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MALE VOICE CHOIR SINGS | 0:00:02 | 0:00:03 | |
There's a part of the world | 0:00:08 | 0:00:10 | |
where the hills and the valleys are alive with the sound of music. | 0:00:10 | 0:00:14 | |
So, as we've just celebrated St David, | 0:00:18 | 0:00:21 | |
the patron saint of Wales, what better time | 0:00:21 | 0:00:24 | |
to explore the past, present and future | 0:00:24 | 0:00:27 | |
of a sound that's synonymous with the land of song? | 0:00:27 | 0:00:30 | |
In a Songs Of Praise dedicated to male voice choirs, | 0:00:33 | 0:00:37 | |
we have the men from Treorchy, | 0:00:37 | 0:00:39 | |
Classical Brit winners the Fron, | 0:00:39 | 0:00:41 | |
plus the winners of BBC One's Last Choir Standing, Only Men Aloud, | 0:00:41 | 0:00:45 | |
and their proteges, Only Boys Aloud. | 0:00:45 | 0:00:47 | |
CHORAL SINGING | 0:00:54 | 0:00:56 | |
For well over a century, male voice choirs have provided the soundtrack | 0:01:01 | 0:01:05 | |
to much of Welsh life, particularly the lives of working men. | 0:01:05 | 0:01:09 | |
What the Welsh call the Cor Meibion, or male choir tradition, | 0:01:10 | 0:01:14 | |
emerged in the late 19th century, | 0:01:14 | 0:01:16 | |
fuelled by the non-conformist Christianity | 0:01:16 | 0:01:19 | |
that was dominating Welsh churches, | 0:01:19 | 0:01:21 | |
and the Industrial Revolution that brought large groups of men together | 0:01:21 | 0:01:24 | |
in a tough working environment. | 0:01:24 | 0:01:26 | |
Above the noise, dirt and danger of the mines, | 0:01:30 | 0:01:34 | |
quarries and heavy industry, | 0:01:34 | 0:01:36 | |
men's voices were raised in harmony. | 0:01:36 | 0:01:39 | |
SINGING CONTINUES | 0:01:39 | 0:01:40 | |
Our first hymn comes from the Fron, | 0:01:43 | 0:01:45 | |
short for Froncysyllte Male Voice Choir. | 0:01:45 | 0:01:48 | |
They've enjoyed success in both the pop and classical charts | 0:01:48 | 0:01:51 | |
and they're singing for us in the splendid setting | 0:01:51 | 0:01:54 | |
of St Asaph Cathedral. | 0:01:54 | 0:01:56 | |
HARMONISING | 0:03:04 | 0:03:09 | |
SOFT SINGING IN WELSH | 0:04:12 | 0:04:15 | |
Male voice choirs are to be found all over the country, | 0:04:15 | 0:04:18 | |
but in the valleys of South Wales, | 0:04:18 | 0:04:21 | |
almost every community has its own male choir. | 0:04:21 | 0:04:25 | |
At one time, many men spent their lives down the pits and in the pubs, | 0:04:25 | 0:04:29 | |
punctuated by attendance in chapel on Sundays. | 0:04:29 | 0:04:32 | |
This is the Rhondda Heritage Centre, formerly the Lewis Merthyr pit, | 0:04:34 | 0:04:38 | |
at the heart of a community which, for over a century, | 0:04:38 | 0:04:41 | |
was dominated by the pursuit of coal, or black gold. | 0:04:41 | 0:04:45 | |
SINGING CONTINUES | 0:04:45 | 0:04:47 | |
The mine generated certainly a sense of danger. | 0:04:47 | 0:04:50 | |
I mean, this idea of walking in the valley of the shadow of death, | 0:04:50 | 0:04:54 | |
this had a great, I think, immediacy to the people of these valleys. | 0:04:54 | 0:04:59 | |
There's a high casualty and fatality rate here, | 0:04:59 | 0:05:02 | |
you know, colossal accidents. | 0:05:02 | 0:05:04 | |
In Wattstown, 1905 - 119 people killed. | 0:05:04 | 0:05:06 | |
Senghenydd - 439 killed. | 0:05:06 | 0:05:08 | |
You know, villages decimated by these explosions. | 0:05:08 | 0:05:13 | |
Men and boys. So they're living constantly on the edge of danger | 0:05:13 | 0:05:16 | |
and chapels and singing are solace and especially when those words | 0:05:16 | 0:05:21 | |
are both spiritually uplifting and they're about struggle | 0:05:21 | 0:05:25 | |
and conflict and sacrifice | 0:05:25 | 0:05:27 | |
and coping with almost overwhelming odds. | 0:05:27 | 0:05:31 | |
The sacrifices men made are now a memory as the pits have closed. | 0:05:32 | 0:05:37 | |
The decline of traditional industries has also affected | 0:05:37 | 0:05:40 | |
the membership of male voice choirs. | 0:05:40 | 0:05:42 | |
However, there are definite signs of a resurgence, like the youth choir, | 0:05:42 | 0:05:47 | |
Only Boys Aloud, who sing our next hymn. | 0:05:47 | 0:05:50 | |
It's sang at every match involving the Welsh national team. | 0:05:50 | 0:05:54 | |
But the real meaning of Calon Lan is far from macho. | 0:05:54 | 0:05:58 | |
It places a pure heart above all the fame and riches of the world. | 0:05:58 | 0:06:03 | |
# Calon...lan. # | 0:08:12 | 0:08:24 | |
MALE CHORAL SINGING | 0:08:27 | 0:08:30 | |
The village of Froncysyllte in the Vale of Llangollen | 0:08:33 | 0:08:36 | |
may seem like an unlikely home | 0:08:36 | 0:08:38 | |
for an amateur choir that's broken records in the music charts. | 0:08:38 | 0:08:42 | |
SINGING CONTINUES | 0:08:42 | 0:08:45 | |
But in 2006, their debut album | 0:08:45 | 0:08:48 | |
became the fastest-selling classical record of all time. | 0:08:48 | 0:08:52 | |
# ..home again... # | 0:08:52 | 0:08:54 | |
They've been called the oldest boy band in the charts, | 0:08:54 | 0:08:57 | |
the Fron Male Voice Choir. | 0:08:57 | 0:08:59 | |
-75 members. Do you know what the average age is? -The average age... | 0:09:00 | 0:09:05 | |
Well, the oldest in the choir I believe is 86, | 0:09:05 | 0:09:08 | |
-but the combined age is about 3,995. -LAUGHTER | 0:09:08 | 0:09:11 | |
# ..to be free... # | 0:09:11 | 0:09:15 | |
But at their heart, the Fron's members epitomise values | 0:09:15 | 0:09:19 | |
and a commitment that's replicated | 0:09:19 | 0:09:21 | |
in countless male voice choirs across Wales. | 0:09:21 | 0:09:24 | |
# When I survey the wondrous... # | 0:09:24 | 0:09:29 | |
'The male voice choir, when you're singing, when the music starts up,' | 0:09:29 | 0:09:34 | |
my best description would be to have 70 arms around you. | 0:09:34 | 0:09:37 | |
It's a lovely warm feeling. | 0:09:37 | 0:09:39 | |
You feel safe. | 0:09:39 | 0:09:40 | |
'My father was in the choir, in the bottom basses, | 0:09:43 | 0:09:47 | |
'so, as a young lad, I grew up with my dad shaving | 0:09:47 | 0:09:50 | |
'and singing these songs. So it's a great comfort to me. | 0:09:50 | 0:09:54 | |
'Whenever we sing one, I can still hear my dad's voice.' | 0:09:54 | 0:09:57 | |
That comes into play as well with my faith, you know. | 0:09:57 | 0:10:00 | |
I believe that, one day, I'll see my dad again, | 0:10:00 | 0:10:03 | |
so when I hear these songs again, I feel good. | 0:10:03 | 0:10:06 | |
You've heard the Fron rehearsing it. Now hear them perform it, | 0:10:08 | 0:10:12 | |
as they sing Issac Watts' heartfelt words of humble praise | 0:10:12 | 0:10:16 | |
When I Survey The Wondrous Cross to a tune which has become | 0:10:16 | 0:10:19 | |
a classic of the Welsh male voice choir repertoire - Morte Criste. | 0:10:19 | 0:10:24 | |
# Down by the... # | 0:12:35 | 0:12:39 | |
'How do you feel, then, | 0:12:39 | 0:12:41 | |
'when you're singing as part of a male voice choir? | 0:12:41 | 0:12:44 | |
'Excited. Often moved.' | 0:12:44 | 0:12:46 | |
Emotionally engaged with the words and with the music | 0:12:46 | 0:12:50 | |
and not least when singing | 0:12:50 | 0:12:52 | |
some of these powerful hymn tunes, | 0:12:52 | 0:12:54 | |
which have been arranged particularly for what we call TTBB, | 0:12:54 | 0:12:58 | |
which is the two tenor parts and the two bass parts. | 0:12:58 | 0:13:01 | |
SINGING CONTINUES | 0:13:01 | 0:13:04 | |
And we find that our audiences, not only in Wales, | 0:13:04 | 0:13:07 | |
but in England and on the Continent, wherever we go, | 0:13:07 | 0:13:10 | |
they expect and will be disappointed if we did not include | 0:13:10 | 0:13:15 | |
some Welsh hymns and traditional Welsh numbers in the Welsh language. | 0:13:15 | 0:13:20 | |
SINGING IN WELSH | 0:13:20 | 0:13:22 | |
I believe, I think many people do as well, | 0:13:28 | 0:13:31 | |
that the male voice sound is distinctive, | 0:13:31 | 0:13:34 | |
but the Welsh male voice sound | 0:13:34 | 0:13:36 | |
is even more distinctive within that tradition. | 0:13:36 | 0:13:39 | |
Religion hit the Rhondda Valley like a Mills bomb 150 years ago | 0:13:42 | 0:13:47 | |
and we're still carrying pieces of spiritual shrapnel around within us. | 0:13:47 | 0:13:50 | |
We might not all be as chapel going as we were. | 0:13:50 | 0:13:53 | |
There were 150 chapels in the Rhon, many now in a state of dilapidation, | 0:13:53 | 0:13:57 | |
but the continuation of that spiritual element, and in the fervour | 0:13:57 | 0:14:01 | |
with which we sing particularly hymns | 0:14:01 | 0:14:04 | |
and other religious items is crucial to the repertoire. | 0:14:04 | 0:14:07 | |
However, for decades, this fervent singing has been | 0:14:09 | 0:14:13 | |
just as much at home in the pub and rugby field as in the chapel. | 0:14:13 | 0:14:17 | |
And the male voice choir repertoire has expanded to include | 0:14:17 | 0:14:20 | |
contemporary songs, like our next number. | 0:14:20 | 0:14:25 | |
OTHERS HARMONISE: # Sit with me | 0:15:02 | 0:15:08 | |
# Sit with me... # | 0:15:08 | 0:15:13 | |
# Luck be a lady tonight! # | 0:16:50 | 0:16:54 | |
In 2008, Only Men Aloud were the high-profile winners | 0:16:54 | 0:16:58 | |
of BBC One's competition for choirs, Last Choir Standing. | 0:16:58 | 0:17:03 | |
They walk and often dance the line | 0:17:05 | 0:17:08 | |
between a traditional male voice choir and a more showbiz approach. | 0:17:08 | 0:17:12 | |
# ..offers me protection... # | 0:17:12 | 0:17:14 | |
'I wanted to form a young small male choir | 0:17:14 | 0:17:18 | |
'with a big accent on performance, so that when people saw a concert,' | 0:17:18 | 0:17:22 | |
it was more of a show. When I look back at those early performances now, | 0:17:22 | 0:17:26 | |
they were very, very basic indeed, | 0:17:26 | 0:17:28 | |
certainly not the big choreographed shows we do nowadays. | 0:17:28 | 0:17:32 | |
But with all of that showbiz element to it, | 0:17:34 | 0:17:38 | |
it's still got at the very heart of it the Welsh male choir tradition | 0:17:38 | 0:17:41 | |
and we wouldn't be doing what we do if it wasn't for that tradition. | 0:17:41 | 0:17:45 | |
# Pleidiol wyf i'm gwlad, gwlad Pleidiol wyf i'm gwlad, gwlad... # | 0:17:45 | 0:17:50 | |
# Guide me, O thou great Jehovah | 0:17:53 | 0:17:56 | |
-HARMONY REPEATS: -Pleidiol wyf i'm gwlad, gwlad | 0:17:56 | 0:18:00 | |
-# Pilgrim through this barren land -Pleidiol wyf i'm gwlad, gwlad | 0:18:00 | 0:18:09 | |
-# I am weak, but thou art mighty -Pleidiol wyf i'm gwlad, gwlad | 0:18:09 | 0:18:18 | |
-# Hold me with thy powerful hand -Pleidiol wyf i'm gwlad, gwlad | 0:18:18 | 0:18:24 | |
# Bread of heaven, bread of heaven | 0:18:24 | 0:18:30 | |
# Feed me till I want no more | 0:18:30 | 0:18:35 | |
# Feed me till I want no more | 0:18:35 | 0:18:41 | |
# Gwlad, gwlad Pleidiol wyf i'm gwlad, gwlad | 0:18:41 | 0:18:46 | |
# Pleidiol wyf i'm gwlad, gwlad Pleidiol wyf i'm gwlad, gwlad | 0:18:46 | 0:18:52 | |
# Pleidiol wyf i'm gwlad, gwlad Pleidiol wyf i'm gwlad, gwlad | 0:18:52 | 0:18:58 | |
# Pleidiol wyf i'm gwlad, gwlad Pleidiol wyf i'm gwlad, gwlad | 0:18:58 | 0:19:03 | |
# Pleidiol wyf i'm gwlad! | 0:19:03 | 0:19:05 | |
# When I tread the verge of Jordan | 0:19:05 | 0:19:11 | |
# Bid my anxious fears subside | 0:19:11 | 0:19:16 | |
# Death of death and Hell's destruction | 0:19:16 | 0:19:22 | |
# Land me safe on Canaan's side | 0:19:22 | 0:19:28 | |
# O, am aros! O, am aros! | 0:19:28 | 0:19:34 | |
# Yn Ei gariad ddyddiau f'oes | 0:19:34 | 0:19:40 | |
# Yn Ei gariad ddyddiau f'oes | 0:19:40 | 0:19:46 | |
# Bread of heaven, bread of heaven | 0:19:46 | 0:19:52 | |
# Feed me till I want no more | 0:19:52 | 0:19:57 | |
# Feed me till I want no more | 0:19:57 | 0:20:02 | |
# Amen! Amen, amen! Amen! Amen, amen! | 0:20:02 | 0:20:09 | |
# Amen! Amen, amen! | 0:20:09 | 0:20:12 | |
# Amen! # | 0:20:12 | 0:20:22 | |
If singing in a male voice choir is a powerful experience, | 0:20:28 | 0:20:31 | |
what's it like to conduct one? | 0:20:31 | 0:20:34 | |
SINGING IN WELSH | 0:20:34 | 0:20:37 | |
'It's great, a real sense of power, although I don't say that to them.' | 0:20:37 | 0:20:42 | |
But yes, it's really enjoyable, um, | 0:20:42 | 0:20:44 | |
and when they're singing well, I feel like I can | 0:20:44 | 0:20:47 | |
sort of play the choir in the same way that I'd play the cello or piano | 0:20:47 | 0:20:51 | |
when they're on form and that's a really great feeling. | 0:20:51 | 0:20:54 | |
I know that dynamics, they'll come with me. | 0:20:54 | 0:20:57 | |
Phrasing, breathing, everything is there, you know. | 0:20:57 | 0:21:00 | |
It's a great feeling, yeah. | 0:21:00 | 0:21:02 | |
One of the legendary conductors of male voice choirs | 0:21:05 | 0:21:09 | |
made his name in the 1870s. | 0:21:09 | 0:21:11 | |
He was a valleys man, born in Aberdare, and his name was | 0:21:11 | 0:21:14 | |
Griffith Rhys Jones, or Caradog, as he was commonly known. | 0:21:14 | 0:21:18 | |
And it says something about the esteem in which | 0:21:18 | 0:21:21 | |
he was held that a statue was erected in his honour. | 0:21:21 | 0:21:24 | |
Caradog was a publican in Treorchy | 0:21:25 | 0:21:28 | |
and the town's male voice choir has a long and proud history. | 0:21:28 | 0:21:32 | |
They've gone on to make many TV appearances... | 0:21:32 | 0:21:35 | |
Ladies and gentlemen, the Treorchy Male Voice Choir. | 0:21:35 | 0:21:39 | |
..even singing on primetime television with stars such as | 0:21:39 | 0:21:42 | |
Ella Fitzgerald, Julie Andrews, Burt Bacharach and Tom Jones. | 0:21:42 | 0:21:47 | |
# ..but now I see. # | 0:21:47 | 0:22:00 | |
STUDIO AUDIENCE APPLAUDS | 0:22:00 | 0:22:02 | |
The legendary conductor of Treorchy would be proud to know | 0:22:02 | 0:22:07 | |
that his choir is still in fine voice today. | 0:22:07 | 0:22:09 | |
They'll perform Bryn Myrddin, which was written in 1945 | 0:22:09 | 0:22:13 | |
for a hymn-singing festival, or Cymanfa Ganu, | 0:22:13 | 0:22:16 | |
which took place near Caradog's home town of Aberdare. | 0:22:16 | 0:22:20 | |
THEY REPEAT: | 0:23:48 | 0:23:54 | |
# Amen, amen. # | 0:23:57 | 0:24:08 | |
Securing the future of male voice choirs in the modern world, | 0:24:12 | 0:24:16 | |
with all its attractions and distractions, is no easy task. | 0:24:16 | 0:24:20 | |
It's an issue that Only Men Aloud's founder, | 0:24:20 | 0:24:23 | |
Tim Rhys Evans, is addressing. | 0:24:23 | 0:24:25 | |
Back in 2010, he set up ten youth choirs | 0:24:25 | 0:24:27 | |
in the valleys of South Wales, | 0:24:27 | 0:24:29 | |
encouraging boys to follow in the footsteps | 0:24:29 | 0:24:32 | |
of their fathers and grandfathers. | 0:24:32 | 0:24:34 | |
Collectively, they're known as Only Boys Aloud. | 0:24:34 | 0:24:37 | |
MUSIC: "Don't Stop Believing" SUNG IN WELSH | 0:24:37 | 0:24:40 | |
The boys have come together to perform at major events | 0:24:40 | 0:24:43 | |
in front of huge audiences, | 0:24:43 | 0:24:45 | |
such as the National Eisteddfod and the Ryder Cup. | 0:24:45 | 0:24:47 | |
When I registered the name of Only Men Aloud back in 2000, | 0:24:50 | 0:24:53 | |
I also registered the name of Only Boys Aloud, | 0:24:53 | 0:24:55 | |
cos I'd always had this dream that we would start a choir | 0:24:55 | 0:24:59 | |
'and, in this part of the world, | 0:24:59 | 0:25:02 | |
'there's often a lot of blame laid at the feet of teenage lads, | 0:25:02 | 0:25:06 | |
-'they're the ones causing all the trouble.' -Backwards footballs! | 0:25:06 | 0:25:10 | |
'I'm very proud to be a valleys boy, | 0:25:10 | 0:25:12 | |
-'but there are lots of problems in this part of the world.' -And release! | 0:25:12 | 0:25:17 | |
Unemployment, social and economic deprivation in some cases. | 0:25:17 | 0:25:21 | |
And actually, people, when they're only seeing that, | 0:25:21 | 0:25:25 | |
they're not seeing the true essence of the valleys, which is | 0:25:25 | 0:25:29 | |
a deeply proud people with a wonderful spirit, | 0:25:29 | 0:25:32 | |
with a wonderful sense of humour. | 0:25:32 | 0:25:34 | |
Well, in rehearsals, we do warm ups first, which are quite silly, | 0:25:34 | 0:25:37 | |
we make a fool of ourselves and some boys are so funny when they do it, | 0:25:37 | 0:25:41 | |
but none of us get embarrassed, even though we look really silly. | 0:25:41 | 0:25:45 | |
-LAUGHTER -Good start! | 0:25:45 | 0:25:47 | |
And shake it out. Shake them out. | 0:25:47 | 0:25:50 | |
Good! | 0:25:50 | 0:25:51 | |
'Working with 14 to 19-year-old boys,' | 0:25:51 | 0:25:54 | |
I just wanted to encourage them to aspire, whatever the circumstances. | 0:25:54 | 0:26:00 | |
So that none of the boys have to travel more than 15 miles, | 0:26:00 | 0:26:05 | |
the rehearsals, led by members of Only Men Aloud, | 0:26:05 | 0:26:08 | |
are held at venues across South Wales. | 0:26:08 | 0:26:11 | |
'I think I get an amazing sense of pride | 0:26:11 | 0:26:13 | |
'from being a team captain for Only Boys Aloud.' | 0:26:13 | 0:26:17 | |
Giving young boys an opportunity to sing is really important. | 0:26:17 | 0:26:20 | |
That's what's going to keep the choral tradition going. | 0:26:20 | 0:26:23 | |
One! One! | 0:26:23 | 0:26:26 | |
I get a really nice feeling when I go home and I get really high, | 0:26:27 | 0:26:30 | |
go home with a smile on my face. | 0:26:30 | 0:26:32 | |
It's better than being on the streets, if you ask me. | 0:26:32 | 0:26:35 | |
It's full of mates, really, | 0:26:35 | 0:26:37 | |
and gives you confidence and it's taken...taken us to big gigs. | 0:26:37 | 0:26:42 | |
SINGING IN WELSH | 0:26:42 | 0:26:44 | |
Being in a choir is cool and I'm thrilled that we attract | 0:26:47 | 0:26:52 | |
every kind of lad, so you do get people like men and you, | 0:26:52 | 0:26:56 | |
you know, keen musicians who love singing, | 0:26:56 | 0:26:59 | |
but you also get boys who've never sung before | 0:26:59 | 0:27:02 | |
that are just coming along, because they know we don't audition. | 0:27:02 | 0:27:05 | |
It's open to anyone that can get to one of our ten rehearsal centres, | 0:27:05 | 0:27:09 | |
um, that rehearse every week. | 0:27:09 | 0:27:11 | |
I think, if you listen to the hymns and things | 0:27:11 | 0:27:14 | |
and you understand the words, | 0:27:14 | 0:27:16 | |
you can understand the whole song as a whole, really, | 0:27:16 | 0:27:19 | |
and most singers make sure they know what the song means | 0:27:19 | 0:27:22 | |
before they sing it. | 0:27:22 | 0:27:25 | |
-What else must we need think about musically? -Listening to other parts? | 0:27:27 | 0:27:30 | |
The other parts and to the piano. A few of the notes were a bit under. | 0:27:30 | 0:27:34 | |
'I've seen a massive growth in the confidence of the boys.' | 0:27:34 | 0:27:38 | |
-LAUGHTER -I thought it was only them. | 0:27:38 | 0:27:40 | |
'Certainly, when they're singing, just the way they walk on stage now | 0:27:40 | 0:27:43 | |
'is very different from the terrified crew that did the first concert.' | 0:27:43 | 0:27:48 | |
They are proud of the music they make and so they should be, | 0:27:48 | 0:27:51 | |
cos they work very hard and they do a damn fine job. | 0:27:51 | 0:27:56 | |
# Prepare ye the way of the Lord | 0:28:01 | 0:28:12 | |
OTHERS HARMONISE # Prepare ye the way of the Lord | 0:28:12 | 0:28:22 | |
ALL: # Prepare ye the way of the Lord | 0:28:22 | 0:28:31 | |
# Prepare ye the way of the Lord | 0:28:31 | 0:28:41 | |
PACE OF SONG QUICKENS | 0:28:41 | 0:28:44 | |
# Prepare ye the way of the Lord | 0:28:44 | 0:28:50 | |
# Prepare ye the way of the Lord | 0:28:50 | 0:28:57 | |
# Prepare ye the way of the Lord | 0:28:57 | 0:29:03 | |
# Prepare ye the way of the Lord | 0:29:03 | 0:29:12 | |
# Oh, bless the Lord my soul His praise to thee proclaim | 0:29:14 | 0:29:19 | |
# And all that is within me Join to bless his holy name! | 0:29:19 | 0:29:25 | |
-# Oh, bless the Lord! -Oh, bless the Lord! | 0:29:25 | 0:29:28 | |
-# Oh, bless the Lord! -Oh, bless the Lord! | 0:29:28 | 0:29:31 | |
# Oh, bless the Lord my soul | 0:29:31 | 0:29:33 | |
-# His mercies bear in mind -Oh, bless the Lord! | 0:29:33 | 0:29:36 | |
# Forget not all his benefits | 0:29:36 | 0:29:40 | |
# The Lord to thee is kind | 0:29:40 | 0:29:45 | |
# He will not always chide | 0:29:45 | 0:29:47 | |
# He will with patience wait | 0:29:47 | 0:29:50 | |
# His wrath is ever slow to rise! | 0:29:50 | 0:29:56 | |
-# Oh, bless the Lord! -And ready to abate | 0:29:56 | 0:29:59 | |
-# Oh, bless the Lord! -And ready to abate | 0:29:59 | 0:30:02 | |
# And ready to... And ready to... | 0:30:02 | 0:30:05 | |
# And ready to... And ready to abate! | 0:30:05 | 0:30:14 | |
# Oh, bless the Lord my soul Oh, bless the Lord my soul | 0:30:14 | 0:30:19 | |
# Oh, bless the Lord | 0:30:19 | 0:30:21 | |
# My soul! | 0:30:21 | 0:30:24 | |
# Oh, bless my soul | 0:30:24 | 0:30:27 | |
# Oh, bless my soul! # | 0:30:27 | 0:30:30 | |
MALE CHORAL SINGING | 0:30:31 | 0:30:34 | |
It is to the famous conductor Caradog that the phrase, | 0:30:36 | 0:30:40 | |
"Wales, the land of song," is often attributed. | 0:30:40 | 0:30:44 | |
And Psalm 96 entreats us to praise God | 0:30:44 | 0:30:47 | |
and make every nation a land of song. | 0:30:47 | 0:30:50 | |
We'll sing to the Lord a new song | 0:30:52 | 0:30:56 | |
Sing to the Lord all the Earth | 0:30:57 | 0:30:59 | |
Sing to the Lord, bless His name | 0:30:59 | 0:31:02 | |
Tell of his salvation from day to day | 0:31:02 | 0:31:05 | |
Declare His glory among the nations | 0:31:05 | 0:31:08 | |
His marvellous works among all the peoples | 0:31:08 | 0:31:12 | |
For great is the Lord | 0:31:13 | 0:31:15 | |
And greatly to be praised. | 0:31:15 | 0:31:17 | |
CHORAL SINGING CONTINUES | 0:31:17 | 0:31:21 | |
SONG ENDS | 0:31:21 | 0:31:24 | |
The words for our final hymn | 0:31:26 | 0:31:28 | |
were originally written in English by an American. | 0:31:28 | 0:31:31 | |
But with its Welsh translation, tune and passion, it sums up | 0:31:31 | 0:31:34 | |
the gifts the Welsh male choirs have shared with the whole world. | 0:31:34 | 0:31:38 | |
So we leave the men of Treorchy with Only Boys Aloud | 0:31:38 | 0:31:41 | |
spanning the generations with Gwahoddiad. | 0:31:41 | 0:31:44 | |
Next week, Eamonn is in his hometown of Belfast in advance | 0:33:29 | 0:33:33 | |
of the centenary celebrations for the Titanic's doomed maiden voyage. | 0:33:33 | 0:33:38 | |
He introduces hymns from St Thomas' Church | 0:33:38 | 0:33:41 | |
and takes a look at the world's largest Titanic visitor centre. | 0:33:41 | 0:33:45 | |
Subtitles by Red Bee Media Ltd | 0:34:00 | 0:34:04 |