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CHEERING
APPLAUSE | 0:00:04 | 0:00:12 | |
I'm Greg James and this is Dotty. | 0:00:12 | 0:00:13 | |
This is our brand new show
celebrating the best | 0:00:13 | 0:00:16 | |
music from the UK and
all over the world. | 0:00:16 | 0:00:21 | |
Over the next tab hour we will be
bringing you incredible | 0:00:21 | 0:00:24 | |
performances. | 0:00:24 | 0:00:26 | |
They are absolutely right. | 0:00:26 | 0:00:27 | |
I'm Jason Derulo and trust
me, we have the best | 0:00:27 | 0:00:30 | |
show for you tonight. | 0:00:30 | 0:00:31 | |
And that's coming from two | 0:00:31 | 0:00:32 | |
time winner of Broward
County, Florida pumpkin | 0:00:32 | 0:00:34 | |
carving competition. | 0:00:34 | 0:00:35 | |
This is Sounds Like Friday Night! | 0:00:35 | 0:00:41 | |
CHEERING
APPLAUSE | 0:01:03 | 0:01:06 | |
Yes welcome to Sounds
Like Friday Night, the | 0:01:06 | 0:01:08 | |
show where the best
names in music come | 0:01:08 | 0:01:10 | |
together to make
Fridays great again. | 0:01:10 | 0:01:11 | |
We've got multi platinum
selling Jason Derulo, | 0:01:11 | 0:01:21 | |
the sensational voice
of Jessie Ware. | 0:01:21 | 0:01:23 | |
One of the hottest acts around,
Charlie Puth. | 0:01:23 | 0:01:29 | |
Plus rock icon, Dave Grohl. | 0:01:29 | 0:01:30 | |
Yep, this show is all
about the big names taking | 0:01:30 | 0:01:32 | |
control of your Friday
night, and it doesn't get | 0:01:32 | 0:01:34 | |
much bigger than this guy. | 0:01:34 | 0:01:36 | |
He has had for number one albums. --
four number one albums. Please | 0:01:36 | 0:01:45 | |
welcome Jason Derulo! | 0:01:45 | 0:01:51 | |
# Vodka on my lips | 0:02:02 | 0:02:06 | |
# Took too many drinks | 0:02:06 | 0:02:09 | |
# Makes me reminisce
all the way down | 0:02:09 | 0:02:12 | |
# To my happy place,
you're my happy place | 0:02:12 | 0:02:21 | |
# If I'm lucky I'll meet ya,
flipside of the graveyard | 0:02:21 | 0:02:25 | |
# Cause things didn't work out
in this life, but someday | 0:02:25 | 0:02:28 | |
# If I'm lucky, I'll meet ya,
heaven or high water | 0:02:28 | 0:02:33 | |
# Cause things didn't work out
in this life, but maybe | 0:02:33 | 0:02:36 | |
# If I'm lucky, eh | 0:02:36 | 0:02:40 | |
# If I'm lucky, eh | 0:02:40 | 0:02:45 | |
# I'll get your lovin' | 0:02:45 | 0:02:49 | |
# Cause things didn't work out
in this life, but someday | 0:02:49 | 0:02:59 | |
# I'm selfish for you | 0:02:59 | 0:03:03 | |
# I'm selfish for you | 0:03:04 | 0:03:14 | |
# If I'm lucky I'll meet ya,
flipside of the graveyard | 0:03:16 | 0:03:19 | |
# Cause things didn't work out
in this life, but someday | 0:03:19 | 0:03:22 | |
# If I'm lucky, I'll meet ya,
heaven or high water | 0:03:22 | 0:03:25 | |
# Cause things didn't work out
in this life, but maybe | 0:03:25 | 0:03:28 | |
# If I'm lucky, eh | 0:03:28 | 0:03:32 | |
# If I'm lucky, eh | 0:03:32 | 0:03:36 | |
# I'll get your lovin' | 0:03:36 | 0:03:41 | |
# Cause things didn't work out
in this life, but someday | 0:03:41 | 0:03:48 | |
# I'm selfish for you | 0:03:48 | 0:03:51 | |
# I'm selfish for you | 0:03:53 | 0:04:04 | |
CHEERING
APPLAUSE | 0:04:10 | 0:04:15 | |
Jason Derulo everyone! | 0:04:15 | 0:04:17 | |
Jason's performing again
at the end of the show | 0:04:17 | 0:04:20 | |
with a special acoustic
version of his huge hit | 0:04:20 | 0:04:22 | |
Want To Want Me. | 0:04:22 | 0:04:25 | |
But now, they say when you
get an opportunity to | 0:04:25 | 0:04:28 | |
meet your heroes, don't waste it. | 0:04:28 | 0:04:29 | |
So what did Greg do when he met
his hero Dave Grohl? | 0:04:29 | 0:04:33 | |
He wasted it. | 0:04:33 | 0:04:34 | |
I'm Greg James. | 0:04:34 | 0:04:35 | |
This is Dave Grohls. | 0:04:35 | 0:04:36 | |
And we're about to Rock The Mic. | 0:04:36 | 0:04:39 | |
It's just Grohl. | 0:04:39 | 0:04:40 | |
It's singular. | 0:04:40 | 0:04:41 | |
Is it? | 0:04:41 | 0:04:42 | |
It is, it's not plural. | 0:04:42 | 0:04:43 | |
We'll edit it out. | 0:04:43 | 0:04:44 | |
Thanks. | 0:04:44 | 0:04:47 | |
OK, Dave, thanks for doing these
BBC One voice-overs. | 0:04:47 | 0:04:49 | |
They're a little softer
than you might be used to normally. | 0:04:49 | 0:04:52 | |
I hope that's going to be OK. | 0:04:52 | 0:04:54 | |
That's fine. | 0:04:54 | 0:04:55 | |
You know, we want a bit
of rock but not too much. | 0:04:55 | 0:04:58 | |
You don't want to scare
away the grannies. | 0:04:58 | 0:05:00 | |
Oh, yeah? | 0:05:00 | 0:05:01 | |
Yeah. | 0:05:01 | 0:05:02 | |
OK, I'll see what I can do. | 0:05:02 | 0:05:04 | |
So a few warm-up exercises then -
red lorry, yellow lorry, | 0:05:04 | 0:05:06 | |
red lorry, yellow lorry. | 0:05:06 | 0:05:08 | |
Yeah, that doesn't really
work with what I do. | 0:05:08 | 0:05:10 | |
OK, so the first one's going to be,
coming up next on BBC One, | 0:05:10 | 0:05:13 | |
it's Homes Under The Hammer. | 0:05:13 | 0:05:15 | |
Coming up next on BBC One,
Homes Under The Hummer. | 0:05:15 | 0:05:17 | |
Er, yeah, we'll go to the next one. | 0:05:17 | 0:05:21 | |
EastEnders - big,
big show for BBC One. | 0:05:21 | 0:05:22 | |
So they have a big cliffhanger. | 0:05:22 | 0:05:24 | |
OK. | 0:05:24 | 0:05:25 | |
It'll be like, you ain't my mother. | 0:05:25 | 0:05:27 | |
And they go, yes I am! | 0:05:27 | 0:05:28 | |
And it will suddenly go... | 0:05:28 | 0:05:30 | |
IMITATES DRUMS FROM
EASTENDERS THEME. | 0:05:30 | 0:05:31 | |
It's EastEnders. | 0:05:31 | 0:05:32 | |
OK, ready? | 0:05:32 | 0:05:34 | |
Coming up next on BBC One... | 0:05:34 | 0:05:37 | |
What was it again? | 0:05:37 | 0:05:39 | |
East Enders. | 0:05:39 | 0:05:42 | |
Coming up next on BBC
Radio 1, East Enders. | 0:05:42 | 0:05:47 | |
We can probably edit
something together with that. | 0:05:47 | 0:05:50 | |
OK. | 0:05:50 | 0:05:51 | |
Strictly Come Dancing
is the big show on BBC One. | 0:05:51 | 0:05:53 | |
You know that one? | 0:05:53 | 0:05:54 | |
No. | 0:05:54 | 0:05:56 | |
Actually, I think you'd
be amazing at it. | 0:05:56 | 0:05:58 | |
If the music stuff dries up,
I really feel like... | 0:05:58 | 0:06:00 | |
I can see it now. | 0:06:00 | 0:06:01 | |
OK. | 0:06:01 | 0:06:03 | |
Can we give a bit of
pizzazz to this one? | 0:06:03 | 0:06:05 | |
Now on BBC One, it's
flash, it's fabulous, | 0:06:05 | 0:06:07 | |
it's Strictly Come Dancing. | 0:06:07 | 0:06:08 | |
MELODRAMATIC AND LISPING: Now
on BBC One, it's flash and fabulous, | 0:06:08 | 0:06:11 | |
it's Strictly Come Dancing. | 0:06:11 | 0:06:12 | |
Now that is the best
one you've done. | 0:06:12 | 0:06:14 | |
Really? | 0:06:14 | 0:06:15 | |
That's the greatest one. | 0:06:15 | 0:06:16 | |
Thanks, man. | 0:06:16 | 0:06:17 | |
I think you like that
voice, don't you? | 0:06:17 | 0:06:19 | |
I think that might be the one. | 0:06:19 | 0:06:21 | |
OK, what was the other one? | 0:06:21 | 0:06:23 | |
Just spit them out and then you can
cut them all together. | 0:06:23 | 0:06:25 | |
Garden Rescue. | 0:06:25 | 0:06:27 | |
MELODRAMATIC AND LISPING:
Garden Rescue. | 0:06:27 | 0:06:28 | |
Bargain Hunt. | 0:06:28 | 0:06:29 | |
Bargain Hunt. | 0:06:29 | 0:06:30 | |
I don't know what else
we need, to be honest. | 0:06:30 | 0:06:33 | |
Right? | 0:06:33 | 0:06:34 | |
How does that work? | 0:06:34 | 0:06:35 | |
I'd like to go one more just
for sound for EastEnders. | 0:06:35 | 0:06:38 | |
What did I do wrong? | 0:06:38 | 0:06:39 | |
Let's do a couple more
with the drums and we'll be there. | 0:06:39 | 0:06:42 | |
Coming up next on BBC One, it's... | 0:06:42 | 0:06:44 | |
HE DRUMS. | 0:06:44 | 0:06:45 | |
EastEnders. | 0:06:45 | 0:06:46 | |
The voice is great. | 0:06:46 | 0:06:47 | |
The drumming's a little ropey. | 0:06:47 | 0:06:48 | |
You know, I've got
to take this call. | 0:06:48 | 0:06:50 | |
Could you give me five minutes? | 0:06:50 | 0:06:52 | |
Sure, yeah. | 0:06:52 | 0:06:53 | |
All right, see you in a bit. | 0:06:53 | 0:06:55 | |
I'm sure he'll be back in a minute. | 0:06:55 | 0:06:58 | |
He's gone. | 0:06:58 | 0:06:59 | |
I think he's gone, guys. | 0:06:59 | 0:07:02 | |
CHEERING
APPLAUSE | 0:07:04 | 0:07:06 | |
CHEERING APPLAUSE | 0:07:06 | 0:07:07 | |
He never did come
back from that call. | 0:07:07 | 0:07:09 | |
Jason are you an Eastenders fan? | 0:07:09 | 0:07:17 | |
I am, you know, Pat Butcher, it has
never been the same without her, I | 0:07:17 | 0:07:21 | |
wish they would bring her back legs
Jon Snow. In a way you're ear rings | 0:07:21 | 0:07:25 | |
are quite like Pat Butcher. It was
so great to have a bit of your | 0:07:25 | 0:07:34 | |
dancing in the room tonight, it felt
good, what is it about American | 0:07:34 | 0:07:38 | |
artists that are better than us at
dancing? Because we love Oasis and | 0:07:38 | 0:07:44 | |
one direction, they are not known,
Adele is not known for dancing. I | 0:07:44 | 0:07:51 | |
was always into it, I was a kid in
front of the GP practising the | 0:07:51 | 0:07:56 | |
moves, I mimicked its growing up and
I went on to perform at school and I | 0:07:56 | 0:07:59 | |
have always been a fan. Tell us
about your performance at the end of | 0:07:59 | 0:08:04 | |
the programme? Yes I am doing an
acoustic version of Want To Want Me | 0:08:04 | 0:08:12 | |
which is super, super... It's
really, really exclusive, it is so | 0:08:12 | 0:08:16 | |
exclusive I have not even rehearsed
it so I don't even know what it | 0:08:16 | 0:08:19 | |
sounds like. As in bad or good? I
hope it's good but we will see. I | 0:08:19 | 0:08:26 | |
hope so too. What was your first
gig? That was Michael Bolton. I won | 0:08:26 | 0:08:36 | |
competition when I was a kid with
the boys and girls club and the | 0:08:36 | 0:08:39 | |
prize was... That is some Barnett.
You had a phase where you are not | 0:08:39 | 0:08:46 | |
the summer. I was dragged to go for
the work but when you can sing | 0:08:46 | 0:08:55 | |
# When a man loves a woman... It
does not matter what you look like, | 0:08:55 | 0:09:02 | |
the hair is just a different time. I
want a dog your Halloween costume, | 0:09:02 | 0:09:10 | |
you did a Game Of Thrones thing.
Yeah, I thought it was a good thing | 0:09:10 | 0:09:14 | |
when I did it. It took three hours
to put on but the bad part was two | 0:09:14 | 0:09:18 | |
and a half hours to take it off.
You're having your Halloween party, | 0:09:18 | 0:09:25 | |
you're all right and having good
time and then afterwards you have to | 0:09:25 | 0:09:27 | |
take it two hours. You were
performing in the costume. Yeah, | 0:09:27 | 0:09:34 | |
that is me right there. Imagine me
doing, talk dirty to me... I would | 0:09:34 | 0:09:42 | |
call the police! It's a bit weird
but it's the only time you are going | 0:09:42 | 0:09:49 | |
to see somebody performing songs
like that as the Night King. Taylor | 0:09:49 | 0:09:56 | |
Swift has got a new video, she is a
robot, you are a big fan of the | 0:09:56 | 0:10:01 | |
robot. Give us a little bit? If I am
doing that you have to do the sound | 0:10:01 | 0:10:09 | |
effects. Done. That sounds like
farthing. Like | 0:10:09 | 0:10:24 | |
what kind of game are you playing,
you're supposed to support me! | 0:10:26 | 0:10:33 | |
Enough of that, Charlie Puth, how
are you? What's up? You and Jason | 0:10:33 | 0:10:39 | |
Gore way back, you have been on
tour. Yes, Jason, did you know that | 0:10:39 | 0:10:45 | |
I almost got arrested on your tour.
I do know that. Did you call the | 0:10:45 | 0:10:52 | |
police on him? I had to bail him
out. It was in Boston, I was on the | 0:10:52 | 0:11:00 | |
studio boss and I turned around the
monitors to mess with the police, I | 0:11:00 | 0:11:04 | |
blasted farty noises with trumpets
and they told me I was going to jail | 0:11:04 | 0:11:10 | |
if I kept doing it. Crazy days on
the road! Let's talk about your | 0:11:10 | 0:11:16 | |
music, you have written with the
likes of Stevie Wonder, and Jason, | 0:11:16 | 0:11:20 | |
how did the Stevie Wonder thing
come? Jason called me one day and | 0:11:20 | 0:11:25 | |
said Charlie you will not believe
this, I at the White House and have | 0:11:25 | 0:11:30 | |
just met Barack and Stevie Wonder
and he wants to sing on a song | 0:11:30 | 0:11:33 | |
called Broke we wrote together. It
just happens every day Stevie Wonder | 0:11:33 | 0:11:41 | |
plays on a song with his harmonica.
Amazing. Let's get on with some more | 0:11:41 | 0:11:46 | |
music. | 0:11:46 | 0:11:51 | |
Here he is with a TV premier
of his latest hit How | 0:11:51 | 0:11:54 | |
Long, it's Charlie Puth. | 0:11:54 | 0:11:56 | |
# I'll admit, I was wrong | 0:12:04 | 0:12:06 | |
# What else can I say, girl? | 0:12:06 | 0:12:10 | |
# Can't you break my
head and not my heart? | 0:12:10 | 0:12:14 | |
# I was drunk, I was gone,
that don't make it right | 0:12:14 | 0:12:17 | |
# But I promise there
were no feelings involved | 0:12:17 | 0:12:22 | |
# She said "Boy, tell me honestly | 0:12:22 | 0:12:26 | |
# Was it real or just for show?" | 0:12:26 | 0:12:36 | |
# She said "Save your apologies | 0:12:36 | 0:12:38 | |
# Baby, I just gotta know" | 0:12:38 | 0:12:39 | |
# How long has this been going on? | 0:12:39 | 0:12:41 | |
# You've been creeping 'round on me | 0:12:41 | 0:12:45 | |
# While you're calling me baby | 0:12:45 | 0:12:47 | |
# How long has this been going on? | 0:12:47 | 0:12:51 | |
# You've been acting so shady | 0:12:51 | 0:12:54 | |
# I've been feeling it lately, baby | 0:12:54 | 0:13:04 | |
# I'll admit, it's my fault | 0:13:05 | 0:13:08 | |
# But you gotta believe me | 0:13:08 | 0:13:09 | |
# When I say it only happened once | 0:13:09 | 0:13:14 | |
# I tried and I tried,
but you'll never see that | 0:13:14 | 0:13:18 | |
# You're the only one
I wanna love, ooh, yeah | 0:13:18 | 0:13:23 | |
# She said "Boy, tell me honestly | 0:13:23 | 0:13:28 | |
# Was it real or just for show?" | 0:13:28 | 0:13:31 | |
# She said "Save your apologies | 0:13:31 | 0:13:35 | |
# Baby, I just gotta know" | 0:13:35 | 0:13:39 | |
# How long has this been going on? | 0:13:39 | 0:13:45 | |
# You've been creeping 'round on me | 0:13:45 | 0:13:46 | |
# While you're calling me baby | 0:13:46 | 0:13:48 | |
# How long has this been going on? | 0:13:48 | 0:13:52 | |
# You've been acting so shady | 0:13:52 | 0:13:54 | |
# I've been feeling it lately, baby | 0:13:54 | 0:13:58 | |
# How long has this
been going on, baby? | 0:13:58 | 0:14:01 | |
# She said "Boy, tell me honestly | 0:14:09 | 0:14:12 | |
# Was it real or just for show?" | 0:14:12 | 0:14:15 | |
# She said "Save your apologies | 0:14:15 | 0:14:19 | |
# Baby, I just gotta know" | 0:14:19 | 0:14:23 | |
# How long has this been going on? | 0:14:23 | 0:14:30 | |
# You've been creeping 'round on me | 0:14:30 | 0:14:32 | |
# While you're calling me baby | 0:14:32 | 0:14:34 | |
# How long has this been going on? | 0:14:34 | 0:14:38 | |
# You've been acting so shady | 0:14:38 | 0:14:41 | |
# I've been feeling it lately, baby | 0:14:41 | 0:14:44 | |
# How long has this been going on? | 0:14:44 | 0:14:47 | |
# You've been creeping 'round on me | 0:14:47 | 0:14:50 | |
# How long has this
been going on baby? | 0:14:50 | 0:14:53 | |
# How long has this been going on? | 0:14:53 | 0:14:56 | |
# You gotta go tell me now | 0:14:56 | 0:14:57 | |
# You been acting so shady | 0:14:57 | 0:14:59 | |
# I've been feeling
it lately, baby # | 0:14:59 | 0:15:02 | |
CHEERING
APPLAUSE | 0:15:04 | 0:15:10 | |
Charlie Puth, everybody! | 0:15:10 | 0:15:20 | |
And local owl found, Jessie Ware!
Looking good. The amazing was | 0:15:20 | 0:15:26 | |
Charlie? He's got the best voice. We
are loving the music at the moment. | 0:15:26 | 0:15:31 | |
You worked with Ed Sheeran. He's one
of the best writers to work with | 0:15:31 | 0:15:38 | |
e-mail -- help me write an amazing
song. I hear that Sam Smith, huge | 0:15:38 | 0:15:44 | |
brand, huge fan. Yeah, he is been
really supportive. How did you | 0:15:44 | 0:15:51 | |
become friends? Both working with
Disclosure. We met at a festival and | 0:15:51 | 0:15:55 | |
I helped him out because he couldn't
hear anything. So it's like people | 0:15:55 | 0:16:01 | |
introducing you to new friends and
you go off without them. I hate | 0:16:01 | 0:16:05 | |
that. British music is an incredible
place right now. Yeah, proud to be | 0:16:05 | 0:16:12 | |
part of it. Are you feeling? I'm
feeling good. It's exciting being on | 0:16:12 | 0:16:18 | |
the first one. | 0:16:18 | 0:16:21 | |
Still to come, a world
exclusive of the new Kurupt | 0:16:21 | 0:16:24 | |
FM video. | 0:16:24 | 0:16:25 | |
But before any of that,
we took Jason off to do his | 0:16:25 | 0:16:28 | |
favourite thing in the world
? no not singing, not | 0:16:28 | 0:16:31 | |
dancing ? just the three
of us shooting some | 0:16:31 | 0:16:33 | |
hoops... | 0:16:33 | 0:16:34 | |
We all love basketball. You are
going to shoot hoops, we are going | 0:16:34 | 0:16:37 | |
to put you off. Let's go. It's
taking too long, guys. Come on. I | 0:16:37 | 0:16:45 | |
thought that, too. What's the first
album you bought? Thriller. Kenya | 0:16:45 | 0:16:52 | |
moonwalk while shooting hoops? Let's
see. Can you shoot boots and rate my | 0:16:52 | 0:17:00 | |
dance moves at the same time? Keep
your eyes here. That is zero. OK, | 0:17:00 | 0:17:04 | |
fine. Are you reading? No, I'm
vegetarian. -- are you vegan. Night | 0:17:04 | 0:17:16 | |
in with a girlfriend or night out
with the lads? Night in. What's the | 0:17:16 | 0:17:23 | |
worst thing you've had to do on a TV
show? This is the worst thing. Too | 0:17:23 | 0:17:28 | |
many balls! This is too good. What
the hell is this? You've got to be | 0:17:28 | 0:17:40 | |
kidding me, broke. Let's go. What's
your worst habit? You are so... | 0:17:40 | 0:17:51 | |
Where do you go on a perfect date?
Perfect date... What was the first | 0:17:51 | 0:17:57 | |
gig...? Side I can't think! How can
you not know? What? Thanks, Greg. | 0:17:57 | 0:18:09 | |
Jason Gore you are too good. We're
going to mix it up. What's going on? | 0:18:09 | 0:18:16 | |
-- Jason, you are too good at this.
THEY PLAY MARIACHI MUSIC. | 0:18:16 | 0:18:24 | |
The one that I taught you. Oh, yeah!
Take this seriously, Jason. | 0:18:24 | 0:18:41 | |
CHEERING
. I mean, it was fun, and Eilidh | 0:18:49 | 0:18:56 | |
MacLeod... I don't know about fun. I
learnt a lot about you myself. -- | 0:18:56 | 0:19:03 | |
and I learned a lot. I think you are
unbeatable. I appreciate that. You | 0:19:03 | 0:19:10 | |
will be back at the end of the show
for another performance. Yes, | 0:19:10 | 0:19:15 | |
acoustic. Now we celebrate some
home-grown reduced talent. As we | 0:19:15 | 0:19:21 | |
said, she teamed up with Ed Sheeran
and Sam Smith is one of her biggest | 0:19:21 | 0:19:25 | |
fans. ... With one of my favourite
songs of the year, with Alone, the | 0:19:25 | 0:19:30 | |
brilliant Jessie Ware. | 0:19:30 | 0:19:33 | |
# Say I won't make the same
mistakes when we're older | 0:19:36 | 0:19:40 | |
# Cos with every step
you take I'm getting colder | 0:19:40 | 0:19:45 | |
# So come a little closer | 0:19:45 | 0:19:48 | |
# Just come a little closer | 0:19:48 | 0:19:51 | |
# I don't want somebody
else to call my name | 0:19:51 | 0:19:56 | |
# No, I don't want somebody else
when you could just say | 0:19:56 | 0:20:01 | |
# Say that you're the one
who's taking me home | 0:20:01 | 0:20:07 | |
# Cos I want you
on my skin and my bones | 0:20:07 | 0:20:12 | |
# Knocking me off of my feet | 0:20:12 | 0:20:14 | |
# Just say I'm the one
that you need | 0:20:14 | 0:20:17 | |
# Oh, please say that you're
the one who's taking me home | 0:20:17 | 0:20:22 | |
# So I can get you alone | 0:20:22 | 0:20:26 | |
# Oh-oh-oh, ooh | 0:20:26 | 0:20:28 | |
# Oh-oh-oh, ooh | 0:20:28 | 0:20:35 | |
# Just wanna talk a little longer | 0:20:37 | 0:20:40 | |
# So, baby, don't you wanna
stay a little later? | 0:20:40 | 0:20:46 | |
# Cos I could watch
you watch me forever | 0:20:46 | 0:20:52 | |
# Cos I know you better | 0:20:52 | 0:20:54 | |
# And you know I'd never | 0:20:54 | 0:20:57 | |
# I never need somebody
else to call my name | 0:20:57 | 0:21:02 | |
# No, I don't want somebody else
when you could just say | 0:21:02 | 0:21:07 | |
# Say that you're the one
who's taking me home | 0:21:07 | 0:21:13 | |
# Cos I want you
on my skin and my bones | 0:21:13 | 0:21:17 | |
# Knocking me off of my feet | 0:21:17 | 0:21:20 | |
# Just say I'm the one
that you need | 0:21:20 | 0:21:24 | |
# Oh, please say that you're
the one who's taking me home | 0:21:24 | 0:21:28 | |
# So I can get you alone | 0:21:28 | 0:21:32 | |
# Oh-oh-oh, ooh | 0:21:38 | 0:21:41 | |
# I don't need somebody
else to call my name | 0:21:44 | 0:21:47 | |
# No, I don't want somebody
else to make me stay | 0:21:47 | 0:21:52 | |
# I don't never need to walk away | 0:21:52 | 0:21:57 | |
# You could just say,
you could just say | 0:21:57 | 0:22:03 | |
# Say that you're the one
who's taking me home | 0:22:03 | 0:22:09 | |
# Cos I want you
on my skin and my bones | 0:22:09 | 0:22:13 | |
# Knocking me off of my feet | 0:22:13 | 0:22:15 | |
# Just say I'm the one that you need | 0:22:15 | 0:22:19 | |
# Oh, please say that you're the one
who's taking me home | 0:22:19 | 0:22:22 | |
# So I can get you alone | 0:22:22 | 0:22:28 | |
CHEERING | 0:22:32 | 0:22:35 | |
The wonderful Jessie Ware,
everybody! Right, I've been waiting | 0:22:40 | 0:22:47 | |
for this all week. It's the new
Kurupt FM video was that they are | 0:22:47 | 0:22:52 | |
the fictional pirate radio station
from Bafta winning comedy People | 0:22:52 | 0:22:57 | |
Just Do Nothing. But your cup of tea
down and buckle up. This is Suttin | 0:22:57 | 0:23:00 | |
Like Dat. | 0:23:00 | 0:23:07 | |
DJ Stevie mixing the track. When I
make something like that. With an | 0:23:07 | 0:23:12 | |
old school cheese man, taking it
back. Grindah, do you really do | 0:23:12 | 0:23:18 | |
that? Yeah, cause. | 0:23:18 | 0:23:22 | |
# Yeah, yeah
Suttin like dat | 0:23:22 | 0:23:26 | |
# Nah, nah
Nuttin like dat | 0:23:26 | 0:23:28 | |
# Yeah, yeah
Suttin like dat | 0:23:28 | 0:23:30 | |
# Nah, nah
Nuttin like dat | 0:23:30 | 0:23:40 | |
Stop clapping! Keep playing it. Keep
playing it. Always leave them | 0:23:40 | 0:23:44 | |
wanting more. You haven't even heard
my fast flow yet. And it was a | 0:23:44 | 0:23:50 | |
mission to get here. They said
they'd play the whole thing. The | 0:23:50 | 0:23:57 | |
whole thing is an YouTube right now.
Kurupt FM. A bit ungrateful. You can | 0:23:57 | 0:24:04 | |
see the whole thing online now. The
bit we been waiting for, each week, | 0:24:04 | 0:24:09 | |
our co-host is going to close the
show with a special performance just | 0:24:09 | 0:24:14 | |
for us. In a world exclusive, and
unplugged version of Want To Want | 0:24:14 | 0:24:20 | |
Me, give it up for Jason Derulo. | 0:24:20 | 0:24:23 | |
# It's too hard to sleep
I got the sheets on the floor | 0:24:30 | 0:24:33 | |
# Nothing on me
And I can't take it no more | 0:24:33 | 0:24:36 | |
# It's 100 degrees
I got one foot out the door | 0:24:36 | 0:24:40 | |
# Where are my keys?
Cos I gotta leave, yeah | 0:24:40 | 0:24:43 | |
# In the back of the cab
I tipped the driver ahead of time | 0:24:43 | 0:24:47 | |
# Get me there fast
I got your body on my mind | 0:24:47 | 0:24:51 | |
# I want it bad | 0:24:51 | 0:24:54 | |
# Ooh, just the thought
of you gets me so high, so high | 0:24:54 | 0:24:59 | |
# Girl, you're the one
I want to want me | 0:24:59 | 0:25:04 | |
# And if you want me,
girl, you got me | 0:25:04 | 0:25:08 | |
# There's nothin' I, no,
I wouldn't do, I wouldn't do | 0:25:08 | 0:25:13 | |
# Just to get up next to you | 0:25:13 | 0:25:15 | |
# Girl, you're the one
I want to want me | 0:25:15 | 0:25:20 | |
# And if you want me,
girl, you got me | 0:25:20 | 0:25:24 | |
# There's nothin' I, no,
I wouldn't do, I wouldn't do | 0:25:24 | 0:25:29 | |
# Just to get up next to you | 0:25:29 | 0:25:32 | |
# Just to get up next to you | 0:25:34 | 0:25:38 | |
# You open the door
Wearing nothing but a smile | 0:25:39 | 0:25:41 | |
# Fell to the floor
And you whisper in my ear | 0:25:41 | 0:25:46 | |
# "Baby, I'm yours" | 0:25:46 | 0:25:50 | |
# Ooh, just the thought
of you gets me so high, so high | 0:25:50 | 0:25:54 | |
# Girl, you're the one
I want to want me | 0:25:54 | 0:25:59 | |
# And if you want me,
girl, you got me | 0:25:59 | 0:26:02 | |
# There's nothin' I, no,
I wouldn't do, I wouldn't do | 0:26:02 | 0:26:07 | |
# Just to get up next to you | 0:26:07 | 0:26:10 | |
# Girl, you're the one
I want to want me | 0:26:10 | 0:26:14 | |
# And if you want me,
girl, you got me | 0:26:14 | 0:26:18 | |
# There's nothin' I, no,
I wouldn't do, I wouldn't do | 0:26:18 | 0:26:23 | |
# Just to get up next to you | 0:26:23 | 0:26:30 | |
# Just to get on into your heart | 0:26:30 | 0:26:33 | |
# Just the thought of
you gets me so high, so high | 0:26:33 | 0:26:40 | |
# Ooh, just the thought
of you gets me so high, so high | 0:26:40 | 0:26:48 | |
# Girl, you're the one
I want to want me | 0:26:50 | 0:26:55 | |
# And if you want me,
girl, you got me | 0:26:57 | 0:27:00 | |
# There's nothin' I, no,
I wouldn't do, I wouldn't do | 0:27:00 | 0:27:02 | |
# Just to get up next to you | 0:27:02 | 0:27:05 | |
# Girl, you're the one
I want to want me | 0:27:05 | 0:27:09 | |
# And if you want me,
girl, you got me | 0:27:09 | 0:27:13 | |
# There's nothin' I, no,
I wouldn't do, I wouldn't do | 0:27:13 | 0:27:23 | |
# Just to get on into your heart | 0:27:24 | 0:27:26 | |
# Just to get on into your heart | 0:27:27 | 0:27:31 | |
# Just to get on into your heart | 0:27:31 | 0:27:35 | |
# Get up, get up! # | 0:27:37 | 0:27:41 | |
CHEERING | 0:27:41 | 0:27:43 | |
One double! Excuse me. One double!
-- wonderful. Jason Derulo, | 0:27:47 | 0:27:54 | |
everybody! And amazing performance
tonight. You've been the ultimate | 0:27:54 | 0:28:00 | |
co-host, so thank you. In Q2 Jessie
Ware, Charlie Puth, Kurupt FM and | 0:28:00 | 0:28:07 | |
Dave Grohl. What a night! Guess
who's going to be joining us next | 0:28:07 | 0:28:12 | |
week. Next week right here will be
Liam Payne. Thank you so much for | 0:28:12 | 0:28:18 | |
watching. Goodbye from all of us and
thanks to Jason Derulo, Charlie | 0:28:18 | 0:28:23 | |
Puth, Jessie Ware. That's Sounds
Like Friday Night. We'll see you | 0:28:23 | 0:28:29 | |
next week. Good night! Good night! | 0:28:29 | 0:28:34 |