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# Stomp, stomp # Drop the beat | :00:45. | :00:47. | |
# Why you do it, do it, do it like a dude? | :00:47. | :00:48. | |
# Drop the beat Nasty face | :00:49. | :00:49. | |
# Why you looking at me? | :00:49. | :00:51. | |
# Dirty, dirty, dirty, dirty Dirty, dirty sucker | :00:51. | :00:55. | |
# You think I can't get hurt like you, you mother? | :00:55. | :00:57. | |
# I can do it like a brother Do it like a dude | :00:57. | :01:00. | |
# Grab my crotch Wear my hat | :01:00. | :01:04. | |
# Do it, do it, do it Do it like a brother | :01:04. | :01:08. | |
# Do it like a dude | :01:08. | :01:10. | |
# Grab my crotch Wear my hat | :01:10. | :01:11. | |
# Do it like a dude | :01:11. | :01:14. | |
# We can do it like the mandem, mandem, hey, hey | :01:14. | :01:17. | |
# We can do it like the mandem Mandem, suga, suga, suga | :01:17. | :01:19. | |
# Hey, hey, hey, hey Hey, hey hey | :01:20. | :01:29. | |
:01:30. | :01:34. | ||
This programme contains scenes of Repetitive Flashing Images (e.g. strobe lighting) | :01:34. | :01:44. | |
:01:44. | :01:46. | ||
# Grab my crotch Wear my hat | :01:46. | :01:56. | |
:01:56. | :01:59. | ||
# I can do it like a brother Do it like a dude | :01:59. | :02:01. | |
# Grab my crotch Wear my hat | :02:01. | :02:03. | |
# Do it, do it, do it Do it like a brother | :02:03. | :02:05. | |
# Do it like a dude | :02:05. | :02:09. | |
# Grab my crotch Wear my hat | :02:09. | :02:16. | |
Wear my hat low like you | :02:16. | :02:21. | |
# Do it like a brother Do it like a dude | :02:21. | :02:24. | |
# We can do it like the mandem, mandem, hey | :02:24. | :02:25. | |
# We can do it like the mandem Mandem, suga, suga, suga | :02:25. | :02:29. | |
# We can do it like the mandem, mandem, hey | :02:29. | :02:32. | |
# Rolling, rolling, rolling Rolling money like a pimp | :02:32. | :02:33. | |
# My B-I-T-C-H is on my like this | :02:33. | :02:35. | |
# Dirty, dirty, dirty, dirty Dirty, dirty sucker | :02:35. | :02:39. | |
# You think I can't get hurt like you, you mother? | :02:39. | :02:42. | |
# I can do it like a brother Do it like a dude | :02:42. | :02:46. | |
# Grab my crotch Wear my hat low like you | :02:46. | :02:49. | |
# Do it like a brother Do it like a dude | :02:49. | :02:52. | |
# Grab my crotch Wear my hat low like you | :02:52. | :02:55. | |
# We can do it like the mandem, mandem, hey | :02:56. | :02:59. | |
# We can do it like the mandem Mandem, suga, suga, suga | :02:59. | :03:04. | |
# We can do it like the mandem, mandem, hey | :03:04. | :03:07. | |
# We can do it like the mandem Mandem, suga, suga, suga | :03:07. | :03:11. | |
# Boys, I'm saying what you wanna? | :03:11. | :03:14. | |
# Boys, you need to lick my dollar | :03:14. | :03:17. | |
# Boys ge-getting hot under the collar, holla, holla | :03:17. | :03:21. | |
# Whoa, oh-whoa, oh-whoa | :03:21. | :03:24. | |
# Boys, I'm saying what you wanna? | :03:24. | :03:33. | |
# Do it like a brother Do it like a dude | :03:33. | :03:41. | |
# Grab my crotch Wear my hat low like you | :03:41. | :03:44. | |
# We can do it like a brother Do it like a dude | :03:44. | :03:48. | |
# Grab my crotch Wear my hat low like you | :03:48. | :03:51. | |
# Do it like a brother Do it like a dude | :03:51. | :03:57. | |
# We can do it like the mandem Mandem, suga, suga, suga | :03:57. | :04:00. | |
# We can do it like the mandem, mandem, hey | :04:00. | :04:03. | |
# We can do it like the mandem Mandem, suga, suga, suga | :04:03. | :04:06. | |
# Do it do it like a dude. # | :04:06. | :04:16. | |
:04:16. | :04:28. | ||
Give | :04:28. | :04:29. | |
Give it | :04:29. | :04:30. | |
Give it up | :04:30. | :04:36. | |
Give it up MOBO 2011! Glasgow, how you feeling! Give it up for Jessie | :04:36. | :04:41. | |
J one more time. We love Jessie. How you doing guys? OK, if you | :04:41. | :04:48. | |
haven't already guessed it this is the MOBO Awards 2011 in association | :04:48. | :04:57. | |
with Lebara Mobile. I am Alesha Dixon and this man next to me is | :04:57. | :05:05. | |
Jason Derulo! Stallion? I guess I do like polo mints and I do have a | :05:05. | :05:11. | |
big... All right, MOBO is back in style coming to you live from the | :05:11. | :05:15. | |
SECC in Glasgow. We loved it so much two years ago we are back. | :05:15. | :05:19. | |
This year we are bringing it bigger and better before with a stellar | :05:19. | :05:24. | |
line-up of performances, the cream of the UK talent and the VIP is | :05:24. | :05:31. | |
overflowing with A-listers. That would explain why I saw Tinchy and | :05:31. | :05:35. | |
Dappy squeezed into a dressing room full of female dancers. The only | :05:35. | :05:39. | |
explanation. What better way to celebrate than with a line-up so | :05:39. | :05:46. | |
dangerous it comes with its own high vis jacket and hard hat for | :05:46. | :05:51. | |
safety. Who wants to see what's coming up? Tonight's show is going | :05:51. | :05:58. | |
to be huge. Dappy has no regrets. Katy B keeps moving with the lights | :05:58. | :06:05. | |
on. Jason Derulo finds his it girl. MOBO pays tribute to Amy Winehouse. | :06:05. | :06:09. | |
Tinchy Stryder gets off the record. Alexis Jordan is stepping on the | :06:10. | :06:14. | |
gas. Professor Green is reading about it, plus a show-stopping | :06:14. | :06:21. | |
performance by Boyz II Men. Before all that it's time to | :06:21. | :06:25. | |
introduce the last two members of the MOBO Awards 2011 presenting | :06:25. | :06:34. | |
team, our boys back stage, give it up for Dappy and Tinchy. What's up, | :06:34. | :06:39. | |
Glasgow, I am here with my boy Tinchy and I am seeing the craziest | :06:39. | :06:44. | |
things. I have seen everyone, is here, all these A-list stars. | :06:44. | :06:50. | |
else is here, I am starstruck. I have seen Boyz II Men. Listen, I | :06:50. | :06:54. | |
heard you have these fit dancers somewhere. Yeah, you know what, I | :06:54. | :07:01. | |
have got some... I am spontaneous. That's the dressing room. Check it | :07:01. | :07:11. | |
:07:11. | :07:19. | ||
Hey... This ain't no dancer, bro. What's happening? Some hunks. | :07:19. | :07:27. | |
look like dancers? We flip off buildings. You look like you are | :07:27. | :07:33. | |
having an exercise and that. wasn't expecting that, see you in a | :07:33. | :07:38. | |
bit. Back to Alesha and Jason. Thanks boys. Try to keep out of | :07:38. | :07:41. | |
trouble until we come back to you. Time for the first award of this | :07:41. | :07:45. | |
year's show voted for by you the public like all our category awards. | :07:45. | :07:49. | |
It's a category that gets bigger and bigger. True story, as one | :07:49. | :07:53. | |
critic said of this category, you can't reinvent the wheel but it's | :07:53. | :07:56. | |
like the UK scene has put alloys on it. And then some. Of course, we | :07:56. | :08:01. | |
are talking about Best Hip hop- grime act. From roots in America | :08:01. | :08:05. | |
it's developed into a genre that's massive on both sides of the | :08:05. | :08:10. | |
Atlantic. To present this award we got a duo no strangers to the MOBO | :08:10. | :08:14. | |
scene. Welcome a man who knows a thing or two about winning awards | :08:14. | :08:24. | |
:08:24. | :08:46. | ||
himself, one third of N-Dubz, Fazer Hello Glasgow! Amazing. What a | :08:46. | :08:51. | |
crowd. Look, since the turn of the century grime and hip hop have | :08:51. | :08:55. | |
dominated the charts both here and in the US making it one of the most | :08:55. | :08:59. | |
popular forms of music in history, recent history should I say. | :08:59. | :09:03. | |
can tell how huge grime and hip hop is by the fact that some of its | :09:03. | :09:10. | |
finest artists are represented in every category of the MOBO Awards | :09:10. | :09:15. | |
attonight from best newcomer to Best Album to Best Song song. | :09:15. | :09:18. | |
have worked with most of the guys here tonight nominated for the | :09:18. | :09:22. | |
awards and I got to say it's amazing to see them getting a | :09:22. | :09:32. | |
:09:32. | :09:32. | ||
Apology for the loss of subtitles for 50 seconds | :09:32. | :10:22. | |
recognition they deserve. Look at Oh! I like that. | :10:22. | :10:30. | |
The winner is Tinie Tempah. Give it up for Tinie! | :10:30. | :10:40. | |
:10:40. | :10:40. | ||
Apology for the loss of subtitles for 50 seconds | :10:40. | :11:21. | |
Can everyone make some noise for Jourdan Dunn, bloody heck! All | :11:21. | :11:26. | |
right, ladies and gentlemen, MOBOes, when I came here today I wasn't | :11:26. | :11:28. | |
really expecting anything so I am very grateful for this award. Thank | :11:28. | :11:33. | |
you so much. I just want to thank everybody who's making amazing | :11:33. | :11:41. | |
black music at the minute, the UK is such a great place, Wretch 32, | :11:41. | :11:46. | |
Jessie J, Tinchy Stryder, Dappy, N- Dubz, Chipmunk it's amazing. Rizzle | :11:46. | :11:53. | |
Kicks as well, you are incredible. I want to thank the MOBO Awards, | :11:53. | :11:58. | |
Kanya is amazing as well. Management, the whole team, I want | :11:58. | :12:06. | |
to big up Par lophone. Also big up God, and my family and all the fans, | :12:06. | :12:16. | |
:12:16. | :12:23. | ||
Congratulations, Tinie. I sensed a lot of love on stage | :12:23. | :12:27. | |
then. If you are lapping up the magic of MOBO you don't have to sit | :12:27. | :12:32. | |
at home shouting words of love at your TV, get online and get | :12:32. | :12:39. | |
chatting to fellow fans. I think it's time we gave ourselves a | :12:39. | :12:45. | |
nickname, Alesha and Jason, Jalesha? I am in. What a better way | :12:45. | :12:50. | |
to start a show than with a public declaration of presenter love. The | :12:50. | :12:54. | |
only thing that can follow that is another award. Tell them about it. | :12:54. | :12:59. | |
To introduce the next award we have two artists who have five MOBOes | :12:59. | :13:04. | |
between them, not to mention a mercury and Brits and international | :13:04. | :13:14. | |
:13:14. | :13:37. | ||
acclaim, it's Chipmunk and Ms Glasgow, what's good?! You know | :13:37. | :13:43. | |
what it is, Best Album, presenting this award, it's all good. Well, | :13:43. | :13:49. | |
this award recognises the hard slog that goes into making an album from | :13:49. | :13:53. | |
the recording, to the writing, the blood, sweat and tears that goes | :13:53. | :13:58. | |
into what can only be described as a labour of love. Yes, previous | :13:58. | :14:08. | |
:14:08. | :14:08. | ||
winners have included Kanye West, the College Dropout and 50 Cent's | :14:08. | :14:16. | |
Get Rich or Die Trying. It's an impressive role call. This year's | :14:16. | :14:26. | |
:14:26. | :14:26. | ||
Apology for the loss of subtitles for 50 seconds | :14:26. | :15:13. | |
winner is about to be added to that Thanks. And the winner is... Jessie | :15:13. | :15:23. | |
:15:23. | :15:42. | ||
Wow! I have to keep this quick. I did not expect to win that at all. | :15:42. | :15:47. | |
I just want to say the biggest thank you to my fans, because I | :15:47. | :15:51. | |
watched this last year by myself in my living room and no one knew who | :15:51. | :16:01. | |
:16:01. | :16:08. | ||
I was and now I just won Best Album, Our next performer is part of the | :16:08. | :16:12. | |
UK's biggest hip hop groups clocking up four MOBO awards over | :16:12. | :16:20. | |
the years. Tonight he is on his own as Tulisa is on the X Factor and | :16:20. | :16:28. | |
Fazer is proving himself as a hot producer. Dappy is ready to take | :16:28. | :16:38. | |
:16:38. | :16:51. | ||
If you like real music, make some # Ooh-oh, ooh-oh, ooh-oh-oh | :16:51. | :17:00. | |
# This is my King's Speech I'm nowhere near the end | :17:00. | :17:01. | |
# If I s-s-s-s-stutter Sorry, I ain't heaven sent | :17:01. | :17:04. | |
# I messed my life up Yeah, I've been down | :17:04. | :17:06. | |
# I'm a changed man now Chris Brown | :17:06. | :17:08. | |
# You know I feel your pain Cos I done been through it | :17:08. | :17:11. | |
# I'm Kurt Cobain But I just couldn't do it | :17:11. | :17:14. | |
# No point in turning back Just to hit rewind | :17:14. | :17:17. | |
# Back To The Future Ma-Marty McFly | :17:17. | :17:18. | |
# Deep inside there's a fire | :17:18. | :17:22. | |
# Cos I'm no longer looking at a reflection that I admire | :17:22. | :17:24. | |
# I paint the picture of a fighter | :17:24. | :17:27. | |
# But that someone looking back at me, says I'm a liar | :17:27. | :17:29. | |
# If I should die before I wake The least that I could ever say | :17:29. | :17:33. | |
# I made mistakes But held on to my faith | :17:33. | :17:38. | |
# Cos when I look in a mirror | :17:38. | :17:43. | |
# I don't even recognize myself | :17:43. | :17:45. | |
# Got the heart of a winner | :17:45. | :17:48. | |
# But looking back at me is someone else | :17:48. | :17:50. | |
# No regrets, no regrets | :17:50. | :17:53. | |
# No point in crying over yesterday | :17:53. | :17:55. | |
# No regrets, no regrets | :17:55. | :17:58. | |
# Cos we ain't even seen the best of days | :17:58. | :18:01. | |
# Ooh-oh, ooh-oh, ooh-oh-oh Na-na, na-na, na-ah | :18:01. | :18:05. | |
# Ooh-oh, ooh-oh, ooh-oh-oh | :18:05. | :18:10. | |
# This is my last chance I'm on my final straw | :18:10. | :18:14. | |
# I came so close to b-b-breaking like a spinal chord | :18:14. | :18:16. | |
# I came so close to b-b-breaking like a spinal chord | :18:16. | :18:17. | |
# I came from nothing Some kid in Camden | :18:17. | :18:18. | |
# Now I'm flyer than the birds Richard Branson | :18:18. | :18:22. | |
# I'm a prince And yes, Will, get the crown | :18:22. | :18:24. | |
# Kate stays in my dungeon when her sister's round | :18:24. | :18:27. | |
# So please forgive me if I make mistakes | :18:27. | :18:29. | |
# But I'll blow the bloody doors off, Michael Caine | :18:29. | :18:32. | |
# If I should die before I wake | :18:32. | :18:35. | |
# The least that I could ever say | :18:36. | :18:37. | |
# I made mistakes but held on to my faith | :18:37. | :18:41. | |
# Ooh-oh Cos when I look in a mirror | :18:41. | :18:46. | |
# I don't even recognize myself | :18:46. | :18:48. | |
# Got the heart of a winner | :18:48. | :18:51. | |
# But looking back at me is someone else | :18:51. | :18:53. | |
# No regrets, no regrets | :18:53. | :18:56. | |
# No point in crying over yesterday | :18:56. | :18:58. | |
# No regrets, no regrets | :18:58. | :19:01. | |
# Cos we ain't even seen the best of days | :19:01. | :19:03. | |
# I'm free to be whatever I Cos I'm famous | :19:04. | :19:07. | |
# Call me Gallagher Cos I'm so Shameless | :19:07. | :19:09. | |
# The papers sell their pages at the cost of my failures | :19:09. | :19:11. | |
# Victimised by the public Don't know if I can take this | :19:11. | :19:13. | |
# So I sing, so when you feel like there's no more | :19:13. | :19:16. | |
# And nothing left But the life you've broken | :19:17. | :19:19. | |
# No regrets No turning back | :19:19. | :19:22. | |
# Pick up yourself and tell them I'm just being me | :19:22. | :19:25. | |
# Ooh-oh, ooh-oh, ooh-oh-oh | :19:25. | :19:28. | |
# Cos when I look in a mirror | :19:28. | :19:29. | |
# I don't even recognize myself | :19:29. | :19:30. | |
# Got the heart of a winner | :19:30. | :19:33. | |
# But looking back at me is someone else | :19:33. | :19:35. | |
# No regrets, no regrets | :19:36. | :19:38. | |
# No point in crying over yesterday | :19:38. | :19:40. | |
# No regrets, no regrets | :19:40. | :19:42. | |
# Cos when we ain't even seen the best of days | :19:43. | :19:47. | |
# No regrets, no regrets | :19:47. | :19:53. | |
# No point in crying over yesterday | :19:53. | :19:59. | |
# No regrets, no regrets | :19:59. | :20:00. | |
# No point in crying over yesterday | :20:00. | :20:03. | |
# No regrets, no regrets | :20:03. | :20:06. | |
# Cos when we ain't even seen the best of days. # | :20:06. | :20:16. | |
# Got the heart of a winner | :20:16. | :20:17. | |
# But looking back at me is someone else | :20:17. | :20:19. | |
# No regrets, no regrets | :20:19. | :20:22. | |
# No point in crying over yesterday | :20:22. | :20:24. | |
# No regrets, no regrets | :20:24. | :20:27. | |
# Cos when we ain't even seen the best of days | :20:27. | :20:37. | |
:20:37. | :20:38. | ||
Make | :20:38. | :20:38. | |
Make some | :20:38. | :20:39. | |
Make some noise | :20:39. | :20:43. | |
Make some noise for Dappy there. What that man doesn't know about a | :20:44. | :20:50. | |
hat is not worth knowing. Alesha, check my swag, how do I look? | :20:50. | :20:54. | |
not a look everyone can pull off, babe. For every artist nominated | :20:54. | :20:57. | |
tonight this year has been huge and tonight is a time when they can put | :20:57. | :21:02. | |
their feet up and soak up the glory of their hard hard work the last 12 | :21:02. | :21:05. | |
months has brought them. We came up with a list of highlights that will | :21:05. | :21:10. | |
make you want to press rewind and do it all over again. Exactly. Chip, | :21:10. | :21:16. | |
what's been the highlight for you this year? I think one of the | :21:16. | :21:21. | |
highlights for me has definitely been my friend, my brother, Wretch | :21:21. | :21:27. | |
32 coming through, and cracking into that mainstream market. | :21:27. | :21:37. | |
agree. Not bad. What was the highlight of your year, Tinie? | :21:37. | :21:44. | |
first single I wrote, in America, we haven't got there yet, but it's | :21:44. | :21:54. | |
a great start. Congratulations. Here is what we came up with. | :21:54. | :21:58. | |
MOBO Awards 2010, who could forget them? What's been happening in the | :21:58. | :22:03. | |
12 months since then. Fast forward to 2011 and MOBO music is | :22:03. | :22:07. | |
dominating charts everywhere. Here in the UK eight of the top ten | :22:07. | :22:12. | |
albums belong to MOBO artists. Not content with chart domination, JLS | :22:12. | :22:16. | |
made thousands of dreams come true with their silver screen debut when | :22:16. | :22:23. | |
their concert was shown in cinemas nationwide in 3-D. | :22:23. | :22:27. | |
Jessie J looked like nothing could hold her back when her debut album | :22:27. | :22:30. | |
stormed into the charts both sides of the Atlantic and then she broke | :22:30. | :22:36. | |
her foot. When Tulisa was announced as a new | :22:36. | :22:42. | |
judge on X Factor fans and press alike were thrown into a frenzy. | :22:42. | :22:47. | |
You were amazing. I would love to mentor you. I must say, Tulisa, we | :22:47. | :22:52. | |
might be fighting over this one. With former MOBO performer Kelly | :22:52. | :22:54. | |
Rowland at her side world domination is a certainty. | :22:54. | :22:58. | |
But it wasn't just British artists getting fans hot under the collar | :22:59. | :23:07. | |
this summer, as temperatures soared with Nicki Minaj fever. This year | :23:07. | :23:10. | |
we said goodbye to great friends and incredible influences, amongst | :23:11. | :23:19. | |
them the unforgetible Gill Scott and legend Nate Dog but it was the | :23:20. | :23:27. | |
death of Amy Winehouse that rocked music fans all over the world. | :23:27. | :23:36. | |
Finally, MOBO artists went collaboration crazy this year. | :23:36. | :23:42. | |
So many amazing moments, but you can't go back. You wouldn't want to | :23:42. | :23:45. | |
because better things are coming up, in fact, right now. Best African | :23:45. | :23:48. | |
Act. The good times keep coming because to present it please | :23:48. | :23:57. | |
welcome a man who churns out hits before breakfast, that's how he | :23:57. | :24:07. | |
:24:07. | :24:18. | ||
Are you all having a good time?! Wow, a lot of very excited faces. | :24:18. | :24:21. | |
It's only just started. I have been given the greatest honour of | :24:21. | :24:27. | |
presenting the award for Best African Act. You all know Africa is | :24:27. | :24:32. | |
the world's second largest and most populous continent, think of the | :24:32. | :24:36. | |
talent and music produced on a daily basis, each country has its | :24:36. | :24:41. | |
own traditions and distinct vibe. So imagine how hard it is to break | :24:41. | :24:45. | |
that down and to be represented just by five acts. Nominees have | :24:45. | :24:49. | |
done incredibly well to achieve this level of recognition. A | :24:49. | :24:54. | |
massive big up to them all, it's been a tough task. Over the last | :24:54. | :24:57. | |
few months the judges have listened to more African music than you | :24:57. | :25:01. | |
could knew existed. Just to get to this very moment right here, so | :25:01. | :25:11. | |
:25:11. | :25:11. | ||
Apology for the loss of subtitles for 50 seconds | :25:11. | :25:59. | |
And the winner is... Wizkid. | :25:59. | :26:02. | |
Sadly, he is not here tonight because he is working in Africa. So | :26:02. | :26:12. | |
:26:12. | :26:13. | ||
we are going to accept this on his behalf and make sure he gets it. | :26:13. | :26:18. | |
The award for Best African Act there, we truly are representing | :26:18. | :26:22. | |
tonight. How is your first MOBO experience going? This Glasgow | :26:22. | :26:27. | |
crowd is crazy! I am having the time of my life. I got to say, I | :26:27. | :26:32. | |
don't want it to end. I would go so far as to say I would give it a 7! | :26:32. | :26:37. | |
Unbelievable. Everywhere I go that man follows me. I am scared you are | :26:37. | :26:40. | |
going to be judging my dancing when I get up here. Believe me, you are | :26:40. | :26:46. | |
a ten out of ten, you are all right. Nice! Let's find out what Tinchy is | :26:46. | :26:56. | |
up to back stage and talk about what else, Alesha likes about me. | :26:56. | :27:01. | |
Welcome back people. Perfect Perfect timing, I am with the main | :27:01. | :27:05. | |
man. I am good, brother. How are you feeling? I am feeling nice, man. | :27:05. | :27:09. | |
It's a good night, we are in Glasgow, it's a good vibe. Make | :27:09. | :27:13. | |
some noise! All right, so Wretch, you are about to jump on stage now. | :27:13. | :27:17. | |
What do you do before you get there, to warm up, little stretches? | :27:17. | :27:22. | |
all about me getting in the vibe, man. As long as I am with my people, | :27:22. | :27:26. | |
I am nice. The first time I must have heard Wretch 32 was years back | :27:26. | :27:30. | |
and I want to know, 12 months ago, did you picture yourself being here | :27:30. | :27:35. | |
up for three MOBOes? It's been mad. Everything's surprised me along the | :27:35. | :27:38. | |
way. But it happened so fast that I don't even get to take everything | :27:38. | :27:42. | |
in. But at the same time, we are still smiling man, God bless. | :27:42. | :27:46. | |
know you are a big Reggae fan and I want to know who do you think is | :27:46. | :27:50. | |
going to get the Reggae award? one is going to be tight but I am | :27:50. | :28:00. | |
hoping either damian Marley or Mavado. It's your time to go on | :28:00. | :28:10. | |
As you have just seen Wretch 32 is our next performer of the night. He | :28:10. | :28:14. | |
is fully warmed up and ready to go. What do you do before you go on | :28:14. | :28:19. | |
stage? My mum always tells me to brush my teeth with a bottle of | :28:19. | :28:26. | |
Jack. Wasn't that Ke$ha? Why would my mum be giving advice to Ke$ha? | :28:27. | :28:34. | |
He is the UK's hottest MC. All right, he is the... # My time, show | :28:34. | :28:40. | |
time... Yeah! All right, I get it. All right, aside from Alesha, with | :28:40. | :28:44. | |
a number one single under his belt this guy is sa real force in | :28:44. | :28:48. | |
British hip hop. One of my favourites, please give it up for | :28:48. | :28:58. | |
:28:58. | :28:58. | ||
Apology for the loss of subtitles for 50 seconds | :28:58. | :29:40. | |
# You whispered to me # It's like you're always | :29:40. | :29:44. | |
# And everybody in the car want to try and get involved | :29:44. | :29:46. | |
# Yeah, then you make a silly tone | :29:46. | :29:50. | |
# Puppy love Now I'm like give a dog a bone | :29:50. | :29:52. | |
# Shut me upHow? I could breathe and have a flow | :29:52. | :29:54. | |
# Our love's concrete We should leave it set in stone | :29:54. | :29:56. | |
# And whenever I'm in doubt You forever calm me down | :29:56. | :30:00. | |
# Sometimes I'm a dummy so I know would've crashed | :30:00. | :30:04. | |
# If you never was around | :30:04. | :30:09. | |
# So don't go | :30:09. | :30:10. | |
# Don't leave | :30:10. | :30:11. | |
# Please stay | :30:11. | :30:13. | |
# With me | :30:13. | :30:16. | |
# You are the only thing | :30:16. | :30:17. | |
# I need to get by, to get by | :30:18. | :30:20. | |
# The mirror can't look me in the eye, no way | :30:20. | :30:30. | |
:30:30. | :30:55. | ||
# The mirror can't look me in the eye, no way | :30:55. | :30:56. | |
# I float like a ribbon in the sky No plane | :30:56. | :30:58. | |
# Smooth or rugged I'ma Usain run it Cos I does it in my own lane | :30:58. | :31:01. | |
# Flash for the picture | :31:01. | :31:06. | |
# She'll come back no hasta la vista | :31:06. | :31:08. | |
# Computer love iMac with my finger | :31:08. | :31:10. | |
# Baby, I'm a man Not your mister | :31:10. | :31:13. | |
# I missed you | :31:13. | :31:16. | |
My life style's terribly wild | :31:16. | :31:17. | |
# But you'll never catch me on The Jeremy Kyle Show | :31:17. | :31:18. | |
# Explosive terrorist style | :31:18. | :31:21. | |
# Don't think I'ma blow I get you therapy now, whoa | :31:21. | :31:24. | |
# I miss school and I haven't got a job yet | :31:24. | :31:29. | |
# I went clubbing till my world was revolving | :31:29. | :31:32. | |
# With pretty women and alcohol, eh | :31:32. | :31:41. | |
# Choo-choo, go hard Go faster | :31:41. | :31:43. | |
# Stack peas every day | :31:44. | :31:47. | |
# Zum-zum, down the rabbit hole. # | :31:47. | :31:54. | |
# Choo-choo, go hard Go faster | :31:54. | :31:55. | |
# Stack peas every day | :31:55. | :32:05. | |
:32:05. | :32:05. | ||
Apology for the loss of subtitles for 50 seconds | :32:05. | :32:51. | |
# | :32:51. | :32:51. | |
# Stack peas every day | :32:51. | :32:51. | |
# Go | :32:51. | :32:52. | |
# Go faster, | :32:52. | :32:54. | |
# Go faster, # | :32:54. | :32:55. | |
# Stack | :32:55. | :32:55. | |
# Stack Ps every | :32:55. | :32:56. | |
# Stack Ps every day | :32:56. | :32:57. | |
# I | :32:57. | :32:58. | |
# I ride | :32:58. | :32:58. | |
# I ride this... | :32:58. | :32:58. | |
# Choo-choo, go hard Go faster | :32:58. | :32:58. | |
# I ride this... Beat | :32:58. | :32:59. | |
# I ride this... Beat like | :32:59. | :32:59. | |
# I ride this... Beat like a | :32:59. | :32:59. | |
# I ride this... Beat like a tractor | :32:59. | :33:01. | |
# Stack peas every day | :33:01. | :33:01. | |
tractor # | :33:01. | :33:02. | |
# I | :33:02. | :33:02. | |
# I ride | :33:02. | :33:02. | |
# I ride this... | :33:03. | :33:07. | |
# I ride this... Like a train # Go faster | :33:07. | :33:17. | |
:33:17. | :33:26. | ||
An amazing performance there from Wretch 32 featuring Josh and Lloyd. | :33:26. | :33:30. | |
Next we are honouring the year's Best Videos. There have been iconic | :33:30. | :33:37. | |
winners of this this over the years, TLC's No Scrubs, and Beyonce's | :33:37. | :33:47. | |
:33:47. | :33:50. | ||
Single ladies. I would love to see Funny, that's not how I remember it. | :33:50. | :33:55. | |
Me neither. Here to present the award be upstanding for the | :33:55. | :34:05. | |
:34:05. | :34:14. | ||
gorgeous Yasmin and Mr Brit film Yeah, what's going on Glasgow! What | :34:14. | :34:20. | |
are you saying, MOBO, it's good to be here. With the beautiful Yasmin, | :34:20. | :34:26. | |
looking definitely my size. Are you on Twitter? Let me stop gassing and | :34:26. | :34:30. | |
get back to business. Are you guyss ready for more winners? There is a | :34:30. | :34:34. | |
talent coming through right now but you know, all the UK artists right | :34:34. | :34:38. | |
now raising the levels but to be an all-round artist it's not just | :34:38. | :34:43. | |
about your track, you got to have the right visuals. You got to get | :34:43. | :34:48. | |
your hands on a bang of a video. These artists did exactly that. | :34:48. | :34:58. | |
:34:58. | :34:58. | ||
Apology for the loss of subtitles for 50 seconds | :34:58. | :35:53. | |
All right! The winner is... Tinchy Stryder and Dappy, Spaceship! | :35:53. | :36:03. | |
:36:03. | :36:38. | ||
Woah! It's like I have been here like five times now, about time, | :36:38. | :36:47. | |
man. I want to thank everyone who voted. I want to thank those who | :36:47. | :36:57. | |
done the video, big up Tinie, big up my brother from another, go | :36:57. | :37:02. | |
speak to them. First of all, I want to say something that anyone wants | :37:02. | :37:06. | |
to make it in life, all I got to say is never give up on something | :37:06. | :37:12. | |
you can't go a day without thinking about, am I right? Number two, I | :37:12. | :37:16. | |
want to big up Jack anarchy, new management, I love you guys, you | :37:16. | :37:21. | |
have done a lot for me straightaway. Tinchy, I love you even more, my | :37:21. | :37:26. | |
brother. I want to thank my mum and dad, my whole family, thank the | :37:26. | :37:36. | |
:37:36. | :37:43. | ||
Lord, amen. Glasgow, we love you. I'd say that video was a little | :37:43. | :37:50. | |
better than a chubby kid dancing to Beyonce. Less chaffing involved. | :37:50. | :37:56. | |
Now it's time to talk about fusions and syncopation and it can only be | :37:56. | :38:00. | |
the Best Jazz award. The thing many people don't realise | :38:00. | :38:08. | |
about jazz is that it's not a niche musical genre but the backbone to | :38:08. | :38:13. | |
most of today's R&B and pop music. It's still inspiring musicians | :38:13. | :38:18. | |
today, look at artists such as The Roots, Corinne Bailey Rae and the | :38:18. | :38:23. | |
late Amy Winehouse. Jazz crosses continents and ethnicity and it | :38:23. | :38:29. | |
spawned a legion of divas from Bessie Smith through to Peggy Lee | :38:29. | :38:33. | |
and some of the most celebrated musicians of all time, miles Davies, | :38:33. | :38:40. | |
Nat King Cole and Duke Ellington. At this year's Grammys Esperanza | :38:40. | :38:44. | |
Spalding beat Justin Bieber in the Best Newcomer category. Very | :38:44. | :38:48. | |
impressive and it proves the genre still is relevant as ever. Let's | :38:48. | :38:58. | |
:38:58. | :38:58. | ||
Apology for the loss of subtitles for 50 seconds | :38:58. | :39:41. | |
look at who has been making waves Thank you, darling. It looked good, | :39:41. | :39:51. | |
:39:51. | :40:18. | ||
don't worry. The winner is... Thank you so much. Things like this | :40:18. | :40:22. | |
don't happen to jazz musicians everyday, so we are massively | :40:22. | :40:25. | |
grateful to the MOBO Awards for this amazing honour. Thank you to | :40:25. | :40:29. | |
everyone who voted for us. Thank you to our record label Addition | :40:29. | :40:32. | |
Records, thank you to our friends and family for your support. | :40:32. | :40:35. | |
Everyone who has come out on the road and come to our gigs and | :40:35. | :40:39. | |
supported us, we appreciate it. I would like to thank these guys for | :40:39. | :40:42. | |
being amazing musicians and I would also like to thank people who have | :40:42. | :40:50. | |
been involved in the records, thank you so much. My girl, and everyone, | :40:50. | :40:54. | |
check out British jazz music, there's so much amazing stuff | :40:54. | :40:57. | |
happening, you won't be disappointed. Thank you so much | :40:57. | :41:07. | |
:41:07. | :41:12. | ||
I am a massive fan of our next performer she's a feisty redhead | :41:12. | :41:19. | |
who perfectly mixes funky house, dubstep and UK garage, she is the | :41:19. | :41:29. | |
:41:29. | :41:30. | ||
love child of Magnetic Man and Donaeo! With a mercury nomination | :41:30. | :41:37. | |
and tour and hook up with Tinie Tempah we can expect big things, | :41:37. | :41:47. | |
:41:47. | :41:47. | ||
Apology for the loss of subtitles for 50 seconds | :41:47. | :42:48. | |
she's still only 22. Welcome to the # Step in a di club | :42:48. | :42:51. | |
# And them a come a watch me and a clock me | :42:51. | :42:54. | |
# Bass come like a trigger and the DJ come and shock we | :42:54. | :42:55. | |
# Riddim take control and nothing can't stop me | :42:55. | :42:57. | |
# Vibes them got me, so me now beg a glass of water now | :42:57. | :43:02. | |
# Dance is getting hotter now | :43:02. | :43:05. | |
# Drowning in the heat and I don't want to leave rude girl | :43:05. | :43:06. | |
# You know we look hot | :43:06. | :43:09. | |
# From we tick to time We dip drop | :43:09. | :43:12. | |
# Caught up in the night and we ain't ready to go home yet | :43:12. | :43:14. | |
# Say so For me to go | :43:14. | :43:18. | |
# Out the door Middle of the floor | :43:18. | :43:19. | |
# I keep on moving with the lights on | :43:19. | :43:25. | |
# So come on play me just one more song | :43:25. | :43:33. | |
# I keep on moving with the lights on | :43:33. | :43:34. | |
# So come on play me just one more song | :43:34. | :43:37. | |
# I keep on moving with the lights on | :43:37. | :43:40. | |
# So you can't scare me with the lights on | :43:40. | :43:44. | |
# I keep on moving with the lights on | :43:44. | :43:48. | |
# So come on play me just one more song | :43:48. | :43:52. | |
# I keep on moving with the lights on | :43:52. | :43:55. | |
# So you can't scare me with the lights on | :43:55. | :43:59. | |
# Care Here | :43:59. | :44:07. | |
# Where Want me out of here | :44:07. | :44:17. | |
# Say so For me to go | :44:17. | :44:23. | |
# Out the door Middle of the floor | :44:23. | :44:31. | |
# I keep on moving with the lights on | :44:31. | :44:33. | |
# So come on play me just one more song | :44:34. | :44:37. | |
# I keep on moving with the lights on | :44:37. | :44:40. | |
# So you can't scare me with the lights on | :44:40. | :44:44. | |
# I keep on moving with the lights on | :44:44. | :44:48. | |
# So come on play me just one more song | :44:48. | :44:52. | |
# I keep on moving with the lights on | :44:52. | :44:55. | |
# So you can't scare me with the lights on | :44:55. | :44:59. | |
# Just one more, please Play come gimme, Mr Sound | :44:59. | :45:03. | |
# Boy, me na done You no see me | :45:03. | :45:05. | |
# Free in the heat In the beat | :45:05. | :45:06. | |
# Till I sleep, Lord a'mercy how the vibes so sweet | :45:06. | :45:08. | |
# Bad gal, stamina Can't done, lights on | :45:08. | :45:10. | |
# Still a dip and go down Tick it and a tock | :45:10. | :45:12. | |
# And a dip it and a drop it | :45:12. | :45:15. | |
# And a rock it My selector don't stop it | :45:15. | :45:17. | |
# I keep on moving with the lights on | :45:17. | :45:21. | |
# So come on play me just one more song | :45:21. | :45:22. | |
# I keep on moving with the lights on | :45:22. | :45:25. | |
# So you can't scare me with the lights on | :45:25. | :45:29. | |
# I keep on moving with the lights on | :45:29. | :45:33. | |
# So come on play me just one more song | :45:33. | :45:36. | |
# I keep on moving with the lights on | :45:36. | :45:40. | |
# So you can't scare me with the lights on. # | :45:40. | :45:50. | |
:45:50. | :46:10. | ||
Katy | :46:10. | :46:10. | |
Katy B | :46:10. | :46:10. | |
Katy B there | :46:11. | :46:15. | |
Katy B there and a surprise appearance from three-time MOBO | :46:15. | :46:20. | |
Award winner Ms Dynamite. Who's having a good time! Are we ready to | :46:20. | :46:24. | |
get international? Good job, it's time to present the MOBO Award | :46:24. | :46:30. | |
award for Best International Act. Some of the biggest stars are | :46:30. | :46:37. | |
wrestling each other for this award tonight, the thought of beion, -- | :46:37. | :46:41. | |
Beyonce, Rihanna all engaging in bodily contact is enough to turn | :46:41. | :46:46. | |
any woman, surely that's not just me? To present the award please | :46:46. | :46:56. | |
:46:56. | :47:00. | ||
welcome a MOBO winner in his own right, Mr Hudson and a buzzing | :47:00. | :47:10. | |
:47:10. | :47:21. | ||
Good evening the MOBOs! It's beautiful to be back in Glasgow. | :47:21. | :47:27. | |
Great memories for me from the MOBOs 2009, I loved the show. I got | :47:28. | :47:31. | |
to perform for all of you and I am not going to mention the afterparty, | :47:31. | :47:35. | |
it got a bit messy. You guys coming to the afterparty tonight? All you | :47:35. | :47:42. | |
lot at the back? Wicked. Wicked. it's great to see some of the | :47:42. | :47:48. | |
world's biggest superstars all on the same bill, man. The Best | :47:48. | :47:51. | |
International Act, collectively these guys have had more hit | :47:52. | :48:01. | |
:48:02. | :48:02. | ||
Apology for the loss of subtitles for 50 seconds | :48:02. | :48:52. | |
records than I have had hot meals. Ouch! And the winner of Best | :48:52. | :49:02. | |
:49:02. | :49:04. | ||
International Artist is Rihanna! Now, unfortunately, MOBOs, Ri-Ri is | :49:04. | :49:09. | |
performing in London tonight at the 02. She can't be here, she sends | :49:09. | :49:15. | |
her apologies, no need to BOO and certainly don't shoot the messenger. | :49:15. | :49:21. | |
She's a pal of mine, I promise her if she won I would get this to her | :49:21. | :49:28. | |
safe. So, you can trust me on that. Congratulations Ri-Ri. Nice one | :49:28. | :49:36. | |
MOBOs, lots of love. Joining us now we have one of the | :49:36. | :49:41. | |
biggest rappers, how are you feeling? Good. That is a suave suit, | :49:41. | :49:45. | |
I must say. You can't tell me there ain't a lot of beautiful ladies | :49:45. | :49:49. | |
here tonight? There is a lot of pretty women. I am going to watch | :49:49. | :49:52. | |
what I say because my girlfriend is with me tonight, so she is | :49:52. | :49:59. | |
obviously the most beautiful woman - women - woman, yeah, I am going | :49:59. | :50:09. | |
:50:09. | :50:11. | ||
to stop digging right now. What a big hole. Show me your best | :50:11. | :50:21. | |
:50:21. | :50:22. | ||
Scottish abg scent -- accent. Man ken... Exactly this time last year | :50:22. | :50:25. | |
we performed at the MOBOs, that was wicked. How are you going to stop | :50:25. | :50:30. | |
that? I got the pleasure of performing with the lovely Emeli | :50:30. | :50:34. | |
Sande and we got a little medley we are going to do. Fingers crossed it | :50:34. | :50:39. | |
will go well. What, can't I make a song with you? I can write a big | :50:39. | :50:44. | |
song, you know. Definitely. We already start making a song. Let's | :50:44. | :50:51. | |
finish the song. The lovely Professor Green. I think he's got | :50:51. | :50:57. | |
to go soon. Yeah, I better get ready so I can do my performance | :50:57. | :51:04. | |
otherwise I am going to miss it. Smash it. Coming up: Dionne | :51:04. | :51:09. | |
Bromfield performs a touching tribute to a true star. Tinchy and | :51:09. | :51:14. | |
Dappy bring some of that back stage magic to the stage. Professor Green | :51:14. | :51:22. | |
makes the headlines. Boyz II Men show us how it's done. | :51:22. | :51:25. | |
We are not even going to let you catch your breath. We have another | :51:25. | :51:29. | |
award and this one is absolutely what MOBO is all about. New talent. | :51:29. | :51:34. | |
For the first time ever this year the Best Newcomer award has been | :51:34. | :51:37. | |
voted for exclusively on Facebook and voting has gone up to the wire. | :51:37. | :51:42. | |
No one knows the importance of new UK talent like our next guest. To | :51:42. | :51:48. | |
present the award for Best Newcomer in association with Lebara Mobile, | :51:48. | :51:58. | |
:51:58. | :52:12. | ||
it's last year's winner, Mr Tinie What's going on Glasgow! | :52:12. | :52:16. | |
Very amazing to be here. This award is particularly special to me, I | :52:16. | :52:19. | |
was here last year feeling the same nerves as I know everyone of the | :52:19. | :52:24. | |
nominees will be feeling right now. I feel your pain guys, don't worry. | :52:24. | :52:28. | |
I did all right, luckily it was all right for me. Best Newcomers is | :52:28. | :52:32. | |
special because it's the first time many artists get the chance to see | :52:32. | :52:35. | |
their hard work recognised. It wasn't that long ago many of us | :52:36. | :52:39. | |
were creating mix tapes in our bedrooms dreaming of sitting the | :52:39. | :52:44. | |
big time and watching the MOBOs thinking one day. If you stick at | :52:44. | :52:48. | |
it big things can happen. It gives me great pleasure to introduce the | :52:48. | :52:58. | |
:52:58. | :52:58. | ||
Apology for the loss of subtitles for 50 seconds | :52:58. | :54:35. | |
nominees for this year's Best All right, the Best Newcomer goes | :54:35. | :54:45. | |
:54:45. | :54:59. | ||
to Jessie J! OK. Can I just firstly say how | :54:59. | :55:05. | |
amazing this category is, so every single artist in there deserves | :55:05. | :55:09. | |
this. So, I am - I am not very good at speeches but I will say thank | :55:09. | :55:13. | |
you to my record label, thank you to my management, thank you to | :55:13. | :55:17. | |
everyone that has a part of making my dreams, my reality and again | :55:17. | :55:26. | |
thank you to my heartbeats, you rock so hard. You guys. This one's | :55:26. | :55:34. | |
for you. Thank you, Tinie. Thank you guys. | :55:34. | :55:38. | |
Now imagine some of you have been wondering where Jason has | :55:38. | :55:42. | |
disappeared to, it's not because we didn't have the budget to match his | :55:42. | :55:47. | |
demands, although ten swans, oiled dancing girls and a chocolate | :55:47. | :55:51. | |
fountain aren't entirely necessary. It's better than that, after all he | :55:51. | :55:54. | |
is an international star and I have a hunch you want to see him doing | :55:54. | :56:00. | |
what he does best. Say no more, because here he is. Give it up for | :56:00. | :56:10. | |
:56:10. | :56:14. | ||
# I've been looking under rocks # I've been like | :56:14. | :56:23. | |
# They can hit the exit # Cos I finally found the girl | :56:23. | :56:26. | |
# Much more than a GRAMMY award That's how much you mean to me | :56:26. | :56:27. | |
# You could be my it girl | :56:27. | :56:33. | |
# Lovin' you could be a crime | :56:33. | :56:34. | |
# Crazy how we fit, girl | :56:34. | :56:37. | |
# This is it, girl | :56:37. | :56:39. | |
# Give me 25 to life | :56:39. | :56:40. | |
# I just wanna rock all night long | :56:40. | :56:42. | |
# And put you in the middle of my spotlight | :56:42. | :56:43. | |
# You could be my it girl | :56:43. | :56:46. | |
# You're my biggest hit, girl | :56:46. | :56:48. | |
# Let me play it loud | :56:48. | :56:50. | |
# Let me play it loud like, oh, oh-oh, oh | :56:50. | :56:51. | |
# Let me play it loud | :56:51. | :56:55. | |
# Let me play it loud like, oh, oh-oh, oh | :56:55. | :56:59. | |
# Let me play it loud | :56:59. | :57:01. | |
# Can't seem to stop you runnin', runnin | :57:01. | :57:03. | |
# Through my, through my Mind, mind | :57:03. | :57:06. | |
# Just keep it coming, coming | :57:06. | :57:09. | |
# Till I make you mine, mine | :57:09. | :57:11. | |
# You've got that something, something | :57:11. | :57:14. | |
# I wanna be with, girl | :57:14. | :57:16. | |
# You're my greatest hit, girl | :57:16. | :57:18. | |
# Just say this is it, girl | :57:18. | :57:21. | |
# Hey, baby | :57:21. | :57:30. | |
# You can be my it girl | :57:30. | :57:33. | |
# Lovin' you could be a crime | :57:33. | :57:36. | |
# Crazy how we fit, girl | :57:36. | :57:37. | |
# This is it, girl | :57:37. | :57:38. | |
# Give me 25 to life | :57:38. | :57:39. | |
# I just wanna rock all night long | :57:39. | :57:40. | |
# And put you in the middle of my spotlight | :57:40. | :57:42. | |
# You could be my it girl | :57:42. | :57:43. | |
# You're my biggest hit, girl | :57:43. | :57:44. | |
# Let me play it loud | :57:44. | :57:45. | |
# Let me play it loud like, oh, oh-oh, oh | :57:45. | :57:47. | |
# Let me play it loud | :57:47. | :57:49. | |
# Let me play it loud like, oh, oh-oh, oh | :57:49. | :57:53. | |
# Let me play it loud | :57:54. | :58:01. | |
# Check that out, What they playin'? | :58:01. | :58:02. | |
# That's my song That's my song | :58:02. | :58:04. | |
# Where my drinks? | :58:04. | :58:05. | |
# I've been waiting much too long Much too long | :58:05. | :58:06. | |
# And this girl in my lap Passing out, she's a blonde | :58:06. | :58:08. | |
# The last thing on my mind is going home | :58:08. | :58:11. | |
# From the window to the wallThis club is jumpin' till tomorrow | :58:11. | :58:14. | |
# Is it daylight? Or is it night-time? | :58:14. | :58:21. | |
# One o'clock, two o'clock Three o'clock, four | :58:21. | :58:27. | |
# We're gonna tear the club up Up, up, up, up, up, up, up, up | :58:27. | :58:35. | |
# Dayo, me say dayo | :58:35. | :58:38. | |
# Daylight come and we don't wanna go home | :58:38. | :58:41. | |
# Yeah so We losing control | :58:41. | :58:44. | |
# Turn the lights low Cos we about to get blown! | :58:44. | :58:48. | |
# Let the club shut down We won't go, oh, oh, oh | :58:48. | :58:53. | |
# Burn it down to the floor Oh, oh, oh | :58:53. | :58:57. | |
# Dayo, me say dayo | :58:57. | :59:01. | |
# Daylight come and we don't wanna go home | :59:01. | :59:05. | |
# Take another shot Another shot, shot, shot, shot | :59:05. | :59:15. | |
:59:15. | :59:40. | ||
# Take another shot Another shot, shot, shot, shot | :59:40. | :59:42. | |
# I can make it hot Make it hot | :59:42. | :59:44. | |
# We gonna rock until the | :59:44. | :59:48. | |
# Dayo, me say dayo | :59:48. | :59:50. | |
# Daylight come and we don't wanna go home | :59:50. | :59:52. | |
# Yeah so We losing control | :59:52. | :59:56. | |
# Turn the lights low Cos we about to get blown! | :59:56. | :00:00. | |
# Let the club shut down We won't go, oh, oh, oh | :00:01. | :00:04. | |
# Burn it down to the floor Oh, oh, oh | :00:04. | :00:09. | |
# Dayo, me say dayo | :00:09. | :00:12. | |
# Daylight come and we don't wanna go home. # | :00:12. | :00:22. | |
:00:22. | :00:30. | ||
It's | :00:30. | :00:30. | |
It's great | :00:30. | :00:31. | |
It's great out | :00:31. | :00:35. | |
It's great out here in the audience surrounded by the cream of musical | :00:35. | :00:38. | |
talent. I think we have surpassed ourselves tonight but it's not over | :00:38. | :00:45. | |
yet. It's time... No, Alesha. we are in the middle of a link. | :00:45. | :00:55. | |
:00:55. | :00:55. | ||
Baby. Who are you? Who is caramel. You put sugar in a pot. I say | :00:55. | :01:03. | |
caramel. Listen, don't get me mad. Guys, seriously. Put sugar in a hot, | :01:03. | :01:08. | |
heat it up and you get caramel. Let's go. Going to do it. OK, let's | :01:08. | :01:18. | |
:01:18. | :01:28. | ||
go. #. # Alesha, you are on my mind # I want to touch you | :01:28. | :01:38. | |
:01:38. | :01:44. | ||
# I am having trouble drying my my shoes... # Still want to touch you. | :01:44. | :01:49. | |
# The reason behind our chocolate dreams | :01:49. | :01:59. | |
:01:59. | :02:00. | ||
# Cherry on top of the cake. Milkshake, let's get together. # | :02:00. | :02:03. | |
The reason behind our chocolate dreams | :02:03. | :02:13. | |
:02:13. | :02:15. | ||
# Cherry on top. OK, lovely. Yes, all right. It's OK. Thanks guys. | :02:15. | :02:20. | |
All right. All right. OK. It's OK. I am not sure there are any words | :02:20. | :02:23. | |
to describe what just happened there but I am pretty sure it would | :02:24. | :02:29. | |
be considered illegal in many parts of the world. Before anyone else | :02:29. | :02:34. | |
gets seduced by these two let's get to another award. You can guarantee | :02:34. | :02:39. | |
one duo who aren't in the running! It's time to honour the Best R&B | :02:39. | :02:46. | |
Soul Act. To present it's the newly crowned winner of Britain's Next | :02:46. | :02:53. | |
Top Model and fresh out of the Big Brother house, give it up for | :02:53. | :03:03. | |
:03:03. | :03:12. | ||
Greetings Glasgow. That was some slow-jam there, even I was blushing. | :03:12. | :03:16. | |
It's an honour to be here. Everyone has an R&B track or soul track that | :03:16. | :03:22. | |
will stay with them forever and it's great to be here. Let's see | :03:22. | :03:32. | |
:03:32. | :03:32. | ||
Apology for the loss of subtitles for 50 seconds | :03:32. | :04:20. | |
the nominations for the Best R&B Unbelievable! Right, and the winner | :04:20. | :04:30. | |
is... Adele! | :04:30. | :04:33. | |
Unfortunately, Adele couldn't be here to collect the award. But this | :04:33. | :04:38. | |
is a message she sent to you guys. Hello everyone. Thank you very much | :04:38. | :04:42. | |
for this MOBO Award it means a lot to me, I am so sorry I can't be | :04:42. | :04:46. | |
there with you tonight, I am on the way to America to start the other | :04:46. | :04:50. | |
leg of my tour. Congratulations to all the other nominees and winners. | :04:50. | :05:00. | |
Have a good one. See you later. Time for a special MOBO moment. | :05:00. | :05:04. | |
Winehouse loved music and she loved the MOBO Awards. Her love of hip | :05:04. | :05:09. | |
hop is as well known as her love of jazz. She was a huge fan of Erykah | :05:09. | :05:13. | |
Badu, The Roots, Lauryn Hill and Drake and she was always a fixture | :05:13. | :05:23. | |
:05:23. | :05:24. | ||
at gigs by the likes of damian Marley, and Nas and Mos Def. | :05:24. | :05:30. | |
sold over 17 million albums and broke America. She was awarded five | :05:31. | :05:39. | |
Grammys and a Brit Award and MOBO for Best UK female and two Ivor | :05:39. | :05:43. | |
Novello awards for two of the most celebrated and seminal albums. | :05:43. | :05:47. | |
much missed icon, musician, daughter and friend. In our tribute | :05:47. | :05:51. | |
to this new musical pioneer we introduce an accomplished performer | :05:51. | :06:01. | |
:06:01. | :06:01. | ||
Apology for the loss of subtitles for 50 seconds | :06:01. | :08:45. | |
in her own right, Amy's god- A fabulous and fitting tribute | :08:45. | :08:51. | |
there, thank you Dionne. Our next category is one Miss Winehouse | :08:51. | :08:56. | |
could have won over and over again, it's Best Song. Previous winners | :08:56. | :09:06. | |
:09:06. | :09:09. | ||
have included Destiny's Child, 50 cent, JLS and Another Lovely. Who | :09:09. | :09:16. | |
are Another Level. I will tell you later. To present the award please | :09:16. | :09:26. | |
:09:26. | :09:38. | ||
welcome Corrie's hottest girls Right. Hello everybody. Hope you | :09:38. | :09:44. | |
are all having a really good time. We are really pleased to be here on | :09:44. | :09:50. | |
an amazing night and give out an important award. Best Song is one | :09:50. | :09:53. | |
of the best awards, not just because we are presenting it, | :09:53. | :10:02. | |
although that does count. Have you ever played a game called snog, | :10:02. | :10:09. | |
marry or avoid? If you could choose a MOBO or a million quid. A MOBO. | :10:09. | :10:15. | |
Really? MOBO for Best Song or an Olympic gold? MOBO for Best Song. | :10:15. | :10:23. | |
All right, MOBO for Best Song or a date with Aston out of JLS? Right, | :10:23. | :10:29. | |
OK! Still a MOBO for Best Song, although that was hard. Right, | :10:29. | :10:37. | |
MOBO... We have got the idea! Every nominee has had one hell of a year, | :10:37. | :10:41. | |
record-breaking sales and even in a fair few cases some marriage | :10:41. | :10:51. | |
:10:51. | :10:51. | ||
Apology for the loss of subtitles for 50 seconds | :10:51. | :11:38. | |
proposals. I will let you decide. Thank you. | :11:38. | :11:48. | |
:11:48. | :12:21. | ||
I was chatting away, I didn't - I was like oh! Um, there's so many | :12:21. | :12:25. | |
people I want to thank but there's two people that mean more than | :12:25. | :12:30. | |
anything to me and they are my mum and dad and they're sitting over | :12:30. | :12:34. | |
there and without them I wouldn't be the person that I am or write | :12:34. | :12:39. | |
the songs that I write. So, thank you for letting me be comfortable | :12:39. | :12:49. | |
:12:49. | :12:55. | ||
in who I am and - yeah, if they play do it like a Dude later, get | :12:55. | :13:05. | |
:13:05. | :13:08. | ||
Still to come: We are out of this world with Tinchy and Dappy. | :13:08. | :13:17. | |
Alexis Jordan is in a bubble of joy. Professor Green teaches us a lesson. | :13:17. | :13:27. | |
:13:27. | :13:28. | ||
And Boyz II Men show us why they're I can't wait to see Boyz II Men I | :13:28. | :13:35. | |
feel like a teenager all over again. Now I don't do slumber parties or | :13:35. | :13:40. | |
teenager tantrums. The same can't be said for you. I am a sucker for | :13:40. | :13:43. | |
slumber parties. Anyone want to come back to the hotel and watch | :13:43. | :13:48. | |
Grease 2 with me later? Wow, I do like that film. It's time for Best | :13:48. | :13:58. | |
:13:58. | :14:09. | ||
Gospel Act and to present the award please welcome the mix master | :14:09. | :14:19. | |
Labrinth and Keisha. Make some noise, Glasgow! Gospel | :14:19. | :14:23. | |
music tkpwraout out of the black Churches in the southern states of | :14:23. | :14:28. | |
the USA. It was heart of the classic soul styles of the 60s and | :14:28. | :14:37. | |
70s. Everyone from James Brown and Aretha Franklin to OnLegend and | :14:37. | :14:43. | |
Jamie Foxx have cut their teeth performing at the pull pit on -- | :14:43. | :14:48. | |
pulpit on Sundays. Gospel remains engrained in much of today's R&B | :14:48. | :14:52. | |
soul music. They're all influenced by genres like this showing how | :14:52. | :14:56. | |
wide the boundaries of gospels have become. | :14:56. | :15:04. | |
So, if you were thinking this ceremony needed a hallelujah, | :15:04. | :15:10. | |
surely now ised time. Forget Sister Act, these guys are the real deal. | :15:10. | :15:15. | |
Let's take a look and see the nominees for this year's MOBO Award | :15:15. | :15:25. | |
:15:25. | :15:25. | ||
Apology for the loss of subtitles for 50 seconds | :15:25. | :16:17. | |
Thank you. Got some skills there, bruv. The winner for Best Gospel | :16:17. | :16:27. | |
:16:27. | :16:49. | ||
Oh, wow! Keep it short and sweet. I want to thank the Lord Jesus Christ | :16:49. | :16:52. | |
for giving me this opportunity to make music on his behalf. I want to | :16:53. | :16:57. | |
thank my family and my friends, everyone who supported. I want to | :16:57. | :17:02. | |
shout out to the other nominees, well done. We won this guys, and to | :17:02. | :17:12. | |
:17:12. | :17:14. | ||
UK gospel, rise up, things are We have seen this guy running | :17:14. | :17:18. | |
around back stage all night but now it's time to allow him centre stage. | :17:18. | :17:26. | |
I think he's earned it. Definitely. Performing at the MOBO Awards for | :17:26. | :17:33. | |
the teurd time -- third time. He must be doing something right. Make | :17:33. | :17:43. | |
:17:43. | :17:43. | ||
Apology for the loss of subtitles for 50 seconds | :17:43. | :18:27. | |
some noise for Tinchy Stryder # Yo, I got one or two on my list | :18:27. | :18:30. | |
# Who would have thought I'd have got this far | :18:30. | :18:33. | |
# Like how on earth did his name brand get that large? | :18:33. | :18:35. | |
# Cos I'm a star Have you seen my car? | :18:35. | :18:38. | |
# Holly Willoughby you can come and run my bath | :18:38. | :18:39. | |
# I want it all no minimal Tinchy the general | :18:39. | :18:41. | |
# Me and my brother D-A-P That's clinical | :18:41. | :18:42. | |
# I was raised a survivor | :18:42. | :18:45. | |
# Now I'm getting Branson money Forget a fiver | :18:45. | :18:47. | |
# Ridin' my time so I'm livingthe 30 years that I was given, lifer | :18:47. | :18:49. | |
# You've always been my undercover lover, nothing like no other | :18:49. | :18:51. | |
# Told me to get 'em all 'Em all no rubber | :18:51. | :18:53. | |
# I double up my copper From pounds to the dollar | :18:54. | :18:55. | |
# Negative to positive No longer will I suffer | :18:55. | :18:58. | |
# Mama thought I wouldn't make it | :18:58. | :19:03. | |
# But now she's living in a spaceship | :19:03. | :19:05. | |
# She said, "Son I'm getting older" | :19:05. | :19:08. | |
# Told her money buys everything "Would you like a face lift?" | :19:08. | :19:10. | |
# See, I didn't know I would be able to afford all these clothes | :19:10. | :19:13. | |
# Look at where we are | :19:13. | :19:15. | |
# Now, that's what happens when you make it | :19:15. | :19:19. | |
# Oh-o-oh oh-o-o-oh Oh-o-oh oh-o-o-oh | :19:19. | :19:24. | |
# Oh-o-oh oh-o-o-oh Na-na-na-na-na. # | :19:24. | :19:34. | |
:19:34. | :19:43. | ||
# I'm Vegas, I'm calling | :19:43. | :19:45. | |
# See a hundred and I'm all in | :19:45. | :19:46. | |
# No cameras, no reporting | :19:46. | :19:48. | |
# 18 plus, warning | :19:48. | :19:49. | |
# She's an actress Till the morning | :19:49. | :19:51. | |
# Her Katy Perry's awesome | :19:51. | :19:52. | |
# She kissed a girl I saw them | :19:52. | :19:54. | |
# Tinch plus them, plus you Foursome | :19:54. | :19:56. | |
# Don't care if I got a girl or not | :19:56. | :19:59. | |
# Asking me can I tie that knot | :19:59. | :20:01. | |
# She ain't talking no wedding ring | :20:01. | :20:03. | |
# S&M on the pole she swings | :20:03. | :20:05. | |
# Up and down She's a crazy ride | :20:05. | :20:06. | |
# Jada's face, Nicki's thighs | :20:06. | :20:07. | |
# Lock it down Watch the ride | :20:07. | :20:09. | |
# Seat belts on Hold on tight | :20:09. | :20:11. | |
# My life is like a roller coaster | :20:11. | :20:13. | |
# Coming off the track | :20:13. | :20:16. | |
# Spinning round and round | :20:16. | :20:19. | |
# Yeah, take a little look Get closer | :20:19. | :20:22. | |
# But keep it off the record | :20:22. | :20:24. | |
# Don't expose me now | :20:24. | :20:27. | |
# I'm Vegas, I'm calling | :20:27. | :20:37. | |
:20:37. | :20:44. | ||
# I'm Vegas, I'm calling | :20:44. | :20:45. | |
# See a hundred and I'm all in | :20:45. | :20:46. | |
# No cameras, no reporting | :20:46. | :20:48. | |
# 18 plus, warning | :20:48. | :20:50. | |
# It's your time Yeah, casino | :20:50. | :20:52. | |
# High rollers, Al Pacino | :20:52. | :20:53. | |
# Through the back door On the D-low | :20:53. | :20:55. | |
# Do Showgirls By the kilo | :20:55. | :20:57. | |
# Stand my dollars In your money slot | :20:57. | :20:59. | |
# Pull that handle You hit the jackpot | :21:00. | :21:01. | |
# Calvin gets the girls He's got all the girls | :21:01. | :21:03. | |
# On lock, time is now Never mind that clock | :21:03. | :21:04. | |
# Two JDs and a tequila shot | :21:04. | :21:07. | |
# All on me Cos there's more in store | :21:07. | :21:11. | |
# Deja vu It never stops | :21:11. | :21:14. | |
# My life is like a roller coaster | :21:14. | :21:16. | |
# Coming off the track | :21:16. | :21:19. | |
# Spinning round and round | :21:19. | :21:21. | |
# Yeah, take a little look Get closer | :21:21. | :21:23. | |
# But keep it off the record | :21:23. | :21:26. | |
# Don't expose me now. # | :21:26. | :21:35. | |
# Don't expose me now. # | :21:35. | :21:45. | |
:21:45. | :21:57. | ||
Those | :21:57. | :21:57. | |
Those two | :21:57. | :21:58. | |
Those two are | :21:58. | :22:01. | |
Those two are on fire tonight. I have been thinking if MOBO Awards | :22:01. | :22:04. | |
are a family you could say the newcomer award is the baby, right. | :22:04. | :22:13. | |
If so, this next award is the Grandaddy because this genre's | :22:13. | :22:17. | |
influence can be felt throughout the entire brood. I am going to | :22:17. | :22:24. | |
leave it to Mr Derulo to tell us about the nominees for Best Reggae. | :22:24. | :22:30. | |
This is an important award, most of us grew up listening to the smooth | :22:30. | :22:35. | |
sounds of Reggae and ska. It's why exciting the Reggae artists are | :22:35. | :22:38. | |
finding themselves more recognised by the mainstream music industry | :22:38. | :22:43. | |
today. Over the years Reggae has been embraced by counselless | :22:43. | :22:53. | |
:22:53. | :22:53. | ||
musical -- countless musical genres. You can see that with | :22:53. | :23:03. | |
:23:03. | :23:06. | ||
collaborations like Chipmunk and Sean Kingston, and Justin Bieber. | :23:06. | :23:11. | |
Bob Marley believed the word Reggae came from the Spanish term the | :23:11. | :23:14. | |
King's music. Nothing about the nominees tells me any different. | :23:14. | :23:24. | |
:23:24. | :23:55. | ||
Oh, yeah! I don't think I can do that one. | :23:55. | :24:05. | |
:24:05. | :24:05. | ||
So, the winner is... Alborosie. | :24:05. | :24:08. | |
Unfortunately, he couldn't be here, but I will collect it on his behalf. | :24:09. | :24:18. | |
:24:19. | :24:20. | ||
Please give it up for him one more Now tonight's show is pretty much | :24:20. | :24:24. | |
ticking all of my boxes. Great performances, amazing guest | :24:24. | :24:28. | |
presenters, I don't want to jump the gun but I say we are rocking it, | :24:28. | :24:34. | |
wheeling it, dealing it. Glasgow in the house, make me feeling like a | :24:34. | :24:38. | |
mouse. You have heard of AliG, right? You are American, get with | :24:39. | :24:42. | |
it. If the line-up has shown anything it's here in the UK you | :24:42. | :24:46. | |
are raising the bar, proving worldwide we are an urban force to | :24:46. | :24:56. | |
:24:56. | :24:58. | ||
be reckoned with. The next performers, I am sure they feel the | :24:58. | :25:08. | |
:25:08. | :25:10. | ||
same. She is an all-American beauty. Rebecca Black. No, it's Alexis | :25:10. | :25:20. | |
:25:20. | :25:25. | ||
Jordan reminding us why we all love # Boy, this traffic | :25:25. | :25:35. | |
:25:35. | :25:36. | ||
# Boy, I can't wait # Just step on the gas | :25:36. | :25:46. | |
:25:46. | :25:53. | ||
# This opportunity will only # Just step on the gas | :25:53. | :25:58. | |
# I gotta be out of my mind not to try this | :25:58. | :26:01. | |
# Through strength I found love | :26:01. | :26:03. | |
# In time I found myself in happiness with you | :26:03. | :26:07. | |
# Through strength I found love | :26:07. | :26:15. | |
# Through strength I found love | :26:15. | :26:18. | |
# In time I found myself in happiness with you | :26:18. | :26:24. | |
# Mmm mmm mmm mmm | :26:24. | :26:33. | |
# Mmm mmm mmm mmm | :26:33. | :26:35. | |
# Mmm mmm mmm mmm | :26:35. | :26:45. | |
:26:45. | :26:51. | ||
# Boy, I need to say # I came back to tell you | :26:51. | :27:01. | |
:27:01. | :27:05. | ||
# Just step on the gas # This opportunity will only come | :27:05. | :27:10. | |
# Sorry, sorry, sorry I'm coming down to fix this | :27:10. | :27:16. | |
# You should know how I feel I know I got you twisted | :27:17. | :27:20. | |
# See, what your bringing me, boy Is priceless | :27:20. | :27:24. | |
# I gotta be out of my mind not to try this | :27:24. | :27:28. | |
# Through strength I found love | :27:28. | :27:33. | |
# In time I found myself in happiness with you | :27:33. | :27:36. | |
# Through strength I found love | :27:36. | :27:44. | |
# In time I found myself in happiness | :27:44. | :27:49. | |
# With you | :27:49. | :27:53. | |
# The things that you can give to me | :27:53. | :27:58. | |
# I can feel it when you're holding me close | :27:58. | :28:00. | |
# You're like one of the world wonders | :28:00. | :28:04. | |
# I know I'm going under | :28:04. | :28:08. | |
# Come see that I'm ready for this | :28:08. | :28:12. | |
# And you're so good for me | :28:12. | :28:15. | |
# You're my true joy | :28:15. | :28:19. | |
# You make me wanna say | :28:19. | :28:23. | |
# Mmm mmm mmm mmm | :28:23. | :28:25. | |
# Mmm mmm mmm mmm | :28:25. | :28:28. | |
# Mmm mmm mmm mmm | :28:28. | :28:38. | |
:28:38. | :28:52. | ||
# In time I found myself # In time I found myself | :28:52. | :29:02. | |
:29:02. | :29:26. | ||
Now it's time for one of the most important awards of the aoepg -- | :29:26. | :29:30. | |
evening. BeMOBO. It was set up to recognise an individual or | :29:30. | :29:34. | |
organisation that works hard to make changes via grass roots, | :29:34. | :29:36. | |
educational or community initiatives. To explain why this | :29:36. | :29:39. | |
award is so important and to announce this year's recipients, | :29:40. | :29:44. | |
please welcome to the stage the woman behind MOBO, Miss Kanya King | :29:44. | :29:54. | |
:29:54. | :30:02. | ||
and musician, model, TV presenter, Wow, Glasgow. We are so glad to be | :30:02. | :30:07. | |
back. Thank you for welcoming us. This is | :30:07. | :30:10. | |
the award that demonstrates the impact music can have in making a | :30:11. | :30:16. | |
real change in people's lives. To tell us about this year's recipient | :30:16. | :30:20. | |
a woman who holds the cause close to her heart, Myleene Klass. Thank | :30:20. | :30:25. | |
you. Youth music is a leading UK charity enabling children and young | :30:25. | :30:32. | |
people to make the most of their lives through the power of music. | :30:32. | :30:35. | |
The charity supports and funds music projects and provides | :30:35. | :30:39. | |
opportunities for young people right across the country, | :30:39. | :30:43. | |
particularly those that wouldn't otherwise get the chance. So far, | :30:43. | :30:50. | |
they have funded the delivery of over 300,000 music-making workshops | :30:50. | :30:56. | |
and have a proven track record in reducing anti-social behaviour. | :30:56. | :31:03. | |
That's why this year we have decided to reward Youth Music with | :31:03. | :31:13. | |
:31:13. | :31:31. | ||
the BeMOBO Award. Let's take a look They exist in order to provide | :31:31. | :31:34. | |
opportunities and create a release for young people in the UK | :31:34. | :31:40. | |
regardless of their background. Crucially, youth music is a | :31:40. | :31:46. | |
responsive organisation and delivers music programmes to | :31:46. | :31:50. | |
address arising social areas. Normally you get involved with | :31:50. | :31:54. | |
police, get kicked out of school and that's basically your life | :31:54. | :31:57. | |
ruined. For children and young people who have had a challenging | :31:57. | :32:05. | |
start in life involvement in music- making can turn things around. | :32:05. | :32:10. | |
Got to keep pushing from the start to the end. I used to go get, from | :32:10. | :32:18. | |
the get go. I don't see no changes. When I write lyrics it's about how | :32:18. | :32:22. | |
I feel, I don't write about everyone else. I write how I feel. | :32:22. | :32:26. | |
You can put a lot of emotion into one tune. You can show it to a lot | :32:26. | :32:30. | |
of people. Two people that know about Youth | :32:30. | :32:37. | |
Music's benefits more than most are Rizzle Ricks. Youth Music they help | :32:37. | :32:43. | |
out so many acts. Youth Music has helped us loads, we love them. | :32:43. | :32:51. | |
are proud to present the BeMOBO award 2011 to Youth Music. | :32:51. | :32:54. | |
Please welcome living proof that the programme works, ambassadors | :32:54. | :33:04. | |
:33:04. | :33:22. | ||
This is so cool. This is fab. are honoured to accept this award. | :33:22. | :33:27. | |
Without organisations like Youth Music itself and similar ones such | :33:27. | :33:30. | |
as Audio Active we wouldn't be able to be at this event. We wouldn't | :33:30. | :33:34. | |
have the opportunity to perform in front of hundreds of people. Youth | :33:34. | :33:40. | |
Music gave us our first opportunity to perform live at a festival in | :33:40. | :33:48. | |
2009. Best of our lives, I reckon. Definitely probably was. We | :33:48. | :33:55. | |
performed alongside Lady Hook. It was a sick day. Basically, it's | :33:55. | :33:59. | |
very hard to get yourself out there and Youth Music is one of the many | :33:59. | :34:03. | |
ways of doing it and I think they're one of the most most | :34:03. | :34:13. | |
:34:13. | :34:18. | ||
Right now I have been hanging around all day trying to find these | :34:18. | :34:23. | |
two guys, Rizzle Kicks. I can't even find Dappy. Maybe they heard | :34:23. | :34:28. | |
about the Jessie J incident with her foot. Hope she don't press no | :34:28. | :34:34. | |
charges. Like I am saying, where are these - there they are. What's | :34:34. | :34:43. | |
happening? What's popping? Are you all right? You just picked up the | :34:43. | :34:48. | |
award on behalf of Youth music, how are you feeling? Youth Music, it's | :34:48. | :34:53. | |
really important to us. We worked with them for a few years, just to | :34:53. | :35:00. | |
accept an award on their behalf was massic for us. Youth Music, | :35:00. | :35:04. | |
honestly - yeah, you can hold it. They were a big help. You need a | :35:05. | :35:09. | |
stepping stone. Of course, you have been up to big things as well. | :35:09. | :35:15. | |
Rizzle Kicks, we know the name. have our album out at the end of | :35:15. | :35:21. | |
October. Am I plugging this on the MOBO Awards? Is that all right? | :35:21. | :35:28. | |
what you feel like. And our single 21st. Stop plugging. You know what, | :35:29. | :35:37. | |
thank you guys. Now back to Alesha and Jason. | :35:37. | :35:42. | |
Ah bless Tinchy. He is doing a wicked job. Our next performers, he | :35:42. | :35:46. | |
is a MOBO Award winner whose performance last year blew the top | :35:46. | :35:49. | |
off the Liverpool arena and she is a Scottish star in the making who | :35:49. | :35:54. | |
has been labelled as Simon Cowell's famous songwriter of the moment. | :35:54. | :35:58. | |
With a fantastic collaboration this evening, this is Professor Green | :35:58. | :36:08. | |
:36:08. | :36:11. | ||
# I'm here at your # I'm back | :36:11. | :36:15. | |
# I'm here at your In-convenience | :36:15. | :36:20. | |
# Whose idea was it to get in the charts | :36:20. | :36:26. | |
# By rhyming over Hungarian dance music? | :36:26. | :36:28. | |
# And why would I make dance music | :36:28. | :36:32. | |
# When I can't dance too it? | :36:32. | :36:36. | |
# Bringing back this rap | :36:36. | :36:40. | |
# I'll be saving the day A renegade with a dog | :36:40. | :36:42. | |
# Playing fetch Watching him chase a grenade | :36:42. | :36:45. | |
# Maybe I should play the same game with Bruno | :36:45. | :36:48. | |
# If I ever again get mistaken for a Cluedo | :36:48. | :36:50. | |
# Character, I'm gonna have to unleash some amateur judo | :36:50. | :36:56. | |
# For every one that you got Too hot, I do squat diddly | :36:56. | :36:59. | |
# And do more than you do when you do lots | :36:59. | :37:01. | |
# New notch, see women do for me what they do not do for you | :37:01. | :37:05. | |
# Maybe it's got something to do with my new watch, you what? | :37:05. | :37:08. | |
# Will you recognize me in the flashing lights? | :37:08. | :37:18. | |
:37:18. | :37:20. | ||
# Will you recognize me in the flashing lights? | :37:20. | :37:28. | |
# I try to keep my heart clean But I can't get it right | :37:28. | :37:32. | |
# Will you recognize me when I'm lying on my back? | :37:32. | :37:37. | |
# Something's gone inside me and I can't get it back | :37:37. | :37:47. | |
:37:47. | :37:48. | ||
# Oh, heaven, oh, heaven I wake with good intentions | :37:48. | :37:57. | |
# But the day it always lasts too lo-ong | :37:57. | :38:03. | |
# Then I'm gone, then I'm gone | :38:03. | :38:10. | |
# Then I'm gone, then I'm gone | :38:10. | :38:14. | |
# Then I'm gone Then I'm gone, then I'm gone | :38:14. | :38:18. | |
SINGS: # I wanna sing I wanna shout | :38:18. | :38:28. | |
:38:28. | :38:29. | ||
SINGS: # I wanna sing I wanna shout | :38:29. | :38:36. | |
# I wanna scream till the words dry out | :38:36. | :38:38. | |
# So put it in all of the papers | :38:38. | :38:42. | |
# I'm not afraid They can read all about it | :38:42. | :38:46. | |
# Read all about it, oh | :38:46. | :38:50. | |
RAPS: # Nothing to hide Stifle or smother | :38:50. | :38:56. | |
# Suffered and cried | :38:56. | :38:57. | |
# Strife made me tougher | :38:57. | :38:58. | |
# Never mothered or shy to trouble I rise above all expectations | :38:58. | :39:00. | |
# Forget rep Ain't ever begged yet | :39:00. | :39:02. | |
# When I wanted to get pence Hustled | :39:02. | :39:04. | |
# To be here I'm exactly what my neck says | :39:04. | :39:07. | |
# That sket saidI tried to cash in on my dad's death | :39:07. | :39:09. | |
# I wanted to vent But I never said all | :39:09. | :39:10. | |
# Suck balls You were never kin to me | :39:10. | :39:14. | |
# Family is something that you've never been to me | :39:14. | :39:16. | |
# In fact making it harder for me to see my father | :39:16. | :39:18. | |
# Was the only thing that you ever did for me | :39:18. | :39:21. | |
SINGS: # I wanna sing I wanna shout | :39:21. | :39:25. | |
# I wanna scream till the words dry out | :39:25. | :39:28. | |
# So put it in all of the papers I'm not afraid | :39:28. | :39:33. | |
# They can read all about it Read all about it, oh | :39:33. | :39:38. | |
RAPS: # I write songs I can't listen to | :39:38. | :39:48. | |
:39:48. | :39:50. | ||
RAPS: # I write songs I can't listen to | :39:50. | :39:53. | |
# Everything I have I give to you | :39:53. | :39:56. | |
# In everyone of these lines I sing to you | :39:56. | :39:58. | |
# My job's more like public service | :39:58. | :40:03. | |
# My life just became yours to read and interpret | :40:03. | :40:06. | |
# If you heard it? It'd come across a lot different | :40:06. | :40:06. | |
# At times, I throw fits when I read how they word things | :40:06. | :40:08. | |
# When it ain't really isn't working | :40:08. | :40:10. | |
SINGS: # I wanna sing I wanna shout | :40:10. | :40:12. | |
# I wanna scream till the words dry out | :40:12. | :40:16. | |
# So put it in all of the papers I'm not afraid | :40:16. | :40:21. | |
# They can read all about it Read all about it, oh. # | :40:21. | :40:31. | |
:40:31. | :40:42. | ||
Where | :40:42. | :40:42. | |
Where are | :40:42. | :40:42. | |
Where are you, | :40:42. | :40:45. | |
Where are you, I am here doing extra work. I will be there in | :40:45. | :40:51. | |
about 15 minutes. Yo, you are not working. You are meant to be | :40:51. | :40:53. | |
working. I am thinking about the work we have to do on stage later. | :40:53. | :41:00. | |
This is work? Yeah. Don't be negative. Sit down. I am getting | :41:00. | :41:05. | |
into the MOBO mentality. Isn't it our jobs to promote the MOBO | :41:05. | :41:09. | |
mentality as much as possible when we can. I like where you are going | :41:09. | :41:19. | |
:41:19. | :41:21. | ||
with this. All right, yeah, I like this. | :41:22. | :41:29. | |
I like this. Tinchy and Dappy there. Not much reporting being done, | :41:29. | :41:37. | |
they're having a good time. I think me and you getting a massage back | :41:37. | :41:42. | |
stage? It's time for another award. Cool, MOBO is about rewarding home | :41:42. | :41:47. | |
grown talent and tonight we have some big contenders in the Best UK | :41:47. | :41:54. | |
Category. Big in terms of musical stature, not big like my guns. | :41:54. | :42:00. | |
Loves those biceps but this guy has spent more time in the gym than you. | :42:00. | :42:05. | |
Please welcome former world champion triple jumper Phillips | :42:05. | :42:15. | |
:42:15. | :42:27. | ||
Idowu and the ultimate Sugababes Hello Glasgow! | :42:27. | :42:32. | |
One of my favourite places, I am so happy to be here. How are you, my | :42:32. | :42:38. | |
love? I am great, babe. You are looking wow, wow. You look dapper | :42:38. | :42:43. | |
yourself. I just want to say it's a massive honour for me to be | :42:43. | :42:48. | |
presenting this award to the Best UK Act. It's great. OK, now there | :42:48. | :42:52. | |
are only five nominees in this category and there could have been | :42:52. | :42:57. | |
so much more because there is amazing talent in the UK. I am glad | :42:57. | :43:07. | |
:43:07. | :43:08. | ||
Apology for the loss of subtitles for 50 seconds | :43:08. | :44:01. | |
I didn't have to choose the final Thank you. So, the winner as voted | :44:01. | :44:10. | |
for on MOBOcom and Capital FM... Wow, this is a big night for her, | :44:10. | :44:20. | |
:44:20. | :44:44. | ||
Thank you. He is amazing as well. I didn't want to stand up here by | :44:44. | :44:54. | |
:44:54. | :44:54. | ||
myself. I am so proud to be British and I am so proud to make music | :44:54. | :45:00. | |
that I can give to the world as a gift and it's been ten months of my | :45:00. | :45:10. | |
:45:10. | :45:12. | ||
career and to have - how many do I have? Four! Seriously! Like, it | :45:12. | :45:18. | |
says rap on the screen, shall I keep going to annoy them. I have no | :45:18. | :45:22. | |
words right now, but artists like this guy has made me want it even | :45:22. | :45:26. | |
more, I have watched him and I am ten steps behind and he is he is | :45:27. | :45:30. | |
setting the standard. I just want to say Amy Winehouse set the | :45:30. | :45:36. | |
example and standard for British female artists and - yeah, let's | :45:37. | :45:42. | |
all stand up for Amy, please. This one is for her. | :45:43. | :45:50. | |
Thank you. Congratulations Jessie. You guys | :45:50. | :45:54. | |
know the score, we have one big award to still give away and this | :45:54. | :45:58. | |
is really the award to end all other awards, I think. Oh, yeah, | :45:58. | :46:02. | |
there aren't many performers who deserve the OutStanding | :46:02. | :46:08. | |
Contribution Award, this year few could argue how deserving the | :46:08. | :46:11. | |
recipients are. We had to bring serious talent on stage to present. | :46:11. | :46:16. | |
Prepare yourself for some deafening screams, they are undisputedly the | :46:16. | :46:26. | |
:46:26. | :46:27. | ||
UK's biggest boy band. Please welcome to the stage Aston, Marvin, | :46:27. | :46:37. | |
:46:37. | :46:54. | ||
Glasgow make some noise! Firstly, congratulations to | :46:54. | :46:56. | |
everyone that's picked up awards this evening. You have been | :46:56. | :47:01. | |
fantastic. But, boys, right about now it gives us great pleasure to | :47:01. | :47:09. | |
present this next award. Originally called Unique Attraction. Shawn, | :47:09. | :47:12. | |
Wayna and Nathan have won four Grammy awards and sold over 60 | :47:12. | :47:18. | |
million records and this year marks their 20th anniversary and finally | :47:18. | :47:22. | |
for ten years they've got brand new material. This group have been a | :47:23. | :47:28. | |
major influence on some of the biggest names in the business. I am | :47:28. | :47:34. | |
talking about Justin Bieber, Beyonce, Usher and Rihanna. And not | :47:34. | :47:39. | |
to forget, of course, us. Yeah, that's right. They have broken | :47:39. | :47:43. | |
numerous records, including being billboard's most successful group | :47:43. | :47:49. | |
of the 1990s, to celebrate their 20th year in the business the group | :47:49. | :47:55. | |
has just been rewarded a star on the Hollywood Walk of Fame, | :47:55. | :47:58. | |
cementing them in musical history as one of the biggest groups of all | :47:58. | :48:05. | |
time. So, with great pleasure we reward one of R&B's biggest success | :48:05. | :48:09. | |
stories. Let's have a look at why this band are such worthy winners. | :48:09. | :48:14. | |
This year the MOBO Award for Outstanding Contribution goes to | :48:14. | :48:24. | |
:48:24. | :48:27. | ||
Boyz II Men, the most successful R&B vocal group of all time. They | :48:27. | :48:32. | |
have won four Grammy awards, nine American music awards, and have | :48:32. | :48:37. | |
sold over 60 million albums worldwide. | :48:37. | :48:43. | |
Plus, their duet with Mariah Carey spent more weeks at the top of the | :48:44. | :48:47. | |
Billboard top 100 than any other song ever. | :48:47. | :48:57. | |
:48:57. | :49:02. | ||
This year marks their 20th So, ladies and gentlemen, big it up | :49:02. | :49:12. | |
:49:12. | :49:50. | ||
All right. Wow. Glasgow, how you all doing out there tonight! First | :49:50. | :49:54. | |
of all, we want to thank all of you guys for supporting us for the last | :49:54. | :50:01. | |
20 years of our career. Europe has been a very, very big part of Boyz | :50:01. | :50:04. | |
II Men's history and we hope it will be a very big part of our | :50:04. | :50:08. | |
future. We got a new record coming out on 17th October entitled 20, | :50:08. | :50:13. | |
with the help of Universal Records here in Europe we have been able to | :50:13. | :50:17. | |
put a record out like that. It's still a very amazing feeling to | :50:17. | :50:24. | |
know that three guys on the other side of the pond from Philadelphia | :50:24. | :50:30. | |
has made it over here to the UK. We thank you so very much for | :50:30. | :50:34. | |
receiving us, loving our music and loving for who we are and hopefully | :50:34. | :50:37. | |
there will be another 20 years. We thank you so very much Glasgow. We | :50:38. | :50:45. | |
love you. Thank you and thank you MOBO. Thank you. | :50:45. | :50:55. | |
Ladies and gentlemen, please be upstanding for Boyz II Men. | :50:55. | :51:03. | |
Congratulations, fellas. Thanks to JLS. Thanks boys. | :51:03. | :51:13. | |
:51:13. | :51:13. | ||
Thanks guys. It's a love-vest. I want to say | :51:13. | :51:17. | |
thank you to Tinchy and Dappy for doing a great job. Yeah. They've | :51:17. | :51:22. | |
been amazing as well. What an evening it's been. I can't believe | :51:22. | :51:27. | |
the MOBO Awards 2011 in association with Lebara Mobile has reached the | :51:27. | :51:32. | |
end of the road! See what I did there? Come on. It's been a | :51:32. | :51:35. | |
pleasure co-hosting with you. pleasure was mine, sweetheart. Of | :51:35. | :51:39. | |
all the MOBO presenters I have ever hosted with, Alesha, you got to be | :51:40. | :51:43. | |
the best. Thank you. It's been a mad night but I wouldn't have it | :51:43. | :51:49. | |
any other way. Do you think it's the last we will see of Jalesha? | :51:49. | :51:53. | |
Absolutely not. Thank you to everyone who performed tonight, the | :51:53. | :52:03. | |
:52:03. | :52:05. | ||
crowd in Glasgow. And over to Boyz # Close your eyes | :52:05. | :52:15. | |
:52:15. | :52:16. | ||
# For tonight # We're gonna celebrate | :52:16. | :52:22. | |
# Pour the wine, Light the fire | :52:22. | :52:27. | |
# Girl, your wish is my command | :52:27. | :52:32. | |
# I submit to your demands I'll do anything, girl | :52:32. | :52:39. | |
# You need only ask | :52:39. | :52:45. | |
# I'll make love to you Like you want me to | :52:45. | :52:48. | |
# And I'll hold you tight | :52:48. | :52:52. | |
# Baby, all through the night | :52:52. | :52:56. | |
# I'll make love to you When you want me to | :52:56. | :52:59. | |
# And I will not let go Till you tell me to | :52:59. | :53:04. | |
# Baby, tonight is your night | :53:04. | :53:07. | |
# And I will do you right Just make a wish on your night | :53:07. | :53:15. | |
# Anything that you ask | :53:15. | :53:22. | |
# I will give you the love of your life | :53:23. | :53:26. | |
# We belong together And you know that I'm right | :53:26. | :53:36. | |
:53:36. | :53:37. | ||
# Why do you play with my head? Why do you play with my mind? | :53:37. | :53:47. | |
:53:47. | :53:47. | ||
# Said we'd be forever Said it'd never die | :53:47. | :53:54. | |
# How could you love me and leave me- and never say good-bye? | :53:54. | :54:04. | |
# Girl, I can't sleep at night without holding you tight | :54:04. | :54:11. | |
# Girl, each time I try I just break down and cry | :54:11. | :54:16. | |
# Pain in my head Oh, I'd rather be dead | :54:16. | :54:20. | |
# Spinnin' around and around | :54:20. | :54:25. | |
# Although we've come to the end of the road | :54:25. | :54:30. | |
# Still I can't let you go It's unnatural | :54:30. | :54:35. | |
# You belong to me I belong to you | :54:35. | :54:41. | |
# When it all began We were perfect then | :54:41. | :54:51. | |
:54:51. | :54:54. | ||
# Somehow we have lost our way | :54:54. | :54:56. | |
# We keep going there and I know you're scared | :54:56. | :55:02. | |
# We will make it back one day | :55:02. | :55:07. | |
# Well, no more, no more No more fighting now | :55:07. | :55:13. | |
# Cos together there's nothing that we can't do | :55:13. | :55:19. | |
# Throw one up for love So one up for love | :55:19. | :55:25. | |
# Put one up, put one up Don't give up, just stand up | :55:25. | :55:30. | |
# One up for love, one up for love | :55:30. | :55:35. | |
# One up for loveDon't you want to stand up for love? | :55:35. | :55:38. | |
# Everybody all around the world One up for love, one up for love | :55:38. | :55:43. | |
# So many are angry Too many are broken | :55:43. | :55:53. | |
:55:53. | :55:53. | ||
# And the smoke keeps rising up | :55:53. | :56:00. | |
# Bring it back, bring it back | :56:00. | :56:02. | |
# No more We can change the world | :56:02. | :56:05. | |
# We can change the world this time | :56:05. | :56:08. | |
# One love for love, oh, oh, oh | :56:08. | :56:12. | |
# One love for love One up for love, oh, oh, oh | :56:12. | :56:20. | |
# One love for love, oh, oh, oh | :56:20. | :56:26. | |
# One love for love One up for love, oh, oh, oh | :56:26. | :56:36. | |
:56:36. | :56:44. |