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Hello. This week, I'm in London at a very important church. | 0:00:02 | 0:00:05 | |
No, not Westminster Abbey. | 0:00:05 | 0:00:06 | |
I'm over the road at the impressive Methodist Central Hall, Westminster. | 0:00:06 | 0:00:11 | |
It has a fascinating history and is a well-known venue | 0:00:11 | 0:00:13 | |
for big events, but at its heart is a flourishing Methodist church. | 0:00:13 | 0:00:17 | |
Welcome to Songs Of Praise. | 0:00:17 | 0:00:19 | |
On today's programme, I learn about the history | 0:00:42 | 0:00:45 | |
and importance of this incredible building, including the fact | 0:00:45 | 0:00:48 | |
it played host to the first-ever meeting of the United Nations. | 0:00:48 | 0:00:52 | |
Julian Lloyd Webber shares memories of his father, who was the | 0:00:52 | 0:00:56 | |
music director here and responsible for playing the wonderful organ. | 0:00:56 | 0:01:00 | |
Connie Fisher finds out how, 400 years on, | 0:01:00 | 0:01:03 | |
the Patron Saint of Charity's vision to serve the poor | 0:01:03 | 0:01:06 | |
here in one of London's richest boroughs is still going strong. | 0:01:06 | 0:01:10 | |
I live my faith by helping other people to recognise what | 0:01:10 | 0:01:14 | |
they can do, to give them love and never, ever to judge them | 0:01:14 | 0:01:18 | |
or dismiss anybody. | 0:01:18 | 0:01:20 | |
And we join the Christian performers from the West End who sing together | 0:01:20 | 0:01:24 | |
to keep their faith strong. | 0:01:24 | 0:01:26 | |
Methodist Central Hall, Westminster, was opened in 1912 | 0:01:34 | 0:01:37 | |
and this staircase was modelled on the Paris Opera House. | 0:01:37 | 0:01:41 | |
It's often used as a film set, but primarily it's | 0:01:41 | 0:01:43 | |
the biggest Methodist Church building in the country, | 0:01:43 | 0:01:47 | |
where Christians from many nations gather to sing their praise. | 0:01:47 | 0:01:51 | |
Perhaps one of the most prolific hymn writers of all time | 0:01:51 | 0:01:54 | |
was Charles Wesley, one of the founders of Methodism. | 0:01:54 | 0:01:58 | |
He wrote over 6,000 hymns and we start with one of his greats - | 0:01:58 | 0:02:02 | |
Ye Servants Of God. | 0:02:02 | 0:02:04 | |
Methodism began in the 18th century | 0:04:34 | 0:04:36 | |
when the brothers John and Charles Wesley formed the Holy Club, | 0:04:36 | 0:04:39 | |
which gained the nickname the "Methodists" because of their | 0:04:39 | 0:04:42 | |
methodical approach to both devotion and living disciplined lives. | 0:04:42 | 0:04:47 | |
Well, the movement spread and now has 80 million members worldwide. | 0:04:47 | 0:04:52 | |
Tony Miles is one of the ministers here. | 0:04:53 | 0:04:55 | |
-Tony, good to meet you. -Welcome, Sean. | 0:04:55 | 0:04:57 | |
It feels like we're being watched here. Who's this? | 0:04:57 | 0:05:00 | |
This is John Wesley carrying his Bible. | 0:05:00 | 0:05:03 | |
He travelled a quarter of a million miles around the country | 0:05:03 | 0:05:07 | |
-preaching 40,000 sermons. -Wow! | 0:05:07 | 0:05:11 | |
He's got a massive reputation, but he's a little man, isn't he? | 0:05:11 | 0:05:14 | |
He is very short. | 0:05:14 | 0:05:15 | |
In fact, when the Queen came to unveil this statue, | 0:05:15 | 0:05:18 | |
she unveiled it and she said, | 0:05:18 | 0:05:19 | |
"It's nice to see someone who's shorter than me." | 0:05:19 | 0:05:22 | |
He's actually two inches shorter. | 0:05:22 | 0:05:25 | |
VOICEOVER: But his diminutive stature didn't stand in the way | 0:05:25 | 0:05:28 | |
of this whole building being built as a memorial to him. | 0:05:28 | 0:05:32 | |
-Wow! Tony, what a magnificent place! -Impressive, isn't it? -It's vast. | 0:05:32 | 0:05:37 | |
Our little chapel here at the heart of Westminster. | 0:05:37 | 0:05:39 | |
I can't imagine what your last chapel was like. This is huge! | 0:05:39 | 0:05:41 | |
Yes, it was one of 40 Methodist Central Halls that were built | 0:05:41 | 0:05:45 | |
at the end of the 19th century, | 0:05:45 | 0:05:47 | |
and it was the Wesleyan Methodists' attempt to reconnect | 0:05:47 | 0:05:50 | |
with urban areas and particularly our mission alongside the poor, | 0:05:50 | 0:05:54 | |
to provide a "pew on the pavement", as they called it, | 0:05:54 | 0:05:57 | |
where people could pop in and feel comfortable in a space | 0:05:57 | 0:06:00 | |
like this that has very little religious symbolism. | 0:06:00 | 0:06:04 | |
You can see a cross, but that's about all. | 0:06:04 | 0:06:06 | |
The Reverend Martyn Atkins is head of the church here. | 0:06:06 | 0:06:09 | |
-Martyn. -Sean. -Good to meet you. -Good to meet you. | 0:06:09 | 0:06:12 | |
-Welcome, welcome. -Well, it's an amazing place. | 0:06:12 | 0:06:14 | |
-You've hosted some amazing events, haven't you? -We have. | 0:06:14 | 0:06:16 | |
Come and look at this. | 0:06:16 | 0:06:18 | |
This is the journal of | 0:06:18 | 0:06:20 | |
the very first meeting of the United Nations General Assembly. | 0:06:20 | 0:06:23 | |
So, the UN met here? | 0:06:23 | 0:06:25 | |
The end of the Second World War, January/February 1946 - | 0:06:25 | 0:06:29 | |
51 nations came to this building | 0:06:29 | 0:06:31 | |
and the first thing they did was paint it all beige. | 0:06:31 | 0:06:34 | |
-Beige, so they're not siding with any nation. -Absolutely. | 0:06:34 | 0:06:37 | |
It's not on any flag, it's neutral and so they come here | 0:06:37 | 0:06:40 | |
and they were here for weeks. | 0:06:40 | 0:06:42 | |
-It's also had some pretty special speakers, hasn't it? -Loads of them. | 0:06:42 | 0:06:45 | |
The Dalai Lama has been here, | 0:06:45 | 0:06:47 | |
Martin Luther King Jr, | 0:06:47 | 0:06:49 | |
Mahatma Gandhi stood exactly where you are now | 0:06:49 | 0:06:52 | |
and loads of politicians - Winston Churchill, Margaret Thatcher. | 0:06:52 | 0:06:56 | |
Looking at that list of speakers, it does show that this place is | 0:06:56 | 0:06:59 | |
-a church at the heart, but it's also a secular space, as well. -It is. | 0:06:59 | 0:07:04 | |
The Methodist Church wanted to make this a space of invitation. | 0:07:04 | 0:07:07 | |
How does that fit with the Methodist credentials? | 0:07:07 | 0:07:10 | |
Well, God loves everyone and God wants the improvement | 0:07:10 | 0:07:14 | |
of human beings, their life, body, mind and spirit | 0:07:14 | 0:07:17 | |
and if it contributes to that, here's your space. | 0:07:17 | 0:07:20 | |
-Now, I've got one more place that I want to show you. -I'm excited. | 0:07:20 | 0:07:24 | |
-Are you ready for this? -I'm a bit worried now! | 0:07:24 | 0:07:27 | |
-See you, Martyn. -Take care. -God bless. | 0:07:27 | 0:07:29 | |
We've climbed up to a balcony you'd never know was here. | 0:07:31 | 0:07:35 | |
Tony, that is a tremendous view. | 0:07:35 | 0:07:37 | |
Well, I have to say, I'm totally biased, | 0:07:37 | 0:07:39 | |
but this has got to be one of the best views over Westminster. | 0:07:39 | 0:07:43 | |
This is high enough for me, but it goes up even more, doesn't it? | 0:07:43 | 0:07:46 | |
It does. Up on the top there is a golden depiction of the world | 0:07:46 | 0:07:51 | |
with the Holy Spirit falling upon it and when I'm here, | 0:07:51 | 0:07:55 | |
I also think of the Holy Spirit falling on the Disciples, | 0:07:55 | 0:07:58 | |
I think of the Wesley brothers, and it reminds me | 0:07:58 | 0:08:01 | |
of our next hymn that we're going to sing, | 0:08:01 | 0:08:03 | |
O Thou Who Camest From Above, for whenever I sing that hymn, | 0:08:03 | 0:08:06 | |
I pray that we may be changed by the Holy Spirit, | 0:08:06 | 0:08:10 | |
by the power of the Spirit so that we can love and serve together. | 0:08:10 | 0:08:14 | |
Methodist Central Hall, Westminster may sit next door | 0:11:07 | 0:11:10 | |
to the Houses of Parliament and have, within its shadow, | 0:11:10 | 0:11:12 | |
some of the most expensive property in the world, | 0:11:12 | 0:11:16 | |
but there's also poverty here. | 0:11:16 | 0:11:18 | |
In the basement of the church is a Catholic charity called | 0:11:18 | 0:11:21 | |
the St Vincent's Family Project | 0:11:21 | 0:11:23 | |
that reaches out to parents with young children. | 0:11:23 | 0:11:26 | |
Connie Fisher has been finding out about the work they do. | 0:11:26 | 0:11:30 | |
Everyone here has a different story to tell. | 0:11:32 | 0:11:35 | |
They come from a huge variety of countries and cultures, | 0:11:35 | 0:11:38 | |
but whatever their background, when they walk in here, | 0:11:38 | 0:11:40 | |
they're guaranteed a very warm welcome. | 0:11:40 | 0:11:43 | |
-ALL: -# Hello, Connie | 0:11:45 | 0:11:46 | |
# Hello, Connie... # | 0:11:46 | 0:11:48 | |
-VOICEOVER: -As well as being a playgroup, the charity offers | 0:11:48 | 0:11:51 | |
help and support to parents | 0:11:51 | 0:11:52 | |
and Seka leads the team of helpers and volunteers here. | 0:11:52 | 0:11:56 | |
I remember, when I got children, | 0:11:58 | 0:12:00 | |
you can just panic, be anxious and really lose sleep | 0:12:00 | 0:12:04 | |
and lose your health over it. So when you have a place like this, | 0:12:04 | 0:12:07 | |
you say, "OK, I'll just pop to St Vincent's." | 0:12:07 | 0:12:10 | |
And when you open the door of a place and everybody knows your name | 0:12:10 | 0:12:14 | |
and everybody welcomes you, you say, "OK, I belong in there." | 0:12:14 | 0:12:18 | |
Other playgroups that we normally go to, you go there, | 0:12:18 | 0:12:22 | |
you play and then you go, you leave and that's it. | 0:12:22 | 0:12:25 | |
But here, we can build up a relationship with them. | 0:12:25 | 0:12:28 | |
They're like a friend to us, like family, basically. | 0:12:28 | 0:12:32 | |
We can see that poverty is rising. | 0:12:32 | 0:12:34 | |
You have pockets of deprivation on three big estates in here. | 0:12:34 | 0:12:39 | |
Actually, one of the estates that is just down the road in Pimlico, | 0:12:39 | 0:12:43 | |
Churchill Gardens Estate, | 0:12:43 | 0:12:44 | |
is one of the most deprived estates in the country, in the UK. | 0:12:44 | 0:12:48 | |
The charity may be dealing with 21st-century problems, | 0:12:49 | 0:12:51 | |
but its origins lie 400 years ago with St Vincent. | 0:12:51 | 0:12:56 | |
Well, St Vincent was a 17th century priest | 0:12:57 | 0:13:00 | |
who was responding to the needs within his area. | 0:13:00 | 0:13:03 | |
He basically was an organiser. | 0:13:03 | 0:13:05 | |
He's actually the Patron Saint of Charity | 0:13:05 | 0:13:08 | |
and so St Vincent is now the inspiration for our work | 0:13:08 | 0:13:12 | |
of charity and responding to people's needs. | 0:13:12 | 0:13:15 | |
As well as the family drop-in, they run several classes, | 0:13:15 | 0:13:18 | |
including the popular parenting advice sessions. | 0:13:18 | 0:13:20 | |
And for praise to work, it needs to be short, descriptive. | 0:13:22 | 0:13:26 | |
So, she tidied all the toys up. How are you going to praise her? | 0:13:27 | 0:13:31 | |
Thank you very much for tidying the toy and putting in the box. | 0:13:31 | 0:13:34 | |
Well done, keep it up. | 0:13:34 | 0:13:36 | |
Well done, that's a really good example. | 0:13:36 | 0:13:39 | |
This is a Christian charity. | 0:13:39 | 0:13:40 | |
We don't hide the fact that we're a Christian charity | 0:13:40 | 0:13:43 | |
and it isn't up to us to decide what someone's faith journey is. | 0:13:43 | 0:13:47 | |
We leave that up to God, really, in the end. | 0:13:47 | 0:13:50 | |
And if some way, at the end of this road, | 0:13:50 | 0:13:53 | |
that people think that they have seen the Lord work in here, | 0:13:53 | 0:13:57 | |
well, then we'll leave that up to them. | 0:13:57 | 0:14:00 | |
I live my faith by helping other people, to see good in them, | 0:14:00 | 0:14:05 | |
to recognise what they can do, | 0:14:05 | 0:14:07 | |
to give them love and to give them acceptance and never, ever | 0:14:07 | 0:14:11 | |
to judge them or dismiss anybody. | 0:14:11 | 0:14:13 | |
I'm a single mum. | 0:14:14 | 0:14:16 | |
I've got three children, born in Sierra Leone. | 0:14:16 | 0:14:18 | |
Back home in my country, there used to be a war there, | 0:14:18 | 0:14:21 | |
they have a war. | 0:14:21 | 0:14:23 | |
So, God saved me. | 0:14:23 | 0:14:24 | |
I didn't die through the war | 0:14:26 | 0:14:28 | |
and I find myself here so God did a lot for me. | 0:14:28 | 0:14:32 | |
It was just very nice, you know, to come | 0:14:32 | 0:14:35 | |
and meet other mums, share things, ideas. | 0:14:35 | 0:14:39 | |
-VOICEOVER: -We're a Catholic charity, | 0:14:39 | 0:14:41 | |
but we're also housed within a Methodist church | 0:14:41 | 0:14:44 | |
and, actually, the Methodist minister said to me | 0:14:44 | 0:14:48 | |
that God is already here, God is already working | 0:14:48 | 0:14:51 | |
and we just have to show up so we're just waiting | 0:14:51 | 0:14:53 | |
for the people to show up and then we serve. | 0:14:53 | 0:14:55 | |
The centrepiece here at Methodist Central Hall | 0:16:38 | 0:16:42 | |
is the glorious organ with 4,000 pipes. | 0:16:42 | 0:16:46 | |
This piece is by the composer Dr William Lloyd Webber. | 0:16:46 | 0:16:49 | |
He was the music director here for 24 years | 0:16:49 | 0:16:52 | |
and is the late father of famous sons Andrew and Julian Lloyd Webber. | 0:16:52 | 0:16:57 | |
Well, listening to that, Julian, | 0:16:57 | 0:16:59 | |
must bring back memories of your childhood. | 0:16:59 | 0:17:01 | |
It really does because I was about nine when my father got the job here | 0:17:01 | 0:17:05 | |
as the music director and also the organist | 0:17:05 | 0:17:08 | |
so every Sunday morning, I used to come with my mother | 0:17:08 | 0:17:11 | |
and we used to go to the services, | 0:17:11 | 0:17:12 | |
occasionally evening services, too, and they were extraordinary times. | 0:17:12 | 0:17:17 | |
What do you remember as a child about the sermons here, then? | 0:17:17 | 0:17:20 | |
They were actually not too long. | 0:17:20 | 0:17:22 | |
I remember that, they were very sort of audience-friendly | 0:17:22 | 0:17:25 | |
and I learned a lot from them, even at that age. | 0:17:25 | 0:17:28 | |
Now, your father wrote lots of music, but he didn't really | 0:17:28 | 0:17:31 | |
get the recognition he deserved till after his death. Why was that? | 0:17:31 | 0:17:35 | |
It was his own fault, basically, because he hid all his music away. | 0:17:35 | 0:17:39 | |
His music is very, very romantic, but he basically hid it away | 0:17:39 | 0:17:43 | |
because he thought it was too romantic to get any | 0:17:43 | 0:17:47 | |
kind of approval from the critics at the time. I mean, he was right. | 0:17:47 | 0:17:50 | |
It was music that was completely out of step with the time | 0:17:50 | 0:17:54 | |
it was written and it was only after he died | 0:17:54 | 0:17:57 | |
that I was able to find out just how much he'd written. | 0:17:57 | 0:18:00 | |
So, he did that to avoid the critics. | 0:18:00 | 0:18:01 | |
He didn't want people to criticise him. | 0:18:01 | 0:18:04 | |
I think he went on writing a lot of church music | 0:18:04 | 0:18:07 | |
because he had to write music. He was a very instinctive musician | 0:18:07 | 0:18:10 | |
and church music didn't get reviewed. | 0:18:10 | 0:18:13 | |
He obviously had a big influence on you and your brother Andrew | 0:18:13 | 0:18:16 | |
cos you both went into music | 0:18:16 | 0:18:18 | |
and you've had both really successful careers. | 0:18:18 | 0:18:20 | |
Yes, he was a slightly remote figure, though, in a way. | 0:18:20 | 0:18:23 | |
He went on and he did all the things he did. | 0:18:23 | 0:18:25 | |
He was director of the London College of Music, | 0:18:25 | 0:18:28 | |
taught at the Royal College, was director here. | 0:18:28 | 0:18:31 | |
We knew he was a really brilliant musician, | 0:18:31 | 0:18:33 | |
but he didn't push or interfere. | 0:18:33 | 0:18:36 | |
We could choose whatever we liked | 0:18:36 | 0:18:38 | |
and there was all kinds of music that we heard all the time - | 0:18:38 | 0:18:41 | |
musicals, rock and roll, Beethoven, Prokofiev, the lot - | 0:18:41 | 0:18:44 | |
and I think that's probably why Andrew and me | 0:18:44 | 0:18:46 | |
went in different ways. | 0:18:46 | 0:18:48 | |
We weren't particularly pressurised to go in any way or do music at all. | 0:18:48 | 0:18:52 | |
Now, our next hymn is Love Divine | 0:18:52 | 0:18:54 | |
-and that's a hymn your dad really liked. -Yes, he really did. | 0:18:54 | 0:18:57 | |
I remember hearing it here. | 0:18:57 | 0:18:59 | |
He even did a version himself, | 0:18:59 | 0:19:01 | |
but this is the Blaenwern tune that we hear today. | 0:19:01 | 0:19:04 | |
A variety of music has always been heard here at Methodist Central Hall | 0:21:17 | 0:21:21 | |
and, today, the service includes Jazz Vespers, | 0:21:21 | 0:21:24 | |
a group run by saxophonist Dan Forshaw. | 0:21:24 | 0:21:27 | |
Within walking distance of Methodist Central Hall | 0:24:26 | 0:24:29 | |
lies London's famous West End, | 0:24:29 | 0:24:30 | |
where Connie Fisher has been meeting | 0:24:30 | 0:24:33 | |
some Christian musical theatre stars. | 0:24:33 | 0:24:35 | |
Ah, this takes me back! | 0:24:35 | 0:24:37 | |
I remember my Maria days in The Sound Of Music | 0:24:37 | 0:24:39 | |
here at the London Palladium, but behind the glitz and glamour, | 0:24:39 | 0:24:43 | |
the world of show business can be very insecure | 0:24:43 | 0:24:46 | |
with emotional highs and lows, | 0:24:46 | 0:24:48 | |
and holding on to your faith can be really tough. | 0:24:48 | 0:24:51 | |
Anna McGarahan is currently in Les Miserables. | 0:24:55 | 0:24:58 | |
She's one of the many actors on the West End stage who, | 0:24:58 | 0:25:01 | |
night after night, deliver great performances. | 0:25:01 | 0:25:03 | |
I grew up in a Christian household. | 0:25:05 | 0:25:07 | |
My dad's a vicar, but it was when I moved to London | 0:25:07 | 0:25:10 | |
when I was about 15 and got into a church | 0:25:10 | 0:25:13 | |
where there was lots of young people, | 0:25:13 | 0:25:15 | |
that's when my faith kind of flourished, I guess. | 0:25:15 | 0:25:18 | |
Anna's friend Hannah is in Phantom Of The Opera. | 0:25:20 | 0:25:23 | |
They're both Christians, but may never have met | 0:25:23 | 0:25:25 | |
if it hadn't been for a group called West End Has Faith. | 0:25:25 | 0:25:29 | |
And what's the purpose of the group? Why do you get together? | 0:25:29 | 0:25:32 | |
In a sense, it feels quite lonely when you're a Christian | 0:25:32 | 0:25:34 | |
in this business and, for me, especially, I thought | 0:25:34 | 0:25:36 | |
I was the only one for quite a while | 0:25:36 | 0:25:39 | |
and the purpose of this is to bring us together | 0:25:39 | 0:25:41 | |
so that we can support, that we can build up, | 0:25:41 | 0:25:44 | |
that we can learn together, we can pray together | 0:25:44 | 0:25:47 | |
or if something is happening at work, | 0:25:47 | 0:25:49 | |
you can actually understand where you're coming from | 0:25:49 | 0:25:52 | |
from your Christian perspectives, as well. | 0:25:52 | 0:25:54 | |
Yeah, because I think lots of us have Christian friends, | 0:25:54 | 0:25:57 | |
but they don't necessarily know the rollercoaster of emotions | 0:25:57 | 0:25:59 | |
that you go on as an actress or any kind of creative | 0:25:59 | 0:26:02 | |
because like you said, it's that uncertainty | 0:26:02 | 0:26:04 | |
and if you've gone for six or seven auditions | 0:26:04 | 0:26:07 | |
and you're in the final round | 0:26:07 | 0:26:09 | |
and then it's a no, it's how to deal with that rejection and... | 0:26:09 | 0:26:13 | |
After a month of trying! | 0:26:13 | 0:26:15 | |
Yeah, yeah! | 0:26:15 | 0:26:17 | |
Or you go from being a lead in one show and then you finish | 0:26:17 | 0:26:19 | |
and you have three months out of work | 0:26:19 | 0:26:20 | |
and you can't even get an audition. | 0:26:20 | 0:26:22 | |
# Holy Word... # | 0:26:22 | 0:26:27 | |
Today, the group are rehearsing for a charity concert they're holding. | 0:26:27 | 0:26:30 | |
# ..Mighty Jesus... # | 0:26:30 | 0:26:34 | |
OK, guys, keep singing, keep singing! | 0:26:34 | 0:26:36 | |
I'm going to join in. | 0:26:36 | 0:26:39 | |
# ..Lord of everything... # | 0:26:39 | 0:26:45 | |
How ruthless is this business? | 0:26:45 | 0:26:47 | |
Some people think it's glitz and glamour, | 0:26:47 | 0:26:49 | |
but you've needed your faith at times, right? | 0:26:49 | 0:26:52 | |
You can't take it personally. | 0:26:52 | 0:26:54 | |
There have been times where I haven't got jobs | 0:26:54 | 0:26:57 | |
because my eyebrows aren't right or my eyebrows are too dark | 0:26:57 | 0:27:01 | |
or I'm too fat, too thin, too tall, too short. | 0:27:01 | 0:27:04 | |
Like I can't be in 42nd Street because my legs aren't long enough. | 0:27:04 | 0:27:07 | |
-Really? -So, I'm always too short! | 0:27:07 | 0:27:09 | |
# ..Here I stand... # | 0:27:09 | 0:27:15 | |
It says somewhere in the Psalms that we're God's masterpiece | 0:27:15 | 0:27:19 | |
and I think that's really important to know that, | 0:27:19 | 0:27:22 | |
regardless of all this rejection, ultimately, | 0:27:22 | 0:27:26 | |
we are loved and cherished and we can't take that rejection personally | 0:27:26 | 0:27:30 | |
and I think faith is really important in that | 0:27:30 | 0:27:33 | |
because if you are grounded in who God says you are, | 0:27:33 | 0:27:37 | |
not about what other people think of you, | 0:27:37 | 0:27:40 | |
it makes the rejection easier to deal with. | 0:27:40 | 0:27:43 | |
# ..To glorify your name! # | 0:27:43 | 0:27:50 | |
It's great to see how faith can pull actors together | 0:27:50 | 0:27:54 | |
and some of the members of the group are also part | 0:27:54 | 0:27:57 | |
of the West End Gospel Choir and here they are to perform for us now. | 0:27:57 | 0:28:01 | |
# Wait a minute | 0:28:02 | 0:28:04 | |
# Bring it back | 0:28:04 | 0:28:06 | |
# Wait a minute | 0:28:06 | 0:28:07 | |
# When Jesus say yes | 0:28:08 | 0:28:11 | |
# Nobody can say no | 0:28:11 | 0:28:13 | |
# When Jesus say yes | 0:28:13 | 0:28:15 | |
# Nobody can say no | 0:28:15 | 0:28:17 | |
# I'm not worried about a thing | 0:28:18 | 0:28:22 | |
# Cos I know you are guiding me | 0:28:22 | 0:28:26 | |
# Where you lead me | 0:28:26 | 0:28:27 | |
# Lord, I will go | 0:28:27 | 0:28:30 | |
# I have no fear | 0:28:30 | 0:28:31 | |
# Cos I know who's in control | 0:28:31 | 0:28:34 | |
# There's no limit to what you can do | 0:28:34 | 0:28:36 | |
# Cos it all belongs to you | 0:28:36 | 0:28:39 | |
# Yes, it all belongs to you | 0:28:39 | 0:28:42 | |
# You're almighty and all powerful | 0:28:42 | 0:28:45 | |
# And it all belongs to you | 0:28:45 | 0:28:47 | |
# Yes, it all belongs to you | 0:28:47 | 0:28:48 | |
# When Jesus say yes | 0:28:48 | 0:28:50 | |
# Nobody can say no | 0:28:50 | 0:28:52 | |
# When Jesus say yes | 0:28:52 | 0:28:54 | |
# Nobody can say no | 0:28:54 | 0:28:56 | |
# When Jesus say yes | 0:28:56 | 0:28:59 | |
# Nobody can say no | 0:28:59 | 0:29:01 | |
# When Jesus say yes | 0:29:01 | 0:29:02 | |
# Nobody can say no | 0:29:02 | 0:29:05 | |
# When Jesus say yes | 0:29:05 | 0:29:07 | |
# Nobody can say no | 0:29:07 | 0:29:08 | |
# When Jesus say yes | 0:29:08 | 0:29:10 | |
# Nobody can say no | 0:29:10 | 0:29:12 | |
# When Jesus say yes | 0:29:12 | 0:29:14 | |
# Can't say no | 0:29:14 | 0:29:16 | |
# When Jesus say yes | 0:29:16 | 0:29:19 | |
# Nobody can say no | 0:29:19 | 0:29:21 | |
# I'm not worried about a thing | 0:29:21 | 0:29:26 | |
# Cos I know you are guiding me | 0:29:26 | 0:29:30 | |
# Where you lead me | 0:29:30 | 0:29:31 | |
# Lord, I will go | 0:29:31 | 0:29:34 | |
# I have no fear | 0:29:34 | 0:29:35 | |
# Cos I know who's in control | 0:29:35 | 0:29:38 | |
# There's no limit to what you can do | 0:29:38 | 0:29:41 | |
# Cos it all belongs to you | 0:29:41 | 0:29:43 | |
# Yes, it all belongs to you | 0:29:43 | 0:29:46 | |
# You're almighty and all powerful | 0:29:46 | 0:29:48 | |
# And it all belongs to you | 0:29:48 | 0:29:51 | |
-# Yes, it all belongs to you -Sing it again | 0:29:51 | 0:29:54 | |
# There's no limit to what you can do | 0:29:54 | 0:29:57 | |
# Cos it all belongs to you | 0:29:57 | 0:29:59 | |
# Yes, it all belongs to you | 0:29:59 | 0:30:01 | |
# You're almighty and all powerful | 0:30:01 | 0:30:05 | |
# And it all belongs to you | 0:30:05 | 0:30:07 | |
# Yes, it all belongs to you | 0:30:07 | 0:30:09 | |
# Wait a minute | 0:30:10 | 0:30:12 | |
# Bring it back | 0:30:12 | 0:30:13 | |
# Wait a minute | 0:30:15 | 0:30:16 | |
# Bring it back | 0:30:16 | 0:30:18 | |
# Wait a minute | 0:30:19 | 0:30:20 | |
# Bring it back | 0:30:20 | 0:30:22 | |
# Whoo | 0:30:22 | 0:30:23 | |
# Wait a minute | 0:30:23 | 0:30:24 | |
# When Jesus say yes | 0:30:24 | 0:30:27 | |
# Nobody can say no | 0:30:27 | 0:30:29 | |
# When Jesus say yes | 0:30:29 | 0:30:30 | |
# Nobody can say no | 0:30:30 | 0:30:32 | |
# When Jesus say yes | 0:30:32 | 0:30:34 | |
# Nobody can say no | 0:30:34 | 0:30:37 | |
# When Jesus say yes | 0:30:37 | 0:30:38 | |
# Nobody can say no. # | 0:30:38 | 0:30:40 | |
Well, that's just about it from Methodist Central Hall, Westminster. | 0:30:44 | 0:30:47 | |
Next week, we have a very special programme for you. | 0:30:47 | 0:30:50 | |
It's Homeless Sunday and I join volunteers from my church | 0:30:51 | 0:30:55 | |
on their regular early morning tea run in Central London | 0:30:55 | 0:30:58 | |
and the Reverend Kate Bottley meets a remarkable teenager | 0:30:58 | 0:31:01 | |
offering a little bag of hope to the homeless in Preston. | 0:31:01 | 0:31:06 | |
From the early days of the Methodist movement, | 0:31:06 | 0:31:08 | |
John and Charles Wesley knew the importance of singing | 0:31:08 | 0:31:11 | |
as a means of learning, celebrating and sharing faith | 0:31:11 | 0:31:15 | |
and our final hymn does all of that. | 0:31:15 | 0:31:18 | |
It's a favourite of the congregation here - Father Of Everlasting Grace. | 0:31:18 | 0:31:22 |