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Television is not ready for the talent on this show. | 0:00:02 | 0:00:04 | |
I never thought that two voices can sound like a choir. | 0:00:04 | 0:00:07 | |
There's things that come out of you, you just let fly and it works. | 0:00:07 | 0:00:12 | |
This is what The Voice is about. | 0:00:12 | 0:00:14 | |
Last night, the Battles commenced, | 0:00:14 | 0:00:18 | |
and our superstar coaches face some agonising decisions. | 0:00:18 | 0:00:23 | |
It's hard. | 0:00:23 | 0:00:25 | |
Go with your heart, Tom. | 0:00:25 | 0:00:30 | |
Who to carry forward, | 0:00:30 | 0:00:33 | |
and who to send home. | 0:00:33 | 0:00:35 | |
Tonight, the Battles continue. | 0:00:35 | 0:00:39 | |
As the remaining artists step into the ring to fight. | 0:00:39 | 0:00:43 | |
Voice-to-voice against they're own team-mates. | 0:00:43 | 0:00:47 | |
Just one battle stands between them and the Live Shows, | 0:00:47 | 0:00:51 | |
but only their coach can take them there. | 0:00:51 | 0:00:54 | |
This is the hardest thing that I've ever done. | 0:00:54 | 0:00:58 | |
This is hard. | 0:00:58 | 0:00:59 | |
-Jessie, who is the winner of this battle? -I don't know. | 0:00:59 | 0:01:03 | |
Hello and welcome to The Voice, | 0:01:08 | 0:01:10 | |
the Battle Rounds. | 0:01:10 | 0:01:11 | |
Each coach has paired up their artists to sing against one another | 0:01:11 | 0:01:15 | |
to earn a place in the forthcoming Live Shows. | 0:01:15 | 0:01:17 | |
But after every battle the artists' own coach must decide | 0:01:17 | 0:01:20 | |
who advances in the competition and who goes home. | 0:01:20 | 0:01:24 | |
So, let's meet those superstars making the tough decisions. | 0:01:24 | 0:01:27 | |
Danny O'Donoghue. | 0:01:27 | 0:01:29 | |
Sir Tom Jones. | 0:01:30 | 0:01:32 | |
Jessie J. | 0:01:32 | 0:01:35 | |
And will.i.am. | 0:01:35 | 0:01:37 | |
Let's bring on the Battles. First up, it's team Jessie. | 0:01:38 | 0:01:41 | |
Cassius Henry came to the blind auditions | 0:01:51 | 0:01:54 | |
hoping for a second chance. | 0:01:54 | 0:01:55 | |
I had record deals, | 0:01:55 | 0:01:56 | |
been on Top of the Pops. | 0:01:56 | 0:01:57 | |
I would give my all | 0:01:57 | 0:01:58 | |
to get back into my career. | 0:01:58 | 0:02:00 | |
There are things that you could work on and could be incredible. | 0:02:03 | 0:02:06 | |
I just think you've got a really listenable voice. | 0:02:06 | 0:02:09 | |
While shy construction worker David | 0:02:10 | 0:02:13 | |
built a performance that got all four coaches turning. | 0:02:13 | 0:02:17 | |
You are the reason I came on this show, to find people that can sing! | 0:02:21 | 0:02:24 | |
This is where it gets serious. | 0:02:28 | 0:02:30 | |
This is the Battle Round. | 0:02:30 | 0:02:32 | |
The first battle is between | 0:02:32 | 0:02:35 | |
David and Cassius. | 0:02:35 | 0:02:37 | |
The reason I paired you guys up | 0:02:37 | 0:02:38 | |
is cos I think you can bring the best out in each other. | 0:02:38 | 0:02:41 | |
David, I feel like you can really push yourself with | 0:02:41 | 0:02:44 | |
something like the tone that Cassius has. | 0:02:44 | 0:02:47 | |
And I think that the performance that David has, | 0:02:47 | 0:02:49 | |
Cassius could bring to the table too. | 0:02:49 | 0:02:51 | |
I never thought I needed a new tone | 0:02:51 | 0:02:53 | |
because I'm quite happy with my own tone, | 0:02:53 | 0:02:55 | |
but if we can bring good out of each other, | 0:02:55 | 0:02:57 | |
it's going to be a good thing, like. | 0:02:57 | 0:02:58 | |
We've only got a short amount of time | 0:02:59 | 0:03:01 | |
to get the artists ready for the Battle Rounds. | 0:03:01 | 0:03:03 | |
So, I've brought in Ana Matronic from the Scissor Sisters | 0:03:03 | 0:03:06 | |
to make sure, vocally, they can be the best they can be. | 0:03:06 | 0:03:09 | |
Hi guys. | 0:03:09 | 0:03:10 | |
Today, I'm really looking forward to seeing where | 0:03:10 | 0:03:13 | |
these people are as performers. | 0:03:13 | 0:03:14 | |
And what I'm going to be working with them on, specifically, | 0:03:14 | 0:03:17 | |
is performing and communicating with the audience. | 0:03:17 | 0:03:20 | |
# No one wants to be defeated | 0:03:20 | 0:03:23 | |
# Just beat it... # | 0:03:23 | 0:03:24 | |
But, in rehearsal with Jessie and Ana, | 0:03:24 | 0:03:27 | |
the energy of their first audition seems a long way away. | 0:03:27 | 0:03:30 | |
I'm not feeling any vibe from either of you. | 0:03:30 | 0:03:32 | |
You are standing here like you don't want to be here. | 0:03:32 | 0:03:35 | |
I would love to see you guys really coming at each other. | 0:03:35 | 0:03:40 | |
-# Beat it -Beat it | 0:03:40 | 0:03:41 | |
Come on. Tell him. | 0:03:41 | 0:03:43 | |
# No-one wants to be defeated... # | 0:03:43 | 0:03:46 | |
I need to see the two guys that I saw in the blind auditions | 0:03:46 | 0:03:49 | |
that I turned around for. | 0:03:49 | 0:03:50 | |
You guys can really use the fierceness of this song. | 0:03:50 | 0:03:53 | |
Light a fire under your ass | 0:03:53 | 0:03:55 | |
because one of you is going home. | 0:03:55 | 0:03:58 | |
I think, towards the end of the song, Cassius was holding back a bit | 0:03:58 | 0:04:01 | |
because he was listening out to see what I could do | 0:04:01 | 0:04:03 | |
and perhaps he's got a game plan. | 0:04:03 | 0:04:05 | |
I don't think I've shown everything I've got at this moment. | 0:04:05 | 0:04:08 | |
I think on the night, I believe, he will be surprised. | 0:04:08 | 0:04:11 | |
Come the studio rehearsals, the fight is still missing. | 0:04:11 | 0:04:15 | |
I'm basing my decision on this performance. | 0:04:19 | 0:04:21 | |
-I want there to be tension. -Like we're enemies. -You are. | 0:04:21 | 0:04:24 | |
You need to be, I'm in your face and I'm not scared to be in your face. | 0:04:24 | 0:04:27 | |
Get involved. You know, you want to feel the tension. | 0:04:27 | 0:04:31 | |
# They're out to get you Better leave while you can | 0:04:31 | 0:04:34 | |
# Don't want to be a boy You want to be a man... # | 0:04:34 | 0:04:37 | |
She picked us for a reason and she's pushing us for a reason | 0:04:37 | 0:04:40 | |
and she wants to see which man wants it the most. | 0:04:40 | 0:04:43 | |
It's our type of song. Puts you in a mood for a fight or a battle. | 0:04:43 | 0:04:46 | |
She makes you want to kick somebody's ass. | 0:04:46 | 0:04:50 | |
It'll make a great performance that you'll be proud of. | 0:04:50 | 0:04:52 | |
Even if you don't go through | 0:04:52 | 0:04:53 | |
you'll watch back and want to show your friends and family. | 0:04:53 | 0:04:56 | |
Jessie's made it clear what I need to do to win the battle, | 0:05:00 | 0:05:03 | |
so I've got to go out there and nail it. | 0:05:03 | 0:05:04 | |
I want to be successful and live the dream. | 0:05:04 | 0:05:08 | |
This is a second chance for me. The opportunity is great. | 0:05:08 | 0:05:12 | |
My only focus is to vocally knock him out. | 0:05:12 | 0:05:15 | |
Which artist will represent team Jessie | 0:05:15 | 0:05:18 | |
in the live shows? | 0:05:18 | 0:05:19 | |
From the Valleys, it's the builder with the big voice, David Faulkner. | 0:05:19 | 0:05:23 | |
Up against the smooth style of Cassius Henry! | 0:05:28 | 0:05:31 | |
Oh, baby! | 0:05:34 | 0:05:36 | |
Come on, guys, come on. | 0:05:38 | 0:05:41 | |
Let the battle begin. | 0:05:45 | 0:05:46 | |
# They told him Don't you ever come around here | 0:06:02 | 0:06:06 | |
# Don't want to see your face You better disappear | 0:06:06 | 0:06:13 | |
# The fire's in your eyes and your words aren't really clear | 0:06:13 | 0:06:18 | |
# So beat it | 0:06:18 | 0:06:21 | |
# Beat it | 0:06:21 | 0:06:24 | |
# You better run You better do what you can | 0:06:24 | 0:06:30 | |
# Don't want to see no blood Don't be a macho man | 0:06:30 | 0:06:35 | |
# You want to be tough | 0:06:35 | 0:06:38 | |
# Better do what you can | 0:06:38 | 0:06:43 | |
# So beat it | 0:06:45 | 0:06:46 | |
# But you want to be bad | 0:06:48 | 0:06:50 | |
-# Just beat it -Beat it | 0:06:50 | 0:06:52 | |
-# Beat it -Beat it | 0:06:52 | 0:06:54 | |
# No-one wants to be defeated | 0:06:54 | 0:06:56 | |
# Showin' how funky | 0:06:56 | 0:06:59 | |
# And strong is your fight | 0:06:59 | 0:07:00 | |
# It doesn't matter | 0:07:00 | 0:07:02 | |
# Who's wrong or right | 0:07:02 | 0:07:04 | |
# Just beat it | 0:07:04 | 0:07:05 | |
# Just beat it | 0:07:05 | 0:07:07 | |
-# Just beat it -Beat it | 0:07:07 | 0:07:09 | |
# Beat it, no | 0:07:09 | 0:07:11 | |
# They're out to get you Better leave while you can | 0:07:11 | 0:07:14 | |
# Don't want to be a boy You want to be a man | 0:07:14 | 0:07:17 | |
# You want to stay alive Do what you can | 0:07:17 | 0:07:22 | |
# Beat it | 0:07:22 | 0:07:25 | |
# You have to show them that you're really not scared | 0:07:25 | 0:07:28 | |
# You're playin' with your life This ain't no truth or dare | 0:07:28 | 0:07:31 | |
# They'll kick you they'll beat you | 0:07:31 | 0:07:33 | |
# They'll tell you it's fair | 0:07:33 | 0:07:35 | |
# So beat it | 0:07:35 | 0:07:37 | |
# But you want to be bad, so | 0:07:37 | 0:07:40 | |
# Beat it | 0:07:40 | 0:07:41 | |
-# Beat it -Beat it | 0:07:41 | 0:07:42 | |
# No one wants to be defeated | 0:07:42 | 0:07:45 | |
# Show them how funky | 0:07:45 | 0:07:49 | |
# It doesn't matter | 0:07:49 | 0:07:50 | |
# Who's wrong or right | 0:07:50 | 0:07:53 | |
# Just beat it, beat it, beat it | 0:07:53 | 0:07:56 | |
# It ain't too much, oh It ain't too much, woo | 0:07:56 | 0:08:01 | |
# Beat it, beat it, beat it, beat it | 0:08:02 | 0:08:03 | |
# No, beat it, no, no | 0:08:03 | 0:08:07 | |
-# Beat it -Beat it | 0:08:07 | 0:08:09 | |
-# Beat it -Beat it | 0:08:09 | 0:08:10 | |
# No one wants to be defeated | 0:08:10 | 0:08:13 | |
# Show them how funky | 0:08:13 | 0:08:15 | |
# Strong is your fight | 0:08:15 | 0:08:17 | |
# It doesn't matter | 0:08:17 | 0:08:18 | |
# Who's wrong or right Just beat it. # | 0:08:18 | 0:08:21 | |
I do not envy this decision at all. | 0:08:37 | 0:08:38 | |
Danny, what were your thoughts on that battle? | 0:08:38 | 0:08:41 | |
Both of them are fantastic singers. | 0:08:41 | 0:08:44 | |
I thought, confidence-wise, Cassius, | 0:08:44 | 0:08:46 | |
I felt you were there from the top, but David really grew into it | 0:08:46 | 0:08:50 | |
and there was a point where I was waiting for you to just let go | 0:08:50 | 0:08:54 | |
and I was waiting and waiting and you did it, | 0:08:54 | 0:08:56 | |
and you let go and I was like, that's the David that I remember. | 0:08:56 | 0:08:59 | |
I turned for you. | 0:08:59 | 0:09:01 | |
I think I would go for Dave. I thought you killed it. | 0:09:01 | 0:09:04 | |
Will, they were so evenly matched, how do you decide? | 0:09:05 | 0:09:10 | |
First off, I've got to give a pound right here to my home girl, | 0:09:10 | 0:09:15 | |
Jessie J, | 0:09:15 | 0:09:17 | |
because that was a fantastic battle. | 0:09:17 | 0:09:20 | |
Damn, Cassius, | 0:09:20 | 0:09:22 | |
that last name should be Clay, | 0:09:22 | 0:09:24 | |
Cos you're killing 'em, like, wow. | 0:09:26 | 0:09:29 | |
And Dave, | 0:09:32 | 0:09:33 | |
you are just mad fresh and you're confident in your runs | 0:09:33 | 0:09:38 | |
and your licks were just on point. | 0:09:38 | 0:09:39 | |
But, if I had to choose, | 0:09:42 | 0:09:43 | |
I would go with the G over there, Cassius. | 0:09:43 | 0:09:47 | |
Jessie, your decision could change the lives of both of these artists. | 0:09:47 | 0:09:52 | |
I'm actually shaking, like and getting teary, | 0:09:52 | 0:09:56 | |
because I know I was tough on you guys | 0:09:56 | 0:09:58 | |
but I saw so much in that performance | 0:09:58 | 0:10:00 | |
that wasn't there when we first ran through it. | 0:10:00 | 0:10:03 | |
I live for this, for seeing people that want to grow and get better | 0:10:03 | 0:10:06 | |
and you guys, I'm so proud of you both. | 0:10:06 | 0:10:09 | |
Jessie, it's time to make your decision. | 0:10:11 | 0:10:13 | |
Who is the winner of this battle? | 0:10:18 | 0:10:19 | |
I don't know. | 0:10:19 | 0:10:21 | |
OK. | 0:10:32 | 0:10:34 | |
Erm... | 0:10:34 | 0:10:37 | |
The person I'm going to take through to live... | 0:10:39 | 0:10:41 | |
..is Cassius. | 0:10:43 | 0:10:44 | |
Let's hear it one more time | 0:10:52 | 0:10:53 | |
for Cassius, ladies and gentlemen. | 0:10:53 | 0:10:56 | |
Well done, you. | 0:11:03 | 0:11:04 | |
Is there anything you want to say to your coach, Jessie, | 0:11:05 | 0:11:08 | |
cos she worked really hard with both of you. | 0:11:08 | 0:11:10 | |
You do what you do and if it's not good enough, keep on doing. | 0:11:10 | 0:11:15 | |
It's not that you are not good enough, at all. | 0:11:15 | 0:11:18 | |
You're an amazing artist, don't let this get you down. | 0:11:18 | 0:11:22 | |
That Cassius is incredible. | 0:11:22 | 0:11:26 | |
You all right? | 0:11:26 | 0:11:27 | |
I don't know. I feel so bad. | 0:11:27 | 0:11:29 | |
I feel like this was such a step for him in confidence. | 0:11:34 | 0:11:38 | |
I just don't want him to go back into his shell and not carry on. | 0:11:38 | 0:11:42 | |
Cassius is a great guy like, so, couldn't have lost to anyone better. | 0:11:42 | 0:11:48 | |
Next up, it's team Tom. | 0:11:57 | 0:11:59 | |
Grandma Barbara used her 25-years' experience | 0:12:09 | 0:12:12 | |
to get Sir Tom's attention. | 0:12:12 | 0:12:13 | |
Team Tom. Team Tom. | 0:12:15 | 0:12:18 | |
28-year-old Leanne is a holiday camp singer | 0:12:20 | 0:12:23 | |
who won over her toughest audience yet. | 0:12:23 | 0:12:27 | |
You both have very, very powerful voices. | 0:12:28 | 0:12:30 | |
I think you are evenly matched there. | 0:12:30 | 0:12:33 | |
The song that I picked is a Lady Gaga song, which is called | 0:12:33 | 0:12:37 | |
-The Edge Of Glory. -I'm excited. | 0:12:37 | 0:12:39 | |
The only sad part about it is that only one can go forward, | 0:12:39 | 0:12:42 | |
it's going to be a tough one. | 0:12:42 | 0:12:43 | |
To help prepare his artists for battle, | 0:12:43 | 0:12:47 | |
Tom brought in singer-songwriter and good friend Cerys Matthews. | 0:12:47 | 0:12:51 | |
Cerys knows more about music than anyone else I know | 0:12:51 | 0:12:55 | |
so I think she would be great to help me. | 0:12:55 | 0:12:57 | |
I don't know if I've ever heard such loud voices as you guys. | 0:12:57 | 0:13:01 | |
We've got Barbara who's been there, seen it all, | 0:13:03 | 0:13:07 | |
knows exactly how to play it. | 0:13:07 | 0:13:09 | |
And you've got Leanne, she's got all the natural talent in the world | 0:13:09 | 0:13:14 | |
and yet her nature is quite meek. | 0:13:14 | 0:13:17 | |
She's a very quiet woman, then all of a sudden, boom! | 0:13:17 | 0:13:21 | |
-Leanne, you've got a fair set of lungs on you. -I try. | 0:13:21 | 0:13:24 | |
They're both strong | 0:13:24 | 0:13:27 | |
so let them go head-to-head. | 0:13:27 | 0:13:29 | |
Compared to Leanne, I've got a lot more years experience. | 0:13:33 | 0:13:36 | |
I've got that passion, I've got that emotion. | 0:13:37 | 0:13:40 | |
Barbara's a big performer and she's got a big personality | 0:13:40 | 0:13:43 | |
so there's a lot for me to go against. | 0:13:43 | 0:13:45 | |
# I'm on the edge with you... # | 0:13:45 | 0:13:47 | |
It sounds great. | 0:13:49 | 0:13:50 | |
-The more you go at one another... -The better? -Exactly. | 0:13:50 | 0:13:54 | |
I think Lady Gaga would be scared to get in the ring with those two. | 0:13:54 | 0:13:57 | |
I know I would. | 0:13:57 | 0:13:59 | |
Right now, I'm absolutely pumped for this battle. | 0:14:00 | 0:14:05 | |
We've both got big voices | 0:14:05 | 0:14:06 | |
but I just need to show that I've got the biggest and best. | 0:14:06 | 0:14:09 | |
They're two great singers. That's what makes it a real battle. | 0:14:09 | 0:14:13 | |
It's like two boxers. | 0:14:13 | 0:14:14 | |
I really feed off an audience so once they are in the room | 0:14:16 | 0:14:19 | |
and Tom is there, I can look him in the eye | 0:14:19 | 0:14:20 | |
and show him I want it and mean it. | 0:14:20 | 0:14:22 | |
I cannot wait to get a cat fight going on in that stage tonight. | 0:14:22 | 0:14:29 | |
Let me take her out. | 0:14:29 | 0:14:30 | |
Entering the ring, two ladies with many differences | 0:14:31 | 0:14:34 | |
but one thing in common - voices that will make your TV shake. | 0:14:34 | 0:14:38 | |
It's the Battle of the belters. | 0:14:38 | 0:14:40 | |
Here's Scotland's glamorous granny, Barbara Bryceland. | 0:14:40 | 0:14:43 | |
Against the 28-year-old with a big voice and big ambitions. | 0:14:50 | 0:14:56 | |
It's Leanne Mitchell! | 0:14:56 | 0:14:58 | |
Let the battle begin. | 0:15:06 | 0:15:08 | |
# There ain't no reason you and me should be alone | 0:15:17 | 0:15:21 | |
# Tonight, yeah, baby! Tonight, yeah, baby! | 0:15:21 | 0:15:25 | |
# And I got a reason that you're who should take me home tonight | 0:15:25 | 0:15:29 | |
# It's hard to feel the rush To push the dangerous | 0:15:32 | 0:15:39 | |
# I'm going to run right to To the edge with you | 0:15:39 | 0:15:43 | |
# Where we can both fall far in love | 0:15:43 | 0:15:46 | |
# I'm on the edge of glory | 0:15:46 | 0:15:49 | |
# And I'm hanging on a moment of truth | 0:15:50 | 0:15:54 | |
# Out on the edge of glory | 0:15:55 | 0:15:58 | |
# And I'm hanging on a moment with you | 0:15:58 | 0:16:02 | |
# I'm on the edge, the edge The edge, the edge, | 0:16:02 | 0:16:05 | |
# The edge, the edge | 0:16:05 | 0:16:08 | |
# I'm on the edge of glory | 0:16:09 | 0:16:13 | |
# And I'm hanging on a moment with you | 0:16:13 | 0:16:18 | |
# I'm on the edge with you | 0:16:18 | 0:16:20 | |
# Put on your shades Cos I'm dancing in the flames | 0:16:20 | 0:16:23 | |
# Tonight, yeah, baby! | 0:16:23 | 0:16:25 | |
# Tonight, yeah, baby! | 0:16:25 | 0:16:26 | |
# It isn't hard if everybody knows my name tonight | 0:16:26 | 0:16:31 | |
# All right! All right! | 0:16:31 | 0:16:34 | |
# It's hard to feel the rush And push the dangerous | 0:16:34 | 0:16:39 | |
# I'm going to run right to To the edge with you | 0:16:41 | 0:16:43 | |
# Where we can both fall far in love | 0:16:43 | 0:16:48 | |
# I'm on the edge of glory | 0:16:48 | 0:16:52 | |
# And I'm hanging on a moment of truth | 0:16:52 | 0:16:55 | |
# Out on the edge of glory And I'm hanging on a moment with you | 0:16:55 | 0:17:03 | |
# I'm on the edge, the edge, the edge, the edge, the edge, the edge, | 0:17:04 | 0:17:07 | |
# The edge | 0:17:07 | 0:17:11 | |
# I'm on the edge of glory And I'm hanging on a moment with you | 0:17:11 | 0:17:19 | |
-# I'm on the edge -The edge -The edge -The edge | 0:17:19 | 0:17:23 | |
# The edge, the edge | 0:17:23 | 0:17:25 | |
# I'm on the edge of glory | 0:17:25 | 0:17:30 | |
# And I'm hanging on a moment with you | 0:17:30 | 0:17:33 | |
# I'm on the edge with you. # | 0:17:33 | 0:17:37 | |
Wow, that is what I'm talking about! | 0:17:51 | 0:17:55 | |
Leanne and Barbara. | 0:17:56 | 0:17:59 | |
Ladies, just going to check the roof is still on! | 0:17:59 | 0:18:03 | |
Wow. Tom. | 0:18:03 | 0:18:06 | |
I'm going to come to you very shortly, | 0:18:06 | 0:18:09 | |
you have a huge decision to make. | 0:18:09 | 0:18:10 | |
But first of all, let's see what your fellow coaches made of that. | 0:18:10 | 0:18:14 | |
-Danny? -Man, that was brilliant, girls, it really was. | 0:18:14 | 0:18:17 | |
Really, really great. | 0:18:17 | 0:18:19 | |
You know, Barbara, I thought you literally brought the house down, | 0:18:22 | 0:18:26 | |
it was incredible, I mean the energy I felt from you was amazing. | 0:18:26 | 0:18:30 | |
You know, Leanne, honestly, I was blown away, I really was. | 0:18:30 | 0:18:35 | |
If it was my choice or my decision, | 0:18:35 | 0:18:37 | |
I would probably tip Leanne over the top. | 0:18:39 | 0:18:41 | |
OK, Danny. Will? | 0:18:41 | 0:18:44 | |
So, like... | 0:18:45 | 0:18:48 | |
..Barbara was singing to me, right? | 0:18:50 | 0:18:53 | |
Like I got a crush and stuff | 0:18:56 | 0:18:58 | |
and she was looking at me and she went like this. | 0:18:58 | 0:19:01 | |
Honestly, I was like, wow, like, damn, | 0:19:01 | 0:19:04 | |
Barbara, word up, mama, what, you hot. | 0:19:04 | 0:19:08 | |
I was like on the edge of my seat like melted chocolate on a seat. | 0:19:08 | 0:19:12 | |
Really. You just want to move on to the next person cos... | 0:19:15 | 0:19:18 | |
-I think we'd better had. -..I'm all Barbara'd out, right now. | 0:19:18 | 0:19:24 | |
Tom, two big voices. Only one can make it through to the live show. | 0:19:26 | 0:19:29 | |
-You look really proud of both of them. -Yeah. | 0:19:29 | 0:19:31 | |
They're as strong as one another | 0:19:31 | 0:19:33 | |
and this is maybe the hardest thing that I have ever done. | 0:19:33 | 0:19:37 | |
So, I'll do my best. | 0:19:39 | 0:19:41 | |
Tom, it is time to make your decision. | 0:19:41 | 0:19:44 | |
Who is the winner of this battle? | 0:19:46 | 0:19:49 | |
Well, it's hard, | 0:19:56 | 0:19:58 | |
but I think the one that should go to the live show is... | 0:19:58 | 0:20:05 | |
..Leanne. | 0:20:10 | 0:20:11 | |
Leanne's done it. | 0:20:13 | 0:20:14 | |
She's going through to the live shows. | 0:20:14 | 0:20:17 | |
Leanne, everybody. | 0:20:24 | 0:20:26 | |
And is there anything you want to say to Tom? | 0:20:31 | 0:20:34 | |
Tom, thanks for picking me in the first place. | 0:20:34 | 0:20:38 | |
I know it was a tough call, I knew it was from the very second. | 0:20:38 | 0:20:41 | |
It's the hardest thing I've done in my life, honestly. | 0:20:41 | 0:20:44 | |
No hard feelings. I still love you to pieces. | 0:20:44 | 0:20:47 | |
-Who would you have picked? -Leanne. | 0:20:51 | 0:20:53 | |
I would have picked Barbara | 0:20:53 | 0:20:55 | |
No. Barbara's too much of a pub singer for me. No. | 0:20:55 | 0:20:57 | |
-She's also quite pretty too. -Yeah. | 0:20:57 | 0:20:59 | |
And I think she's got more of a modern approach to her phrasing. | 0:20:59 | 0:21:05 | |
-And her style of singing, as well. -Yeah. | 0:21:05 | 0:21:07 | |
She could sing the phone book and it would sound right. | 0:21:07 | 0:21:10 | |
-I'm just so proud. -You looked beautiful. Well done. | 0:21:10 | 0:21:14 | |
Next up, it's team Will. | 0:21:20 | 0:21:23 | |
Singing a coach's own song is a gamble | 0:21:30 | 0:21:33 | |
but one that paid off for Yorkshire teen Frances. | 0:21:33 | 0:21:36 | |
# Where is the love... # Come on, Will | 0:21:36 | 0:21:40 | |
I can take anything you throw at me. | 0:21:40 | 0:21:43 | |
Singing about her mum. | 0:21:45 | 0:21:48 | |
She thinks she's overweight. I think she's beautiful. | 0:21:48 | 0:21:51 | |
# And that's why I love you | 0:21:51 | 0:21:54 | |
Kate's raw emotion appealed to Will. | 0:21:54 | 0:21:58 | |
I paired Frances and Kate | 0:22:02 | 0:22:03 | |
because they reminded me of me when I started dreaming. | 0:22:03 | 0:22:07 | |
Both of them girls would have been down with our crew | 0:22:07 | 0:22:09 | |
when we started the Peas. | 0:22:09 | 0:22:11 | |
Fran and I were hoping we weren't | 0:22:11 | 0:22:13 | |
going to be paired because we are really good friends. | 0:22:13 | 0:22:15 | |
I think we're just going to not really see it as a battle-battle. | 0:22:15 | 0:22:18 | |
-Just as a duet, as a performance. -Yeah. Pull each other through it. | 0:22:18 | 0:22:21 | |
Oh, my gosh, we're pals! | 0:22:21 | 0:22:24 | |
Nah! | 0:22:24 | 0:22:25 | |
This ain't the getting along game. It's Mortal Kombat. | 0:22:25 | 0:22:29 | |
Before rehearsals begin, Will introduces the girls to his adviser. | 0:22:29 | 0:22:34 | |
I brought one of my best friends, Dante Santiago, | 0:22:34 | 0:22:36 | |
the person that helped me | 0:22:36 | 0:22:37 | |
bring the artist out of me. | 0:22:37 | 0:22:40 | |
Don't sound like so little. | 0:22:51 | 0:22:54 | |
Project your voice just a little bit because I could barely hear you. | 0:22:54 | 0:22:57 | |
Kate doesn't have the fair advantage right now, you can't hear her | 0:22:57 | 0:23:00 | |
and she knows you can't hear her. | 0:23:00 | 0:23:02 | |
# And who would have thought It figures. # | 0:23:02 | 0:23:07 | |
You are going to be battling. So, come into the studio tomorrow, | 0:23:07 | 0:23:10 | |
record it professionally so you can hear what you sound like, | 0:23:10 | 0:23:12 | |
so you have no excuses. | 0:23:12 | 0:23:15 | |
Let's try one more. | 0:23:15 | 0:23:17 | |
# And isn't it ironic Don't you think | 0:23:17 | 0:23:22 | |
# It's like rain... # | 0:23:22 | 0:23:24 | |
It's like a quirky coolness factor. | 0:23:24 | 0:23:26 | |
That you just added, there. Dope! | 0:23:26 | 0:23:29 | |
I know how much he loves Kate's voice and it's very different | 0:23:29 | 0:23:32 | |
so I want to show him, look what else I can do. | 0:23:32 | 0:23:35 | |
I've got so much more to offer. | 0:23:35 | 0:23:36 | |
I felt sorry for Fran when he said that. | 0:23:36 | 0:23:38 | |
If the shoe was on the other foot, I would be hating me right now. | 0:23:38 | 0:23:42 | |
It's definitely game on now. | 0:23:42 | 0:23:44 | |
I cannot wait for this battle. | 0:23:44 | 0:23:47 | |
Ultimately, one's going to out-perform the other. | 0:23:47 | 0:23:51 | |
Spending time in the studio with Will | 0:23:51 | 0:23:54 | |
has made me a lot more confident. | 0:23:54 | 0:23:57 | |
It's just made me really believe that I can do it. | 0:23:57 | 0:24:01 | |
Me and Kate got on really well. | 0:24:01 | 0:24:03 | |
I can't think about us as friends now. | 0:24:03 | 0:24:06 | |
I've got to go in there | 0:24:06 | 0:24:07 | |
and fight for what I want. | 0:24:07 | 0:24:09 | |
Two artists, one song, and just one chance to stay in this competition. | 0:24:12 | 0:24:17 | |
Entering the ring, the Wakefield student with an urban edge, | 0:24:17 | 0:24:20 | |
Frances Wood. | 0:24:20 | 0:24:22 | |
Taking on the girl who's more used to singing in her bedroom | 0:24:28 | 0:24:31 | |
than on the stage, Kate Read. | 0:24:31 | 0:24:33 | |
Let the battle begin. | 0:24:44 | 0:24:45 | |
# An old man turned ninety-eight | 0:24:56 | 0:25:01 | |
# He won the lottery | 0:25:01 | 0:25:04 | |
# And died the next day | 0:25:04 | 0:25:06 | |
# It's a black fly in your Chardonnay | 0:25:06 | 0:25:12 | |
# It's a death row pardon two minutes too late | 0:25:12 | 0:25:16 | |
# Isn't it ironic | 0:25:16 | 0:25:20 | |
# Don't you think? | 0:25:20 | 0:25:21 | |
# It's like rain on your wedding day | 0:25:21 | 0:25:28 | |
# It's a free ride when you've already paid | 0:25:28 | 0:25:33 | |
# It's the good advice that you just didn't take | 0:25:33 | 0:25:38 | |
# Who would've thought, it figures | 0:25:40 | 0:25:43 | |
# Mr Play It Safe was afraid to fly | 0:25:45 | 0:25:49 | |
# He packed his suitcase and kissed his kids good-bye | 0:25:49 | 0:25:55 | |
# He waited his whole damn life to take that flight | 0:25:55 | 0:26:01 | |
# And as his plane crashed down he thought | 0:26:01 | 0:26:03 | |
# "Well, isn't this nice" | 0:26:03 | 0:26:05 | |
# And isn't it ironic | 0:26:06 | 0:26:09 | |
# Don't you think | 0:26:09 | 0:26:11 | |
# It's like rain on your wedding day | 0:26:11 | 0:26:16 | |
# It's a free ride when you've already paid | 0:26:16 | 0:26:22 | |
# It's the good advice that you just didn't take | 0:26:22 | 0:26:28 | |
# And who would've thought It figures | 0:26:28 | 0:26:32 | |
# It's like rain on your wedding day | 0:26:34 | 0:26:38 | |
# It's a free ride when you've already paid | 0:26:38 | 0:26:44 | |
# It's the good advice that you just didn't take | 0:26:44 | 0:26:50 | |
# And who would've thought It figures | 0:26:50 | 0:26:55 | |
# And who would've thought It figures | 0:26:55 | 0:26:59 | |
# And who would've, who would've, who would've thought it figures. # | 0:26:59 | 0:27:08 | |
You could tell by the hug | 0:27:24 | 0:27:26 | |
that you two got on in rehearsals, | 0:27:26 | 0:27:28 | |
but does it all change when you get into the ring, Frances? | 0:27:28 | 0:27:32 | |
Me and Kate are really good friends, | 0:27:32 | 0:27:34 | |
but we are here for one reason, | 0:27:34 | 0:27:36 | |
so, when you step in the ring, | 0:27:36 | 0:27:38 | |
-that's what you've got to remember. -Jessie, let's come to you first? | 0:27:38 | 0:27:41 | |
It's not like, I'm not comparing you, but when you guys | 0:27:41 | 0:27:45 | |
sang in unison, | 0:27:45 | 0:27:46 | |
I couldn't quite tell if it was a battle or a duet. | 0:27:46 | 0:27:49 | |
It was so similar, | 0:27:49 | 0:27:51 | |
I was like, come on, one of you, step and fight more than the other one. | 0:27:51 | 0:27:55 | |
I think it's a really tough decision | 0:27:55 | 0:27:58 | |
because vocally you are on par with each other, yeah. | 0:27:58 | 0:28:00 | |
It's tough. | 0:28:00 | 0:28:02 | |
That's because only one of them can go through to the live shows. | 0:28:02 | 0:28:05 | |
Will, what did you think? | 0:28:05 | 0:28:06 | |
Because, most importantly, it comes down to you. | 0:28:06 | 0:28:09 | |
I don't think you guys sound similar. | 0:28:09 | 0:28:11 | |
Frances, you are amazing, | 0:28:11 | 0:28:14 | |
Kate, the way you sing | 0:28:14 | 0:28:17 | |
is the type of singers I like, right? | 0:28:17 | 0:28:19 | |
It's like Sade, Macy Gray. | 0:28:19 | 0:28:23 | |
I like, you know, Morcheeba, Sneaker Pimps. | 0:28:23 | 0:28:27 | |
That's the kind of stuff I listen to, right? | 0:28:27 | 0:28:30 | |
Frances sounds nothing like Kate, Kate sounds nothing like Frances. | 0:28:33 | 0:28:38 | |
But Frances is a chameleon, | 0:28:38 | 0:28:39 | |
she could sound like whoever's next to her | 0:28:39 | 0:28:42 | |
and that's what you're getting. | 0:28:42 | 0:28:43 | |
Will, it is time to make your decision. | 0:28:43 | 0:28:46 | |
This is hard. | 0:28:48 | 0:28:50 | |
Very, very hard. | 0:28:50 | 0:28:51 | |
Because it feels like I'll be letting go of friends, you know. | 0:28:51 | 0:28:56 | |
Erm... | 0:28:58 | 0:28:59 | |
So, the person I want to take with me to the Live Rounds... | 0:29:07 | 0:29:13 | |
..I want to take Frances with me on to the live rounds. | 0:29:15 | 0:29:21 | |
We have ourselves a winner. | 0:29:21 | 0:29:23 | |
Frances is continuing with team Will. | 0:29:23 | 0:29:26 | |
Can't believe it. I'm so happy. | 0:29:43 | 0:29:45 | |
I think I'm going to the Live Show! | 0:29:47 | 0:29:50 | |
Are you all right? | 0:29:56 | 0:29:57 | |
Will, is there anything that you want to say? | 0:30:04 | 0:30:08 | |
Erm... | 0:30:08 | 0:30:09 | |
I'm not a person who says things to say it, | 0:30:09 | 0:30:12 | |
when I say you're my favourite type of voice, | 0:30:12 | 0:30:16 | |
I mean that with all my heart and this is not the last, | 0:30:16 | 0:30:19 | |
we are going to hang out. | 0:30:19 | 0:30:21 | |
Ladies and gentlemen, it's Kate. | 0:30:21 | 0:30:24 | |
You were amazing, so amazing up there. | 0:30:30 | 0:30:34 | |
I feel honoured, to be honest. | 0:30:34 | 0:30:36 | |
Not many people can say that they've recorded in the studio with Will. | 0:30:36 | 0:30:40 | |
But I'm gutted. | 0:30:40 | 0:30:42 | |
Coming up, Danny starts to have doubts. | 0:30:47 | 0:30:49 | |
If this isn't what you do, there's no point in you being here. | 0:30:49 | 0:30:51 | |
There was a tense atmosphere in rehearsals. | 0:30:51 | 0:30:53 | |
We felt a little like backing singers. | 0:30:53 | 0:30:57 | |
If there's tension, I'm happy for that to be there. | 0:30:57 | 0:30:59 | |
We have big voices but haven't had a chance to show it. | 0:30:59 | 0:31:01 | |
Jessie makes a controversial choice. | 0:31:01 | 0:31:04 | |
Are you serious? | 0:31:04 | 0:31:05 | |
That was probably one of the biggest shocks and upsets I've seen, so far. | 0:31:05 | 0:31:09 | |
Next up, it's team Danny. | 0:31:13 | 0:31:15 | |
Nerves affected teenage lifeguard Aleks' voice | 0:31:25 | 0:31:28 | |
but Will and Danny heard enough potential to turn. | 0:31:28 | 0:31:30 | |
21-year-old children's entertainer Emmy | 0:31:36 | 0:31:38 | |
managed to grab the attention of three of the coaches... | 0:31:38 | 0:31:42 | |
I never in a million dreams thought I would have to make this decision. | 0:31:42 | 0:31:46 | |
..Before opting to join team Danny. | 0:31:46 | 0:31:48 | |
I think the pairing of these two will be great. | 0:31:48 | 0:31:51 | |
You both have very current voices. | 0:31:51 | 0:31:53 | |
I think Aleks could potentially get quite nervous. | 0:31:53 | 0:31:56 | |
He maybe hasn't had as much experience | 0:31:56 | 0:31:58 | |
as some of the other people in the group. | 0:31:58 | 0:32:00 | |
I've never really sung a duet with a girl or a boy or anyone. | 0:32:00 | 0:32:05 | |
It's a lovely line, really nice. | 0:32:21 | 0:32:23 | |
How quick she picked up the song may have thrown Aleks a little bit. | 0:32:23 | 0:32:26 | |
She's good as it, isn't she? | 0:32:26 | 0:32:27 | |
I feel like on a whole lower level. | 0:32:27 | 0:32:29 | |
It's just weird singing like this. | 0:32:34 | 0:32:35 | |
This is where we are allowed singing out of tune, not know the words. | 0:32:35 | 0:32:39 | |
So, we, hopefully don't make that same mistakes when we are on stage, | 0:32:39 | 0:32:42 | |
you know? Fingers crossed. | 0:32:42 | 0:32:44 | |
I did feel I was quite confident in there and I really loved the song. | 0:32:44 | 0:32:47 | |
I really just wanted him to get the tune down | 0:32:47 | 0:32:49 | |
so that I could work out my part. | 0:32:49 | 0:32:52 | |
Did you just do that different just then? | 0:32:52 | 0:32:54 | |
I don't know. Sorry. | 0:32:54 | 0:32:56 | |
If I know that Aleks is feeling nervous about the song, | 0:32:56 | 0:33:00 | |
then that's going to put me, like, on edge. | 0:33:00 | 0:33:03 | |
Emmy is probably getting a bit frustrated in his confidence. | 0:33:03 | 0:33:06 | |
I think I've got a challenge with Aleks. | 0:33:06 | 0:33:08 | |
Do you feel intimidated by the others? | 0:33:08 | 0:33:10 | |
Yeah, man, have you heard 'em? | 0:33:10 | 0:33:12 | |
I have, but I've also heard you. | 0:33:12 | 0:33:14 | |
I do see a lot of myself in you. | 0:33:14 | 0:33:16 | |
Do you believe in yourself? | 0:33:16 | 0:33:18 | |
I didn't do good in school and there's nothing else I can do. | 0:33:18 | 0:33:21 | |
You can go the whole way in this, I'm not kidding you, | 0:33:21 | 0:33:24 | |
but you have to believe in your own talents. | 0:33:24 | 0:33:28 | |
The only difference between Emmy and Aleks is Emmy believes | 0:33:28 | 0:33:31 | |
she can do it. | 0:33:31 | 0:33:33 | |
When it comes to singing, I'm a bit nervous about hitting these notes. | 0:33:34 | 0:33:38 | |
Today is about proving I can do it and that's what I'm going to do. | 0:33:38 | 0:33:41 | |
I've had to give Aleks quite a lot of support, | 0:33:41 | 0:33:44 | |
but I'm not doing that any more. | 0:33:44 | 0:33:47 | |
I've got to focus on myself because I want to win this. | 0:33:47 | 0:33:50 | |
On the night, who is going to come out on top? I don't know. | 0:33:50 | 0:33:54 | |
I really don't know. | 0:33:54 | 0:33:56 | |
Only one of these artists can leave the ring a winner, | 0:33:56 | 0:34:00 | |
but who's got the voice? | 0:34:00 | 0:34:01 | |
Will it be the teenage lifeguard who lives to sing? | 0:34:01 | 0:34:03 | |
Aleks Josh! | 0:34:03 | 0:34:05 | |
Come on, Aleks. There's my boy. | 0:34:07 | 0:34:09 | |
Up against the children's entertainer hoping to impress | 0:34:13 | 0:34:16 | |
the grown-ups, Emmy J Mac. | 0:34:16 | 0:34:18 | |
Let the battle begin. | 0:34:26 | 0:34:28 | |
# Let me hold you for the last time | 0:34:39 | 0:34:43 | |
# It's the last chance to feel again | 0:34:43 | 0:34:47 | |
# But you broke me | 0:34:47 | 0:34:49 | |
# Now I can't feel anything | 0:34:49 | 0:34:53 | |
# When I love you, it's so untrue | 0:34:56 | 0:35:00 | |
# I can't even convince myself | 0:35:00 | 0:35:04 | |
# When I'm speaking it's the voice of someone else | 0:35:04 | 0:35:10 | |
# Oh, it tears me up | 0:35:12 | 0:35:18 | |
# I tried to hold on but it hurts too much | 0:35:18 | 0:35:22 | |
# I tried to forgive but it's not enough | 0:35:22 | 0:35:26 | |
# To make it OK | 0:35:26 | 0:35:29 | |
# You can't play our broken strings | 0:35:29 | 0:35:34 | |
# You can't feel anything | 0:35:34 | 0:35:38 | |
# That your heart don't want to feel | 0:35:38 | 0:35:43 | |
# I can't tell you something that ain't real | 0:35:43 | 0:35:47 | |
# Running through the fire | 0:35:47 | 0:35:51 | |
# When there's nothing left to say | 0:35:51 | 0:35:56 | |
# It's like chasing the very last train | 0:35:56 | 0:36:00 | |
# When we both know it's too late Too late | 0:36:00 | 0:36:06 | |
# You can't play our broken strings | 0:36:06 | 0:36:10 | |
# You can't feel anything | 0:36:10 | 0:36:15 | |
# That your heart don't want to feel | 0:36:15 | 0:36:19 | |
# I can't tell you something that ain't real | 0:36:19 | 0:36:23 | |
# Oh, the truth hurts and lies worse | 0:36:23 | 0:36:28 | |
# How can I give any more? | 0:36:29 | 0:36:32 | |
# When I love you a little less than before? | 0:36:32 | 0:36:38 | |
# Let me hold you for the last time | 0:36:41 | 0:36:44 | |
# It's the last chance to feel again. # | 0:36:44 | 0:36:51 | |
Will, what did you make of that battle? | 0:37:05 | 0:37:07 | |
Aleks, I could feel your shyness. | 0:37:07 | 0:37:10 | |
Emmy J, amazing voice, your confidence was there, | 0:37:10 | 0:37:14 | |
you were walking around the stage, you owned it, right? Mm. | 0:37:14 | 0:37:17 | |
You was right there rockin' it. | 0:37:17 | 0:37:19 | |
-Jessie? -I wanted you guys to kiss at the end. I don't know why. | 0:37:22 | 0:37:25 | |
It was like a music video. It was like a music video. | 0:37:25 | 0:37:30 | |
What I loved about it was that you guys | 0:37:30 | 0:37:31 | |
supported the fact that you have such different voices. | 0:37:31 | 0:37:34 | |
I feel like I wanted to see more of you kind of going, | 0:37:34 | 0:37:37 | |
this is a battleground. Like, I don't want to go home. | 0:37:37 | 0:37:40 | |
But if it was down to you, and you were their coach, | 0:37:40 | 0:37:43 | |
who would you pick? | 0:37:43 | 0:37:45 | |
It's a real tough one, but... | 0:37:45 | 0:37:46 | |
..I'd take Aleks through. | 0:37:49 | 0:37:50 | |
OK. | 0:37:50 | 0:37:52 | |
-It's not up to you. -No. -It's up to Danny. | 0:37:52 | 0:37:55 | |
But, first of all, Tom, what did you make of that? | 0:37:55 | 0:37:57 | |
You both seemed a little reserved, to me. | 0:37:57 | 0:38:01 | |
You felt like you were holding back. | 0:38:01 | 0:38:02 | |
-But there is fight in that belly, right? -Absolutely, 100%. -OK. | 0:38:02 | 0:38:07 | |
Danny, this one is totally up to you. | 0:38:09 | 0:38:11 | |
This is going to affect the rest of their lives. | 0:38:11 | 0:38:14 | |
Yeah, I know, I know. Erm... | 0:38:14 | 0:38:15 | |
Oh, man, to try and put something in-between the two of yous. | 0:38:15 | 0:38:20 | |
Danny, it's time to make that decision. | 0:38:22 | 0:38:27 | |
Emmy, I think you are further on down the line than Aleks is. | 0:38:30 | 0:38:33 | |
But yet, Aleks, I think I still have a lot to show Aleks in a way so... | 0:38:35 | 0:38:41 | |
You know, I'm going to base this decision on, I guess, | 0:38:46 | 0:38:49 | |
my role on this show, which is a coach, | 0:38:49 | 0:38:54 | |
and I think the person that's going to go through to the live shows | 0:38:54 | 0:39:01 | |
with me is... | 0:39:01 | 0:39:02 | |
..Aleks. | 0:39:09 | 0:39:10 | |
Aleks, you are going through to the live shows. | 0:39:12 | 0:39:18 | |
Are you OK? | 0:39:18 | 0:39:20 | |
It's a big thing you did on there. This is your moment. | 0:39:33 | 0:39:37 | |
Right there for Aleks was a turning point for him and, you know, | 0:39:50 | 0:39:55 | |
although Emmy did a great performance, | 0:39:55 | 0:39:56 | |
I really feel that my job as a coach on the show is to nurture talent | 0:39:56 | 0:40:00 | |
that needs it and he needs it because I really believe he can be great. | 0:40:00 | 0:40:04 | |
I started crying, man. I don't cry with this stuff. | 0:40:04 | 0:40:07 | |
My dream is to do this as a career. | 0:40:07 | 0:40:09 | |
It's one step closer, you know. | 0:40:09 | 0:40:12 | |
Next up, team Jessie. | 0:40:20 | 0:40:22 | |
Despite some tuning issues... | 0:40:32 | 0:40:35 | |
She was all over the place. | 0:40:35 | 0:40:38 | |
..Jessie still believed teenager Ruth Anne had a voice to fight for. | 0:40:38 | 0:40:42 | |
Internet sensation Ben wowed all four coaches | 0:40:42 | 0:40:45 | |
with a polished rendition of a classic. | 0:40:45 | 0:40:47 | |
Whilst Ben is fearless about the upcoming battle... | 0:40:54 | 0:40:56 | |
The real competition is with myself. | 0:40:56 | 0:40:59 | |
I don't think I've got anything to be afraid of. | 0:40:59 | 0:41:02 | |
..Ruth Anne is desperate to prove her critics wrong. | 0:41:02 | 0:41:07 | |
Ruth Ann knows she has a lot to prove | 0:41:07 | 0:41:10 | |
and Ben was so comfortable in his audition, | 0:41:10 | 0:41:13 | |
it's like, what else can you bring to the table? | 0:41:13 | 0:41:15 | |
I'm still as confident | 0:41:15 | 0:41:19 | |
but I will not underestimate the importance of getting this right. | 0:41:19 | 0:41:22 | |
We are lucky to even be here right now. | 0:41:23 | 0:41:27 | |
For this battle, I've got to prove myself more than anyone else here. | 0:41:27 | 0:41:32 | |
I'm going to totally bring it. | 0:41:32 | 0:41:33 | |
# Clock strikes upon the hour | 0:41:39 | 0:41:42 | |
# And the sun begins to fade | 0:41:42 | 0:41:46 | |
# Still enough time to figure out How to chase my blues away | 0:41:47 | 0:41:55 | |
# I've done all right up till now | 0:41:55 | 0:41:59 | |
# It's the light of day that shows me how | 0:41:59 | 0:42:02 | |
# And when the night falls | 0:42:02 | 0:42:07 | |
# My lonely heart calls | 0:42:07 | 0:42:10 | |
# Oh I want to dance with somebody | 0:42:10 | 0:42:13 | |
# I want to feel the heat | 0:42:13 | 0:42:17 | |
# Yeah, I want to dance with somebody | 0:42:17 | 0:42:22 | |
# With somebody who loves me. # | 0:42:22 | 0:42:29 | |
What a battle! | 0:42:38 | 0:42:40 | |
Will? Now, you really wanted Ben during the blind auditions. | 0:42:41 | 0:42:45 | |
Who would you choose now? | 0:42:45 | 0:42:47 | |
Ben didn't pick me so like whatever with that dude. I'm playing. | 0:42:47 | 0:42:51 | |
I would still pick Ben. | 0:42:51 | 0:42:52 | |
Jessie, who is the winner of this battle? | 0:42:54 | 0:42:58 | |
OK, the person I'm going to be taking through to the live shows is... | 0:42:58 | 0:43:04 | |
..Ruth Ann. | 0:43:08 | 0:43:09 | |
I believe in you. OK. | 0:43:14 | 0:43:16 | |
That's right. Home boy should have been on my team. | 0:43:21 | 0:43:24 | |
I would have made the right decision. | 0:43:24 | 0:43:26 | |
That's probably one of the biggest shocks and upsets | 0:43:26 | 0:43:28 | |
I've probably seen so far. | 0:43:28 | 0:43:30 | |
Oh, shut up, you lot. | 0:43:30 | 0:43:32 | |
Next up, it's team Tom. | 0:43:38 | 0:43:40 | |
In Matt and Sueleen's blind audition, | 0:43:49 | 0:43:51 | |
Tom was wowed by the unique sound of their two voices. | 0:43:51 | 0:43:55 | |
I love the harmony. I love everything about it. | 0:43:57 | 0:44:00 | |
But it took the toss of a coin to get them on his team. | 0:44:00 | 0:44:04 | |
-Heads. -Tom Jones, thank you. | 0:44:04 | 0:44:05 | |
While the quality of Midlands mum Lindsey's vocals | 0:44:11 | 0:44:14 | |
was enough for him to push his button. | 0:44:14 | 0:44:16 | |
-You have a great tone. -Thank you. -And you did wonders with that song. | 0:44:18 | 0:44:21 | |
It was a shock being paired up with two people. | 0:44:24 | 0:44:27 | |
They've both got great individual voices. | 0:44:27 | 0:44:29 | |
They blend really, really well together. | 0:44:29 | 0:44:32 | |
It's going to be a really big challenge. | 0:44:32 | 0:44:36 | |
Matt and Sueleen are strong as a duo | 0:44:37 | 0:44:40 | |
because they're so used to working with one another. | 0:44:40 | 0:44:42 | |
It's beneficial. | 0:44:42 | 0:44:44 | |
But I don't think Lindsey should be worried. | 0:44:45 | 0:44:49 | |
She has a very expressive voice. | 0:44:51 | 0:44:53 | |
That can overcome having to sing against two people. | 0:44:53 | 0:44:56 | |
Do you think they're ganging up on you? No, not at all. | 0:44:56 | 0:44:59 | |
I have to be careful because they are just so connected as a couple. | 0:44:59 | 0:45:03 | |
I have to make sure they don't get all of their own way. | 0:45:03 | 0:45:06 | |
But despite outnumbering Lindsey, | 0:45:06 | 0:45:09 | |
Matt and Sueleen are the ones feeling overwhelmed. | 0:45:09 | 0:45:13 | |
You've got the other person you are battling against there, | 0:45:14 | 0:45:18 | |
Tom Jones is there, I've got to try and get my head around this. | 0:45:18 | 0:45:20 | |
It does feel like an accident in slow motion. | 0:45:20 | 0:45:23 | |
What do you two think of Lindsey's voice? | 0:45:23 | 0:45:25 | |
Really strong and intimidating. | 0:45:25 | 0:45:28 | |
We are so different trying to get across what we do as well. | 0:45:28 | 0:45:32 | |
You have such an amazing voice. | 0:45:32 | 0:45:34 | |
Matt and Sueleen felt quite intimidated singing next to me, | 0:45:34 | 0:45:37 | |
which was a bit of a shock. | 0:45:37 | 0:45:39 | |
I should definitely try and use that to my advantage. | 0:45:39 | 0:45:42 | |
Rehearsals over, | 0:45:42 | 0:45:44 | |
Tom and Cerys offer Matt and Sueleen a final few words of wisdom. | 0:45:44 | 0:45:47 | |
-How do you think the duet is going? -It's such a challenge. | 0:45:47 | 0:45:51 | |
Although I've got a strong voice on my own, | 0:45:51 | 0:45:53 | |
I just think that we are always better when we are together | 0:45:53 | 0:45:56 | |
because we have a chemistry. | 0:45:56 | 0:45:57 | |
Be as natural as you can. | 0:45:57 | 0:45:59 | |
I think we can be winners. | 0:45:59 | 0:46:01 | |
-We can rock it out. -Absolutely rock it out. Rock it out from the roof! | 0:46:01 | 0:46:05 | |
For me, getting through to the live shows is just going to be the most | 0:46:05 | 0:46:08 | |
ultimate thing and a real pat on the back. | 0:46:08 | 0:46:12 | |
Matt and Sueleen are very close as a couple. | 0:46:13 | 0:46:16 | |
They've got the advantage that they are different, | 0:46:16 | 0:46:19 | |
they are quite unique in their own way. | 0:46:19 | 0:46:21 | |
They've got to be competitive and bring the best they possibly have. | 0:46:21 | 0:46:25 | |
Lindsey's got a very refreshing | 0:46:25 | 0:46:27 | |
and healthy attitude to this whole battle. | 0:46:27 | 0:46:30 | |
When you've got one voice singing against two, | 0:46:30 | 0:46:33 | |
that one voice can shine. | 0:46:33 | 0:46:36 | |
Into battle, not two, but three artists from team Tom. | 0:46:39 | 0:46:42 | |
Will a duo prove better than a solo? | 0:46:42 | 0:46:45 | |
First into the ring, the musical couple hoping to win Tom over, | 0:46:45 | 0:46:48 | |
it's folk singers Matt and Sueleen. | 0:46:48 | 0:46:52 | |
Taking them both on is the mum of two from West Bromwich, | 0:46:57 | 0:47:01 | |
Lindsey Butler! | 0:47:01 | 0:47:03 | |
Let the battle begin. | 0:47:14 | 0:47:15 | |
# In the day we sweat it out on the streets of a runaway American dream | 0:47:27 | 0:47:33 | |
# At night we ride through mansions of glory | 0:47:33 | 0:47:37 | |
# In suicide machines | 0:47:37 | 0:47:40 | |
# Sprung from cages out on Highway 9 | 0:47:40 | 0:47:43 | |
# Chrome wheeled, fuel injected and stepping out over the line | 0:47:43 | 0:47:48 | |
# Baby this town rips the bones from your back | 0:47:51 | 0:47:55 | |
# It's a death trap It's a suicide rap | 0:47:55 | 0:47:57 | |
# We got to get out while were young | 0:47:57 | 0:48:00 | |
# Cos tramps like us baby we were born to run | 0:48:00 | 0:48:06 | |
# Together we could break this trap | 0:48:12 | 0:48:15 | |
# We'll run till we break | 0:48:15 | 0:48:16 | |
# Baby we're never coming back | 0:48:16 | 0:48:20 | |
# Oh, will you walk with me out on the wire | 0:48:21 | 0:48:24 | |
# Baby I'm a scared and lonely rider I got to know how it feels | 0:48:24 | 0:48:31 | |
# I want to know if love is wild I want to know if love is real | 0:48:31 | 0:48:39 | |
# The highways jammed with broken heroes on a last chance power drive | 0:48:42 | 0:48:49 | |
# Everybody's out on the run but there's no place left to hide | 0:48:49 | 0:48:56 | |
# Together, baby, we could live through the sadness | 0:48:56 | 0:48:59 | |
# I'll love you with all the madness in my soul | 0:48:59 | 0:49:05 | |
# Someday, girl, I don't know when | 0:49:06 | 0:49:09 | |
# Get to that place where we really want to go | 0:49:09 | 0:49:13 | |
# And we'll walk in the sun | 0:49:13 | 0:49:16 | |
# But tramps like us | 0:49:16 | 0:49:19 | |
# Baby, we were born to run | 0:49:19 | 0:49:22 | |
# But tramps like us | 0:49:23 | 0:49:26 | |
# Baby, we were born to run | 0:49:26 | 0:49:30 | |
# But tramps like us | 0:49:30 | 0:49:32 | |
# Baby, we were born to run. # | 0:49:32 | 0:49:38 | |
Ladies and gentlemen, Matt, Sueleen and Lindsey, come on! | 0:49:46 | 0:49:50 | |
We're all loving the blow-dried hair, | 0:49:56 | 0:49:58 | |
Matt, it looks absolutely fantastic. | 0:49:58 | 0:50:00 | |
Tom, it is your call. We'll come to you shortly, | 0:50:00 | 0:50:03 | |
it's a tough decision to make. Danny, what are your thoughts? | 0:50:03 | 0:50:06 | |
I guess, when they walked out on stage, | 0:50:06 | 0:50:08 | |
I guess I was, kind of, expecting country | 0:50:08 | 0:50:10 | |
but we ended up getting the Wild West, man! | 0:50:10 | 0:50:13 | |
That was brilliant, really, really great. | 0:50:13 | 0:50:17 | |
The two of you when you sing together it literally | 0:50:18 | 0:50:21 | |
sounds like one voice, it's a really gorgeous tone. | 0:50:21 | 0:50:24 | |
But then, you know, | 0:50:24 | 0:50:26 | |
Lindsey what they have together as a unit you have in your voice as one. | 0:50:26 | 0:50:30 | |
I believe that. | 0:50:30 | 0:50:34 | |
I think you snipped it. | 0:50:34 | 0:50:36 | |
Jessie, it was two versus one, but was it an equal match? | 0:50:41 | 0:50:44 | |
It was very interesting for me to see you guys | 0:50:44 | 0:50:46 | |
again after the blind auditions. | 0:50:46 | 0:50:48 | |
Matt and Sueleen, I turned around for you guys and I remember thinking, | 0:50:48 | 0:50:51 | |
this was something my ear wanted to listen to. | 0:50:51 | 0:50:53 | |
The interesting thing with you Lindsey, you held your own, you know, | 0:50:53 | 0:50:58 | |
I know it must be scary to stand out on a stage with two other people. | 0:50:58 | 0:51:05 | |
It's not easy because you feel like you're half but you're not at all. | 0:51:05 | 0:51:08 | |
Tom has a difficult choice so I'm going to swing it over to you. | 0:51:08 | 0:51:11 | |
Nice hair cut, by the way! | 0:51:11 | 0:51:12 | |
Well, Tom, it is all on your shoulders. | 0:51:15 | 0:51:18 | |
What did you think of that battle? | 0:51:18 | 0:51:20 | |
Great. | 0:51:20 | 0:51:21 | |
Matt and Sueleen weren't as familiar with the song as Lindsey was, | 0:51:21 | 0:51:27 | |
but you've come up to that | 0:51:27 | 0:51:29 | |
and the harmony is really, really good. | 0:51:29 | 0:51:32 | |
That's fantastic. | 0:51:32 | 0:51:35 | |
And Lindsey, you know, you have a unique sounding voice. | 0:51:39 | 0:51:42 | |
So the three of you, are fantastic. | 0:51:42 | 0:51:46 | |
Tom, it's time to make your decision. | 0:51:48 | 0:51:52 | |
Who is the winner of this battle? | 0:51:56 | 0:51:57 | |
I think to go with me into the Live Shows... | 0:52:02 | 0:52:08 | |
..is going to be... | 0:52:14 | 0:52:15 | |
..Matt and Sueleen. | 0:52:19 | 0:52:21 | |
Ladies and gentlemen, | 0:52:28 | 0:52:29 | |
one more time for the winners of that battle, Matt and Sueleen. | 0:52:29 | 0:52:33 | |
I was so convinced it was going to go the other way. | 0:52:48 | 0:52:51 | |
Amazing. | 0:52:51 | 0:52:54 | |
Now, Lindsey, you've had the honour | 0:52:55 | 0:52:58 | |
of working with Sir Tom Jones. What did you learn from this man? | 0:52:58 | 0:53:01 | |
He's an absolute legend, isn't he? A complete and utter star. | 0:53:01 | 0:53:05 | |
He's so easy to be around and I think that's been fantastic | 0:53:05 | 0:53:08 | |
for everybody that's been involved in this competition, really, everyone. | 0:53:08 | 0:53:12 | |
It was a very difficult decision for me to make, | 0:53:12 | 0:53:15 | |
really truthfully, honestly. | 0:53:15 | 0:53:17 | |
This job for me is the hardest thing I've ever done in my life | 0:53:17 | 0:53:20 | |
because there are so many great singers | 0:53:20 | 0:53:23 | |
that it's a hard decision for me to make. | 0:53:23 | 0:53:25 | |
It's been a fantastic experience to work with you | 0:53:25 | 0:53:28 | |
and for anybody that fancies having a go at this next year, | 0:53:28 | 0:53:31 | |
definitely do it. | 0:53:31 | 0:53:32 | |
-Thank you. -Let's hear it one more time for the fantastic Lindsey. | 0:53:32 | 0:53:35 | |
That's all right. | 0:53:38 | 0:53:40 | |
-That was a hard one. -I would have gone with Lindsey. | 0:53:45 | 0:53:48 | |
-Yes? -But they're more interesting to watch. -Yeah. | 0:53:48 | 0:53:51 | |
I was in two minds... | 0:53:55 | 0:53:57 | |
-It's not easy, is it? -No. | 0:53:57 | 0:53:59 | |
I'm really proud of myself, you know, a bit upset but I'm proud. | 0:53:59 | 0:54:04 | |
Coming up, Danny has a Battle of Biblical proportions. | 0:54:12 | 0:54:16 | |
This could be David versus Goliath here. | 0:54:16 | 0:54:19 | |
If he's that good now, that's frightening. | 0:54:19 | 0:54:21 | |
Is the pressure getting to Will? | 0:54:21 | 0:54:23 | |
Are you all right? | 0:54:23 | 0:54:25 | |
Do you want a hug? He's crazy. | 0:54:25 | 0:54:27 | |
And the coaches make more life-changing decisions. | 0:54:27 | 0:54:31 | |
This is hard. This is very hard. | 0:54:31 | 0:54:32 | |
This is the hardest decision I've had to make in my life. | 0:54:32 | 0:54:36 | |
Next up, it's team Danny. | 0:54:42 | 0:54:44 | |
In the blind auditions, cheerleader Hannah had a choice of two, | 0:54:55 | 0:54:58 | |
but waved her pompoms for Danny. | 0:54:58 | 0:55:01 | |
Murray put on a strong performance | 0:55:08 | 0:55:10 | |
and showed Danny he had a voice with experience. | 0:55:10 | 0:55:12 | |
I think they are scared of each other. | 0:55:17 | 0:55:19 | |
Murray's going to look at her thinking she's 20 years old, | 0:55:19 | 0:55:22 | |
she's a gorgeous looking girl and she can sing. | 0:55:22 | 0:55:24 | |
Hannah's going to look at him | 0:55:24 | 0:55:26 | |
and see he's had this experience and can sing his heart out. | 0:55:26 | 0:55:29 | |
I've probably been performing for more years than Hannah's | 0:55:29 | 0:55:32 | |
been on the planet. | 0:55:32 | 0:55:33 | |
Murray's a lovely guy, the same age as my dad. | 0:55:33 | 0:55:36 | |
But at the same time, maybe I use the fact that I'm 20 | 0:55:36 | 0:55:39 | |
I've got a lot of energy. | 0:55:39 | 0:55:41 | |
So, Hannah, what's your thing? | 0:55:41 | 0:55:42 | |
I'm at Exeter Uni, and I also do cheerleading. | 0:55:42 | 0:55:45 | |
Cheerleading? So, we'll expect you to keep up with that, Murray. | 0:55:45 | 0:55:49 | |
We're going to have to buy him a set of Pom Poms. | 0:55:49 | 0:55:53 | |
I'm not a dancer. | 0:55:53 | 0:55:55 | |
I concentrate on feeling it, | 0:55:55 | 0:55:57 | |
rather than shaking the booty, as it were. | 0:55:57 | 0:56:01 | |
# Cos the kids are all right. # | 0:56:02 | 0:56:05 | |
Performance, that's what we're looking for. We know you can sing. | 0:56:05 | 0:56:08 | |
This is the stage where you should do what you do. | 0:56:08 | 0:56:11 | |
This is what I do normally do. | 0:56:11 | 0:56:13 | |
If this isn't what you do, | 0:56:13 | 0:56:16 | |
then there's no point in you being here. | 0:56:16 | 0:56:18 | |
Danny's told me to up the performance, | 0:56:18 | 0:56:21 | |
to go out there and give it absolutely everything. | 0:56:21 | 0:56:23 | |
There's only one thing left to do now is to go in the ring | 0:56:23 | 0:56:26 | |
and outperform Murray. | 0:56:26 | 0:56:27 | |
She may have the moves but that guy's one hell of a singer. | 0:56:27 | 0:56:30 | |
It's going to make for a great battle. | 0:56:30 | 0:56:33 | |
# Me no bubblitious | 0:56:38 | 0:56:40 | |
# Me smoke heavy tar | 0:56:40 | 0:56:42 | |
# Me be groovin' slowly where you are | 0:56:42 | 0:56:47 | |
# Notify your next of kin | 0:56:48 | 0:56:50 | |
# Cos you're never coming back | 0:56:50 | 0:56:53 | |
# Yeah, but I've been dropping beats since back in black | 0:56:53 | 0:56:57 | |
# And we'll paint by numbers Till something sticks | 0:56:57 | 0:57:02 | |
# Don't mind doing it for the kids | 0:57:04 | 0:57:08 | |
# So come on, jump on board Take a ride | 0:57:08 | 0:57:16 | |
# Cos we're doing it all right | 0:57:16 | 0:57:19 | |
# Jump on board, feel the high | 0:57:19 | 0:57:28 | |
# The kids are all right | 0:57:28 | 0:57:30 | |
# I'm going to give it all of my loving | 0:57:30 | 0:57:32 | |
# It's going to take up all of my love | 0:57:32 | 0:57:34 | |
# I'm going to give it all of my loving | 0:57:34 | 0:57:37 | |
# It's going to take up all of my love | 0:57:37 | 0:57:40 | |
# Jump on board, take a ride Yeah | 0:57:40 | 0:57:48 | |
# Jump on board, feel the high | 0:57:51 | 0:57:59 | |
# Cos the kids are all right. # | 0:57:59 | 0:58:01 | |
One more time for Murray and Hannah, come on. | 0:58:03 | 0:58:07 | |
Danny, we're want to come to you shortly. | 0:58:07 | 0:58:09 | |
Jessie, it was a really strong battle. | 0:58:09 | 0:58:11 | |
Who came out on top for you? | 0:58:11 | 0:58:13 | |
You both showcased you as artists in a song that | 0:58:13 | 0:58:16 | |
maybe isn't your style, usually, | 0:58:16 | 0:58:17 | |
which was great | 0:58:17 | 0:58:19 | |
and you've done Danny very proud and yourselves very proud, so well done. | 0:58:19 | 0:58:22 | |
Danny, it's time to make your decision. | 0:58:24 | 0:58:26 | |
The person I'm going to take through to the live shows with me is... | 0:58:30 | 0:58:35 | |
..Hannah. | 0:58:36 | 0:58:39 | |
Next up, it's team Jessie. | 0:58:58 | 0:58:59 | |
CHEERING AND APPLAUSE | 0:58:59 | 0:59:04 | |
BELL RINGS | 0:59:05 | 0:59:06 | |
# We're just ordinary people... # | 0:59:07 | 0:59:10 | |
At the blind auditions, we met 17-year-old Becky... | 0:59:10 | 0:59:14 | |
I get angry, scream the house down | 0:59:14 | 0:59:16 | |
then I wonder why I do it afterwards. | 0:59:16 | 0:59:18 | |
..who had nothing to strop about after joining team Jessie. | 0:59:18 | 0:59:22 | |
She's up against teen pop duo Indie and Pixie... | 0:59:24 | 0:59:27 | |
-We sing together. -Live together. -Do everything together. | 0:59:27 | 0:59:30 | |
-We're kind of like a married couple. -Kind of. | 0:59:30 | 0:59:33 | |
..who impressed all four coaches. | 0:59:33 | 0:59:35 | |
You may be wondering why I paired you together. | 0:59:38 | 0:59:40 | |
You are very strong personalities. | 0:59:40 | 0:59:43 | |
The thing I'm quite intimidated by - | 0:59:43 | 0:59:45 | |
is their stage presence going to overpower me and therefore my voice? | 0:59:45 | 0:59:49 | |
-We know each other's voices. -We have this confidence just when we walk in a room | 0:59:49 | 0:59:53 | |
that I think's quite overwhelming anyway, | 0:59:53 | 0:59:56 | |
-so that on stage against someone, hopefully... -..it will work. | 0:59:56 | 0:59:59 | |
# I wanna start a fight. # | 0:59:59 | 1:00:01 | |
Becky goes first, then both do it together at the end. | 1:00:01 | 1:00:04 | |
# Matter fact He'll be here in a minute, baby | 1:00:04 | 1:00:08 | |
# You must not know 'bout me... # | 1:00:08 | 1:00:12 | |
Why, why, why? | 1:00:12 | 1:00:14 | |
In the dividing up of the song, | 1:00:14 | 1:00:16 | |
it's like she's getting all the big bits as we're a duo. | 1:00:16 | 1:00:18 | |
They think we need the easier bits to harmonise. | 1:00:18 | 1:00:21 | |
We look like backing vocalists. | 1:00:21 | 1:00:22 | |
How are you feeling with the song? | 1:00:22 | 1:00:24 | |
-We felt a little bit like backing singers. -Why? | 1:00:24 | 1:00:27 | |
Just because we felt like we were given the safer parts of the song, | 1:00:27 | 1:00:30 | |
and we wanted to take chances as well. | 1:00:30 | 1:00:31 | |
Because you're not getting BIG moments, | 1:00:31 | 1:00:34 | |
you feel that you're not getting moments - | 1:00:34 | 1:00:37 | |
you are, it's just the way you sing them. | 1:00:37 | 1:00:40 | |
I think we were making more of a fuss about it than was necessary. | 1:00:40 | 1:00:43 | |
# I could have another you by tomorrow | 1:00:43 | 1:00:46 | |
# I won't lost a wink of sleep | 1:00:46 | 1:00:50 | |
BOTH: # Nothing, nothing... # | 1:00:50 | 1:00:52 | |
I've lost it, sorry. | 1:00:52 | 1:00:54 | |
# Baby, I won't shed a tear for you | 1:00:54 | 1:00:58 | |
# I won't lose... # | 1:00:58 | 1:01:00 | |
She kept saying, "Don't be intimidated by Becky's big voice," | 1:01:00 | 1:01:03 | |
We have big voices, we just haven't had a chance to show it. | 1:01:03 | 1:01:06 | |
# Irreplaceable. # | 1:01:06 | 1:01:09 | |
I think if there's tension, I'm happy for that to be there, | 1:01:11 | 1:01:14 | |
as long as it twisted into a great performance. | 1:01:14 | 1:01:17 | |
It needs to be put into, | 1:01:17 | 1:01:18 | |
"This is my moment, I'm going to take it, I'm going to own it." | 1:01:18 | 1:01:21 | |
I'm hoping everyone will see that this is what I love doing | 1:01:21 | 1:01:25 | |
and this is what I want to do for the rest of my life | 1:01:25 | 1:01:28 | |
and Jessie J can make that happen for me. | 1:01:28 | 1:01:31 | |
Indie and Pixie need to make sure their nerves don't make them sing out of tune. | 1:01:31 | 1:01:35 | |
As soon as they don't listen to each other, it's horrible. | 1:01:35 | 1:01:38 | |
We have a lot to prove to Jessie. | 1:01:38 | 1:01:40 | |
-We want her to remember why she chose us. -Exactly. | 1:01:40 | 1:01:43 | |
-We're not letting anyone stand in our way. -No. | 1:01:43 | 1:01:45 | |
CHEERING AND APPLAUSE | 1:01:47 | 1:01:49 | |
Here come three artists taking their next steps to stardom, | 1:01:49 | 1:01:53 | |
but only one will win. | 1:01:53 | 1:01:54 | |
First into the ring, the duo that can only mean double trouble, | 1:01:54 | 1:01:57 | |
it's Indie and Pixie! | 1:01:57 | 1:02:00 | |
CHEERING | 1:02:00 | 1:02:01 | |
Come on! | 1:02:01 | 1:02:03 | |
Versus one very determined 18-year-old, Becky Hill! | 1:02:03 | 1:02:07 | |
CHEERING AND APPLAUSE | 1:02:07 | 1:02:10 | |
Let the battle begin. | 1:02:18 | 1:02:20 | |
ALL: # To the left, to the left | 1:02:23 | 1:02:26 | |
# Oh-ho-oh | 1:02:26 | 1:02:29 | |
# To the left, to the left | 1:02:29 | 1:02:32 | |
# Oh | 1:02:32 | 1:02:34 | |
# To the left, to the left | 1:02:34 | 1:02:36 | |
# Everything you own In the box to the left | 1:02:36 | 1:02:39 | |
# In the closet that's my stuff | 1:02:39 | 1:02:40 | |
# Yeah, if I bought it, baby | 1:02:40 | 1:02:43 | |
# Please don't touch | 1:02:43 | 1:02:44 | |
# And keep talkin' that much that's fine | 1:02:44 | 1:02:47 | |
# But could you walk and talk # At the same time? | 1:02:47 | 1:02:49 | |
# It's my name that's on that Jag | 1:02:49 | 1:02:52 | |
# So move your bags | 1:02:52 | 1:02:54 | |
# Let me call you a cab | 1:02:54 | 1:02:55 | |
# Standin' in the front yard | 1:02:55 | 1:02:57 | |
# Tellin' me how I'm such a fool | 1:02:57 | 1:02:59 | |
# Talkin' about | 1:02:59 | 1:03:01 | |
# How I'll never ever find a man like you | 1:03:01 | 1:03:04 | |
# You got me twisted | 1:03:04 | 1:03:06 | |
# You must not know 'bout me | 1:03:06 | 1:03:08 | |
# You must not know 'bout me | 1:03:08 | 1:03:10 | |
# I could have another you In a minute | 1:03:10 | 1:03:13 | |
# Matter of fact he'll be here in a minute, baby | 1:03:13 | 1:03:17 | |
# You must not know about me | 1:03:17 | 1:03:19 | |
# You must not know about me | 1:03:19 | 1:03:22 | |
# I can have another you by tomorrow | 1:03:22 | 1:03:24 | |
# Don't you ever for a second | 1:03:24 | 1:03:27 | |
# Get to thinking | 1:03:27 | 1:03:30 | |
# You're irreplaceable | 1:03:30 | 1:03:34 | |
# So since I'm not your everything | 1:03:34 | 1:03:37 | |
# How about I'll be nothing | 1:03:37 | 1:03:40 | |
# Nothing at all to you | 1:03:40 | 1:03:43 | |
# Baby, I won't shed a tear for you | 1:03:43 | 1:03:46 | |
# No, I won't lose a wink of sleep | 1:03:46 | 1:03:50 | |
# Cos the truth of the matter is | 1:03:50 | 1:03:52 | |
# Replacing you is so easy | 1:03:52 | 1:03:56 | |
ALL: # To the left, to the left | 1:03:56 | 1:03:58 | |
# Everything you own In the box to the left | 1:03:58 | 1:04:01 | |
# To the left, to the left | 1:04:01 | 1:04:03 | |
# Don't you ever for a second | 1:04:03 | 1:04:05 | |
# Get to thinking | 1:04:05 | 1:04:07 | |
# You're irreplaceable | 1:04:07 | 1:04:09 | |
# You must not know 'bout me | 1:04:09 | 1:04:11 | |
# You must not know 'bout me | 1:04:11 | 1:04:13 | |
# I can have another you in a minute | 1:04:13 | 1:04:16 | |
# Matter of fact | 1:04:16 | 1:04:17 | |
# He'll be here in a minute | 1:04:17 | 1:04:19 | |
# You can pack all your bags | 1:04:19 | 1:04:21 | |
# We're finished | 1:04:21 | 1:04:22 | |
# You made your bed now lay in it | 1:04:22 | 1:04:24 | |
# I can have another you by tomorrow | 1:04:24 | 1:04:27 | |
ALL: # Don't you ever for a second | 1:04:27 | 1:04:30 | |
# Get to thinking | 1:04:30 | 1:04:32 | |
# You're irreplaceable. # | 1:04:32 | 1:04:37 | |
CHEERING AND APPLAUSE | 1:04:37 | 1:04:40 | |
One more time for Indie, Pixie and Becky, come on! | 1:04:44 | 1:04:48 | |
CHEERING | 1:04:48 | 1:04:50 | |
Jess, it's probably time you start making that big decision. | 1:04:51 | 1:04:54 | |
We'll come to you shortly. But first, Danny. | 1:04:54 | 1:04:57 | |
I was looking for some individuality, | 1:04:57 | 1:04:58 | |
I know you guys are a pair, | 1:04:58 | 1:05:00 | |
but I was waiting to hear some more individuality | 1:05:00 | 1:05:03 | |
between the two of you. | 1:05:03 | 1:05:04 | |
Becky, you went up against the two of them like they were a brick wall - | 1:05:04 | 1:05:07 | |
you went up and you smashed it, | 1:05:07 | 1:05:09 | |
I'm not joking, you actually smashed it. | 1:05:09 | 1:05:11 | |
CHEERING AND APPLAUSE | 1:05:11 | 1:05:13 | |
If it was my choice, I would go for you. | 1:05:14 | 1:05:17 | |
Will, how did you find it? | 1:05:17 | 1:05:20 | |
Indie and Pixie, you guys came a thousand catrillion percent | 1:05:20 | 1:05:25 | |
-better than what you did at that blind audition. -Thank you. | 1:05:25 | 1:05:28 | |
You're going up against, you know, Becky, the vampire slayer. | 1:05:28 | 1:05:31 | |
LAUGHTER | 1:05:31 | 1:05:33 | |
You guys, I would pick you guys because your improvement is amazing. | 1:05:33 | 1:05:37 | |
CHEERING AND APPLAUSE | 1:05:37 | 1:05:40 | |
OK. So, Jessie, how are you feeling about what you just saw? | 1:05:40 | 1:05:43 | |
I was properly tough on you guys, seriously tough. | 1:05:43 | 1:05:47 | |
But, Becky, you do need to step into that voice of yours | 1:05:47 | 1:05:50 | |
because it has so much power and passion. | 1:05:50 | 1:05:53 | |
Girls, you have improved so, so much, I'm so proud of you. | 1:05:53 | 1:05:58 | |
CHEERING AND APPLAUSE | 1:05:58 | 1:06:00 | |
Jessie, it's time to make your decision. | 1:06:00 | 1:06:02 | |
Who is the winner of this battle? | 1:06:04 | 1:06:06 | |
AUDIENCE SHOUTS | 1:06:06 | 1:06:09 | |
OK. Um... | 1:06:14 | 1:06:17 | |
The person I'm going to be taking through to the live rounds... | 1:06:19 | 1:06:23 | |
..is Becky. | 1:06:26 | 1:06:27 | |
CHEERING AND APPLAUSE | 1:06:27 | 1:06:29 | |
Congratulations once again to Becky. Well done. | 1:06:31 | 1:06:34 | |
-BECKY: -Thank you so much. | 1:06:41 | 1:06:42 | |
Amazing. | 1:06:42 | 1:06:44 | |
Girls, all of the coaches have said it - you have come a long way since the blind auditions. | 1:06:48 | 1:06:52 | |
How have you found the process of working with Jessie? | 1:06:52 | 1:06:55 | |
Everything that comes out of your mouth we can learn from. | 1:06:55 | 1:06:57 | |
This has been an amazing experience, and we're really grateful. | 1:06:57 | 1:07:01 | |
CHEERING AND APPLAUSE | 1:07:01 | 1:07:02 | |
-What happens next for the girls now? -They decide. | 1:07:02 | 1:07:05 | |
You have your journey now, step into it and ride it so fast and enjoy it. | 1:07:05 | 1:07:10 | |
And I want you to be my stylists! | 1:07:10 | 1:07:13 | |
-They look amazing! -Ladies and gentlemen, one more time for Indie and Pixie, come on! | 1:07:13 | 1:07:17 | |
CHEERING AND APPLAUSE | 1:07:17 | 1:07:21 | |
CHEERS AND SHOUTS | 1:07:23 | 1:07:26 | |
Going through to the live show! | 1:07:27 | 1:07:30 | |
-Thought you were going to go with the Wonder Twins. -Why? | 1:07:33 | 1:07:36 | |
Because there's not much more you can do with the other girl. | 1:07:36 | 1:07:39 | |
Oh, there is. | 1:07:39 | 1:07:40 | |
I tell you, them two girls... | 1:07:40 | 1:07:42 | |
-They're just chatterboxes? -Oh, wow. | 1:07:42 | 1:07:44 | |
HE GABBLES | 1:07:44 | 1:07:46 | |
-Like that? -Yeah. | 1:07:46 | 1:07:47 | |
CHEERING | 1:07:49 | 1:07:51 | |
Next up, it's Team Tom. | 1:07:55 | 1:07:56 | |
BELL RINGS | 1:08:01 | 1:08:03 | |
For Adam, the blind auditions were a step into the scary unknown. | 1:08:07 | 1:08:11 | |
This is not something I'd normally do and I have a fear of failure, | 1:08:11 | 1:08:15 | |
so I'm so glad I've come out here today. | 1:08:15 | 1:08:17 | |
CHEERING AND APPLAUSE | 1:08:17 | 1:08:19 | |
# And I could go write you a love long... # | 1:08:19 | 1:08:22 | |
-REGGIE: -'Whilst mum Denise also sent Tom turning.' | 1:08:22 | 1:08:26 | |
Do you sing a lot? | 1:08:26 | 1:08:27 | |
Not at the moment, cos I've got a seven-month-old baby. | 1:08:27 | 1:08:30 | |
# Someone like me | 1:08:32 | 1:08:34 | |
# Oh-oh... # | 1:08:34 | 1:08:35 | |
In rehearsals, confidence issues hit Adam. | 1:08:35 | 1:08:38 | |
How nervous are you, Adam? | 1:08:38 | 1:08:40 | |
I'm pretty nervous, yeah. | 1:08:40 | 1:08:42 | |
The first thing you have to do is believe in yourself | 1:08:42 | 1:08:45 | |
-or you won't get it across to the people. -Yes. | 1:08:45 | 1:08:47 | |
# Waging wars... # | 1:08:47 | 1:08:49 | |
'Denise feels she has a point to prove.' | 1:08:49 | 1:08:51 | |
My friends did say, "You've got a baby now, that's it obviously." | 1:08:51 | 1:08:54 | |
You've got to try and use that to sing for your baby, | 1:08:54 | 1:08:57 | |
as well as yourself. | 1:08:57 | 1:08:58 | |
You have to learn from experiences. | 1:09:00 | 1:09:03 | |
They've got this far, but who shines and who crumbles? | 1:09:03 | 1:09:06 | |
You can never tell. | 1:09:06 | 1:09:07 | |
CHEERING AND APPLAUSE | 1:09:07 | 1:09:10 | |
# I've been roaming around | 1:09:17 | 1:09:19 | |
# Always looking down at all I see | 1:09:19 | 1:09:23 | |
# Painted faces Fill the places I can't reach | 1:09:24 | 1:09:30 | |
# You know that I could use somebody | 1:09:30 | 1:09:37 | |
# Someone like me | 1:09:37 | 1:09:39 | |
# Oh-oh, oh-oh-oh | 1:09:39 | 1:09:43 | |
# Someone like me | 1:09:45 | 1:09:47 | |
# Oh-oh, oh-oh-oh | 1:09:47 | 1:09:51 | |
-# Someone like me, somebody -Oh, yeah | 1:09:51 | 1:09:58 | |
# Somebody | 1:09:58 | 1:10:02 | |
# Yeah, yeah, yeah | 1:10:02 | 1:10:04 | |
-BOTH: -# I've been roaming around | 1:10:06 | 1:10:08 | |
# Always looking down at all I see. # | 1:10:08 | 1:10:15 | |
CHEERING AND APPLAUSE | 1:10:15 | 1:10:18 | |
Well done, you two. Let's hear it one more time for Adam and Denise! | 1:10:20 | 1:10:24 | |
-OK. Danny, let's come to you first of all. -Sure. | 1:10:27 | 1:10:30 | |
Adam, I remember the nerves you had when you walked up in the audition. | 1:10:30 | 1:10:36 | |
To see what you did tonight was huge leaps and bounds, | 1:10:36 | 1:10:39 | |
you're owning it now, you know? | 1:10:39 | 1:10:42 | |
Strong vocalists. | 1:10:42 | 1:10:43 | |
You both did a great job, now comes the difficult part for me. | 1:10:43 | 1:10:49 | |
I think the person who I'll take through to the live rounds is... | 1:10:51 | 1:10:56 | |
..Adam. | 1:10:59 | 1:11:01 | |
CHEERING AND APPLAUSE | 1:11:01 | 1:11:02 | |
We have ourselves a winner. It's Adam! | 1:11:02 | 1:11:05 | |
Great. Well done. | 1:11:13 | 1:11:15 | |
Next up, it's team Will. | 1:11:21 | 1:11:24 | |
BELL RINGS | 1:11:27 | 1:11:29 | |
After a taste of fame singing on Strictly Come Dancing, | 1:11:32 | 1:11:35 | |
J Marie's spectacular blind audition | 1:11:35 | 1:11:38 | |
was a chance to take her career to the next level. | 1:11:38 | 1:11:40 | |
# Mama knows best when times get hard... # | 1:11:40 | 1:11:44 | |
I've been trying to do this for ten years, I'm 27 now. | 1:11:44 | 1:11:48 | |
I love it and I want to share my gift with everyone. | 1:11:48 | 1:11:50 | |
You are a star of an artist. | 1:11:50 | 1:11:52 | |
# You'll be my American boy... # | 1:11:55 | 1:11:59 | |
Sophie left the pubs of her small home town in Northern Ireland behind | 1:11:59 | 1:12:02 | |
for a bigger audience at her audition. | 1:12:02 | 1:12:05 | |
Whenever I do gig in pubs and clubs, | 1:12:05 | 1:12:07 | |
there's not many people there but I still do it because I love to sing. | 1:12:07 | 1:12:11 | |
She bagged her own American boy, singing the Estelle song that Will produced. | 1:12:11 | 1:12:16 | |
You didn't sing it like Estelle, which is dope. | 1:12:16 | 1:12:19 | |
J Marie is a powerhouse. | 1:12:21 | 1:12:23 | |
Sophie... | 1:12:23 | 1:12:24 | |
I want to challenger her, pit her up against somebody | 1:12:24 | 1:12:27 | |
where she feels, "It's impossible!" | 1:12:27 | 1:12:29 | |
That's what's going to bring the best out of her. | 1:12:29 | 1:12:32 | |
I'm like, "Oh, my God! She's so much better than me!" I'm scared. | 1:12:32 | 1:12:35 | |
Let's put you guys face-to-face, singing face-to-face. | 1:12:35 | 1:12:40 | |
Don't be afraid, little Sophes. | 1:12:40 | 1:12:42 | |
# Baby, you're a firework | 1:12:42 | 1:12:45 | |
# Come and show them what you're worth... # | 1:12:45 | 1:12:49 | |
I was actually really surprised at how well Sophie did it, | 1:12:49 | 1:12:51 | |
especially for 17, she's got an amazing voice. | 1:12:51 | 1:12:55 | |
I really thought J Marie had it all sowed up. | 1:12:55 | 1:12:57 | |
I felt bad by pairing them, but I don't know, | 1:12:57 | 1:13:00 | |
Sophie is, like, "Da-dada-daa!" | 1:13:00 | 1:13:03 | |
I'm blown away. So what is your driving force? | 1:13:06 | 1:13:08 | |
I just don't want to go home. The thought of it kills me. | 1:13:08 | 1:13:13 | |
Man, we've been on tour since 1998 | 1:13:13 | 1:13:16 | |
and I'm still trying to find a way to stay gone. | 1:13:16 | 1:13:19 | |
It's just hard when you're against someone | 1:13:19 | 1:13:22 | |
and can't compare yourself, cos you just start... | 1:13:22 | 1:13:25 | |
What do you mean? | 1:13:25 | 1:13:26 | |
You held your own. | 1:13:26 | 1:13:27 | |
I think J Marie realised it that that girl's not to be played with. | 1:13:27 | 1:13:31 | |
It would be gutting to be beaten by Sophie, because I want this so much. | 1:13:31 | 1:13:36 | |
To not move to the next level now will just be devastating. | 1:13:36 | 1:13:40 | |
This is going to be hard. | 1:13:40 | 1:13:42 | |
It's going to be close on the night. | 1:13:42 | 1:13:45 | |
J Marie's going to come full of energy | 1:13:45 | 1:13:47 | |
and because she has experience, she's probably going to keep in key | 1:13:47 | 1:13:51 | |
and it'll throw little Sophie off - she doesn't have the same experience | 1:13:51 | 1:13:54 | |
and will probably hit some flat notes. | 1:13:54 | 1:13:57 | |
Where I come from, it's so tiny and I just feel I don't belong there. | 1:13:57 | 1:14:01 | |
I can't afford to lose this, going home's not an option. | 1:14:01 | 1:14:05 | |
It's actually real now. | 1:14:06 | 1:14:08 | |
I've worked this hard for it, it has to happen. It has to work out. | 1:14:08 | 1:14:12 | |
There's a lot riding on this. | 1:14:12 | 1:14:13 | |
In this battle, it's amateur versus professional, | 1:14:16 | 1:14:19 | |
but only one thing matters - The Voice. | 1:14:19 | 1:14:21 | |
Hoping to stay on Will's team, | 1:14:21 | 1:14:23 | |
the Irish singer with pop dreams, Sophie Griffin... | 1:14:23 | 1:14:26 | |
CHEERING AND APPLAUSE | 1:14:26 | 1:14:29 | |
..up against the experienced backing singer with an unforgettable sound, | 1:14:35 | 1:14:38 | |
it's J Marie Cooper. | 1:14:38 | 1:14:40 | |
CHEERING AND APPLAUSE | 1:14:40 | 1:14:42 | |
Woo! Woohoo! | 1:14:45 | 1:14:46 | |
Let the battle begin. | 1:14:50 | 1:14:52 | |
# Do you ever feel | 1:14:59 | 1:15:01 | |
# Like a plastic bag | 1:15:01 | 1:15:03 | |
# Drifting through the wind | 1:15:03 | 1:15:05 | |
# Wanting to start again? | 1:15:05 | 1:15:08 | |
# Do you ever feel | 1:15:08 | 1:15:09 | |
# Feel so paper thin | 1:15:09 | 1:15:11 | |
# Like a house of cards | 1:15:11 | 1:15:13 | |
# One blow from caving in? | 1:15:13 | 1:15:15 | |
# Do you ever feel | 1:15:15 | 1:15:17 | |
# Already buried deep? | 1:15:17 | 1:15:19 | |
# Six feet under screams | 1:15:19 | 1:15:20 | |
# But no-one seems to hear a thing | 1:15:20 | 1:15:22 | |
# Do you know that there's | 1:15:22 | 1:15:24 | |
# There's still a chance for you? | 1:15:24 | 1:15:26 | |
# Cos there's a spark in you | 1:15:26 | 1:15:29 | |
# You just gotta ignite the light | 1:15:29 | 1:15:33 | |
# And let it shine | 1:15:33 | 1:15:37 | |
# Just own the night | 1:15:37 | 1:15:41 | |
# Like the Fourth Of July | 1:15:41 | 1:15:44 | |
# Cos, baby, you're a firework | 1:15:44 | 1:15:48 | |
# C-c-come on show 'em what you're worth | 1:15:48 | 1:15:52 | |
-BOTH: -# Make 'em go | 1:15:52 | 1:15:54 | |
# Oh, oh, oh! | 1:15:54 | 1:15:56 | |
# As you shoot across the sky-y-y | 1:15:56 | 1:16:01 | |
# Baby, you're a firework | 1:16:01 | 1:16:04 | |
# Come on, let your colours burst | 1:16:04 | 1:16:08 | |
# Make 'em go | 1:16:08 | 1:16:09 | |
# Oh, oh, oh! | 1:16:09 | 1:16:11 | |
# You're gonna leave 'em fallin' | 1:16:11 | 1:16:13 | |
# Down-own-own | 1:16:13 | 1:16:16 | |
# Cos, baby, you're a firework | 1:16:16 | 1:16:20 | |
# Come on, show 'em what you're worth | 1:16:20 | 1:16:23 | |
# Make 'em go | 1:16:23 | 1:16:25 | |
# Oh, oh, oh! | 1:16:25 | 1:16:27 | |
# As you shoot across the sky-y-y | 1:16:27 | 1:16:32 | |
# Baby, you're a firework | 1:16:32 | 1:16:35 | |
# Come on let your colours burst | 1:16:35 | 1:16:39 | |
# Make 'em go | 1:16:39 | 1:16:41 | |
# Oh, oh, oh! | 1:16:41 | 1:16:43 | |
# You're gonna leave 'em fallin' | 1:16:43 | 1:16:44 | |
# Down-own-own | 1:16:44 | 1:16:48 | |
# Boom, boom, boom | 1:16:48 | 1:16:50 | |
# Even brighter than the moon, moon, moon | 1:16:50 | 1:16:54 | |
# Boom, boom, boom | 1:16:56 | 1:16:58 | |
# Even brighter than the moon, moon, moon | 1:16:58 | 1:17:02 | |
# Yeah, yeah! # | 1:17:02 | 1:17:04 | |
CHEERING AND APPLAUSE | 1:17:04 | 1:17:06 | |
Yes, ladies. | 1:17:13 | 1:17:15 | |
Amazing stuff. J Marie and Sophie! | 1:17:15 | 1:17:18 | |
Well done, girls. | 1:17:18 | 1:17:21 | |
Will, this is not going to be easy for you. | 1:17:21 | 1:17:24 | |
I'll leave you for a moment to consider what you're going to do. | 1:17:24 | 1:17:26 | |
Jessie, let's come to you. | 1:17:26 | 1:17:28 | |
I mean, you recognise an incredible female vocal? | 1:17:28 | 1:17:31 | |
You know what? I know how hard that song is to sing. | 1:17:31 | 1:17:34 | |
-You are 17, right? -Yeah. | 1:17:34 | 1:17:36 | |
A baby. | 1:17:36 | 1:17:38 | |
This programme is a wonderful thing, | 1:17:39 | 1:17:40 | |
because it's showcasing so much talent and giving you guys an opportunity. | 1:17:40 | 1:17:44 | |
But if I was Will right now, purely the fact that you're 17 | 1:17:44 | 1:17:47 | |
-and you just did that, I would take you through. -Wow. | 1:17:47 | 1:17:50 | |
OK. Let's move to Tom. What did you make of that? | 1:17:50 | 1:17:54 | |
It would be very hard and I'm glad it's on Will to make the decision, | 1:17:54 | 1:18:00 | |
but I would say J, myself. | 1:18:00 | 1:18:04 | |
CHEERING AND APPLAUSE | 1:18:04 | 1:18:07 | |
Danny? | 1:18:07 | 1:18:10 | |
There's ten years in the difference, you know? | 1:18:10 | 1:18:13 | |
There really wasn't much in the talent, you know. | 1:18:13 | 1:18:15 | |
As soon as you did a lick, you did one back. | 1:18:15 | 1:18:18 | |
So, for me, I would say J Marie. Just I think you sneaked it. | 1:18:18 | 1:18:22 | |
Well, you girls have definitely separated the panel here. | 1:18:24 | 1:18:27 | |
They don't know who to choose. | 1:18:27 | 1:18:29 | |
Will, it does come down to you. Your thoughts? | 1:18:29 | 1:18:32 | |
Sophie, when you came on the stage, | 1:18:33 | 1:18:37 | |
-I forgot you were 17 and I thank you for that. -Thank you. | 1:18:37 | 1:18:41 | |
And... | 1:18:41 | 1:18:43 | |
..J Marie Cooper, super duper, you just... | 1:18:44 | 1:18:49 | |
CHEERING AND APPLAUSE | 1:18:49 | 1:18:53 | |
You know, 27. | 1:18:53 | 1:18:55 | |
That's the age I was when I met Fergie. | 1:18:56 | 1:19:00 | |
17 is the age I was when I started the Peas. | 1:19:01 | 1:19:05 | |
I mean, this is a hard... This is like a nightmare, | 1:19:05 | 1:19:09 | |
because now I have to choose which version of myself | 1:19:09 | 1:19:15 | |
to move forward with. | 1:19:15 | 1:19:16 | |
This is hard. | 1:19:16 | 1:19:18 | |
This is very hard. | 1:19:19 | 1:19:20 | |
Will, it is time to make a decision. | 1:19:20 | 1:19:22 | |
AUDIENCE SHOUTS | 1:19:26 | 1:19:29 | |
It comes down to you, Will. Who is the winner of this battle? | 1:19:32 | 1:19:37 | |
AUDIENCE SHOUTS | 1:19:44 | 1:19:46 | |
Er... | 1:19:47 | 1:19:48 | |
OK. | 1:19:54 | 1:19:56 | |
I wouldn't be here if it wasn't for... | 1:20:09 | 1:20:12 | |
..the person I was when I was 17. | 1:20:15 | 1:20:17 | |
So I'm going to go with Sophie. | 1:20:20 | 1:20:22 | |
We have ourselves a winner, it's Sophie. | 1:20:22 | 1:20:25 | |
Well done. | 1:20:26 | 1:20:28 | |
Sophie, go and get a cuddle off Will, I think he needs one too. | 1:20:32 | 1:20:35 | |
Sophie, everybody. | 1:20:36 | 1:20:38 | |
CHEERING AND APPLAUSE | 1:20:38 | 1:20:41 | |
I mean, did you imagine, J Marie, six weeks ago, | 1:20:46 | 1:20:49 | |
that you would be working with Will | 1:20:49 | 1:20:51 | |
and having all of that that goes with it? | 1:20:51 | 1:20:54 | |
I try not to imagine too far ahead cos life can shock you, | 1:20:54 | 1:20:57 | |
as it has today, | 1:20:57 | 1:20:59 | |
but, yeah, I couldn't have imagined it, | 1:20:59 | 1:21:02 | |
it was fantastic and it's been a wonderful experience. | 1:21:02 | 1:21:05 | |
You have truly been an incredible artist on the Voice. | 1:21:05 | 1:21:09 | |
Everybody give it up for J Marie! | 1:21:09 | 1:21:11 | |
CHEERING AND APPLAUSE | 1:21:11 | 1:21:14 | |
You're amazing. | 1:21:14 | 1:21:16 | |
All right, peace. | 1:21:16 | 1:21:18 | |
What do you think? | 1:21:20 | 1:21:21 | |
- He's crazy. - No, he's not. | 1:21:21 | 1:21:24 | |
-I would have gone with Sophie too. -You think so? -Yep. | 1:21:24 | 1:21:27 | |
She's going to grow. I feel like... | 1:21:27 | 1:21:30 | |
-She's as good as she's going to get? -Yep. | 1:21:32 | 1:21:34 | |
HER FAMILY CHEERS | 1:21:34 | 1:21:36 | |
CHEERING AND APPLAUSE | 1:21:42 | 1:21:46 | |
Time for the final battle from team Danny. | 1:21:47 | 1:21:49 | |
BELL RINGS | 1:21:54 | 1:21:55 | |
With only a few gigs under his belt, 23-year-old David | 1:21:58 | 1:22:00 | |
made a huge sacrifice to follow his dream | 1:22:00 | 1:22:03 | |
and sing at the blind audition. | 1:22:03 | 1:22:06 | |
# I'm not moving, yeah... # | 1:22:06 | 1:22:09 | |
-I quit my job... -You're kidding! -..just to be on here. | 1:22:09 | 1:22:12 | |
Are you kidding me?! | 1:22:12 | 1:22:14 | |
-I have to say, you have some cojones, coming out here, singing my song. -Yeah. | 1:22:14 | 1:22:18 | |
-I loved it, that's why I pushed my button. Fantastic. -Thank you. | 1:22:18 | 1:22:22 | |
Come on! | 1:22:22 | 1:22:24 | |
While for 33-year-old John James, | 1:22:24 | 1:22:27 | |
impressing Danny with his performance | 1:22:27 | 1:22:30 | |
was simply a case of following in the family business. | 1:22:30 | 1:22:32 | |
My father was in a band called the Marmalade. | 1:22:32 | 1:22:35 | |
My brother's an actor currently starring in Waterloo Road. | 1:22:35 | 1:22:38 | |
# Don't worry, be happy | 1:22:38 | 1:22:40 | |
# Just to pack up your troubles Get your old kit bag... # | 1:22:40 | 1:22:43 | |
You are the one to watch, man, you've got a great, great talent. | 1:22:43 | 1:22:47 | |
-BOTH: -# You make me feel like the one... # | 1:22:47 | 1:22:50 | |
John James is a consummate professional, 33 years old, | 1:22:50 | 1:22:53 | |
he's been about around the block while David is wet behind the ears. | 1:22:53 | 1:22:57 | |
As far as the industry goes, this may be David versus Goliath. | 1:22:57 | 1:22:59 | |
The choruses sound great together, | 1:22:59 | 1:23:02 | |
but I don't know if there's enough opportunity right now | 1:23:02 | 1:23:05 | |
to let you guys blow, you know. | 1:23:05 | 1:23:07 | |
-I was thinking myself, this bit... -The melody changes, you know? | 1:23:07 | 1:23:10 | |
-Exactly. -The first line's coming in a little bit dead. -Yes, exactly. | 1:23:10 | 1:23:15 | |
-If I can change the melody at the beginning of this... -I'm open. | 1:23:15 | 1:23:18 | |
-..that might work. -Maybe taking a few more liberties. | 1:23:18 | 1:23:22 | |
'I feel like I'm the rookie of the bunch.' | 1:23:22 | 1:23:24 | |
There is a bit of insecurity, I suppose. | 1:23:24 | 1:23:27 | |
John James has a real rasp, a gravel to his voice, | 1:23:27 | 1:23:30 | |
that comes in, your sweet tone's almost, "Oh, no," | 1:23:30 | 1:23:33 | |
-so I want to see if I can just push it a little more. -All right. | 1:23:33 | 1:23:36 | |
Cos I know you have it. DAVID LAUGHS NERVOUSLY | 1:23:36 | 1:23:39 | |
-BOTH: -# And I don't where we are going now... # | 1:23:39 | 1:23:46 | |
You hold. "Now!" Higher. | 1:23:46 | 1:23:49 | |
I've worked hard over the years and feel like I deserve my opportunity. | 1:23:49 | 1:23:53 | |
He's got so many strengths, more than I have, I know that. | 1:23:54 | 1:23:58 | |
Recognising David's nerves, Danny takes him aside for a pep talk. | 1:23:58 | 1:24:02 | |
You risked it all, literally, coming in to do this. | 1:24:02 | 1:24:05 | |
I feel like the newbie here - I'm probably the least experienced. | 1:24:05 | 1:24:08 | |
That's the thing, you don't realise how good you are. | 1:24:08 | 1:24:10 | |
All these notes are coming out of someone | 1:24:10 | 1:24:12 | |
that's kind of being a bit shy and a bit suppressed, | 1:24:12 | 1:24:15 | |
whereas you should be loud and proud, | 1:24:15 | 1:24:17 | |
you should be hanging back, not caring. | 1:24:17 | 1:24:19 | |
-OK. -DANNY LAUGHS | 1:24:19 | 1:24:21 | |
John James has the experience, but Dave is incredibly hungry | 1:24:21 | 1:24:24 | |
and it will be a fight of wills - | 1:24:24 | 1:24:26 | |
can they keep that entertainment up for the three-and-a-half minutes? | 1:24:26 | 1:24:30 | |
They've really turned this into a real battle. | 1:24:30 | 1:24:33 | |
I've been in a lot of bands, done a lot of gigs all over the world. | 1:24:33 | 1:24:36 | |
I've been so close to making it a few times but it hasn't happened, | 1:24:36 | 1:24:39 | |
but now I'm feeling on the edge of something. | 1:24:39 | 1:24:42 | |
I'm going to give it all I've got and David won't know what's hit him. | 1:24:42 | 1:24:45 | |
I quit my job to come on the Voice, I'm risking everything that I have. | 1:24:45 | 1:24:49 | |
So much riding on this thing, it's unreal. | 1:24:49 | 1:24:52 | |
CHEERING AND APPLAUSE | 1:24:52 | 1:24:54 | |
Coming up, a rock battle from Team Danny. Bring on the boys! | 1:24:54 | 1:24:57 | |
Into the ring, a man who gave up his job for the Voice, it's David Julien! | 1:24:57 | 1:25:02 | |
CHEERING AND APPLAUSE | 1:25:02 | 1:25:05 | |
Come on, David! | 1:25:05 | 1:25:06 | |
He's up against the experienced vocals of John James Newman. | 1:25:09 | 1:25:12 | |
-Woo! -Go on! | 1:25:15 | 1:25:16 | |
Let the battle begin. | 1:25:25 | 1:25:27 | |
# Thinking about thinking of you | 1:25:34 | 1:25:36 | |
# Summertime, think it was June | 1:25:37 | 1:25:39 | |
# Yeah, I think it was June | 1:25:41 | 1:25:43 | |
# Laying back, head on the grass | 1:25:47 | 1:25:50 | |
# Children grown having some laughs | 1:25:50 | 1:25:53 | |
# Yeah, having some laughs | 1:25:53 | 1:25:57 | |
# Oh-whoa | 1:25:57 | 1:25:59 | |
BOTH: # You made me feel like the one | 1:25:59 | 1:26:02 | |
# You made me feel like the one | 1:26:02 | 1:26:07 | |
# Oh | 1:26:07 | 1:26:08 | |
# The one | 1:26:08 | 1:26:10 | |
# Yeah, yeah Oh, oh | 1:26:10 | 1:26:12 | |
# You made me feel like the one | 1:26:12 | 1:26:15 | |
# You made me feel like the one | 1:26:15 | 1:26:20 | |
# Oh | 1:26:20 | 1:26:21 | |
# The one | 1:26:21 | 1:26:23 | |
# Drinking back, drinking for two | 1:26:26 | 1:26:29 | |
# And drinking with you | 1:26:29 | 1:26:33 | |
# When drinking was new, yeah, yeah | 1:26:33 | 1:26:38 | |
# Sleeping in the back of my car | 1:26:39 | 1:26:42 | |
# No, we never went far | 1:26:43 | 1:26:46 | |
# Didn't need to go far | 1:26:46 | 1:26:52 | |
# You made me feel like the one | 1:26:52 | 1:26:55 | |
# You made me feel like the one | 1:26:55 | 1:26:58 | |
# Oh | 1:26:59 | 1:27:00 | |
# The one | 1:27:00 | 1:27:02 | |
# Whoa-oh-oh | 1:27:02 | 1:27:05 | |
# You made me feel like the one | 1:27:05 | 1:27:07 | |
# You made me feel like the one | 1:27:07 | 1:27:11 | |
# Oh The one | 1:27:12 | 1:27:14 | |
# I don't know | 1:27:17 | 1:27:20 | |
# Where we are going now | 1:27:20 | 1:27:24 | |
# No, where we're going now | 1:27:24 | 1:27:30 | |
# Yes, I don't know | 1:27:30 | 1:27:32 | |
# Where we are going now | 1:27:32 | 1:27:39 | |
# Now | 1:27:39 | 1:27:42 | |
# Take a look at me now. # | 1:27:42 | 1:27:44 | |
CHEERING AND APPLAUSE | 1:27:44 | 1:27:47 | |
Woo! | 1:27:50 | 1:27:52 | |
Woo! | 1:27:55 | 1:27:57 | |
David and John James! | 1:27:59 | 1:28:02 | |
That rock thing works on the ladies! | 1:28:04 | 1:28:07 | |
LAUGHTER | 1:28:07 | 1:28:08 | |
Well done! | 1:28:08 | 1:28:10 | |
Tom, what did you think of the boys? | 1:28:10 | 1:28:13 | |
I know the Stereophonics very well. Kelly would have loved that, | 1:28:13 | 1:28:16 | |
and you didn't try to copy what he's already done to it. | 1:28:16 | 1:28:19 | |
But, you know, seeing David with the curly hair | 1:28:19 | 1:28:22 | |
reminds me of when I first came to London because I was told | 1:28:22 | 1:28:25 | |
because of The Beatles and the Stones, you know, | 1:28:25 | 1:28:28 | |
it was that time, that I wouldn't make it cos I had curly hair. | 1:28:28 | 1:28:31 | |
LAUGHTER | 1:28:31 | 1:28:33 | |
It's a strength. | 1:28:33 | 1:28:34 | |
Exactly. So I'm glad that curly hair is still alive and well. | 1:28:34 | 1:28:38 | |
-APPLAUSE -So I would have picked David. | 1:28:38 | 1:28:40 | |
Wow! | 1:28:40 | 1:28:42 | |
Will, what did you think of the boys? | 1:28:42 | 1:28:44 | |
The reason why people go to concerts is to escape | 1:28:44 | 1:28:46 | |
and they need to be taken away by the person that's singing, | 1:28:46 | 1:28:50 | |
so that person has to have some type of authority on stage | 1:28:50 | 1:28:53 | |
and I saw the lacking of that. | 1:28:53 | 1:28:56 | |
The notes were great, but when you're up against a James like that, | 1:28:56 | 1:29:00 | |
he has this, like... | 1:29:00 | 1:29:01 | |
-GRAVELLY: -..authority when he sings. It's amazing. | 1:29:01 | 1:29:05 | |
-Sounds a bit like me, that. -Yes, it's true. | 1:29:05 | 1:29:08 | |
-OK, Jessie? -I really enjoyed that, I properly just wanted to dance, | 1:29:08 | 1:29:12 | |
I almost forgot I was a coach, I was like, "Calm down, babe." | 1:29:12 | 1:29:15 | |
I got up, my bum was out, they were all looking, it was very weird. | 1:29:15 | 1:29:19 | |
LAUGHTER | 1:29:19 | 1:29:22 | |
But I enjoyed that. | 1:29:22 | 1:29:23 | |
Looking back, I didn't turn round for either of you, but you entertained my life. | 1:29:23 | 1:29:28 | |
So, Jessie, if you were their coach, who would you pick? | 1:29:28 | 1:29:32 | |
If I was your coach, I would have taken David through. | 1:29:32 | 1:29:35 | |
CHEERING AND APPLAUSE | 1:29:35 | 1:29:36 | |
OK. Wow. | 1:29:36 | 1:29:38 | |
Ultimately, Danny, this comes down to you. | 1:29:38 | 1:29:41 | |
I've enjoyed both of yous immensely. | 1:29:41 | 1:29:43 | |
Dave, I hear things in your voice that I wish I had in mine, | 1:29:43 | 1:29:48 | |
-I really do. There's a height and purity to your tone. -Me, too, Danny. | 1:29:48 | 1:29:51 | |
But, John James, you've got that signature tone, | 1:29:51 | 1:29:55 | |
you've got what I came on the show looking for. | 1:29:55 | 1:29:58 | |
HE SIGHS | 1:29:59 | 1:30:01 | |
OK, Danny, who is the winner of this battle? | 1:30:02 | 1:30:06 | |
AUDIENCE SHOUTS | 1:30:07 | 1:30:10 | |
You... | 1:30:10 | 1:30:11 | |
It's... | 1:30:11 | 1:30:13 | |
This is probably, honestly, the hardest decision I've had to make, | 1:30:14 | 1:30:18 | |
as Tom said, "in my life". | 1:30:18 | 1:30:19 | |
OK, Danny, who is the winner of this battle? | 1:30:22 | 1:30:26 | |
AUDIENCE SHOUTS | 1:30:27 | 1:30:31 | |
The person I'm going to take through to my live shows is... | 1:30:32 | 1:30:37 | |
..David. | 1:30:46 | 1:30:48 | |
We have a winner! | 1:30:48 | 1:30:50 | |
David goes through to the live shows for Team Danny. Well done. | 1:30:50 | 1:30:55 | |
John James, are you OK? | 1:31:03 | 1:31:04 | |
I feel good, I feel good, it's been a real honour to work with David, | 1:31:04 | 1:31:08 | |
he's a superb singer and to work for Danny as well. | 1:31:08 | 1:31:10 | |
Great dude, great dude. | 1:31:10 | 1:31:13 | |
You have a fantastic voice, dude, honestly, | 1:31:13 | 1:31:15 | |
I wish you the best, you're amazing. | 1:31:15 | 1:31:17 | |
-Thank you very much. -John James, everybody! | 1:31:17 | 1:31:21 | |
CHEERING AND APPLAUSE | 1:31:21 | 1:31:23 | |
The reason why I went for David over John James | 1:31:27 | 1:31:30 | |
is that I hear a magic quality that, even as good as he was there, | 1:31:30 | 1:31:33 | |
I know there's still at least another 20, 30% I can get out of him | 1:31:33 | 1:31:37 | |
and that's frightening. | 1:31:37 | 1:31:39 | |
If he's that good now, | 1:31:39 | 1:31:40 | |
imagine how good he's going to be in a few weeks. | 1:31:40 | 1:31:42 | |
CHEERING AND APPLAUSE | 1:31:49 | 1:31:51 | |
Each coach has five artists left on their team. | 1:31:51 | 1:31:54 | |
But there's no rest for the talented. | 1:31:54 | 1:31:56 | |
Next week, the live shows begin | 1:31:56 | 1:31:58 | |
and we'll be one step closer to finding the Voice. | 1:31:58 | 1:32:01 | |
-Do not miss it, good night. -Good night. | 1:32:01 | 1:32:03 | |
CHEERING AND APPLAUSE | 1:32:03 | 1:32:05 | |
Next week, you get to vote as the Voice goes live. | 1:32:05 | 1:32:09 | |
-There is nowhere to run. -There's nowhere to hide. | 1:32:09 | 1:32:12 | |
And our artists face their biggest challenge so far... | 1:32:12 | 1:32:16 | |
It's the toughest audience yet. | 1:32:16 | 1:32:18 | |
They will sing LIVE to the nation. | 1:32:18 | 1:32:21 | |
I'd be so nervous if it was me! | 1:32:21 | 1:32:23 | |
May the best man win. | 1:32:26 | 1:32:27 | |
Subtitles by Red Bee Media Ltd | 1:32:53 | 1:32:56 |