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The Blind Audition is the most unique part of the process. Chairs | :00:11. | :00:14. | |
are facing away from the stage, we have no idea what is going on | :00:14. | :00:17. | |
behind us. We don't know what they look like, even if they are male or | :00:18. | :00:22. | |
female of the You can hear this big, huge soul voice, and turn around it | :00:22. | :00:25. | |
could be a small girl. You are just hearing the voice, and they are | :00:25. | :00:31. | |
singing their heart out, that is a beautiful way to go about it. | :00:31. | :00:36. | |
Four superstars are on a mission to find The Voice. Each coach is | :00:36. | :00:39. | |
looking for ten singers to put on their team. We have a mission, that | :00:39. | :00:45. | |
is to take her singers out and win. If more than one coach hits the | :00:45. | :00:55. | |
:00:55. | :00:55. | ||
buzzer. We have to go, this is why you should, pick me! Come on! | :00:55. | :00:58. | |
the singer has to choose. This is so hard. | :00:59. | :01:04. | |
You better make the right choice, it could mess up your whole career. | :01:04. | :01:08. | |
You need to come here. So far Tom has six of his ten | :01:09. | :01:12. | |
singers. I'm trying to get as many different kinds of people as | :01:12. | :01:17. | |
possible so we are strong. I want to hear honesty and individuality. | :01:17. | :01:20. | |
Jessie has secured five. I have great talent, but I would love | :01:20. | :01:28. | |
another girl, with a big, big vocal. Danny has four artists on his team. | :01:28. | :01:34. | |
I have build the foundation of a good cake, I'm looking for cherries. | :01:34. | :01:37. | |
Williams has three? Everybody is looking for the same thing, I think | :01:37. | :01:39. | |
I have the ears, heart and gut to find it. | :01:39. | :01:44. | |
Tonight, as we hit the half way mark, the pressure is on. Next time | :01:44. | :01:49. | |
I ain't going to tell you all what to do. Don't trust people that wear | :01:49. | :01:53. | |
denim on denim. Time is running out to secure the | :01:54. | :01:58. | |
most talented vocalists. There is a lot at stake here. | :01:58. | :02:02. | |
So the coaches get themselves psyched up, made up. | :02:03. | :02:07. | |
And fired up for tonight's Blind Auditions. I wish I had eyes in the | :02:07. | :02:12. | |
back of my head. Only the most talented vocalists from across the | :02:12. | :02:15. | |
country have been invited. The first of them to face the coaches | :02:15. | :02:20. | |
tonight is 21-year-old Joelle Moses. She's desperate to step out of the | :02:20. | :02:23. | |
shadows and take centre stage. have been trying to make it for | :02:23. | :02:29. | |
about five years now, I have done backing vocals, for artists such as | :02:29. | :02:37. | |
Gabriel, Rihanna, Toni Braxton, it is a hard industry, it is hard to | :02:38. | :02:41. | |
get noticed and heard. It is a bitter sweet situation, it is | :02:41. | :02:45. | |
amazing to be doing these songs for these huge artists, but at the same | :02:45. | :02:55. | |
:02:55. | :02:57. | ||
time, you kind of think, I wish that was my song. | :02:57. | :03:00. | |
I have tried working with anyone and everyone who will work with me, | :03:01. | :03:06. | |
I would love to be able to emulate their kind of success. I think this | :03:06. | :03:09. | |
could be my chance and opportunity to be able to shine and be in the | :03:09. | :03:19. | |
:03:19. | :03:32. | ||
front, instead of working behind # There's a fire | :03:32. | :03:35. | |
# Starting in my heart # Reaching a fever pitch | :03:36. | :03:43. | |
# And it's bringing me out the dark # Finally | :03:43. | :03:50. | |
# I can see you crystal clear # Go ahead and sell me out | :03:50. | :03:55. | |
# And I'll say your ship bare # The scars of your love | :03:55. | :04:00. | |
# Remind me of us # They keep me thinking | :04:00. | :04:06. | |
# That we almost had it all # The scars of your love | :04:06. | :04:13. | |
# They leave me breathless # I can't help me feeling | :04:13. | :04:23. | |
:04:23. | :04:23. | ||
# We could of have had all # Rolling in the deep | :04:24. | :04:29. | |
# You had my heart and soul # In your hands | :04:29. | :04:35. | |
# And you played # to the beat | :04:35. | :04:45. | |
:04:45. | :04:46. | ||
# We could have had it all # Rolling in the deep | :04:46. | :04:52. | |
# You had my heart and soul # In your hands | :04:52. | :04:56. | |
# And you played # You played | :04:56. | :05:06. | |
:05:06. | :05:29. | ||
# To the beat APPLAUSE | :05:29. | :05:39. | |
:05:39. | :05:40. | ||
Thank you so much for turning around for me. It is your voice and | :05:40. | :05:45. | |
you that made us turn around, it wasn't nothing else. | :05:45. | :05:49. | |
Within the first couple of bars I was sold. I think you did fantastic | :05:49. | :05:54. | |
job, you really made that song your own. I really feel that me and you | :05:54. | :05:57. | |
would have a great chemistry together. Hopefully. Not in that | :05:57. | :06:06. | |
way! I don't mind chemistry between me and you Danny. It's on! What | :06:06. | :06:09. | |
about me. I have to say, I think your control is incredible and | :06:10. | :06:13. | |
breathing, I would give my left arm to work with a singer like you. | :06:13. | :06:20. | |
Wow. One thing that came to my mind is I | :06:20. | :06:24. | |
would love to write a song for you. I don't often do that, I'm picky | :06:24. | :06:29. | |
about voices I would like to write for, to sing a song that has so | :06:29. | :06:35. | |
much story as well as tone that is needed, you carried it. As a | :06:35. | :06:39. | |
female-to-female! I would like you in my team. Our voices together, | :06:39. | :06:48. | |
could be insane! I love you Jessie J. I love you too. | :06:48. | :06:54. | |
I would say too much of the same thing can be a bad, bad, bad thing. | :06:54. | :06:59. | |
I know I don't sing like Jessie or yourself, or Adele, but I know how | :06:59. | :07:04. | |
to work with good singers, produce them and stuff like that! So I know | :07:04. | :07:08. | |
how to take an artist from here to there. I would like to work with | :07:08. | :07:14. | |
you as an artist. Thank you. | :07:14. | :07:18. | |
Let me just say, I can't compete with these people as far as doing | :07:18. | :07:28. | |
things for you. But, no, no. I love the way you sing, that is what I | :07:28. | :07:32. | |
look for. For me it is coming from here, sweetheart. You get the | :07:32. | :07:36. | |
chance here to pick any of us, I would like to say I did press first, | :07:36. | :07:42. | |
though. What size shoe are you? Seven, | :07:42. | :07:45. | |
sometimes eight? That's what I'm saying, we can share shoe | :07:45. | :07:52. | |
collections. Honestly, I'm so humbled by you | :07:52. | :07:59. | |
guys turning around for me, thank you so much. | :07:59. | :08:03. | |
I honestly don't have a clue to choose. Go with your heart, go with | :08:04. | :08:13. | |
:08:14. | :08:17. | ||
your heart? I got to go with my gut instinct, | :08:17. | :08:27. | |
:08:27. | :08:50. | ||
Will.I.am. You made a good choice. | :08:50. | :08:56. | |
After a an epic battle, he adds to the Will.I.am team. She was great. | :08:56. | :09:04. | |
I really wanted her. She was really good. | :09:04. | :09:12. | |
I feel incredible. Honestly, I am so, so glad, I have been trying for | :09:12. | :09:16. | |
a very long time to try to make my dream come true. You know, this | :09:16. | :09:21. | |
could be the beginning of something amazing. I didn't think she would | :09:21. | :09:27. | |
pick me and possibly go with Jessie J, because she's a singer. I cried | :09:27. | :09:30. | |
a little bit inside, she was brilliant, I was really sad. | :09:30. | :09:36. | |
was singing from a deep place. And whatever it was was hitting me. | :09:36. | :09:42. | |
felt me and Joelle had a certain chemistry, but. I have to try | :09:42. | :09:51. | |
harder, I have to ramp it up, don't I! It is one happy coach, and three | :09:51. | :09:57. | |
bruised egos, will Jay do it again. I'm Jay Norton, I'm 24, a waiter, | :09:58. | :10:01. | |
I'm originally from Liverpool, I came to London three months ago to | :10:01. | :10:05. | |
do the music thing, that is what I came here to do, that is what I'm | :10:05. | :10:10. | |
staying here to do. When you are there making pizzas, | :10:10. | :10:14. | |
do you sing? My manager tries to get me to sing to the customers, I | :10:14. | :10:20. | |
don't go that far, I think, sing to me now, and I will give you a tip. | :10:20. | :10:25. | |
If I got this it would justify me moving to London t would show who I | :10:25. | :10:28. | |
am. I have come here to do one thing, and hopefully, that will be | :10:28. | :10:36. | |
the case. This is a chance to really change | :10:36. | :10:44. | |
the future. I don't know if there will be a bigger opportunity than | :10:44. | :10:54. | |
:10:54. | :11:02. | ||
this to really become a recording # Oh | :11:02. | :11:10. | |
# I need a dollar dollar # A dollar is what I need | :11:10. | :11:18. | |
# Said I need a dollar # A dollar is what I need | :11:19. | :11:25. | |
# I need a dollar dollar dollar # Is what I need | :11:25. | :11:31. | |
# If I share with you # Would you share your dollar with | :11:31. | :11:38. | |
# Yeah # I need a dollar | :11:38. | :11:44. | |
# A dollar is what I need # I need a dollar # A dollar is | :11:44. | :11:48. | |
what I need # I need a dollar | :11:48. | :11:52. | |
A dollar is what I need # If I share with you my story | :11:52. | :11:58. | |
# Would you share your dollar with # I don't know | :11:58. | :12:07. | |
# If I'm walking on solid ground # Anything around me | :12:07. | :12:16. | |
# All I want is someone to help me # I need a dollar dollar # A dollar | :12:17. | :12:26. | |
:12:27. | :12:27. | ||
is what I need # I -I-I-I a dollar is what I need | :12:27. | :12:32. | |
# I need a dollar # If I share with you my story | :12:32. | :12:42. | |
:12:42. | :13:01. | ||
# Would you shake your dollar I thought it was great. Thank you | :13:01. | :13:06. | |
very much. I loved the whole thing. I need a man with a strong voice | :13:06. | :13:16. | |
:13:16. | :13:18. | ||
for my team. You're it, as far as I'm concerned. I think I turned | :13:18. | :13:23. | |
around four seconds in, because I heard it, I know what I'm looking | :13:23. | :13:28. | |
for, it hit me ear like, boom, that's it, turn around right now, | :13:28. | :13:32. | |
say no more, and pray to God that these guys don't hit the button and | :13:32. | :13:37. | |
try to take what I'm focused on. Any strings in the orchestra. | :13:37. | :13:43. | |
No, no, no, I'm serious. These guy, I don't know what they are looking | :13:43. | :13:48. | |
at. These cats, man! I'm serious, really, you're the | :13:48. | :13:58. | |
bomb, for real. Is this the point I have to choose? | :13:58. | :14:08. | |
:14:08. | :14:15. | ||
I think, I'm going to have to go with Will, because he turned quick. | :14:15. | :14:24. | |
But I really appreciate you turning, I'm so thankful. | :14:24. | :14:34. | |
:14:34. | :14:39. | ||
# That tonight's gonna be a good Focused! Oh my God. | :14:39. | :14:46. | |
So psychological warrior Will, outfocuses Tom to make Jay his | :14:46. | :14:52. | |
fifth artist. # My name is Will.I.am and I have two dots in my | :14:52. | :14:56. | |
name. Is it dots? I thought it was dashs. | :14:56. | :15:02. | |
Is your real name Will? It's William. Some of our artists have | :15:02. | :15:07. | |
tasted fame and are back for a second shot. Allyson Brown was | :15:07. | :15:11. | |
winning awards win Jessie was still at school. I was spotted singing a | :15:11. | :15:17. | |
club when I was 15. It went to me winning the best unsigned Mobo act, | :15:17. | :15:22. | |
I met P Diddy and all of those kinds of people, and I didn't tell | :15:22. | :15:28. | |
a soul and went back to school and studied for exams. Most people | :15:28. | :15:31. | |
think you will have a deal and your album will come out, that didn't | :15:31. | :15:37. | |
work out. What I had never really stopped | :15:37. | :15:40. | |
singing, I have my own identity now, I feel now is the time for me to | :15:40. | :15:49. | |
push singing to the forefront of my life. | :15:49. | :15:52. | |
Singing to the four coaches, they know nothing about me, they will | :15:53. | :15:57. | |
just hear my voice, if I hit a bum note, it doesn't matter what I have | :15:57. | :16:07. | |
:16:07. | :16:19. | ||
# What amI supposed to do, # What am supposed to do baby | :16:19. | :16:27. | |
# When I'm so hooked up on you # Then I realise | :16:27. | :16:36. | |
# Oh I realise # That you are somebody else's guy | :16:36. | :16:42. | |
# Do you remember # The time we shared together | :16:42. | :16:47. | |
# Sharing our days in the sun # Then I found out | :16:48. | :16:51. | |
# That you had somebody aels's lover | :16:51. | :16:57. | |
# After all the plans we made # Can't get off my high horse | :16:57. | :17:00. | |
# I can't let go # You are the one | :17:00. | :17:07. | |
# Who makes me feel so real # Oh what am I supposed to do | :17:07. | :17:10. | |
# When I'm hooked on you # Then I realise | :17:10. | :17:15. | |
# That you're somebody else's guy # That day in September | :17:15. | :17:21. | |
# I'm sure you can remember # That's when all the stuff hit the | :17:21. | :17:31. | |
:17:31. | :17:33. | ||
# You didn't have an alibi # But baby you still care | :17:33. | :17:38. | |
# You know I can't let you go # You are the one | :17:38. | :17:45. | |
# Who makes me feel so real # What am I supposed to do | :17:46. | :17:50. | |
# If I'm hooked on you # I realise you're somebody else's | :17:50. | :18:00. | |
:18:00. | :18:20. | ||
Nobody. What's your name? Allyson Brown. | :18:20. | :18:23. | |
You sounded great, you have a great voice. | :18:23. | :18:29. | |
APPLAUSE. Thank you, bless you, sir. I was looking at Jessie, please go, | :18:29. | :18:34. | |
please go. Honestly I think you have a fantastic voice and one hell | :18:34. | :18:39. | |
of a career ahead of you, and thank you very much for performing for us. | :18:39. | :18:45. | |
I didn't turn around because I was wishing that Jessie would hit her | :18:45. | :18:50. | |
button, because she has so much knowledge on how to, because you're | :18:50. | :19:00. | |
:19:00. | :19:01. | ||
there, but you could perfect it. That knowledge Jessie has. | :19:01. | :19:08. | |
I should have pressed my button. This is about coaching, there was | :19:08. | :19:12. | |
things I was going, if she had done that, that is the whole point of | :19:12. | :19:16. | |
the show. Do not worry, thank you very much for hearing me sing today, | :19:16. | :19:25. | |
it was my pleasure. I'm really sad, you're that girl | :19:25. | :19:35. | |
:19:35. | :19:41. | ||
that I wish I had turned around for. Amazing amaze. Don't worry, it's | :19:41. | :19:51. | |
:19:51. | :19:52. | ||
all love. Just keep going. Just keep going. | :19:52. | :19:58. | |
There are no second chances for Allyson Brown or Jessie. We are | :19:58. | :20:01. | |
breaking people's hearts tonight. She should have been one of my | :20:01. | :20:05. | |
girls. Even the standard of the noes is very high, there are people | :20:06. | :20:10. | |
who are phenomenal singers and come on stage and none of us turned | :20:10. | :20:14. | |
around. The hardest thing I find with the Blind Auditions is we can | :20:14. | :20:18. | |
only pick ten. I don't like the fact that if I hear somebody that I | :20:18. | :20:23. | |
can't pick them. It is different things that light | :20:23. | :20:26. | |
your fire. It is in the moment as well. It could have been a | :20:26. | :20:30. | |
different day or different song, all four of us turn around. | :20:30. | :20:32. | |
doesn't mean you are a bad singer, it really doesn't t means you | :20:33. | :20:39. | |
weren't what we were looking for on the day. This is the hardest part. | :20:39. | :20:49. | |
:20:49. | :20:50. | ||
It is hard to explain why not. Hoping see can do better, is our | :20:50. | :20:57. | |
next artist, who sings at holiday camps, tough crowd. Hur toughest | :20:57. | :21:05. | |
audience are waiting, -- her toughest audience are waiting. | :21:05. | :21:11. | |
Leanne, I work at a holiday park. As a little girl my dream was to be | :21:11. | :21:17. | |
a singer and successful. I'm not working as a singer, I'm part of an | :21:17. | :21:20. | |
entertainment package they get while on holiday, it is not about | :21:20. | :21:26. | |
me. I think this is my chance to finally show what I can do. Now is | :21:26. | :21:36. | |
definitely the right time. It's everything. I maybe didn't | :21:36. | :21:46. | |
:21:46. | :21:53. | ||
even realise how much I still # If I were | :21:53. | :22:01. | |
# Even just for a day # I'd roll out of bed | :22:01. | :22:08. | |
# In the morning # And throw on what I wanted and go | :22:08. | :22:18. | |
:22:18. | :22:20. | ||
# Drink beer with the guys # And chase after girls | :22:20. | :22:28. | |
# I'd get with who I wanted # I'd never get confronted for it | :22:29. | :22:35. | |
# Because they'd stick up with me # If I were a boy | :22:35. | :22:45. | |
:22:45. | :22:50. | ||
# I think I could understand # That's where I'd be a better man | :22:50. | :23:00. | |
:23:00. | :23:01. | ||
# I'd listen to her # Because I know how it hurts | :23:01. | :23:04. | |
# Because when you lose the one you want | :23:04. | :23:08. | |
# Because he's taken you for granted | :23:08. | :23:13. | |
# And everything you had got to destroyed | :23:14. | :23:23. | |
:23:24. | :23:35. | ||
# If I were boy Well done, wow. | :23:36. | :23:40. | |
What's your name? Leanne. A good song to sing, as soon as you hit | :23:40. | :23:45. | |
the high note in the chorus, I was sold. You have great power, you | :23:45. | :23:48. | |
went too powerful towards the end. I would be honoured to work with | :23:48. | :23:55. | |
you. It was great. Thank you. | :23:55. | :24:04. | |
What would you want to do with me Tom! He's the sex bomb here, maybe | :24:04. | :24:08. | |
you shouldn't answer that. I'm a married man, I can't answer that | :24:08. | :24:11. | |
question. I would love to have you on my team, | :24:11. | :24:14. | |
you had the strong, when you started I thought you had a lot of | :24:14. | :24:18. | |
timber in your voice, it is very appealing to me. As you went up it | :24:19. | :24:23. | |
got stronger, and I think as the weeks go on, we will be picking all | :24:23. | :24:27. | |
kinds of songs, I feel that you can handle a wide variety of material, | :24:27. | :24:34. | |
that's what we are going to do. Thank you. | :24:34. | :24:37. | |
I think first time out of the box, standing on stage, a great | :24:37. | :24:41. | |
performance. Let's maybe bring down the range to use more of the power | :24:41. | :24:45. | |
when you need it and not up in the rafters all the time. I will be | :24:45. | :24:50. | |
absolutely blessed if you join me and my team. | :24:50. | :24:54. | |
It's down to you now. You have the choice. I'm really | :24:54. | :24:58. | |
overwhelmed. I didn't think one of you would | :24:58. | :25:08. | |
:25:08. | :25:10. | ||
turn around, let alone two of you! I'm going to go with... Tol. -- | :25:10. | :25:20. | |
:25:20. | :25:33. | ||
Wonderful voice, thank you This is everything I want or dream | :25:33. | :25:36. | |
of, what I never thought I would get, it is hard to take in right | :25:37. | :25:42. | |
now. Tom Jones is a legend! Leanne goes for the legend, as Tom | :25:42. | :25:48. | |
makes her the seventh artist on his team. Looks like I have more girls | :25:48. | :25:52. | |
than boys on my team. I wouldn't worry, it looks like all the | :25:52. | :25:58. | |
coaches are embracing the competition. Give us -- Give us a | :25:58. | :26:03. | |
kiss sweetheart. I like your hair. You look | :26:03. | :26:09. | |
beautiful. Jessie J dating contestants. There | :26:09. | :26:14. | |
is so many gorgeous girls. Danny's flirting again. No-one else, just | :26:14. | :26:21. | |
you. You need to come here babes. think you are fantastic, can I take | :26:21. | :26:27. | |
your number.Am I coming on too strong. You are basically saying I | :26:27. | :26:35. | |
don't have a chance! Next! Some artists are here for | :26:35. | :26:40. | |
more than just the performance, Cassius Henry, The Voice is a | :26:40. | :26:44. | |
chance for him to start again. had record deals in the past. I got | :26:44. | :26:51. | |
signed at a young age. I worked with Kanye West, I have toured with | :26:51. | :26:54. | |
R Kelly, I have been on Top Of The Pops. | :26:54. | :26:59. | |
I suppose it is kind of like living the dream, it is something that not | :27:00. | :27:08. | |
everybody gets to do. I everything came to a stop with the passing of | :27:08. | :27:13. | |
my little brother. Cassius's younger brother, Vivian, died from | :27:13. | :27:18. | |
a heart condition, aged just 19. suppose I didn't recover from it, | :27:18. | :27:26. | |
in a sense. He wasn't Cassius no more, he was more the shadow, kind | :27:26. | :27:29. | |
of thing. I would give my all to get back into my career, my little | :27:29. | :27:33. | |
brother was a big fan of mine. I feel like I'm letting him down. | :27:33. | :27:40. | |
This is my way to make him proud again. | :27:40. | :27:44. | |
There is a lot of things I'm thinking about today, obviously | :27:44. | :27:54. | |
:27:54. | :27:57. | ||
family, friends. My main focus is just to try to deliver it how I | :27:57. | :28:07. | |
:28:07. | :28:20. | ||
want to deliver it, see if I can # Oh | :28:20. | :28:29. | |
# Yeah # Turn the lights off | :28:29. | :28:35. | |
# In this place And she shines just like a star | :28:35. | :28:40. | |
# And I swear I know her face # I just don't know who you are | :28:40. | :28:47. | |
# Turn the music up in here # I still hear her loud and clear | :28:47. | :28:54. | |
# Like she's right there in my ear # Telling me that she wants to own | :28:54. | :29:04. | |
:29:04. | :29:07. | ||
# Control me # Come closer yeah | :29:07. | :29:15. | |
# I just qnt bring meself away # A spell I can't break | :29:15. | :29:21. | |
# I can't just stop # Oh | :29:21. | :29:26. | |
# And I just can't bring myself away | :29:26. | :29:30. | |
# A spell I can't break # I just can't | :29:30. | :29:40. | |
:29:40. | :29:42. | ||
# Stop no # I can feel my skin | :29:42. | :29:48. | |
# I can taste her on my tongue # She's the sweetest taste | :29:48. | :29:58. | |
:29:58. | :30:14. | ||
# The more I get Hi. Hello Jessie. How are you? | :30:14. | :30:18. | |
too bad, thanks. Your name is? Cassius Henry. | :30:18. | :30:25. | |
Cassius Henry. The ladies like Cassius Henry! | :30:25. | :30:29. | |
What's been your big music career move to date? Before this I | :30:29. | :30:34. | |
actually had the opportunity to be on Top Of The Pops, I toured with R | :30:34. | :30:38. | |
Kelly, that was a big deal for me. This for you could be a big second | :30:38. | :30:47. | |
break. Yeah, definitely, I think it has that potential. I was in a | :30:47. | :30:51. | |
group before The Script, we had beige turn around in fortune, if | :30:51. | :30:55. | |
you are on my team, I believe that could happen for you too. I turned | :30:55. | :30:59. | |
around because there was something in your voice that I heard that I | :30:59. | :31:04. | |
really, really liked, there were little licks and thrills you were | :31:04. | :31:09. | |
doing that were nice. If you were on my team, I would hone in on the | :31:09. | :31:14. | |
upper range, the breathing, the way you hold the mic is wrong, I think | :31:14. | :31:19. | |
you have a listenable voice. So I have to make my choice now. Jessie, | :31:19. | :31:23. | |
there is something about you, it seems you want to teach me. If it | :31:23. | :31:30. | |
is down to teaching you things, every single one of us of us has a | :31:30. | :31:34. | |
whole back room staff that not only just Jessie can teach you. She gave | :31:34. | :31:39. | |
all her advice there, you might as welcome to me. Can I just say, one | :31:39. | :31:47. | |
thing, don't trust people who wear denim on denim! This is the great | :31:47. | :31:53. | |
part of the show, it is creative control, it is up to you, you can | :31:53. | :31:58. | |
go with Miss Bliing over there. I just say, he has four guys | :31:58. | :32:08. | |
:32:08. | :32:17. | ||
already. I have no soul singers. I know I didn't turn around, Jessie | :32:17. | :32:27. | |
is great, she's awesome. Danny is great, he's awesome! That helped. | :32:27. | :32:33. | |
One thing about Danny, I didn't know this, he has been hanging out | :32:33. | :32:38. | |
on the studio with Farrell and the Timberlands, and he understands | :32:38. | :32:40. | |
production and songwriting, I didn't know that. It is unfair for | :32:40. | :32:48. | |
you guys to sit there and say how amazing and experienced Danny is, I | :32:48. | :32:53. | |
have been signed for seven years, I haven't just been around for a few | :32:53. | :32:58. | |
minutes. This industry isn't just about mic control and singing, it | :32:58. | :33:02. | |
is about someone who knows how to be serious and how to have a good | :33:02. | :33:10. | |
time, someone who knows how to own a stage, and who knows how to do a | :33:10. | :33:13. | |
worldwide release in four months. And someone who is doing it right | :33:13. | :33:23. | |
:33:23. | :33:36. | ||
now! Danny, Danny! Come on. right. The name that keeps popping | :33:36. | :33:46. | |
:33:46. | :33:49. | ||
up in my head. Is Jessie! Danny, love bro. | :33:49. | :33:56. | |
Eat face! Good choice. Good choice. Nice to meet you, I'm | :33:56. | :34:01. | |
looking forward to working you hard, it's going to be good. | :34:01. | :34:05. | |
More interesting psychological games from Will. Probably the most | :34:05. | :34:13. | |
fun I had in a while. Send Cassius in to Jessie's team. It was a | :34:13. | :34:19. | |
battle between me and Jessie, she said never trust a man who wears | :34:19. | :34:24. | |
denim on denim, I say don't trust a girl singing about bling who wears | :34:24. | :34:30. | |
lots of it. The incredible vocalists keep | :34:30. | :34:35. | |
coming. Guess who's busy with the button. | :34:35. | :34:45. | |
:34:45. | :34:47. | ||
This is Denise Morgan. # I'm not gonna write you a love | :34:47. | :34:50. | |
song # make a break | :34:50. | :34:54. | |
You were in tune and strong, I loved the tone of your voice as | :34:54. | :35:03. | |
well. You're on my team, sweetheart. | :35:03. | :35:07. | |
And which coach is the perfect fit for the voice of 47-year-old Murray | :35:07. | :35:17. | |
:35:17. | :35:22. | ||
# You give me something # I'm willing to give it a try | :35:22. | :35:29. | |
# Please give me something I love the tone you had such an old | :35:29. | :35:33. | |
smoky, wisdom, you could go the whole way. Come here, let's have a | :35:34. | :35:40. | |
bromance! Up next is 20-year-old Hannah | :35:40. | :35:44. | |
Berney from Wales, she's more used to performing from the sidelines | :35:44. | :35:50. | |
than taking centre stage. I'm a student at Exeter University. I | :35:50. | :35:57. | |
spend a lot of my time cheerleading. As a cheerleader you have to be | :35:57. | :36:05. | |
positive, driven, hard working, I guess that is me. | :36:05. | :36:09. | |
If I could sing every single day and perform every single day as a | :36:09. | :36:13. | |
job, I don't think anything could make me more happy. I just really, | :36:13. | :36:17. | |
really hope when I get out on stage that it goes exactly to the plan | :36:17. | :36:26. | |
and they turn around. Go Hannah! I'm absolutely nervous, | :36:26. | :36:31. | |
I'm so nervous. It is the single most important | :36:31. | :36:35. | |
thing I have done to date, in my singing career. The single most | :36:35. | :36:45. | |
:36:45. | :36:54. | ||
# It's been a long time # Since I came around | :36:54. | :36:59. | |
# It's been a long time # But I'm back in town | :36:59. | :37:07. | |
# This time # I'm not leaving without soul | :37:07. | :37:14. | |
# Something about this place # Yeah | :37:14. | :37:20. | |
# Something about lonely nights # And my lipstick on your face | :37:20. | :37:25. | |
# There's something # There's something about my cool | :37:25. | :37:29. | |
Nebraska girl # Yeah there's something about | :37:29. | :37:33. | |
# Baby you and I Press the button, please. | :37:33. | :37:41. | |
# You and I # Yeah you and I | :37:41. | :37:49. | |
# You and I # Oh | :37:49. | :37:52. | |
# It's been a long time # Since I came around | :37:52. | :38:00. | |
# It's been a long time # But I'm back in town | :38:00. | :38:10. | |
:38:10. | :38:23. | ||
# This time I'm not leaving without Hello, don't cry. | :38:23. | :38:30. | |
Your name is? I'm Hannah Berney from South Wales. I loved the sound | :38:30. | :38:33. | |
of your voice. Thank you very much for turning around. I loved the | :38:33. | :38:38. | |
control you have. You don't overdo it. A lot of singers around today, | :38:38. | :38:42. | |
they do a lot of runs, before they actually get to the middle of the | :38:42. | :38:46. | |
song. I thought you sounded great. You lock great, I'm glad I turned | :38:46. | :38:50. | |
the chair around. And, of course, you are from South Wales, so, | :38:50. | :39:00. | |
:39:00. | :39:03. | ||
that's it, isn't it. Ponty boy. Same as my mum. My | :39:03. | :39:11. | |
grandparents are Irish. My mother's name, God, I've gone and forgotten | :39:11. | :39:17. | |
her name, sorry, it's a bit much. Charlie Brown, that was her | :39:17. | :39:23. | |
original name. Her name was Charlie Brown. | :39:23. | :39:27. | |
I just want to say I can see from the tears in your face this meant a | :39:27. | :39:31. | |
lot to you, the amount of emotion you put into the performance, you | :39:31. | :39:35. | |
hit the high notes, I could hear there is a massive voice in there. | :39:35. | :39:38. | |
I would be honoured if you would be on my team. Thank you very much. | :39:38. | :39:48. | |
:39:48. | :39:51. | ||
I think based on the kind of stuff I sing, and the big voice I really, | :39:51. | :40:01. | |
:40:01. | :40:04. | ||
really want to get out, but also the improvements I need to make, em, | :40:04. | :40:14. | |
:40:14. | :40:18. | ||
em, Danny I think I'm going to go for you. | :40:18. | :40:23. | |
There will be yet more cheering in the valleys tonight as Hannah joins | :40:23. | :40:30. | |
Team Danny. I'm so sorry, I forgot your name. Let me introduce myself! | :40:30. | :40:34. | |
It felt great to have Hannah pick me over Tom Jones. You win again. | :40:34. | :40:44. | |
:40:44. | :40:45. | ||
It is nice to have a one upmanship with the judges. The voice is all, | :40:45. | :40:48. | |
and farce the next artist is concerned, that is just how he | :40:48. | :40:54. | |
likes it. I'm Cris, I'm 31 I work at a call centre. I describe myself | :40:54. | :40:59. | |
as funny! I am what I am, as the song says. | :40:59. | :41:08. | |
I don't think I look like the average One Direction, pretty boy. | :41:08. | :41:11. | |
Obviously our coaches can't see you when you get on stage and perform. | :41:11. | :41:18. | |
I'm glad it is a bliend audition so they can think -- Blind Audition so | :41:18. | :41:22. | |
they can listen to the voice, and then they can go and say, look at | :41:22. | :41:27. | |
that. Why do you think you vpblt made it before? Because -- Haven't | :41:27. | :41:30. | |
made it before? Because of how I look. | :41:30. | :41:36. | |
Stand up then? Look at this. I want them to hear the voice, to show | :41:36. | :41:40. | |
them it doesn't matter what you look like, if you have soul. It is | :41:40. | :41:45. | |
my chance and my moment, I'm going to take it. | :41:45. | :41:55. | |
:41:55. | :42:02. | ||
It is a door to the future, isn't T # I see you drive around town | :42:02. | :42:06. | |
# With the girl I love # I'm like forget you | :42:06. | :42:11. | |
# I guess the change in my pocket # Wasn't enough | :42:11. | :42:16. | |
# I'm like forget you # I'm sorry | :42:16. | :42:22. | |
# I can't afford a Ferrari # That don't mean I can't get you | :42:22. | :42:26. | |
there # It's an XBox | :42:26. | :42:30. | |
# I'm more an Atari # But the way you play your game | :42:30. | :42:35. | |
ain't fair # I see you driving round town # | :42:35. | :42:37. | |
With the girl I love # And I'm like forget you | :42:37. | :42:41. | |
# I guess the change in my pocket # Wasn't enough | :42:41. | :42:44. | |
# I'm like Mark forget you | :42:44. | :42:49. | |
# And forget her too # Baby baby baby | :42:49. | :42:54. | |
# Why you want to hurt me so bad # I tried to tell my mamma | :42:54. | :42:58. | |
# But she told me this is one for your dad | :42:59. | :43:05. | |
# Yes she did # If I was richer | :43:05. | :43:08. | |
# I'd be with you # Ain't that a shame | :43:08. | :43:12. | |
# Although the pain in my chest # I still wish you the best | :43:12. | :43:22. | |
:43:22. | :43:32. | ||
He did so well, come on. Your name is? Cris, I'm 31 and from | :43:32. | :43:37. | |
Manchester. I like that you take risks, the licks rfpbt hugely clean, | :43:37. | :43:42. | |
you went to places I wouldn't have expected you to go, I enjoyed that. | :43:42. | :43:49. | |
I appreciate that you are pushing yourself. Thank you. | :43:49. | :43:55. | |
I thought it was good. Your breathing was good, and the pitch. | :43:55. | :44:01. | |
Can I just say my mum is back stage and a massive fan, and I was | :44:01. | :44:07. | |
probably conceived to one of your songs. | :44:07. | :44:16. | |
#'S that pussycat # Oh | :44:16. | :44:26. | |
:44:26. | :44:35. | ||
# What's new pussycat That's been said to me a few times, | :44:35. | :44:40. | |
that children have been conceived while my music has been played. | :44:40. | :44:47. | |
I think one of the biggest compliments I had was one Catherine | :44:47. | :44:52. | |
Zeta Jones was giving birth to her first child, she had to have What's | :44:52. | :44:57. | |
New Pussycat on the radio, so as soon as she started to push, she | :44:57. | :45:07. | |
:45:07. | :45:07. | ||
said, "put Tom on and I'll push!". Tom hung with the Beatles, and | :45:07. | :45:11. | |
helped deliver Catherine Zeta Jones's baby, what a legend. If our | :45:11. | :45:14. | |
next artist's singing dream comes off, another big day may have to be | :45:14. | :45:21. | |
put on hold. I'm Bill, I'm 23 years old. I'm in a band called The Trax. | :45:21. | :45:26. | |
I have had many a job, I have worked in old people's homes, | :45:26. | :45:30. | |
worked in banks, had a burger van. Ultimately it comes back to music, | :45:30. | :45:35. | |
that is what I want to do. I recently got engaged. Sasha's great, | :45:35. | :45:40. | |
she does a lot of silly things which are very funny, she's a bit | :45:40. | :45:46. | |
ditsy. We got engaged on Christmas Day 2010. We woke up, I just pulled | :45:46. | :45:51. | |
the ring out from under my pillow and said, will you marry me? It it | :45:51. | :45:54. | |
wasn't very romantic, I could have done it better. There is potential | :45:54. | :45:58. | |
that possibly The Voice will clash with my wedding day. We have | :45:58. | :46:02. | |
decided that if fingers crossed, one of the coaches turns around, | :46:02. | :46:06. | |
and I get picked, we would move the wedding. How do you feel about | :46:06. | :46:09. | |
that? As much as I have been planning it for the last year and | :46:09. | :46:13. | |
I'm so excited, this could be the thing that changes his life forever. | :46:13. | :46:18. | |
How do you really feel? Honestly, I'm so excited for me. That is what | :46:18. | :46:27. | |
I love her. Good luck, I love you. I have never sung in front of four | :46:27. | :46:30. | |
people that are as big as these guys, I'm trying to keep it under | :46:30. | :46:34. | |
control at the moment. I just want to get out there and do | :46:34. | :46:44. | |
:46:44. | :46:56. | ||
it, and get them to all turn around, # She said I love you boy | :46:56. | :47:00. | |
# I love you so # She said I love you baby | :47:00. | :47:10. | |
:47:10. | :47:13. | ||
# Oh oh oh # I just love him! | :47:13. | :47:18. | |
# So I said # What you say girl | :47:18. | :47:21. | |
# It can't be right # How can you be in love with me | :47:21. | :47:28. | |
# We only just met tonight # And she said | :47:28. | :47:34. | |
# Boy I loved you from the start # And when I first saw the love | :47:34. | :47:36. | |
goes down # Something started pulling in my | :47:36. | :47:46. | |
:47:46. | :47:47. | ||
heart # I said stop this crazy talk | :47:47. | :47:52. | |
# Thieves ran out closed the door # She said I love you boy I love | :47:52. | :48:02. | |
:48:02. | :48:02. | ||
you so # She said I love you baby oh oh oh | :48:03. | :48:07. | |
# She said I love you more than words can say | :48:07. | :48:13. | |
# She said I love you baby # Baby | :48:13. | :48:19. | |
# So I said why the hell you gonna treat me this | :48:19. | :48:29. | |
:48:29. | :48:38. | ||
Hello. How are you? I'm fine. was really good, I really enjoyed | :48:38. | :48:42. | |
that. I think you have a really good voice. If I'm being really | :48:42. | :48:46. | |
honest, I'm thinking Danny turn around, I feel like you and Danny | :48:46. | :48:49. | |
could work very well together. do I. | :48:49. | :48:55. | |
Very, very good, the only thing that disappointed me was in and out | :48:55. | :49:00. | |
of the falsetto. That was weaker than your full voice. I have to | :49:00. | :49:05. | |
work on that. It is difficult to do, I can't do it myself. There is a | :49:05. | :49:08. | |
lot to play with t I can't imagine standing there in front of us. When | :49:09. | :49:14. | |
I heard the tone and your falsetto we could work great together. What | :49:14. | :49:23. | |
great song choice. Welcome to my team, man. Thank you so much. | :49:23. | :49:26. | |
Great, great job, looking forward to working with you, have a good | :49:26. | :49:36. | |
day. Sweet! I was the only one who | :49:36. | :49:40. | |
pushed my button for Bill, it doesn't worry at all, it shows lack | :49:40. | :49:47. | |
of taste on the other people's behalf. | :49:47. | :49:52. | |
Bill joins Team Danny, so are the wedding bells on told? Aren't you | :49:52. | :49:57. | |
supposed to be getting married pretty soon? Is it all right if we | :49:57. | :50:02. | |
move the wedding. Only under these circumstances. Well done, fella. | :50:02. | :50:10. | |
Team hug. Well done, fella, proud of you, mate. | :50:10. | :50:14. | |
Still to come, can Amy Winehouse's best friend start over. She's here | :50:14. | :50:20. | |
with me, I know that, it is about me finding my own feet. | :50:20. | :50:25. | |
Jessie's vocal radar failed? picked a girl she shouldn't have | :50:25. | :50:31. | |
picked. And Williams blows up. know we probably share the same | :50:31. | :50:37. | |
record collection. We eat the same soup, you eat miso soup, I eat that. | :50:37. | :50:43. | |
Kate Read is used to singing in her bedroom, how will she fare in front | :50:43. | :50:47. | |
of the coaches? I haven't been singing for long, for a year now, | :50:47. | :50:51. | |
just teaching myself. I spend a huge amount of time sitting in my | :50:51. | :50:57. | |
room, singing. Just love it. To think that four worldwide | :50:57. | :51:04. | |
vocalists are going to hear me, it is, I just can't even explain the | :51:04. | :51:12. | |
feel, I'm getting sweaty palms just thinking about it. My mum is to me | :51:13. | :51:17. | |
my best friend, we're really close, she is the person that believes in | :51:17. | :51:21. | |
me most, she believes in me more than I believe in myself. I hope it | :51:21. | :51:25. | |
comes across how much this song means to me while I'm singing. | :51:25. | :51:33. | |
Because I'm singing about my mum, so it's really meaningful to me. | :51:33. | :51:43. | |
:51:43. | :51:48. | ||
Today is huge, I it could change my # With you can sad eyes | :51:48. | :51:54. | |
# Don't discouraged # Oh I realise | :51:54. | :51:59. | |
# It's hard to take courage # In a world full of people | :51:59. | :52:07. | |
# You can decide of it all # When the darkness inside of you | :52:07. | :52:12. | |
# Can make you feel so small # I see your true colours shining | :52:12. | :52:15. | |
through # I see your true colours | :52:15. | :52:21. | |
# And that's why I love you # You so don't be afraid | :52:21. | :52:27. | |
# To let them show # Your true colours | :52:28. | :52:32. | |
# True colours # Are beautiful | :52:32. | :52:42. | |
:52:42. | :52:45. | ||
# Like a rainbow # If this one makes you crazy | :52:45. | :52:48. | |
# And you've taken all you can # You call me up | :52:48. | :52:54. | |
# And you know I'll be there # I see your true colours | :52:54. | :52:58. | |
# Shining through # And I see your dollars | :52:58. | :53:04. | |
# And that's why I love you # So don't be a frayed | :53:04. | :53:10. | |
# To let them show # Your true colours | :53:10. | :53:20. | |
:53:20. | :53:35. | ||
# Are beautiful APPLAUSE | :53:35. | :53:40. | |
What as your name? My name is Kate Read. What do you think of when you | :53:40. | :53:44. | |
sing that song? My mum, she thinks she's overweight, but she's, I | :53:44. | :53:54. | |
:53:54. | :53:58. | ||
think she's beautiful. You sing beautiful, I like the tone | :53:58. | :54:04. | |
of your voice. The rasp, the breath, it's a unique voice, it just made | :54:04. | :54:10. | |
me want to turn around and see who was singing it. The fact that your | :54:10. | :54:15. | |
mom is your driving force, my mom is my driving force. Everything I | :54:15. | :54:19. | |
do is for her. No, no, I wouldn't be the person I | :54:19. | :54:29. | |
:54:29. | :54:31. | ||
was, if it wasn't for my mom. She is my inspiration, and mew mom | :54:31. | :54:38. | |
must be proud of you. What I liked about your voice is | :54:38. | :54:42. | |
there is a vulnerability there, that is very fresh, I liked that, | :54:42. | :54:46. | |
that's what I heard. I would love to have you on my team, and I just | :54:46. | :54:56. | |
:54:56. | :54:58. | ||
want you to know that I'm the premier division! The beautiful | :54:58. | :55:08. | |
:55:08. | :55:11. | ||
part of the show is it goes back to you, who are you going to go with? | :55:11. | :55:14. | |
I'm really grateful for your feedback, and I will take it with | :55:14. | :55:24. | |
:55:24. | :55:49. | ||
me wherever I go, with singing. She was dope. | :55:49. | :55:53. | |
I just hugged Will.I.Am, he just touched me. | :55:53. | :55:59. | |
I think I found a unique voice in Kate. I wanted Will.I.Am, he turned | :55:59. | :56:03. | |
around and I thought this can't be happening. I loved her voice, it | :56:03. | :56:13. | |
:56:13. | :56:20. | ||
was like a Sade Macy Gray sandwich. There is more button-turning | :56:20. | :56:22. | |
Performance-pleasing performances are coming. | :56:22. | :56:28. | |
Jessie J's backing singer formers. # I turn with good intentions | :56:28. | :56:32. | |
Do you know what I love about your voice, is I can hear so much we can | :56:32. | :56:42. | |
do with it, because you're on my team, girl. | :56:42. | :56:47. | |
However, 17-year-old shop assistant, Ruth Ann St Luce, divided opinion | :56:47. | :56:53. | |
amongst the coaches. I wasn't laughing at the girl | :56:53. | :56:59. | |
singing, I was laughing at the state that Jessie J's in right now. | :56:59. | :57:05. | |
For some people in this world there is some that can sing and some can | :57:05. | :57:09. | |
s-ang! She picked a girl she shouldn't have picked, she was all | :57:09. | :57:13. | |
over the place. She did go off pitch, I'm here to work on someone | :57:13. | :57:23. | |
:57:23. | :57:24. | ||
who I feel could be phenomenal. She's definitely that person. | :57:24. | :57:30. | |
That falsetto was...Maybe they were playing in the wrong key. 17. I | :57:30. | :57:37. | |
couldn't sing like that when I was Alys Williams is a busy mum of two, | :57:37. | :57:44. | |
she's used to squabbling and crying, can she get the coachs to do the | :57:44. | :57:49. | |
same. I'm Allys, I'm a mum of twins and I sing. Being a mum of twins is | :57:49. | :57:52. | |
full on. I wake up in the morning with both of them, they are with me | :57:52. | :57:56. | |
then until they go to bed. There is an hour where I can put them in the | :57:56. | :58:01. | |
high chair and they have food, I get on the piano and sketch out | :58:01. | :58:06. | |
some new songs. Being a mum is fantastic, but not | :58:06. | :58:10. | |
the most glamorous job, really, especially with two of them, I'm | :58:10. | :58:13. | |
usually in the house looking like an absolute mess most of the time. | :58:13. | :58:23. | |
It would be nice to have a bit of glamour in my life, really. | :58:23. | :58:27. | |
The most nervous I have been in my entire life, honestly, more nervous | :58:27. | :58:33. | |
than before I had my twins. Obviously this audition could | :58:33. | :58:43. | |
:58:43. | :58:54. | ||
change everything for me. I just # I heard | :58:54. | :59:00. | |
# That you're settled down # That you found a girl | :59:00. | :59:06. | |
# And you're married now # I heard | :59:07. | :59:14. | |
# That your dream came true # I guess she gave you things | :59:14. | :59:20. | |
# I couldn't give to you # Old friend | :59:20. | :59:28. | |
# Why you so shy # Ain't like you to hold back | :59:28. | :59:35. | |
# Or hide from the light # I hate to turn up out of the blue | :59:35. | :59:38. | |
# Uninvited # But I couldn't stay away | :59:38. | :59:43. | |
# I couldn't fight it # I hoped you'd see my face | :59:43. | :59:49. | |
# And you'd be remind # And for me it isn't over | :59:49. | :59:57. | |
# Never mind I'll find someone like # I wish nothing but the best | :59:57. | :00:03. | |
# For you # Don't forget me | :00:03. | :00:10. | |
# I beg # I remember me you said | :00:10. | :00:20. | |
:00:20. | :00:42. | ||
# Sometimes it lasts in love APPLAUSE | :00:42. | :00:46. | |
What's your name? Allys. I think your voice is amazing, there was | :00:47. | :00:51. | |
nothing wrong with anything that you did. I was very nervous, I'm | :00:51. | :00:55. | |
sorry, I couldn't stop shaking. was great, if that's what you sound | :00:55. | :01:00. | |
like nervous, wow. I didn't turn around because I'm on a mission to | :01:00. | :01:04. | |
pack my team with diversity, and I was trying to get the other coaches | :01:04. | :01:11. | |
to wake up. Hello, she's dope. They're not living in reality. | :01:11. | :01:18. | |
have a button too, don't put it on us. I kept saying Danny, Danny, you | :01:18. | :01:22. | |
need here, I have somebody on my team you could compete with. I | :01:22. | :01:26. | |
shouldn't, next time I ain't telling you all what to do, you are | :01:26. | :01:36. | |
:01:36. | :01:37. | ||
so dam fresh. You're Welsh, right. Yes? What part | :01:37. | :01:44. | |
of Wales? North Wales. By Bancard. I'm sorry I didn't hit the button, | :01:44. | :01:53. | |
you have a great voice. Thanks, that means a lot, Tom. | :01:53. | :01:59. | |
Sometimes the nerves get the better of you. | :01:59. | :02:03. | |
She was a great singer. Your nerves, because you're thinking, I wonder | :02:03. | :02:07. | |
what they are thinking, I wonder if they are liking it. | :02:07. | :02:13. | |
You know, that happens to everybody. That was the scariest thing I have | :02:13. | :02:19. | |
ever done, more scary than giving birth. And that's scary when you | :02:19. | :02:24. | |
have twins. I don't think I will ever be nervous again, really. No. | :02:24. | :02:30. | |
Now this artist has certainly been to the wardrobe maxed "rock star", | :02:30. | :02:39. | |
but in a blind aud diction does it match -- blind awed, does it match | :02:39. | :02:44. | |
his image. I haven't always sung rock at all, I was a choir boy from | :02:44. | :02:51. | |
10-14. It made me what I am today, I can't | :02:51. | :02:55. | |
really knock it. I'm so far away, physically and | :02:55. | :03:00. | |
vocally to what I was back then. But I can definitely still hit the | :03:00. | :03:04. | |
high notes. My heart is in rock music, but unless you want to be in | :03:04. | :03:08. | |
a band and be really skint, it is very hard, unless you are a rock | :03:08. | :03:15. | |
star, which is ultimately what I want to be. I'm ready to rock. | :03:15. | :03:18. | |
This audition is so important for me, you only get one chance to make | :03:18. | :03:24. | |
a first impression. I have never been scared before in | :03:24. | :03:34. | |
:03:34. | :03:40. | ||
my life, but this competition # Tommy used to work on the docks | :03:40. | :03:44. | |
# Union men on strike # He's down on his luck | :03:44. | :03:50. | |
# It's tough # So tough | :03:50. | :03:54. | |
# She said you got to hold on # To what we got | :03:54. | :03:59. | |
# It doesn't make a difference # If we make it or not | :03:59. | :04:03. | |
# We got each other # And that's a lot | :04:03. | :04:08. | |
# For love # We'll give it a shot | :04:08. | :04:10. | |
# Oh # We're half way there | :04:10. | :04:15. | |
# Oh # Living on a prayer | :04:15. | :04:18. | |
# Take my hand # We'll make it I swear | :04:18. | :04:25. | |
# Oh # Living on a prayer | :04:25. | :04:27. | |
# Oh Mark we're half way there | :04:27. | :04:30. | |
# Oh # Living on a prayer | :04:30. | :04:35. | |
# Take my hand # And we'll make it I swear | :04:35. | :04:38. | |
# Oh Living on a prayer | :04:38. | :04:48. | |
:04:48. | :05:04. | ||
# Living on a prayer I don't believe it. | :05:04. | :05:08. | |
Hello. I thought you were a phenomenal singer, you have a great | :05:08. | :05:13. | |
range, absolutely great. This is so tough, because your | :05:13. | :05:18. | |
voice is ridiculous, and your range is, I mean, I literally was just on | :05:18. | :05:22. | |
that last note. It was incredible. It is the top, top C for anyone who | :05:22. | :05:27. | |
wants to know! For me, you only get 90 seconds to really show what you | :05:27. | :05:33. | |
have got, I felt I only heard one layer of what you can do. | :05:33. | :05:38. | |
probably did. I'm worried if that is all you can do. Thank you for | :05:38. | :05:44. | |
singing and showcases -- showcaseing another genre of music | :05:44. | :05:54. | |
:05:54. | :06:00. | ||
that we have been able to hear. It was so loud, the music. How come | :06:00. | :06:09. | |
you don't like loud music, you like that soft music, quiet. Like the | :06:09. | :06:12. | |
American pedosas that turn it up loud. | :06:12. | :06:17. | |
You're a star. Don't. I understand, I'm really a bit | :06:17. | :06:22. | |
confused, if I'm honest. I couldn't be more happy with what I did, I | :06:22. | :06:25. | |
sung incredible. I didn't that would happen, because I'm so | :06:25. | :06:28. | |
different. You won't meet anyone like me in this competition, and it | :06:28. | :06:34. | |
is a real shame. Sadly, Nathan's audition wasn't the | :06:34. | :06:44. | |
:06:44. | :06:46. | ||
stairway to heaven he was dreaming. What happened? Turn me around. | :06:46. | :06:55. | |
That's cheating. Sorry, I think it is like a little gnome. I just | :06:55. | :07:03. | |
should stop talking about gnomes. Since childhood Tyler James and his | :07:03. | :07:06. | |
best friend thought they would be singing together forever, last year | :07:06. | :07:13. | |
all that came to an end. My name is Tyler James, I'm 30 years old and | :07:13. | :07:17. | |
I'm a singer songwriter. When I was a teenager my best friend was Amy | :07:17. | :07:22. | |
Winehouse. We became friends when we were 12, | :07:22. | :07:27. | |
13, we both went to the same school. We have been best friends ever | :07:27. | :07:34. | |
since then. We were like two peas in a pod, we were like two halves | :07:34. | :07:40. | |
of the same person. Unfortunately last summer, worst day of my life, | :07:40. | :07:48. | |
Amy died. My whole life changed. Now she's here, she's here with me, | :07:48. | :07:54. | |
I know that. It is about me finding my own feet. The only way for me | :07:55. | :07:59. | |
that I will ever find that is through music and singing. | :07:59. | :08:03. | |
This competition is about me building up my confidence for | :08:03. | :08:09. | |
myself, you know. It is very important to me, very. | :08:09. | :08:19. | |
:08:19. | :08:32. | ||
# Sitting in the morning sun # I'll be sitting when the evening | :08:32. | :08:39. | |
comes # Watching the ships roll in | :08:39. | :08:46. | |
# And I watch them go away again # So I'm just gonna sit on the dock | :08:46. | :08:52. | |
of the bay # Watching the tide roll away | :08:52. | :08:59. | |
# Oh # Sitting on the dock of the bay | :08:59. | :09:05. | |
#Ing time -- wasting time | :09:05. | :09:10. | |
# Looks like # Nothing's change | :09:10. | :09:17. | |
# Everything still remains the same # I can't do what ten people tell | :09:17. | :09:23. | |
me to do # So I guess I'll remain the same | :09:23. | :09:31. | |
# Sitting here resting my bones # And this loneliness won't | :09:31. | :09:37. | |
# Leave me alone # 3,000 miles I roam | :09:37. | :09:45. | |
# Just to make this dock my home # So I'm just gonna sit on the dock | :09:45. | :09:48. | |
of the bay # Watching the time | :09:48. | :09:55. | |
# Roll away # Sitting on the dock of the bay | :09:55. | :10:05. | |
:10:05. | :10:27. | ||
What's your name? My name is Tyler James. First I want to say thanks | :10:27. | :10:33. | |
for hitting and topping that off, through your performance you | :10:33. | :10:37. | |
sounded really good, that last falsetto thing you did, showed your | :10:37. | :10:41. | |
range and how smooth you can be at the same time, you're awesome. | :10:41. | :10:47. | |
Thanks, man. Thank you. | :10:47. | :10:52. | |
Hi, hello. Are you all right? just nervous. You shouldn't be | :10:52. | :10:58. | |
nervous. I really enjoyed it. I'm really happy that you and Danny go | :10:58. | :11:04. | |
to the same hairdresser! Or doesn't, as the case may be. | :11:04. | :11:11. | |
do you do that? Hair spray. remember when I had hair like that. | :11:11. | :11:14. | |
Look what you have to go forward to. I really enjoyed it t I know that | :11:14. | :11:22. | |
song very well, though, maybe I'm so used to the Otis Redding version, | :11:22. | :11:28. | |
I knew him, he was a great guy, by the way. | :11:28. | :11:35. | |
I know a lot of people! I know the song so well, it is hard for me to | :11:35. | :11:44. | |
judge you singing that song. But I liked it. | :11:44. | :11:54. | |
:11:54. | :12:01. | ||
So you're on my team, what? Cool, Well done. | :12:01. | :12:05. | |
Amazing. Thank you. | :12:05. | :12:09. | |
This is the start of a new chapter for you, isn't it? Yes, it is, I | :12:09. | :12:13. | |
have had the hardest year, it is important to me to go out there and | :12:13. | :12:18. | |
prove myself, you know. I just hope that, you know, in the next phase | :12:18. | :12:23. | |
of this that I just up my game and get back to the singer that I know | :12:23. | :12:27. | |
I can be. You are filling up your team quick. | :12:27. | :12:31. | |
That's because I'm focused, I'm on a mission. | :12:31. | :12:36. | |
Remember, the coaches know nothing about our artists, not even their | :12:36. | :12:41. | |
names. And Bo Bruce is happy about that, or should I say Lady | :12:41. | :12:44. | |
Catherine Anne Brudenell Bruce. my life I have thought people have | :12:44. | :12:48. | |
come to conclusions about who I am because I have a posh name and I | :12:48. | :12:53. | |
went to a posh school. People thinking there has been a silver | :12:53. | :12:57. | |
spoon in my mouth, it hasn't been like that, I have thought that for | :12:57. | :13:00. | |
a while. I have been around the music industry, and I feel like I | :13:00. | :13:05. | |
get so far, and then I feel judged by where I have come from. | :13:05. | :13:10. | |
To stand on the stage, and no-one no anything about the voice they | :13:10. | :13:17. | |
are hearing, I feel like none of that will matter. | :13:17. | :13:21. | |
I really, really, really, want someone to turn around in their | :13:21. | :13:28. | |
chair and say, you have got a wicked voice, let's go. | :13:28. | :13:32. | |
I'm a little scared to get excited about the end result in case it | :13:32. | :13:42. | |
:13:42. | :13:51. | ||
# I can't win # I can't run | :13:51. | :13:57. | |
# I will never be the same # Without you | :13:57. | :14:06. | |
# I am lost # I am vain | :14:06. | :14:11. | |
# I will never be win this game # Without you | :14:11. | :14:20. | |
# I won't run # And I won't fly | :14:20. | :14:26. | |
# I will never make it by # Without you | :14:26. | :14:35. | |
# I won't rest # I won't fight | :14:35. | :14:38. | |
# All I need # Is you and I | :14:38. | :14:48. | |
:14:48. | :14:49. | ||
# Without you # Oh without you | :14:50. | :14:59. | |
:15:00. | :15:00. | ||
# You Without you | :15:00. | :15:07. | |
# You # I can't look | :15:07. | :15:11. | |
# I'm so blind # I lost my heart | :15:11. | :15:16. | |
# I lost my mind # Without you | :15:16. | :15:26. | |
:15:26. | :15:53. | ||
What's your name? I'm Bo. I didn't turn around because I was copying | :15:53. | :16:02. | |
Danny. I turned around because we deprb you picked the Usher and | :16:02. | :16:08. | |
David Getto song, and you didn't sing it anywhere like them, and you | :16:08. | :16:13. | |
were courageous and you gave it your own style, you're awesome. | :16:13. | :16:17. | |
love a good clash of two different worlds meeting together. I would | :16:17. | :16:21. | |
have loved to heard that acoustic, I felt like I lost your voice in | :16:21. | :16:27. | |
the boom, boom, boom. I didn't lose it, I heard it, it was right there. | :16:27. | :16:32. | |
# It's my turn to talk # Yeah | :16:32. | :16:36. | |
For me the only reason I didn't turned around, I would have liked | :16:36. | :16:42. | |
to have heard more power. That's fine. These two, you have a great | :16:42. | :16:47. | |
choice here. Over to Tom. # OK. | :16:47. | :16:55. | |
I really liked it, but I'm looking for something that hits me hard. | :16:55. | :16:59. | |
Personally for me, I wasn't looking for anything else but that voice, | :16:59. | :17:03. | |
you don't really need to have power to show I emotion, one thing I came | :17:03. | :17:08. | |
on to the show to find was a unique voice, so when you heard it the | :17:08. | :17:12. | |
second on the it would stand out, I really believe you have that type | :17:12. | :17:19. | |
of voice. Oh my God, I don't know what to do, | :17:19. | :17:24. | |
I'm meant to decide right now. know what to do, when I provide I | :17:25. | :17:30. | |
provide a team, when I work with Michael, you don't need all that. | :17:30. | :17:33. | |
You don't need all that, you can be blinded by science, or go with your | :17:33. | :17:38. | |
gut and heart, I know we probably share the same record collection. | :17:38. | :17:44. | |
We eat the same soup, you eat miso soup, I eat that, it is the bomb, | :17:44. | :17:52. | |
miso, little green stuff in! think you would be getting pure | :17:52. | :17:59. | |
honesty from me, you know where to Really! It is the beautiful part of | :17:59. | :18:04. | |
this show, is creative control, we give it back to the artist, you go | :18:04. | :18:14. | |
:18:14. | :18:25. | ||
with Mr Woo woop woop woop there, I'm really honoured that you turned | :18:25. | :18:30. | |
around and said all those lovely things, I think you would be an | :18:30. | :18:34. | |
amazing leader. But I think I'm going to have a lot more in common | :18:34. | :18:44. | |
:18:44. | :19:03. | ||
with you. I choose you. She didn't want miso soup! I think | :19:03. | :19:07. | |
you have made the perfect choice. We're so proud of you. | :19:07. | :19:16. | |
Team Danny. So in the hard world of music, miso | :19:16. | :19:19. | |
soup isn't impressing anyone. is more the girl I needed, that is | :19:19. | :19:23. | |
the voice I wanted. That was amazing. That girl could really | :19:23. | :19:29. | |
compete with the girls I have got. I pressed first, and Will copied me. | :19:29. | :19:33. | |
Danny tries to play psychological games, and I do, it is all about | :19:34. | :19:38. | |
strategy and tactics. After a night of exciting auditions that have | :19:38. | :19:41. | |
blown our coaches away, they are closer to completing their teams of | :19:41. | :19:45. | |
ten. For me it is coming from here. You are the bomb. Don't trust | :19:45. | :19:50. | |
people who wear denim on denim. far Will has recruited four new | :19:50. | :19:54. | |
vocalists, giving him seven all together. Right now I think my team | :19:54. | :19:59. | |
is really, really strong. While Danny has added four new name, he | :19:59. | :20:02. | |
has eight. It is going just as I planned. Jessie snapped up three | :20:02. | :20:07. | |
more singers and has eight. feeling very blessed with my team. | :20:07. | :20:11. | |
Tom found two more artists, he too has eight on his team. I'm very | :20:11. | :20:16. | |
pleased with the people I have got already. | :20:16. | :20:20. | |
Next week, our final artists take to the stage. You are the reason I | :20:20. | :20:24. | |
came on this show. Anybody with lungs like that has to be something. | :20:24. | :20:28. | |
The competition reaches fever pitch. We don't want to give any | :20:28. | :20:31. | |
strategies away. You need to stop stealing people that should have | :20:31. | :20:35. | |
been with me. Emotions run high. As the coaches battle it out to | :20:35. | :20:39. | |
complete their teams. I'm just looking for the two | :20:39. | :20:44. | |
cherries to go on top. Aums supposed to listen to your gut. | :20:44. | :20:54. |