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The difference between this show and all other talent shows | 0:00:02 | 0:00:05 | |
is that you hear the voice first. | 0:00:05 | 0:00:07 | |
It doesn't matter what you look like, | 0:00:07 | 0:00:09 | |
you are going to get a shot at this. | 0:00:09 | 0:00:11 | |
It's about vocals and being signed on talent. | 0:00:11 | 0:00:14 | |
I'm ready to meet an artist and we create things that make them stars. | 0:00:14 | 0:00:20 | |
Tonight... | 0:00:21 | 0:00:23 | |
the competition steps up a gear. | 0:00:23 | 0:00:25 | |
..as the coaches fight it out for the UK's best voice. | 0:00:25 | 0:00:28 | |
-We are going to beat these people. -We have a mission - to take our singers and win. | 0:00:28 | 0:00:32 | |
Everybody is in it to win it. | 0:00:32 | 0:00:33 | |
Pick me! | 0:00:34 | 0:00:36 | |
Four of the biggest music stars on the planet are on a mission | 0:00:38 | 0:00:41 | |
to discover and develop the UK's next great voice. | 0:00:41 | 0:00:44 | |
Will.i.am. Worldwide music producer and founder of the Black Eyed Peas. | 0:00:46 | 0:00:52 | |
Will.i.am speaks for himself. | 0:00:52 | 0:00:56 | |
He is an all-rounder, writes songs, sings, raps and does production. | 0:00:56 | 0:01:00 | |
Jessie J, pop's freshest talent with a double platinum-selling debut album and six top ten hits. | 0:01:00 | 0:01:08 | |
She is a strong character, she's young, but she knows what she wants. | 0:01:09 | 0:01:13 | |
I don't want to use the word "swag", but she has cool swag. | 0:01:13 | 0:01:17 | |
Danny O'Donoghue. | 0:01:17 | 0:01:20 | |
Songwriter and frontman of stadium-filling, | 0:01:20 | 0:01:23 | |
chart stopping band The Script. | 0:01:23 | 0:01:24 | |
Danny is a songwriter, producer. | 0:01:24 | 0:01:28 | |
He is a fresh Irish singer, | 0:01:28 | 0:01:30 | |
so we have a thing in common, we are Celts. | 0:01:30 | 0:01:33 | |
And the legendary Sir Tom Jones. | 0:01:33 | 0:01:36 | |
Six decades in the business and 100 million records sold worldwide. | 0:01:36 | 0:01:42 | |
Tom Jones has been around for ever. | 0:01:42 | 0:01:44 | |
He's such a powerhouse of the industry. | 0:01:44 | 0:01:47 | |
That dude has history. He's toured with Sammy Davis Jr - history. | 0:01:47 | 0:01:52 | |
This is how it works. | 0:01:52 | 0:01:54 | |
If a coach likes what they hear, they hit their button... | 0:01:56 | 0:01:59 | |
..turn round and secure that voice for their team. | 0:02:00 | 0:02:03 | |
Whoa! | 0:02:03 | 0:02:05 | |
But if more than one coach turns, | 0:02:05 | 0:02:07 | |
the artist gets the power to choose who they want to work with. | 0:02:07 | 0:02:11 | |
-I don't know what to do and I'm meant to decide now. -Yes. | 0:02:11 | 0:02:15 | |
If no coach turns, then the artist is out of the competition. | 0:02:15 | 0:02:20 | |
Thank you for your comments. It's been fantastic, thank you. | 0:02:20 | 0:02:24 | |
Each coach is desperate to mentor and develop the one artist | 0:02:24 | 0:02:27 | |
who has what it takes to win. | 0:02:27 | 0:02:29 | |
The blind auditions continue now on The Voice. | 0:02:29 | 0:02:33 | |
CHEERING AND APPLAUSE | 0:02:33 | 0:02:38 | |
As the coaches take to their seats, our first artist is on his way. | 0:02:38 | 0:02:45 | |
He has experience on his side, | 0:02:46 | 0:02:48 | |
but will that shine through in his blind audition? | 0:02:48 | 0:02:51 | |
Entertaining's my passion - singing, dancing, acting, I love all three. | 0:02:52 | 0:02:56 | |
I'm always learning and trying to improve. | 0:02:56 | 0:03:00 | |
I have worked with a lot of actors. | 0:03:00 | 0:03:01 | |
-Guilty or not guilty? -Not guilty, sir. | 0:03:01 | 0:03:04 | |
I've done EastEnders, E20, The Bill, Holby City, Casualty, Spooks. | 0:03:04 | 0:03:08 | |
Let me see my lawyer, government man. | 0:03:08 | 0:03:11 | |
I entered The Voice because I thought it would be | 0:03:11 | 0:03:14 | |
an amazing opportunity to be mentored by great coaches. | 0:03:14 | 0:03:17 | |
That, in itself, that's incredible. | 0:03:17 | 0:03:20 | |
I think it's important that I don't use my experiences | 0:03:22 | 0:03:25 | |
to make me think I've got this in the bag. | 0:03:25 | 0:03:28 | |
I want the coaches to turn around. | 0:03:28 | 0:03:31 | |
So I'm going to do all I can to make that happen. | 0:03:31 | 0:03:34 | |
# I came to dance | 0:03:49 | 0:03:52 | |
# Oh, I hit the floor Cos that's my plans, plans, plans | 0:03:52 | 0:03:57 | |
# I'm wearing all my favourite brands, brands, brands... # | 0:03:58 | 0:04:05 | |
'He's got two!' | 0:04:06 | 0:04:07 | |
He's got will.i.am and Danny. | 0:04:07 | 0:04:09 | |
'Come on!' | 0:04:09 | 0:04:10 | |
# Yeah, it goes on and on and on | 0:04:10 | 0:04:15 | |
# It goes on and on and on | 0:04:15 | 0:04:22 | |
# I throw my hands up in the air sometimes | 0:04:22 | 0:04:26 | |
# Saying ayo, baby, let's go | 0:04:26 | 0:04:30 | |
# Hey, I wanna celebrate and live my life | 0:04:30 | 0:04:33 | |
# Saying ayo, baby, let's go... # | 0:04:33 | 0:04:39 | |
CHEERING | 0:04:39 | 0:04:44 | |
# Yeah, I told you once | 0:04:45 | 0:04:47 | |
# Now I told you twice | 0:04:47 | 0:04:49 | |
# We gonna light it up Like it's dynamite | 0:04:49 | 0:04:54 | |
# I will risk it all | 0:04:54 | 0:04:58 | |
# I will be the last one standing | 0:04:58 | 0:05:02 | |
# I-I-I | 0:05:02 | 0:05:05 | |
# Put my hands in the air | 0:05:05 | 0:05:12 | |
# We can go all night | 0:05:12 | 0:05:13 | |
# We are gonna light it up Like it's dynamite, yeah | 0:05:13 | 0:05:18 | |
# I told you once Now I told you twice | 0:05:18 | 0:05:21 | |
# We gonna light it up Like it's dynamite. # | 0:05:21 | 0:05:26 | |
CHEERING | 0:05:26 | 0:05:29 | |
Thank you so much. Thank you, guys, too. | 0:05:42 | 0:05:46 | |
-What's your name, big man? -My name's Heshima, I'm 25. | 0:05:49 | 0:05:53 | |
25. Man, you killed it. That was one hell of a performance. | 0:05:53 | 0:05:59 | |
-Thank you so much. -You could tell within a few seconds. I was straight in. | 0:05:59 | 0:06:03 | |
You set something off in me. I went, that man has something. | 0:06:03 | 0:06:07 | |
Things you might want to work on. You see the crowds going crazy, the dance moves come out of nowhere. | 0:06:07 | 0:06:14 | |
-The vocals suffered a little bit. -Right. -I think we can work on that. | 0:06:14 | 0:06:18 | |
I think you are one to watch in this competition. I will kill to have you on my team. | 0:06:18 | 0:06:21 | |
I really would kill to have you on my team. | 0:06:21 | 0:06:25 | |
I don't want to have to explain why I think you are amazing. | 0:06:25 | 0:06:29 | |
But I think you're amazing. | 0:06:29 | 0:06:31 | |
I agree with Danny, you started losing what the focus was, | 0:06:31 | 0:06:36 | |
and that is the voice. Later on, | 0:06:36 | 0:06:38 | |
when we're whu-whu-whupping the competition on this side, | 0:06:38 | 0:06:42 | |
you can do the dance moves, we can do the dance moves then. | 0:06:42 | 0:06:46 | |
Nome of their guys can dance. You're going to whu-whu-whup them up. | 0:06:46 | 0:06:51 | |
CHEERING | 0:06:51 | 0:06:55 | |
I'm not going to do the w-w-w-whup stuff. But pick me! | 0:06:55 | 0:06:59 | |
Pick me! Come on! | 0:07:01 | 0:07:04 | |
I thought you were great. You have it. You have the whole thing. | 0:07:04 | 0:07:08 | |
So, if you are looking for longevity, you have to be with me. | 0:07:08 | 0:07:12 | |
CHEERING | 0:07:12 | 0:07:15 | |
Let me tell you, you are a worldwide global performer. | 0:07:15 | 0:07:19 | |
I know what that feels like, personally. | 0:07:19 | 0:07:23 | |
I know what that feels like personally. | 0:07:23 | 0:07:26 | |
WHOOPING AND CHEERING | 0:07:26 | 0:07:29 | |
I don't read it that way. You're not letting me finish here. | 0:07:29 | 0:07:33 | |
What I meant by that was, rewind... | 0:07:33 | 0:07:35 | |
LAUGHTER | 0:07:35 | 0:07:37 | |
As a producer/songwriter, I work with a lot of performers who tour. | 0:07:37 | 0:07:42 | |
And you are supposed to tour. | 0:07:42 | 0:07:44 | |
How are you going to take your career to the level | 0:07:44 | 0:07:48 | |
that you tour the planet? I hope I can help you do that. | 0:07:48 | 0:07:52 | |
You can't be blinded by promises of America and world tours. | 0:07:52 | 0:07:56 | |
At the end of this Voice, there's a record deal. | 0:07:56 | 0:07:59 | |
-And it's not with his label. -I'm sorry, | 0:07:59 | 0:08:01 | |
-I'm sorry, I'm sorry. -It's another song! I'm sorry. I'm sorry. I'm sorry. | 0:08:01 | 0:08:07 | |
I'm sorry, I'm sorry, I'm sorry. | 0:08:07 | 0:08:10 | |
I'm sorry. | 0:08:10 | 0:08:12 | |
You need to bring your ass over here right now. | 0:08:12 | 0:08:15 | |
You know we want you. Who do you want? | 0:08:19 | 0:08:22 | |
It's all up to you, man. | 0:08:22 | 0:08:25 | |
CHEERING AND SHOUTING | 0:08:25 | 0:08:28 | |
What is he going to say? Will, Will. | 0:08:34 | 0:08:36 | |
I'm sorry I'm taking so long, it's such an important decision, | 0:08:40 | 0:08:44 | |
do you know what I mean? | 0:08:44 | 0:08:45 | |
So, I'm going to go for... | 0:08:45 | 0:08:48 | |
-He's still confused. -Yeah, he is. -He's still confused. | 0:08:52 | 0:08:55 | |
I'm going to go for Will. | 0:09:03 | 0:09:06 | |
CHEERING AND APPLAUSE | 0:09:06 | 0:09:09 | |
I'm sorry. I'm sorry. I'm sorry. | 0:09:09 | 0:09:13 | |
Oh, I'm sorry. | 0:09:16 | 0:09:18 | |
CHEERING AND APPLAUSE | 0:09:18 | 0:09:21 | |
-I'm not talking to you. -What? | 0:09:32 | 0:09:34 | |
-I'm not talking to you. -I'm sorry. -I'm sorry, I'm sorry, I'm sorry... | 0:09:34 | 0:09:40 | |
You played that one lovely, Will, I was robbed. I was robbed! | 0:09:41 | 0:09:46 | |
In 12 years time, I'll call you... when I'm on the label you're on. | 0:09:46 | 0:09:51 | |
No fighting allowed. | 0:09:51 | 0:09:53 | |
Tom Jones, the voice of maturity sends Will and Jessie to the naughty step. | 0:09:54 | 0:09:59 | |
And here comes another voice of experience. | 0:09:59 | 0:10:04 | |
Glasgow gran Barbara Bryceland. | 0:10:04 | 0:10:06 | |
I'm Barbara and I'm a glam gran from Glasgow. | 0:10:06 | 0:10:10 | |
I think as a woman we play all roles and I enjoy being a grandmother. | 0:10:12 | 0:10:17 | |
But I'm also an individual as well. | 0:10:17 | 0:10:18 | |
We are getting younger, | 0:10:18 | 0:10:20 | |
not in our age, but getting younger in our head and how we think. | 0:10:20 | 0:10:24 | |
I'm really excited to hear you sing | 0:10:24 | 0:10:26 | |
because you seem to be one of our more experienced contestants. | 0:10:26 | 0:10:30 | |
-I'm trying to find the right way to say this? -I'm old. | 0:10:30 | 0:10:33 | |
If that's the case, you've probably been singing for longer than most people in this competition? | 0:10:33 | 0:10:39 | |
Definitely. Before these guys were even born. | 0:10:39 | 0:10:41 | |
I'll give these kids a run for their money | 0:10:41 | 0:10:43 | |
cos I've done all the stuff they've done. | 0:10:43 | 0:10:45 | |
I'm 20-something years up the road and I'm still here. | 0:10:45 | 0:10:48 | |
This is really important for me, | 0:10:53 | 0:10:54 | |
because when you become my age, you kind of become invisible. | 0:10:54 | 0:10:58 | |
After 24 years, it's time to get a bit more recognition. | 0:10:58 | 0:11:02 | |
The Voice is the best show on the planet right now. | 0:11:02 | 0:11:06 | |
And I want to be on it. | 0:11:06 | 0:11:08 | |
Go on, Barbara! Whoo-hoo! | 0:11:13 | 0:11:16 | |
# You know I dreamt of you | 0:11:20 | 0:11:24 | |
# A sin and a lie | 0:11:28 | 0:11:31 | |
# I have my freedom | 0:11:34 | 0:11:40 | |
# But I don't have much time | 0:11:41 | 0:11:47 | |
# Fate has been served | 0:11:50 | 0:11:54 | |
# Them tears must be cried | 0:11:57 | 0:12:02 | |
# Let's do some living... # | 0:12:04 | 0:12:09 | |
Come on! | 0:12:09 | 0:12:12 | |
# After we die | 0:12:12 | 0:12:21 | |
# Wild horses | 0:12:21 | 0:12:27 | |
# Couldn't drag me away | 0:12:27 | 0:12:34 | |
# Wild horses | 0:12:35 | 0:12:40 | |
# Couldn't drag me away | 0:12:43 | 0:12:48 | |
# Away | 0:12:48 | 0:12:55 | |
# Away... # | 0:12:55 | 0:13:01 | |
APPLAUSE | 0:13:01 | 0:13:05 | |
The reason why I didn't turn around, the reason why | 0:13:15 | 0:13:18 | |
I didn't turn around is because I knew that, er... | 0:13:18 | 0:13:21 | |
you and Mr Jones... Yep. | 0:13:21 | 0:13:24 | |
Have a thing going on. | 0:13:24 | 0:13:26 | |
In my dreams. | 0:13:26 | 0:13:28 | |
One thing I want to say, when I was a little girl growing up | 0:13:34 | 0:13:36 | |
and all these years, he has always been a legend in my house | 0:13:36 | 0:13:41 | |
and my family and I'm so privileged. Thanks, Tom. | 0:13:41 | 0:13:43 | |
I pressed the buzzer, so you know what I think of you. | 0:13:45 | 0:13:49 | |
I think you're a great singer, really, really great. You have a wonderful voice. | 0:13:49 | 0:13:53 | |
-I'm proud to have you on my team. -Thank you very much. Team Tom, Team Tom! | 0:13:53 | 0:13:58 | |
Are we are going to destroy all these other people? | 0:13:58 | 0:14:01 | |
Let me give you a kiss before you go. | 0:14:03 | 0:14:06 | |
Tell me how you are feeling right now. | 0:14:18 | 0:14:20 | |
Cloud 9. Absolutely amazing. What a buzz. Tom Jones was my dream. | 0:14:20 | 0:14:25 | |
He will bring out the best in me. | 0:14:25 | 0:14:27 | |
I sang with Aretha Franklin years ago and Barbara is as strong as she is. | 0:14:27 | 0:14:32 | |
She grew up listening to Tom, now she's on his team. | 0:14:32 | 0:14:35 | |
A good day for Barbara. | 0:14:35 | 0:14:37 | |
Tom Jones giving me the eyebrows. | 0:14:37 | 0:14:41 | |
Well, yeah, baby. | 0:14:41 | 0:14:44 | |
Oh! | 0:14:44 | 0:14:46 | |
From across the nation, | 0:14:49 | 0:14:51 | |
the UK's best vocal talent were invited to the Blind Auditions. | 0:14:51 | 0:14:55 | |
And that includes seasoned professionals, like West End star Kerry Ellis. | 0:14:56 | 0:15:02 | |
I have been singing all my life | 0:15:05 | 0:15:07 | |
but I have been in musicals for about ten years. | 0:15:07 | 0:15:10 | |
I got my first big show, My Fair Lady. | 0:15:10 | 0:15:14 | |
Since then I have been doing Les Mis, Oliver, Miss Saigon, We Will Rock You, Chess, Wicked. | 0:15:14 | 0:15:20 | |
I have been very fortunate to have a really good career, | 0:15:20 | 0:15:25 | |
but it's not every day you get the possibility of working with four superstars. | 0:15:25 | 0:15:30 | |
Were you getting bored of the green make-up? | 0:15:30 | 0:15:34 | |
Is that actually what this is all about! | 0:15:34 | 0:15:37 | |
I am known for being the green face. | 0:15:37 | 0:15:40 | |
Yeah, it was just an opportunity to be able to be myself | 0:15:40 | 0:15:42 | |
and sing my own songs. | 0:15:42 | 0:15:44 | |
-It's a risk. -It is a risk. But this industry is all about taking risks. | 0:15:44 | 0:15:49 | |
So I'm taking the risk. | 0:15:49 | 0:15:52 | |
Kerry has a lot to prove. | 0:15:52 | 0:15:54 | |
But before she takes the stage, another artist is about to | 0:15:54 | 0:15:57 | |
put all his faith and future in the strength of his voice. | 0:15:57 | 0:16:02 | |
I am David, I am 23. I come from a little place called Leigh in the north-west. | 0:16:02 | 0:16:06 | |
It's not the prettiest place to be. | 0:16:06 | 0:16:09 | |
I used to stack shelves overnight at a supermarket | 0:16:11 | 0:16:15 | |
but I have quit my job, so that I can focus everything on The Voice. | 0:16:15 | 0:16:20 | |
I didn't realise how big it would become for me. | 0:16:20 | 0:16:22 | |
This is my life, and I want it to be my life in a big way. | 0:16:22 | 0:16:27 | |
-OK, what are you singing today? -The Man Who Can't Be Moved | 0:16:27 | 0:16:30 | |
-by The Script. -Oh, you're brave! | 0:16:30 | 0:16:33 | |
-Tell me about it. It's a risk. -Yes, or a stroke of genius. | 0:16:33 | 0:16:39 | |
I'm hoping for the latter, my own take on it as well. | 0:16:39 | 0:16:41 | |
-That's even braver. -The guy who wrote it is going to be sat there. | 0:16:41 | 0:16:46 | |
I have quit my job, I am singing a song to Danny, | 0:16:48 | 0:16:52 | |
the guy who wrote it, and I hope it will all pay off, | 0:16:52 | 0:16:56 | |
because if not, it's back to the night shift at the supermarket. | 0:16:56 | 0:16:59 | |
# Going back to the corner where I first saw you | 0:17:16 | 0:17:21 | |
# Going to camp in my sleeping bag I'm not going to move | 0:17:21 | 0:17:26 | |
# Got some words on cardboard | 0:17:26 | 0:17:29 | |
# Got your picture in my head | 0:17:29 | 0:17:32 | |
# Saying, if you see this girl Can you tell her where I am? | 0:17:32 | 0:17:37 | |
# Some try to hand me money They don't understand | 0:17:37 | 0:17:41 | |
# I'm not broke I'm just a broken-hearted man | 0:17:41 | 0:17:46 | |
# I know it makes no sense What else can I do? | 0:17:46 | 0:17:50 | |
# How can I move over if I'm still in love with you? | 0:17:50 | 0:17:56 | |
# Cos if one day you wake up And find you're missing me | 0:17:56 | 0:18:00 | |
# And your heart starts to wonder where on earth I could be | 0:18:00 | 0:18:05 | |
# Thinking maybe you'll come back here to the place that we meet | 0:18:05 | 0:18:10 | |
# And you'll see me waiting for you on the corner of the street | 0:18:10 | 0:18:14 | |
# Cos I'm not moving | 0:18:14 | 0:18:18 | |
# I'm not moving | 0:18:18 | 0:18:22 | |
# Yeah, I'm not moving | 0:18:22 | 0:18:28 | |
# I'm not moving | 0:18:28 | 0:18:31 | |
# No | 0:18:31 | 0:18:32 | |
# Going back to the corner where I first saw you | 0:18:34 | 0:18:38 | |
# Going to camp in my sleeping bag | 0:18:38 | 0:18:42 | |
# I'm not going to move. # | 0:18:42 | 0:18:44 | |
APPLAUSE AND CHEERING | 0:18:44 | 0:18:49 | |
-What's your name? David Julien. -How old are you? -23. | 0:18:56 | 0:19:01 | |
How come you decided to come on The Voice? | 0:19:01 | 0:19:03 | |
I've taken a big risk coming on here, I've quit my job. | 0:19:03 | 0:19:06 | |
-You are kidding me. -Just to be on here. -Are you kidding me?! | 0:19:06 | 0:19:09 | |
So, fingers crossed, it was worth the risk. | 0:19:09 | 0:19:13 | |
-I have to say, you've some cojones to sing my song. -Yeah. | 0:19:13 | 0:19:16 | |
When I heard it, I heard the same heart and intention and emotion that was there | 0:19:16 | 0:19:22 | |
-when I wrote it, that's why I pushed the button. It was fantastic. -Thank you. | 0:19:22 | 0:19:27 | |
I didn't press my button because I thought you were a girl | 0:19:29 | 0:19:32 | |
and I have enough girls on the team. | 0:19:32 | 0:19:35 | |
If I'd known you were a man, I would have pressed the bloody button! | 0:19:35 | 0:19:39 | |
I pushed my button because you've got like a butter voice, | 0:19:39 | 0:19:45 | |
but you also have room to grow and become a mega-artist, | 0:19:45 | 0:19:50 | |
as well as I am looking that far ahead down the competition. | 0:19:50 | 0:19:54 | |
We have a mission - that's to take our singers out and win. | 0:19:54 | 0:19:57 | |
AUDIENCE GASP | 0:19:57 | 0:19:59 | |
Again, I'm not in this to take anybody else's singers, | 0:19:59 | 0:20:03 | |
I'm here to work with people, be creative with people. | 0:20:03 | 0:20:06 | |
-You know... -Come on, baby! | 0:20:06 | 0:20:09 | |
-Are you saying Danny? -I think Danny, I'm not sure. | 0:20:09 | 0:20:13 | |
Before you start, if I was you and I was sitting here, | 0:20:16 | 0:20:19 | |
I would probably pick Danny, but let me finish, you quit your job today, right? | 0:20:19 | 0:20:24 | |
So I quit my job and that got me in the Peas, | 0:20:24 | 0:20:28 | |
because I had to figure out, do I take a job or start a group with my passion. | 0:20:28 | 0:20:32 | |
I did that. And boom, boom, here we are. | 0:20:32 | 0:20:35 | |
CHEERING AND APPLAUSE | 0:20:35 | 0:20:39 | |
Believe me, we belong together. | 0:20:41 | 0:20:44 | |
I think I am going to go with Danny. | 0:20:52 | 0:20:55 | |
CHEERING AND APPLAUSE | 0:20:55 | 0:20:59 | |
Congratulations. A great version as well. Well done. | 0:21:02 | 0:21:06 | |
See you in April... | 0:21:06 | 0:21:08 | |
-Whoo-hoo! -Well done! | 0:21:19 | 0:21:23 | |
-Oh, my God, amazing! The gamble paid off. -Yeah. | 0:21:23 | 0:21:26 | |
'Both risks - song choice, giving up work - now it looks like a distant memory' | 0:21:26 | 0:21:32 | |
it was worth doing it and getting on here and singing my heart out. | 0:21:32 | 0:21:36 | |
But while David celebrates joining Team Danny, back stage | 0:21:39 | 0:21:44 | |
West End star Kerry Ellis is getting something unusual - stage fright. | 0:21:44 | 0:21:48 | |
I just hope someone turns around, I really do! Oh, God! | 0:21:48 | 0:21:52 | |
It's a huge opportunity that is riding on this one performance. | 0:21:52 | 0:21:58 | |
This could really change things for me | 0:21:58 | 0:22:02 | |
but if nobody turns around, it's quite humiliating. | 0:22:02 | 0:22:05 | |
# Billy Ray was a preacher's son | 0:22:18 | 0:22:20 | |
# And when his daddy would visit He'd come along | 0:22:20 | 0:22:23 | |
# When they gathered around and started talking | 0:22:23 | 0:22:26 | |
# That's when Billy would take me walking | 0:22:26 | 0:22:29 | |
# Through the back yard we'd go walking | 0:22:29 | 0:22:31 | |
# And then he'd look into my eyes | 0:22:31 | 0:22:34 | |
# Lord knows, to my surprise | 0:22:34 | 0:22:36 | |
# The only one who could ever reach me | 0:22:36 | 0:22:40 | |
-# Was the son of a preacher man... # -Come on, someone press your button. | 0:22:40 | 0:22:43 | |
# The only one who could ever teach me | 0:22:43 | 0:22:45 | |
# Was the son of a preacher man | 0:22:45 | 0:22:47 | |
# Yes, he was, he was | 0:22:47 | 0:22:49 | |
# Whoo, yeah, yeah | 0:22:49 | 0:22:52 | |
# Yes, he was | 0:22:52 | 0:22:56 | |
# How well I remember | 0:22:56 | 0:22:58 | |
# The look that was in his eyes | 0:22:58 | 0:23:00 | |
# Stealing kisses from me on the sly | 0:23:00 | 0:23:03 | |
# Taking time to make time | 0:23:03 | 0:23:06 | |
# Telling me that he's all mine | 0:23:06 | 0:23:08 | |
# Learning from each other's knowing | 0:23:08 | 0:23:10 | |
# Looking to see how much we're growing | 0:23:10 | 0:23:13 | |
# The only one who could ever reach me | 0:23:13 | 0:23:16 | |
# Was the son of a preacher man | 0:23:16 | 0:23:19 | |
# The only boy who could ever teach me | 0:23:19 | 0:23:22 | |
# Was the son of a preacher man | 0:23:22 | 0:23:24 | |
# Yes, he was, he was | 0:23:24 | 0:23:27 | |
# Ooh, yes, he was. # | 0:23:27 | 0:23:35 | |
APPLAUSE AND CHEERING | 0:23:36 | 0:23:41 | |
-What's your name, love? -Kerry Ellis. -Kerry. -Yes. | 0:23:51 | 0:23:54 | |
How long have you been singing? | 0:23:55 | 0:23:58 | |
Pretty much all my life but professionally about 12 years. | 0:23:58 | 0:24:02 | |
So you are a professional already? | 0:24:02 | 0:24:04 | |
-I've been in musicals for about ten years. -Ah. | 0:24:04 | 0:24:07 | |
-What musicals have you been in? -AUDIENCE: Wicked. | 0:24:09 | 0:24:13 | |
Wicked, Oliver, Les Mis, Miss Saigon, My Fair Lady, We Will Rock You, | 0:24:13 | 0:24:18 | |
Chess... | 0:24:18 | 0:24:21 | |
I thought you did a phenomenal job, I can't fault that. | 0:24:21 | 0:24:24 | |
-All I can fault is myself for not turning the button. -Why didn't you turn around?! | 0:24:24 | 0:24:30 | |
I'm looking for a specific type of girl singer | 0:24:30 | 0:24:32 | |
and you are not it. You will be for 99% of the rest of the UK, I'm sure. | 0:24:32 | 0:24:37 | |
Thank you. | 0:24:37 | 0:24:39 | |
This is the hardest part, where you hear someone sing phenomenal | 0:24:41 | 0:24:46 | |
-and the crowd is rocking. -Why didn't you turn around?! | 0:24:46 | 0:24:49 | |
Cos we can only pick ten people. No, it's... | 0:24:49 | 0:24:53 | |
But it seems to me you've already made it, if you are doing musicals now, you are already there. | 0:24:53 | 0:24:59 | |
-You are getting the exposure, it's great. -APPLAUSE | 0:24:59 | 0:25:04 | |
Thank you very much. | 0:25:04 | 0:25:06 | |
The difficulty and the risk that I took was to be publicly said no to. | 0:25:21 | 0:25:26 | |
-Yeah. -That's strange, but then it's character-building for me | 0:25:26 | 0:25:30 | |
and it's like, well, you know, you get back on the horse | 0:25:30 | 0:25:33 | |
and carry on and that's what I have done my whole career. | 0:25:33 | 0:25:37 | |
Getting somebody like Kerry on the show lets you know how tough this competition is. | 0:25:37 | 0:25:42 | |
I mean, even though she's successful and she's in West End musicals, she still wants to come on here | 0:25:42 | 0:25:47 | |
and compete because we have so many great singers on this show. | 0:25:47 | 0:25:51 | |
That's the hardest part, you know, how many do you pick? | 0:25:51 | 0:25:55 | |
-Still to come on The Voice tonight: Will misses out. -She was wow. | 0:25:55 | 0:26:01 | |
Now it's on. | 0:26:01 | 0:26:02 | |
A lifeguard gets cheeky. | 0:26:04 | 0:26:05 | |
I am not going to kiss you, don't get too excited, right. | 0:26:06 | 0:26:09 | |
Will two voices get double the reaction? | 0:26:09 | 0:26:13 | |
Wherever Vince Kidd goes, | 0:26:22 | 0:26:24 | |
his distinctive image gets heads turning. | 0:26:24 | 0:26:26 | |
But in the blind auditions, only a distinctive voice | 0:26:26 | 0:26:29 | |
will get the chairs turning. | 0:26:29 | 0:26:31 | |
I have definitely always been that kid growing up | 0:26:31 | 0:26:34 | |
that's just never fitted in. Always been slightly eccentric. | 0:26:34 | 0:26:38 | |
Every day he's singing, can't shut him up, but it's his life really. | 0:26:40 | 0:26:44 | |
He's always had a very unique style. | 0:26:44 | 0:26:47 | |
My mum's horrified, she says, "Look at the state of his boots." | 0:26:47 | 0:26:51 | |
But he is just Vince, still my little boy. | 0:26:51 | 0:26:54 | |
You couldn't look more different if you tried. | 0:26:54 | 0:26:56 | |
-Have you ever worn anything like that? -I don't think I'd get in it, to be honest. | 0:26:56 | 0:27:00 | |
No, but he used to be a punk. | 0:27:00 | 0:27:01 | |
-What colour was your hair back in the day? -A few red streaks down the side. | 0:27:01 | 0:27:08 | |
-Did you do the sleeveless look? -No, just bondage trousers. | 0:27:08 | 0:27:12 | |
Just bondage trousers, as you do! | 0:27:12 | 0:27:14 | |
I definitely, at times, you know, doubt myself. | 0:27:19 | 0:27:22 | |
I definitely have times when I can't do this. | 0:27:24 | 0:27:28 | |
The fact I am not just going to be judged straight out | 0:27:28 | 0:27:31 | |
on the way I look is quite scary. | 0:27:31 | 0:27:33 | |
# I made it through the wilderness | 0:27:42 | 0:27:46 | |
# Now I made it through | 0:27:46 | 0:27:49 | |
# I didn't know how lost I was until I found you | 0:27:50 | 0:27:55 | |
# I was beat | 0:27:55 | 0:27:57 | |
# Incomplete | 0:27:57 | 0:27:59 | |
# And I was sad and blue but you made me feel | 0:27:59 | 0:28:04 | |
# Yeah, you made me feel | 0:28:04 | 0:28:09 | |
# So shiny and new | 0:28:09 | 0:28:12 | |
# Like a virgin Touched for the very first time | 0:28:12 | 0:28:18 | |
# Like a virgin | 0:28:18 | 0:28:22 | |
# When your heart beats | 0:28:22 | 0:28:23 | |
# Going to give you all my love | 0:28:24 | 0:28:28 | |
# Yeah my fear is fading fast | 0:28:28 | 0:28:31 | |
# I've been saving it up for you cos only love can last | 0:28:31 | 0:28:37 | |
APPLAUSE AND CHEERING | 0:28:37 | 0:28:40 | |
He's got Jessie! Come on! | 0:28:42 | 0:28:47 | |
CHEERING AND APPLAUSE | 0:28:47 | 0:28:49 | |
Come on, Tom! Turn round. | 0:28:54 | 0:28:56 | |
# Like a virgin Touched for the very first time | 0:28:56 | 0:29:00 | |
# Like a virgin | 0:29:00 | 0:29:04 | |
# When your heart beats | 0:29:04 | 0:29:05 | |
# Like a virgin, yeah | 0:29:07 | 0:29:10 | |
# Oo-oo-ooh | 0:29:10 | 0:29:14 | |
# Li-i-ike a virgi-i-in. # | 0:29:14 | 0:29:21 | |
APPLAUSE AND CHEERING | 0:29:21 | 0:29:24 | |
I thought it was two people up there. | 0:29:47 | 0:29:49 | |
LAUGHTER | 0:29:49 | 0:29:51 | |
-What's your name? -I'm Vince. How you doing? | 0:29:51 | 0:29:53 | |
-Where are you from? -From London, like suburban South London. | 0:29:53 | 0:29:58 | |
LAUGHTER AND APPLAUSE | 0:30:00 | 0:30:01 | |
-Very different by the way. -Thank you very much. | 0:30:03 | 0:30:06 | |
Do you do that a lot? | 0:30:06 | 0:30:07 | |
I don't do it on every song. I wanted to play around | 0:30:07 | 0:30:10 | |
with that song a bit, make it something new. | 0:30:10 | 0:30:13 | |
-You did, definitely. It was great. -Thank you. | 0:30:13 | 0:30:17 | |
CHEERING AND APPLAUSE | 0:30:17 | 0:30:19 | |
Personally, I think you did a fantastic job. | 0:30:19 | 0:30:21 | |
I had no idea what I was going to turn around to | 0:30:21 | 0:30:23 | |
but I have to say the look matched the song choice and the energy. | 0:30:23 | 0:30:26 | |
You look absolutely fantastic as well. Love to have you on my team. | 0:30:26 | 0:30:30 | |
Cool, man. | 0:30:30 | 0:30:31 | |
I would have to say, first you flipped the hell out of that, | 0:30:32 | 0:30:37 | |
you switched it up and I never thought somebody could take | 0:30:37 | 0:30:42 | |
Madonna's Like A Virgin and just soul it up like that, | 0:30:42 | 0:30:46 | |
because it was never intended on being like a soul song. | 0:30:46 | 0:30:48 | |
It's like the ultimate pop song ever. | 0:30:48 | 0:30:51 | |
You put a whole bunch of soul sauce in it. | 0:30:51 | 0:30:53 | |
It would be awesome if you could join my squad. | 0:30:53 | 0:30:55 | |
CHEERING AND APPLAUSE | 0:30:55 | 0:30:57 | |
That was amazing, when I pull this face, I know that I like it. | 0:30:59 | 0:31:04 | |
I am all about voices and all about...that. | 0:31:04 | 0:31:08 | |
So, if you want to do a lot of that, then holler! | 0:31:08 | 0:31:10 | |
I think we all feel the same way. We'd all like you... | 0:31:12 | 0:31:16 | |
-Oh, did you turn your chair? I didn't think you turned it! -Of course I did. | 0:31:16 | 0:31:20 | |
That's brilliant, I got four! | 0:31:20 | 0:31:23 | |
APPLAUSE | 0:31:23 | 0:31:25 | |
That's cool! I didn't realise, sorry. | 0:31:26 | 0:31:29 | |
On my life, I thought it was two people. I thought, "What am I listening to?" | 0:31:29 | 0:31:33 | |
-I was enjoying it so much. -Oh, wicked. | 0:31:33 | 0:31:37 | |
Oh, I have to choose now. Oh, gosh. | 0:31:38 | 0:31:40 | |
AUDIENCE SHOUTING | 0:31:40 | 0:31:42 | |
Right, seriously, Tom Jones, you're an absolute legend. | 0:31:42 | 0:31:46 | |
It's really hard. | 0:31:46 | 0:31:49 | |
I've got four people that I very much respect and admire. | 0:31:49 | 0:31:51 | |
I'll just say that they all have strong singers in their teams. I don't have someone as strong as you. | 0:31:51 | 0:31:57 | |
-Danny! -Oh, the sob story. | 0:32:00 | 0:32:02 | |
-I want to win and you know I will fight for someone I want to win. That's you, boy. -OK. OK. | 0:32:02 | 0:32:09 | |
Um... | 0:32:15 | 0:32:16 | |
Do you know what, I'm going to go with Jessie J. | 0:32:19 | 0:32:22 | |
I just love you. | 0:32:26 | 0:32:27 | |
I love you. That's it. I love you, I love you. | 0:32:27 | 0:32:31 | |
I used to come and watch you perform. | 0:32:31 | 0:32:33 | |
APPLAUSE | 0:32:33 | 0:32:35 | |
-What a voice. -I really thought it was two people. | 0:32:41 | 0:32:45 | |
It's all right for you. | 0:32:45 | 0:32:46 | |
I'm excited now. | 0:32:46 | 0:32:48 | |
CHEERING AND APPLAUSE | 0:32:50 | 0:32:52 | |
You know what, I never ever get emotional but I feel very emotional. | 0:32:52 | 0:32:57 | |
Oh, God bless you. | 0:32:57 | 0:32:58 | |
Sometimes an artist's voice is totally at odds with their image, | 0:33:00 | 0:33:04 | |
which is why we have blind auditions. | 0:33:04 | 0:33:07 | |
So, what kind of vocal surprise does 17-year-old Shansel | 0:33:07 | 0:33:10 | |
have for our coaches? | 0:33:10 | 0:33:13 | |
I'm Shansel, I'm 17 and I'm a student. | 0:33:13 | 0:33:15 | |
Everyone says, "I've been singing all my life," | 0:33:16 | 0:33:19 | |
but when I was nine months old my mum and dad bought a karaoke machine | 0:33:19 | 0:33:22 | |
and they couldn't keep me away with it. | 0:33:22 | 0:33:24 | |
Shut up, will ya? We're trying to watch telly. | 0:33:24 | 0:33:26 | |
They will say, "Can you shut up," because I don't stop. | 0:33:26 | 0:33:31 | |
Everything I do, I'm singing. They're ripping their hair out over it. | 0:33:31 | 0:33:34 | |
I ain't been taught. I'm not posh. I'm very down-to-earth. | 0:33:34 | 0:33:39 | |
# I don't care what the people... # | 0:33:39 | 0:33:41 | |
People don't expect the music I sing to come out of myself | 0:33:41 | 0:33:45 | |
because I don't put myself across like that. | 0:33:45 | 0:33:48 | |
It comes as quite a shock to everybody. | 0:33:48 | 0:33:50 | |
People can't tell that I'm a 17-year-old by the way I sing. | 0:33:55 | 0:33:58 | |
My mum says I sound like a 30-year-old. | 0:33:59 | 0:34:01 | |
I've never done anything like this before. | 0:34:03 | 0:34:06 | |
I've never performed in front of a load of people. | 0:34:06 | 0:34:08 | |
It's like music royalty out there, isn't it? | 0:34:08 | 0:34:11 | |
# Nessun dorma... # | 0:34:19 | 0:34:23 | |
Wow! | 0:34:23 | 0:34:25 | |
CHEERING AND APPLAUSE | 0:34:25 | 0:34:26 | |
# Nessun dorma | 0:34:26 | 0:34:30 | |
# Tu pure, o Principessa | 0:34:32 | 0:34:38 | |
# Nella tua fredda stanza | 0:34:38 | 0:34:44 | |
# Guardi le stelle | 0:34:44 | 0:34:49 | |
# Che tremano d'amore | 0:34:49 | 0:34:55 | |
# E di speranza | 0:34:55 | 0:35:02 | |
# Ma il mio mistero e chiuso in me | 0:35:04 | 0:35:11 | |
# Il nome moi nessun sapra! | 0:35:11 | 0:35:17 | |
# No, no, sulla tua bocca lo diro | 0:35:17 | 0:35:25 | |
# Quando la luce splendera | 0:35:27 | 0:35:33 | |
# All'alba vincero | 0:35:33 | 0:35:41 | |
# Vincero | 0:35:42 | 0:35:48 | |
# Vincero... # | 0:35:48 | 0:35:55 | |
APPLAUSE | 0:35:55 | 0:35:58 | |
Wow! | 0:36:11 | 0:36:12 | |
-Wow. What's your name? -Shansel. -That was beautiful. -Thank you. | 0:36:12 | 0:36:19 | |
-How old were you when you started singing? -I'm 17 now... | 0:36:19 | 0:36:23 | |
-Wow! -17. | 0:36:23 | 0:36:24 | |
Too late. Too late. | 0:36:27 | 0:36:30 | |
I've never had a singing lesson in my life. I was taking the mickey | 0:36:30 | 0:36:34 | |
out of Katherine Jenkins and Lesley Garret on the TV | 0:36:34 | 0:36:37 | |
and then I discovered I could to it so ever since then I've just been like... | 0:36:37 | 0:36:40 | |
CHEERING AND APPLAUSE | 0:36:40 | 0:36:42 | |
I didn't turn around because I thought you would be older. | 0:36:44 | 0:36:47 | |
I thought you would be someone who I would be intimidated by. | 0:36:47 | 0:36:51 | |
But I think this isn't the last we are going to see of you. | 0:36:51 | 0:36:54 | |
Thank you very much. | 0:36:54 | 0:36:55 | |
I'm kicking myself in the butt right now. | 0:37:00 | 0:37:04 | |
Something told me | 0:37:04 | 0:37:05 | |
to turn around because there is an opportunity to re-invent radio. | 0:37:05 | 0:37:10 | |
Just because radio is the way it is, it doesn't mean it has to | 0:37:10 | 0:37:14 | |
stay like that. | 0:37:14 | 0:37:16 | |
When I turned around and you told me you never took lessons | 0:37:16 | 0:37:18 | |
and you're 17 years old and you were just taking the mickey | 0:37:18 | 0:37:21 | |
out of what you saw on TV... | 0:37:21 | 0:37:23 | |
It's my fault that I missed an opportunity here on The Voice. | 0:37:24 | 0:37:28 | |
I mean that from the bottom of my heart. For real. | 0:37:28 | 0:37:32 | |
Thank you so much. Thank you. | 0:37:32 | 0:37:33 | |
APPLAUSE | 0:37:33 | 0:37:37 | |
If I had that... What! She was wow! It was my fault. | 0:37:49 | 0:37:54 | |
So tough, because you can't see them. | 0:37:54 | 0:37:56 | |
I'm supposed to be thinking outside the box. | 0:37:56 | 0:37:58 | |
I'm supposed to dream. That's what I bring. You know. Now it's on! | 0:37:59 | 0:38:05 | |
Mmm. | 0:38:05 | 0:38:07 | |
Are you all right? Well done! | 0:38:09 | 0:38:13 | |
I wish they pushed the button | 0:38:13 | 0:38:15 | |
but the response I got after was good enough. | 0:38:15 | 0:38:18 | |
I have took in all the advice. I soaked that all in. | 0:38:18 | 0:38:20 | |
The response from will.i.am is good enough for me, definitely. | 0:38:20 | 0:38:24 | |
Well done. | 0:38:24 | 0:38:27 | |
Shansel proves that there are no second chances for our coaches | 0:38:27 | 0:38:31 | |
and choosing on voice alone is tough. | 0:38:31 | 0:38:33 | |
If you were a coach, would you turn for Ross Wild's voice? | 0:38:37 | 0:38:40 | |
# It's something unpredictable But in the end it's right | 0:38:40 | 0:38:46 | |
# I hope you have the time of your li-i-ife... # | 0:38:46 | 0:38:55 | |
APPLAUSE AND CHEERING | 0:38:58 | 0:38:59 | |
-Can I pretend I hit the button? -We made a mistake. | 0:39:02 | 0:39:06 | |
Having my chance over again, I should have hit the button. | 0:39:06 | 0:39:10 | |
Cos I think you're great. | 0:39:10 | 0:39:12 | |
APPLAUSE | 0:39:12 | 0:39:13 | |
And listen to Sam Thornton - to press or not to press? | 0:39:21 | 0:39:26 | |
# Why do fools fall in love | 0:39:27 | 0:39:33 | |
# Fall in love, in love, in love. # | 0:39:33 | 0:39:40 | |
APPLAUSE | 0:39:42 | 0:39:43 | |
Why do fools not turn around? | 0:39:47 | 0:39:51 | |
LAUGHTER | 0:39:51 | 0:39:53 | |
I'm kicking myself. I'm just kicking myself now. | 0:39:53 | 0:39:56 | |
Sam didn't go through, not because he wasn't good enough | 0:39:56 | 0:39:59 | |
but because we're idiots. | 0:39:59 | 0:40:00 | |
People will be saying, "Why didn't you press the button?" | 0:40:00 | 0:40:04 | |
I honestly don't have an answer, you are fantastic. You really are. | 0:40:04 | 0:40:07 | |
# Hallelujah... # | 0:40:14 | 0:40:15 | |
Close your eyes and decide whether Siobhan Stott floats your boat. | 0:40:15 | 0:40:19 | |
# Hallelujah | 0:40:22 | 0:40:25 | |
# Hallelu-u-ujah. # | 0:40:25 | 0:40:33 | |
CHEERING AND APPLAUSE | 0:40:33 | 0:40:35 | |
I really wish I had hit my button, stupid button. Um... | 0:40:42 | 0:40:47 | |
It's hard because the calibre of singers on this show | 0:40:49 | 0:40:53 | |
is really, really strong. | 0:40:53 | 0:40:55 | |
She was a great singer. I should have banged the bloody button. | 0:40:59 | 0:41:02 | |
Gutted. | 0:41:02 | 0:41:04 | |
I'm gutted as well, man. | 0:41:04 | 0:41:06 | |
So will there be regrets or celebrations all round | 0:41:10 | 0:41:14 | |
for road-hardened music man Vince Freeman? | 0:41:14 | 0:41:16 | |
I'm Vince, I'm 34, and I'm a musician. | 0:41:16 | 0:41:19 | |
I've spent my entire life doing music. | 0:41:19 | 0:41:23 | |
I don't believe there's many people, if any, that work harder than me. | 0:41:23 | 0:41:27 | |
At the moment, I'm gigging wherever I can get shows. | 0:41:27 | 0:41:30 | |
I've been doing 300 shows a year. | 0:41:30 | 0:41:32 | |
I have thrown everything I've got at being successful. | 0:41:34 | 0:41:37 | |
I started in my bedroom, slamming my feet. That's what I like to do. | 0:41:38 | 0:41:42 | |
It's all about those moments in front of that one person | 0:41:45 | 0:41:48 | |
that can change your whole life. | 0:41:48 | 0:41:51 | |
All I've really wanted is the opportunity to be able to say, | 0:41:52 | 0:41:56 | |
"Yeah, I've had my shot." | 0:41:56 | 0:41:58 | |
# Lay where you lay | 0:42:18 | 0:42:20 | |
CHEERING | 0:42:20 | 0:42:22 | |
# Don't make a sound | 0:42:22 | 0:42:24 | |
# I know you're watching | 0:42:26 | 0:42:28 | |
# They're watching | 0:42:30 | 0:42:32 | |
# All the commotion | 0:42:33 | 0:42:36 | |
# The killing and praying | 0:42:37 | 0:42:40 | |
# Has people talking | 0:42:40 | 0:42:43 | |
# They're talking | 0:42:45 | 0:42:46 | |
# And yo-o-ou | 0:42:48 | 0:42:53 | |
# Your sex is on fire | 0:42:53 | 0:42:58 | |
-He's pressed his button! -Has he? -He moved his hand. | 0:42:59 | 0:43:02 | |
# Is this forever? | 0:43:02 | 0:43:04 | |
# Or just tonight | 0:43:07 | 0:43:09 | |
# Are we the greatest? | 0:43:11 | 0:43:13 | |
# The greatest, the greatest | 0:43:14 | 0:43:18 | |
# You | 0:43:19 | 0:43:23 | |
# Your sex is on fire | 0:43:23 | 0:43:28 | |
# You, your sex is on fire | 0:43:34 | 0:43:42 | |
# Fire. # | 0:43:44 | 0:43:50 | |
Yes! | 0:43:51 | 0:43:53 | |
CHEERING AND APPLAUSE | 0:43:53 | 0:43:56 | |
-You just turned your chair. -Absolutely. | 0:44:03 | 0:44:06 | |
-What's your name? -My name is Vince. -Nice to meet you. -Nice to meet you too, sir. | 0:44:10 | 0:44:15 | |
-You've got no shoes on. -I haven't. -Why? | 0:44:15 | 0:44:18 | |
-I don't like playing with shoes. -Have you got nice feet though? | 0:44:18 | 0:44:22 | |
No, I've got web toes. | 0:44:22 | 0:44:23 | |
LAUGHTER | 0:44:23 | 0:44:26 | |
You're awesome. Like, really good. | 0:44:29 | 0:44:31 | |
Thank you. I wanted to turn around the first note you hit. | 0:44:31 | 0:44:34 | |
But then you belong with Danny. | 0:44:34 | 0:44:37 | |
You play the guitar, you sing wonderful, you are awesome, | 0:44:37 | 0:44:40 | |
awesome, but you belong with him. | 0:44:40 | 0:44:42 | |
Nice! | 0:44:45 | 0:44:47 | |
I do know talent when I hear it, yes, indeed. | 0:44:48 | 0:44:51 | |
I turned my chair because there is rawness in there. | 0:44:51 | 0:44:54 | |
Yours is the perfect voice to get me through | 0:44:54 | 0:44:56 | |
to the next round to beat these guys. | 0:44:56 | 0:44:58 | |
-There's more. -Come over here. Welcome. Get over here. | 0:44:58 | 0:45:02 | |
# I got soul but I'm not a soldier... # | 0:45:04 | 0:45:07 | |
Shoes off! | 0:45:07 | 0:45:10 | |
-Great singer. -Yeah. | 0:45:12 | 0:45:14 | |
Ye-e-eah! | 0:45:16 | 0:45:18 | |
So the shoeless wonder bags his place on Team Danny. | 0:45:19 | 0:45:23 | |
Mind your toes on the way out! | 0:45:23 | 0:45:25 | |
Coming up, an '80s superstar... | 0:45:26 | 0:45:28 | |
# Systematic... # | 0:45:28 | 0:45:30 | |
..a voice from the valleys... | 0:45:33 | 0:45:36 | |
First of all, we Welsh people have to stick together. | 0:45:36 | 0:45:39 | |
You are the reason I came on the show, to find people that can sing. | 0:45:39 | 0:45:42 | |
..and break it up, you lot. | 0:45:43 | 0:45:45 | |
-You belong with Danny. -You are kidding me! | 0:45:45 | 0:45:48 | |
-A ladies man. -That's all it is. | 0:45:48 | 0:45:51 | |
I didn't turn around because if you had sung one of our songs... | 0:45:51 | 0:45:54 | |
The violin's out... | 0:45:54 | 0:45:55 | |
All right, guys, pick on the young girl. | 0:45:56 | 0:46:00 | |
If you're making superstars fight it out, | 0:46:00 | 0:46:02 | |
you know you're on to a winner. | 0:46:02 | 0:46:04 | |
So can Alex Josh get them all squaring up? | 0:46:04 | 0:46:07 | |
My name is Alex, I work part-time as a lifeguard | 0:46:09 | 0:46:11 | |
and I do a bit of singing on the side. | 0:46:11 | 0:46:14 | |
I'm quite a cheeky chappy. | 0:46:14 | 0:46:16 | |
I wouldn't say I've been a good boy. I got kicked out of school. | 0:46:16 | 0:46:19 | |
Wasn't a good move. Didn't get the qualifications. | 0:46:19 | 0:46:23 | |
I just could have done better, you know. | 0:46:23 | 0:46:26 | |
All I have ever wanted to do is sing, even if it's sing in a pub. | 0:46:26 | 0:46:30 | |
I can't be a lawyer, I don't want to be one. | 0:46:30 | 0:46:32 | |
I want to share. Make a few people happy. | 0:46:32 | 0:46:36 | |
-When you are on stage, do the girls respond to you? -I suppose they do. -Yeah, they do. | 0:46:36 | 0:46:42 | |
Is that a big draw for you, something you look forward to, | 0:46:42 | 0:46:45 | |
if it all goes well? | 0:46:45 | 0:46:46 | |
Of course I look forward to girls! | 0:46:46 | 0:46:48 | |
I'm Aleks, I am who I am. Just Aleks. | 0:46:50 | 0:46:55 | |
I am trying to hide my nervousness with confidence. | 0:46:58 | 0:47:02 | |
I don't know how I'm feeling. Very nervous, yeah. | 0:47:02 | 0:47:08 | |
# Well, you've done done me and you bet I felt it | 0:47:21 | 0:47:24 | |
# Tried to be chill but you're so hot that I melted... # | 0:47:24 | 0:47:27 | |
He's gone right away! | 0:47:29 | 0:47:31 | |
# But I won't hesitate no more, no more | 0:47:34 | 0:47:41 | |
# It cannot wait, I'm yours | 0:47:41 | 0:47:47 | |
# Open up your mind and see like me | 0:47:50 | 0:47:53 | |
# Open up your plans and damn you're free | 0:47:53 | 0:47:57 | |
# Look into your heart and you'll find the sky is yo-o-ours | 0:47:57 | 0:48:03 | |
# So please don't, please don't please don't | 0:48:03 | 0:48:05 | |
# There's no need to complicate | 0:48:05 | 0:48:08 | |
# Cos our time is short | 0:48:08 | 0:48:10 | |
# This oh, this oh, this is our fate I'm yours | 0:48:10 | 0:48:14 | |
# Doo-doo doo doo, doo-doo Doo-doo-doo doo-doo | 0:48:14 | 0:48:18 | |
# Do you want to come on Scooch on over closer, dear | 0:48:18 | 0:48:23 | |
# And I will nibble your e-e-ear | 0:48:23 | 0:48:26 | |
# Oh! # | 0:48:26 | 0:48:29 | |
CHEERING AND APPLAUSE | 0:48:30 | 0:48:33 | |
-What's your name? -Aleks Josh. | 0:48:41 | 0:48:44 | |
-Do you mind me asking how old you are? -17. | 0:48:46 | 0:48:49 | |
-17! -My job's a lifeguard. | 0:48:49 | 0:48:52 | |
-That's cool. -It's not that cool. | 0:48:52 | 0:48:54 | |
It is, I love that, I was always pretending to drown like... | 0:48:54 | 0:49:00 | |
-Cos there was always cute boys... -Jessie, if you drowned in my pool! | 0:49:00 | 0:49:04 | |
CHEERING AND APPLAUSE | 0:49:06 | 0:49:09 | |
Save me! | 0:49:10 | 0:49:12 | |
-Are you all right? -I'm so nervous. | 0:49:13 | 0:49:16 | |
Listen, for being nervous, that was one hell of a performance. | 0:49:16 | 0:49:20 | |
Great song choice as well. Really suited you. | 0:49:20 | 0:49:23 | |
You put your own spin on it and honestly, | 0:49:23 | 0:49:26 | |
I thought you were absolutely fantastic. | 0:49:26 | 0:49:28 | |
You know when you're walking down the street or you pass by | 0:49:32 | 0:49:35 | |
a restaurant or a store and you hear a song and right away your ear goes... | 0:49:35 | 0:49:39 | |
I heard it. I didn't want to wait another second so I hit my button. | 0:49:41 | 0:49:44 | |
The character of your voice is star quality. | 0:49:47 | 0:49:50 | |
APPLAUSE AND CHEERING | 0:49:50 | 0:49:51 | |
The reason I didn't turn around was because there was some tuning issues. | 0:49:55 | 0:49:59 | |
Really smile, it will change the sound... | 0:49:59 | 0:50:02 | |
He was smiling. | 0:50:02 | 0:50:04 | |
-I turned round right away, he was smiling. -There's a difference... | 0:50:04 | 0:50:09 | |
I know. He was smiling the way | 0:50:09 | 0:50:12 | |
you were taught to smile if you had a vocal coach. | 0:50:12 | 0:50:14 | |
No, it's fine. Just pick Danny. | 0:50:18 | 0:50:20 | |
I am really dazed at the moment. | 0:50:24 | 0:50:26 | |
-Sit down on the steps. -Yeah, I am going to. | 0:50:27 | 0:50:31 | |
I think, Will, I know you would be a good coach and everything, | 0:50:34 | 0:50:38 | |
but you're more rapping. | 0:50:38 | 0:50:39 | |
-No. -No. -Yeah, he is. | 0:50:39 | 0:50:43 | |
I am not saying you wouldn't be able to teach me anything. | 0:50:43 | 0:50:46 | |
I can't explain why, I am not good at explaining or anything like that. | 0:50:46 | 0:50:49 | |
I just, oh... Listen, can I just say. | 0:50:49 | 0:50:54 | |
Can I sit next to you? | 0:50:54 | 0:50:56 | |
I'm not going to kiss you, don't get too excited, right! | 0:50:58 | 0:51:01 | |
It was worth a try. | 0:51:04 | 0:51:06 | |
Come on, take your time. | 0:51:07 | 0:51:09 | |
I like your band and you know, I think, you know, your lyrics - | 0:51:09 | 0:51:14 | |
I don't want to, like... | 0:51:14 | 0:51:18 | |
-Say what's in your mind. -Say what you feel. | 0:51:18 | 0:51:20 | |
I just feel Danny. | 0:51:31 | 0:51:32 | |
Yeah, yeah, that's great. | 0:51:32 | 0:51:34 | |
APPLAUSE AND CHEERING | 0:51:35 | 0:51:37 | |
That's the winner right there, winner! | 0:51:47 | 0:51:50 | |
I think I just found a winner. | 0:51:53 | 0:51:55 | |
So, after a USA v Ireland showdown, Aleks goes for Team Danny. | 0:51:57 | 0:52:02 | |
It feels fantastic to beat Will. He went all chips in on that one | 0:52:02 | 0:52:07 | |
and he wanted Aleks bad. | 0:52:07 | 0:52:09 | |
When the stakes are high, you have to play to win. | 0:52:09 | 0:52:12 | |
It's not just what you know, it's who you know. | 0:52:13 | 0:52:17 | |
Frank Sinatra once told me... | 0:52:17 | 0:52:19 | |
I worked for Macy Gray before she was big... | 0:52:19 | 0:52:22 | |
The name-dropping has been horrendous. | 0:52:22 | 0:52:24 | |
We were supporting Paul McCartney... | 0:52:24 | 0:52:26 | |
I've got something - oh, it's another name. | 0:52:26 | 0:52:28 | |
MOCKING: I think you should work with me because I've worked with Usher! | 0:52:28 | 0:52:31 | |
I have met everybody that was around so I can pull names out of the hat. | 0:52:31 | 0:52:34 | |
I knew Dusty Springfield very well. | 0:52:34 | 0:52:36 | |
Aretha Franklin, Shirley Bassey, Kelly Jones is a good friend of mine. | 0:52:36 | 0:52:40 | |
I know Tina Turner well. | 0:52:40 | 0:52:43 | |
I met Justin Bieber once, woo! | 0:52:43 | 0:52:46 | |
-I was living with Michael Jackson... -I was with Elvis Presley. | 0:52:46 | 0:52:50 | |
CHEERING | 0:52:50 | 0:52:53 | |
Hoping she will be a name worth fighting over, | 0:52:56 | 0:52:59 | |
it's teenager Frances Wood. | 0:52:59 | 0:53:02 | |
# I need a dollar, dollar Dollar is what I need... # | 0:53:02 | 0:53:05 | |
My name is Frances Wood, I am 18 years of age. | 0:53:05 | 0:53:07 | |
I'm from quite a working class family | 0:53:07 | 0:53:09 | |
and I am not afraid to work hard to get to where I need to be. | 0:53:09 | 0:53:12 | |
I work as a bartender to fund my equipment. | 0:53:14 | 0:53:17 | |
I have put songs I have written on to a CD that I sell at the pub. | 0:53:17 | 0:53:22 | |
Everything I do all revolves around my music. | 0:53:22 | 0:53:25 | |
The song I am going to be singing is Where Is The Love by Black Eyed Peas, which adds | 0:53:27 | 0:53:31 | |
pressure because obviously will.i.am is the coach, so I have to impress him. | 0:53:31 | 0:53:35 | |
I am ready to showcase it, to hopefully the nation, worldwide. | 0:53:36 | 0:53:40 | |
This an opportunity money can't buy so I have to make it count. | 0:53:44 | 0:53:49 | |
I have been told that I am living in the clouds, | 0:53:49 | 0:53:52 | |
which makes you want it more. | 0:53:52 | 0:53:54 | |
Black Eyed Peas! She's brave! | 0:54:00 | 0:54:04 | |
# What's wrong with the world, mama? | 0:54:06 | 0:54:08 | |
# People living like they ain't got no mamas | 0:54:08 | 0:54:10 | |
# I think the whole world's addicted to the drama | 0:54:10 | 0:54:14 | |
# Only attracted to the things that'll bring you trauma | 0:54:14 | 0:54:17 | |
w# And yeah, we try to stop terrorism | 0:54:17 | 0:54:19 | |
# We still got terrorists here living in the USA | 0:54:19 | 0:54:23 | |
# The big CIA, Bloods and the Crips and the KKK | 0:54:23 | 0:54:26 | |
# But if you only have love for your own race | 0:54:26 | 0:54:29 | |
# Then you better leave space to discriminate | 0:54:29 | 0:54:32 | |
# To discriminate only generates hate | 0:54:32 | 0:54:34 | |
# So you're bound to get irate, hey | 0:54:34 | 0:54:37 | |
# Madness is what you demonstrate... # | 0:54:37 | 0:54:40 | |
Come on! | 0:54:40 | 0:54:42 | |
# But you gotta have love, you gotta have love | 0:54:42 | 0:54:48 | |
# People killing, people dying | 0:54:48 | 0:54:51 | |
# Children hurting, nearly crying | 0:54:51 | 0:54:53 | |
# Would you practice what you preach? | 0:54:53 | 0:54:56 | |
# Would you turn the other cheek? | 0:54:56 | 0:54:58 | |
# Father, father, father help us | 0:54:58 | 0:55:01 | |
# Send us guidance from above | 0:55:01 | 0:55:04 | |
# People got me, got me questioning | 0:55:04 | 0:55:07 | |
# Where is the love? # | 0:55:07 | 0:55:08 | |
Come on, Will! | 0:55:08 | 0:55:09 | |
# Where is the love? | 0:55:09 | 0:55:12 | |
# Where is the love? | 0:55:12 | 0:55:15 | |
# Where is the love The love, the love? | 0:55:15 | 0:55:19 | |
# One love, one love We got one love, one love. # | 0:55:19 | 0:55:22 | |
No! | 0:55:22 | 0:55:24 | |
Yeah! | 0:55:25 | 0:55:27 | |
CHEERING | 0:55:27 | 0:55:30 | |
Thank you very much. | 0:55:30 | 0:55:31 | |
-What's your name? -Frances Wood. | 0:55:36 | 0:55:38 | |
See now, for me, I was that close to pressing the button and only | 0:55:38 | 0:55:42 | |
when I heard the "come on, Will", I knew there's no point | 0:55:42 | 0:55:45 | |
because already you're singing his song. | 0:55:45 | 0:55:49 | |
There was nothing wrong with the performance. | 0:55:49 | 0:55:51 | |
I think he's going to do fantastic with you. | 0:55:51 | 0:55:54 | |
-Maybe leave out the name next time. -OK! | 0:55:54 | 0:55:56 | |
APPLAUSE | 0:55:56 | 0:55:59 | |
First off, you know, | 0:55:59 | 0:56:01 | |
I didn't turn around because you sung one of our songs, | 0:56:01 | 0:56:04 | |
-I turned around... -Whatever! | 0:56:04 | 0:56:05 | |
LAUGHTER | 0:56:05 | 0:56:08 | |
Honestly! | 0:56:08 | 0:56:09 | |
-The reason I turned around is cos you have a great voice. -Thank you. | 0:56:10 | 0:56:16 | |
Sometimes it's hard to hear a person's voice when they're singing your song. | 0:56:16 | 0:56:20 | |
But I listened to how you reinterpreted a rap | 0:56:20 | 0:56:25 | |
and sung a rap but added your own flavour. | 0:56:25 | 0:56:28 | |
Some parts where you were out of breath | 0:56:28 | 0:56:31 | |
but I would like to work with you on those parts. | 0:56:31 | 0:56:35 | |
-That's why I pressed the button. -Thank you very much. | 0:56:35 | 0:56:39 | |
I don't normally do rapping but I wanted to show you | 0:56:39 | 0:56:42 | |
that I can take anything you throw at me. | 0:56:42 | 0:56:44 | |
It's something different. | 0:56:44 | 0:56:46 | |
I've stepped out of my comfort zone but I can work with anything given to me. | 0:56:46 | 0:56:51 | |
APPLAUSE | 0:56:51 | 0:56:54 | |
Welcome to Team Will.i.am! | 0:57:11 | 0:57:13 | |
Give me some of that, don't leave me hanging! | 0:57:15 | 0:57:18 | |
I have to celebrate. | 0:57:19 | 0:57:21 | |
-I know, do. -We're off to an all-you-can-eat buffet. | 0:57:21 | 0:57:24 | |
Matt and Sueleen are our first duo in the competition. | 0:57:26 | 0:57:29 | |
As a couple, you would imagine they think as one. No chance. | 0:57:29 | 0:57:33 | |
-I'm Matt. -I'm Sueleen. | 0:57:33 | 0:57:36 | |
Been together for about 15 years. | 0:57:36 | 0:57:39 | |
-Probably more than that. 16 years we have been together. -Long years! | 0:57:39 | 0:57:44 | |
I am going to slap you. | 0:57:44 | 0:57:46 | |
We spend the majority of our time together. | 0:57:46 | 0:57:49 | |
We sing all over the house. | 0:57:49 | 0:57:52 | |
The bathroom is a very good one at the moment because of the acoustics. | 0:57:52 | 0:57:56 | |
We bring out the best and worst in each other. | 0:57:56 | 0:57:59 | |
-It's very up and down. -When you have been - tell it like it is, babe. | 0:57:59 | 0:58:05 | |
Is there a particular coach that you would like to turn around? | 0:58:05 | 0:58:08 | |
Not 100% set in stone, we do have different ideas of coaching. | 0:58:08 | 0:58:12 | |
-You need to have this conversation! -We did have this discussion. | 0:58:12 | 0:58:16 | |
-Over and over again. -No, I am going to do it. | 0:58:16 | 0:58:19 | |
It's going to be down to me. | 0:58:19 | 0:58:21 | |
We will make that choice but the more you get closer to it, | 0:58:21 | 0:58:24 | |
the more you sit and think, "Is that going to be the right decision?" | 0:58:24 | 0:58:28 | |
Having a coach turn around, one, four, whatever, it's that instant, | 0:58:31 | 0:58:37 | |
"Yes, you're good, we believe in what you are doing, we understand who you are." | 0:58:37 | 0:58:42 | |
The things that were dreams before, actually you can just reach out | 0:58:42 | 0:58:46 | |
and touch them now. | 0:58:46 | 0:58:47 | |
They are actually in your grasp. | 0:58:47 | 0:58:49 | |
You've got to go for it and believe in yourself. | 0:58:50 | 0:58:53 | |
# Need a little time to think it over | 0:59:01 | 0:59:07 | |
-# I need a little space -Just on my own | 0:59:07 | 0:59:13 | |
# I need a little time | 0:59:13 | 0:59:16 | |
# To find my freedom | 0:59:16 | 0:59:21 | |
# Funny how quick the milk turns sour | 0:59:21 | 0:59:24 | |
# Isn't it? Isn't it? | 0:59:24 | 0:59:27 | |
# Your face has been looking like that for hours | 0:59:27 | 0:59:30 | |
# Hasn't it? Hasn't it? | 0:59:30 | 0:59:32 | |
# Promises, promises turn to dust | 0:59:32 | 0:59:39 | |
# Wedding bells just turn to rust. # | 0:59:39 | 0:59:44 | |
You have to turn, come on, turn! | 0:59:44 | 0:59:47 | |
# Turns into mistrust | 0:59:47 | 0:59:49 | |
# I need a little time | 0:59:50 | 0:59:53 | |
# To think it over | 0:59:53 | 0:59:56 | |
# I need a little space | 0:59:56 | 0:59:58 | |
# Just on my own | 0:59:58 | 1:00:01 | |
# I need a little time. # | 1:00:01 | 1:00:05 | |
CHEERING | 1:00:07 | 1:00:08 | |
# I need a little time | 1:00:08 | 1:00:14 | |
# I need a little time. # | 1:00:14 | 1:00:17 | |
CHEERING AND APPLAUSE | 1:00:17 | 1:00:20 | |
-Hello. -Hi. -Your names are? | 1:00:30 | 1:00:33 | |
-Sueleen and Matt. -I enjoyed that. The harmonies were very interesting. | 1:00:33 | 1:00:39 | |
-I just loved how your voices blended. -Thank you. | 1:00:40 | 1:00:43 | |
CHEERING | 1:00:43 | 1:00:47 | |
I thought it was brilliant. I love the harmony. | 1:00:47 | 1:00:50 | |
-I loved everything about it. It was really, really good. -Thank you. | 1:00:50 | 1:00:56 | |
That was a great way to make the song your own. | 1:00:56 | 1:00:58 | |
You harmonise great together, that is why you got the attention | 1:00:58 | 1:01:02 | |
of two of the biggest stars in the world. | 1:01:02 | 1:01:05 | |
Between me and you. They got to pick one of us. | 1:01:05 | 1:01:08 | |
-Any ideas? -Do you want to flip for it? | 1:01:08 | 1:01:11 | |
I think we might do that. Sounds really bad, | 1:01:11 | 1:01:15 | |
we have such different backgrounds, amazing things you can offer us. | 1:01:15 | 1:01:19 | |
I think we might flip for it. | 1:01:19 | 1:01:22 | |
-We will base our future career on a coin toss. -Don't flip! | 1:01:22 | 1:01:26 | |
-Who is heads? -Tom's heads. | 1:01:28 | 1:01:32 | |
Jessie's tails. Are you ready? | 1:01:32 | 1:01:36 | |
-It's heads. -Tom Jones. Thank you. | 1:01:42 | 1:01:44 | |
I can't believe they just flipped a coin | 1:01:46 | 1:01:50 | |
for Tom Jones or Jessie J! | 1:01:50 | 1:01:51 | |
Oh! | 1:01:55 | 1:01:58 | |
APPLAUSE | 1:01:58 | 1:02:01 | |
-The harmonies were beautiful. -Beautiful sound, I thought. | 1:02:08 | 1:02:12 | |
They compliment one another. | 1:02:12 | 1:02:15 | |
-Relieved. -So relieved and so happy. | 1:02:15 | 1:02:17 | |
Such a crazy experience. | 1:02:17 | 1:02:20 | |
We got Tom Jones! | 1:02:20 | 1:02:21 | |
We have got Tom Jones. I feel we maybe should have gone for Jessie J. | 1:02:21 | 1:02:25 | |
-Here we go. -I'm really sorry. | 1:02:25 | 1:02:27 | |
With luck on his side, Tom gets two for the price of one | 1:02:29 | 1:02:31 | |
and is now halfway to a full team of singers. | 1:02:31 | 1:02:34 | |
Next up is a 16-year-old who is not afraid to be different. | 1:02:34 | 1:02:37 | |
Can her voice stand out as much as her image? | 1:02:37 | 1:02:40 | |
My name is Holly Cosgrove. I'm not an average 16-year-old. | 1:02:40 | 1:02:44 | |
I've matured a bit faster than other people my age. | 1:02:44 | 1:02:49 | |
I started doing gigs and talent contests from the age of ten, | 1:02:50 | 1:02:55 | |
working my way up the ladder down in South Devon in the showbiz industry. | 1:02:55 | 1:02:59 | |
When my friends are out on Friday and Saturday nights partying, I'm gigging and working. | 1:03:00 | 1:03:06 | |
I feel that now is the right time for me | 1:03:06 | 1:03:09 | |
to showcase my talent to the world. | 1:03:09 | 1:03:12 | |
-You look amazing. -Thank you. | 1:03:12 | 1:03:15 | |
I like to make myself stand out from the crowd. | 1:03:15 | 1:03:18 | |
-It's not going to help you today. -It's part of my act. | 1:03:18 | 1:03:22 | |
I'm going to have to rely on my vocals for this. | 1:03:22 | 1:03:26 | |
When they turn around, it will be a nice surprise. | 1:03:26 | 1:03:29 | |
-Nice thing to add to it. -Exactly. | 1:03:29 | 1:03:31 | |
I don't think anything can quite compare to this. | 1:03:35 | 1:03:37 | |
This is bigger than anything I've ever done in the past. | 1:03:37 | 1:03:41 | |
This is what I want to do. This is where I want to be. | 1:03:41 | 1:03:44 | |
I will do everything I can to get it. | 1:03:44 | 1:03:46 | |
# Now I'm in town, break it down, thinking of making a new sound | 1:03:54 | 1:03:57 | |
# Playing a different show every night in front of a new crowd | 1:03:57 | 1:03:59 | |
# That's you now, ciao Seems that life is great now | 1:03:59 | 1:04:02 | |
# See me lose focus, as I sing to you loud | 1:04:02 | 1:04:06 | |
# I can't, no I won't hush | 1:04:06 | 1:04:07 | |
# Say the words that make you blush I'm gonna sing this now | 1:04:07 | 1:04:14 | |
# See I'm true, my songs are where my heart is | 1:04:14 | 1:04:17 | |
# Like glue, I stick to other artists | 1:04:17 | 1:04:19 | |
# I'm not you, that would be disastrous | 1:04:19 | 1:04:22 | |
# Let me sing and do my thing and move to greener pastures | 1:04:22 | 1:04:24 | |
# Cos you need me I don't need you. # | 1:04:24 | 1:04:27 | |
Come on, Hol! | 1:04:27 | 1:04:28 | |
Come on! | 1:04:28 | 1:04:30 | |
# You need me, man, I don't need you | 1:04:30 | 1:04:32 | |
# You need me, you need me, man, I don't need you | 1:04:32 | 1:04:37 | |
# You need me, man, I don't need you | 1:04:37 | 1:04:39 | |
# You need me, man, I don't need you | 1:04:39 | 1:04:42 | |
# You need me, my eyes are red | 1:04:42 | 1:04:45 | |
# I been burning, I been burning | 1:04:45 | 1:04:47 | |
# My eyes are red | 1:04:47 | 1:04:50 | |
# I been burning, you're the reason why my eyes are red | 1:04:50 | 1:04:55 | |
# I've been burning, I've been burning | 1:04:55 | 1:04:57 | |
# My eyes are red, I been burning | 1:04:57 | 1:05:02 | |
# You need me, man, I don't need you | 1:05:04 | 1:05:07 | |
# You need me, man, I don't need you | 1:05:07 | 1:05:10 | |
# You need me, you need me | 1:05:10 | 1:05:12 | |
# Man, I don't need you | 1:05:12 | 1:05:16 | |
# You need me, man | 1:05:16 | 1:05:18 | |
# You need me, man | 1:05:18 | 1:05:22 | |
# You need me, man, I don't need you. # | 1:05:22 | 1:05:29 | |
APPLAUSE | 1:05:29 | 1:05:31 | |
-Hello. -Hello. That was amazing. | 1:05:35 | 1:05:40 | |
-Your name is? -I'm Holly Cosgrove. -How are you? -I'm great. | 1:05:40 | 1:05:44 | |
-I'm loving the outfit. -Thank you. | 1:05:44 | 1:05:46 | |
I didn't turn around - two things for me I didn't hear enough, | 1:05:46 | 1:05:50 | |
control and dictation. Really pronounce your words. | 1:05:50 | 1:05:55 | |
OK, I'll take that on board. | 1:05:55 | 1:05:57 | |
I enjoyed it. I was nodding my head. I know Ed would love that version. | 1:05:57 | 1:06:00 | |
Thank you very much, thank you. | 1:06:00 | 1:06:03 | |
APPLAUSE | 1:06:03 | 1:06:06 | |
I was looking at Jessie, "Is she going to get the high note?" | 1:06:06 | 1:06:11 | |
I was 90% there. You took me to the mountain but I didn't see the view. | 1:06:11 | 1:06:17 | |
-That was the one reason why I didn't press my button. -Thank you. | 1:06:17 | 1:06:22 | |
APPLAUSE | 1:06:22 | 1:06:26 | |
Not every singer is supposed to hit a high note, | 1:06:26 | 1:06:29 | |
not every singer is supposed to sing like Aretha Franklin. | 1:06:29 | 1:06:32 | |
There are people like Bob Dylan, Bob Marley. | 1:06:32 | 1:06:36 | |
But you need confidence in your voice. | 1:06:36 | 1:06:39 | |
Michael Jackson didn't have perfect diction. | 1:06:39 | 1:06:42 | |
He said "chamone". | 1:06:42 | 1:06:44 | |
LAUGHTER | 1:06:44 | 1:06:46 | |
It's supposed to be "come on", he said "chamone"! | 1:06:46 | 1:06:48 | |
The same attention you put to your outfit, that same confidence to wear it, | 1:06:49 | 1:06:54 | |
you want to have it when you approach the microphone. | 1:06:54 | 1:06:57 | |
-How old are you? -I'm 16. -16?! | 1:06:57 | 1:07:02 | |
AUDIENCE GASPS AND APPLAUDS | 1:07:02 | 1:07:06 | |
Listen, if you could rewind it again... | 1:07:10 | 1:07:13 | |
If I could rewind that performance again there was a lot | 1:07:13 | 1:07:16 | |
that I would do differently. | 1:07:16 | 1:07:18 | |
We've all had knocks in the past, that hasn't stopped us getting back on and being here today, | 1:07:18 | 1:07:22 | |
I don't see why this will stop you either. | 1:07:22 | 1:07:25 | |
-I wouldn't have been able to do that when I was 16. -Thank you very much. | 1:07:25 | 1:07:29 | |
APPLAUSE | 1:07:29 | 1:07:32 | |
-Oh, dear. 16. -Mad! | 1:07:43 | 1:07:46 | |
'I wish they'd known how old I was.' | 1:07:46 | 1:07:48 | |
They seemed to be wanting me through at that point. | 1:07:48 | 1:07:52 | |
So frustrating! That's the way it goes. I'll come back next year. | 1:07:52 | 1:07:57 | |
You haven't seen the last of me. | 1:07:57 | 1:08:00 | |
Holly hopes it will be second time lucky. | 1:08:00 | 1:08:02 | |
Keen to get her second shot at the fame game is our next artist. | 1:08:04 | 1:08:09 | |
If you remember the '80s, you'll definitely remember this next artist. | 1:08:09 | 1:08:13 | |
My name is Deniece Pearson, I'm 43, I'm a singer and entertainer. | 1:08:13 | 1:08:19 | |
When I was 15, my father put us in a group with my brother and sisters. | 1:08:19 | 1:08:23 | |
We were called Five Star. We were dubbed the British Jackson Five. | 1:08:24 | 1:08:31 | |
# You'll always be | 1:08:31 | 1:08:35 | |
# One in a million | 1:08:35 | 1:08:37 | |
# My fantasy come true. # | 1:08:37 | 1:08:39 | |
It went so fast. | 1:08:41 | 1:08:44 | |
It was a brilliant ride. It's amazing to me to be back here. | 1:08:44 | 1:08:49 | |
You had huge success with Five Star. | 1:08:49 | 1:08:52 | |
-Is that something that you want again? -Absolutely. Now, now, now. | 1:08:52 | 1:08:56 | |
How do you feel about her going out on her own? | 1:08:57 | 1:09:01 | |
I support everything that she wants to do. My whole family does. | 1:09:01 | 1:09:05 | |
That is pretty much why I'm here, to give her moral support. | 1:09:05 | 1:09:08 | |
She's my baby sister. | 1:09:08 | 1:09:10 | |
I would love to achieve the same amount of success | 1:09:15 | 1:09:18 | |
I did with Five Star. | 1:09:18 | 1:09:19 | |
I would like to go bigger. That is my challenge. That is my dream. | 1:09:19 | 1:09:24 | |
# Aaah, yeah. # | 1:09:28 | 1:09:33 | |
CROWD WHOOPS | 1:09:33 | 1:09:36 | |
# Well, I thought I knew you | 1:09:40 | 1:09:43 | |
# That you were true | 1:09:43 | 1:09:46 | |
# I couldn't trust, call your bluff, time is up, cos I've had enough | 1:09:46 | 1:09:50 | |
# You were there by my side | 1:09:50 | 1:09:53 | |
# Always down for the ride | 1:09:53 | 1:09:56 | |
# But your joy ride came down in flames cos your greed sold me out | 1:09:56 | 1:10:01 | |
# After all of the stealing and cheating | 1:10:01 | 1:10:07 | |
# Oh, oh | 1:10:07 | 1:10:10 | |
# You're wrong, cos if it wasn't for all that you tried to do | 1:10:10 | 1:10:13 | |
# I wouldn't know how capable I am to pull through | 1:10:13 | 1:10:17 | |
# So I wanna say thank you cos it makes me that much stronger | 1:10:17 | 1:10:25 | |
# Makes me work a little bit harder, makes me that much wiser | 1:10:25 | 1:10:29 | |
# Thanks for making me a fighter | 1:10:29 | 1:10:31 | |
# Made me learn a little bit faster | 1:10:31 | 1:10:33 | |
# Made my skin a little bit thicker | 1:10:33 | 1:10:36 | |
# Makes me that much smarter | 1:10:36 | 1:10:38 | |
# So thanks for making me a fighter | 1:10:38 | 1:10:41 | |
# You tried to hide your lies, disguise yourself | 1:10:41 | 1:10:45 | |
# You're living in denial | 1:10:45 | 1:10:47 | |
# But in the end you'll see | 1:10:47 | 1:10:48 | |
# You won't stop me | 1:10:48 | 1:10:52 | |
# I am a fighter. # | 1:10:52 | 1:10:53 | |
Sing it, girl! | 1:10:53 | 1:10:55 | |
# There ain't no turnin' back Cos I had enough... # | 1:10:55 | 1:11:01 | |
CHEERING | 1:11:05 | 1:11:07 | |
# Thanks for making me a fighter. # | 1:11:08 | 1:11:12 | |
APPLAUSE | 1:11:12 | 1:11:16 | |
Where are you from? What's your back story? | 1:11:25 | 1:11:27 | |
My name is Deniece Pearson, from a group from the '80s called Five Star. | 1:11:27 | 1:11:32 | |
You're kidding! | 1:11:32 | 1:11:34 | |
-I sang with my brothers and sisters. -You didn't lose it, anyway. | 1:11:34 | 1:11:40 | |
That's for sure. I think you're fantastic. | 1:11:40 | 1:11:42 | |
APPLAUSE | 1:11:42 | 1:11:46 | |
-Hi! -Hi, girl! | 1:11:46 | 1:11:48 | |
It's so tough singing a song like that. | 1:11:48 | 1:11:49 | |
In the beginning it was too many tricks and trills. | 1:11:49 | 1:11:53 | |
I'm not one to talk... | 1:11:53 | 1:11:57 | |
-The way you laugh so quick! -She's a referee. | 1:11:57 | 1:12:00 | |
LAUGHTER | 1:12:00 | 1:12:02 | |
-"Too many rips!" -All right, guys, pick on the young girl. | 1:12:02 | 1:12:08 | |
-I can straighten that out though. -Thank you. -Yes, I can. | 1:12:08 | 1:12:13 | |
No, because you know how to do all that stuff. | 1:12:13 | 1:12:15 | |
The thing that hit me, more than anything else, | 1:12:15 | 1:12:19 | |
was the tone and the power, and you cut. | 1:12:19 | 1:12:21 | |
You dig into it. I'm looking forward to having you on my team. | 1:12:21 | 1:12:25 | |
Thank you very much. | 1:12:25 | 1:12:26 | |
APPLAUSE | 1:12:26 | 1:12:30 | |
You have the man, the legend, Tom Jones, right here. | 1:12:30 | 1:12:33 | |
After a five-star performance, | 1:12:42 | 1:12:45 | |
Deniece becomes Tom's sixth artist. | 1:12:45 | 1:12:47 | |
-I've got six. I've got six. -It's called "six bomb" but it sounds like "Sex Bomb". | 1:12:49 | 1:12:55 | |
That sounds good that. | 1:12:55 | 1:12:57 | |
I'm getting a bit trigger happy here. But the talent is so great. | 1:12:59 | 1:13:02 | |
I'll press the trigger whenever I feel it's appropriate. | 1:13:03 | 1:13:07 | |
Perhaps our final vocalist | 1:13:11 | 1:13:12 | |
and fellow Welshman might become lucky number seven for Tom. | 1:13:12 | 1:13:17 | |
My name is David Faulkner, I'm 28, I work on a construction site. | 1:13:17 | 1:13:22 | |
I started singing when I was about 20-21. | 1:13:24 | 1:13:27 | |
Through school I didn't sing because it wasn't cool to be a singer. | 1:13:27 | 1:13:32 | |
Most of the guys on-site haven't seen David perform. | 1:13:32 | 1:13:35 | |
I'm one of the only ones who have. | 1:13:35 | 1:13:37 | |
When I tell them that he can sing, they can't believe it. | 1:13:37 | 1:13:39 | |
I didn't hear him sing for around two or three years into the relationship. | 1:13:39 | 1:13:44 | |
He would go to his bedroom and shut the door. | 1:13:44 | 1:13:46 | |
I'd be sitting downstairs. That's how I first heard him. | 1:13:46 | 1:13:49 | |
I'm quite a shy person. I'm not outgoing. | 1:13:49 | 1:13:51 | |
When I'm singing, it's just something else. | 1:13:51 | 1:13:55 | |
I haven't done an audition like this before. | 1:13:59 | 1:14:02 | |
It is important to me. To be doing this as a day job would be amazing. | 1:14:03 | 1:14:08 | |
It's a dream. | 1:14:08 | 1:14:11 | |
# Very superstitious Writing's on the wall | 1:14:31 | 1:14:38 | |
# Very superstitious | 1:14:40 | 1:14:44 | |
# Ladders 'bout to fall | 1:14:45 | 1:14:50 | |
# 13-month-old baby | 1:14:50 | 1:14:52 | |
# Broke the lookin' glass | 1:14:55 | 1:15:00 | |
# Seven years of bad luck, good things in your past | 1:15:00 | 1:15:06 | |
# When you believe in things that you don't understand | 1:15:08 | 1:15:14 | |
# Then you suffer, no, no | 1:15:14 | 1:15:18 | |
# Superstition ain't the way, yeah, no, no | 1:15:18 | 1:15:24 | |
# Very superstitious | 1:15:28 | 1:15:32 | |
# Devil's on his way | 1:15:32 | 1:15:35 | |
# Oh, when you believe in things that you don't understand | 1:15:36 | 1:15:42 | |
# Then you suffer | 1:15:42 | 1:15:46 | |
# Superstition ain't the way | 1:15:46 | 1:15:51 | |
# No, no, no, no, no. # | 1:15:51 | 1:15:57 | |
APPLAUSE AND CHEERING | 1:15:57 | 1:15:59 | |
Wow, wow. | 1:16:07 | 1:16:08 | |
I have to wait for this place to calm down. | 1:16:10 | 1:16:12 | |
That was out of the box incredible. Absolutely. | 1:16:12 | 1:16:16 | |
CHEERING | 1:16:16 | 1:16:18 | |
All I got to say is, I turned around in the first bar of that song | 1:16:18 | 1:16:22 | |
cos I could hear from the get-go that you have what it takes to win this competition. | 1:16:22 | 1:16:25 | |
You are incredible. APPLAUSE AND CHEERING | 1:16:25 | 1:16:29 | |
It's just a privilege. All four of you turned around | 1:16:30 | 1:16:34 | |
and believed in my voice, you know? | 1:16:34 | 1:16:37 | |
-First of all, we Welsh people have to stick together. -Get the violins out! | 1:16:41 | 1:16:47 | |
You have a great voice and that's what this show is all about. | 1:16:47 | 1:16:50 | |
You're selling it well, as well. | 1:16:50 | 1:16:52 | |
As I said, we got to stick together, so... | 1:16:52 | 1:16:55 | |
Spectacular voice, I have worked with a lot of people in my life and I know | 1:16:59 | 1:17:04 | |
what to do with an artist like you, I know how to couple it with great music. | 1:17:04 | 1:17:08 | |
-I would love to have you on my team. -Thanks. | 1:17:08 | 1:17:10 | |
APPLAUSE | 1:17:10 | 1:17:14 | |
-Hello. -Hello. -The music came in and I was like, "please, please, | 1:17:16 | 1:17:19 | |
"have amazing vocals", and you did. | 1:17:19 | 1:17:21 | |
You're the reason I came on this show, to find people that can sing! | 1:17:21 | 1:17:25 | |
Yeah. | 1:17:25 | 1:17:27 | |
CHEERING | 1:17:27 | 1:17:29 | |
What I do know is if you are on my team | 1:17:29 | 1:17:32 | |
I am going to make you work that voice. | 1:17:32 | 1:17:34 | |
CHEERING | 1:17:34 | 1:17:37 | |
Come on then, which one are you going to choose? | 1:17:39 | 1:17:43 | |
-I have... -You say Danny, that's what you say. -What do you reckon, guys? | 1:17:44 | 1:17:50 | |
AUDIENCE SHOUTS | 1:17:50 | 1:17:57 | |
I admire all four of you massively. You are all amazing. | 1:17:58 | 1:18:02 | |
I am going to go with...Jessie. | 1:18:13 | 1:18:17 | |
CHEERING | 1:18:17 | 1:18:21 | |
Hello! | 1:18:25 | 1:18:26 | |
That's what I do. Ha-ha! | 1:18:26 | 1:18:30 | |
He picked me! | 1:18:43 | 1:18:45 | |
CHEERING | 1:18:45 | 1:18:49 | |
-A ladies' man. -That's all it is, of course. | 1:18:49 | 1:18:53 | |
That was insanely good. Do you realise that? | 1:18:54 | 1:18:59 | |
Just feels bonkers, to be honest with you. Can't believe it. | 1:19:01 | 1:19:05 | |
Hasn't sunk in quite yet. | 1:19:05 | 1:19:06 | |
It's been another amazing round of auditions | 1:19:10 | 1:19:13 | |
and the coaches have battled hard to claim their artists. | 1:19:13 | 1:19:16 | |
We have a mission and that's to take our singers out and win. | 1:19:16 | 1:19:19 | |
Here is how their teams of ten look now. | 1:19:19 | 1:19:22 | |
Tom secured three more singers and has six. | 1:19:22 | 1:19:25 | |
Will landed two more and has a total of three. | 1:19:25 | 1:19:29 | |
My team right now is pretty fresh. | 1:19:29 | 1:19:31 | |
Jessie snapped up two more and has five of her ten vocalists. | 1:19:31 | 1:19:35 | |
Danny picked up another three artists and has four altogether. | 1:19:35 | 1:19:39 | |
I am pretty much the team to watch now. | 1:19:39 | 1:19:42 | |
Next week in the blind auditions, the spectacular singing continues. | 1:19:42 | 1:19:45 | |
Now is the time for me to push singing to the forefront of my life. | 1:19:45 | 1:19:50 | |
This competition is quite scary. | 1:19:50 | 1:19:53 | |
The coaches clash. | 1:19:53 | 1:19:55 | |
I am not going to be telling you what to do. | 1:19:55 | 1:19:57 | |
Strings and orchestra. | 1:19:57 | 1:19:58 | |
-We probably share the same record collection. -We eat the same soup. | 1:19:58 | 1:20:02 | |
Don't trust people that wear denim on denim. | 1:20:02 | 1:20:05 | |
As the battle to find the country's best new vocalist gets even hotter. | 1:20:05 | 1:20:09 | |
-It's getting really tense now. -It's on! | 1:20:09 | 1:20:11 | |
Subtitles by Red Bee Media Ltd | 1:20:17 | 1:20:21 |