John Newman & Katy B T in the Park


John Newman & Katy B

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This programme contains flashing images.

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Welcome to day two here at T in the Park. Good evening. As you can see

:00:19.:00:24.

from that shot across the main stage, raining - gloomy all day

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today. Yesterday was a glorious start to T In The Park. It was

:00:28.:00:31.

unusual really and to be honest with you, we're happier like this,

:00:32.:00:33.

because we all know what we're doing. This is what we expect.

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People are less confused today than they were yesterday. Yesterday, they

:00:38.:00:41.

hadn't brought sun glasses or sun cream. They weren't sure what was

:00:42.:00:45.

going on. Today everyone seems happier, in a weird way. Well could

:00:46.:00:50.

to day two of T in the Park. What a night last night, Biffy Clyro. OMG.

:00:51.:00:56.

They smashed it. You caught up with them as well. Yeah, we will play

:00:57.:01:00.

that in a second. Let's move forward to tonight. Saturday night, we have

:01:01.:01:04.

so much. Headlining we have Paolo Nutini later. We have Pharrell,

:01:05.:01:10.

Rudimental and John Newman as well in this hour. Clean Bandit, Katy B,

:01:11.:01:20.

she'll be chatting with us and Kai -- Keisza with an acoustic chat. Get

:01:21.:01:28.

in touch: If you missed any of yesterday, catch up on all that on

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the website and red button as well. Let's put a montage out to you as

:01:33.:01:37.

well. Here was the first day, a glorious, sunny Friday at T In The

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Park 20146789 -- 2014.

:01:52.:02:17.

Why Yeah! I just saw the best band! It was a great vault. So, where do

:02:18.:02:28.

we start with the performance? Five minutes ago, you were on, what are

:02:29.:02:33.

your initial thoughts? It was mind blowing. It's hard to talk about

:02:34.:02:40.

ourselves. We're not normally speechless. We were brilliant. The

:02:41.:02:46.

crowd were brilliant. It was unbelievable scenes. You look out

:02:47.:02:51.

and all you can see is just arms. Just everybody from front to back.

:02:52.:02:57.

We got the tweets coming in saying you know, it must be surreal to feel

:02:58.:03:14.

that after all this time. It was a real special moment in

:03:15.:03:19.

history of this festival. Your band, it's just operatin credible really.

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Thanks. I'll let you dry off. Thanks Greg. Thank you mate. Take care. See

:03:25.:03:30.

you in a bit. Thanks a lot. Pleasure.

:03:31.:03:35.

How did he know my any more neighbouring - big boy? That's

:03:36.:03:42.

great. I love that awkward moment when a band comes off stage and they

:03:43.:03:48.

want a hug and they're They weren't sweaty. . I think they'd been

:03:49.:03:53.

towelled down! That was last night. Katy B, welcome. Welcome to Hello. T

:03:54.:03:58.

In The Thanks for Park. Having me. You were on the wrong day. You

:03:59.:04:00.

should have been here for the sunshine yesterday. I know!

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Thankfully there wasn't rain while I was on stage. That was good. Usually

:04:05.:04:07.

I'm in a tent and doing my rain dance praying it's going to rain so

:04:08.:04:11.

people come in. Yeah, it was all right today. How did your set go? It

:04:12.:04:16.

was amazing, really good. I have to say, the left side were amazing.

:04:17.:04:20.

They were giving it everything it was really weird. The right side

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were really good, but they were more shoulder bubble. You split them. The

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left side were just like raving hard. It was really strange. I think

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the left side were the day passes. They were fresh and they were ready.

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The people from the night before were struggling. That's what it

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Yeah, was. Yeah. This is an amazing place. The Scottish crowds, you are

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well versed with touring and Scottish crowds. Look at the mist

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from the ride. That's just sweat from people. Yeah! That's just hard

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graft on that machine. If we could get you on any ride right now, which

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one? You can go on that weird thing. I like hard-core rides. That

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probably looks the most... That bunkee. That -- That look Bungee. S

:05:05.:05:15.

boring over there. Also with the elements, rain in your I would face.

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Like the log A day flume. Like, this it's too wet. You know when you go

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to the Theme Park and you go on one of those things and you get wet, but

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the sun dries you. The crowd at T in the Park, which we will get back to

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in a second, because this is your first time, they don't care. They go

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on the log flume. They won't go on the flume, they just go down it face

:05:37.:05:41.

first. They don't even need the log. It is your first T in the Park. Yes.

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First of all, why has it taken so long to come here and how was it for

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you? Yeah, it was great. Yeah, I mean, I don't know. I don't know why

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it's taken so long. It was brilliant. I had a really great

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time. I've been looking forward to it especially since Radio 1 Big

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Weekend, Scottish crowds are always amazing. So, yeah, I couldn't wait

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to come back. You say you normally play in a tent and when I think of

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Katy B and I think of your music, I think of nighttime, like in a club,

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having a bit a bump and a grind. A bit of a bump and a grind! Your mum

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is interviewing Katy B right now. When you're on a stage in the

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daylight, do you feel a bit out of place or do you own it now? Do you

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know what, though, I brought my whole Katy B experience with me

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today. I had my dancers and my band and like, you know, I felt like, you

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know, we pulled out all the stops and had a really, you know, gave it

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everything we had. So it was really fun. People were just singing along.

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Yeah, it was really good vibes. Didn't feel - even though I do love

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playing at night, you know, I think that's where my heart is. Yeah in a

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sweaty tent. But it was fine. I want to know what the Katy B tour bus is

:07:05.:07:09.

like? We interviewed Ed Sheeran and his bus is very chilled. He offered

:07:10.:07:13.

me a bottle of orange squash. Orange squash? He showed me through his

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World Cup sticker book album. That's what he gets up to. What's it like

:07:19.:07:22.

on the journey back to London tonight, what goes on? Do you put on

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Little Red the at bum? What do you -- Little Red the album, what do you

:07:31.:07:37.

do? Recreptly it's been anthems from 2002, 2003. -- recently. That's

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amazing. And then you click on that and it goes into NoDiggity. And then

:07:46.:07:52.

it's a rave. You take control of the play list? I do actually. That's

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good, you're the I'm quite boss. Hard core. I'm going back with Katie

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tonight. I'm going to leave you to do the rest of the show. I'm getting

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a ride back to London with Katy B. Huge congratulations on the number

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one album by the way. I think it's very well deserved. I think on that

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record, Crying for No Reason is my favourite song you've ever done.

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It's an amazing album. A good one today. Let's watch the set now. From

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earlier on today, this is Katy B at T in the Park.

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# My feet won't stop, I can't keep still

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# That beat's so sick, that tune's so ill

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# Seems they know just how to move me right

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# He looks my way, won't waste my time

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# Won't let history repeat in parallel lines

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# Ooh, I need somebody to calm me down

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# Ooh, I don't know what I'm running from

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# But when the sun comes up, it won't be long

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# I just need someone to talk with me

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# I lost my friends, I check my phone

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# Still searching for someone to walk with me

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# My deep wounds rise, they take their place

:09:53.:09:56.

# All of a sudden this don't feel right

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# Ooh, I don't know what I'm running from

:10:00.:10:27.

# But when the sun comes up, it won't be long

:10:28.:10:30.

# Ooh, I need somebody to calm me down

:10:31.:11:26.

# Ooh, I don't know what I'm running from

:11:27.:11:40.

# But when the sun comes up, it won't be long

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CHEERING AND APPLAUSE. How's it going T in the nark you

:11:45.:12:22.

good? Are we ready to party? Are we ready to tear up the lawn? I don't

:12:23.:12:26.

want to see one blade of grass left on there when we finish, OK? This

:12:27.:12:32.

next song is my new single, will the ladies make some noise. Where are my

:12:33.:12:37.

sexy ladies? CHEERING

:12:38.:12:40.

Do your sexiest dance moves right now, girls. This is about a very

:12:41.:12:42.

sexy lady. # But there's just something that

:12:43.:12:47.

you do # Aaliyah, please, this is green

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envy # Aaliyah, please, this is green

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envy # Aaliyah, please, oh this is green

:13:26.:13:32.

envy # I push all my problems to the back

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of my mind # Then they surface in my dreams,

:13:41.:15:47.

they come alive # I sweep all my issues to somewhere

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I can't find # In hope that I'll forget, but

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there's just so many times # Why can't I be strong and just

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confront all my fears? # When my fear is hurting you by

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being sincere # But how many more days can I run?

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How many years? # Emotions flooding and now it's all

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seeming so clear # Crying for no reason, feel the

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tears roll down # I felt strong but am I breaking

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now? # Crying for no reason 'cause I

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buried it deep # 'Cause I never faced all the pain

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I caused # Now the pain is hitting me full

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force # I push all my problems to the back

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of my brain # A darkness deep inside where I

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just can't find my way # How can I walk with a smile, get

:16:58.:17:01.

on with my day? # When I deceived myself pretending

:17:02.:17:06.

it's all okay # I tried my best to hold it all

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together, I know # The strings have worn away and now

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I'm all exposed # I try to hide it all away on top

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of the shelf # I can lie to everyone but not to

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myself # Crying for no reason feel the

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tears roll down # I felt strong but am I breaking

:17:30.:17:34.

now? # Crying for no reason 'cause I

:17:35.:17:39.

buried it deep # 'Cause I never faced all the pain

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I caused # Now the pain is hitting me full

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force # 'cause I said that I'll be there

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for you, care for you. # I walked away 'cause there were

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things I couldn't say to you, # Crying for no reason, feel the

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tears roll down # I felt strong but am I breaking

:18:17.:18:44.

now? # Crying for no reason 'cause I

:18:45.:18:49.

buried it deep # 'Cause I never faced all the pain

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I caused # Now the pain is hitting me full

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force # me T in the Park. Would you like one

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more? CHEERING

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You're not tired? No! This is for all my 24-hour party people.

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I want to see every single person doing their own little dance right

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now. Thrchlts song goes out to anyone

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who's been -- This song goes out to anyone who's been in a club and the

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lights have come on and you're not ready to go home yet. Are we ready

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to go home yet? # I will keep on going until they

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say so # And even when they do, it's

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so hard for me to go # Some others in the cloakroom

:20:11.:20:12.

and some others out the door # we got to keep on going in

:20:13.:20:15.

the middle of a floor, yeah # So come and play me one more

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song # So you can't scare me with the

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lights on # So come and play me just one

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more song # So you can't scare me with the

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lights on # Now you can watch me if you like

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'cause I really don't care # I'll be the same if there was only

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me inside of here # Because this is where I'm meant to

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be, I can go nowhere # You'll have to come and move me,

:20:57.:21:00.

if you want me out of here # Because I will keep on going until

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they say so # And even when they do, it's so

:21:04.:21:07.

hard for me to go # But them others at the cloakroom

:21:08.:21:11.

and some others out the door # So come and play me just one

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more song # So you can't scare me with the

:21:15.:21:26.

lights on # So come and play me just one

:21:27.:21:34.

more song # So you can't scare me with the

:21:35.:21:41.

lights on # Because I will keep on going until

:21:42.:22:11.

they say so # And even when they do, it's so

:22:12.:22:13.

hard for me to go # But them others at the cloakroom

:22:14.:22:14.

and some others out the door # But them others at the cloakroom

:22:15.:22:16.

and some others out the door # So come and play me just one

:22:17.:22:30.

more song # So you can't scare me with the

:22:31.:22:41.

lights on # So come and play me just one

:22:42.:22:49.

more song # So you can't scare me with the

:22:50.:22:56.

lights on CHEERING AND APPLAUSE. T In The

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Park, make some noise for yourself, one more time. Cheer For my lovely

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dancers, we've got Richie, Monka, Lisa, Joe on keys, Jesy on the

:23:30.:23:34.

drums. I've been Katy B, I'll see you soon.

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CHEERING AND APPLAUSE The incredible Katy B from earlier

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today on the main You had stage. A great idea going on that tour bus.

:23:51.:23:54.

I'm going to join. Those dancers - my God. Had some tweets. Crying for

:23:55.:24:00.

No Reason is beautiful, love this song. What more could I want from

:24:01.:24:06.

Katy B at T in the We have Park. Our first acoustic performance of the

:24:07.:24:11.

day. Keisza, Canadian pop superstar to be, she has the Best Video of

:24:12.:24:19.

this year by the way. She's from Canada is Keisza. Trained as a

:24:20.:24:23.

sniper, also a professional ballet dancer but decided to become a pop

:24:24.:24:26.

star. This is her in the tree house earlier today.

:24:27.:24:39.

# Taking me higher than I've ever been before

:24:40.:24:44.

# I'm holding it back, just want to shout out, give me more

:24:45.:24:50.

# You're just a hideaway, you're just a feeling

:24:51.:24:55.

# You let my heart escape, beyond the meaning

:24:56.:25:00.

# Not even I can't find a way to stop the storm

:25:01.:25:04.

# Oh baby, it's out of my control, it's going home

:25:05.:25:10.

# But you're just a chance I take to keep on dreaming

:25:11.:25:16.

# You're just another day that keeps me breathing

:25:17.:25:21.

# Baby, I love the way that there's nothing sure

:25:22.:25:26.

# Baby, don't stop me, hideaway with me some more

:25:27.:25:34.

# Ooh, ooh, aah, aah, ooh, ooh, aah, aah, ooh

:25:35.:25:42.

# You send the shiver up the spine that might overflow

:25:43.:25:46.

# You're bringing me closer to the edge, I'm letting go

:25:47.:25:53.

# You're just a hideaway, you're just a feeling

:25:54.:25:58.

# You let my heart escape, beyond the meaning

:25:59.:26:03.

# Putting my head into the clouds I'm floating home

:26:04.:26:08.

# When you can be going I can't find a way to stop

:26:09.:26:13.

# You're just a chance I take to keep on dreaming

:26:14.:26:19.

# You're just another day that keeps me breathing

:26:20.:26:30.

# Baby, I love the way that there's nothing sure

:26:31.:26:31.

# Baby, don't stop me, hideaway with me some more

:26:32.:26:41.

# Bringing me higher than I've ever been before

:26:42.:26:43.

# I'm holding it back, just want to shout it, give me more

:26:44.:26:46.

# You're just a hideaway, you're just a feeling

:26:47.:26:51.

# You let my heart escape, beyond the meaning

:26:52.:26:56.

# Not even I can find a way to stop the storm

:26:57.:27:01.

# Oh baby, it's out of my control what's going on

:27:02.:27:07.

# You're just a chance I take to keep on dreaming

:27:08.:27:12.

# You're just another day, that keeps me breathing

:27:13.:27:24.

# You're a day that keeps me dreaming

:27:25.:27:33.

# Baby, I love the way that there's nothing sure

:27:34.:27:34.

# Baby, don't stop me, hide away with me some more

:27:35.:27:56.

move? Oh, yeah. That was brilliant. I can do more but we haven't got

:27:57.:28:01.

time. It was great to hear an acoustic actually. Earlier on the

:28:02.:28:06.

BBC introducing stage there was an acoustic cover of that very same

:28:07.:28:12.

song then George Ezra played a secret set. Catch that on the red

:28:13.:28:15.

button. Still to come, we have got John Newman. He's in the studio

:28:16.:28:19.

right now, lurking at the back. Hi! Not listening. Shall we go to the

:28:20.:28:26.

Radio 1 BBC Three stage now. Yes. Here's Clean Bandit from earlier

:28:27.:28:26.

today. CHEERING AND APPLAUSE. # Words are so easy to say, oh, ah,

:28:27.:28:42.

yeah # You've got to give it to me, give

:28:43.:30:10.

it to me, give it to me, yeah # And words that I've already

:30:11.:30:23.

heard # If you're looking for devotion,

:30:24.:30:53.

talk to me # Words are so easy to say, oh, ah,

:30:54.:31:08.

yeah That's Clean Bandit from earlier

:31:09.:32:04.

today. Welcome John Newman. Are you Hello. OK? I'm good, all Thankedz

:32:05.:32:09.

for right. -- thanks for being in the tree house today. It's good for

:32:10.:32:14.

people watching as well, watching a drunken man throwing his phone on

:32:15.:32:17.

the floor and storming away to security. It's It's this great. Time

:32:18.:32:21.

of the day on a Saturday that people start chucking themselves and doing

:32:22.:32:26.

That's a dives. Great thing to do. Don't go out there not in that, not

:32:27.:32:32.

these beautiful socks. This is monochrome. I'm into it. You can't

:32:33.:32:36.

see, he's wearing lovely black shoes and white We've got socks. Them. We

:32:37.:32:42.

have spies everywhere. How was your set? Incredible. You covered

:32:43.:32:51.

Glastonbury which was surreal for me, and here again, getting to play

:32:52.:32:56.

on the Radio 1 stage was amazing. Like, it's a Scottish crowd. They're

:32:57.:33:00.

always up for it. It's incredible every time you see Scotland on the

:33:01.:33:05.

tour, you go, yes! Then when you do a festival like this, it's

:33:06.:33:08.

incredible. On such a good day, on the bill as well, it's honestly,

:33:09.:33:13.

great. I'm obsessed with watching you perform live. I love your

:33:14.:33:20.

records, but also your dancing. As a taller gentlemen, you're giving tall

:33:21.:33:28.

blokes encouragement to dance. If you're not very confident at

:33:29.:33:31.

dancing, watch the next bit of footage and afterwards, you'll go,

:33:32.:33:34.

I'm going to go for it. How are you finding settling into life as a pop

:33:35.:33:38.

star? Is it something you've come to terms with? I still see it as like

:33:39.:33:43.

right now I'm sitting having a conversation and these guys are

:33:44.:33:46.

doing what they're doing. In terms of walking down red carpets and

:33:47.:33:51.

things, it's promotion. If somebody offers you a glass of champagne at a

:33:52.:33:56.

posh party that is a free glass of champagne and you should drink. It

:33:57.:34:00.

it's kind of like, in terms of everything else, like, look, it

:34:01.:34:03.

means people have bought records. It means that the hard work that I love

:34:04.:34:07.

doing in studios and being a musician is paying off. So, it's not

:34:08.:34:11.

a bad thing. I wouldn't say I'm a pop star in the slightest, but it's

:34:12.:34:15.

nice to be a successful musician. Let's see you doing your thing from

:34:16.:34:19.

earlier today on the Radio 1 NME stage. Thank you very much John

:34:20.:34:21.

Newmanment -- John Newman.

:34:22.:34:55.

# And if you're cheating, cheat on, yeah

:34:56.:35:24.

# And if you're cheating, cheat on, yeah

:35:25.:36:00.

# And if you're cheating, cheat on, yeah

:36:01.:36:26.

# And if you're cheating, cheat on, yeah

:36:27.:37:16.

# And if you're cheating, cheat on, yeah

:37:17.:37:32.

T In The Park make some noise! CHEERING

:37:33.:38:37.

# I'm calling in to tell you that without you here

:38:38.:38:42.

# There's a sound around this lonely house

:38:43.:38:54.

# That's leaving me filled with fear

:38:55.:38:58.

# Please don't stop loving me Loving me

:38:59.:39:27.

# Please don't stop caring now Caring now

:39:28.:39:44.

# I know you have to work out there

:39:45.:40:01.

# It's for the best, but can't you see?

:40:02.:40:03.

# You've always done what's good for me

:40:04.:40:18.

# To be a child scared, so scared of the night

:40:19.:40:43.

# Please don't stop loving me Loving me

:40:44.:40:47.

# Please don't stop caring now Caring now

:40:48.:41:07.

# Need you back here cos it feels so wrong, yeah

:41:08.:42:03.

# Please don't stop loving me Loving me

:42:04.:42:08.

# Please don't stop caring now Caring now

:42:09.:42:24.

# Please don't stop loving me Loving me

:42:25.:42:40.

# I'm calling in to tell you that without you here

:42:41.:42:58.

# As time goes by there's no pieces left

:42:59.:44:24.

# Why would you want to love somebody

:44:25.:44:57.

# Free to see the world now as my own

:44:58.:45:11.

# Breaks through my mind What I have lost

:45:12.:45:29.

# Why would you want to love somebody

:45:30.:45:54.

One more song! T In The Park, are you ready?

:45:55.:47:52.

CHEERING # Filled with all the strength

:47:53.:48:06.

I found # Filled with all the strength

:48:07.:48:30.

I've found # I told you once I can't do this

:48:31.:50:46.

# Oh, oh Can you love me again?

:50:47.:51:41.

CHEERING AND APPLAUSE T, thank you so much. See you next

:51:42.:53:29.

year! So good. Can you describe what that feels like, at that moment? I

:53:30.:53:34.

don't really know. When you look back there at Love Me Again, when I

:53:35.:53:39.

fell to my knees, that's moment when you go, "Oh, God, what have I just

:53:40.:53:43.

done? Look at these people and what am I doing here? It was a really

:53:44.:53:50.

powerful appearance. Apologies for the naughty word in the first song.

:53:51.:53:54.

It was really powerful. Those moves, seriously. You've taught me a thing

:53:55.:53:59.

or two. Shall I show you? Yes.. Here we go. Any excuse.

:54:00.:54:06.

It's the leg flick. You're putting me and Keisza out of a job. I want

:54:07.:54:16.

to talk aboutical vain Harris, his next -- about Calvin Harris, his

:54:17.:54:23.

next single. You're on it. It's a collaboration that we've done and we

:54:24.:54:28.

just put the picture up online and we've not told people much. We live

:54:29.:54:34.

in a world now where people get given a lot. The nice thing is that

:54:35.:54:38.

I could sit here and it's cool and people ask me it's cool, it's all

:54:39.:54:44.

relaxed. It's been an absolute flash working with that guy -- pleasure

:54:45.:54:48.

working with that guy. He's a genius. People look at the dance

:54:49.:54:51.

world now and go they're just producers, but he's a true musician

:54:52.:54:56.

and crafts his music. He's coming in October. It's not that bad. #12k34r

:54:57.:55:01.

we're excited. I'm very excited. Many congratulations on the number

:55:02.:55:04.

one album, a wicked couple of years. Thanks for being in the tree house.

:55:05.:55:06.

That was stunning today. Thanks John. Thank you. We are going to

:55:07.:55:11.

have some fun now. We want to you guess who this T in the Park

:55:12.:55:12.

performer is. This person's favourite flowers are

:55:13.:55:26.

daisies. They were recently hanging out with One Direction. And are have

:55:27.:55:35.

a collaboration. They are a massive Star Trek fan. When this person

:55:36.:55:41.

hears music, they see colours. They wrote and sang on the most screened

:55:42.:55:46.

track of the year so far. This person has a photographic memory.

:55:47.:55:50.

They wear Mickey Mouse slippers around the house. Esta

:55:51.:56:00.

personaestacontenta. Can you guess who it is? Let us know, on Twitter,

:56:01.:56:08.

#TITP. Do you know who it is? Yeah, I do. Did no-one tell us? No, I'm

:56:09.:56:13.

not trusted with things like this, at all. Loads going on online, you

:56:14.:56:19.

can watch any of the artists on the red button as well. Loads of things

:56:20.:56:24.

are going on. In the next show, we get very excited about Pharrell and

:56:25.:56:28.

Rudimental as well. Who due see today that you -- did you see today

:56:29.:56:33.

that you enjoyed? I really enjoyed George Ezra, a lot of people didn't

:56:34.:56:38.

know he was playing and people recognised the songs and came

:56:39.:56:43.

running in. One girl went, "Oh, my God, it's actually George Ezra." He

:56:44.:56:49.

went on stage and said, "One thing I was supposed to say is that I was on

:56:50.:56:54.

the Introducing Stage later. Have a little break and we're back just as

:56:55.:57:01.

Back to the live music after a quick sports update.

:57:02.:57:09.

It was a record breaking day at the cricket.

:57:10.:57:11.

James Anderson and Joe Root made 198 against India, the highest

:57:12.:57:14.

pride? They're just kicking off against the Netherlands to decide

:57:15.:57:24.

himself in the warm up. Olympic Champion David Rudisha

:57:25.:57:27.

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