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This programme contains repetitive Hello! Welcome back. Here we are, | :00:21. | :00:25. | |
final day of T In The Park. It's been a fantastic weekend so far. We | :00:25. | :00:28. | |
are finishing off with an incredible night of just brilliant | :00:28. | :00:33. | |
music. Coming up we have got Elbow, we have Chase and Status, and Nicki | :00:33. | :00:37. | |
Minaj. And a headline set from Kasabian tonight at quart tore 11, | :00:37. | :00:42. | |
you will see that on BBC Three. Look, they're here! How are you | :00:42. | :00:47. | |
all? Amazing. It's Kasabian in a box. Brilliant. That was a | :00:47. | :00:55. | |
brilliant bit of television. Sorry everyone. High fives. Welcome to | :00:55. | :01:00. | |
the treehouse. We love being in the treehouse. It's really warm in here. | :01:00. | :01:10. | |
:01:10. | :01:11. | ||
You two are not feeling the festival vibe. In here, it's warm | :01:11. | :01:16. | |
and everyone is nice and drinking, it's great. The T stands for | :01:16. | :01:21. | |
trenchfoot in the park. Back headlining, what is it about T In | :01:21. | :01:26. | |
The Park? They love you. It's one of the best festivals in the world, | :01:26. | :01:30. | |
I am not just saying that. It stands out. It really does. It's | :01:30. | :01:35. | |
great because we are talking about it in the car on the way down, we | :01:35. | :01:40. | |
opened the NME Stage in 2004 and we have p come so far since then, it's | :01:40. | :01:46. | |
nice. Do you get nervous because you are such a natural frontman in | :01:46. | :01:52. | |
terms - stop making each other laugh! You are not 12 any more. In | :01:52. | :02:00. | |
terms of egging the crowd on, do you it brilliantly. They sing at | :02:00. | :02:05. | |
you. Headlining you must have expectation. We are born to do this. | :02:05. | :02:14. | |
We are good at it now. I have to ask you, are you wearing a headband | :02:14. | :02:24. | |
:02:24. | :02:25. | ||
tonight? It's the right weather for it. It's like a little nod to Jimmy | :02:25. | :02:31. | |
Hendrix. Especially in the coat. like it a lot. We have your whole | :02:31. | :02:36. | |
set on BBC Three. Have you any special tricks up your sleeve? | :02:36. | :02:41. | |
Something magical is going to happen tonight and you will get | :02:41. | :02:45. | |
teary-eyed when it happens. Are you going to dedicate a song to me? | :02:45. | :02:53. | |
do that, yeah. I would actually cry. It would be the second time I cried | :02:53. | :02:59. | |
today. So bad. Do you tailor the set or is it the festival set you | :02:59. | :03:04. | |
are on at the minute? Yeah, we do. It's the place to play all the big | :03:04. | :03:11. | |
tunes, you know. The crowd appreciate the big songs, you know. | :03:11. | :03:14. | |
It's heavy with all those tunes, yeah. Your summer has been very | :03:14. | :03:20. | |
busy. Have you got any time off soon? What are you doing, record a | :03:20. | :03:26. | |
new album? The last show is August, playing Reading and Leeds, we might | :03:26. | :03:32. | |
go out again maybe at the end of the year, have time off, deckchair | :03:32. | :03:38. | |
time. We have not sat down since 1999. We went out on tour last June, | :03:38. | :03:42. | |
apart from Christmas - we even played Christmas. Yeah. Need a | :03:42. | :03:47. | |
holiday. Yeah. How is the feeling in the band, if you are with each | :03:47. | :03:53. | |
other for that long there's a - people get annoyed. We are good. We | :03:53. | :03:56. | |
toured America for a while and that was hard work. We got through it | :03:56. | :04:00. | |
and helped each other out and we are OK. A lot of bands say in | :04:00. | :04:02. | |
America you have to crack each state, like it's a different | :04:02. | :04:09. | |
country, have you found that? massive. It's one of those things, | :04:09. | :04:13. | |
if you get on a radio it makes things easier. It was nice for us | :04:13. | :04:17. | |
because we usually played huge shows, whereas in America we are | :04:17. | :04:24. | |
playing 2000 a night. It's nice, refreshing. Reminds you. Exactly, | :04:24. | :04:28. | |
we got in touch with those kids we were before all the big shows. On | :04:28. | :04:32. | |
that level it was great. Is it nice to get back into that frame of mind | :04:32. | :04:37. | |
of the size of shows you were playing? It's improved us as a band | :04:37. | :04:40. | |
massively. Since going to America and playing every day, we are now | :04:40. | :04:43. | |
frightening, we are a frightening outfit now. We were always good, | :04:44. | :04:48. | |
now we are really good. What is the track you are most looking forward | :04:48. | :04:58. | |
:04:58. | :04:59. | ||
to playing? I love Days Forgotten and Roll Like We Used To. They're | :04:59. | :05:03. | |
great. I suppose tonight Fire because it will be the last song in | :05:03. | :05:08. | |
the festival and usually goes off with that, and I think there should | :05:08. | :05:13. | |
be a certificate for all these people at the end, it's not about | :05:13. | :05:18. | |
copping to T in -- coming to T In The Park, it's about surviving. | :05:19. | :05:23. | |
Anyone still there for Fire should get a certificate. Just a well done. | :05:23. | :05:29. | |
You need so get... Put it on the fridge when they get home. You need | :05:29. | :05:33. | |
certificates for everyone. And they grab one at the end of the show. | :05:33. | :05:39. | |
Always a pleasure. Have an amazing show. Thank you. Scotland love you, | :05:39. | :05:43. | |
it's going to be a wicked show. will see that at quarter to 11 this | :05:43. | :05:48. | |
evening. Let's crack on with live music. This is a band called Fun. | :05:48. | :05:53. | |
They have the biggest selling single of the year so far. This is | :05:53. | :06:03. | |
:06:03. | :06:09. | ||
# Getting higher than # My lover she's waiting for me | :06:09. | :06:11. | |
# My seat's been taken by some sunglasses asking about a scar, and | :06:11. | :06:14. | |
# I know I gave it to you months ago | :06:14. | :06:18. | |
# I know you're trying to forget | :06:18. | :06:21. | |
# But between the drinks and subtle things | :06:21. | :06:24. | |
# The holes in my apologies, you know | :06:24. | :06:27. | |
# I'm trying hard to take it back | :06:27. | :06:30. | |
# So if by the time the bar closes | :06:30. | :06:34. | |
# And you feel l ike falling down, I'll carry you home | :06:34. | :06:40. | |
# And you feel like falling down, I'll carry you home | :06:40. | :06:41. | |
# Tonight, we are young | :06:41. | :06:44. | |
# So let's set the world on fire | :06:44. | :06:52. | |
# So let's set the world on fire | :06:52. | :06:55. | |
# We can burn brighter than the sun | :06:55. | :07:02. | |
# Tonight, we are young | :07:02. | :07:08. | |
# So let's set the world on fire | :07:08. | :07:14. | |
# We can burn brighter than the sun | :07:14. | :07:22. | |
# Carry me home tonight Na na na na na na | :07:22. | :07:32. | |
:07:32. | :07:47. | ||
# Tonight, we are young | :07:47. | :07:53. | |
# So let's set the world on fire | :07:53. | :07:57. | |
# We can burn brighter than the sun | :07:58. | :08:03. | |
# Tonight, we are young | :08:03. | :08:12. | |
# So let's set the world on fire | :08:12. | :08:17. | |
# We can burn brighter than the sun | :08:17. | :08:27. | |
:08:27. | :08:49. | ||
# Na na na na na na | :08:49. | :08:59. | |
:08:59. | :09:01. | ||
# Na na na na na na | :09:01. | :09:11. | |
:09:11. | :09:11. | ||
# Just carry me home tonight Na na na na na na | :09:11. | :09:14. | |
# Carry me home tonight Na na na na na na | :09:14. | :09:19. | |
# Just carry me home tonight Na na na na na na | :09:19. | :09:26. | |
# Just carry me home tonight Na na na na na na | :09:26. | :09:33. | |
# The world is on my side | :09:33. | :09:34. | |
# I have no reason to run | :09:34. | :09:35. | |
# So will someone come and carry me home tonight | :09:35. | :09:40. | |
# The angels never arrived | :09:40. | :09:42. | |
# But I can hear the choir | :09:42. | :09:44. | |
# So will someone come and carry me home? | :09:44. | :09:49. | |
# Tonight, we are young | :09:49. | :09:56. | |
# So let's set the world on fire | :09:56. | :10:02. | |
# We can burn brighter than the sun | :10:02. | :10:11. | |
# Tonight, we are young | :10:11. | :10:17. | |
# So let's set the world on fire | :10:17. | :10:23. | |
# We can burn brighter than the sun | :10:23. | :10:33. | |
:10:33. | :10:34. | ||
# So if by the time the bar closes | :10:34. | :10:35. | |
# And you feel like falling down | :10:35. | :10:37. | |
# I'll carry you home tonight. # | :10:37. | :10:46. | |
CHEERING AND APPLAUSE | :10:46. | :10:55. | |
Awesome | :10:55. | :10:57. | |
Awesome saupl | :10:57. | :10:57. | |
Awesome saupl from | :10:57. | :11:02. | |
Awesome saupl from -- Tom from Kasabian said he loves that song. | :11:02. | :11:05. | |
That's the song he first heard after he became a dad. If you have | :11:05. | :11:10. | |
any questions or any words of comfort, advice for them as they go | :11:10. | :11:16. | |
on stage, get involved. Get your comments on any of the performances | :11:16. | :11:20. | |
tonight on BBC Three, or Facebook. That was a lovely way to start with | :11:20. | :11:24. | |
Kasabian. You will see their headline set tonight on BBC Three. | :11:24. | :11:31. | |
Let's cross to a T In The Park virgin. Really? Yes, Rita Ora was | :11:31. | :11:41. | |
:11:41. | :12:02. | ||
# Got your hands up # It's so funny | :12:02. | :12:03. | |
# Cos somebody told you who was spinning | :12:03. | :12:04. | |
# Eh-oh, eh-oh, eh-eh | :12:04. | :12:05. | |
# Eh-oh, eh-oh | :12:05. | :12:09. | |
# You know you're only in it | :12:09. | :12:09. | |
# Cos it's hot right now | :12:09. | :12:10. | |
# Hot right now | :12:10. | :12:11. | |
# Turn it up right now | :12:11. | :12:12. | |
# Put your hands in the air if you want it right now | :12:12. | :12:14. | |
# Eh-oh, eh-oh, hot right now | :12:14. | :12:16. | |
# You know you're only in it | :12:16. | :12:18. | |
# Cos it's hot right now | :12:18. | :12:19. | |
# Hot right now | :12:19. | :12:20. | |
# Turn it up right now | :12:20. | :12:22. | |
# Put your hands in the air if you want it right now | :12:22. | :12:24. | |
# Eh-oh, eh-oh, hot right now | :12:24. | :12:30. | |
# Throw your hands up | :12:30. | :12:31. | |
# Throw your hands up | :12:31. | :12:34. | |
# You got the latest place | :12:34. | :12:35. | |
# It's on your radar | :12:35. | :12:36. | |
# But by the time you show your face it's over | :12:36. | :12:38. | |
# Eh-oh, eh-oh, eh-eh | :12:38. | :12:40. | |
# Eh-oh, eh-oh, ooh-ooh-ooh! | :12:40. | :12:44. | |
# You got the magic numbers on your speed dial | :12:44. | :12:46. | |
# And you're too busy dropping names | :12:46. | :12:48. | |
# But me won | :12:48. | :12:50. | |
# Eh-oh, eh-oh | :12:50. | :12:51. | |
# Me won | :12:51. | :12:52. | |
# Eh-oh, eh-oh | :12:52. | :12:54. | |
# Oh, yeah! | :12:54. | :12:55. | |
# You know you're only in it | :12:55. | :12:57. | |
# Cos it's hot right now | :12:57. | :12:59. | |
# Hot right now | :12:59. | :13:00. | |
# Turn it up right now | :13:00. | :13:00. | |
# Put your hands in the air if you want it right now | :13:00. | :13:03. | |
# Eh-oh, eh-oh, hot right now | :13:03. | :13:05. | |
# You know you're only in it | :13:05. | :13:07. | |
# Cos it's hot right now | :13:07. | :13:08. | |
# Hot right now | :13:08. | :13:10. | |
# Turn it up right now | :13:10. | :13:11. | |
# Put your hands in the air if you want it right now | :13:11. | :13:12. | |
# Eh-oh, eh-oh, hot right now | :13:12. | :13:15. | |
# Let me see the club get hotter, hotter | :13:15. | :13:24. | |
# I wanna see your hands up higher, higher | :13:24. | :13:27. | |
# I don't need close shouts Oh-oh-oh-oh! | :13:27. | :13:29. | |
# Can I get a "Wo-o-o-oah"? | :13:29. | :13:33. | |
# Let me see the club get hotter, hotter | :13:33. | :13:35. | |
# I wanna see your hands up higher, higher | :13:35. | :13:40. | |
# I don't need close shouts Oh-oh-oh-oh! | :13:40. | :13:42. | |
# Can I get a "Wo-o-o-oah"? | :13:42. | :13:45. | |
# You know you're only in it | :13:45. | :13:46. | |
# Cos it's hot right now | :13:46. | :13:47. | |
# Hot right now | :13:47. | :13:48. | |
# Turn it up right now | :13:48. | :13:49. | |
# Put your hands in the air if you want it right now | :13:49. | :13:51. | |
# Eh-oh, eh-oh, hot right now | :13:51. | :13:55. | |
# You know you're only in it | :13:55. | :13:56. | |
# Cos it's hot right now | :13:57. | :13:57. | |
# Hot right now | :13:58. | :13:59. | |
# Turn it up right now | :13:59. | :14:00. | |
# Put your hands in the air if you want it right now | :14:00. | :14:02. | |
# Eh-oh, eh-oh, hot right now | :14:03. | :14:07. | |
# Throw your hands up | :14:07. | :14:08. | |
# Throw your hands up | :14:08. | :14:13. | |
# Throw your hands up | :14:13. | :14:23. | |
:14:23. | :14:23. | ||
Apology for the loss of subtitles for 43 seconds | :14:23. | :15:06. | |
# Hit 'em all # Let my perfume | :15:06. | :15:12. | |
# No option for you saying no | :15:12. | :15:14. | |
# I run this game just play a role | :15:14. | :15:18. | |
# Follow my lead what you waiting for? | :15:18. | :15:22. | |
# Thought it over and decided Are you ready? | :15:22. | :15:26. | |
# Yea-ea-eah-eah | :15:26. | :15:32. | |
# You feel my heart is beating | :15:32. | :15:42. | |
:15:42. | :15:43. | ||
# R.I.P. to the girl you used to see | :15:43. | :15:45. | |
# Her days are over | :15:45. | :15:48. | |
# Her days are over | :15:48. | :15:52. | |
# Baby, she's over | :15:52. | :15:53. | |
# I'm ready for ya | :15:53. | :15:55. | |
# I decided to give you all of me | :15:56. | :15:58. | |
# Baby, come closer | :15:58. | :16:02. | |
# Baby, come closer | :16:02. | :16:05. | |
# I'm ready for ya | :16:05. | :16:06. | |
# Nothing on, I strut around | :16:06. | :16:08. | |
# I do it big I shut it down | :16:08. | :16:12. | |
# I wonder if you'll be able to handle me | :16:12. | :16:15. | |
# Mental pictures No cameras. please | :16:15. | :16:19. | |
# Yea-ea-ea-eah | :16:19. | :16:21. | |
# You feel my heart is beating | :16:21. | :16:31. | |
:16:31. | :16:33. | ||
# R.I.P. to the girl you used to see | :16:33. | :16:37. | |
# Her days are over | :16:37. | :16:39. | |
# Baby, she's over | :16:39. | :16:44. | |
# I'm ready for ya | :16:44. | :16:46. | |
# I decided to give you all of me | :16:46. | :16:51. | |
# Baby, come closer | :16:51. | :16:54. | |
# Baby, come closer | :16:54. | :16:59. | |
# I'm ready for ya | :16:59. | :17:03. | |
# Yeah, I hear you talking, don't know who you trying to flatter | :17:03. | :17:04. | |
# Got my mind made up I-I-I'm ready for ya | :17:04. | :17:06. | |
# I'm in control but with you being a man | :17:06. | :17:08. | |
# You don't seem to understand I-I-I'm ready for ya | :17:08. | :17:11. | |
# I-I-I'm ready for ya | :17:11. | :17:14. | |
# I-I-I'm ready for ya | :17:14. | :17:16. | |
# So keep thinking you're a man cos it's all part of my plan | :17:16. | :17:22. | |
# I-I-I'm ready for ya | :17:22. | :17:32. | |
:17:32. | :17:42. | ||
# R.I.P. to the girl you used to see | :17:42. | :17:44. | |
# Her days are over | :17:44. | :17:47. | |
# Baby, she's over | :17:47. | :17:51. | |
# I'm ready for ya | :17:51. | :17:53. | |
# I decided to give you all of me | :17:53. | :17:57. | |
# Baby, come closer | :17:58. | :18:01. | |
# Baby, come closer | :18:01. | :18:07. | |
# RIP to the girl you used to see | :18:07. | :18:11. | |
# Her days are over... # | :18:11. | :18:21. | |
:18:21. | :18:33. | ||
I | :18:33. | :18:34. | |
I love | :18:34. | :18:34. | |
I love you, | :18:34. | :18:44. | |
:18:44. | :18:49. | ||
I love you, you are amazing. Make Very wise words from Rita there. | :18:49. | :18:55. | |
Staoeuplts there sometimes we hate guys but we need them. Isn't that | :18:55. | :19:00. | |
your tattoo? No someone supposed to know about that. What is that duck? | :19:00. | :19:07. | |
Is he in mud? Is that what it's supposed to signify? Put him in | :19:07. | :19:16. | |
properly. Those guys last night diving through the mud. What has | :19:16. | :19:20. | |
the duck done to you. Apologies for Rita's foul language. She should | :19:20. | :19:25. | |
know better, her mum night be watching. Gemma who has been put | :19:25. | :19:30. | |
through the mill this weekend at T In The Park, her first ever T In | :19:30. | :19:36. | |
The Park, she's been set tasks every day this week. Let's find out | :19:36. | :19:42. | |
what her task was today. Blimey, I am exhausted. It's been | :19:42. | :19:48. | |
emotional, but I have another task. Here goes. Whatever next. | :19:48. | :19:57. | |
OK, find out this year's does and don'ts for T In The Park. Um ps | :19:57. | :20:07. | |
:20:07. | :20:08. | ||
Do wear headwear, no matter how ridiculous it looks. | :20:08. | :20:18. | |
:20:18. | :20:20. | ||
Do embrace the traditional poncho, the hair-bow. The boob-tube. | :20:20. | :20:29. | |
Do come from France to T In The Park. Bonjour! | :20:29. | :20:35. | |
Do find a simple move that you can do whilst stuck deep in the mud. I | :20:35. | :20:42. | |
suggest this dance. Yes, yes! | :20:42. | :20:46. | |
And the don'ts, the only one I can think of is don't get stuck in the | :20:46. | :20:51. | |
mud. Just after that they put her face | :20:51. | :20:59. | |
down and walked off. Poor Gemma. She is going to pop in at the end | :20:59. | :21:03. | |
of the show. Kasabian on the way and Chase and Status and Nicki | :21:03. | :21:06. | |
Minaj. First our first big section of music of the night, they've been | :21:06. | :21:11. | |
on the stage for maybe about 20 minutes. Big fans of Scotland and | :21:11. | :21:17. | |
the Scotland fans love them, as well. Elbow are back at T In The | :21:17. | :21:27. | |
:21:27. | :21:38. | ||
Park. Let's check them out on the # The birds are the keepers | :21:38. | :21:48. | |
:21:48. | :22:08. | ||
# In a reckless guilty haze and they wove a sweet indifference | :22:08. | :22:18. | |
:22:18. | :22:26. | ||
# And it settled on our skin till the eyes that I remembered | :22:26. | :22:36. | |
:22:36. | :22:40. | ||
# For the last time drew me in | :22:40. | :22:50. | |
:22:50. | :22:51. | ||
# The birds, though I wore your glacial patience | :22:51. | :23:01. | |
:23:01. | :23:03. | ||
# To a smudge of bitter dust on the last day you embraced me | :23:03. | :23:13. | |
:23:13. | :23:19. | ||
# With a glistening sapling trust did they sing a million blessings | :23:19. | :23:29. | |
:23:29. | :23:38. | ||
# As they watched us slowly part? Do they keep those final kisses | :23:38. | :23:48. | |
:23:48. | :23:55. | ||
# In their tiny racing hearts | :23:55. | :24:05. | |
:24:05. | :24:18. | ||
# What are we gonna do with you? | :24:18. | :24:28. | |
:24:28. | :24:28. | ||
Apology for the loss of subtitles for 43 seconds | :24:28. | :25:18. | |
# Same tale every time | :25:18. | :25:19. | |
# What are we gonna do with you? | :25:19. | :25:21. | |
# Come on inside, looking back is for the birds | :25:21. | :25:28. | |
# What are we gonna do with you? | :25:28. | :25:30. | |
# Same tale every time | :25:30. | :25:33. | |
# What are we gonna do with you? | :25:33. | :25:38. | |
# Come on inside | :25:38. | :25:40. | |
# Looking back is for the birds | :25:40. | :25:45. | |
# What are we gonna do with you? | :25:45. | :25:47. | |
# Same tale every time | :25:47. | :25:50. | |
# What are we gonna do with you? | :25:51. | :25:55. | |
# Come on inside | :25:55. | :25:56. | |
# Looking back is for the birds | :25:56. | :26:03. | |
# The birds are the keepers of our secret | :26:03. | :26:13. | |
# What are we gonna do with you? | :26:13. | :26:14. | |
# Come on inside | :26:14. | :26:16. | |
# Looking back is for the birds | :26:16. | :26:26. | |
:26:26. | :26:54. | ||
# The birds are the keepers of our secret | :26:54. | :27:04. | |
:27:04. | :27:05. | ||
# As they saw us where we lay | :27:05. | :27:12. | |
# In the deepest grass of springtime | :27:12. | :27:19. | |
# In a reckless guilty haze | :27:19. | :27:29. | |
:27:29. | :27:29. | ||
# What are we gonna do with you? | :27:30. | :27:39. | |
:27:40. | :27:42. | ||
# As they watched us slowly part? | :27:42. | :27:47. | |
# What are we gonna do with you? | :27:47. | :27:57. | |
:27:57. | :28:11. | ||
# What are we gonna do with you? | :28:11. | :28:21. | |
# Looking back is for the birds | :28:21. | :28:24. | |
# What are we gonna do with you? | :28:24. | :28:34. | |
:28:34. | :28:37. | ||
# Looking back is for the birds | :28:37. | :28:47. | |
:28:47. | :28:47. | ||
Apology for the loss of subtitles for 43 seconds | :28:47. | :29:30. | |
Come on. Let's | :29:30. | :29:31. | |
Come on. Let's do | :29:31. | :29:31. | |
Come on. Let's do some | :29:31. | :29:34. | |
Come on. Let's do some festival things. All of you, come on, I can | :29:34. | :29:44. | |
:29:44. | :29:45. | ||
see you. Not too cool, are we, Sir? There we go. | :29:45. | :29:55. | |
:29:55. | :30:04. | ||
Oh, yeah. Come on, the big lads # I plant the kind of kiss that | :30:04. | :30:14. | |
:30:14. | :30:30. | ||
# And the street is singing with my feet | :30:30. | :30:37. | |
# And dawn gives me a shadow I know to be taller | :30:37. | :30:43. | |
# All down to you, dear everything has changed | :30:43. | :30:53. | |
:30:53. | :30:57. | ||
# My sorry name has made it to graffiti | :30:57. | :31:07. | |
:31:07. | :31:13. | ||
# I was looking for someone to complete me | :31:13. | :31:23. | |
:31:23. | :31:28. | ||
# Not any more, dear everything has changed | :31:28. | :31:38. | |
:31:38. | :31:39. | ||
# And we made the moon our mirrorball | :31:40. | :31:48. | |
# The streets, an empty stage the city sirens violins | :31:48. | :31:58. | |
:31:58. | :32:01. | ||
# Everything has changed | :32:01. | :32:11. | |
:32:11. | :32:22. | ||
# So lift off love, lift off love | :32:22. | :32:32. | |
:32:32. | :32:34. | ||
# We took the town to town last night | :32:34. | :32:42. | |
# We kissed like we invented it | :32:42. | :32:47. | |
# And now I know what every step is for | :32:47. | :32:55. | |
# To lead me to your door | :32:55. | :33:02. | |
# Know that while you sleep everything has changed | :33:02. | :33:12. | |
:33:12. | :33:14. | ||
# We made the moon our mirrorball the streets, an empty stage | :33:14. | :33:24. | |
:33:24. | :33:31. | ||
# The city sirens violins everything has changed | :33:31. | :33:41. | |
:33:41. | :33:44. | ||
# Everything has changed everything has changed | :33:44. | :33:54. | |
:33:54. | :34:03. | ||
# So lift off love, lift off love | :34:03. | :34:13. | |
:34:13. | :34:24. | ||
# Lift off love | :34:24. | :34:31. | |
# Lift off love | :34:31. | :34:37. | |
# Lift off love | :34:37. | :34:47. | |
:34:47. | :34:47. | ||
Apology for the loss of subtitles for 43 seconds | :34:47. | :35:37. | |
Keep Cardiff in your mind. Try it again. Oh, oh. That's the Scotland | :35:37. | :35:47. | |
:35:47. | :35:57. | ||
# Polishing a compass # Down comes him on sticks | :35:57. | :36:07. | |
:36:07. | :36:17. | ||
# There's a Chinese cigarette case # There's a | :36:17. | :36:27. | |
# There's a hole in my neighbourhood | :36:27. | :36:31. | |
# Down which of late I cannot help but fall | :36:31. | :36:38. | |
# Mondays is for drinking to the seldom seen kid | :36:38. | :36:48. | |
:36:48. | :37:00. | ||
# Mondays is for drinking to the seldom seen kid | :37:00. | :37:08. | |
# Ooh | :37:08. | :37:11. | |
# Ooh | :37:11. | :37:20. | |
# There's this whispering of jokers doing flesh by the pound | :37:20. | :37:25. | |
# To a chorus of supposes from the little town hoods | :37:25. | :37:30. | |
# There'll be twisted karaoke at the aniseed lounge | :37:30. | :37:36. | |
# And I'll bring you further roses But it does you no good | :37:36. | :37:41. | |
# And it does me no good | :37:41. | :37:43. | |
# And it does you no good | :37:43. | :37:46. | |
# There's a hole in my neighbourhood | :37:46. | :37:50. | |
# Down which of late I cannot help but fall | :37:50. | :37:57. | |
# There's a hole in my neighbourhood | :37:57. | :38:00. | |
# Down which of late I cannot help but fall | :38:00. | :38:06. | |
# There's a hole in my neighbourhood | :38:06. | :38:13. | |
# Down which of late I cannot help but fall | :38:13. | :38:23. | |
:38:23. | :38:36. | ||
Come | :38:36. | :38:36. | |
Come on | :38:36. | :38:37. | |
Come on now | :38:37. | :38:42. | |
Come on now everyone. Everyone in front of me clapping. Feel the | :38:42. | :38:52. | |
:38:52. | :38:52. | ||
Apology for the loss of subtitles for 43 seconds | :38:52. | :39:57. | |
energy. Dry up that mud. Come on Mark on the guitar everyone! | :39:57. | :40:04. | |
Would you..., thank you very much. Please welcome back on to the stage | :40:04. | :40:14. | |
:40:14. | :40:47. | ||
Joe, Sam, Margie and Stella. Here # Gotta get out of TV | :40:47. | :40:57. | |
:40:57. | :41:28. | ||
# Come on, tower crane driver there's not so far to go | :41:28. | :41:38. | |
:41:38. | :41:38. | ||
Apology for the loss of subtitles for 43 seconds | :41:38. | :43:04. | |
# I must have been working the ropes when your hand slipped from mine | :43:04. | :43:14. | |
:43:14. | :43:14. | ||
# Now I live off the mirrors and smoke | :43:14. | :43:20. | |
# It's a joke, a fix, a lie | :43:20. | :43:30. | |
:43:30. | :43:32. | ||
# Come on, tower crane driver | :43:32. | :43:41. | |
# Oh so far to fall | :43:41. | :43:51. | |
:43:51. | :43:57. | ||
# Send up a prayer in my name just the same | :43:58. | :44:07. | |
:44:08. | :44:10. | ||
# They say I'm on top of my game simple gentle Lord | :44:11. | :44:20. | |
:44:21. | :44:37. | ||
# Send up a prayer in my name. # | :44:37. | :44:47. | |
:44:47. | :44:47. | ||
Apology for the loss of subtitles for 43 seconds | :44:47. | :46:19. | |
# Lippy kids on the corner begin | :46:19. | :46:21. | |
# Settling like crows | :46:22. | :46:28. | |
# Though I never perfected the simian stroll | :46:28. | :46:32. | |
# The cigarette senate was everything then | :46:32. | :46:42. | |
:46:42. | :46:45. | ||
# Do they know those days are golden? | :46:45. | :46:54. | |
# Build a rocket, boys | :46:54. | :46:58. | |
# Build a rocket, boys | :46:58. | :47:05. | |
# One long June I came down from the trees | :47:05. | :47:13. | |
# And kerbstone cool | :47:13. | :47:17. | |
# You were a freshly painted angel | :47:17. | :47:25. | |
# Walking on walls | :47:25. | :47:28. | |
# Stealing booze and hour-long hungry kisses | :47:28. | :47:35. | |
# And nobody knew me at home anymore | :47:35. | :47:45. | |
:47:45. | :47:46. | ||
# Build a rocket, boys | :47:46. | :47:50. | |
# Build a rocket, boys | :47:50. | :47:53. | |
# Build a rocket, boys | :47:53. | :48:03. | |
:48:03. | :48:04. | ||
# Lippy kids on the corner again | :48:04. | :48:12. | |
# Lippy kids on the corner begin | :48:12. | :48:19. | |
# Settling like crows | :48:19. | :48:22. | |
# And I never affected that simian stroll | :48:22. | :48:31. | |
# No | :48:31. | :48:41. | |
# Do they know those days are golden? | :48:41. | :48:50. | |
# Build a rocket, boys | :48:50. | :49:00. | |
:49:00. | :49:00. | ||
# One long June I came down from the trees | :49:00. | :49:09. | |
# And kerbstone cool | :49:09. | :49:13. | |
# You were a freshly painted angel | :49:13. | :49:20. | |
# Walking on walls | :49:20. | :49:23. | |
# Stealing booze and hour-long hungry kisses | :49:23. | :49:30. | |
# And nobody knows me at home any more | :49:30. | :49:40. | |
:49:40. | :49:41. | ||
# Build a rocket, boys | :49:41. | :49:45. | |
# Build a rocket, boys | :49:45. | :49:50. | |
# Build a rocket, boys | :49:50. | :50:00. | |
:50:00. | :50:19. | ||
WHISTLING | :50:19. | :50:29. | |
:50:29. | :50:29. | ||
Apology for the loss of subtitles for 43 seconds | :50:29. | :51:21. | |
Hands please! I | :51:21. | :51:21. | |
Hands please! I want | :51:21. | :51:22. | |
Hands please! I want you | :51:22. | :51:32. | |
:51:32. | :51:39. | ||
Hands please! I want you to conduct # But neither should you walk the | :51:39. | :51:49. | |
:51:49. | :51:55. | ||
# So with finger rolls # We can be there | :51:55. | :52:05. | |
:52:05. | :52:05. | ||
Apology for the loss of subtitles for 43 seconds | :52:05. | :53:02. | |
# The man you are will know the boy # And you're not the man who fell to | :53:02. | :53:12. | |
:53:12. | :53:12. | ||
Apology for the loss of subtitles for 43 seconds | :53:12. | :54:11. | |
# And we've love enough to light the # The moon is out looking | :54:11. | :54:21. | |
:54:21. | :54:21. | ||
Apology for the loss of subtitles for 43 seconds | :54:21. | :56:13. | |
# The moon is out looking What a band. So lovely on the Main | :56:13. | :56:19. | |
Stage today and that there... That's a theusle. There is haggis | :56:19. | :56:24. | |
in the next show and kilts. That was a perfect band for a Sunday | :56:24. | :56:30. | |
afternoon. Yesterday was very much - it was like drink as much, slide | :56:30. | :56:35. | |
in the mud. They were chilled out and perfect. We have some great | :56:35. | :56:40. | |
stuff coming up for you. Twin Atlantic, a young Scottish band who | :56:40. | :56:46. | |
had their debut on the Main Stage and loads more leading up to the | :56:46. | :56:50. |