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MUSIC: Te Deum: Marche en rondeau by Marc-Antoine Charpentier | 0:00:02 | 0:00:05 | |
APPLAUSE | 0:00:38 | 0:00:40 | |
Hello and a very warm welcome to this summer night concert | 0:00:44 | 0:00:47 | |
from the magnificent gardens of the Schonbrunn Palace | 0:00:47 | 0:00:50 | |
overlooking the city of Vienna. | 0:00:50 | 0:00:53 | |
The Vienna Philharmonic Orchestra is joined this year | 0:00:53 | 0:00:55 | |
by the Russian-born conductor Semyon Bychkov, | 0:00:55 | 0:00:58 | |
and we start with music by Bizet. | 0:00:58 | 0:01:00 | |
APPLAUSE | 0:04:37 | 0:04:40 | |
The Vienna Philharmonic Orchestra getting our summer night | 0:04:40 | 0:04:42 | |
off to an energetic start there | 0:04:42 | 0:04:44 | |
with the Farandole from L'Arlesienne by Bizet. | 0:04:44 | 0:04:47 | |
Tonight's concert is a real selection of French fancies, | 0:04:49 | 0:04:52 | |
and there'll be a chance to get your dancing shoes on later too, | 0:04:52 | 0:04:56 | |
but first a short diversion to Hungary, | 0:04:56 | 0:04:58 | |
care of French composer Hector Berlioz and the Rakoczi March | 0:04:58 | 0:05:01 | |
from his Damnation Of Faust. | 0:05:01 | 0:05:03 | |
APPLAUSE | 0:10:08 | 0:10:10 | |
The Rakoczi March from Berlioz's Damnation Of Faust. | 0:10:11 | 0:10:16 | |
Semyon Bychkov has worked with most of the world's greatest orchestras, | 0:10:18 | 0:10:22 | |
and it was during his time as music director of the Orchestre de Paris | 0:10:22 | 0:10:25 | |
that he says he really began to appreciate French music. | 0:10:25 | 0:10:29 | |
It was also where he met his wife, | 0:10:29 | 0:10:31 | |
pianist Marielle Labeque, who - together with her sister Katia - | 0:10:31 | 0:10:34 | |
form arguably the most famous piano duo performing today. | 0:10:34 | 0:10:40 | |
And they join us now at the Schonbrunn Palace Gardens | 0:10:40 | 0:10:44 | |
to perform Poulenc's Concerto In D Minor | 0:10:44 | 0:10:46 | |
for two pianos, and orchestra. | 0:10:46 | 0:10:50 | |
The sisters love playing this piece. It's been in their repertoire | 0:10:50 | 0:10:52 | |
since the start of their careers, | 0:10:52 | 0:10:54 | |
and it's still a favourite after more than 40 years | 0:10:54 | 0:10:57 | |
of playing together. | 0:10:57 | 0:10:58 | |
It's a work that Marielle describes as "a very, very beautiful piece | 0:10:58 | 0:11:01 | |
"that gives me a lot of energy." | 0:11:01 | 0:11:02 | |
APPLAUSE | 0:23:51 | 0:23:53 | |
APPLAUSE | 0:30:01 | 0:30:03 | |
Concerto for two pianos | 0:30:10 | 0:30:11 | |
and orchestra played by the Labeque sisters | 0:30:11 | 0:30:13 | |
with the Vienna Philharmonic Orchestra, | 0:30:13 | 0:30:16 | |
conducted by Semyon Bychkov. | 0:30:16 | 0:30:18 | |
It is an extraordinary piece | 0:30:18 | 0:30:20 | |
and a real chance for the sisters to demonstrate their virtuosity. | 0:30:20 | 0:30:23 | |
Written in 1932, Poulenc combined many | 0:30:27 | 0:30:29 | |
influences from all over the world into the Concerto. | 0:30:29 | 0:30:32 | |
You may have detected a touch of French chanson, | 0:30:32 | 0:30:35 | |
a hint of Balinese gamelan, | 0:30:35 | 0:30:37 | |
a morsel of Mozart and a splash of Stravinsky amongst others. | 0:30:37 | 0:30:41 | |
The stunning dresses the sisters are wearing were designed | 0:30:42 | 0:30:45 | |
especially for this concert by Riccardo Tisci. | 0:30:45 | 0:30:47 | |
Every sequin individually sewn on by hand. | 0:30:47 | 0:30:49 | |
The audience here at the Schonbrunn Palace Gardens | 0:31:00 | 0:31:02 | |
don't seem to want the Labeque sisters to go, | 0:31:02 | 0:31:04 | |
and it looks as though we're going to hear a little more from them now. | 0:31:04 | 0:31:08 | |
APPLAUSE | 0:33:05 | 0:33:07 | |
Well, what a treat! An encore by Katia and Marielle Labeque | 0:33:09 | 0:33:12 | |
of that perennial favourite, the Finale from Carnival of the Animals | 0:33:12 | 0:33:17 | |
by French composer Camille Saint-Saens. | 0:33:17 | 0:33:19 | |
APPLAUSE CONTINUES | 0:33:26 | 0:33:30 | |
Semyon Bychkov joining his wife Marielle and her sister Katia | 0:33:33 | 0:33:38 | |
to receive the warm applause from the audience here | 0:33:38 | 0:33:41 | |
in the Schonbrunn Palace Gardens. | 0:33:41 | 0:33:43 | |
The Gardens are only open on this one night every year, | 0:33:48 | 0:33:51 | |
so this is a rare opportunity, not only to enjoy some wonderful music, | 0:33:51 | 0:33:55 | |
but to experience the park at night and be part of this great tradition. | 0:33:55 | 0:33:59 | |
Our next French composer is Maurice Ravel | 0:34:05 | 0:34:08 | |
and we're going to hear two of his best-loved works. | 0:34:08 | 0:34:11 | |
In a moment, the remarkable Bolero, | 0:34:11 | 0:34:13 | |
but first we'll hear a suite of music | 0:34:13 | 0:34:15 | |
from his ballet Daphnis And Chloe. | 0:34:15 | 0:34:17 | |
The story is about the love between the Grecian goatherd Daphnis | 0:34:17 | 0:34:20 | |
and the shepherdess Chloe, and Ravel's music is widely regarded | 0:34:20 | 0:34:24 | |
as his masterpiece for orchestra, | 0:34:24 | 0:34:26 | |
evoking the sun-baked Greek islands dreamingly overflowing | 0:34:26 | 0:34:29 | |
with the birds and nymphs. | 0:34:29 | 0:34:31 | |
APPLAUSE | 0:51:24 | 0:51:27 | |
Ravel's sublime music from his ballet Daphnis And Chloe. | 0:51:27 | 0:51:31 | |
A special call for flautist Karl-Heinz Schutz. | 0:51:31 | 0:51:36 | |
The Vienna Philharmonic Orchestra conducted by Semyon Bychkov. | 0:51:36 | 0:51:39 | |
I think you have to agree with Stravinsky's opinion | 0:51:43 | 0:51:45 | |
of that being one of the most beautiful products | 0:51:45 | 0:51:48 | |
of all French music. | 0:51:48 | 0:51:50 | |
Perfect for this lovely summer's evening in Vienna. | 0:51:50 | 0:51:53 | |
Now for one of the most instantly recognisable pieces of music | 0:51:56 | 0:52:00 | |
in the world. | 0:52:00 | 0:52:01 | |
Composed by Ravel in 1928 for his friend, the dancer Ida Rubinstein, | 0:52:01 | 0:52:05 | |
who'd asked him to write her a piece. | 0:52:05 | 0:52:07 | |
It was originally called Fandango, | 0:52:07 | 0:52:09 | |
but Ravel changed the name of the piece to Bolero. | 0:52:09 | 0:52:12 | |
CHEERING AND APPLAUSE | 1:07:46 | 1:07:48 | |
Ravel's Bolero played there in all its rhythmic | 1:07:51 | 1:07:54 | |
and mesmerising splendour by the Vienna Philharmonic Orchestra, | 1:07:54 | 1:07:58 | |
conducted by Semyon Bychkov. | 1:07:58 | 1:08:00 | |
Ravel was somewhat surprised by the success of Bolero, | 1:08:08 | 1:08:11 | |
joking to a friend that, "I've only written one masterpiece, | 1:08:11 | 1:08:14 | |
"but unfortunately there's no music in it." | 1:08:14 | 1:08:17 | |
But it is undoubtedly his most popular work, | 1:08:20 | 1:08:23 | |
certainly with the crowd here in the Schonbrunn Palace Gardens. | 1:08:23 | 1:08:27 | |
I think the orchestra enjoyed playing that too. | 1:08:30 | 1:08:32 | |
Conductor Semyon Bychkov acknowledging all the featured | 1:08:32 | 1:08:35 | |
members of the orchestra in their fantastic rendition. | 1:08:35 | 1:08:38 | |
He's worked with the Vienna Philharmonic before, of course, | 1:08:41 | 1:08:44 | |
but this is his first time at the Schonbrunn Palace Gardens, | 1:08:44 | 1:08:47 | |
and he is clearly loving every minute of it. | 1:08:47 | 1:08:50 | |
APPLAUSE CONTINUES | 1:08:57 | 1:08:59 | |
That sparkling performance brings to an end | 1:09:13 | 1:09:15 | |
the official Summer Night Concert from Vienna, | 1:09:15 | 1:09:18 | |
but I did promise you a chance to get out your dancing shoes, | 1:09:18 | 1:09:21 | |
and here we go, | 1:09:21 | 1:09:22 | |
with possibly the most exciting dance number ever composed. | 1:09:22 | 1:09:26 | |
Originally written for Offenbach's Orpheus In The Underworld, | 1:09:26 | 1:09:29 | |
the Galop Infernal has become one of the best known dance tunes ever. | 1:09:29 | 1:09:34 | |
We, of course, know it simply as the Can-Can. | 1:09:34 | 1:09:36 | |
Doesn't come much more French than this. | 1:09:36 | 1:09:38 | |
CHEERING AND APPLAUSE | 1:11:57 | 1:11:59 | |
Featured in the final act of Orpheus In The Underworld | 1:12:04 | 1:12:07 | |
during a party scene in hell, the Can-Can by Offenbach. | 1:12:07 | 1:12:11 | |
Offenbach was actually born in Germany, | 1:12:12 | 1:12:14 | |
but he gained his French citizenship in 1860, | 1:12:14 | 1:12:17 | |
and Rossini famously referred to him as the Mozart of the Champs-Elysees. | 1:12:17 | 1:12:22 | |
Now for our final piece of the evening. | 1:12:26 | 1:12:28 | |
It simply wouldn't be a summer night in Vienna without a waltz. | 1:12:28 | 1:12:32 | |
CHEERING AND APPLAUSE | 1:22:03 | 1:22:05 | |
Well, after our tour of the best | 1:22:09 | 1:22:11 | |
and brightest French classical tunes, | 1:22:11 | 1:22:13 | |
the Vienna Philharmonic Orchestra, | 1:22:13 | 1:22:15 | |
under the baton of Semyon Bychkov, brings us back home | 1:22:15 | 1:22:19 | |
with the legendary Wiener Blut, Viennese Blood, | 1:22:19 | 1:22:22 | |
written by Johann Strauss Jr, | 1:22:22 | 1:22:24 | |
and closing this concert from the stunning Schonbrunn Palace Gardens. | 1:22:24 | 1:22:29 | |
Thank you so much for joining us on this summer's night in Vienna. | 1:22:35 | 1:22:39 | |
From me, Katie Derham, goodbye. | 1:22:39 | 1:22:42 | |
APPLAUSE CONTINUES | 1:22:51 | 1:22:54 | |
APPLAUSE CONTINUES | 1:23:45 | 1:23:49 | |
MUSIC: Te Deum: Marche en rondeau by Marc-Antoine Charpentier | 1:24:14 | 1:24:18 |