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One day in 1967, a famous pop star sat in a TV studio, | 0:00:02 | 0:00:06 | |
having a go at another famous pop star, Cliff Richard. | 0:00:06 | 0:00:09 | |
This young man was a passionate atheist and relished | 0:00:09 | 0:00:12 | |
his chance to argue with Cliff, then a newly converted Christian. | 0:00:12 | 0:00:16 | |
He was, he admitted, rather unpleasant to Cliff | 0:00:16 | 0:00:20 | |
but a few years later things would change in a dramatic way. | 0:00:20 | 0:00:24 | |
# Five, four, three, two, one # | 0:00:24 | 0:00:29 | |
The man in question was Paul Jones, | 0:00:29 | 0:00:31 | |
the lead singer of the group Manfred Mann. | 0:00:31 | 0:00:33 | |
With a string of hits, | 0:00:33 | 0:00:35 | |
such as Pretty Flamingo, Five Four Three Two One and Doo Wah Diddy, | 0:00:35 | 0:00:39 | |
they were up there with The Beatles and The Stones. | 0:00:39 | 0:00:42 | |
# Doo wah diddy diddy. # | 0:00:42 | 0:00:44 | |
Nearly 50 years on, Paul is still delighting audiences both | 0:00:44 | 0:00:47 | |
touring and on his weekly Radio Two blues show. | 0:00:47 | 0:00:51 | |
A venerated member of the British music scene, | 0:00:51 | 0:00:54 | |
he's as popular as ever. | 0:00:54 | 0:00:57 | |
In this week's Songs of Praise, Paul is my special guest | 0:00:57 | 0:01:00 | |
and will be performing some of his favourite songs. | 0:01:00 | 0:01:03 | |
There'll be some classic hymns | 0:01:03 | 0:01:05 | |
and he'll take some searching questions from his fans | 0:01:05 | 0:01:08 | |
and I'll be asking Paul just what happened to the militant atheist. | 0:01:08 | 0:01:12 | |
Welcome to the East End of London and to Christ Church, Spitalfields. | 0:01:19 | 0:01:23 | |
Now, it's been a place of worship for three centuries | 0:01:23 | 0:01:26 | |
and its beautiful architecture attracts thousands of visitors | 0:01:26 | 0:01:29 | |
each year but these fine people are here for more than | 0:01:29 | 0:01:32 | |
a glimpse of a Georgian portico, oh yes, they are. | 0:01:32 | 0:01:34 | |
They're here to sing and to see our very special guest, | 0:01:34 | 0:01:38 | |
the one and only, Mr Paul Jones. | 0:01:38 | 0:01:40 | |
APPLAUSE | 0:01:40 | 0:01:43 | |
So, Paul, a celebration of your life, | 0:01:49 | 0:01:51 | |
-I would imagine is going to involve music. -A-huh. | 0:01:51 | 0:01:55 | |
-A bit of blues... -Yes. -A bit of rock? -M-hmmm. | 0:01:55 | 0:01:59 | |
-How about a few hymns? -Oh, yes. -I'm glad you said that. | 0:02:01 | 0:02:04 | |
Why do you love hymns so much? | 0:02:04 | 0:02:06 | |
Well, you know, first of all I used to sing in cathedral choir | 0:02:06 | 0:02:11 | |
-as I was a boy...little fella. -We've all been there and done that. | 0:02:11 | 0:02:14 | |
Of course, yes. | 0:02:14 | 0:02:15 | |
And I loved it, I just loved the physical experience of singing | 0:02:15 | 0:02:19 | |
and I loved the music and everything. | 0:02:19 | 0:02:21 | |
But also nowadays things have changed | 0:02:21 | 0:02:24 | |
-and it's the content of the lyrics that's most important to me. -OK. | 0:02:24 | 0:02:29 | |
What have you chosen for us all to sing, magnificently first? | 0:02:29 | 0:02:32 | |
Magnificently, What a Friend We Have in Jesus! | 0:02:32 | 0:02:36 | |
That's a good one, take it away. | 0:02:36 | 0:02:38 | |
# What a friend we have in Jesus | 0:02:52 | 0:02:58 | |
# All our sins and griefs to bear | 0:02:58 | 0:03:03 | |
# What a privilege to carry | 0:03:05 | 0:03:10 | |
# Everything to God in prayer | 0:03:12 | 0:03:15 | |
APPLAUSE | 0:05:07 | 0:05:10 | |
-How can we better that? That was brilliant. -Oh, we'll have to. | 0:05:20 | 0:05:24 | |
When you're up there on stage, | 0:05:24 | 0:05:25 | |
do you actually feel that God is your mate these days? | 0:05:25 | 0:05:28 | |
You know, someone told us off once for thinking of him | 0:05:28 | 0:05:30 | |
as God all matey instead of God all mighty. | 0:05:30 | 0:05:33 | |
But, yes, I do feel that, you know, his friend. | 0:05:33 | 0:05:38 | |
It wasn't always that way though, was it? | 0:05:38 | 0:05:40 | |
I think we need to clear up you and Cliff Richard, don't we? | 0:05:40 | 0:05:43 | |
HE SIGHS | 0:05:43 | 0:05:44 | |
What happened? | 0:05:44 | 0:05:45 | |
I'd become an atheist and I decided that all Christians were stupid | 0:05:45 | 0:05:49 | |
and I particularly was gunning for Cliff. I mean, how bad could I be? | 0:05:49 | 0:05:53 | |
I really was obnoxious to him, I was. | 0:05:53 | 0:05:57 | |
-He wasn't horrible back at all, was he? -No...he was lovely. | 0:05:57 | 0:06:00 | |
But, you know, talking about those days, | 0:06:00 | 0:06:03 | |
the heady days of the '60s, I've seen lots of cuttings | 0:06:03 | 0:06:06 | |
and clips where you've given interviews | 0:06:06 | 0:06:08 | |
and the people that are interviewing you almost hold you on a pedestal. | 0:06:08 | 0:06:11 | |
Do you think you let all that adulation go to your head at all? | 0:06:11 | 0:06:14 | |
Oh, yes...oh, yes! Adulation is a very, very addictive drug. | 0:06:14 | 0:06:19 | |
It should be up there with the other Class A drugs, it really should. | 0:06:19 | 0:06:23 | |
-It's very, very dangerous. -Why do you say that? | 0:06:23 | 0:06:26 | |
Well, people can't handle being somebody much more than | 0:06:26 | 0:06:30 | |
they actually are in real life. | 0:06:30 | 0:06:33 | |
It's so great to become a Christian and know who you are in Christ. | 0:06:33 | 0:06:37 | |
Cos that's another story entirely. | 0:06:37 | 0:06:40 | |
So, how did the angry atheist come back to Christianity? | 0:06:40 | 0:06:44 | |
Basically I fell for a particular painter who lived two | 0:06:44 | 0:06:49 | |
centuries ago, in Germany, whose name is Friedrich. | 0:06:49 | 0:06:52 | |
Caspar David Friedrich. | 0:06:52 | 0:06:54 | |
-Right. -And he painted both Christian paintings and secular paintings. | 0:06:54 | 0:06:59 | |
Since I was still trying to be an atheist, this around 1980, I was more | 0:06:59 | 0:07:05 | |
interested in the secular ones and yet I knew that they were spiritual. | 0:07:05 | 0:07:09 | |
And it gradually dawned on me that if I could see that those | 0:07:09 | 0:07:13 | |
paintings were spiritual, there had to be something spiritual in me. | 0:07:13 | 0:07:17 | |
And at that point atheism had already left the building. | 0:07:17 | 0:07:20 | |
The interesting thing is that, dare I mention his name again, | 0:07:20 | 0:07:24 | |
I don't want you to get all aggressive on me but Cliff Richard | 0:07:24 | 0:07:27 | |
played a part in you coming back to a Christian as well, didn't he? | 0:07:27 | 0:07:29 | |
He did, he did. | 0:07:29 | 0:07:31 | |
That man was so good, so faithful and one day he rang up and he said, | 0:07:31 | 0:07:35 | |
"Will you come to White City Stadium and listen to this speaker? | 0:07:35 | 0:07:38 | |
"His name is Luis Palau and believe me, | 0:07:38 | 0:07:41 | |
"You really need to come." | 0:07:41 | 0:07:43 | |
It was powerful. | 0:07:43 | 0:07:45 | |
Gospel choir...loved it. | 0:07:45 | 0:07:46 | |
Luis Palau preached out of Paul's letter to the Romans, | 0:07:46 | 0:07:49 | |
chapter one and said, "Are you right? | 0:07:49 | 0:07:52 | |
"Is your life right with God?" I went "No". | 0:07:52 | 0:07:57 | |
-Thankfully it is now. -Made it right. | 0:07:58 | 0:08:00 | |
Here we are approaching Christmas, erm, | 0:08:00 | 0:08:02 | |
what does the season mean to you? | 0:08:02 | 0:08:04 | |
Oh, well, Christmas is something that a lot of people, | 0:08:04 | 0:08:07 | |
unfortunately, unsaved people dread, don't they? | 0:08:07 | 0:08:10 | |
"Oh, no, not Christmas again... All that shopping, you know..." | 0:08:10 | 0:08:14 | |
-Spending money... -Buying things for people, spending money, yeah... | 0:08:14 | 0:08:17 | |
-Seeing the in-laws. -Seeing the in-laws. | 0:08:17 | 0:08:19 | |
Yeah, you become a Christian, the reason for the season... | 0:08:19 | 0:08:23 | |
Jesus is the reason for the season! | 0:08:23 | 0:08:25 | |
And you get it in here and Christmas is a wonderful, wonderful time. | 0:08:25 | 0:08:31 | |
Well, the next piece you're going to perform, People Get Ready, | 0:08:31 | 0:08:33 | |
not really a Christmas song but it has a Christmas message, | 0:08:33 | 0:08:37 | |
I suppose, doesn't it? | 0:08:37 | 0:08:38 | |
Definitely has a sort of Advent message in as much as it's | 0:08:38 | 0:08:41 | |
really about the second coming, isn't it? | 0:08:41 | 0:08:44 | |
Basically what the song is saying is be ready when he comes. | 0:08:44 | 0:08:49 | |
Well, I can't wait to hear it, | 0:08:49 | 0:08:51 | |
so if you want to go and get yourself ready? | 0:08:51 | 0:08:53 | |
Absolutely. | 0:08:53 | 0:08:55 | |
To perform People Get Ready with our wonderful house band, it is Paul Jones! | 0:08:55 | 0:08:59 | |
APPLAUSE | 0:08:59 | 0:09:02 | |
# People, get ready | 0:09:27 | 0:09:30 | |
# There's a train a-coming | 0:09:30 | 0:09:33 | |
# You don't need no baggage | 0:09:33 | 0:09:36 | |
# You just get on board | 0:09:36 | 0:09:39 | |
# All you need is faith | 0:09:39 | 0:09:42 | |
# To hear diesels humming | 0:09:42 | 0:09:45 | |
# You don't need no ticket | 0:09:45 | 0:09:48 | |
# You just thank the Lord | 0:09:48 | 0:09:50 | |
# So, people, get ready | 0:09:58 | 0:10:01 | |
# For the train to Jordan | 0:10:01 | 0:10:04 | |
# It's picking up passengers | 0:10:04 | 0:10:07 | |
# From coast to coast | 0:10:07 | 0:10:10 | |
# Faith is the key | 0:10:10 | 0:10:12 | |
# Unlock the doors and board them | 0:10:12 | 0:10:16 | |
# There's room for all | 0:10:16 | 0:10:18 | |
# You know, we're loved the most | 0:10:18 | 0:10:21 | |
# There is no room | 0:10:46 | 0:10:48 | |
# No room for the hopeless sinner | 0:10:48 | 0:10:52 | |
# Who would hurt all mankind | 0:10:52 | 0:10:55 | |
# Just to save his own | 0:10:55 | 0:10:57 | |
# Pity the man | 0:10:58 | 0:11:01 | |
# Whose chances grow thinner | 0:11:01 | 0:11:04 | |
# There's no hiding place | 0:11:04 | 0:11:06 | |
# From the Kingdom's throne | 0:11:06 | 0:11:08 | |
# So, people, get ready | 0:11:16 | 0:11:19 | |
# For the train to Jordan | 0:11:19 | 0:11:22 | |
# It's picking up passengers | 0:11:22 | 0:11:25 | |
# From coast to coast | 0:11:25 | 0:11:27 | |
# Faith is the key | 0:11:28 | 0:11:30 | |
# Unlock the doors and board them | 0:11:30 | 0:11:33 | |
# There is room for all | 0:11:33 | 0:11:36 | |
# You knew, we're loved the most | 0:11:36 | 0:11:38 | |
# Oooh-hoo... | 0:11:40 | 0:11:43 | |
# You don't need no baggage, no, no | 0:11:46 | 0:11:48 | |
# You just step on board | 0:11:48 | 0:11:51 | |
# You don't need no ticket | 0:11:56 | 0:12:00 | |
# You just thank the Lord. # | 0:12:00 | 0:12:06 | |
APPLAUSE | 0:12:08 | 0:12:11 | |
Not far from Paul's home in Surrey is Cranleigh Arts Centre, | 0:12:18 | 0:12:22 | |
a charity he's been supporting for many years. | 0:12:22 | 0:12:25 | |
It's a small space with a big impact. | 0:12:25 | 0:12:29 | |
Closed temporarily for renovation, it gives Paul a chance to reflect. | 0:12:29 | 0:12:33 | |
I played here and I actually really, really like it as a venue. | 0:12:35 | 0:12:41 | |
It's lovely, the atmosphere is always really pleasant here. | 0:12:41 | 0:12:45 | |
It's something to do with the people who run it. | 0:12:45 | 0:12:49 | |
I help here because I don't want this sandstone ancient building | 0:12:49 | 0:12:52 | |
to crumble, I want it to stay alive and be part of Cranleigh. | 0:12:52 | 0:12:56 | |
It's just a fantastic place. I think a lot of people need an outlet. | 0:12:56 | 0:13:00 | |
They go to work, it's a commuter town, | 0:13:00 | 0:13:02 | |
and they love the fact that they can come here for music, | 0:13:02 | 0:13:06 | |
art and activities, and I think that needs to keep going. | 0:13:06 | 0:13:10 | |
It adds that little extra to a community. | 0:13:10 | 0:13:13 | |
It's icing on the cake, I suppose. | 0:13:13 | 0:13:15 | |
For Paul, the arts have a further purpose. | 0:13:19 | 0:13:22 | |
There is a definite connection between the arts and God. | 0:13:22 | 0:13:30 | |
Because he is the ultimate creator, creativity is from him. | 0:13:30 | 0:13:36 | |
He was the person who said, | 0:13:36 | 0:13:38 | |
"Let there be light," and there was light. | 0:13:38 | 0:13:41 | |
You know, he wants us to use it for ourselves and each other. | 0:13:41 | 0:13:46 | |
# That's the way God planned it | 0:13:46 | 0:13:49 | |
# That's the way God wants it to be. # | 0:13:49 | 0:13:53 | |
Well, it's time for Paul to have a well-earned break | 0:13:53 | 0:13:55 | |
and foe us to do some singing. Feel free to sing along at home. | 0:13:55 | 0:13:58 | |
It's a great hymn of praise, At The Name Of Jesus. | 0:13:58 | 0:14:01 | |
So, Paul, you're a pop star, a broadcaster, a musical theatre star, | 0:16:08 | 0:16:12 | |
the list is endless. Which of those is really you? | 0:16:12 | 0:16:15 | |
If somebody said to me, "Right, it's a firing squad for you, | 0:16:15 | 0:16:18 | |
"you have to decide what it is out of all those things | 0:16:18 | 0:16:21 | |
-"and you can only do one of them"... -That's what I should have asked you! | 0:16:21 | 0:16:25 | |
-It's playing the mouth organ. -Really? -Yeah. | 0:16:25 | 0:16:28 | |
It's never far away from you. | 0:16:28 | 0:16:30 | |
It's never far away from me, it's right here. | 0:16:30 | 0:16:33 | |
When I was 18, I heard for the first time electric blues. | 0:16:33 | 0:16:40 | |
It was by a harmonica player called Junior Wells, | 0:16:40 | 0:16:44 | |
real name Amos Blakemore. Don't ask me. | 0:16:44 | 0:16:47 | |
Anyway, I heard that and I thought, | 0:16:47 | 0:16:49 | |
that's what I'd want to do with the rest of my life. | 0:16:49 | 0:16:52 | |
Some people would say that, you know, blues maybe doesn't belong in church. | 0:16:52 | 0:16:56 | |
Well, I'm not sure that blues out and out does belong in church. | 0:16:57 | 0:17:01 | |
But one shouldn't make the mistake of assuming that all blues | 0:17:01 | 0:17:05 | |
is like the worst kind of blues, because, | 0:17:05 | 0:17:08 | |
hey, you don't make the mistake of thinking that all classical music | 0:17:08 | 0:17:11 | |
-is like the worst kind of classical music. -Fair point. | 0:17:11 | 0:17:14 | |
And there's a bad kind of every sort of music, really. | 0:17:14 | 0:17:17 | |
The blues is capable of doing anything and everything, | 0:17:17 | 0:17:19 | |
including worshipping the Lord. | 0:17:19 | 0:17:22 | |
I'm sure everyone here would like to see him play the harmonica a bit, wouldn't we? | 0:17:22 | 0:17:25 | |
-AUDIENCE: Yes. -Come on, give us a bit. | 0:17:25 | 0:17:27 | |
-Just there, what comes to your head? -Gospel blues. | 0:17:27 | 0:17:30 | |
OK, you're on. Go on. | 0:17:30 | 0:17:31 | |
HARMONICA BLUES RIFF | 0:17:31 | 0:17:33 | |
# I woke up this morning with my mind | 0:17:38 | 0:17:42 | |
# Resting on Jesus | 0:17:42 | 0:17:44 | |
# Woke up this morning with my mind | 0:17:46 | 0:17:49 | |
# Resting on Jesus | 0:17:49 | 0:17:51 | |
# Hallelu | 0:17:52 | 0:17:53 | |
# Hallelu | 0:17:53 | 0:17:55 | |
# Hallelu. # | 0:17:55 | 0:17:57 | |
APPLAUSE AND CHEERING | 0:17:59 | 0:18:02 | |
-Now, listen, we must talk about you and the Rolling Stones. -Must we? | 0:18:08 | 0:18:12 | |
I was big friends with Brian Jones. | 0:18:13 | 0:18:16 | |
For so long, I cannot remember the actual circumstances of our meeting. | 0:18:16 | 0:18:20 | |
One day, Brian rang me up and he said, | 0:18:20 | 0:18:23 | |
"You know, we haven't been taking this thing seriously. | 0:18:23 | 0:18:26 | |
"I'm going to move to London, I'm getting a flat, | 0:18:26 | 0:18:28 | |
"I'm going to start a band and I'm going to become very rich | 0:18:28 | 0:18:30 | |
"and very famous. Do you want to be my singer?" And I said, "No." | 0:18:30 | 0:18:33 | |
LAUGHTER | 0:18:33 | 0:18:35 | |
So he got somebody else. I can't remember who it was. | 0:18:35 | 0:18:38 | |
Mick something(?) | 0:18:38 | 0:18:39 | |
-Mick somebody, yes. -It'll never work(!) | 0:18:39 | 0:18:42 | |
But, you know, one of the main reasons I said no, | 0:18:42 | 0:18:46 | |
I thought it was preposterously optimistic of him | 0:18:46 | 0:18:49 | |
to think that we could make a living playing our music. | 0:18:49 | 0:18:52 | |
But also, I'd just got a job with a dance band in Slough | 0:18:52 | 0:18:56 | |
in a ballroom, and I was just having a good time and learning. | 0:18:56 | 0:19:02 | |
It was good. | 0:19:02 | 0:19:03 | |
The next song you're going to perform, well, | 0:19:03 | 0:19:05 | |
it harks back to the Rolling Stones because they used to perform this. | 0:19:05 | 0:19:09 | |
They, yes, they got it from Mississippi Fred McDowell. | 0:19:09 | 0:19:12 | |
Anyway, it's a lovely song and it's called You've Gotta Move. | 0:19:14 | 0:19:19 | |
Fantastic. Go and get yourself ready. | 0:19:19 | 0:19:22 | |
Well, he could have been a Rolling Stone | 0:19:22 | 0:19:24 | |
and tonight, I suppose, he will be. You Gotta Move, Paul Jones. | 0:19:24 | 0:19:27 | |
HARMONICA SOLOING | 0:19:32 | 0:19:34 | |
# You gotta move | 0:19:51 | 0:19:53 | |
# You gotta move | 0:19:53 | 0:19:56 | |
# You gotta move, child | 0:19:56 | 0:19:59 | |
# You gotta move | 0:19:59 | 0:20:00 | |
# When the Lord | 0:20:02 | 0:20:04 | |
# Get ready | 0:20:04 | 0:20:07 | |
# You gotta move | 0:20:07 | 0:20:08 | |
# You may be rich | 0:20:12 | 0:20:13 | |
# You may be poor | 0:20:14 | 0:20:17 | |
# Have beggars or lenders in a line at your door | 0:20:17 | 0:20:21 | |
# Yeah, but when the Lord, when the Lord get ready | 0:20:22 | 0:20:26 | |
# You gotta move | 0:20:26 | 0:20:28 | |
# Tell all your neighbours, all in your street | 0:20:32 | 0:20:37 | |
# Tell everybody, everybody you meet | 0:20:37 | 0:20:42 | |
# That when the Lord, when the Lord get ready | 0:20:42 | 0:20:46 | |
# You gotta move | 0:20:46 | 0:20:48 | |
# You may be an actor | 0:20:52 | 0:20:55 | |
# Could be a doctor | 0:20:55 | 0:20:57 | |
# A chiropractor | 0:20:57 | 0:20:59 | |
# Or drive a tractor | 0:20:59 | 0:21:02 | |
# Uh-huh, but when the Lord, when the Lord be ready | 0:21:02 | 0:21:06 | |
# You gotta move | 0:21:06 | 0:21:09 | |
# You may be a waiter, dishing out mashed potato | 0:21:32 | 0:21:36 | |
# You could be a traitor or even a dictator | 0:21:36 | 0:21:42 | |
# But when you realise that he is the creator | 0:21:42 | 0:21:46 | |
# You gotta move | 0:21:46 | 0:21:48 | |
# Yo-ou gotta mo-ove. # | 0:21:48 | 0:21:53 | |
APPLAUSE | 0:22:01 | 0:22:03 | |
Paul Jones there and You Gotta Move. | 0:22:13 | 0:22:15 | |
And I tell you what, you've gotta love it. | 0:22:15 | 0:22:17 | |
Now, we look forward to 25th December. | 0:22:17 | 0:22:19 | |
It's time for a carol that's been given a rather different treatment, | 0:22:19 | 0:22:23 | |
one guaranteed to make your Advent go with a swing. | 0:22:23 | 0:22:26 | |
God Rest You Merry Gentlemen. | 0:22:26 | 0:22:28 | |
Well, I think I've asked far too many questions this evening. | 0:24:50 | 0:24:53 | |
It's good to be in with the crowd, lots of Paul Jones fans here, | 0:24:53 | 0:24:56 | |
-including Lindsay. How are you, Lindsay? Stand up. -I'm fine. | 0:24:56 | 0:24:59 | |
-Are you enjoying it? -I am indeed, very much so, thank you. | 0:24:59 | 0:25:02 | |
-You've got a question for the main man? -Yes, I have. | 0:25:02 | 0:25:06 | |
Paul, we've heard how you were once a very determined atheist, | 0:25:06 | 0:25:10 | |
and yet you changed to become to become a very committed Christian. | 0:25:10 | 0:25:14 | |
What I wondered was, | 0:25:14 | 0:25:15 | |
do you ever now get any little niggling doubts about your faith? | 0:25:15 | 0:25:20 | |
And if you do, what do you do about it? | 0:25:20 | 0:25:22 | |
Ooh! | 0:25:22 | 0:25:24 | |
I don't really get niggling doubts about my faith. | 0:25:24 | 0:25:27 | |
I might have the occasional niggling doubt about | 0:25:27 | 0:25:32 | |
whether I'm doing everything I should. | 0:25:32 | 0:25:35 | |
But in either case, what I would recommend | 0:25:35 | 0:25:41 | |
is God's word. | 0:25:41 | 0:25:43 | |
It gives us everything we need to know | 0:25:43 | 0:25:47 | |
and every piece of advice | 0:25:47 | 0:25:49 | |
and instruction to live our lives, it's all in there. | 0:25:49 | 0:25:52 | |
It's the only book that does that. | 0:25:52 | 0:25:55 | |
Good question, Lindsay, thank you very much, you can sit down. | 0:25:55 | 0:25:57 | |
Deborah's got a question as well, haven't you? | 0:25:57 | 0:25:59 | |
I have, yes, thank you. | 0:25:59 | 0:26:02 | |
Um, how do your colleagues in the Manfreds | 0:26:02 | 0:26:04 | |
and the Blues Band feel about your other life as a Christian speaker? | 0:26:04 | 0:26:08 | |
Well, that varies enormously from person to person! | 0:26:08 | 0:26:12 | |
Literally everything from... | 0:26:12 | 0:26:16 | |
erm, noticeable hostility, not to me, | 0:26:16 | 0:26:20 | |
but to my beliefs, all the way from that to serious interest. | 0:26:20 | 0:26:26 | |
Do you know something? | 0:26:26 | 0:26:27 | |
It's the really nice guys who are completely | 0:26:27 | 0:26:30 | |
apathetic about faith, they are the hard ones to crack! | 0:26:30 | 0:26:35 | |
-Good question. -Thank you. -And we've got Julie here, haven't we? | 0:26:35 | 0:26:39 | |
-Are you having a good time tonight? -Yeah, awesome, thank you. | 0:26:39 | 0:26:43 | |
Paul, if you had any advice to give to your young self, what would it be? | 0:26:43 | 0:26:48 | |
He's still young! What are you talking about? | 0:26:48 | 0:26:50 | |
LAUGHTER Your VERY young self. | 0:26:50 | 0:26:52 | |
Younger! Yes. Um...don't. | 0:26:52 | 0:26:56 | |
LAUGHTER | 0:26:56 | 0:26:58 | |
Actually, I would say my advice would be, stop being proud, | 0:26:58 | 0:27:03 | |
-get humble and get your life sorted. -Cool. | 0:27:03 | 0:27:07 | |
How do you feel when you listen to the main man sing? | 0:27:07 | 0:27:11 | |
It just gives us so much joy, so much joy. | 0:27:11 | 0:27:15 | |
And when you play that harmonica, | 0:27:15 | 0:27:17 | |
the joy level just hits the roof, it's fantastic. | 0:27:17 | 0:27:20 | |
-Thank you! -I think everyone agrees, don't they? | 0:27:20 | 0:27:23 | |
APPLAUSE | 0:27:23 | 0:27:27 | |
Now, Uncle Paul - no relation - Jones, I've got a question for you | 0:27:29 | 0:27:32 | |
as well, if that's all right, sir. | 0:27:32 | 0:27:34 | |
Um, the next hymn, My Jesus, My Saviour - why? | 0:27:34 | 0:27:37 | |
My wife and I once went to Hillsong, | 0:27:37 | 0:27:39 | |
the church in the hills in Australia, which is | 0:27:39 | 0:27:42 | |
where that song emanates from, and we loved it and we've always | 0:27:42 | 0:27:47 | |
since loved their music, this one in particular. | 0:27:47 | 0:27:50 | |
Let's sing it, shall we? | 0:27:50 | 0:27:52 | |
# My Jesus, my saviour | 0:28:05 | 0:28:10 | |
# Lord, there is none like you | 0:28:10 | 0:28:14 | |
# All of my days | 0:28:14 | 0:28:18 | |
# I want to praise | 0:28:18 | 0:28:20 | |
# The wonders of your mighty love | 0:28:20 | 0:28:27 | |
# My comfort, my shelter | 0:28:29 | 0:28:34 | |
# Tower of refuge and strength | 0:28:34 | 0:28:38 | |
# Let every breath | 0:28:38 | 0:28:41 | |
# All that I have | 0:28:41 | 0:28:44 | |
# Never cease to worship you | 0:28:44 | 0:28:51 | |
Hey, Paul, I hope you've enjoyed this. | 0:31:17 | 0:31:18 | |
I've certainly enjoyed it, thank you. | 0:31:18 | 0:31:20 | |
-We've loved him, haven't we? -ALL: -Yes! | 0:31:20 | 0:31:23 | |
We've come to our final hymn. But it's a good one. | 0:31:23 | 0:31:25 | |
It was written in the '60s, but it's already a classic. | 0:31:25 | 0:31:28 | |
It's perfect for Advent. | 0:31:28 | 0:31:30 | |
Based on Mary's words from the Gospel of Luke, | 0:31:30 | 0:31:32 | |
it's Tell Out, My Soul. | 0:31:32 | 0:31:33 | |
From Paul and myself, and everyone here, goodbye. | 0:31:33 | 0:31:37 | |
Next week, Sally promises to get Wigan singing for Christmas. | 0:33:29 | 0:33:32 | |
We meet the schoolchildren putting faith first, and the youngsters | 0:33:32 | 0:33:36 | |
taking to the streets in the true spirit of the season. | 0:33:36 | 0:33:39 | |
Plus, candlelit carols from some of Wigan's finest young voices. | 0:33:39 | 0:33:43 | |
Subtitles by Red Bee Media Ltd | 0:34:01 | 0:34:04 |