T at 20 T in the Park


T at 20

An hour long special celebrating some of the best performances from over the past 20 years from Scotland's biggest music festival. Includes exclusive band interviews.


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Transcript


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This programme contains some strong language.

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2013 is the 20th year of Scotland's biggest music festival -

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T in the Park.

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Having become one of the UK's favourite festivals,

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T is a highlight of the musical calendar...

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It's like Scotland's Christmas.

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..known for its unique atmosphere...

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It's a rock 'n' roll explosion, innit?

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..and passionate crowd...

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It's pretty wild! HE LAUGHS

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..it's gained an international name for itself.

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You know, you go anywhere in the world,

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there's always people that have heard of T in the Park so it's...

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really got a hell of a reputation.

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Its diverse line-up has seen some of the biggest names in music

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appear on its stages.

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Some even before they hit the big time.

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I even think The Verve might have been on when they were called Verve.

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Before they had a "The".

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Now one of the most important and critically acclaimed music events

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on the festival circuit, it's come a long way since it started in 1994.

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It was such a leap into the unknown.

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You know, it's a business,

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the musical equivalent of jumping off a cliff without a parachute.

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So, to celebrate T at 20, we'll be showing you some of the best

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performances from nearly two decades of live music.

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T in the Park was the idea of Stuart Clumpas,

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the founder of Glasgow-based music promotions company DF Concerts.

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With a wealth of experience putting on live gigs, Stuart,

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alongside colleague Geoff Ellis,

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decided it was time Scotland had some music alfresco.

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In the early '90s, there wasn't really an outdoor culture in Scotland

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for concerts, everyone thought it rained so much

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that nobody would go and see a show outdoors.

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The whole concept of standing in a field, you know,

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open to the elements and seeing a whole load of different

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bands on the bill was completely and utterly alien.

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And we were like, "There's a festival in Scotland?! What?!

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"There's a festival in Scotland?

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"That's one way of keeping them up there, I suppose, during June.

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"It saves them all going Glastonbury, don't it?"

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You can't wear nice clothes to a field, you know?

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I just thought festivals were for, like,

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the other generation, the older generation.

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Like, the '60s or the '70s people, like, the hippies and stuff.

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So there was a healthy bit of, kind of, scepticism.

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The initial idea was to create an event around THE festival band

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of the early '90s, The Levellers, and hold it on the Isle of Arran.

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It would have been a one-day kind of festival but we got on a ferry

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and went over to the Isle of Arran, and we just realised, you know,

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looking at the capacity of the ferries, you know, it would

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take a week to get enough people over there to make a, you know,

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a festival viable.

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So we kind of scrapped those plans

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and we came across Strathclyde Park and decided, let's go for 1994.

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Having previously worked with them on other live music events,

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DF Concerts teamed up with Tennents and Irish music promoters

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MCD to put on Scotland's first ever T in the Park.

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The 1994 line-up included some of the top acts of the time...

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# When your seven worlds collide

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# Whenever I am by your side... #

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# Someday I'll have a disappearing hairline

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# Someday I'll wear pyjamas in the daytime

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# Love to hear your song

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# On the AM

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# On the AM... #

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..and the first ever headliners were Rage Against the Machine.

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RAPS: The present curriculum

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I put my fist in 'em Eurocentric every last one of 'em

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See right through the red, white and blue disguise

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With lecture I puncture the structure of lies

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Installed in our minds and attempting to hold us back

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We've got to take it back

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Holes in our spirit causin' tears and fears

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One-sided stories for years and years and years

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I'm inferior? Who's inferior?

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Yeah, we need to check the interior of the system

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who cares about only one culture

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And that is why we gotta take the power back

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We gotta take the power back

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Come on, come on!

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We gotta take the power back!

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We knew what we were doing in terms of managing concerts,

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booking bands, marketing concerts - all that was easy bit.

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You know, getting the line-up together is the easiest bit.

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It's like, how do we actually run a festival?

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We had the doormen from King Tut's, a guy called Steve Broadfoot,

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who was our campsite manager in that very first year.

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It shows how naive we were

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because we didn't have a fence around the campsite or anything,

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we just said to people, "If you want to camp, come along.

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"It's an extra £2 to cover the security and the toilets,"

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and Steve was collecting two pound off each of them

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and then literally walking them to where to pitch their tent,

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and that's how, you know,

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organic it was in the first year, and how naive it was.

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But as the campers got ready for the second day of the festival,

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an up-and-coming band called Oasis

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were having trouble getting to the site.

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I think we'd crossed the border into Scotland, and we pulled over,

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and our mate who was driving the van...

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..filled it up with petrol instead of diesel

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so we didn't get much further after that.

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-Where's the rest of the band?

-On the motorway somewhere.

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They're just, like, I don't know, they just broke down.

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We ended up arriving at T in the Park on the train,

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carrying our own equipment,

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with all the punters, and had to walk through with them.

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We had to virtually queue up to get in.

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It was probably the only festival that they didn't play as a headliner

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because after T in the Park, they got so big so quickly

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that the next time they did festivals,

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they were headlining them.

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Headlining on the Sunday night were Primal Scream,

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who had no problems getting to the festival

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but found getting to the stage slightly difficult.

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I was carried to the stage...

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..by Steve Molloy, who was a roadie.

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For a while, I thought I was carried to the stage

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because I was completely out of it

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but I think it's because it was really muddy!

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# Thieves keep thievin'

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# Whores keep whorin'

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# Junkies keep scorin'

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# Trade is on the meat rack

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# Strip joints full of hunchbacks

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# Bitches keep bitchin'

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# Clap keeps itchin'

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# Ain't no use in prayin'

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# That's the way it's stayin', baby... #

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We put on a good performance. We really gave everything.

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# Johnny ain't so crazy

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# He's always got a line for the ladies

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# Yeah, yeah, yeah!

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# Get your rocks off

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# Get your rocks off, honey

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# Shake it now, now

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# Get 'em off downtown

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# Get your rocks off

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# Get your rocks off, honey

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# Shake it now, now

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# Get 'em off downtown

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# Creeps keep crawlin'

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# Drunks keep fallin'

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# Teasers keep teasin'

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# Holy Joes are preachin'

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# Cops keep bustin'

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# Hustlers keep hustlin'

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# Death keeps knockin'

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# Souls are up for auction

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# Ain't no use in prayin'

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# That's the way it's stayin', baby

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# Johnny ain't so crazy

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# He's always got a line for the ladies

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# Yeah, yeah, yeah... #

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Pretty cosmic, erm, yeah, it was,

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it was the biggest gig we'd played up to that date in Scotland.

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# Shake it now, now

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# Get 'em off downtown. #

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Get down!

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CHEERING AND APPLAUSE

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'It wasn't until the Sunday night

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'that we saw how much everybody had really enjoyed the festival'

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and reviews on the Monday morning that gave us the, you know,

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the confidence to do it all again.

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So, Scotland's first ever T in the Park was off the ground

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and over the next couple of years the festival became the hottest

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ticket in town as the billings were bursting with the latest bands.

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# I don't understand how the last card is played

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# But somehow a vital a connection is made... #

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Oh!

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# But we are young

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# We get by

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# Can't go mad

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# Ain't got time

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# Sleep around if we like but we're all right... #

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# I want my love, my joy My laugh, my smile, my needs

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# Not in the star signs Or the palm that she reads

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# I want my sundrenched, windswept Ingrid Bergman kiss.

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I remember the first year I went to T in the Park, I saw Pulp playing.

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That was the year Pulp were headlining and...

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I still think that's probably one of the best festival performances

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I've ever seen.

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# See what I can do

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# I took her to a supermarket

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# I don't know why but I had to start it somewhere

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# So it started there

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# I said, "Pretend you've got no money"

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# She just laughed and said, "You're so funny!"

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# I said, "Yeah?"

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# Well, I can't see anyone else smiling in here

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# Are you sure?

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# You want to live like common people

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# You want to see whatever common people see

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# Want to sleep with common people

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# You want to sleep with common people like me

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# But she didn't understand

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# She just smiled and held my hand

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# Rent a flat above a shop

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# Cut your hair and get a job

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# Smoke some fags and play some pool

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# Pretend you never went to school... #

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Jarvis was this, kind of, lean, stark figure

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commanding these thousands of people.

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Yeah, it was pretty good.

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# I want to live with common people like you

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# I want to live with common people like you

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# I want to live with common people like you

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# I want to live with common people like you

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# I want to live with common people like you

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# I want to live with common people like you

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# I want to live with common people like you

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# I want to live with common people like you

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# You!

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# You!

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# You!

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# Oh, yeah. #

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CHEERING AND APPLAUSE

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Also wowing the crowd that year was Sunday night headliner Radiohead.

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It really was absolutely magical.

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# Ah, ah, ah!

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# You do it to yourself, you do

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# And that's what really hurts

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# You do it to yourself, just you

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# You and no-one else

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# You do it to yourself

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# You do it to yourself

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# Self

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# Self. #

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THOM SCREAMS

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Thank you, good night!

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But when Radiohead said "good night", it was also goodbye

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to Strathclyde Park, as the festival had to find a new site.

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There was two reasons why we moved from Strathclyde Park to Balado.

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One was that the site had been earmarked for redevelopment

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and also, we had outgrown it.

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I was just seeing an item on the news, I think, last summer,

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about Strathclyde Park,

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that the event might not be there next year

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and, obviously, I've always reckoned there was potential on the site

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for concerts of some description.

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We drove onto the site, met Douglas and it just felt right.

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It felt perfect.

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Lots of, you know, open spaces for putting stages on,

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big audiences but, also, a lot of undulating land so it didn't,

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you know, look flat and boring.

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We had a really warm reception from the local people in Kinross,

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which is the town right next to it.

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We need something to liven the place up a bit!

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About 80,000 people are going to be livening the place up.

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Dinnae tell me any more!

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The community council saw the potential.

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I do remember a few community council meetings that were a bit tetchy

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where people had misconceptions about what the festival would bring

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but they looked at this and they thought,

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"No, this is going to be good for the kids in the village and the town,

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"it's going to be good for the economy,"

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and they welcomed us with open arms.

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We have given this application due consideration

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and I move approval for the application to be allowed.

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It wasn't till we made the choice to move out to Kinross

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that we became a Scottish festival

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and suddenly people on the east coast and the north of Scotland

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were going, "Well, great, this is a, you know, a festival for Scotland."

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People in Glasgow were sceptical about us moving north

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because they thought Kinross, you know, was miles away.

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I thought, "I don't want go to Kinross,

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"why would I want to go to Kinross?" And I think I spoke for everybody.

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And our sales in Glasgow kind of dipped a little bit

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but we were selling tickets throughout the rest of Scotland.

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..and as soon as I got there, I just fell in love with the place.

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So the festival had a new home in 1997

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and that meant bigger crowds came to see the latest bands at Balado.

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That year's headliners were The Charlatans...

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# Love is hard to leave

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# And it's hard to never have

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# Can you please crawl out of your window

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# You can play with all my love Yeah, yeah, yeah... #

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..and Paul Weller.

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# I've got a grapefruit matter

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# It's as sour as shit

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# I got no solution

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# I better get used to it

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# I don't need a ship to sail in stormy weather

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# Don't need you to ruffle the feathers of my peacock suit

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# My peacock suit

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# I'm narcissus in a puddle

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# In shop windows I gloat

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# Like a ball of fleece lining

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# Dressed in my camel skin coat

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# I don't need a ship to sail in stormy weather

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# I don't need you to ruffle the feathers of my peacock suit

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# Did you think I should?

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# Peacock suit... #

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With enough open space for a new tent

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and wanting to capture the ever-popular club scene culture,

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it was time for T to get hardcore.

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Because we were experienced at running our own events

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and doing nights at the Arches, and the Sub Club,

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and the whole club feel is a continuous mix of music,

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that Geoff asked us if we could actually organise something like that

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for T in the Park and that's how the Slam Tent was born.

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It was a big tent to start off with

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and I remember looking at it at the beginning,

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and going, "Whoa, that's a big space to fill!"

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And, literally, when we opened the doors, I remember opening the doors

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to the Slam Tent and just everybody rushing in.

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It was like somebody had opened a dam and water had just splashed in.

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There was all these people just running in,

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so it was quite an overwhelming feeling.

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Just sit there and go, "This is something we just created,

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"this is something that we're behind."

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Yeah, we went down to the Slam Tent.

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The atmosphere was amazing and there was just people everywhere,

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and just everybody dancing.

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And, literally, like, the place was, like, dripping with sweat,

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which was great.

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As well as performances from Slam, the tent has hosted world-class DJs

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like Fatboy Slim, Laurent Garnier...

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and Carl Cox.

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We try and be a little bit eclectic as well.

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We've had, you know, people like Groove Armada,

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Orbital and Leftfield.

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I don't think it matters whether you're a rock band or a dance band,

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I think the same rules apply.

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You've got to give people a good riff, give people a hook,

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something that they can go, "Ah, there it is!" You know?

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You feel like the people in the Slam Tent are there for the long haul.

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They're not looking in checking who's playing in other places,

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it's like, that's the Slam Tent crowd

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and they've probably been in there since Friday night, and they just go

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away, grab a few hours' kip, then come back, and go to the Slam Tent.

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It really does feel like its own little festival within the festival.

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But dance music didn't stay in the Slam Tent.

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Over the years, it's made its presence felt

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across the whole festival.

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# I'm the fear addicted Danger illustrated

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# I'm a firestarter Twisted firestarter

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# You're the firestarter Twisted firestarter

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# I'm a firestarter, Twisted firestarter

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# I'm the bitch you hated Filth infatuated

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Yeah!

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# I'm the pain you tasted Fell intoxicated

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Intoxicated!

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# I'm a firestarter Twisted firestarter

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# You're the firestarter Twisted firestarter

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# Whoa-oa-oa, yeah!

0:20:160:20:21

# Whoa, yeah... #

0:20:230:20:25

It's never been just solely the preserve of rock 'n' roll.

0:20:250:20:29

That's partly because to get, out of a population of five million,

0:20:290:20:32

to get, you know, a festival the size of T in the Park,

0:20:320:20:35

even in the early years, we couldn't be one-dimensional, musically,

0:20:350:20:38

we had to, we had to appeal to a wider cross-section.

0:20:380:20:42

And in 1998 one man who had a huge following

0:20:420:20:46

was former boy band member Robbie Williams.

0:20:460:20:49

He turned up with this, kind of, really severe Mohican haircut,

0:20:490:20:52

you know, which I don't think, if truth to be told,

0:20:520:20:55

did him any favours.

0:20:550:20:56

# Hell is gone and heaven's here

0:21:030:21:04

# There's nothing left for you to fear

0:21:040:21:06

# Shake your ass, come over here Now scream

0:21:060:21:09

# I'm a burning effigy of everything I used to be

0:21:100:21:14

# You're my rock of empathy... #

0:21:140:21:16

You know the words! Come on!

0:21:160:21:18

# So come on, let me entertain you

0:21:180:21:23

# Let me entertain you... #

0:21:260:21:31

He went on and just won over the crowd.

0:21:330:21:35

It was just absolutely fantastic.

0:21:350:21:36

After being entertained by pop music from Robbie on the Saturday,

0:21:360:21:40

Sunday's audiences got something very different,

0:21:400:21:43

American hip-hop heroes Beastie Boys.

0:21:430:21:46

Whoa!

0:21:460:21:49

So!

0:22:070:22:08

Listen all of y'all it's a sabotage

0:22:080:22:11

Listen all of y'all it's a sabotage

0:22:110:22:13

Listen all of y'all it's a sabotage Listen all of y'all it's a sabotage

0:22:130:22:17

RAPS: I can't stand it I know you planned it

0:22:170:22:22

I'm gonna set it straight, this Watergate

0:22:220:22:24

I can't stand rocking when I'm in this place

0:22:240:22:27

I feel disgrace You're all in my face

0:22:270:22:30

So make no mistakes and switch up my channel

0:22:300:22:33

I'm buddy rich when I fly off the handle

0:22:330:22:35

What could it be, it's a mirage

0:22:350:22:37

You're scheming on a thing That's sabotage

0:22:370:22:42

CHEERING AND APPLAUSE

0:22:420:22:44

As the festival got bigger, some bands grew with it.

0:22:460:22:49

Headliners of the future were progressing up each stage.

0:22:490:22:53

The Stereophonics first played T in 1997...

0:22:530:22:56

# There's no mistake The smell I smell

0:22:580:23:02

# It's that time of year again

0:23:020:23:05

# I can taste the air... #

0:23:050:23:10

..and they became main stage headliners

0:23:100:23:12

just a couple of years later.

0:23:120:23:13

It's quite an accomplishment, I think,

0:23:130:23:16

for three scallywags from a tiny village in Wales that has got

0:23:160:23:19

one road in and one road out, and a bus terminus at the top.

0:23:190:23:22

# ..train runs late for the first time

0:23:220:23:30

# A pebble beach We're underneath a pier

0:23:350:23:40

# Just been painted red

0:23:400:23:43

# Where I hear the news for the first time

0:23:430:23:50

# And all the friends lay down the flowers

0:23:500:23:54

# Sit on the banks and drink for hours

0:23:540:23:58

# Talk of the way they saw him last

0:23:580:24:02

# Local boy in the photograph... #

0:24:020:24:09

It was the year of the vest.

0:24:110:24:12

Everybody was wearing vests in them days.

0:24:120:24:15

I remember smashing up this guitar at the end and it took,

0:24:150:24:19

it took for ever to smash this guitar.

0:24:190:24:21

CHEERING AND APPLAUSE

0:24:210:24:23

I couldn't quite understand why an Epifoam Gibson would take

0:24:250:24:29

more effort to break than a real Gibson.

0:24:290:24:32

And I smashed it against the monitor about five times,

0:24:320:24:34

and resorted to just throwing it in the air.

0:24:340:24:36

I don't think I'd ever done that before. Smashed up a guitar.

0:24:380:24:41

I haven't since either, after that effort! But it was good fun!

0:24:410:24:45

It's great that these bands, you know, develop through the festival.

0:24:450:24:49

It's very, very rewarding, you know, to see a festival headliner who,

0:24:490:24:54

you know, maybe three years earlier were opening up a main stage.

0:24:540:24:57

Another band who worked their way up the T billings were

0:24:570:25:00

on the verge of global stardom when they played the main stage in 2001.

0:25:000:25:05

# Look at the stars

0:25:050:25:07

# Look how they shine for you... #

0:25:070:25:12

And I remember seeing Coldplay,

0:25:120:25:14

and it was just as their second album was going to come out.

0:25:140:25:18

And I thought, "Fucking hell, that's going to be immense."

0:25:200:25:23

It was just kind of them,

0:25:300:25:31

just playing the music and it was fucking great.

0:25:310:25:33

# It's you... #

0:25:450:25:46

CHEERING AND APPLAUSE

0:25:490:25:51

And, erm, that might be the best I've ever seen Coldplay,

0:26:220:26:24

before they...

0:26:240:26:26

got involved in the lasers and the wizardry and all that.

0:26:260:26:28

# One, two...

0:26:280:26:30

# I turn the music up

0:26:300:26:31

# I got my records on

0:26:310:26:33

# From underneath the rubble sing a rebel song

0:26:330:26:37

# Don't want to see another generation drop

0:26:370:26:42

# I'd rather be a comma than a full stop

0:26:420:26:46

# Maybe I'm in the black

0:26:460:26:48

# Maybe I'm on my knees

0:26:480:26:50

# Maybe I'm in the gap between the two trapezes

0:26:500:26:54

# But my heart is beating and my pulses start

0:26:540:26:58

# Cathedrals in my heart

0:26:580:27:02

# As we saw

0:27:020:27:06

# Oh, this light

0:27:060:27:10

# I swear you

0:27:100:27:12

# Emerge blinking into

0:27:120:27:15

# To tell me it's all right

0:27:150:27:18

# As we soar walls

0:27:180:27:25

# Every siren is a symphony

0:27:250:27:30

# Every tear's a waterfall

0:27:300:27:34

# Is a waterfall

0:27:340:27:37

# Is a waterfall

0:27:370:27:40

# Oh-oh-oh

0:27:400:27:42

# Is a waterfall

0:27:420:27:45

# Every teardrop is a waterfall

0:27:450:27:48

# Oh-oh-oh

0:27:480:27:50

# So you can hurt... #

0:27:500:27:51

It was just incredible. You know, you didn't want it to end.

0:27:510:27:54

# Why does it always rain on me?

0:27:540:27:58

# Cos I lied when I was 17

0:27:590:28:02

# Why does it always rain on T?

0:28:020:28:06

# Even when the sun is shining I can't avoid the lightning... #

0:28:060:28:10

Chris Martin's nod to Scotland's own Travis spotlights a band

0:28:100:28:14

who'd made their festival debut in the comedy tent at the very first T

0:28:140:28:18

and worked their way up to the top slot on the main stage

0:28:180:28:21

in the year 2000.

0:28:210:28:22

# Why does it always rain on me?

0:28:260:28:31

# Is it because I lied when I was 17?... #

0:28:310:28:35

We found ourselves headlining this event.

0:28:350:28:39

# Even when the sun is shining

0:28:390:28:42

# I can't avoid the lightning

0:28:420:28:44

# Oh, where did the blue sky go?

0:28:440:28:49

# Why is it raining so cold... #

0:28:490:28:53

You feel your adrenaline going, "Woo!"

0:28:540:28:57

It was good, everyone was kind of interacting with the band.

0:28:570:29:01

Singing just about every song and every lyric.

0:29:010:29:03

-CROWD:

-# I can't sleep tonight

0:29:030:29:06

# Everybody saying everything's all right... #

0:29:060:29:11

The way they light the crowd, when they put those...

0:29:110:29:14

There's lights that go across the top of...all festival stages.

0:29:140:29:18

Everyone's just lit up so you see all these,

0:29:180:29:21

sort of, this big sea of skin.

0:29:210:29:23

Like, sort of, wee white faces all going, "Rargh!", but it's abstract.

0:29:230:29:27

It just looks like this big giant thing.

0:29:270:29:30

It's not an individual thing, it's just one huge, big roaring beast.

0:29:300:29:35

It feels more like you're just this big soup of crazy energy.

0:29:350:29:40

It's brilliant.

0:29:400:29:42

# Is it because I lied when I was 17?

0:29:420:29:45

# Why does it always rain on me?

0:29:450:29:48

# Even when the sun is shining I can't avoid the lightning

0:29:480:29:53

# Oh, where did the blue sky go?

0:29:530:29:58

# Why is it raining so cold... #

0:29:580:30:03

I mean, you feel the energy coming off the audience.

0:30:030:30:05

That moment when you walk on stage

0:30:050:30:08

and you can feel it starting to surge towards you.

0:30:080:30:11

People just hear that slide guitar, the... # Doo-doo doo. #

0:30:130:30:17

CHEERING AND APPLAUSE

0:30:170:30:19

You just, kind of, see the whole place, kind of, go...

0:30:190:30:22

Especially when the bass comes in.

0:30:220:30:24

It's the, "Dum, dum, dum, dum, dum, dum, dum, dum."

0:30:240:30:26

Woo!

0:30:300:30:31

'You can just see T in the Park suddenly to start to go, like that.'

0:30:310:30:35

And then it starts...

0:30:350:30:37

# I don't want a lover

0:30:400:30:43

# But I just need a friend

0:30:430:30:47

# I don't want a lover

0:30:490:30:51

# I just need a friend

0:30:520:30:54

Come on!

0:30:540:30:56

# You can't just leave me

0:30:570:30:59

# To face life on my own

0:31:010:31:03

# I know you don't love me no more

0:31:040:31:07

# I knew this day it would come

0:31:090:31:12

# Even when it cuts so deep

0:31:120:31:15

# It's true I still want you... #

0:31:150:31:18

It's like this amazing, kind of, like, relationship between,

0:31:200:31:24

between you and a bunch of strangers

0:31:240:31:26

but you feel like you know every single person

0:31:260:31:29

and they feel that they know you cos they're singing all your songs.

0:31:290:31:32

It's positive, you know? It's a positive vibe in that crowd.

0:31:320:31:35

You know, the crowd are with you. Just incredible, you know?

0:31:350:31:38

It's like a hometown show.

0:31:380:31:41

# Shoot the runner

0:31:410:31:42

# Shoot, shoot the runner

0:31:420:31:44

# I'm the king and everybody sing it!

0:31:440:31:47

# Dream

0:31:470:31:49

# Dream again in your way

0:31:490:31:52

# Always knew that you would

0:31:530:31:55

# Lose yourself to the scene

0:31:570:32:00

# Am I only a dream?

0:32:000:32:03

# Shoot the runner Shoot, shoot the runner

0:32:030:32:06

# I'm a king and you're my queen, bitch... #

0:32:060:32:10

They sing the guitar lines, they sing the...

0:32:250:32:28

the piano hooks, they sing, they sing every hook, you know?

0:32:280:32:33

As well as every word.

0:32:330:32:34

# Let's waste time

0:32:340:32:37

-CROWD:

-# Chasing cars

0:32:390:32:42

# Round our heads... #

0:32:440:32:46

CHEERING AND APPLAUSE

0:32:480:32:50

# I need your grace

0:32:530:32:55

# To remind me

0:32:570:33:00

# To find my own

0:33:010:33:04

# If I lay here

0:33:070:33:10

# If I just lay here

0:33:120:33:15

# Would you lie with me and just forget the world?

0:33:160:33:22

# Forget what we're told

0:33:250:33:28

# Before we get too old

0:33:290:33:33

# Just show me a garden that's bursting into life... #

0:33:340:33:40

There's one sing-along moment that's always stuck with Snow Patrol

0:33:420:33:46

and it wasn't on the main stage

0:33:460:33:47

but in their first headlining slot, in the King Tut's Tent, in 2004.

0:33:470:33:51

# It's... #

0:33:510:33:53

'It's lucky they were singing along because I lost the plot

0:33:530:33:55

in the first two songs

0:33:550:33:56

and don't think I sang a single word, and the crowd just carried it.

0:33:560:34:00

I'm so nervous, I forgot the whole second verse!

0:34:000:34:03

And it was just a swelling ocean of people.

0:34:040:34:08

Like, I've never seen a crowd move like it before.

0:34:080:34:11

It was like, they looked like they were just,

0:34:110:34:13

they were all bobbing on the ocean

0:34:130:34:15

and, er, I, just, was completely and utterly gobsmacked.

0:34:150:34:18

Never seen a crowd like it in my life.

0:34:180:34:20

Never had an experience like it in my life.

0:34:200:34:23

# So what? So what?

0:34:230:34:25

# We don't have time for that

0:34:270:34:30

# All I want's to find an easy way

0:34:320:34:38

# To get on up a little higher

0:34:380:34:42

# Light up

0:34:480:34:51

-CROWD:

-# Light up

0:34:510:34:53

# As if you have a choice

0:34:530:34:58

# Even if you cannot hear my voice

0:34:580:35:05

# I'll be right beside you, dear... #

0:35:050:35:09

CHEERING AND APPLAUSE

0:35:090:35:15

That first sweet, great show at T

0:35:240:35:28

was probably one of the best of my memory, for sure.

0:35:280:35:30

-Thank you!

-CHEERING AND APPLAUSE

0:35:300:35:33

King Tut's also holds great memories for The View

0:35:330:35:36

when they headlined the tent in 2007.

0:35:360:35:39

'The noise. I've never...'

0:35:390:35:43

That's, like, one of the only times I've ever been nervous

0:35:430:35:46

about going on stage.

0:35:460:35:47

Everybody was pacing about and not even speaking to anybody

0:35:470:35:49

but it was an amazing feeling. I was, like, buzzing.

0:35:490:35:52

The tent, I thought the tent was going to blow up!

0:35:520:35:54

It was that, like, the noise was amazing.

0:35:540:35:56

# To sail away to see some sights

0:35:560:36:00

# Sail away with me

0:36:000:36:04

# To see some sights

0:36:040:36:06

# Oh, oh, oh, oh

0:36:060:36:10

# Oh, oh, oh

0:36:100:36:14

# Superstar tradesman

0:36:160:36:18

# Stand at the bar

0:36:180:36:20

# Get a trade, son

0:36:210:36:23

# You will go far

0:36:230:36:25

# You have a house in the ferry

0:36:250:36:28

# And a new guitar that's never been played before

0:36:280:36:33

# And it never will

0:36:330:36:35

# Never been played before

0:36:350:36:38

# And it never will. #

0:36:380:36:41

Not bad for a couple of guys who, five years earlier,

0:37:010:37:04

had been in the crowd watching Oasis on the main stage.

0:37:040:37:07

It was our first T in the Park, we came in, right, I remember,

0:37:070:37:10

it was weird, and that, in monumental day.

0:37:100:37:12

I taped it and when I got back I was just fast forwarding through it

0:37:140:37:16

and I found myself on it. It was great.

0:37:160:37:19

# Is it worth the aggravation To find yourself a job

0:37:350:37:40

# When there's nothing worth working for?

0:37:400:37:44

# It's a crazy situation

0:37:490:37:53

# But all I need are cigarettes and alcohol!

0:37:530:37:58

# You could wait for a lifetime

0:38:040:38:08

# To spend your days in the sunshine

0:38:080:38:12

# You might as well do the white line

0:38:120:38:15

# Cos when it comes on top

0:38:150:38:17

# You gotta make it happen!

0:38:170:38:20

# You gotta make it happen!

0:38:200:38:24

# You gotta make it happen!

0:38:240:38:27

# You gotta make it happen!

0:38:280:38:31

# You gotta, you gotta

0:38:470:38:49

# You gotta make it

0:38:490:38:50

# You gotta, you gotta

0:38:500:38:53

# You gotta fake it

0:38:530:38:54

# You gotta, you gotta

0:38:540:38:56

# You gotta make it

0:38:560:38:58

# You gotta, you gotta

0:38:580:39:00

# You gotta rake it! #

0:39:000:39:01

Oasis headlining was always guaranteed to be a winner,

0:39:390:39:42

but for one Scottish band setting foot on the main stage

0:39:420:39:45

for the first time

0:39:450:39:46

the crowd's reaction was a revelation.

0:39:460:39:48

We didn't realise that people were that into the band

0:39:480:39:51

at that point as well.

0:39:510:39:54

Just, like, thousands and thousands of people

0:39:540:39:57

going absolutely mental and singing along.

0:39:570:39:59

CROWD SING ALONG TO RIFF

0:40:020:40:05

# I say don't you know?

0:40:160:40:18

# You say you don't know

0:40:180:40:20

# I say

0:40:200:40:21

# Well, take me out

0:40:230:40:25

# I say you don't show

0:40:250:40:27

# Don't move, time's slow

0:40:270:40:29

# I say

0:40:290:40:30

# Take me out

0:40:310:40:33

# I say don't you know

0:40:410:40:43

# You say you don't know

0:40:430:40:45

# I say

0:40:450:40:46

# Take me out

0:40:480:40:50

# If I wane, this could die

0:40:500:40:52

# If I wait, this could die

0:40:520:40:53

# I want you to take me out

0:40:530:40:58

# If I move, this could die

0:40:580:40:59

# Eyes move, this could die

0:40:590:41:02

Come on!

0:41:020:41:03

-CROWD:

-Take me out!

0:41:040:41:06

It was the best welcome a band could ever have.

0:41:080:41:12

It was probably one of the happiest moments of my life

0:41:130:41:16

and you can see it on my face as well.

0:41:160:41:18

# ..I know I won't be leaving here with you. #

0:41:180:41:23

CHEERING AND APPLAUSE

0:41:330:41:35

A moment the Kaiser Chiefs never predicted

0:41:360:41:39

was when they headlined the Radio One NME Stage, in 2008.

0:41:390:41:43

It was a brilliant gig and Ricky ripped his trousers.

0:41:430:41:46

Yeah, my trousers split down both inner seams.

0:41:460:41:49

That's how good the gig was.

0:41:490:41:51

# Ruby, Ruby, Ruby, Ruby

0:41:520:41:54

# Ah, ah, ah, ah, ah

0:41:540:41:57

# Do you? Do you? Do you?

0:41:570:41:59

# Know what you're doing, doing to me?

0:42:030:42:05

# Ruby, Ruby, Ruby, Ruby... #

0:42:070:42:10

We played really early on and I think it really helped our career,

0:42:140:42:18

in terms of, like, playing in Scotland.

0:42:180:42:20

I think it was our first big gig in Scotland and then we went on,

0:42:200:42:23

and we've always had great gigs in Scotland,

0:42:230:42:25

so it definitely helped us.

0:42:250:42:26

As well as helping to establish bands, the festival itself

0:42:260:42:30

was building a reputation far beyond the fields of Balado,

0:42:300:42:33

as T in the Park attracted some of the biggest names

0:42:330:42:36

from across the Atlantic.

0:42:360:42:38

# Tonight's the night

0:42:380:42:39

# Let's live it up

0:42:390:42:41

# I got my money

0:42:410:42:43

# Let's spend it up

0:42:430:42:45

# Go out and smash it

0:42:450:42:47

# Like, "Oh, My God!"

0:42:470:42:49

# Jump off that sofa

0:42:490:42:51

# Let's get, get OFF! #

0:42:510:42:52

The Foos have, you know, played T in the Park,

0:42:520:42:54

you know, several times.

0:42:540:42:57

CHEERING AND APPLAUSE

0:42:570:42:59

# What have we done with innocence?

0:43:110:43:14

# It disappeared with time it never made much sense

0:43:170:43:21

# Adolescent resident

0:43:220:43:25

# Wasting another night on planning my revenge

0:43:280:43:32

Here we go!

0:43:320:43:34

# One in ten

0:43:340:43:35

# One in ten

0:43:360:43:38

# One in ten

0:43:390:43:40

# Don't wanna be your monkey wrench

0:43:420:43:44

# One more indecent accident

0:43:470:43:50

# I'd rather leave than suffer this

0:43:520:43:56

# I'll never be your monkey wrench... #

0:43:580:44:01

I think Dave Grohl himself is the musicians' musician.

0:44:150:44:18

He's the one that, you know, you say to most acts on the bill,

0:44:180:44:21

"Who do you want to shake hands with?",

0:44:210:44:23

or, "Who do you want to watch?" You know, it's him.

0:44:230:44:26

He's a great performer and a great person, you know.

0:44:260:44:29

Just hangs out, chills out, talks to all of the bands.

0:44:290:44:33

# Suckers to the side I know you hate my 98

0:44:330:44:37

# We're going to get you... #

0:44:370:44:39

Once, the Red Hot Chili Peppers were staying

0:44:390:44:41

and they'd made a separate compound out of Portakabins,

0:44:410:44:45

like these, so no-one could see in.

0:44:450:44:47

But one of our Portakabins, one of the windows,

0:44:480:44:51

they'd try to cover it up with some paper

0:44:510:44:52

but it just came off, so we're looking in on their section.

0:44:520:44:55

Flea's running around in an all-in-one body suit

0:44:550:44:57

and then we put up a sign, Simon's idea, saying,

0:44:570:44:59

"Give us a wave, give us a wave, give us a wave now."

0:44:590:45:02

And then we saw, I think it was Anthony, or Flea, one of them,

0:45:020:45:06

looking at it, trying to read it...

0:45:060:45:07

# Youngblood is the loving upriser... #

0:45:070:45:10

..and then he went like...

0:45:100:45:11

# Give it away, give it away Give it away now

0:45:130:45:15

# Give it away, give it away Give it away now

0:45:150:45:18

# Give it away, give it away Give it away now

0:45:180:45:20

# I can't tell if I'm a kingpin or a pauper... #

0:45:200:45:23

We've always been about contemporary acts in the first and foremost

0:45:230:45:27

but as the festival's matured, we've been able to do some acts

0:45:270:45:31

that probably weren't the obvious booking for a festival, you know,

0:45:310:45:34

for T in the Park.

0:45:340:45:36

So, REM were probably the first headliner that we booked

0:45:360:45:39

that predated the festival.

0:45:390:45:40

# So Andy did you hear about this one?

0:45:400:45:44

# Tell me, are you locked in the punch?

0:45:440:45:48

# Andy are you goofing on Elvis?

0:45:480:45:51

# Hey, baby, are you having fun?

0:45:510:45:55

# If you believe they put a man on the moon

0:45:550:46:00

# Man on the moon

0:46:000:46:03

# If you believe there's nothing up his sleeve

0:46:030:46:07

# Nothing is cool... #

0:46:070:46:09

Come on!

0:46:090:46:12

Most bands that headline T in the Park have kind of

0:46:240:46:26

grown through T in the Park - like Oasis, like Pulp,

0:46:260:46:29

like Kings of Leon, Killers, Kasabian

0:46:290:46:31

but with The Who, you know, I'm just a really massive fan of The Who

0:46:310:46:35

but it wasn't a self-indulgent booking.

0:46:350:46:37

I thought, "The Who will work,

0:46:370:46:39

"so long as we've got very contemporary acts underneath them."

0:46:390:46:42

So we had the Arctic Monkeys and The Strokes,

0:46:420:46:44

who, arguably, both were bigger than The Who

0:46:440:46:47

and certainly more popular amongst our demographic

0:46:470:46:50

but The Strokes and the Arctic Monkeys

0:46:500:46:52

would have no problem playing prior to The Who.

0:46:520:46:55

And that, to me, that was a perfect kind of booking.

0:46:550:46:58

# Who are you?

0:46:580:47:02

# Who, who, who, who

0:47:020:47:04

# Who are you?

0:47:050:47:08

# Who, who, who, who she met

0:47:080:47:10

# Who are you?

0:47:110:47:14

# Who, who, who, who?

0:47:140:47:16

# Who are you?

0:47:170:47:20

# Who, who, who, who?

0:47:200:47:22

# I woke up in a Soho doorway

0:47:230:47:26

# The policeman knew my name

0:47:260:47:29

# He said, "You can go sleep at home tonight

0:47:290:47:32

# "If you can get up and walk away"

0:47:320:47:35

# I staggered back to the underground

0:47:350:47:39

# The breeze blew back my hair

0:47:390:47:41

# I remembered throwing punches around

0:47:420:47:44

# I was preachin' from my chair Who are you?

0:47:440:47:48

# Who are you?

0:47:480:47:50

# Who, who, who, who

0:47:500:47:53

# I really want to know

0:47:530:47:54

# Who are you

0:47:540:47:56

# Who, who, who, who

0:47:560:47:59

# Come on and tell me, who are you?

0:47:590:48:00

# Who are you?

0:48:000:48:03

# Who, who, who, who?

0:48:030:48:05

# Because I really want to know

0:48:050:48:07

# Who are you... #

0:48:070:48:09

Pete and Roger Daltrey actually gave each other a big hug as they

0:48:110:48:14

walked offstage, and Pete was, you know, had a grin from ear to ear.

0:48:140:48:18

CHEERING AND APPLAUSE

0:48:180:48:21

Very, very grateful.

0:48:220:48:24

It's important for us to have some really good,

0:48:270:48:30

kind of, heritage type acts on the bill because we can do it now.

0:48:300:48:34

In the early years it was a bit more difficult

0:48:340:48:36

but we've had James Brown, he was absolutely brilliant when he played.

0:48:360:48:39

# I feel good

0:48:390:48:41

# I feel good

0:48:410:48:42

# I knew that I would

0:48:420:48:44

Come here!

0:48:440:48:45

# I feel good

0:48:450:48:47

# I feel good

0:48:470:48:49

# I knew that I would

0:48:490:48:51

-# So good

-So good

0:48:520:48:54

-# So good

-So good

0:48:540:48:56

# I got you

0:48:560:48:57

# I feel nice

0:48:590:49:00

# I feel nice

0:49:000:49:02

# Like sugar and spice

0:49:020:49:03

# I feel nice

0:49:040:49:07

# I feel nice

0:49:070:49:08

# Like sugar and spice

0:49:080:49:10

-# So good

-So good

0:49:120:49:13

-# So nice

-So nice

0:49:130:49:15

# I got you... #

0:49:150:49:16

I thought most of the T in the Park audience would probably

0:49:190:49:22

never have the opportunity to go and see Brian Wilson

0:49:220:49:24

but if he's playing at the festival that you're going to,

0:49:240:49:26

then you take time out to go and see him because you know he's a legend.

0:49:260:49:29

# I'm thinking about good vibrations

0:49:290:49:33

# She's giving me the excitations

0:49:330:49:36

# I'm thinking about good vibrations

0:49:360:49:40

# She's giving the excitation

0:49:400:49:43

# Good, good, good, good vibrations

0:49:430:49:47

# She's giving me good vibrations

0:49:470:49:49

# Good, good, good, good vibrations

0:49:490:49:54

# Close my eyes

0:49:560:49:59

# She's somehow closer now

0:49:590:50:01

# Softly smile I know she must be kind

0:50:030:50:08

# When I look in her eyes

0:50:100:50:16

# She goes with me to a blossom world

0:50:160:50:20

# And I'm picking up

0:50:230:50:24

# I'm picking up good vibrations

0:50:240:50:27

# She's giving me excitations

0:50:270:50:31

# I'm picking up good vibrations

0:50:310:50:34

# She's giving me excitations

0:50:340:50:37

# Good, good, good, good vibrations

0:50:370:50:41

# she's giving me excitations

0:50:410:50:44

# Good, good, good, good vibrations

0:50:440:50:48

# She's giving me excitations... #

0:50:480:50:50

There was 80,000 people in the tent, you know, from, you know,

0:50:500:50:52

kids of 15, 16, right up to,

0:50:520:50:54

you know, people in their forties and fifties.

0:50:540:50:57

He was absolutely wonderful.

0:50:570:50:59

The crowd were wonderful, clapping the whole way through

0:50:590:51:02

and I just felt like I was witnessing something quite special.

0:51:020:51:05

But it's not all about established bands.

0:51:130:51:15

The festival has always had opportunities for new talent,

0:51:150:51:18

with the likes of the BBC Introducing Stage

0:51:180:51:20

and the T Break Stage,

0:51:200:51:22

where many young Scottish artists made their first appearance.

0:51:220:51:25

I played in the T Break tent

0:51:250:51:27

and it was probably the first festival that I done,

0:51:270:51:30

and then my album was just about to come out, and the tent was

0:51:300:51:33

absolutely rammed, and it just felt like one of them

0:51:330:51:36

really special moments,

0:51:360:51:37

and it felt really emotional for me

0:51:370:51:40

because this is the festival that I'd came to with my friends,

0:51:400:51:43

this is the one that I dreamed of playing,

0:51:430:51:45

and suddenly I was on the stage performing,

0:51:450:51:47

and there was loads of people, and I was about to release my album.

0:51:470:51:51

After her T Break appearance in 2007,

0:51:510:51:54

Amy went on to play the main stage the following year.

0:51:540:51:57

# Where you gonna sleep tonight?

0:51:570:52:00

# And you're singing the songs Thinking this is the life

0:52:000:52:02

# And you wake up in the morning and your head feels twice the size

0:52:020:52:05

# Where you gonna go Where you gonna go?

0:52:050:52:07

# Where you gonna sleep tonight?

0:52:070:52:10

# Where you gonna sleep tonight... #

0:52:100:52:12

The T break competition is held before the main event.

0:52:130:52:16

Wannabe bands send in their demos for their chance to play the stage.

0:52:160:52:20

There was one time I worked on our demo and rather than, like,

0:52:200:52:24

putting it in the post for the T Break competition, I was like,

0:52:240:52:26

I'm going to hand-deliver this so they take it seriously.

0:52:260:52:29

Wrote "hand-delivered" on it and everything.

0:52:290:52:31

But I handed in to the actual Tennent's factory.

0:52:310:52:33

I don't know what that road is? Duke Street, or something like that?

0:52:330:52:36

Er, it's just in Dennistoun, Duke Street...

0:52:360:52:38

So, I walked all the way along, handed it in, like, "Yes!"

0:52:380:52:41

Never heard back but the next year we got invited

0:52:410:52:44

and then we played the Futures Tent, then NME Stage

0:52:440:52:46

and today we played the main stage.

0:52:460:52:48

# So I can be free

0:52:480:52:51

# So I can be free, yeah... #

0:52:530:52:58

And for one band, playing the T Break stage in 2000

0:52:580:53:01

was a life-changing moment.

0:53:010:53:03

It was a nightmare show -

0:53:030:53:05

Ben's bass drum broke, I busted all my fingers up,

0:53:050:53:08

they were bleeding so bad from playing guitar, and we were just so

0:53:080:53:11

excited, and we had a good time but we didn't think the show went great.

0:53:110:53:14

Then afterwards, like, two days later, or something,

0:53:140:53:17

it was like, "We'd like to sign you," and we were like, "What?!"

0:53:170:53:20

# Your beautiful face

0:53:200:53:23

# I held her tight... #

0:53:250:53:28

And then we just, yeah, slowly kept creeping up in the stages.

0:53:280:53:32

In 2003 I think we were scheduled to play the NME Stage, or something,

0:53:320:53:37

kind of, mid-afternoon and it was the year that Jack White, I think,

0:53:370:53:40

broke his finger or something

0:53:400:53:42

so the White Stripes pulled out at the last minute

0:53:420:53:45

and we got flung on to the main stage bill,

0:53:450:53:47

which we didn't really belong to at that point.

0:53:470:53:50

When we stepped on that stage, it was just totally overwhelming.

0:53:570:54:00

So much so that we kind of forgot how we set up on stage.

0:54:000:54:04

We felt, like, half a mile away from each other on this big stage

0:54:040:54:08

and we didn't really know how to kind of do our thing on it

0:54:080:54:10

so, just the excitement and the, you know, overwhelmed us

0:54:100:54:13

but it was one of the greatest days of our lives.

0:54:130:54:16

# She'll do, she'll do... #

0:54:160:54:18

'The show felt amazing.

0:54:180:54:20

'You know, we've since looked at it back and it's just three angry guys

0:54:200:54:23

'falling around the stage.

0:54:230:54:25

'I remember at the end, I threw Ben's drum kit or whatever

0:54:250:54:28

'and knocked over all his drums.

0:54:280:54:29

'None of the mics were working, the guitars were just lying around.

0:54:290:54:32

'It was a punk rock moment, that's for sure.'

0:54:320:54:35

You know, you learn every time you kind of play a main stage,

0:54:370:54:39

you kind of learn, you know, wee tricks and things that,

0:54:390:54:42

that'll work better next time.

0:54:420:54:44

# Cos you tear us apart

0:54:440:54:47

# With all the things you don't like

0:54:470:54:49

# You can't understand that I won't leave

0:54:490:54:55

# Till we're finished here

0:54:550:54:58

# And then you'll find out

0:54:580:55:00

# Where it all went wrong

0:55:000:55:03

# Nothing lasts for ever

0:55:160:55:19

# Except you and me

0:55:190:55:21

# You are my mountain You are my sea

0:55:220:55:26

# Nothing lasts forever

0:55:270:55:29

# Between you and me

0:55:290:55:32

# You are my mountain

0:55:330:55:35

# You are my sea

0:55:350:55:38

# I am the mountain

0:55:380:55:41

# I am the sea

0:55:410:55:43

# You can't take that away from me

0:55:440:55:47

# I am the mountain

0:55:470:55:49

# I am the sea

0:55:490:55:52

# I am the mountain... #

0:55:520:55:54

'It feels like it's very much in our DNA as a band.

0:55:540:55:56

'We learned so many things from playing it, you know.'

0:55:560:55:59

And I think it's where we've learned most of our kind of

0:55:590:56:03

rock 'n' roll lessons and most of our musical lessons over the years.

0:56:030:56:06

And Biffy aren't the only ones

0:56:060:56:08

who've picked up a few T in the Park tricks of the trade.

0:56:080:56:11

Being really well rehearsed is always good

0:56:110:56:13

because you never know what's going to happen.

0:56:130:56:15

You've got, got to deliver

0:56:150:56:16

and shout, "T in the Park," like, more than once.

0:56:160:56:20

You should be all right.

0:56:200:56:22

Don't be scared of the audience.

0:56:220:56:25

People are at a festival to enjoy themselves.

0:56:250:56:27

Uh-huh, just don't get in their way.

0:56:270:56:29

All people really want is to have a good time and they want to sing,

0:56:290:56:32

and dance, and they want to have a beer, and it's not really the place

0:56:320:56:35

for trying out your avant-garde B-side setlists, you know?

0:56:350:56:38

The worst thing to come off a stage from a headliner is

0:56:380:56:42

"We'd like to play you a new one." Don't.

0:56:420:56:45

It's fucking raining, play the hits. Play the songs we know.

0:56:450:56:50

I think most of the set from 2002 T in the Park was from Evil Heat,

0:56:500:56:56

which was on a record that no-one had heard yet

0:56:560:56:58

because it hadn't been released.

0:56:580:57:00

Gerry and Rab, our managers,

0:57:030:57:05

were really crestfallen when we walked off the stage

0:57:050:57:07

because they felt that we'd blown a great opportunity but, you know,

0:57:070:57:11

I can understand bands that just pack their set with their hits

0:57:110:57:14

because people want to hear that at festivals

0:57:140:57:16

but also, I think people want to see some danger and confrontation,

0:57:160:57:21

and sex, and violence, and rock 'n' roll, you know?

0:57:210:57:25

In its 20th year, T in the Park boasts plenty

0:57:250:57:28

of rock 'n' roll moments for artists and fans alike,

0:57:280:57:31

and it continues to attract the biggest names in music

0:57:310:57:35

to the fields of Balado.

0:57:350:57:37

But its first two decades have proved

0:57:370:57:40

that it's more than just a festival. It's nurtured bands...

0:57:400:57:43

It really helped take us from in the bedroom

0:57:430:57:47

to the top of the bill.

0:57:470:57:49

..inspired a new generation of Scottish musicians...

0:57:510:57:54

I think we kind of almost officially caught the live show bug

0:57:540:57:58

from playing T in the Park.

0:57:580:57:59

# I got my head checked... #

0:58:010:58:03

..and become part of the Scottish cultural landscape.

0:58:030:58:07

The passion, the exuberance, the warmth, the friendliness,

0:58:070:58:10

you know, I don't think you can quite put a name on it. It's...

0:58:100:58:14

you know, it's T in the Park!

0:58:140:58:15

-CROWD:

-Woo-hoo!

0:58:150:58:17

# And I'm pins and I'm needles!

0:58:170:58:19

-CROWD:

-Woo-hoo!

0:58:190:58:21

# And I'm pins and I'm needles!

0:58:210:58:22

-CROWD:

-Woo-hoo!

0:58:220:58:24

# Well, I lie and I'm easy

0:58:240:58:26

# All of the time and I'm never sure why I need you

0:58:260:58:31

# Pleased to meet you!

0:58:310:58:33

# Yeah, yeah!

0:58:350:58:37

# Yeah, yeah!

0:58:390:58:40

# Yeah, yeah!

0:58:420:58:43

# Oh, yeah!

0:58:450:58:48

CHEERING AND APPLAUSE

0:58:480:58:51

That's the best ever, that one. That is the best ever.

0:58:510:58:53

Subtitles by Red Bee Media Ltd

0:58:530:58:56

2013 is the 20th year of Scotland's biggest music festival T in the Park.

This hour long special is a celebration of the best performances from across the years. It is packed with top acts and exclusive band interviews to reveal why T has become one of the key events in the UK's festival calender.


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