Battles 1 The Voice UK


Battles 1

Similar Content

Browse content similar to Battles 1. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Four superstar coaches have secured their teams of ten. Now they must

:00:12.:00:21.

decide which five to let go. battles start here! Two singers.

:00:21.:00:28.

Singing one song. When they step in that ring... It is battle time.

:00:28.:00:38.

winner... One loser. Let the battles commence! APPLAUSE Welcome

:00:38.:00:42.

to The Voice, the battle rounds. Our coaches have split their teams

:00:42.:00:50.

into pairs. Each pair must go head- to-head. After each pair have

:00:50.:00:54.

performed, coaches must decide who advances and who goes home. Making

:00:54.:00:59.

those difficult decisions are four of the biggest names in music.

:00:59.:01:09.
:01:09.:01:10.

Danny O'Donoghue! Tom Jones. Jessie J. And Will.i.am! The coaches have

:01:10.:01:14.

paired up their own artists to sing against each other. Vince and

:01:14.:01:18.

Jessica. So the only thing standing between each singer and a spot on

:01:18.:01:23.

the live show is the team-mate they are pitched against. The person

:01:23.:01:27.

standing next to you could be the person knocking you out. Before

:01:27.:01:31.

they enter the battle ring, each will be trained by their coach.

:01:31.:01:38.

# A little less conversation... # Don't you ever come around here. #

:01:38.:01:46.

One specially invited trusted advisor. Helping Jessie is Ana

:01:46.:01:50.

Matronic. I will be looking for each competitor to take a song and

:01:50.:01:58.

turn it into something they own. Bring it in guns blazing! Danny has

:01:58.:02:03.

drafted in Paloma Faith. I am not looking for perfection. It would be

:02:03.:02:08.

cool if we could see you head-to- head battling it out. I am looking

:02:08.:02:16.

for character and personality and texture. Welsh musician and lead

:02:16.:02:23.

singer of Catatonia, Cerys Matthews, is with Team Tom. You have two

:02:23.:02:33.
:02:33.:02:37.

minutes to sell your voice and the song. Will's advisor is advisor to

:02:37.:02:46.

the Peas. We have worked with everyone. Tonight, the artists will

:02:46.:02:52.

sing for glory. Leaving their coach with the ultimate decision.

:02:52.:02:56.

massive tension moment. Somebody has got to go home. Who moves

:02:56.:03:03.

forward to the live shows? Who goes home? The idea of sending someone

:03:03.:03:07.

on their way is hard. There is nobody on my team I don't want.

:03:07.:03:17.
:03:17.:03:24.

is about making sure you survive. Let's bring on the battles. First

:03:24.:03:34.
:03:34.:03:41.

At the blind auditions, Joelle got her moment in the spotlight. She

:03:41.:03:46.

was overcome when all four chairs turned for her. I would like to

:03:46.:03:51.

work with you as an artist. This could be the beginning of something

:03:52.:03:57.

amazing. 25-year-old Jenny came to the auditions hoping to make her

:03:57.:04:05.

passion her career. You rock and I would like to have you on the team

:04:05.:04:11.

and kick some butt. The reason why I paired you guys is because I feel

:04:11.:04:19.

you guys are both super mega divas. She is a diva. I don't think of

:04:19.:04:26.

myself as a diva. People do call me that.

:04:26.:04:30.

Will introduces his advisor. I have brought one of my best friends.

:04:30.:04:34.

When I step in the studio to work, he is right there with me. I don't

:04:34.:04:38.

feel comfortable going to the studio without my partner. When it

:04:38.:04:43.

comes to the artists we have on our team, I will give them advice of

:04:43.:04:50.

you don't have to be so technical, doing runs all the time. I want to

:04:50.:04:57.

hear simplicity. This is a battleground. This is like Whitney

:04:57.:05:02.

versus Christina. Take this song and make it your own.

:05:02.:05:12.
:05:12.:05:12.

# I'm every woman # Yeah I'm every woman! #

:05:12.:05:17.

The only thing I would say is Jenny projects really loud. Stuff is

:05:17.:05:22.

coming out of you that is like woah! She is a lot louder than me,

:05:22.:05:27.

which I am not used to. What you don't want to do is get into a

:05:27.:05:33.

power battle to where your range has gone. That is what I saw you do,

:05:33.:05:42.

Joelle. I did get a vibe that she might be a bit scared. Joelle is a

:05:42.:05:47.

great singer. The thing that will throw her off her game is the power

:05:47.:05:52.

that Jenny has. I saw something in general thi that I hadn't seen

:05:52.:05:56.

before. -- in Jenny that I hadn't seen before. I knew this battle was

:05:56.:06:03.

going to be tough. I have a chance to do this now. I have been trying

:06:03.:06:08.

so hard to be heard and to be seen. Please let it be my time. When I'm

:06:08.:06:11.

behind the bar, I'm dreaming of moments like this. I'm going to

:06:12.:06:19.

make this decision for Will so easy. APPLAUSE Hoping this vocal showdown

:06:19.:06:24.

will take them on to the live shows, entering the ring is the diva in

:06:24.:06:34.
:06:34.:06:39.

APPLAUSE With the battling Blues voice

:06:39.:06:49.
:06:49.:06:49.

Apology for the loss of subtitles for 162 seconds

:06:49.:09:31.

# You just ask me CHEERING AND APPLAUSE

:09:31.:09:38.

Let's hear it one more time, Jenny and Joelle! APPLAUSE

:09:38.:09:44.

OK. Will, I will come to you shortly. You have a big decision to

:09:44.:09:51.

make. First, let's hear what your fellow coaches made of that.

:09:51.:09:56.

Jessie? Grr! Tough, tough decision. You both have such different

:09:56.:10:00.

qualities and different sounds in your voices. So powerful at the

:10:00.:10:05.

same time. I felt Joelle you came out stronger. Jenny, you grew into

:10:05.:10:12.

it. You were, like, OK, this is it. Then I heard little vibes that were

:10:12.:10:20.

so unique. I don't know. Tom? you saying? It is difficult. I

:10:20.:10:24.

think Jenny has a full voice, but then I think with Joelle, I prefer

:10:24.:10:31.

the edge you have got on your voice, I think. APPLAUSE It is so close.

:10:31.:10:37.

Yeah, yeah. It was a great song choice. Your singing was flawless.

:10:37.:10:42.

All I can do was go with my gut on who I was watching the most. On

:10:42.:10:48.

this performance, I would tip it over to Joelle - being honest.

:10:48.:10:52.

Let's go to the coach who knows these two the most. You are in an

:10:52.:10:58.

unenviable position right now. we were at the piano rehearsals,

:10:58.:11:04.

Joelle you came in like you had no competition. Then Jenny, she came

:11:04.:11:08.

and sang and surprised you to the point where it made you feel like

:11:08.:11:15.

you probably weren't going to win. Jenny just, your voice is so full

:11:15.:11:25.
:11:25.:11:28.

and you surprised me. Will, it is time to make your decision. Joelle,

:11:28.:11:33.

we talked about what you needed to come with. There was one particular

:11:33.:11:39.

moment where it was like power and you tipped it off with a gentle

:11:39.:11:46.

note. Wow! That blew me away. Jenny, you were smashing it, punching. She

:11:46.:11:53.

was knocking you out. This is a was knocking you out. This is a

:11:53.:12:03.
:12:03.:12:06.

But you came through, Joelle, and I want you to come with me to the

:12:06.:12:16.
:12:16.:12:35.

live sessions. We have a winner. It That was a tough one. Yeah. She is

:12:36.:12:40.

amazing. You are an incredible singer and no way was my decision

:12:40.:12:44.

based on the fact that you don't have what it takes. You have more

:12:44.:12:52.

than what it takes. APPLAUSE I have really enjoyed it. I feel blessed

:12:52.:12:56.

to be here on this stage. Thank you. Listen, we have been blessed to

:12:56.:13:00.

have you as part of The Voice. Thank you so much. Everybody, a

:13:00.:13:10.
:13:10.:13:15.

huge round of applause for the APPLAUSE

:13:15.:13:22.

In the piano rehearsals, Joelle was flatting out. I said control your

:13:22.:13:25.

power and show people your range. She did that. That is why I wanted

:13:25.:13:31.

her on my team. She listened and executed. Jenny is spectacular.

:13:31.:13:36.

Jenny did what she did in the rehearsals. I'm not upset and

:13:36.:13:46.
:13:46.:13:58.

Musical theatre-trained Max's unique performance had Danny fired

:13:58.:14:02.

up at the blind auditions. # Opportunity comes once in a

:14:02.:14:06.

lifetime. # Vocally untrained Bill Downs made

:14:06.:14:11.

the brave move of putting his voice before his vows. Is it all right if

:14:11.:14:18.

we move the wedding? Yes. reason why I put Max and Bill

:14:18.:14:22.

together is because they fill the same role in my team. They are at

:14:22.:14:27.

the start of a great career - only for one of them. There is only one

:14:27.:14:33.

spot on my team that I can filled by either of you. This is going to

:14:33.:14:38.

be a great battle. You are in the prime of your life. This will go

:14:38.:14:41.

head-to-head. There won't be any blood left on the floor afterwards,

:14:42.:14:48.

hopefully. To get them ready, Danny's drafted in Paloma Faith.

:14:48.:14:54.

One thing for me to be the vocal expert... The reason I am bringing

:14:54.:15:00.

in Paloma is she is an incredible artist. I really need a second pair

:15:00.:15:04.

of eyes. Eye contact. I have a little pet hate and it's singers

:15:05.:15:09.

stood on stage motionless and they will have to work on engaging the

:15:09.:15:14.

onlooker a bit. It would be cool if we could see you head-to-head,

:15:14.:15:21.

battling it out. Actually vibing off each other. Cool. Cool. The

:15:21.:15:25.

massive part is making the other person sound better. I want him to

:15:25.:15:31.

make him sound bad, almost. I went to a stage school where I learnt to

:15:31.:15:41.
:15:41.:15:42.

dance. Max has the edge. I will use what I've got that maybe he doesn't.

:15:42.:15:44.

Just getting on the stage that big and having to sing in front of

:15:44.:15:49.

those people is a big thing for me. He's done it before. I don't know

:15:49.:15:53.

what the other coaches have planned. What I have planned is an explosion

:15:53.:15:59.

and it is Max and Bill. I will feel confident up there that I can

:15:59.:16:04.

entertain people. That is what I will do. I don't want my fiance to

:16:04.:16:09.

marry me as just me, I want to be the winner of The Voice. I want

:16:09.:16:14.

that spot. Two artists, one ring, one very big decision for Danny.

:16:14.:16:24.
:16:24.:16:28.

Vying to be The Voice, it is Max Taking him on, the boy next door

:16:28.:16:38.
:16:38.:16:38.

Apology for the loss of subtitles for 162 seconds

:16:38.:18:01.

APPLAUSE # The kind of man

:18:02.:18:11.
:18:12.:18:12.

Apology for the loss of subtitles for 162 seconds

:18:12.:19:20.

# Won't even stand Wow! Now it's Danny's decision to

:19:20.:19:26.

take one of you through and send one of you guys home. Danny, it is

:19:26.:19:33.

a horrible, horrible decision to make. Now, before we come to you,

:19:33.:19:38.

let's find out what the other coaches think. Will? Danny, that

:19:38.:19:48.
:19:48.:19:51.

was a good song choice. They are entertaining, so, Max, you are like

:19:51.:19:54.

maximum! LAUGHTER You were dancing around the stage. Sometimes you

:19:54.:20:00.

went flat while Mr Downs was slicing them and dicing them!

:20:00.:20:10.
:20:10.:20:11.

APPLAUSE If I had to pick, I would have went with, you know, Bil.i.am

:20:11.:20:19.

over there! Jessie, they were going for it? That was a battle-and-a-

:20:19.:20:25.

half. You guys are having fun. Very, very entertaining. APPLAUSE Tom, it

:20:25.:20:28.

is a horrible decision that Danny has to make. Someone has to go home.

:20:28.:20:35.

If these were your artists, what would you do? No idea! LAUGHTER

:20:35.:20:42.

When you were training up, you were evenly matched. It would be

:20:42.:20:47.

difficult for me to pick one. So it is up to the man there. APPLAUSE

:20:47.:20:51.

Danny, your verdict is going to send one of these guys home and

:20:51.:20:55.

take one through to the live shows. What are you thinking? The UK is

:20:55.:21:00.

probably looking at me and going, "You are an idiot for putting these

:21:00.:21:05.

two together!" Yeah, that was a stupid thing to do. They are both

:21:05.:21:10.

pretty much filling the one spot on the team of five that I have to

:21:10.:21:16.

take into the finals. Max, through this whole thing, I have seen a

:21:16.:21:22.

spark in you, but over the course of the rehearsals, what I have seen

:21:22.:21:27.

tonight how much Bill has come on. APPLAUSE I am talking leaps and

:21:27.:21:33.

bounds, which is why it's such a hard decision to make. Danny, it is

:21:33.:21:43.
:21:43.:21:43.

time to make your decision. Who is the winner of this battle? Guys, I

:21:43.:21:48.

will have to go with my gut on this. The person I'm going to take

:21:48.:21:58.
:21:58.:22:28.

through to the live shows with me Bill, it's been a heck of an

:22:28.:22:33.

experience. How have you found it? Incredible. For me, this is the

:22:33.:22:37.

second time I have ever got up and sang in front of a crowd without my

:22:37.:22:43.

guitar. Amazing. It has been a pleasure. Once again for Bill!

:22:43.:22:53.
:22:53.:23:08.

APPLAUSE I'm chuffed to have just It was horrible. I'm over the moon.

:23:08.:23:18.
:23:18.:23:32.

Doing it for her daughters, this single mum had huge vocals and a

:23:32.:23:39.

personality to match. I want you to see all of this!

:23:39.:23:44.

# I said fire... # Dreams came true for this Tom Jones

:23:44.:23:49.

superfan as he won a spot on his hero's team. I heard a bit of me

:23:49.:23:56.

there. You have inspired me a lot so that is probably why. They have

:23:56.:24:00.

both got strong personalities. The pairing is as fair as you can get.

:24:00.:24:03.

They are singing an Elvis Presley song which is great. They can play

:24:04.:24:13.

off one another. Aundrea is fabulous. I will give her a run for

:24:13.:24:21.

her fabulous money! I'm so excited. Oh my God. Assisting Tom is

:24:21.:24:27.

musician and long-term friend, Cerys Matthews. You have one guy

:24:27.:24:33.

with a legendry voice. You are singing another song by a fella

:24:33.:24:40.

with a legendry voice. What are you going to do with it?

:24:40.:24:45.

As rehearsals get under way... The reality of being coached by his

:24:45.:24:50.

idol sinks in for Sam. # A little less conversation... #

:24:50.:24:56.

You are up an octave. I am really happy. Amazing to have that time,

:24:56.:25:00.

thank you. Whatever help I can give you, I will give it to you. Thanks

:25:00.:25:10.
:25:10.:25:11.

very much. Just having that time was really emotional. Aundrea is

:25:11.:25:16.

getting a reality check. How are you feeling? Tom knows how much I

:25:16.:25:20.

want this. If I don't make it, I don't know if I will get another

:25:20.:25:23.

chance. The only thing when you are really wanting something that bad

:25:23.:25:28.

is not to try and overdo it. Yeah. You will be nervous on the night.

:25:28.:25:32.

You are doing what you need to be doing. You have a great voice. Let

:25:32.:25:36.

that work for you. This is not just for me. This is for me and my girls.

:25:36.:25:44.

I don't want to let them down. the moment, they seem equally

:25:44.:25:49.

matched, but somebody has got to go home. Right now I'm feeling more

:25:49.:25:56.

competitive. This is a competition, a battle. I REALLY want it. I have

:25:56.:26:00.

to win this for me, my girls and I have to prove I'm the one that Tom

:26:00.:26:09.

needs to take through to the live shows. APPLAUSE Coming up, a vocal

:26:09.:26:16.

showdown inspired by Elvis. Who will take this battle? Will it be

:26:16.:26:25.

Aundrea Nyle? APPLAUSE Or the Tom Jones' superfan who wants to make

:26:25.:26:35.
:26:35.:26:36.

his idol proud, Sam Buttery? APPLAUSE

:26:36.:26:46.
:26:46.:26:54.

# A little less conversation # All this aggravation

:26:54.:26:58.

# A little more bite and a little less bark

:26:58.:27:00.

# A little less fight and a little more spark

:27:00.:27:02.

# Close your mouth and open up your heart and, baby, satisfy me

:27:02.:27:05.

# Satisfy me, baby!

:27:05.:27:08.

# Baby, close your eyes and listen to the music

:27:09.:27:10.

# Drifting through a summer breeze

:27:10.:27:13.

# It's a groovy night and I can show you how to use it

:27:13.:27:15.

# Come along with me and put your mind at ease

:27:15.:27:17.

# A little less conversation A little more action, please!

:27:17.:27:21.

# All this aggravation ain't satisfactioning me

:27:21.:27:25.

# A little more bite and a little less bark

:27:25.:27:27.

# A little less fight and a little more spark

:27:27.:27:29.

# Close your mouth and open up your heart and, baby, satisfy me

:27:29.:27:33.

# Satisfy me, baby

:27:33.:27:37.

# Come on, baby I'm tired of talking!

:27:37.:27:40.

# Grab your coat and let's start walking

:27:40.:27:43.

# Come on, come on

:27:44.:27:45.

# Come on, come on

:27:45.:27:46.

# Come on, come on

:27:46.:27:54.

# Don't procrastinate # Girl it's getting late

:27:54.:27:56.

# A little less conversation A little more action, please!

:27:56.:28:00.

# All this aggravation ain't satisfactioning me

:28:00.:28:05.

# A little more bite and a little less bark

:28:05.:28:07.

# A little less fight and a little more spark

:28:07.:28:09.

# Close your mouth and open up your heart and, baby, satisfy me

:28:09.:28:12.

# Satisfy me!

:28:12.:28:18.

# Come on, baby I'm tired of talking!

:28:18.:28:20.

# Grab your coat and let's start walking

:28:20.:28:24.

# Come on, come on

:28:24.:28:25.

# Come on, come on

:28:25.:28:27.

# Come on, come on

:28:27.:28:33.

# Don't procrastinate # Girl it's getting late

:28:33.:28:36.

# A little less conversation A little more action, please!

:28:36.:28:40.

# All this aggravation ain't satisfactioning me

:28:40.:28:44.

# A little more bite and a little less bark

:28:44.:28:47.

# A little less fight and a little more spark

:28:47.:28:49.

# Close your mouth and open up your heart and, baby, satisfy me

:28:49.:28:52.

# Satisfy me!

:28:52.:28:58.

# Satisfy me! #

:28:59.:29:05.

CHEERING

:29:05.:29:05.

CHEERING AND

:29:05.:29:05.

CHEERING AND APPLAUSE

:29:05.:29:15.
:29:15.:29:18.

That

:29:18.:29:18.

That was

:29:18.:29:18.

That was brilliant!

:29:18.:29:25.

That was brilliant! APPLAUSE

:29:25.:29:29.

APPLAUSE The

:29:29.:29:29.

The entire

:29:29.:29:29.

The entire room

:29:29.:29:30.

The entire room was

:29:30.:29:34.

The entire room was entertained. Were you? Man, let me tell you

:29:34.:29:38.

something. My eyebrows were so far back I had to pull them out of my

:29:38.:29:46.

back pocket to put them back on my head! LAUGHTER Jessie, what did you

:29:46.:29:52.

think? Such personality as well as vocals which is lovely to see. Tom,

:29:52.:29:57.

what a choice you have to make here! There you go. Tom, you have a

:29:57.:30:03.

really tough decision to make. In rehearsals, they were fantastic.

:30:03.:30:07.

You are both huge personalities. I picked that song because Elvis

:30:07.:30:11.

Presley was a huge personality. I am glad that you did that song

:30:11.:30:16.

justice, more than justice. You did a wonderful job. APPLAUSE It's time

:30:16.:30:24.

to make your decision, Tom. Who is the winner of this battle? It's

:30:24.:30:34.
:30:34.:30:34.

hard. This is the hardest one yet. Yes. Go with your heart, Tom.

:30:34.:30:44.
:30:44.:30:52.

one that I'm going to take to the live show is Sam. APPLAUSE Thank

:30:52.:31:02.
:31:02.:31:06.

you. Sam, how are you feeling right now? Yaaaa... I'm so happy. We have

:31:06.:31:14.

this thing about the bees and we always go, "It's the bee's knees!"

:31:14.:31:23.

That is how I feel. One more time for Sam! APPLAUSE Thank you.

:31:23.:31:28.

CHEERING AND APPLAUSE It's been an amazing time that we

:31:28.:31:32.

have spent with you on The Voice. Have you enjoyed it? So much. Too

:31:32.:31:37.

much. Way too much! This is one of the hardest decisions I have had to

:31:37.:31:41.

make. They are both fantastic performers. You have done a

:31:41.:31:45.

wonderful job. Follow your dream because you have it, babe. Thank

:31:45.:31:55.
:31:55.:31:56.

you. Can you give us one more spin? Ladies and gentlemen, Aundrea.

:31:56.:32:06.
:32:06.:32:07.

APPLAUSE They were great. Yes. fairness, I think personality-wise

:32:07.:32:15.

he snipped it for me. He can do a lot of other things. Coming up:

:32:15.:32:19.

Will encounters tension in his ranks. I'm a big boy, I can talk.

:32:19.:32:24.

He needs to drop a whole bunch of attitude. Our coaches face some

:32:24.:32:32.

difficult decisions. Who is the winner? This is impossible. I would

:32:32.:32:41.

be scared to sing with you, guys. APPLAUSE Next up it is Team Jessie.

:32:41.:32:51.
:32:51.:32:52.

At the blind auditions, 25-year-old backing singer Kirsten took centre

:32:52.:32:57.

stage. Everyone in the audience was going for it. That is what I liked.

:32:57.:33:03.

I feel that I've got a lot more to give than just doing backing vocals.

:33:03.:33:11.

You are on my team! To be at the front of the stage is my dream.

:33:11.:33:15.

34-year-old Toni, the blind auditions were a breakthrough.

:33:15.:33:22.

# I better leave right now. # She conquered her fears. I paired

:33:22.:33:26.

Kirsten and Toni because both have powerful voices and I wanted to

:33:27.:33:32.

challenge them both. Rehearsals start with Jessie joined by Ana

:33:32.:33:36.

Matronic. She's seen so much more than I have regarding the music

:33:36.:33:40.

industry. She will be a perfect add-on to the team. I'm good at

:33:40.:33:44.

performing. That is what I will be looking at, trying to give them

:33:44.:33:51.

tools to make their performance shine. You guys were great. Get

:33:51.:33:55.

into the words that you are singing. What is it that you are trying to

:33:55.:34:00.

get this person to think about? In this case, I want you to think

:34:00.:34:05.

about how fierce I am and you can use that energy to fuel your

:34:05.:34:09.

performance. It is very nice. # Think. #

:34:09.:34:13.

I want to see... # You better think. #

:34:13.:34:21.

The vocal session was amazing. process has been incredible. I will

:34:21.:34:26.

be judged on not just my voice, but the way I look. It makes me feel

:34:26.:34:35.

vulnerable, if I'm honest. Come on! # Freedom! #

:34:35.:34:42.

Toni has a lot of raw emotion. Part of me thinks, "How can I compete

:34:42.:34:51.

against you?" It was so real. You need to let loose. To get that

:34:51.:34:56.

honesty, I need to bring as much passion, emotion as I can possibly

:34:56.:35:05.

get out of myself. My decision will be tough. Toni needs to leave past

:35:05.:35:08.

confidence issues at the door. Kirsten needs to make sure she is

:35:08.:35:14.

still in the story. I am excited to see this battle for sure!

:35:14.:35:18.

worried if The Voice did end, my confidence would go backwards. To

:35:18.:35:23.

walk out of here and not win the battle, it doesn't seem like an

:35:23.:35:29.

option. Toni has a life experience. I have been working hard to achieve

:35:29.:35:36.

my dream of being a solo artist. I am giving it everything. Two more

:35:36.:35:40.

artists with plenty to prove are about to take to the ring, but who

:35:40.:35:45.

will be victorious? In this round, it is the backing singer who is

:35:45.:35:55.
:35:55.:35:56.

ready to take centre stage, Kirsten Joy. APPLAUSE Going against the mum

:35:56.:36:06.
:36:06.:36:09.

of two in search of her second chance, it is Toni Warne. APPLAUSE

:36:09.:36:17.

Let the battle begin. Come on, # Think about the sacrifices

:36:17.:36:27.
:36:27.:36:27.

Apology for the loss of subtitles for 162 seconds

:36:27.:37:59.

# Freedom #

:37:59.:37:59.

# Freedom

:37:59.:38:00.

#

:38:00.:38:00.

# Freedom

:38:01.:38:02.

#

:38:02.:38:02.

# Freedom

:38:02.:38:02.

#

:38:02.:38:02.

# Sing

:38:02.:38:02.

# Sing it

:38:03.:38:06.

# Sing it freedom # Freedom

:38:06.:38:16.
:38:16.:38:18.

# Think about it # Hey, hey, hey

:38:18.:38:25.

# Yeah! # Woah!

:38:25.:38:29.

# You better stop # And think about a thing

:38:29.:38:39.
:38:39.:38:56.

Ladies, ladies, that was amazing! Toni and Kirsten, everybody!

:38:56.:39:00.

APPLAUSE You have only got to listen to the reaction here in the

:39:00.:39:06.

room to know that was incredible, girls. Jessie, unlucky! LAUGHTER

:39:06.:39:10.

don't know how you will do this. I will give you a moment to have a

:39:10.:39:15.

think. Tom, let's start with you. Incredible women. Yeah. Both of

:39:15.:39:19.

them. I wouldn't know who to pick. That is from here. You are two

:39:19.:39:27.

fantastic singers and you did a great job. APPLAUSE Thank you, Tom.

:39:27.:39:33.

Danny? Both of you were outstanding. I was sitting there going, "Oh my

:39:33.:39:38.

God, that's incredible!" You tipped it over the edge, then you did. I

:39:38.:39:44.

don't envy you. This is impossible. APPLAUSE Will, what would you do?

:39:44.:39:49.

never thought two voices can sound like a choir. I thought I was

:39:49.:39:58.

hearing a choir! You sing like Ninja assassin singers. Off to

:39:58.:40:03.

Jessie! This will be tough on you. I would be scared to sing with you,

:40:03.:40:13.
:40:13.:40:13.

guys. Seriously, that was not one note out. APPLAUSE You two are

:40:13.:40:20.

probably two of the best female voices that I have heard in the UK.

:40:20.:40:28.

APPLAUSE Toni, you don't need a visual to hear the pain and the

:40:28.:40:33.

passion and the understanding of how much music is in your heart.

:40:33.:40:37.

It's just there. I can see it. I can feel it every time I am with

:40:37.:40:42.

you. Every time I'm with Kirsten I see how much sparkle is in your

:40:42.:40:48.

eyes and how much you want this. Please you are not a backing

:40:48.:40:55.

vocalist! APPLAUSE You are not meant to be behind nobody! Jessie,

:40:55.:41:05.
:41:05.:41:17.

Jessie, who is the winner of this battle? I love you, girls, you know

:41:17.:41:26.

that, right? Don't cry because I'll cry. The person that I'm going to

:41:26.:41:36.
:41:36.:41:39.

be taking through to live is Toni. APPLAUSE We have our winner. Going

:41:39.:41:49.
:41:49.:42:09.

through to represent Team Jessie, When I stood on that stage, I

:42:09.:42:17.

believed that I could do it! I believed my arm was going to go in

:42:17.:42:23.

the air. Wow! That was TV history. That is how good that was. I would

:42:23.:42:32.

be so proud if I had just sung that. I'm just beginning my dream!

:42:32.:42:41.

APPLAUSE The way Toni - she stepped into her fear. She stepped into it

:42:41.:42:51.
:42:51.:43:02.

and went what?! So proud! Next up In the blind auditions, barefooted

:43:02.:43:07.

musician Vince impressed Danny with the power of his voice. All I have

:43:07.:43:11.

wanted is the opportunity to be able to say yeah, I have had my

:43:11.:43:16.

shot. There is a rawness in there. Yours is be perfect voice that will

:43:16.:43:21.

get me through to the next round and beat these guys here. While Bo

:43:21.:43:25.

has a different style and it was her vocal rather than her title

:43:25.:43:31.

that was truly upper-class. # Without you. #

:43:31.:43:35.

You don't need to have power to show emotion. I came on the show to

:43:35.:43:39.

find a unique voice. You have that voice.

:43:39.:43:44.

# Through the storm... # I paired Bo and Vince together

:43:44.:43:49.

because they have contrasting voices. The two will work well

:43:49.:43:57.

together. In rehearsal Danny hears a problem. There are parts in the

:43:57.:44:00.

song - not that you are overpowering Bo, maybe you are

:44:00.:44:05.

giving too much meat into the song. Yes.

:44:05.:44:08.

# Nothing to win # Nothing left to lose. #

:44:08.:44:13.

I felt Vince was leading it. If you are going to be a powerhouse,

:44:13.:44:16.

everyone will say you are trying to drown that girl out.

:44:16.:44:22.

# Through the storm we reach the shore. #

:44:22.:44:25.

Him reducing his power is something he hasn't had to do before.

:44:25.:44:30.

# I'm waiting for you. # He's going to have to learn that as

:44:30.:44:35.

much as Bo will have to come out of her shell. Winning this battle is

:44:35.:44:41.

everything to me. There is no Plan B. Your power coming in and the

:44:41.:44:48.

tone seems to lopside it in your direction, in an unfair way. I get

:44:48.:44:53.

that. Vince has a powerful voice. To be intimidated by it is the

:44:53.:45:00.

worst thing you can do. When I'm with Vince he's like this force and

:45:00.:45:06.

it is kind of scary. Yes. Do you know how good you are? I don't know.

:45:06.:45:16.
:45:16.:45:18.

Maybe... Not. I... Vince's biggest challenge is going to be reigning

:45:18.:45:24.

in -- reining in that power. more artists are about to enter the

:45:24.:45:28.

ring hoping their lives will change forever. Will it be the girl with

:45:28.:45:38.
:45:38.:45:40.

the unique style, Bo Bruce? APPLAUSE Or the powerful rock

:45:40.:45:50.
:45:50.:45:50.

Apology for the loss of subtitles for 162 seconds

:45:50.:46:43.

# On a bed of nails # Through the storm

:46:43.:46:53.
:46:53.:46:53.

Apology for the loss of subtitles for 162 seconds

:46:53.:48:25.

One more time for Bo and Vince, come on!

:48:25.:48:30.

CHEERING AND APPLAUSE Danny, you have such a tough

:48:30.:48:35.

decision to make. We will come to you in a minute. Will, they were

:48:35.:48:39.

fantastic. What did you think? don't know whether to be honest or

:48:39.:48:45.

say a whole bunch of, like, stuff to throw Danny off. I will be

:48:45.:48:52.

honest. Bo, you are, like, an amazing singer. It is like I was

:48:52.:48:59.

watching a Grammy performance, like, wow! APPLAUSE Vince, you are, like,

:48:59.:49:07.

Dave Matthews selling out your own festivals. You guys are superstars.

:49:07.:49:13.

APPLAUSE And your whole style, like, I'm going to come up here without

:49:13.:49:21.

no shoes on, you know what I'm saying, to rock it like, caveman-

:49:21.:49:31.

style! I love that. APPLAUSE Tom, it is definitely a tough decision

:49:31.:49:36.

that Danny has to make. Do you know who you would go for? It sounded

:49:36.:49:43.

like a great duet. It sounded like they should sing together. APPLAUSE

:49:43.:49:51.

I wouldn't be able to say one over the other. Thank God I don't have

:49:51.:49:58.

to. Thanks, Tom(!) Go ahead. Danny, this is a tough decision. How are

:49:58.:50:01.

you feeling? I have grown to know these people over the course of the

:50:01.:50:07.

show. I love them both the same. Bo, I guess the fragile nature of your

:50:08.:50:11.

performances can almost underestimate everybody to how good

:50:11.:50:17.

you are. Until you open your voice and then just magic happens. Vince,

:50:17.:50:24.

I wanted to hear you reined in a little bit. You executed it

:50:24.:50:28.

beautifully tonight. Really great. Danny, it is time to make your

:50:28.:50:36.

decision. Who is the winner of this battle? I'm basing this decision on

:50:36.:50:40.

who I think will go into the music business straightaway and will sell

:50:40.:50:50.
:50:50.:51:10.

The person I'm going to take into the live shows with me is Bo Bruce.

:51:10.:51:20.
:51:20.:51:32.

One more time for Bo Bruce who made it to the live shows,

:51:32.:51:38.

congratulations. APPLAUSE Vince, you are leaving Team Danny. I am

:51:38.:51:42.

sure you have picked up a lot from this man? I have learnt a new vocal

:51:42.:51:46.

technique from working on this particular track, so I will be

:51:46.:51:50.

taking that forward and hopefully... Again, this is nothing against

:51:50.:51:54.

talent or lack of talent or anything. It is just not today,

:51:54.:51:59.

that is all. That's all I can say, you know. It was a hard decision to

:51:59.:52:05.

make. I can only put one person through. The harsh reality is great

:52:05.:52:15.
:52:15.:52:42.

voices. One will sell more records # I through my hands up in the air.

:52:42.:52:52.
:52:52.:52:54.

Heshima Thompson's audition showed us singing is where he belongs.

:52:54.:52:59.

Tyler's audition was a chance to re-start his career after the death

:52:59.:53:03.

of his best friend, Amy Winehouse. We were two halves of the same

:53:03.:53:10.

person. One note grabbed Will. last thing that you did showed your

:53:10.:53:19.

range and you are awesome. Thanks. The song you will be singing is

:53:19.:53:26.

Yeah 3x by Chris Brown. That is a dance track. It is not necessarily

:53:26.:53:36.
:53:36.:53:36.

a singer's song. It is something that I can't do. It's not my thing.

:53:36.:53:42.

I felt like I was forcing them to do something, converting them from

:53:42.:53:47.

their religion. I through this curve ball at you on purpose. I

:53:47.:53:52.

need to know who has ability to just figure out how they are going

:53:52.:53:57.

to overcome that obstacle to think about the problem. He told us it is

:53:57.:54:02.

an obstacle that you overcome. I had a lot of respect for him. We

:54:02.:54:09.

will find where we want it to go. How do you feel? I'm cool. No, you

:54:09.:54:15.

can't say like, "I'm cool" and your face says something different.

:54:15.:54:19.

I do understand is a work in progress, it is a compromise. I

:54:19.:54:24.

understand the energy of the piece, then I can be like, yeah. I thought

:54:25.:54:28.

Tyler had to work on something. He humbled himself to the song. I

:54:28.:54:34.

applaud that. That shows the artist that he is. But Heshima, he needs

:54:34.:54:40.

to drop a whole bunch of attitude. What is holding you back from this

:54:41.:54:46.

particular song? Is that a question? Yes. Nothing is holding

:54:46.:54:53.

me back. We have to go at it open- minded like what do I need to blow

:54:53.:55:03.
:55:03.:55:05.

everybody away? You have some vibes like you are going to choke me!

:55:05.:55:13.

Just focused. Are you squinting? studio rehearsals, he gets the time

:55:13.:55:18.

he wanted with the band and he is a lot happier. If your heart is not

:55:18.:55:23.

into something, it is so hard to give. I can't pretend to love

:55:23.:55:27.

something if I don't. Can I be honest? When we were rehearsing,

:55:27.:55:31.

that was probably like the most uncomfortable experience I have

:55:31.:55:37.

ever had in my life. LAUGHTER swear. You said it was a challenge

:55:37.:55:42.

and you told us to make it our own. It's worked. I thank you, man.

:55:42.:55:49.

have brought it to a place where it's now somewhere where all walks

:55:49.:55:55.

of life can appreciate it. I am impressed he got it. Hats off to

:55:55.:55:59.

that. I am looking to see how they take a song, they probably would

:55:59.:56:03.

never have thought they would have performed and how they make it

:56:03.:56:09.

their own. In front of a live studio audience! On battle night!

:56:09.:56:13.

Two more artists will now go into vocal battle to impress their coach

:56:13.:56:18.

and stay in the competition. First, the London boy looking for a

:56:18.:56:28.
:56:28.:56:30.

brighter future, Tyler James. APPLAUSE Versus the man who

:56:30.:56:36.

describes himself as a triple threat, it is actor, dancer, singer,

:56:36.:56:46.
:56:46.:56:46.

Apology for the loss of subtitles for 162 seconds

:56:46.:57:39.

# Cos I # Now, everybody

:57:39.:57:46.

# Girl, I wanna... # I wanna see you tonight

:57:46.:57:50.

# Girl, I gotta... Yeah, yeah, yeah

:57:50.:57:54.

# I gotta see you tonight

:57:54.:57:59.

# Just at the moment

:58:00.:58:01.

# Can't believe

:58:01.:58:02.

# You're so beautiful Feels like I'm in a dream

:58:02.:58:04.

# Baby, we're going somewhere

:58:04.:58:06.

# You know we've been before

:58:06.:58:08.

# So take my hand and come with me

:58:08.:58:10.

# Girl, don't feel out of place

:58:10.:58:13.

# Cos I, I'm in love with this feeling now

:58:13.:58:17.

# And I, I...

:58:17.:58:21.

# I hope that this will last a while

:58:21.:58:25.

# We should make it last a while

:58:25.:58:26.

# You like a drink?

:58:26.:58:29.

# So do we

:58:29.:58:31.

# Get my bottles

:58:31.:58:33.

# Bring 'em to me

:58:33.:58:35.

# Hold your glasses up

:58:35.:58:37.

# People everywhere

:58:37.:58:39.

# Now, everybody Put your hands in the air

:58:39.:58:40.

# Yeah, yeah, yeah

:58:40.:58:42.

# Girl, I wanna... Yeah, yeah, yeah

:58:43.:58:45.

# I wanna see you tonight Yeah, yeah, yeah

:58:45.:58:55.

CHEERING

:58:55.:58:55.

CHEERING AND

:58:55.:58:55.

CHEERING AND APPLAUSE

:58:56.:59:00.

CHEERING AND APPLAUSE Wow!

:59:00.:59:10.

Wow! Jessie,

:59:10.:59:11.

Wow! Jessie, your

:59:11.:59:11.

Wow! Jessie, your thoughts?

:59:11.:59:14.

Wow! Jessie, your thoughts? Tyler, I love the fact you put your own

:59:14.:59:24.

spin on that. That is something that doesn't feel like your usual

:59:24.:59:31.

Genra. Heshima, you can afford to hold back a bit. Amazing vocals

:59:31.:59:38.

when you are going up. Crazy. Tough, tough. Who would you choose? Boy, I

:59:38.:59:45.

would take through Heshima, I think. APPLAUSE Tom? I thought you were

:59:45.:59:49.

both great. I thought the song suited both of you. With Tyler, I

:59:50.:59:55.

think it was more interesting. If I had to choose, which I don't, I

:59:55.:00:00.

think I would have gone with Tyler. All right, Will, this is down to

:00:00.:00:06.

you. Are you regretting pitching these two against each other?

:00:06.:00:12.

This is a hard one. I through this song, it was a curve ball, -- I

:00:12.:00:16.

threw this song, it was a curve ball. It was a challenge to see how

:00:16.:00:21.

we could flip it up. Tyler, you knocked me out with your

:00:21.:00:31.
:00:31.:00:32.

performance. That was amazing. APPLAUSE But, Heshima, every lick

:00:32.:00:39.

was incredible. That is why this is hard. Who is the winner of this

:00:39.:00:49.
:00:49.:00:52.

battle? I'm going to need somebody that know s how to, like, take it

:00:52.:01:01.

and own it to where you forgot about the original. And I want to

:01:01.:01:06.

take Tyler with me to the live shows. APPLAUSE We have our winner.

:01:06.:01:13.

It is Tyler. APPLAUSE Congratulations, you are going

:01:13.:01:23.
:01:23.:01:26.

through to the live shows. Tyler, everybody. APPLAUSE You put up a

:01:26.:01:36.
:01:36.:01:36.

good fight? Will? I ask you, I just ask you, please don't stop because

:01:36.:01:41.

you have every, you have everything that the world needs in an artist

:01:41.:01:49.

and I'm proud of you and I'm a fan. Thank you very much. Thank you.

:01:49.:01:56.

APPLAUSE Heshima, everybody. APPLAUSE I did it, man. I am so

:01:56.:01:59.

looking forward to the live shows. I know I can continue to up my game.

:02:00.:02:06.

I am so pleased that Will believes in me and he can see that in me.

:02:06.:02:09.

Tyler, he created that whole thing. He told the band how to do it. An

:02:09.:02:13.

artist is a person that knows how to work with a band. I want you to

:02:13.:02:17.

enter it like that. A conductor. He did that. There's a bunch of people

:02:17.:02:25.

that could sing. He is a guy that knows how to... He has his own

:02:25.:02:32.

thing. I made the right choice. Coming up: One battle makes an

:02:32.:02:37.

impression. Television is not ready for this talent. This is an

:02:37.:02:41.

incredible moment. There is a worrying setback for Team Will.

:02:41.:02:50.

have a chest infection. You were flat. Tom has to make an emotional

:02:50.:03:00.
:03:00.:03:13.

22-year-old Vince amazed the coaches with his take on a Madonna

:03:13.:03:17.

hit. # Like a virgin... #

:03:17.:03:24.

When I pull this face, I know that I like it. I love you. 17-year-old

:03:24.:03:27.

Belfast schoolgirl Jessica went from playing in her bedroom to

:03:27.:03:33.

playing on the big stage. # Forget about the price tag. #

:03:33.:03:37.

You don't understand how amazing it is for me to sit here and have you

:03:37.:03:45.

sing my song. Making music. I am so excited about you. You brought your

:03:45.:03:50.

own twist to a song that already exists. I saw her audition. I don't

:03:50.:03:54.

think anyone can touch your version of it, but she did and she did it

:03:54.:03:59.

different. Vince is lovely. He has this passion for music. He is one

:03:59.:04:03.

cool dude. You guys! Even though they do similar things, the way

:04:03.:04:08.

they do it is very different. I can't wait to see what they both do.

:04:08.:04:18.
:04:18.:04:23.

It will be a good battle. # We found love in a whole place...

:04:23.:04:30.

# We found love in a hopeless place. # I was standing side by side... #

:04:30.:04:37.

Play around with it. That is what will be adventurous about this song.

:04:37.:04:42.

# We found love in a hopeless place. It seems like there is a difference

:04:42.:04:46.

of style. Have you guys found that difficult? When we are working

:04:46.:04:51.

together, we are like complimenting each other's weaknesses and

:04:51.:04:56.

strengths. I feel more comfortable on stage knowing someone has got my

:04:56.:05:01.

back. How often do you compete with the people that you perform with?

:05:01.:05:05.

Make sure you bring what it is that he can't do because you want to

:05:05.:05:09.

beat him. It is hard to be competitive with somebody that you

:05:09.:05:15.

like so much. Vince and Jessica need to remember it is a battle.

:05:15.:05:21.

They both need to bring it.com! Being against someone that you

:05:21.:05:24.

adore is out of my comfort zone. I love to perform. That is what I

:05:24.:05:30.

will do. That is why I came here. That was my goal. Jessie J said

:05:30.:05:34.

leave your friendship at the side. And sing like you want to be in the

:05:34.:05:43.

live shows. That is what I will do! Going into battle now opposites

:05:43.:05:48.

collide. Vying to be the voice, the man who has the high notes, it is

:05:48.:05:56.

Vince Kidd. APPLAUSE Challenging him from Belfast, the sweet and

:05:56.:06:06.

soulful 17-year-old, Jessica Hammond. APPLAUSE Come on! Good

:06:06.:06:16.
:06:16.:06:16.

Apology for the loss of subtitles for 162 seconds

:06:16.:07:39.

# It's the way I'm feeling # It's the way I'm feeling

:07:39.:07:49.
:07:49.:07:49.

Apology for the loss of subtitles for 162 seconds

:07:49.:09:08.

Jessie, it is your call. Get thinking. Tom, what are your

:09:08.:09:16.

thoughts? I don't envy you. You picked two crackers. I know. For me,

:09:16.:09:20.

I thought the key was suited more to Vince than it was to Jessica. If

:09:20.:09:24.

I had to pick between the two, Vince would be the one for me.

:09:24.:09:31.

APPLAUSE Danny, it was so close. How did you find it? Jessica, I was

:09:31.:09:35.

worried when I heard you were going up against each other. I thought

:09:35.:09:42.

you were going to get swallowed up. You held your own tonight. You

:09:42.:09:47.

really did. You really held your own tonight. Jessie, they are so

:09:47.:09:52.

different. But somebody has to go home tonight. I said you were the

:09:52.:09:55.

two that put your own spin on a song that already existed, that is

:09:55.:10:01.

what I loved. You did that there and then again. You did it well.

:10:01.:10:05.

APPLAUSE You two were two people that just drew me into your voices

:10:05.:10:13.

and I have enjoyed working with both of you so much. This is tough.

:10:13.:10:21.

Well, Jessie, it is time to make your decision. Who is the winner of

:10:21.:10:31.
:10:31.:10:43.

The person... The person I'm going to take through to lives with me

:10:43.:10:53.
:10:53.:10:58.

is... Vince! APPLAUSE Congratulations to Vince.

:10:58.:11:08.
:11:08.:11:16.

I love you. Thank you so much. Now, are you proud of what she has

:11:16.:11:20.

achieved? I am so proud. I'm so emotionally attached to every

:11:20.:11:25.

artist because I can understand how they feel. You have no idea how

:11:25.:11:29.

amazing you are. This is time for you to go and step into the light

:11:29.:11:33.

that is there waiting for you. All right? Thanks. Ladies and gentlemen,

:11:33.:11:42.

Jessica. Let's hear it for her. Come on! APPLAUSE I'm going to the

:11:42.:11:52.
:11:52.:12:09.

Jaz took the final spot on Will's team after a performance that

:12:10.:12:17.

struck close to the heart. Part- time waiter Jay moved to London in

:12:17.:12:23.

search of his dream. # I need a dollar. #

:12:23.:12:29.

You are the bomb! The reason why I put you up against each other is

:12:29.:12:36.

because you guys are, you know, Jedi knight singers. It is to bring

:12:36.:12:41.

the best out of you. I have two of my best male singers, phenomenal

:12:41.:12:49.

vocal abilities. # I heard it through the grapevine.

:12:49.:12:55.

# And I'm just about to lose my mind. #

:12:55.:13:05.
:13:05.:13:09.

# I'm just about to l-o-s-e my mind. And then take that next line.

:13:09.:13:19.
:13:19.:13:21.

# I heard it through the grapevine. My fear is that Jaz has got a high-

:13:22.:13:26.

belt voice and that might just KO me. I'm the underdog. A lot of

:13:26.:13:32.

people expect Jaz is going to murder me in this battle round.

:13:32.:13:37.

fear is not being well for the battle round. What's wrong? I have

:13:37.:13:42.

a chest infection. Not being able to deliver is a fear. I teach

:13:42.:13:46.

singing full-time so I have to use my voice. I don't get the chance to

:13:47.:13:50.

rest. We have to figure a way to overcome it. You can't let it stop

:13:50.:13:57.

you. That is the world that you want to be in. You are on tour, I

:13:57.:14:01.

have bronchitis, pneumonia and 102 fever, I come out on stage with

:14:01.:14:05.

them every night. Prince is at the show. Prince! As sick as I was,

:14:05.:14:09.

that was one of the best performances I ever had. We have

:14:09.:14:19.
:14:19.:14:19.

all gone through it. # I must say... #

:14:19.:14:24.

I should never have put Jay up against Jaz. They are two fantastic

:14:24.:14:28.

singers that I would have liked to have kept on my team. I will have

:14:28.:14:32.

to say bye to one of them. This battle could be a big moment to

:14:32.:14:36.

change a lot of things. I don't want to go back to being a waiter.

:14:36.:14:43.

I want to sing. My voice has got worse. It could go either way.

:14:43.:14:46.

Singing today will be like Russian Roulette. I don't know what is

:14:46.:14:52.

going to come out. Two artists are waiting backstage, but only one of

:14:52.:14:58.

them can sing their way on to the live shows. So hoping to paibg

:14:58.:15:04.

Will's jaw drop -- make Will's jaw drop, the soulman representing

:15:04.:15:11.

Liverpool, Jay Norton. APPLAUSE Up against the London gospel jazz

:15:11.:15:21.
:15:21.:15:43.

# Ooh, I bet you're wondering # With some other guy

:15:43.:15:53.
:15:53.:15:53.

Apology for the loss of subtitles for 162 seconds

:15:53.:16:35.

# It took me by surprise # Losin' you would end my life

:16:35.:16:45.
:16:45.:16:57.

# That you love # Oh, I heard it

:16:57.:17:07.

# Oh, and I'm just about # People say believe

:17:07.:17:17.
:17:17.:17:27.

# Oh, I heard it # Oh and I'm just about

:17:27.:17:37.
:17:37.:18:08.

CHEERING AND APPLAUSE Come on!

:18:08.:18:15.

Wow. The soulful sound of Jay and Jaz. Will, you have an awful lot to

:18:15.:18:22.

think about. Let's hear from your fellow coaches. Jessie? What you

:18:22.:18:25.

doing putting them together? Television is not ready for this

:18:25.:18:31.

talent on this show. APPLAUSE Like, I cannot wait for people to turn

:18:31.:18:41.

their TVs on and see people singing live and doing it well. APPLAUSE

:18:41.:18:45.

Danny? I'm standing to make a statement that this is what The

:18:45.:18:55.
:18:55.:18:59.

Voice is about. I had a great opportunity to work with Boyz To

:18:59.:19:08.

Mend and you are like them. You have the tone and the talent. I was

:19:08.:19:13.

worried when you were paired against Jaz. You held your own.

:19:13.:19:19.

Will? This is up to you. The reason why I paired you guys together, you

:19:19.:19:28.

don't sing alike, but you have a lot in common and so much raw

:19:28.:19:35.

talent. Jay, I am super proud. You outlicked him. You showed your

:19:35.:19:40.

range. It was out of this world. I have worked with Justin Timberlake

:19:40.:19:46.

before and you are better than Justin Timberlake. You probably

:19:46.:19:53.

don't see this, somebody will be like, "Ooh, he said something about

:19:53.:20:03.
:20:03.:20:03.

blah, blah... # Yeah, I said it. He killed you! And

:20:03.:20:12.

Jaz, you hit this one riff I hurt my head because I was like bop,

:20:12.:20:16.

knocked me out. At the beginning you were flat and you are getting

:20:16.:20:24.

over your bronchitis. If that is what you sound like with bronchitis,

:20:24.:20:30.

shazam! Will, it is time to make your decision. Who is the winner of

:20:30.:20:40.
:20:40.:20:44.

this battle? They both killed it. They knocked us all out. Jaz, I

:20:44.:20:51.

want to take you on to the lives. You have something in you. You have

:20:51.:20:55.

soul in a bowl. Man, you got soul on a pole. You have got soul that

:20:55.:21:03.

you don't know, woah, you got soul! Going through as part of Team Will

:21:04.:21:13.
:21:14.:21:15.

to the live shows, it is Jaz. APPLAUSE Let's hear it for this guy,

:21:15.:21:22.

it is Jay. Jay Norton is one of those singers that you hear and you

:21:22.:21:29.

fall in love with. He is the kind of artist that you want to sign up.

:21:29.:21:39.
:21:39.:21:47.

I can't sign him right now. I wish I could. Go Jaz. Next up it is Team

:21:47.:21:57.
:21:57.:22:03.

Deniece Pearson found fame as a singer in 5 Star. Now she wants to

:22:03.:22:09.

go solo. I am looking forward to having you on my team. Ruth is here

:22:09.:22:14.

for one special person. Before my dad died, he told me to do whatever

:22:14.:22:20.

made me happy. She made Tom very happy, too. That note did it for me.

:22:20.:22:26.

They are both soul singers, but there is a contrast. Deniece has a

:22:26.:22:31.

lot of experience. With Ruth there is a raw energy. Ruth has a

:22:31.:22:35.

powerful voice. I have a lot of experience. She is like an amazing

:22:35.:22:41.

singer. It is her or me. So I have to do the best I can. I don't think

:22:41.:22:48.

Ruth has seen the best of me yet, not yet. The girls waste no time

:22:48.:22:57.

showing Tom and Cery what they can do. -- Cerys what they can do.

:22:57.:23:00.

one of you can go through to the next round. Does that put more

:23:00.:23:04.

pressure on you now? I believe in myself. I'm going to do something

:23:04.:23:13.

for me. The song's lyrics have a special meaning to Ruth and her

:23:13.:23:16.

late father. # All I know is that everything's...

:23:16.:23:23.

That is what he always used to say, everything is going to be all OK,

:23:23.:23:27.

so it was like he was there and he was telling me everything is going

:23:27.:23:35.

to be OK. Want to take a minute? OK. I started to cry myself. I started

:23:35.:23:44.

to fill up. I know what she was going through. I hope that it will

:23:45.:23:51.

make you feel strong. Use it as your strength. Don't lose the

:23:51.:23:59.

emotion. Very touching. These are strong voices, these two girls.

:23:59.:24:07.

would love to make it as a solo artist. Deniece has to be careful

:24:07.:24:12.

that she doesn't overdo it. With Ruth, she cannot let the emotion

:24:12.:24:18.

destroy her performance. I have one shot. I do have to give it

:24:18.:24:22.

everything. The hard thing for me is that I have to pick one. I am

:24:22.:24:32.
:24:32.:24:34.

feeling happy, confident, so I am APPLAUSE

:24:34.:24:42.

Going head-to-head, one artist will stay and one will go. First to the

:24:42.:24:52.
:24:52.:24:52.

ring is Deniece Pearson. APPLAUSE But hot on her heels is the raw

:24:52.:25:02.
:25:02.:25:02.

Apology for the loss of subtitles for 162 seconds

:25:02.:27:56.

talent of London teenager, Ruth What a battle. Ladies and gentlemen,

:27:56.:28:05.

one more time for Ruth and Deniece. APPLAUSE Tom, this is a difficult

:28:05.:28:09.

decision to make. We will come to you shortly. First, let's find out

:28:09.:28:17.

what you thought of that battle, Danny? Amazing. That was amazing. I

:28:18.:28:22.

think two-and-a-half minutes, I heard every note that was created

:28:22.:28:30.

by music! It was beautiful to hear and from Deniece, you are a

:28:30.:28:33.

consummate professional. Everything says you have been on the stage. We

:28:33.:28:38.

know you have. Then there is Ruth Brown.

:28:38.:28:43.

CHEERING AND APPLAUSE Who from the second I seen you over there, I was

:28:43.:28:46.

captivated. There was one particular note where I looked at

:28:46.:28:52.

the boys, I looked around, that is what I look for in anything, that

:28:52.:28:58.

magic moment. You have it! Thank you. Will, there were some special

:28:58.:29:03.

moments during that. What stood out for you? Before there was a music

:29:03.:29:08.

industry, we sang in churches, we sang with family, you know, and

:29:08.:29:15.

then there were the superstars. Deniece you remind me of the

:29:15.:29:19.

strength and the height of the music industry. You represent that.

:29:19.:29:28.

Thank you. And Ruth you are 19 years old. I don't know how old

:29:28.:29:35.

your soul is, child! You have a halo over you where it oozes out of

:29:35.:29:40.

you where the height of stardom, the height and the pinnacle of the

:29:40.:29:45.

music industry, fabulousness and the grit, the under, the earth, I'm

:29:45.:29:50.

singing from my heart. What a battle! APPLAUSE Will, they

:29:50.:29:55.

represent very different things, but who would you put through?

:29:55.:30:05.
:30:05.:30:05.

ain't my problem! LAUGHTER Help me! Tom, you have put yourself in it

:30:05.:30:11.

here, putting these together. know. Give me some help. Both of

:30:11.:30:21.

you could go through and do well. Tom, it's youth versus experience.

:30:21.:30:29.

You feel the soul from the both of them. It's a different kind of soul.

:30:29.:30:34.

Deniece has experience and polish and a wonderful instrument. Now you

:30:34.:30:42.

have Ruth, this... APPLAUSE Ruth Brown, I know what Will was saying,

:30:42.:30:45.

you are coming from a different place. There's things that come out

:30:45.:30:53.

of you that is built in that maybe you just let it fly and it works.

:30:53.:31:02.

APPLAUSE Tom, it is time to make your decision. Who is the winner of

:31:02.:31:12.
:31:12.:31:17.

this battle? Well, this is difficult. As everybody knows. I

:31:17.:31:27.
:31:27.:32:04.

think the one that should go to the You really did a great job. Your

:32:04.:32:14.
:32:14.:32:25.

father would be proud of you. That was an incredible battle. You

:32:25.:32:29.

have been singing for a long time. You have got to work with a legend.

:32:29.:32:35.

How was it? An honour and I am enjoyed every second. Ladies and

:32:35.:32:45.
:32:45.:33:01.

gentlemen, please make some noise There was something in there that

:33:01.:33:08.

was unreal. There is a pain in there but she can't articulate it.

:33:08.:33:13.

Something inside of me was pushing myself to do the best that I can.

:33:13.:33:19.

felt it. She went... Every time this kid sings she gives me chills.

:33:19.:33:28.

Unbelievable! APPLAUSE That is the state of play after the first part.

:33:28.:33:33.

The fight continues tomorrow as we get one step closer to finding The

:33:33.:33:38.

Voice. Good night, everybody. Sunday night, the battle weekend

:33:38.:33:42.

concludes. Wow. There are explosive performances. If he is that good

:33:42.:33:48.

now, that is frightening. Dang! there is tension, I'm happy for

:33:48.:33:54.

Download Subtitles

SRT

ASS