Browse content similar to Once a Chorister. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# Pie Jesu Domine... # | 0:00:02 | 0:00:08 | |
OK, so I have changed quite a bit, haven't I? | 0:00:09 | 0:00:12 | |
But so have the famous faces we're meeting this week. | 0:00:12 | 0:00:15 | |
We have one thing in common. We were lucky enough to be choristers. | 0:00:15 | 0:00:18 | |
This week, I catch up with conductor Sir Mark Elder, | 0:00:22 | 0:00:26 | |
David Lammy MP | 0:00:26 | 0:00:28 | |
and wine expert Olly Smith to chat to them about their chorister days, | 0:00:28 | 0:00:31 | |
with music from some of the very best choristers | 0:00:31 | 0:00:35 | |
from across the British Isles. | 0:00:35 | 0:00:37 | |
CHORAL HARMONY | 0:00:42 | 0:00:45 | |
When I look back at my time as a chorister in Bangor Cathedral, | 0:00:51 | 0:00:55 | |
I not only remember the wonderful music I was fortune to sing | 0:00:55 | 0:00:58 | |
but also that glorious building I was in. | 0:00:58 | 0:01:01 | |
Mind you, it wasn't as glorious as this one. | 0:01:01 | 0:01:03 | |
That time as a chorister is very dear to my heart | 0:01:03 | 0:01:06 | |
and I'm looking forward to meeting others | 0:01:06 | 0:01:08 | |
who shared a similar experience | 0:01:08 | 0:01:09 | |
and finding out how it shaped their lives. | 0:01:09 | 0:01:11 | |
Still today, thousands of choristers don their choir robes | 0:01:15 | 0:01:19 | |
to lead the worship in all sorts of buildings, | 0:01:19 | 0:01:22 | |
from rural churches to grand cathedrals like this one. | 0:01:22 | 0:01:25 | |
We'll feature some of them today. | 0:01:25 | 0:01:27 | |
Our first hymn comes from Beverley Minster, | 0:01:27 | 0:01:29 | |
where the choristers lead the congregation in a hymn | 0:01:29 | 0:01:32 | |
that celebrates everyone's love of singing. It's Angel-Voices. | 0:01:32 | 0:01:35 | |
Before we hear from our other guests, | 0:04:19 | 0:04:21 | |
I caught up with my good friend Simon Lole, | 0:04:21 | 0:04:24 | |
who was a chorister here at St Paul's Cathedral | 0:04:24 | 0:04:27 | |
and later, director of music at Salisbury Cathedral, to chat about all things chorister. | 0:04:27 | 0:04:32 | |
So this is it, the nerve centre of choral music in the cathedral. | 0:04:33 | 0:04:37 | |
Yeah, this is where it all happens, all the hard work. Music round the walls, the piano. | 0:04:37 | 0:04:42 | |
All the congregation see is the angelic bit and this is the graft. | 0:04:42 | 0:04:45 | |
Yeah, this is where all the hard work happens, day after day, morning, evening. | 0:04:45 | 0:04:49 | |
Why is it that when you speak to choristers these days, they say, | 0:04:49 | 0:04:52 | |
"What I learnt as a chorister stayed with me all my life"? | 0:04:52 | 0:04:55 | |
Well, it's an interesting thing. It is so special because, obviously, | 0:04:55 | 0:05:00 | |
there's a remarkable musical discipline - | 0:05:00 | 0:05:02 | |
you learn so much musically and you're doing it all the time, so you're infused with this technique, | 0:05:02 | 0:05:08 | |
but there's so much more. | 0:05:08 | 0:05:09 | |
You learn about things like punctuality. | 0:05:09 | 0:05:12 | |
Heaven forbid if you're late for choir practice, | 0:05:12 | 0:05:15 | |
-you must have been there when you were late and the choir master... -Dodging the hymn books! | 0:05:15 | 0:05:20 | |
It's interesting how you grow in confidence | 0:05:20 | 0:05:23 | |
and in ability day after day. You get to know the music. | 0:05:23 | 0:05:26 | |
I remember when I first came here and these big boys singing this beautiful music, | 0:05:26 | 0:05:30 | |
I felt completely out of my depth. It's weird, isn't it? | 0:05:30 | 0:05:33 | |
It is that feeling of being totally lost at the beginning. | 0:05:33 | 0:05:37 | |
I remember my first rehearsal in a choir room a bit smaller than this one in Bangor, | 0:05:37 | 0:05:41 | |
but everything was a bit smaller in Bangor, | 0:05:41 | 0:05:43 | |
and following the musical notes with my finger | 0:05:43 | 0:05:46 | |
and not knowing what was happening and thinking, "What have I done?" | 0:05:46 | 0:05:50 | |
Simon's chorister training stood him in good stead | 0:05:52 | 0:05:55 | |
when he became director of music at Salisbury, | 0:05:55 | 0:05:58 | |
inheriting the first cathedral girls' choir in the country. | 0:05:58 | 0:06:02 | |
Make sure there's a nice, warm crescendo on that. | 0:06:02 | 0:06:04 | |
It's something I've championed for many years and I believe | 0:06:07 | 0:06:10 | |
so strongly in girls singing in cathedral choirs. Why not? | 0:06:10 | 0:06:14 | |
I don't think I would have concentrated so much on the singing | 0:06:14 | 0:06:18 | |
if there had been a gorgeous girl standing next to me, even at 11. | 0:06:18 | 0:06:20 | |
LAUGHTER | 0:06:20 | 0:06:22 | |
I went back to the cathedral last year to celebrate 20 years | 0:06:22 | 0:06:26 | |
and it's amazing. | 0:06:26 | 0:06:28 | |
They're now breaking through into the university world, the professional singing world, | 0:06:28 | 0:06:32 | |
and it's fantastic to see. | 0:06:32 | 0:06:34 | |
There's a saying, "Once a chorister, always a chorister." | 0:06:34 | 0:06:37 | |
-Do you think it's true? -I think it's absolutely true. | 0:06:37 | 0:06:40 | |
All the people I meet in all walks of life who've been choristers | 0:06:40 | 0:06:43 | |
always look back very fondly on the experience. | 0:06:43 | 0:06:47 | |
Often, it doesn't matter... I chose to make music my profession, | 0:06:47 | 0:06:51 | |
but there have been so many people who have been successful in other walks of life | 0:06:51 | 0:06:55 | |
and who've used a lot of the experiences from being a chorister | 0:06:55 | 0:06:59 | |
and translated that into their professional lives. | 0:06:59 | 0:07:02 | |
It's helped them enormously, really. | 0:07:02 | 0:07:04 | |
# I know that my Redeemer liveth | 0:07:08 | 0:07:15 | |
# And that He shall stand | 0:07:21 | 0:07:26 | |
# At the latter day | 0:07:26 | 0:07:34 | |
# Upon the Earth | 0:07:34 | 0:07:37 | |
# I know that my Redeemer liveth | 0:07:44 | 0:07:52 | |
# And though worms destroy this body | 0:07:53 | 0:07:58 | |
# Yet in my flesh shall I see God | 0:07:58 | 0:08:06 | |
# Yet in my flesh shall I see God | 0:08:07 | 0:08:15 | |
# Shall I see God | 0:08:15 | 0:08:19 | |
# I know that my Redeemer liveth | 0:08:19 | 0:08:27 | |
# For now is Christ risen from the dead | 0:08:33 | 0:08:40 | |
# The first fruits | 0:08:43 | 0:08:47 | |
# Of them that sleep | 0:08:47 | 0:08:53 | |
# Of them that sleep | 0:08:53 | 0:08:57 | |
# The first fruits | 0:08:57 | 0:09:03 | |
# Of them that sleep | 0:09:03 | 0:09:07 | |
# For now is Christ risen | 0:09:14 | 0:09:18 | |
# For now is Christ risen | 0:09:18 | 0:09:22 | |
# From the dead | 0:09:22 | 0:09:26 | |
# The first fruits | 0:09:29 | 0:09:37 | |
# Of them that sleep. # | 0:09:38 | 0:09:45 | |
World renowned conductor Sir Mark Elder was a chorister | 0:10:11 | 0:10:15 | |
as Canterbury Cathedral in the 1950s, | 0:10:15 | 0:10:18 | |
which meant heading off to choir school at a very early age. | 0:10:18 | 0:10:21 | |
I was eight when I went and I remember begging not to be sent, | 0:10:22 | 0:10:27 | |
I remember crying for the first few nights for the first few terms. | 0:10:27 | 0:10:31 | |
It was a very difficult thing to do, | 0:10:31 | 0:10:35 | |
to pull a family apart. | 0:10:35 | 0:10:39 | |
But I think I soon realised that there was going to be | 0:10:39 | 0:10:43 | |
great excitement. | 0:10:43 | 0:10:45 | |
The job of being a chorister is not just fun. | 0:10:46 | 0:10:50 | |
There is fun attached to it but, actually, it's work. | 0:10:50 | 0:10:53 | |
It's learning how to be responsible, | 0:10:53 | 0:10:56 | |
how to appear in public day after day and perform, | 0:10:56 | 0:10:59 | |
to walk with the right grace and the right speed. | 0:10:59 | 0:11:03 | |
We used to have secret processing lessons in the cathedral at night, | 0:11:03 | 0:11:06 | |
when nobody else was there. | 0:11:06 | 0:11:08 | |
The musical list came out once every two weeks, I seem to remember. | 0:11:10 | 0:11:14 | |
We used to rush after service and try and see what was written up, | 0:11:14 | 0:11:17 | |
and what we were going to do. | 0:11:17 | 0:11:18 | |
Of course, we were all drama queens in the making at that age. | 0:11:18 | 0:11:21 | |
We all wanted to see how many solos there would be, | 0:11:21 | 0:11:24 | |
and who was going to get the solo. | 0:11:24 | 0:11:25 | |
"He did it last time, perhaps I'll get it this time." | 0:11:25 | 0:11:27 | |
Oh, we were little divas. | 0:11:27 | 0:11:29 | |
Terrible! | 0:11:29 | 0:11:31 | |
# Glory to Him | 0:11:31 | 0:11:34 | |
# Glory to Him | 0:11:34 | 0:11:37 | |
# Glory to Him... # | 0:11:37 | 0:11:41 | |
When I find myself conducting, specifically sacred music, | 0:11:41 | 0:11:45 | |
as opposed to religious music - | 0:11:45 | 0:11:47 | |
deeply spiritual music, | 0:11:47 | 0:11:48 | |
and The Dream of Gerontius is a very good example of that - | 0:11:48 | 0:11:51 | |
the experience I had as a chorister | 0:11:51 | 0:11:53 | |
undoubtedly informs how I feel | 0:11:53 | 0:11:56 | |
conducting it. | 0:11:56 | 0:11:58 | |
But there's something else - | 0:11:58 | 0:12:00 | |
there's a sense of being in touch with something | 0:12:00 | 0:12:02 | |
on another level. | 0:12:02 | 0:12:04 | |
I very often think | 0:12:09 | 0:12:11 | |
that I owe my career in music | 0:12:11 | 0:12:14 | |
to the fact that my parents | 0:12:14 | 0:12:16 | |
organised that I should be a chorister. | 0:12:16 | 0:12:20 | |
As the years go by, | 0:12:20 | 0:12:22 | |
I'm more and more convinced | 0:12:22 | 0:12:24 | |
that there is some | 0:12:24 | 0:12:27 | |
energy or higher power | 0:12:27 | 0:12:30 | |
connecting the events of our life together. | 0:12:30 | 0:12:33 | |
And I think it was a wonderful present, | 0:12:33 | 0:12:38 | |
actually, | 0:12:38 | 0:12:39 | |
that I should have been given this chance | 0:12:39 | 0:12:42 | |
to open my ears, | 0:12:42 | 0:12:44 | |
open my heart... | 0:12:44 | 0:12:46 | |
And get me in some state | 0:12:47 | 0:12:50 | |
where I could start to face the rest of my life. | 0:12:50 | 0:12:53 | |
# Amen. # | 0:12:53 | 0:13:01 | |
Not all choristers | 0:15:28 | 0:15:30 | |
end up as professional musicians. | 0:15:30 | 0:15:32 | |
Member of Parliament, David Lammy, | 0:15:32 | 0:15:34 | |
was a chorister at Peterborough Cathedral. | 0:15:34 | 0:15:37 | |
I sometimes say to people, | 0:15:37 | 0:15:39 | |
when I became a minister | 0:15:39 | 0:15:40 | |
in the Government, | 0:15:40 | 0:15:43 | |
and you're going through your papers, | 0:15:43 | 0:15:45 | |
you've got to have the discipline to do that | 0:15:45 | 0:15:48 | |
last thing at night or first thing in the morning. | 0:15:48 | 0:15:50 | |
Actually, | 0:15:50 | 0:15:52 | |
I think back to those days as a chorister | 0:15:52 | 0:15:55 | |
and the rigour of practice | 0:15:55 | 0:15:58 | |
and application, day after day after day. | 0:15:58 | 0:16:01 | |
And also a sense of duty | 0:16:01 | 0:16:03 | |
that you're following in the footsteps of | 0:16:03 | 0:16:06 | |
many thousands of other young choristers, | 0:16:06 | 0:16:10 | |
over many years. | 0:16:10 | 0:16:12 | |
And you're providing a service to the local community. | 0:16:12 | 0:16:15 | |
I remember walking into the cathedral for the first time, | 0:16:20 | 0:16:23 | |
and there is this big sort of smell | 0:16:23 | 0:16:27 | |
of limestone | 0:16:27 | 0:16:29 | |
that I must have got addicted to, | 0:16:29 | 0:16:32 | |
cos you get it in the House of Commons as well. | 0:16:32 | 0:16:34 | |
I think the highlight for me | 0:16:43 | 0:16:46 | |
was Songs Of Praise | 0:16:46 | 0:16:48 | |
in 1983, | 0:16:48 | 0:16:50 | |
because, you know, | 0:16:50 | 0:16:52 | |
I was on telly! | 0:16:52 | 0:16:54 | |
And my mum and dad were here in attendance. | 0:16:54 | 0:16:57 | |
Very proud, | 0:16:57 | 0:16:59 | |
telling their friends. | 0:16:59 | 0:17:01 | |
And it was a very, very special moment. | 0:17:01 | 0:17:04 | |
I don't think | 0:17:06 | 0:17:07 | |
the choirmaster would say | 0:17:07 | 0:17:10 | |
that David Lammy was a model chorister, put it that way. | 0:17:10 | 0:17:13 | |
I'm embarrassed to say | 0:17:13 | 0:17:16 | |
that on the stalls, | 0:17:16 | 0:17:19 | |
my name's scratched in! | 0:17:19 | 0:17:21 | |
HE LAUGHS | 0:17:21 | 0:17:23 | |
I'm afraid I was a very mischievous, naughty chorister. | 0:17:23 | 0:17:28 | |
Actually, | 0:17:30 | 0:17:31 | |
there have been moments in my life when things have not gone well, | 0:17:31 | 0:17:35 | |
when very quietly, I've gone on a train, | 0:17:35 | 0:17:37 | |
come up to Peterborough - it's only 45 minutes from London - | 0:17:37 | 0:17:41 | |
sat here, | 0:17:41 | 0:17:43 | |
and that strong sense of faith | 0:17:43 | 0:17:45 | |
that I still have, | 0:17:45 | 0:17:47 | |
I draw very much from being a chorister. | 0:17:47 | 0:17:49 | |
I find now that I'm 40, | 0:17:52 | 0:17:55 | |
that it's music | 0:17:55 | 0:17:57 | |
that helps me understand | 0:17:57 | 0:17:59 | |
and get into my faith. | 0:17:59 | 0:18:01 | |
Whether that is | 0:18:01 | 0:18:04 | |
soaring anthems, | 0:18:04 | 0:18:06 | |
like I Was Glad. | 0:18:06 | 0:18:08 | |
Whether that is gospel music | 0:18:08 | 0:18:11 | |
that makes your eyes water. | 0:18:11 | 0:18:14 | |
Erm, jazz - whatever it is, | 0:18:14 | 0:18:16 | |
it's music that lifts me to that other plane. | 0:18:16 | 0:18:21 | |
Erm... | 0:18:21 | 0:18:22 | |
And I'm very grateful, in a sense, | 0:18:22 | 0:18:25 | |
that the discipline of being a chorister | 0:18:25 | 0:18:27 | |
has helped me tap into that. | 0:18:27 | 0:18:30 | |
# Lord now lettest thou Thy servant | 0:18:34 | 0:18:41 | |
# Depart in peace | 0:18:41 | 0:18:47 | |
# According to Thy word | 0:18:47 | 0:18:54 | |
# For mine eyes have seen Thy salvation | 0:18:54 | 0:19:01 | |
# Which Thou hast prepared before the face | 0:19:01 | 0:19:07 | |
# Of Thy people | 0:19:07 | 0:19:12 | |
# To be a light to lighten the Gentiles | 0:19:12 | 0:19:24 | |
# And to be the glory | 0:19:25 | 0:19:30 | |
# Of Thy people Israel | 0:19:30 | 0:19:40 | |
# Glory be to the Father | 0:19:47 | 0:19:54 | |
# And to the Son | 0:19:54 | 0:20:00 | |
# And to the Holy Ghost | 0:20:00 | 0:20:12 | |
# As it was in the beginning | 0:20:12 | 0:20:19 | |
# Is now and ever shall be | 0:20:19 | 0:20:25 | |
# Is now and ever shall be | 0:20:25 | 0:20:32 | |
# World without end | 0:20:32 | 0:20:38 | |
# World without end | 0:20:38 | 0:20:44 | |
# World without end | 0:20:44 | 0:20:53 | |
# Amen. # | 0:20:57 | 0:21:02 | |
# Amen. # | 0:21:02 | 0:21:05 | |
# Amen. # | 0:21:05 | 0:21:11 | |
I'm all at sea off the East Sussex coast, | 0:21:20 | 0:21:23 | |
for Saturday Kitchen, but it's time to put the anchor down, head ashore, | 0:21:23 | 0:21:26 | |
and find some tip-top wines for today's show. Land ho! | 0:21:26 | 0:21:30 | |
'Saturday Kitchen's wine expert, | 0:21:30 | 0:21:32 | |
'Olly Smith, | 0:21:32 | 0:21:34 | |
'became a chorister at King's College Cambridge, | 0:21:34 | 0:21:36 | |
'28 years ago.' | 0:21:36 | 0:21:38 | |
I wonder if choristers get a taste for wine, because they... | 0:21:38 | 0:21:41 | |
-Do you think? -HE LAUGHS | 0:21:41 | 0:21:43 | |
I don't know. | 0:21:43 | 0:21:44 | |
I loved it. I loved all the finery | 0:21:44 | 0:21:46 | |
and the incense, the wines, the smells and the stimulation. | 0:21:46 | 0:21:48 | |
I certainly enjoyed the flavour of the communion wine. | 0:21:48 | 0:21:51 | |
So, yeah, maybe! | 0:21:51 | 0:21:52 | |
I was in and out of this building every day of my life. | 0:21:52 | 0:21:55 | |
It's such a privilege to have been here, | 0:21:55 | 0:21:58 | |
been part of the history of this amazing building. | 0:21:58 | 0:22:01 | |
Probably the ultimate place to be a chorister, isn't it? | 0:22:01 | 0:22:04 | |
I certainly had the most incredible time, | 0:22:04 | 0:22:06 | |
and it changed my whole life - | 0:22:06 | 0:22:08 | |
there's no question about it. | 0:22:08 | 0:22:09 | |
The incredible self discipline, | 0:22:09 | 0:22:11 | |
and the incredible exposure you get to music... | 0:22:11 | 0:22:14 | |
When you think of the range of all the different things we would sing, | 0:22:14 | 0:22:17 | |
right from Britten's Rejoice In The Lamb | 0:22:17 | 0:22:19 | |
to the old psalm chants. | 0:22:19 | 0:22:20 | |
An extraordinary education. | 0:22:20 | 0:22:23 | |
# Gloria... # | 0:22:23 | 0:22:31 | |
The first thing that comes to mind, of course, | 0:22:31 | 0:22:34 | |
is the carol service at Christmas. | 0:22:34 | 0:22:37 | |
-Yes... -Once In Royal David's City, and all that business. | 0:22:37 | 0:22:40 | |
I think I was lined up to do it | 0:22:40 | 0:22:41 | |
the year my vice broke. | 0:22:41 | 0:22:43 | |
-Oh! -I know. | 0:22:43 | 0:22:44 | |
Gutting! Absolutely gutting. | 0:22:44 | 0:22:46 | |
But it was terrifying. We'd stand over by the screen, | 0:22:46 | 0:22:49 | |
the red light would go on, and you'd know you were on air - | 0:22:49 | 0:22:51 | |
to the entire world. | 0:22:51 | 0:22:53 | |
It's an international, huge event. | 0:22:53 | 0:22:55 | |
And my mum always says, | 0:22:55 | 0:22:56 | |
"Christmas doesn't start until it's Carols from King's College." | 0:22:56 | 0:23:00 | |
But the red light goes on, | 0:23:00 | 0:23:01 | |
and the finger come out. | 0:23:01 | 0:23:02 | |
Dean Cleobury wanders up and down the row | 0:23:02 | 0:23:04 | |
and then very calmly points to a boy | 0:23:04 | 0:23:06 | |
who has to step forward. | 0:23:06 | 0:23:08 | |
Whilst you're on air? | 0:23:08 | 0:23:09 | |
Yeah, the red light goes on, and he chooses... | 0:23:09 | 0:23:11 | |
No-one knows who it will be. | 0:23:11 | 0:23:13 | |
The boy has to stand forward | 0:23:13 | 0:23:14 | |
and fill this incredible space with a single solo voice. | 0:23:14 | 0:23:17 | |
I feel sick! | 0:23:17 | 0:23:18 | |
Can you imagine the nerves? | 0:23:18 | 0:23:20 | |
In a way, I'm quite relieved my voice gave way before that, | 0:23:20 | 0:23:23 | |
but what an incredible thing. | 0:23:23 | 0:23:24 | |
It is magic when you hear it, | 0:23:24 | 0:23:26 | |
just across the airwaves. | 0:23:26 | 0:23:28 | |
HE SINGS | 0:23:28 | 0:23:29 | |
We all took pride, without question, in trying to deliver | 0:23:32 | 0:23:36 | |
the very best quality of music, | 0:23:36 | 0:23:37 | |
and you're here in a place of worship. | 0:23:37 | 0:23:39 | |
Ultimately, when all these things come together - | 0:23:39 | 0:23:41 | |
the sculpture, the stained glass, | 0:23:41 | 0:23:43 | |
the music, the worship, the reverence for the place, | 0:23:43 | 0:23:46 | |
that's quite a powerful thing, especially if you're ten. | 0:23:46 | 0:23:48 | |
THEY SING | 0:23:48 | 0:23:51 | |
I come from a family of quite strong faith. | 0:23:53 | 0:23:54 | |
Both my grandparents were vicars. | 0:23:54 | 0:23:56 | |
My grandmother still is. She's probably watching, saying, | 0:23:56 | 0:23:59 | |
"What do you mean 'were'? I'm still working!" | 0:23:59 | 0:24:01 | |
Sorry, Grandma! | 0:24:01 | 0:24:03 | |
Sorry, Grandma, yes. | 0:24:03 | 0:24:05 | |
But it's an incredible experience and a real privilege | 0:24:05 | 0:24:08 | |
to see and to be part of... | 0:24:08 | 0:24:11 | |
I guess to "contribute" is the word I'm looking for. | 0:24:11 | 0:24:14 | |
To contribute to other people's faith. | 0:24:14 | 0:24:16 | |
Would you recommend being a choirboy...? | 0:24:16 | 0:24:18 | |
Yeah, hands down, I would. | 0:24:18 | 0:24:19 | |
It changes your whole life. | 0:24:19 | 0:24:22 | |
And it's a huge, enormous change, | 0:24:22 | 0:24:24 | |
but I have absolutely no regrets. I loved every minute. | 0:24:24 | 0:24:27 | |
# Mater, ora Filium | 0:24:31 | 0:24:36 | |
# Ut post hoc exilium | 0:24:36 | 0:24:41 | |
# Nobis donet gaudium | 0:24:41 | 0:24:47 | |
# Beatorum omnium | 0:24:47 | 0:24:51 | |
# Fair maid, who is this bairn | 0:24:51 | 0:24:56 | |
# That thou barest in thine arm? | 0:24:56 | 0:25:01 | |
# Sire, it is a kinges son | 0:25:01 | 0:25:06 | |
# That in heaven above doth wone | 0:25:06 | 0:25:11 | |
# Man to father, he hath none | 0:25:11 | 0:25:16 | |
# But himself, God alone! | 0:25:16 | 0:25:21 | |
# Of a maid he would be born | 0:25:21 | 0:25:26 | |
# To save mankind that was forlorn | 0:25:26 | 0:25:32 | |
# Mater, ora Filium | 0:25:32 | 0:25:37 | |
# Ut post hoc exilium | 0:25:37 | 0:25:42 | |
# Nobis donet gaudium | 0:25:42 | 0:25:47 | |
# Beatorum omnium | 0:25:47 | 0:25:52 | |
# Mater, ora Filium | 0:25:52 | 0:25:58 | |
# Ut post hoc exilium | 0:25:58 | 0:26:02 | |
# Nobis donet gaudium | 0:26:02 | 0:26:08 | |
# Beatorum omnium | 0:26:08 | 0:26:16 | |
# Oh, oh, oh | 0:26:16 | 0:26:23 | |
# Oh. # | 0:26:23 | 0:26:29 | |
Bless, O Lord, us Thy servants | 0:26:37 | 0:26:40 | |
Who minister in Thy temple | 0:26:40 | 0:26:42 | |
Grant that what we sing with our lips | 0:26:42 | 0:26:46 | |
We may believe in our hearts | 0:26:46 | 0:26:49 | |
And what we believe in our hearts, we may show forth in our lives | 0:26:49 | 0:26:55 | |
Through Jesus Christ, our Lord. Amen. | 0:26:55 | 0:26:58 | |
# One voice | 0:27:07 | 0:27:10 | |
# Singing in the darkness | 0:27:10 | 0:27:16 | |
# All it takes is one voice | 0:27:16 | 0:27:23 | |
# Singing so they hear what's on your mind | 0:27:23 | 0:27:27 | |
# And when you look around | 0:27:27 | 0:27:30 | |
# You'll find there's more than | 0:27:30 | 0:27:32 | |
# One voice | 0:27:32 | 0:27:36 | |
# Singing in the darkness | 0:27:36 | 0:27:42 | |
# Joining with your one voice | 0:27:42 | 0:27:49 | |
# Each and every note another octave | 0:27:49 | 0:27:53 | |
# Hands are joined and fears unlocked | 0:27:53 | 0:27:56 | |
# If only one voice | 0:27:56 | 0:27:58 | |
# Would start it on its own | 0:27:58 | 0:28:01 | |
# We need just one voice | 0:28:01 | 0:28:04 | |
# Facing the unknown | 0:28:04 | 0:28:06 | |
# And then that one voice | 0:28:06 | 0:28:09 | |
# Would never be alone | 0:28:09 | 0:28:11 | |
# It takes just one voice... # | 0:28:11 | 0:28:17 | |
WORDLESS VERSION OF MAIN MELODY | 0:28:23 | 0:28:26 | |
# One voice | 0:28:34 | 0:28:39 | |
# One voice singing in the darkness | 0:28:39 | 0:28:47 | |
# All it takes is one voice | 0:28:47 | 0:28:51 | |
# Shout it out and let it ring | 0:28:51 | 0:28:57 | |
# Just one voice | 0:28:57 | 0:29:00 | |
# It takes that one voice | 0:29:00 | 0:29:07 | |
# Then everyone will sing | 0:29:07 | 0:29:18 | |
# One voice | 0:29:32 | 0:29:36 | |
# Singing in the darkness | 0:29:36 | 0:29:40 | |
# All it takes is one voice | 0:29:40 | 0:29:45 | |
# Shout it out and let it ring | 0:29:45 | 0:29:51 | |
# Just one voice | 0:29:51 | 0:29:55 | |
# It takes that one voice | 0:29:55 | 0:30:01 | |
# And every one | 0:30:01 | 0:30:05 | |
# Will sing | 0:30:05 | 0:30:10 | |
# We will sing! # | 0:30:10 | 0:30:19 | |
Only Men Aloud there, | 0:30:24 | 0:30:26 | |
performing a song that celebrates the joy of singing. | 0:30:26 | 0:30:29 | |
Our final piece is a hymn I sang heartily as a choir boy | 0:30:34 | 0:30:37 | |
in Bangor Cathedral, and you know, I still love singing it to this day. | 0:30:37 | 0:30:41 | |
Next week, I will be asking why do we pray, | 0:33:23 | 0:33:28 | |
hear about a national day of prayer at Wembley, | 0:33:28 | 0:33:30 | |
and meet someone who has dedicated their whole life to prayer. | 0:33:30 | 0:33:34 | |
Plus plenty of hymns and songs, old and new. | 0:33:34 | 0:33:37 | |
Subtitles by Red Bee Media Ltd | 0:33:55 | 0:33:58 |