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And now, more news of the weather. | 0:00:29 | 0:00:31 | |
There will be a moderate or severe frost tonight in most districts, | 0:00:31 | 0:00:35 | |
except the southwest of England. | 0:00:35 | 0:00:37 | |
It will remain very cold everywhere. | 0:00:37 | 0:00:40 | |
That's the weather, but now let's forget about it | 0:00:41 | 0:00:43 | |
and join Late Night Line-up. | 0:00:43 | 0:00:45 | |
This is the B-side of our single, sports fans, hope it makes you sick. | 0:00:48 | 0:00:50 | |
I don't really mean that, honestly, we're very nice chaps, really. | 0:00:54 | 0:00:57 | |
# In the canyons of your mind | 0:01:00 | 0:01:04 | |
# I will wander through your brain | 0:01:07 | 0:01:11 | |
# To the ventricles of your heart, my dear | 0:01:13 | 0:01:18 | |
# I'm in love with you again | 0:01:20 | 0:01:26 | |
# 'Cross the mountains of your chest | 0:01:26 | 0:01:29 | |
# I will stick a Union Jack | 0:01:33 | 0:01:37 | |
# To the forest of your cheek | 0:01:39 | 0:01:43 | |
# Through the holes in your string vest... # | 0:01:45 | 0:01:52 | |
Oh, I'll never wash it! | 0:01:58 | 0:02:00 | |
My darling. | 0:02:18 | 0:02:19 | |
-In my cardboard-coloured dreams -# Cardboard-coloured dreams | 0:02:21 | 0:02:24 | |
-Once again I hear your laugh -# Ooh ooh ooh | 0:02:24 | 0:02:27 | |
# Ooh ooh ooh | 0:02:29 | 0:02:31 | |
And I kiss, yes I kiss your perfumed hair. | 0:02:31 | 0:02:34 | |
# But she's not there | 0:02:34 | 0:02:38 | |
The sweet essence of giraffe | 0:02:38 | 0:02:40 | |
# Of giraffe | 0:02:42 | 0:02:44 | |
And each time I call your name | 0:02:44 | 0:02:46 | |
# Frying pan, frying pan | 0:02:48 | 0:02:51 | |
Oh! Oh! Oh, how it hurts. | 0:02:51 | 0:02:55 | |
# He's in pain | 0:02:56 | 0:02:58 | |
In the wardrobe of my soul | 0:02:58 | 0:03:01 | |
# Oh, my soul | 0:03:02 | 0:03:04 | |
In the section labelled shirts | 0:03:04 | 0:03:07 | |
# Ah ah... # | 0:03:09 | 0:03:12 | |
Ah! | 0:03:12 | 0:03:13 | |
Oh! | 0:03:13 | 0:03:14 | |
Oh! Oh, I can't get it together. | 0:03:18 | 0:03:21 | |
-Do you mean it? I mean it. -# He means it, yeah... # | 0:03:24 | 0:03:27 | |
-Yeah. -Yeah. -Yeah. | 0:03:27 | 0:03:30 | |
Raargh. | 0:03:31 | 0:03:33 | |
We'd like to thank the people at the BBC for giving us a chance to do | 0:03:43 | 0:03:46 | |
some of the things on television, here, that they would never let us do | 0:03:46 | 0:03:50 | |
in the United States. | 0:03:50 | 0:03:52 | |
This song goes out to Tencha, Nacho and...Dencha. Hi! | 0:03:59 | 0:04:04 | |
# Oh, in the sky | 0:04:17 | 0:04:20 | |
# Oh, in the sky | 0:04:21 | 0:04:24 | |
# Oh, in the sky | 0:04:24 | 0:04:27 | |
# Oh, in the sky | 0:04:28 | 0:04:32 | |
# Oh, in the sky | 0:04:32 | 0:04:35 | |
# Oh, in the sky | 0:04:35 | 0:04:38 | |
# In the sky, in the sky-y | 0:04:38 | 0:04:44 | |
# Oh, in the sky | 0:04:46 | 0:04:50 | |
# Oh, in the sky | 0:04:50 | 0:04:53 | |
# Oh | 0:04:54 | 0:04:56 | |
# A-h-h | 0:04:56 | 0:04:59 | |
# Oh, in the sky | 0:05:01 | 0:05:04 | |
# Oh, in the sky | 0:05:04 | 0:05:07 | |
# Oh, in the sky | 0:05:08 | 0:05:11 | |
HE VOCALISES TO THE SAME MELODY | 0:05:23 | 0:05:26 | |
# In the sky | 0:05:45 | 0:05:47 | |
# Yeah | 0:05:48 | 0:05:51 | |
# Whoo-oo-oo-oo-ooh | 0:05:53 | 0:05:56 | |
# Oh, in the sky | 0:05:58 | 0:06:01 | |
# Sky. # | 0:06:05 | 0:06:09 | |
We're involved in sort of a low-key war against apathy. | 0:06:09 | 0:06:13 | |
I don't know how you're doing on apathy over there, | 0:06:13 | 0:06:16 | |
but we got a lot of it, boys and girls. | 0:06:16 | 0:06:18 | |
A lot of what we do is designed to annoy people | 0:06:18 | 0:06:23 | |
to the point where they might, just for a second, question enough | 0:06:23 | 0:06:26 | |
of their environment to do something about it. | 0:06:26 | 0:06:29 | |
As long as they don't feel their environment, | 0:06:29 | 0:06:32 | |
they don't worry about it, | 0:06:32 | 0:06:34 | |
they're not going to do anything to change it. | 0:06:34 | 0:06:37 | |
And something's got to be done | 0:06:37 | 0:06:38 | |
before America scarfs up the world and shits on it. | 0:06:38 | 0:06:40 | |
BBC Two. | 0:06:40 | 0:06:42 | |
# Wouldn't it be nice to get on with me neighbours? | 0:06:49 | 0:06:53 | |
# But they make it very clear | 0:06:56 | 0:06:58 | |
# They've got no room for ravers | 0:06:58 | 0:07:00 | |
# They stop me from grooving They bang on me walls | 0:07:04 | 0:07:06 | |
# They doing me crust in It's no good at all | 0:07:08 | 0:07:10 | |
# Lazy Sunday afternoon... # | 0:07:11 | 0:07:13 | |
The sound of the Small Faces, a young pop group, | 0:07:13 | 0:07:16 | |
quirky, offbeat, and very successful. | 0:07:16 | 0:07:18 | |
Tonight they are our guests in Colour Me Pop, | 0:07:18 | 0:07:20 | |
and here's one of their new numbers, Song Of A Baker. | 0:07:20 | 0:07:23 | |
# There's wheat in the field | 0:07:43 | 0:07:45 | |
# And water in the stream | 0:07:47 | 0:07:48 | |
# And salt in the mine | 0:07:54 | 0:07:56 | |
# And an aching in me | 0:07:58 | 0:08:00 | |
# I can no longer stand and wonder | 0:08:04 | 0:08:08 | |
# Cos I'm driven by this hunger | 0:08:09 | 0:08:13 | |
# So I'll jug some water, bake some flour | 0:08:15 | 0:08:20 | |
# Store some salt and wait the hour | 0:08:21 | 0:08:25 | |
# When thinking of love | 0:08:25 | 0:08:28 | |
# Love is thinking of me | 0:08:30 | 0:08:33 | |
# And the baker will come | 0:08:37 | 0:08:39 | |
# And the baker I'll be | 0:08:41 | 0:08:44 | |
# I'm depending on my labour | 0:08:47 | 0:08:51 | |
# The texture and the flavour | 0:08:53 | 0:08:57 | |
# Hey! | 0:08:58 | 0:08:59 | |
# I can no longer stand and wonder | 0:09:31 | 0:09:35 | |
# Cos I'm driven by this hunger | 0:09:36 | 0:09:40 | |
# So I'll jug some water, bake some flour | 0:09:42 | 0:09:47 | |
# Store some salt and wait the hour. # | 0:09:48 | 0:09:52 | |
The Small Faces - Steve Marriott, lead singer and guitarist, | 0:10:33 | 0:10:36 | |
Ronnie Lane, bass guitarist, | 0:10:36 | 0:10:38 | |
Kenny Jones, drummer, and Ian McLagan, organist. | 0:10:38 | 0:10:41 | |
And the Small Faces' new album is one of the most idiosyncratic | 0:10:41 | 0:10:44 | |
records on the market. | 0:10:44 | 0:10:45 | |
It's called Ogdens' Nut Gone Flake. | 0:10:45 | 0:10:47 | |
The Small Faces supply the music, and the storyteller | 0:10:47 | 0:10:50 | |
is that master of gobbledegook, Professor Stanley Unwin. | 0:10:50 | 0:10:56 | |
Are you sitting comforty bold too square on your botty? | 0:10:56 | 0:10:59 | |
Then we'll begin. | 0:10:59 | 0:11:00 | |
# Blackberry way | 0:11:00 | 0:11:03 | |
# Absolutely pouring down with rain | 0:11:03 | 0:11:07 | |
# It's a terrible day | 0:11:07 | 0:11:09 | |
# Up with the lark | 0:11:09 | 0:11:11 | |
# Silly girl, I don't know what to say | 0:11:13 | 0:11:16 | |
# She was running away | 0:11:16 | 0:11:18 | |
# So now I'm standing on the corner | 0:11:19 | 0:11:22 | |
# Lost in the things that I said | 0:11:23 | 0:11:27 | |
# What am I supposed to do now? | 0:11:28 | 0:11:33 | |
# Goodbye Blackberry Way | 0:11:35 | 0:11:38 | |
# I can't see you, I don't need you | 0:11:39 | 0:11:43 | |
# Goodbye Blackberry Way | 0:11:43 | 0:11:47 | |
# Sure to want me back another day | 0:11:48 | 0:11:52 | |
# Down to the park | 0:11:53 | 0:11:55 | |
# Overgrowing but the trees are bare | 0:11:56 | 0:11:59 | |
# There's a memory there | 0:11:59 | 0:12:02 | |
# Boats on the lake | 0:12:02 | 0:12:03 | |
# Unattended now the laughter's drowned | 0:12:05 | 0:12:08 | |
# I'm incredibly down | 0:12:08 | 0:12:11 | |
# Just like myself they are neglected | 0:12:11 | 0:12:15 | |
# Turn with my eyes to the wall | 0:12:16 | 0:12:19 | |
# What am I supposed to do now? | 0:12:20 | 0:12:26 | |
# Goodbye Blackberry Way | 0:12:27 | 0:12:31 | |
# I can't see you, I don't need you | 0:12:32 | 0:12:36 | |
# Goodbye Blackberry Way | 0:12:36 | 0:12:40 | |
# Sure to want me back another day | 0:12:40 | 0:12:44 | |
# Oooh-la oooh-la ooh | 0:12:46 | 0:12:49 | |
# Ah-ah-ah | 0:12:49 | 0:12:53 | |
# Oooh-la ooh-la oooh | 0:12:55 | 0:12:59 | |
# Ah-ah-ah | 0:12:59 | 0:13:02 | |
# Run for the train | 0:13:04 | 0:13:07 | |
# Look behind you for she may be there | 0:13:07 | 0:13:10 | |
# Said a thing in the air | 0:13:10 | 0:13:12 | |
# Blackberry Way | 0:13:13 | 0:13:15 | |
# See the battlefield of careless sins | 0:13:15 | 0:13:19 | |
# Cast to the winds | 0:13:20 | 0:13:21 | |
# So full of emptiness without her | 0:13:22 | 0:13:25 | |
# Lost in the words that I said | 0:13:27 | 0:13:30 | |
# What am I supposed to do now? | 0:13:31 | 0:13:37 | |
# Goodbye Blackberry Way | 0:13:38 | 0:13:42 | |
# I can't see you, I don't need you | 0:13:43 | 0:13:47 | |
# Goodbye Blackberry Way | 0:13:47 | 0:13:51 | |
# Sure to want me back another day | 0:13:52 | 0:13:55 | |
# Goodbye Blackberry Way | 0:13:57 | 0:14:00 | |
# I can't see you, I don't need you | 0:14:01 | 0:14:06 | |
# Goodbye Blackberry Way | 0:14:06 | 0:14:09 | |
# Sure to want me back another day. # | 0:14:10 | 0:14:16 | |
# Thank you for the days | 0:14:24 | 0:14:28 | |
# Those endless days, those sacred days you gave me | 0:14:29 | 0:14:32 | |
# I'm thinking of the days | 0:14:32 | 0:14:37 | |
# I won't forget a single day, believe me | 0:14:38 | 0:14:41 | |
# I bless the light | 0:14:42 | 0:14:44 | |
# I bless the light that lights on you, believe me | 0:14:44 | 0:14:48 | |
# And though you're gone | 0:14:50 | 0:14:51 | |
# You're with me every single day, believe me | 0:14:51 | 0:14:55 | |
# Days I'll remember all my life | 0:14:57 | 0:15:01 | |
# Days when you can't see wrong from right | 0:15:02 | 0:15:06 | |
# You took my life | 0:15:06 | 0:15:08 | |
# But then I knew that very soon you'd leave me | 0:15:08 | 0:15:11 | |
# But it's all right | 0:15:13 | 0:15:15 | |
# Now I'm not frightened of this world, believe me | 0:15:15 | 0:15:19 | |
# I wish today could be tomorrow | 0:15:20 | 0:15:25 | |
# The night is dark | 0:15:25 | 0:15:27 | |
# It just brings sorrow, let it wait | 0:15:27 | 0:15:30 | |
# Thank you for the days | 0:15:33 | 0:15:38 | |
# Those endless days, those sacred days you gave me | 0:15:38 | 0:15:42 | |
# I'm thinking of the days | 0:15:43 | 0:15:47 | |
# I won't forget a single day, believe me | 0:15:47 | 0:15:51 | |
# Days I'll remember all my life | 0:15:53 | 0:15:57 | |
# Days when you can't see wrong from right | 0:15:59 | 0:16:02 | |
# You took my life | 0:16:02 | 0:16:04 | |
# But then I knew that very soon you'd leave me | 0:16:04 | 0:16:08 | |
# But it's all right | 0:16:10 | 0:16:12 | |
# Now I'm not frightened of this world, believe me | 0:16:12 | 0:16:15 | |
# Days | 0:16:18 | 0:16:21 | |
# Thank you for the days | 0:16:22 | 0:16:26 | |
# Those endless days, those sacred days you gave me | 0:16:26 | 0:16:31 | |
# I'm thinking of the days | 0:16:31 | 0:16:35 | |
# I won't forget a single day, believe me | 0:16:35 | 0:16:40 | |
# I bless the light | 0:16:41 | 0:16:43 | |
# I bless the light that shines on you, believe me | 0:16:43 | 0:16:47 | |
# And though you're gone | 0:16:48 | 0:16:50 | |
# You're with me every single day, believe me | 0:16:50 | 0:16:54 | |
# Days. # | 0:16:56 | 0:17:03 | |
Be it sight, sound, the smell, the touch, | 0:17:13 | 0:17:17 | |
There's something inside that we need so much. | 0:17:17 | 0:17:21 | |
The sight of a touch or the scent of a sound | 0:17:21 | 0:17:24 | |
Or the strength of an oak root deep in the ground | 0:17:24 | 0:17:27 | |
The wonder of flowers to be covered and then to burst up | 0:17:27 | 0:17:31 | |
Through tarmac to the sun again. | 0:17:31 | 0:17:34 | |
Or to fly to the sun without burning a wing. | 0:17:34 | 0:17:37 | |
To lie in a meadow and hear the grass sing. | 0:17:37 | 0:17:40 | |
To have all these things in our memory's hoard | 0:17:40 | 0:17:43 | |
And we use them to help us to find... | 0:17:43 | 0:17:46 | |
LAUGHTER | 0:17:46 | 0:17:48 | |
# Ride, ride my see-saw | 0:18:02 | 0:18:05 | |
# Take this place on this trip just for me | 0:18:05 | 0:18:10 | |
# Ride, take a free ride | 0:18:13 | 0:18:16 | |
# Take my place, have my seat, it's for free | 0:18:16 | 0:18:21 | |
# I worked like a slave for years | 0:18:23 | 0:18:26 | |
# Sweat so hard just to end my fears | 0:18:26 | 0:18:29 | |
# Not to end my life a poor man | 0:18:29 | 0:18:32 | |
# But by now I know I should have run | 0:18:32 | 0:18:38 | |
# Run, run my last race | 0:18:48 | 0:18:51 | |
# Take my place, have this number of mine | 0:18:51 | 0:18:56 | |
# Run, run like a fire | 0:18:58 | 0:19:02 | |
# Don't you run in, in the lanes, run for time | 0:19:02 | 0:19:06 | |
# Left school with a first place pass | 0:19:09 | 0:19:12 | |
# Started work but as second class | 0:19:12 | 0:19:15 | |
# School taught one and one is two | 0:19:15 | 0:19:18 | |
# But right now that answer just ain't true | 0:19:18 | 0:19:25 | |
# Ah ah ah ah | 0:19:27 | 0:19:30 | |
# Ah ah ah ah | 0:19:30 | 0:19:33 | |
# Ah ah ah ah-ah | 0:19:33 | 0:19:39 | |
# Ah ah ah ah | 0:19:40 | 0:19:42 | |
# Ah ah ah ah | 0:19:42 | 0:19:45 | |
# Ah ah ah ah-ah | 0:19:45 | 0:19:52 | |
# My world is spinning around | 0:20:20 | 0:20:22 | |
# Everything is lost that I found | 0:20:24 | 0:20:26 | |
# People run, come ride with me | 0:20:26 | 0:20:29 | |
# Let's find another place that's free | 0:20:29 | 0:20:36 | |
# Ride my see-saw | 0:20:39 | 0:20:43 | |
# Ride... # | 0:20:45 | 0:20:47 | |
And there are those who demand that pop music is nothing | 0:20:47 | 0:20:50 | |
but the grotesque mumblings of a drug-sodden youth, | 0:20:50 | 0:20:53 | |
others that it is making possible the most startling artistic upheaval | 0:20:53 | 0:20:57 | |
since the Renaissance. | 0:20:57 | 0:20:58 | |
Others still, that it is merely the harmless entertainment | 0:20:58 | 0:21:01 | |
of adolescence. | 0:21:01 | 0:21:03 | |
Everyone, however, demands the existence of heroes. | 0:21:03 | 0:21:07 | |
Heroes, that is, who can be worshipped, | 0:21:07 | 0:21:09 | |
whether they be gods, generals, lone yachtsmen, | 0:21:09 | 0:21:12 | |
television personalities, cultural leaders, | 0:21:12 | 0:21:14 | |
or pop stars. | 0:21:14 | 0:21:16 | |
Our actual intention is to play out all the adrenaline | 0:21:16 | 0:21:19 | |
and all the aggression | 0:21:19 | 0:21:20 | |
and show the audience that you ARE a frustrated character, | 0:21:20 | 0:21:24 | |
that you DO want to get something out of your system, | 0:21:24 | 0:21:26 | |
and you DO want to do it in front of them. | 0:21:26 | 0:21:29 | |
It's got much more to do with art and music than people imagine. | 0:21:29 | 0:21:32 | |
Much, much more to do with pop music than anything else. | 0:21:32 | 0:21:35 | |
# Why don't you all f-fade away | 0:21:35 | 0:21:38 | |
# Don't try and dig what we all s-say | 0:21:39 | 0:21:43 | |
# I'm not trying to cause a big s-sensation | 0:21:43 | 0:21:48 | |
# I'm just talking about my g-generation | 0:21:49 | 0:21:53 | |
# My generation | 0:21:53 | 0:21:55 | |
# This is my generation, baby... # | 0:21:55 | 0:21:58 | |
The cost of a pop group's equipment - guitars, drums, amplifiers, | 0:22:00 | 0:22:04 | |
speakers and microphones - is about £1,000. 2,500. | 0:22:04 | 0:22:08 | |
In Peoria, Illinois, The Who play out their adrenaline | 0:22:08 | 0:22:11 | |
at the Opera House. | 0:22:11 | 0:22:12 | |
FEEDBACK SQUEALS | 0:22:26 | 0:22:28 | |
We wanted to blow their minds, you know, go on and go brrr, dggggt. | 0:23:28 | 0:23:31 | |
Turn up the amplifier so that they couldn't hear themselves think. | 0:23:31 | 0:23:34 | |
# Wild thing | 0:23:46 | 0:23:48 | |
# You make my heart sing | 0:23:51 | 0:23:54 | |
# You make everything | 0:23:58 | 0:24:00 | |
# Wild thing | 0:24:04 | 0:24:06 | |
#Yeah | 0:24:09 | 0:24:10 | |
# Come on and sock it to me one time | 0:24:11 | 0:24:15 | |
# You move me | 0:24:19 | 0:24:21 | |
# Wild thing | 0:24:34 | 0:24:36 | |
# You make my heart sing | 0:24:39 | 0:24:42 | |
# Hey | 0:24:43 | 0:24:44 | |
# You make everything groovy | 0:24:46 | 0:24:49 | |
# Hey | 0:24:51 | 0:24:52 | |
# Wild thing | 0:24:52 | 0:24:54 | |
# Wild thing, I think I love you. # | 0:25:51 | 0:25:54 | |
I can't express myself in, you know, conversation. | 0:25:56 | 0:25:59 | |
I can't explain myself like this or that, sometimes, | 0:25:59 | 0:26:01 | |
cos, you know, it just doesn't come out like that. | 0:26:01 | 0:26:03 | |
So when...excuse me ..when we're on stage, | 0:26:03 | 0:26:05 | |
it's all in the world, that's your whole life. | 0:26:05 | 0:26:08 | |
FEEDBACK RESONATES | 0:26:22 | 0:26:24 | |
HE PLAYS THE FEEDBACK | 0:26:36 | 0:26:38 | |
As an ear specialist, | 0:27:03 | 0:27:05 | |
I have been quite concerned over the possibility that the noise | 0:27:05 | 0:27:08 | |
produced by these groups may produce both temporary | 0:27:08 | 0:27:12 | |
and permanent damage to the human ear. | 0:27:12 | 0:27:14 | |
Thank you for being with us, and this is John Ross-Barnard, | 0:27:14 | 0:27:17 | |
on behalf of BBC Television, wishing you a very good night. | 0:27:17 | 0:27:21 | |
MUSIC: I'm A Man by The Spencer Davis Group | 0:27:21 | 0:27:24 | |
# Well, my pad is very messy | 0:28:05 | 0:28:06 | |
# And there's whiskers on my chin | 0:28:06 | 0:28:08 | |
# And I'm all hung up on music | 0:28:08 | 0:28:10 | |
# And I always play to win | 0:28:10 | 0:28:12 | |
# I ain't got no time for loving | 0:28:12 | 0:28:14 | |
# Cos my time is all used up | 0:28:14 | 0:28:16 | |
# Just to sit around creating | 0:28:16 | 0:28:18 | |
# All that groovy kind of stuff | 0:28:18 | 0:28:19 | |
# But I'm a man, yes I am | 0:28:19 | 0:28:22 | |
# And I can't help but love you so | 0:28:22 | 0:28:25 | |
# No, no, no | 0:28:25 | 0:28:27 | |
# But I'm a man, yes I am... # | 0:28:27 | 0:28:30 |