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The time is almost 11 minutes past 11. | 0:00:29 | 0:00:32 | |
At approximately 11:42, | 0:00:33 | 0:00:35 | |
ten minutes later than published in Radio Times, | 0:00:35 | 0:00:38 | |
there will be recorded excerpts from today's solemn opening | 0:00:38 | 0:00:41 | |
of the Roman Catholic Cathedral in Liverpool. Now The Look Of The Week. | 0:00:41 | 0:00:44 | |
# Buh-buh ptch-ch | 0:00:46 | 0:00:48 | |
# Buh-buh ptch-ch | 0:00:48 | 0:00:50 | |
# Buh-buh ptch-ch | 0:00:50 | 0:00:53 | |
# Buh-buh ptch-ch | 0:00:53 | 0:00:55 | |
# Buh-buh ptch-ch | 0:00:55 | 0:00:57 | |
# Buh-buh ptch-ch | 0:00:57 | 0:00:59 | |
# Buh-buh ptch-ch | 0:00:59 | 0:01:02 | |
# Buh-buh ptch-ch | 0:01:02 | 0:01:04 | |
# Woo-woo! | 0:01:04 | 0:01:06 | |
# Woo-woo-woo-woo-woo | 0:01:06 | 0:01:10 | |
That sight, those sounds, were made by Pink Floyd, | 0:01:20 | 0:01:22 | |
a pop group who took over the Queen Elizabeth Hall on Friday night | 0:01:22 | 0:01:25 | |
for the entertainment they called Games For May. | 0:01:25 | 0:01:28 | |
Of them, more hereafter. | 0:01:28 | 0:01:30 | |
Together with an interview with Christopher Isherwood, | 0:01:30 | 0:01:33 | |
whose new novel, A Meeting By The River, | 0:01:33 | 0:01:35 | |
is published at the end of the month, | 0:01:35 | 0:01:36 | |
but first, Dame Laura Knight. The retrospective exhibition of her work | 0:01:36 | 0:01:41 | |
opens at the Upper Grosvenor Galleries in London next week. | 0:01:41 | 0:01:44 | |
An assault on the senses, an LSD trip without drugs. | 0:01:44 | 0:01:47 | |
Flashing strobe lights, colour. | 0:01:47 | 0:01:50 | |
SONG: "The Golden Road" | 0:01:52 | 0:01:53 | |
# See that girl, barefootin' along | 0:01:55 | 0:01:58 | |
# Whistlin' and singin', she's a-carryin' on | 0:01:58 | 0:02:01 | |
# There's laughing in her eyes, dancing in her feet | 0:02:01 | 0:02:04 | |
# She's a neon-light diamond, she can live on the street | 0:02:04 | 0:02:08 | |
# Hey-hey Hey | 0:02:08 | 0:02:10 | |
# Hey, come right away | 0:02:10 | 0:02:12 | |
# Come and join the party every day | 0:02:12 | 0:02:14 | |
# Hey-hey Hey | 0:02:14 | 0:02:16 | |
# Hey, come right away | 0:02:16 | 0:02:18 | |
# Come and join the party every day | 0:02:18 | 0:02:22 | |
# Well, everybody's dancin' in a ring around the sun | 0:02:22 | 0:02:25 | |
# Nobody's finished, we ain't even begun | 0:02:25 | 0:02:28 | |
# So take off your shoes, child, and take off your hat | 0:02:28 | 0:02:31 | |
# Try on your wings and find out where it's at | 0:02:31 | 0:02:34 | |
# Hey-hey Hey | 0:02:34 | 0:02:36 | |
# Hey, come right away | 0:02:36 | 0:02:38 | |
# Come and join the party every day | 0:02:38 | 0:02:41 | |
# Hey-hey Hey | 0:02:41 | 0:02:43 | |
# Come right away | 0:02:43 | 0:02:45 | |
# Come and join the party every day | 0:02:45 | 0:02:47 | |
# Hey-hey | 0:02:47 | 0:02:49 | |
# Take a vacation, fall out for a while | 0:03:08 | 0:03:11 | |
# Summer's comin' in, with us goin' outta style | 0:03:11 | 0:03:14 | |
# Well, tonight I'm smokin', honey, have yourself a ball | 0:03:14 | 0:03:17 | |
# Cos your mother's down in Memphis | 0:03:17 | 0:03:19 | |
# Won't be back till the fall | 0:03:19 | 0:03:20 | |
# Hey-hey Hey | 0:03:20 | 0:03:22 | |
# Hey, come right away | 0:03:22 | 0:03:24 | |
# Come and join the party every day | 0:03:24 | 0:03:27 | |
# Hey-hey | 0:03:27 | 0:03:28 | |
# Hey, come right away | 0:03:28 | 0:03:31 | |
# Come and join the party every day | 0:03:31 | 0:03:33 | |
# Hey-hey | 0:03:33 | 0:03:35 | |
# Hey, come right away | 0:03:35 | 0:03:37 | |
# Come and join the party every day | 0:03:37 | 0:03:40 | |
# Hey-hey | 0:03:40 | 0:03:42 | |
# Hey, come right away | 0:03:42 | 0:03:44 | |
# Come and join the party every day | 0:03:44 | 0:03:46 | |
# Hey... # | 0:03:46 | 0:03:48 | |
Do you find you have much sympathy for the pop world today? | 0:03:56 | 0:03:58 | |
Well, since I met my godson, yes. | 0:03:58 | 0:04:01 | |
-Your godson is Kit Lambert, manager of The Who. -Yes, yes, yes. | 0:04:01 | 0:04:04 | |
-The Who. -The Who, yes. | 0:04:04 | 0:04:06 | |
Who... | 0:04:06 | 0:04:08 | |
There was a beautiful song called | 0:04:08 | 0:04:10 | |
# Who takes my heart away... # | 0:04:10 | 0:04:12 | |
or something, in my young days. | 0:04:12 | 0:04:16 | |
Do you approve of his activities? | 0:04:16 | 0:04:18 | |
I don't know what they are. | 0:04:18 | 0:04:19 | |
SONG: "I Can See For Miles" | 0:04:25 | 0:04:27 | |
# I know you've deceived me, now here's a surprise | 0:04:31 | 0:04:36 | |
# I know that you have cos there's magic in my eyes | 0:04:38 | 0:04:44 | |
# I can see for miles and miles | 0:04:44 | 0:04:48 | |
# And miles and miles and miles | 0:04:48 | 0:04:55 | |
# Oh, yeah | 0:04:55 | 0:04:57 | |
# If you think that I don't know about the little tricks you've played | 0:05:00 | 0:05:05 | |
# And never see you when deliberately you put things in my way | 0:05:07 | 0:05:12 | |
# Well, here's a poke at you | 0:05:13 | 0:05:15 | |
# You're gonna choke on it too | 0:05:15 | 0:05:17 | |
# You're gonna lose that smile | 0:05:17 | 0:05:19 | |
# Because all the while | 0:05:19 | 0:05:22 | |
# I can see for miles and miles | 0:05:22 | 0:05:26 | |
# I can see for miles and miles | 0:05:26 | 0:05:29 | |
# I can see for miles and miles | 0:05:29 | 0:05:33 | |
# And miles and miles and miles | 0:05:33 | 0:05:40 | |
# Oh, yeah | 0:05:40 | 0:05:42 | |
# You took advantage of my trust in you when I was so far away | 0:05:45 | 0:05:50 | |
# I saw you holding lots of other guys | 0:05:52 | 0:05:54 | |
# And now you've got the nerve to say | 0:05:54 | 0:05:56 | |
# That you still want me | 0:05:58 | 0:06:00 | |
# Well, that's as may be | 0:06:00 | 0:06:02 | |
# But you gotta stand trial | 0:06:02 | 0:06:04 | |
# Because all the while | 0:06:04 | 0:06:07 | |
# I can see for miles and miles | 0:06:07 | 0:06:11 | |
# I can see for miles and miles | 0:06:11 | 0:06:14 | |
# I can see for miles and miles | 0:06:14 | 0:06:18 | |
# And miles and miles and miles | 0:06:18 | 0:06:25 | |
# Oh, yeah | 0:06:25 | 0:06:27 | |
# I know you've deceived me, now here's a surprise | 0:06:47 | 0:06:52 | |
# I know that you have cos there's magic in my eyes | 0:06:54 | 0:07:01 | |
# I can see for miles and miles | 0:07:01 | 0:07:04 | |
# And miles and miles and miles | 0:07:04 | 0:07:11 | |
# Oh, yeah | 0:07:11 | 0:07:14 | |
# The Eiffel Tower and the Taj Mahal are mine to see on clear days | 0:07:16 | 0:07:21 | |
# You thought that I would need a crystal ball | 0:07:23 | 0:07:26 | |
# To see right through the haze | 0:07:26 | 0:07:28 | |
# Well, here's a poke at you | 0:07:30 | 0:07:31 | |
# You're gonna choke on it too | 0:07:31 | 0:07:33 | |
# You're gonna lose that smile | 0:07:33 | 0:07:35 | |
# Because all the while | 0:07:35 | 0:07:38 | |
# I can see for miles and miles | 0:07:38 | 0:07:42 | |
# I can see for miles and miles | 0:07:42 | 0:07:45 | |
# I can see for miles and miles | 0:07:45 | 0:07:49 | |
# And miles and miles | 0:07:49 | 0:07:52 | |
# And miles and miles | 0:07:52 | 0:07:56 | |
# And miles and miles | 0:07:56 | 0:07:58 | |
# And miles | 0:07:58 | 0:08:02 | |
# I can see for miles and miles | 0:08:05 | 0:08:09 | |
# I can see for miles... # | 0:08:09 | 0:08:10 | |
CHEERING AND APPLAUSE | 0:08:10 | 0:08:13 | |
The Pink Floyd. | 0:08:13 | 0:08:14 | |
You're going to hear them in a minute and I don't want to prejudice you. | 0:08:14 | 0:08:17 | |
Hear them and see them first and we'll talk about them afterwards, | 0:08:17 | 0:08:21 | |
but four quick points I want to make before you hear them. | 0:08:21 | 0:08:24 | |
The first is that what you heard at the beginning, that short bit, | 0:08:24 | 0:08:27 | |
those few seconds, are really all I can hear in them, | 0:08:27 | 0:08:31 | |
which is to say to my mind there is continuous repetition | 0:08:31 | 0:08:35 | |
and proportionately they are a bit boring. | 0:08:35 | 0:08:38 | |
My second point is that they are terribly loud. | 0:08:38 | 0:08:42 | |
You couldn't quite hear that because, of course, | 0:08:42 | 0:08:44 | |
from the sets it isn't as loud as it is here in the studio, and as it was | 0:08:44 | 0:08:47 | |
in the Festival Hall, in the Queen Elizabeth Hall on Friday. | 0:08:47 | 0:08:50 | |
I will ask them about that when they come to talk. | 0:08:50 | 0:08:53 | |
My third point is that perhaps I'm a little bit too much | 0:08:53 | 0:08:56 | |
of a musician to fully appreciate them, | 0:08:56 | 0:08:59 | |
and the reason why I say this is that, four, they have an audience, | 0:08:59 | 0:09:05 | |
and people who have an audience ought to be heard. | 0:09:05 | 0:09:08 | |
Perhaps it's my fault that I don't appreciate them. | 0:09:08 | 0:09:11 | |
SONG: "Astronomy Domine" | 0:09:18 | 0:09:20 | |
# Lime and limpid green, a second scene | 0:09:40 | 0:09:42 | |
# A fight between the blue you once knew | 0:09:42 | 0:09:45 | |
# Floating down, the sound resounds | 0:09:47 | 0:09:49 | |
# Around the icy waters underground | 0:09:49 | 0:09:53 | |
# Jupiter and Saturn, Oberon, Miranda and Titania | 0:09:57 | 0:10:04 | |
# Neptune, Titan, Stars can frighten | 0:10:06 | 0:10:11 | |
# Woo-oo-oo-oo | 0:10:11 | 0:10:13 | |
# Woo-oo-oo-oo | 0:10:13 | 0:10:16 | |
# Woo-oo-oo-oo | 0:10:16 | 0:10:19 | |
# Woo-oo-oo | 0:10:19 | 0:10:21 | |
# Woo-oo-oo-oo | 0:11:54 | 0:11:56 | |
# Woo-oo-oo-oo | 0:11:56 | 0:11:59 | |
# Woo-oo-oo-oo | 0:11:59 | 0:12:02 | |
# Woo-oo-oo-oo | 0:12:02 | 0:12:04 | |
# Blinding signs flap | 0:12:16 | 0:12:18 | |
# Flicker, flicker, flicker, blam | 0:12:18 | 0:12:21 | |
# Pow! Pow! | 0:12:21 | 0:12:24 | |
# Stairway scare, Dan Dare | 0:12:24 | 0:12:27 | |
# Who's there? | 0:12:27 | 0:12:30 | |
# Woo-oo-oo-oo | 0:12:30 | 0:12:32 | |
# Woo-oo-oo-oo | 0:12:32 | 0:12:34 | |
# Woo-oo-oo-oo | 0:12:34 | 0:12:37 | |
# Woo-oo-oo-oo | 0:12:37 | 0:12:40 | |
# Lime and limpid green | 0:12:40 | 0:12:44 | |
# The sound surrounds | 0:12:44 | 0:12:47 | |
# The icy waters under | 0:12:47 | 0:12:52 | |
# Lime and limpid green | 0:12:52 | 0:12:55 | |
# The sounds around | 0:12:55 | 0:12:58 | |
# The icy waters underground. # | 0:12:58 | 0:13:06 | |
If I firstly turn to Roger, | 0:13:17 | 0:13:21 | |
I want to ask one fundamental question, | 0:13:21 | 0:13:23 | |
of which our tele-viewers may not be quite aware | 0:13:23 | 0:13:26 | |
the significance of it because they didn't hear all of it. | 0:13:26 | 0:13:29 | |
Why has it all got to be so terribly loud? For me, frankly, it's too loud. | 0:13:29 | 0:13:33 | |
I just can't bear... | 0:13:33 | 0:13:34 | |
I happen to have grown up in the string quartet, which is a bit softer. | 0:13:34 | 0:13:38 | |
So why has it got to be so loud? | 0:13:38 | 0:13:41 | |
So amplified. | 0:13:41 | 0:13:42 | |
Well, I don't guess it has to be, but, I mean, | 0:13:42 | 0:13:44 | |
that's the way we like it. | 0:13:44 | 0:13:45 | |
We didn't grow up with a string quartet | 0:13:45 | 0:13:47 | |
and I guess that could be one of the reasons | 0:13:47 | 0:13:50 | |
why it is loud. I mean, it doesn't sound terribly loud to us. | 0:13:50 | 0:13:53 | |
Yes, actually, not everybody who hasn't grown up in a string quartet | 0:13:53 | 0:13:57 | |
turns into a loud pop group, so your reason is not altogether convincing. | 0:13:57 | 0:14:01 | |
But I accept that you like it. | 0:14:01 | 0:14:03 | |
SONG: "With A Little Help From My Friends" | 0:14:20 | 0:14:23 | |
# What would you do if I sang out of tune | 0:15:00 | 0:15:06 | |
# Would you stand up and walk out on me | 0:15:07 | 0:15:10 | |
# Lend me your ears and I'll sing you a song | 0:15:12 | 0:15:18 | |
# I will try not to sing out of key | 0:15:19 | 0:15:22 | |
# Oh, baby | 0:15:23 | 0:15:24 | |
# I get by with a little help from my friends | 0:15:24 | 0:15:28 | |
# All I need is my buddies | 0:15:28 | 0:15:30 | |
# I get high with a little help from my friends | 0:15:30 | 0:15:33 | |
# Oh, say, I'm gonna give it | 0:15:33 | 0:15:35 | |
# Gonna try with a little help from my friends | 0:15:35 | 0:15:39 | |
# Ooh | 0:15:41 | 0:15:45 | |
# Do you need anybody | 0:15:47 | 0:15:51 | |
# I need someone to love | 0:15:53 | 0:15:56 | |
# Could it be anybody | 0:15:58 | 0:16:02 | |
# Oh, I need somebody | 0:16:02 | 0:16:06 | |
# Don't you know where I'm going, yeah | 0:16:06 | 0:16:08 | |
# Somebody to | 0:16:09 | 0:16:12 | |
# Oh, show me | 0:16:12 | 0:16:14 | |
# Baby | 0:16:15 | 0:16:17 | |
# I get by with a little help from my friends | 0:16:17 | 0:16:20 | |
# Ohhh | 0:16:20 | 0:16:21 | |
# I get high with a little help from my friends | 0:16:21 | 0:16:25 | |
# Don't you know I'm gonna get | 0:16:25 | 0:16:27 | |
# Gonna try with a little help from my friends | 0:16:27 | 0:16:31 | |
# With all of my friends | 0:16:31 | 0:16:34 | |
# Would you believe in a love at first sight | 0:16:38 | 0:16:42 | |
# I'm certain it happens all the time | 0:16:44 | 0:16:48 | |
# What do you see when you turn out the light | 0:16:48 | 0:16:53 | |
# I can't tell you but it sure feels like mine | 0:16:54 | 0:16:59 | |
# I get by with a little help from my friends | 0:16:59 | 0:17:02 | |
# Whoa | 0:17:02 | 0:17:04 | |
# I get high with a little help from my friends | 0:17:04 | 0:17:08 | |
# I said I'm gonna make it with my friends | 0:17:08 | 0:17:10 | |
# Gonna try with a little help from my friends | 0:17:10 | 0:17:13 | |
# Do you need anybody | 0:17:24 | 0:17:28 | |
# Aaaahhhh | 0:17:29 | 0:17:33 | |
# Yeah, yeah, I know | 0:17:33 | 0:17:35 | |
# Do you need anybody | 0:17:35 | 0:17:39 | |
# All I need is somebody | 0:17:39 | 0:17:42 | |
# Somebody, baby | 0:17:47 | 0:17:49 | |
# Oh, yeah, yeah | 0:17:50 | 0:17:52 | |
# I get by with a little help from my friends | 0:17:52 | 0:17:55 | |
# I get high with a little help from my friends | 0:17:58 | 0:18:01 | |
# Said I'm gonna make it with my friends | 0:18:01 | 0:18:03 | |
# I get by with a little help from my friends | 0:18:03 | 0:18:06 | |
# Hey, hey | 0:18:06 | 0:18:08 | |
# I'm gonna try to do my best with my friends | 0:18:12 | 0:18:15 | |
# I'm gonna take them all along with me now, yeah | 0:18:17 | 0:18:19 | |
# I'm gonna make you my friend | 0:18:22 | 0:18:24 | |
# Oh, I get by with my friends. # | 0:18:32 | 0:18:34 | |
CHEERING AND APPLAUSE | 0:18:54 | 0:18:57 | |
It was reported recently that Bernstein has banned | 0:19:09 | 0:19:12 | |
the version of his song America as performed by The Nice. | 0:19:12 | 0:19:15 | |
He's reported to have said that they turned it into an anti-American | 0:19:15 | 0:19:19 | |
dirge. We asked him if this was true. | 0:19:19 | 0:19:21 | |
-The Nice? I haven't heard of them. -You haven't heard of them? -No. | 0:19:21 | 0:19:24 | |
MUSIC: "America" | 0:19:26 | 0:19:27 | |
America... | 0:23:04 | 0:23:07 | |
is pregnant with promise and anticipation. | 0:23:07 | 0:23:11 | |
But is murdered by the hand of the inevitable. | 0:23:11 | 0:23:15 | |
APPLAUSE | 0:23:17 | 0:23:20 | |
You don't approve of all this modern music that...? | 0:23:22 | 0:23:24 | |
Well, of course I do. But it's not very...not modern enough. | 0:23:24 | 0:23:28 | |
What would you like to see? The Who? | 0:23:28 | 0:23:31 | |
Well, it's better than what we get from the classical stuff, isn't it? | 0:23:31 | 0:23:35 | |
I think you're probably right. | 0:23:35 | 0:23:37 | |
-Sir William Walton, thank you very much. -APPLAUSE | 0:23:37 | 0:23:40 | |
What are you doing that for? | 0:23:42 | 0:23:43 | |
This is what I've been kept waiting for the last two hours and a half? | 0:23:48 | 0:23:52 | |
LAUGHTER | 0:23:52 | 0:23:53 | |
SONG: "Voodoo Child" | 0:23:59 | 0:24:00 | |
# Well, I stand up next to a mountain | 0:24:53 | 0:24:55 | |
# I chop it down with the edge of my hand | 0:24:56 | 0:24:59 | |
# Well, I stand up next to a mountain | 0:25:08 | 0:25:10 | |
# I chop it down with the edge of my hand | 0:25:11 | 0:25:14 | |
# Well, I pick up all the pieces and make an island | 0:25:17 | 0:25:20 | |
# I might even raise just a little sand | 0:25:21 | 0:25:23 | |
# Hey, baby | 0:25:24 | 0:25:25 | |
# Cos I'm a voodoo child, child | 0:25:28 | 0:25:29 | |
# Lord knows I'm a voodoo child, baby | 0:25:32 | 0:25:34 | |
# I didn't mean to take up all your sweet time | 0:26:30 | 0:26:34 | |
# I'll give it right back to you one of these days | 0:26:34 | 0:26:36 | |
# I didn't mean to take up all your sweet time | 0:26:42 | 0:26:46 | |
# I'll give it right back one of these days | 0:26:46 | 0:26:49 | |
# And if I don't see you no more in this world | 0:26:53 | 0:26:56 | |
# I'll meet you in the next one and don't be late | 0:26:56 | 0:26:58 | |
# Don't be late | 0:27:00 | 0:27:01 | |
# Cos I'm a voodoo child, child | 0:27:02 | 0:27:05 | |
# Lord knows I'm a voodoo child, baby. # | 0:27:06 | 0:27:09 | |
Well, there it is. | 0:27:54 | 0:27:56 | |
I think you can pass your verdict as well as I can. | 0:27:56 | 0:27:59 | |
My verdict is that it is a little bit of a regression to childhood. | 0:27:59 | 0:28:03 | |
But, after all, why not? | 0:28:03 | 0:28:05 | |
# Call out the instigator | 0:28:16 | 0:28:20 | |
# Because there's something in the air | 0:28:20 | 0:28:26 | |
# We got to get together sooner or later | 0:28:26 | 0:28:32 | |
# Because the revolution's here And you know it's right | 0:28:32 | 0:28:38 | |
# And you know that it's right | 0:28:44 | 0:28:48 | |
# We have got to get it together | 0:28:49 | 0:28:55 | |
# We have got to get it together now. # | 0:28:55 | 0:29:00 |