 0:20:17 | 0:20:20 | |
You... You couldn't really, because he was quite | 0:20:20 | 0:20:23 | |
-a well-known singer-songwriter? -Yes, he was, he was. | 0:20:23 | 0:20:26 | |
-And we are still friends. -We're talking about Bob Dylan, aren't we? | 0:20:26 | 0:20:30 | |
We're talking about Bob Dylan, yes. You had to tell it, didn't you?! | 0:20:30 | 0:20:34 | |
I had to, sorry! | 0:20:34 | 0:20:36 | |
-You weren't going to! -I wasn't! | 0:20:36 | 0:20:38 | |
Do you regret not marrying him? | 0:20:38 | 0:20:40 | |
You know, sometimes I wonder, if we would have had some Staples-Dylan, | 0:20:40 | 0:20:46 | |
our own little group. | 0:20:46 | 0:20:48 | |
Great hits! | 0:20:48 | 0:20:50 | |
That would have been awesome. | 0:20:50 | 0:20:52 | |
So, what are you going to sing for us next? | 0:20:52 | 0:20:54 | |
-We're going to sing for you Creep Along, Moses. -Fantastic. Can't wait. | 0:20:54 | 0:21:00 | |
-You make your way to the microphone. -I will. -Not that you need one! | 0:21:00 | 0:21:03 | |
-Thank you, Aled. -Thank you, my love. | 0:21:03 | 0:21:05 | |
APPLAUSE AND CHEERING | 0:21:05 | 0:21:08 | |
# Get along, Pharaoh | 0:21:15 | 0:21:17 | |
# Get lost, get lost | 0:21:17 | 0:21:23 | |
# Get lost | 0:21:23 | 0:21:25 | |
# Get along, Pharaoh | 0:21:25 | 0:21:27 | |
# Get lost, yeah | 0:21:27 | 0:21:32 | |
# Trying to cross the Red Sea | 0:21:32 | 0:21:35 | |
# Old Satan, he wears it on like you | 0:21:35 | 0:21:38 | |
# Trying to cross the Red Sea | 0:21:38 | 0:21:41 | |
# If you don't mind he'll slip it on you | 0:21:41 | 0:21:44 | |
# Trying to cross the Red Sea | 0:21:44 | 0:21:47 | |
# I wonder what the Devil keeps a grumblin' about | 0:21:47 | 0:21:49 | |
# Trying to cross the Red Sea | 0:21:49 | 0:21:52 | |
# He's down in hell and he can't get out | 0:21:52 | 0:21:55 | |
# Trying to cross the Red Sea | 0:21:55 | 0:21:57 | |
# Now, creep along, Moses Moses, creep along | 0:21:58 | 0:22:01 | |
# Creep along, Moses | 0:22:01 | 0:22:04 | |
# Creep along, Moses Moses, creep along | 0:22:04 | 0:22:06 | |
-# Creep along, Moses -I'm going home | 0:22:06 | 0:22:10 | |
# Creep, creep, creep along, Moses Creep along, Moses | 0:22:10 | 0:22:16 | |
-# Creep along -# Moses, Moses, creep along | 0:22:16 | 0:22:18 | |
-# Creep along, Moses -# I'm going home | 0:22:18 | 0:22:22 | |
# Get along, Pharaoh | 0:22:22 | 0:22:23 | |
# Get lost, yeah | 0:22:23 | 0:22:29 | |
# Trying to cross the Red Sea | 0:22:29 | 0:22:31 | |
# Went down in the valley to say a little prayer | 0:22:44 | 0:22:47 | |
# Trying to cross the Red Sea | 0:22:47 | 0:22:49 | |
# And when I got there old Satan was there | 0:22:49 | 0:22:52 | |
# Trying to cross the Red Sea | 0:22:52 | 0:22:55 | |
# I fell down upon my knees | 0:22:55 | 0:22:58 | |
# Trying to cross the Red Sea | 0:22:58 | 0:23:01 | |
# I cried, "Lord, have mercy, if You please! | 0:23:01 | 0:23:04 | |
# Trying to cross the Red Sea | 0:23:04 | 0:23:07 | |
# Now, creep along, Moses Moses, creep along | 0:23:07 | 0:23:10 | |
# Creep along, Moses, I've been gone | 0:23:10 | 0:23:12 | |
# Creep along, Moses Moses, creep along | 0:23:12 | 0:23:16 | |
# Creep along, Moses, I'm going home | 0:23:16 | 0:23:18 | |
# Creep, creep, creep along, Moses Creep along, Moses, I've been gone | 0:23:18 | 0:23:23 | |
# Creep, creep, creep along, Moses Creep along, Moses, I'm going home | 0:23:23 | 0:23:30 | |
# Get along, Pharaoh | 0:23:30 | 0:23:32 | |
# Get lost, get lost, get lost | 0:23:32 | 0:23:39 | |
# Get along, Pharaoh | 0:23:39 | 0:23:40 | |
# Get lost, yeah! | 0:23:40 | 0:23:46 | |
# Trying to cross the Red Sea | 0:23:46 | 0:23:49 | |
# Trying to cross the Red Sea | 0:23:58 | 0:24:01 | |
# Trying to cross the Red Sea | 0:24:04 | 0:24:06 | |
# Oh, yeah! | 0:24:06 | 0:24:08 | |
# Trying to cross the Red Sea | 0:24:09 | 0:24:12 | |
# Trying to cross the Red Sea. # | 0:24:15 | 0:24:20 | |
CHEERING AND APPLAUSE | 0:24:22 | 0:24:27 | |
What a performance, I tell you. | 0:24:39 | 0:24:41 | |
I wouldn't like to be the congregation, | 0:24:41 | 0:24:43 | |
because it's your turn now. But we have chosen a fantastic hymn | 0:24:43 | 0:24:46 | |
for us all to sing. This is Crown Him With Many Crowns. | 0:24:46 | 0:24:50 | |
CHEERING | 0:27:32 | 0:27:35 | |
This is Greenbelt, a Christian arts festival, | 0:27:44 | 0:27:48 | |
held every August at Cheltenham Racecourse. | 0:27:48 | 0:27:50 | |
We're a festival which celebrates music and all kinds of art | 0:27:55 | 0:27:58 | |
from our perspective as Christians. | 0:27:58 | 0:28:00 | |
Tonight, Mavis is the headline act, but just why is she still touring, | 0:28:04 | 0:28:07 | |
performing festivals rather than enjoying a comfortable retirement? | 0:28:07 | 0:28:12 | |
I'd sing on the steps of the White House, | 0:28:12 | 0:28:15 | |
I'd sing at a field in the middle of England, I'd sing in the desert. | 0:28:15 | 0:28:21 | |
As long as I have my voice, I'll sing. | 0:28:21 | 0:28:24 | |
So, ladies and gentlemen, we're wrapping up Greenbelt 2011 | 0:28:24 | 0:28:27 | |
with the Grammy-winning gospel legend that is Mavis Staples! | 0:28:27 | 0:28:32 | |
CHEERING AND APPLAUSE | 0:28:32 | 0:28:34 | |
# You are not alone | 0:28:41 | 0:28:44 | |
# I'm with you | 0:28:44 | 0:28:48 | |
# I'm lonely, too... # | 0:28:48 | 0:28:50 | |
'When I look out in the audience and see the people smiling | 0:28:50 | 0:28:55 | |
'and some tearing, it's what I feel that God put me here to do. | 0:28:55 | 0:29:00 | |
'And that's what I live for.' | 0:29:00 | 0:29:02 | |
# Isolated and afraid... # | 0:29:02 | 0:29:05 | |
'My voice is my gift from God' | 0:29:05 | 0:29:08 | |
and I feel that He put me here, he gifted me | 0:29:08 | 0:29:13 | |
'to sing His praises. | 0:29:13 | 0:29:14 | |
'Everybody, welcome aboard!' | 0:29:14 | 0:29:18 | |
It's the Mavis and Jesus Express. | 0:29:18 | 0:29:21 | |
SHE GIGGLES | 0:29:21 | 0:29:23 | |
Tonight, there are a few thousand people happy to board that train. | 0:29:23 | 0:29:28 | |
-# Take a load of Annie -Take a load | 0:29:28 | 0:29:33 | |
-# Take a load for free -Take a load | 0:29:33 | 0:29:35 | |
-# Take a load of Annie -Yeah! | 0:29:35 | 0:29:38 | |
# And, and, and put the load right on me | 0:29:38 | 0:29:43 | |
# Put the load on me, oh, yeah! Oh, yeah! # | 0:29:45 | 0:29:50 | |
CHEERING | 0:29:53 | 0:29:55 | |
Oh, Mavis, it's been brilliant. | 0:29:55 | 0:29:59 | |
You are such an inspiration. Isn't she, ladies and gentlemen? | 0:29:59 | 0:30:01 | |
ALL: Yes! | 0:30:01 | 0:30:03 | |
-Thank you, thank you. -Here's an idea, will you come on every week? | 0:30:03 | 0:30:06 | |
Oh, yes, I'd come back ANY day. | 0:30:06 | 0:30:08 | |
-You heard it here first. -I've enjoyed myself so much. | 0:30:08 | 0:30:12 | |
I'm glad. We've got quite a few witnesses here. | 0:30:12 | 0:30:15 | |
At the beginning, you said you're not giving up soon. Promise? | 0:30:15 | 0:30:18 | |
I promise. No way. You're going to have to take a shovel and scrape me | 0:30:18 | 0:30:23 | |
-up off the stage. -It's been lovely spending time with you. | 0:30:23 | 0:30:26 | |
-Thank you, my darling. -We're going to end with a song, | 0:30:26 | 0:30:29 | |
like Mavis, has stood the test of time and crossed many barriers. | 0:30:29 | 0:30:33 | |
It's been a protest song, it's been a rugby song, | 0:30:33 | 0:30:35 | |
it's been a pop song. It's also a rather nice hymn. | 0:30:35 | 0:30:38 | |
It's Swing Low, Sweet Chariot. | 0:30:38 | 0:30:39 | |
From all of us here, Mavis included, at Air Studios, | 0:30:39 | 0:30:42 | |
until next time, goodbye. | 0:30:42 | 0:30:44 | |
Next week, it's Palm Sunday. | 0:33:13 | 0:33:16 | |
Sally presents traditional hymns | 0:33:16 | 0:33:18 | |
from All Saints' Church, Cheltenham, | 0:33:18 | 0:33:20 | |
with performances of seasonal music | 0:33:20 | 0:33:22 | |
from Libra, Mary Jess and Only Men Aloud, | 0:33:22 | 0:33:24 | |
and bible readings for Holy Week from Julian Rhind-Tutt. | 0:33:24 | 0:33:27 | |
Subtitles by Red Bee Media Ltd | 0:33:44 | 0:33:47 | |
Email [email protected] | 0:33:47 | 0:33:49 |