Sopranos: Y Pasg Sopranos
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Transcript
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-888 | 0:00:00 | 0:00:00 | |
-888 - -888 | 0:00:00 | 0:00:02 | |
-888 | 0:00:06 | 0:00:08 | |
-888 | 0:00:11 | 0:00:13 | |
-Hello and welcome to a special -hour-long edition of Sopranos. | 0:00:21 | 0:00:25 | |
-I'll enjoy some memorable religious -pieces from the series, Sopranos. | 0:00:25 | 0:00:30 | |
-This selection is suitable -for the important season of Easter. | 0:00:30 | 0:00:35 | |
-In this programme, we enjoy -the music of Vivaldi from Italy... | 0:00:36 | 0:00:40 | |
-..Faure from France as well as -Bach and Mendelssohn from Germany. | 0:00:40 | 0:00:46 | |
-In Austria, we hear the masterpieces -of Mozart, Haydn and Schubert. | 0:00:47 | 0:00:53 | |
-We return to Britain and Wales... | 0:00:53 | 0:00:56 | |
-..for Gweddi Y Pechadur -by Morfydd Llwyn Owen... | 0:00:56 | 0:00:59 | |
-..a Handel classic -from the oratorio, Samson... | 0:01:00 | 0:01:04 | |
-..and a special performance of -John Rutter's Pie Jesu with Cordydd. | 0:01:04 | 0:01:09 | |
-Our journey starts -in Venice, Italy... | 0:01:11 | 0:01:14 | |
-..with a song by Vivaldi. | 0:01:14 | 0:01:16 | |
-Few realize that Vivaldi -was a Catholic priest. | 0:01:17 | 0:01:20 | |
-He also worked -as a master of violin... | 0:01:20 | 0:01:22 | |
-..at the Pio Ospedale della Pieta -in Venice where he was born. | 0:01:23 | 0:01:26 | |
-This church was also -a home for orphan girls... | 0:01:27 | 0:01:30 | |
-..who entertained local officials -with concerts. | 0:01:31 | 0:01:34 | |
-Vivaldi composed a motet -for one of the Pieta girls... | 0:01:34 | 0:01:39 | |
-..called -Nulla In Mundo Pax Sincera. | 0:01:39 | 0:01:42 | |
-I love this song with its simple -accompaniment and dancing melody... | 0:01:42 | 0:01:48 | |
-..and it perfectly conveys true -peace through the love of Christ. | 0:01:48 | 0:01:53 | |
-# Nulla in mundo | 0:02:08 | 0:02:12 | |
-# Pax sincera | 0:02:13 | 0:02:17 | |
-# Sine felle | 0:02:18 | 0:02:23 | |
-# Pura et vera | 0:02:23 | 0:02:27 | |
-# Dulcis Jesu | 0:02:28 | 0:02:31 | |
-# Est in te | 0:02:31 | 0:02:35 | |
-# Nulla in mundo | 0:02:45 | 0:02:50 | |
-# Pax sincera | 0:02:50 | 0:02:55 | |
-# Sine felle | 0:02:55 | 0:03:00 | |
-# Pura et vera | 0:03:01 | 0:03:05 | |
-# Dulcis Jesu | 0:03:06 | 0:03:11 | |
-# Est in te | 0:03:11 | 0:03:15 | |
-# Nulla in mundo pax sincera | 0:03:25 | 0:03:29 | |
-# Sine felle, pura et vera | 0:03:30 | 0:03:35 | |
-# Dulcis Jesu | 0:03:35 | 0:03:45 | |
-# Pura et vera | 0:03:45 | 0:03:48 | |
-# Dulcis Jesu, est in te | 0:03:48 | 0:03:54 | |
-# Dulcis Jesu | 0:03:54 | 0:03:58 | |
-# Est in te # | 0:03:58 | 0:04:02 | |
-We bid farewell to Italy -and venture to France... | 0:04:27 | 0:04:30 | |
-..to hear a popular piece by one of -the most famous composers in France. | 0:04:30 | 0:04:35 | |
-None other than Gabriel Faure. | 0:04:35 | 0:04:38 | |
-Faure was a choirmaster for 36 years -at La Madeleine Church in Paris. | 0:04:38 | 0:04:44 | |
-His famous Requiem was also -performed here for the first time. | 0:04:45 | 0:04:49 | |
-Faure spent over 20 years -composing the Requiem. | 0:04:49 | 0:04:53 | |
-It was worth the effort... | 0:04:54 | 0:04:56 | |
-..because it is one of -our most popular choral pieces. | 0:04:56 | 0:05:01 | |
-I was honoured to perform -the song in Faure's church. | 0:05:01 | 0:05:04 | |
-The experience -sent tingles down my spine. | 0:05:04 | 0:05:07 | |
-# Pie Jesu Domine | 0:05:11 | 0:05:19 | |
-# Dona eis requiem | 0:05:19 | 0:05:28 | |
-# Dona eis requiem | 0:05:28 | 0:05:36 | |
-# Pie Jesu Domine | 0:05:50 | 0:06:00 | |
-# Dona eis requiem | 0:06:00 | 0:06:09 | |
-# Dona eis requiem | 0:06:09 | 0:06:19 | |
-# Dona eis Domine | 0:06:27 | 0:06:37 | |
-# Dona eis requiem | 0:06:37 | 0:06:46 | |
-# Sempiternam requiem | 0:06:46 | 0:06:55 | |
-# Sempiternam requiem | 0:06:56 | 0:07:05 | |
-# Sempiternam requiem | 0:07:05 | 0:07:16 | |
-# Pie | 0:07:16 | 0:07:19 | |
-# Pie Jesu | 0:07:19 | 0:07:26 | |
-# Pie Jesu Domine | 0:07:26 | 0:07:36 | |
-# Dona eis | 0:07:36 | 0:07:41 | |
-# Dona eis | 0:07:41 | 0:07:47 | |
-# Sempiternam requiem | 0:07:47 | 0:07:57 | |
-# Sempiternam | 0:07:57 | 0:08:03 | |
-# Requiem # | 0:08:04 | 0:08:12 | |
-After the break, we visit Germany... | 0:08:20 | 0:08:23 | |
-..for a religious masterpiece -by Bach... | 0:08:24 | 0:08:26 | |
-..and one of Mendelssohn's -most popular songs. | 0:08:26 | 0:08:30 | |
-. | 0:08:35 | 0:08:36 | |
-888 | 0:08:39 | 0:08:39 | |
-888 - -888 | 0:08:39 | 0:08:41 | |
-We leave France to hear a song... | 0:08:45 | 0:08:47 | |
-..by the legendary German composer, -Johann Sebastian Bach. | 0:08:48 | 0:08:52 | |
-He spent many years in Leipzig -in Eastern Germany. | 0:08:52 | 0:08:56 | |
-His grave at Thomaskirche church -in that city... | 0:08:56 | 0:08:59 | |
-..is a shrine for pilgrims -from all over the world... | 0:08:59 | 0:09:02 | |
-..who appreciate -his enchanting music. | 0:09:03 | 0:09:05 | |
-Bach was the director of music -at Thomaskirche church for 27 years. | 0:09:05 | 0:09:11 | |
-He composed many religious -masterpieces for voice... | 0:09:11 | 0:09:16 | |
-..including the St Matthew Passion -and Magnificat. | 0:09:16 | 0:09:19 | |
-I chose to sing -Jauchzet Gott in allen Landen. | 0:09:20 | 0:09:23 | |
-The cantata is for soprano, -trumpet and orchestra... | 0:09:24 | 0:09:27 | |
-..and it is full of praise for God. | 0:09:27 | 0:09:30 | |
-# Jauchzet | 0:09:38 | 0:09:41 | |
-# Jauchzet Gott in allen Landen! | 0:09:41 | 0:09:44 | |
-# Jauchzet Gott in allen Landen! | 0:09:45 | 0:09:49 | |
-# In allen Landen! | 0:09:49 | 0:09:52 | |
-# Jauchzet, Jauchzet | 0:09:59 | 0:10:01 | |
-# Jauchzet, Jauchzet | 0:10:02 | 0:10:09 | |
-# Jauchzet Gott in allen Landen! | 0:10:10 | 0:10:15 | |
-# In allen Landen! | 0:10:17 | 0:10:23 | |
-# Jauchzet Gott in allen Landen! | 0:10:24 | 0:10:29 | |
-# In allen Landen! | 0:10:30 | 0:10:33 | |
-# Was der Himmel und die Welt -An Geschopfen in sich halt | 0:10:51 | 0:10:56 | |
-# Mussen dessen Ruhm erhohen | 0:10:56 | 0:11:04 | |
-# Mussen dessen Ruhm erhohen | 0:11:04 | 0:11:09 | |
-# Und wir wollen unserm Gott -Gleichfalls itzt ein Opfer bringen | 0:11:18 | 0:11:22 | |
-# Dass er uns in Kreuz und Not | 0:11:22 | 0:11:25 | |
-# In Kreuz und Not | 0:11:25 | 0:11:28 | |
-# In Kreuz und Not | 0:11:28 | 0:11:32 | |
-# Allezeit hat beigestanden | 0:11:32 | 0:11:35 | |
-# Allezeit hat beigestanden | 0:11:35 | 0:11:40 | |
-# Allezeit hat beigestanden | 0:11:40 | 0:11:48 | |
-# Jauchzet Gott in allen Landen! | 0:11:48 | 0:11:51 | |
-# Jauchzet | 0:11:51 | 0:11:56 | |
-# Jauchzet | 0:11:59 | 0:12:02 | |
-# Jauchzet Gott in allen Landen! | 0:12:02 | 0:12:05 | |
-# Jauchzet Gott in allen Landen! | 0:12:05 | 0:12:09 | |
-# In allen Landen! | 0:12:09 | 0:12:12 | |
-# Jauchzet, Jauchzet | 0:12:20 | 0:12:22 | |
-# Jauchzet, Jauchzet | 0:12:22 | 0:12:30 | |
-# Jauchzet Gott in allen Landen! | 0:12:30 | 0:12:35 | |
-# In allen Landen! | 0:12:37 | 0:12:44 | |
-# Jauchzet Gott in allen Landen! | 0:12:45 | 0:12:50 | |
-# In allen Landen! # | 0:12:50 | 0:12:53 | |
-We remain in Leipzig in Germany... | 0:13:01 | 0:13:03 | |
-..not for -the enchanting music of Bach... | 0:13:04 | 0:13:06 | |
-..but for a mesmerizing melody -by Felix Mendelssohn Bartholdy. | 0:13:07 | 0:13:11 | |
-Mendelssohn had a short life. -He died aged only 38. | 0:13:11 | 0:13:16 | |
-But, he travelled extensively -throughout Europe and visited Wales. | 0:13:16 | 0:13:20 | |
-Whilst at Coed Du near Mold, -he composed many pieces. | 0:13:21 | 0:13:25 | |
-However, the Welsh feel a certain -affiliation to his oratorio, Elijah. | 0:13:25 | 0:13:31 | |
-For Sopranos, I chose to sing -one of his most popular pieces. | 0:13:31 | 0:13:36 | |
-It's from Hor' Mein Bitten, -an adaptation of Psalm 55. | 0:13:36 | 0:13:41 | |
-This popular song is commonly -known as O For The Wings Of A Dove. | 0:13:41 | 0:13:47 | |
-# O konnt' ich fliegen -wie Tauben dahin | 0:13:50 | 0:13:56 | |
-# Weit hinweg -vor dem Feinde zu fliehen! | 0:13:57 | 0:14:03 | |
-# O konnt' ich fliegen -wie Tauben dahin | 0:14:04 | 0:14:10 | |
-# Weit hinweg | 0:14:10 | 0:14:13 | |
-# Weit hinweg | 0:14:13 | 0:14:16 | |
-# Weit hinweg -vor dem Feinde zu fliehen! | 0:14:16 | 0:14:22 | |
-# In die Wuste eilt ich dann fort | 0:14:23 | 0:14:29 | |
-# Fande Ruhe am schattigen Ort | 0:14:29 | 0:14:36 | |
-# In die Wuste eilt ich | 0:14:36 | 0:14:40 | |
-# Eilt ich dann fort | 0:14:40 | 0:14:44 | |
-# Fande Ruhe am schattigen Ort | 0:14:44 | 0:14:51 | |
-# In die Wuste eilt ich dann fort | 0:14:51 | 0:14:58 | |
-# Fande Ruhe am schattigen Ort | 0:14:58 | 0:15:05 | |
-# Am schattigen Ort | 0:15:05 | 0:15:09 | |
-# Am schattigen Ort | 0:15:10 | 0:15:23 | |
-# Fande Ruhe am schattigen Ort | 0:15:24 | 0:15:31 | |
-# Fande Ruhe | 0:15:32 | 0:15:36 | |
-# Am schattigen Ort # | 0:15:36 | 0:15:46 | |
-After the break we have religious -classics from the Austrian giants... | 0:16:02 | 0:16:08 | |
-..such as Mozart and Haydn... | 0:16:08 | 0:16:10 | |
-..and one of the most well-known -of religous songs by Schubert. | 0:16:11 | 0:16:15 | |
-. | 0:16:21 | 0:16:22 | |
-888 | 0:16:24 | 0:16:24 | |
-888 - -888 | 0:16:24 | 0:16:26 | |
-Our musical tour -has reached Austria... | 0:16:30 | 0:16:33 | |
-..and the picturesque city -of Salzburg... | 0:16:33 | 0:16:36 | |
-..the birthplace of classical -legend, Wolfgang Amadeus Mozart. | 0:16:36 | 0:16:41 | |
-He started composing -at the age of five. | 0:16:41 | 0:16:44 | |
-He was only eleven years old -when he wrote his first opera. | 0:16:44 | 0:16:48 | |
-When he died -as a young man aged 35... | 0:16:49 | 0:16:51 | |
-..he had over 600 compositions -to his name. | 0:16:51 | 0:16:55 | |
-For Sopranos, I chose to sing -one of my personal favourites... | 0:16:55 | 0:16:59 | |
-..namely the Alleluia -from Exsultate Jubilate. | 0:17:00 | 0:17:03 | |
-Mozart was a Catholic. | 0:17:04 | 0:17:05 | |
-The song is for a soprano castrato -- a castrated male soprano. | 0:17:05 | 0:17:11 | |
-Thankfully, -it is no longer customary! | 0:17:11 | 0:17:14 | |
-Sit back and enjoy -one of my favourites. | 0:17:14 | 0:17:17 | |
-It's a vocal explosion -that portrays Mozart at his best. | 0:17:17 | 0:17:20 | |
-# Alleluia, alleluia | 0:17:23 | 0:17:26 | |
-# Alleluia, alleluia | 0:17:26 | 0:17:30 | |
-# Alleluia, alleluia | 0:17:30 | 0:17:34 | |
-# Alleluia, alleluia | 0:17:34 | 0:17:37 | |
-# Alleluia | 0:17:38 | 0:17:41 | |
-# Alleluia | 0:17:42 | 0:17:44 | |
-# Alleluia, alleluia | 0:17:48 | 0:17:52 | |
-# Alleluia, alleluia | 0:17:56 | 0:17:59 | |
-# Alleluia | 0:17:59 | 0:18:06 | |
-# Alleluia! | 0:18:07 | 0:18:09 | |
-# Alleluia, alleluia | 0:18:13 | 0:18:17 | |
-# Alleluia, alleluia | 0:18:21 | 0:18:27 | |
-# Alleluia, alleluia | 0:18:27 | 0:18:31 | |
-# Alleluia! | 0:18:31 | 0:18:34 | |
-# Ah | 0:18:42 | 0:18:45 | |
-# Ah | 0:18:46 | 0:18:48 | |
-# Ah | 0:18:49 | 0:18:55 | |
-# Ah | 0:18:55 | 0:18:57 | |
-# Ah | 0:18:57 | 0:19:01 | |
-# Alleluia! | 0:19:01 | 0:19:04 | |
-# Alleluia, alleluia | 0:19:08 | 0:19:13 | |
-# Alleluia, alleluia | 0:19:20 | 0:19:23 | |
-# Alleluia | 0:19:23 | 0:19:27 | |
-# Alleluia, alleluia | 0:19:27 | 0:19:30 | |
-# Alleluia | 0:19:31 | 0:19:34 | |
-# Alleluia! # | 0:19:34 | 0:19:39 | |
-Few people associate -Joseph Haydn with Wales. | 0:19:45 | 0:19:49 | |
-However, he composed arrangements -for many Welsh folk tunes... | 0:19:50 | 0:19:53 | |
-..including my personal favourite, -David Of The White Rock. | 0:19:54 | 0:19:57 | |
-I was honoured to perform this piece -at the Esterhazy Palace near Vienna. | 0:19:58 | 0:20:02 | |
-Haydn was its musical director -for 30 years. | 0:20:02 | 0:20:06 | |
-# Last night an angel | 0:20:14 | 0:20:20 | |
-# Called softly to me | 0:20:20 | 0:20:25 | |
-# "David, come home now | 0:20:25 | 0:20:29 | |
-# "And play with the free" | 0:20:30 | 0:20:35 | |
-# Harp of my fathers | 0:20:36 | 0:20:41 | |
-# My song now must cease | 0:20:41 | 0:20:46 | |
-# God bless my loved ones | 0:20:47 | 0:20:52 | |
-# And grant them His peace # | 0:20:52 | 0:20:58 | |
-The Creation was Haydn's greatest -work and it exalts the Creation. | 0:21:32 | 0:21:37 | |
-It is based on Genesis, -The Book of Psalms... | 0:21:37 | 0:21:40 | |
-..and John Milton's epic song, -Paradise Lost. | 0:21:40 | 0:21:45 | |
-As I devised the series, -Sopranos... | 0:21:45 | 0:21:48 | |
-..a section -from this piece was essential. | 0:21:48 | 0:21:51 | |
-Haydn expected this piece -to last forever and he even said... | 0:21:51 | 0:21:57 | |
-"Each day for two years... | 0:21:57 | 0:22:00 | |
-"..I begged God to give me -the strength to finish the work." | 0:22:00 | 0:22:04 | |
-I chose the aria of Gabriel which -celebrates the creation of plants. | 0:22:05 | 0:22:09 | |
-I was honoured to perform it -at St Mary's Church in Swansea... | 0:22:09 | 0:22:13 | |
-..where sections of The Creation -were first performed in Wales. | 0:22:14 | 0:22:19 | |
-# Nun beut die Flur -das frische Grun | 0:22:19 | 0:22:25 | |
-# Dem Auge zur Ergotzung dar | 0:22:26 | 0:22:32 | |
-# Den anmutsvollen Blick | 0:22:34 | 0:22:40 | |
-# Erhoht der Blumen sanfter Schmuck | 0:22:43 | 0:22:49 | |
-# Erhoht | 0:22:50 | 0:22:53 | |
-# Der Blumen sanfter Schmuck | 0:22:53 | 0:22:59 | |
-# Hier duften Krauter Balsam aus | 0:23:07 | 0:23:14 | |
-# Hier sprost den Wunden Heil | 0:23:14 | 0:23:21 | |
-# Hier sprost | 0:23:21 | 0:23:25 | |
-# Den Wunden | 0:23:25 | 0:23:27 | |
-# Heil | 0:23:28 | 0:23:34 | |
-# Heil | 0:23:34 | 0:23:42 | |
-# Hier sprost den Wunden Heil | 0:23:44 | 0:23:52 | |
-# Den Wunden Heil | 0:23:52 | 0:23:59 | |
-# Heil | 0:24:00 | 0:24:05 | |
-# Hier sprost den | 0:24:08 | 0:24:11 | |
-# Wunden Heil | 0:24:11 | 0:24:16 | |
-# Nun beut die Flur -das frische Grun | 0:24:31 | 0:24:39 | |
-# Dem Auge zur Ergotzung dar | 0:24:39 | 0:24:45 | |
-# Den anmutsvollen Blick | 0:24:48 | 0:24:54 | |
-# Erhoht der Blumen sanfter Schmuck | 0:24:57 | 0:25:04 | |
-# Erhoht | 0:25:04 | 0:25:08 | |
-# Der Blumen sanfter Schmuck | 0:25:08 | 0:25:14 | |
-# Hier duften Krauter Balsam aus | 0:25:22 | 0:25:29 | |
-# Hier sprost den Wunden Heil | 0:25:29 | 0:25:36 | |
-# Heil | 0:25:36 | 0:25:41 | |
-# Heil | 0:25:42 | 0:25:47 | |
-# Hier sprost den Wunden Heil | 0:25:47 | 0:25:55 | |
-# Hier duften Krauter Balsam aus | 0:25:56 | 0:26:02 | |
-# Hier sprost den Wunden Heil | 0:26:03 | 0:26:11 | |
-# Den Wunden Heil | 0:26:11 | 0:26:19 | |
-# Den Wunden Heil | 0:26:19 | 0:26:25 | |
-# Heil | 0:26:26 | 0:26:33 | |
-# Hier sprost | 0:26:35 | 0:26:40 | |
-# Den Wunden | 0:26:40 | 0:26:47 | |
-# Heil # | 0:26:47 | 0:26:50 | |
-We remain in Austria because -the next two popular songs... | 0:27:00 | 0:27:05 | |
-..were written specifically -for voice by Franz Peter Schubert. | 0:27:05 | 0:27:09 | |
-In a short life of only 31 years... | 0:27:11 | 0:27:14 | |
-..Schubert produced -nearly 1,000 compositions. | 0:27:14 | 0:27:17 | |
-Over 600 of these were lieder... | 0:27:18 | 0:27:22 | |
-..which is the German word -for a song. | 0:27:22 | 0:27:24 | |
-I'll sing two of my favourite songs -from the series, Sopranos. | 0:27:25 | 0:27:29 | |
-The first is the most famous melody -ever written, namely Ave Maria. | 0:27:29 | 0:27:33 | |
-It was commonly sung in Latin... | 0:27:33 | 0:27:35 | |
-..but I'll perform -the original German version. | 0:27:35 | 0:27:38 | |
-The second is a hymn tune -that glorifies music. | 0:27:39 | 0:27:45 | |
-# Ave Maria! | 0:28:00 | 0:28:10 | |
-# Jungfrau mild | 0:28:10 | 0:28:16 | |
-# Erhore einer Jungfrau Flehen | 0:28:17 | 0:28:24 | |
-# Aus diesem Felsen starr und wild | 0:28:24 | 0:28:31 | |
-# Soll mein | 0:28:31 | 0:28:34 | |
-# Gebet zu dir hinwehen | 0:28:34 | 0:28:42 | |
-# Wir schlafen sicher bis zum Morgen | 0:28:43 | 0:28:49 | |
-# Ob Menschen noch so grausam sind | 0:28:50 | 0:28:56 | |
-# O Jungfrau | 0:28:58 | 0:29:00 | |
-# Sieh der Jungfrau Sorgen | 0:29:00 | 0:29:05 | |
-# O Mutter, hor ein bittend Kind! | 0:29:05 | 0:29:13 | |
-# Ave Maria! # | 0:29:14 | 0:29:24 | |
-# Du holde Kunst | 0:30:00 | 0:30:05 | |
-# In wieviel grauen Stunden | 0:30:05 | 0:30:11 | |
-# Wo mich des Lebens | 0:30:14 | 0:30:18 | |
-# Wilder Kreis umstrickt | 0:30:18 | 0:30:23 | |
-# Hast du mein Herz | 0:30:27 | 0:30:32 | |
-# Zu warmer Lieb entzunden | 0:30:32 | 0:30:38 | |
-# Hast mich in eine | 0:30:39 | 0:30:43 | |
-# Bessre welt entruckt | 0:30:43 | 0:30:49 | |
-# In eine bessre welt entruckt | 0:30:49 | 0:30:56 | |
-# Oft hat ein seufzer | 0:31:10 | 0:31:16 | |
-# Deiner Harf entflossen | 0:31:17 | 0:31:23 | |
-# Ein susser | 0:31:24 | 0:31:27 | |
-# Heiliger akkord von dir | 0:31:28 | 0:31:34 | |
-# Den himmel bessrer | 0:31:38 | 0:31:44 | |
-# Zeiten mir erschlossen | 0:31:44 | 0:31:50 | |
-# Du holde Kunst | 0:31:50 | 0:31:54 | |
-# Ich danke dir dafur | 0:31:54 | 0:32:00 | |
-# Du holde Kunst | 0:32:01 | 0:32:04 | |
-# Ich danke dir # | 0:32:04 | 0:32:10 | |
-In the final part -of this programme... | 0:32:32 | 0:32:34 | |
-..we visit London -to hear a Handel classic... | 0:32:34 | 0:32:38 | |
-..to Wales for a song by Welsh -composer, Morfydd Llwyn Owen... | 0:32:38 | 0:32:43 | |
-..before ending with a section of -Rutter's magical Requiem, Pie Jesu. | 0:32:43 | 0:32:48 | |
-. | 0:32:53 | 0:32:54 | |
-888 | 0:32:57 | 0:32:57 | |
-888 - -888 | 0:32:57 | 0:32:59 | |
-George Frederick Handel is buried in -Poets' Corner in Westminster Abbey. | 0:33:03 | 0:33:08 | |
-Chaucer, Charles Dickens, -Purcell and Mary Queen of Scots... | 0:33:09 | 0:33:13 | |
-..are also buried there. | 0:33:14 | 0:33:16 | |
-Originally from Germany... | 0:33:16 | 0:33:18 | |
-..Handel became a British citizen -aged 24 years. | 0:33:18 | 0:33:21 | |
-I've chosen a song from one of his -most dramatic religious pieces. | 0:33:22 | 0:33:26 | |
-It's the story -of the mighty Israeli hero, Samson. | 0:33:26 | 0:33:30 | |
-The oratorio is based -on the final day of Samson. | 0:33:30 | 0:33:33 | |
-The aria, Let The Bright Seraphim -comes at the end... | 0:33:34 | 0:33:37 | |
-..when Samson -is blinded by his enemy. | 0:33:37 | 0:33:40 | |
-The lyrics of the aria -speak of a dazzling light. | 0:33:40 | 0:33:43 | |
-Samson, the hero is dead, -but this is a song of triumph. | 0:33:43 | 0:33:47 | |
-# Let the bright seraphim -in burning row | 0:34:05 | 0:34:10 | |
-# Their loud, uplifted -angel trumpets blow | 0:34:14 | 0:34:18 | |
-# Let the bright seraphim | 0:34:22 | 0:34:25 | |
-# In burning row | 0:34:27 | 0:34:28 | |
-# In burning, burning row | 0:34:29 | 0:34:33 | |
-# Their loud, uplifted -angel trumpets blow | 0:34:33 | 0:34:39 | |
-# Their loud, uplifted -angel trumpets blow | 0:34:40 | 0:34:50 | |
-# Blow | 0:34:50 | 0:34:54 | |
-# Their loud | 0:34:55 | 0:34:58 | |
-# Their loud, uplifted -angel trumpets blow | 0:34:59 | 0:35:04 | |
-# Let the bright seraphim -in burning row | 0:35:10 | 0:35:15 | |
-# In burning, burning row | 0:35:16 | 0:35:23 | |
-# Their loud | 0:35:23 | 0:35:25 | |
-# Uplifted | 0:35:27 | 0:35:29 | |
-# Angel trumpets blow | 0:35:31 | 0:35:33 | |
-# Their loud, uplifted -angel trumpets blow | 0:35:33 | 0:35:41 | |
-# Their loud, uplifted -angel trumpets blow # | 0:35:42 | 0:35:46 | |
-As a Swansea girl and Welsh woman... | 0:36:02 | 0:36:05 | |
-..I love the work -of Morfydd Llwyn Owen. | 0:36:05 | 0:36:08 | |
-She composed one of my favourite -Welsh language songs... | 0:36:08 | 0:36:12 | |
-..Gweddi Y Pechadur. | 0:36:12 | 0:36:14 | |
-She passed away -at the tender age of 27... | 0:36:15 | 0:36:19 | |
-..and is buried -on the outskirts of Swansea. | 0:36:20 | 0:36:22 | |
-She died -in suspicious circumstances. | 0:36:23 | 0:36:25 | |
-She had a tempestuous relationship -with the psychologist, Ernest Jones. | 0:36:25 | 0:36:31 | |
-It was never proved, but -some believe that he poisoned her. | 0:36:31 | 0:36:36 | |
-Some argue the correct title -of the song is Gweddi Pechadur... | 0:36:37 | 0:36:41 | |
-..not Gweddi Y Pechadur. | 0:36:41 | 0:36:43 | |
-However, Morfydd Llwyn Owen chose -the title, Gweddi Y Pechadur... | 0:36:44 | 0:36:48 | |
-..suggesting that Morfydd herself -is the sinner in the song... | 0:36:48 | 0:36:53 | |
-..who is begging God -for forgiveness. | 0:36:53 | 0:36:56 | |
-# Before thee, oh Lord | 0:37:02 | 0:37:07 | |
-# I bow | 0:37:08 | 0:37:11 | |
-# Standing from afar | 0:37:11 | 0:37:20 | |
-# Sinner is my name | 0:37:22 | 0:37:29 | |
-# I do not have a better name | 0:37:30 | 0:37:38 | |
-# Mercy | 0:37:40 | 0:37:45 | |
-# Is my plea to Thee | 0:37:46 | 0:37:51 | |
-# And I'll plead again and again | 0:37:51 | 0:38:00 | |
-# Your mercy | 0:38:00 | 0:38:06 | |
-# Show me mercy | 0:38:07 | 0:38:12 | |
-# I'm dying | 0:38:14 | 0:38:20 | |
-# I'm dying | 0:38:21 | 0:38:27 | |
-# I'm dying | 0:38:27 | 0:38:33 | |
-# Without the Lord's grace | 0:38:33 | 0:38:39 | |
-# A sinner | 0:38:46 | 0:38:50 | |
-# My sin I confess | 0:38:50 | 0:38:54 | |
-# Dear Lord, I deserve to be cursed | 0:38:54 | 0:39:00 | |
-# I am poor | 0:39:01 | 0:39:05 | |
-# I am dirty and guilty | 0:39:06 | 0:39:12 | |
-# Have mercy upon me | 0:39:12 | 0:39:20 | |
-# I confess I have no virtue | 0:39:20 | 0:39:26 | |
-# Through my life and to the grave | 0:39:26 | 0:39:31 | |
-# All I can shout is, -"I sinned!" | 0:39:32 | 0:39:39 | |
-# I should not rest in peace | 0:39:39 | 0:39:45 | |
-# I should not rest | 0:39:47 | 0:39:54 | |
-# In peace | 0:39:55 | 0:39:58 | |
-# I once heard of Jesus | 0:40:06 | 0:40:14 | |
-# An eternal redeemer | 0:40:14 | 0:40:22 | |
-# He did not turn away publicans | 0:40:23 | 0:40:29 | |
-# Or the greatest of sinners | 0:40:30 | 0:40:38 | |
-# Oh, take me | 0:40:38 | 0:40:44 | |
-# Dear Lord, take me too | 0:40:44 | 0:40:51 | |
-# Don't turn me away | 0:40:51 | 0:40:57 | |
-# Forgive my dishonesty | 0:40:58 | 0:41:07 | |
-# Forgive | 0:41:08 | 0:41:13 | |
-# Forgive my dishonesty | 0:41:13 | 0:41:22 | |
-# So my transgression | 0:41:22 | 0:41:29 | |
-# Shall be atoned | 0:41:29 | 0:41:35 | |
-# So my transgression | 0:41:36 | 0:41:40 | |
-# So my transgression | 0:41:41 | 0:41:44 | |
-# Shall be atoned # | 0:41:44 | 0:41:52 | |
-My musical and spiritual journey -across Europe in Sopranos... | 0:42:25 | 0:42:30 | |
-..is coming to an end. | 0:42:30 | 0:42:32 | |
-I hope you've enjoyed it -as much as me. | 0:42:32 | 0:42:35 | |
-To end, I'll perform -alongside Cordydd... | 0:42:35 | 0:42:38 | |
-..a beautiful version of Pie Jesu -from the Requiem by John Rutter... | 0:42:39 | 0:42:43 | |
-..in the Welsh language. | 0:42:43 | 0:42:44 | |
-When I was at college -in Cambridge... | 0:42:45 | 0:42:47 | |
-..I recorded this piece -for John Rutter. | 0:42:47 | 0:42:50 | |
-It's very apt that I end -this programme with this song. | 0:42:51 | 0:42:54 | |
-# Blessed Lord Jesus | 0:43:19 | 0:43:26 | |
-# Grant them rest | 0:43:26 | 0:43:32 | |
-# Grant them eternal rest | 0:43:34 | 0:43:41 | |
-# Grant them, Blessed Lord | 0:43:41 | 0:43:48 | |
-# Grant them, Blessed Lord | 0:43:48 | 0:43:56 | |
-# Grant them, Blessed Lord | 0:43:56 | 0:44:00 | |
-# Grant them, Blessed Lord | 0:44:00 | 0:44:04 | |
-# Grant them eternal rest | 0:44:04 | 0:44:10 | |
-# Blessed Lord Jesus | 0:44:14 | 0:44:21 | |
-# Grant them rest | 0:44:22 | 0:44:28 | |
-# Grant them, Blessed Lord | 0:44:29 | 0:44:35 | |
-# Grant them, Blessed Lord | 0:44:36 | 0:44:42 | |
-# Grant them eternal rest | 0:44:43 | 0:44:53 | |
-# Grant them, Blessed Lord | 0:44:57 | 0:45:01 | |
-# Grant them, Blessed Lord | 0:45:01 | 0:45:05 | |
-# Grant them eternal rest | 0:45:05 | 0:45:11 | |
-# Blessed Lord Jesus | 0:45:15 | 0:45:22 | |
-# Grant them rest | 0:45:22 | 0:45:29 | |
-# Grant them eternal rest | 0:45:30 | 0:45:37 | |
-# Grant them eternal rest | 0:45:37 | 0:45:44 | |
-# Grant them eternal rest | 0:45:44 | 0:45:50 | |
-# Grant them, Blessed Lord | 0:45:51 | 0:45:57 | |
-# Grant them, Blessed Lord | 0:45:58 | 0:46:05 | |
-# Grant them, Blessed Lord | 0:46:05 | 0:46:09 | |
-# Grant them, Blessed Lord | 0:46:09 | 0:46:13 | |
-# Grant them eternal rest | 0:46:13 | 0:46:19 | |
-# Blessed Lord Jesus | 0:46:22 | 0:46:30 | |
-# Grant them rest | 0:46:31 | 0:46:37 | |
-# Grant them | 0:46:43 | 0:46:50 | |
-# Eternal rest # | 0:46:50 | 0:47:00 | |
-S4C subtitles by Tinopolis | 0:47:49 | 0:47:51 | |
-. | 0:47:51 | 0:47:52 |
