Browse content similar to Military Wives: Compilation. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Choirmaster Gareth Malone believes that singing | 0:00:02 | 0:00:06 | |
can change the toughest of lives. | 0:00:06 | 0:00:09 | |
I know music can bring people together | 0:00:09 | 0:00:10 | |
under really extraordinary circumstances. | 0:00:10 | 0:00:13 | |
In three weeks' time, | 0:00:13 | 0:00:14 | |
these soldiers will be fighting for their country in Afghanistan. | 0:00:14 | 0:00:19 | |
Three, two, one! | 0:00:19 | 0:00:20 | |
They'll be leaving behind more than 120 women and their children. | 0:00:20 | 0:00:25 | |
Words can't explain how much I just want him to come home. | 0:00:25 | 0:00:28 | |
If I let my guard down and let the emotion come out, | 0:00:28 | 0:00:31 | |
I would be crying the whole day! | 0:00:31 | 0:00:33 | |
Gareth will pull these women together into a choir of military wives. | 0:00:33 | 0:00:39 | |
I am here to lift your spirits, hopefully, | 0:00:39 | 0:00:41 | |
pick you up and bring your voices together to be heard. | 0:00:41 | 0:00:45 | |
Sorry. Sorry! Sorry for saying sorry! | 0:00:45 | 0:00:48 | |
It's testing what a choir is for. And really testing it to the limit. | 0:00:48 | 0:00:54 | |
You wanted to play with the big girls. | 0:00:54 | 0:00:56 | |
You've got to drink like the big girls. | 0:00:56 | 0:00:58 | |
In less than eight months Gareth will take his choir from obscurity... | 0:00:58 | 0:01:02 | |
This lot are going to absolutely rip us to pieces. | 0:01:02 | 0:01:06 | |
I want to run away, I just want to run away. | 0:01:06 | 0:01:08 | |
..right to the heart of the nation's tribute to the troops... | 0:01:08 | 0:01:11 | |
This is it! | 0:01:11 | 0:01:14 | |
(Oh my God!) | 0:01:14 | 0:01:16 | |
..with a grand performance at the Royal Albert Hall. | 0:01:16 | 0:01:19 | |
This is like no other gig I have ever done. | 0:01:19 | 0:01:22 | |
Gig is the wrong word, this is a ceremony. | 0:01:22 | 0:01:24 | |
I know nothing about the military. Absolutely nothing, | 0:01:38 | 0:01:41 | |
other than what I've been told, what I've seen on the news. | 0:01:41 | 0:01:45 | |
I've never spent time on a military base | 0:01:45 | 0:01:48 | |
and I know very little about military life. | 0:01:48 | 0:01:50 | |
I really don't know what to expect. | 0:01:51 | 0:01:53 | |
For the next eight months Gareth will be choirmaster | 0:01:55 | 0:01:58 | |
at the Royal Marine Barracks Chivenor, a remote spot in north Devon. | 0:01:58 | 0:02:02 | |
Your name is? | 0:02:02 | 0:02:03 | |
Gareth Malone. | 0:02:03 | 0:02:04 | |
I think this is the most intimidating place | 0:02:04 | 0:02:07 | |
I've ever been in my life. | 0:02:07 | 0:02:09 | |
Do you get used to it? | 0:02:09 | 0:02:10 | |
Yeah, you do, yeah. | 0:02:10 | 0:02:12 | |
There's been a base at Chivenor since before the Second World War. | 0:02:15 | 0:02:18 | |
Three, two, one! | 0:02:21 | 0:02:22 | |
Now it's a training base for nearly 1,200 men | 0:02:22 | 0:02:25 | |
from the Royal Marines, the Army and the RAF. | 0:02:25 | 0:02:28 | |
In just three weeks, these men will deploy to Afghanistan. | 0:02:30 | 0:02:33 | |
How's the mood? | 0:02:34 | 0:02:35 | |
The mood is good. We've spent a lot of time training. | 0:02:35 | 0:02:38 | |
Although you can't train too much, we're at the point now | 0:02:38 | 0:02:41 | |
where we've done enough and we're ready to go. | 0:02:41 | 0:02:44 | |
We think it's a bit harder for our families than us when we're deployed, | 0:02:44 | 0:02:48 | |
cos they've still got to deal with normal day-to-day life. | 0:02:48 | 0:02:51 | |
Gareth's joining Family Day on the base. | 0:02:57 | 0:03:00 | |
A chance for everyone to get together | 0:03:00 | 0:03:03 | |
for the last time before the troops leave and for Gareth to recruit for his new choir. | 0:03:03 | 0:03:08 | |
Good afternoon, everyone! My name is Gareth Malone | 0:03:08 | 0:03:11 | |
and I'm going to be here for the next eight months. | 0:03:11 | 0:03:15 | |
I want to invite anyone to come and join a choir. | 0:03:15 | 0:03:20 | |
You don't need to be a brilliant singer but I'm around. | 0:03:22 | 0:03:25 | |
Come and speak to me if you're at all interested, | 0:03:25 | 0:03:27 | |
if you've ever thought about singing, | 0:03:27 | 0:03:29 | |
if you sing in the shower, it's about bringing everyone together. | 0:03:29 | 0:03:33 | |
Tumbleweed. | 0:03:37 | 0:03:38 | |
I'm starting a choir. | 0:03:40 | 0:03:42 | |
Good luck with that one. | 0:03:42 | 0:03:44 | |
Thanks. | 0:03:44 | 0:03:45 | |
Have you heard that I'm here to start a choir? | 0:03:45 | 0:03:47 | |
-Yes. -Word travels fast. | 0:03:47 | 0:03:49 | |
Are you interested? | 0:03:49 | 0:03:50 | |
Yes. | 0:03:50 | 0:03:51 | |
Good! Yeses! | 0:03:51 | 0:03:53 | |
Hello, George. Hello, Nicola. | 0:03:53 | 0:03:55 | |
Do you sing? | 0:03:55 | 0:03:57 | |
Do I sing? | 0:03:57 | 0:03:58 | |
What does she sing? | 0:03:58 | 0:03:59 | |
Everything! | 0:03:59 | 0:04:01 | |
-So you'd be interested? -Oh, most definitely. | 0:04:01 | 0:04:03 | |
I like "Oh, most definitely". That's the most positive response I've had. | 0:04:03 | 0:04:08 | |
Are you interested? | 0:04:08 | 0:04:10 | |
Well, yes, but you haven't heard me sing yet! | 0:04:10 | 0:04:13 | |
What do you rate her chances? | 0:04:13 | 0:04:17 | |
I think she's going to be outstanding. Absolutely. | 0:04:17 | 0:04:21 | |
Standing on the perimeter of the base, 280 houses make up the married quarters, | 0:04:29 | 0:04:33 | |
known as "the patch". | 0:04:33 | 0:04:36 | |
It does feel very remote from the rest of the world. | 0:04:40 | 0:04:42 | |
We're only about half a mile from Barnstable | 0:04:42 | 0:04:45 | |
and yet we're in a little enclave. | 0:04:45 | 0:04:48 | |
I wonder if they have any interaction with the outside world. | 0:04:48 | 0:04:51 | |
It's very claustrophobic, | 0:04:51 | 0:04:53 | |
so you're right on top of everyone that your husband works with. | 0:04:53 | 0:04:57 | |
There's no getting away from them. | 0:04:57 | 0:04:59 | |
Soldier's wife Nicky and her family moved to Chivenor a few months ago. | 0:04:59 | 0:05:03 | |
It's her fifth base in ten years. | 0:05:03 | 0:05:05 | |
It's hard to meet people I think because there is a big, big cross-section of all the services. | 0:05:07 | 0:05:14 | |
There's cliques of people. | 0:05:14 | 0:05:15 | |
What happens is you get parties, mess functions, | 0:05:15 | 0:05:19 | |
and those wives go to them. | 0:05:19 | 0:05:21 | |
The other wives don't because they are another regiment or something. | 0:05:21 | 0:05:27 | |
You make acquaintances, not friends. | 0:05:27 | 0:05:30 | |
And you need things to bring people together. You do need things. | 0:05:30 | 0:05:33 | |
Having a choir here is going to be brilliant. | 0:05:33 | 0:05:37 | |
I can't say that I've ever seen the commanding officer's wife | 0:05:37 | 0:05:42 | |
so I don't know who she is, to be honest with you! | 0:05:42 | 0:05:45 | |
I know where she lives and I hear people say she's a lovely lady. | 0:05:45 | 0:05:49 | |
I'm sure she is. | 0:05:49 | 0:05:50 | |
Gareth wants to spread the word on the patch | 0:05:53 | 0:05:55 | |
that his first choir rehearsals are about to get under way. | 0:05:55 | 0:05:59 | |
Hello. | 0:05:59 | 0:06:01 | |
-Hello. -Stacey. | 0:06:02 | 0:06:03 | |
Hi, Stacey. Hello. | 0:06:03 | 0:06:05 | |
Hi, I'm Gareth. Local choirmaster. Hello. | 0:06:05 | 0:06:09 | |
So what is there to do for you while your husbands are away? | 0:06:09 | 0:06:14 | |
Nothing whatsoever. | 0:06:14 | 0:06:17 | |
Just counting the long days. | 0:06:17 | 0:06:18 | |
What about singing? I'm starting a choir. | 0:06:18 | 0:06:22 | |
My dream is to be able to sing. | 0:06:22 | 0:06:24 | |
Your dream? | 0:06:24 | 0:06:25 | |
I'm going to make that dream come true. I hope. He said! | 0:06:25 | 0:06:29 | |
I used to be in a choir. | 0:06:29 | 0:06:31 | |
Oh, great! When? | 0:06:31 | 0:06:33 | |
When I was, like, from 12 to 17. | 0:06:33 | 0:06:35 | |
Brilliant. So you know what you're doing. | 0:06:35 | 0:06:38 | |
Nice to meet you. Can I hear your voice? | 0:06:38 | 0:06:41 | |
-No! -That's mean, isn't it? | 0:06:41 | 0:06:43 | |
It's March and after months of preparation and training, | 0:06:48 | 0:06:52 | |
deployment day has arrived. | 0:06:52 | 0:06:54 | |
Some 600 men will say goodbye to their families | 0:06:57 | 0:07:00 | |
and leave the barracks for six months in Afghanistan. | 0:07:00 | 0:07:03 | |
For Nicky, it's the fifth time husband George has been deployed. | 0:07:10 | 0:07:15 | |
We've done it before. But it's always different. | 0:07:16 | 0:07:19 | |
All the feelings. | 0:07:19 | 0:07:21 | |
Cos the children are older. | 0:07:21 | 0:07:24 | |
They know what's going on, yeah. | 0:07:24 | 0:07:26 | |
I thought he wouldn't have had to go again, because he's done... | 0:07:26 | 0:07:32 | |
What, George? | 0:07:32 | 0:07:33 | |
Just over 21 years. | 0:07:33 | 0:07:37 | |
21 years. I thought he'd done his bit. | 0:07:37 | 0:07:40 | |
But you have to get on with it. | 0:07:40 | 0:07:41 | |
We've chosen this lifestyle, and that's how it is. | 0:07:41 | 0:07:47 | |
Here you go, chicken. Which one's yours? That one? | 0:07:53 | 0:07:55 | |
-My stomach's churning. How many hours have we got? -Erm...three. | 0:07:55 | 0:08:01 | |
-Three hours to go. -Three hours to go. | 0:08:01 | 0:08:04 | |
-Sapper Leak. -Sir. -Major Williams. | 0:08:04 | 0:08:07 | |
Corporal Thompson. Sapper Maitland. | 0:08:10 | 0:08:15 | |
The build-up to going is just... | 0:08:15 | 0:08:18 | |
is just horrendous, to be honest with you. | 0:08:18 | 0:08:21 | |
-Captain Pearce. -It never gets any easier. | 0:08:22 | 0:08:26 | |
You still have that worry, "What if?" | 0:08:26 | 0:08:29 | |
You know, you dread that fear of the knock on the door. | 0:08:29 | 0:08:33 | |
Staff Sergeant Bowe. | 0:08:33 | 0:08:35 | |
-Sir. -Major Wilson. | 0:08:35 | 0:08:37 | |
Captain Grant. | 0:08:37 | 0:08:38 | |
Sapper Maddocks. | 0:08:39 | 0:08:42 | |
When he says goodbye to me, is that going to be his last goodbye? | 0:08:42 | 0:08:45 | |
Oh, I'm sorry. | 0:08:45 | 0:08:47 | |
Today is Gareth's first rehearsal for his military wives' choir. | 0:09:00 | 0:09:04 | |
The chapel on the edge of the barracks will be their base | 0:09:06 | 0:09:09 | |
for the next few months. | 0:09:09 | 0:09:12 | |
They're in a real low point, their husbands have just gone, | 0:09:12 | 0:09:15 | |
literally last weekend, | 0:09:15 | 0:09:17 | |
and I think a few of them probably | 0:09:17 | 0:09:19 | |
haven't ventured out of the house very much, | 0:09:19 | 0:09:21 | |
so this is the time to be having fun, getting them going. | 0:09:21 | 0:09:26 | |
I don't know how they're going to react to that, as well. | 0:09:26 | 0:09:28 | |
You know, whether they feel it's appropriate | 0:09:28 | 0:09:31 | |
while their husbands are away | 0:09:31 | 0:09:32 | |
for them just to be having a nice time doing some singing. | 0:09:32 | 0:09:35 | |
Ten minutes to go. | 0:09:37 | 0:09:39 | |
There's nobody coming yet. It's a bit worrying. | 0:09:44 | 0:09:47 | |
It actually hadn't occurred to me | 0:09:47 | 0:09:50 | |
that I wouldn't have people turning up. | 0:09:50 | 0:09:53 | |
I'm just going to guess you're here for the choir | 0:09:57 | 0:10:00 | |
and not going to the military base. | 0:10:00 | 0:10:02 | |
You're here for the choir? Brilliant. | 0:10:02 | 0:10:06 | |
-Thanks for coming, Susie. Who's this? -This is Jack. -Hi, Jack. | 0:10:06 | 0:10:10 | |
-Hello. -Hi. -I take it you're here for the choir? -Yeah. -Hello, come on in. | 0:10:10 | 0:10:14 | |
-Hello, hi. What's your name? -Jodie. -Hello, Jodie. | 0:10:14 | 0:10:17 | |
Welcome, welcome to the choir. Go on in. | 0:10:19 | 0:10:21 | |
-Hello! -Hello! -Hello. Really, really good to see so many of you here. | 0:10:21 | 0:10:28 | |
I'm going to do a head count. One, two, three, four, five, six, seven... | 0:10:28 | 0:10:32 | |
Gareth's first rehearsal has attracted wives | 0:10:32 | 0:10:34 | |
from across the ranks, | 0:10:34 | 0:10:36 | |
right up to the commanding officer's wife. | 0:10:36 | 0:10:38 | |
..38, 39, 40! | 0:10:38 | 0:10:39 | |
CHEERING | 0:10:39 | 0:10:40 | |
That feels really good. | 0:10:40 | 0:10:42 | |
41! Hello! Brilliant. | 0:10:42 | 0:10:45 | |
I am here to lift your spirits, hopefully, | 0:10:45 | 0:10:48 | |
pick you up and actually, the most important thing, | 0:10:48 | 0:10:51 | |
to have an opportunity to bring your voices together to be heard. | 0:10:51 | 0:10:55 | |
The first song that we're going to sing | 0:10:55 | 0:10:58 | |
is a real favourite of mine from back in...I think it was 1989. | 0:10:58 | 0:11:03 | |
It's Guns N' Roses' well-known choral classic, | 0:11:03 | 0:11:06 | |
Sweet Child Of Mine. | 0:11:06 | 0:11:08 | |
Here's the introduction. | 0:11:08 | 0:11:10 | |
INTRO IS PLAYED ON KEYBOARD | 0:11:10 | 0:11:13 | |
We're going to do it quite energised. Shall we stand up? | 0:11:13 | 0:11:16 | |
I'm assuming you just know it, so give it a go. | 0:11:16 | 0:11:19 | |
# She's got a smile that it seems to me | 0:11:19 | 0:11:22 | |
# Reminds me of childhood memories | 0:11:22 | 0:11:26 | |
# Where everything was as fresh as the bright blue sky... # | 0:11:26 | 0:11:32 | |
And stop. Now, if we can do that together then we will have a choir. | 0:11:32 | 0:11:36 | |
What I'd like you to do is... I've got a special present for you all, | 0:11:36 | 0:11:40 | |
it is the magical hat of confidence, and there's one each. | 0:11:40 | 0:11:46 | |
So catch, there you all are! | 0:11:46 | 0:11:47 | |
Put your magical hat of confidence on, and pretend | 0:11:47 | 0:11:51 | |
that you're really great singers and you're just going to do it! | 0:11:51 | 0:11:55 | |
OK, here we go. | 0:11:55 | 0:11:56 | |
# She's got a smile that it seems to me | 0:11:56 | 0:11:59 | |
# Reminds me of childhood memories | 0:11:59 | 0:12:04 | |
# Where everything was as fresh as the bright blue sky... # | 0:12:04 | 0:12:11 | |
Stop. Can you just sing me that last note together? | 0:12:11 | 0:12:13 | |
THEY SING THE NOTE | 0:12:13 | 0:12:16 | |
# You should have, "Ah!" # | 0:12:16 | 0:12:18 | |
-Thank you very much. How was that? -Hard. -Hard? | 0:12:18 | 0:12:22 | |
Once your confidence is up, this is going to be brilliant. | 0:12:22 | 0:12:26 | |
Fantastic, thank you. | 0:12:26 | 0:12:27 | |
I'm not used to hearing people beside me sing, | 0:12:27 | 0:12:30 | |
and then you can hear yourself as well. | 0:12:30 | 0:12:33 | |
And to me it sounds horrendous! | 0:12:33 | 0:12:35 | |
That was quite stressful. | 0:12:35 | 0:12:37 | |
I didn't enjoy that, so I'm a bit all flustered! I need a drink! | 0:12:37 | 0:12:42 | |
Not singing I'm used to. | 0:12:42 | 0:12:43 | |
I wanted to just tap my feet and sing like I would normally, | 0:12:43 | 0:12:46 | |
but I think I've got to learn a new way of singing. | 0:12:46 | 0:12:49 | |
'There is a really good basic sound there. Masses of potential.' | 0:12:49 | 0:12:54 | |
But what has really surprised me is I thought they'd be really gutsy, | 0:12:54 | 0:12:57 | |
and some of them were quite timid. | 0:12:57 | 0:12:59 | |
I think they lack the ability to express themselves, | 0:12:59 | 0:13:02 | |
to just really let their hair down and... | 0:13:02 | 0:13:05 | |
They don't have a voice. They really, genuinely, don't have a voice. | 0:13:05 | 0:13:09 | |
They're not heard, they're not listened to. | 0:13:09 | 0:13:12 | |
This is all about listening to them, | 0:13:12 | 0:13:14 | |
really, genuinely, listening to their voices, | 0:13:14 | 0:13:17 | |
and that takes confidence, and they haven't got it at the moment. | 0:13:17 | 0:13:20 | |
To bolster confidence, | 0:13:22 | 0:13:24 | |
Gareth wants to single out the choir's strongest singers. | 0:13:24 | 0:13:28 | |
-Hello, Sam. -Hello. -How are you? | 0:13:28 | 0:13:31 | |
He's come to see Sam, who's sung in a choir before. | 0:13:31 | 0:13:34 | |
I thought it would be nice to have a little listen to you singing. | 0:13:34 | 0:13:39 | |
-How does that sound? Like lots of fun? -No! -No. | 0:13:39 | 0:13:42 | |
Come on, let's give it a go! | 0:13:42 | 0:13:43 | |
# The moment I wake up... # | 0:13:43 | 0:13:46 | |
Good. | 0:13:46 | 0:13:48 | |
# Before I put on... # | 0:13:48 | 0:13:49 | |
-Oh, sorry! -No, it's fine, that's good. -Sorry, sorry, sorry. | 0:13:49 | 0:13:53 | |
Collect yourself, and here we go. Good breath. And... | 0:13:53 | 0:13:56 | |
# The moment I wake up... # | 0:13:56 | 0:13:58 | |
Good. | 0:13:58 | 0:14:00 | |
Oh, sorry. | 0:14:00 | 0:14:01 | |
# Before I... | 0:14:01 | 0:14:02 | |
# Before I put on my make-up... # | 0:14:02 | 0:14:05 | |
-Sorry. -That's all right. What are you apologising for? | 0:14:05 | 0:14:08 | |
-I don't know, cos I apologise for everything! -Yes. -Sorry. Sorry! | 0:14:08 | 0:14:11 | |
-Sorry for saying sorry! -Take a deep breath. | 0:14:11 | 0:14:13 | |
# And while combing my hair now... # | 0:14:15 | 0:14:17 | |
And one... | 0:14:17 | 0:14:18 | |
# And wondering what dress to wear now... # | 0:14:18 | 0:14:22 | |
-Sorry! I... Sorry! -It's good. | 0:14:22 | 0:14:24 | |
# ..dress to wear now... # | 0:14:24 | 0:14:26 | |
Yep. | 0:14:26 | 0:14:27 | |
# I say a little prayer for you... # | 0:14:27 | 0:14:29 | |
And... | 0:14:29 | 0:14:30 | |
# For ever And ever | 0:14:30 | 0:14:32 | |
# You'll stay... # | 0:14:32 | 0:14:33 | |
I'm sorry! Sorry, sorry, sorry. | 0:14:33 | 0:14:35 | |
That's really good. You've got a nice voice. | 0:14:35 | 0:14:37 | |
-Hmm, I wouldn't say that. -No, but I would. | 0:14:37 | 0:14:40 | |
SHE LAUGHS | 0:14:40 | 0:14:41 | |
I know you wouldn't! | 0:14:41 | 0:14:43 | |
It's a really nice voice, so the apologies have got to stop. | 0:14:43 | 0:14:46 | |
Honestly, we need to find some confidence, | 0:14:46 | 0:14:48 | |
cos I think this is what this is all about. | 0:14:48 | 0:14:51 | |
I get the strong impression that all of you, actually, | 0:14:51 | 0:14:54 | |
are a little bit less confident than I thought you were. | 0:14:54 | 0:14:58 | |
I know we're army wives, but we do have a bit of a... A timid side. | 0:14:58 | 0:15:02 | |
A timid side, yeah. Why is that? | 0:15:02 | 0:15:05 | |
It's been, like, 11 years since I was in a choir, | 0:15:05 | 0:15:08 | |
so it's a long time ago. I've just been a mummy, and moving about, | 0:15:08 | 0:15:12 | |
so everything sort of takes a back burner. | 0:15:12 | 0:15:15 | |
-But singing is my first love, and being in a choir. -Yeah. | 0:15:15 | 0:15:18 | |
BABY CRIES IN BACKGROUND | 0:15:18 | 0:15:20 | |
Kids are kicking off. Stop thinking about choir. | 0:15:20 | 0:15:23 | |
-Don't think about singing! -Sorry, my baby comes first! | 0:15:23 | 0:15:26 | |
-Thank you. -See you later. -Bye. | 0:15:26 | 0:15:27 | |
Sam's got loads of talent but very little confidence, | 0:15:27 | 0:15:30 | |
I don't know if that's because her husband's deployed | 0:15:30 | 0:15:33 | |
or if that goes deeper. | 0:15:33 | 0:15:34 | |
Sam's husband John is in the Royal Engineers, | 0:15:37 | 0:15:40 | |
and at 27 he's just started his first tour of duty to Afghanistan. | 0:15:40 | 0:15:44 | |
It's a mixture of emotions. | 0:15:44 | 0:15:46 | |
You feel guilt because you think, "Have I forced you into the Army to give us a better life?" | 0:15:46 | 0:15:52 | |
And then you're angry that they're going, everything just feels so tense. | 0:15:52 | 0:15:57 | |
While he's away Sam is left to look after their two young children. | 0:15:57 | 0:16:01 | |
Brodie has autistic spectrum disorder, | 0:16:01 | 0:16:04 | |
he's not developed at his age, | 0:16:04 | 0:16:08 | |
he's seven but he's more at a sort of four-year-old level. | 0:16:08 | 0:16:12 | |
Life can be difficult because obviously Brodie's behaviour can be really challenging at times, | 0:16:12 | 0:16:17 | |
but I wouldn't change it though. | 0:16:17 | 0:16:21 | |
I'm really up for the choir, I love singing | 0:16:21 | 0:16:24 | |
and I think my husband will have a bit more peace of mind | 0:16:24 | 0:16:28 | |
that I'm going to be occupied and kept busy | 0:16:28 | 0:16:30 | |
so then I think if I'm kept busy the time will hopefully go quicker as well. | 0:16:30 | 0:16:34 | |
So yeah, I'm really looking forward to it. | 0:16:34 | 0:16:36 | |
Over the next month the choir meets for rehearsal three times a week. | 0:16:45 | 0:16:49 | |
# She's got a smile... # | 0:16:49 | 0:16:51 | |
OK, that's not really selling it to me. | 0:16:51 | 0:16:53 | |
# She's got... # I want the eyes up. | 0:16:53 | 0:16:56 | |
I always say to people, sing before you're singing. | 0:16:56 | 0:16:58 | |
# She's got a smile...# THEY LAUGH | 0:16:58 | 0:17:01 | |
Let's have the introduction. | 0:17:01 | 0:17:04 | |
You've got to look alive. If you're not singing | 0:17:04 | 0:17:06 | |
at the beginning, you've got to look like you might, yeah? | 0:17:06 | 0:17:09 | |
People are like this... "What's going to happen?" | 0:17:09 | 0:17:11 | |
"Who's going to sing?" | 0:17:11 | 0:17:13 | |
You are. | 0:17:13 | 0:17:14 | |
# She's got a smile and it seems to me | 0:17:14 | 0:17:17 | |
# It reminds me of childhood memories | 0:17:17 | 0:17:20 | |
# When everything was as fresh as the bright, blue... # | 0:17:20 | 0:17:24 | |
# Bright, blue sky. # | 0:17:24 | 0:17:25 | |
# Sky... # | 0:17:25 | 0:17:27 | |
# Her hair reminds of a warm, safe place where as a child I'd hide | 0:17:27 | 0:17:34 | |
# And pray for the thunder and the rain to quietly pass me by. # | 0:17:34 | 0:17:41 | |
That was brilliant. Thank you. Well done. | 0:17:41 | 0:17:44 | |
The first-week nerves have gone a little bit. | 0:17:44 | 0:17:47 | |
We are all beginning to relax a bit more. | 0:17:47 | 0:17:49 | |
Everyone's starting to feel a bit more comfortable. | 0:17:49 | 0:17:52 | |
Good morale boost, actually, getting everyone together. | 0:17:52 | 0:17:55 | |
Oh, brilliant. | 0:17:55 | 0:17:57 | |
I've just got to try and get on top of my voice not going. | 0:17:57 | 0:17:59 | |
To mark the launch of the choir, the women have organised a night out at the sergeants' mess. | 0:18:05 | 0:18:09 | |
By reputation, they go large, so it could be an interesting evening. | 0:18:11 | 0:18:15 | |
-Hello, Penny, how are you? All right? -Bloody marvellous. -Good. | 0:18:15 | 0:18:19 | |
-When you are a visitor, in any mess, you have to ring the bell. -Really? | 0:18:19 | 0:18:24 | |
-Yes, just to tell everybody you are here. -OK. | 0:18:24 | 0:18:26 | |
Ring the bell. | 0:18:26 | 0:18:27 | |
BELL RINGS | 0:18:27 | 0:18:29 | |
ALL: Hooray! | 0:18:29 | 0:18:31 | |
Sergeants' mess tradition dictates that whoever rings the bell | 0:18:33 | 0:18:37 | |
has to buy drinks for everyone in the bar. | 0:18:37 | 0:18:39 | |
-Look at you! -Cheers, everyone! | 0:18:39 | 0:18:42 | |
The rule also states that if anyone refuses a drink, Gareth has to drink for them. | 0:18:42 | 0:18:48 | |
-You've got to drink it, please! -No. -Penny will make me drink one. | 0:18:48 | 0:18:52 | |
-You should have done your homework. -I should have done. I should have known a bit more. -There's one. | 0:18:52 | 0:18:57 | |
Oh, no! | 0:18:57 | 0:18:58 | |
OK, all right. That is horrible. | 0:18:58 | 0:19:03 | |
It's like drinking aftershave. | 0:19:03 | 0:19:05 | |
One, two, three! | 0:19:05 | 0:19:07 | |
Yes! Ha-ha-ha! | 0:19:09 | 0:19:12 | |
You wanted to play with the big girls. | 0:19:13 | 0:19:16 | |
You've got to drink like the big girls. | 0:19:16 | 0:19:18 | |
# I'm having a ball Don't stop me now. # | 0:19:18 | 0:19:22 | |
'They are a force waiting to be unleashed.' | 0:19:22 | 0:19:25 | |
They really are! They are just... They are trapped, really. | 0:19:25 | 0:19:29 | |
They are trapped by their situation and actually need this choir | 0:19:29 | 0:19:32 | |
to give them a focus, because otherwise they are just in there, | 0:19:32 | 0:19:35 | |
drinking flaming sambucas and preying on unsuspecting choirmasters, | 0:19:35 | 0:19:42 | |
who have just come past. | 0:19:42 | 0:19:43 | |
No, seriously, they need this, they really do. | 0:19:43 | 0:19:46 | |
# We're just dancing in the dark. # | 0:19:46 | 0:19:49 | |
-Hey, baby! -Go away, baby! | 0:19:49 | 0:19:52 | |
The choir are beginning to bond as a group. | 0:19:56 | 0:19:59 | |
Gareth wants to find an audience for them beyond the confines of the base. | 0:19:59 | 0:20:05 | |
Just five minutes away is the busy market town of Barnstable. | 0:20:08 | 0:20:12 | |
Excuse me, could I ask you a question? | 0:20:15 | 0:20:18 | |
-Yes. -Do you know anything about RMB Chivenor? | 0:20:18 | 0:20:21 | |
It's down there. | 0:20:21 | 0:20:23 | |
-Yes. Do you know nothing else? -No. | 0:20:23 | 0:20:25 | |
-Have you ever been there? -No. | 0:20:25 | 0:20:27 | |
-Do you know anyone who lives over there on that little patch of houses? -No. | 0:20:27 | 0:20:32 | |
-Do you know anything about RMB Chivenor? -Not really. | 0:20:32 | 0:20:34 | |
Do you know anything about the troops at all and what they're doing? | 0:20:34 | 0:20:37 | |
-No. -No, nothing. | 0:20:37 | 0:20:40 | |
What about the women who are left behind while the troops are away? Do you know any? | 0:20:40 | 0:20:43 | |
-No. -You haven't had much contact with them? -No. | 0:20:43 | 0:20:45 | |
Just universally people don't know that they're there or | 0:20:45 | 0:20:49 | |
if they do know it's there they don't know anyone on the base | 0:20:49 | 0:20:52 | |
and I don't think there is much integration. | 0:20:52 | 0:20:54 | |
If we're to give these women a voice, they need an audience. | 0:20:54 | 0:20:58 | |
They need people to hear them. | 0:20:58 | 0:20:59 | |
I think Barnstaple's the right place to start because it is the local town. | 0:20:59 | 0:21:03 | |
I'd like people to say, "We know them. They're the ones that sing. | 0:21:03 | 0:21:07 | |
"They're the ones that have a choir, that speak for all military wives". | 0:21:07 | 0:21:10 | |
That would be fantastic. | 0:21:10 | 0:21:12 | |
Today I want to announce you are going to perform at the Pannier Market. | 0:21:14 | 0:21:20 | |
LAUGHTER | 0:21:20 | 0:21:23 | |
Yes! It'll be awesome, won't it? | 0:21:23 | 0:21:27 | |
ALL: Yes! | 0:21:27 | 0:21:28 | |
It doesn't get more exciting and edgy than the Pannier Market. | 0:21:28 | 0:21:32 | |
I went there yesterday. They've got some massive pants on sale. | 0:21:32 | 0:21:35 | |
My goodness! When is it? Here's the rub. It's in two weeks. | 0:21:35 | 0:21:43 | |
CHATTER | 0:21:43 | 0:21:45 | |
The Pannier Market on a Thursday! Whoo! | 0:21:45 | 0:21:48 | |
Yeah, scary, very, very scary. | 0:21:48 | 0:21:52 | |
It will be something for the local people just to know | 0:21:52 | 0:21:55 | |
what's going on | 0:21:55 | 0:21:57 | |
'and to show that we do exist.' | 0:21:57 | 0:22:00 | |
Gareth believes he has just the right song for the choir's first ever public performance. | 0:22:00 | 0:22:05 | |
Adele, Make You Feel My Love. | 0:22:06 | 0:22:09 | |
Adele. There is a solo. | 0:22:10 | 0:22:13 | |
There's a solo in this piece and I would like to start to hear people. | 0:22:13 | 0:22:17 | |
If you are going to do the solo, you have to be prepared to stand | 0:22:17 | 0:22:20 | |
up in front of the group and sing it. | 0:22:20 | 0:22:22 | |
Because if you can't do it in front of the group then how are you | 0:22:22 | 0:22:24 | |
going to do it in front of an audience? | 0:22:24 | 0:22:26 | |
Who'd like to have a go at the solo? No? | 0:22:26 | 0:22:29 | |
CHATTER | 0:22:29 | 0:22:33 | |
-No. -She's gone a very different colour, everyone. Sam? No? | 0:22:33 | 0:22:38 | |
Definitely not? Why not? | 0:22:38 | 0:22:41 | |
-I don't want to do it. -Don't want to do it. | 0:22:41 | 0:22:43 | |
-Sure? End of? -Yep. | 0:22:43 | 0:22:45 | |
OK. Right. Anyone else? Just give it a go. | 0:22:45 | 0:22:50 | |
Kelly. | 0:22:50 | 0:22:52 | |
# When the rain is blowing in your face | 0:23:02 | 0:23:07 | |
# And the whole world is on your case... # | 0:23:07 | 0:23:12 | |
Emma. | 0:23:12 | 0:23:14 | |
# I could offer you a warm embrace... | 0:23:14 | 0:23:21 | |
# To make you feel my love. # | 0:23:21 | 0:23:25 | |
Beth! | 0:23:25 | 0:23:27 | |
# I could offer you a warm embrace | 0:23:27 | 0:23:30 | |
-# To make you feel my love. -# | 0:23:30 | 0:23:36 | |
Nicky. | 0:23:39 | 0:23:41 | |
# And the whole world is on your case | 0:23:41 | 0:23:46 | |
# I could offer you a warm embrace | 0:23:46 | 0:23:52 | |
# To make you feel my love... # | 0:23:52 | 0:23:58 | |
Brilliant. # When the... # | 0:23:58 | 0:23:59 | |
That's it. Fantastic morning. | 0:23:59 | 0:24:02 | |
Round of applause to everyone, I think. APPLAUSE | 0:24:02 | 0:24:04 | |
'It takes someone with real courage to be able to sing a moving song | 0:24:04 | 0:24:08 | |
'like that and show a bit of themselves.' | 0:24:08 | 0:24:11 | |
I want it to be someone who can sing with heart, and guts. Because that's what the choir needs. | 0:24:11 | 0:24:16 | |
Communications with Afghanistan have been shut down, | 0:24:21 | 0:24:25 | |
which only happens when a soldier has been killed or seriously injured. | 0:24:25 | 0:24:29 | |
I love you, Daddy. | 0:24:32 | 0:24:34 | |
We really miss you, we want you to come home. Lots of love. | 0:24:34 | 0:24:41 | |
Choir member Nicky has been expecting a call from husband George for more than two days. | 0:24:41 | 0:24:46 | |
PHONE RINGS | 0:24:46 | 0:24:49 | |
Hello? | 0:24:49 | 0:24:52 | |
Had something happened? Is that what... | 0:24:52 | 0:24:54 | |
Something else obviously had happened, yes or no? Just say yes or no. | 0:24:54 | 0:24:59 | |
Yes. Oh God. You be careful. OK. Bye-bye. | 0:24:59 | 0:25:07 | |
He was OK, that's all want to know. | 0:25:10 | 0:25:13 | |
It sounds really selfish, and really horrible, every time I say it. | 0:25:13 | 0:25:17 | |
He's OK, it's carry on now. You know? You have got to ploughed down. | 0:25:17 | 0:25:22 | |
It's always at the back of my mind, oh dear, is the rest of the people we need to think about now. | 0:25:24 | 0:25:30 | |
And then you feel exhausted at the end of the day, | 0:25:30 | 0:25:33 | |
because you have got to do everything and that worry at the back of your mind. | 0:25:33 | 0:25:39 | |
He will be home soon. | 0:25:40 | 0:25:42 | |
It does get you. And talking about it, it's mad. | 0:25:44 | 0:25:50 | |
As the choir's first public performance approaches Gareth's decided who will sing the solo. | 0:25:58 | 0:26:05 | |
It's good news. I'd like you to do a solo. | 0:26:08 | 0:26:11 | |
Oh, my goodness! | 0:26:11 | 0:26:13 | |
-Honestly? -Yeah, honestly. Yeah. | 0:26:13 | 0:26:15 | |
Wow! I dunno if I'm ready for that this time of the morning. | 0:26:15 | 0:26:20 | |
I picked you because under pressure I think you'll be fine. | 0:26:20 | 0:26:23 | |
Some of the others, I think it's a bit too soon. | 0:26:23 | 0:26:26 | |
I think they might've crumbled but I don't think you're going to, are you? | 0:26:26 | 0:26:30 | |
No, nah, I promise you I won't. | 0:26:30 | 0:26:33 | |
'I just think it's brilliant.' | 0:26:33 | 0:26:35 | |
I'm so happy that he's chosen me. | 0:26:35 | 0:26:38 | |
I'll be singing it to George. He'll appreciate it. | 0:26:38 | 0:26:43 | |
With days until the Barnstable performance the women take every opportunity to rehearse. | 0:26:45 | 0:26:50 | |
I never for one moment thought I would ever sing in a choir. | 0:26:50 | 0:26:54 | |
Choirs are stuffy old ladies singing strange songs | 0:26:54 | 0:26:58 | |
and wearing old clothes pulling crazy faces while they are singing. | 0:26:58 | 0:27:03 | |
The thing I like most is just the camaraderie between all women. | 0:27:03 | 0:27:07 | |
We feel like sisters now, just helping each other out. | 0:27:07 | 0:27:10 | |
I think we are so keen to do it | 0:27:10 | 0:27:11 | |
that we will really try our best. | 0:27:11 | 0:27:16 | |
We are standing together as a group of girls going, | 0:27:16 | 0:27:19 | |
I will be there for you, and you will be there for me, | 0:27:19 | 0:27:21 | |
and we will all get through this together. | 0:27:21 | 0:27:24 | |
Breath and be ready. | 0:27:28 | 0:27:32 | |
We've got to do it, no matter what, | 0:27:32 | 0:27:34 | |
so we can either go and make complete idiots of ourselves, | 0:27:34 | 0:27:37 | |
or we can just go and belt it out and hope it's sounds good. | 0:27:37 | 0:27:40 | |
Come on, you've got more than that. Good, that's getting there. | 0:27:40 | 0:27:43 | |
It's D-Day for Gareth's choir. | 0:27:47 | 0:27:49 | |
I'm beginning to understand what giving these women a voice means. | 0:27:52 | 0:27:56 | |
It's about singing to the outside world, about getting outside this military environment, | 0:27:56 | 0:28:01 | |
and being heard. | 0:28:01 | 0:28:03 | |
Follow me! | 0:28:03 | 0:28:05 | |
CHEERING Left, right, left, right. | 0:28:05 | 0:28:07 | |
'Up till now they've just supported their husbands stoically | 0:28:07 | 0:28:11 | |
'while they're away and I want them to be proud of who they are, | 0:28:11 | 0:28:14 | |
'proud of their singing, and sing to all those people out there.' | 0:28:14 | 0:28:18 | |
Ladies! Just sing your hearts out. | 0:28:18 | 0:28:22 | |
Use your faces. Really, wear your heart on your sleeve with this one. | 0:28:22 | 0:28:26 | |
We'll pick up the pieces later, OK? LAUGHTER | 0:28:26 | 0:28:29 | |
Thank you very much. Let's do it. CHEERING | 0:28:29 | 0:28:32 | |
-More than 500 people have packed into the Pannier Market. -CHEERS AND APPLAUSE | 0:28:43 | 0:28:50 | |
Hello, Barnstaple! | 0:28:55 | 0:28:58 | |
AUDIENCE CHEERS | 0:28:58 | 0:28:59 | |
Ladies and gentlemen, | 0:28:59 | 0:29:01 | |
it gives me enormous pleasure to introduce to you, | 0:29:01 | 0:29:05 | |
The RMB Chivenor Military Wives' Choir. | 0:29:05 | 0:29:09 | |
CHEERING AND APPLAUSE | 0:29:09 | 0:29:12 | |
I think it's worth you knowing that every single person | 0:29:16 | 0:29:20 | |
you're about to hear sing, | 0:29:20 | 0:29:21 | |
has a partner in the Forces. | 0:29:21 | 0:29:24 | |
Many of them at this moment are in Afghanistan, | 0:29:24 | 0:29:27 | |
they do have a very hard time and they are incredibly stoic. | 0:29:27 | 0:29:31 | |
They just get on with it. | 0:29:31 | 0:29:32 | |
In true British spirit, I think. | 0:29:32 | 0:29:35 | |
But here's a song I think shows you how much feeling there is. | 0:29:35 | 0:29:38 | |
This is a beautiful song by Bob Dylan, Make You Feel My Love. | 0:29:38 | 0:29:43 | |
# Ooh, ooh | 0:29:48 | 0:29:52 | |
# Ooh, ooh | 0:29:52 | 0:29:58 | |
# When the rain is falling in your face | 0:29:58 | 0:30:05 | |
# And the whole world is on your case | 0:30:05 | 0:30:10 | |
# I would offer you a warm embrace | 0:30:10 | 0:30:16 | |
# To make you feel my love | 0:30:16 | 0:30:24 | |
# Ahh, ahh | 0:30:24 | 0:30:27 | |
# When the evening shadows and the stars appear | 0:30:27 | 0:30:31 | |
# And there's no-one there to dry your tears | 0:30:31 | 0:30:35 | |
# Ahh, ahh | 0:30:35 | 0:30:39 | |
# I could hold you for a million years | 0:30:39 | 0:30:43 | |
# To make you feel my lo-ove | 0:30:43 | 0:30:50 | |
# Though storms are raging on the rolling sea | 0:30:50 | 0:30:57 | |
# And on the highway of regrets | 0:30:57 | 0:31:02 | |
# Though winds of change are blowing wild and free | 0:31:02 | 0:31:09 | |
# You ain't seen nothing like me yet | 0:31:09 | 0:31:15 | |
# You ain't seen nothing like me | 0:31:15 | 0:31:16 | |
# I could make you happy, make your dreams come true | 0:31:16 | 0:31:21 | |
# Nothing that I wouldn't do | 0:31:21 | 0:31:28 | |
# Go to the ends of the Earth for you | 0:31:28 | 0:31:34 | |
# To make you feel my love | 0:31:34 | 0:31:41 | |
# To make you | 0:31:41 | 0:31:45 | |
# Feel my love. # | 0:31:45 | 0:31:50 | |
APPLAUSE | 0:31:50 | 0:31:54 | |
It was so inspiring. I've come away and I feel really good now cos that was so lovely. | 0:32:11 | 0:32:16 | |
It brings it home when you see them singing like that. | 0:32:16 | 0:32:19 | |
What they actually go through, it's fantastic. It was a great sound they made as well. | 0:32:19 | 0:32:23 | |
To anybody that can get up and sing when their husbands are in danger, | 0:32:23 | 0:32:27 | |
I don't know how they do it. | 0:32:27 | 0:32:28 | |
Brilliant, well done! | 0:32:28 | 0:32:31 | |
Really good. So proud of you. | 0:32:31 | 0:32:32 | |
You really blossomed on stage today. Very, very well done. | 0:32:32 | 0:32:36 | |
Unbelievable. | 0:32:36 | 0:32:38 | |
That feeling... just couldn't control the emotion. | 0:32:38 | 0:32:42 | |
You just had to let it go. | 0:32:42 | 0:32:44 | |
'Oh, that was amazing. Really good. | 0:32:44 | 0:32:46 | |
'I really felt part of the choir this time.' | 0:32:46 | 0:32:48 | |
Surprisingly upbeat and as you can see, a big smile on the face. | 0:32:48 | 0:32:52 | |
'When I was on stage I definitely felt the confidence coming back.' | 0:32:52 | 0:32:56 | |
I think it was just the whole adrenaline rush. I didn't notice 500 plus people, or tried not to anyway. | 0:32:56 | 0:33:03 | |
So, yeah, so... I thought we were really good. | 0:33:03 | 0:33:06 | |
They're proud to be in the choir and that's the first step. | 0:33:06 | 0:33:09 | |
There's a real sense of purpose and mission about the whole thing. | 0:33:09 | 0:33:13 | |
It's great. You can see it in their eyes. They sang with real fervour. It was great. | 0:33:13 | 0:33:18 | |
Buoyed by the first public performance from his Military Wives' Choir, Gareth begins to think big. | 0:33:20 | 0:33:28 | |
This is something that could easily spread to other bases. | 0:33:28 | 0:33:31 | |
It's gone so well here in a really short space of time | 0:33:31 | 0:33:33 | |
and the women are singing well and getting so much out of it. | 0:33:33 | 0:33:36 | |
I'd like this to go further, I want to go to other bases. | 0:33:36 | 0:33:41 | |
The choir has had an invitation to visit another military base in Plymouth. | 0:33:41 | 0:33:46 | |
But before they can make the trip, | 0:33:48 | 0:33:51 | |
news comes through that a Royal Marine from 42 Commando based at Plymouth | 0:33:51 | 0:33:55 | |
has been killed by a bomb in southern Afghanistan. | 0:33:55 | 0:33:58 | |
Uncertain whether it's the right time to go to Plymouth, | 0:34:03 | 0:34:06 | |
Gareth calls a meeting. | 0:34:06 | 0:34:08 | |
It's not a position I've been in before, it's new territory for me. | 0:34:10 | 0:34:15 | |
I'd love to go to Plymouth, it's an accident of timing that everything happened this weekend. | 0:34:15 | 0:34:20 | |
The music can't solve the problem, but I kind of have a hunch that it might be something beneficial. | 0:34:20 | 0:34:26 | |
I want to know what you think about it really. Suzy? | 0:34:26 | 0:34:29 | |
They need all the support they can get. | 0:34:29 | 0:34:31 | |
They need something to focus on. | 0:34:31 | 0:34:33 | |
I'd be lost without it, this is my distraction, | 0:34:33 | 0:34:36 | |
it keeps me going in a way and they're having a pretty rough time. | 0:34:36 | 0:34:39 | |
I can't describe to you how hard it is on a personal level. | 0:34:41 | 0:34:45 | |
It's heartbreaking. | 0:34:45 | 0:34:47 | |
The potential for upsetting people who're already incredibly upset, | 0:34:49 | 0:34:53 | |
going into a very sensitive situation | 0:34:53 | 0:34:55 | |
with something as crass as singing in a choir, | 0:34:55 | 0:34:59 | |
it's testing what a choir is for | 0:34:59 | 0:35:03 | |
and testing it to the limit. | 0:35:03 | 0:35:07 | |
-Hello, ladies. Ready? -Yeah. -Let's go. | 0:35:07 | 0:35:11 | |
Despite some reservations, Gareth takes a small group from his Chivenor choir to Plymouth. | 0:35:11 | 0:35:15 | |
hoping to inspire new members to join. | 0:35:15 | 0:35:18 | |
Ladies of the Chivenor choir, | 0:35:20 | 0:35:22 | |
we're going to a place just outside Plymouth | 0:35:22 | 0:35:26 | |
which is where a lot of the women live. | 0:35:26 | 0:35:28 | |
We're going to go and flyer all their houses | 0:35:28 | 0:35:31 | |
and try and drum up some support for this evening. | 0:35:31 | 0:35:33 | |
Nearly 2,000 military families are based in Plymouth. | 0:35:33 | 0:35:38 | |
Here we go. OK, ladies, make this happen. | 0:35:39 | 0:35:42 | |
And most of its 1,300 soldiers are currently serving on the front line in Afghanistan. | 0:35:42 | 0:35:49 | |
It's about letting your hair down, doing something you've not done before. | 0:35:49 | 0:35:53 | |
My husband has been out 11 weeks and I've been stressing out, | 0:35:53 | 0:35:56 | |
the kids are stressed out and it's no good for anybody. | 0:35:56 | 0:35:59 | |
You need something for you. What you need is a choir. | 0:35:59 | 0:36:03 | |
Like Sister Act? | 0:36:03 | 0:36:04 | |
It's Sister Act. | 0:36:04 | 0:36:06 | |
Thank you very much, see you later on. | 0:36:06 | 0:36:08 | |
Gareth's arranged for potential new members to meet | 0:36:08 | 0:36:11 | |
in the Sergeants' Mess. | 0:36:11 | 0:36:14 | |
Hello, come on in. | 0:36:14 | 0:36:15 | |
-Hello. -What's your name? -Heather. -Any singing experience? | 0:36:15 | 0:36:18 | |
-Yeah, I was in the school choir. -School choir. | 0:36:18 | 0:36:22 | |
-And what does your husband do? -Royal Marines. | 0:36:22 | 0:36:24 | |
Hi, Laura. | 0:36:24 | 0:36:26 | |
Good turnout. Hi. | 0:36:26 | 0:36:27 | |
-Been in a couple of rock bands. -Rock bands. | 0:36:27 | 0:36:30 | |
I love it. I think you're our first rock singer. | 0:36:30 | 0:36:34 | |
-What does your husband do? -He's a submariner. | 0:36:34 | 0:36:36 | |
Submariner. Go on through. | 0:36:36 | 0:36:39 | |
Ladies, it's really good to see so many of you here tonight. | 0:36:39 | 0:36:42 | |
We're all very aware that we've come at a sensitive time, so we wanted to acknowledge that. | 0:36:42 | 0:36:47 | |
We've come with some fun | 0:36:47 | 0:36:49 | |
and just to share our singing with you, | 0:36:49 | 0:36:53 | |
hopefully inspire you and give you something to focus on during what I know is a very difficult time. | 0:36:53 | 0:36:58 | |
-Suzy, please. -Hi, I'm Suzy. | 0:36:58 | 0:37:01 | |
I moved to Chivenor about seven months ago. | 0:37:01 | 0:37:03 | |
I knew nobody, then the flyers came through for the choir. | 0:37:03 | 0:37:06 | |
I wasn't going to do it, originally - | 0:37:06 | 0:37:09 | |
best thing I've ever done. | 0:37:09 | 0:37:10 | |
I don't regret it for a minute. I'm happy, | 0:37:10 | 0:37:13 | |
I'm smiling, | 0:37:13 | 0:37:14 | |
which is hard to do at times like this... | 0:37:14 | 0:37:17 | |
and it's getting us all through a very tough time. | 0:37:17 | 0:37:19 | |
-I'm shaking! -LAUGHTER | 0:37:19 | 0:37:22 | |
Um...but, yeah, | 0:37:22 | 0:37:25 | |
I highly recommend it, and just get stuck in | 0:37:25 | 0:37:27 | |
and enjoy it for everything it is, because it's fabulous. | 0:37:27 | 0:37:30 | |
APPLAUSE | 0:37:30 | 0:37:33 | |
PIANO STARTS UP | 0:37:34 | 0:37:37 | |
# I don't know what it is that makes me love you so | 0:37:37 | 0:37:40 | |
# I only know I never want to let you go | 0:37:40 | 0:37:44 | |
# Cos you started something Can't you see | 0:37:44 | 0:37:47 | |
# That ever since we met You've got a hold on me | 0:37:47 | 0:37:51 | |
# It happens to be true I only want to be with you. # | 0:37:51 | 0:37:57 | |
CHEERING AND APPLAUSE | 0:37:57 | 0:38:00 | |
Very good. Now it's YOUR turn! Just sing it slightly slowly, the tune at the beginning, | 0:38:02 | 0:38:07 | |
all together now - one, two, three, four - | 0:38:07 | 0:38:10 | |
# I don't know what it is that makes me love you so | 0:38:10 | 0:38:14 | |
# I only know I never want to let you go... # | 0:38:14 | 0:38:18 | |
Stop. | 0:38:18 | 0:38:19 | |
At this point, things get more complicated - | 0:38:19 | 0:38:23 | |
# Cos you started something Can't you see... # | 0:38:23 | 0:38:25 | |
-Sing that for me - three, four! ALL: -# Cos you started something | 0:38:25 | 0:38:28 | |
# Oh, can't you see... # | 0:38:28 | 0:38:30 | |
Two, three, and... | 0:38:30 | 0:38:32 | |
# You stopped and smiled at me | 0:38:32 | 0:38:35 | |
# Asked me if I'd care to dance | 0:38:35 | 0:38:38 | |
Lighter - # You stopped and smiled... # | 0:38:38 | 0:38:41 | |
More innocent, it's a bit... HE SINGS WITH AGGRESSIVE TONE | 0:38:41 | 0:38:44 | |
# You b... ! | 0:38:44 | 0:38:47 | |
# You left me... then you went to Afghanistan! # | 0:38:47 | 0:38:50 | |
Very innocent, OK? | 0:38:52 | 0:38:53 | |
One, two, three, four... | 0:38:53 | 0:38:55 | |
# I don't know what it is that makes me love you so | 0:38:55 | 0:38:58 | |
# I only know I never want to let you go | 0:38:58 | 0:39:02 | |
# Cos you started something Oh can't you see | 0:39:02 | 0:39:06 | |
# That ever since we met you've had a hold on me | 0:39:06 | 0:39:09 | |
# It happens to be true I only want to be with you. # | 0:39:09 | 0:39:14 | |
Round of applause. Really well done. | 0:39:14 | 0:39:18 | |
It feels to me that singing is such a necessary thing. | 0:39:18 | 0:39:21 | |
I've just had a daughter, and we sing with her all the time, | 0:39:21 | 0:39:24 | |
and she absolutely lights up, not just cos she's a genius, | 0:39:24 | 0:39:27 | |
but because... | 0:39:27 | 0:39:29 | |
because she loves singing and it's such a human thing to do. | 0:39:29 | 0:39:32 | |
That was extremely good for a first start. | 0:39:32 | 0:39:34 | |
Class dismissed, thank you. APPLAUSE | 0:39:34 | 0:39:38 | |
I was able to forget the complications in my life | 0:39:38 | 0:39:41 | |
and just have a good night, | 0:39:41 | 0:39:42 | |
and I feel I'm doing something for myself. | 0:39:42 | 0:39:45 | |
A bit nervy, but I've got to say, | 0:39:45 | 0:39:48 | |
for a bunch of Royal Marines' wives, | 0:39:48 | 0:39:51 | |
we did quite well, but then we would do, wouldn't we(?) | 0:39:51 | 0:39:55 | |
I am actually quite scared about how good they are. | 0:39:55 | 0:39:58 | |
They are actually really amazing, | 0:39:59 | 0:40:01 | |
and that's a bit intimidating. | 0:40:01 | 0:40:03 | |
That was absolutely brilliant, | 0:40:03 | 0:40:06 | |
really exciting. It felt like something was really happening. | 0:40:06 | 0:40:10 | |
I was really worried about coming here and singing with them, | 0:40:10 | 0:40:14 | |
I didn't want to stir up emotions at this really difficult time. | 0:40:14 | 0:40:17 | |
Those women, especially, whose husbands are in action at the moment, and are suffering fatalities, | 0:40:17 | 0:40:23 | |
I really feel for them. | 0:40:23 | 0:40:25 | |
It's lovely to be able to do something like that, that just takes them out of it for ten minutes, | 0:40:25 | 0:40:31 | |
makes them think about something else. | 0:40:31 | 0:40:33 | |
With such a positive response from Plymouth, | 0:40:35 | 0:40:38 | |
Gareth has a newly expanded choir. | 0:40:38 | 0:40:41 | |
And there's a perfect opportunity approaching to showcase it - | 0:40:43 | 0:40:47 | |
Plymouth's annual Armed Forces Day. | 0:40:47 | 0:40:49 | |
HE HUMS Sitting and working it out, I keep imagining | 0:40:49 | 0:40:53 | |
the women of Plymouth, and then, somehow, musically speaking, | 0:40:53 | 0:40:57 | |
the support of the Chivenor Choir. | 0:40:57 | 0:40:59 | |
I've got a mash-up of two songs, one of which is... | 0:40:59 | 0:41:02 | |
HE SINGS # I'll be there | 0:41:02 | 0:41:05 | |
# I'll be there... # | 0:41:05 | 0:41:09 | |
Jackson Five song. The other one is a song | 0:41:09 | 0:41:13 | |
by a guy called Bruno Mars. | 0:41:13 | 0:41:14 | |
# Girl, you're amazing Just the way you are. # | 0:41:14 | 0:41:19 | |
The choruses fit together really well, the verses fit together well, | 0:41:19 | 0:41:23 | |
so you'd have one verse, then another verse of a different song, | 0:41:23 | 0:41:26 | |
one chorus, then a different chorus, then the two things come together and fit like glue. | 0:41:26 | 0:41:30 | |
What's important is that this is about these women coming together, and showing support for each other, | 0:41:30 | 0:41:35 | |
not just from one base, but from one base to another base. | 0:41:35 | 0:41:39 | |
Hello, hello. Hi. | 0:41:39 | 0:41:41 | |
At their next rehearsal, Gareth reveals his idea to the new recruits. | 0:41:41 | 0:41:47 | |
Every choir, even when they are only two weeks old, | 0:41:47 | 0:41:50 | |
really needs to do a performance. | 0:41:50 | 0:41:53 | |
I propose that you, alongside the full ranks of | 0:41:53 | 0:41:56 | |
the Chivenor Ladies' Choir, will go and perform at Armed Forces Day. | 0:41:56 | 0:42:02 | |
CHORISTER SNEEZES | 0:42:02 | 0:42:03 | |
LAUGHTER | 0:42:03 | 0:42:04 | |
You are allergic to Armed Forces Day! Oh, dear! | 0:42:04 | 0:42:09 | |
I've done an arrangement... # Ooh-oo-ooh... # | 0:42:09 | 0:42:13 | |
Does anyone know what it is? | 0:42:17 | 0:42:19 | |
-Bruno Mars? -Bruno Mars, right. So, have a copy of the words. | 0:42:19 | 0:42:25 | |
You're only going to need the very first bit and the chorus. | 0:42:25 | 0:42:30 | |
Chivenor then sing I'll Be There. And it'll be really exciting. | 0:42:30 | 0:42:33 | |
The first time you hear it will be on the day. | 0:42:33 | 0:42:36 | |
LAUGHTER | 0:42:36 | 0:42:38 | |
But don't worry because I'll be there going like this: "Now!" | 0:42:38 | 0:42:41 | |
LAUGHTER | 0:42:41 | 0:42:42 | |
And you just look at me. | 0:42:42 | 0:42:43 | |
-Two, three... -# When I see your face... # | 0:42:43 | 0:42:48 | |
That's it, good. | 0:42:48 | 0:42:49 | |
Would it be ridiculous to go... | 0:42:49 | 0:42:51 | |
HE SINGS FALSETTO | 0:42:51 | 0:42:55 | |
Would it sound a bit ridiculous? Try it. One, two, three and go. | 0:42:55 | 0:43:01 | |
SINGING AND LAUGHTER | 0:43:01 | 0:43:08 | |
# She's so beautiful and I tell her every day. # | 0:43:11 | 0:43:17 | |
And there. So... Sh-sh. | 0:43:17 | 0:43:19 | |
We have a performance in under two weeks. | 0:43:19 | 0:43:23 | |
This has unsettled you, I can see. It's going to be fine. | 0:43:23 | 0:43:26 | |
Take your sheets, bring them back next week. Thank you very much. You may go. | 0:43:26 | 0:43:31 | |
It was a bit nerve wracking because we don't have much time | 0:43:31 | 0:43:34 | |
to prepare, and at first we sounded quite dodgy. | 0:43:34 | 0:43:38 | |
So I hope it all comes together. | 0:43:38 | 0:43:39 | |
It's going to be scary. | 0:43:39 | 0:43:41 | |
This is the second week we've done this. | 0:43:41 | 0:43:43 | |
I'm kind of hoping that we all come together | 0:43:45 | 0:43:48 | |
and sound like we should, rather than sounding like a pack of wild dogs, | 0:43:48 | 0:43:53 | |
which is what I'm really terrified about. | 0:43:53 | 0:43:56 | |
Gareth spends the next two weeks shuttling the 70 miles between Plymouth and Chivenor. | 0:43:57 | 0:44:03 | |
I didn't see any knee dippers. Just try it, just humour me. | 0:44:03 | 0:44:07 | |
# I'll be there. # | 0:44:07 | 0:44:09 | |
It helps me, anyway. | 0:44:09 | 0:44:11 | |
-# I'll be there... # -That's really good. | 0:44:11 | 0:44:15 | |
Having two choirs in two different locations is a stress. | 0:44:17 | 0:44:23 | |
I'm getting to know this road very well indeed. | 0:44:23 | 0:44:26 | |
Don't be embarrassed. Fortitude, ladies. Two, three and... | 0:44:28 | 0:44:32 | |
# Her eyes, her eyes | 0:44:32 | 0:44:34 | |
# Make the stars look like they're not shining. # | 0:44:34 | 0:44:36 | |
Bit slow. Can we just do the words? | 0:44:36 | 0:44:38 | |
Her hair, her hair... | 0:44:38 | 0:44:40 | |
-Falls perfectly without her trying. -You're still slowing me down. | 0:44:40 | 0:44:43 | |
It's like playing in treacle. | 0:44:43 | 0:44:46 | |
-# You and I... # -Yeah. | 0:44:47 | 0:44:49 | |
# ..must make a pact | 0:44:49 | 0:44:51 | |
# We must bring salvation back | 0:44:51 | 0:44:55 | |
# Where there is love I'll be there. # | 0:44:55 | 0:45:03 | |
Fabulous. Sit down, thank you. Well done. | 0:45:03 | 0:45:04 | |
This isn't about showing their vulnerability, | 0:45:04 | 0:45:07 | |
this is about showing their strength, | 0:45:07 | 0:45:09 | |
and how impressive a bunch of women they are. | 0:45:09 | 0:45:12 | |
CANNON FIRES | 0:45:16 | 0:45:18 | |
It's June 25th and Armed Forces Day. | 0:45:18 | 0:45:22 | |
CHEERING | 0:45:22 | 0:45:24 | |
For the people of Plymouth, it's a chance to celebrate their military heritage. | 0:45:27 | 0:45:32 | |
This way, everyone. | 0:45:33 | 0:45:35 | |
For Gareth, it's the first time his new, | 0:45:35 | 0:45:38 | |
100-strong choir will sing together. | 0:45:38 | 0:45:42 | |
To mark the occasion, the Chivenor choir arrive dressed in white, | 0:45:42 | 0:45:46 | |
with their Plymouth counterparts dressed in red. | 0:45:46 | 0:45:48 | |
I really think there might be some tears in the crowd. Definitely. | 0:45:48 | 0:45:53 | |
Yeah, I think you might... and in the choir, actually. | 0:45:53 | 0:45:56 | |
Yeah, definitely! | 0:45:56 | 0:45:57 | |
OK. The massed choirs of Plymouth | 0:45:58 | 0:46:02 | |
and Chivenor are ready for their performance. Let's go. THEY CHEER | 0:46:02 | 0:46:05 | |
MARCHING MUSIC PLAYS | 0:46:05 | 0:46:10 | |
Ladies and gentlemen, I am delighted to present to you | 0:46:11 | 0:46:14 | |
the Plymouth and Chivenor Military Wives' and Girlfriends' Choirs, | 0:46:14 | 0:46:19 | |
along with the Band of the Royal Marines. CHEERING AND APPLAUSE | 0:46:19 | 0:46:24 | |
# You and I must make a pact | 0:46:32 | 0:46:37 | |
# We must bring salvation back | 0:46:37 | 0:46:42 | |
# Where there is love I'll be there. | 0:46:42 | 0:46:50 | |
# Her eyes, her eyes make the stars look like they're not shining | 0:46:50 | 0:46:54 | |
# Her hair, her hair falls perfectly without her trying | 0:46:54 | 0:46:58 | |
# She's so beautiful and I tell her every day | 0:46:58 | 0:47:05 | |
# When I see your face | 0:47:05 | 0:47:10 | |
# There's not a thing that I would change | 0:47:10 | 0:47:15 | |
# Girl, you're amazing | 0:47:15 | 0:47:18 | |
# Just the way you are | 0:47:18 | 0:47:23 | |
# When I see your face | 0:47:23 | 0:47:25 | |
# I'll be there | 0:47:25 | 0:47:27 | |
# There's not a thing that I would change | 0:47:27 | 0:47:31 | |
# I'll be there | 0:47:31 | 0:47:33 | |
# Girl, you're amazing just the way you are | 0:47:33 | 0:47:38 | |
# I'll be there | 0:47:38 | 0:47:40 | |
# And when you smile | 0:47:40 | 0:47:43 | |
# I'll be there | 0:47:43 | 0:47:45 | |
# The whole world stops and stares for a while | 0:47:45 | 0:47:49 | |
# Girl, you're amazing just the way you are | 0:47:49 | 0:47:56 | |
# And I'll be there. # | 0:47:56 | 0:47:59 | |
CHEERING AND APPLAUSE | 0:47:59 | 0:48:02 | |
We were watching, baby! | 0:48:11 | 0:48:14 | |
I'm not crying cos it was really bad! | 0:48:14 | 0:48:17 | |
I looked over and my mum was like that... | 0:48:17 | 0:48:20 | |
It is a phenomenal feeling, I can't explain it. It's so nice. | 0:48:20 | 0:48:24 | |
All of us came together. It was awesome. | 0:48:24 | 0:48:29 | |
It's combined us all together. | 0:48:29 | 0:48:31 | |
We just feel like one big team now and it's just a really good feeling. | 0:48:31 | 0:48:35 | |
Bring on the next one! | 0:48:35 | 0:48:37 | |
You've got all these women able to sing really well. | 0:48:37 | 0:48:40 | |
And uniting their voices, that sends a better message of support | 0:48:40 | 0:48:43 | |
to the troops than anything else I can think of. | 0:48:43 | 0:48:46 | |
It's so potent. | 0:48:46 | 0:48:47 | |
It just makes me think, "Bigger - do more, more of this!" | 0:48:47 | 0:48:51 | |
It's really, really strong. | 0:48:51 | 0:48:52 | |
It's late summer. | 0:49:02 | 0:49:04 | |
For Chivenor Wives, | 0:49:06 | 0:49:08 | |
there's now just two more months before their husbands come home. | 0:49:08 | 0:49:11 | |
Good. Well done. | 0:49:11 | 0:49:13 | |
Simple. | 0:49:13 | 0:49:14 | |
'It's really moving to hear how far they've come for me, | 0:49:18 | 0:49:20 | |
'because they're investing so much energy in this | 0:49:20 | 0:49:23 | |
'and there's emotion in their singing now.' | 0:49:23 | 0:49:26 | |
Well done, absolutely astonishing. | 0:49:33 | 0:49:36 | |
'It's a very emotional time for them.' | 0:49:36 | 0:49:39 | |
We can see the end but there's still a long way to go. | 0:49:39 | 0:49:42 | |
You're frustrated cos you want them home now. | 0:49:49 | 0:49:51 | |
It's like that last bit of your pregnancy when you're miserable | 0:49:51 | 0:49:54 | |
and you want the baby to come and that's what it's like. | 0:49:54 | 0:49:57 | |
I don't even know what I'm going to say to him. | 0:49:58 | 0:50:01 | |
Probably just how much I love him. | 0:50:01 | 0:50:04 | |
Tired now, bored, we need Daddy now. | 0:50:05 | 0:50:09 | |
The girls, they've done really well, they have. | 0:50:09 | 0:50:14 | |
We've had our moments, like every family going through this. | 0:50:14 | 0:50:20 | |
It's the uncertainty. | 0:50:22 | 0:50:24 | |
It's so hard to go through this kind of thing | 0:50:24 | 0:50:27 | |
when you have no control over the situation. | 0:50:27 | 0:50:30 | |
You can't relax until they're on that plane, | 0:50:30 | 0:50:32 | |
till you know they've left that country. | 0:50:32 | 0:50:34 | |
To get the women through this last stage, | 0:50:44 | 0:50:46 | |
Gareth has pulled out all the stops. | 0:50:46 | 0:50:50 | |
You need to keep Saturday 12th November free, | 0:50:50 | 0:50:55 | |
because you're going, and it gives me huge excitement to tell you, | 0:50:55 | 0:50:58 | |
we're going to perform at the Festival of Remembrance. | 0:50:58 | 0:51:03 | |
It's at the Royal Albert Hall. | 0:51:03 | 0:51:06 | |
More than that, it's live on BBC One. | 0:51:06 | 0:51:10 | |
More than that... | 0:51:11 | 0:51:12 | |
Take That are coming! | 0:51:12 | 0:51:15 | |
It's not Take That. No, no. | 0:51:15 | 0:51:18 | |
It's in front of the Royal Family. | 0:51:18 | 0:51:20 | |
This is as big as it gets. | 0:51:23 | 0:51:26 | |
The guys will be back and we'll be able to celebrate, remember, | 0:51:26 | 0:51:29 | |
it's an entirely appropriate platform for us. | 0:51:29 | 0:51:32 | |
It could be tough but it's going to be brilliant to do. | 0:51:32 | 0:51:35 | |
I want this to be the best thing you've ever done. | 0:51:35 | 0:51:38 | |
It would be a very, very proud moment. | 0:51:38 | 0:51:40 | |
So we're going to have to work hard. Well done, very good rehearsal. | 0:51:40 | 0:51:44 | |
I think a lot of us are quite emotional about it | 0:51:46 | 0:51:49 | |
cos it means so much and it's such a personal thing to us... | 0:51:49 | 0:51:53 | |
Sorry! | 0:51:53 | 0:51:55 | |
I've said, "This is the biggest thing I've ever done" so many times, | 0:51:55 | 0:51:59 | |
but this is the biggest thing I've ever done in my life. | 0:51:59 | 0:52:01 | |
This is absolutely huge. | 0:52:01 | 0:52:03 | |
It's of national importance and national significance. | 0:52:03 | 0:52:06 | |
Nothing else I've done has felt like that. | 0:52:06 | 0:52:09 | |
In terms of getting their message across and getting them understood, | 0:52:09 | 0:52:13 | |
I can't think of anything better. | 0:52:13 | 0:52:15 | |
For performance at the Royal Albert Hall, | 0:52:20 | 0:52:22 | |
Gareth wants to have something specially composed. | 0:52:22 | 0:52:25 | |
So he's visiting Paul Mealor, | 0:52:25 | 0:52:28 | |
who composed the main choral piece for the Royal Wedding. | 0:52:28 | 0:52:32 | |
-Hello, Paul. -Hi, how are you, Gareth? -Very well, how are you? | 0:52:32 | 0:52:35 | |
I'm all right, welcome. | 0:52:35 | 0:52:37 | |
The reason I contacted you | 0:52:37 | 0:52:39 | |
was because I couldn't find the right piece | 0:52:39 | 0:52:41 | |
It's trying to find that line | 0:52:41 | 0:52:43 | |
between something that's moving and does speak and is about remembrance | 0:52:43 | 0:52:46 | |
but also about celebration. They have something to celebrate. | 0:52:46 | 0:52:50 | |
At this point, touching wood, their husbands should be home | 0:52:50 | 0:52:53 | |
so it's a bit more major key than minor key, perhaps. | 0:52:53 | 0:52:56 | |
I can do major key. | 0:52:56 | 0:52:58 | |
You can do major key? Good. That's great. | 0:52:58 | 0:53:00 | |
You're the easiest composer to work with that I've ever met. | 0:53:00 | 0:53:03 | |
I wondered about getting letters | 0:53:03 | 0:53:06 | |
because they all write a lot of letters. | 0:53:06 | 0:53:09 | |
I've never done it before. | 0:53:09 | 0:53:11 | |
They may write poetry themselves, they may write lyrics. | 0:53:11 | 0:53:15 | |
Ask them. | 0:53:15 | 0:53:16 | |
Thank you very much. I'll be in touch with some text. | 0:53:16 | 0:53:20 | |
'I'm seriously excited about this. It's brilliant.' | 0:53:20 | 0:53:23 | |
It's every choir masters dream to have somebody write stuff for you. | 0:53:23 | 0:53:26 | |
The news has spread that Gareth needs letters for the song. | 0:53:28 | 0:53:32 | |
Catherine is married to Sergeant Andrew Catchpole, | 0:53:34 | 0:53:38 | |
who's currently in Afghanistan on his third tour of duty. | 0:53:38 | 0:53:41 | |
The couple have been married for ten years | 0:53:41 | 0:53:43 | |
and have a five-year-old son, Freddie. | 0:53:43 | 0:53:45 | |
We always have our own little things. | 0:53:45 | 0:53:48 | |
He'll always put a kiss on the back and I'll always do three. | 0:53:48 | 0:53:52 | |
A big one and two little ones. | 0:53:52 | 0:53:54 | |
They're old fashioned now but the same as the perfume, | 0:53:54 | 0:53:57 | |
I'll put perfume on the letters and parcels | 0:53:57 | 0:53:59 | |
and I'll put lipstick on and kiss the back. | 0:53:59 | 0:54:01 | |
At the Royal Albert Hall... | 0:54:01 | 0:54:05 | |
it's going to be... | 0:54:05 | 0:54:07 | |
really... Yeah, mind-blowing is the only word I can think of. | 0:54:07 | 0:54:10 | |
Anyone hearing it would hopefully | 0:54:10 | 0:54:13 | |
get a snippet of a window of our life. | 0:54:13 | 0:54:17 | |
We're the other half to them. | 0:54:17 | 0:54:18 | |
That's what he says, "I couldn't do this without you." | 0:54:18 | 0:54:21 | |
I want to make him proud by something we're achieving | 0:54:21 | 0:54:24 | |
cos he's achieving that. | 0:54:24 | 0:54:25 | |
Yeah, I hope we smash it. | 0:54:25 | 0:54:28 | |
"Miss you, today, tomorrow and always. | 0:54:30 | 0:54:33 | |
"I miss you with each passing second and I count every single one | 0:54:33 | 0:54:36 | |
"knowing that as each one passes me by, | 0:54:36 | 0:54:39 | |
"it brings me another second closer to you. I love you more." | 0:54:39 | 0:54:43 | |
Any others? | 0:54:45 | 0:54:46 | |
-I don't want to read mine out. -You can't read it out? | 0:54:46 | 0:54:50 | |
"Keep my heart safe, my love, for I send it away with you. | 0:54:50 | 0:54:52 | |
"Hold it close and now I'm with you always." | 0:54:52 | 0:54:55 | |
Thank you very much. | 0:54:55 | 0:54:57 | |
"There are no goodbyes for us. | 0:54:58 | 0:54:59 | |
"Wherever you are, you're always in my heart." | 0:54:59 | 0:55:02 | |
It's on my bracelet my husband got me for my birthday. | 0:55:02 | 0:55:04 | |
That's lovely. Great. | 0:55:04 | 0:55:06 | |
The letters that the women have given me are so personal | 0:55:06 | 0:55:09 | |
and I've given them to Paul Mealor to make something out of. | 0:55:09 | 0:55:12 | |
It's very exciting, waiting for him to write a composition. | 0:55:12 | 0:55:16 | |
It's all becoming very real. | 0:55:16 | 0:55:17 | |
But before the concert at the Royal Albert Hall, | 0:55:19 | 0:55:22 | |
there is one more performance that the wives cannot miss. | 0:55:22 | 0:55:26 | |
So, the men are coming home very shortly | 0:55:26 | 0:55:28 | |
and I can now reveal, | 0:55:28 | 0:55:31 | |
that we are going to be singing at the homecoming parade. | 0:55:31 | 0:55:34 | |
No song is ever going to quite do justice to the fact | 0:55:37 | 0:55:41 | |
that your men have been away for all this time | 0:55:41 | 0:55:44 | |
and you've shown amazing resilience through all of that. | 0:55:44 | 0:55:46 | |
I've come up with what I think is a really good solution | 0:55:46 | 0:55:50 | |
although it's not an obvious choral classic. | 0:55:50 | 0:55:52 | |
It is, I Want To Dance With Somebody by Whitney Houston. | 0:55:52 | 0:55:58 | |
Is that good? Oh, good. Shall we try it? | 0:55:58 | 0:56:01 | |
I want this to be a bit all-singing, all-dancing. | 0:56:02 | 0:56:05 | |
A bit of a show number. We've not got long to put it on. | 0:56:05 | 0:56:08 | |
# Do do do do do do ah. # | 0:56:08 | 0:56:10 | |
Can you sing that for three, and one. | 0:56:10 | 0:56:12 | |
# Do do do do do do ah. | 0:56:12 | 0:56:15 | |
# Do do do do do do ah. # | 0:56:15 | 0:56:17 | |
But it's not only the wives who've been missing the men during this six-month tour to Afghanistan. | 0:56:17 | 0:56:23 | |
The dads being away affects the entire family, | 0:56:23 | 0:56:26 | |
it's not just the mums, it's the kids as well. And I can't leave them out of this. | 0:56:26 | 0:56:30 | |
This is the school where a lot of the military children go to. | 0:56:30 | 0:56:33 | |
What percentage would you say are from a military background? | 0:56:35 | 0:56:39 | |
We've got 40% at the moment. | 0:56:39 | 0:56:40 | |
-Hello! -Is your daddy... where is he? | 0:56:40 | 0:56:44 | |
-In "Afsghanidan". -Is he? Afghanistan! | 0:56:44 | 0:56:47 | |
How many people have heard from their family this week, | 0:56:47 | 0:56:51 | |
if you've got someone in Afghanistan? | 0:56:51 | 0:56:54 | |
-CJ. -I had... Dad had his birthday in Afghanistan a week ago. | 0:56:54 | 0:56:59 | |
-What did you send him? -Um... | 0:56:59 | 0:57:01 | |
I sent him some sweets, and a mug, | 0:57:01 | 0:57:04 | |
saying "You're the best dad in the world." | 0:57:04 | 0:57:07 | |
Aw! | 0:57:07 | 0:57:09 | |
Ten-year-old CJ lives with his mum, Danni. | 0:57:09 | 0:57:12 | |
His dad is a vehicle repair engineer | 0:57:12 | 0:57:14 | |
and has been in Afghanistan for the past five months. | 0:57:14 | 0:57:17 | |
My dad's been away four times, so I'm quite used to it, | 0:57:19 | 0:57:23 | |
but my mum still cries when he goes away. | 0:57:23 | 0:57:25 | |
The first time Dad went out, it was really slow, it just kept on going. | 0:57:28 | 0:57:32 | |
Sometimes when I think at night, | 0:57:32 | 0:57:35 | |
I don't think Dad's going to make it back, but then he does, | 0:57:35 | 0:57:39 | |
he actually gets back and when he does get back, it's really exciting. | 0:57:39 | 0:57:44 | |
Gareth's determined to make the children | 0:57:44 | 0:57:46 | |
a part of the homecoming celebrations. | 0:57:46 | 0:57:50 | |
HE SINGS HIGH NOTE | 0:57:50 | 0:57:51 | |
# Can you sing that for me? Laaa... # | 0:57:51 | 0:57:54 | |
# Laaaa. | 0:57:54 | 0:57:56 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:57:56 | 0:58:00 | |
Three, go. | 0:58:00 | 0:58:01 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:58:01 | 0:58:06 | |
But what I don't want is... HE SINGS FEEBLY | 0:58:06 | 0:58:08 | |
(LOUDLY) # Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:58:08 | 0:58:12 | |
Fun and funky and really upbeat. Two, three, and... | 0:58:12 | 0:58:15 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:58:15 | 0:58:19 | |
What's your name with the glasses there? | 0:58:19 | 0:58:22 | |
Pardon? Erin. | 0:58:22 | 0:58:24 | |
I could hear your voice all the way over here. | 0:58:24 | 0:58:27 | |
It sounded really good, really good sound from Erin there. | 0:58:27 | 0:58:31 | |
Let's all put that amount of effort in. Really go for it. | 0:58:31 | 0:58:33 | |
Two, three, and... | 0:58:33 | 0:58:35 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:58:35 | 0:58:39 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance. # | 0:58:39 | 0:58:44 | |
# With somebody who loves me | 0:58:44 | 0:58:48 | |
# Don't you wanna dance Say you wanna dance Don't you wanna dance | 0:58:48 | 0:58:52 | |
# Do do do do. # | 0:58:52 | 0:58:54 | |
It's going to be a little bit nervous, but I'll be very brave, | 0:58:57 | 0:59:01 | |
and I'll tell my dad before we start, "You rock." | 0:59:01 | 0:59:05 | |
It's September. | 0:59:05 | 0:59:08 | |
The homecoming dates are getting closer. | 0:59:08 | 0:59:12 | |
# And when the night falls | 0:59:12 | 0:59:14 | |
# Loneliness calls... # | 0:59:14 | 0:59:16 | |
And one. | 0:59:16 | 0:59:17 | |
# Oh, I want to dance with somebody... # | 0:59:17 | 0:59:20 | |
Who's playing the tambourine? | 0:59:20 | 0:59:22 | |
You weren't in time! | 0:59:22 | 0:59:24 | |
That's it. One, two, three, and... | 0:59:24 | 0:59:27 | |
# I've been in love and lost my senses | 0:59:27 | 0:59:32 | |
# Spinning through the town | 0:59:32 | 0:59:34 | |
# Do do-dee-do-dee-doo, ahhh | 0:59:34 | 0:59:36 | |
-# Da-dah da-dah da-dah da-dah -Sooner or later the fever ends | 0:59:36 | 0:59:39 | |
-# Da-dah da-dah da-dah da-dah -And I wind up feeling down... # | 0:59:39 | 0:59:43 | |
Yeah, good, all right. That's great. Catherine, sing that on your own. | 0:59:43 | 0:59:47 | |
# I've been in love I've lost my senses. # | 0:59:47 | 0:59:49 | |
-Shall I do the line? -I've been in love and I've lost my senses. | 0:59:49 | 0:59:52 | |
Do the first verse, the clock strikes. One, two, three, and go. | 0:59:52 | 0:59:57 | |
# Clock strikes upon the hour | 0:59:57 | 0:59:59 | |
# And the sun begins to fade | 0:59:59 | 1:00:03 | |
# Been in love, la-la-la-la-la... # | 1:00:03 | 1:00:07 | |
LAUGHTER AND APPLAUSE | 1:00:07 | 1:00:10 | |
All those who think Catherine ought to do that first verse as a solo? | 1:00:10 | 1:00:14 | |
CHEERING | 1:00:14 | 1:00:16 | |
It feels right. | 1:00:20 | 1:00:22 | |
Sorry, Catherine, it's just one of those moments where talent outs. | 1:00:22 | 1:00:26 | |
-Yeah, it just... -As does my blood pressure. | 1:00:26 | 1:00:28 | |
Listen, I am powerless to resist the charms of your voice. | 1:00:28 | 1:00:31 | |
It sounds great. Thank you very much, that's great. Good. | 1:00:31 | 1:00:35 | |
I just like the song, so there's me belting it out, you know, | 1:00:35 | 1:00:38 | |
enjoying it, not thinking that I can... No. Oh, well. I'll try! | 1:00:38 | 1:00:43 | |
I hope I don't croak it. My throat goes all tight when I panic. | 1:00:45 | 1:00:50 | |
The majority of the men are now due back within the next few days. | 1:00:52 | 1:00:56 | |
He's been gone 28 weeks tomorrow. | 1:00:57 | 1:01:00 | |
So, yeah, that's our little chart there of... | 1:01:00 | 1:01:04 | |
Of how long he's been gone. | 1:01:04 | 1:01:06 | |
-Try again, shall we? -Yeah. | 1:01:08 | 1:01:10 | |
I can't wait till he comes back, to start life again. | 1:01:10 | 1:01:13 | |
It's not until they're on the way home that you realise | 1:01:13 | 1:01:16 | |
you've been on pause for the last six months. | 1:01:16 | 1:01:19 | |
I thought it'd be easier, cos it's not the first time he's been away. | 1:01:20 | 1:01:24 | |
But, I don't know, maybe the feelings get stronger. | 1:01:24 | 1:01:28 | |
I've just missed him immensely. | 1:01:28 | 1:01:30 | |
The blues is the weeks he's been away. | 1:01:30 | 1:01:34 | |
Today, Thursday, when he comes back, "home" will be written right there. | 1:01:34 | 1:01:39 | |
193...days. | 1:01:39 | 1:01:43 | |
After a six-month tour of duty, 250 Chivenor men | 1:01:48 | 1:01:53 | |
return home from Afghanistan to be reunited with their loved ones. | 1:01:53 | 1:01:58 | |
Families and friends and children are through there. | 1:02:17 | 1:02:21 | |
Thank you, welcome back, you are now released. | 1:02:21 | 1:02:23 | |
-Daddy! -Shout louder. | 1:02:38 | 1:02:40 | |
Daddy! | 1:02:40 | 1:02:42 | |
Always good to be home. | 1:02:53 | 1:02:56 | |
Especially after a tour that's been this long. | 1:02:56 | 1:02:58 | |
It's probably the longest, hardest tour I've done. | 1:02:58 | 1:03:02 | |
So it's always good to get home. | 1:03:02 | 1:03:04 | |
Let's take Daddy home! | 1:03:07 | 1:03:09 | |
We had a quite lucky, or successful tour if you put it that way. | 1:03:17 | 1:03:21 | |
As in, we had a few scrapes, | 1:03:21 | 1:03:25 | |
but I think that's about as close as we got. | 1:03:25 | 1:03:27 | |
'It's finished, and six months has gone.' | 1:03:27 | 1:03:30 | |
You wouldn't believe it, we've missed Easter, we've missed summer. | 1:03:30 | 1:03:34 | |
It is hard, it's hard to be separated from your family. | 1:03:34 | 1:03:38 | |
He's here now, and he's safe. And we can just get on with our life now. | 1:03:38 | 1:03:44 | |
Sometimes when I cuddle him | 1:03:46 | 1:03:48 | |
he squeezes me so hard, I can't breathe. | 1:03:48 | 1:03:51 | |
To make up for all the cuddles he's missed! | 1:03:52 | 1:03:55 | |
Every other conversation with Nicola was the choir. | 1:03:56 | 1:03:59 | |
It'd be really good to actually hear what the choir | 1:03:59 | 1:04:03 | |
has produced in six months. | 1:04:03 | 1:04:04 | |
I'm really looking forward to it. | 1:04:04 | 1:04:07 | |
It's the day of the homecoming parade. | 1:04:11 | 1:04:14 | |
For Chivenor, the celebrations are particularly special, | 1:04:16 | 1:04:20 | |
as all the men returned home from Afghanistan safely. | 1:04:20 | 1:04:26 | |
Fall out! | 1:04:26 | 1:04:28 | |
APPLAUSE | 1:04:31 | 1:04:34 | |
Ladies! Hello, hey. All right, it's show time. | 1:04:38 | 1:04:43 | |
-Is everyone feeling all right? ALL: -Yeah. | 1:04:43 | 1:04:45 | |
Where's Catherine Catchpole? | 1:04:45 | 1:04:47 | |
-Is she in the toilet? -No. -She's not here? -She might be out there. -Yeah. | 1:04:48 | 1:04:53 | |
Hello! Oh! Am I glad to see you! | 1:04:55 | 1:04:58 | |
Catherine, did you have a moment? | 1:05:01 | 1:05:02 | |
-I did. -Are you with us? -Yes. -Good, right. | 1:05:02 | 1:05:06 | |
Good afternoon, everyone. I just want to say one thing - welcome home. | 1:05:15 | 1:05:20 | |
# The clock strikes upon the hour | 1:05:30 | 1:05:33 | |
# And the sun begins to fade | 1:05:33 | 1:05:36 | |
# Do-do-do-do-do do-ah | 1:05:36 | 1:05:38 | |
# Still enough time to figure out | 1:05:38 | 1:05:41 | |
# How to chase my blues away | 1:05:41 | 1:05:44 | |
# Ahh-ahh | 1:05:44 | 1:05:45 | |
# I've done all right up till now | 1:05:45 | 1:05:48 | |
# It's the light of day that shows me how | 1:05:48 | 1:05:52 | |
# But when the night falls | 1:05:52 | 1:05:56 | |
# Loneliness calls | 1:05:56 | 1:05:58 | |
# Oh, I wanna dance with somebody | 1:05:58 | 1:06:02 | |
# I wanna feel the heat with somebody | 1:06:02 | 1:06:07 | |
# Yeah, I wanna dance with somebody | 1:06:07 | 1:06:10 | |
# With somebody who loves me | 1:06:10 | 1:06:14 | |
-# Somebody who -Somebody who | 1:06:14 | 1:06:17 | |
-# Ahhh-ahhh -Somebody to love me | 1:06:17 | 1:06:20 | |
-# Somebody who, somebody who -Ahh-ah-ah-ah | 1:06:20 | 1:06:24 | |
-# Somebody who, somebody who -Ahh-ah-ah-ah | 1:06:24 | 1:06:26 | |
# Somebody to want me | 1:06:26 | 1:06:29 | |
CHILDREN: # I've done all right up till now | 1:06:29 | 1:06:32 | |
# It's the light that shows me how | 1:06:32 | 1:06:36 | |
# When the night falls | 1:06:36 | 1:06:38 | |
# When the night falls | 1:06:38 | 1:06:40 | |
# When the night falls | 1:06:40 | 1:06:42 | |
# When the night falls | 1:06:42 | 1:06:44 | |
-# When the night falls -When the night falls | 1:06:44 | 1:06:48 | |
# Don't you wanna dance, say you wanna dance, don't you wanna dance | 1:06:48 | 1:06:51 | |
# Don't you wanna dance, say you wanna dance, don't you wanna dance | 1:06:51 | 1:06:54 | |
# Don't you wanna dance, say you wanna dance, don't you wanna dance | 1:06:54 | 1:06:59 | |
# With somebody who loves me | 1:06:59 | 1:07:04 | |
# Don't you wanna dance, say you wanna dance, don't you wanna dance | 1:07:04 | 1:07:07 | |
# Whooo! # | 1:07:07 | 1:07:08 | |
I thought she was absolutely fantastic. So proud of her. | 1:07:21 | 1:07:24 | |
I know she was getting really nervous before the start. | 1:07:24 | 1:07:27 | |
It didn't sound like it, she looked like she really enjoyed it, | 1:07:27 | 1:07:30 | |
I thought it was absolutely amazing. Made me so proud, she's brilliant. | 1:07:30 | 1:07:34 | |
Really, really, really good. | 1:07:36 | 1:07:38 | |
All the effort they put into it has come to fruition. | 1:07:38 | 1:07:42 | |
It was a really good performance. Brilliant. | 1:07:42 | 1:07:45 | |
Far easier for me to command soldiers in Afghanistan | 1:07:45 | 1:07:48 | |
than try and coordinate that. | 1:07:48 | 1:07:50 | |
Actually, I think you're right. It probably was! | 1:07:50 | 1:07:53 | |
-Welcome home. -Thanks. | 1:07:53 | 1:07:55 | |
Well done. That is mission accomplished. | 1:07:55 | 1:07:58 | |
I'm going to give you medals. Choir medals! Really, really well done. | 1:07:58 | 1:08:03 | |
The homecoming parade was fantastic. It was exactly what I wanted. | 1:08:05 | 1:08:09 | |
We now have to focus on the Royal Albert Hall, | 1:08:09 | 1:08:11 | |
which is an infinitely bigger challenge. | 1:08:11 | 1:08:14 | |
I've got the Paul Mealor piece now, which is brilliant. | 1:08:14 | 1:08:16 | |
It's exactly the right piece for the women | 1:08:16 | 1:08:19 | |
and I'm going to start it at rehearsal tonight. | 1:08:19 | 1:08:21 | |
I think they'll love it. | 1:08:21 | 1:08:23 | |
Gareth's travelled to Plymouth, home to the other half of his choir. | 1:08:24 | 1:08:29 | |
Many of the women's husbands are Royal Marines | 1:08:29 | 1:08:32 | |
still on frontline duty in Afghanistan. | 1:08:32 | 1:08:34 | |
And today, Gareth wants to unveil to them the specially composed piece for the Royal Albert Hall. | 1:08:40 | 1:08:48 | |
I've got here a document that I sent to Paul Mealor. | 1:08:48 | 1:08:51 | |
It's all your letters typed up. He read them. | 1:08:51 | 1:08:56 | |
He then created a poem out of them, | 1:08:56 | 1:09:00 | |
out of the sentiments and out of lots of the words. | 1:09:00 | 1:09:02 | |
In particular, the title of it comes from a bracelet that one of | 1:09:02 | 1:09:06 | |
the women at Chivenor has round her wrist | 1:09:06 | 1:09:08 | |
that was given to her by her husband. | 1:09:08 | 1:09:10 | |
It says, "Wherever you are, you are always in my heart." | 1:09:10 | 1:09:14 | |
The title of the piece is Wherever You Are. | 1:09:14 | 1:09:18 | |
He's done a brilliant job. | 1:09:18 | 1:09:20 | |
# Wherever you are, my love will keep you safe | 1:09:27 | 1:09:34 | |
# My heart will build a bridge of light | 1:09:34 | 1:09:39 | |
# Across both time and space... # | 1:09:39 | 1:09:43 | |
I'm going to let you take over in a minute... | 1:09:43 | 1:09:46 | |
We've got one in tears already! Two in tears. I'm so sorry. | 1:09:46 | 1:09:50 | |
Listen... Three in tears, I'm so sorry. | 1:09:50 | 1:09:54 | |
It is a very, very emotional piece. | 1:09:54 | 1:09:56 | |
It sounds like it's from everyone's hearts | 1:09:56 | 1:09:59 | |
and it brings everything into perspective. | 1:09:59 | 1:10:02 | |
It doesn't matter what you're doing during the day, | 1:10:02 | 1:10:05 | |
someone's loved one is out in this war | 1:10:05 | 1:10:09 | |
when they should be at home with their families and they're not. | 1:10:09 | 1:10:13 | |
The hardest thing about this song is we go from # Wherever... # Disney | 1:10:13 | 1:10:18 | |
to # Light up the dark... # | 1:10:18 | 1:10:21 | |
Choral, big old big big. | 1:10:21 | 1:10:24 | |
So it's tough to pull that off, I think. | 1:10:24 | 1:10:26 | |
But if anyone can do it, you can. One, two... | 1:10:26 | 1:10:31 | |
-HIGH-PITCHED: -# Light up the darkness My prince of peace... # | 1:10:31 | 1:10:39 | |
Yes! Almost! Almost! | 1:10:39 | 1:10:40 | |
It's going to take a while | 1:10:43 | 1:10:44 | |
because it's not a walk in the park, this. | 1:10:44 | 1:10:47 | |
Those of you who can, homework please and do it this week, | 1:10:47 | 1:10:51 | |
rather than in five weeks. | 1:10:51 | 1:10:53 | |
Start learning it now. | 1:10:53 | 1:10:54 | |
The Royal Albert Hall performance is now just three weeks away. | 1:11:00 | 1:11:05 | |
But for Gareth, there's still one thing missing. | 1:11:05 | 1:11:09 | |
I want it to start with a solo because I think | 1:11:09 | 1:11:11 | |
if you start small with one voice, you draw in the audience | 1:11:11 | 1:11:15 | |
and then you take them along with you as you bring in more and more voices. | 1:11:15 | 1:11:21 | |
I think that's more emotional, which is really what I want. | 1:11:21 | 1:11:25 | |
The women are coming to audition for the solo for the Royal Albert Hall. | 1:11:30 | 1:11:34 | |
The Officers' Mess is somewhere unfamiliar | 1:11:34 | 1:11:37 | |
because that's what they're going to have to do at the Royal Albert Hall. | 1:11:37 | 1:11:41 | |
This is like the pinnacle of nervousness at the moment. | 1:11:41 | 1:11:44 | |
I can't put my hands anywhere because they're shaking so much. | 1:11:44 | 1:11:48 | |
It's a massive gig. Massive. | 1:11:48 | 1:11:52 | |
I would struggle to stand up and sing in front of that number of people. I really would. | 1:11:52 | 1:11:56 | |
Bring in the troops. | 1:11:58 | 1:12:00 | |
Good luck, Donna. | 1:12:00 | 1:12:02 | |
Two, three... | 1:12:07 | 1:12:09 | |
# Wherever you are | 1:12:09 | 1:12:12 | |
# My love will keep you safe | 1:12:12 | 1:12:16 | |
# My heart will build a bridge of light | 1:12:16 | 1:12:20 | |
# Across both time and space. # | 1:12:20 | 1:12:23 | |
Good. | 1:12:23 | 1:12:25 | |
# Wherever I am... # | 1:12:25 | 1:12:30 | |
I've forgotten the bloody words! | 1:12:30 | 1:12:33 | |
Seven, eight, nine. | 1:12:33 | 1:12:35 | |
I've now heard nine and no-one is ready for the Queen. | 1:12:35 | 1:12:39 | |
Next! | 1:12:39 | 1:12:41 | |
# Aah-aah-aah-ahh aah-aah-ahh | 1:12:41 | 1:12:47 | |
# Aah-aah-aah-aah-aah | 1:12:47 | 1:12:51 | |
# Aa-a-ah. # | 1:12:51 | 1:12:54 | |
# Aah-aah-aah aah-aah-aah | 1:12:54 | 1:12:56 | |
# Aah-aah-aah-aah-aah Aah-aah-aah... # | 1:12:56 | 1:13:03 | |
# Aah-aah-aah-aah aah-aah-aah-aah | 1:13:03 | 1:13:07 | |
# Aah-aah-aah-aah-aah Aah. # | 1:13:07 | 1:13:13 | |
# Aah-aah-aah-aah aah-aah-aah | 1:13:14 | 1:13:19 | |
# Aah-aah-aah... # | 1:13:19 | 1:13:22 | |
Sorry, sorry, sorry. | 1:13:22 | 1:13:24 | |
Sing the next bit for me. | 1:13:24 | 1:13:26 | |
# Wherever you are, my heart... # | 1:13:28 | 1:13:33 | |
-Oh, I don't even know the words, sorry. -It's OK. -No, sorry. | 1:13:33 | 1:13:37 | |
-Use the music, do it again. -No, but this is so bad. -It's not bad. | 1:13:37 | 1:13:41 | |
-It's not bad. You have a great voice. -I really need to compose myself. | 1:13:41 | 1:13:45 | |
Take a minute. But you'll come back? | 1:13:45 | 1:13:48 | |
Sam? | 1:13:48 | 1:13:49 | |
I just totally messed it up. | 1:13:52 | 1:13:55 | |
How did it go, Sam? | 1:13:55 | 1:13:58 | |
Are you OK? It's all right. | 1:14:00 | 1:14:03 | |
'When she sings those words, she sings them simply and from the heart | 1:14:03 | 1:14:07 | |
'because she understands the meaning. | 1:14:07 | 1:14:09 | |
'It's so right when she does it.' | 1:14:10 | 1:14:13 | |
But I am so worried, SO worried for her. | 1:14:13 | 1:14:17 | |
-Sam? -Yeah? -Take two. -Yeah, take two. -All is forgiven. It's all fine. | 1:14:17 | 1:14:24 | |
-I've composed myself now. -I want you to get through this. | 1:14:24 | 1:14:27 | |
# Wherever you are | 1:14:30 | 1:14:34 | |
# My love will keep you safe | 1:14:34 | 1:14:37 | |
# My heart will build a bridge of light across both time and space. # | 1:14:37 | 1:14:44 | |
Good. Sam, look, my only worry is just... Could you handle the pressure? | 1:14:44 | 1:14:48 | |
I mean, personally, I have my reasons for wanting it. I'm sorry. | 1:14:48 | 1:14:55 | |
-It's all right. -I want to do it for my mum | 1:14:55 | 1:14:57 | |
cos I know she'd be so proud of me. And that's... | 1:14:57 | 1:15:00 | |
-Yeah, look. -Sorry. -That's all right. Here, come on. | 1:15:00 | 1:15:04 | |
For Sam, the solo auditions couldn't be coming at a worse time. | 1:15:05 | 1:15:10 | |
My mum was recently involved in an accident with a car, | 1:15:10 | 1:15:16 | |
and she's now in a high-dependency unit. | 1:15:16 | 1:15:19 | |
And she's suffered, like, quite a lot of fractures and she has brain injuries, and... | 1:15:19 | 1:15:26 | |
It's one of the worst situations - you know, your husband's in Afghan | 1:15:26 | 1:15:29 | |
for, six, seven months, and you worry constantly about them, because they are on hell and earth. | 1:15:29 | 1:15:34 | |
And he comes back totally fine, | 1:15:34 | 1:15:37 | |
and then my mum's involved in a nasty accident. | 1:15:37 | 1:15:42 | |
It just feels like there's one thing after another, and... | 1:15:42 | 1:15:45 | |
You know, going for the solo... | 1:15:45 | 1:15:47 | |
I really want it, cos I know I can do it, but... | 1:15:47 | 1:15:52 | |
I just feel like my confidence has just been total knocked down. | 1:15:52 | 1:15:56 | |
We have a very important announcement today and I know you all know | 1:15:58 | 1:16:02 | |
and you're all expecting it. This is the announcement of the solo. | 1:16:02 | 1:16:05 | |
So I'm not going to beat around the bush too much | 1:16:05 | 1:16:08 | |
but I'm going to get straight to it. | 1:16:08 | 1:16:11 | |
I'd like to give a very special mention to Kelly who absolutely | 1:16:11 | 1:16:15 | |
nailed it, it was rock solid... | 1:16:15 | 1:16:17 | |
APPLAUSE | 1:16:17 | 1:16:18 | |
..but I have made the final decision, I would like the soloist to be Sam. | 1:16:18 | 1:16:26 | |
CHEERING AND APPLAUSE | 1:16:26 | 1:16:29 | |
Very well done to Sam. | 1:16:32 | 1:16:34 | |
So, so proud of Sam. I think she's the right choice. | 1:16:36 | 1:16:38 | |
'God bless her. She'll be brilliant.' | 1:16:38 | 1:16:41 | |
She's got an amazing voice. | 1:16:41 | 1:16:43 | |
What an opportunity | 1:16:43 | 1:16:45 | |
and what a privilege to be asked to do something like that. | 1:16:45 | 1:16:48 | |
Sorry. | 1:16:48 | 1:16:50 | |
This is the ultimate test of what the choir can do. | 1:16:50 | 1:16:53 | |
And I hope that the women are going to rally round her | 1:16:53 | 1:16:56 | |
and give her a boost and get her on that stage. I'm delighted for her. | 1:16:56 | 1:16:59 | |
It's going to be really hard work to sing this. | 1:17:05 | 1:17:08 | |
You should be knackered by the end of the rehearsals. | 1:17:08 | 1:17:12 | |
With a week and a half to go, | 1:17:12 | 1:17:14 | |
Gareth wants the whole choir to give it their all. | 1:17:14 | 1:17:17 | |
# My love will... # | 1:17:17 | 1:17:19 | |
You know, you're not a pirate, Michelle. | 1:17:19 | 1:17:22 | |
You're, you know, you're a beautiful woman. | 1:17:22 | 1:17:25 | |
# I hold you in my dreams each night Until your task is done... # | 1:17:25 | 1:17:31 | |
-Good, it sounded like you were starting to enjoy it a bit more. -No! | 1:17:31 | 1:17:34 | |
THEY SING | 1:17:34 | 1:17:36 | |
No, come on, come on. We've done this 16 times. Ready, two... | 1:17:36 | 1:17:40 | |
-# Wherever... # -Where were you? That could happen, you've got to be there anywhere. | 1:17:40 | 1:17:45 | |
Shh, shh, please stop talking. Thank you. | 1:17:45 | 1:17:48 | |
Now that all the poppies are going on sale in the local shops, it's all getting very real. | 1:17:48 | 1:17:53 | |
Light up the DARK-ness. Because these are lyrics about you. | 1:17:53 | 1:17:57 | |
This is where I just don't believe you at the moment. | 1:17:57 | 1:18:00 | |
'They've got to mean it, they've got to access the words | 1:18:00 | 1:18:03 | |
'and that is really difficult - it requires a huge amount of energy.' | 1:18:03 | 1:18:07 | |
-ALL: -Light up the darkness, my wondrous star. -Whose wondrous star is it? | 1:18:07 | 1:18:11 | |
-ALL: -Mine. -Yes! | 1:18:11 | 1:18:13 | |
-Can we do it from... Yes? -Can I just stop you there a second? | 1:18:15 | 1:18:17 | |
-Can you just go and sit there? -Yeah. -Thanks. | 1:18:17 | 1:18:20 | |
As Chivenor rehearsals draw to a close, | 1:18:20 | 1:18:23 | |
the women have a surprise for Gareth. | 1:18:23 | 1:18:25 | |
Just sit down. I just have to stop you cos I won't... | 1:18:25 | 1:18:28 | |
Oh, no! | 1:18:28 | 1:18:30 | |
It's all right, Jodie... | 1:18:30 | 1:18:32 | |
HE LAUGHS | 1:18:33 | 1:18:35 | |
I've got a little speech prepared. | 1:18:35 | 1:18:37 | |
Gareth, we want to show you our appreciation for all of your hard work | 1:18:37 | 1:18:41 | |
and dedication over the past nine months. | 1:18:41 | 1:18:45 | |
You've changed our lives and given us something to focus on while the guys have been away. | 1:18:45 | 1:18:49 | |
Who would've thought you could have changed so many women's lives by teaching us how to sing? | 1:18:49 | 1:18:54 | |
This has been an unforgettable experience of which we are all so proud to be a part of. | 1:18:54 | 1:18:59 | |
So here is our thank you to you and we hope you enjoy it. | 1:18:59 | 1:19:02 | |
APPLAUSE | 1:19:02 | 1:19:04 | |
-ALL: -# You're nothing special | 1:19:08 | 1:19:10 | |
# In fact you're a bit of a bore | 1:19:10 | 1:19:14 | |
# You're just a bit of a bore You know | 1:19:14 | 1:19:17 | |
# When you tell a joke | 1:19:17 | 1:19:20 | |
# We've probably heard it before | 1:19:20 | 1:19:24 | |
# We must have heard it before Oh, yeah | 1:19:24 | 1:19:29 | |
# But we have a talent | 1:19:29 | 1:19:32 | |
# A wonderful thing | 1:19:32 | 1:19:34 | |
# Cos everyone listens when we start to sing | 1:19:34 | 1:19:40 | |
# So, Gareth, thank you for the music | 1:19:40 | 1:19:44 | |
# For giving it to... | 1:19:45 | 1:19:51 | |
# Me | 1:19:51 | 1:19:59 | |
# Me. # | 1:19:59 | 1:20:04 | |
Oh, thank you. | 1:20:04 | 1:20:05 | |
-ALL: -Ahh. | 1:20:06 | 1:20:09 | |
That was really lovely. | 1:20:09 | 1:20:11 | |
I can't do any more rehearsing after that. I'm done. | 1:20:11 | 1:20:13 | |
It's the morning of the Remembrance Day Festival. | 1:20:18 | 1:20:22 | |
They're here! They're here, this is it. | 1:20:22 | 1:20:26 | |
-Hi! ALL: -Hello! | 1:20:26 | 1:20:27 | |
-Are we excited? ALL: -Yes! | 1:20:27 | 1:20:30 | |
Come on, let's go. | 1:20:30 | 1:20:32 | |
The annual event, organised by the Royal British Legion, | 1:20:32 | 1:20:34 | |
is held to honour all those who have died in past and present conflicts. | 1:20:34 | 1:20:39 | |
Gareth's combined choir from Chivenor and Plymouth | 1:20:46 | 1:20:49 | |
are the opening act. | 1:20:49 | 1:20:51 | |
This is eight months of preparation | 1:20:51 | 1:20:53 | |
and it all comes down to two minutes and 30 seconds in front of the Queen. | 1:20:53 | 1:20:56 | |
This is it! | 1:20:56 | 1:20:58 | |
THEY CHEER The Albert Hall! | 1:20:58 | 1:21:00 | |
-It's quite big, isn't it? -I'll say! | 1:21:00 | 1:21:03 | |
Oh, my God! | 1:21:11 | 1:21:13 | |
It's quite scary. | 1:21:13 | 1:21:14 | |
It's so exciting. Listen to it! | 1:21:14 | 1:21:18 | |
I can't believe we are here. | 1:21:18 | 1:21:21 | |
It will be the biggest performance of their lives - | 1:21:24 | 1:21:28 | |
in front of the Queen and the Royal Family, | 1:21:28 | 1:21:30 | |
an audience of 5,000 and the millions watching at home. | 1:21:30 | 1:21:35 | |
Ladies, what can I say? | 1:21:37 | 1:21:40 | |
We're one choir tonight, and it's one choir that speaks | 1:21:40 | 1:21:43 | |
to all the military wives in the country. | 1:21:43 | 1:21:45 | |
This is it. Enjoy. It's going to be great. Yes? | 1:21:45 | 1:21:48 | |
-ALL: -Yeah! -Fantastic. | 1:21:48 | 1:21:50 | |
# God save our gracious Queen | 1:22:04 | 1:22:10 | |
# Long live our noble Queen... # | 1:22:10 | 1:22:15 | |
The Queen's in, the Royal Family are in, as soon as this finishes, | 1:22:15 | 1:22:19 | |
it's me and the ladies. | 1:22:19 | 1:22:23 | |
The nerves - you can hear it's started, | 1:22:23 | 1:22:25 | |
and kind of like, the butterflies are going now. | 1:22:25 | 1:22:28 | |
-This is like Christmas morning! -It's better than Christmas! | 1:22:28 | 1:22:31 | |
Can't wait. I'm so excited. Never felt this excited in my life. | 1:22:40 | 1:22:46 | |
I can't wait! | 1:22:46 | 1:22:48 | |
There's only 5,000 people in there. | 1:22:48 | 1:22:51 | |
And six million on TV! | 1:22:52 | 1:22:54 | |
Petrified! Absolutely petrified. | 1:23:01 | 1:23:04 | |
Think I'm going to fall over or something. | 1:23:04 | 1:23:07 | |
And I keep forgetting the words! | 1:23:07 | 1:23:09 | |
We're ready. Ladies, stand by. | 1:23:09 | 1:23:11 | |
It all comes down to this. | 1:23:14 | 1:23:16 | |
PIANO INTRO PLAYS | 1:23:29 | 1:23:31 | |
# Ah, ah, ah, ah | 1:23:37 | 1:23:41 | |
# Aah | 1:23:43 | 1:23:47 | |
# Wherever you are | 1:23:51 | 1:23:53 | |
# My love will keep you safe | 1:23:53 | 1:23:57 | |
# My heart will build a bridge of light across both time and space | 1:23:57 | 1:24:03 | |
# Wherever you are Our hearts will beat as one | 1:24:03 | 1:24:10 | |
# I hold you in my dreams each night Until your task is done | 1:24:10 | 1:24:16 | |
# Light up the darkness My wondrous star | 1:24:16 | 1:24:22 | |
# Our hopes and dreams My heart and yours | 1:24:24 | 1:24:27 | |
# For ever shining far | 1:24:27 | 1:24:30 | |
# Light up the darkness My prince of peace | 1:24:30 | 1:24:37 | |
# May the stars shine all around you | 1:24:37 | 1:24:41 | |
# May your courage never cease | 1:24:41 | 1:24:46 | |
# Oh, oh | 1:24:49 | 1:24:52 | |
-# Wherever I am -Greater love | 1:24:52 | 1:24:55 | |
-# I'll love you day by day -Hath no man | 1:24:55 | 1:24:58 | |
-# I will keep you safe Cling on to faith -Than this | 1:24:58 | 1:25:02 | |
-# Greater love -Along the dark, dark way | 1:25:02 | 1:25:04 | |
-# Wherever I am -That a man | 1:25:04 | 1:25:08 | |
-# I will hold on through the night -Lay down his life | 1:25:08 | 1:25:12 | |
-# I will pray each day a safe return -For his friends | 1:25:12 | 1:25:17 | |
# Light up the darkness My wondrous star | 1:25:17 | 1:25:24 | |
# Our hopes and dreams | 1:25:24 | 1:25:27 | |
# My heart and yours For ever shining far | 1:25:27 | 1:25:30 | |
# Light up the darkness My prince of peace | 1:25:30 | 1:25:36 | |
# May the stars shine all around you | 1:25:36 | 1:25:41 | |
# May your courage never cease | 1:25:41 | 1:25:48 | |
# Ah, ah, ah, ah | 1:25:48 | 1:25:53 | |
# May your courage never cease. # | 1:25:53 | 1:26:06 | |
APPLAUSE | 1:26:06 | 1:26:10 | |
BAND PLAYS INSTRUMENTAL | 1:26:13 | 1:26:17 | |
THEY LAUGH | 1:26:31 | 1:26:33 | |
You did so well - that took real spine. | 1:26:34 | 1:26:37 | |
With everything going on for you, I don't know how you did it. | 1:26:37 | 1:26:40 | |
-Absolutely loved it. -Good. It's a real triumph. | 1:26:40 | 1:26:45 | |
A real triumph. | 1:26:45 | 1:26:46 | |
Well done, you. Well done. | 1:26:48 | 1:26:50 | |
I thought it was amazing - absolutely amazing - | 1:26:57 | 1:26:59 | |
and I thought they did themselves proud and all military wives proud. | 1:26:59 | 1:27:04 | |
Very proud of them all. | 1:27:04 | 1:27:05 | |
On the way down the stairs from my seat, | 1:27:05 | 1:27:08 | |
an old woman peered over the balcony and said, | 1:27:08 | 1:27:10 | |
"Tell your wife they were brilliant." | 1:27:10 | 1:27:13 | |
I thought that summed it up. It was fantastic. | 1:27:13 | 1:27:16 | |
When they started singing, it was just amazing. | 1:27:16 | 1:27:19 | |
You could see everybody around us just thought they were brilliant. | 1:27:19 | 1:27:23 | |
CHEERING | 1:27:23 | 1:27:25 | |
It's been an honour to help you find the voice you so clearly had tonight. | 1:27:26 | 1:27:32 | |
It was loud, it was strong, and it made most of Great Britain cry. | 1:27:32 | 1:27:35 | |
-Wahey! -Yes! So very well done for that. | 1:27:35 | 1:27:40 | |
I'm so proud of you all. It was beautiful. Very many congratulations. | 1:27:40 | 1:27:46 | |
Before, we were just military wives stuck at home with the kids. | 1:27:49 | 1:27:54 | |
People are actually hearing us now, and we've got a voice. | 1:27:54 | 1:27:58 | |
That's it, isn't it, really? We have a voice now. | 1:27:58 | 1:28:00 | |
These are women who, because of their natural tendency to get on with it stoically, | 1:28:01 | 1:28:06 | |
hide their light under a bushel. That's a terrible shame. | 1:28:06 | 1:28:10 | |
They have so much to be proud of, so much to celebrate. | 1:28:10 | 1:28:13 | |
I don't think there has ever been a forum | 1:28:13 | 1:28:15 | |
to celebrate military wives before, and we just made one. | 1:28:15 | 1:28:20 | |
It felt really fantastic - an honour - to be part of that. | 1:28:20 | 1:28:24 | |
And music did that. Not me, not them. Music did it for them. | 1:28:24 | 1:28:30 | |
Subtitles by Red Bee Media Ltd | 1:28:40 | 1:28:43 | |
E-mail [email protected] | 1:28:43 | 1:28:46 |