Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Zblrchlts | 0:00:11 | 0:00:11 | |
It's Fr Zblrchlts iday,
it's 7.30, it's them. | 0:00:11 | 0:00:13 | |
It's us. | 0:00:13 | 0:00:14 | |
It's the best half hour
of live music around. | 0:00:14 | 0:00:17 | |
Yes, welcome to the show
that is to Friday night | 0:00:17 | 0:00:19 | |
what Meghan is to Harry -
a match made in heaven. | 0:00:19 | 0:00:21 | |
Isn't that right, Paloma Faith? | 0:00:21 | 0:00:23 | |
I'm hoping they might invite me
to play at their wedding. | 0:00:23 | 0:00:25 | |
He is such a dish. We haven't got
time for that. Stick to the script! | 0:00:25 | 0:00:29 | |
This is Sounds Like Friday Night! | 0:00:29 | 0:00:37 | |
Welcome to the show. It's going to
be a great one tonight. We've got a | 0:00:55 | 0:00:58 | |
huge line-up for you. Yes we've got
our cohost Paloma Faith. British pop | 0:00:58 | 0:01:06 | |
queen Rita Ora. Royal blood and
Nordic newcomer, Sigried. Her album | 0:01:06 | 0:01:12 | |
went to number one last week, it's
Paloma Faith! | 0:01:12 | 0:01:16 | |
APPLAUSE | 0:01:16 | 0:01:21 | |
APPLAUSE | 0:01:23 | 0:01:25 | |
# I've been a criminal,
I made a mistake. | 0:01:26 | 0:01:30 | |
# Believed in the fictional. | 0:01:30 | 0:01:32 | |
# Then let everything slip away. | 0:01:32 | 0:01:37 | |
# I can't accept my faith. | 0:01:37 | 0:01:42 | |
# Thought the alternative
looked so crystal clear. | 0:01:42 | 0:01:45 | |
# Drowned in the muddy waters. | 0:01:45 | 0:01:47 | |
# And I'm living in my worst fears. | 0:01:47 | 0:01:57 | |
# Begging you back through tears. | 0:01:57 | 0:01:59 | |
# You had this picture of me. | 0:01:59 | 0:02:02 | |
# And now I have
shattered your dreams. | 0:02:02 | 0:02:04 | |
# I know the drill
and I know the truth. | 0:02:04 | 0:02:10 | |
# And it kills me. | 0:02:10 | 0:02:11 | |
# Yeah, I'm guilty. | 0:02:11 | 0:02:18 | |
# Don't come near me. | 0:02:18 | 0:02:19 | |
# The one thing I'm good
at is messing up somebody else. | 0:02:19 | 0:02:26 | |
# Baby, I'm guilty. | 0:02:26 | 0:02:27 | |
# Of turning sweet love into poison. | 0:02:27 | 0:02:34 | |
# And I got the scars, if you're
talking about hurting yourself. | 0:02:34 | 0:02:40 | |
# Baby, I'm guilty as hell. | 0:02:40 | 0:02:46 | |
# I sit here all alone,
my defence is down. | 0:02:46 | 0:02:50 | |
# Wishing I could be home. | 0:02:50 | 0:02:52 | |
# But I'm locked out
and it's my fault. | 0:02:52 | 0:02:57 | |
# Grazes with added salt. | 0:02:57 | 0:03:02 | |
# Thought I would be OK
without you and I # now that | 0:03:02 | 0:03:05 | |
# You had this picture of me. | 0:03:05 | 0:03:08 | |
# And now I have
shattered your dreams. | 0:03:08 | 0:03:10 | |
# I know the drill
and I know the truth. | 0:03:10 | 0:03:14 | |
# And it kills me. | 0:03:14 | 0:03:16 | |
# Yeah I'm guilty. | 0:03:16 | 0:03:20 | |
# Don't come near me. | 0:03:20 | 0:03:24 | |
# The one thing I'm good
at is messing up somebody else. | 0:03:24 | 0:03:30 | |
# Baby, I'm guilty. | 0:03:30 | 0:03:32 | |
# Of turning sweet love into poison. | 0:03:32 | 0:03:39 | |
# And I got the scars, if you're
talking about hurting yourself. | 0:03:39 | 0:03:45 | |
# Baby I'm guilty as hell. | 0:03:45 | 0:03:52 | |
# I should have known that
I could not go on here without you. | 0:03:52 | 0:03:59 | |
# Instead of walking away,
know that I'll feel terrified. | 0:03:59 | 0:04:05 | |
# Yeah, I'm guilty. | 0:04:05 | 0:04:11 | |
# Don't come near me. | 0:04:11 | 0:04:14 | |
# One thing I'm good
at is messing up somebody else. | 0:04:14 | 0:04:19 | |
# Baby, I'm guilty as hell. | 0:04:19 | 0:04:22 | |
# Oh, I'm guilty. | 0:04:22 | 0:04:25 | |
# Don't come near me. | 0:04:25 | 0:04:29 | |
But I know. | 0:04:29 | 0:04:30 | |
# One thing I'm good
at is messing up somebody else. | 0:04:30 | 0:04:33 | |
Please forgive me, darling. | 0:04:33 | 0:04:36 | |
# Baby I'm guilty. | 0:04:36 | 0:04:37 | |
# Of turning sweet love into poison. | 0:04:37 | 0:04:44 | |
# And I got the scars, if you're
talking about hurting yourself. | 0:04:44 | 0:04:50 | |
# Baby I'm guilty as hell. | 0:04:50 | 0:04:55 | |
CHEERING AND APPLAUSE
Thank you. | 0:04:55 | 0:05:05 | |
Paloma Faith everyone! Yes. And
Paloma will be back at the end of | 0:05:09 | 0:05:14 | |
the show for another very special
performance. Now it's time for more | 0:05:14 | 0:05:17 | |
live music, because without it, this
show would be me and Dottie on the | 0:05:17 | 0:05:21 | |
scaffolding. With her brilliant new
single, it's Rita Ora! | 0:05:21 | 0:05:25 | |
APPLAUSE | 0:05:25 | 0:05:30 | |
# Time flies by when
the night is young | 0:05:30 | 0:05:32 | |
# Daylight shines on an unexposed
location, location | 0:05:32 | 0:05:35 | |
# Bloodshot eyes lookin' for the sun | 0:05:35 | 0:05:38 | |
# Paradise we live it and we call it
a vacation, vacation | 0:05:38 | 0:05:44 | |
# You're painting me a dream that I | 0:05:44 | 0:05:52 | |
# Want to plong in, I want to plong
in. | 0:05:52 | 0:05:56 | |
# Over the hills and far away | 0:05:56 | 0:05:57 | |
# A million miles from L.A | 0:05:57 | 0:05:59 | |
# Just anywhere away with you | 0:05:59 | 0:06:03 | |
# I know we've got to get away | 0:06:03 | 0:06:06 | |
# Someplace where no
one knows our name | 0:06:06 | 0:06:08 | |
# We'll find the start
of something new | 0:06:08 | 0:06:11 | |
# Just take me anywhere,
take me anywhere | 0:06:11 | 0:06:16 | |
# Anywhere away with you | 0:06:16 | 0:06:22 | |
# Fun, little less fun | 0:06:22 | 0:06:23 | |
# Little less, over,
over, over, over, me | 0:06:23 | 0:06:30 | |
# Oh, fun, little less fun | 0:06:30 | 0:06:34 | |
# Little less, over,
over, over, over, me | 0:06:34 | 0:06:39 | |
# Truth comes out
when we're blacking out | 0:06:39 | 0:06:41 | |
# Looking for connection in a crowd
of empty faces, empty faces | 0:06:41 | 0:06:47 | |
# Your secrets are the only
thing I'm craving now | 0:06:47 | 0:06:50 | |
# The good, and the bad,
and the end | 0:06:50 | 0:06:53 | |
# 'Cause I can take
it, I can take it | 0:06:53 | 0:06:57 | |
# You're painting me a dream that I | 0:06:57 | 0:07:03 | |
# Wanna belong in, I wanna belong,
yeah. | 0:07:03 | 0:07:06 | |
# Over the hills and far away | 0:07:06 | 0:07:08 | |
# A million miles from L.A | 0:07:08 | 0:07:10 | |
# Just anywhere away with you | 0:07:10 | 0:07:14 | |
# I know we've got to get away | 0:07:14 | 0:07:17 | |
# Someplace where no
one knows our name | 0:07:17 | 0:07:19 | |
# We'll find the start
of something new | 0:07:19 | 0:07:23 | |
# Just take me anywhere,
take me anywhere | 0:07:23 | 0:07:25 | |
# Anywhere away with you | 0:07:25 | 0:07:32 | |
# Fun, little less fun | 0:07:32 | 0:07:34 | |
# Little less, over,
over, over, over, me | 0:07:34 | 0:07:41 | |
# Oh, fun, little less fun | 0:07:41 | 0:07:43 | |
# Little less, over,
over, over, over, me | 0:07:43 | 0:07:50 | |
# Take me anywhere | 0:07:50 | 0:07:53 | |
# Oh, anywhere | 0:07:53 | 0:07:57 | |
# Anywhere away with you | 0:07:57 | 0:08:03 | |
# Take me anywhere | 0:08:08 | 0:08:11 | |
# Over the hills and far away | 0:08:11 | 0:08:12 | |
# A million miles from L.A | 0:08:12 | 0:08:14 | |
# Just anywhere away with you | 0:08:14 | 0:08:18 | |
# I know we've got to get away | 0:08:18 | 0:08:20 | |
# Someplace where no
one knows our name | 0:08:20 | 0:08:23 | |
# We'll find the start
of something new | 0:08:23 | 0:08:26 | |
# Just take me anywhere,
take me anywhere | 0:08:26 | 0:08:30 | |
# Anywhere away with you | 0:08:30 | 0:08:34 | |
# Just take me anywhere,
take me anywhere | 0:08:34 | 0:08:37 | |
# Anywhere away with you | 0:08:37 | 0:08:46 | |
CHEERING AND APPLAUSE
Thank you. | 0:08:46 | 0:08:56 | |
Thank you soup, Rita. Now -- thank
you so much Rita. Now Here they are | 0:08:56 | 0:09:09 | |
on the back of two brilliant number
one albums, which is way more than | 0:09:09 | 0:09:12 | |
I've ever had. All the way from
Brighton, it's the brilliant Royal | 0:09:12 | 0:09:16 | |
Blood. | 0:09:16 | 0:09:23 | |
# I saw it coming | 0:09:26 | 0:09:29 | |
# Like the shadow on the wall | 0:09:29 | 0:09:32 | |
# You started running | 0:09:32 | 0:09:39 | |
# When everything turned cold | 0:09:39 | 0:09:40 | |
# How did I become a lookalike | 0:09:40 | 0:09:45 | |
# Of someone you used to love? | 0:09:45 | 0:09:48 | |
# Someone you used to love | 0:09:48 | 0:09:49 | |
# So dark | 0:09:49 | 0:09:56 | |
# How did something
so sweet tear us apart? | 0:09:56 | 0:10:02 | |
# Oh, on a sinking ship
with a heavy heart | 0:10:02 | 0:10:05 | |
#Oh | 0:10:05 | 0:10:15 | |
# How did we get so dark? | 0:10:15 | 0:10:22 | |
# Nobody warned you | 0:10:22 | 0:10:25 | |
# The tables would turn | 0:10:25 | 0:10:29 | |
# And I could have told you | 0:10:29 | 0:10:32 | |
# Everything you've learnt | 0:10:32 | 0:10:36 | |
# Would burn to dust | 0:10:36 | 0:10:39 | |
# Now there's no one you can trust | 0:10:39 | 0:10:43 | |
# Just someone you used to love | 0:10:43 | 0:10:47 | |
# Someone you used to love | 0:10:47 | 0:10:50 | |
# So dark | 0:10:50 | 0:10:53 | |
# How did something
so sweet tear us apart? | 0:10:53 | 0:10:59 | |
# Oh, on a sinking ship
with a heavy heart | 0:10:59 | 0:11:04 | |
# Oh | 0:11:04 | 0:11:12 | |
# How did we get so dark? | 0:11:12 | 0:11:18 | |
# How did we get so dark? | 0:11:47 | 0:11:57 | |
CHEERING AND APPLAUSE
Ah, Royal Blood! We love you so | 0:12:33 | 0:12:39 | |
much. Ben, thank you, Mike, thank
you. So nice to see you. Thank you | 0:12:39 | 0:12:44 | |
for being on Sounds Like Friday
Night. Thank you for the theme tune | 0:12:44 | 0:12:47 | |
as well It's great to be here. We
talked about that earlier. Ben feels | 0:12:47 | 0:12:53 | |
exactly the same as me. Do you feel
exactly the same, I want to make | 0:12:53 | 0:12:57 | |
sure? ... Yes. Great to know. You've
done the theme tune for the show, | 0:12:57 | 0:13:03 | |
potentially other BBC shows that you
could revamp, homes under the | 0:13:03 | 0:13:05 | |
hammer, are you a fan? Yeah, since
this has gone so well, now that's | 0:13:05 | 0:13:09 | |
the kind of game we're going to be
in. Yeah, that's how we're thinking | 0:13:09 | 0:13:13 | |
really. Ground Force? If it comes
back, would you do the theme tune? I | 0:13:13 | 0:13:22 | |
think that's how it should start,
it's like a spade, isn't it? Thank | 0:13:22 | 0:13:28 | |
you, chaps, so much for being on
tonight. Give them a round of | 0:13:28 | 0:13:33 | |
applause!
APPLAUSE | 0:13:33 | 0:13:38 | |
Now earlier in the week,
we caught a London bus | 0:13:38 | 0:13:40 | |
with a difference and were treated
to a local tour of the East End | 0:13:40 | 0:13:43 | |
by none other than our local girl,
Paloma, and a bus load of her fans. | 0:13:43 | 0:13:47 | |
wrap your mince pies around this -
that means eyes. Ladies and | 0:13:47 | 0:13:49 | |
gentleman, please welcome Paloma
Faith! Now Greg, if you're going to | 0:13:49 | 0:13:53 | |
be on my tour, you've got to look
the part I reckon you should part | 0:13:53 | 0:13:56 | |
this on. Lovely. We're ready, let's
go! Where are we now? | 0:13:56 | 0:14:11 | |
We're on Stoke Newington
Church Street. | 0:14:11 | 0:14:13 | |
Hi, Toby. | 0:14:13 | 0:14:14 | |
Around here, they all know you. | 0:14:14 | 0:14:15 | |
I used to come up and down
here back in the day. | 0:14:15 | 0:14:18 | |
It was all different
businesses back then. | 0:14:18 | 0:14:20 | |
It's gone a bit
bourgeois to be honest. | 0:14:20 | 0:14:21 | |
LAUGHTER | 0:14:21 | 0:14:23 | |
That fish and chip
shop has been there, | 0:14:23 | 0:14:25 | |
though, since, like,
the beginning of time. | 0:14:25 | 0:14:26 | |
And actually, this is the corner
shop that I used to go in regularly | 0:14:26 | 0:14:30 | |
to buy penny sweets. | 0:14:30 | 0:14:35 | |
Hello. | 0:14:35 | 0:14:36 | |
Hello, Paloma. | 0:14:36 | 0:14:37 | |
So nice to see you. | 0:14:37 | 0:14:38 | |
Hello, darling. | 0:14:38 | 0:14:39 | |
After all these years. | 0:14:39 | 0:14:40 | |
A long time, Paloma. | 0:14:40 | 0:14:42 | |
What was she like as a little girl? | 0:14:42 | 0:14:44 | |
Well-behaved, well mannered. | 0:14:44 | 0:14:44 | |
And I don't know whether you know
it, but she got straight | 0:14:44 | 0:14:47 | |
A's in her A-levels. | 0:14:47 | 0:14:48 | |
Oh! | 0:14:48 | 0:14:50 | |
He knows cos it was in the Gazette. | 0:14:50 | 0:14:51 | |
Shall we get some snacks for people? | 0:14:51 | 0:14:53 | |
Yeah, need some snacks. | 0:14:53 | 0:14:54 | |
Of course. | 0:14:54 | 0:14:55 | |
Thank you. | 0:14:55 | 0:14:56 | |
Look at all these. | 0:14:56 | 0:14:57 | |
That was fun. | 0:14:57 | 0:14:58 | |
I can't believe you got three A's. | 0:14:58 | 0:15:00 | |
I know, do you want
to copy my homework? | 0:15:00 | 0:15:02 | |
BELL RINGS | 0:15:02 | 0:15:03 | |
# Maybe it's because I'm a Londoner | 0:15:03 | 0:15:05 | |
# I was born in London town...#. | 0:15:05 | 0:15:06 | |
Inside the Paloma Faith household,
what were the songs that | 0:15:06 | 0:15:09 | |
you remember being on all the time
that inspired you? | 0:15:09 | 0:15:11 | |
Baltimore, Nina Simone. | 0:15:11 | 0:15:14 | |
The Times They Are A
Changing, Bob Dylan. | 0:15:14 | 0:15:17 | |
Natural Woman, Carole King. | 0:15:17 | 0:15:19 | |
These were like the soundtrack
of my childhood. | 0:15:19 | 0:15:23 | |
When I was growing up I was quite
shy, believe it or not. | 0:15:23 | 0:15:26 | |
And my mum worked in a school. | 0:15:26 | 0:15:28 | |
And when you work in a school you're
kind of like a local celebrity. | 0:15:28 | 0:15:31 | |
So everyone knew us,
because they'd be like, | 0:15:31 | 0:15:33 | |
"Miss Ash, Miss Ash" -
that was my mother's name. | 0:15:33 | 0:15:35 | |
Calling out for my mum,
who's quite glamorous, walking | 0:15:35 | 0:15:38 | |
around in her leopard-print coat. | 0:15:38 | 0:15:42 | |
What about some of the
songs on your albums? | 0:15:42 | 0:15:45 | |
Were they inspired by
the surroundings around here? | 0:15:45 | 0:15:48 | |
So, there's a song on my
album, The Architect, | 0:15:48 | 0:15:51 | |
called Kings and Queens. | 0:15:51 | 0:15:53 | |
It was a very outdoors
kind of upbringing. | 0:15:53 | 0:15:55 | |
We played football in the street. | 0:15:55 | 0:15:56 | |
You know, hang out
on the street corners. | 0:15:56 | 0:15:59 | |
And in the song I say,
grazed knees and stolen alcohol. | 0:15:59 | 0:16:02 | |
Quite nostalgic. | 0:16:02 | 0:16:12 | |
Took your time, didn't ya? | 0:16:12 | 0:16:13 | |
All right, Paloma,
I hear you used to be | 0:16:13 | 0:16:15 | |
a quizmaster around here. | 0:16:15 | 0:16:16 | |
I did, I used to run a pub
quiz under the pseudonym | 0:16:16 | 0:16:19 | |
Pavlova La Tarte. | 0:16:19 | 0:16:20 | |
It's a really amazing
community around here. | 0:16:20 | 0:16:24 | |
You came from a really lovely part
of the world where people just | 0:16:24 | 0:16:27 | |
look after each other. | 0:16:27 | 0:16:28 | |
It's like a little
village round here. | 0:16:28 | 0:16:29 | |
There's only one thing left
to do on our way home. | 0:16:29 | 0:16:32 | |
And it's a good
old-fashioned singsong. | 0:16:32 | 0:16:34 | |
CHEERING | 0:16:34 | 0:16:35 | |
Here we go. | 0:16:35 | 0:16:38 | |
# Go on and cry baby | 0:16:38 | 0:16:40 | |
# Cry baby...#. | 0:16:40 | 0:16:42 | |
BELL RINGS | 0:16:42 | 0:16:48 | |
CHEERING AND APPLAUSE
Enjoy that bar stool? It was | 0:16:48 | 0:16:54 | |
brilliant. What people did not see,
your mum and aunt were on the bottom | 0:16:54 | 0:17:01 | |
deck, getting free wine around
London. Yes, cheapskates. I said | 0:17:01 | 0:17:08 | |
thrifty. You have got some great
people you have worked with, John | 0:17:08 | 0:17:17 | |
Legend, Samuel L Jackson, what was
he like? No one ever directs him, I | 0:17:17 | 0:17:22 | |
realise, he came into the studio,
and I was like, can you do this a | 0:17:22 | 0:17:26 | |
bit more like this, and he was like,
maybe you have the wrong guy. You | 0:17:26 | 0:17:33 | |
were giving him directions? I was
like, no, you are definitely the | 0:17:33 | 0:17:38 | |
right guy. You are looking
incredible in distress, fashion is | 0:17:38 | 0:17:43 | |
not new to you -- in this dress.
This is a mini Paloma. Looks like | 0:17:43 | 0:17:52 | |
I'm going to the toilet. It does.
What about this dress? I feel like | 0:17:52 | 0:17:59 | |
this is going to make a comeback, it
is wool on wool. What about your | 0:17:59 | 0:18:07 | |
album? It is about empathy and
compassion and kindness and I think | 0:18:07 | 0:18:15 | |
we need to up the ante on positive
things so I'm trying to spread a | 0:18:15 | 0:18:18 | |
epidemic of kindness and you can
find out how you can get involved on | 0:18:18 | 0:18:23 | |
my website. We have got to plug your
tour. I'm going on tour in March. | 0:18:23 | 0:18:29 | |
Where are you going? All around the
UK, and Ireland for stop what is it | 0:18:29 | 0:18:36 | |
like on the road? You will be taking
the baby? Yes, totally. We can now | 0:18:36 | 0:18:46 | |
get into another performance. | 0:18:46 | 0:18:51 | |
I'd like to introduce another
fantastic female voice, | 0:18:51 | 0:18:54 | |
a Norwegian singer who's been picked
for the BBC Sound of 2018. | 0:18:54 | 0:18:57 | |
Another thing I've never achieved. | 0:18:57 | 0:19:00 | |
You'll be seeing a lot more of her. | 0:19:00 | 0:19:06 | |
Please welcome, the amazing Sigrid. | 0:19:06 | 0:19:08 | |
APPLAUSE | 0:19:08 | 0:19:12 | |
# Just like in the movies | 0:19:13 | 0:19:18 | |
# It starts to rain and we | 0:19:18 | 0:19:22 | |
# We're the broken beauties | 0:19:22 | 0:19:27 | |
# Blindfolded minds
collide and we fall | 0:19:27 | 0:19:32 | |
# When the curtain drops | 0:19:32 | 0:19:36 | |
# Our touch is just a touch | 0:19:36 | 0:19:40 | |
# Not like in the movies | 0:19:40 | 0:19:43 | |
# Our story's after the end | 0:19:43 | 0:19:45 | |
# Like strangers | 0:19:45 | 0:19:49 | |
# Perfect pretenders | 0:19:49 | 0:19:54 | |
# We're falling head over heels | 0:19:54 | 0:19:57 | |
# For something that ain't real | 0:19:57 | 0:19:59 | |
# It could never be us, eh | 0:19:59 | 0:20:01 | |
# Just you and I | 0:20:01 | 0:20:03 | |
# Strangers | 0:20:03 | 0:20:06 | |
# Perfect pretenders | 0:20:06 | 0:20:10 | |
# We're falling head over heels | 0:20:10 | 0:20:13 | |
# For something that ain't real | 0:20:13 | 0:20:17 | |
# It could never be us, eh | 0:20:17 | 0:20:18 | |
# Just you and I | 0:20:18 | 0:20:23 | |
# Memories in photos | 0:20:23 | 0:20:27 | |
# Too easy to rewrite | 0:20:27 | 0:20:31 | |
# Left as lonely shadows | 0:20:31 | 0:20:35 | |
# Holding each other
tight and we fall | 0:20:35 | 0:20:39 | |
# When the curtain drops | 0:20:39 | 0:20:44 | |
# Our touch is just a touch | 0:20:44 | 0:20:47 | |
# Not like in the movies | 0:20:47 | 0:20:52 | |
# Our story's after the end | 0:20:52 | 0:20:54 | |
# Like strangers | 0:20:54 | 0:20:58 | |
# Perfect pretenders | 0:20:58 | 0:21:02 | |
# We're falling head over heels | 0:21:02 | 0:21:05 | |
# For something that ain't real | 0:21:05 | 0:21:08 | |
# It could never be us, eh | 0:21:08 | 0:21:10 | |
# Just you and I | 0:21:10 | 0:21:12 | |
# Think we got it,
but we made up a dream | 0:21:12 | 0:21:15 | |
# Cause we've got a pretty look
of what we could be, woh | 0:21:15 | 0:21:18 | |
# I don't want you,
all you want is someone | 0:21:18 | 0:21:21 | |
# Going home together
to forget we're alone | 0:21:21 | 0:21:23 | |
# Think we got it,
but we made up a dream | 0:21:23 | 0:21:25 | |
# Cause we've got a pretty look
of what we could be, woh | 0:21:25 | 0:21:28 | |
# I don't want you,
all you want is someone | 0:21:28 | 0:21:31 | |
# Going home together
to forget we're alone | 0:21:31 | 0:21:33 | |
# You and I, you and I | 0:21:33 | 0:21:34 | |
# You and I, you and I | 0:21:34 | 0:21:36 | |
# Not like in the movies | 0:21:36 | 0:21:37 | |
# You and I, you and I | 0:21:37 | 0:21:39 | |
# You and I, you and I | 0:21:39 | 0:21:41 | |
# You and I, you and I | 0:21:41 | 0:21:42 | |
# Not like in the movies | 0:21:42 | 0:21:44 | |
# Like strangers | 0:21:44 | 0:21:47 | |
# Perfect pretenders | 0:21:47 | 0:21:53 | |
# We're falling head over heels | 0:21:53 | 0:21:57 | |
# For something that ain't real | 0:21:57 | 0:21:58 | |
# It could never be us, eh | 0:21:58 | 0:22:00 | |
# Just you and I | 0:22:00 | 0:22:02 | |
# Strangers | 0:22:02 | 0:22:05 | |
# Perfect pretenders | 0:22:05 | 0:22:09 | |
# We're falling head over heels | 0:22:09 | 0:22:11 | |
# For something that ain't real | 0:22:11 | 0:22:14 | |
# It could never be us, eh | 0:22:14 | 0:22:17 | |
# Just you and I | 0:22:17 | 0:22:22 | |
# Think we got it,
but we made up a dream | 0:22:22 | 0:22:25 | |
# Cause we've got a pretty look
of what we could be, woh | 0:22:25 | 0:22:35 | |
# Strangers | 0:22:35 | 0:22:36 | |
# Perfect pretenders | 0:22:36 | 0:22:37 | |
# We're falling head over heels | 0:22:37 | 0:22:39 | |
# For something that ain't real | 0:22:39 | 0:22:40 | |
# Just you and I #. | 0:22:40 | 0:22:42 | |
CHEERING AND APPLAUSE
Thank you. | 0:22:42 | 0:22:48 | |
The wonderful Sigrid, there. | 0:22:48 | 0:22:52 | |
That is well worth a look online, as
well. Now to a band who released | 0:22:52 | 0:23:00 | |
their first studio album over 30
years ago and later this month they | 0:23:00 | 0:23:03 | |
will be performing music old and new
and here within exclusive insight it | 0:23:03 | 0:23:09 | |
is only Bono. I'm sorry not to be
there, but I'm actually here, where | 0:23:09 | 0:23:18 | |
ever he is, but we had an epic night
in London with a 38 piece orchestra, | 0:23:18 | 0:23:25 | |
choir, bells and whistles and the
rest of the band. We want to be for | 0:23:25 | 0:23:29 | |
a Christmas special but we would
like you to have some tonight, as | 0:23:29 | 0:23:33 | |
well. | 0:23:33 | 0:23:36 | |
# I can help you but it sure fight,
your fight | 0:23:39 | 0:23:55 | |
# Get out of your own... | 0:23:55 | 0:24:05 | |
Ladies and gentlemen, Bono and U2.
You can see that U2 at the BBC | 0:24:08 | 0:24:19 | |
special on the 19th of December. | 0:24:19 | 0:24:21 | |
Now, to close tonight's show... | 0:24:21 | 0:24:24 | |
She's been the ultimate co-host
and now she's back on stage and this | 0:24:24 | 0:24:27 | |
time she's brought company. | 0:24:27 | 0:24:30 | |
Singing with B.B Bones,
it's the incredible Paloma Faith. | 0:24:30 | 0:24:38 | |
# Puttin' on a brave face,
I wipe the tears away with no trace | 0:24:39 | 0:24:44 | |
# I'm okay, Mister Grey | 0:24:44 | 0:24:48 | |
# I'm not as strong as you think | 0:24:48 | 0:24:52 | |
# There's a hurt
behind my smiling face | 0:24:52 | 0:24:57 | |
# I say, "I'm okay" | 0:24:57 | 0:25:01 | |
# Every saint has a past | 0:25:01 | 0:25:04 | |
# Every sinner has a future | 0:25:04 | 0:25:07 | |
# And I feel your pain | 0:25:07 | 0:25:09 | |
# We all hurt the same | 0:25:09 | 0:25:12 | |
# And I'll be there to hold you | 0:25:12 | 0:25:15 | |
# There's nothing that I won't do | 0:25:15 | 0:25:18 | |
# 'Cause we all need
a little kindness | 0:25:18 | 0:25:21 | |
# All this cruelty is so mindless | 0:25:21 | 0:25:24 | |
# I promise I'll be tender | 0:25:24 | 0:25:26 | |
# So darling just surrender | 0:25:26 | 0:25:30 | |
# I see through all your
pretending | 0:25:30 | 0:25:34 | |
# So let go 'cause I can take it on | 0:25:34 | 0:25:39 | |
# I'll take it on (listen, baby) | 0:25:39 | 0:25:43 | |
# Yeah, I'll be gentle | 0:25:43 | 0:25:47 | |
# I see you putting on a brave face | 0:25:47 | 0:25:51 | |
# I guess you need
to learn to have faith | 0:25:51 | 0:25:54 | |
# I'll stay and wait | 0:25:54 | 0:25:59 | |
# I shake it off and have
a few drinks | 0:25:59 | 0:26:04 | |
# And forget about
everything they say | 0:26:04 | 0:26:08 | |
# I'll be your escape | 0:26:08 | 0:26:11 | |
# Every saint has a past | 0:26:11 | 0:26:15 | |
# Every sinner has a future | 0:26:15 | 0:26:18 | |
# And I feel your pain | 0:26:18 | 0:26:20 | |
# We all hurt the same | 0:26:20 | 0:26:24 | |
# And I'll be there to hold you | 0:26:24 | 0:26:27 | |
# There's nothing that I won't do | 0:26:27 | 0:26:30 | |
# 'Cause we all need
a little kindness | 0:26:30 | 0:26:33 | |
# All this cruelty is so mindless | 0:26:33 | 0:26:37 | |
# I promise I'll be tender | 0:26:37 | 0:26:39 | |
# So darling just surrender | 0:26:39 | 0:26:42 | |
# I see through all your pretending | 0:26:42 | 0:26:48 | |
# 'Cause our love is never ending | 0:26:48 | 0:26:49 | |
# And I'll be there to hold you | 0:26:49 | 0:26:51 | |
# There's nothing that I won't do | 0:26:51 | 0:26:54 | |
# 'Cause we all need
a little kindness | 0:26:54 | 0:26:57 | |
# All this cruelty is so mindless | 0:26:57 | 0:26:59 | |
# I promise I'll be tender | 0:26:59 | 0:27:01 | |
# So darling just surrender | 0:27:01 | 0:27:05 | |
# I see through all your pretending | 0:27:05 | 0:27:08 | |
# So let go 'cause I can take it on | 0:27:08 | 0:27:13 | |
# I'll take it on (oh, take it on) | 0:27:13 | 0:27:18 | |
# I'll take it on | 0:27:18 | 0:27:28 | |
# Oh, I'll be gentle #. | 0:27:28 | 0:27:33 | |
CHEERING AND APPLAUSE
Yes! Beautiful, beautiful. | 0:27:33 | 0:27:42 | |
Paloma Faith, everybody! | 0:27:42 | 0:27:45 | |
Thank you. That was wonderful. Thank
you for being a wonderful co-host, | 0:27:45 | 0:27:51 | |
have you enjoyed it
# It has been a great experience. | 0:27:51 | 0:27:58 | |
And also thank you to Rita Ora and
Sigrid. | 0:27:58 | 0:28:06 | |
Paloma - can you tell us
who will be taking over | 0:28:06 | 0:28:09 | |
hosting duties next week. | 0:28:09 | 0:28:10 | |
The next co-host of Sounds
Like Friday Night will be Dua Lipa! | 0:28:10 | 0:28:13 | |
We'll see you next week for that. | 0:28:13 | 0:28:20 | |
, Are you ready to go? | 0:28:20 | 0:28:24 | |
But right now, it's time
for Royal Blood to play us out | 0:28:24 | 0:28:27 | |
with our theme tune! | 0:28:27 | 0:28:28 | |
Take it away boys. | 0:28:28 | 0:28:30 | |
CHEERING AND APPLAUSE | 0:29:02 | 0:29:03 | |
CHEERING AND APPLAUSE | 0:29:03 | 0:29:04 |