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There's a lot of people in the room, but everyone is completely silent. | 0:00:23 | 0:00:29 | |
FOOTSTEPS | 0:00:29 | 0:00:30 | |
The world is watching. | 0:00:34 | 0:00:37 | |
Here's your chance. | 0:00:37 | 0:00:39 | |
Go. | 0:00:39 | 0:00:41 | |
FOOTSTEPS | 0:00:41 | 0:00:42 | |
And I'm hearing footsteps. | 0:00:44 | 0:00:47 | |
And all they can hear in their head is... | 0:00:47 | 0:00:49 | |
HE IMITATES A HEARTBEAT | 0:00:49 | 0:00:51 | |
RHYTHMIC HEARTBEAT | 0:00:51 | 0:00:53 | |
There's this one breath that you can hear just before the singer | 0:00:53 | 0:00:57 | |
starts to sing. | 0:00:57 | 0:00:58 | |
AMPLIFIED INTAKE OF BREATH | 0:00:58 | 0:01:00 | |
-TOM JONES: -Then the music starts. | 0:01:00 | 0:01:01 | |
MUSIC: "Scream And Shout" by Will.i.am and Britney Spears | 0:01:01 | 0:01:05 | |
-REGGIE: -Tonight, our four superstar coaches return. | 0:01:05 | 0:01:08 | |
# Bring the action. # | 0:01:08 | 0:01:10 | |
I'm back for The Voice series two. | 0:01:11 | 0:01:14 | |
# If you love it like I love it... # | 0:01:14 | 0:01:15 | |
Will.i.am is not only a performer, he's a producer and writer. | 0:01:15 | 0:01:20 | |
There's nothing that he can't do. | 0:01:20 | 0:01:23 | |
"So what did you do last week, Will?" | 0:01:23 | 0:01:25 | |
"Oh, I just had a song played on Mars." | 0:01:25 | 0:01:27 | |
# Reach for the stars... # | 0:01:27 | 0:01:29 | |
He's the master of everything. | 0:01:29 | 0:01:31 | |
# Will.i.am. # | 0:01:31 | 0:01:32 | |
# J-J-J-J-Jessie J. # | 0:01:32 | 0:01:34 | |
# Like a laser... # | 0:01:34 | 0:01:35 | |
Jessie J's really talented. | 0:01:35 | 0:01:38 | |
She sings really good. | 0:01:38 | 0:01:39 | |
# Ooh, ooh-ooh, ooh. # | 0:01:39 | 0:01:41 | |
It's fantastic to have someone of her vocal prowess killing it | 0:01:41 | 0:01:43 | |
with the big ones. | 0:01:43 | 0:01:46 | |
And do such a fantastic representing her country | 0:01:46 | 0:01:49 | |
being on the Olympics. | 0:01:49 | 0:01:50 | |
Danny is an amazing songwriter. | 0:01:52 | 0:01:55 | |
He's been on tour. He's ready to rumble. | 0:01:55 | 0:01:58 | |
Danny's in love with music. | 0:01:59 | 0:02:01 | |
It's like he's on the honeymoon for music. | 0:02:01 | 0:02:03 | |
"Oh, my God, I love music so much." | 0:02:03 | 0:02:05 | |
I'm like, "Dude, seriously, you're going to make me throw up." | 0:02:05 | 0:02:08 | |
-REGGIE: -And current Voice champion... | 0:02:08 | 0:02:11 | |
Tom won last year so he's going to be sitting there high and mighty, | 0:02:12 | 0:02:16 | |
Mr King Jones. | 0:02:16 | 0:02:18 | |
After winning the first one, I'm one up. | 0:02:18 | 0:02:21 | |
# That's right... # | 0:02:21 | 0:02:23 | |
Urgh, I love Tom! | 0:02:23 | 0:02:24 | |
# You might get what you're after... # | 0:02:24 | 0:02:26 | |
He's just so good at what he does. | 0:02:26 | 0:02:29 | |
His voice is golden. | 0:02:29 | 0:02:31 | |
# Burning down the house. # | 0:02:31 | 0:02:32 | |
-REGGIE: -These four megastars don't judge, they coach, | 0:02:32 | 0:02:36 | |
and between them have over 100 years of experience to share. | 0:02:36 | 0:02:39 | |
CHEERING AND APPLAUSE | 0:02:42 | 0:02:44 | |
-TOM JONES: -We are all performers, | 0:02:44 | 0:02:46 | |
so we know what it's like to stand on a stage for the first time. | 0:02:46 | 0:02:50 | |
CHEERING AND APPLAUSE | 0:02:50 | 0:02:52 | |
JESSIE J: You have the most overwhelming rush of excitement. | 0:02:54 | 0:02:57 | |
-TOM: -Especially when you hear the roar of the crowd. | 0:02:57 | 0:02:59 | |
CHEERING | 0:02:59 | 0:03:01 | |
MUSIC BEGINS | 0:03:13 | 0:03:15 | |
# Well, it's Saturday night and I just got paid | 0:03:23 | 0:03:25 | |
# Fool about my money Don't try to save | 0:03:25 | 0:03:28 | |
# My heart says, "Go, go Have a time." | 0:03:28 | 0:03:30 | |
# Saturday night and I'm feeling fine | 0:03:30 | 0:03:33 | |
# Going to rip it up | 0:03:33 | 0:03:35 | |
# Rip, rip | 0:03:35 | 0:03:36 | |
# Going to rock it up | 0:03:36 | 0:03:37 | |
# Rock, rock | 0:03:37 | 0:03:38 | |
# Going to shake it up | 0:03:38 | 0:03:40 | |
# Shake, shake | 0:03:40 | 0:03:41 | |
# Going to break it up | 0:03:41 | 0:03:42 | |
# Break, break | 0:03:42 | 0:03:43 | |
# I'm going to rip it up | 0:03:43 | 0:03:45 | |
# At the ball tonight | 0:03:45 | 0:03:46 | |
# I got me a date and I won't be late | 0:03:49 | 0:03:51 | |
# Picked her up in my 88 | 0:03:51 | 0:03:53 | |
# I shagged on down to the union hall | 0:03:53 | 0:03:56 | |
# The joint starts jumping I'll have a ball | 0:03:56 | 0:03:58 | |
# I'm going to rip it up | 0:03:58 | 0:04:00 | |
# Rip, rip | 0:04:00 | 0:04:01 | |
# I'm going to rock it up | 0:04:01 | 0:04:03 | |
# Rock, rock | 0:04:03 | 0:04:04 | |
# Going to shake it up | 0:04:04 | 0:04:05 | |
# Shake, shake | 0:04:05 | 0:04:06 | |
# Going to break it up | 0:04:06 | 0:04:07 | |
# Break, break | 0:04:07 | 0:04:09 | |
# I'm going to rip it up | 0:04:09 | 0:04:11 | |
# At the ball tonight! Ha! # | 0:04:11 | 0:04:14 | |
CHEERING | 0:04:14 | 0:04:15 | |
MUSIC BEGINS | 0:04:17 | 0:04:18 | |
# Deep down Louisiana, close to New Orleans | 0:04:22 | 0:04:25 | |
# Way back up in the woods amongst the evergreens | 0:04:25 | 0:04:27 | |
# There stood a log cabin made of earth and wood | 0:04:27 | 0:04:30 | |
# There lived a country boy named of Johnny B Goode | 0:04:30 | 0:04:32 | |
# Never ever learned to read or write so well | 0:04:32 | 0:04:35 | |
# But he could play the guitar just like ringing a bell | 0:04:35 | 0:04:38 | |
# Go on, go | 0:04:38 | 0:04:40 | |
# Go, Johnny, go | 0:04:40 | 0:04:41 | |
# Go | 0:04:41 | 0:04:42 | |
# Go, Johnny, go | 0:04:42 | 0:04:44 | |
# Go | 0:04:44 | 0:04:45 | |
# Go, Johnny, go | 0:04:45 | 0:04:46 | |
# Go | 0:04:46 | 0:04:47 | |
# Go, Johnny, go | 0:04:47 | 0:04:49 | |
# Go | 0:04:49 | 0:04:51 | |
# Johnny B Goode, yeah, yeah | 0:04:51 | 0:04:55 | |
# Yes! # | 0:04:55 | 0:04:58 | |
# Wi-i-i-i-il-I-am.... # | 0:04:58 | 0:05:03 | |
-# You know you make me want to -Shout! | 0:05:03 | 0:05:05 | |
-# Kick my heels up and -Shout! | 0:05:05 | 0:05:07 | |
-# Throw my hands up and -Shout! | 0:05:07 | 0:05:08 | |
-# Take my drawers off and -Shout! | 0:05:08 | 0:05:10 | |
-# Come on now -Shout! | 0:05:10 | 0:05:12 | |
-# Oh, that you know I will -Shout! | 0:05:12 | 0:05:14 | |
# Come on, everybody, just scream and shout and say | 0:05:14 | 0:05:18 | |
# Hey-ay-ay-ay | 0:05:18 | 0:05:19 | |
# Hey-ay-ay-ay | 0:05:19 | 0:05:21 | |
# Hey-ay-ay-ay | 0:05:21 | 0:05:22 | |
# Hey-ay-ay-ay | 0:05:22 | 0:05:24 | |
# Hey-ay-ay-ay | 0:05:24 | 0:05:26 | |
# Hey-ay-ay-ay | 0:05:26 | 0:05:27 | |
# Hey-ay-ay-ay | 0:05:27 | 0:05:29 | |
# Hey-ay-ay-ay | 0:05:29 | 0:05:30 | |
-# A little bit softer now -Shout | 0:05:30 | 0:05:32 | |
-# A little bit softer now -Shout | 0:05:32 | 0:05:34 | |
-# A little bit softer now -Shout | 0:05:34 | 0:05:35 | |
-# A little bit louder now -Shout | 0:05:35 | 0:05:37 | |
-# A little bit louder now -Shout | 0:05:37 | 0:05:38 | |
-# A little bit crazy now -Shout | 0:05:38 | 0:05:40 | |
-# A little bit crazy now -Shout | 0:05:40 | 0:05:42 | |
-# Come on, break it down -Shout. # | 0:05:42 | 0:05:44 | |
Is everybody feeling all right? Hit me one time! | 0:05:44 | 0:05:46 | |
CHEERING | 0:05:46 | 0:05:48 | |
You feeling all right? Hit me two times. | 0:05:48 | 0:05:49 | |
Hell, yeah! | 0:05:49 | 0:05:51 | |
Yo, Tom, you do that extra "coooooo-woo"! Hit me three times. | 0:05:51 | 0:05:56 | |
-Yo, Jessie, you ready? -Yeah! -Are you ready? -Yes! | 0:05:56 | 0:05:59 | |
Well, then hit me four times! | 0:05:59 | 0:06:00 | |
NEW SONG BEGINS | 0:06:03 | 0:06:04 | |
CHEERING | 0:06:04 | 0:06:05 | |
Come on. Let's go. | 0:06:05 | 0:06:07 | |
# Going to tell Aunt Mary about Uncle John | 0:06:07 | 0:06:10 | |
# He says he has the blues but he's having lots of fun | 0:06:10 | 0:06:12 | |
# Yeah, baby | 0:06:12 | 0:06:14 | |
# Yeah! Oh, baby, hey | 0:06:14 | 0:06:18 | |
# Ooh, baby we're going have some fun tonight, yeah, yeah | 0:06:18 | 0:06:23 | |
# Well, long, tall Sally She's built to speed | 0:06:23 | 0:06:26 | |
# She got everything that Uncle John need | 0:06:26 | 0:06:28 | |
# Ooh, baby | 0:06:28 | 0:06:30 | |
# Yeah, oh, baby | 0:06:30 | 0:06:33 | |
# Baby | 0:06:33 | 0:06:35 | |
# We're going to have some fun tonight, yeah, yeah, yeah | 0:06:35 | 0:06:39 | |
# Now I saw Uncle John and long, tall Sally | 0:06:39 | 0:06:42 | |
# She saw Aunt Mary coming and he ducked back in the alley | 0:06:42 | 0:06:45 | |
# Oh, baby | 0:06:45 | 0:06:46 | |
# Yeah! Oh, baby, sing! | 0:06:46 | 0:06:49 | |
# Oh, baby, are we're going to have some fun tonight?! # | 0:06:49 | 0:06:53 | |
CHEERING | 0:06:53 | 0:06:55 | |
# We're going to have some fun tonight | 0:06:55 | 0:06:57 | |
# Some fun tonight | 0:06:57 | 0:06:59 | |
-# Have some fun tonight -Have some fun tonight | 0:06:59 | 0:07:01 | |
-# Have some fun tonight -Have some fun tonight | 0:07:01 | 0:07:04 | |
-# Everything's all right -Have some fun tonight | 0:07:04 | 0:07:06 | |
# Have some fun Have some fun tonight | 0:07:06 | 0:07:09 | |
# Have some fun One, two, three! | 0:07:09 | 0:07:12 | |
# Have some fun tonight | 0:07:12 | 0:07:14 | |
# Have some fun tonight | 0:07:14 | 0:07:15 | |
# Have some fun tonight | 0:07:15 | 0:07:16 | |
# Hey-ay-ay-ay-ay-ayyyy! | 0:07:16 | 0:07:19 | |
# Everything's all right | 0:07:19 | 0:07:22 | |
# Have some fun, have some fun | 0:07:22 | 0:07:25 | |
# A-womp-bop-a-loo-bop | 0:07:25 | 0:07:27 | |
# A-womp-bop-a-loo-bop | 0:07:27 | 0:07:28 | |
# A-womp-bop-a-loo-bop | 0:07:28 | 0:07:30 | |
# A womp-bam-boom! # | 0:07:30 | 0:07:31 | |
CHEERING | 0:07:31 | 0:07:32 | |
-So that is how they do it. -And this is how we do it. | 0:07:44 | 0:07:48 | |
The blind auditions start now. | 0:07:48 | 0:07:50 | |
-REGGIE: -Each coach wants to build the best possible team | 0:07:54 | 0:07:56 | |
of 12 singers. | 0:07:56 | 0:07:58 | |
And the search begins at the blind auditions. | 0:07:59 | 0:08:02 | |
We have our backs turned to the artist. | 0:08:02 | 0:08:03 | |
You have no preconceived idea about what that person looks like. | 0:08:03 | 0:08:07 | |
My ears are just like magnets. | 0:08:07 | 0:08:10 | |
You're listening for some magical moment to spark! | 0:08:11 | 0:08:14 | |
Ooh! | 0:08:14 | 0:08:15 | |
If a coach likes what they hear, they hit a button. | 0:08:15 | 0:08:18 | |
-REGGIE: -And that artist wins a place in their team. | 0:08:18 | 0:08:21 | |
But if more than one chair turns around... | 0:08:21 | 0:08:23 | |
The power shifts. | 0:08:23 | 0:08:24 | |
-REGGIE: -And the coaches have to convince that artist | 0:08:24 | 0:08:27 | |
to join their team. | 0:08:27 | 0:08:28 | |
Then we're in a bidding war, an old school record company bidding war. | 0:08:28 | 0:08:31 | |
Get your weapons, we're going to war. | 0:08:31 | 0:08:33 | |
SHE IMITATES GUNFIRE | 0:08:33 | 0:08:35 | |
I take this seriously. | 0:08:35 | 0:08:36 | |
I'm not safe! I'm more dangerous than them all! | 0:08:36 | 0:08:39 | |
When I say I'm going to fight, I fight. | 0:08:39 | 0:08:41 | |
Really?! | 0:08:41 | 0:08:42 | |
It's on. Come on! | 0:08:42 | 0:08:43 | |
Danny! Danny! | 0:08:43 | 0:08:44 | |
I'm not here to enjoy the competition, | 0:08:44 | 0:08:46 | |
I'm here to destroy the competition. | 0:08:46 | 0:08:48 | |
He shoots, he scores. | 0:08:48 | 0:08:50 | |
If the other three coaches are going to compete with me, good luck. | 0:08:50 | 0:08:53 | |
It's all down to you now, so which coach will you choose? | 0:08:53 | 0:08:56 | |
Come on! | 0:08:56 | 0:08:57 | |
This is so hard. | 0:08:57 | 0:08:58 | |
-REGGIE: -But if no coach turns, the artist is out of the competition. | 0:09:00 | 0:09:04 | |
I am gutted. | 0:09:04 | 0:09:06 | |
I don't know if I would've made it on The Voice, | 0:09:06 | 0:09:08 | |
because the level really is that high. | 0:09:08 | 0:09:10 | |
-REGGIE: -Each coach wants to discover the one artist who'll win it all. | 0:09:12 | 0:09:16 | |
This year, I'm not settling for anything better than winning. | 0:09:16 | 0:09:18 | |
Come here, baby. | 0:09:18 | 0:09:20 | |
A record deal with Universal Music | 0:09:20 | 0:09:22 | |
and the chance to be named The Voice. | 0:09:22 | 0:09:24 | |
Oh, my God, this is like a dream! | 0:09:24 | 0:09:26 | |
No-one in the charts right now sounds like you, | 0:09:28 | 0:09:31 | |
that's why we're doing this show. | 0:09:31 | 0:09:33 | |
It's such an incredible platform. | 0:09:33 | 0:09:35 | |
You're singing to millions of people right away. | 0:09:35 | 0:09:39 | |
And I think you got a great voice | 0:09:39 | 0:09:40 | |
and I would love to have you on my team. | 0:09:40 | 0:09:42 | |
I can't wait to fight for a singer to join my team | 0:09:43 | 0:09:46 | |
so I can fight for them. | 0:09:46 | 0:09:48 | |
The blind auditions start now. | 0:09:48 | 0:09:50 | |
-REGGIE: -So this it it. | 0:09:55 | 0:09:57 | |
Thousands applied but only the very best were chosen | 0:09:57 | 0:10:00 | |
to sing in front of our four global superstars. | 0:10:00 | 0:10:03 | |
And as the first of those arrive, nerves are starting to kick in. | 0:10:08 | 0:10:11 | |
-REGGIE: -Our coaches know nothing about these acts, | 0:10:18 | 0:10:21 | |
but here's everything you need to know about this man. | 0:10:21 | 0:10:24 | |
My name is Ash Morgan, I'm 26 and I'm a youth arts coordinator. | 0:10:24 | 0:10:29 | |
I'm from South Wales, in the Valleys, | 0:10:29 | 0:10:32 | |
and I've lived here all my life and it's where I live and work now. | 0:10:32 | 0:10:36 | |
I work predominantly with children from special schools. | 0:10:36 | 0:10:40 | |
These are the leaves for the big flowers, yeah? | 0:10:40 | 0:10:43 | |
The job can sometimes be challenging, | 0:10:43 | 0:10:45 | |
but it's really rewarding. | 0:10:45 | 0:10:48 | |
Looks like a stained glass window, doesn't it? | 0:10:48 | 0:10:50 | |
I've never had any singing lessons. | 0:10:50 | 0:10:52 | |
I sang at a karaoke evening when I was 16. | 0:10:52 | 0:10:55 | |
That was the first time, really, that I sang in public. | 0:10:55 | 0:10:58 | |
But I don't do any gigs these days. | 0:10:58 | 0:11:00 | |
I'm really focused on my art sessions with the special schools. | 0:11:00 | 0:11:03 | |
-Nice to see you. How are you feeling? -OK. Very nervous. -Are you? | 0:11:05 | 0:11:09 | |
-Yeah. -Just pretend they don't exist. -I intend on doing that. | 0:11:09 | 0:11:12 | |
Those chairs are completely empty. | 0:11:12 | 0:11:14 | |
You haven't got four of the world's biggest superstars sat in them. | 0:11:14 | 0:11:17 | |
-I'm not helping, am I? -No. -I'll shut up. | 0:11:17 | 0:11:22 | |
I think, image, if you're a singer, is really, really important, | 0:11:22 | 0:11:27 | |
but it should be secondary to the voice. | 0:11:27 | 0:11:29 | |
To be able to go out there and to be judged purely on vocal ability, | 0:11:29 | 0:11:34 | |
I tink is really liberating, actually. | 0:11:34 | 0:11:36 | |
I don't really play that often in public, so singing in front | 0:11:39 | 0:11:43 | |
of the coaches is going to be really nerve-racking. | 0:11:43 | 0:11:46 | |
-How do you reckon he's feeling? -Terrified. -Do you think? -Mm. | 0:11:51 | 0:11:55 | |
RHYTHMIC HEARTBEAT | 0:11:55 | 0:12:01 | |
# Don't ask me | 0:12:24 | 0:12:26 | |
# What you know is true | 0:12:28 | 0:12:30 | |
# Don't have to tell you | 0:12:31 | 0:12:33 | |
# I love your precious heart | 0:12:35 | 0:12:38 | |
# I, I was standing | 0:12:40 | 0:12:44 | |
# You were there | 0:12:46 | 0:12:50 | |
# Two worlds collided | 0:12:50 | 0:12:52 | |
# And they could never tear us apart | 0:12:53 | 0:12:59 | |
# Oh, we could live | 0:13:00 | 0:13:05 | |
# For a thousand years | 0:13:05 | 0:13:09 | |
# But if I hurt you | 0:13:09 | 0:13:12 | |
# I'd make wine from your tears | 0:13:12 | 0:13:16 | |
# I told you | 0:13:16 | 0:13:19 | |
# We could fly | 0:13:20 | 0:13:25 | |
# Cos we all have wings | 0:13:25 | 0:13:28 | |
# But some of us don't know why | 0:13:28 | 0:13:33 | |
# I was standing | 0:13:35 | 0:13:37 | |
# You were there | 0:13:38 | 0:13:42 | |
# Two worlds collided | 0:13:42 | 0:13:45 | |
# And they could never never, never tear us apart. # | 0:13:45 | 0:13:57 | |
CHEERING | 0:13:57 | 0:14:00 | |
Yes. | 0:14:05 | 0:14:06 | |
Hi. | 0:14:26 | 0:14:28 | |
-What is your name? -Ashley. -Ashley. -Ashley Morgan, yeah. Ash Morgan. | 0:14:28 | 0:14:32 | |
-Morgan? Where are you from? -I'm from Abercynon. -Abercynon. | 0:14:32 | 0:14:37 | |
-Abercynon. I know it well. -It knows you well as well. -Oh, really? | 0:14:37 | 0:14:43 | |
-How is it then? I haven't been there for a while. -It's lovely. | 0:14:45 | 0:14:47 | |
-We have got pavements and everything now. -Have you? | 0:14:47 | 0:14:50 | |
LAUGHTER | 0:14:50 | 0:14:54 | |
-One thing I have to ask you is what's occurring? -Oh, nothing much. | 0:14:54 | 0:14:59 | |
-Nothing is happening, really. -Well, you sing great. | 0:14:59 | 0:15:02 | |
What do you do for a living? | 0:15:02 | 0:15:05 | |
-I teach workshops for special needs children. -Oh, right. | 0:15:07 | 0:15:10 | |
CHEERING | 0:15:10 | 0:15:12 | |
I love it. Yeah, it's great. | 0:15:13 | 0:15:16 | |
Tom was saying you are a great singer. | 0:15:16 | 0:15:18 | |
I don't think you're a great singer. | 0:15:18 | 0:15:20 | |
I think you are an exceptional singer. | 0:15:20 | 0:15:21 | |
CHEERING | 0:15:21 | 0:15:23 | |
I would absolutely love you to join my team. | 0:15:25 | 0:15:27 | |
Well, Ashley, you know, you are a spectacular singer. | 0:15:32 | 0:15:36 | |
When I turned around I was even more thrilled to see you perform | 0:15:36 | 0:15:42 | |
and perform with passion and emotion. | 0:15:42 | 0:15:45 | |
And I believe you're singing for something | 0:15:45 | 0:15:48 | |
and you represent all the teachers out there, | 0:15:48 | 0:15:51 | |
all the people that care for kids and you are double talented, | 0:15:51 | 0:15:56 | |
double blessed and your heart is as big as your voice | 0:15:56 | 0:15:59 | |
and I would love to have you on my team. | 0:15:59 | 0:16:01 | |
CHEERING | 0:16:01 | 0:16:02 | |
Thank you. | 0:16:04 | 0:16:05 | |
So, here it goes. | 0:16:07 | 0:16:08 | |
I will kick myself if you don't pick me after this speech | 0:16:08 | 0:16:11 | |
so I hope it is good. | 0:16:11 | 0:16:13 | |
LAUGHTER | 0:16:13 | 0:16:14 | |
We probably... We probably... Oh, I've messed it up already. | 0:16:14 | 0:16:18 | |
We probably share the same CD collection. | 0:16:18 | 0:16:20 | |
There is a difference between singing and sangin'. | 0:16:20 | 0:16:25 | |
And you sang and the thrill that I had when I heard your voice... | 0:16:25 | 0:16:30 | |
I was the first to turn around. | 0:16:30 | 0:16:32 | |
I genuinely believe that I could really, really coach you well | 0:16:32 | 0:16:38 | |
and I'm very real so I would never have come out and just... | 0:16:38 | 0:16:42 | |
I wanted to just watch you. | 0:16:42 | 0:16:43 | |
I wanted to be front row and that was mind blowing | 0:16:43 | 0:16:46 | |
so thank you for being such an incredible... | 0:16:46 | 0:16:49 | |
CHEERING | 0:16:49 | 0:16:50 | |
You obviously came onto the show with somebody in your head. | 0:16:55 | 0:16:58 | |
You know, again, we can pitch as much as we want. | 0:16:58 | 0:17:01 | |
I'm really pleased... Really and flattered and overwhelmed | 0:17:01 | 0:17:05 | |
that you have turned round | 0:17:05 | 0:17:09 | |
but I think I'm going to... | 0:17:09 | 0:17:11 | |
I think I'm going to have to go with Jessie. | 0:17:23 | 0:17:25 | |
CHEERING | 0:17:25 | 0:17:26 | |
It's an honour. | 0:17:31 | 0:17:33 | |
Well done. | 0:17:36 | 0:17:37 | |
# Yeah, yeah, yeah, yeah, yeah | 0:17:56 | 0:17:58 | |
# Yeah, yeah, yeah, yeah, yeah. # | 0:17:58 | 0:18:00 | |
It's so ridiculous, isn't it? | 0:18:04 | 0:18:06 | |
It was an amazing experience and just so much better than anything | 0:18:06 | 0:18:09 | |
I have ever done. It was great. | 0:18:09 | 0:18:11 | |
He's brilliant. | 0:18:11 | 0:18:12 | |
-Yeah. -Go Wales. | 0:18:12 | 0:18:13 | |
-REGGIE: -And we are off as Jessie pulls no punches in winning | 0:18:13 | 0:18:16 | |
the first member of her team. | 0:18:16 | 0:18:18 | |
If these four want the very best teams, | 0:18:18 | 0:18:20 | |
they better get ready to fight for them. | 0:18:20 | 0:18:23 | |
All four of us are back. It is definitely my favourite bit. | 0:18:23 | 0:18:25 | |
The blinds, the fighting talk. | 0:18:25 | 0:18:27 | |
Do you want to go with Dan the man or the man with the than? | 0:18:27 | 0:18:29 | |
Me and Will get into some heated discussions. | 0:18:29 | 0:18:31 | |
-He asked for my help. -It's a matter of opinion. | 0:18:31 | 0:18:33 | |
I just don't think it is fair to cut someone out. | 0:18:33 | 0:18:36 | |
I am super excited about getting back into the chair. | 0:18:36 | 0:18:38 | |
I am looking forward to seeing Danny and Will go to war like last time. | 0:18:38 | 0:18:41 | |
It'll be like if Will turns, Danny is there. | 0:18:41 | 0:18:44 | |
DANNY: I know Will more and a lot better now | 0:18:44 | 0:18:46 | |
so I know I can push his buttons, pardon the pun. | 0:18:46 | 0:18:48 | |
Danny does the, "Ooh, ooh," thing. | 0:18:48 | 0:18:50 | |
Ooh, ooh, ooh! | 0:18:50 | 0:18:51 | |
I hope he doesn't this year. | 0:18:51 | 0:18:53 | |
You'll get me standing up in the chair, getting everybody riled up. | 0:18:53 | 0:18:55 | |
Tom's got a few names to drop, I'm sure. | 0:18:55 | 0:18:57 | |
I know Chris Isaak. Uh-oh, there I go again. | 0:18:57 | 0:19:00 | |
I said to Elvis, I said, "Look." | 0:19:00 | 0:19:01 | |
LAUGHTER | 0:19:01 | 0:19:03 | |
We are The Voice series two. | 0:19:03 | 0:19:04 | |
Series two, are you ready? | 0:19:04 | 0:19:06 | |
Yeah! | 0:19:06 | 0:19:08 | |
Bring it on. | 0:19:08 | 0:19:10 | |
Your age, experience or lack of it doesn't matter. | 0:19:12 | 0:19:16 | |
On this show, only your voice counts. | 0:19:16 | 0:19:19 | |
Which is good news for 22-year-old Danny County from London. | 0:19:19 | 0:19:23 | |
I have always sung. Maybe quietly to myself in my room. | 0:19:23 | 0:19:28 | |
I would never have thought of it as proper singing. | 0:19:28 | 0:19:31 | |
I was more just singing along to the radio. | 0:19:31 | 0:19:36 | |
I did my first gig this year. It was an open mic night. | 0:19:36 | 0:19:40 | |
I was panicking. I couldn't really breath and I was so, so nervous. | 0:19:40 | 0:19:45 | |
When I audition today it will be my third time | 0:19:50 | 0:19:53 | |
I have ever sung in public so I am a little bit terrified. | 0:19:53 | 0:19:57 | |
I feel quite like I must be the least experienced person here. | 0:20:01 | 0:20:07 | |
# It was so easy that night | 0:20:17 | 0:20:21 | |
# Should have been strong but I lied | 0:20:21 | 0:20:25 | |
# Nobody gets me like you do | 0:20:25 | 0:20:30 | |
# Should have kept hold of you then | 0:20:33 | 0:20:36 | |
# How could I know what you meant? | 0:20:36 | 0:20:40 | |
# Give me tonight and I'll show you | 0:20:40 | 0:20:45 | |
# I know everything changes | 0:20:48 | 0:20:52 | |
# Like the cities and faces | 0:20:52 | 0:20:55 | |
# But I know how I feel about you | 0:20:55 | 0:21:01 | |
# There's a mountain between us | 0:21:03 | 0:21:07 | |
# But there's one thing I'm sure of | 0:21:07 | 0:21:11 | |
# Is that I know how I feel about you | 0:21:11 | 0:21:16 | |
# Can we bring yesterday back around | 0:21:18 | 0:21:23 | |
# Cos I know how I feel about you now | 0:21:26 | 0:21:31 | |
# I was young, I was dumb I let you down | 0:21:34 | 0:21:39 | |
# But I know how I feel | 0:21:42 | 0:21:47 | |
# About you now. # | 0:21:47 | 0:21:51 | |
CHEERING | 0:21:51 | 0:21:52 | |
Wow. | 0:22:10 | 0:22:11 | |
-Hi. -Hi. | 0:22:15 | 0:22:16 | |
-Thank you so much for turning. -What is your name? | 0:22:16 | 0:22:19 | |
-My name is Danny County. -Danny. And how old are you? | 0:22:19 | 0:22:21 | |
I'm 22. | 0:22:21 | 0:22:22 | |
Yeah. | 0:22:22 | 0:22:23 | |
I just want to find out a bit of background. | 0:22:23 | 0:22:25 | |
You have got a very, very, very unique tone. | 0:22:25 | 0:22:27 | |
This is like the third time I've ever sung publicly. | 0:22:27 | 0:22:31 | |
CHEERING | 0:22:31 | 0:22:34 | |
Wow. | 0:22:34 | 0:22:36 | |
Well, you didn't throw yourself in the deep end, then. | 0:22:36 | 0:22:39 | |
-A little bit. -I'll do a little gig here and then I'll do The Voice. | 0:22:39 | 0:22:42 | |
LAUGHTER | 0:22:42 | 0:22:44 | |
The reason I turned around his cos I'm looking for a unique voice. | 0:22:44 | 0:22:47 | |
-There were slight pitching problems. -Yeah, definitely. | 0:22:47 | 0:22:49 | |
But on a voice like that, that has, you know, tone for miles, | 0:22:49 | 0:22:52 | |
has a lot of character, I know exactly what to do. | 0:22:52 | 0:22:55 | |
I absolutely know, we'll get on like a house on fire. | 0:22:55 | 0:22:58 | |
I really appreciate this. You're really good. | 0:22:58 | 0:23:00 | |
CHEERING | 0:23:00 | 0:23:02 | |
I turned around cos you are a challenge for me. | 0:23:02 | 0:23:04 | |
I've never, ever worked with someone with a voice like yours, | 0:23:04 | 0:23:06 | |
which I think is the best part about it | 0:23:06 | 0:23:09 | |
and this being the third time you've sung in public... | 0:23:09 | 0:23:12 | |
Jeez. | 0:23:12 | 0:23:13 | |
LAUGHTER | 0:23:13 | 0:23:14 | |
-Is this the bit where I choose? -Yeah. -OK. | 0:23:18 | 0:23:22 | |
Sorry, I'm just, like, proper... | 0:23:24 | 0:23:26 | |
No, take your time. | 0:23:26 | 0:23:28 | |
AUDIENCE MEMBER: Take Danny! | 0:23:31 | 0:23:32 | |
Ssh! Security! | 0:23:32 | 0:23:36 | |
Danny, Danny. | 0:23:36 | 0:23:38 | |
Come on, take a risk. It'll make you comfortable. | 0:23:38 | 0:23:41 | |
First time on the show. I'm doing it. | 0:23:43 | 0:23:46 | |
Can I ask a question, please? | 0:23:46 | 0:23:48 | |
Can I ask a question? | 0:23:48 | 0:23:49 | |
-Is it hard for you to make your decision? -Yeah. -Do you mind... | 0:23:51 | 0:23:55 | |
-Go on, yeah, talk to him if you want. -I don't want to intervene. | 0:23:55 | 0:23:59 | |
LAUGHTER | 0:23:59 | 0:24:01 | |
Transparency is clarity so I'm going to be transparent. | 0:24:01 | 0:24:05 | |
He's now going to say, "Pick Danny," | 0:24:05 | 0:24:07 | |
cos he never wants people to pick me. | 0:24:07 | 0:24:08 | |
-Just so you know. -No, I'm not going to do that. You can't say that. | 0:24:08 | 0:24:12 | |
-Danny is the man for you. -No, no. Jessie, she is more than a singer. | 0:24:12 | 0:24:16 | |
And it's true because she is more... # More than a singer. # | 0:24:16 | 0:24:19 | |
She's more than a singer. And Danny is more than a singer too. | 0:24:19 | 0:24:23 | |
He writes, he produces. So, I don't | 0:24:23 | 0:24:25 | |
-mean to make it more confusing. -You're meant to be making it easier. | 0:24:25 | 0:24:28 | |
-TOM: -You're making it more confusing there. | 0:24:28 | 0:24:29 | |
But I'm just being honest. That dude is a good choice in my eyes. | 0:24:29 | 0:24:34 | |
Thank you very much. | 0:24:34 | 0:24:36 | |
APPLAUSE | 0:24:36 | 0:24:37 | |
OK, so the last two months I have been in LA, writing my album. | 0:24:39 | 0:24:43 | |
No, I can't play guitar. No, I can't produce. | 0:24:43 | 0:24:45 | |
but my phone is filled with producers' numbers. | 0:24:45 | 0:24:47 | |
Trust me, we can fill your head with all this magical stuff | 0:24:47 | 0:24:50 | |
about producers and XYZ and Boom Boom Pow but... | 0:24:50 | 0:24:54 | |
-That's my song. -That's his song. | 0:24:54 | 0:24:56 | |
But I feel like you'd be safer with Danny if I'm 100% honest. | 0:24:56 | 0:25:00 | |
Sitting down in the studio. A few beers. Lads all sitting around. | 0:25:00 | 0:25:03 | |
Do you know what I'm saying? | 0:25:03 | 0:25:05 | |
That's my bag. That's what I do all day long. They know this. | 0:25:05 | 0:25:09 | |
JESSIE: This is about The Voice UK. | 0:25:09 | 0:25:12 | |
I'm not going to fill your head with smoke cos that's not real. | 0:25:12 | 0:25:14 | |
I'll say if you come on my team I will be real with you, | 0:25:14 | 0:25:17 | |
I will teach you about the industry, | 0:25:17 | 0:25:18 | |
I will teach you how to make yourself a worldwide star in two years | 0:25:18 | 0:25:22 | |
and we won't drink alcohol because it's bad for your voice so... | 0:25:22 | 0:25:26 | |
So, Team Dan it is! | 0:25:26 | 0:25:28 | |
LAUGHTER | 0:25:28 | 0:25:29 | |
Come here, baby. Come here. | 0:25:31 | 0:25:33 | |
-Do you ever wear denim on denim? -No. | 0:25:33 | 0:25:35 | |
He does. It freaks me out. | 0:25:35 | 0:25:37 | |
LAUGHTER | 0:25:37 | 0:25:39 | |
CHANTING: Danny, Danny, Danny... | 0:25:39 | 0:25:42 | |
You know, I think... JESSIE: Come on. Come on. | 0:25:42 | 0:25:44 | |
-Yeah, let's do it. -OK. | 0:25:44 | 0:25:46 | |
-Thank you both so much for turning... -No worries. | 0:25:46 | 0:25:49 | |
..but I think I'm going to go with Team... | 0:25:49 | 0:25:53 | |
..Jessie. | 0:26:02 | 0:26:04 | |
CHEERING | 0:26:04 | 0:26:05 | |
Well done. I'm glad. Good decision. | 0:26:07 | 0:26:11 | |
Well done. She genuinely will make it about her team. I'm sorry. So sorry. | 0:26:11 | 0:26:16 | |
Yes. | 0:26:18 | 0:26:19 | |
You had two of our coaches totally battling for you. | 0:26:24 | 0:26:27 | |
You ended up going with Jessie. What made you decide to go that way? | 0:26:27 | 0:26:30 | |
She was being really real about it | 0:26:30 | 0:26:32 | |
and just everything really made sense of she wasn't saying that | 0:26:32 | 0:26:36 | |
she's better, she was saying she's going to push me to do my best. | 0:26:36 | 0:26:39 | |
I think it is unfair to influence them on their decision. | 0:26:41 | 0:26:44 | |
-He asked for my help. It's not passing out cookies. -I just... | 0:26:44 | 0:26:48 | |
It's a matter of opinion. | 0:26:48 | 0:26:49 | |
I just don't think it's fair to cut someone out. | 0:26:49 | 0:26:51 | |
The reason why I didn't go is | 0:26:51 | 0:26:52 | |
-cos I felt it would be best with Danny. -He was clearly down my road. | 0:26:52 | 0:26:57 | |
That's why he went with me. You know it. You know it. | 0:26:57 | 0:26:59 | |
It would have been a good pairing. | 0:26:59 | 0:27:01 | |
-You're making presumptions. -No. | 0:27:01 | 0:27:02 | |
It hasn't happened yet and you are already telling me it's a mistake. | 0:27:02 | 0:27:05 | |
It's my opinion. That's like, Whoa, OK, handcuff. Handcuff. Zip him. | 0:27:05 | 0:27:10 | |
I just didn't think it was very fair. | 0:27:10 | 0:27:13 | |
-It's getting heavy. -Already. -No, wait a minute. Can I say something? | 0:27:13 | 0:27:18 | |
-Yeah. -If you see a certain kind of singer, | 0:27:18 | 0:27:20 | |
you don't have to sing that way yourself. | 0:27:20 | 0:27:22 | |
The nature of the beast is that you are a fantastic singer | 0:27:22 | 0:27:25 | |
and any fantastic singer is going to want to be on your team. | 0:27:25 | 0:27:27 | |
I'm not just a great singer. | 0:27:27 | 0:27:29 | |
Everything you said there. Bang. | 0:27:29 | 0:27:30 | |
We all know about music. That's why we are sitting here. | 0:27:30 | 0:27:33 | |
I think I did the right thing cos he obviously couldn't make a decision. | 0:27:33 | 0:27:36 | |
-Well, let's just hope he made the right one. -You know. | 0:27:36 | 0:27:38 | |
You must feel that he did though. | 0:27:38 | 0:27:40 | |
Yeah, I wouldn't have pressed my button first if I didn't believe it. | 0:27:40 | 0:27:43 | |
I wouldn't think about anything... | 0:27:43 | 0:27:45 | |
I wouldn't worry about anything else. | 0:27:45 | 0:27:47 | |
Coaches, keep calm and carry on, your next singer awaits. | 0:27:52 | 0:27:56 | |
It's 24-year-old Southend girl Leanne Jarvis. | 0:27:56 | 0:28:00 | |
Performing is everything to me. | 0:28:00 | 0:28:03 | |
I haven't had professional training so I have sort of trained myself. | 0:28:03 | 0:28:06 | |
I have been in girl bands. I've done tribute acts. | 0:28:06 | 0:28:10 | |
I went to Majorca, I was there for the season. | 0:28:10 | 0:28:12 | |
I have worked with, like, producers, DJs. | 0:28:12 | 0:28:14 | |
So I've done a lot of things but I go two steps forward | 0:28:14 | 0:28:17 | |
and then it's always two steps back again. | 0:28:17 | 0:28:19 | |
So where are you at in the world of work at the moment? What do you do? | 0:28:19 | 0:28:22 | |
I am just at an office at the moment. | 0:28:22 | 0:28:24 | |
I was a landlady at a pub but it fell through | 0:28:24 | 0:28:27 | |
so now I am back at my mum's, staying with her. I share a room with her. | 0:28:27 | 0:28:30 | |
-Wow. -Yeah, it's sort of hard times at the moment. | 0:28:30 | 0:28:33 | |
It's a little bit like being a kid again. | 0:28:33 | 0:28:36 | |
She has only got a small, little flat so I am sharing a bed with her. | 0:28:36 | 0:28:39 | |
It's a little bit difficult but I'm trying to get back on my feet. | 0:28:39 | 0:28:42 | |
So, how exactly does that work then, Bruce? | 0:28:44 | 0:28:47 | |
Your girlfriend shares a bed with her mum so... | 0:28:47 | 0:28:49 | |
-Mate, it's hard. -It is hard. That's where my life is at the moment. | 0:28:49 | 0:28:53 | |
Even if just one person turns around then I'm going to be grateful. | 0:28:57 | 0:29:01 | |
Just to pick little old me from Southend-on-Sea. | 0:29:01 | 0:29:05 | |
If it doesn't work, I'm back to square one again. | 0:29:05 | 0:29:08 | |
This could be it for me. | 0:29:09 | 0:29:10 | |
# Where did you go | 0:29:39 | 0:29:42 | |
# When things went wrong, baby? | 0:29:45 | 0:29:50 | |
# Who did you run to | 0:29:51 | 0:29:56 | |
# And find a shoulder to lay your head upon? | 0:29:56 | 0:30:02 | |
# Baby, wasn't I there? | 0:30:03 | 0:30:08 | |
# Didn't I take good care of you? | 0:30:09 | 0:30:15 | |
# No, no, I can't believe you're leaving me | 0:30:17 | 0:30:22 | |
# Stay with me baby | 0:30:26 | 0:30:30 | |
# Please, stay with me baby | 0:30:32 | 0:30:37 | |
# Remember you said you're always gonna need me | 0:30:37 | 0:30:43 | |
# Remember you said you're never gonna leave me | 0:30:43 | 0:30:49 | |
# Remember, remember | 0:30:49 | 0:30:51 | |
# I'm asking you, begging you, | 0:30:51 | 0:30:55 | |
# Oh! Oh-oh-oh! | 0:30:55 | 0:31:01 | |
# Stay with me, baby. # | 0:31:01 | 0:31:10 | |
CHEERING | 0:31:10 | 0:31:14 | |
Give me a high five, girl. | 0:31:24 | 0:31:26 | |
Well done. | 0:31:27 | 0:31:29 | |
Thank you so much. | 0:31:29 | 0:31:31 | |
-Yeah. -Hiya. | 0:31:35 | 0:31:36 | |
Your name is. | 0:31:36 | 0:31:37 | |
My name is Leanne. | 0:31:37 | 0:31:39 | |
# Leanne! # | 0:31:39 | 0:31:40 | |
Leanne Jarvis. | 0:31:40 | 0:31:43 | |
How old are you? | 0:31:43 | 0:31:44 | |
I'm 24. | 0:31:44 | 0:31:45 | |
My age. OK, so, here's the thing. | 0:31:45 | 0:31:47 | |
I turned around first and all of those... | 0:31:47 | 0:31:50 | |
-But I turned around cooler. -Wait a minute. | 0:31:50 | 0:31:53 | |
LAUGHTER | 0:31:53 | 0:31:54 | |
You did turn around really, really cool. | 0:31:54 | 0:31:58 | |
If you watch back, these guys were not feeling it. | 0:31:58 | 0:32:01 | |
No, no, you're wrong. | 0:32:01 | 0:32:03 | |
No, no, no, I was like... | 0:32:03 | 0:32:04 | |
-I was feeling it. I was thinking it. -And I turned first. | 0:32:04 | 0:32:07 | |
I was feeling it and I was, like, just, like, thinking it. | 0:32:07 | 0:32:09 | |
Wait a minute. You will have your pitch in a minute. Let me speak. | 0:32:09 | 0:32:12 | |
Sorry. She was judging my thinking-ness. | 0:32:12 | 0:32:14 | |
-Uh-uh, I'm not judging you. -That's right. | 0:32:14 | 0:32:16 | |
I was just saying, in my opinion, I felt that you guys were like, | 0:32:16 | 0:32:20 | |
"Hmm," and I was the first one. | 0:32:20 | 0:32:21 | |
You should have seen me. | 0:32:21 | 0:32:22 | |
My eyes were closed, I was sitting back, you hit a high note | 0:32:22 | 0:32:25 | |
and I leapt up out of my seat. | 0:32:25 | 0:32:26 | |
And I was thinking about how I was going to turn around cos | 0:32:26 | 0:32:29 | |
-I just didn't want to turn around. -You turned around so good. | 0:32:29 | 0:32:32 | |
SHE TALKS OVER HIM: Anyway, what I'm saying is, same age, | 0:32:32 | 0:32:36 | |
I know how to help really nurture your vocal, I really do. | 0:32:36 | 0:32:41 | |
I understand how it is to be 24 and wanting to be a female cos | 0:32:41 | 0:32:44 | |
I am a female. That was a weird thing to say. | 0:32:44 | 0:32:46 | |
You're wanting to be a female. | 0:32:46 | 0:32:47 | |
The rumours are true, y'all. What? She's a boy! | 0:32:47 | 0:32:51 | |
And I would be honoured if you would work with me so, yeah. | 0:32:53 | 0:32:56 | |
Wow. | 0:32:56 | 0:32:57 | |
Over to these guys to talk for ages about people they have worked with. | 0:32:57 | 0:33:02 | |
Lyrics. He'll just talk weird stuff to completely hypnotise you. | 0:33:02 | 0:33:07 | |
-I'm not going to hypnotise you. -He will hypnotise you. | 0:33:07 | 0:33:09 | |
He'll be like, "That was dope so we gotta go and | 0:33:09 | 0:33:11 | |
"lock in some missiles. Pow, pow! | 0:33:11 | 0:33:14 | |
"Then we are going to go to Tokyo and we're going to get some, | 0:33:14 | 0:33:17 | |
"like, Mars stuff going on." | 0:33:17 | 0:33:18 | |
LAUGHTER | 0:33:18 | 0:33:20 | |
-The thing is I actually do those things. -Yeah, I know, exactly. | 0:33:20 | 0:33:24 | |
APPLAUSE | 0:33:24 | 0:33:27 | |
Tom's pitch. Tom's pitch. | 0:33:28 | 0:33:30 | |
-Hi, Tom. -On the overall thing, I really liked it and... | 0:33:30 | 0:33:35 | |
Thank you very much. | 0:33:35 | 0:33:36 | |
You are very beautiful and your voice suits the way you look. | 0:33:36 | 0:33:39 | |
SHE GIGGLES | 0:33:39 | 0:33:41 | |
Genuinely, you know, I know as a female vocalist you, | 0:33:41 | 0:33:44 | |
probably more than likely, might have had Jessie in mind. | 0:33:44 | 0:33:46 | |
I think me and you would make a great, great partnership. | 0:33:46 | 0:33:49 | |
I really do. Do you think song choice now or singing lessons now? | 0:33:49 | 0:33:52 | |
What do you think is actually going to... | 0:33:52 | 0:33:54 | |
What are you lacking in, basically? | 0:33:54 | 0:33:56 | |
-I think I just need direction, really. -That's over here. | 0:33:56 | 0:33:59 | |
LAUGHTER | 0:33:59 | 0:34:00 | |
So he can direct you right over here. | 0:34:00 | 0:34:02 | |
So there are a couple of people on my label that | 0:34:02 | 0:34:04 | |
I have gave direction to and guided in their career. | 0:34:04 | 0:34:08 | |
I'm not trying to over-pitch it but you see what I'm saying? | 0:34:08 | 0:34:12 | |
The only reason why... | 0:34:12 | 0:34:13 | |
LAUGHTER | 0:34:13 | 0:34:14 | |
That's not sleeping. | 0:34:14 | 0:34:16 | |
There are just certain things you can't compete with. | 0:34:16 | 0:34:20 | |
-We all love you. We all appreciate the way you sing. -Wow. | 0:34:23 | 0:34:29 | |
It's decision time. Who are you going to go for? | 0:34:29 | 0:34:31 | |
I'm just so overwhelmed that all four of you turned round. | 0:34:34 | 0:34:37 | |
I feel like I'm actually in a weird dream. | 0:34:37 | 0:34:39 | |
Ooh. | 0:34:44 | 0:34:45 | |
I'm going to go for Will.i.am. | 0:34:53 | 0:34:54 | |
MUSIC: "Spectrum" by Florence And The Machine | 0:34:54 | 0:34:56 | |
# Say my name | 0:34:56 | 0:34:59 | |
# And every colour illuminates | 0:34:59 | 0:35:02 | |
# We are shining | 0:35:02 | 0:35:06 | |
# And we'll never be afraid again | 0:35:06 | 0:35:10 | |
# Say my name. # | 0:35:10 | 0:35:12 | |
CHEERING | 0:35:12 | 0:35:14 | |
In my wildest dreams, I didn't think all four of them would turn around. | 0:35:20 | 0:35:24 | |
If I had put these on, maybe she would have picked me. | 0:35:26 | 0:35:29 | |
-You look dope. -I'm transparent so... -That's the secret. | 0:35:30 | 0:35:33 | |
I'm the kind of coach that you need because I was in a band, | 0:35:33 | 0:35:37 | |
you know, with my friends and... | 0:35:37 | 0:35:39 | |
Oh, my God, you look so scary in them. | 0:35:39 | 0:35:41 | |
-Do I? Do they not suit me? -No, I like it. | 0:35:41 | 0:35:43 | |
So, Leanne kicks off Team Will but is she ready to enter planet i.am? | 0:35:43 | 0:35:48 | |
# Come with me and you'll be | 0:35:48 | 0:35:51 | |
# In a world of pure imagination. # | 0:35:51 | 0:35:56 | |
Action. Let's go. | 0:35:56 | 0:35:58 | |
Will, there's never a dull moment when he is around. | 0:35:59 | 0:36:04 | |
# Da, da, da-da, da-da, da, da, dah, da. # | 0:36:04 | 0:36:06 | |
World of wonders. | 0:36:06 | 0:36:07 | |
-Does everybody still believe in Santa Claus like I do? -Yeah. | 0:36:07 | 0:36:11 | |
Robotics? I am all about robotics. | 0:36:11 | 0:36:13 | |
'What did you do last week Will?' | 0:36:13 | 0:36:14 | |
I got a song that was beamed on Mars. | 0:36:14 | 0:36:16 | |
-That's dope. -What? | 0:36:16 | 0:36:18 | |
Looks like a duck, quacks like a duck. | 0:36:19 | 0:36:22 | |
Birds, ducks. I think he has lost the plot. | 0:36:22 | 0:36:25 | |
Who said that? | 0:36:25 | 0:36:26 | |
I know hickory dickory dock. The mouse may have ran up the clock. | 0:36:26 | 0:36:29 | |
I think he has some kind of Jedi mind trick. | 0:36:29 | 0:36:31 | |
Does it make me look like a size 12? | 0:36:31 | 0:36:32 | |
You look like a size oh, my gosh, girl. | 0:36:32 | 0:36:35 | |
Sneaky Willy. | 0:36:35 | 0:36:37 | |
I don't know what it is. He's hypnotising them. | 0:36:37 | 0:36:39 | |
My eyes. Look into my eyes. | 0:36:39 | 0:36:41 | |
He just talks in rhymes and rhythms. | 0:36:43 | 0:36:45 | |
You got the highs and lows and you've got some fresh clothes. | 0:36:45 | 0:36:48 | |
Flipping it with my spatula. Spectacular. | 0:36:48 | 0:36:50 | |
Check out my vernaculars. | 0:36:50 | 0:36:52 | |
Boo yeow, how do you like one? | 0:36:52 | 0:36:53 | |
For those that don't know boo yeow, as if it was a sound effect | 0:36:53 | 0:36:56 | |
after you're hit, boo, and then yeow as you fall. | 0:36:56 | 0:36:59 | |
Will uses a lot of expressions. | 0:36:59 | 0:37:01 | |
Guy's dope. Dope. Super mega dope. Freaking fantabulous. | 0:37:01 | 0:37:04 | |
Once you know what they mean then you can get in tune with it. | 0:37:04 | 0:37:07 | |
It was fresh. | 0:37:07 | 0:37:09 | |
That was the dopest thing in the history of, like, freshness. | 0:37:09 | 0:37:13 | |
So that is mad fresh. | 0:37:13 | 0:37:14 | |
-REGGIE: -Grown men tremble at the thought of singing for our four | 0:37:17 | 0:37:20 | |
superstar coaches so how will 16-year-old Louis Coupe cope? | 0:37:20 | 0:37:25 | |
I am always called the boring kid at school cos | 0:37:25 | 0:37:28 | |
I am always in my room listening to old records and staff. | 0:37:28 | 0:37:32 | |
I was inspired by Elton John. | 0:37:32 | 0:37:34 | |
I went to see him in concert about four years ago.' | 0:37:34 | 0:37:36 | |
I came home after watching the gig and thought, | 0:37:36 | 0:37:38 | |
"Wow, I want to do that." I searched on YouTube how to play the piano. | 0:37:38 | 0:37:42 | |
I played repetitively, playing over and over and over. | 0:37:42 | 0:37:46 | |
I play about five or six instruments. The piano is my main. | 0:37:47 | 0:37:51 | |
Guitar, drums, ukelele and mandolin. | 0:37:51 | 0:37:56 | |
I'm just always, always playing. | 0:37:57 | 0:37:59 | |
To play in front of four international stars, | 0:38:01 | 0:38:04 | |
I will treasure it for life. | 0:38:04 | 0:38:06 | |
The fact the coaches can't see me | 0:38:07 | 0:38:09 | |
is the one part that is getting me nervous because a lot of my act | 0:38:09 | 0:38:11 | |
is relying on being young and playing the piano and stuff. | 0:38:11 | 0:38:14 | |
My biggest fear is that I'm going to muck up. | 0:38:18 | 0:38:21 | |
-Fingers crossed, guys. -Come on, Louis. | 0:38:25 | 0:38:27 | |
# Run and tell all of the angels | 0:38:38 | 0:38:42 | |
# This could take all night | 0:38:42 | 0:38:45 | |
# Think I need a devil to help me get things right | 0:38:45 | 0:38:49 | |
# Hook me up a new revolution | 0:38:52 | 0:38:56 | |
# Cos this one is a lie | 0:38:56 | 0:38:58 | |
# We sat around laughing and watched the last one die... # | 0:38:59 | 0:39:04 | |
Come on! | 0:39:04 | 0:39:06 | |
# I'm looking to the sky to save me | 0:39:06 | 0:39:09 | |
# Looking for a sign of life | 0:39:10 | 0:39:12 | |
# Looking for something to help me burn out bright | 0:39:13 | 0:39:17 | |
# I'm looking for a complication | 0:39:20 | 0:39:24 | |
# Looking cos I'm tired of trying | 0:39:24 | 0:39:27 | |
# Make my way back home when I learn to | 0:39:27 | 0:39:31 | |
# Fly along with me I can't quite make it alone | 0:39:31 | 0:39:38 | |
# Try and make this life my own | 0:39:38 | 0:39:42 | |
# I'm looking to the sky to save me | 0:39:42 | 0:39:44 | |
# Looking for a sign of life | 0:39:44 | 0:39:46 | |
# Looking for something to help me burn out bright | 0:39:48 | 0:39:52 | |
# I'm looking for a complication | 0:39:55 | 0:39:58 | |
# Looking cos I'm tired of trying | 0:39:58 | 0:40:02 | |
# Make my way back home and learn to fly | 0:40:02 | 0:40:06 | |
# Make my way back home | 0:40:07 | 0:40:11 | |
# When I learn to fly. # | 0:40:11 | 0:40:16 | |
CHEERING | 0:40:18 | 0:40:20 | |
Thank you, guys. | 0:40:20 | 0:40:23 | |
Thank you. | 0:40:25 | 0:40:26 | |
DANNY: Hey, mate. | 0:40:34 | 0:40:35 | |
Hello. | 0:40:35 | 0:40:36 | |
JESSIE: Hello. | 0:40:36 | 0:40:37 | |
What's your name? | 0:40:37 | 0:40:38 | |
My name is Louis Coupe. | 0:40:38 | 0:40:40 | |
I'm 16. | 0:40:40 | 0:40:41 | |
CHEERING | 0:40:41 | 0:40:43 | |
As far as singing goes, what is your background in singing? | 0:40:46 | 0:40:49 | |
Well, mainly sort of rock and roll sort of thing. Old stuff. | 0:40:49 | 0:40:53 | |
Elton John, the Beatles, Jerry Lee Lewis, | 0:40:53 | 0:40:55 | |
all that sort of style. That's sort of my style of singing. | 0:40:55 | 0:40:58 | |
OK, I just thought it was a little too proper. | 0:40:58 | 0:41:00 | |
It is when you're over-pronouncing the words a little bit. | 0:41:00 | 0:41:02 | |
It loses the sentiment, for me. | 0:41:02 | 0:41:04 | |
Your pitch was perfect. | 0:41:04 | 0:41:06 | |
When you hit their chorus, you nailed the chorus. | 0:41:06 | 0:41:08 | |
The audience here absolutely loved it. | 0:41:08 | 0:41:10 | |
APPLAUSE | 0:41:10 | 0:41:12 | |
I thought it was great | 0:41:12 | 0:41:14 | |
but I think you're just a little too comfortable on a piano. | 0:41:14 | 0:41:18 | |
I remember when I was 16. It was, like, energy, like, "Aaargh!" | 0:41:18 | 0:41:22 | |
You know? You only live through that once. Maybe put that in your music. | 0:41:22 | 0:41:27 | |
Thank you, thank you. | 0:41:27 | 0:41:29 | |
Hi. | 0:41:29 | 0:41:30 | |
Hello. | 0:41:30 | 0:41:31 | |
Do you mind if I am really bluntly honest with you? | 0:41:32 | 0:41:35 | |
Totally. That's what I want you to be. | 0:41:35 | 0:41:37 | |
OK, good. If I was in the front row of any musical, | 0:41:37 | 0:41:40 | |
I would have just stood up for that performance because it was clean, | 0:41:40 | 0:41:44 | |
it was on pitch, it was pronounced, it was projected, it was believable. | 0:41:44 | 0:41:48 | |
I honestly think that tomorrow you could audition for Les Mis, | 0:41:48 | 0:41:52 | |
you could audition for any musical and be a leading role at 16. | 0:41:52 | 0:41:55 | |
Thank you, thank you. | 0:41:55 | 0:41:56 | |
CHEERING | 0:41:56 | 0:41:57 | |
So, actually, what she is saying is you are 16, | 0:41:57 | 0:42:00 | |
there's a whole bunch of creative 16-year-old kids that you | 0:42:00 | 0:42:03 | |
-probably know - write your own musical. -Yes. -That way you own it. | 0:42:03 | 0:42:07 | |
-I'll be in it. -And you make more money | 0:42:07 | 0:42:09 | |
than selling records on a record company. | 0:42:09 | 0:42:11 | |
-Can I just say I have written a musical. -Yes! | 0:42:11 | 0:42:16 | |
That's what I'm talking about. Boom. Boom. | 0:42:16 | 0:42:21 | |
CHEERING | 0:42:21 | 0:42:25 | |
-Thank you so much for performing for us. -Yeah, it was great. | 0:42:26 | 0:42:29 | |
Thank you. Thank you. | 0:42:29 | 0:42:31 | |
Before you go, I'd like to hear a little Jerry Lee Lewis, | 0:42:31 | 0:42:33 | |
-if you could... -Do you want me to? | 0:42:33 | 0:42:36 | |
Yes. | 0:42:36 | 0:42:38 | |
CHEERING | 0:42:38 | 0:42:41 | |
You wait till you hear it. | 0:42:41 | 0:42:42 | |
# You shake my nerves and you rattle my brain... # | 0:42:44 | 0:42:47 | |
Yeah! | 0:42:47 | 0:42:48 | |
# Too much love drives a man insane | 0:42:48 | 0:42:50 | |
# You broke my will | 0:42:50 | 0:42:51 | |
# But what a thrill | 0:42:51 | 0:42:53 | |
# Goodness, gracious Great balls of fire! | 0:42:53 | 0:42:56 | |
# I laughed at love cos I thought it was funny | 0:42:56 | 0:42:59 | |
# You came along and you moved me, honey | 0:42:59 | 0:43:02 | |
# I've changed my mind | 0:43:02 | 0:43:03 | |
# This love is kind | 0:43:03 | 0:43:05 | |
# Goodness, gracious Great balls of fire! | 0:43:05 | 0:43:07 | |
# Kiss me, baby | 0:43:07 | 0:43:09 | |
# Oh, feels good | 0:43:11 | 0:43:13 | |
# Hold me, baby | 0:43:13 | 0:43:15 | |
# You got to let me love you like a lover should | 0:43:16 | 0:43:19 | |
# You're fine, so kind | 0:43:19 | 0:43:21 | |
# Got to tell this world that you're mine, mine, mine, mine | 0:43:21 | 0:43:25 | |
# I chew my nails and I twiddle my thumbs | 0:43:25 | 0:43:27 | |
# I'm getting nervous but it sure is fun | 0:43:27 | 0:43:31 | |
# Come on, baby You drive me crazy | 0:43:31 | 0:43:33 | |
# Goodness, gracious Great balls of fire! # | 0:43:33 | 0:43:37 | |
Yeah! | 0:43:37 | 0:43:38 | |
CHEERING | 0:43:38 | 0:43:39 | |
-Thank you. -Thank you. | 0:43:43 | 0:43:44 | |
That was the best moment of my life. That was amazing. | 0:43:44 | 0:43:47 | |
Wow. | 0:43:48 | 0:43:49 | |
Ooh, it's exciting. Thank you so much. Thank you. | 0:43:51 | 0:43:54 | |
And I got to dance with him. | 0:44:04 | 0:44:07 | |
Well, I enjoyed it. I enjoyed that. | 0:44:16 | 0:44:20 | |
CHEERING | 0:44:20 | 0:44:21 | |
Oh, wow. | 0:44:24 | 0:44:26 | |
Giving them Great Balls Of Fire! | 0:44:26 | 0:44:28 | |
He can go anywhere he wants to, that kid. | 0:44:29 | 0:44:32 | |
Oh, yeah, no, I'm buzzing now. That was amazing. | 0:44:32 | 0:44:35 | |
Just to play and to be asked to play again was just incredible. | 0:44:35 | 0:44:39 | |
Give him a hug, please. | 0:44:39 | 0:44:41 | |
Well done. | 0:44:43 | 0:44:44 | |
Four superstars, four chairs, one chance. | 0:44:45 | 0:44:49 | |
If Louis couldn't get them spinning, what's going to get them | 0:44:49 | 0:44:52 | |
to push their buttons? | 0:44:52 | 0:44:53 | |
What I listen for is originality. | 0:44:53 | 0:44:56 | |
I like the ones that hit me with a natural-sounding voice. | 0:44:56 | 0:45:00 | |
I'm not looking for anything in particular. | 0:45:00 | 0:45:02 | |
I'm just looking for the voice. | 0:45:02 | 0:45:04 | |
'It's just like desire, attraction, magnetic, sucks you in.' | 0:45:04 | 0:45:09 | |
I'm going to look for massive diversity in all ranges | 0:45:09 | 0:45:12 | |
'and all areas of music.' | 0:45:12 | 0:45:13 | |
I want to hear someone with potential and | 0:45:13 | 0:45:15 | |
if someone gives you goose bumps then I think you have to go for it. | 0:45:15 | 0:45:18 | |
I like somebody that could stand up anywhere | 0:45:18 | 0:45:20 | |
and when that person sings people go, "Wow." | 0:45:20 | 0:45:23 | |
If that person hits you... | 0:45:26 | 0:45:28 | |
Bang. | 0:45:28 | 0:45:30 | |
Bam. | 0:45:30 | 0:45:31 | |
Push the button, the chair goes round. | 0:45:31 | 0:45:34 | |
Next up is 26-year-old Andrea Begley from Belfast who has a unique | 0:45:35 | 0:45:39 | |
understanding of how it feels to judge others | 0:45:39 | 0:45:42 | |
purely on the way they sound. | 0:45:42 | 0:45:44 | |
When I was about five years old, | 0:45:44 | 0:45:46 | |
I found out I had a condition called glaucoma which is high-pressure | 0:45:46 | 0:45:51 | |
in my eyes and it has meant that I have now lost 90% of my vision. | 0:45:51 | 0:45:57 | |
Glaucoma is a degenerative condition so once your vision is gone, | 0:45:57 | 0:46:02 | |
Basically, that's it. There is no means of getting it back. | 0:46:02 | 0:46:05 | |
I had to adapt the way I did things. | 0:46:05 | 0:46:09 | |
For example, playing for friends are watching TV or the ordinary | 0:46:09 | 0:46:14 | |
things that you normally take for granted. | 0:46:14 | 0:46:16 | |
You're judging me completely on how I am speaking to you. | 0:46:16 | 0:46:19 | |
Am I doing all right? | 0:46:19 | 0:46:20 | |
-Am I doing OK? -You're doing great. -Good. | 0:46:20 | 0:46:24 | |
Music really became, I suppose, my get-out. | 0:46:24 | 0:46:28 | |
'It was a natural progression, really.' | 0:46:28 | 0:46:30 | |
She just loves singing. She sings round the house | 0:46:30 | 0:46:33 | |
and we are tired of listening to her singing in the house. | 0:46:33 | 0:46:36 | |
When I sing, it just takes me to somewhere else. | 0:46:36 | 0:46:40 | |
Somewhere that's totally cut off from reality that | 0:46:40 | 0:46:45 | |
I just feel a complete sense of relaxation and it's something | 0:46:45 | 0:46:50 | |
that I can just automatically do without needing any assistance or | 0:46:50 | 0:46:54 | |
having any issues so I think that is maybe why it is so important to me. | 0:46:54 | 0:46:58 | |
This is the biggest challenge I have ever put myself to. | 0:47:01 | 0:47:05 | |
I am hopeful that the blind audition will put me | 0:47:07 | 0:47:10 | |
on a more level playing field with the other artists rather than | 0:47:10 | 0:47:16 | |
sometimes feeling at a bit of a disadvantage because I can't see. | 0:47:16 | 0:47:20 | |
# Spend all your time waiting | 0:47:40 | 0:47:44 | |
# For that second chance | 0:47:45 | 0:47:48 | |
# A break that would make it OK | 0:47:49 | 0:47:55 | |
# I need some distraction | 0:47:55 | 0:47:58 | |
# Oh, beautiful | 0:47:59 | 0:48:03 | |
# Memories seep from my veins | 0:48:03 | 0:48:08 | |
# Let me be empty | 0:48:09 | 0:48:13 | |
# Oh, and weightless, yeah, maybe | 0:48:14 | 0:48:19 | |
# I'll find some peace tonight | 0:48:19 | 0:48:24 | |
# In the arms of the angel | 0:48:25 | 0:48:32 | |
# Fly away from here | 0:48:32 | 0:48:39 | |
# From this dark, cold hotel room | 0:48:39 | 0:48:47 | |
# And the endlessness that you fear | 0:48:47 | 0:48:53 | |
# You are pulled from the wreckage | 0:48:54 | 0:49:01 | |
# Of your silent reverie | 0:49:01 | 0:49:07 | |
# You're in the arms of the angel | 0:49:08 | 0:49:15 | |
# May you find | 0:49:16 | 0:49:22 | |
# Some comfort here. # | 0:49:22 | 0:49:28 | |
CHEERING | 0:49:28 | 0:49:29 | |
Wow. | 0:49:35 | 0:49:37 | |
That was incredible. What's your name? | 0:49:49 | 0:49:51 | |
Andrea Begley. | 0:49:51 | 0:49:52 | |
Where do you come from? | 0:49:52 | 0:49:54 | |
Northern Ireland. County Tyrone. | 0:49:54 | 0:49:57 | |
What's your background? | 0:49:57 | 0:49:59 | |
I'm 26. I work as a civil servant and I'm also visually impaired | 0:49:59 | 0:50:05 | |
so I'm not entirely sure whether anyone turned round or not. | 0:50:05 | 0:50:08 | |
CHEERING | 0:50:08 | 0:50:10 | |
Well, that's a relief. | 0:50:26 | 0:50:28 | |
I can assure you, not only we turned around, myself and Tom, | 0:50:28 | 0:50:32 | |
but the whole of the UK just turned around too. | 0:50:32 | 0:50:34 | |
CHEERING | 0:50:34 | 0:50:35 | |
What inspired you to come on The Voice? | 0:50:41 | 0:50:42 | |
Well, actually, just for the very basic reason that you guys | 0:50:42 | 0:50:46 | |
couldn't see me and I couldn't see you so... | 0:50:46 | 0:50:49 | |
For once... | 0:50:49 | 0:50:50 | |
For once... | 0:50:53 | 0:50:54 | |
For once I'm on a level playing field with all the other contestants | 0:50:54 | 0:50:57 | |
so that's the most important part for me. | 0:50:57 | 0:51:00 | |
CHEERING | 0:51:00 | 0:51:01 | |
Hear, hear. | 0:51:01 | 0:51:03 | |
-I'm Tom. -Hi, Tom. -Hi. | 0:51:06 | 0:51:09 | |
And I didn't know whether to push my button or not because it | 0:51:09 | 0:51:14 | |
seems like you were really something that Danny loves to listen to. | 0:51:14 | 0:51:18 | |
I know that. But the reason that I did with my button is | 0:51:18 | 0:51:21 | |
I couldn't help myself because your voice is so beautiful. | 0:51:21 | 0:51:24 | |
Yeah, it is. | 0:51:24 | 0:51:26 | |
APPLAUSE | 0:51:26 | 0:51:27 | |
And I just had to let you know that and I would love it | 0:51:30 | 0:51:33 | |
if you would be on my team and I would work my guts out for you. | 0:51:33 | 0:51:38 | |
Thank you. | 0:51:38 | 0:51:39 | |
CHEERING | 0:51:39 | 0:51:40 | |
Firstly, I want to just say I applaud how courageous you are | 0:51:42 | 0:51:46 | |
and how proud of yourself you should be right now. | 0:51:46 | 0:51:49 | |
I think that your voice is definitely something that | 0:51:55 | 0:51:58 | |
lends itself to either Team Tom on Team Danny so, girl, | 0:51:58 | 0:52:01 | |
you better pick your man. | 0:52:01 | 0:52:03 | |
Tough choice. It's a tough choice. | 0:52:03 | 0:52:05 | |
It is a tough choice. | 0:52:05 | 0:52:06 | |
I think we both feel very emotional about the way you sing. | 0:52:06 | 0:52:10 | |
It's a very emotional thing in that comes over really, really strong. | 0:52:10 | 0:52:14 | |
-I feel Danny feels the same way so. -Oh, absolutely. Absolutely. | 0:52:14 | 0:52:19 | |
My gut instinct and I can only kind of go with my ears | 0:52:19 | 0:52:21 | |
and what I feel and stuff | 0:52:21 | 0:52:22 | |
but there's one thing that doesn't lie and that is the hairs | 0:52:22 | 0:52:25 | |
on my arms and I've used it as a test throughout this whole thing. | 0:52:25 | 0:52:28 | |
I could coach you impeccably, you know. | 0:52:28 | 0:52:29 | |
Excellence is what this team is all about. | 0:52:29 | 0:52:32 | |
Your song choice is impeccable. | 0:52:32 | 0:52:34 | |
The emotion that you sang with is exactly the same emotion that | 0:52:34 | 0:52:37 | |
I have strived for myself to try and get and also to | 0:52:37 | 0:52:40 | |
look for another artists and I really, really believe you have it. | 0:52:40 | 0:52:43 | |
It would be an absolute honour for me cos I think | 0:52:43 | 0:52:45 | |
I would be in the arms of an angel, in fairness, if you're on my team. | 0:52:45 | 0:52:49 | |
Thank you. | 0:52:49 | 0:52:50 | |
CHEERING | 0:52:50 | 0:52:53 | |
And I would be really, really sick if you went over to Tom's, | 0:52:53 | 0:52:56 | |
I really would. | 0:52:56 | 0:52:58 | |
I might be going out on a limb here but, you know, you are Irish. | 0:52:58 | 0:53:01 | |
LAUGHTER | 0:53:01 | 0:53:03 | |
Oh, no, not the Irish card. | 0:53:03 | 0:53:05 | |
Well, I'm a Celt, you know, myself. | 0:53:07 | 0:53:10 | |
OK, so this is a question of me making my mind up then. | 0:53:10 | 0:53:13 | |
AUDIENCE MEMBER: Pick Tom! | 0:53:13 | 0:53:15 | |
I'm going to opt with... | 0:53:32 | 0:53:35 | |
Danny. | 0:53:47 | 0:53:48 | |
CHEERING | 0:53:48 | 0:53:50 | |
Thank you. | 0:53:51 | 0:53:52 | |
Give it up. Come on. | 0:53:58 | 0:53:59 | |
It was wonderful. Wonderful. | 0:54:05 | 0:54:07 | |
Give it up. | 0:54:11 | 0:54:13 | |
Wow. | 0:54:13 | 0:54:14 | |
-Well, that was touching, wasn't it? -It was amazing. | 0:54:19 | 0:54:22 | |
Every part of me was, like, electrified through it. | 0:54:26 | 0:54:28 | |
I knew straightaway, from the first line of that song, I was like, | 0:54:28 | 0:54:31 | |
"This is something special." Cos the mood just changed in the room. | 0:54:31 | 0:54:35 | |
That's what a megastar does. They just change it. | 0:54:35 | 0:54:37 | |
So, wow, great moment. | 0:54:37 | 0:54:39 | |
Like everyone, 29-year-old Kirsty Crawford has one shot | 0:54:43 | 0:54:47 | |
but it hasn't been her only shot. | 0:54:47 | 0:54:49 | |
I know it sounds cheesy to say that you've got a lot riding on it. | 0:54:49 | 0:54:52 | |
This girl kind of does. | 0:54:52 | 0:54:54 | |
I have been singing since I was a kid. | 0:54:57 | 0:55:00 | |
Always with dreams of being in musical theatre | 0:55:00 | 0:55:02 | |
or on MTV at some point. | 0:55:02 | 0:55:04 | |
My parents had always hit home the importance of education. | 0:55:05 | 0:55:08 | |
I got into med school and I ended up taking a gap year of singing | 0:55:08 | 0:55:15 | |
and I didn't go back. | 0:55:15 | 0:55:16 | |
I think my parents were more anxious than they were disappointed. | 0:55:18 | 0:55:21 | |
About 10 years ago, I got signed off the back of a singing competition. | 0:55:23 | 0:55:28 | |
For many reasons, it didn't quite work out. | 0:55:28 | 0:55:30 | |
So that really, really did knock my confidence because you think, | 0:55:30 | 0:55:34 | |
"Have I failed? | 0:55:34 | 0:55:35 | |
And I was very disappointed in myself | 0:55:35 | 0:55:38 | |
so for three years I stopped singing. | 0:55:38 | 0:55:40 | |
The only way I can ever see myself fulfilling everything that | 0:55:45 | 0:55:49 | |
I love is as a singer but every time I sing, | 0:55:49 | 0:55:54 | |
I get so nervous and I panic. | 0:55:54 | 0:55:57 | |
I need to prove to myself I stuck it out through | 0:55:59 | 0:56:02 | |
the dip in confidence for a reason. | 0:56:02 | 0:56:04 | |
The nerves aren't going to get the better of me. I'll be fine. | 0:56:09 | 0:56:13 | |
Come on. | 0:56:28 | 0:56:29 | |
# Does laughter still discover you? | 0:56:37 | 0:56:40 | |
# I see through all those smiles that look so right | 0:56:40 | 0:56:43 | |
# Do you still have the same friends now | 0:56:43 | 0:56:46 | |
# To smoke away your problems and your lies? | 0:56:46 | 0:56:49 | |
# How do you remember me? | 0:56:49 | 0:56:50 | |
# The one that made you laugh until you cried | 0:56:52 | 0:56:55 | |
# I hope you're feeling happy now | 0:56:55 | 0:57:00 | |
# Just because you feel good | 0:57:00 | 0:57:06 | |
# Doesn't make it right | 0:57:06 | 0:57:09 | |
# Oh, no | 0:57:09 | 0:57:11 | |
# Just because it feels good | 0:57:11 | 0:57:17 | |
# Still want you here tonight | 0:57:17 | 0:57:21 | |
# Want you | 0:57:21 | 0:57:24 | |
# I want you... # | 0:57:24 | 0:57:30 | |
Come on, Jessie. | 0:57:30 | 0:57:31 | |
Come on, Jessie. | 0:57:32 | 0:57:33 | |
# Oh, yeah | 0:57:33 | 0:57:36 | |
# Just because you feel good | 0:57:36 | 0:57:40 | |
# No-oh-oh-oh | 0:57:40 | 0:57:41 | |
# Doesn't make it right | 0:57:41 | 0:57:44 | |
# No | 0:57:44 | 0:57:47 | |
# Just because you feel so good | 0:57:47 | 0:57:53 | |
# Still want you here, here, here | 0:57:53 | 0:58:00 | |
# Here tonight. # | 0:58:00 | 0:58:06 | |
APPLAUSE | 0:58:06 | 0:58:11 | |
I bet you just want to get out there, don't you, | 0:58:18 | 0:58:20 | |
and go and give her a hug? | 0:58:20 | 0:58:22 | |
Please, don't cry. Do you need a hug? | 0:58:24 | 0:58:26 | |
APPLAUSE | 0:58:28 | 0:58:30 | |
Let it out. | 0:58:35 | 0:58:38 | |
Look at all your make-up... | 0:58:38 | 0:58:41 | |
Can I have a hand cos I'll probably fall. | 0:58:44 | 0:58:47 | |
APPLAUSE | 0:58:50 | 0:58:53 | |
-What's your name? -Kirsty. | 0:58:56 | 0:58:59 | |
-How old are you, love? -I'm 29. | 0:58:59 | 0:59:02 | |
I just completely bottled it at the top of the stairs | 0:59:02 | 0:59:05 | |
and I hadn't anticipated that. | 0:59:05 | 0:59:08 | |
I'm just going to say, from female to female, I know how it feels, | 0:59:08 | 0:59:11 | |
trust me. Nerves are a very un... | 0:59:11 | 0:59:15 | |
Underestimated thing that people don't realise are very real, | 0:59:15 | 0:59:18 | |
but I want you to know that you're a great singer. You are. | 0:59:18 | 0:59:21 | |
But I will say you need to work on your breathing cos that's | 0:59:21 | 0:59:24 | |
what's going to conquer your nerves and, trust me, | 0:59:24 | 0:59:26 | |
crying is a normal thing and I'm very happy that your voice just got | 0:59:26 | 0:59:30 | |
that opportunity and you did, as a person. So, well done. | 0:59:30 | 0:59:33 | |
APPLAUSE | 0:59:33 | 0:59:36 | |
The thing is, I bottle it all the time. | 0:59:36 | 0:59:38 | |
I've been on David Letterman, Ellen, all these shows | 0:59:38 | 0:59:41 | |
and absolutely made a hames of it but I'm still here. | 0:59:41 | 0:59:44 | |
I'm still rocking. I'm still rolling. | 0:59:44 | 0:59:45 | |
You take something like this, you take it on the chin | 0:59:45 | 0:59:48 | |
-and come back bigger, stronger and better than ever. -Yeah. | 0:59:48 | 0:59:50 | |
So, you know, take that with you. Absolutely. | 0:59:50 | 0:59:53 | |
APPLAUSE | 0:59:53 | 0:59:55 | |
Just learn from this experience. | 0:59:55 | 0:59:57 | |
But thank you so much for coming and singing. | 0:59:57 | 0:59:59 | |
APPLAUSE | 0:59:59 | 1:00:02 | |
Well done, hon. Bye. | 1:00:02 | 1:00:05 | |
It's gutting, isn't it? | 1:00:11 | 1:00:13 | |
You did so well. Please, don't cry. | 1:00:18 | 1:00:20 | |
My nerves definitely got the better of me. | 1:00:20 | 1:00:23 | |
I've never been like this before. Never. | 1:00:23 | 1:00:26 | |
It is quite a big stage though. | 1:00:26 | 1:00:27 | |
That's a shame though, isn't it? | 1:00:27 | 1:00:29 | |
I quite simply didn't deserve any turn arounds | 1:00:29 | 1:00:31 | |
cos that wasn't me on stage. That just... It just wasn't. | 1:00:31 | 1:00:35 | |
You think it's meant so much to them and sometimes the nerves is | 1:00:35 | 1:00:38 | |
the power you're trying to put in because it means so much. | 1:00:38 | 1:00:40 | |
You have to try and push through it. | 1:00:40 | 1:00:42 | |
The biggest challenge for any act is nerves. | 1:00:42 | 1:00:44 | |
And, as performers themselves, | 1:00:44 | 1:00:46 | |
that's something our coaches understand all too well. | 1:00:46 | 1:00:49 | |
JESSIE: It's hard. It's crazy tough. | 1:00:49 | 1:00:53 | |
DANNY: It's petrifying. | 1:00:53 | 1:00:55 | |
They have waited their whole life for this moment. | 1:00:55 | 1:00:58 | |
Nerves can either give you more strength, that little edge. | 1:00:58 | 1:01:03 | |
But if your nerves get the better of you, it can destroy you. | 1:01:03 | 1:01:06 | |
The advice I have for singers that are going to step up there | 1:01:09 | 1:01:13 | |
is pick a song that you really like to give the best performance | 1:01:13 | 1:01:17 | |
that you feel that you can give. | 1:01:17 | 1:01:20 | |
Take a deep breath and remember why you are there. That's all. | 1:01:20 | 1:01:26 | |
Take advantage of the fact that our backs are turned. | 1:01:26 | 1:01:29 | |
'Use that as a metaphor. Sneak up on us.' | 1:01:29 | 1:01:33 | |
-REGGIE: -But will it be easier said than done for our next act? | 1:01:33 | 1:01:36 | |
My name is Mike Ward. I'm from Salford. I'm 21 and I'm unemployed. | 1:01:39 | 1:01:43 | |
'I've got three brothers and one sister.' | 1:01:43 | 1:01:45 | |
MUSIC: "Lose Yourself" by Eminem | 1:01:45 | 1:01:46 | |
# If you had | 1:01:46 | 1:01:48 | |
# One shot | 1:01:48 | 1:01:50 | |
# One opportunity | 1:01:50 | 1:01:52 | |
# Would you capture it? # | 1:01:52 | 1:01:54 | |
'I'm probably the quietest one in the house.' | 1:01:54 | 1:01:57 | |
My little brother John, he is very confident. | 1:01:57 | 1:02:01 | |
The opposite of me, basically. | 1:02:03 | 1:02:05 | |
Life growing up in Salford, there's not a lot to do so me | 1:02:05 | 1:02:09 | |
and Mike just normally do music together in our room. | 1:02:09 | 1:02:12 | |
We'll just put a beat on and sit there and write a song. | 1:02:12 | 1:02:14 | |
-# Taking the first step is always the -hardest | 1:02:14 | 1:02:17 | |
-# Writing up your lyrics Getting -known as an artist. # | 1:02:17 | 1:02:20 | |
I've never thought about being a professional singer before | 1:02:20 | 1:02:23 | |
'until my mum told me I was good enough and to give it a go.' | 1:02:23 | 1:02:26 | |
# Tell me your problems your worries and your dreams | 1:02:26 | 1:02:29 | |
# When it comes down to it you're the beauty and the beast. # | 1:02:29 | 1:02:32 | |
You must have real faith in your son then | 1:02:32 | 1:02:34 | |
if you're the one that put him forward for this. | 1:02:34 | 1:02:37 | |
I've got every faith in him. He's amazing. | 1:02:37 | 1:02:39 | |
-Why do you think he didn't do it himself? -Cos he'd be too nervous. | 1:02:39 | 1:02:42 | |
He don't believe in himself. He doesn't think he is good enough. | 1:02:42 | 1:02:46 | |
He says, "I'm all right." That's all he says. | 1:02:46 | 1:02:48 | |
'I never would have done it by myself.' | 1:02:48 | 1:02:50 | |
That's it now, pal. Good luck. All the best. | 1:02:50 | 1:02:52 | |
'I've never really sung in front of public before. | 1:02:58 | 1:03:01 | |
'I normally keep my music to myself.' | 1:03:01 | 1:03:03 | |
'My mum believing in me has given me a lot more confidence | 1:03:07 | 1:03:10 | |
'and I just want to show her I can do it now.' | 1:03:10 | 1:03:13 | |
You know he can do this. | 1:03:21 | 1:03:23 | |
# I know you loved him | 1:03:42 | 1:03:46 | |
# A long time ago | 1:03:49 | 1:03:52 | |
# Even now in my arms | 1:03:55 | 1:03:59 | |
# You still want him, I know... # | 1:04:01 | 1:04:04 | |
I know what you mean about not expecting that voice to come out. | 1:04:04 | 1:04:07 | |
# But, darling, this time | 1:04:07 | 1:04:11 | |
# Let your memories die | 1:04:13 | 1:04:19 | |
# When you hold me tonight | 1:04:19 | 1:04:23 | |
# Don't close your eyes | 1:04:26 | 1:04:32 | |
# Don't close your eyes | 1:04:32 | 1:04:35 | |
# Let it be me | 1:04:35 | 1:04:38 | |
# Don't pretend it's him | 1:04:38 | 1:04:40 | |
# In some fantasy | 1:04:40 | 1:04:44 | |
# Darling, just once | 1:04:44 | 1:04:47 | |
# Let yesterday go | 1:04:47 | 1:04:50 | |
# Girl, you'll find more love | 1:04:50 | 1:04:52 | |
# Than you've ever known | 1:04:52 | 1:04:56 | |
# Just hold me tight | 1:04:56 | 1:04:59 | |
# When you love me tonight | 1:04:59 | 1:05:02 | |
# And don't close your eyes. # | 1:05:02 | 1:05:14 | |
CHEERING | 1:05:14 | 1:05:22 | |
How are you doing, man? | 1:05:27 | 1:05:29 | |
I can't believe this. | 1:05:29 | 1:05:30 | |
What's your name and where do you come from? | 1:05:34 | 1:05:36 | |
My name is Mike Ward, I'm from Manchester. | 1:05:36 | 1:05:37 | |
CHEERING | 1:05:37 | 1:05:39 | |
You have an incredible recording voice. | 1:05:42 | 1:05:44 | |
What type of stuff do you normally listen to? | 1:05:44 | 1:05:46 | |
Country. Country and western. Everything, really. | 1:05:46 | 1:05:49 | |
You know what? Country singers, these days, are literally... | 1:05:49 | 1:05:52 | |
They are very, very, very rare. | 1:05:52 | 1:05:53 | |
Especially in the UK. | 1:05:53 | 1:05:55 | |
Literally, the first line, that tone that came out, a lovely, | 1:05:55 | 1:05:58 | |
current country voice. Cos it's a massive, massive market. | 1:05:58 | 1:06:01 | |
One of the biggest markets in the world | 1:06:01 | 1:06:03 | |
and I know exactly how to write a song for that market. | 1:06:03 | 1:06:05 | |
CHEERING | 1:06:05 | 1:06:08 | |
You have a very wonderful gift and to turn around | 1:06:09 | 1:06:12 | |
and see a too-cool-for-school dude doing country, that is, like... | 1:06:12 | 1:06:16 | |
-That's fresh. -Look at the belt, man. | 1:06:16 | 1:06:17 | |
-I know, I see it. -Come on. -You really sounded fresh. | 1:06:17 | 1:06:20 | |
The reason why I didn't turn around is | 1:06:20 | 1:06:22 | |
because I didn't want it to be confusing again. | 1:06:22 | 1:06:24 | |
So you have three great choices and I didn't want to confuse it | 1:06:24 | 1:06:28 | |
cos, you know, Danny is a good choice. | 1:06:28 | 1:06:31 | |
A great choice. The best choice. | 1:06:31 | 1:06:34 | |
You have three people to pick from. Not just Danny, so... | 1:06:34 | 1:06:38 | |
I was like, pow. First one to turn. These lot were, late, man. | 1:06:38 | 1:06:42 | |
Three completely different coaches but I feel like, I don't know, | 1:06:42 | 1:06:46 | |
I just feel like I'd be the perfect coach for you just to be able to | 1:06:46 | 1:06:49 | |
team the country-ness that you have... | 1:06:49 | 1:06:51 | |
I know that you can probably sing anything. Yeah, I got you. | 1:06:51 | 1:06:55 | |
-Pick me. -All right? -Yes. | 1:06:57 | 1:06:59 | |
I wanted to hear the whole thing, you know, from start to | 1:06:59 | 1:07:02 | |
finish before I pressed the button because you never know. | 1:07:02 | 1:07:05 | |
Some people are strong starting off and they don't get any stronger, | 1:07:05 | 1:07:08 | |
but you did. To use Will's expression, it was fresh. | 1:07:08 | 1:07:13 | |
Because, you're the first country singer we have had... | 1:07:13 | 1:07:17 | |
That was the dopest thing in the history of, like, freshness! | 1:07:17 | 1:07:20 | |
From Tom Jones! | 1:07:20 | 1:07:22 | |
But, you know, I feel I know what I'm talking about | 1:07:22 | 1:07:25 | |
because I've had experience in this area of music. | 1:07:25 | 1:07:31 | |
I feel I'm the one for you. | 1:07:32 | 1:07:34 | |
JESSIE J: Right now, it's hard work time. | 1:07:34 | 1:07:36 | |
-IN MOCK DRAMATIC VOICE: -You have three choices! | 1:07:36 | 1:07:39 | |
Jessie J: I'm being real with you, like... | 1:07:39 | 1:07:41 | |
Danny in The Script! Who is an Irish pop band, but also country! | 1:07:41 | 1:07:46 | |
The classic, Silver Bear. | 1:07:47 | 1:07:49 | |
Who has worked with every single artist, ever, walking on the planet! | 1:07:50 | 1:07:54 | |
APPLAUSE | 1:07:54 | 1:07:57 | |
And Jessie J. | 1:07:58 | 1:08:00 | |
Jessie J who has the most incredible vocal acrobats | 1:08:01 | 1:08:06 | |
the world has ever seen. | 1:08:06 | 1:08:08 | |
You have a choice to make. | 1:08:10 | 1:08:13 | |
Choose wrong and you die! | 1:08:13 | 1:08:14 | |
LAUGHTER AND CHEERING | 1:08:14 | 1:08:17 | |
-Brilliant! -It's up to you. | 1:08:22 | 1:08:25 | |
The three of us love you. | 1:08:25 | 1:08:27 | |
Anyway... | 1:08:28 | 1:08:29 | |
CROWD SHOUT OUT NAMES | 1:08:29 | 1:08:32 | |
Who will he choose? The crowd is screaming. | 1:08:36 | 1:08:40 | |
He seems confused! | 1:08:42 | 1:08:44 | |
Don't be confused. | 1:08:45 | 1:08:47 | |
Who will you choose? | 1:08:48 | 1:08:50 | |
# Choose wrong, you lose. # | 1:08:51 | 1:08:53 | |
JESSIE J: It's your choice, it's your choice. | 1:08:55 | 1:08:58 | |
I'm telling you right now, this is the place. | 1:08:58 | 1:09:00 | |
This is the place, right here. | 1:09:01 | 1:09:02 | |
It's your choice, don't listen to them. | 1:09:04 | 1:09:06 | |
CROWD CHANT VARIOUS NAMES | 1:09:06 | 1:09:09 | |
Being a massive country fan... | 1:09:22 | 1:09:25 | |
-..Tom! -Yes! | 1:09:28 | 1:09:30 | |
He chose the Silver Bear! | 1:09:32 | 1:09:34 | |
You will be safe in the hands of the wizard! | 1:09:35 | 1:09:38 | |
You picked well. Nice to meet you. | 1:09:46 | 1:09:48 | |
APPLAUSE | 1:09:48 | 1:09:50 | |
Didn't I tell you? | 1:09:58 | 1:10:01 | |
To see, like, a young dude from Manchester, | 1:10:01 | 1:10:04 | |
looking like hip-hop Eminem, | 1:10:04 | 1:10:05 | |
that was fresh, that was a refreshing take on country. | 1:10:05 | 1:10:08 | |
-Can you actually believe it? -I can't believe it. | 1:10:08 | 1:10:10 | |
Three of the world's biggest stars just turned around. | 1:10:10 | 1:10:13 | |
They didn't just want you, they were fighting over you. | 1:10:13 | 1:10:15 | |
I would have loved to have had him on my team. | 1:10:15 | 1:10:17 | |
I am so happy, I am actually rooting for him. | 1:10:17 | 1:10:20 | |
Thank you, Mum. For making me audition. | 1:10:20 | 1:10:23 | |
Aw! | 1:10:23 | 1:10:24 | |
I am extremely excited about having Mike on my team. | 1:10:24 | 1:10:28 | |
It's that vibrato that's really fast. | 1:10:30 | 1:10:33 | |
-HE VIBRATOS: -# Ho, ho, like this! # | 1:10:33 | 1:10:37 | |
will.i.am singing country music, wow! | 1:10:41 | 1:10:44 | |
IN A COUNTRY STYLE: # I want to scream, and shout | 1:10:46 | 1:10:48 | |
# And let it all out. # | 1:10:48 | 1:10:50 | |
LAUGHTER | 1:10:50 | 1:10:52 | |
Let's step back in time now with our next hopeful, Katie Benbow. | 1:10:55 | 1:10:59 | |
My bedroom is vintage everything. | 1:11:00 | 1:11:03 | |
My biggest fan when I was growing up was my granddad, | 1:11:07 | 1:11:10 | |
until, unfortunately, he passed away. | 1:11:10 | 1:11:12 | |
I was so interested in his life and the whole 1940s era. | 1:11:12 | 1:11:17 | |
Old music really makes me feel safe, | 1:11:18 | 1:11:22 | |
because it's been passed through, on to my granddad, on to my mum. | 1:11:22 | 1:11:26 | |
There's somebody who's missing, isn't there, who's meant to be here? | 1:11:26 | 1:11:29 | |
Who's that? | 1:11:29 | 1:11:30 | |
Yeah, my grandma, she's going to come later on. | 1:11:30 | 1:11:33 | |
She's really, really poorly at the moment so obviously | 1:11:33 | 1:11:37 | |
I'm so over the moon that she gets to watch me audition. | 1:11:37 | 1:11:40 | |
She always tells me that me following my dreams is what keeps her | 1:11:45 | 1:11:48 | |
-going and stuff, it gives her a boost. -I'm so happy to meet you! | 1:11:48 | 1:11:54 | |
-Thank you! -I'm so glad you're here! I've heard all about you. | 1:11:54 | 1:11:56 | |
She's really ill, so for her to be able to see me, | 1:11:56 | 1:12:00 | |
if it's just for this one last time, would be really, really lovely. | 1:12:00 | 1:12:04 | |
Come on, Kate. Oh, my God. | 1:12:06 | 1:12:08 | |
# Birds flyin' high | 1:12:23 | 1:12:27 | |
# You know how I feel | 1:12:27 | 1:12:31 | |
# Sun in the sky | 1:12:32 | 1:12:37 | |
# You know how I feel | 1:12:37 | 1:12:42 | |
# Breeze driftin' on by | 1:12:42 | 1:12:47 | |
# You know how I feel | 1:12:47 | 1:12:50 | |
# It's a new dawn and new day | 1:12:50 | 1:12:55 | |
# And a new life | 1:12:55 | 1:12:58 | |
# For me | 1:12:58 | 1:13:02 | |
# And I'm feelin' good. # | 1:13:02 | 1:13:07 | |
CHEERING | 1:13:07 | 1:13:10 | |
# Stars when they shine | 1:13:14 | 1:13:17 | |
# You know how I feel | 1:13:17 | 1:13:21 | |
# Scent of the pine You know how I feel | 1:13:21 | 1:13:27 | |
# Freedom is mine and I know how I feel | 1:13:28 | 1:13:35 | |
# It's a new dawn | 1:13:35 | 1:13:37 | |
It's a new day | 1:13:37 | 1:13:38 | |
# It's a new life | 1:13:38 | 1:13:45 | |
# And I'm feelin' good | 1:13:48 | 1:13:54 | |
# Oh, yeah. # | 1:13:56 | 1:13:59 | |
CHEERING | 1:13:59 | 1:14:02 | |
Oh, my God. | 1:14:04 | 1:14:06 | |
CHEERING AND APPLAUSE | 1:14:06 | 1:14:09 | |
DANNY: Hi, how are you? | 1:14:21 | 1:14:22 | |
Oh, my God. | 1:14:22 | 1:14:24 | |
Sorry! I did not expect that to happen at all. | 1:14:24 | 1:14:28 | |
Hiya, I'm Katie Benbow. | 1:14:28 | 1:14:30 | |
Almost like a Goth style, you have tattoos and stuff. | 1:14:30 | 1:14:33 | |
Yeah, this is actually for my grandma, this tattoo. | 1:14:33 | 1:14:37 | |
- Beautiful. - She's really poorly | 1:14:37 | 1:14:38 | |
and actually she's actually been able to make it here. | 1:14:38 | 1:14:41 | |
And I'm really sorry it's got nothing to do with singing, | 1:14:41 | 1:14:43 | |
but, Tom, would you be able to give my grandma a wink? | 1:14:43 | 1:14:46 | |
LAUGHTER AND CHEERING | 1:14:46 | 1:14:49 | |
-What's your grandmother's name? -She's called Mary. | 1:14:50 | 1:14:53 | |
# Down the road I look | 1:14:53 | 1:14:55 | |
# And there runs Mary. # | 1:14:55 | 1:14:56 | |
CHEERING AND APPLAUSE | 1:14:56 | 1:14:59 | |
Now, what brought you to The Voice? | 1:15:05 | 1:15:07 | |
It's my dream and I saw the show last year and I fell in love. | 1:15:09 | 1:15:13 | |
I've never had any vocal training... | 1:15:13 | 1:15:16 | |
JESSIE J: You will now, girl! | 1:15:16 | 1:15:18 | |
I can't believe it, it doesn't even feel real right now. | 1:15:20 | 1:15:23 | |
You know what? We were both hovering over, but I stood back and went, | 1:15:23 | 1:15:26 | |
"You can coach her." I'm just glad you're with the right person. | 1:15:26 | 1:15:29 | |
You obviously have a great look now that I've turned around, | 1:15:29 | 1:15:32 | |
- And I wish I had... - Thank you. | 1:15:32 | 1:15:33 | |
Thank you very much for singing for us. | 1:15:33 | 1:15:36 | |
CHEERING | 1:15:36 | 1:15:38 | |
JESSIE J: OK, so... | 1:15:38 | 1:15:40 | |
Your voice is great, it has so much potential. | 1:15:40 | 1:15:43 | |
But you push your vocal into your throat, | 1:15:43 | 1:15:45 | |
so you go, | 1:15:45 | 1:15:46 | |
# Birds flyin' hi-i-i-igh | 1:15:46 | 1:15:48 | |
# You know how I feel. # | 1:15:48 | 1:15:50 | |
And you go here. | 1:15:50 | 1:15:52 | |
It's true, though! Someone's laughing at me! | 1:15:52 | 1:15:54 | |
But there's so many things I can teach you. | 1:15:54 | 1:15:56 | |
This is beyond... | 1:15:56 | 1:15:57 | |
You're my first girl in my group, so welcome. | 1:15:57 | 1:16:00 | |
Thank you! | 1:16:00 | 1:16:01 | |
Team Jessie, baby! Yeah! | 1:16:01 | 1:16:03 | |
CHEERING | 1:16:03 | 1:16:05 | |
Come and give me a hug! | 1:16:05 | 1:16:06 | |
I'm going to work you hard, you've got a lot of potential. Well done. | 1:16:09 | 1:16:13 | |
Well done. | 1:16:13 | 1:16:14 | |
That's why I'm here. | 1:16:20 | 1:16:21 | |
THEY ALL CHEER | 1:16:24 | 1:16:27 | |
Are you proud of me, Grandma? | 1:16:32 | 1:16:33 | |
You were beautiful. | 1:16:35 | 1:16:37 | |
Beautiful. | 1:16:37 | 1:16:39 | |
-Did you like your wink off Tom? -Yeah! -And he sang to you! | 1:16:39 | 1:16:44 | |
Everyone is here hoping for a shot at a successful music career, | 1:16:47 | 1:16:51 | |
but back in the '90s, our next act had just that | 1:16:51 | 1:16:54 | |
and now he wants it back. | 1:16:54 | 1:16:55 | |
-'It's former child star, Kavanagh.' Hello there, Kav! -Reggie! | 1:16:55 | 1:16:59 | |
-Welcome to The Voice. -Thank you. -It's been a while, hasn't it? | 1:16:59 | 1:17:02 | |
-It has. -I Can Make You Feel Good, that was your song. | 1:17:02 | 1:17:05 | |
That was the big hit. | 1:17:05 | 1:17:06 | |
-# I can make you feel good -I can make you feel good | 1:17:06 | 1:17:10 | |
# Just say I really want you... # | 1:17:10 | 1:17:13 | |
When I was 16, I was very lucky to be signed by Take That's manager, | 1:17:13 | 1:17:17 | |
I was working in McDonalds at the time and had just left school | 1:17:17 | 1:17:20 | |
and I knew that he was based in Manchester | 1:17:20 | 1:17:22 | |
and I cheekily went down there with a demo tape in hand | 1:17:22 | 1:17:25 | |
and banged on his door and he signed me up. My life totally changed. | 1:17:25 | 1:17:29 | |
Looking back now, you go, "Wow, did that really happen? | 1:17:29 | 1:17:34 | |
I was travelling the world, I was on Top Of The Pops, | 1:17:34 | 1:17:36 | |
on the front cover of magazines. I was living the dream. | 1:17:36 | 1:17:39 | |
-Didn't you win a Smash Hits Poll Winners Award? -I did! | 1:17:39 | 1:17:42 | |
Kavanagh, sir, here is your award for Best Male Singer! | 1:17:42 | 1:17:46 | |
CHEERING | 1:17:46 | 1:17:48 | |
Who came second and third? | 1:17:50 | 1:17:51 | |
Peter Andre and Gary Barlow! | 1:17:51 | 1:17:54 | |
Yes! | 1:17:54 | 1:17:55 | |
I think coming from nothing, basically, it was great to be able | 1:17:55 | 1:17:59 | |
to take care of my mum and dad and get them a place. | 1:17:59 | 1:18:01 | |
That's probably the best thing out of it all that happened. | 1:18:01 | 1:18:04 | |
When I was 21 I decided then I was going to be an actor. | 1:18:04 | 1:18:08 | |
I went to live in America. | 1:18:08 | 1:18:10 | |
And I got an agent and I got the manager, I had a lot of money. | 1:18:10 | 1:18:13 | |
I did a few little things here and there, | 1:18:13 | 1:18:16 | |
but nothing really has got me back on the map, you know? | 1:18:16 | 1:18:20 | |
I came back to England and it's been kind of quiet for me, you know? | 1:18:20 | 1:18:24 | |
I've had massive highs, massive highs. | 1:18:27 | 1:18:30 | |
And some dark lows, you know. | 1:18:30 | 1:18:32 | |
But there's something in me that's still keeping me wanting to do this. | 1:18:32 | 1:18:36 | |
I am nervous, yeah, because now I have to go and prove myself | 1:18:38 | 1:18:42 | |
all over again and take that risk of them not turning around. | 1:18:42 | 1:18:46 | |
I do really want this, yeah. | 1:18:47 | 1:18:49 | |
# There is freedom within | 1:19:06 | 1:19:09 | |
# There is freedom without | 1:19:09 | 1:19:11 | |
# Trying to catch a deluge in a paper cup | 1:19:11 | 1:19:15 | |
# Oh, yeah | 1:19:15 | 1:19:16 | |
# There's a battle ahead | 1:19:17 | 1:19:20 | |
# Many battles are lost | 1:19:20 | 1:19:23 | |
# But you'll never see the end of the road | 1:19:23 | 1:19:25 | |
# While you're travelling with me | 1:19:25 | 1:19:27 | |
# Oh, yeah | 1:19:27 | 1:19:28 | |
# Hey now, hey now | 1:19:28 | 1:19:31 | |
# Don't dream it's over | 1:19:31 | 1:19:34 | |
# Hey now, hey now | 1:19:34 | 1:19:37 | |
# When the world comes in | 1:19:37 | 1:19:40 | |
# They come, they come | 1:19:40 | 1:19:43 | |
# To build a wall between us | 1:19:43 | 1:19:46 | |
# You know they won't win | 1:19:46 | 1:19:48 | |
# Oooh, yeah | 1:19:50 | 1:19:52 | |
# Now I'm towing my car | 1:19:52 | 1:19:56 | |
# There's a hole in the roof | 1:19:56 | 1:19:58 | |
# My possession is causing me suspicion, but there's no proof | 1:19:58 | 1:20:02 | |
# There's no proof, yeah | 1:20:02 | 1:20:04 | |
# In the papers today | 1:20:04 | 1:20:07 | |
# Tells of war and of waste | 1:20:07 | 1:20:09 | |
# But you turn right over to the TV page | 1:20:09 | 1:20:14 | |
# Whoa, whoa, whoa | 1:20:14 | 1:20:16 | |
# Hey now, hey now | 1:20:16 | 1:20:18 | |
# Don't you dream it's over | 1:20:18 | 1:20:22 | |
# Hey now, hey now | 1:20:22 | 1:20:24 | |
# You let the world come in | 1:20:24 | 1:20:27 | |
# They come, they come | 1:20:27 | 1:20:30 | |
# To build a wall between us | 1:20:30 | 1:20:33 | |
# You know they won't win | 1:20:33 | 1:20:37 | |
# Don't you let them win, yeah. # | 1:20:37 | 1:20:43 | |
APPLAUSE | 1:20:43 | 1:20:47 | |
How are you? | 1:21:04 | 1:21:06 | |
-Hello. -What's your name? | 1:21:06 | 1:21:08 | |
Anthony Kavanagh, but people call me Kav. | 1:21:08 | 1:21:09 | |
Kav? Kavanagh? Kavanagh like Kavanagh Kavanagh? | 1:21:09 | 1:21:13 | |
-Kavanagh, yeah. -Kavanagh, I know you. -I know. | 1:21:13 | 1:21:16 | |
-Wow. Um... -Where do you guys know each other from? | 1:21:17 | 1:21:21 | |
-Kavanagh used to be a massive artist. -Yeah, back in the day. The '90s. | 1:21:21 | 1:21:26 | |
Yeah, man. I was in a band, My Town, back then. | 1:21:26 | 1:21:29 | |
I remember we were in a dressing room and... | 1:21:29 | 1:21:32 | |
I think we were on tour with maybe Boyzone or somebody, | 1:21:32 | 1:21:35 | |
and you were about 12 years old, playing your guitar. | 1:21:35 | 1:21:37 | |
And I thought, "That guy's really talented." | 1:21:37 | 1:21:40 | |
I was about 16 at the time. | 1:21:40 | 1:21:41 | |
I bought your record years ago as well. | 1:21:41 | 1:21:43 | |
-Thank you. -No worries. | 1:21:43 | 1:21:45 | |
APPLAUSE | 1:21:45 | 1:21:47 | |
DANNY: You're a professional. | 1:21:47 | 1:21:49 | |
I thought you were pitchier than I know you're capable of. | 1:21:49 | 1:21:53 | |
I've just not done this for a long time, so I think | 1:21:53 | 1:21:55 | |
the nerves got the better of me, basically. But, you know. | 1:21:55 | 1:21:59 | |
Not saying you have a bad voice. This guy can sing. | 1:21:59 | 1:22:01 | |
He can really sing. | 1:22:01 | 1:22:02 | |
APPLAUSE | 1:22:02 | 1:22:04 | |
That was the only reason why I didn't turn around. | 1:22:06 | 1:22:08 | |
-No worries. -Great performance. | 1:22:08 | 1:22:10 | |
-Thank you. -Well done. | 1:22:10 | 1:22:11 | |
Cheers, thanks. | 1:22:11 | 1:22:12 | |
APPLAUSE | 1:22:12 | 1:22:14 | |
I thought your tone was great. You have a lovely tone to your voice, | 1:22:14 | 1:22:19 | |
but you were definitely flat coming in | 1:22:19 | 1:22:21 | |
on about the first four to five notes, I would think. | 1:22:21 | 1:22:24 | |
Almost like you were in another key. | 1:22:24 | 1:22:27 | |
But the overall sound of your voice, I really liked, | 1:22:27 | 1:22:29 | |
but the pitch thing, you know... | 1:22:29 | 1:22:32 | |
That was a shame. | 1:22:32 | 1:22:34 | |
No problem, thanks for the chance. | 1:22:34 | 1:22:36 | |
CHEERING AND APPLAUSE | 1:22:36 | 1:22:39 | |
The really strange thing about this show is that whatever's gone on | 1:22:48 | 1:22:52 | |
in a person's life has no relevance when you get on that stage. | 1:22:52 | 1:22:55 | |
You can be the most consummate performer, but you get up there, | 1:22:55 | 1:22:58 | |
you see the names on the back, the crowd and everybody goes "whack". | 1:22:58 | 1:23:01 | |
Really, really hard to see a mate not get through, you know. | 1:23:01 | 1:23:05 | |
Last up, 33-year-old charity worker Matt Henry. | 1:23:08 | 1:23:12 | |
The Dogs Trust is a charity that helps to rehome stray | 1:23:14 | 1:23:18 | |
or abandoned dogs. | 1:23:18 | 1:23:20 | |
Not only does it do that but we also work with young people | 1:23:20 | 1:23:24 | |
in the community by training them to help care for the dogs. | 1:23:24 | 1:23:28 | |
It is very much a change in people's life, helping them to see that | 1:23:28 | 1:23:32 | |
there is more to life than just living on that street, | 1:23:32 | 1:23:36 | |
in that neighbourhood, in that gang. | 1:23:36 | 1:23:38 | |
I've been singing since I was young. I was brought up in a church, | 1:23:39 | 1:23:42 | |
left church when I was 18 so I was always singing in gospel choirs. | 1:23:42 | 1:23:46 | |
Leaving there, I went on to do various shows in the West End, | 1:23:46 | 1:23:49 | |
one being The Lion King. | 1:23:49 | 1:23:51 | |
But when people ask me, "Do you sing professionally?" I don't know, | 1:23:51 | 1:23:54 | |
cos what is professional singing? | 1:23:54 | 1:23:56 | |
'I don't gig, that's what I wish I did. | 1:23:59 | 1:24:02 | |
'I wish I had that confidence to get up and sing with everybody else. | 1:24:02 | 1:24:05 | |
'Not having the confidence and the belief in my ability, | 1:24:08 | 1:24:11 | |
'I think that's kind of stopped me. | 1:24:11 | 1:24:14 | |
'I feel like I'm free-falling at the moment. | 1:24:17 | 1:24:19 | |
'It's been a long time coming. | 1:24:19 | 1:24:21 | |
'And I think it's time for me to step up.' | 1:24:21 | 1:24:23 | |
# Trouble... # | 1:24:49 | 1:24:51 | |
CHEERING AND APPLAUSE | 1:24:51 | 1:24:53 | |
# Trouble, trouble Trouble, trouble | 1:24:53 | 1:24:56 | |
# Trouble been doggin' my soul | 1:24:58 | 1:25:01 | |
# Since the day I was born... # | 1:25:01 | 1:25:04 | |
CHEERING | 1:25:04 | 1:25:05 | |
# Well, I've been saved by a woman | 1:25:05 | 1:25:12 | |
# I've been saved by a woman | 1:25:15 | 1:25:23 | |
# She won't let me go | 1:25:25 | 1:25:28 | |
# She won't let me go now... # | 1:25:29 | 1:25:32 | |
CHEERING | 1:25:32 | 1:25:34 | |
# Worry | 1:25:35 | 1:25:38 | |
# Wo-o-rry | 1:25:39 | 1:25:42 | |
# Sometimes I swear it feels like this worry is my only friend... # | 1:25:44 | 1:25:49 | |
CHEERING | 1:25:49 | 1:25:51 | |
# Well I've been saved by a woman | 1:25:53 | 1:25:58 | |
# I've been saved by a woman | 1:26:01 | 1:26:08 | |
# Hear me now | 1:26:08 | 1:26:09 | |
# She won't let me go | 1:26:09 | 1:26:13 | |
# She won't let me go now | 1:26:15 | 1:26:18 | |
# She won't let me go. # | 1:26:19 | 1:26:22 | |
CHEERING | 1:26:22 | 1:26:24 | |
CHEERING AND APPLAUSE | 1:26:28 | 1:26:31 | |
He's got four! | 1:26:32 | 1:26:34 | |
Dude, fantastic. | 1:26:53 | 1:26:55 | |
Take it in... Take it in. | 1:26:55 | 1:26:58 | |
Huh? | 1:27:06 | 1:27:07 | |
He looks a lot like you. | 1:27:07 | 1:27:08 | |
I know, that's why I was looking at him! | 1:27:08 | 1:27:10 | |
LAUGHTER | 1:27:10 | 1:27:12 | |
Give him the glasses. Come on. | 1:27:12 | 1:27:13 | |
-Come on! Do it! -Give him the glasses. | 1:27:13 | 1:27:16 | |
LAUGHTER | 1:27:16 | 1:27:18 | |
Come on now. | 1:27:18 | 1:27:20 | |
CHEERING AND APPLAUSE | 1:27:22 | 1:27:24 | |
I'm feeling these. | 1:27:26 | 1:27:27 | |
It's back to business. | 1:27:27 | 1:27:29 | |
Wooh! | 1:27:29 | 1:27:30 | |
What's your name? | 1:27:30 | 1:27:32 | |
My name's Matt Henry. | 1:27:32 | 1:27:33 | |
You look more like my brother than my brother. | 1:27:33 | 1:27:36 | |
LAUGHTER | 1:27:36 | 1:27:37 | |
That's fresh. Just don't do the angular step hair. | 1:27:37 | 1:27:41 | |
LAUGHTER | 1:27:41 | 1:27:42 | |
You sing magnificent. | 1:27:43 | 1:27:46 | |
APPLAUSE | 1:27:46 | 1:27:47 | |
Song choice is very important and the lyrics mean something, | 1:27:49 | 1:27:53 | |
and what was the main lyric in your song? | 1:27:53 | 1:27:55 | |
-I've been saved. -By...? | 1:27:55 | 1:27:57 | |
A woman. | 1:27:57 | 1:27:58 | |
There you go. | 1:27:58 | 1:27:59 | |
LAUGHTER AND APPLAUSE | 1:27:59 | 1:28:01 | |
-That was clever. -That was good, that was good. | 1:28:04 | 1:28:08 | |
That was pretty cool. | 1:28:08 | 1:28:09 | |
It's freaking me out a bit. Can you take the glasses off? | 1:28:09 | 1:28:11 | |
-Yeah, yeah. I can't see! -It's like two Wills. | 1:28:11 | 1:28:13 | |
-I'll give you these back. -Yeah, yeah. | 1:28:13 | 1:28:15 | |
I don't want it to influence your choice. | 1:28:15 | 1:28:17 | |
LAUGHTER | 1:28:20 | 1:28:21 | |
I'm telling you now. | 1:28:21 | 1:28:23 | |
Seeing you up close... | 1:28:23 | 1:28:24 | |
No, no, for real. | 1:28:24 | 1:28:26 | |
-It's the smile, it's the smile. -No, but it's like the frog eyes. | 1:28:26 | 1:28:29 | |
Yeah! | 1:28:29 | 1:28:30 | |
I never wanted to admit it but... | 1:28:31 | 1:28:33 | |
Looking at your eyes, I'm like, you look like a frog! | 1:28:33 | 1:28:36 | |
LAUGHTER | 1:28:36 | 1:28:38 | |
First of all, I love that song. | 1:28:41 | 1:28:44 | |
And for you to sing that song is very courageous to start with | 1:28:44 | 1:28:48 | |
and you sang the hell out of it. You really did. | 1:28:48 | 1:28:52 | |
CHEERING AND APPLAUSE | 1:28:52 | 1:28:53 | |
Again for the exact same reasons, not only did you sing that song, | 1:28:58 | 1:29:01 | |
I thought you sang it better than Ray and I'm a big Ray fan. | 1:29:01 | 1:29:04 | |
I thought the angst, you put a different spin on it. | 1:29:04 | 1:29:06 | |
What can I offer? I think my experience and wisdom will carry you | 1:29:06 | 1:29:10 | |
straight through to the finals. Team Danny all the way. | 1:29:10 | 1:29:13 | |
APPLAUSE | 1:29:13 | 1:29:14 | |
I've been influenced by a lot of people. | 1:29:16 | 1:29:18 | |
I've not only listened TO them, but I've sang WITH them. | 1:29:18 | 1:29:23 | |
I mean, I've sang with Pavarotti. | 1:29:23 | 1:29:26 | |
So, you know... | 1:29:26 | 1:29:28 | |
I'm not only 72 years old, I have 72 years of experience, | 1:29:28 | 1:29:32 | |
so you're going to get 72 years of that. | 1:29:32 | 1:29:36 | |
CHEERING AND APPLAUSE | 1:29:36 | 1:29:37 | |
For me, I think people can often think that I just listen to like | 1:29:40 | 1:29:43 | |
R'n'B and pop music. I like listening to gospel music. | 1:29:43 | 1:29:47 | |
I'm a huge Kim Burrell fan. Yes, like, all day long. | 1:29:47 | 1:29:50 | |
DANNY: I like her too. | 1:29:50 | 1:29:52 | |
If me and you were singing Kim Burrell together, son...! | 1:29:54 | 1:29:57 | |
-We'll be having church. -HE SQUEALS | 1:29:57 | 1:30:01 | |
Church all day long, yes. | 1:30:01 | 1:30:04 | |
APPLAUSE | 1:30:04 | 1:30:06 | |
It's the honest truth, my mom and my grandma are my biggest influences, | 1:30:07 | 1:30:11 | |
and from there, dreams, right, cos without those I wouldn't be here | 1:30:11 | 1:30:18 | |
and I'm living for my mom, that's it. | 1:30:18 | 1:30:21 | |
Everything I'm doing is for her so therefore I will be guided by | 1:30:21 | 1:30:25 | |
those principles and will not be strayed by any storm or tornado | 1:30:25 | 1:30:30 | |
that will veer me off course. | 1:30:30 | 1:30:32 | |
I am a palm tree. They never fall. | 1:30:32 | 1:30:34 | |
CHEERING AND APPLAUSE | 1:30:36 | 1:30:38 | |
What? | 1:30:41 | 1:30:42 | |
Well, thank you guys for turning round first of all. | 1:30:46 | 1:30:49 | |
I've been dreaming about this moment for... | 1:30:49 | 1:30:52 | |
..you'll never know how long. | 1:30:54 | 1:30:56 | |
And to take this opportunity now to kind of think about what | 1:30:56 | 1:30:59 | |
you guys have said, and, um... | 1:30:59 | 1:31:03 | |
I think I'm going to go... | 1:31:06 | 1:31:08 | |
I think I'm going to go with Will. | 1:31:10 | 1:31:12 | |
CHEERING AND APPLAUSE | 1:31:12 | 1:31:15 | |
-Well done. -Thank you. | 1:31:20 | 1:31:22 | |
Oh, my God! | 1:31:30 | 1:31:32 | |
Well done. | 1:31:34 | 1:31:35 | |
Yes. | 1:31:35 | 1:31:36 | |
Wooh! | 1:31:38 | 1:31:39 | |
SCREAMING | 1:31:41 | 1:31:43 | |
Will just went straight... | 1:31:43 | 1:31:45 | |
HE EXHALES | 1:31:45 | 1:31:47 | |
He went straight to family, | 1:31:47 | 1:31:48 | |
and your family has to be your inspiration. | 1:31:48 | 1:31:51 | |
See I don't know my dad, right. | 1:31:51 | 1:31:53 | |
So I'm thinking maybe his dad is my dad! | 1:31:53 | 1:31:56 | |
It's going to be dope! | 1:31:56 | 1:31:58 | |
Oh, God! | 1:31:59 | 1:32:01 | |
After the first day of fierce competition, | 1:32:02 | 1:32:05 | |
the coaches' battle to build their teams has begun. | 1:32:05 | 1:32:09 | |
Jessie is off to a great start with three acts. | 1:32:09 | 1:32:11 | |
The competitive Jessie sat back a bit last series | 1:32:11 | 1:32:14 | |
but I'm not messing about this year. | 1:32:14 | 1:32:16 | |
Will is close behind her with two. | 1:32:16 | 1:32:19 | |
I don't push the button except for exceptional exceptions. | 1:32:19 | 1:32:23 | |
And both Danny and Tom have secured one act each. | 1:32:25 | 1:32:28 | |
After day one, the gloves are off. | 1:32:28 | 1:32:30 | |
The banter's started and it's game on. Bring it on. | 1:32:30 | 1:32:33 | |
Next week - the blind auditions continue. | 1:32:34 | 1:32:37 | |
More incredible singers fight for their place in the competition. | 1:32:38 | 1:32:42 | |
And as the battle to build their teams intensifies, | 1:32:42 | 1:32:45 | |
the coaches go all out to win. | 1:32:45 | 1:32:47 | |
Oh, my God! | 1:32:50 | 1:32:51 | |
Subtitles by Red Bee Media Ltd | 1:33:12 | 1:33:17 |