Browse content similar to 13/07/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to T in the Park 2013, live here from Balado. We have | :00:22. | :00:26. | |
had outstanding performances so far and we are only just going into the | :00:26. | :00:36. | |
:00:36. | :00:36. | ||
Apology for the loss of subtitles for 56 seconds | :00:36. | :01:32. | |
live music from Paloma Faith, the Courteeneers and The View and seeing | :01:32. | :01:39. | |
how mum Ford and sons -- Mumford and Sons went down and Calvin Harris. I | :01:39. | :01:42. | |
saw both performances and they're worth sticking around for, | :01:42. | :01:46. | |
especially Calvin Harris' show, it was nothing short of breathtaking. | :01:46. | :01:50. | |
Great fun. Next we are going to go and see The View who are a band who | :01:50. | :01:54. | |
have played this Festival seven times in the past. But they still | :01:54. | :01:59. | |
walked on that stage as if it was the first time. The energy, the | :01:59. | :02:03. | |
enthusiasm, and the sing-alongs they brought to the Festival was | :02:03. | :02:13. | |
:02:13. | :02:39. | ||
# Skip away from a drunken day # Steal away from a drunken night | :02:39. | :02:49. | |
:02:49. | :02:50. | ||
# I left the pub when we got kicked out and wake me up on Sunday | :02:50. | :03:00. | |
:03:00. | :03:00. | ||
# I run away from a broken day and wake me up on Sunday | :03:00. | :03:10. | |
:03:10. | :03:11. | ||
# Cos when I'm looking for something new I won't ask you | :03:11. | :03:14. | |
# I'm not stealing hope from you I'm not stealing hope from you | :03:14. | :03:21. | |
# I'm not stealing hope from you I'm not stealing hope from you | :03:21. | :03:31. | |
:03:31. | :03:44. | ||
# Shift is done and I sing this song and wake me up on a Sunday | :03:44. | :03:49. | |
# Cos when I'm looking for something new I won't ask you | :03:49. | :03:59. | |
:03:59. | :04:03. | ||
# I'm not stealing hope from you I'm not stealing hope from you | :04:03. | :04:10. | |
# I'm not stealing hope from you I'm not stealing hope from you | :04:10. | :04:19. | |
# I'm not stealing hope from you I'm not stealing hope from you | :04:19. | :04:29. | |
:04:29. | :04:51. | ||
# Take a note of the scenic road, girl | :04:51. | :04:54. | |
# Jump around, to the stolen To the stolen sound | :04:54. | :04:56. | |
# So jump around, to the stolen To the stolen sound | :04:56. | :05:02. | |
# I'm not stealing hope from you I'm not stealing hope from you | :05:02. | :05:12. | |
:05:12. | :05:12. | ||
# Wake me up on a Sunday Wake me up on a Sunday | :05:12. | :05:15. | |
# I'm not stealing hope from you I'm not stealing hope from you | :05:15. | :05:25. | |
:05:25. | :05:25. | ||
Apology for the loss of subtitles for 56 seconds | :05:25. | :06:06. | |
That | :06:06. | :06:06. | |
That was | :06:06. | :06:07. | |
That was The | :06:07. | :06:14. | |
today with their track Sunday on The Main Stage here at T in the Park. An | :06:14. | :06:18. | |
amazing performance. I am sure you all spotted a few rosy faces in the | :06:18. | :06:24. | |
crowd there, seeing too much of the sun. I think the lead singer of The | :06:24. | :06:27. | |
View Kyle can be included in that. It's great to see how many people | :06:27. | :06:31. | |
were singing along at what was an early slot at the Festival. Now next | :06:31. | :06:34. | |
on the show we are going to bring a little bit of glamour to the | :06:34. | :06:41. | |
Festival. Paloma Faith was playing tonight on The Main Stage and wait | :06:41. | :06:51. | |
:06:51. | :06:51. | ||
Apology for the loss of subtitles for 56 seconds | :06:51. | :07:39. | |
until you see the high heels she was # # Shining in | :07:39. | :07:43. | |
# Her splendour # Now she's gone | :07:43. | :07:52. | |
# And I'm picking up the pieces # I watch you cry | :07:52. | :08:02. | |
:08:02. | :08:05. | ||
# Don't you see I am by your side # Now she's gone | :08:05. | :08:15. | |
# And I'm picking up the pieces # She left behind | :08:15. | :08:19. | |
# I found a photograph behind the TV # You look so happy, are you missing | :08:19. | :08:24. | |
the way it used to be? # And I have changed this room | :08:24. | :08:34. | |
:08:34. | :08:35. | ||
around more often lately # It's clear that me and these four | :08:35. | :08:45. | |
:08:45. | :08:46. | ||
walls still know it's hers and yours # Perfect heart, she's flawless | :08:46. | :08:51. | |
# She's the other woman # Shining in her splendour | :08:51. | :08:55. | |
# You were lost # Now she's gone | :08:55. | :09:02. | |
# And I'm picking up the pieces # I watch you cry | :09:02. | :09:07. | |
# But you don't see # That I am the one by your side | :09:07. | :09:14. | |
# Cause she's gone # In her shadow is it me you see? | :09:14. | :09:23. | |
# Cause all that's left is you and I # And I'm picking up the pieces she | :09:23. | :09:27. | |
left behind # Are we liars in denial? | :09:27. | :09:35. | |
# Are we smoke without the fire? # Tell me please, is this worth it? | :09:35. | :09:40. | |
# I deserve it # Cause she's gone | :09:40. | :09:48. | |
# And I'm picking up the pieces # I watch you cry | :09:49. | :09:52. | |
# But you don't see that I am the one by your side | :09:52. | :09:58. | |
# Cause she's gone In her shadow is it me you see? | :09:58. | :10:04. | |
# Cause all that's left is you and I # And I'm picking up the pieces | :10:04. | :10:11. | |
# She left behind You are all going to sing. You have | :10:11. | :10:15. | |
to sing it. Everybody together. Here we go. | :10:15. | :10:25. | |
:10:25. | :10:53. | ||
# Picking up the pieces Keep going! | :10:53. | :11:03. | |
:11:03. | :11:29. | ||
# Picking up the pieces # I'm picking up the pieces | :11:29. | :11:39. | |
:11:39. | :11:39. | ||
Apology for the loss of subtitles for 56 seconds | :11:39. | :12:19. | |
Thank you for singing T in the Park. I am Paloma Faith. Give it up for my | :12:19. | :12:27. | |
amazing band. This is Fall to Grace. So much glamour. That was Paloma | :12:27. | :12:30. | |
Faith recorded live on The Main Stage earlier this evening at T in | :12:31. | :12:35. | |
the Park. It's amazing to see the crowd getting so excited by that. A | :12:35. | :12:39. | |
huge stage performance, having dancers and transforming The Main | :12:39. | :12:45. | |
Stage with the flowers and that band were fantastic, as well. Great | :12:45. | :12:49. | |
sing-along we had from the T in the Park crowd. Next we are going to a | :12:49. | :12:55. | |
man who performed on the King Tut Stage today, Miles Kane who always | :12:55. | :13:02. | |
puts in an amazing performance. Here he is recorded at T in the Park, | :13:02. | :13:12. | |
:13:12. | :13:43. | ||
# True romance # Crawling through | :13:43. | :13:53. | |
:13:53. | :14:18. | ||
# I'm on higher ground # Sub-zero | :14:19. | :14:28. | |
:14:29. | :14:39. | ||
# I'm on higher ground # All in good time you'll find | :14:39. | :14:49. | |
:14:49. | :15:18. | ||
# Tinted spectacles # Heaven rows | :15:18. | :15:28. | |
:15:28. | :15:34. | ||
# All in good time you'll find that I'm the first of mine | :15:34. | :15:43. | |
# My kind, my kind | :15:43. | :15:47. | |
# Yeah I'm the first of mine | :15:47. | :15:50. | |
# My kind, my kind | :15:50. | :15:53. | |
# Yeah I'm the first of mine | :15:53. | :15:57. | |
# My kind, my kind | :15:57. | :16:00. | |
# My kind, my kind | :16:00. | :16:03. | |
# Yeah I'm the first of mine | :16:03. | :16:05. | |
# My kind, my kind | :16:05. | :16:10. | |
# My kind, yeah. # | :16:10. | :16:20. | |
:16:20. | :16:29. | ||
Thank | :16:29. | :16:29. | |
Thank you | :16:29. | :16:29. | |
Thank you very | :16:30. | :16:35. | |
Thank you very much. Miles Kane recorded today on the King Tut tent | :16:35. | :16:39. | |
here. That was his third performance in a row at the Festival. Now next | :16:39. | :16:42. | |
we are going to a band who are perfect for that time in the | :16:42. | :16:47. | |
Festival when you are feeling a little bit tired at about 6.00pm. | :16:47. | :16:53. | |
Noah and The Whale performed on the stage earlier - no, we are not going | :16:53. | :16:56. | |
to that. We are going to Texas, Festival favourites. When you watch | :16:56. | :17:01. | |
Texas they're one of those bands you go I know a couple of songs and you | :17:01. | :17:04. | |
see the performance and you know every single one. Here is Texas | :17:04. | :17:14. | |
:17:14. | :17:46. | ||
recorded earlier with Inner Smile. # And took me in so soon | :17:46. | :17:49. | |
# Just maybe I'm ready to show myself to you | :17:49. | :17:59. | |
# So if I lose my patience # You must try to understand | :17:59. | :18:08. | |
# If I lose my patience, oh, yeah # Cos you make me feel | :18:08. | :18:18. | |
:18:18. | :18:29. | ||
# Yeah, yeah, you make me feel # Come on and make your move | :18:29. | :18:38. | |
# And free me # If I am a river below you escape | :18:38. | :18:40. | |
away to # But maybe I'm ready | :18:40. | :18:45. | |
# I'm falling into you # So if I lose my patience | :18:45. | :18:55. | |
:18:55. | :18:57. | ||
# You must try to understand # And if I lose my patience | :18:57. | :19:03. | |
# Oh, yeah # Cos you make me feel | :19:03. | :19:07. | |
# Yeah, yeah # You make me feel wild | :19:07. | :19:15. | |
# You touch my inner smile # You got me in the mood | :19:15. | :19:25. | |
:19:25. | :19:26. | ||
# So come on make your move # And free me | :19:26. | :19:36. | |
:19:36. | :19:54. | ||
# Free me # Yeah, yeah | :19:54. | :19:59. | |
# You make me feel # Yeah, yeah | :19:59. | :20:08. | |
# You make me feel wild # You touch my inner smile | :20:08. | :20:16. | |
# You got me in the mood # Come on make your move | :20:16. | :20:26. | |
:20:26. | :20:28. | ||
# And touch my inner smile # And get my inner smile | :20:28. | :20:37. | |
# Smile, smile, yeah # Sometimes I need to be alone | :20:37. | :20:46. | |
# Sometimes I'm needing you to phone # Sometimes you make me feel so high | :20:46. | :20:56. | |
# There's times I ask myself why See, I bet you found you were | :20:56. | :21:00. | |
humming along there. That's the effect Texas have. An amazing | :21:00. | :21:04. | |
performance from earlier today on The Main Stage. Now this time we are | :21:04. | :21:10. | |
going to see Noah and The Whale who were playing around the same sort of | :21:10. | :21:20. | |
:21:20. | :21:35. | ||
time. Here's their track Life Goes # Lisa likes brandy | :21:35. | :21:40. | |
# She's got deep brown eyes That've seen it all | :21:40. | :21:46. | |
# Working at a nightclub That was called The Avenue | :21:46. | :21:49. | |
# The barmen used to call her "Little Lisa, Looney Tunes" | :21:49. | :21:52. | |
# She went on almost anyone From the hard time living | :21:52. | :21:59. | |
# Till the Chelsea days | :21:59. | :22:01. | |
# From when her hair was sweet blonde | :22:01. | :22:02. | |
# Till the day it turned grey She said "L-I-F-E G-O-E-S O-N" | :22:02. | :22:07. | |
# You've got more than money And sense, my friend | :22:07. | :22:09. | |
# You've got heart And you go in your own way | :22:10. | :22:15. | |
# L-I-F-E G-O-E-S O-N | :22:15. | :22:18. | |
# What you don't have now Will come back again | :22:18. | :22:21. | |
# You've got heart And you go in your own way | :22:21. | :22:31. | |
:22:31. | :22:39. | ||
# Some people wear their history Like a map on their face | :22:39. | :22:41. | |
# And Joey was an artist Just living out a case | :22:41. | :22:44. | |
# But his best work Was his letters home | :22:44. | :22:50. | |
# His standard works of fiction About imaginary success | :22:50. | :22:53. | |
# The chorus girls in neon Were his closest things to friends | :22:53. | :22:56. | |
# But to a writer The truth is no big deal | :22:57. | :23:02. | |
# From the hard time living To the sleepless nights | :23:02. | :23:05. | |
# And the black and blue body From the weekend fights | :23:05. | :23:08. | |
# He'd say "L-I-F-E G-O-E-S O-N" | :23:08. | :23:11. | |
# You've got more than money And sense, my friend | :23:11. | :23:14. | |
# You've got heart And you go in your own way | :23:14. | :23:19. | |
# L-I-F-E G-O-E-S O-N | :23:19. | :23:22. | |
# What you don't have now Will come back again | :23:22. | :23:25. | |
# You've got heart And you go in your own way | :23:25. | :23:32. | |
# On my last night on earth I won't look to the sky | :23:32. | :23:36. | |
# Just breathe in the air And blink in the light | :23:36. | :23:43. | |
# On my last night on earth I'll pay a high price | :23:43. | :23:49. | |
# To have no regrets And be done with my life | :23:49. | :23:55. | |
# L-I-F-E G-O-E-S O-N | :23:55. | :23:58. | |
# You've got more than money And sense, my friend | :23:58. | :24:01. | |
# You've got heart And you go in your own way | :24:01. | :24:06. | |
# L-I-F-E G-O-E-S O-N | :24:06. | :24:10. | |
# What you don't have now Will come back again | :24:10. | :24:13. | |
# You've got heart And you go in your own way | :24:13. | :24:18. | |
# L-I-F-E G-O-E-S O-N | :24:18. | :24:21. | |
# You've got more than money And sense, my friend | :24:21. | :24:24. | |
# You've got heart And you go in your own way | :24:24. | :24:30. | |
# L-I-F-E G-O-E-S O-N | :24:30. | :24:33. | |
# What you don't have now Will come back again | :24:33. | :24:36. | |
# You've got heart | :24:36. | :24:38. | |
# And you go in your own way. # | :24:38. | :24:48. | |
:24:48. | :25:14. | ||
An | :25:14. | :25:15. | |
An asome | :25:15. | :25:15. | |
An asome set | :25:15. | :25:20. | |
An asome set there. -- awesome set there. Yesterday ended here at T in | :25:20. | :25:26. | |
the Park with a triumph apt set from Mumford and Sons, a band who played | :25:26. | :25:29. | |
the Festival three times and have gone through the rank getting bigger | :25:29. | :25:39. | |
:25:39. | :25:39. | ||
Apology for the loss of subtitles for 56 seconds | :25:39. | :26:46. | |
and bigger stages each time. Here's And I will wait, I will wait for you | :26:46. | :26:56. | |
:26:56. | :26:56. | ||
Apology for the loss of subtitles for 56 seconds | :26:56. | :28:37. | |
# And I will wait, I will wait for # And I'll kneel down | :28:37. | :28:47. | |
:28:47. | :28:47. | ||
Apology for the loss of subtitles for 56 seconds | :28:47. | :30:17. | |
# And I'll kneel down Thank you very much, T. An awesome | :30:17. | :30:21. | |
performance from last night. You can see that whole set on the BBC | :30:21. | :30:25. | |
website right now. Check that out if you love a bit of banjo action. The | :30:25. | :30:29. | |
next band are a band who have risen through the ranks of the stages here | :30:29. | :30:35. | |
at T in the Park. It's Frightened Rabbit. | :30:35. | :30:45. | |
:30:45. | :30:45. | ||
Apology for the loss of subtitles for 56 seconds | :30:45. | :31:47. | |
# Put the brakes # Would you get old, old fashioned | :31:47. | :31:57. | |
:31:57. | :32:30. | ||
# Put the wall clock in the top # Of the open fire and the shuffle | :32:30. | :32:40. | |
:32:40. | :32:40. | ||
Apology for the loss of subtitles for 56 seconds | :32:40. | :33:31. | |
# Would you get old, old fashioned # We won't have to rely | :33:31. | :33:41. | |
:33:41. | :33:41. | ||
Apology for the loss of subtitles for 56 seconds | :33:41. | :34:31. | |
# Would you get old, old fashioned person in that crowd not screaming | :34:31. | :34:37. | |
along at the end. That was Frightened Rabbit ordered -- | :34:37. | :34:44. | |
recorded about 25 minutes ago. These boys have legged it right here. It's | :34:44. | :34:50. | |
Grant and Scott. How are you doing? Still sweating. It would be easy to | :34:50. | :34:56. | |
say you are sweaty, but you are roasting. We like to keep it real. | :34:56. | :35:00. | |
Is that what we are doing? I would rather not look sweaty on the telly. | :35:00. | :35:04. | |
Tell us how it feels to have played what is probably your biggest | :35:04. | :35:10. | |
Scottish show to date? Great, yeah. Amazing. You know, great fun. It's | :35:10. | :35:15. | |
one of those things that now it's over you can kind of breathe a sigh | :35:15. | :35:20. | |
of relief and get on with the night. Amazing. Really good. A lot of fun. | :35:20. | :35:24. | |
Is it actually as deafening when the crowd are singing to you guys as it | :35:24. | :35:32. | |
is to be in that crowd or do you -- do you shrug it off They're further | :35:32. | :35:38. | |
away. I wish they were closer. I like to see eyeballs. That's one - | :35:38. | :35:42. | |
people do love to sing at Festivals but here more than anywhere else we | :35:42. | :35:45. | |
have been - people get into it. Sometimes it sounds like a football | :35:45. | :35:48. | |
crowd or something. It's an amazing experience to get that coming back | :35:48. | :35:53. | |
at you. There's going to be hoarse voices tomorrow thanks to you boys. | :35:54. | :36:00. | |
I would hope so. You played on the T Break stage here. Tell us what that | :36:00. | :36:09. | |
journey has been like from a tent to about a few people to thousands. | :36:09. | :36:14. | |
Let's round it up! Amazing. The thing is T in the Park has brought | :36:14. | :36:19. | |
our band - a couple of those kind of watershed moments where we weren't | :36:19. | :36:23. | |
really expecting anyone to turn up or not this many and the first time | :36:23. | :36:27. | |
we played it was more people than we expected. Second time was way more | :36:27. | :36:32. | |
and today it always surpasses expectations. Our journey from T | :36:32. | :36:36. | |
Break to the Radio One Stage has been incredible and T in the Park | :36:36. | :36:41. | |
has marked certain parts of our career. Very quickly, is there | :36:41. | :36:45. | |
anyone you have seen back stage that's like really famous that you | :36:45. | :36:51. | |
have looked at each other and gone, oh, my God, chat to them! We were | :36:51. | :36:59. | |
right next to Kesha. I have heard she's a thing for beards. She's in | :36:59. | :37:03. | |
the right place, I believe. There's loads of creepy guys with beards | :37:03. | :37:11. | |
lingering outside her dressing room. I hear you like beards! Thank you | :37:11. | :37:15. | |
for joining us, we will let you get away and towel yourselves down! | :37:15. | :37:23. | |
Enjoy the evening. All the best. OK. Now live from Balado it's T in the | :37:23. | :37:29. | |
Park 2013 we are going to two performances in a row. Shortly The | :37:29. | :37:35. | |
Fratellis, always a Festival favourite, but first it's The | :37:35. | :37:45. | |
:37:45. | :37:45. | ||
Apology for the loss of subtitles for 56 seconds | :37:45. | :39:26. | |
# She turns to me and says # # You're not 19 forever | :39:26. | :39:31. | |
# Pull yourself together # I know it seems strange | :39:32. | :39:41. | |
# But things they change # Older woman and an ever so | :39:41. | :39:45. | |
slightly younger man # God bless the band | :39:45. | :39:55. | |
:39:55. | :40:13. | ||
# They're doing all they can # You're not 19 forever | :40:13. | :40:21. | |
# I know it seems strange but things they change | :40:21. | :40:24. | |
# Older woman and an ever so slightly younger man | :40:25. | :40:32. | |
# God bless the band # They're doing all they can | :40:32. | :40:42. | |
:40:42. | :40:51. | ||
# God bless Scotland # # You're not 19 forever | :40:51. | :41:01. | |
:41:01. | :41:09. | ||
# You're not 19 forever # It's not big, it's definitely not | :41:09. | :41:19. | |
:41:19. | :41:19. | ||
Apology for the loss of subtitles for 56 seconds | :41:19. | :43:16. | |
# It's not big, it's definitely not # She said you got me wrong | :43:16. | :43:20. | |
# I would have sold them to you # If I could have just kept the last | :43:20. | :43:23. | |
of my clothes on # Call me up take me down with you | :43:23. | :43:27. | |
when you go # I could be your regular belle | :43:27. | :43:33. | |
# And I'll dance for little Steven and Joanna around the back of my | :43:33. | :43:34. | |
hotel # I was good she was hot | :43:34. | :43:38. | |
# Stealing everything she got # I was bold she was over the worst | :43:38. | :43:42. | |
of it # Gave me gear thank you dear, bring | :43:42. | :43:46. | |
your sister over here # Let her dance with me just for the | :43:46. | :43:56. | |
:43:56. | :44:13. | ||
hell of it # Chelsea, Chelsea, I believe that | :44:13. | :44:18. | |
when you're dancing # Slowly sucking your sleeve | :44:18. | :44:20. | |
# The boys get lonely after you leave | :44:20. | :44:24. | |
# And it's one for the dagger and another for the one you believe | :44:24. | :44:30. | |
# Chelsea, Chelsea, I believe that when you're dancing slowly sucking | :44:30. | :44:32. | |
your sleeve # The boys get lonely after you | :44:33. | :44:35. | |
leave # It's one for the dagger and | :44:35. | :44:43. | |
another for the one you believe # The one you believe | :44:43. | :44:53. | |
:44:53. | :45:03. | ||
# The one you believe # No, no, no | :45:03. | :45:09. | |
As ever, a classic performance by the Fratellis today. It's like that | :45:09. | :45:13. | |
track is a Festival anthem of sorts. You walk about the site and you will | :45:14. | :45:19. | |
hear big groups of people singing along. It's an absolute classic. A | :45:19. | :45:24. | |
great performance there. If you want to see even more T in the Park | :45:24. | :45:27. | |
coverage you can click over to the red button on your remote control | :45:27. | :45:31. | |
right now. We have Paloma Faith bringing that glamour we saw earlier | :45:31. | :45:37. | |
on, you can see her full performance on the red button. Next on BBC2 | :45:37. | :45:42. | |
Scotland we are going to see Chase and Status who put on an absolutely | :45:42. | :45:52. | |
:45:52. | :45:56. | ||
massive performance last night. Scotland, it's about time! Make some | :45:56. | :46:06. | |
:46:06. | :46:30. | ||
# I am a man with a heavy heart # Riding with automatic | :46:30. | :46:35. | |
# So I know I need this sweet sensation | :46:35. | :46:41. | |
# Sweet sensation | :46:41. | :46:47. | |
# The music that we play will ease your mind | :46:47. | :46:57. | |
:46:57. | :47:03. | ||
# It's a blind faith A cruel waste, a bitter taste | :47:03. | :47:05. | |
# So I know I need this sweet sensation | :47:05. | :47:09. | |
# Sweet sensation | :47:09. | :47:15. | |
# The music that we play will ease your mind | :47:15. | :47:22. | |
# Sweet sensation | :47:22. | :47:27. | |
# The music that we play will ease your mind | :47:27. | :47:37. | |
:47:37. | :47:41. | ||
# What is a man to do with his mind? | :47:41. | :47:44. | |
# When it's working overtime? | :47:44. | :47:47. | |
# The best I can do is not dance with the devil | :47:47. | :47:52. | |
# I keep myself sane I won't waste this time and space | :47:53. | :48:00. | |
# So I know I need this sweet sensation | :48:00. | :48:07. | |
# Sweet sensation | :48:07. | :48:13. | |
# The music that we play will ease your mind | :48:13. | :48:20. | |
# Sweet sensation | :48:20. | :48:27. | |
# The music that we play will ease your mind | :48:27. | :48:37. | |
:48:37. | :48:41. | ||
# I am a man with a heavy heart | :48:41. | :48:45. | |
# I am a man with a heavy heart | :48:45. | :48:53. | |
# It's a blind faith, a cruel waste | :48:53. | :48:55. | |
# What a bitter taste | :48:55. | :48:59. | |
# So I know I need this sweet sensation | :48:59. | :49:05. | |
# Sweet sensation | :49:05. | :49:11. | |
# The music that we play will ease your mind | :49:11. | :49:19. | |
# Sweet sensation | :49:19. | :49:25. | |
# The music that we play will ease your mind | :49:25. | :49:33. | |
# I am a man with a heavy heart | :49:33. | :49:40. | |
# I am a man with a heavy heart | :49:40. | :49:47. | |
# It's a blind faith, a cruel waste | :49:47. | :49:51. | |
# What a bitter taste | :49:51. | :49:54. | |
# So I know I need this sweet sensation | :49:54. | :50:04. | |
:50:04. | :50:09. | ||
Massive | :50:10. | :50:10. | |
Massive performance | :50:10. | :50:11. | |
Massive performance from | :50:11. | :50:16. | |
Status recorded yesterday here at T in the Park. Now it's funny The | :50:16. | :50:20. | |
Frightened Rabbit boys were saying T in the Park can be a benchmark on a | :50:20. | :50:23. | |
band's career and the next band we are going to show you that couldn't | :50:23. | :50:30. | |
be truer of. They started playing at the first ever T in the Park in 1994 | :50:30. | :50:40. | |
:50:40. | :50:40. | ||
Apology for the loss of subtitles for 56 seconds | :50:40. | :51:33. | |
on the Comedy Tent, no less, this is # Is it because I lied | :51:33. | :51:43. | |
:51:43. | :51:43. | ||
Apology for the loss of subtitles for 56 seconds | :51:43. | :53:19. | |
# Is it because I lied single person does the pogo, you | :53:19. | :53:24. | |
know this one? On the final chorus will you do this? Will you do it? I | :53:24. | :53:28. | |
want to see everyone, even the security guards at the front. Guys, | :53:28. | :53:37. | |
you have to do it otherwise it won't rain and everyone will wlam you -- | :53:37. | :53:39. | |
blame you. Do we have a deal? Security are putting their thumbs | :53:39. | :53:45. | |
up. We are going to get a pogo, excellent! I will give you the | :53:45. | :53:55. | |
:53:55. | :54:25. | ||
signal. I think you know when the # Is it because I lied | :54:25. | :54:35. | |
:54:35. | :54:35. | ||
Apology for the loss of subtitles for 56 seconds | :54:35. | :56:30. | |
Amazing scenes from earlier this evening in the King Tut's Tent, that | :56:30. | :56:34. | |
was the amazing Travis. We are going to leave you tonight with a band - a | :56:34. | :56:40. | |
man who had a pretty amazing night last night, MrCalvin Harris. Here he | :56:40. | :56:49. | |
is lighting up the BBC Radio One Stage with Drinking from the Bottle. | :56:49. | :56:59. | |
:56:59. | :56:59. | ||
Apology for the loss of subtitles for 56 seconds | :56:59. | :57:59. | |
# Tonight we're drinking from the bottle | :57:59. | :58:09. | |
:58:09. | :58:19. | ||
# We're drinking from the bottle # I was done with this thing | :58:19. | :58:21. | |
# Getting it wrong then everything is all right | :58:21. | :58:25. | |
# Got them girls along Heidi, Rihanna, all types | :58:25. | :58:29. | |
# If you anti' lean, then you are in the wrong scene | :58:29. | :58:33. | |
Note if you anti' high then you not on my vibe | :58:33. | :58:37. | |
# Tell the bar that we don't need to sparkle or nothing | :58:37. | :58:42. | |
# Keep the bottles come coming out all night | :58:42. | :58:49. | |
# Life's too lort # We live, we die, we give, we try, | :58:49. | :58:52. | |
we kiss, we fight, # All so we can have a good time | :58:52. | :58:55. | |
# I'm in here busy looking for the next top model | :58:55. | :58:58. | |
# Who's wearing something new, something old | :58:58. | :59:04. | |
# And something borrowed # I know this crazy life can be a bitter bill | :59:04. | :59:06. |