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Four superstar coaches have secured their teams of ten. Now they must | :00:12. | :00:21. | |
decide which five to let go. battles start here! Two singers. | :00:21. | :00:28. | |
Singing one song. When they step in that ring... It is battle time. | :00:28. | :00:38. | |
winner... One loser. Let the battles commence! APPLAUSE Welcome | :00:38. | :00:42. | |
to The Voice, the battle rounds. Our coaches have split their teams | :00:42. | :00:50. | |
into pairs. Each pair must go head- to-head. After each pair have | :00:50. | :00:54. | |
performed, coaches must decide who advances and who goes home. Making | :00:54. | :00:59. | |
those difficult decisions are four of the biggest names in music. | :00:59. | :01:09. | |
:01:09. | :01:10. | ||
Danny O'Donoghue! Tom Jones. Jessie J. And Will.i.am! The coaches have | :01:10. | :01:14. | |
paired up their own artists to sing against each other. Vince and | :01:14. | :01:18. | |
Jessica. So the only thing standing between each singer and a spot on | :01:18. | :01:23. | |
the live show is the team-mate they are pitched against. The person | :01:23. | :01:27. | |
standing next to you could be the person knocking you out. Before | :01:27. | :01:31. | |
they enter the battle ring, each will be trained by their coach. | :01:31. | :01:38. | |
# A little less conversation... # Don't you ever come around here. # | :01:38. | :01:46. | |
One specially invited trusted advisor. Helping Jessie is Ana | :01:46. | :01:50. | |
Matronic. I will be looking for each competitor to take a song and | :01:50. | :01:58. | |
turn it into something they own. Bring it in guns blazing! Danny has | :01:58. | :02:03. | |
drafted in Paloma Faith. I am not looking for perfection. It would be | :02:03. | :02:08. | |
cool if we could see you head-to- head battling it out. I am looking | :02:08. | :02:16. | |
for character and personality and texture. Welsh musician and lead | :02:16. | :02:23. | |
singer of Catatonia, Cerys Matthews, is with Team Tom. You have two | :02:23. | :02:33. | |
:02:33. | :02:37. | ||
minutes to sell your voice and the song. Will's advisor is advisor to | :02:37. | :02:46. | |
the Peas. We have worked with everyone. Tonight, the artists will | :02:46. | :02:52. | |
sing for glory. Leaving their coach with the ultimate decision. | :02:52. | :02:56. | |
massive tension moment. Somebody has got to go home. Who moves | :02:56. | :03:03. | |
forward to the live shows? Who goes home? The idea of sending someone | :03:03. | :03:07. | |
on their way is hard. There is nobody on my team I don't want. | :03:07. | :03:17. | |
:03:17. | :03:24. | ||
is about making sure you survive. Let's bring on the battles. First | :03:24. | :03:34. | |
:03:34. | :03:41. | ||
At the blind auditions, Joelle got her moment in the spotlight. She | :03:41. | :03:46. | |
was overcome when all four chairs turned for her. I would like to | :03:46. | :03:51. | |
work with you as an artist. This could be the beginning of something | :03:52. | :03:57. | |
amazing. 25-year-old Jenny came to the auditions hoping to make her | :03:57. | :04:05. | |
passion her career. You rock and I would like to have you on the team | :04:05. | :04:11. | |
and kick some butt. The reason why I paired you guys is because I feel | :04:11. | :04:19. | |
you guys are both super mega divas. She is a diva. I don't think of | :04:19. | :04:26. | |
myself as a diva. People do call me that. | :04:26. | :04:30. | |
Will introduces his advisor. I have brought one of my best friends. | :04:30. | :04:34. | |
When I step in the studio to work, he is right there with me. I don't | :04:34. | :04:38. | |
feel comfortable going to the studio without my partner. When it | :04:38. | :04:43. | |
comes to the artists we have on our team, I will give them advice of | :04:43. | :04:50. | |
you don't have to be so technical, doing runs all the time. I want to | :04:50. | :04:57. | |
hear simplicity. This is a battleground. This is like Whitney | :04:57. | :05:02. | |
versus Christina. Take this song and make it your own. | :05:02. | :05:12. | |
:05:12. | :05:12. | ||
# I'm every woman # Yeah I'm every woman! # | :05:12. | :05:17. | |
The only thing I would say is Jenny projects really loud. Stuff is | :05:17. | :05:22. | |
coming out of you that is like woah! She is a lot louder than me, | :05:22. | :05:27. | |
which I am not used to. What you don't want to do is get into a | :05:27. | :05:33. | |
power battle to where your range has gone. That is what I saw you do, | :05:33. | :05:42. | |
Joelle. I did get a vibe that she might be a bit scared. Joelle is a | :05:42. | :05:47. | |
great singer. The thing that will throw her off her game is the power | :05:47. | :05:52. | |
that Jenny has. I saw something in general thi that I hadn't seen | :05:52. | :05:56. | |
before. -- in Jenny that I hadn't seen before. I knew this battle was | :05:56. | :06:03. | |
going to be tough. I have a chance to do this now. I have been trying | :06:03. | :06:08. | |
so hard to be heard and to be seen. Please let it be my time. When I'm | :06:08. | :06:11. | |
behind the bar, I'm dreaming of moments like this. I'm going to | :06:12. | :06:19. | |
make this decision for Will so easy. APPLAUSE Hoping this vocal showdown | :06:19. | :06:24. | |
will take them on to the live shows, entering the ring is the diva in | :06:24. | :06:34. | |
:06:34. | :06:39. | ||
APPLAUSE With the battling Blues voice | :06:39. | :06:49. | |
:06:49. | :06:49. | ||
Apology for the loss of subtitles for 162 seconds | :06:49. | :09:31. | |
# You just ask me CHEERING AND APPLAUSE | :09:31. | :09:38. | |
Let's hear it one more time, Jenny and Joelle! APPLAUSE | :09:38. | :09:44. | |
OK. Will, I will come to you shortly. You have a big decision to | :09:44. | :09:51. | |
make. First, let's hear what your fellow coaches made of that. | :09:51. | :09:56. | |
Jessie? Grr! Tough, tough decision. You both have such different | :09:56. | :10:00. | |
qualities and different sounds in your voices. So powerful at the | :10:00. | :10:05. | |
same time. I felt Joelle you came out stronger. Jenny, you grew into | :10:05. | :10:12. | |
it. You were, like, OK, this is it. Then I heard little vibes that were | :10:12. | :10:20. | |
so unique. I don't know. Tom? you saying? It is difficult. I | :10:20. | :10:24. | |
think Jenny has a full voice, but then I think with Joelle, I prefer | :10:24. | :10:31. | |
the edge you have got on your voice, I think. APPLAUSE It is so close. | :10:31. | :10:37. | |
Yeah, yeah. It was a great song choice. Your singing was flawless. | :10:37. | :10:42. | |
All I can do was go with my gut on who I was watching the most. On | :10:42. | :10:48. | |
this performance, I would tip it over to Joelle - being honest. | :10:48. | :10:52. | |
Let's go to the coach who knows these two the most. You are in an | :10:52. | :10:58. | |
unenviable position right now. we were at the piano rehearsals, | :10:58. | :11:04. | |
Joelle you came in like you had no competition. Then Jenny, she came | :11:04. | :11:08. | |
and sang and surprised you to the point where it made you feel like | :11:08. | :11:15. | |
you probably weren't going to win. Jenny just, your voice is so full | :11:15. | :11:25. | |
:11:25. | :11:28. | ||
and you surprised me. Will, it is time to make your decision. Joelle, | :11:28. | :11:33. | |
we talked about what you needed to come with. There was one particular | :11:33. | :11:39. | |
moment where it was like power and you tipped it off with a gentle | :11:39. | :11:46. | |
note. Wow! That blew me away. Jenny, you were smashing it, punching. She | :11:46. | :11:53. | |
was knocking you out. This is a was knocking you out. This is a | :11:53. | :12:03. | |
:12:03. | :12:06. | ||
But you came through, Joelle, and I want you to come with me to the | :12:06. | :12:16. | |
:12:16. | :12:35. | ||
live sessions. We have a winner. It That was a tough one. Yeah. She is | :12:36. | :12:40. | |
amazing. You are an incredible singer and no way was my decision | :12:40. | :12:44. | |
based on the fact that you don't have what it takes. You have more | :12:44. | :12:52. | |
than what it takes. APPLAUSE I have really enjoyed it. I feel blessed | :12:52. | :12:56. | |
to be here on this stage. Thank you. Listen, we have been blessed to | :12:56. | :13:00. | |
have you as part of The Voice. Thank you so much. Everybody, a | :13:00. | :13:10. | |
:13:10. | :13:15. | ||
huge round of applause for the APPLAUSE | :13:15. | :13:22. | |
In the piano rehearsals, Joelle was flatting out. I said control your | :13:22. | :13:25. | |
power and show people your range. She did that. That is why I wanted | :13:25. | :13:31. | |
her on my team. She listened and executed. Jenny is spectacular. | :13:31. | :13:36. | |
Jenny did what she did in the rehearsals. I'm not upset and | :13:36. | :13:46. | |
:13:46. | :13:58. | ||
Musical theatre-trained Max's unique performance had Danny fired | :13:58. | :14:02. | |
up at the blind auditions. # Opportunity comes once in a | :14:02. | :14:06. | |
lifetime. # Vocally untrained Bill Downs made | :14:06. | :14:11. | |
the brave move of putting his voice before his vows. Is it all right if | :14:11. | :14:18. | |
we move the wedding? Yes. reason why I put Max and Bill | :14:18. | :14:22. | |
together is because they fill the same role in my team. They are at | :14:22. | :14:27. | |
the start of a great career - only for one of them. There is only one | :14:27. | :14:33. | |
spot on my team that I can filled by either of you. This is going to | :14:33. | :14:38. | |
be a great battle. You are in the prime of your life. This will go | :14:38. | :14:41. | |
head-to-head. There won't be any blood left on the floor afterwards, | :14:42. | :14:48. | |
hopefully. To get them ready, Danny's drafted in Paloma Faith. | :14:48. | :14:54. | |
One thing for me to be the vocal expert... The reason I am bringing | :14:54. | :15:00. | |
in Paloma is she is an incredible artist. I really need a second pair | :15:00. | :15:04. | |
of eyes. Eye contact. I have a little pet hate and it's singers | :15:05. | :15:09. | |
stood on stage motionless and they will have to work on engaging the | :15:09. | :15:14. | |
onlooker a bit. It would be cool if we could see you head-to-head, | :15:14. | :15:21. | |
battling it out. Actually vibing off each other. Cool. Cool. The | :15:21. | :15:25. | |
massive part is making the other person sound better. I want him to | :15:25. | :15:31. | |
make him sound bad, almost. I went to a stage school where I learnt to | :15:31. | :15:41. | |
:15:41. | :15:42. | ||
dance. Max has the edge. I will use what I've got that maybe he doesn't. | :15:42. | :15:44. | |
Just getting on the stage that big and having to sing in front of | :15:44. | :15:49. | |
those people is a big thing for me. He's done it before. I don't know | :15:49. | :15:53. | |
what the other coaches have planned. What I have planned is an explosion | :15:53. | :15:59. | |
and it is Max and Bill. I will feel confident up there that I can | :15:59. | :16:04. | |
entertain people. That is what I will do. I don't want my fiance to | :16:04. | :16:09. | |
marry me as just me, I want to be the winner of The Voice. I want | :16:09. | :16:14. | |
that spot. Two artists, one ring, one very big decision for Danny. | :16:14. | :16:24. | |
:16:24. | :16:28. | ||
Vying to be The Voice, it is Max Taking him on, the boy next door | :16:28. | :16:38. | |
:16:38. | :16:38. | ||
Apology for the loss of subtitles for 162 seconds | :16:38. | :18:01. | |
APPLAUSE # The kind of man | :18:02. | :18:11. | |
:18:12. | :18:12. | ||
Apology for the loss of subtitles for 162 seconds | :18:12. | :19:20. | |
# Won't even stand Wow! Now it's Danny's decision to | :19:20. | :19:26. | |
take one of you through and send one of you guys home. Danny, it is | :19:26. | :19:33. | |
a horrible, horrible decision to make. Now, before we come to you, | :19:33. | :19:38. | |
let's find out what the other coaches think. Will? Danny, that | :19:38. | :19:48. | |
:19:48. | :19:51. | ||
was a good song choice. They are entertaining, so, Max, you are like | :19:51. | :19:54. | |
maximum! LAUGHTER You were dancing around the stage. Sometimes you | :19:54. | :20:00. | |
went flat while Mr Downs was slicing them and dicing them! | :20:00. | :20:10. | |
:20:10. | :20:11. | ||
APPLAUSE If I had to pick, I would have went with, you know, Bil.i.am | :20:11. | :20:19. | |
over there! Jessie, they were going for it? That was a battle-and-a- | :20:19. | :20:25. | |
half. You guys are having fun. Very, very entertaining. APPLAUSE Tom, it | :20:25. | :20:28. | |
is a horrible decision that Danny has to make. Someone has to go home. | :20:28. | :20:35. | |
If these were your artists, what would you do? No idea! LAUGHTER | :20:35. | :20:42. | |
When you were training up, you were evenly matched. It would be | :20:42. | :20:47. | |
difficult for me to pick one. So it is up to the man there. APPLAUSE | :20:47. | :20:51. | |
Danny, your verdict is going to send one of these guys home and | :20:51. | :20:55. | |
take one through to the live shows. What are you thinking? The UK is | :20:55. | :21:00. | |
probably looking at me and going, "You are an idiot for putting these | :21:00. | :21:05. | |
two together!" Yeah, that was a stupid thing to do. They are both | :21:05. | :21:10. | |
pretty much filling the one spot on the team of five that I have to | :21:10. | :21:16. | |
take into the finals. Max, through this whole thing, I have seen a | :21:16. | :21:22. | |
spark in you, but over the course of the rehearsals, what I have seen | :21:22. | :21:27. | |
tonight how much Bill has come on. APPLAUSE I am talking leaps and | :21:27. | :21:33. | |
bounds, which is why it's such a hard decision to make. Danny, it is | :21:33. | :21:43. | |
:21:43. | :21:43. | ||
time to make your decision. Who is the winner of this battle? Guys, I | :21:43. | :21:48. | |
will have to go with my gut on this. The person I'm going to take | :21:48. | :21:58. | |
:21:58. | :22:28. | ||
through to the live shows with me Bill, it's been a heck of an | :22:28. | :22:33. | |
experience. How have you found it? Incredible. For me, this is the | :22:33. | :22:37. | |
second time I have ever got up and sang in front of a crowd without my | :22:37. | :22:43. | |
guitar. Amazing. It has been a pleasure. Once again for Bill! | :22:43. | :22:53. | |
:22:53. | :23:08. | ||
APPLAUSE I'm chuffed to have just It was horrible. I'm over the moon. | :23:08. | :23:18. | |
:23:18. | :23:32. | ||
Doing it for her daughters, this single mum had huge vocals and a | :23:32. | :23:39. | |
personality to match. I want you to see all of this! | :23:39. | :23:44. | |
# I said fire... # Dreams came true for this Tom Jones | :23:44. | :23:49. | |
superfan as he won a spot on his hero's team. I heard a bit of me | :23:49. | :23:56. | |
there. You have inspired me a lot so that is probably why. They have | :23:56. | :24:00. | |
both got strong personalities. The pairing is as fair as you can get. | :24:00. | :24:03. | |
They are singing an Elvis Presley song which is great. They can play | :24:04. | :24:13. | |
off one another. Aundrea is fabulous. I will give her a run for | :24:13. | :24:21. | |
her fabulous money! I'm so excited. Oh my God. Assisting Tom is | :24:21. | :24:27. | |
musician and long-term friend, Cerys Matthews. You have one guy | :24:27. | :24:33. | |
with a legendry voice. You are singing another song by a fella | :24:33. | :24:40. | |
with a legendry voice. What are you going to do with it? | :24:40. | :24:45. | |
As rehearsals get under way... The reality of being coached by his | :24:45. | :24:50. | |
idol sinks in for Sam. # A little less conversation... # | :24:50. | :24:56. | |
You are up an octave. I am really happy. Amazing to have that time, | :24:56. | :25:00. | |
thank you. Whatever help I can give you, I will give it to you. Thanks | :25:00. | :25:10. | |
:25:10. | :25:11. | ||
very much. Just having that time was really emotional. Aundrea is | :25:11. | :25:16. | |
getting a reality check. How are you feeling? Tom knows how much I | :25:16. | :25:20. | |
want this. If I don't make it, I don't know if I will get another | :25:20. | :25:23. | |
chance. The only thing when you are really wanting something that bad | :25:23. | :25:28. | |
is not to try and overdo it. Yeah. You will be nervous on the night. | :25:28. | :25:32. | |
You are doing what you need to be doing. You have a great voice. Let | :25:32. | :25:36. | |
that work for you. This is not just for me. This is for me and my girls. | :25:36. | :25:44. | |
I don't want to let them down. the moment, they seem equally | :25:44. | :25:49. | |
matched, but somebody has got to go home. Right now I'm feeling more | :25:49. | :25:56. | |
competitive. This is a competition, a battle. I REALLY want it. I have | :25:56. | :26:00. | |
to win this for me, my girls and I have to prove I'm the one that Tom | :26:00. | :26:09. | |
needs to take through to the live shows. APPLAUSE Coming up, a vocal | :26:09. | :26:16. | |
showdown inspired by Elvis. Who will take this battle? Will it be | :26:16. | :26:25. | |
Aundrea Nyle? APPLAUSE Or the Tom Jones' superfan who wants to make | :26:25. | :26:35. | |
:26:35. | :26:36. | ||
his idol proud, Sam Buttery? APPLAUSE | :26:36. | :26:46. | |
:26:46. | :26:54. | ||
# A little less conversation # All this aggravation | :26:54. | :26:58. | |
# A little more bite and a little less bark | :26:58. | :27:00. | |
# A little less fight and a little more spark | :27:00. | :27:02. | |
# Close your mouth and open up your heart and, baby, satisfy me | :27:02. | :27:05. | |
# Satisfy me, baby! | :27:05. | :27:08. | |
# Baby, close your eyes and listen to the music | :27:09. | :27:10. | |
# Drifting through a summer breeze | :27:10. | :27:13. | |
# It's a groovy night and I can show you how to use it | :27:13. | :27:15. | |
# Come along with me and put your mind at ease | :27:15. | :27:17. | |
# A little less conversation A little more action, please! | :27:17. | :27:21. | |
# All this aggravation ain't satisfactioning me | :27:21. | :27:25. | |
# A little more bite and a little less bark | :27:25. | :27:27. | |
# A little less fight and a little more spark | :27:27. | :27:29. | |
# Close your mouth and open up your heart and, baby, satisfy me | :27:29. | :27:33. | |
# Satisfy me, baby | :27:33. | :27:37. | |
# Come on, baby I'm tired of talking! | :27:37. | :27:40. | |
# Grab your coat and let's start walking | :27:40. | :27:43. | |
# Come on, come on | :27:44. | :27:45. | |
# Come on, come on | :27:45. | :27:46. | |
# Come on, come on | :27:46. | :27:54. | |
# Don't procrastinate # Girl it's getting late | :27:54. | :27:56. | |
# A little less conversation A little more action, please! | :27:56. | :28:00. | |
# All this aggravation ain't satisfactioning me | :28:00. | :28:05. | |
# A little more bite and a little less bark | :28:05. | :28:07. | |
# A little less fight and a little more spark | :28:07. | :28:09. | |
# Close your mouth and open up your heart and, baby, satisfy me | :28:09. | :28:12. | |
# Satisfy me! | :28:12. | :28:18. | |
# Come on, baby I'm tired of talking! | :28:18. | :28:20. | |
# Grab your coat and let's start walking | :28:20. | :28:24. | |
# Come on, come on | :28:24. | :28:25. | |
# Come on, come on | :28:25. | :28:27. | |
# Come on, come on | :28:27. | :28:33. | |
# Don't procrastinate # Girl it's getting late | :28:33. | :28:36. | |
# A little less conversation A little more action, please! | :28:36. | :28:40. | |
# All this aggravation ain't satisfactioning me | :28:40. | :28:44. | |
# A little more bite and a little less bark | :28:44. | :28:47. | |
# A little less fight and a little more spark | :28:47. | :28:49. | |
# Close your mouth and open up your heart and, baby, satisfy me | :28:49. | :28:52. | |
# Satisfy me! | :28:52. | :28:58. | |
# Satisfy me! # | :28:59. | :29:05. | |
CHEERING | :29:05. | :29:05. | |
CHEERING AND | :29:05. | :29:05. | |
CHEERING AND APPLAUSE | :29:05. | :29:15. | |
:29:15. | :29:18. | ||
That | :29:18. | :29:18. | |
That was | :29:18. | :29:18. | |
That was brilliant! | :29:18. | :29:25. | |
That was brilliant! APPLAUSE | :29:25. | :29:29. | |
APPLAUSE The | :29:29. | :29:29. | |
The entire | :29:29. | :29:29. | |
The entire room | :29:29. | :29:30. | |
The entire room was | :29:30. | :29:34. | |
The entire room was entertained. Were you? Man, let me tell you | :29:34. | :29:38. | |
something. My eyebrows were so far back I had to pull them out of my | :29:38. | :29:46. | |
back pocket to put them back on my head! LAUGHTER Jessie, what did you | :29:46. | :29:52. | |
think? Such personality as well as vocals which is lovely to see. Tom, | :29:52. | :29:57. | |
what a choice you have to make here! There you go. Tom, you have a | :29:57. | :30:03. | |
really tough decision to make. In rehearsals, they were fantastic. | :30:03. | :30:07. | |
You are both huge personalities. I picked that song because Elvis | :30:07. | :30:11. | |
Presley was a huge personality. I am glad that you did that song | :30:11. | :30:16. | |
justice, more than justice. You did a wonderful job. APPLAUSE It's time | :30:16. | :30:24. | |
to make your decision, Tom. Who is the winner of this battle? It's | :30:24. | :30:34. | |
:30:34. | :30:34. | ||
hard. This is the hardest one yet. Yes. Go with your heart, Tom. | :30:34. | :30:44. | |
:30:44. | :30:52. | ||
one that I'm going to take to the live show is Sam. APPLAUSE Thank | :30:52. | :31:02. | |
:31:02. | :31:06. | ||
you. Sam, how are you feeling right now? Yaaaa... I'm so happy. We have | :31:06. | :31:14. | |
this thing about the bees and we always go, "It's the bee's knees!" | :31:14. | :31:23. | |
That is how I feel. One more time for Sam! APPLAUSE Thank you. | :31:23. | :31:28. | |
CHEERING AND APPLAUSE It's been an amazing time that we | :31:28. | :31:32. | |
have spent with you on The Voice. Have you enjoyed it? So much. Too | :31:32. | :31:37. | |
much. Way too much! This is one of the hardest decisions I have had to | :31:37. | :31:41. | |
make. They are both fantastic performers. You have done a | :31:41. | :31:45. | |
wonderful job. Follow your dream because you have it, babe. Thank | :31:45. | :31:55. | |
:31:55. | :31:56. | ||
you. Can you give us one more spin? Ladies and gentlemen, Aundrea. | :31:56. | :32:06. | |
:32:06. | :32:07. | ||
APPLAUSE They were great. Yes. fairness, I think personality-wise | :32:07. | :32:15. | |
he snipped it for me. He can do a lot of other things. Coming up: | :32:15. | :32:19. | |
Will encounters tension in his ranks. I'm a big boy, I can talk. | :32:19. | :32:24. | |
He needs to drop a whole bunch of attitude. Our coaches face some | :32:24. | :32:32. | |
difficult decisions. Who is the winner? This is impossible. I would | :32:32. | :32:41. | |
be scared to sing with you, guys. APPLAUSE Next up it is Team Jessie. | :32:41. | :32:51. | |
:32:51. | :32:52. | ||
At the blind auditions, 25-year-old backing singer Kirsten took centre | :32:52. | :32:57. | |
stage. Everyone in the audience was going for it. That is what I liked. | :32:57. | :33:03. | |
I feel that I've got a lot more to give than just doing backing vocals. | :33:03. | :33:11. | |
You are on my team! To be at the front of the stage is my dream. | :33:11. | :33:15. | |
34-year-old Toni, the blind auditions were a breakthrough. | :33:15. | :33:22. | |
# I better leave right now. # She conquered her fears. I paired | :33:22. | :33:26. | |
Kirsten and Toni because both have powerful voices and I wanted to | :33:27. | :33:32. | |
challenge them both. Rehearsals start with Jessie joined by Ana | :33:32. | :33:36. | |
Matronic. She's seen so much more than I have regarding the music | :33:36. | :33:40. | |
industry. She will be a perfect add-on to the team. I'm good at | :33:40. | :33:44. | |
performing. That is what I will be looking at, trying to give them | :33:44. | :33:51. | |
tools to make their performance shine. You guys were great. Get | :33:51. | :33:55. | |
into the words that you are singing. What is it that you are trying to | :33:55. | :34:00. | |
get this person to think about? In this case, I want you to think | :34:00. | :34:05. | |
about how fierce I am and you can use that energy to fuel your | :34:05. | :34:09. | |
performance. It is very nice. # Think. # | :34:09. | :34:13. | |
I want to see... # You better think. # | :34:13. | :34:21. | |
The vocal session was amazing. process has been incredible. I will | :34:21. | :34:26. | |
be judged on not just my voice, but the way I look. It makes me feel | :34:26. | :34:35. | |
vulnerable, if I'm honest. Come on! # Freedom! # | :34:35. | :34:42. | |
Toni has a lot of raw emotion. Part of me thinks, "How can I compete | :34:42. | :34:51. | |
against you?" It was so real. You need to let loose. To get that | :34:51. | :34:56. | |
honesty, I need to bring as much passion, emotion as I can possibly | :34:56. | :35:05. | |
get out of myself. My decision will be tough. Toni needs to leave past | :35:05. | :35:08. | |
confidence issues at the door. Kirsten needs to make sure she is | :35:08. | :35:14. | |
still in the story. I am excited to see this battle for sure! | :35:14. | :35:18. | |
worried if The Voice did end, my confidence would go backwards. To | :35:18. | :35:23. | |
walk out of here and not win the battle, it doesn't seem like an | :35:23. | :35:29. | |
option. Toni has a life experience. I have been working hard to achieve | :35:29. | :35:36. | |
my dream of being a solo artist. I am giving it everything. Two more | :35:36. | :35:40. | |
artists with plenty to prove are about to take to the ring, but who | :35:40. | :35:45. | |
will be victorious? In this round, it is the backing singer who is | :35:45. | :35:55. | |
:35:55. | :35:56. | ||
ready to take centre stage, Kirsten Joy. APPLAUSE Going against the mum | :35:56. | :36:06. | |
:36:06. | :36:09. | ||
of two in search of her second chance, it is Toni Warne. APPLAUSE | :36:09. | :36:17. | |
Let the battle begin. Come on, # Think about the sacrifices | :36:17. | :36:27. | |
:36:27. | :36:27. | ||
Apology for the loss of subtitles for 162 seconds | :36:27. | :37:59. | |
# Freedom # | :37:59. | :37:59. | |
# Freedom | :37:59. | :38:00. | |
# | :38:00. | :38:00. | |
# Freedom | :38:01. | :38:02. | |
# | :38:02. | :38:02. | |
# Freedom | :38:02. | :38:02. | |
# | :38:02. | :38:02. | |
# Sing | :38:02. | :38:02. | |
# Sing it | :38:03. | :38:06. | |
# Sing it freedom # Freedom | :38:06. | :38:16. | |
:38:16. | :38:18. | ||
# Think about it # Hey, hey, hey | :38:18. | :38:25. | |
# Yeah! # Woah! | :38:25. | :38:29. | |
# You better stop # And think about a thing | :38:29. | :38:39. | |
:38:39. | :38:56. | ||
Ladies, ladies, that was amazing! Toni and Kirsten, everybody! | :38:56. | :39:00. | |
APPLAUSE You have only got to listen to the reaction here in the | :39:00. | :39:06. | |
room to know that was incredible, girls. Jessie, unlucky! LAUGHTER | :39:06. | :39:10. | |
don't know how you will do this. I will give you a moment to have a | :39:10. | :39:15. | |
think. Tom, let's start with you. Incredible women. Yeah. Both of | :39:15. | :39:19. | |
them. I wouldn't know who to pick. That is from here. You are two | :39:19. | :39:27. | |
fantastic singers and you did a great job. APPLAUSE Thank you, Tom. | :39:27. | :39:33. | |
Danny? Both of you were outstanding. I was sitting there going, "Oh my | :39:33. | :39:38. | |
God, that's incredible!" You tipped it over the edge, then you did. I | :39:38. | :39:44. | |
don't envy you. This is impossible. APPLAUSE Will, what would you do? | :39:44. | :39:49. | |
never thought two voices can sound like a choir. I thought I was | :39:49. | :39:58. | |
hearing a choir! You sing like Ninja assassin singers. Off to | :39:58. | :40:03. | |
Jessie! This will be tough on you. I would be scared to sing with you, | :40:03. | :40:13. | |
:40:13. | :40:13. | ||
guys. Seriously, that was not one note out. APPLAUSE You two are | :40:13. | :40:20. | |
probably two of the best female voices that I have heard in the UK. | :40:20. | :40:28. | |
APPLAUSE Toni, you don't need a visual to hear the pain and the | :40:28. | :40:33. | |
passion and the understanding of how much music is in your heart. | :40:33. | :40:37. | |
It's just there. I can see it. I can feel it every time I am with | :40:37. | :40:42. | |
you. Every time I'm with Kirsten I see how much sparkle is in your | :40:42. | :40:48. | |
eyes and how much you want this. Please you are not a backing | :40:48. | :40:55. | |
vocalist! APPLAUSE You are not meant to be behind nobody! Jessie, | :40:55. | :41:05. | |
:41:05. | :41:17. | ||
Jessie, who is the winner of this battle? I love you, girls, you know | :41:17. | :41:26. | |
that, right? Don't cry because I'll cry. The person that I'm going to | :41:26. | :41:36. | |
:41:36. | :41:39. | ||
be taking through to live is Toni. APPLAUSE We have our winner. Going | :41:39. | :41:49. | |
:41:49. | :42:09. | ||
through to represent Team Jessie, When I stood on that stage, I | :42:09. | :42:17. | |
believed that I could do it! I believed my arm was going to go in | :42:17. | :42:23. | |
the air. Wow! That was TV history. That is how good that was. I would | :42:23. | :42:32. | |
be so proud if I had just sung that. I'm just beginning my dream! | :42:32. | :42:41. | |
APPLAUSE The way Toni - she stepped into her fear. She stepped into it | :42:41. | :42:51. | |
:42:51. | :43:02. | ||
and went what?! So proud! Next up In the blind auditions, barefooted | :43:02. | :43:07. | |
musician Vince impressed Danny with the power of his voice. All I have | :43:07. | :43:11. | |
wanted is the opportunity to be able to say yeah, I have had my | :43:11. | :43:16. | |
shot. There is a rawness in there. Yours is be perfect voice that will | :43:16. | :43:21. | |
get me through to the next round and beat these guys here. While Bo | :43:21. | :43:25. | |
has a different style and it was her vocal rather than her title | :43:25. | :43:31. | |
that was truly upper-class. # Without you. # | :43:31. | :43:35. | |
You don't need to have power to show emotion. I came on the show to | :43:35. | :43:39. | |
find a unique voice. You have that voice. | :43:39. | :43:44. | |
# Through the storm... # I paired Bo and Vince together | :43:44. | :43:49. | |
because they have contrasting voices. The two will work well | :43:49. | :43:57. | |
together. In rehearsal Danny hears a problem. There are parts in the | :43:57. | :44:00. | |
song - not that you are overpowering Bo, maybe you are | :44:00. | :44:05. | |
giving too much meat into the song. Yes. | :44:05. | :44:08. | |
# Nothing to win # Nothing left to lose. # | :44:08. | :44:13. | |
I felt Vince was leading it. If you are going to be a powerhouse, | :44:13. | :44:16. | |
everyone will say you are trying to drown that girl out. | :44:16. | :44:22. | |
# Through the storm we reach the shore. # | :44:22. | :44:25. | |
Him reducing his power is something he hasn't had to do before. | :44:25. | :44:30. | |
# I'm waiting for you. # He's going to have to learn that as | :44:30. | :44:35. | |
much as Bo will have to come out of her shell. Winning this battle is | :44:35. | :44:41. | |
everything to me. There is no Plan B. Your power coming in and the | :44:41. | :44:48. | |
tone seems to lopside it in your direction, in an unfair way. I get | :44:48. | :44:53. | |
that. Vince has a powerful voice. To be intimidated by it is the | :44:53. | :45:00. | |
worst thing you can do. When I'm with Vince he's like this force and | :45:00. | :45:06. | |
it is kind of scary. Yes. Do you know how good you are? I don't know. | :45:06. | :45:16. | |
:45:16. | :45:18. | ||
Maybe... Not. I... Vince's biggest challenge is going to be reigning | :45:18. | :45:24. | |
in -- reining in that power. more artists are about to enter the | :45:24. | :45:28. | |
ring hoping their lives will change forever. Will it be the girl with | :45:28. | :45:38. | |
:45:38. | :45:40. | ||
the unique style, Bo Bruce? APPLAUSE Or the powerful rock | :45:40. | :45:50. | |
:45:50. | :45:50. | ||
Apology for the loss of subtitles for 162 seconds | :45:50. | :46:43. | |
# On a bed of nails # Through the storm | :46:43. | :46:53. | |
:46:53. | :46:53. | ||
Apology for the loss of subtitles for 162 seconds | :46:53. | :48:25. | |
One more time for Bo and Vince, come on! | :48:25. | :48:30. | |
CHEERING AND APPLAUSE Danny, you have such a tough | :48:30. | :48:35. | |
decision to make. We will come to you in a minute. Will, they were | :48:35. | :48:39. | |
fantastic. What did you think? don't know whether to be honest or | :48:39. | :48:45. | |
say a whole bunch of, like, stuff to throw Danny off. I will be | :48:45. | :48:52. | |
honest. Bo, you are, like, an amazing singer. It is like I was | :48:52. | :48:59. | |
watching a Grammy performance, like, wow! APPLAUSE Vince, you are, like, | :48:59. | :49:07. | |
Dave Matthews selling out your own festivals. You guys are superstars. | :49:07. | :49:13. | |
APPLAUSE And your whole style, like, I'm going to come up here without | :49:13. | :49:21. | |
no shoes on, you know what I'm saying, to rock it like, caveman- | :49:21. | :49:31. | |
style! I love that. APPLAUSE Tom, it is definitely a tough decision | :49:31. | :49:36. | |
that Danny has to make. Do you know who you would go for? It sounded | :49:36. | :49:43. | |
like a great duet. It sounded like they should sing together. APPLAUSE | :49:43. | :49:51. | |
I wouldn't be able to say one over the other. Thank God I don't have | :49:51. | :49:58. | |
to. Thanks, Tom(!) Go ahead. Danny, this is a tough decision. How are | :49:58. | :50:01. | |
you feeling? I have grown to know these people over the course of the | :50:01. | :50:07. | |
show. I love them both the same. Bo, I guess the fragile nature of your | :50:08. | :50:11. | |
performances can almost underestimate everybody to how good | :50:11. | :50:17. | |
you are. Until you open your voice and then just magic happens. Vince, | :50:17. | :50:24. | |
I wanted to hear you reined in a little bit. You executed it | :50:24. | :50:28. | |
beautifully tonight. Really great. Danny, it is time to make your | :50:28. | :50:36. | |
decision. Who is the winner of this battle? I'm basing this decision on | :50:36. | :50:40. | |
who I think will go into the music business straightaway and will sell | :50:40. | :50:50. | |
:50:50. | :51:10. | ||
The person I'm going to take into the live shows with me is Bo Bruce. | :51:10. | :51:20. | |
:51:20. | :51:32. | ||
One more time for Bo Bruce who made it to the live shows, | :51:32. | :51:38. | |
congratulations. APPLAUSE Vince, you are leaving Team Danny. I am | :51:38. | :51:42. | |
sure you have picked up a lot from this man? I have learnt a new vocal | :51:42. | :51:46. | |
technique from working on this particular track, so I will be | :51:46. | :51:50. | |
taking that forward and hopefully... Again, this is nothing against | :51:50. | :51:54. | |
talent or lack of talent or anything. It is just not today, | :51:54. | :51:59. | |
that is all. That's all I can say, you know. It was a hard decision to | :51:59. | :52:05. | |
make. I can only put one person through. The harsh reality is great | :52:05. | :52:15. | |
:52:15. | :52:42. | ||
voices. One will sell more records # I through my hands up in the air. | :52:42. | :52:52. | |
:52:52. | :52:54. | ||
Heshima Thompson's audition showed us singing is where he belongs. | :52:54. | :52:59. | |
Tyler's audition was a chance to re-start his career after the death | :52:59. | :53:03. | |
of his best friend, Amy Winehouse. We were two halves of the same | :53:03. | :53:10. | |
person. One note grabbed Will. last thing that you did showed your | :53:10. | :53:19. | |
range and you are awesome. Thanks. The song you will be singing is | :53:19. | :53:26. | |
Yeah 3x by Chris Brown. That is a dance track. It is not necessarily | :53:26. | :53:36. | |
:53:36. | :53:36. | ||
a singer's song. It is something that I can't do. It's not my thing. | :53:36. | :53:42. | |
I felt like I was forcing them to do something, converting them from | :53:42. | :53:47. | |
their religion. I through this curve ball at you on purpose. I | :53:47. | :53:52. | |
need to know who has ability to just figure out how they are going | :53:52. | :53:57. | |
to overcome that obstacle to think about the problem. He told us it is | :53:57. | :54:02. | |
an obstacle that you overcome. I had a lot of respect for him. We | :54:02. | :54:09. | |
will find where we want it to go. How do you feel? I'm cool. No, you | :54:09. | :54:15. | |
can't say like, "I'm cool" and your face says something different. | :54:15. | :54:19. | |
I do understand is a work in progress, it is a compromise. I | :54:19. | :54:24. | |
understand the energy of the piece, then I can be like, yeah. I thought | :54:25. | :54:28. | |
Tyler had to work on something. He humbled himself to the song. I | :54:28. | :54:34. | |
applaud that. That shows the artist that he is. But Heshima, he needs | :54:34. | :54:40. | |
to drop a whole bunch of attitude. What is holding you back from this | :54:41. | :54:46. | |
particular song? Is that a question? Yes. Nothing is holding | :54:46. | :54:53. | |
me back. We have to go at it open- minded like what do I need to blow | :54:53. | :55:03. | |
:55:03. | :55:05. | ||
everybody away? You have some vibes like you are going to choke me! | :55:05. | :55:13. | |
Just focused. Are you squinting? studio rehearsals, he gets the time | :55:13. | :55:18. | |
he wanted with the band and he is a lot happier. If your heart is not | :55:18. | :55:23. | |
into something, it is so hard to give. I can't pretend to love | :55:23. | :55:27. | |
something if I don't. Can I be honest? When we were rehearsing, | :55:27. | :55:31. | |
that was probably like the most uncomfortable experience I have | :55:31. | :55:37. | |
ever had in my life. LAUGHTER swear. You said it was a challenge | :55:37. | :55:42. | |
and you told us to make it our own. It's worked. I thank you, man. | :55:42. | :55:49. | |
have brought it to a place where it's now somewhere where all walks | :55:49. | :55:55. | |
of life can appreciate it. I am impressed he got it. Hats off to | :55:55. | :55:59. | |
that. I am looking to see how they take a song, they probably would | :55:59. | :56:03. | |
never have thought they would have performed and how they make it | :56:03. | :56:09. | |
their own. In front of a live studio audience! On battle night! | :56:09. | :56:13. | |
Two more artists will now go into vocal battle to impress their coach | :56:13. | :56:18. | |
and stay in the competition. First, the London boy looking for a | :56:18. | :56:28. | |
:56:28. | :56:30. | ||
brighter future, Tyler James. APPLAUSE Versus the man who | :56:30. | :56:36. | |
describes himself as a triple threat, it is actor, dancer, singer, | :56:36. | :56:46. | |
:56:46. | :56:46. | ||
Apology for the loss of subtitles for 162 seconds | :56:46. | :57:39. | |
# Cos I # Now, everybody | :57:39. | :57:46. | |
# Girl, I wanna... # I wanna see you tonight | :57:46. | :57:50. | |
# Girl, I gotta... Yeah, yeah, yeah | :57:50. | :57:54. | |
# I gotta see you tonight | :57:54. | :57:59. | |
# Just at the moment | :58:00. | :58:01. | |
# Can't believe | :58:01. | :58:02. | |
# You're so beautiful Feels like I'm in a dream | :58:02. | :58:04. | |
# Baby, we're going somewhere | :58:04. | :58:06. | |
# You know we've been before | :58:06. | :58:08. | |
# So take my hand and come with me | :58:08. | :58:10. | |
# Girl, don't feel out of place | :58:10. | :58:13. | |
# Cos I, I'm in love with this feeling now | :58:13. | :58:17. | |
# And I, I... | :58:17. | :58:21. | |
# I hope that this will last a while | :58:21. | :58:25. | |
# We should make it last a while | :58:25. | :58:26. | |
# You like a drink? | :58:26. | :58:29. | |
# So do we | :58:29. | :58:31. | |
# Get my bottles | :58:31. | :58:33. | |
# Bring 'em to me | :58:33. | :58:35. | |
# Hold your glasses up | :58:35. | :58:37. | |
# People everywhere | :58:37. | :58:39. | |
# Now, everybody Put your hands in the air | :58:39. | :58:40. | |
# Yeah, yeah, yeah | :58:40. | :58:42. | |
# Girl, I wanna... Yeah, yeah, yeah | :58:43. | :58:45. | |
# I wanna see you tonight Yeah, yeah, yeah | :58:45. | :58:55. | |
CHEERING | :58:55. | :58:55. | |
CHEERING AND | :58:55. | :58:55. | |
CHEERING AND APPLAUSE | :58:56. | :59:00. | |
CHEERING AND APPLAUSE Wow! | :59:00. | :59:10. | |
Wow! Jessie, | :59:10. | :59:11. | |
Wow! Jessie, your | :59:11. | :59:11. | |
Wow! Jessie, your thoughts? | :59:11. | :59:14. | |
Wow! Jessie, your thoughts? Tyler, I love the fact you put your own | :59:14. | :59:24. | |
spin on that. That is something that doesn't feel like your usual | :59:24. | :59:31. | |
Genra. Heshima, you can afford to hold back a bit. Amazing vocals | :59:31. | :59:38. | |
when you are going up. Crazy. Tough, tough. Who would you choose? Boy, I | :59:38. | :59:45. | |
would take through Heshima, I think. APPLAUSE Tom? I thought you were | :59:45. | :59:49. | |
both great. I thought the song suited both of you. With Tyler, I | :59:50. | :59:55. | |
think it was more interesting. If I had to choose, which I don't, I | :59:55. | :00:00. | |
think I would have gone with Tyler. All right, Will, this is down to | :00:00. | :00:06. | |
you. Are you regretting pitching these two against each other? | :00:06. | :00:12. | |
This is a hard one. I through this song, it was a curve ball, -- I | :00:12. | :00:16. | |
threw this song, it was a curve ball. It was a challenge to see how | :00:16. | :00:21. | |
we could flip it up. Tyler, you knocked me out with your | :00:21. | :00:31. | |
:00:31. | :00:32. | ||
performance. That was amazing. APPLAUSE But, Heshima, every lick | :00:32. | :00:39. | |
was incredible. That is why this is hard. Who is the winner of this | :00:39. | :00:49. | |
:00:49. | :00:52. | ||
battle? I'm going to need somebody that know s how to, like, take it | :00:52. | :01:01. | |
and own it to where you forgot about the original. And I want to | :01:01. | :01:06. | |
take Tyler with me to the live shows. APPLAUSE We have our winner. | :01:06. | :01:13. | |
It is Tyler. APPLAUSE Congratulations, you are going | :01:13. | :01:23. | |
:01:23. | :01:26. | ||
through to the live shows. Tyler, everybody. APPLAUSE You put up a | :01:26. | :01:36. | |
:01:36. | :01:36. | ||
good fight? Will? I ask you, I just ask you, please don't stop because | :01:36. | :01:41. | |
you have every, you have everything that the world needs in an artist | :01:41. | :01:49. | |
and I'm proud of you and I'm a fan. Thank you very much. Thank you. | :01:49. | :01:56. | |
APPLAUSE Heshima, everybody. APPLAUSE I did it, man. I am so | :01:56. | :01:59. | |
looking forward to the live shows. I know I can continue to up my game. | :02:00. | :02:06. | |
I am so pleased that Will believes in me and he can see that in me. | :02:06. | :02:09. | |
Tyler, he created that whole thing. He told the band how to do it. An | :02:09. | :02:13. | |
artist is a person that knows how to work with a band. I want you to | :02:13. | :02:17. | |
enter it like that. A conductor. He did that. There's a bunch of people | :02:17. | :02:25. | |
that could sing. He is a guy that knows how to... He has his own | :02:25. | :02:32. | |
thing. I made the right choice. Coming up: One battle makes an | :02:32. | :02:37. | |
impression. Television is not ready for this talent. This is an | :02:37. | :02:41. | |
incredible moment. There is a worrying setback for Team Will. | :02:41. | :02:50. | |
have a chest infection. You were flat. Tom has to make an emotional | :02:50. | :03:00. | |
:03:00. | :03:13. | ||
22-year-old Vince amazed the coaches with his take on a Madonna | :03:13. | :03:17. | |
hit. # Like a virgin... # | :03:17. | :03:24. | |
When I pull this face, I know that I like it. I love you. 17-year-old | :03:24. | :03:27. | |
Belfast schoolgirl Jessica went from playing in her bedroom to | :03:27. | :03:33. | |
playing on the big stage. # Forget about the price tag. # | :03:33. | :03:37. | |
You don't understand how amazing it is for me to sit here and have you | :03:37. | :03:45. | |
sing my song. Making music. I am so excited about you. You brought your | :03:45. | :03:50. | |
own twist to a song that already exists. I saw her audition. I don't | :03:50. | :03:54. | |
think anyone can touch your version of it, but she did and she did it | :03:54. | :03:59. | |
different. Vince is lovely. He has this passion for music. He is one | :03:59. | :04:03. | |
cool dude. You guys! Even though they do similar things, the way | :04:03. | :04:08. | |
they do it is very different. I can't wait to see what they both do. | :04:08. | :04:18. | |
:04:18. | :04:23. | ||
It will be a good battle. # We found love in a whole place... | :04:23. | :04:30. | |
# We found love in a hopeless place. # I was standing side by side... # | :04:30. | :04:37. | |
Play around with it. That is what will be adventurous about this song. | :04:37. | :04:42. | |
# We found love in a hopeless place. It seems like there is a difference | :04:42. | :04:46. | |
of style. Have you guys found that difficult? When we are working | :04:46. | :04:51. | |
together, we are like complimenting each other's weaknesses and | :04:51. | :04:56. | |
strengths. I feel more comfortable on stage knowing someone has got my | :04:56. | :05:01. | |
back. How often do you compete with the people that you perform with? | :05:01. | :05:05. | |
Make sure you bring what it is that he can't do because you want to | :05:05. | :05:09. | |
beat him. It is hard to be competitive with somebody that you | :05:09. | :05:15. | |
like so much. Vince and Jessica need to remember it is a battle. | :05:15. | :05:21. | |
They both need to bring it.com! Being against someone that you | :05:21. | :05:24. | |
adore is out of my comfort zone. I love to perform. That is what I | :05:24. | :05:30. | |
will do. That is why I came here. That was my goal. Jessie J said | :05:30. | :05:34. | |
leave your friendship at the side. And sing like you want to be in the | :05:34. | :05:43. | |
live shows. That is what I will do! Going into battle now opposites | :05:43. | :05:48. | |
collide. Vying to be the voice, the man who has the high notes, it is | :05:48. | :05:56. | |
Vince Kidd. APPLAUSE Challenging him from Belfast, the sweet and | :05:56. | :06:06. | |
soulful 17-year-old, Jessica Hammond. APPLAUSE Come on! Good | :06:06. | :06:16. | |
:06:16. | :06:16. | ||
Apology for the loss of subtitles for 162 seconds | :06:16. | :07:39. | |
# It's the way I'm feeling # It's the way I'm feeling | :07:39. | :07:49. | |
:07:49. | :07:49. | ||
Apology for the loss of subtitles for 162 seconds | :07:49. | :09:08. | |
Jessie, it is your call. Get thinking. Tom, what are your | :09:08. | :09:16. | |
thoughts? I don't envy you. You picked two crackers. I know. For me, | :09:16. | :09:20. | |
I thought the key was suited more to Vince than it was to Jessica. If | :09:20. | :09:24. | |
I had to pick between the two, Vince would be the one for me. | :09:24. | :09:31. | |
APPLAUSE Danny, it was so close. How did you find it? Jessica, I was | :09:31. | :09:35. | |
worried when I heard you were going up against each other. I thought | :09:35. | :09:42. | |
you were going to get swallowed up. You held your own tonight. You | :09:42. | :09:47. | |
really did. You really held your own tonight. Jessie, they are so | :09:47. | :09:52. | |
different. But somebody has to go home tonight. I said you were the | :09:52. | :09:55. | |
two that put your own spin on a song that already existed, that is | :09:55. | :10:01. | |
what I loved. You did that there and then again. You did it well. | :10:01. | :10:05. | |
APPLAUSE You two were two people that just drew me into your voices | :10:05. | :10:13. | |
and I have enjoyed working with both of you so much. This is tough. | :10:13. | :10:21. | |
Well, Jessie, it is time to make your decision. Who is the winner of | :10:21. | :10:31. | |
:10:31. | :10:43. | ||
The person... The person I'm going to take through to lives with me | :10:43. | :10:53. | |
:10:53. | :10:58. | ||
is... Vince! APPLAUSE Congratulations to Vince. | :10:58. | :11:08. | |
:11:08. | :11:16. | ||
I love you. Thank you so much. Now, are you proud of what she has | :11:16. | :11:20. | |
achieved? I am so proud. I'm so emotionally attached to every | :11:20. | :11:25. | |
artist because I can understand how they feel. You have no idea how | :11:25. | :11:29. | |
amazing you are. This is time for you to go and step into the light | :11:29. | :11:33. | |
that is there waiting for you. All right? Thanks. Ladies and gentlemen, | :11:33. | :11:42. | |
Jessica. Let's hear it for her. Come on! APPLAUSE I'm going to the | :11:42. | :11:52. | |
:11:52. | :12:09. | ||
Jaz took the final spot on Will's team after a performance that | :12:10. | :12:17. | |
struck close to the heart. Part- time waiter Jay moved to London in | :12:17. | :12:23. | |
search of his dream. # I need a dollar. # | :12:23. | :12:29. | |
You are the bomb! The reason why I put you up against each other is | :12:29. | :12:36. | |
because you guys are, you know, Jedi knight singers. It is to bring | :12:36. | :12:41. | |
the best out of you. I have two of my best male singers, phenomenal | :12:41. | :12:49. | |
vocal abilities. # I heard it through the grapevine. | :12:49. | :12:55. | |
# And I'm just about to lose my mind. # | :12:55. | :13:05. | |
:13:05. | :13:09. | ||
# I'm just about to l-o-s-e my mind. And then take that next line. | :13:09. | :13:19. | |
:13:19. | :13:21. | ||
# I heard it through the grapevine. My fear is that Jaz has got a high- | :13:22. | :13:26. | |
belt voice and that might just KO me. I'm the underdog. A lot of | :13:26. | :13:32. | |
people expect Jaz is going to murder me in this battle round. | :13:32. | :13:37. | |
fear is not being well for the battle round. What's wrong? I have | :13:37. | :13:42. | |
a chest infection. Not being able to deliver is a fear. I teach | :13:42. | :13:46. | |
singing full-time so I have to use my voice. I don't get the chance to | :13:47. | :13:50. | |
rest. We have to figure a way to overcome it. You can't let it stop | :13:50. | :13:57. | |
you. That is the world that you want to be in. You are on tour, I | :13:57. | :14:01. | |
have bronchitis, pneumonia and 102 fever, I come out on stage with | :14:01. | :14:05. | |
them every night. Prince is at the show. Prince! As sick as I was, | :14:05. | :14:09. | |
that was one of the best performances I ever had. We have | :14:09. | :14:19. | |
:14:19. | :14:19. | ||
all gone through it. # I must say... # | :14:19. | :14:24. | |
I should never have put Jay up against Jaz. They are two fantastic | :14:24. | :14:28. | |
singers that I would have liked to have kept on my team. I will have | :14:28. | :14:32. | |
to say bye to one of them. This battle could be a big moment to | :14:32. | :14:36. | |
change a lot of things. I don't want to go back to being a waiter. | :14:36. | :14:43. | |
I want to sing. My voice has got worse. It could go either way. | :14:43. | :14:46. | |
Singing today will be like Russian Roulette. I don't know what is | :14:46. | :14:52. | |
going to come out. Two artists are waiting backstage, but only one of | :14:52. | :14:58. | |
them can sing their way on to the live shows. So hoping to paibg | :14:58. | :15:04. | |
Will's jaw drop -- make Will's jaw drop, the soulman representing | :15:04. | :15:11. | |
Liverpool, Jay Norton. APPLAUSE Up against the London gospel jazz | :15:11. | :15:21. | |
:15:21. | :15:43. | ||
# Ooh, I bet you're wondering # With some other guy | :15:43. | :15:53. | |
:15:53. | :15:53. | ||
Apology for the loss of subtitles for 162 seconds | :15:53. | :16:35. | |
# It took me by surprise # Losin' you would end my life | :16:35. | :16:45. | |
:16:45. | :16:57. | ||
# That you love # Oh, I heard it | :16:57. | :17:07. | |
# Oh, and I'm just about # People say believe | :17:07. | :17:17. | |
:17:17. | :17:27. | ||
# Oh, I heard it # Oh and I'm just about | :17:27. | :17:37. | |
:17:37. | :18:08. | ||
CHEERING AND APPLAUSE Come on! | :18:08. | :18:15. | |
Wow. The soulful sound of Jay and Jaz. Will, you have an awful lot to | :18:15. | :18:22. | |
think about. Let's hear from your fellow coaches. Jessie? What you | :18:22. | :18:25. | |
doing putting them together? Television is not ready for this | :18:25. | :18:31. | |
talent on this show. APPLAUSE Like, I cannot wait for people to turn | :18:31. | :18:41. | |
their TVs on and see people singing live and doing it well. APPLAUSE | :18:41. | :18:45. | |
Danny? I'm standing to make a statement that this is what The | :18:45. | :18:55. | |
:18:55. | :18:59. | ||
Voice is about. I had a great opportunity to work with Boyz To | :18:59. | :19:08. | |
Mend and you are like them. You have the tone and the talent. I was | :19:08. | :19:13. | |
worried when you were paired against Jaz. You held your own. | :19:13. | :19:19. | |
Will? This is up to you. The reason why I paired you guys together, you | :19:19. | :19:28. | |
don't sing alike, but you have a lot in common and so much raw | :19:28. | :19:35. | |
talent. Jay, I am super proud. You outlicked him. You showed your | :19:35. | :19:40. | |
range. It was out of this world. I have worked with Justin Timberlake | :19:40. | :19:46. | |
before and you are better than Justin Timberlake. You probably | :19:46. | :19:53. | |
don't see this, somebody will be like, "Ooh, he said something about | :19:53. | :20:03. | |
:20:03. | :20:03. | ||
blah, blah... # Yeah, I said it. He killed you! And | :20:03. | :20:12. | |
Jaz, you hit this one riff I hurt my head because I was like bop, | :20:12. | :20:16. | |
knocked me out. At the beginning you were flat and you are getting | :20:16. | :20:24. | |
over your bronchitis. If that is what you sound like with bronchitis, | :20:24. | :20:30. | |
shazam! Will, it is time to make your decision. Who is the winner of | :20:30. | :20:40. | |
:20:40. | :20:44. | ||
this battle? They both killed it. They knocked us all out. Jaz, I | :20:44. | :20:51. | |
want to take you on to the lives. You have something in you. You have | :20:51. | :20:55. | |
soul in a bowl. Man, you got soul on a pole. You have got soul that | :20:55. | :21:03. | |
you don't know, woah, you got soul! Going through as part of Team Will | :21:04. | :21:13. | |
:21:14. | :21:15. | ||
to the live shows, it is Jaz. APPLAUSE Let's hear it for this guy, | :21:15. | :21:22. | |
it is Jay. Jay Norton is one of those singers that you hear and you | :21:22. | :21:29. | |
fall in love with. He is the kind of artist that you want to sign up. | :21:29. | :21:39. | |
:21:39. | :21:47. | ||
I can't sign him right now. I wish I could. Go Jaz. Next up it is Team | :21:47. | :21:57. | |
:21:57. | :22:03. | ||
Deniece Pearson found fame as a singer in 5 Star. Now she wants to | :22:03. | :22:09. | |
go solo. I am looking forward to having you on my team. Ruth is here | :22:09. | :22:14. | |
for one special person. Before my dad died, he told me to do whatever | :22:14. | :22:20. | |
made me happy. She made Tom very happy, too. That note did it for me. | :22:20. | :22:26. | |
They are both soul singers, but there is a contrast. Deniece has a | :22:26. | :22:31. | |
lot of experience. With Ruth there is a raw energy. Ruth has a | :22:31. | :22:35. | |
powerful voice. I have a lot of experience. She is like an amazing | :22:35. | :22:41. | |
singer. It is her or me. So I have to do the best I can. I don't think | :22:41. | :22:48. | |
Ruth has seen the best of me yet, not yet. The girls waste no time | :22:48. | :22:57. | |
showing Tom and Cery what they can do. -- Cerys what they can do. | :22:57. | :23:00. | |
one of you can go through to the next round. Does that put more | :23:00. | :23:04. | |
pressure on you now? I believe in myself. I'm going to do something | :23:04. | :23:13. | |
for me. The song's lyrics have a special meaning to Ruth and her | :23:13. | :23:16. | |
late father. # All I know is that everything's... | :23:16. | :23:23. | |
That is what he always used to say, everything is going to be all OK, | :23:23. | :23:27. | |
so it was like he was there and he was telling me everything is going | :23:27. | :23:35. | |
to be OK. Want to take a minute? OK. I started to cry myself. I started | :23:35. | :23:44. | |
to fill up. I know what she was going through. I hope that it will | :23:45. | :23:51. | |
make you feel strong. Use it as your strength. Don't lose the | :23:51. | :23:59. | |
emotion. Very touching. These are strong voices, these two girls. | :23:59. | :24:07. | |
would love to make it as a solo artist. Deniece has to be careful | :24:07. | :24:12. | |
that she doesn't overdo it. With Ruth, she cannot let the emotion | :24:12. | :24:18. | |
destroy her performance. I have one shot. I do have to give it | :24:18. | :24:22. | |
everything. The hard thing for me is that I have to pick one. I am | :24:22. | :24:32. | |
:24:32. | :24:34. | ||
feeling happy, confident, so I am APPLAUSE | :24:34. | :24:42. | |
Going head-to-head, one artist will stay and one will go. First to the | :24:42. | :24:52. | |
:24:52. | :24:52. | ||
ring is Deniece Pearson. APPLAUSE But hot on her heels is the raw | :24:52. | :25:02. | |
:25:02. | :25:02. | ||
Apology for the loss of subtitles for 162 seconds | :25:02. | :27:56. | |
talent of London teenager, Ruth What a battle. Ladies and gentlemen, | :27:56. | :28:05. | |
one more time for Ruth and Deniece. APPLAUSE Tom, this is a difficult | :28:05. | :28:09. | |
decision to make. We will come to you shortly. First, let's find out | :28:09. | :28:17. | |
what you thought of that battle, Danny? Amazing. That was amazing. I | :28:18. | :28:22. | |
think two-and-a-half minutes, I heard every note that was created | :28:22. | :28:30. | |
by music! It was beautiful to hear and from Deniece, you are a | :28:30. | :28:33. | |
consummate professional. Everything says you have been on the stage. We | :28:33. | :28:38. | |
know you have. Then there is Ruth Brown. | :28:38. | :28:43. | |
CHEERING AND APPLAUSE Who from the second I seen you over there, I was | :28:43. | :28:46. | |
captivated. There was one particular note where I looked at | :28:46. | :28:52. | |
the boys, I looked around, that is what I look for in anything, that | :28:52. | :28:58. | |
magic moment. You have it! Thank you. Will, there were some special | :28:58. | :29:03. | |
moments during that. What stood out for you? Before there was a music | :29:03. | :29:08. | |
industry, we sang in churches, we sang with family, you know, and | :29:08. | :29:15. | |
then there were the superstars. Deniece you remind me of the | :29:15. | :29:19. | |
strength and the height of the music industry. You represent that. | :29:19. | :29:28. | |
Thank you. And Ruth you are 19 years old. I don't know how old | :29:28. | :29:35. | |
your soul is, child! You have a halo over you where it oozes out of | :29:35. | :29:40. | |
you where the height of stardom, the height and the pinnacle of the | :29:40. | :29:45. | |
music industry, fabulousness and the grit, the under, the earth, I'm | :29:45. | :29:50. | |
singing from my heart. What a battle! APPLAUSE Will, they | :29:50. | :29:55. | |
represent very different things, but who would you put through? | :29:55. | :30:05. | |
:30:05. | :30:05. | ||
ain't my problem! LAUGHTER Help me! Tom, you have put yourself in it | :30:05. | :30:11. | |
here, putting these together. know. Give me some help. Both of | :30:11. | :30:21. | |
you could go through and do well. Tom, it's youth versus experience. | :30:21. | :30:29. | |
You feel the soul from the both of them. It's a different kind of soul. | :30:29. | :30:34. | |
Deniece has experience and polish and a wonderful instrument. Now you | :30:34. | :30:42. | |
have Ruth, this... APPLAUSE Ruth Brown, I know what Will was saying, | :30:42. | :30:45. | |
you are coming from a different place. There's things that come out | :30:45. | :30:53. | |
of you that is built in that maybe you just let it fly and it works. | :30:53. | :31:02. | |
APPLAUSE Tom, it is time to make your decision. Who is the winner of | :31:02. | :31:12. | |
:31:12. | :31:17. | ||
this battle? Well, this is difficult. As everybody knows. I | :31:17. | :31:27. | |
:31:27. | :32:04. | ||
think the one that should go to the You really did a great job. Your | :32:04. | :32:14. | |
:32:14. | :32:25. | ||
father would be proud of you. That was an incredible battle. You | :32:25. | :32:29. | |
have been singing for a long time. You have got to work with a legend. | :32:29. | :32:35. | |
How was it? An honour and I am enjoyed every second. Ladies and | :32:35. | :32:45. | |
:32:45. | :33:01. | ||
gentlemen, please make some noise There was something in there that | :33:01. | :33:08. | |
was unreal. There is a pain in there but she can't articulate it. | :33:08. | :33:13. | |
Something inside of me was pushing myself to do the best that I can. | :33:13. | :33:19. | |
felt it. She went... Every time this kid sings she gives me chills. | :33:19. | :33:28. | |
Unbelievable! APPLAUSE That is the state of play after the first part. | :33:28. | :33:33. | |
The fight continues tomorrow as we get one step closer to finding The | :33:33. | :33:38. | |
Voice. Good night, everybody. Sunday night, the battle weekend | :33:38. | :33:42. | |
concludes. Wow. There are explosive performances. If he is that good | :33:42. | :33:48. | |
now, that is frightening. Dang! there is tension, I'm happy for | :33:48. | :33:54. |