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Four superstar coaches, set out to discover their teams of ten. | :00:17. | :00:20. | |
Right now Tom has two more artists to find. | :00:20. | :00:24. | |
I feel I have the strongest voices, so it will be more difficult to | :00:24. | :00:28. | |
pick. Jessie also has two spots left to fill. | :00:28. | :00:32. | |
I'm looking for someone that takes the moment and gives me goosebumps. | :00:32. | :00:36. | |
Danny is on the hunt for his two remaining artists. Every person | :00:36. | :00:41. | |
coming up could be the best person, you better be sure. While Will is | :00:41. | :00:44. | |
three artists short of his ten. Everybody is looking for the same | :00:44. | :00:50. | |
thing, the best impactor, the best person to open the heart up. As the | :00:50. | :00:54. | |
search to find their team concludes, the competition is fierceer than | :00:54. | :01:01. | |
ever. I want my team to win. We will beat these people. Just so you | :01:01. | :01:05. | |
know in a minute he will give you the speech about who he knows. | :01:05. | :01:11. | |
the hell are we here if we don't show our experience. Every pitch is | :01:11. | :01:14. | |
critical? If you want experience. We have a mission, to take her | :01:14. | :01:20. | |
singers out and win. It's on. Every artist has only 90 | :01:20. | :01:29. | |
seconds to change their life. Tonight, for the final time, the | :01:29. | :01:34. | |
coaches have their backs to the stage. | :01:34. | :01:44. | |
:01:44. | :01:47. | ||
With just a few artists left to hear, it is game on for the coaches, | :01:47. | :01:52. | |
as they take to their seats for the very last time. | :01:52. | :01:56. | |
And first up to face them is someone who is more than used to | :01:56. | :02:01. | |
dealing with unpredictable audiences. My name is Emmy J Mac, | :02:01. | :02:06. | |
I'm 21 and I'm a children's writer and entertainer. | :02:06. | :02:16. | |
:02:16. | :02:16. | ||
I set up the Jingle Jangle club We put on performances at schools, and | :02:16. | :02:21. | |
it gives everyone a chance to get involved with music. I'm used to | :02:21. | :02:25. | |
performing with children, hopefully the coaches will be easier to deal | :02:25. | :02:35. | |
:02:35. | :02:36. | ||
Oh, you broke it! I don't have the biggest voice, but | :02:36. | :02:41. | |
hopefully the coaches will hear that I have something different. | :02:41. | :02:45. | |
This audition is so important, it is not every day that you get an | :02:45. | :02:55. | |
:02:55. | :03:07. | ||
opportunity like this. Be a good # Sat on my window | :03:07. | :03:14. | |
# And they tell me I don't need to worry | :03:14. | :03:18. | |
# Maybe somes # We've got it wrong | :03:18. | :03:24. | |
# But it's all right # The more they seem to change | :03:24. | :03:29. | |
Go on, you know you want her. # The more they stay the same | :03:30. | :03:34. | |
# Don't you hesitate # Girl put your record on | :03:34. | :03:38. | |
# Tell me your favourite song # You go ahead | :03:38. | :03:46. | |
# And let your head down # I hope you get your dreams | :03:46. | :03:51. | |
# Just go ahead and let your hair down | :03:51. | :03:57. | |
# Girl put your record on # Tell me your favourite song | :03:57. | :04:04. | |
# Just go ahead and let your hair down | :04:04. | :04:08. | |
# I hope you get your dreams # Just go ahead | :04:08. | :04:13. | |
# Let your hair down # Girl put your records on | :04:13. | :04:19. | |
# Tell me your favourite song # Just go ahead and let your hair | :04:19. | :04:29. | |
:04:29. | :04:49. | ||
down Hello. What's your name. Emily Jane. | :04:49. | :04:53. | |
First off, you have a lovely, lovely voice, wonderful. Thank you | :04:53. | :04:59. | |
very much. There was a part where you were | :04:59. | :05:05. | |
pitchy, but who cares! If I went to your concert and you sang out of | :05:05. | :05:11. | |
pitch, I would not tweet about t I would say, dang, Emrocked it. | :05:11. | :05:17. | |
you very much. For me, I always listen to the tone | :05:17. | :05:21. | |
of somebody's voice, you have a beautiful tone to your voice. I | :05:21. | :05:28. | |
have done duets with a lot of great people, Janice Joplin and aroute | :05:28. | :05:32. | |
that Franklin, I know when I hear a voice that has something. I would | :05:32. | :05:36. | |
like to pass on to you, the things that I have experienced in minus | :05:36. | :05:44. | |
kal career, and hopefully we could my musical career and hopefully we | :05:44. | :05:49. | |
could win this thing. This competition is about someone who | :05:49. | :05:52. | |
has a signature song thumb print, the second you turn on the radio | :05:53. | :05:56. | |
and you know who it is, I believe you have that, that is why I would | :05:56. | :06:04. | |
love to have you on my team. The beauty of the show is it goes back | :06:04. | :06:09. | |
to you know. I never in a million dreams thought I would have to make | :06:09. | :06:19. | |
:06:19. | :06:27. | ||
this decision. It is crazy. Pick will! I will be like Cilla | :06:27. | :06:30. | |
Black. Here is our Graham with the quick results, in one we have | :06:30. | :06:34. | |
William, who likes walks on the beach, and likes making beats late | :06:34. | :06:41. | |
at night. In second we have got Tom-ithy, who | :06:41. | :06:47. | |
likes to woo the ladies with his sexual voice, and singing about sex | :06:47. | :06:53. | |
bombs. In number three we have Danny, the light-hearted Irish man | :06:53. | :07:00. | |
who loves to tell the girls "you're gorgeous" (in anish accent) Number | :07:00. | :07:06. | |
two, Jessie, who likes, the limelight! Dam right!, the decision | :07:06. | :07:16. | |
:07:16. | :07:17. | ||
is over to you. This is really hard, because I just | :07:17. | :07:23. | |
think that all of you are amazing, I'm absolutely ridiculously | :07:23. | :07:30. | |
honoured. I think there's just something in my heart that's | :07:30. | :07:40. | |
:07:40. | :07:52. | ||
telling me that I should go with Danny. | :07:52. | :08:02. | |
:08:02. | :08:03. | ||
Well done, you made the right choice. | :08:03. | :08:07. | |
Well done. Thank you. I can't believe, I never thought I | :08:07. | :08:14. | |
would be like this, I'm so emotional, it's so overwhelming. | :08:14. | :08:18. | |
There is still people to audition, he chose me. | :08:18. | :08:24. | |
That's just amazing. Things just got really interesting. | :08:24. | :08:29. | |
Danny now has nine of his ten artists, leaving him with just one | :08:29. | :08:36. | |
place to fill. I have a rainbow of people, rock, pop, James Morrison, | :08:36. | :08:42. | |
Olly Murs, a whole range. Sorry, what? Can't see you through the | :08:42. | :08:47. | |
hair? Can't see you through your ego, bro. You are fighting aloud | :08:48. | :08:52. | |
here. As Tom tries to keep the bickering to a minimum, the next | :08:52. | :08:58. | |
artist is trying to fight for her place on one of the teams. | :08:58. | :09:02. | |
This is barmaid Jenny Jones. started singing in church, when I | :09:02. | :09:07. | |
reached about 18 I sort of got myself on the nightclub scene. | :09:07. | :09:12. | |
My career was going really, really well, I had just turned with | :09:12. | :09:18. | |
Basshunter, when I came back I unfortunately fell really ill with | :09:18. | :09:21. | |
meningitis, and everything completely stopped. At the time I | :09:21. | :09:25. | |
was devastated, didn't really think that I would be able to sing and | :09:25. | :09:29. | |
perform again. I started getting better, and started to feel a bit | :09:29. | :09:33. | |
more positive, because I realised that I was really lucky to pull | :09:33. | :09:43. | |
:09:43. | :09:45. | ||
through it. Now I work in a bar, I also sing as I'm working. | :09:45. | :09:50. | |
I really want to get out of the pubs now and sing on huge stages. | :09:50. | :09:57. | |
I'm just ready to do it now. This is the first time I'm getting | :09:57. | :10:03. | |
back in the limelight and doing it again, it is really scary. | :10:03. | :10:08. | |
This is a second chance for me, definitely. It isth has made me | :10:08. | :10:18. | |
:10:18. | :10:25. | ||
more determined and positive to # I love you | :10:25. | :10:33. | |
# But I've got to stay true # My man has got me on my knees | :10:33. | :10:36. | |
# I'm begging please # Stop playing games | :10:36. | :10:39. | |
# I don't know what you do # But you do it well | :10:39. | :10:45. | |
# I'm under your spell # You got me begging you for mercy | :10:45. | :10:52. | |
# Why won't you release me # You got me begging you for mercy | :10:52. | :11:00. | |
# Why won't you release me # I said release | :11:00. | :11:07. | |
# Me # I'm begging you | :11:07. | :11:10. | |
# For mercy # I want you | :11:10. | :11:16. | |
# Release me # I'm begging you for mercy | :11:16. | :11:23. | |
# You got me begging # You get me begging | :11:23. | :11:33. | |
:11:33. | :11:34. | ||
# Hey yeah # You got me begging you for mercy | :11:34. | :11:41. | |
# Why won't you # Release | :11:41. | :11:51. | |
:11:51. | :12:05. | ||
What's your name? Jenny Jones. was trying not to press the button, | :12:05. | :12:09. | |
because I knew if I pressed the button somebody was going to press | :12:09. | :12:17. | |
the button after me. So I was waiting until the last | :12:17. | :12:20. | |
minute, because the very first sound that came out of you, I was | :12:20. | :12:25. | |
like, she got something special. I don't want anybody trying to take | :12:25. | :12:29. | |
my style! But yeah, you are rocking, I would like to have you on the | :12:29. | :12:37. | |
team and kick some butt. I pushed my button towards the end, | :12:37. | :12:43. | |
because it is a hard song to sing, I wanted to see how you did on the | :12:43. | :12:47. | |
high notes, particularly with the falsetto, as soon as you hit it, I | :12:47. | :12:51. | |
wanted to see what was going on here. Hello, I really enjoyed it, | :12:51. | :12:55. | |
some of your growls were nice. The reason I didn't turn around was not | :12:55. | :12:58. | |
because I didn't think you have an amazing voice, it is just I feel | :12:59. | :13:02. | |
like you could work on your diction, and I would have liked you to grow | :13:02. | :13:06. | |
into it a little more, that's all. But I really enjoyed it, I think | :13:06. | :13:16. | |
:13:16. | :13:16. | ||
you have a great choice here. Particularly over here! The choice | :13:16. | :13:23. | |
is in your hands. What do you think you could do for me? I would sit | :13:23. | :13:28. | |
down, let's go through your rep tire toir, and pick out the best | :13:28. | :13:32. | |
songs to negotiate our by Way through the songs, you have a | :13:32. | :13:38. | |
really strong emotion in there and a story to tell. | :13:38. | :13:45. | |
First I wouldn't, interview, is the wrong word, interview you, to pick | :13:45. | :13:49. | |
your brain and see what it is you want to accomplish, and then try to | :13:49. | :13:53. | |
work with you as an artist using all the things that you gave to me | :13:53. | :14:03. | |
to try to mould that dream to reality, that's what I would do. | :14:03. | :14:13. | |
:14:13. | :14:14. | ||
The choice is your's. But Danny is awesome, reverse psychology! | :14:14. | :14:24. | |
:14:24. | :14:53. | ||
going to make a decision. I'm going So Jenny joins team Will, and Mr | :14:53. | :14:58. | |
Will.I.Am claims victory over Danny with another close call over their | :14:58. | :15:03. | |
on going button-pushing action. There is a bit of rivalry for me | :15:03. | :15:08. | |
and Will, we we tend to turn on the same people, it remains to be seen | :15:08. | :15:15. | |
who is copying who. I turn, and then, sling shrom, that is why your | :15:15. | :15:20. | |
chair turned around after mine. Every time I turned around he was | :15:20. | :15:25. | |
there. We know dam well I wasn't following his button pushing, has | :15:25. | :15:31. | |
his tactics. I don't have tactic, I have tic tacs, because I stay fresh, | :15:31. | :15:36. | |
holler. Only the best vocalists, amateur | :15:36. | :15:40. | |
and professional have been invited to the Blind Auditions by our | :15:40. | :15:44. | |
talent Scouts. Ben Lake has already tasted fame, now he wants another | :15:44. | :15:47. | |
shot at the bright lights. I have had a career that I have been | :15:47. | :15:52. | |
working on for 18 years now. I got my big break on a show called | :15:52. | :15:58. | |
Injury Springer, the opera, I won an award for London Newcomer Of The | :15:58. | :16:03. | |
Year, it was so emotional, I had been accepted. It was a wonderful | :16:03. | :16:07. | |
experience. I thought once I had an award like that the phone would be | :16:07. | :16:09. | |
ringing, it doesn't necessarily work like that, it is a hard | :16:09. | :16:13. | |
business being a singer. I come out of the musicals and didn't know | :16:13. | :16:17. | |
what to do. I'm pinning all my hopes on this competition. I'm | :16:17. | :16:21. | |
hoping they can see that I'm a man who has worked hard, studied his | :16:21. | :16:25. | |
craft, and given them what they need to make them turn that chair. | :16:25. | :16:30. | |
Before we find out if Ben's years of experience can pay off, 17-year- | :16:30. | :16:33. | |
old Sophie Griffin will take to the stage. | :16:33. | :16:36. | |
She is taking her first steps towards forging a career in singing | :16:36. | :16:41. | |
and is desperate to do well. from a really small village in | :16:41. | :16:44. | |
Northern Ireland. Whenever I do gig in pubs and clubs, there is not | :16:44. | :16:47. | |
many people to be there, but I still do it, just because I love to | :16:47. | :16:53. | |
sing. Apparently you are a pretty big fan | :16:53. | :17:00. | |
of one of our coaches, who is it that makes your legs go wobbly? | :17:00. | :17:07. | |
Danny O'Donoghue. I have been to see him twice, I queued up from | :17:07. | :17:11. | |
11.00am, until the doors opened at 7.00, didn't eat all day, just so I | :17:11. | :17:18. | |
could get front row. Being on stage with four of the | :17:18. | :17:24. | |
biggest names in music, you just can't get any bigger. | :17:24. | :17:29. | |
I'm so nervous to sing in front of Danny. It is just crazy. It is | :17:29. | :17:39. | |
:17:39. | :17:54. | ||
# It's a number one # Champion sound | :17:54. | :17:58. | |
# I'm the best in the world # Just as down | :17:58. | :18:02. | |
# In London town # But they give me a pout | :18:02. | :18:08. | |
# Somebody put the money in my head # I just took out the floor seats | :18:08. | :18:12. | |
# Take me on a trip # To go some way | :18:12. | :18:17. | |
Will.I.Am produced this record # I'd like to see LA, I really want | :18:17. | :18:24. | |
# To come kick it but # You'll be my American boy | :18:24. | :18:27. | |
# He said # Hey sister | :18:27. | :18:33. | |
# Really really nice to meet you # I just met this five foot seven | :18:33. | :18:35. | |
girl # Who's just my type | :18:35. | :18:40. | |
# I like the way he's speaking # His confidence is speaking | :18:40. | :18:45. | |
# Don't like his bagy jeans # But I like what's underneath them | :18:45. | :18:49. | |
# I hardly never is in New York city | :18:49. | :18:54. | |
# First I see the West End # I told you to my brethren | :18:54. | :18:56. | |
# I'm liking this # American boy | :18:57. | :19:06. | |
:19:07. | :19:10. | ||
# I would like to him # Come kick with me | :19:10. | :19:20. | |
:19:20. | :19:31. | ||
# You'll my American boy Hello. | :19:31. | :19:39. | |
How are you? I'm amazing. Where are you from? I'm from | :19:39. | :19:42. | |
Northern Ireland. What type of music do you love? | :19:42. | :19:48. | |
love you. No I do. I have queued for hours to | :19:48. | :19:52. | |
see you and you are front row for me, this is crazy. I just want to | :19:52. | :19:56. | |
say I love you so much. You're amazing. | :19:56. | :20:03. | |
Wow. If I crowd could press my button, | :20:03. | :20:10. | |
then it would have been pressed, not for me today, thank you. | :20:10. | :20:15. | |
The reason why I turned around, is because I remember producing that | :20:15. | :20:23. | |
song, and co-wrote it with he is tell, and you didn't sing it -- | :20:23. | :20:28. | |
Estelle, you didn't sing it like her, which is dope, she has a great | :20:28. | :20:33. | |
voice and you're switching it up, and her switch up is really dope. | :20:33. | :20:37. | |
It ain't like you got to pick between me and some other cats. | :20:37. | :20:47. | |
:20:47. | :21:12. | ||
I'm the only one lit up! Dope. Danny didn't turn around, are you | :21:12. | :21:17. | |
now a Will.I.Am fan? I always was! Oh my God, no. | :21:17. | :21:21. | |
So Will recruits Sophie, meaning he and Danny have one place left on | :21:21. | :21:28. | |
their teams. And having had his own moment in | :21:28. | :21:31. | |
the spotlight as a West End performer, the pressure is well and | :21:31. | :21:35. | |
truly on as Ben Lake heads to the stage. | :21:35. | :21:39. | |
Everything I have worked for over the years will all come out in this | :21:39. | :21:46. | |
performance. I have to nail it tonight, just say to myself, Lakey | :21:47. | :21:52. | |
get it done. The Voice is my last attempt to show what I'm all about | :21:52. | :22:02. | |
:22:02. | :22:14. | ||
# I who have nothing # I who have no-one | :22:14. | :22:20. | |
# Adore you # I want you so | :22:20. | :22:25. | |
# I'm just no-one # With nothing to give you | :22:25. | :22:35. | |
:22:35. | :22:36. | ||
# I love you # Can take you any place he wants | :22:36. | :22:43. | |
# The fancy pubs and restaurants # I can only watch you | :22:43. | :22:49. | |
# With my nose pressed up against Press the button, come on. They are | :22:49. | :22:58. | |
talking about it. # I have who have nothing | :22:58. | :23:07. | |
# I who have no-one # Must watch you | :23:07. | :23:13. | |
# Oh dancing there # Wrapped in the arms | :23:13. | :23:17. | |
# Of somebody else # Darling I love you | :23:17. | :23:27. | |
:23:27. | :23:48. | ||
# I love you APPLAUSE | :23:48. | :23:54. | |
What's your name? Ben, nice to meet you. What brought you here today? | :23:55. | :23:58. | |
was hoping I would have what it takes to wow you. I have a very | :23:58. | :24:06. | |
strong voice. Bless you, thank you very much. | :24:06. | :24:10. | |
That song I know very well, I recorded it. Yeah, you did. | :24:10. | :24:14. | |
went for the same note that I did on it. Trying to do it justice for | :24:14. | :24:20. | |
you. It sounded a little too operatic for me. But I liked it, | :24:20. | :24:29. | |
and you do what you do, and keep doing it. Thank you, appreciate it. | :24:29. | :24:33. | |
Your voice is amazing, The Voice for me is something I want to look | :24:33. | :24:37. | |
for knowing what I can bring to the table as a kind of pop, singer- | :24:37. | :24:42. | |
songwriter, for me your voice is on the stage in that sense, and it is | :24:42. | :24:48. | |
beautiful for that. I actually thought you were a female to start | :24:48. | :24:52. | |
with! Brought it down a bit. didn't think you were a female. | :24:52. | :24:56. | |
I did, what I will say, we're four people that represent different | :24:56. | :25:00. | |
things, for me I don't feel like I could have been the right coach for | :25:00. | :25:10. | |
:25:10. | :25:13. | ||
you. Thank you, I appreciate it. There's the boy. | :25:13. | :25:17. | |
Hearing The audience and the warmth, I have to keep going. | :25:17. | :25:24. | |
It didn't work for Ben, with so few spaces remaining what will it take | :25:24. | :25:28. | |
to get the coaches hitting their buttons. It is a fact of only | :25:28. | :25:33. | |
turning around if it makes you boil. I'm looking for the person who will | :25:33. | :25:40. | |
make the hairs on the arms stand up. I'm not looking for a guy or a girl, | :25:40. | :25:45. | |
I'm looking for a voice. looking for great singers, I don't | :25:45. | :25:53. | |
know what that is until I hear it. Here come our next artists, | :25:53. | :26:01. | |
teenagers, Indie & Pixie, could give a coach a two-for-one deal. | :26:01. | :26:06. | |
We sing together. Live together. everything together. Kind of like a | :26:06. | :26:10. | |
married couple. Kind of. No-one really likes us, so we cling | :26:10. | :26:20. | |
:26:20. | :26:20. | ||
together. That is not true. We're the girl band put together. | :26:20. | :26:22. | |
We have chosen each other. Ahh, cute. | :26:22. | :26:27. | |
I know. We want to bring back that Spice | :26:27. | :26:31. | |
Girls, that is why we think Jessie J would be so good. We really feel | :26:31. | :26:36. | |
like she would get us. I don't know what I would do if Jessie J buzzed | :26:36. | :26:40. | |
and her chair would turn around, I don't know how I would keep on | :26:40. | :26:44. | |
singing. We don't understand how everyone's | :26:44. | :26:48. | |
doing it by themselves. I don't know how I would do it without | :26:48. | :26:52. | |
Pixie. If Indie wasn't here I would be on the floor. The thing we are | :26:52. | :26:56. | |
most nervous about they are not turning around. We will be stood | :26:56. | :27:06. | |
:27:06. | :27:11. | ||
there, awkward! # Made a wrong turn once or twice | :27:11. | :27:19. | |
# Welcome to my silly life # Mistreated | :27:20. | :27:22. | |
# Misplaced # Misunderstood | :27:22. | :27:28. | |
# No way it's any good # It didn't slow me down | :27:28. | :27:30. | |
# Mistaken # Always second guessing | :27:30. | :27:37. | |
# Underestimating # Look I'm still around | :27:37. | :27:42. | |
# Pretty pretty please # If you ever ever feel | :27:42. | :27:47. | |
# Like you're less than # Less than perfect | :27:47. | :27:52. | |
# Pretty pretty please # If you ever ever feel | :27:52. | :28:01. | |
# Like you're nothing # You are good then | :28:01. | :28:05. | |
# It's an ice cold beer # # I try | :28:05. | :28:08. | |
# Try too hard # It's waste of our time | :28:09. | :28:11. | |
# Looking for the goods # Everywhere | :28:11. | :28:17. | |
# He they don't like my jeans # They don't get my hair | :28:17. | :28:20. | |
# Explain ourselves # They do it all the time | :28:20. | :28:24. | |
# Pretty pretty please # Won't you ever ever feel | :28:24. | :28:27. | |
# Like you're nothing # You are perfect | :28:27. | :28:37. | |
:28:37. | :28:52. | ||
Hi hi guys. I'm Indie I'm Pixie. Great, as soon as I heart the | :28:52. | :28:55. | |
second voice come in, I knew I was on to something special. That's why | :28:55. | :29:03. | |
I turned around. Thank you. You guys were fantastic. | :29:03. | :29:12. | |
Thank you. Oh my gosh. Straight away, I was like that's | :29:12. | :29:16. | |
cool, that's dope, then the second voice came in, I was like two-times | :29:16. | :29:21. | |
dope. And then Jessie said, Will, you | :29:21. | :29:25. | |
nationwide to turn around, which is very odd, -- you need to turn | :29:25. | :29:29. | |
around, this is very odd, Jessie never says you need to check this | :29:29. | :29:33. | |
out. Because I really can't see with my back turned. I turned | :29:33. | :29:39. | |
around to see what was going on. I was like that's dope. Three times! | :29:40. | :29:49. | |
:29:50. | :29:50. | ||
Congratulations, that's dope! old are you? I'm 18. I'm 17. Wow, | :29:50. | :29:55. | |
that's dope. Good tones, you blend nicely, I would be excited to work | :29:55. | :30:01. | |
with you. Thank you. Thank you. | :30:01. | :30:06. | |
Where would you class yourselves as far as music goes. We can't think | :30:06. | :30:09. | |
of anyone else like us. I thought that was one of the best things, | :30:09. | :30:12. | |
you sound fresh. You're not trying to sound like | :30:12. | :30:16. | |
somebody else. That's good. That's a very, very good thing. A | :30:16. | :30:21. | |
little bit pitchy, there was a couple of little things. I heard | :30:21. | :30:27. | |
that! That can be nerves, that happens to. When everyone started | :30:27. | :30:36. | |
turning around, I was like oh! is the time you choose one out of | :30:36. | :30:46. | |
:30:46. | :30:49. | ||
the four! We didn't think this would happen. OK, all right. | :30:49. | :30:59. | |
Massive in the music industry, massive, and then a legend. I'm a | :30:59. | :31:08. | |
leg a leg-end. We love the songs you write. We're going for Jessie | :31:08. | :31:18. | |
:31:18. | :31:23. | ||
J! I think they got so excited I turned around, everything went out | :31:23. | :31:28. | |
of the window. This is a challenge, I'm looking forward to make sure | :31:28. | :31:35. | |
anything that distracts them doesn't affect their vocals! | :31:35. | :31:45. | |
:31:45. | :31:45. | ||
wanted Jessie J. I saw her turn around, and I couldn't go on. | :31:45. | :31:50. | |
Jessie is one step close Tory filling her team. | :31:50. | :31:54. | |
Zrb closer to filming her team. But the places and the chances are | :31:54. | :31:59. | |
running out. Can Lindsey Butler's voice make her | :31:59. | :32:02. | |
childhood dreams come true tonight. I have sang since I was a really | :32:02. | :32:06. | |
young girl, I did want to concentrate on trying to get a | :32:06. | :32:11. | |
career together, but I went on to have two beautiful children. | :32:11. | :32:15. | |
I think I have probably always lacked confidence in the way that I | :32:15. | :32:19. | |
look. If you like me and you look like you have had had a couple of | :32:19. | :32:24. | |
children, it is lovely it all being about the voice. | :32:24. | :32:27. | |
The first thing I think of when I wake up in the morning, is The | :32:27. | :32:31. | |
Voice, it is the last thing that goes through my head when I go to | :32:31. | :32:36. | |
sleep tonight T through there is Tom Jones and Will.I.Am, I can't | :32:36. | :32:39. | |
believe it, I'm absolutely nervous, I can't tell you. I really do feel | :32:39. | :32:49. | |
:32:49. | :33:03. | ||
like a ten-year-old again. It is # I can tell by your eyes | :33:03. | :33:12. | |
# That you've probably been crying forever | :33:13. | :33:18. | |
# And the stars in the sky don't mean nothing | :33:18. | :33:28. | |
:33:28. | :33:30. | ||
# To you they're a memyor # I don't wanna | :33:30. | :33:40. | |
:33:40. | :33:42. | ||
# Talk about it # How you broke my heart | :33:42. | :33:48. | |
# If I stay here just a little bit longer | :33:48. | :33:54. | |
# If I stay here won't you listen # Oh | :33:54. | :34:03. | |
# I don't wanna # Talk about it | :34:03. | :34:09. | |
How you broke my heart # Oh | :34:09. | :34:16. | |
# If I stay here just a little bit longer | :34:16. | :34:26. | |
:34:26. | :34:28. | ||
# If I stay here won't you listen # To my heart | :34:28. | :34:38. | |
:34:38. | :34:58. | ||
What's your name? My name is Lyndsey. Very, very nervous, thank | :34:58. | :35:04. | |
you for turning your chair around. You sounded great to me, you have a | :35:04. | :35:10. | |
great tone, and you did wonders with that song. Thank you very much. | :35:10. | :35:15. | |
You put your own stamp on it. you Tom. We're going to beat these | :35:15. | :35:18. | |
people, you are going to be on my team and that's it. Thank you very | :35:18. | :35:26. | |
much. These people! Be under no illusions, | :35:26. | :35:31. | |
the fact that we didn't turn around, you have unincredible voice, what a | :35:31. | :35:39. | |
singer. That is very kind, and you are very, very cute, I have to say. | :35:39. | :35:44. | |
But having said that, you're not as cute as Tom. Nowhere near, sorry! | :35:44. | :35:54. | |
:35:54. | :36:02. | ||
Yes. Tom Jones! Thank you. | :36:02. | :36:08. | |
She's like old-school sipging, like Adel -- singing, like Adele if you | :36:08. | :36:13. | |
like, the straight ahead, pure voice, that is what she has got. | :36:13. | :36:16. | |
Lyndsey takes ninth spot on team Tom. It is more difficult now for a | :36:16. | :36:19. | |
singer to get in front of me, because of the people I have | :36:20. | :36:24. | |
already got. All the coaches have one more voice to find. If they are | :36:24. | :36:28. | |
too cautious they could miss out. It is so hard, you can't see them. | :36:28. | :36:31. | |
If they go too soon, who knows what's waiting in the wings. I hope | :36:31. | :36:35. | |
the next person that comes on the stage hits me with something unique. | :36:35. | :36:40. | |
There is no second chances, no room for error. I could tell a | :36:40. | :36:44. | |
competitive instinct. I need to stay focused on my mission. | :36:44. | :36:49. | |
looking for someone to blow my socks off. It is going to take | :36:49. | :36:53. | |
someone exceptional to complete the coaches' team. Is Harriet Whitehead | :36:53. | :36:57. | |
that special someone. A lot of my friend from school, they listen to | :36:57. | :37:02. | |
very different music to me. If they put their iPod in the little | :37:02. | :37:09. | |
docking station, I try to sneak my iPod in there, no. | :37:09. | :37:15. | |
Festivals added to the love that I already had for music. It is a | :37:15. | :37:17. | |
magical atmosphere, there are bubbles everywhere, there is a | :37:17. | :37:22. | |
massive stage with folk music, echoing around. | :37:22. | :37:26. | |
A little bit of a hippy at heart, definitely. | :37:26. | :37:32. | |
I take it this is mum and dad. you at college or university? No, I | :37:32. | :37:37. | |
didn't go to college. The best experience, I went out and found | :37:37. | :37:41. | |
myself a guitarist and I travel around. | :37:41. | :37:48. | |
I have blur flies, ten to the dozen, just flying around in my stomach. | :37:48. | :37:52. | |
There is a huge audience out there, and I just need to perform, and | :37:52. | :38:02. | |
:38:02. | :38:10. | ||
# 25 years and my life is still # Trying to get up that great big | :38:10. | :38:14. | |
hill # Of hope | :38:14. | :38:20. | |
# For a destination # I realised quickly | :38:20. | :38:25. | |
# When I knew I should # That this world was made above | :38:25. | :38:28. | |
# This brotherhood # Of man | :38:28. | :38:33. | |
# For whatever that means # So I cry sometimes | :38:34. | :38:37. | |
# When I'm lying in bed # Just to get it all out | :38:37. | :38:41. | |
# What's in my head # And I | :38:41. | :38:50. | |
# I I'm feeling a little peculiar # I wake up in the morning | :38:50. | :38:53. | |
And step outside # I take a deep breath | :38:53. | :38:58. | |
# And I get real high # And I scream from the top of my | :38:58. | :39:00. | |
lungs # What's going on | :39:00. | :39:03. | |
# And I said # Hey | :39:03. | :39:09. | |
# I hey # I said hey | :39:09. | :39:17. | |
# What's going on # And I said hey | :39:17. | :39:23. | |
# Hey # I said | :39:23. | :39:33. | |
:39:33. | :39:37. | ||
# Hey what's going on # 25 years and my life | :39:37. | :39:47. | |
:39:47. | :40:17. | ||
# Baby big ray of hope What's your name? My name is | :40:17. | :40:21. | |
Harriet. This competition is so hard, my team is full, I have | :40:21. | :40:25. | |
similar people like you on this film. This show suck that is you | :40:25. | :40:29. | |
can only pick ten people. If I had more space, then I would have pring | :40:29. | :40:34. | |
pressed my button in a flash -- I would have pressed my button in a | :40:34. | :40:38. | |
flash. You have a beautiful, beautiful voice, as Jessie has just | :40:38. | :40:42. | |
said, it is a shame we can only pick ten. | :40:42. | :40:47. | |
How old are you? I'm 17. | :40:47. | :40:52. | |
You see what I'm saying. I think you have a wonderful talent. This | :40:52. | :40:56. | |
is not the last we will see of you. But you have a wonderful voice, | :40:56. | :41:02. | |
thank you for singing for us. you very much Will. | :41:02. | :41:06. | |
You're gorgeous as well, absolutely gorgeous. It is brilliant to be | :41:07. | :41:16. | |
:41:17. | :41:25. | ||
here, thank you very much, very It is so hard, isn't it t17 years | :41:25. | :41:35. | |
:41:35. | :41:38. | ||
Unaware of just how stiff the competition has become is 33-year- | :41:38. | :41:41. | |
old John James Newman. When it comes to being in the spotlight, it | :41:41. | :41:46. | |
is a case of keeping it in the family. My father was in, and still | :41:46. | :41:51. | |
is in a band called The Marmalade. My brother's an actor, currently | :41:51. | :41:57. | |
starring in Waterloo Road, there is always a big performance aspect to- | :41:57. | :42:03. | |
to-my family. I grew up around music, by star tars, studios, | :42:03. | :42:09. | |
looking up to my dad on stage, thinking I just want to be like you. | :42:09. | :42:12. | |
I'm so proud of my father and brother for all they have achieved. | :42:12. | :42:17. | |
They are proud of me. We are a tight family. | :42:17. | :42:22. | |
Nerves before any performance are natural. I have got 90 seconds to | :42:23. | :42:32. | |
:42:33. | :42:35. | ||
perhaps change my life. # I get tired, and upset | :42:35. | :42:40. | |
# I'm trying to care a little less # When I Google | :42:40. | :42:45. | |
# I only get depressed # And I was taught to touch those | :42:45. | :42:46. | |
issues # I was told | :42:46. | :42:49. | |
# Don't worry # There's no doubt | :42:49. | :42:53. | |
# There's always something to worry about | :42:53. | :42:57. | |
# If you're stuck in an angry crowd # They don't think what they say | :42:57. | :43:03. | |
# Before they move on their mouths # Pack up your troubles | :43:03. | :43:08. | |
# And in your old kit bag # Bury them beneath the sink | :43:08. | :43:13. | |
# I don't care what the people may # What the people may say about me | :43:13. | :43:17. | |
# You've got to pack up your troubles | :43:17. | :43:21. | |
# In your old kit bag # Don't worry about it | :43:21. | :43:27. | |
# I don't care about the people what they say about me | :43:27. | :43:34. | |
# This is a little I wrote # I want to sing it note for note | :43:34. | :43:38. | |
# Don't worry # Be happy | :43:38. | :43:44. | |
# Don't worry be happy # They might see | :43:44. | :43:48. | |
# We have to litigate # So don't worry | :43:48. | :43:55. | |
# Be happy # Don't worry be happy | :43:55. | :43:58. | |
# Pack up your troubles # In your old kit bag | :43:58. | :44:03. | |
# Don't worry about the cavalry # I don't care what the mystery | :44:03. | :44:13. | |
:44:13. | :44:25. | ||
says Hello. How are you doing. Your name | :44:25. | :44:30. | |
is, Sir? John James Newman, I'm 33 years old, professional musician, | :44:30. | :44:35. | |
part-time waiter! Did you and Tom phone each other about what to | :44:35. | :44:44. | |
wear! Is it my turn. I thought you sounded great, and your choice of | :44:44. | :44:49. | |
song was great, you came across very strong to me. You know, I need | :44:49. | :44:53. | |
somebody with a voice like you on my team. So if you need me, call | :44:53. | :45:01. | |
me! If you need call me, no matter where you are. | :45:01. | :45:06. | |
You have an incredible voice, so old but so current, song choice, I | :45:06. | :45:14. | |
think, I think you were the one to watch, you have a great, great tone. | :45:14. | :45:20. | |
Who are you going to pick? Oh my, what a very tough decision to make. | :45:20. | :45:30. | |
:45:30. | :45:34. | ||
Between the legend and the leggend! -- the leg-end. | :45:34. | :45:40. | |
You know, you know, I'm going to go with Danny. | :45:40. | :45:49. | |
Tom, thank you. After scores of artists, tough | :45:49. | :45:57. | |
calls and tricky pitches. Team Danny is complete! Can I go home | :45:57. | :46:07. | |
:46:07. | :46:11. | ||
now. Team Danny is completely finished, | :46:11. | :46:18. | |
how do I feel, fantastic. I have got ten children all plonked | :46:18. | :46:21. | |
on my doorstep in the one time, it feels like that, their lives and | :46:21. | :46:25. | |
careers in my hands. I feel like I owe them everything at this stage, | :46:25. | :46:34. | |
and they will definitely get it Coming up: | :46:34. | :46:39. | |
The race to ten become as sprint. I have nine people and I want you | :46:39. | :46:47. | |
to be the last person on my team. The peer pressure is on Will. | :46:47. | :46:51. | |
And a magical conclusion. I can't even describe to you what that | :46:51. | :46:54. | |
means for us musicians to experience something like that, a | :46:54. | :47:00. | |
very emotional time. And hoping to take one of the | :47:00. | :47:06. | |
coveted spots is 19-year-old Ruth Brown, a choir singer from London. | :47:06. | :47:09. | |
I'm a shy and quiet person, but when I sing, people see a really | :47:09. | :47:13. | |
different side to me, that they didn't know existed. What is she | :47:13. | :47:18. | |
like when she's on stage. She's just really, really confident. | :47:18. | :47:21. | |
have definitely got the biggest smile in the competition. There it | :47:21. | :47:30. | |
is, when it breaks it is huge, it is getting even bigger now! Singing | :47:30. | :47:35. | |
has helped me through a lot of bad things. My dad, he died on the 20th | :47:35. | :47:38. | |
of December. Before he died he was trying to help me with my singing | :47:38. | :47:43. | |
career. And I told him that I wanted to do The Voice, and he was | :47:43. | :47:46. | |
happy about what I was doing. I know that he would want me to give | :47:46. | :47:56. | |
:47:56. | :47:57. | ||
it everything. I'm really nervous. Really nervous. | :47:57. | :48:07. | |
:48:07. | :48:16. | ||
I have no choice but to be the best # It's complicated | :48:16. | :48:23. | |
# It always is # That's just the way it goes | :48:23. | :48:26. | |
# Feels like the wait is so long for this | :48:26. | :48:32. | |
# I wonder if it's shows # Head on the water | :48:32. | :48:36. | |
# Now I can't breathe # I never feel so good | :48:36. | :48:42. | |
# Because I can feel it coming over # I wouldn't stop if I could | :48:42. | :48:47. | |
# When love takes over # Yeah | :48:47. | :48:51. | |
# I know you can't deny # When love takes over | :48:52. | :48:59. | |
# Yeah # Something's here tonight | :48:59. | :49:03. | |
# Looking out for you # To hold my hand | :49:03. | :49:10. | |
# It feels like I could go # Love me like I know you can | :49:10. | :49:13. | |
# We can lose it all # When love takes over | :49:13. | :49:18. | |
# Yeah # Something's here | :49:18. | :49:28. | |
:49:28. | :50:01. | ||
Yeah. That note did it for me! Anybody | :50:01. | :50:05. | |
with lungs like that has to be something. | :50:05. | :50:10. | |
What's your name? My name is Ruth. You are a great singer. Thank you. | :50:10. | :50:17. | |
That is why I hit the button, and I want you on my team! | :50:17. | :50:22. | |
You held that note so comfortably, your voice is insane, I love your | :50:22. | :50:32. | |
:50:32. | :50:50. | ||
style, you seem cool, this guy will My baby girl, you've done it. | :50:51. | :50:54. | |
When Ruth came on, I heard something in that girl's voice, | :50:54. | :51:00. | |
that I hadn't heard for a long time. The soul, pours out of it. | :51:00. | :51:04. | |
So Tom hit his button and secured Ruth, and in doing so, has | :51:04. | :51:08. | |
completed his team of ten. My team is strong, and they are the people | :51:08. | :51:12. | |
that I love, and people that I think that I can help with my | :51:12. | :51:16. | |
experience, and I'm going to do as much as possible to make sure that | :51:16. | :51:25. | |
I take it right to the end. Tom and Danny can now only watch as | :51:25. | :51:28. | |
Jessie and Will prepare to fight it out in battle of nerves to grab the | :51:28. | :51:32. | |
very best remaining artists. would love to get another girl, | :51:32. | :51:36. | |
someone with a big, big vocal, somebody that will just is like | :51:36. | :51:39. | |
fireworks on stage. When we are going head-to-head, I hope that | :51:39. | :51:44. | |
Jessie J has a plan, because I have a strategy, with what I'm doing | :51:44. | :51:48. | |
here. I think it is just a matter of waiting. Having my back facing | :51:48. | :51:56. | |
to them, and just going, is this it, is this it! I'm super thrilled with | :51:56. | :52:02. | |
what is going to come, the end will be spectacular. It is on now. | :52:02. | :52:07. | |
Jessie J and Will prepare to do battle, the next artist gets ready | :52:07. | :52:11. | |
to sing, oblivious to the fact she's fighting for one of two | :52:11. | :52:16. | |
remaining places. I'm Becky, I'm 17, and currently studying A-levels in | :52:16. | :52:22. | |
the sixth form. She's a bit like a teenager, like the Kevin and Perry | :52:22. | :52:29. | |
sketch, she went upstairs on the eve of her 13th birthday, a nice, | :52:29. | :52:33. | |
little girl, and came back a stereotypical teenager. I had the | :52:33. | :52:37. | |
worst mood swings going, I get angry over nothing, screaming the | :52:37. | :52:41. | |
house down, and then I wonder why I do it afterwards. Other than that, | :52:41. | :52:51. | |
we love her, she's fine! I don't really remember when I first | :52:51. | :52:55. | |
started singing. But I'm very passionate about what I do. Do I | :52:55. | :52:59. | |
put 100% into it, absolutely. I want to be like Elton John, or | :52:59. | :53:03. | |
Queen. You know, the classic people. I want to be one of those artists | :53:03. | :53:09. | |
that people remember in 50 years time. | :53:09. | :53:13. | |
I'm just a regular 17-year-old and then I get an opportunity like this. | :53:13. | :53:19. | |
When I get on that stage, I hope to God I'm just going to block | :53:19. | :53:22. | |
everything out. I have a feeling it will be | :53:22. | :53:32. | |
:53:32. | :53:42. | ||
She is extremely nervous, but not as nervous as me. | :53:42. | :53:46. | |
# This ain't a movie # No fairytale | :53:46. | :53:52. | |
# Conclusion # Stop confusing me | :53:52. | :53:57. | |
# Sometimes it's heaven sent # Head back to hell again | :53:57. | :54:04. | |
# We kiss and we make up on the way # I had up | :54:04. | :54:10. | |
# You call # We rise and we fall # We feel like just walking away | :54:11. | :54:17. | |
# As all of the we take second chances | :54:17. | :54:25. | |
# Though it's not a fantasy # I still want you | :54:25. | :54:34. | |
# Stay we're just ordinary people # We don't know which way to go | :54:34. | :54:42. | |
# Because we're ordinary people # Maybe we should take it slow | :54:42. | :54:49. | |
# Yeah # We're just ordinary people | :54:49. | :54:59. | |
:54:59. | :55:00. | ||
# We don't know which way to go # Because we're ordinary people | :55:00. | :55:10. | |
:55:10. | :55:25. | ||
Danny is giving her a standing ovation as well. | :55:25. | :55:34. | |
Go on girl. Your name. I'm Becky, I'm 17. | :55:34. | :55:40. | |
Becky, you are the reason I came on this show. | :55:40. | :55:44. | |
OK, here is the deal, I have nine people, and I want you to be the | :55:44. | :55:49. | |
last person on my team. That song is one of my favourite songs, and | :55:49. | :55:55. | |
for you to have sung it on par if not slightly better than the | :55:55. | :56:02. | |
original, at your age, you are 17, I would be excited to help and | :56:02. | :56:07. | |
write songs with you, for you to be able to put that tone into your own | :56:07. | :56:17. | |
:56:17. | :56:18. | ||
melody and journey is, yeah, fantab-alouso. That song is special | :56:18. | :56:23. | |
to me. You wrote it, didn't you. Yes. | :56:23. | :56:28. | |
I must say, phenomenal song. John legend and myself went and wrote | :56:28. | :56:32. | |
that song, and I was talking about a reblgsship that I was in for -- | :56:33. | :56:37. | |
relationship I was in for nine years of my life, a person that | :56:37. | :56:47. | |
:56:47. | :56:48. | ||
took care of me when I was broke and poor. | :56:48. | :56:54. | |
Wfrpblgts When he sang it, -- when the Peas sang it, we didn't do it | :56:54. | :56:59. | |
write, just because I wrote a song doesn't mean because I wrote it is | :56:59. | :57:03. | |
mine. I want you on my team, because you are singing it in my | :57:03. | :57:06. | |
life, and she's singing it her way, wow that was beautiful. | :57:06. | :57:16. | |
:57:16. | :57:18. | ||
Thank you. It seems like I have a bit of a | :57:18. | :57:28. | |
:57:28. | :57:28. | ||
decision to make. What are you got to offer? That's a | :57:28. | :57:35. | |
good question. The most important question of the rest of your career. | :57:35. | :57:40. | |
My strengths are my ability to bring and pick the best squad to | :57:40. | :57:46. | |
help you be the best version of you, I did it for Fer gi, e, the Peas, I | :57:46. | :57:53. | |
want to do that for you, in this competition. Thank you. | :57:53. | :57:58. | |
Anything to come back on. What I can say is I have stood in your | :57:58. | :58:02. | |
shoes and know how it feels. I always said I wanted a female that | :58:02. | :58:05. | |
I could look up to, that understands what it is like to be a | :58:05. | :58:09. | |
female in this industry, it isn't easy. I would definitely want to | :58:09. | :58:12. | |
teach you how to enjoy becoming the person and the artist that you | :58:12. | :58:22. | |
:58:22. | :58:35. | ||
deserve to be. OK, I'm going to make my decision. | :58:35. | :58:43. | |
Purely because you are female, Jessie J! You're amazing. Thank you | :58:43. | :58:51. | |
so much. I look forward to working with you. Singing that song. | :58:51. | :58:55. | |
I'm so sorry. Don't be sorry, be proud. | :58:55. | :59:05. | |
:59:05. | :59:10. | ||
She's amazing. Got my ten, just you William. | :59:10. | :59:20. | |
Well done. Jessie J's team has been assembled, | :59:20. | :59:26. | |
Jessie J, team rocker, pull up. I have my ten and they are from young | :59:26. | :59:29. | |
to old, different passions, different stories, different walks | :59:29. | :59:33. | |
of life, and every single one of them touched me in a way that I had | :59:34. | :59:38. | |
to press my buzzer and turn around, I'm excited to be on their journey | :59:38. | :59:42. | |
now. Will is the only coach left in the competition, and still has just | :59:42. | :59:47. | |
one more voice to find. I'm sitting pretty. These guys are maxed out. | :59:47. | :59:51. | |
The other three coaches can only sit and hope that no-one amazing | :59:51. | :59:57. | |
comes through at this late stage. I'm going to be hitting, and they | :59:57. | :00:00. | |
don't have the luxury to follow, because they are maxed. With one | :00:00. | :00:04. | |
more voice to find, Will has to be certain his next push is for the | :00:04. | :00:09. | |
perfect artist to complete his team. Could 21-year-old Chloe Blackwell | :00:09. | :00:14. | |
inspire him to make his move. have been singing since I was 11 | :00:14. | :00:17. | |
years old, it is a passion of mine, The Voice has given me a platform | :00:17. | :00:21. | |
to show the world what I can do. I'm ready for it now, I'm raring to | :00:21. | :00:31. | |
:00:31. | :00:35. | ||
# I was so high # I did not recognise | :00:35. | :00:41. | |
# Fire burning in her eyes # The chaos that controlled my mind | :00:41. | :00:46. | |
# This love has taken its hold on # She said goodbye | :00:46. | :00:54. | |
# Too many times before # Her heart is breaking in front of | :00:54. | :00:59. | |
# I have no choice # Because I won't say goodbye any | :00:59. | :01:09. | |
:01:09. | :01:11. | ||
more # Oh yeah | :01:11. | :01:15. | |
# My pressure on your hips # Secure my fingertips | :01:15. | :01:19. | |
# Every inch of you # Because I know that's what you | :01:19. | :01:25. | |
want me to # Do | :01:25. | :01:31. | |
# She said goodbye # Too many times before | :01:31. | :01:37. | |
# Her heart is breaking in front of # I have no choice | :01:37. | :01:47. | |
:01:47. | :01:59. | ||
# Because I won't say goodbye any Your name is? My name is Chloe | :01:59. | :02:03. | |
Blackwell, I'm 21 years old from London. | :02:04. | :02:07. | |
I didn't think there was anything wrong with you, I think you were | :02:07. | :02:16. | |
perfect all the way through. The reason why I didn't hit my button | :02:16. | :02:25. | |
is I'm at nine people, and one away from topping off. And I should have | :02:25. | :02:29. | |
hit it if I was just listening to my mind and my ears, but my gut was | :02:30. | :02:35. | |
saying, just wait off a little bit. When my gut talks to me, I listen | :02:35. | :02:40. | |
to her. Because my gut is my mom! So I | :02:40. | :02:47. | |
listen to my gut, my gut said just hold off, something is gonna come, | :02:47. | :02:50. | |
I'm sorry. But thank you for performing for us. | :02:50. | :03:00. | |
:03:00. | :03:04. | ||
Thank you. I like your share too! -- hair too! | :03:04. | :03:08. | |
Will is determined to follow his heart and trust his instinct. | :03:08. | :03:14. | |
And vying to become his final team member, are expectent dads, Daniel | :03:14. | :03:17. | |
Walker, and Jaz Ellington, a singing teacher. But they have no | :03:17. | :03:21. | |
idea they are fighting for the very last place in the competition. | :03:21. | :03:27. | |
My name is Jaz, I'm 27, I'm a singing teacher. I teach secondary | :03:27. | :03:30. | |
schools and primary schools across London. | :03:30. | :03:34. | |
Gospel definitely is a big influence as to who I am today. | :03:34. | :03:36. | |
Always great thing to sing about what you believe, you sing from | :03:37. | :03:40. | |
your heart. You get to reflect who you are. | :03:40. | :03:46. | |
Yes, my wife is pregnant, she's three months at the moment. If I | :03:46. | :03:50. | |
was to be successful in this competition, it would mean I could | :03:50. | :03:54. | |
turn around and tell my son or daughter, guess what, can you do it, | :03:54. | :03:58. | |
don't let nothing hold you back, go for it. But there is only one spot | :03:58. | :04:02. | |
left, and our other expectent father, Daniel Walker, is also | :04:02. | :04:06. | |
hoping a good outcome will change his family's life forever. This | :04:06. | :04:10. | |
could be a real big chance for me to, you know, do what I love, | :04:10. | :04:14. | |
instead of maybe with the pressures of family life coming, settling for | :04:14. | :04:21. | |
something that I'm less passionate about. | :04:21. | :04:31. | |
:04:31. | :04:49. | ||
It is very important for me to step # Oh | :04:49. | :04:55. | |
# There used to be a great time # Alone on the sea | :04:55. | :05:03. | |
# You became # The light on the dark side of me | :05:03. | :05:08. | |
# Louvre mains the run that's hide not the fear | :05:08. | :05:12. | |
# Did you know # When it snows | :05:12. | :05:17. | |
# My eyes become dark # And the light that you shine be | :05:17. | :05:20. | |
seen # Baby | :05:20. | :05:24. | |
# I compare you to a kiss from a rose | :05:24. | :05:28. | |
# On a hill # The more I get of you the | :05:28. | :05:35. | |
stranger it feels # Now that your rose is in bloom | :05:35. | :05:43. | |
# A light hits the gloom on the hill | :05:43. | :05:47. | |
# I've been kissed by a rose on a grave | :05:47. | :05:54. | |
# I've been kissed by a rose # Baby | :05:54. | :05:58. | |
# I can bring you to a kiss from a rose | :05:58. | :06:04. | |
# The more I get of you the stranger it feels | :06:04. | :06:11. | |
# Now that your rose is in bloom # A light hits the bloom on the | :06:11. | :06:21. | |
:06:21. | :06:26. | ||
hill. Come on, no. | :06:26. | :06:36. | |
:06:36. | :06:41. | ||
Oh my baby. He did so well. He will be so | :06:41. | :06:49. | |
disappointed. Man, I have ten already on my team, | :06:49. | :06:55. | |
I think you did a fantastic job. Thank you, Danny, I really love you. | :06:55. | :07:00. | |
Oh man. I kept looking over at Will come on, press the button. Because | :07:00. | :07:04. | |
you have got such a great voice. That is my life, my lot is my love, | :07:04. | :07:09. | |
I'm very privileged to be here in the first place. | :07:09. | :07:14. | |
I know I didn't turn around, I would love to work with you any way. | :07:14. | :07:18. | |
Anyone who can write something like Price Tag, that is right up my | :07:18. | :07:23. | |
street. First off, thank you for singing | :07:23. | :07:28. | |
and being patient. You know, I'm thinking imagining what it must | :07:28. | :07:34. | |
feel like to wait and practice and get your nerves together to sing in | :07:34. | :07:44. | |
:07:44. | :07:44. | ||
front of people like Tom Jones, who is like. The man. The capital "L", | :07:44. | :07:49. | |
Legend. But you sounded great, yeah, but thank you for singing for us. | :07:49. | :07:53. | |
Thank you, Sir. You are the one I know people back | :07:53. | :07:57. | |
home will be watching this show going you are four idiots up there, | :07:57. | :08:01. | |
what does anybody here know. are far from that, you couldn't be | :08:01. | :08:04. | |
if you tried, I respect all of you to the max, thank you, thank you | :08:04. | :08:14. | |
:08:14. | :08:43. | ||
Baby! It's OK. Are you all right. | :08:43. | :08:49. | |
I love you, you were great. I'm sorry. It's not your fault, | :08:49. | :08:57. | |
it's never your fault. After today, I think I will | :08:57. | :09:00. | |
concentrate to get a job to pay the bills and survive, maybe something | :09:00. | :09:03. | |
I'm less passionate about, and music will have to take second | :09:03. | :09:13. | |
place for now. What a tone he had. I don't even | :09:13. | :09:18. | |
want to talk about it. The guy before was really, really | :09:18. | :09:24. | |
good. Something said like don't go, and you always are supposed to | :09:24. | :09:29. | |
listen to your gut, you're not supposed to ignore it. | :09:29. | :09:35. | |
So will his hi emotional gamble pay off. -- will his emotional gamble | :09:35. | :09:40. | |
pay off, has he sacrificed it on a whim, or will Jaz Ellington be what | :09:40. | :09:44. | |
he's holding out for. When you are thinking about your future, this | :09:44. | :09:54. | |
:09:54. | :10:04. | ||
could be a pretty future. I have to # White lips | :10:04. | :10:07. | |
# Pale face # Breathing in the snowflakes | :10:07. | :10:13. | |
# Burnt lungs # Tall tales | :10:13. | :10:16. | |
# Lights gone # Days end | :10:16. | :10:21. | |
# Struggling to pay rent # Long nights | :10:21. | :10:25. | |
# Strange bed # Because they say | :10:25. | :10:31. | |
# She's in the Class A team # Stuck in her daydream | :10:32. | :10:36. | |
# Been this way since 18 # But maybe | :10:36. | :10:40. | |
# What they say # They can waste it | :10:40. | :10:47. | |
# Crumbling like pastries # They the worst things in life | :10:47. | :10:52. | |
come to us # They are just in the upper hand | :10:52. | :10:57. | |
# A coldman for a couple of grams # We don't want to go outside | :10:57. | :11:00. | |
tonight # If a pipe she flies to the | :11:00. | :11:05. | |
motherland # And sells off to another man | :11:05. | :11:11. | |
# She's too cold outside # For angel to fly | :11:12. | :11:17. | |
# Whoa # To fly | :11:17. | :11:21. | |
# Oh oh yeah # Who | :11:21. | :11:27. | |
# Oh # Angels to fly | :11:27. | :11:37. | |
:11:37. | :12:11. | ||
# To fly A standing ovation, the whole room. | :12:11. | :12:19. | |
Oh my God. It is still going. What's your name. My name is Jaz | :12:19. | :12:29. | |
:12:29. | :12:32. | ||
Ellington. Jaz. Jaz. Hold up, a couple of | :12:32. | :12:38. | |
singers ago, you know, I got a little sad, because I wrote a song | :12:38. | :12:42. | |
called Ordinary People, and it is a piece of my heart, I really wanted | :12:42. | :12:47. | |
that girl to be on my team. So I was kind of like shaken up, and | :12:47. | :12:52. | |
then a real incredible singer came out two singers after her, and I | :12:52. | :12:57. | |
was hesitant to hit the button, I was like, no, don't do it, | :12:57. | :13:02. | |
something else is going to come that's really spectacular. And here | :13:02. | :13:06. | |
you come, just singing like, just like you just fell out of the sky | :13:06. | :13:16. | |
:13:16. | :13:17. | ||
and stuff. Thank you. So, as a lesson to every single | :13:17. | :13:26. | |
person on the planet, follow your gut! Thank you very much Will. | :13:26. | :13:30. | |
Maybe you had like a different person you wanted to be with, but | :13:30. | :13:36. | |
you're stuck with me! And you're in good hands, I'm going to let you do | :13:36. | :13:41. | |
you, and when you need me, I'll be there with all my weapons to shoot | :13:41. | :13:51. | |
:13:51. | :13:52. | ||
down anything that comes our way. Yeah! Thank you. Just humour me, if | :13:52. | :13:57. | |
I had of turned around, would you have picked me. Just humour me. | :13:57. | :14:04. | |
I ask, can you sing something else. No, no, no. | :14:04. | :14:09. | |
Your on my team now, we don't give any strategies away for them to do | :14:09. | :14:12. | |
it. There is no strategy, I'm literally asking because I would | :14:12. | :14:20. | |
love to hear you sing again. Can I sing a bit of John Legend, Ordinary | :14:20. | :14:25. | |
People. # I'm in love with you | :14:25. | :14:33. | |
# This ain't the honeymoon # Past the inand if FA tu Asian | :14:33. | :14:36. | |
phase # -- infatuation phase | :14:36. | :14:46. | |
# At times we get sick of life # Seems like we argue every day | :14:46. | :14:53. | |
# Though I misbehave # And you've made your mistakes | :14:53. | :14:59. | |
# We have to let you go # Less than time takes | :14:59. | :15:05. | |
# I still put you first # We'll make this thing work | :15:05. | :15:13. | |
# I think we should take it slow # We're just ordinary people | :15:13. | :15:23. | |
:15:23. | :15:25. | ||
# We don't know which way to go # Because we're ordinary people | :15:25. | :15:30. | |
# Maybe we should take it slow # Take it slow | :15:30. | :15:37. | |
# Oh # Take it slow | :15:37. | :15:47. | |
:15:47. | :15:47. | ||
Apology for the loss of subtitles for 43 seconds | :15:47. | :16:31. | |
# Oh It is hard to put into words what I | :16:31. | :16:35. | |
just saw. You know, the reason why this show exists, is for moments | :16:35. | :16:40. | |
like that. I know he's not on my team, but I can't even describe to | :16:40. | :16:43. | |
you what that means for us musicians to be up here to | :16:43. | :16:47. | |
experience something like that, very emotional time. | :16:47. | :16:57. | |
:16:57. | :17:04. | ||
You did it. Oh my days. I'm going to cry. | :17:04. | :17:11. | |
Oh my goodness. Do you know what, can I just hug you too. | :17:11. | :17:14. | |
That was the best experience I have ever had on stage, I have never had | :17:14. | :17:19. | |
an experience like that before. long have you been singing? All my | :17:19. | :17:22. | |
life. Could you guys please show him some love, give him a hug or | :17:23. | :17:29. | |
something, please. Here comes a little angel with | :17:29. | :17:34. | |
wings, and eyes that see it in the night, wonderful beautiful owl, | :17:34. | :17:39. | |
that Jaz was, not only did he sing awesome, he also blessed us with a | :17:39. | :17:46. | |
better version of Ordinary People. I knew this would be a good year, | :17:46. | :17:55. | |
even without the baby, I knew this year our lives were going to change. | :17:55. | :18:00. | |
I'm so proud of you. My wife kept me going, man. It is a joint effort, | :18:00. | :18:10. | |
:18:10. | :18:16. | ||
I got the perfect ten, I had a cool nine, but you listen to your gut, | :18:17. | :18:25. | |
not only do you get a great singer, but the dude's name Jaz, his name | :18:25. | :18:29. | |
may fill up the last spot, his name he can sueds exactly what it is | :18:29. | :18:36. | |
that he wants to -- exudes what he wants to do, boom, how do you like | :18:36. | :18:39. | |
them apples. The Blind Auditions are now over, but the coaches' | :18:39. | :18:44. | |
battles with each other are far from finished. Next time on The | :18:44. | :18:51. | |
Voice, it is the battles weekend. The teams are slashed from ten to | :18:51. | :18:56. | |
five. The coaches will personally train their artists. Alongside | :18:56. | :19:00. | |
their trusted advisers. As they prepare for a head-to-head sing-off. | :19:00. | :19:05. | |
I want you to win this battle. this isn't what you do, there is no | :19:05. | :19:11. | |
point you being here. The artists will battle, voice-to-voice. This | :19:11. | :19:15. | |
is hard. Performing the same song at the same time. | :19:15. | :19:20. | |
This is no duet, it is a fight. Then the coaches will face an | :19:20. | :19:24. | |
agonising decision. Who will they take to the live shows. You got | :19:24. | :19:29. | |
soul in a bowl, you got soul on a pole. If I don't make it, I don't | :19:29. | :19:32. | |
know if I'm going to get another chance. And who will they leave | :19:32. | :19:37. | |
behind? The person I'm going to take | :19:37. | :19:47. | |
:19:47. | :19:53. | ||
through to lives with me Another awesome show, make sure you | :19:53. | :19:58. |