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This programme contains strong language and flashing images. | :00:00. | :00:22. | |
Welcome back to the final day of it. In the Park from the BBC at | :00:23. | :00:30. | |
Strathallan castle. It is the final day and we'll be | :00:31. | :00:35. | |
bringing you the Red Hot Chili Peppers. They are on the stage as we | :00:36. | :00:43. | |
speak. If you think I'm in a bright jacket, wait until you see them. | :00:44. | :00:50. | |
Chad Smith popped in this afternoon he we had an interview with him. | :00:51. | :00:57. | |
We'll play you that. We'll bring you James Bay and LCD Sounded System | :00:58. | :01:01. | |
currently headlining on the radio 1 stage. Get in touch, we would love | :01:02. | :01:06. | |
to know what you think of the performances. | :01:07. | :01:06. | |
stage. Get in touch, we would love to know what you think of the | :01:07. | :01:09. | |
performances. Effect in touch using the hashtag. | :01:10. | :01:14. | |
First to band who were on the -- get in touch using the hashtag. First to | :01:15. | :01:19. | |
a band on the main stage earlier on, and they were joined by another | :01:20. | :01:25. | |
park. This is Chase and Status, joined by Slave. Everybody feeling | :01:26. | :01:30. | |
good? Scotland, this is what we need right now. Make some noise for the | :01:31. | :01:36. | |
Slaves. That's knotted my plan, I don't want | :01:37. | :02:00. | |
to be that man # That's not my plan | :02:01. | :02:04. | |
# I don't want to be that man # That's not my plan | :02:05. | :02:09. | |
# I don't want to be that man. # Orders, to orders, to orders, to | :02:10. | :02:11. | |
orders. # That's my | :02:12. | :02:26. | |
# That's in the my plan # I don't want to be that man | :02:27. | :02:32. | |
# That's not my plan, I don't want to be that man. | :02:33. | :02:47. | |
# That's not #3450i plan # I don't want to be that man. -- | :02:48. | :02:59. | |
# That's not my plan # I don't want to be that man | :03:00. | :03:07. | |
# Not plea. - # Not me. | :03:08. | :03:08. | |
T In The Park. # | :03:09. | :03:23. | |
Don't be mistaken # Don't be mistaken | :03:24. | :03:30. | |
# Don't move it knob no # That's not my plan | :03:31. | :03:39. | |
# I don't want to be that man # That's not my plan | :03:40. | :03:41. | |
# I don't want to be that man # That's in the my plan anybody | :03:42. | :04:03. | |
don't wanna be that man # | :04:04. | :04:12. | |
To exercise restraight or direction over, dominate or command, the car | :04:13. | :04:39. | |
is difficult to control at high speeds. That zone is control bid | :04:40. | :04:42. | |
enemy troops. # That's not my plan | :04:43. | :04:47. | |
# I don't wanna be that man # That's in the my plan | :04:48. | :04:54. | |
# I don't wanna be that man # That's not my plan | :04:55. | :04:59. | |
# I don't wanna be that man. # That's not my plan | :05:00. | :05:01. | |
# I don't wanna be that man # Control | :05:02. | :05:20. | |
# That's note my plan # I don't wanna be that man | :05:21. | :05:22. | |
# Thank you, love you. Oh, nice work | :05:23. | :05:39. | |
there from Chase and Status, joined by Slave. Phenomenal band. A new | :05:40. | :05:46. | |
album coming August 5th stay with us, we'll give you as much as we can | :05:47. | :05:50. | |
from the final day, including headliners, the Red Hot Chili | :05:51. | :05:54. | |
Peppers who are on the main stage as we speak. If you were with us at the | :05:55. | :05:58. | |
start of our Jake Bugg show you saw me get fan girl about a band heading | :05:59. | :06:03. | |
over to the radio 1 stage to headline. Whilst they have been on, | :06:04. | :06:07. | |
I managed to download this particular app. If I was going to | :06:08. | :06:11. | |
give you a visual aid for the next band this would be it. I have been | :06:12. | :06:17. | |
playing along to the entire set. Of course it is LCD Sound System. | :06:18. | :06:54. | |
# Daft Punk is playing at my house, my house | :06:55. | :06:59. | |
# I'll show you the ropes, kid # Show you the ropes | :07:00. | :07:14. | |
# Got a bus and a trailer at my house, my house | :07:15. | :07:17. | |
# I'll show you the ropes, kid # Show you the ropes | :07:18. | :07:23. | |
# Well, Daft Punk is playing at my house, my house | :07:24. | :07:38. | |
# You got to set them up kid, set them up | :07:39. | :07:46. | |
# Set them up up, ooh-ooh, yeah | :07:47. | :08:00. | |
# Well, Daft Punk is playing at my house, my house | :08:01. | :08:03. | |
# There's every kid for miles at my house, my house | :08:04. | :08:21. | |
# And the neighbours call the police? | :08:22. | :08:24. | |
# There's a fist fight brewing at my house, my house? | :08:25. | :08:27. | |
# Because the jocks can't get in the door | :08:28. | :08:34. | |
# When Daft Punk is playing at my house, my house | :08:35. | :08:38. | |
COWBELL SOLO up, ooh-ooh, yeah | :08:39. | :09:37. | |
# Got everybody's PA in my house, my house | :09:38. | :09:43. | |
# And Sarah's girlfriend is working the door | :09:44. | :09:47. | |
# Got everybody's PA in my house, my house | :09:48. | :09:53. | |
# All the robots descend from the bus | :09:54. | :10:02. | |
# There's a freak-out brewing in my house, my house | :10:03. | :10:07. | |
# Cos Daft Punk is playing at my house, my house | :10:08. | :10:16. | |
# Set them up up, ooh-ooh, yeah | :10:17. | :10:46. | |
# Never, never, never let them go never let them go | :10:47. | :11:11. | |
Looking up, it has started to rain. Well done, that's your fault. Well, | :11:12. | :11:33. | |
that's going to be a dream for me, being in LCD Sound System, just | :11:34. | :11:42. | |
being cowgirl lady. To you see that, that's a job, Cowbell man. We are | :11:43. | :11:49. | |
going to bring you the Red Hot Chili Peppers. Chad Smith is popping in | :11:50. | :11:54. | |
for a chat and we'll give you some James Bay. Earlier on today, a | :11:55. | :11:58. | |
little brighter and more daylight than it was, not dark here, it never | :11:59. | :12:08. | |
gets dark. Earlier on here is Nathaniel Rateliff and the Night | :12:09. | :12:09. | |
Sweats. # nobody going to give a damn | :12:10. | :13:01. | |
# son of a bitch # Son of a bitch | :13:02. | :13:09. | |
# Give me a drink # One more night Here we go. Oh, oh. | :13:10. | :13:16. | |
# Oh, oh. # Oh, oh. Let me hear you. Be | :13:17. | :13:23. | |
# Oh, oh # Oh, | :13:24. | :13:27. | |
oh Now for 17 years I've been throwing | :13:28. | :13:32. | |
them back #17 more will bury me | :13:33. | :13:39. | |
# And somebody please just tie me down | :13:40. | :13:43. | |
# Or somebody get me a God damming drink | :13:44. | :13:45. | |
# Son of a bitch # Give me a drink | :13:46. | :13:50. | |
# One more night # This can't be me | :13:51. | :13:53. | |
# Son of a bitch # If I can't get clean | :13:54. | :14:02. | |
# I'm gonna drink my life away Take it away. | :14:03. | :14:19. | |
# Mm, # Mm | :14:20. | :14:36. | |
# My heart is breaking # Hands are shaking | :14:37. | :14:41. | |
# Bugs are crawling all over me #. | :14:42. | :14:52. | |
# Hands are shaking # Bugs are crawling all over me | :14:53. | :14:58. | |
# my heart was aching # Hands are shaking | :14:59. | :15:02. | |
# Bugs are crawling all over me # my heart was aching | :15:03. | :15:09. | |
# Hands are shaking, # Because are crawling all over me | :15:10. | :15:17. | |
# Son of a bitch moon give me a drink | :15:18. | :15:18. | |
# One more night # This can't be me | :15:19. | :15:20. | |
# Son of a bitch # If I can't get clean | :15:21. | :15:30. | |
# I'm gonna drink my life away Hey, hey | :15:31. | :16:00. | |
# Oh, oh # Oh, oh, oh, oh | :16:01. | :16:18. | |
# Oh, oh # Oh, oh oh, oh, oh Thank you guys | :16:19. | :16:27. | |
so much. Take care of each other. We'll see you soon. | :16:28. | :16:32. | |
It is an interesting choice, the Night Sweats. Not the most glamorous | :16:33. | :16:37. | |
choice of names. Thank you very much everybody getting in touch. Bethany | :16:38. | :16:43. | |
is wishing she is here to see James Bay. Stay there, he may come up | :16:44. | :16:50. | |
next. Alex thinks me might cry for two hours after the Chili's set. And | :16:51. | :16:55. | |
we have one hop can't wait for them to come on. I promise you, it is not | :16:56. | :17:00. | |
long now until we been you them. The headliners on the final day. First, | :17:01. | :17:05. | |
to the Main Stage and the wonderful Mr James Bay. | :17:06. | :18:21. | |
# Hold back the river Let me look in your eyes | :18:22. | :19:06. | |
# Can stop for a minute and see where you hide | :19:07. | :19:13. | |
# Hold back the river Let me look in your eyes | :19:14. | :19:51. | |
# Can stop for a minute and be by your side | :19:52. | :19:58. | |
# Hold back the river Let me look in your eyes | :19:59. | :20:05. | |
# Can stop for a minute and see where you hide | :20:06. | :20:12. | |
# Hold back the river Let me look in your eyes | :20:13. | :21:02. | |
# Can stop for a minute and be by your side | :21:03. | :21:09. | |
# Hold back the river Let me look in your eyes | :21:10. | :21:16. | |
# Can stop for a minute and be by your side | :21:17. | :21:23. | |
The fabulous Mr James Bay playing a track from his album the Chaos and | :21:24. | :23:12. | |
Calm. He is about to finish getting to the end of the touring schedule. | :23:13. | :23:16. | |
He is back to the States and then back, take a break and work on new | :23:17. | :23:19. | |
material. He had an amazing response from the crowd at T In The Park. | :23:20. | :23:23. | |
Right, time for the main event, then. Your final headliners at T In | :23:24. | :23:27. | |
The Park P the Red Hot Chili Peppers. They have been here before. | :23:28. | :23:31. | |
They have a great relationship with the Scottish crowd. What was great | :23:32. | :23:37. | |
was to catch up with Mr Chad Smith before they took the stage. Welcome | :23:38. | :23:43. | |
back to T In The Park. You have already warmed up? Yes, with my | :23:44. | :23:48. | |
buddy Jake and played a song. It was fun. I love watching. We stood | :23:49. | :23:52. | |
watching you guys, we saw Josh and Zane and you guys hanging out, being | :23:53. | :23:57. | |
part of the team and getting the vibe. Yes, it is great. We love T we | :23:58. | :24:03. | |
have played here lots of times. I don't know how many times. Good | :24:04. | :24:07. | |
memories? A bunch. It is usually raining. So I'm happy to see that | :24:08. | :24:11. | |
the tradition continues. How did the Jake thing come about? Is it a case | :24:12. | :24:17. | |
you bump into him and you go - how's about you come up? I played on his | :24:18. | :24:26. | |
record Sian grey la. The one - Shangrila. So it was nice. And we | :24:27. | :24:33. | |
said we were on the same bill, yes, sure, man, come down, play the | :24:34. | :24:37. | |
drums, don't break them. He knows you too well. I get excited. It is | :24:38. | :24:44. | |
the only way I know how to do it. He is a really good guy. I like him and | :24:45. | :24:49. | |
his band. Great people. Obviously a great musician. He gets a great | :24:50. | :24:52. | |
response from the crowd. A huge crowd there for him. Yes. Great to | :24:53. | :24:55. | |
see. They are hanging in there. They are hanging tough. This is the third | :24:56. | :25:00. | |
day, right? Hard-core. I drove by all those tents, in the mud and I'm | :25:01. | :25:06. | |
just going - that's a young man's game right there, boy, wow. God | :25:07. | :25:11. | |
bless them. You are not a camping man. You have been around Europe | :25:12. | :25:15. | |
playing new records from a wonderful new album the Getaway. I saw you | :25:16. | :25:22. | |
guys in Belgium last weekend. In fact I was quite perturbed when I | :25:23. | :25:26. | |
got up for breakfast and you were sat at the table next to me chatting | :25:27. | :25:32. | |
to another band. Yes, I love them. I was there the night before we had | :25:33. | :25:36. | |
gotten in and I didn't know they were playing the night before, or I | :25:37. | :25:40. | |
would have gone and saw them They are amazing. Their show is, I think, | :25:41. | :25:51. | |
ununequaled. They are uncred I will. People probably don't think or -- | :25:52. | :25:55. | |
they are incredible. People probably don't think or know that they are | :25:56. | :25:59. | |
really funny guys. We just laughed the whole time. But they are not on | :26:00. | :26:03. | |
stage but they are a bunch of comics. There was eaves dropping | :26:04. | :26:07. | |
going on by me at breakfast but I could tell they were funny. I love | :26:08. | :26:11. | |
those guys. We had a good time. A nice morning. And the energy from | :26:12. | :26:15. | |
you guys come on stage as well. I got out front to watch you last | :26:16. | :26:19. | |
weekend. It was so exciting because, you know, it is the Chili Peppers. | :26:20. | :26:24. | |
You have so many tunes to choose from but the new album, it feels | :26:25. | :26:29. | |
like, you guys, the energy has been rapped up even more so. You know -- | :26:30. | :26:35. | |
ramped up. We are so excited by our new record. We love playing all of | :26:36. | :26:40. | |
our songs but it is fun to play the new ones, we are starting to do | :26:41. | :26:45. | |
them. When a new one comes out on a set list, it is great, we need to | :26:46. | :26:49. | |
play Dark Necessity. We are trying not to play too many new ones. It is | :26:50. | :26:53. | |
a festival and a lot of people don't really know our new record but it is | :26:54. | :27:00. | |
fun to just, it really gets you kind of pumped up. But we love to play | :27:01. | :27:05. | |
and every time we go out there, we play our little hearts out. You can | :27:06. | :27:11. | |
tell. Do you get any say in the set list? Anthony does the set list. It | :27:12. | :27:17. | |
is kind of based on how he is feeling, his voice. But, he passes | :27:18. | :27:21. | |
around to. We make our suggestions, what about this one or maybe that | :27:22. | :27:27. | |
one? But for the most part, he is in charge of the set list. What are you | :27:28. | :27:32. | |
most enjoying playing from the new record? Do you have a favourite | :27:33. | :27:35. | |
track you are loving playing from the new record? Man, you know, there | :27:36. | :27:39. | |
is a song we have called Detroit that's kind of a rocker that I | :27:40. | :27:44. | |
really love. I grew up in Detroit, Michigan, so it has a special place | :27:45. | :27:49. | |
in my heart. I love that one. I love all the new ones, we are trying to | :27:50. | :27:54. | |
switch songs. We played Dark Necessities and playing the Getaway | :27:55. | :27:58. | |
nightly, but we are trying to switch up the other two to get new songs | :27:59. | :28:03. | |
into the set but I'm digging Detroit right now. Hopefully we'll play it | :28:04. | :28:08. | |
tonight. If it is not on the list I will be like - Anthony, what about | :28:09. | :28:12. | |
Detroit? Please, pretty please. Thank you for coming to talk to us | :28:13. | :28:16. | |
Thank you for having us. We appreciate your support. We love | :28:17. | :28:19. | |
everybody here in Scotland. Even though it rains We will be back in | :28:20. | :28:28. | |
the fall, too. I think it is the Hydro. She knows. Thank you, Chad. | :28:29. | :30:57. | |
CHEERING AND APPLAUSE So, this is the festival! | :30:58. | :43:10. | |
Very nice, very nice. You guys talking about the Cup over | :43:11. | :43:18. | |
there? CHEERING AND APPLAUSE | :43:19. | :43:30. | |
# Southern girl with a Scarlett drawl | :43:31. | :44:25. | |
CHEERING AND APPLAUSE Thanks. | :44:26. | :47:18. | |
# Dark necessities are part of my design | :47:19. | :49:16. | |
# Tell the world that I'm falling from the sky | :49:17. | :49:19. | |
# Dark necessities are part of my design | :49:20. | :49:34. | |
# You got no time for the afterthought | :49:35. | :49:39. | |
# They're like ice cream for an astronaut | :49:40. | :49:44. | |
# Dark necessities are part of my design | :49:45. | :50:05. | |
# Tell the world that I'm falling from the sky | :50:06. | :50:09. | |
# Dark necessities are part of my design | :50:10. | :50:25. | |
# The darkness helps to sort the shine | :50:26. | :50:30. | |
# The darkness helps to sort the shine | :50:31. | :50:43. | |
# Dark necessities are part of my design | :50:44. | :51:18. | |
# Tell the world that I'm falling from the sky | :51:19. | :51:23. | |
# Dark necessities are part of my design | :51:24. | :51:51. | |
CHEERING AND APPLAUSE Thank you. You know, we've been on | :51:52. | :52:49. | |
tour, I've been on tour on my adult life. When I was a kid, I never | :52:50. | :52:53. | |
dream die would get to travel around the world and play music all over | :52:54. | :52:56. | |
the world. -- dream that I would get. We've been playing for 30 | :52:57. | :53:03. | |
years, you know, and still to have the opportunity and a privilege to | :53:04. | :53:06. | |
travel across to the other side of the world and come here and play | :53:07. | :53:12. | |
here, being in Scotland is the greatest treat for which I'm so | :53:13. | :53:17. | |
grateful and I will never, ever, ever take it for granted! Thank you | :53:18. | :53:20. | |
so much! Thank you! # You never know | :53:21. | :55:00. | |
# Don't ask me why # I feel so good | :55:01. | :55:45. | |
# You never know #... | :55:46. | :55:56. | |
The mothes in fucker # Will not go | :55:57. | :56:11. | |
# If you have to ask # You'll never know | :56:12. | :56:19. | |
# Funky motherfuckers # Will not be told | :56:20. | :56:20. | |
# CHEERING AND | :56:21. | :57:24. | |
APPLAUSE # I'm a freak of nature, | :57:25. | :59:14. | |
walking totem pole # I'm a freak of nature, | :59:15. | :00:01. | |
walking totem pole # I'm a freak of nature, | :00:02. | :00:26. | |
walking totem pole # I heard your voice | :00:27. | :01:03. | |
through a photograph # I thought it up it | :01:04. | :04:33. | |
brought up the past # Once you know | :04:34. | :04:36. | |
you can never go back # I've got to take | :04:37. | :04:40. | |
it on the otherside # Stranger things could | :04:41. | :04:47. | |
never change my mind # I've got to take | :04:48. | :05:01. | |
# The ashtray's full and I'm spillin' my guts | :05:02. | :05:44. | |
# She wants to know am I still a slut | :05:45. | :05:47. | |
# I've got to take it on the otherside | :05:48. | :05:55. | |
# Scarlet starlet and she's in my bed | :05:56. | :05:59. | |
# Push the trigger and pull the thread | :06:00. | :06:06. | |
# I've got to take it on the otherside | :06:07. | :06:10. | |
# Turn me on, take me for a hard ride | :06:11. | :07:04. | |
# Burn me out, leave me on the otherside | :07:05. | :07:07. | |
# Wanna feel it all around get ya, wanna get you | :07:08. | :12:20. | |
Little bit of woman in a black dress? You heard it. With a drum | :12:21. | :12:28. | |
stick in his left hand is our friend Chris. And the drumstick somehow | :12:29. | :12:41. | |
makes him feel better. More comforting. I understand. I've got a | :12:42. | :13:01. | |
rainbow dog. So far away. The whole balcony! | :13:02. | :13:28. | |
# We will do our thing tonight alright | :13:29. | :13:31. | |
# You don't have to keep it if it's mine | :13:32. | :14:14. | |
# (Another lonely superstar to getaway inside your car) | :14:15. | :14:16. | |
# (Surrender to the brave inside a lover that another tried) | :14:17. | :14:24. | |
# Sitting in your car and on your street | :14:25. | :14:30. | |
# Take a spin to find out how we feel | :14:31. | :14:39. | |
# Turn it up and no we can't be found | :14:40. | :14:47. | |
# Find out that the trick is never cheap | :14:48. | :14:55. | |
# You don't have to keep it if it's mine | :14:56. | :15:21. | |
# (Another lonely superstar to getaway inside your car) | :15:22. | :15:23. | |
# (Surrender to the brave inside a lover that another tried) | :15:24. | :15:40. | |
# We will do our thing tonight, alright | :15:41. | :15:46. | |
# A May December might not be so smart | :15:47. | :16:20. | |
# (Another lonely superstar to getaway inside your car) | :16:21. | :16:23. | |
# Arrivals that we wish would not depart | :16:24. | :16:28. | |
# (Surrender to the brave inside a lover that another tried) | :16:29. | :16:37. | |
# Siveretta the jets of a lifetime # Go and get her I've got her on my | :16:38. | :18:34. | |
mind # Nothing better the feeling is so | :18:35. | :18:36. | |
fine # Simply put I saw your love stream | :18:37. | :18:38. | |
flow # Come on baby cos there's in name | :18:39. | :18:47. | |
for # Give it up and I got what I came | :18:48. | :18:50. | |
for # Universally speaking | :18:51. | :19:01. | |
# I take it back and you make me nervous | :19:02. | :19:04. | |
# Nothing better than love and service | :19:05. | :19:08. | |
# Universally speaking # I I win in the long run | :19:09. | :19:33. | |
# I saw your crime # Dying to get high | :19:34. | :19:43. | |
# Two of a kind # Beats all hands tonight | :19:44. | :19:53. | |
# Silveretta are the jets of a lifetime | :19:54. | :19:58. | |
# Go and get her, I've got her on my mind | :19:59. | :20:02. | |
# All the better to make it so fine # Simply put, I saw your love stream | :20:03. | :20:10. | |
flow # Come on baby cos there's in name | :20:11. | :20:13. | |
for # Give it up and I got what I came | :20:14. | :20:17. | |
for # Universally speaking | :20:18. | :20:22. | |
# Take it back and you make me nervous | :20:23. | :20:24. | |
# Nothing better than love and service | :20:25. | :20:31. | |
# Universally speaking # I win in the long run | :20:32. | :20:44. | |
# Silveretta the jets of a lifetime # Go and get her I've got her on my | :20:45. | :20:48. | |
mind # Nothing better the feeling is so | :20:49. | :20:49. | |
fine # Simply put I saw your love stream | :20:50. | :21:00. | |
flow # Simply put I saw your love stream | :21:01. | :21:02. | |
flow CHEERING AND | :21:03. | :21:47. | |
APPLAUSE Do you know how to play this on the | :21:48. | :21:56. | |
guy snar no idea? You know everything, come on. We | :21:57. | :22:14. | |
have We've travelled a lot of ground in the last couple of days and we've | :22:15. | :22:19. | |
worked with a lot of amazing people here. I want to thank each and every | :22:20. | :22:24. | |
one of them them for Brigging us here and getting us here safe. And | :22:25. | :22:32. | |
making us who we are. -- bringing us here. | :22:33. | :23:11. | |
# I called the teacher cause I wanted to confess it now | :23:12. | :23:14. | |
# Can I make the time for me to come and get it blessed somehow | :23:15. | :23:18. | |
# She spoke to me in such a simple and decisive tone | :23:19. | :23:21. | |
# Her sweet admission left me feeling in position from | :23:22. | :23:25. | |
# I don't take these things so personal | :23:26. | :23:29. | |
# Somebody hooted and they hollered can I buy a vowel | :23:30. | :23:43. | |
# Don't let her catch you in the act of throwing in the towel | :23:44. | :23:47. | |
# And when it's not as it appears to be, the flagrant foul | :23:48. | :23:55. | |
# Can I put my fingers in your mouth before you start to growl? | :23:56. | :23:58. | |
# I don't think that it's so terrible | :23:59. | :24:00. | |
# Tell me now, I know that it just won't stop | :24:01. | :24:17. | |
# You will find your flow when you go robot | :24:18. | :24:25. | |
# I want to thank you and spank you upon your silver skin | :24:26. | :24:28. | |
# You've got to choose it to use it, so let me plug it in | :24:29. | :24:35. | |
# Sometimes I feel like I'm a sentimental trooper | :24:36. | :24:51. | |
# She cried so hard, you know she looked like Alice Cooper | :24:52. | :24:54. | |
# I don't think that it's so personal | :24:55. | :24:56. | |
# Tell me now, I know that it just won't stop | :24:57. | :25:16. | |
# You will find your flow when you go robot | :25:17. | :25:24. | |
# I want to thank you and spank you upon your silver skin | :25:25. | :25:27. | |
# You've got to choose it to use it, so let me plug it in | :25:28. | :25:34. | |
# Can I come and get you when I hit you in your party clothes? | :25:35. | :26:03. | |
# Let's turn this cosplay holiday, what we obey | :26:04. | :26:05. | |
# And now we're welcoming each other to this cabaret | :26:06. | :26:07. | |
# I don't think that it's so terrible | :26:08. | :26:10. | |
# Tell me now, I know that it just won't stop | :26:11. | :26:29. | |
# You will find your flow when you go robot | :26:30. | :26:37. | |
# I want to thank you and spank you upon your silver skin | :26:38. | :26:40. | |
# You've got to choose it to use it, so let me plug it in | :26:41. | :26:50. | |
That's Sammy on the other base. When we recorded the song it had two | :26:51. | :28:10. | |
bases on it. One of I tried to plate -- play both parts it sounded crap. | :28:11. | :28:19. | |
Sally was like, I could do it. And he stepped up. -- Sammy. He brought | :28:20. | :28:27. | |
some Mexican funk to Scotland. So, thanks, Sammy. Some of that Mexican | :28:28. | :28:36. | |
funk in Scotland! Mexican funk in Scotland. It's a poem by Yates! | :28:37. | :29:14. | |
# Am I on the right side of the left side of your brain | :29:15. | :34:19. | |
# Can you see the rising of old yesterday's remains | :34:20. | :34:24. | |
# Funkadelic said it best I think you know the rest | :34:25. | :34:30. | |
# Time don't stand a chance against this motor madness | :34:31. | :34:36. | |
# He did it with the little thing I think it's called a Ford | :34:37. | :35:53. | |
# Funkadelic said it best I think you know the rest | :35:54. | :35:58. | |
# Time don't stand a chance against this motor madness | :35:59. | :36:04. | |
Love, love, love love love! Thank you so much. | :36:05. | :43:31. | |
# Suicide an month before I met you # Deep regrets I never could forget | :43:32. | :46:21. | |
you # Somehow you made your way to my | :46:22. | :46:25. | |
decade # Ayo ayo | :46:26. | :46:28. | |
# In the sun I see you with your guard down | :46:29. | :46:32. | |
# Number one you're moving to a hard town | :46:33. | :46:34. | |
# Do not dismiss the promise that you made me | :46:35. | :46:44. | |
# Ayo ayo ayo # Favor some | :46:45. | :46:51. | |
# Way too young # Slave to none | :46:52. | :46:54. | |
# Way too young # Say goodbye my love | :46:55. | :47:01. | |
# I can see it in your soul # Say goodbye my love | :47:02. | :47:05. | |
# Thought that I could make you whole | :47:06. | :47:09. | |
# Let your lover sail # Death was made to fail | :47:10. | :47:29. | |
# Slip away into the Solar System # Straighter rays you find a way to | :47:30. | :47:38. | |
twist them, some like it dark and oi know where to | :47:39. | :47:46. | |
# Ayo ayo responsible Serpentine I think she was an Aussie | :47:47. | :47:53. | |
# Bloody hell, a common kamikaze # Give up the ghost before you go | :47:54. | :48:02. | |
# Ayo ayo responsible ayo wonder in say goodbye my love | :48:03. | :48:07. | |
# I can see it in your soul # Say goodbye my love | :48:08. | :48:15. | |
# Thought I could make you hole # let your lover sale | :48:16. | :48:22. | |
# Death was made to fail your flickering is more than just a | :48:23. | :48:50. | |
small flail # Welcome to the party | :48:51. | :48:52. | |
# It's a ball game # Pick up the stick and it's time to | :48:53. | :48:59. | |
get hit with # Ayo ayo | :49:00. | :49:02. | |
# Suicide is never going to save you # When I cried it was because I came | :49:03. | :49:05. | |
too # You are the one I want to know | :49:06. | :49:08. | |
right now # Ayo | :49:09. | :49:09. | |
# Ayo the first time we've played that | :49:10. | :50:08. | |
song to people here. # Give it away give it | :50:09. | :50:58. | |
away give it away now # I can't tell if I'm | :50:59. | :51:06. | |
a kingpin or a pauper # Greedy little people | :51:07. | :51:08. | |
in a sea of distress # Keep your more | :51:09. | :51:11. | |
to receive your less # I'm a low brow but I | :51:12. | :51:13. | |
rock a little know how # No time for the piggies | :51:14. | :51:19. | |
or the hoosegow # Get smart get down | :51:20. | :51:21. | |
with the pow wow # Never been a better | :51:22. | :51:23. | |
time than right now # Goodness me can't | :51:24. | :51:25. | |
you see I'm gonna cough it # Give it away give it | :51:26. | :51:35. | |
away give it away now # Come and drink it | :51:36. | :52:19. | |
up from my fertility # Blessed with a bucket | :52:20. | :52:24. | |
of lucky mobility # My mom I love her | :52:25. | :52:26. | |
'cause she love me # Long gone are the times | :52:27. | :52:29. | |
when she scrub me # Feelin' good my | :52:30. | :52:32. | |
brother gonna hug me # Drink my juice young | :52:33. | :52:34. | |
love chug-a-lug me # Give it away give it | :52:35. | :52:36. | |
away give it away now # What I've got you've got | :52:37. | :53:09. | |
to give it to your mama # What I've got you've got | :53:10. | :53:12. | |
to give it to your pappa # What I've got you've got | :53:13. | :53:14. | |
to give it to your daughter # You do a little dance and then | :53:15. | :53:17. | |
you drink a little water # Give it away give it | :53:18. | :53:32. | |
away give it away now # Give it away | :53:33. | :54:04. | |
# Please, give it away. # Just give it away! | :54:05. | :54:42. | |
# Going to give it away! # Give it away! | :54:43. | :55:07. | |
I hope you've had so much fun! I hope you had you a good time! Thank | :55:08. | :55:12. | |
you! CHEERING AND APPLAUSE | :55:13. | :55:18. | |
I love yous. Thank you. | :55:19. | :55:30. | |
What a band. The energy they exude and that huge crowd, sticking around | :55:31. | :55:39. | |
in the rain, as you can see in the final night, the Sunday night here. | :55:40. | :55:44. | |
There we are, that is how wet it is. Here we are at T In The Park at | :55:45. | :55:48. | |
Strathallan Castle. The crowd loving that. Can we take a moment to | :55:49. | :55:55. | |
appreciate how amazing Chad's drum kit it. I mean, I lost count. The | :55:56. | :56:00. | |
green trans pansy was a thing of beauty. I loved that. Also, we | :56:01. | :56:03. | |
should mention that celebrations will be going on well into the | :56:04. | :56:07. | |
night. 20 miles away from here, about 20 minutes away from here, bun | :56:08. | :56:12. | |
Blaine, the home town of Andy Murray today. If people are driving and | :56:13. | :56:16. | |
leaving site I'm sure the party will be continuing close to the site here | :56:17. | :56:20. | |
at T In The Park. Thank you to everybody for getting in touch the | :56:21. | :56:24. | |
we have a couple of late tweets from people. Ali tweeting: | :56:25. | :56:31. | |
If nothing, else, hopefully, Ali it'll get you in the mood for coming | :56:32. | :56:38. | |
next year for listen for the tickets for Chili shows later on in the | :56:39. | :56:45. | |
year. Chelsea was loving Dark Necessity. I thought the new stuff | :56:46. | :56:51. | |
was as brilliant as the old stuff. Hard it pick a set. | :56:52. | :56:59. | |
Leann had memories of seeing them at hatch den park. It is ten years | :57:00. | :57:02. | |
since they were here previously in 2006. We look forward to welcoming | :57:03. | :57:07. | |
them back to Scotland again. Thank you for watching over the weekend. | :57:08. | :57:12. | |
We have had a blast here at T In The Park. If you want to relive any of | :57:13. | :57:16. | |
the moments, there are loads of great performances, be that the full | :57:17. | :57:20. | |
set or just clips from the festival, from the whole festival over the | :57:21. | :57:25. | |
weekend, talking about the likes of Disclosure, Catfish and the Bottle | :57:26. | :57:30. | |
Men, you have Slave, 1975 and loads more. Highlights including My le, | :57:31. | :57:44. | |
Serbs Kane's white track suit. LCD Sound system and Calvin Harris. It | :57:45. | :57:48. | |
has been a great weekend. Thank you very much for watching. We will | :57:49. | :57:52. | |
hopefully see you back here next year. But if you want to check out | :57:53. | :57:57. | |
more performances head online. Thank you for watching. | :57:58. | :59:07. | |
'is dedicated to trainspotters and train lovers. | :59:08. | :59:15. | |
'Come and explore classic locomotives - | :59:16. | :59:21. | |
'as we get the stats on Britain's railway network - | :59:22. | :59:25. |