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Lindisfarne, a little sanctuary off the north-east coast of England, | 0:00:03 | 0:00:07 | |
cut off from the mainland twice a day at high tide. | 0:00:07 | 0:00:10 | |
Thousands of visitors come here every year, | 0:00:12 | 0:00:14 | |
attracted by its sandy beaches and wildlife but also | 0:00:14 | 0:00:18 | |
because of its reputation as one of the holiest places in Britain. | 0:00:18 | 0:00:21 | |
Today, this tiny tidal island is a centre of Christian pilgrimage, | 0:00:25 | 0:00:29 | |
a haven for reflection and prayer. | 0:00:29 | 0:00:32 | |
But back in the 7th century, when the first monastery was built here, | 0:00:32 | 0:00:35 | |
far from being a place of retreat or isolation, | 0:00:35 | 0:00:39 | |
this was the centre of a vibrant missionary network, | 0:00:39 | 0:00:42 | |
spreading the Christian message so successfully that Lindisfarne | 0:00:42 | 0:00:46 | |
became known as northern Britain's cradle of Christianity. | 0:00:46 | 0:00:49 | |
1,300 years on, it continues to inspire those who come here. | 0:00:49 | 0:00:54 | |
With my feet firmly on dry land, | 0:00:58 | 0:01:00 | |
I meet Christian artists influenced by the Celtic | 0:01:00 | 0:01:02 | |
saints of Lindisfarne | 0:01:02 | 0:01:04 | |
and discover the poignant story behind a new piece of stained glass | 0:01:04 | 0:01:07 | |
for the ancient parish church, | 0:01:07 | 0:01:09 | |
while Christian band Iona perform in the priory ruins. | 0:01:09 | 0:01:12 | |
Lindisfarne's Christian story began with an Irish monk called Aidan, | 0:01:24 | 0:01:28 | |
who came to the island in the year 635 to build a monastery. | 0:01:28 | 0:01:32 | |
He travelled nearly 250 miles from the monastery of St Columba | 0:01:34 | 0:01:38 | |
on the Scottish island of Iona. | 0:01:38 | 0:01:40 | |
He wasn't the first to bring Christianity to this | 0:01:40 | 0:01:42 | |
part of the world - the Romans had done that before him. | 0:01:42 | 0:01:45 | |
But, by then, many people had gone back to their pagan roots. | 0:01:45 | 0:01:49 | |
Aidan walked tirelessly from village to village talking to | 0:01:49 | 0:01:52 | |
people he met about the Christian faith. | 0:01:52 | 0:01:55 | |
It's believed St Mary's Parish Church here | 0:01:57 | 0:02:00 | |
stands on the site of that first monastery | 0:02:00 | 0:02:03 | |
established by Aidan 1,300 years ago, | 0:02:03 | 0:02:06 | |
and it's where we begin our Songs Of Praise, with a hymn based on | 0:02:06 | 0:02:09 | |
the words of Psalm 23, and set to a tune named after St Columba of Iona. | 0:02:09 | 0:02:14 | |
# The King of Love my shepherd is | 0:02:19 | 0:02:28 | |
# Whose goodness faileth never | 0:02:28 | 0:02:35 | |
# I nothing lack if I am His | 0:02:35 | 0:02:43 | |
# And He is mine forever... # | 0:02:43 | 0:02:51 | |
Paul Collins moved here from Sussex 18 months ago to become | 0:05:03 | 0:05:07 | |
vicar of St Mary's Parish Church. | 0:05:07 | 0:05:09 | |
This is a very different sort of parish, though, isn't it? | 0:05:11 | 0:05:14 | |
Was it what you expected when you got here? | 0:05:14 | 0:05:17 | |
I'm not sure I quite knew what to expect. | 0:05:17 | 0:05:20 | |
It's certainly very much more complex, I think, than I originally had anticipated | 0:05:20 | 0:05:26 | |
which is wonderful, because it always keeps you on your toes. | 0:05:26 | 0:05:30 | |
You've got a parish, you've got ministry to the people who come | 0:05:30 | 0:05:34 | |
and stay here, you've got ministry to the day visitors | 0:05:34 | 0:05:37 | |
and then you've got ministry such as organising pilgrimages, | 0:05:37 | 0:05:43 | |
so there's all sorts of things happening all the time. | 0:05:43 | 0:05:46 | |
And I suppose you never know really who's going to | 0:05:46 | 0:05:48 | |
be in your congregation or how many people there are. No. | 0:05:48 | 0:05:51 | |
It all depends on the tides and we can have sometimes just two of us, | 0:05:51 | 0:05:55 | |
then 20 or 30, or hundreds, sometimes. From all over the world? | 0:05:55 | 0:05:59 | |
All over the world, yes. | 0:05:59 | 0:06:00 | |
But often, of course, it's just a single meeting | 0:06:02 | 0:06:05 | |
and that's a great challenge. | 0:06:05 | 0:06:07 | |
How do you speak to people of Christ and welcome people | 0:06:07 | 0:06:11 | |
and they're just here for an hour or just in the church | 0:06:11 | 0:06:14 | |
for one act of worship? | 0:06:14 | 0:06:16 | |
You'll know that it's often referred to here as a thin place, | 0:06:19 | 0:06:22 | |
where the space between heaven and earth is quite narrow. | 0:06:22 | 0:06:26 | |
Is there a particular feel, a particular spirituality to it? | 0:06:26 | 0:06:29 | |
I think that's a conjunction of the history, | 0:06:29 | 0:06:34 | |
the sense of the spiritual history of the place | 0:06:34 | 0:06:38 | |
and the sort of spirituality of the Northern saints going back to Aidan. | 0:06:38 | 0:06:42 | |
So that was when they went to Norham, which is just across the way. There? | 0:06:43 | 0:06:46 | |
That's a very large bee, isn't it? | 0:06:46 | 0:06:48 | |
We know that God is everywhere and God is always all around us | 0:06:52 | 0:06:56 | |
but we need moments and places that remind us of that | 0:06:56 | 0:07:00 | |
and really bring that home to us. | 0:07:00 | 0:07:02 | |
I think what people are really trying to get at is, in a sense, | 0:07:04 | 0:07:08 | |
something akin to the sacraments. | 0:07:08 | 0:07:10 | |
So, just like the bread | 0:07:13 | 0:07:14 | |
and wine of communion, where we can say God comes to us | 0:07:14 | 0:07:17 | |
and touches us, I think Holy Island is a bit like that for many people. | 0:07:17 | 0:07:21 | |
It's a place where they find the reality of God | 0:07:21 | 0:07:25 | |
and the reality and sense of God is refreshed for them. | 0:07:25 | 0:07:29 | |
The island of Lindisfarne and its early saints | 0:09:33 | 0:09:35 | |
have been a source of inspiration for many, | 0:09:35 | 0:09:37 | |
including a group of Christian musicians who came | 0:09:37 | 0:09:40 | |
together in the late 1980s to form the band Iona. | 0:09:40 | 0:09:45 | |
Tell me about the first time that you came to Lindisfarne | 0:09:45 | 0:09:47 | |
together, because that had quite an impact on you, didn't it? | 0:09:47 | 0:09:50 | |
We were doing some gigs up north, and, heading down south again, Dave | 0:09:50 | 0:09:54 | |
suggested that we would, you know, do a little stopover in Lindisfarne. | 0:09:54 | 0:09:59 | |
And we went for a walk around the rocks | 0:09:59 | 0:10:02 | |
and we just sat down, it was a beautiful evening | 0:10:02 | 0:10:05 | |
and we were looking at where the monks used to sit and pray. | 0:10:05 | 0:10:08 | |
And I was just listening to the birds and looking at the seaweed | 0:10:10 | 0:10:14 | |
and I just thought, oh, you know, there are song lyrics here | 0:10:14 | 0:10:17 | |
and I didn't have a pen or paper, so between us we had a pen | 0:10:17 | 0:10:24 | |
and we had a paper napkin that thankfully hadn't been | 0:10:24 | 0:10:28 | |
used from the pub where we had lunch. | 0:10:28 | 0:10:32 | |
So I started to write the lyrics on this paper napkin | 0:10:32 | 0:10:36 | |
and that became the song, Lindisfarne. | 0:10:36 | 0:10:38 | |
You are here to perform again. | 0:10:40 | 0:10:41 | |
What's it like for you when you come back here together as a band? | 0:10:41 | 0:10:45 | |
What does the island mean to you now? | 0:10:45 | 0:10:47 | |
In some ways, it's like coming home. | 0:10:47 | 0:10:50 | |
It's really just the connection with St Aidan and St Cuthbert and the | 0:10:51 | 0:10:55 | |
incredible lives of faith they lived that still resonate in this area. | 0:10:55 | 0:10:59 | |
So whenever we come up here, | 0:10:59 | 0:11:01 | |
it's not just experiencing the beautiful landscapes but it's | 0:11:01 | 0:11:05 | |
really that connection to hundreds of years of the faith and prayer | 0:11:05 | 0:11:09 | |
that have been said on this island, so it's quite a magical place to be. | 0:11:09 | 0:11:13 | |
# Slow rising mist enfolding the land | 0:11:16 | 0:11:23 | |
# Seawater shifts on a bed of sand | 0:11:23 | 0:11:30 | |
# A forest of kelp dances beneath its motion | 0:11:30 | 0:11:37 | |
# The water moves with the tides of the ocean | 0:11:37 | 0:11:45 | |
# And here we are | 0:11:45 | 0:11:52 | |
# We have come this far | 0:11:52 | 0:11:59 | |
# To say a prayer | 0:11:59 | 0:12:07 | |
# On Lindisfarne | 0:12:07 | 0:12:13 | |
# Here in the rock bathed in a gentle glow | 0:12:15 | 0:12:22 | |
# The golden half-light of the setting sun | 0:12:22 | 0:12:29 | |
# A shadow of wings flying fast and low | 0:12:29 | 0:12:37 | |
# Out of my sight into the distance gone | 0:12:37 | 0:12:44 | |
# And here we are | 0:12:44 | 0:12:51 | |
# We have come this far | 0:12:51 | 0:12:59 | |
# To say a prayer | 0:12:59 | 0:13:06 | |
# On Lindisfarne | 0:13:06 | 0:13:12 | |
# And here we are | 0:13:43 | 0:13:50 | |
# We have come this far | 0:13:50 | 0:13:58 | |
# To say a prayer | 0:13:58 | 0:14:05 | |
# On Lindisfarne. # | 0:14:05 | 0:14:13 | |
Marygate House is one of several Christian retreat houses here | 0:14:27 | 0:14:30 | |
on Holy Island for those seeking time and space for quiet reflection. | 0:14:30 | 0:14:34 | |
But for the past 40 years, | 0:14:34 | 0:14:36 | |
Marygate has also played host to a retreat of a rather different kind. | 0:14:36 | 0:14:40 | |
Every July, a group of people come here from across the UK to | 0:14:40 | 0:14:44 | |
spend a week together singing. | 0:14:44 | 0:14:46 | |
As I said earlier, I don't have a bonny lad. Has anyone got one? | 0:14:46 | 0:14:50 | |
We come together once a year to sing and enjoy ourselves, | 0:14:50 | 0:14:54 | |
enjoy the peace and quiet that is available here in Lindisfarne. | 0:14:54 | 0:14:59 | |
And to relax and have some fun. This is my second year. | 0:15:00 | 0:15:07 | |
I've come back because I so enjoyed the camaraderie of singing. | 0:15:07 | 0:15:13 | |
Singing every day with somebody encouraging you | 0:15:16 | 0:15:21 | |
and conducting, means you grow a great deal. | 0:15:21 | 0:15:27 | |
DEVOTIONAL SINGING | 0:15:27 | 0:15:30 | |
As anything, if you practice making Victoria sponge every day, | 0:15:34 | 0:15:37 | |
you get better at making Victoria sponge and this is the same, | 0:15:37 | 0:15:41 | |
and there's a great sense of community within the choir, | 0:15:41 | 0:15:44 | |
so you learn to rely on each other and to listen to | 0:15:44 | 0:15:49 | |
the voice behind you, the voice next to you, so you grow as a group. | 0:15:49 | 0:15:54 | |
Coming here is also a spiritual experience for me. | 0:15:57 | 0:16:02 | |
It's a place where my soul feels safe. | 0:16:04 | 0:16:09 | |
It's peaceful, it's calm and gentle. | 0:16:10 | 0:16:17 | |
Another saint closely associated with Lindisfarne was Cuthbert. | 0:19:18 | 0:19:22 | |
It's said he decided to become a monk after seeing | 0:19:22 | 0:19:25 | |
a vision on the night that St Aidan died. | 0:19:25 | 0:19:27 | |
He became Bishop of Lindisfarne and such was his fame that he | 0:19:29 | 0:19:32 | |
drew pilgrims to the island while he was still alive. | 0:19:32 | 0:19:36 | |
There are many strange myths associated with St Cuthbert, | 0:19:36 | 0:19:38 | |
such as his fight with devils on the island of Farne, | 0:19:38 | 0:19:41 | |
and the story of the sea otters who warmed his feet with their fur. | 0:19:41 | 0:19:46 | |
It might all seem strange and improbable to us today | 0:19:46 | 0:19:50 | |
but writer William Bedford believes that such stories can hold | 0:19:50 | 0:19:53 | |
a deeper truth than the plain facts. | 0:19:53 | 0:19:56 | |
As a child, we never went to church, which seems extraordinary to me now, | 0:19:59 | 0:20:04 | |
but we never went. | 0:20:04 | 0:20:05 | |
So arriving at university | 0:20:05 | 0:20:07 | |
and reading these stories was a little bit like, well, | 0:20:07 | 0:20:11 | |
I don't know, somebody who's never encountered Christianity | 0:20:11 | 0:20:14 | |
and thinking, oh, they're great stories. | 0:20:14 | 0:20:16 | |
But then I encountered Tolkien, who was a Catholic, | 0:20:18 | 0:20:22 | |
and CS Lewis, an Anglican, | 0:20:22 | 0:20:25 | |
both of them major scholars in old English and medieval literature. | 0:20:25 | 0:20:29 | |
And with Lewis, what was exciting there was the way he wrote | 0:20:32 | 0:20:36 | |
about the medieval mind, the way that people would see their world in those | 0:20:36 | 0:20:41 | |
days, so that he talks about the way we would go in a garden at night and | 0:20:41 | 0:20:46 | |
look up, and we would see infinity, so the stars are beyond reach. | 0:20:46 | 0:20:50 | |
And beyond them, there are more stars that have died. | 0:20:52 | 0:20:55 | |
But the medieval mind would look up | 0:20:58 | 0:21:01 | |
and see a roof with glittering shapes in. | 0:21:01 | 0:21:05 | |
Even further back than that is, if you think about cave people | 0:21:05 | 0:21:08 | |
and in Greek myth and so on, they looked at the stars and they saw gods. | 0:21:08 | 0:21:15 | |
Well, that's how they would understand them | 0:21:15 | 0:21:17 | |
and that led me on to the whole issue of what stories are, | 0:21:17 | 0:21:24 | |
that they were actually telling you a deeper truth than facts can. | 0:21:24 | 0:21:30 | |
And I realised that a lot of the stories to do with Cuthbert | 0:21:31 | 0:21:37 | |
were actually like that, telling you a truth | 0:21:37 | 0:21:40 | |
which may not have happened. | 0:21:40 | 0:21:42 | |
And I became a Roman Catholic. | 0:21:45 | 0:21:47 | |
I had spent most of my academic life, in a sense, looking for answers. | 0:21:49 | 0:21:55 | |
But you don't need to do philosophy, you don't need to | 0:21:58 | 0:22:02 | |
do deep biblical criticism or theology. | 0:22:02 | 0:22:05 | |
Just read the stories. | 0:22:05 | 0:22:07 | |
And whether that's about Cuthbert or Jesus, the stories | 0:22:07 | 0:22:10 | |
actually say more than shelves full of theories. | 0:22:10 | 0:22:14 | |
# Let us climb this hill in the footsteps of Patrick | 0:22:17 | 0:22:21 | |
# Let us fall to our knees and worship with Your angels | 0:22:21 | 0:22:26 | |
# Let us call out to You and declare Your holy word | 0:22:26 | 0:22:30 | |
# Let us prophesy in every direction | 0:22:30 | 0:22:36 | |
# That the ancient wells will be opened again | 0:22:36 | 0:22:41 | |
# That Your river will flow and this land will be cleansed | 0:22:41 | 0:22:46 | |
# Your kingdom will come, we'll have heaven on Earth | 0:22:46 | 0:22:50 | |
# And revival will fall, and we'll witness Your glory in this land | 0:22:50 | 0:22:56 | |
# Let us drive out the snakes that have crossed our borders | 0:23:04 | 0:23:09 | |
# They have hidden in the shadows but the darkness is retreating | 0:23:09 | 0:23:14 | |
# Let us climb the high places declaring Your kingdom | 0:23:14 | 0:23:19 | |
# Close the gates to the devil in every direction | 0:23:19 | 0:23:25 | |
# That the ancient wells will be opened again | 0:23:25 | 0:23:29 | |
# That Your river will flow and this land will be cleansed | 0:23:29 | 0:23:34 | |
# Your kingdom will come, we'll have heaven on Earth | 0:23:34 | 0:23:38 | |
# And revival will fall | 0:23:38 | 0:23:43 | |
# That the ancient wells will be opened again | 0:23:43 | 0:23:47 | |
# That Your river will flow and this land will be cleansed | 0:23:47 | 0:23:52 | |
# Your kingdom will come, we'll have heaven on Earth | 0:23:52 | 0:23:56 | |
# And revival will fall, and we'll witness Your glory in this land. # | 0:23:56 | 0:24:04 | |
St Mary's Parish Church is the oldest building on the | 0:24:11 | 0:24:13 | |
island still in use, with some parts said to date back to Saxon times. | 0:24:13 | 0:24:17 | |
Over the years, like so many of our churches, it's been added to | 0:24:19 | 0:24:23 | |
and changed, and this year, St Mary's architectural heritage has | 0:24:23 | 0:24:27 | |
been further enriched with a new stained-glass window. | 0:24:27 | 0:24:31 | |
It was commissioned in memory of three generations of a local | 0:24:32 | 0:24:35 | |
family who have an unusual connection with the island. | 0:24:35 | 0:24:38 | |
In about 1870, I think it was, | 0:24:41 | 0:24:44 | |
my husband's ancestor bought the island and I think with it, | 0:24:44 | 0:24:52 | |
he bought the thing called Lord of the Manor, which really doesn't... | 0:24:52 | 0:24:56 | |
It doesn't really mean anything. | 0:24:58 | 0:25:00 | |
And the window commemorates three generations of the family. Indeed. | 0:25:01 | 0:25:06 | |
It commemorates my late father-in-law and late husband | 0:25:06 | 0:25:10 | |
and late son. | 0:25:10 | 0:25:12 | |
I was approached last year by Lady Crossman about the possibility | 0:25:12 | 0:25:17 | |
of designing a memorial window to some members of the family who | 0:25:17 | 0:25:21 | |
recently passed away. | 0:25:21 | 0:25:24 | |
So they wanted references to St Cuthbert and St Aidan. | 0:25:24 | 0:25:27 | |
St Aidan is represented by the traditional heraldic | 0:25:29 | 0:25:33 | |
symbol of St Aidan, which is the stag. | 0:25:33 | 0:25:35 | |
There's other references to the island like these. | 0:25:39 | 0:25:41 | |
We've got St Mary's Church represented. | 0:25:41 | 0:25:44 | |
In some ways, the window represents commemoration | 0:25:51 | 0:25:54 | |
but also some sadness in your life, because it remembers | 0:25:54 | 0:25:56 | |
your father-in-law, and your husband, | 0:25:56 | 0:25:59 | |
who you nursed for many years | 0:25:59 | 0:26:01 | |
after he had a stroke, and your son, of course, who died in an accident. | 0:26:01 | 0:26:06 | |
Yes, he sadly died in an air crash, leaving two little girls. | 0:26:06 | 0:26:14 | |
When tragedy strikes a family, or individuals, | 0:26:15 | 0:26:18 | |
as happened in your case, it can really test your faith sometimes. | 0:26:18 | 0:26:23 | |
Did that happen to you? | 0:26:23 | 0:26:25 | |
Yes. I think one's first reaction, if there is a God, | 0:26:25 | 0:26:25 | |
You get over it and then you do find that faith can help. | 0:26:52 | 0:26:57 | |
You can't really define it, but one had a peace. | 0:27:00 | 0:27:04 | |
But as these things happen in life, it's just rather sad. | 0:27:04 | 0:27:07 | |
Holy Island has been inspiring Christians for over 1,300 years | 0:29:07 | 0:29:11 | |
now and there's no sign of that changing, really. | 0:29:11 | 0:29:13 | |
Much of its enduring spiritual appeal lies in the constant | 0:29:13 | 0:29:16 | |
ebb and flow of the tide and the island's rhythm | 0:29:16 | 0:29:20 | |
of separation from the rest of the world, and reconnection. | 0:29:20 | 0:29:23 | |
"Leave me alone with God as much as may be as the tide draws | 0:29:28 | 0:29:32 | |
"the waters close in upon the shore | 0:29:32 | 0:29:35 | |
"make me an island set apart, alone with you, God, holy to You. | 0:29:35 | 0:29:40 | |
"Then with the turning of the tide, prepare me | 0:29:40 | 0:29:43 | |
"to carry Your presence to the busy world beyond, to the world that | 0:29:43 | 0:29:47 | |
"rushes in on me, till the waters come again and fold me back to You." | 0:29:47 | 0:29:53 | |
And the blessing of God Almighty, the father, | 0:29:57 | 0:30:00 | |
the son and the holy spirit be among you and remain with you always. | 0:30:00 | 0:30:07 | |
Amen. | 0:30:07 | 0:30:08 | |
Next week, Diane will be joining the night shift | 0:33:29 | 0:33:32 | |
and staying up all through the hours of darkness. | 0:33:32 | 0:33:34 | |
We'll have a selection of hymns with a night-time theme, and Diane | 0:33:34 | 0:33:38 | |
will be meeting people who are out and about | 0:33:38 | 0:33:40 | |
after the sun has gone down. | 0:33:40 | 0:33:42 |