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It's all on the strength of the voice. | 0:00:14 | 0:00:17 | |
It's uniquely about talent. It's about nothing else. | 0:00:21 | 0:00:24 | |
It's not like a traditional karaoke talent show. | 0:00:27 | 0:00:30 | |
It's not about what you look like or the package or your story. | 0:00:34 | 0:00:38 | |
It's about there and then in the moment. | 0:00:38 | 0:00:41 | |
Can you sing or can't you sing? | 0:00:41 | 0:00:45 | |
And if they can, I'll be the one to tell them so. | 0:00:47 | 0:00:50 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:53 | |
Welcome to The Voice. A singing competition unlike any other. | 0:01:00 | 0:01:05 | |
Because it puts vocal ability first. | 0:01:05 | 0:01:07 | |
Tonight, four of the most influential names in all of music | 0:01:09 | 0:01:13 | |
are on a mission to discover and develop Britain's next great voice. | 0:01:13 | 0:01:17 | |
With 140 million record sales, | 0:01:18 | 0:01:21 | |
hundreds of thousands of fans worldwide | 0:01:21 | 0:01:23 | |
and countless number one hits between them, | 0:01:23 | 0:01:25 | |
these are four of the biggest names in music. | 0:01:25 | 0:01:28 | |
..pop's hottest property. | 0:01:30 | 0:01:34 | |
With six top 10 singles, a double platinum selling debut album | 0:01:34 | 0:01:39 | |
and four MOBO Awards. | 0:01:39 | 0:01:41 | |
# ..down like I'm a domino. # | 0:01:41 | 0:01:43 | |
..founding member of global supergroup, the Black Eyed Peas. | 0:01:48 | 0:01:52 | |
# Let's get it started... # | 0:01:52 | 0:01:54 | |
Seven-time Grammy winner | 0:01:54 | 0:01:56 | |
and established producer who has collaborated with | 0:01:56 | 0:01:59 | |
music's biggest names. | 0:01:59 | 0:02:00 | |
..producer, songwriter | 0:02:04 | 0:02:06 | |
and lead vocalist for hit Irish rock band The Script. | 0:02:06 | 0:02:09 | |
He's had two global smash hit number one albums | 0:02:09 | 0:02:13 | |
and played sold-out stadium tours alongside U2 and Paul McCartney. | 0:02:13 | 0:02:19 | |
With a career that has spanned six decades, | 0:02:21 | 0:02:24 | |
sold over 100 million records worldwide, | 0:02:24 | 0:02:28 | |
seen him sing alongside Aretha Franklin, | 0:02:28 | 0:02:31 | |
the Beatles, Sammy Davis Jr | 0:02:31 | 0:02:34 | |
and Elvis Presley... | 0:02:34 | 0:02:36 | |
# Kiss... # Mama told me... # | 0:02:36 | 0:02:39 | |
..won him a Grammy, two Brits and a knighthood, | 0:02:39 | 0:02:42 | |
he's the Welsh godfather of popular music, Sir Tom Jones. | 0:02:42 | 0:02:46 | |
These four superstars have come together | 0:02:47 | 0:02:50 | |
to help nurture the next generation of artists. | 0:02:50 | 0:02:52 | |
But first, they're going to show us how it's done. | 0:02:52 | 0:02:57 | |
CHEERING AND APPLAUSE | 0:02:57 | 0:02:59 | |
# I got a feeling | 0:03:14 | 0:03:17 | |
# That tonight's gonna be a good night | 0:03:18 | 0:03:22 | |
# That tonight's gonna be a good night | 0:03:22 | 0:03:25 | |
# That tonight's gonna be a good, good night | 0:03:25 | 0:03:29 | |
# I got a feeling | 0:03:29 | 0:03:31 | |
# Woo-hoo | 0:03:31 | 0:03:33 | |
# That tonight's gonna be a good night | 0:03:33 | 0:03:37 | |
# That tonight's gonna be a good night | 0:03:37 | 0:03:40 | |
# That tonight's gonna be a good, good night, yeah | 0:03:40 | 0:03:45 | |
# Tonight's the night, hey Let's live it up | 0:03:45 | 0:03:49 | |
# I got my money, hey Let's spend it up | 0:03:49 | 0:03:53 | |
# Go out and smash it Like, oh, my God | 0:03:53 | 0:03:56 | |
# Jump off that sofa | 0:03:56 | 0:03:58 | |
# Let's get, get, woo! | 0:03:58 | 0:04:01 | |
# I know that we'll have a ball | 0:04:01 | 0:04:03 | |
# If we get down and go out | 0:04:03 | 0:04:06 | |
# And just lose it all | 0:04:06 | 0:04:08 | |
# I feel stressed out I wanna let it go | 0:04:08 | 0:04:10 | |
# Let's get way out, spaced out | 0:04:10 | 0:04:13 | |
# Losing all control | 0:04:13 | 0:04:15 | |
# A feeling, woo-hoo | 0:04:15 | 0:04:17 | |
# That tonight's gonna be a good night | 0:04:17 | 0:04:21 | |
-# Tonight's gonna be a good night -Good night | 0:04:21 | 0:04:26 | |
# That tonight's gonna be a good, good night | 0:04:26 | 0:04:29 | |
# Tonight's the night, hey | 0:04:29 | 0:04:32 | |
-# Let's live it up -Let's live it up | 0:04:32 | 0:04:34 | |
# I got my money, hey | 0:04:34 | 0:04:36 | |
-# Let's spend it up -Let's spend it up | 0:04:36 | 0:04:38 | |
# Go out and smash it | 0:04:38 | 0:04:40 | |
-# Like, oh, my God -Like, oh, my God | 0:04:40 | 0:04:42 | |
-# Jump off that sofa -Come on | 0:04:42 | 0:04:43 | |
# Let's get it on, yeah Let's do it, let's do it | 0:04:43 | 0:04:47 | |
# Let's do it, let's do it | 0:04:47 | 0:04:48 | |
# Let's do it, let's do it | 0:04:48 | 0:04:50 | |
# Let's do it, let's live it up and do it | 0:04:50 | 0:04:53 | |
# Let's do it, let's do it | 0:04:53 | 0:04:55 | |
# Let's do it, let's do it | 0:04:55 | 0:04:57 | |
# Let's do it, let's do it Let's do it | 0:04:57 | 0:05:00 | |
# Here we come, here we go We gotta rock, rock, rock | 0:05:00 | 0:05:03 | |
# Easy come, easy go Now we on top, top, top, top | 0:05:03 | 0:05:07 | |
# Feel the shot, body rock Rock and don't stop, stop, stop | 0:05:07 | 0:05:11 | |
# Round and round, up and down Around the clock | 0:05:11 | 0:05:14 | |
# Cos I got a feeling Woo-hoo | 0:05:14 | 0:05:18 | |
# That tonight's gonna be a good night | 0:05:18 | 0:05:22 | |
# That tonight's gonna be a good night | 0:05:22 | 0:05:25 | |
# That tonight's gonna be a good, good night | 0:05:25 | 0:05:30 | |
# I got a feeling Woo-hoo | 0:05:30 | 0:05:34 | |
# That tonight's gonna be a good night | 0:05:34 | 0:05:37 | |
# That tonight's gonna be a good night | 0:05:37 | 0:05:41 | |
# That tonight's gonna be | 0:05:41 | 0:05:43 | |
# A good, good ni-i-ght. # | 0:05:43 | 0:05:49 | |
CHEERING AND APPLAUSE | 0:05:49 | 0:05:51 | |
Give it up for our coaches. | 0:05:55 | 0:05:57 | |
will.i.am! | 0:05:57 | 0:05:59 | |
Danny O'Donoghue. | 0:05:59 | 0:06:01 | |
-Jessie J. -And Sir Tom Jones. | 0:06:01 | 0:06:04 | |
Wow! Now that is how you do it. | 0:06:04 | 0:06:07 | |
And this is how we would do it. | 0:06:07 | 0:06:10 | |
# And it goes like this. # | 0:06:10 | 0:06:13 | |
'Tonight, the coaches begin their search to find The Voice. | 0:06:13 | 0:06:17 | |
'They'll each choose a team of ten singers from a select group of the UK's best artists | 0:06:17 | 0:06:22 | |
'who have been invited to audition for our coaches. | 0:06:22 | 0:06:24 | |
'But, it won't be easy, because the coaches will have their backs to the artists, as they sing.' | 0:06:24 | 0:06:29 | |
-JESSIE J: -'Our chairs are facing away from the stage, so we have no idea what's going on behind us.' | 0:06:29 | 0:06:34 | |
We are blind. This is all about the voice. | 0:06:34 | 0:06:37 | |
'How an artist looks...' | 0:06:37 | 0:06:38 | |
I've got more of a face for radio. | 0:06:38 | 0:06:40 | |
'..their size...' | 0:06:40 | 0:06:42 | |
Too short. Too fat. | 0:06:42 | 0:06:43 | |
-'..their age...' -I'm 47. In the music business, | 0:06:43 | 0:06:46 | |
-that's pushing it. -'None of that matters!' | 0:06:46 | 0:06:48 | |
That's what's amazing. | 0:06:48 | 0:06:50 | |
'Only the voice counts.' | 0:06:50 | 0:06:51 | |
This is how the show works. | 0:06:51 | 0:06:53 | |
When a coach likes what they hear, they hit a button. | 0:06:54 | 0:06:58 | |
Which turns their chair. And that artist wins a place on their team. | 0:06:58 | 0:07:03 | |
I can't wait to work with you. | 0:07:03 | 0:07:04 | |
I'm the one who can't wait to work with you. | 0:07:04 | 0:07:06 | |
Yeah! | 0:07:06 | 0:07:08 | |
However, if more than one chair turns, the power shifts, | 0:07:08 | 0:07:11 | |
and the artist can decide which coach they'd most like to work with. | 0:07:11 | 0:07:15 | |
You know we want you. Who do you want? | 0:07:15 | 0:07:18 | |
The coaches need to do everything in their power to persuade the artist to join their team. | 0:07:18 | 0:07:23 | |
-It's fisticuffs at dawn. -Pick me! | 0:07:23 | 0:07:25 | |
CHEERING | 0:07:25 | 0:07:28 | |
AUDIENCE CHANTS | 0:07:28 | 0:07:29 | |
Come on! | 0:07:29 | 0:07:31 | |
'But, if no coach turns, the artist is out of the competition.' | 0:07:32 | 0:07:36 | |
What I need to stress, when we don't turn around, | 0:07:36 | 0:07:39 | |
it's not because you're not a great singer, you are. | 0:07:39 | 0:07:42 | |
It's just that we only get to pick ten. | 0:07:42 | 0:07:44 | |
'Each coach wants to discover the one artist who will win it all. | 0:07:46 | 0:07:50 | |
'A record deal with Universal Music, and the chance to be named The Voice.' | 0:07:50 | 0:07:55 | |
The potential that this could change my life is huge. | 0:07:59 | 0:08:02 | |
-JESSIE J: -'This is their moment.' | 0:08:02 | 0:08:04 | |
-TOM JONES: -'It's now or never.' | 0:08:04 | 0:08:06 | |
The blind auditions start now. | 0:08:06 | 0:08:09 | |
Our talent scouts have invited the nation's most gifted vocalists to the blind auditions. | 0:08:13 | 0:08:18 | |
And, as our artists begin to arrive from up and down the country, | 0:08:18 | 0:08:22 | |
the anticipation is building. | 0:08:22 | 0:08:26 | |
17-year-old Belfast schoolgirl Jessica Hammond is hoping | 0:08:29 | 0:08:33 | |
to swap teenage dreams for musical reality. | 0:08:33 | 0:08:36 | |
Songwriting's always been kind of a way out for me. | 0:08:36 | 0:08:39 | |
There's been a few incidences where I was getting picked on. | 0:08:39 | 0:08:42 | |
I'd always come home and play my guitar. | 0:08:42 | 0:08:44 | |
I used to say to her, "Jess, write down what you are worried about, | 0:08:44 | 0:08:47 | |
"and then we'll read over it." | 0:08:47 | 0:08:49 | |
So, now, she writes lyrics about it, and turns it into a positive. | 0:08:49 | 0:08:54 | |
'In my bedroom, I'm a superstar. And people are listening to me.' | 0:08:54 | 0:08:57 | |
And I just imagine the raindrops on the windows, they're clapping for me. And I don't feel alone. | 0:08:57 | 0:09:04 | |
'I've chosen to sin Jesse J, Price Tag. | 0:09:06 | 0:09:10 | |
'Whenever it's a cover, you have to really look in and do your research, | 0:09:10 | 0:09:13 | |
'and think about the kind of message of the song, and what you're trying to say to people.' | 0:09:13 | 0:09:18 | |
I definitely will put my heart and soul into this. | 0:09:18 | 0:09:21 | |
And hopefully she likes it. | 0:09:21 | 0:09:23 | |
GUITAR STARTS | 0:09:42 | 0:09:45 | |
CHEERING FROM AUDIENCE | 0:09:45 | 0:09:47 | |
# Seems like everybody's got a price | 0:09:50 | 0:09:56 | |
# I wonder how they sleep at night | 0:09:56 | 0:09:59 | |
# When the sale comes first And the truth comes second | 0:09:59 | 0:10:04 | |
# Just stop for a minute and smile | 0:10:04 | 0:10:09 | |
# Why is everybody so serious? | 0:10:09 | 0:10:13 | |
# Acting so damn mysterious? | 0:10:13 | 0:10:16 | |
# You got shades on your eyes And your heels so high | 0:10:16 | 0:10:20 | |
# That you can't even have A good time | 0:10:20 | 0:10:25 | |
# Everybody look to their left | 0:10:25 | 0:10:28 | |
# Everybody look to their right | 0:10:28 | 0:10:31 | |
# Can you feel that? Yeah We'll pay them with love tonight | 0:10:31 | 0:10:35 | |
# It's not about the money Money, money | 0:10:35 | 0:10:38 | |
# We don't need your money Money, money | 0:10:38 | 0:10:41 | |
# We just wanna make the world dance | 0:10:41 | 0:10:43 | |
# Forget about the price tag | 0:10:43 | 0:10:46 | |
# Ain't about the, oh, yeah Cha-ching, cha-ching | 0:10:46 | 0:10:49 | |
# Ain't about the oh, yeah Ba-bling, ba-bling | 0:10:49 | 0:10:52 | |
# Wanna make the world dance | 0:10:52 | 0:10:54 | |
# Forget about the price tag | 0:10:54 | 0:10:57 | |
# It's not about the money Money, money | 0:10:57 | 0:11:01 | |
# We don't need your money Money, money | 0:11:01 | 0:11:03 | |
# We just wanna make the world dance | 0:11:03 | 0:11:05 | |
# Forget about the price tag | 0:11:05 | 0:11:08 | |
# Ain't about the, oh, yeah Cha-ching, cha-ching | 0:11:08 | 0:11:11 | |
# Ain't about the oh, yeah, Ba-bling, ba-bling | 0:11:11 | 0:11:15 | |
# We just wanna make the world dance Forget about the price tag | 0:11:15 | 0:11:20 | |
# Yeah... # | 0:11:20 | 0:11:23 | |
AUDIENCE CHEER WILDLY | 0:11:23 | 0:11:26 | |
What's your name? | 0:11:36 | 0:11:38 | |
Mary Jessica Hammond. | 0:11:38 | 0:11:40 | |
-How old are you? -17. | 0:11:40 | 0:11:42 | |
CHEERING | 0:11:42 | 0:11:44 | |
So, I would like to work with you. | 0:11:44 | 0:11:47 | |
The way I work with Macy and Michael Jackson, and... | 0:11:47 | 0:11:51 | |
He just drops it in there, the name. I'll give it up to you, if you want. | 0:11:51 | 0:11:57 | |
AUDIENCE CHEERS | 0:11:57 | 0:11:59 | |
So, I would like to have you on my team. | 0:11:59 | 0:12:02 | |
We need to make an album, and we need to put it out to where it's big, in the UK, America, Brazil, | 0:12:02 | 0:12:08 | |
Philippines, Australia, New Zealand, Mexico, Argentina... | 0:12:08 | 0:12:12 | |
AUDIENCE CHEERS | 0:12:12 | 0:12:13 | |
..Russia, Czech Republic, Slovakia, Kazakhstan, Turkey, Poland, Hungary, Ireland. | 0:12:13 | 0:12:18 | |
-He's like a lobster, giving it all that! -AUDIENCE LAUGHS | 0:12:18 | 0:12:21 | |
I'm telling you, you need to come here, babes! | 0:12:23 | 0:12:26 | |
CHEERING AND LAUGHTER | 0:12:26 | 0:12:28 | |
-Do you want to put your guitar down? -It's stuck to me. -Hold on. | 0:12:30 | 0:12:34 | |
I'll be your roadie. I'll hold it for you. | 0:12:34 | 0:12:37 | |
AUDIENCE CHEERS | 0:12:37 | 0:12:39 | |
-I will be your producer and your roadie. Thank you. -AUDIENCE LAUGHS | 0:12:39 | 0:12:43 | |
I don't mind carrying the guitar. | 0:12:43 | 0:12:45 | |
I want to talk to you as if I was you when I was 17. | 0:12:45 | 0:12:47 | |
There's things in your voice that remind me of me. | 0:12:47 | 0:12:49 | |
I'm not going to sit here as Will said, and go, "You're going to do this," | 0:12:49 | 0:12:53 | |
because I don't surround myself with yes men. You need... | 0:12:53 | 0:12:55 | |
-AUDIENCE GASPS -I'm being serious. | 0:12:55 | 0:12:57 | |
-That wasn't a yes man. -Wait, wait, wait! | 0:12:57 | 0:13:00 | |
-No, no. She's blowing me up. Do you mind if I do something with your guitar? -Let me talk. | 0:13:00 | 0:13:04 | |
I can understand where you're coming from. You're a female, you're young. | 0:13:04 | 0:13:08 | |
You don't understand how amazing it is for me to sit here | 0:13:08 | 0:13:10 | |
and have someone like yourself sing one of my songs. | 0:13:10 | 0:13:13 | |
CHEERING AND APPLAUSE | 0:13:13 | 0:13:15 | |
What I will say is, number ones, albums, touring, all that stuff is a bonus, yeah? | 0:13:15 | 0:13:20 | |
Music is where it should stem from, and that's something me and you could enjoy. | 0:13:20 | 0:13:23 | |
CHEERING AND APPLAUSE | 0:13:23 | 0:13:26 | |
-I can't compete with that. -You can, you're Sir Tom Jones. -What I can compete with is this. | 0:13:30 | 0:13:34 | |
This show is called The Voice, right? | 0:13:34 | 0:13:37 | |
AUDIENCE LAUGHS | 0:13:37 | 0:13:38 | |
And the thing we have to concentrate on, if you come with me, | 0:13:38 | 0:13:42 | |
is picking the right songs in order to win this thing. | 0:13:42 | 0:13:46 | |
And I feel I can help you with that. So, here I am, babe. | 0:13:46 | 0:13:51 | |
APPLAUSE AND CHEERING | 0:13:51 | 0:13:53 | |
I understand guitar playing and singing, something I've done since I was your age, even before. | 0:13:56 | 0:14:00 | |
And I really feel the musicianship coming from you. | 0:14:00 | 0:14:04 | |
I think we would work incredibly together. I really do. | 0:14:04 | 0:14:06 | |
You've got four coaches - you've got only one decision. | 0:14:11 | 0:14:14 | |
That's the beautiful part of the show, you've got artistic control. | 0:14:16 | 0:14:20 | |
I really hope you make the right decision and come with me. | 0:14:20 | 0:14:23 | |
APPLAUSE | 0:14:23 | 0:14:25 | |
AUDIENCE SHOUTS | 0:14:29 | 0:14:32 | |
SHOUTING CONTINUES | 0:14:37 | 0:14:40 | |
Um, Will... | 0:14:43 | 0:14:45 | |
Ssssh. Let her decide! | 0:14:45 | 0:14:48 | |
I appreciate everything you said. | 0:14:48 | 0:14:50 | |
Um, I'm a songwriter, I'm only 17 and from Belfast. | 0:14:50 | 0:14:54 | |
Number one hits don't matter to me, | 0:14:54 | 0:14:58 | |
making music and sharing my message is what matters to me. | 0:14:58 | 0:15:02 | |
CHEERING AND APPLAUSE | 0:15:02 | 0:15:04 | |
Beautiful, beautiful. | 0:15:04 | 0:15:06 | |
Um... | 0:15:06 | 0:15:08 | |
I'm going to go with Jessie. | 0:15:11 | 0:15:13 | |
SCREAMS AND CHEERS | 0:15:13 | 0:15:14 | |
# It's not about the money, money, money | 0:15:14 | 0:15:17 | |
# We don't need your money, money, money | 0:15:17 | 0:15:19 | |
# We just want to make the world... # | 0:15:19 | 0:15:21 | |
WORDS DROWNED BY APPLAUSE | 0:15:21 | 0:15:23 | |
..It's fine, it's fine. | 0:15:23 | 0:15:25 | |
I can't wait to work with you. | 0:15:25 | 0:15:28 | |
I thought it was gorgeous when Jessie picked Jessie, you're coming out against a Jessie J song, | 0:15:34 | 0:15:40 | |
you know, I'm in for the pitch, she's Irish as well, | 0:15:40 | 0:15:43 | |
so I might've been in there but, ah well, didn't work. | 0:15:43 | 0:15:45 | |
She's so good! | 0:15:45 | 0:15:47 | |
While Jessica takes her first step into the spotlight, | 0:15:47 | 0:15:50 | |
some of our artists have already tasted fame. | 0:15:50 | 0:15:53 | |
A decade ago, 30-year-old Sean Conlon was at the top of the game. | 0:15:54 | 0:15:58 | |
Now he's hoping his voice will give him a second chance to shine. | 0:15:58 | 0:16:03 | |
-Hello, Sean. -How are you doing? | 0:16:03 | 0:16:05 | |
Good to see you again, shall I say. Could you explain why we've met before, please? | 0:16:05 | 0:16:09 | |
I was in a band called Five. | 0:16:09 | 0:16:11 | |
# Get on up, when you're down | 0:16:11 | 0:16:14 | |
# Baby, take a good look around... # | 0:16:14 | 0:16:17 | |
It was kind of instant success, overnight. | 0:16:17 | 0:16:22 | |
We got a Brit Award. We played with Brian May, | 0:16:22 | 0:16:25 | |
he was playing his guitar... | 0:16:25 | 0:16:27 | |
That was pretty mad. | 0:16:27 | 0:16:29 | |
Obviously the band broke up, but if I remember correctly, | 0:16:29 | 0:16:32 | |
-you left first? -I remember looking in the mirror and, | 0:16:32 | 0:16:34 | |
I just knew I had to go and find who Sean Conlon was. | 0:16:34 | 0:16:37 | |
I could just see this cartoon character Sean from Five and it just hit me really hard. | 0:16:37 | 0:16:42 | |
I had a gut feeling that I had to walk my own path, | 0:16:42 | 0:16:45 | |
and it was a really big decision at the time. | 0:16:45 | 0:16:48 | |
'I think the fact it's a blind audition really works in my favour.' | 0:16:48 | 0:16:51 | |
Sean from Five doesn't come into it. | 0:16:51 | 0:16:54 | |
If one of the coaches turns round, it's because of my voice. | 0:16:54 | 0:16:58 | |
'It's the consequences of doing what I'm doing that worries me. | 0:17:00 | 0:17:04 | |
'What will the reaction be?' | 0:17:04 | 0:17:06 | |
'I really want this. | 0:17:09 | 0:17:11 | |
'It means everything to me. | 0:17:11 | 0:17:14 | |
'Otherwise I wouldn't take the risk.' | 0:17:14 | 0:17:16 | |
# Oh, no | 0:17:27 | 0:17:29 | |
# I see... # | 0:17:29 | 0:17:32 | |
CHEERING | 0:17:32 | 0:17:33 | |
# The spider web is tangled up with me... | 0:17:33 | 0:17:39 | |
# And I lost my head | 0:17:40 | 0:17:45 | |
# And thought of all the stupid things I said... # | 0:17:45 | 0:17:51 | |
One light. One light. | 0:17:51 | 0:17:53 | |
# Oh no, what's this? | 0:17:56 | 0:18:00 | |
# A spider web and I'm caught in the middle | 0:18:01 | 0:18:06 | |
# So I turn to run | 0:18:06 | 0:18:11 | |
# And thought of all the stupid things I said... # | 0:18:13 | 0:18:18 | |
One light, come on, here we go, big notes. | 0:18:18 | 0:18:21 | |
# Singing, I never meant to cause you trouble... # | 0:18:21 | 0:18:26 | |
CHEERING | 0:18:26 | 0:18:28 | |
# I never meant to do you wrong... # | 0:18:30 | 0:18:34 | |
Oh, come on, I'm so proud of you. Please. | 0:18:34 | 0:18:37 | |
# Oh, I never meant to cause you trouble | 0:18:37 | 0:18:41 | |
# Oh, I never meant to do you harm... # | 0:18:43 | 0:18:48 | |
Come on, Will, push the button, mate! Come on. > | 0:18:48 | 0:18:50 | |
-One light, come on. -Oh my God. | 0:18:50 | 0:18:52 | |
# And if I ever caused you trouble... | 0:18:52 | 0:18:57 | |
# Oh no, I never meant to do you harm. # | 0:19:00 | 0:19:05 | |
APPLAUSE | 0:19:05 | 0:19:07 | |
Thank you. | 0:19:07 | 0:19:09 | |
CHEERING AND APPLAUSE | 0:19:09 | 0:19:15 | |
Oh, no. Oh, no. | 0:19:15 | 0:19:18 | |
Ah, so that's it then? | 0:19:25 | 0:19:26 | |
-No, it isn't. What's your name? -Sean Conlon. -Sean Conlon? | 0:19:28 | 0:19:31 | |
Yeah, I used to be in a boy band many years ago - about ten years ago... | 0:19:31 | 0:19:34 | |
-Yeah, you look really familiar. -Five. | 0:19:34 | 0:19:37 | |
Five! | 0:19:37 | 0:19:39 | |
SCREAMS AND CHEERS | 0:19:39 | 0:19:41 | |
You were the first concert I ever saw. | 0:19:41 | 0:19:44 | |
-Really? -Five! -Thank you. | 0:19:44 | 0:19:47 | |
For one, thank you for singing for us, it was a wonderful song. | 0:19:47 | 0:19:50 | |
It sounded like you were blending in with the band instead of leading it. | 0:19:50 | 0:19:54 | |
-Yeah. -For a person that's stepping out of a group to go solo, | 0:19:54 | 0:19:57 | |
and you were in a group and you're trying to go solo. You want to be the maestro. | 0:19:57 | 0:20:02 | |
Take the reins and conduct. | 0:20:02 | 0:20:05 | |
I kind of disagree, I really enjoyed it and the only reason I didn't turn around is I was thinking, | 0:20:05 | 0:20:09 | |
"What can I do for you?" | 0:20:09 | 0:20:11 | |
Your voice to me is beautiful how it is and I... | 0:20:11 | 0:20:15 | |
-I would happily listen to you like, at home, all day cos your voice is... -Really? -Yeah! | 0:20:15 | 0:20:20 | |
-It completely chilled me out. -Thank you. | 0:20:20 | 0:20:23 | |
APPLAUSE | 0:20:23 | 0:20:25 | |
-Darling, nice to meet you. -Cheers. | 0:20:28 | 0:20:31 | |
-Nice to meet you, amazing voice, seriously. -Yeah? -Yeah. | 0:20:31 | 0:20:35 | |
-Well done, well done. -Not to be. Pretty gutted. | 0:20:40 | 0:20:43 | |
I would've loved to have gone on but it's not to be. | 0:20:43 | 0:20:45 | |
Today was definitely a step in the right direction. | 0:20:45 | 0:20:48 | |
For sure, yeah. Ten years away, you know, you just come back | 0:20:48 | 0:20:51 | |
and it wasn't a small stage, yeah? | 0:20:51 | 0:20:53 | |
-LAUGHTER -Pretty big one! -Yeah. | 0:20:53 | 0:20:55 | |
Nothing like putting yourself in the lion's den. | 0:20:55 | 0:20:58 | |
I did it and who knows what the future's going to bring, eh? | 0:20:58 | 0:21:01 | |
Something good though, Reggie! | 0:21:01 | 0:21:03 | |
LAUGHTER | 0:21:03 | 0:21:06 | |
Phew, just take me heart out...and throw it on the ground. | 0:21:09 | 0:21:12 | |
Yeah, it's hard to know what to say to a person like that, isn't it? | 0:21:12 | 0:21:16 | |
Sean's voice wasn't enough to get the coaches turning, but with | 0:21:16 | 0:21:19 | |
a standard so high what exactly will it take to push their buttons? | 0:21:19 | 0:21:23 | |
I've always been into tone, and technique and breathing. | 0:21:23 | 0:21:28 | |
I want to hear someone's personality in their singing. | 0:21:28 | 0:21:31 | |
Rock, folk, country, whatever, | 0:21:32 | 0:21:34 | |
doesn't matter, man, it's all in. | 0:21:34 | 0:21:37 | |
I'm just looking for someone that makes the hairs on the back of my neck stand up. | 0:21:37 | 0:21:40 | |
Doesn't necessarily have to have vocal gymnastics... | 0:21:40 | 0:21:44 | |
# Ooh-ooh! # I'm not looking for that. | 0:21:44 | 0:21:45 | |
I'm looking for...just uniqueness. | 0:21:45 | 0:21:49 | |
I like to listen to raw talent. | 0:21:49 | 0:21:53 | |
As far as I'm concerned, you have a voice or you don't. | 0:21:53 | 0:21:55 | |
And that's from a man who knows. | 0:21:55 | 0:21:58 | |
Keen to prove that he has a voice worth listening to | 0:22:00 | 0:22:02 | |
is 20 year-old Brummie Samuel Buttery. | 0:22:02 | 0:22:06 | |
I am Samuel Buttery, I'm 20. | 0:22:06 | 0:22:08 | |
I'd describe myself as being relatively happy, | 0:22:08 | 0:22:11 | |
quite jolly but that's what people usually use for the word "fat", don't they? | 0:22:11 | 0:22:17 | |
"He was jolly." | 0:22:17 | 0:22:18 | |
I have never entered anything like this before | 0:22:18 | 0:22:22 | |
but the fact that it is about the voice appeals to me. | 0:22:22 | 0:22:24 | |
If the coaches saw me beforehand, they might get a totally different impression of my voice cos... | 0:22:24 | 0:22:29 | |
I might be wrong, but I don't think my voice necessarily matches...me. | 0:22:29 | 0:22:33 | |
Tom Jones is like a massive icon to me. | 0:22:35 | 0:22:37 | |
When I was in primary school, | 0:22:37 | 0:22:40 | |
I used to sing: # What's new pussycat... # | 0:22:40 | 0:22:42 | |
And no-one liked it really. | 0:22:42 | 0:22:45 | |
I think I'm ready. | 0:22:45 | 0:22:47 | |
-Is this family Buttery? -Yes, this is the family Buttery. | 0:22:47 | 0:22:49 | |
-I'll take some credit for that! > | 0:22:49 | 0:22:51 | |
-This is my dad, Mark. -Hello. -Hello, nice to meet you. -Pleased to meet you. | 0:22:51 | 0:22:54 | |
-My little sister, Beth. -Hi! | 0:22:54 | 0:22:55 | |
-And this is my best friend Grace. -Hello. | 0:22:55 | 0:22:57 | |
Who do you want to turn around? | 0:22:57 | 0:22:59 | |
They're all like phenomenal, and I would like, obviously, anyone. Amazing! | 0:22:59 | 0:23:03 | |
But Tom Jones I think is the one that I'd like to impress. | 0:23:03 | 0:23:06 | |
-Well, good luck. -Thank you very much. | 0:23:06 | 0:23:08 | |
-I think you're fabulous already. -Oh, thank you. | 0:23:08 | 0:23:10 | |
Through that door are four of the biggest artists in the world... | 0:23:14 | 0:23:17 | |
'I'm really nervous.' | 0:23:19 | 0:23:21 | |
# I let it fall, my heart | 0:23:41 | 0:23:45 | |
# And as it fell You rose to claim it | 0:23:45 | 0:23:50 | |
# It was dark and I was over | 0:23:50 | 0:23:54 | |
# Until you kissed my lips and you saved me | 0:23:54 | 0:23:58 | |
# To stand in your arms | 0:23:58 | 0:24:02 | |
# Without falling to your feet | 0:24:02 | 0:24:07 | |
# Cos there's a side to you that I never knew, never knew... # | 0:24:07 | 0:24:11 | |
ALL: Come on! | 0:24:11 | 0:24:14 | |
# ..All the things you'd say they were never true, never true | 0:24:14 | 0:24:17 | |
# And the games you play You would always win | 0:24:17 | 0:24:20 | |
# Always win | 0:24:20 | 0:24:21 | |
# And I set fire to the rain | 0:24:21 | 0:24:27 | |
# Watched it pour as I touched your face... # | 0:24:27 | 0:24:30 | |
-CHEERS AND SCREAMS -# Let it burn... | 0:24:30 | 0:24:34 | |
# ..I heard it screaming out your name | 0:24:34 | 0:24:38 | |
# Your name | 0:24:38 | 0:24:40 | |
# And I set fire to the rain | 0:24:40 | 0:24:44 | |
# Watched it pour | 0:24:44 | 0:24:46 | |
# As I touched your face | 0:24:46 | 0:24:48 | |
# Let it burn as I cried cos I heard it | 0:24:48 | 0:24:54 | |
# Screaming out your name | 0:24:54 | 0:24:56 | |
# Your name | 0:24:56 | 0:24:58 | |
# Let it burn! # | 0:24:58 | 0:25:01 | |
CHEERS AND APPLAUSE | 0:25:01 | 0:25:06 | |
Oh! Oh! | 0:25:08 | 0:25:10 | |
Oh my God! | 0:25:10 | 0:25:12 | |
-Yes! -HE LAUGHS | 0:25:12 | 0:25:15 | |
Ohhh! | 0:25:15 | 0:25:17 | |
-Sorry, I'm a bit hysterical! -LAUGHTER | 0:25:17 | 0:25:21 | |
What's your name? | 0:25:21 | 0:25:22 | |
My name's Samuel Buttery. | 0:25:22 | 0:25:24 | |
And I'm... I'm 20. | 0:25:24 | 0:25:28 | |
I am really, really happy you turned round. | 0:25:28 | 0:25:30 | |
APPLAUSE AND CHEERS | 0:25:30 | 0:25:33 | |
What brings you to The Voice? | 0:25:33 | 0:25:37 | |
I loved the sound of the programme because it is all about the voice | 0:25:37 | 0:25:40 | |
and, I don't think I'm necessarily the package like, J-Lo or Beyonce! | 0:25:40 | 0:25:46 | |
AUDIENCE: Aw! | 0:25:46 | 0:25:47 | |
Yeah, but I'm still fabulous but just not J-Lo or Beyonce! | 0:25:47 | 0:25:50 | |
CHEERING | 0:25:50 | 0:25:51 | |
But it brought me to The Voice because I just wanted to sing and I really... | 0:25:51 | 0:25:55 | |
and it's just amazing. | 0:25:55 | 0:25:57 | |
Oh! I've been singing and listening to Tom for... | 0:25:57 | 0:26:02 | |
Sir Tom! I'll just do a little... | 0:26:02 | 0:26:04 | |
LAUGHTER | 0:26:04 | 0:26:06 | |
I am just so happy you turned around. | 0:26:06 | 0:26:09 | |
-CHEERING -I am not going to lie, I was really surprised when I turned around. | 0:26:09 | 0:26:14 | |
Honestly, I was expecting to see a female. | 0:26:14 | 0:26:15 | |
-Really... Really. -Me too. Me too. | 0:26:15 | 0:26:19 | |
But again, people have made that mistake about my own voice too. | 0:26:19 | 0:26:22 | |
Look, I think you are in great hands you have a very strong, powerful voice. | 0:26:22 | 0:26:26 | |
Who better to pair you up with than the legend himself. Fantastic. | 0:26:26 | 0:26:30 | |
APPLAUSE | 0:26:30 | 0:26:34 | |
I heard a bit of me there, to be honest with you. | 0:26:34 | 0:26:37 | |
You've inspired me a lot, so that's probably why. | 0:26:37 | 0:26:39 | |
There you go, I really did, there were a few notes in there that sounded like me. | 0:26:39 | 0:26:43 | |
Sounds like me in my head anyway. | 0:26:43 | 0:26:47 | |
-You've got a great voice. -Thank you. -I think we'll work really good together. | 0:26:47 | 0:26:50 | |
So do I. | 0:26:50 | 0:26:52 | |
APPLAUSE | 0:26:52 | 0:26:53 | |
Come down, come down. | 0:26:53 | 0:26:55 | |
-Lovely to see you. -Thank you. | 0:26:56 | 0:26:59 | |
Don't worry, good luck. | 0:26:59 | 0:27:00 | |
Ah! | 0:27:03 | 0:27:05 | |
CHEERING | 0:27:05 | 0:27:06 | |
Well done, son. | 0:27:06 | 0:27:08 | |
'You can see, I don't really know what to say.' | 0:27:08 | 0:27:10 | |
That is who I wanted to turn round and he's Sir Tom for a reason. | 0:27:10 | 0:27:13 | |
-Congratulations. -Thank you. -Amazing. | 0:27:13 | 0:27:16 | |
-Swear to God, I thought it was a girl. -Me too. | 0:27:16 | 0:27:19 | |
-I turned around and I was like... -Really?! -I thought it was a girl. | 0:27:19 | 0:27:22 | |
-Really?! -Yeah. | 0:27:22 | 0:27:23 | |
-Didn't sound like a girl to me. Do I sound like a girl? -No, not at all! | 0:27:23 | 0:27:26 | |
-Oh. -You're the manliest sounding man I know! | 0:27:26 | 0:27:28 | |
HE CLEARS HIS THROAT | 0:27:28 | 0:27:30 | |
# You don't have to be beautiful... # | 0:27:30 | 0:27:34 | |
So, Samuel is the first addition to Team Tom, | 0:27:34 | 0:27:36 | |
and as the other coaches are realising, going up | 0:27:36 | 0:27:39 | |
against music's equivalent of Muhammad Ali won't be an easy fight. | 0:27:39 | 0:27:42 | |
-I'm afraid of Tom Jones. -Number one, 1965, by the way! | 0:27:42 | 0:27:47 | |
CHEERING AND APPLAUSE | 0:27:47 | 0:27:49 | |
That dude has knowledge! What?! | 0:27:49 | 0:27:51 | |
'65, '66, '67, '68, '69! | 0:27:51 | 0:27:56 | |
I slackened off a bit in 1970, but hey! | 0:27:56 | 0:28:00 | |
CHEERING AND APPLAUSE | 0:28:00 | 0:28:01 | |
Out of the 150 years of experience that you have on stage, | 0:28:01 | 0:28:05 | |
I think a lot of that belongs to him. | 0:28:05 | 0:28:07 | |
I think most people know that I've been around a long time. | 0:28:07 | 0:28:10 | |
I think I've sung with most people. Aretha Franklin, for instance. | 0:28:10 | 0:28:14 | |
Yeah. | 0:28:14 | 0:28:17 | |
-Can we have our fun? -No! | 0:28:17 | 0:28:20 | |
I sang with Frank Sinatra and Janis Joplin. | 0:28:20 | 0:28:22 | |
Fats Domino, Chuck Berry, I mean the list goes on and on, | 0:28:22 | 0:28:27 | |
so if I can put that to good use, then I will. | 0:28:27 | 0:28:30 | |
-It's the truth! -Wow, that's Tom Jones right there. | 0:28:30 | 0:28:33 | |
I want to do a song with him. Oh, that's right, | 0:28:33 | 0:28:36 | |
we're here for The Voice. I'm competing against him! | 0:28:36 | 0:28:38 | |
And ready to compete for her place on one of the coach's teams | 0:28:40 | 0:28:44 | |
is 34-year-old Toni Warne, who's been waiting years to be | 0:28:44 | 0:28:47 | |
judged on her voice and not her appearance. | 0:28:47 | 0:28:51 | |
My name is Toni. I'm 34 and I work in a bank in Great Yarmouth. | 0:28:51 | 0:28:56 | |
I've always gigged. Bars, pubs, clubs, cabaret, | 0:28:56 | 0:28:59 | |
that was pretty much my work. | 0:28:59 | 0:29:01 | |
I've suffered with alopecia since I was a young girl. | 0:29:01 | 0:29:04 | |
But then at 21, I lost all my hair completely. | 0:29:04 | 0:29:10 | |
And it had quite an impact...on me. | 0:29:11 | 0:29:16 | |
You sort of... You sort of lose confidence. | 0:29:19 | 0:29:23 | |
There's no question about it. | 0:29:23 | 0:29:25 | |
I didn't think that I could gig the way that I am. | 0:29:25 | 0:29:28 | |
And I got a 9-to-5 job. | 0:29:29 | 0:29:32 | |
£197. Did you pay some money in, did you? | 0:29:33 | 0:29:37 | |
-So, what's different about now? -This feels right, | 0:29:37 | 0:29:40 | |
because it's called The Voice. It's not about having to cover up. | 0:29:40 | 0:29:44 | |
Just to be herself, I know that she will feel comfortable with that. | 0:29:44 | 0:29:47 | |
Especially the fact that she's not going to feel judged | 0:29:47 | 0:29:50 | |
with the way she looks initially. | 0:29:50 | 0:29:51 | |
She's going to go out, she's going to sing amazing, | 0:29:51 | 0:29:53 | |
and then they're going to turn around, and be knocked out. | 0:29:53 | 0:29:56 | |
It's time now to sing, and if they turn their chairs around, | 0:29:56 | 0:30:01 | |
of course it would be the most amazing possible thing. | 0:30:01 | 0:30:05 | |
I'm looking forward to walking on stage | 0:30:07 | 0:30:09 | |
and being me for the first time ever, really. | 0:30:09 | 0:30:16 | |
It feels good. | 0:30:17 | 0:30:19 | |
# Well I'm here just like I said | 0:30:32 | 0:30:37 | |
-APPLAUSE AND CHEERING -# Though it's breaking every rule | 0:30:37 | 0:30:41 | |
# I've ever made | 0:30:41 | 0:30:44 | |
# My racing heart is just the same | 0:30:44 | 0:30:51 | |
# Why make it strong to break it once again | 0:30:51 | 0:30:56 | |
# Mm-mmmm | 0:30:56 | 0:31:00 | |
# And I'd love to say I do | 0:31:00 | 0:31:02 | |
# Give everything to you | 0:31:02 | 0:31:05 | |
# But I can never now be true So I say | 0:31:05 | 0:31:11 | |
# I think I better leave right now | 0:31:11 | 0:31:14 | |
-Come on, turn around. -# Before I fall any deeper | 0:31:14 | 0:31:17 | |
# I think I better leave right now | 0:31:17 | 0:31:21 | |
# I'm feeling weaker and weaker | 0:31:21 | 0:31:23 | |
# Somebody better show me how | 0:31:23 | 0:31:27 | |
# Before I fall any deeper | 0:31:27 | 0:31:31 | |
# Think I better leave right now | 0:31:31 | 0:31:33 | |
# You may never know why | 0:31:33 | 0:31:37 | |
# Once bitten twice as shy | 0:31:37 | 0:31:39 | |
# If I'm proud perhaps I should explain | 0:31:39 | 0:31:42 | |
# I couldn't bare to lose you again | 0:31:42 | 0:31:46 | |
-Hit that button! -Come on! Get the button down! -Do it! | 0:31:46 | 0:31:50 | |
# Ooh, yeah | 0:31:50 | 0:31:52 | |
# I think I better leave right now I'm feeling weaker and weaker | 0:31:52 | 0:31:58 | |
# Somebody better show me how Before I fall any deeper | 0:31:58 | 0:32:04 | |
# Think I better leave right now. # | 0:32:04 | 0:32:13 | |
CHEERING AND APPLAUSE | 0:32:13 | 0:32:17 | |
Before I ask your name and why you're so amazing, YOU! | 0:32:28 | 0:32:32 | |
And little tactics! You see him? "You should press the button". | 0:32:32 | 0:32:35 | |
-And then I turned around, and there you both are! -Hello, Jessie! Hello! | 0:32:35 | 0:32:40 | |
-We were waiting for you. Ladies first! -You pushed your button, | 0:32:40 | 0:32:43 | |
-it's fine! -CHEERING AND APPLAUSE | 0:32:43 | 0:32:45 | |
-What's your name? -Toni. -Toni. And what is your inspiration, Toni? | 0:32:45 | 0:32:52 | |
I sung for a living but I'd suffered with alopecia | 0:32:52 | 0:32:55 | |
since I was little girl, but I lost all of my hair. | 0:32:55 | 0:33:01 | |
And it really just knocked the stuffing out of me, really, | 0:33:01 | 0:33:05 | |
you know, and I felt that I couldn't pursue what was in my heart | 0:33:05 | 0:33:10 | |
because I didn't believe in myself. | 0:33:10 | 0:33:14 | |
The last couple of years, I've had two beautiful, | 0:33:14 | 0:33:17 | |
beautiful children and, sort of, you realise that life is short, | 0:33:17 | 0:33:20 | |
you know, and music is my absolute passion beyond passion. | 0:33:20 | 0:33:26 | |
CHEERING AND APPLAUSE | 0:33:26 | 0:33:28 | |
I'm blown away. | 0:33:30 | 0:33:32 | |
I thought, you have an old soul. You know, as I was listening, | 0:33:33 | 0:33:37 | |
I could tell you'd been through something, | 0:33:37 | 0:33:39 | |
been through pain, you'd been through the wars. | 0:33:39 | 0:33:41 | |
And that's what really moved me, emotionally, to hit my button. | 0:33:41 | 0:33:45 | |
But if you pick me, honestly, I will fight to the death for you, | 0:33:45 | 0:33:48 | |
because I think you're fantastic. You're amazing. | 0:33:48 | 0:33:50 | |
CHEERING AND APPLAUSE | 0:33:50 | 0:33:54 | |
Your tone is so old school, that I feel like you could | 0:33:54 | 0:33:58 | |
-teach me something. -CHEERING AND APPLAUSE | 0:33:58 | 0:34:01 | |
And I love the fact that you didn't go # Woooahhhhh! # | 0:34:04 | 0:34:08 | |
Right at the beginning, you went and let it grow, | 0:34:08 | 0:34:11 | |
and that was what may be fall in love with your voice, | 0:34:11 | 0:34:13 | |
so please, please, let's hang out and make music and have fun. | 0:34:13 | 0:34:17 | |
-Thank you, Jessie. -CHEERING AND APPLAUSE | 0:34:17 | 0:34:19 | |
You are what I call a real singer, you know? | 0:34:22 | 0:34:25 | |
I mean, you are a real, REAL singer. | 0:34:25 | 0:34:27 | |
-You sound fantastic! -CHEERING AND APPLAUSE | 0:34:27 | 0:34:30 | |
I'm just overcome. I can't tell you how overwhelmed I am. | 0:34:32 | 0:34:35 | |
-This is just unbelievable. -You deserve it. -Thank you. | 0:34:35 | 0:34:38 | |
You deserve it. You really deserve it. Really. | 0:34:38 | 0:34:42 | |
Hey, look, you've got creative control, this is all up to you. | 0:34:44 | 0:34:47 | |
Just know the right person is over here, he's Irish! | 0:34:47 | 0:34:50 | |
AUDIENCE SHOUTS ENCOURAGEMENT | 0:34:54 | 0:34:57 | |
Four years ago, somebody said to me, "Check this out, Toni, listen, | 0:35:02 | 0:35:07 | |
"you're not going to believe what you hear," and I heard Jessie J | 0:35:07 | 0:35:12 | |
for the first time and I'm telling you, Jessie, | 0:35:12 | 0:35:15 | |
I would love to choose you. | 0:35:15 | 0:35:17 | |
I'm so excited! | 0:35:21 | 0:35:24 | |
I said I wouldn't cry. | 0:35:35 | 0:35:36 | |
SHE SOBS | 0:35:39 | 0:35:42 | |
Come here, Toni. | 0:35:42 | 0:35:45 | |
Well done. | 0:35:50 | 0:35:52 | |
Toni's voice takes her to the next stage | 0:35:53 | 0:35:55 | |
of the competition as part of Team Jessie. | 0:35:55 | 0:35:59 | |
And while Toni's success sinks in, indie guitarist Adam Isaac | 0:35:59 | 0:36:02 | |
is arriving, hoping that he too will strike a chord with the coaches. | 0:36:02 | 0:36:06 | |
I'm Adam. I'm 28 years old. | 0:36:07 | 0:36:10 | |
I've lived and breathed music for the last ten years of my life. | 0:36:10 | 0:36:15 | |
# Dreaming of another world. # | 0:36:15 | 0:36:17 | |
I've always done OK around my little gig circuit that I played for years, | 0:36:17 | 0:36:21 | |
but this is the first time I put myself out there on this scale. | 0:36:21 | 0:36:24 | |
I have got a fear of failure, | 0:36:24 | 0:36:26 | |
which has stopped me from going for something like this before. | 0:36:26 | 0:36:30 | |
While Adam gets ready to face his fears head-on, | 0:36:30 | 0:36:33 | |
our next artist can't wait to hit the stage. | 0:36:33 | 0:36:36 | |
Again. | 0:36:36 | 0:36:38 | |
I spent a lot of years doing backing singing. | 0:36:40 | 0:36:43 | |
I sang for people like Puff Daddy, R Kelly. | 0:36:43 | 0:36:47 | |
And then when I had my children, I stopped. Now, it's mummy time! | 0:36:47 | 0:36:53 | |
-What am I going to be? -A rocket star. -Yay! | 0:36:53 | 0:36:57 | |
You guys seem to have some pretty strong support, | 0:36:57 | 0:37:00 | |
-so who do we have with you today? -Here's my mum, Tricia. My bestie! | 0:37:00 | 0:37:03 | |
This is my beautiful daughter, Tian. And this is Talia! | 0:37:03 | 0:37:07 | |
-Can I hold Talia, please? -Go-ahead! | 0:37:07 | 0:37:09 | |
You're lovely. Hello, gorgeous. | 0:37:09 | 0:37:11 | |
OK, well, you've got four amazing coaches sat in front of you | 0:37:11 | 0:37:14 | |
when you finally get on that stage. | 0:37:14 | 0:37:16 | |
What have you done to prepare for the show? | 0:37:16 | 0:37:18 | |
I got my daughter and my auntie and I made them sit | 0:37:18 | 0:37:22 | |
in the living room facing backwards. | 0:37:22 | 0:37:25 | |
I was like, "Don't turn around, until you feel it!" | 0:37:25 | 0:37:29 | |
And if you turn around before, no dinner for you! | 0:37:29 | 0:37:31 | |
THEY LAUGH | 0:37:31 | 0:37:34 | |
-OK, well, good luck. -Thank you. -I can't wait to see you on stage. | 0:37:34 | 0:37:38 | |
-Thank you, I can't wait! -And see you soon as well, all right? | 0:37:38 | 0:37:41 | |
I'm glad that they're not going to see me straight away. | 0:37:43 | 0:37:47 | |
I like the way I look. | 0:37:47 | 0:37:49 | |
But, you know, it's just being a big girl, | 0:37:49 | 0:37:52 | |
you always get put in this box. | 0:37:52 | 0:37:55 | |
I am about to go out there | 0:37:57 | 0:37:58 | |
and sing like it's my last performance. | 0:37:58 | 0:38:01 | |
For me and my girls, | 0:38:01 | 0:38:03 | |
this could be the first step to a really big change. | 0:38:03 | 0:38:07 | |
So, yeah, this is big, this is big. | 0:38:07 | 0:38:09 | |
Come on, Aundrea. | 0:38:12 | 0:38:13 | |
come on, I want to push it! | 0:38:13 | 0:38:15 | |
# I remember when, I remember I remember when I lost my mind | 0:38:23 | 0:38:28 | |
# There was something so pleasant about that place | 0:38:28 | 0:38:32 | |
# Even your emotions had an echo In so much space | 0:38:32 | 0:38:37 | |
Come on! Come on! Press that button! | 0:38:37 | 0:38:41 | |
# And when you're out there without care, yeah, I was out of touch | 0:38:41 | 0:38:45 | |
# But it wasn't because I didn't know enough | 0:38:45 | 0:38:52 | |
# I just knew too much | 0:38:52 | 0:38:57 | |
# Does that make me crazy? | 0:38:57 | 0:39:00 | |
# Does that make me crazy? | 0:39:00 | 0:39:04 | |
# Does that make me crazy? | 0:39:04 | 0:39:08 | |
# Probably | 0:39:08 | 0:39:12 | |
# Oh, oh, oh | 0:39:12 | 0:39:15 | |
# Come on now, who do you | 0:39:15 | 0:39:17 | |
# Who do you, who do you, who do you think you are? | 0:39:17 | 0:39:22 | |
# Ha ha ha! Bless your soul | 0:39:22 | 0:39:25 | |
# You really think you're in control | 0:39:25 | 0:39:30 | |
# Well, I think you're crazy | 0:39:30 | 0:39:35 | |
# I think you're crazy | 0:39:35 | 0:39:39 | |
# I think you're crazy | 0:39:39 | 0:39:44 | |
# Just like me | 0:39:44 | 0:39:47 | |
# Woah, oh, oh, oh | 0:39:47 | 0:39:50 | |
# Yes-ah! # | 0:39:50 | 0:39:53 | |
CHEERING AND APPLAUSE | 0:39:53 | 0:39:55 | |
So what's your name? | 0:40:02 | 0:40:03 | |
I'm Aundrea Nyle. | 0:40:03 | 0:40:04 | |
-Why The Voice? -Cos you couldn't see me! | 0:40:04 | 0:40:07 | |
AUDIENCE: Aaw. | 0:40:09 | 0:40:10 | |
I'm fabulous. Don't get too serious. | 0:40:10 | 0:40:13 | |
I just wanted you to see all of this afterwards! | 0:40:13 | 0:40:17 | |
CHEERING AND APPLAUSE | 0:40:17 | 0:40:20 | |
SHE LAUGHS | 0:40:20 | 0:40:22 | |
-So... -Hey! -How are you doin'? I believe you have a beautiful voice, | 0:40:22 | 0:40:26 | |
but you just need to learn to control it. | 0:40:26 | 0:40:28 | |
-It kind of splinters all over the place, a bit. -Thank you. | 0:40:28 | 0:40:31 | |
-But you have a powerful, beautiful voice. -Thank you. -Hello, darlin'. -Hello. | 0:40:31 | 0:40:35 | |
Can I start by saying "yes" to the purple hair? | 0:40:35 | 0:40:37 | |
Hello, hair! | 0:40:37 | 0:40:39 | |
Team Purple! | 0:40:41 | 0:40:42 | |
A-ha! I didn't turn around, not because I don't think you have | 0:40:42 | 0:40:46 | |
an amazing voice - I think you do - | 0:40:46 | 0:40:48 | |
but I think you're vibrato. I don't know if it was nerves, | 0:40:48 | 0:40:50 | |
but I thought it could just chill out. | 0:40:50 | 0:40:52 | |
-But I think you and Tom are going to have a wild time. -Yeah. | 0:40:52 | 0:40:56 | |
-Very excited! -Oh, yeah?! -Yeah, baby! | 0:40:56 | 0:41:00 | |
I loved your vibrato. | 0:41:01 | 0:41:03 | |
I think it's spot on. You give it the full Monty | 0:41:03 | 0:41:06 | |
and I'm looking forward to working with you and having you on my team. | 0:41:06 | 0:41:10 | |
Thank you. | 0:41:10 | 0:41:11 | |
Let's start the way we're going to continue. | 0:41:11 | 0:41:13 | |
Give us a kiss, sweetheart. | 0:41:13 | 0:41:15 | |
Thank you so much. You've made my dreams come true. | 0:41:17 | 0:41:20 | |
# You make me feel like... # | 0:41:22 | 0:41:25 | |
THEY ALL SCREAM | 0:41:25 | 0:41:29 | |
'With a mentor like Tom Jones,' | 0:41:29 | 0:41:31 | |
I think the sky is the limit, so I'm so ready for whatever he's got. | 0:41:31 | 0:41:35 | |
I'm like a sponge, ready to soak it all up, so you'll see more | 0:41:35 | 0:41:40 | |
of all this! | 0:41:40 | 0:41:41 | |
So Aundrea got the result she wanted, but the enormity | 0:41:44 | 0:41:47 | |
of the competition is weighing heavy on Adam's mind, | 0:41:47 | 0:41:50 | |
as he heads to the stage. | 0:41:50 | 0:41:51 | |
'Taking part in The Voice is a really big thing for me, | 0:41:53 | 0:41:55 | |
'because I am being judged' | 0:41:55 | 0:41:58 | |
on the thing I love to do. | 0:41:58 | 0:42:00 | |
'My biggest fear is to get a "no".' | 0:42:01 | 0:42:04 | |
MUSIC INTRO | 0:42:10 | 0:42:13 | |
CHEERING AND APPLAUSE | 0:42:13 | 0:42:16 | |
# I've been down and I'm wondering why | 0:42:16 | 0:42:18 | |
# These little black clouds keep walking around with me | 0:42:18 | 0:42:23 | |
# With me | 0:42:24 | 0:42:26 | |
# I look around at a beautiful life I've been the upper side of down | 0:42:27 | 0:42:31 | |
# Been the inside of out | 0:42:31 | 0:42:33 | |
# But we breathe, we breathe | 0:42:33 | 0:42:38 | |
# Maybe tomorrow | 0:42:40 | 0:42:43 | |
# I'll find my way home... # | 0:42:43 | 0:42:50 | |
-Yes! -Yes! -Tom! Tom! | 0:42:53 | 0:42:55 | |
# I'll find my way home | 0:42:55 | 0:43:02 | |
# So maybe tomorrow, I'll find my | 0:43:05 | 0:43:09 | |
# Way-y-y-y home. # | 0:43:09 | 0:43:15 | |
CHEERING AND APPLAUSE | 0:43:15 | 0:43:19 | |
-So, what's your name? -My name's Adam Isaac. | 0:43:23 | 0:43:26 | |
That was a great performance. | 0:43:26 | 0:43:28 | |
It was a really great performance. | 0:43:28 | 0:43:30 | |
I hope you take that through the next stages, after two of the biggest artists in the world | 0:43:30 | 0:43:34 | |
-turned around to you, fantastic. -Thank you very much. | 0:43:34 | 0:43:37 | |
CHEERING AND APPLAUSE | 0:43:37 | 0:43:40 | |
You have a great voice. You remind me | 0:43:41 | 0:43:43 | |
of cats that I hang out with at home, | 0:43:43 | 0:43:45 | |
that just love and eat music. | 0:43:45 | 0:43:48 | |
Your voice is warm. | 0:43:48 | 0:43:49 | |
It seems like star quality - | 0:43:49 | 0:43:51 | |
the kind of voice you hear when you are in a restaurant | 0:43:51 | 0:43:55 | |
and your girl's telling you something and you totally ignore | 0:43:55 | 0:43:58 | |
everything she's saying, | 0:43:58 | 0:43:59 | |
because the song's playing in the background. | 0:43:59 | 0:44:01 | |
As far as I'm concerned, | 0:44:01 | 0:44:03 | |
I've sung with a lot of people and recorded a lot of different kinds of song. | 0:44:03 | 0:44:06 | |
I need somebody with a strong voice, | 0:44:06 | 0:44:08 | |
because we're going to have a lot of different kinds of songs to do... | 0:44:08 | 0:44:13 | |
when we win this. | 0:44:13 | 0:44:15 | |
CHEERING AND APPLAUSE | 0:44:15 | 0:44:17 | |
It's creative control at this stage. It's down to you now. | 0:44:17 | 0:44:20 | |
This is one of the toughest decisions I've had to make - ever - | 0:44:20 | 0:44:25 | |
in my life. | 0:44:25 | 0:44:27 | |
Can I say one other thing? | 0:44:28 | 0:44:30 | |
I was with Elvis Presley in Hawaii... | 0:44:31 | 0:44:34 | |
CHEERING AND APPLAUSE | 0:44:34 | 0:44:36 | |
..and I was invited over to his house. When I got in there this day, | 0:44:38 | 0:44:42 | |
Elvis wasn't there, so I said to Priscilla, his wife, | 0:44:42 | 0:44:46 | |
I said, "What happened to Elvis?" | 0:44:46 | 0:44:48 | |
And she said, "He's realised that we don't have guitars here and you are coming over | 0:44:48 | 0:44:53 | |
"and he is very excited about it, so he's gone out to get two guitars." | 0:44:53 | 0:44:57 | |
And Elvis Presley - and this is hand to God - walked into a music shop | 0:44:57 | 0:45:02 | |
and told the girl behind the counter, "I've got Tom Jones coming over to my house today | 0:45:02 | 0:45:07 | |
"and I need two guitars." The girl fainted. | 0:45:07 | 0:45:10 | |
LAUGHTER | 0:45:10 | 0:45:11 | |
Anyway, he got the two guitars | 0:45:11 | 0:45:13 | |
and he came back to the house and we played and sang together all day. | 0:45:13 | 0:45:17 | |
So, I know when I hear somebody singing like that and playing like that. | 0:45:17 | 0:45:23 | |
If you want experience, you're looking right at it. | 0:45:23 | 0:45:26 | |
CHEERING AND APPLAUSE | 0:45:26 | 0:45:29 | |
Wait a second. Can I say one more thing? | 0:45:29 | 0:45:31 | |
There was one time I was living in Ireland, with Michael Jackson, | 0:45:31 | 0:45:36 | |
and we were recording... | 0:45:36 | 0:45:38 | |
CHEERING AND APPLAUSE | 0:45:38 | 0:45:40 | |
This is why I didn't turn around, cos I can't compete! | 0:45:42 | 0:45:45 | |
-I met Justin Bieber once! Woo! -I was making this track, right, | 0:45:45 | 0:45:51 | |
and the beat was real mellow and he said, | 0:45:51 | 0:45:54 | |
IMPERSONATES JACKSON: "I want you to make the beat a little louder. It's too slow." So I was, like, | 0:45:54 | 0:45:59 | |
"You want it harder, Mike?" "Yes, if you could make the beat a little more aggressive. | 0:45:59 | 0:46:05 | |
"I want a tasty beat, a beat that when people hear it, they just want to eat it." | 0:46:07 | 0:46:11 | |
LAUGHTER | 0:46:11 | 0:46:12 | |
So...yeah, that was my little thing. | 0:46:14 | 0:46:17 | |
CHEERING AND APPLAUSE | 0:46:18 | 0:46:21 | |
OK. | 0:46:27 | 0:46:29 | |
Thank you very much, both of you. | 0:46:30 | 0:46:32 | |
It's amazing. | 0:46:33 | 0:46:35 | |
I think...will.i.am. | 0:46:35 | 0:46:39 | |
CHEERING | 0:46:39 | 0:46:40 | |
No, hang on, right? | 0:46:40 | 0:46:43 | |
I was going to say, will.i.am, | 0:46:43 | 0:46:46 | |
I'd like to say, that I have much respect for what you do. | 0:46:46 | 0:46:52 | |
-I jumped the gun! -You're amazing... | 0:46:56 | 0:46:58 | |
-That's classic! -..but I'd like to go with the legend that is Tom Jones. | 0:46:58 | 0:47:02 | |
CHEERING AND APPLAUSE | 0:47:02 | 0:47:07 | |
# A little less conversation | 0:47:07 | 0:47:09 | |
# A little more action, please | 0:47:09 | 0:47:10 | |
# All this aggravation ain't satisfying me. # | 0:47:10 | 0:47:13 | |
CHEERING AND APPLAUSE | 0:47:13 | 0:47:15 | |
Na-na-na-na-na-nah! | 0:47:25 | 0:47:27 | |
'And the winner is...Tom Jones!' | 0:47:27 | 0:47:31 | |
That was good. | 0:47:31 | 0:47:33 | |
Still to come on The Voice tonight... | 0:47:33 | 0:47:36 | |
-..an internet sensation... -I've had over one million hits, | 0:47:37 | 0:47:40 | |
which is quite substantial in the YouTube scene. | 0:47:40 | 0:47:44 | |
-..a Strictly star... -Last year, I stood in for one of the singers on Strictly Come Dancing. | 0:47:44 | 0:47:48 | |
..and the coaches go all out to get what they want... | 0:47:48 | 0:47:50 | |
-Temper, temper! -Oooh! | 0:47:50 | 0:47:52 | |
-Come on!! -I remember the first time we had success. And the second time, the third time, the fourth time. | 0:47:52 | 0:47:57 | |
Eugh! Where I come from, I'm known as "The Voice". | 0:47:57 | 0:48:01 | |
Coaches! As a great man once said, where is the love? It would appear | 0:48:01 | 0:48:06 | |
there is no love lost between our next hopefuls - boyfriend and girlfriend, Max and Twinnielee. | 0:48:06 | 0:48:11 | |
My name is Max Milner, I'm 20 and I'm a singer-songwriter. | 0:48:11 | 0:48:13 | |
'I just love writing. Singing music's my passion. | 0:48:13 | 0:48:18 | |
I'm Twinnielee Moore, I'm 24 and I'm a performer. | 0:48:19 | 0:48:23 | |
'I've never been that confident as a singer, but this is always what' | 0:48:23 | 0:48:26 | |
I've wanted to do. | 0:48:26 | 0:48:27 | |
So are you two auditioning together? | 0:48:28 | 0:48:30 | |
-No. -No. -No. -Separate artists. | 0:48:30 | 0:48:33 | |
-Have you thought about that horrible situation, if one goes through and one of you doesn't? -Yeah, yeah. | 0:48:33 | 0:48:38 | |
But I would obviously be massively happy for Twin if she got through, even if I didn't. | 0:48:38 | 0:48:42 | |
I'm still going to be 100% behind her. | 0:48:42 | 0:48:44 | |
I just love her so much. She's brilliant. | 0:48:44 | 0:48:46 | |
# Why do birds... # | 0:48:46 | 0:48:49 | |
I will be nervous to watch Max. He's amazing, he's brilliant. | 0:48:49 | 0:48:53 | |
I'm incredibly proud of him. | 0:48:53 | 0:48:56 | |
My girlfriend's obviously going to be supporting me, as I will her. | 0:48:56 | 0:48:59 | |
I didn't tell anyone that I applied. | 0:48:59 | 0:49:02 | |
Not even my boyfriend. | 0:49:02 | 0:49:04 | |
-I didn't know that she was applying. -It's just an opportunity that you can't turn down. | 0:49:04 | 0:49:08 | |
It was a bit of a shock. She was speaking to me like it was my thing. | 0:49:08 | 0:49:13 | |
Then, all of a sudden, it was ours. | 0:49:13 | 0:49:15 | |
I suppose it's because I wanted to do something for me. | 0:49:15 | 0:49:18 | |
It's cool. I like it. I'm excited. | 0:49:18 | 0:49:22 | |
I think we're going to be there for each other. I'd always be there for her. | 0:49:22 | 0:49:26 | |
Obviously, I want to be there for him, but I don't know whether I can. | 0:49:26 | 0:49:31 | |
Like you say, we've entered the competition separately. | 0:49:31 | 0:49:34 | |
# Here come old flat top | 0:49:46 | 0:49:49 | |
# He come groovin' up slowly | 0:49:49 | 0:49:51 | |
# He got joo-joo eyeballs | 0:49:51 | 0:49:54 | |
# He one holy roller | 0:49:54 | 0:49:57 | |
# He got hair down to his knee | 0:49:57 | 0:50:02 | |
# Got to be a joker He just do what he please | 0:50:02 | 0:50:07 | |
# You better lose yourself in the music, the moment | 0:50:07 | 0:50:10 | |
# You own it You better never let it go | 0:50:10 | 0:50:12 | |
# You only get one shot Do not miss your chance to blow | 0:50:12 | 0:50:16 | |
# This opportunity comes once in a lifetime | 0:50:16 | 0:50:18 | |
# You better lose yourself in the music, the moment, you own it | 0:50:18 | 0:50:21 | |
# You better never let it go | 0:50:21 | 0:50:23 | |
# You only get one shot Do not miss your chance to blow | 0:50:23 | 0:50:26 | |
# This opportunity comes once in a lifetime | 0:50:26 | 0:50:28 | |
# His palms are sweaty, knees weak Arms are heavy | 0:50:28 | 0:50:31 | |
# There's vomit on his sweater already, mom's spaghetti | 0:50:31 | 0:50:34 | |
# He's nervous, but on the surface he looks calm and ready | 0:50:34 | 0:50:37 | |
# To drop bombs But he keeps on forgetting | 0:50:37 | 0:50:39 | |
# What he wrote down The whole crowd goes so loud | 0:50:39 | 0:50:42 | |
# He opens his mouth but the words won't come out | 0:50:42 | 0:50:45 | |
# He's chokin' how Everybody's jokin' now | 0:50:45 | 0:50:48 | |
# The clock's run out Times up, over, blaw! | 0:50:48 | 0:50:50 | |
# Snap, back to reality Oh, there goes gravity | 0:50:50 | 0:50:52 | |
# Oh, there goes Rabbit He won't give up that easy, no! | 0:50:52 | 0:50:58 | |
# You better lose yourself in the music, the moment | 0:51:01 | 0:51:04 | |
# You own it You better never let it go | 0:51:04 | 0:51:07 | |
# You only get one shot Do not miss your chance to blow | 0:51:07 | 0:51:08 | |
# This opportunity comes once in a lifetime... # | 0:51:08 | 0:51:12 | |
THEY CHEER | 0:51:12 | 0:51:13 | |
# He say one and one and one is three | 0:51:13 | 0:51:17 | |
# And got to be good looking cos he's so hard to see | 0:51:17 | 0:51:22 | |
# Come together, right now Over me. # | 0:51:22 | 0:51:28 | |
CHEERING AND APPLAUSE | 0:51:28 | 0:51:31 | |
CHEERING AND APPLAUSE INTENSIFIES | 0:51:37 | 0:51:41 | |
Wow! | 0:51:43 | 0:51:45 | |
-Phew. Hi! -Well done! -Thank you. | 0:51:45 | 0:51:48 | |
I forgot to push my button, didn't I? | 0:51:48 | 0:51:50 | |
-That was great, anyway. What's your name? -Max Milner. -Max. | 0:51:51 | 0:51:56 | |
CHEERING AND APPLAUSE | 0:51:56 | 0:51:59 | |
What I loved was you got those two songs together and mashed them in. You've made them yours. | 0:51:59 | 0:52:03 | |
To be honest, I didn't know what to expect when I turned around. I was so glad you were there with | 0:52:03 | 0:52:08 | |
the amp, the guitar, just like you walked in off the street. And I think you're great. | 0:52:08 | 0:52:13 | |
Thanks a lot. Cheers. Thanks. | 0:52:13 | 0:52:18 | |
I think you're someone very special and I think that what you did with | 0:52:18 | 0:52:23 | |
the two songs was very, very interesting and that's what having a voice is all about. | 0:52:23 | 0:52:30 | |
It's about exploring things. That's why I would want you on my team, to make sure we can do that more. | 0:52:30 | 0:52:35 | |
CHEERING AND APPLAUSE | 0:52:35 | 0:52:38 | |
Max, you don't just have a voice... | 0:52:38 | 0:52:40 | |
You're an artist. | 0:52:42 | 0:52:44 | |
It's different. I worked with Macy Gray before she was big. | 0:52:44 | 0:52:47 | |
She toured like this in LA, with her band. | 0:52:47 | 0:52:49 | |
He dropped another name over here! | 0:52:49 | 0:52:52 | |
It's not a name drop. | 0:52:52 | 0:52:54 | |
Macy Gray was signed to my label. That's not a name drop, I'm just saying I know artists. | 0:52:54 | 0:53:01 | |
And you belong with somebody that can take you that p-lace, up in s-pace. | 0:53:01 | 0:53:06 | |
CHEERING | 0:53:06 | 0:53:08 | |
I've got to say, for me, coming from a fellow guitar player. | 0:53:08 | 0:53:11 | |
I'm doing anything I can here! Do you have any Irish in your family? | 0:53:11 | 0:53:15 | |
LAUGHTER | 0:53:15 | 0:53:16 | |
-No! -Can I just say, | 0:53:16 | 0:53:18 | |
I'm an artist out right now. Does that count as anything interesting? | 0:53:18 | 0:53:23 | |
LAUGHTER | 0:53:23 | 0:53:25 | |
I know how it is "right now"! | 0:53:25 | 0:53:27 | |
Eugh! I didn't know Macy Gray before she got big. | 0:53:27 | 0:53:32 | |
LAUGHTER | 0:53:32 | 0:53:34 | |
But we did do a gig together a couple of weeks ago in Brazil. | 0:53:34 | 0:53:37 | |
You can tell that there's going to be a feeding frenzy over you, | 0:53:39 | 0:53:43 | |
but now it's your choice, to see whose team you want to be on. | 0:53:43 | 0:53:47 | |
CROWD SHOUT SUGGESTIONS | 0:53:47 | 0:53:50 | |
Come on!! | 0:53:50 | 0:53:51 | |
SHOUTING AND CHANTING INTENSIFIES | 0:53:54 | 0:53:58 | |
I...I know who I'm going with. | 0:54:04 | 0:54:05 | |
I'm going to go with this person because | 0:54:09 | 0:54:11 | |
I think they're very similar to me. | 0:54:11 | 0:54:13 | |
So I'm going to go with Danny. | 0:54:16 | 0:54:18 | |
Yeah! | 0:54:18 | 0:54:19 | |
CHEERING AND APPLAUSE | 0:54:19 | 0:54:22 | |
Oh! Come here. | 0:54:23 | 0:54:26 | |
Give it up, come on! | 0:54:32 | 0:54:33 | |
DANNY: Smokin'! | 0:54:37 | 0:54:38 | |
Oh, that made my whole day, that did. | 0:54:43 | 0:54:46 | |
-A-ha! -SCREAMING HOLLY: Yeah! | 0:54:46 | 0:54:50 | |
I'm so proud of you! | 0:54:52 | 0:54:54 | |
That was a tough decision to me. How did you choose? | 0:54:54 | 0:54:57 | |
-I just feel as if we were very... I don't know, I think we'll get on very well. -Yeah. -I'm excited. | 0:54:57 | 0:55:01 | |
DANNY: Max picked me, | 0:55:01 | 0:55:02 | |
even though Will was dropping names left, right and centre. | 0:55:02 | 0:55:05 | |
WILL: I think he picked the wrong choice only because | 0:55:05 | 0:55:08 | |
I think he picked a choice based on what he's comfortable with. | 0:55:08 | 0:55:11 | |
Comfort isn't always the best thing. | 0:55:11 | 0:55:14 | |
You could be comfortable in hell, | 0:55:14 | 0:55:16 | |
you could find a cosy spot next to a hot rock. | 0:55:16 | 0:55:18 | |
Don't mean it's the place to be. | 0:55:18 | 0:55:21 | |
-You're done. -Yes. -Twinnielee's not, however. -Good luck, sweetheart. -Oh! | 0:55:21 | 0:55:25 | |
Find out if Twinnielee can match the success of her boyfriend, Max, soon. | 0:55:29 | 0:55:33 | |
But first Ben Kelly is dressed and dicky-bowed to impress | 0:55:33 | 0:55:36 | |
but on our stage, only his voice can do that. | 0:55:36 | 0:55:39 | |
# I'm just waiting for my chance to come. # | 0:55:39 | 0:55:41 | |
My name is Ben, I'm 22 years old | 0:55:41 | 0:55:44 | |
and I come from a place called Derry in Northern Ireland. | 0:55:44 | 0:55:48 | |
You know, a lot of people there have traditional, real jobs | 0:55:49 | 0:55:52 | |
and it took a long time for my parents to realise what I actually wanted to do | 0:55:52 | 0:55:55 | |
and even longer to accept that I want to be a pop star. | 0:55:55 | 0:55:59 | |
Probably about two years ago I started putting | 0:55:59 | 0:56:02 | |
all these covers on YouTube. | 0:56:02 | 0:56:03 | |
In that time I've had over a million hits which is quite substantial if you're on the YouTube scene. | 0:56:03 | 0:56:09 | |
'But The Voice offers me what I need next which is the recording contract and that's what I really need.' | 0:56:09 | 0:56:14 | |
Opportunities don't come along like this very often, I must admit. | 0:56:17 | 0:56:21 | |
I am trying to prove to myself, to my family, to everyone knows me | 0:56:21 | 0:56:24 | |
that I'm doing the right thing, I'm on the right path. | 0:56:24 | 0:56:28 | |
This feels like the big moment. | 0:56:28 | 0:56:30 | |
# She packed my bags last night, pre-flight | 0:56:41 | 0:56:45 | |
CHEERING | 0:56:45 | 0:56:47 | |
# Zero hour, nine AM | 0:56:47 | 0:56:52 | |
# And I'm gonna be high CHEERING | 0:56:55 | 0:56:59 | |
# As a kite by then | 0:56:59 | 0:57:01 | |
-SHE LAUGHS -Oh, my God! Oh, my God! | 0:57:01 | 0:57:06 | |
# I miss the Earth so much I miss my wife | 0:57:06 | 0:57:11 | |
# Gets so lonely out in space Ooh, yeah | 0:57:13 | 0:57:18 | |
# On such a ti-i-imeless flight Oh, ooh oh | 0:57:19 | 0:57:26 | |
# And I think it's gonna be a long, long time | 0:57:26 | 0:57:31 | |
# Till touchdown brings me round again to find | 0:57:31 | 0:57:35 | |
# I'm not the man they think I am at home... # | 0:57:35 | 0:57:37 | |
-Jessie's think about it now, isn't she? -Come on, Jessie! Come on. | 0:57:37 | 0:57:40 | |
# I'm a rocket man | 0:57:40 | 0:57:43 | |
# Rocket man | 0:57:45 | 0:57:47 | |
SCREAMING | 0:57:47 | 0:57:48 | |
-Do it! -Come on, press the button. | 0:57:48 | 0:57:50 | |
# Whoa | 0:57:50 | 0:57:52 | |
# And I think it's gonna be a long, long time | 0:57:52 | 0:57:56 | |
# Till touchdown brings me round again to find | 0:57:56 | 0:58:00 | |
# I'm not the man they think I am at home | 0:58:00 | 0:58:03 | |
# Ooh, noo noo, no | 0:58:03 | 0:58:06 | |
-# I'm a rocket man -Yeah! | 0:58:06 | 0:58:09 | |
# Yeah, yeah | 0:58:09 | 0:58:10 | |
-# Rocket man, burning out his fuse up her alone -ALL: Yeah! | 0:58:10 | 0:58:16 | |
# And it'll be a lo-o-ong time. # | 0:58:19 | 0:58:25 | |
RAPTUROUS APPLAUSE | 0:58:25 | 0:58:29 | |
Thank you. | 0:58:47 | 0:58:49 | |
-What's your name? -My name is Ben Kelly. | 0:58:52 | 0:58:56 | |
CHEERING | 0:58:56 | 0:58:57 | |
The reason why I turned around - FIRST, | 0:58:59 | 0:59:02 | |
and I was trying to disguise my turnaround | 0:59:02 | 0:59:06 | |
but then Danny got hip to my moves! | 0:59:06 | 0:59:08 | |
Hey, I had my eyes closed, I had my eyes closed. | 0:59:08 | 0:59:11 | |
-I went off the feeling. Sorry, continue. -Lies! | 0:59:11 | 0:59:13 | |
LAUGHTER I can tell that you're singing for something. | 0:59:13 | 0:59:17 | |
You're not just singing cos you have a great voice. | 0:59:17 | 0:59:19 | |
I can tell that there's passion and you have a vision of where you want to go | 0:59:19 | 0:59:24 | |
and music is the vehicle to get you there. | 0:59:24 | 0:59:27 | |
CHEERING AND APPLAUSE | 0:59:27 | 0:59:29 | |
Hi. | 0:59:31 | 0:59:32 | |
-Hello. -As soon as I heard you sing, I was like yeah, yeah, yeah, yeah, | 0:59:32 | 0:59:36 | |
and I sat forward like this and I was, like, yeah, yeah, yeah. | 0:59:36 | 0:59:39 | |
I was kind of imagining what you'd look like | 0:59:39 | 0:59:41 | |
and when I turned around it was all or more than I thought it was going to be. | 0:59:41 | 0:59:46 | |
Your licks are mad clean, your tone is there. Your range is there. | 0:59:46 | 0:59:50 | |
You're a risk taker and that's what I look for in vocalists. | 0:59:50 | 0:59:53 | |
CHEERING AND APPLAUSE | 0:59:53 | 0:59:54 | |
I know a star when I see one. Seriously, you're an absolute... | 0:59:58 | 1:00:01 | |
Out of the box, out of the box. We can say that we want to work on stuff with this guy | 1:00:01 | 1:00:04 | |
but this guy is the finished article right now. | 1:00:04 | 1:00:07 | |
-JESSIE: Then what's the point in him being on your team? -LAUGHTER | 1:00:07 | 1:00:10 | |
In fairness... CHEERING | 1:00:10 | 1:00:12 | |
WILL: Wait, wait, wait, wait, wait, wait. To that point there, | 1:00:12 | 1:00:15 | |
we could dream together, toward the things we come up with... | 1:00:15 | 1:00:18 | |
We can go and eat together(!) | 1:00:18 | 1:00:19 | |
Hold on, wait, let me finish. | 1:00:19 | 1:00:21 | |
Really, interrupting, seriously? Are we interrupting, seriously? | 1:00:21 | 1:00:24 | |
LAUGHTER | 1:00:24 | 1:00:26 | |
The things that we could dream together will be taught | 1:00:26 | 1:00:29 | |
in the future to other people and she's going to be teaching | 1:00:29 | 1:00:32 | |
the style that we dream up to somebody else, right? | 1:00:32 | 1:00:35 | |
-That's all I'm saying. -Can I also say I could teach you how | 1:00:35 | 1:00:38 | |
to put out a record worldwide and it be successful? | 1:00:38 | 1:00:41 | |
LOUD CHEERING | 1:00:41 | 1:00:43 | |
One second, please. One second. | 1:00:43 | 1:00:47 | |
False information coming from the second chair. | 1:00:47 | 1:00:49 | |
LAUGHTER | 1:00:49 | 1:00:51 | |
If we're going there, I can do it consecutively in every country on the planet. | 1:00:51 | 1:00:54 | |
I don't want to pull that out, but...hello. | 1:00:54 | 1:00:57 | |
WHOOPING | 1:00:57 | 1:00:59 | |
You know, I know everybody wants you on their team | 1:00:59 | 1:01:03 | |
but what I have to say is where I come from, | 1:01:03 | 1:01:05 | |
I am known as "The Voice". You know what I'm saying? | 1:01:05 | 1:01:09 | |
CHEERING | 1:01:09 | 1:01:11 | |
And this show is called The Voice so you come on my team, right? | 1:01:14 | 1:01:19 | |
And we can win this. | 1:01:19 | 1:01:21 | |
CHEERING AND APPLAUSE | 1:01:21 | 1:01:23 | |
The best part about this is you have the artistic control. | 1:01:26 | 1:01:30 | |
You get the chance here to pick any of us. | 1:01:30 | 1:01:32 | |
CROWD CHANTS | 1:01:32 | 1:01:33 | |
I want someone who can help my voice progress. | 1:01:39 | 1:01:44 | |
Someone who can help me with my songwriting which I do a lot of. | 1:01:44 | 1:01:46 | |
Someone who can help me pursue the creative person I want to be. | 1:01:46 | 1:01:52 | |
And...the boys are great but I think this girl's for me. | 1:02:00 | 1:02:05 | |
CHEERING | 1:02:05 | 1:02:06 | |
-Yeah! Thank you. -Thank you so much. -Don't worry. -I know, I know. | 1:02:12 | 1:02:16 | |
-Come on, let's go and high-five them together. -Yeah, yeah. | 1:02:18 | 1:02:20 | |
-In your face! -Thank you. It's an honour. | 1:02:20 | 1:02:24 | |
-Oh, in-your-face. -All right, all right, all right! | 1:02:24 | 1:02:27 | |
-One more, one more. -Oh! No, well done. Congratulations. | 1:02:27 | 1:02:30 | |
AUDIENCE MEMBER: We love you, Jessie! | 1:02:30 | 1:02:33 | |
CHEERING AND APPLAUSE | 1:02:35 | 1:02:37 | |
I think he didn't really know what he was doing. | 1:02:40 | 1:02:42 | |
I think he was faced with the batting lashes | 1:02:42 | 1:02:44 | |
and he went straight for it. That's the problem, it's like a black hole. | 1:02:44 | 1:02:47 | |
He'll get sucked in, he won't come back out again. | 1:02:47 | 1:02:49 | |
CHEERING | 1:02:49 | 1:02:51 | |
It was such a great moment. | 1:02:51 | 1:02:53 | |
The kind of moment I've been dreaming of my whole life. | 1:02:53 | 1:02:56 | |
The kind of moment I've always wanted and it did feel like a dream. | 1:02:56 | 1:02:59 | |
-Ben, did that really just happen? -I don't know, you tell me! | 1:02:59 | 1:03:03 | |
It felt pretty cool to be picked over the other three coaches. | 1:03:03 | 1:03:06 | |
Female power. | 1:03:06 | 1:03:07 | |
So Jessie's on a roll bagging her third team member. | 1:03:08 | 1:03:11 | |
# Back to reality... # | 1:03:11 | 1:03:13 | |
Earlier Max Milner became the first member of Team Danny. | 1:03:13 | 1:03:16 | |
-So I'm going to go with Danny. -Yeah! | 1:03:16 | 1:03:18 | |
But can his girlfriend, performer and dancer Twinnielee, match his success? | 1:03:19 | 1:03:24 | |
Especially when she knows looks count for nothing in a blind audition. | 1:03:24 | 1:03:28 | |
This is what I've always dreamt of. | 1:03:29 | 1:03:30 | |
In my industry, everything's kind of based on what you look like. | 1:03:30 | 1:03:34 | |
I'm quite excited for them just to hear my voice. And only my voice. | 1:03:34 | 1:03:39 | |
-Here she is, OK, this is it. -This is my pretty baby. | 1:03:43 | 1:03:45 | |
# I can almost see it | 1:04:00 | 1:04:02 | |
CHEERING | 1:04:02 | 1:04:03 | |
# That dream I'm dreaming | 1:04:03 | 1:04:06 | |
# But there's a voice inside my head saying | 1:04:06 | 1:04:09 | |
# "You'll never reach it" | 1:04:09 | 1:04:12 | |
# The struggles I'm facing | 1:04:12 | 1:04:15 | |
# These chances I'm taking | 1:04:15 | 1:04:18 | |
# Sometimes may knock me down But no, I'm not breaking | 1:04:18 | 1:04:24 | |
# I... | 1:04:24 | 1:04:26 | |
# I'm gonna be strong | 1:04:26 | 1:04:30 | |
# Just keep pushing on, yeah | 1:04:30 | 1:04:36 | |
# Always gonna be another mountain | 1:04:36 | 1:04:39 | |
# Always gonna wanna make it move...# | 1:04:39 | 1:04:41 | |
Come on! | 1:04:41 | 1:04:42 | |
# Always gonna be an uphill battle CHEERING | 1:04:42 | 1:04:45 | |
# Sometimes I'm gonna have to lose | 1:04:45 | 1:04:49 | |
# Ain't about how fast I get there | 1:04:49 | 1:04:52 | |
# Ain't about what's waiting on the other side... # | 1:04:52 | 1:04:58 | |
CHEERING | 1:04:58 | 1:05:01 | |
Oh, Danny, come on! | 1:05:01 | 1:05:03 | |
# Oooh aahhh | 1:05:03 | 1:05:06 | |
# Keep on moving, keep climbing Yeah, yeah... # | 1:05:06 | 1:05:13 | |
-Push, come on, push. -You all right? | 1:05:13 | 1:05:16 | |
# It's all about It's all about the climb. # | 1:05:16 | 1:05:23 | |
CHEERING AND APPLAUSE | 1:05:23 | 1:05:25 | |
I knew I should've pressed the button. What's your name? | 1:05:30 | 1:05:34 | |
Twinnielee Moore. | 1:05:34 | 1:05:36 | |
Personally I didn't press my button | 1:05:36 | 1:05:38 | |
-just because I thought you were quite pitchy in places. -Yeah. | 1:05:38 | 1:05:42 | |
I do think a lot of it was nerves, to be honest. | 1:05:42 | 1:05:44 | |
I felt like you didn't open up as much as I felt you could've done. | 1:05:44 | 1:05:48 | |
You need to own it. You know, you sang it really well. | 1:05:48 | 1:05:52 | |
But I didn't feel it. I didn't feel like you got inside it and... | 1:05:52 | 1:05:57 | |
You know, and made it your own. Nice, though. | 1:05:57 | 1:06:01 | |
-Thank you. -CHEERING AND APPLAUSE -Cheers. | 1:06:01 | 1:06:05 | |
FRIENDS CLAP | 1:06:08 | 1:06:11 | |
-I felt it. -Oh, it's all right. | 1:06:11 | 1:06:15 | |
I mean, I think my main focus was kind of on it all | 1:06:15 | 1:06:19 | |
so I probably should start focusing more on my singing | 1:06:19 | 1:06:22 | |
and I just totally agree with what they said. | 1:06:22 | 1:06:25 | |
Yeah, and everything they said was correct so I can't argue with that. It's fine. | 1:06:25 | 1:06:30 | |
-You must be so proud of her. -Ridiculously. She's amazing. | 1:06:30 | 1:06:33 | |
-And now you know what you have to do, you've got to go and win it for her. -Absolutely! | 1:06:33 | 1:06:38 | |
With four superstars to impress, you need top talent and big support | 1:06:42 | 1:06:46 | |
so Phil Poole has brought his biggest fan - his Nan. | 1:06:46 | 1:06:50 | |
My name's Phil, I'm 27 and I'm a delivery driver. | 1:06:50 | 1:06:54 | |
That involves driving all around the country. | 1:06:54 | 1:06:56 | |
Thousands of miles here, there and everywhere. | 1:06:56 | 1:06:58 | |
I'll put my own music on and many times I think customers have heard me singing | 1:06:58 | 1:07:02 | |
as I'm pulling up outside warehouses and they can hear me belting something out, yeah! | 1:07:02 | 1:07:06 | |
-How good a singer is he then? -Brilliant. -Do you think he'll do well today? -He's been brilliant. | 1:07:06 | 1:07:11 | |
-Since he were at school, ain't you? -OK, if you say so! | 1:07:11 | 1:07:15 | |
-How close are you guys? -I'm so proud of him. | 1:07:15 | 1:07:17 | |
What makes you so proud of him? | 1:07:17 | 1:07:19 | |
Well, he's loving. Ain't ya? | 1:07:19 | 1:07:24 | |
-How well do you think he'll do? -Good, I hope. | 1:07:24 | 1:07:28 | |
-Keep my fingers crossed. -I'll do me best for ya. | 1:07:28 | 1:07:30 | |
'I do feel a bit of a fish out of water, I suppose. | 1:07:33 | 1:07:35 | |
'I've never auditioned for anything before, | 1:07:35 | 1:07:39 | |
'I've never put myself out there on such a scale.' | 1:07:39 | 1:07:42 | |
'I'm a delivery driver at the moment, but if I get a yes,' | 1:07:47 | 1:07:50 | |
there's going to be a chance to really take something forward | 1:07:50 | 1:07:53 | |
with singing, achieve something with it. | 1:07:53 | 1:07:57 | |
I'm not sure I've ever been this nervous before in my life. | 1:07:57 | 1:08:00 | |
# She's back in the atmosphere | 1:08:11 | 1:08:14 | |
# Drops of Jupiter in her hair | 1:08:14 | 1:08:17 | |
# Yeah. # | 1:08:17 | 1:08:18 | |
Yes! | 1:08:18 | 1:08:19 | |
# She acts like summer and walks like rain | 1:08:22 | 1:08:26 | |
# Reminds me that there's time to change, yeah | 1:08:26 | 1:08:31 | |
# Now that she's back in the atmosphere | 1:08:35 | 1:08:38 | |
# I'm afraid that she might think of me, yeah | 1:08:38 | 1:08:40 | |
# Plain old Jane told a story about a man who was too afraid to fly | 1:08:40 | 1:08:45 | |
# So he never did land | 1:08:45 | 1:08:47 | |
# Tell me, did the wind sweep you off your feet? | 1:08:47 | 1:08:51 | |
# Did you finally get the chance to dance along the light of day? | 1:08:51 | 1:08:56 | |
# Head back to the Milky Way | 1:08:56 | 1:08:58 | |
# Tell me, did Venus blow your mind? | 1:08:58 | 1:09:03 | |
# Was it anything you wanted to find | 1:09:03 | 1:09:05 | |
# And did you miss me while you were looking for yourself? | 1:09:05 | 1:09:10 | |
# La la la la la-la. # | 1:09:10 | 1:09:14 | |
# Did you finally get the chance to dance along the light of day? | 1:09:17 | 1:09:22 | |
# Oh | 1:09:22 | 1:09:24 | |
# Did you fall on a shooting star? | 1:09:27 | 1:09:31 | |
# Fall on a shooting star | 1:09:31 | 1:09:33 | |
# Whoa. # | 1:09:33 | 1:09:38 | |
Come on! | 1:09:38 | 1:09:41 | |
# Did you fa-a-a-a-ll? # | 1:09:41 | 1:09:45 | |
-What's your name? -My name's Phil. | 1:10:03 | 1:10:05 | |
-I'm from Leicester, delivery van driver. -Delivery van driver? | 1:10:05 | 1:10:08 | |
Yes, indeed. | 1:10:08 | 1:10:10 | |
Thank you for singing for us, | 1:10:12 | 1:10:16 | |
and I didn't press my button because I wanted Danny to press his button. | 1:10:16 | 1:10:22 | |
Throws the blame over here again. | 1:10:23 | 1:10:26 | |
Seriously, I was like, "Danny, hit it, this guy is amazing, | 1:10:26 | 1:10:29 | |
"you could really help him to make your team a better team." | 1:10:29 | 1:10:33 | |
Thank you very much. | 1:10:33 | 1:10:36 | |
CHEERING | 1:10:36 | 1:10:39 | |
Unfortunately, we toured with Train over in America, | 1:10:41 | 1:10:43 | |
and I've heard that version and Pat Monahan singing it every night, | 1:10:43 | 1:10:47 | |
and he goes hell-for-leather on it with the emotion. | 1:10:47 | 1:10:51 | |
I was looking for that fire in my belly, and I didn't hear it. | 1:10:51 | 1:10:54 | |
Not to say it wasn't a great performance, it was, | 1:10:54 | 1:10:56 | |
but not enough for me to finally hit my button. | 1:10:56 | 1:10:59 | |
APPLAUSE | 1:10:59 | 1:11:03 | |
When you try to do a song like that, that is so well-known, | 1:11:03 | 1:11:07 | |
that you have to take it somewhere else. | 1:11:07 | 1:11:09 | |
I mean, you have the voice for it, | 1:11:09 | 1:11:11 | |
there's nothing wrong with your voice. | 1:11:11 | 1:11:14 | |
-That means a lot. -You just need to take it to another place. | 1:11:14 | 1:11:18 | |
APPLAUSE | 1:11:18 | 1:11:19 | |
Thank you for coming along, it was great. | 1:11:19 | 1:11:22 | |
Thank you very much. Thank you. | 1:11:22 | 1:11:24 | |
APPLAUSE | 1:11:24 | 1:11:26 | |
APPLAUSE | 1:11:34 | 1:11:37 | |
It's OK. | 1:11:37 | 1:11:39 | |
Amazing. It was amazing. | 1:11:41 | 1:11:46 | |
As long as these people are proud of me, that's what matters to me. | 1:11:46 | 1:11:50 | |
Hey, come on. As long as I did you proud. | 1:11:52 | 1:11:55 | |
I know you done me proud, darling. | 1:11:55 | 1:11:57 | |
With one performance left to go, Tom, Jessie | 1:12:01 | 1:12:05 | |
and Danny's teams are taking shape. | 1:12:05 | 1:12:08 | |
But Will has yet to secure his first artist. | 1:12:08 | 1:12:11 | |
I'm not annoyed. I have a strategy | 1:12:11 | 1:12:14 | |
with what I'm doing here. Mwa-ha-ha! | 1:12:14 | 1:12:17 | |
Could our next artist become part of Will's masterplan? | 1:12:20 | 1:12:23 | |
My name's J Marie Cooper, I'm 27 years old. | 1:12:26 | 1:12:28 | |
Music's a huge part of my life. | 1:12:28 | 1:12:32 | |
My mum always heard me singing, so she decided to send me | 1:12:32 | 1:12:36 | |
to Saturday classes, because she realised how much I enjoyed it. | 1:12:36 | 1:12:40 | |
My mother passed away four years ago. | 1:12:40 | 1:12:42 | |
Since then, it's given me a drive to just really go for my career. | 1:12:42 | 1:12:46 | |
I've sang at weddings, birthday parties, | 1:12:47 | 1:12:51 | |
but the work isn't consistent enough, just dribs and drabs. | 1:12:51 | 1:12:55 | |
Last year I stood in for one of the singers on Strictly Come Dancing. | 1:12:55 | 1:12:59 | |
CHEERING | 1:12:59 | 1:13:01 | |
I haven't really done a gig ever as big as that, | 1:13:01 | 1:13:04 | |
so it was exciting for me. | 1:13:04 | 1:13:05 | |
The only sad thing about it was it was only a one-off. | 1:13:05 | 1:13:08 | |
What I really want now, especially without my mum around, | 1:13:10 | 1:13:13 | |
is to build a life for myself. | 1:13:13 | 1:13:16 | |
I'm singing Jessie J, Mama Knows Best for my audition. | 1:13:17 | 1:13:20 | |
I miss my mum, so today's performance will be for her. | 1:13:22 | 1:13:26 | |
# Whoa, there is something going down | 1:13:34 | 1:13:38 | |
# Like the storm in the sky | 1:13:39 | 1:13:43 | |
# I ain't gonna be played by your behaviour | 1:13:43 | 1:13:48 | |
# How can I trust someone who's lying to me? | 1:13:48 | 1:13:52 | |
# Mama knows best when times get hard | 1:13:52 | 1:13:58 | |
# And Papa always has a joke to make me laugh | 1:13:58 | 1:14:03 | |
# Mama knows best when I feel down | 1:14:03 | 1:14:07 | |
# To bring me up and always keep my feet on solid ground | 1:14:07 | 1:14:12 | |
# See, no, I ain't no old rag doll | 1:14:12 | 1:14:18 | |
# That you can pick up and drop | 1:14:18 | 1:14:20 | |
# Hey, and all of this inconsistent love | 1:14:20 | 1:14:26 | |
# I think it's time that it S-T-O stops | 1:14:26 | 1:14:32 | |
# So bow out, go | 1:14:32 | 1:14:33 | |
# Now I said bow out and leave | 1:14:33 | 1:14:36 | |
# I said, take your bags and go | 1:14:36 | 1:14:39 | |
# Cos you're not for me | 1:14:39 | 1:14:41 | |
# Mama knows best when times get hard | 1:14:41 | 1:14:45 | |
# Papa always has a joke to make me laugh | 1:14:45 | 1:14:50 | |
# Mama knows best when I feel down | 1:14:50 | 1:14:56 | |
# To bring me up and always keep my feet on solid ground, sing it | 1:14:56 | 1:15:00 | |
# Ye-e-e-e-e-e-eah. # | 1:15:00 | 1:15:07 | |
CHEERING AND APPLAUSE | 1:15:07 | 1:15:10 | |
That was insane. | 1:15:24 | 1:15:26 | |
Thank you, you're insane. Not insane, insane! | 1:15:26 | 1:15:29 | |
CHEERING | 1:15:29 | 1:15:32 | |
-I'm so nervous right now. -Why The Voice? | 1:15:32 | 1:15:36 | |
Because I've been trying to do this for 10 years, I'm 27 now. | 1:15:36 | 1:15:39 | |
I love it and I want to share my gift with everyone. | 1:15:39 | 1:15:42 | |
CHEERING | 1:15:42 | 1:15:45 | |
-Your voice is re-donk-u-loso. -What, re-donk-u-loso? | 1:15:45 | 1:15:50 | |
-Re-donk-u-loso. -I love it. | 1:15:50 | 1:15:52 | |
I would write songs like that for you all day, | 1:15:52 | 1:15:56 | |
so be on my team, please. | 1:15:56 | 1:15:58 | |
CHEERING | 1:15:58 | 1:16:01 | |
There's lots of singers that can sing and do the runs | 1:16:01 | 1:16:05 | |
and flips and tricks. | 1:16:05 | 1:16:06 | |
-Not like that. -I come from a gospel family. | 1:16:06 | 1:16:10 | |
I've seen all the flips in the world. | 1:16:10 | 1:16:13 | |
The power, really, was when you weren't flipping. | 1:16:13 | 1:16:17 | |
Bob Marley didn't do flips but you felt his pain. | 1:16:17 | 1:16:20 | |
I felt it from the first couple of notes. | 1:16:20 | 1:16:23 | |
I saw a pain, a love for the craft, | 1:16:23 | 1:16:26 | |
and that's why I turned around and think you're a star of an artist. | 1:16:26 | 1:16:31 | |
CHEERING | 1:16:31 | 1:16:34 | |
-For me, you were on fire. -Thank you. | 1:16:34 | 1:16:37 | |
I was the last to turn around because I was listening. | 1:16:37 | 1:16:41 | |
-I wanted to hear the whole thing. It really was great. -Thank you. | 1:16:41 | 1:16:45 | |
You kicked it. | 1:16:45 | 1:16:46 | |
Personally, I thought you killed it. It was amazing. | 1:16:49 | 1:16:52 | |
If you go on Jessie's team, you'd cancel each other out. | 1:16:52 | 1:16:55 | |
-You're that good. I'm just saying! -AUDIENCE: No! | 1:16:55 | 1:16:59 | |
I think we're very different, the two of us. | 1:16:59 | 1:17:02 | |
-I think that would work very well together. -Thanks for that. | 1:17:02 | 1:17:07 | |
APPLAUSE AND CHEERING | 1:17:09 | 1:17:12 | |
Oh, gosh! | 1:17:16 | 1:17:19 | |
I'm stuck between you two guys at the moment. I don't know what to do. | 1:17:19 | 1:17:23 | |
-I'm just like... -Am I number one right now? | 1:17:23 | 1:17:27 | |
Am I number one right now? | 1:17:27 | 1:17:32 | |
-Jessie J! Jessie J! -This is the voice coming from above. | 1:17:33 | 1:17:38 | |
-So, Jessie J, she's hot right now. -She is hot right now. | 1:17:38 | 1:17:43 | |
-She's hot, current, right now. -Oooh! | 1:17:43 | 1:17:47 | |
-And that's great. -Ooooh! | 1:17:47 | 1:17:51 | |
I remember the first time we had success, and the second time, | 1:17:51 | 1:17:54 | |
third time, fourth time, fifth time, sixth time, seventh time. | 1:17:54 | 1:17:57 | |
CHEERING | 1:17:57 | 1:18:02 | |
The thing that's making me stuck here is the fact you were saying about pain. | 1:18:03 | 1:18:07 | |
I'm not trying to be dramatic or anything like that, | 1:18:07 | 1:18:10 | |
but I like someone that can feel that inner voice. | 1:18:10 | 1:18:13 | |
Believe me, that's why I wrote the song. | 1:18:13 | 1:18:15 | |
Erm... | 1:18:21 | 1:18:22 | |
-I think... -I'm going to cry if you don't pick me. | 1:18:22 | 1:18:26 | |
Oh, my gosh! This is so hard. | 1:18:27 | 1:18:29 | |
AUDIENCE SHOUTS | 1:18:29 | 1:18:30 | |
Flip the whole thing on its head and go with Team Dan. | 1:18:30 | 1:18:34 | |
I will fight for you. | 1:18:34 | 1:18:37 | |
SHOUTS OF ENCOURAGEMENT | 1:18:37 | 1:18:38 | |
Erm, oh, man... | 1:18:38 | 1:18:40 | |
Come on! Come on! | 1:18:40 | 1:18:43 | |
OK, this is probably going to surprise people | 1:18:43 | 1:18:46 | |
but I'm going with Will because he turned round first. | 1:18:46 | 1:18:49 | |
CHEERING | 1:18:49 | 1:18:52 | |
Oh, I really wanted her. It's on, now. Argh! | 1:19:02 | 1:19:08 | |
Temper, temper! | 1:19:08 | 1:19:09 | |
Ooh! | 1:19:09 | 1:19:11 | |
So, after a night of hard-fought competition, | 1:19:13 | 1:19:16 | |
the coaches' battle to build their teams has begun. | 1:19:16 | 1:19:20 | |
Tom has three artists. | 1:19:21 | 1:19:23 | |
Jessie has also secured three. | 1:19:25 | 1:19:26 | |
I didn't start this show thinking I'd be competitive, | 1:19:26 | 1:19:30 | |
but I'm feeling a little burn in my stomach. | 1:19:30 | 1:19:32 | |
Danny has one artist. | 1:19:32 | 1:19:34 | |
Will matches him with one artist. | 1:19:34 | 1:19:38 | |
I already know what I got, and I know what I need. | 1:19:38 | 1:19:41 | |
Then I'm going to get what I want. | 1:19:41 | 1:19:43 | |
Next week, the blind auditions continue. | 1:19:43 | 1:19:46 | |
More incredible artists fight for their place in the competition. | 1:19:48 | 1:19:51 | |
You're going to beat these people. | 1:19:51 | 1:19:53 | |
As the battle to build their teams intensifies, | 1:19:53 | 1:19:55 | |
the coaches go all out to win. | 1:19:55 | 1:19:58 | |
I can do it consecutively in every country on the planet. | 1:19:58 | 1:20:01 | |
I don't want to pull that out, but hello. | 1:20:01 | 1:20:03 | |
Everybody's in it to win it. | 1:20:03 | 1:20:06 | |
Pick me! | 1:20:06 | 1:20:08 | |
Subtitles by Red Bee Media Ltd | 1:20:21 | 1:20:25 |