Browse content similar to Blind Auditions 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
DANNY: To hear a voice that really connects | 0:00:03 | 0:00:05 | |
can stop you dead in your tracks. | 0:00:05 | 0:00:07 | |
-TOM: -You can't explain it until you hear it. | 0:00:10 | 0:00:13 | |
JESSIE J: But it's just a feeling that you get. You just know. | 0:00:15 | 0:00:19 | |
-WILL.I.AM: -Somewhere out there is the winner of The Voice. | 0:00:19 | 0:00:23 | |
-TOM: -All we have to do now is find them. | 0:00:23 | 0:00:26 | |
'Last week the search began.' | 0:00:26 | 0:00:29 | |
'All the acts came with just one wish - | 0:00:43 | 0:00:47 | |
'to win a place on one of the superstar coaches' teams.' | 0:00:47 | 0:00:50 | |
'Jesse J has three acts so far.' | 0:00:58 | 0:01:00 | |
Team Jessie, baby! | 0:01:02 | 0:01:04 | |
'While Will.i.am grabbed two.' | 0:01:06 | 0:01:09 | |
Yo! What I'm talkin' about! | 0:01:09 | 0:01:11 | |
'And both Danny O'Donoghue and Sir Tom Jones have just one act each.' | 0:01:12 | 0:01:16 | |
Yeah! | 0:01:16 | 0:01:17 | |
'Our coaches continue their search. | 0:01:21 | 0:01:24 | |
'If a coach likes what they hear, they hit a button.' | 0:01:26 | 0:01:30 | |
'And that artist wins a place on their team.' | 0:01:30 | 0:01:34 | |
'But if more than one coach turns, the act gets the power to choose | 0:01:34 | 0:01:38 | |
'who they would most like to work with..' | 0:01:38 | 0:01:40 | |
-WILL.I.AM: -You have a choice to make. Choose wrong...and you die! | 0:01:40 | 0:01:43 | |
'Each coach wants to discover the one artist who'll win it all. | 0:01:45 | 0:01:50 | |
'The blind auditions continue now...' | 0:01:52 | 0:01:54 | |
-It's on now! -'..on The Voice.' | 0:01:54 | 0:01:56 | |
'First up tonight, | 0:02:00 | 0:02:01 | |
'and hoping to muscle his way into the coaches' affections, | 0:02:01 | 0:02:04 | |
'is 30-year-old fitness trainer Trevor from Romford.' | 0:02:04 | 0:02:08 | |
Before I was a personal training, | 0:02:08 | 0:02:09 | |
I was a backing vocalist for P.Diddy | 0:02:09 | 0:02:12 | |
Mariah Carey, Tinie Tempah... | 0:02:13 | 0:02:16 | |
some of the biggest superstars. It was crazy! | 0:02:16 | 0:02:20 | |
I've worked with Florence and The Machine. Did a tour with her. | 0:02:20 | 0:02:24 | |
We sang at all the festivals. | 0:02:24 | 0:02:26 | |
Thousands of people there. Such a great atmosphere. | 0:02:26 | 0:02:28 | |
Such a great feeling, juts of being on that stage. | 0:02:28 | 0:02:31 | |
When you're backing singing you do feel that, you know, | 0:02:37 | 0:02:39 | |
you want to be at the front. | 0:02:39 | 0:02:41 | |
I always had that feeling, you know, "I can do this!" | 0:02:41 | 0:02:44 | |
So this is why I'm doing The Voice. | 0:02:44 | 0:02:46 | |
When I'm on stage I just feel at home. | 0:02:51 | 0:02:53 | |
I don't ever want to come off. | 0:02:53 | 0:02:56 | |
This is my time. | 0:02:56 | 0:02:57 | |
I'm taking that step forward. | 0:02:57 | 0:02:59 | |
This could change my life. | 0:02:59 | 0:03:00 | |
Can I do it? | 0:03:02 | 0:03:04 | |
I think I can. | 0:03:04 | 0:03:05 | |
-Go, Trevor! -Yay! | 0:03:06 | 0:03:08 | |
# I was born by the river | 0:03:33 | 0:03:39 | |
# In a little tent | 0:03:39 | 0:03:41 | |
# Oh... | 0:03:41 | 0:03:43 | |
# And just like the river | 0:03:43 | 0:03:45 | |
# I've been running ever since | 0:03:45 | 0:03:49 | |
# It's been a long... | 0:03:49 | 0:03:54 | |
# Long time coming | 0:03:54 | 0:03:56 | |
# But I know | 0:03:56 | 0:03:59 | |
# Change gonna come... # | 0:03:59 | 0:04:02 | |
It's three. Is he going to get a full house? | 0:04:02 | 0:04:05 | |
# ..Mmm-mm | 0:04:05 | 0:04:08 | |
# Then I go to my brother | 0:04:08 | 0:04:13 | |
# Mm-mmm | 0:04:14 | 0:04:15 | |
# And I said to my brother, "Won't you help me please?" | 0:04:16 | 0:04:21 | |
# But he winds up | 0:04:23 | 0:04:28 | |
# Knockin' me, yeah | 0:04:28 | 0:04:30 | |
# Back down on my knees | 0:04:33 | 0:04:39 | |
# It's been a long... | 0:04:39 | 0:04:44 | |
# Long time coming, but I know | 0:04:44 | 0:04:48 | |
# Change gonna come | 0:04:50 | 0:04:52 | |
# I know it will | 0:04:52 | 0:04:54 | |
# Oh, yes, it will | 0:04:54 | 0:04:57 | |
# Yes, it will. # | 0:04:57 | 0:05:00 | |
CHEERING AND APPLAUSE | 0:05:00 | 0:05:02 | |
What's your name? | 0:05:28 | 0:05:29 | |
-Trevor Francis. -Where you from? | 0:05:29 | 0:05:31 | |
-East London. Romford. -Wayyyyy! | 0:05:31 | 0:05:33 | |
LAUGHTER | 0:05:33 | 0:05:35 | |
How old are you? | 0:05:35 | 0:05:36 | |
I'm 30. | 0:05:36 | 0:05:38 | |
APPLAUSE | 0:05:38 | 0:05:39 | |
Been singing a long time, obviously. You sing professionally? | 0:05:39 | 0:05:42 | |
A lot a backing vocals and stuff like that. | 0:05:42 | 0:05:44 | |
Well, it's your time to stand in the light, cos that was... | 0:05:44 | 0:05:47 | |
I was dropped dead, like.... | 0:05:47 | 0:05:48 | |
-Soon as I turned around. -Thank you. | 0:05:48 | 0:05:51 | |
APPLAUSE | 0:05:51 | 0:05:52 | |
Those tricks I know you know, will work incredibly well | 0:05:52 | 0:05:56 | |
-with tricks that I know, to beat all these guys. -OK. I hear you. | 0:05:56 | 0:05:59 | |
APPLAUSE | 0:05:59 | 0:06:03 | |
I thought it was great. I think you're great. | 0:06:03 | 0:06:05 | |
-I think you're very natural. -Yeah. -You've a natural-sounding voice. | 0:06:05 | 0:06:09 | |
You still had your own individuality in a well-known song like that, | 0:06:09 | 0:06:15 | |
which to me, is a hard thing to do. | 0:06:15 | 0:06:18 | |
APPLAUSE | 0:06:18 | 0:06:20 | |
I loved it. And would like to... I'd love to have you on my team. | 0:06:20 | 0:06:23 | |
but of course that's up to you. | 0:06:23 | 0:06:25 | |
APPLAUSE | 0:06:25 | 0:06:28 | |
Can I just say I got goosebumps. I pressed my button in seconds. | 0:06:31 | 0:06:33 | |
Really? Wow. | 0:06:33 | 0:06:36 | |
Literally, it was the first... The control. | 0:06:36 | 0:06:38 | |
And what I loved, as I turned around... | 0:06:38 | 0:06:40 | |
you were just in performance mode. | 0:06:40 | 0:06:42 | |
And I just went like that - "thank you". | 0:06:42 | 0:06:44 | |
Cos that was a real blessing to listen to. | 0:06:44 | 0:06:47 | |
And I would be honoured to work with your voice. | 0:06:47 | 0:06:51 | |
-I just feel like, vocally, I'm the coach for you. -OK, thank you. | 0:06:51 | 0:06:54 | |
I'm getting a little bit competitive, now. | 0:06:54 | 0:06:56 | |
LAUGHTER | 0:06:56 | 0:06:57 | |
You have a great voice, right? | 0:06:57 | 0:06:59 | |
And what you do with that voice is up to who you have around you. | 0:06:59 | 0:07:04 | |
I can't sit here and just give you out default things | 0:07:04 | 0:07:08 | |
on how I think I'm going to be right for you, | 0:07:08 | 0:07:11 | |
but I know that I would go to the end of the earth | 0:07:11 | 0:07:15 | |
to figure out how I'm right for you. | 0:07:15 | 0:07:18 | |
And that's the difference between me and all the default answers. | 0:07:18 | 0:07:22 | |
CHEERING AND APPLAUSE | 0:07:22 | 0:07:24 | |
How serious are you? I'm serious. | 0:07:24 | 0:07:27 | |
-100% I'm serious. -I'm serious. | 0:07:27 | 0:07:31 | |
-We're all serious. -Serious as! | 0:07:31 | 0:07:32 | |
I'm serious too. I'll go all the way. I feel the show's finished. | 0:07:32 | 0:07:36 | |
I ain't tryin' to sell it, I'm just tryin' to tell it! | 0:07:36 | 0:07:39 | |
And if you can't hear me, I yell it! | 0:07:39 | 0:07:41 | |
I think the journey is way more important than where you end up, | 0:07:42 | 0:07:45 | |
-trust me. -The journey's for ever. -Yeah. | 0:07:45 | 0:07:47 | |
The journey doesn't stop after The Voice is over. | 0:07:47 | 0:07:50 | |
No, it doesn't. It begins, really. | 0:07:50 | 0:07:53 | |
-So, you have a decision to make. -All right. | 0:07:53 | 0:07:57 | |
There's four of us. We all turned around. | 0:07:57 | 0:08:00 | |
Oh, man...! | 0:08:03 | 0:08:05 | |
-God, this is so hard. -Um... | 0:08:06 | 0:08:08 | |
AUDIENCE SHOUT NAMES | 0:08:08 | 0:08:10 | |
Can I say how serious I am? Serious. | 0:08:17 | 0:08:23 | |
Your voice excites me. I want to get in that, vocally. | 0:08:23 | 0:08:26 | |
AUDIENCE SHOUTS NAMES | 0:08:27 | 0:08:30 | |
-OK, come on, Jessie. Me and you. -YEAAAH! | 0:08:42 | 0:08:44 | |
Thank you! | 0:08:47 | 0:08:49 | |
Yes! | 0:09:06 | 0:09:08 | |
Well done, Trevor! Well done, well done! | 0:09:16 | 0:09:20 | |
That was fantastic! | 0:09:20 | 0:09:21 | |
Oh, my heart is pumping! | 0:09:23 | 0:09:25 | |
Jessie's gonna feel she can teach him how to...sing. | 0:09:25 | 0:09:28 | |
But he already knows how to sing. | 0:09:28 | 0:09:30 | |
He's a soul singer. A natural soul singer. | 0:09:30 | 0:09:32 | |
Oh, yeah. | 0:09:32 | 0:09:34 | |
And that's going to be, uh, not productive. | 0:09:34 | 0:09:37 | |
He picked the wrong person. | 0:09:37 | 0:09:38 | |
No! | 0:09:40 | 0:09:41 | |
Trevor's on Team... # Jessie! | 0:09:41 | 0:09:44 | |
'So, Trevor makes four on Team Jessie. | 0:09:44 | 0:09:47 | |
'Next stop Doncaster.' | 0:09:47 | 0:09:49 | |
My name's Emma Jade Garbutt, I'm 18 and I'm a beauty consultant. | 0:09:49 | 0:09:53 | |
MUSIC: "Working 9 to 5" by Dolly Parton | 0:09:53 | 0:09:56 | |
When she's not working, she sings. That's all Emma does. | 0:09:56 | 0:10:01 | |
Most people my age tend to listen to pop, R&B... | 0:10:01 | 0:10:04 | |
which I do like to listen to, it's just for me | 0:10:04 | 0:10:06 | |
country is the one thing that I love to sing. | 0:10:06 | 0:10:09 | |
In Doncaster country music is not cool. | 0:10:10 | 0:10:13 | |
Emma's had to really, really try | 0:10:13 | 0:10:15 | |
and push herself forward onto the music scene. | 0:10:15 | 0:10:19 | |
Last year I went to Nashville in Tennessee | 0:10:22 | 0:10:27 | |
to play at something called the Teen Hoot. | 0:10:27 | 0:10:29 | |
All right, I want to see your hands up in the air! | 0:10:29 | 0:10:31 | |
I got to sing for like 3,000 people and it was crazy. | 0:10:31 | 0:10:36 | |
When I was over in Nashville a producer said to me, | 0:10:36 | 0:10:39 | |
you could be the first English country superstar | 0:10:39 | 0:10:41 | |
and that has become the biggest goal for me. | 0:10:41 | 0:10:44 | |
Thank you guys, so much! | 0:10:44 | 0:10:46 | |
I really have to get out of Doncaster and back to Nashville. | 0:10:49 | 0:10:52 | |
And The Voice is my best chance to do that. | 0:10:52 | 0:10:55 | |
Hopefully, I'll have a chair turn round. | 0:10:55 | 0:10:58 | |
-My legs are shaking. -I know. | 0:11:06 | 0:11:08 | |
# He's got a smile that it seems to me | 0:11:29 | 0:11:31 | |
# Reminds me of...memories | 0:11:31 | 0:11:36 | |
# Where everything was as fresh as the bright blue sky | 0:11:36 | 0:11:42 | |
# Now and then when I see his face... # | 0:11:44 | 0:11:46 | |
Come on, come on! | 0:11:46 | 0:11:48 | |
# ..He takes me away to that special place | 0:11:48 | 0:11:52 | |
# And if I stared too long probably break down and cry | 0:11:52 | 0:11:57 | |
# Oh, Lord | 0:11:57 | 0:12:00 | |
# Oh... | 0:12:00 | 0:12:02 | |
# Sweet child o' mine... # | 0:12:02 | 0:12:05 | |
-Go on, Danny! -Come on, go! | 0:12:08 | 0:12:11 | |
# ..Sweet love of mine, yeah | 0:12:11 | 0:12:13 | |
# He's got eyes of the bluest skies | 0:12:15 | 0:12:19 | |
# As if they thought of rain | 0:12:19 | 0:12:23 | |
# I hate to... # | 0:12:23 | 0:12:25 | |
Oh, please, please...! | 0:12:25 | 0:12:27 | |
# ..And see an ounce of pain | 0:12:27 | 0:12:29 | |
# Oh... | 0:12:29 | 0:12:33 | |
# Sweet child o' mine | 0:12:33 | 0:12:36 | |
# Oh, oh | 0:12:39 | 0:12:41 | |
# Sweet love of mine | 0:12:41 | 0:12:44 | |
# Whoa-oh... # | 0:12:46 | 0:12:51 | |
-Come on! -Please...! | 0:12:51 | 0:12:52 | |
# ..Child o' mine. # | 0:12:52 | 0:12:54 | |
CHEERING AND APPLAUSE Oh, my god! | 0:12:55 | 0:12:58 | |
Come on! | 0:12:58 | 0:12:59 | |
Wooo-haw! That's what I'm talkin' about! | 0:13:13 | 0:13:15 | |
Hi! | 0:13:19 | 0:13:20 | |
Hi. Oh, don't cry. | 0:13:23 | 0:13:25 | |
-Hi! -Don't cry, cos then I'll cry. Then Will will start crying... | 0:13:25 | 0:13:29 | |
Tom will start. Then we'll need make-up re-done. | 0:13:29 | 0:13:32 | |
-Your name is? -Emma Jade. -And how old are you? -Eighteen. -Yeah. | 0:13:32 | 0:13:36 | |
-What?! -Yeah. | 0:13:36 | 0:13:37 | |
-You're 18? -Yeah. | 0:13:39 | 0:13:41 | |
Wow. | 0:13:41 | 0:13:43 | |
-Thanks. -That's dope. | 0:13:43 | 0:13:45 | |
-I'm glad that Tom turned around, so congratulations. -Thank you so much. | 0:13:45 | 0:13:49 | |
For me personally, I didn't turn around because... | 0:13:49 | 0:13:52 | |
I'm going to be really honest. ..I didn't believe you. | 0:13:55 | 0:13:57 | |
-I did. -He believed you. | 0:13:57 | 0:13:59 | |
-When you're singing a song like that. -Yeah. -REALLY believe it. | 0:13:59 | 0:14:03 | |
Have someone you're singing it about, to, in your mind. | 0:14:03 | 0:14:07 | |
APPLAUSE Believe yourself. | 0:14:07 | 0:14:10 | |
I'm kind of the same. | 0:14:11 | 0:14:13 | |
I thought you were a lot stronger at the end, than you were starting. | 0:14:13 | 0:14:16 | |
-Again, that's nerves. Finding your comfort zone. -Yeah. | 0:14:16 | 0:14:18 | |
All of that. But again there's no better person | 0:14:18 | 0:14:21 | |
than Tom to coach you with all that type of stuff. | 0:14:21 | 0:14:23 | |
So thank you. | 0:14:23 | 0:14:25 | |
APPLAUSE | 0:14:25 | 0:14:26 | |
I didn't turn around, not because I didn't like it - | 0:14:29 | 0:14:31 | |
I actually really loved it - | 0:14:31 | 0:14:34 | |
but I was looking over. Somebody better press that button! | 0:14:34 | 0:14:37 | |
-I can't believe it. -Really, really. | 0:14:37 | 0:14:40 | |
I'm so glad Tom did. Because Tom... is the bomb! | 0:14:40 | 0:14:45 | |
APPLAUSE | 0:14:45 | 0:14:49 | |
-The reason I turned around is cos I love the way you sing. -Thank you. | 0:14:49 | 0:14:53 | |
I love the way YOU sing! | 0:14:53 | 0:14:55 | |
Aw, thanks. | 0:14:55 | 0:14:56 | |
I thought, "I can't let this girl walk away." | 0:14:58 | 0:15:02 | |
You have something, and I think that this country is lacking | 0:15:02 | 0:15:05 | |
in country singers at the moment, | 0:15:05 | 0:15:08 | |
so I think we'll work great together. | 0:15:08 | 0:15:12 | |
You're stuck with me sweetheart. | 0:15:12 | 0:15:14 | |
You're exactly who I wanted! | 0:15:14 | 0:15:17 | |
OK! | 0:15:19 | 0:15:20 | |
MUSIC: "Country Girl" by Primal Scream | 0:15:33 | 0:15:35 | |
# Country girl, take my hand | 0:15:36 | 0:15:40 | |
# Lead me through this diseased land. # | 0:15:40 | 0:15:44 | |
-OK, we are turning. We are ready, we are ready. -Quick, quick, quick. | 0:15:44 | 0:15:47 | |
All the team on our feet, on our feet. | 0:15:47 | 0:15:49 | |
She has got something. Or as Will would say, "Fresh." | 0:16:01 | 0:16:06 | |
-No, no, no, no, no. -Yeah. | 0:16:06 | 0:16:07 | |
All that stands between each act | 0:16:10 | 0:16:11 | |
and a place on a coach's team is four buttons and a push. | 0:16:11 | 0:16:16 | |
Luckily for a 17-year-old Sam Hollyman, | 0:16:16 | 0:16:18 | |
a push is never far away. | 0:16:18 | 0:16:20 | |
'I came back from school about three months ago to find out | 0:16:20 | 0:16:24 | |
'that my mother had signed me up for The Voice.' | 0:16:24 | 0:16:26 | |
She is very, if not slightly overenthusiastic | 0:16:26 | 0:16:29 | |
about my career in music. | 0:16:29 | 0:16:31 | |
'On my 15th birthday, my mum took me to a Michael Buble concert.' | 0:16:33 | 0:16:37 | |
During an interval she decided to go up to him | 0:16:37 | 0:16:39 | |
and call him down from the stage. | 0:16:39 | 0:16:42 | |
If I could have a dream, it would be to have every single person | 0:16:42 | 0:16:44 | |
up here, except for you, crazy woman. | 0:16:44 | 0:16:46 | |
Thereafter, a short and slightly embarrassing conversation. | 0:16:46 | 0:16:50 | |
Her son turned 15 couple of days ago. | 0:16:50 | 0:16:52 | |
That's very sweet. He is hiding. He is hiding. | 0:16:52 | 0:16:54 | |
My mum manages to get me onstage with Michael Buble. | 0:16:54 | 0:16:57 | |
And you want to sing. Come up here for a moment. | 0:16:57 | 0:17:00 | |
Come up here for a moment because I remember being your age. | 0:17:00 | 0:17:04 | |
Bring him up over the bar here. | 0:17:04 | 0:17:07 | |
CHEERING | 0:17:07 | 0:17:09 | |
# Sun in the sky. # | 0:17:09 | 0:17:11 | |
Hey! Hey, come here! | 0:17:11 | 0:17:14 | |
CHEERING | 0:17:14 | 0:17:16 | |
Sam can sing! | 0:17:16 | 0:17:19 | |
Yeah! | 0:17:19 | 0:17:20 | |
'Incredible. After the event, it sort of went viral, | 0:17:20 | 0:17:24 | |
'as it were, on YouTube. | 0:17:24 | 0:17:26 | |
'It got to about 2 million views or something like that.' | 0:17:26 | 0:17:29 | |
Someone has got a message for you. | 0:17:30 | 0:17:32 | |
Hey, it's Michael Buble, Sam, and it wasn't long ago in Birmingham | 0:17:32 | 0:17:36 | |
I remember you coming on stage with me, saying "Mom, Sam can sing." | 0:17:36 | 0:17:39 | |
Good luck, kid. | 0:17:39 | 0:17:41 | |
-Mr Buble himself. Good luck, kid. -Oh, wow. | 0:17:41 | 0:17:45 | |
Yeah! | 0:17:45 | 0:17:47 | |
'My mother was responsible for the first big thing on stage I ever had. | 0:17:52 | 0:17:57 | |
'She may be responsible for the next.' | 0:17:57 | 0:17:59 | |
Oh, my baby. | 0:18:03 | 0:18:05 | |
# It's a little bit funny | 0:18:19 | 0:18:22 | |
# This feeling inside | 0:18:22 | 0:18:25 | |
# I'm not one of those | 0:18:26 | 0:18:29 | |
# Who can easily hide | 0:18:29 | 0:18:32 | |
# I don't have much money | 0:18:33 | 0:18:37 | |
# But, boy, if I did | 0:18:37 | 0:18:40 | |
# I'd buy a big house where | 0:18:41 | 0:18:44 | |
# We both could live | 0:18:44 | 0:18:47 | |
# Excuse me forgetting | 0:18:49 | 0:18:53 | |
# But these things I do | 0:18:53 | 0:18:57 | |
# You see I've forgotten | 0:18:57 | 0:18:59 | |
# Whether they're green or they're blue | 0:18:59 | 0:19:04 | |
# Anyway, the thing is | 0:19:04 | 0:19:07 | |
# What I really mean | 0:19:07 | 0:19:10 | |
# Yours are the sweetest eyes | 0:19:12 | 0:19:14 | |
# I've ever seen | 0:19:14 | 0:19:19 | |
# And you can tell anybody | 0:19:21 | 0:19:25 | |
# This is your song | 0:19:25 | 0:19:27 | |
# It may be quite simple | 0:19:28 | 0:19:30 | |
# But now that it's done | 0:19:30 | 0:19:35 | |
# I hope you don't mind I hope you don't mind | 0:19:35 | 0:19:39 | |
# That I put down in words | 0:19:39 | 0:19:43 | |
# How wonderful life is | 0:19:43 | 0:19:48 | |
# Now you're in the | 0:19:48 | 0:19:53 | |
# World. # | 0:19:53 | 0:19:58 | |
CHEERING AND APPLAUSE | 0:19:58 | 0:19:59 | |
Hi. | 0:20:17 | 0:20:18 | |
- Hi. - What's your name? | 0:20:18 | 0:20:20 | |
Sam Hollyman. | 0:20:20 | 0:20:21 | |
- How old are you, Sam? - I'm 17. | 0:20:21 | 0:20:23 | |
17. | 0:20:23 | 0:20:24 | |
-You have an exceptional talent for a 17-year-old. -Thank you. | 0:20:26 | 0:20:29 | |
Really, really, you do. | 0:20:29 | 0:20:31 | |
The reason why I didn't turn around is I slightly heard | 0:20:31 | 0:20:35 | |
music theatre in there. | 0:20:35 | 0:20:36 | |
Just a little bit too proper for what I could add to it, | 0:20:36 | 0:20:38 | |
a little bit more grit and rock and roll. | 0:20:38 | 0:20:40 | |
There is pronouncing words and then overpronouncing a little bit. | 0:20:40 | 0:20:43 | |
HE OVERPRONOUNCES # I hope you don't mind | 0:20:43 | 0:20:45 | |
# I hope you don't... # | 0:20:45 | 0:20:46 | |
HE SINGS NORMALLY # I hope you don't mind | 0:20:46 | 0:20:48 | |
# I hope you don't... # | 0:20:48 | 0:20:49 | |
Just putting a little bit of rasp, a little bit of... | 0:20:49 | 0:20:52 | |
CHEERING AND APPLAUSE | 0:20:52 | 0:20:53 | |
That song is one of my family's favourite songs. | 0:20:56 | 0:21:00 | |
My uncle used to play that for my mom and... | 0:21:00 | 0:21:05 | |
But that song, it's a particular emotion. | 0:21:05 | 0:21:08 | |
You know, if there was a word that that song represents, | 0:21:08 | 0:21:11 | |
it would be appreciation. | 0:21:11 | 0:21:13 | |
-So when you got up there and you're, like, screaming, kind of... -Yeah. | 0:21:13 | 0:21:17 | |
..it kind of clashed. You have a great voice. | 0:21:17 | 0:21:20 | |
It's just the emotion and the tonality didn't marry each other. | 0:21:20 | 0:21:23 | |
JESSIE: Hi. | 0:21:23 | 0:21:25 | |
APPLAUSE | 0:21:25 | 0:21:26 | |
I'm actually happy we didn't turn around | 0:21:27 | 0:21:29 | |
because I don't think you are ready yet. | 0:21:29 | 0:21:31 | |
I think you need to really get to know your voice | 0:21:31 | 0:21:34 | |
so my advice to you would be go away and really work on | 0:21:34 | 0:21:37 | |
your voice and sing as much as you can and perform as much as you can. | 0:21:37 | 0:21:41 | |
-I think that will really help. -Sam, you have a lovely sounding voice. | 0:21:41 | 0:21:44 | |
Thank you. | 0:21:44 | 0:21:45 | |
So good luck and God bless. | 0:21:45 | 0:21:48 | |
Thank you. Thanks very much. | 0:21:48 | 0:21:49 | |
APPLAUSE | 0:21:49 | 0:21:51 | |
Hello, Sam. | 0:21:58 | 0:22:00 | |
You sang really well. | 0:22:03 | 0:22:05 | |
-Did he do you proud? -Yeah. He always does me proud. -Nice. | 0:22:05 | 0:22:09 | |
23-year-old Alex Buchanan is used to playing at being a pop star. | 0:22:14 | 0:22:18 | |
Now he wants to be one in his own right. | 0:22:18 | 0:22:20 | |
I've been there in the Michael Jackson show, Thriller Live, | 0:22:20 | 0:22:23 | |
but I am ready to be an artist and I need to be out there. | 0:22:23 | 0:22:26 | |
'We have always been very close, my family and I. | 0:22:28 | 0:22:30 | |
'They keep me level-headed and humble' | 0:22:30 | 0:22:32 | |
and they make me want to do well. | 0:22:32 | 0:22:34 | |
Whatever happens, we are here for you. That's it. | 0:22:34 | 0:22:37 | |
-We are all very proud of you. -Cheers, Dad. | 0:22:37 | 0:22:39 | |
My relationship with my father is amazing and my dad is definitely | 0:22:39 | 0:22:43 | |
my best friend and he was the person that I learned everything from. | 0:22:43 | 0:22:49 | |
It's good just getting to this stage, you know? | 0:22:49 | 0:22:52 | |
So you have done a good job and I'm sure you will fare really well. | 0:22:52 | 0:22:56 | |
I think one of the greatest lessons he ever taught me | 0:22:56 | 0:22:58 | |
is just to never give up, live with no regrets and chase your dream. | 0:22:58 | 0:23:02 | |
'My dream is to look after the family.' | 0:23:02 | 0:23:04 | |
You know, it is going to help me create a better life for them. | 0:23:04 | 0:23:08 | |
'I want to be on the stage, you know, | 0:23:11 | 0:23:13 | |
'with thousands of people stood in front of me, | 0:23:13 | 0:23:15 | |
'just singing my songs back to me and enjoying what it is that I do. | 0:23:15 | 0:23:19 | |
'I do believe that I have the potential | 0:23:19 | 0:23:21 | |
'to be a successful recording artist. | 0:23:21 | 0:23:25 | |
'I just need someone to believe in me.' | 0:23:25 | 0:23:27 | |
# Too much light in my window | 0:23:49 | 0:23:53 | |
# Don't wake me up | 0:23:53 | 0:23:54 | |
# If I wake and you're here still | 0:23:57 | 0:23:59 | |
# Give me a kiss | 0:24:00 | 0:24:02 | |
# Don't wake me up Up, up, up, up, up | 0:24:02 | 0:24:06 | |
# Don't wake me up | 0:24:06 | 0:24:08 | |
# Don't wake me | 0:24:08 | 0:24:10 | |
# Don't wake me up, yeah | 0:24:10 | 0:24:17 | |
# Don't wake me up | 0:24:17 | 0:24:25 | |
# Don't wake me up | 0:24:25 | 0:24:27 | |
# Too much life in the city | 0:24:27 | 0:24:31 | |
# You won't believe | 0:24:31 | 0:24:32 | |
# Been awake for some days now | 0:24:34 | 0:24:37 | |
# And no time to sleep | 0:24:37 | 0:24:42 | |
# If your heart is a pillow | 0:24:42 | 0:24:45 | |
# This love's the bed, yeah | 0:24:45 | 0:24:48 | |
# So tell me where is the music | 0:24:49 | 0:24:53 | |
# Inside my head? | 0:24:53 | 0:25:01 | |
# Don't wake me up | 0:25:02 | 0:25:08 | |
# Don't wake me up, up, up, up, up | 0:25:10 | 0:25:17 | |
# Don't wake me up. # | 0:25:17 | 0:25:22 | |
CHEERING AND APPLAUSE | 0:25:23 | 0:25:24 | |
Wow! | 0:25:28 | 0:25:29 | |
Yeah! | 0:25:34 | 0:25:36 | |
-What's your name? -My name is Alex Buchanan. Hi. -Where do you work? | 0:25:45 | 0:25:51 | |
What's your passport number? | 0:25:51 | 0:25:53 | |
LAUGHTER | 0:25:53 | 0:25:54 | |
I'm a full-time musician, artist. | 0:25:56 | 0:25:58 | |
But I'm also the lead singer in Thriller Live the musical, | 0:25:58 | 0:26:02 | |
the West End musical. | 0:26:02 | 0:26:04 | |
-Wow. How old are you? -23. | 0:26:04 | 0:26:07 | |
Sorry, I'm asking, like, 100 questions. 23? | 0:26:07 | 0:26:09 | |
-I was the last to turn around cos I wasn't sure. -I was the first. | 0:26:09 | 0:26:12 | |
I know. We know. | 0:26:12 | 0:26:13 | |
LAUGHTER | 0:26:13 | 0:26:16 | |
But me and Will did a nice spectacular turn standing up. | 0:26:16 | 0:26:19 | |
-That was quite exciting. -Yeah, that was dope. -It was. Pew! | 0:26:19 | 0:26:22 | |
But what I will say is I felt you pushed yourself. | 0:26:23 | 0:26:26 | |
Like, you grew with the performance but, like, | 0:26:26 | 0:26:28 | |
that last riff, I was like... | 0:26:28 | 0:26:30 | |
-And it was delicious. -Thank you. | 0:26:32 | 0:26:34 | |
And congratulations on getting through to the next round. | 0:26:34 | 0:26:37 | |
Thank you so much. | 0:26:37 | 0:26:38 | |
Well, I waited before I hit my button | 0:26:40 | 0:26:43 | |
because I was waiting for you to do something wrong, but you didn't. | 0:26:43 | 0:26:47 | |
APPLAUSE | 0:26:47 | 0:26:49 | |
If you were with me, I would just want more of the same from you. | 0:26:49 | 0:26:53 | |
And that's the only advice I can really give you. | 0:26:53 | 0:26:55 | |
You hit it the way you are hitting it because it is great. | 0:26:55 | 0:26:58 | |
APPLAUSE | 0:26:58 | 0:27:00 | |
I think, you know, generally, vocally, you are very gifted. | 0:27:02 | 0:27:05 | |
Very, very gifted, you know, from another male vocalist. | 0:27:05 | 0:27:08 | |
You know, I think you are very fresh, very new. | 0:27:08 | 0:27:11 | |
I absolutely need you on my team. | 0:27:11 | 0:27:13 | |
APPLAUSE | 0:27:13 | 0:27:14 | |
And again, as a male thing and being quite close to your age as well, | 0:27:17 | 0:27:20 | |
I do feel getting thrust into... | 0:27:20 | 0:27:22 | |
Did you just say close in age? | 0:27:22 | 0:27:24 | |
Yeah, of course. | 0:27:24 | 0:27:26 | |
That is desperado! | 0:27:26 | 0:27:27 | |
LAUGHTER | 0:27:27 | 0:27:29 | |
Well, we pushed the buttons but, at the end of the day, | 0:27:30 | 0:27:32 | |
you have the power. | 0:27:32 | 0:27:35 | |
AUDIENCE SHOUT | 0:27:35 | 0:27:36 | |
Wow. | 0:27:41 | 0:27:42 | |
OK, OK. | 0:27:42 | 0:27:44 | |
I am... | 0:27:44 | 0:27:45 | |
I... | 0:27:50 | 0:27:51 | |
I am stunned, like. I would love to work with all of you. | 0:27:53 | 0:27:57 | |
I think, this time... | 0:27:59 | 0:28:01 | |
-I think, this time... -I'm getting hot. | 0:28:04 | 0:28:07 | |
I think I am making a good decision. | 0:28:11 | 0:28:14 | |
This is so hard. | 0:28:16 | 0:28:18 | |
This time, | 0:28:28 | 0:28:31 | |
I'm going to pick my girl, Jessie. | 0:28:31 | 0:28:33 | |
CHEERING | 0:28:33 | 0:28:34 | |
It's going to be fun. | 0:28:42 | 0:28:43 | |
I think he has got great potential | 0:28:56 | 0:28:58 | |
and I think, with the right song, I think he could be amazing. | 0:28:58 | 0:29:01 | |
And Will was like, "Turn around, turn around." | 0:29:01 | 0:29:04 | |
I bet he's going to regret that now. | 0:29:04 | 0:29:06 | |
I'm glad he went with Jessie cos I pressed my button | 0:29:06 | 0:29:09 | |
and then realised, "No, maybe I don't want him on my team. | 0:29:09 | 0:29:13 | |
"Let me get Jessie to get him." | 0:29:13 | 0:29:14 | |
Sneaky Willy. | 0:29:15 | 0:29:17 | |
-REGGIE: -Will is not the only one with secret weapons. | 0:29:19 | 0:29:22 | |
52-year-old Lorraine Crosby has some legendary firepower up her sleeve. | 0:29:22 | 0:29:27 | |
I have to say the highlight of my musical career is | 0:29:27 | 0:29:30 | |
singing on a number one song with Meatloaf. | 0:29:30 | 0:29:33 | |
I sang a duet with him on | 0:29:33 | 0:29:34 | |
I Would Do Anything For Love (But I won't Do That). | 0:29:34 | 0:29:37 | |
# And I would do anything for love... # | 0:29:37 | 0:29:41 | |
So what is the story behind all that? | 0:29:41 | 0:29:43 | |
I was in the studio when they were recording the song and the girl | 0:29:43 | 0:29:45 | |
who was supposed to sing it didn't turn up and Meatloaf said, | 0:29:45 | 0:29:48 | |
"Would you mind, we'll put this on record?" And I went, | 0:29:48 | 0:29:51 | |
-"Why not?" -Yeah. | 0:29:51 | 0:29:53 | |
They used a model in the video so nobody knew it was me. | 0:29:53 | 0:29:56 | |
# I know the territory. # | 0:29:56 | 0:29:59 | |
And to this day, people don't realise she didn't actually sing it, | 0:29:59 | 0:30:02 | |
she just lip-synched to my voice. | 0:30:02 | 0:30:04 | |
So, what actually happened to that model in the video then? | 0:30:04 | 0:30:07 | |
-She was offered three record deals. -Off of your voice? -Off of my voice. | 0:30:07 | 0:30:11 | |
That's ridiculous. | 0:30:11 | 0:30:13 | |
I didn't make any money singing that song. | 0:30:13 | 0:30:16 | |
I didn't have two pennies to rub together | 0:30:16 | 0:30:18 | |
'and that song was number one all over the world.' | 0:30:18 | 0:30:21 | |
I didn't have a bean. But I've never been bitter about it. | 0:30:21 | 0:30:25 | |
'It would be lovely just to walk on stage and be the singer. | 0:30:25 | 0:30:28 | |
'And that's it. | 0:30:28 | 0:30:29 | |
'Walking out there, it's probably like playing Wembley Arena.' | 0:30:34 | 0:30:38 | |
'It could change your life that much. | 0:30:39 | 0:30:41 | |
'As soon as I see the crowd, I think I'll be OK. | 0:30:42 | 0:30:45 | |
'I'll try not to look at the chairs, just at the audience. | 0:30:45 | 0:30:48 | |
'Look at the audience, not the chairs and I'll be all right. | 0:30:48 | 0:30:51 | |
'Let's see what happens.' | 0:30:51 | 0:30:53 | |
# Mmm, LA proved too much for the man | 0:31:09 | 0:31:16 | |
# He couldn't take it | 0:31:19 | 0:31:21 | |
# So he's leaving life | 0:31:21 | 0:31:25 | |
# He's come to know, ooh | 0:31:25 | 0:31:29 | |
# So he pawned all his hopes | 0:31:30 | 0:31:33 | |
# He even sold his old car | 0:31:35 | 0:31:39 | |
# He bought a one-way ticket back | 0:31:41 | 0:31:45 | |
# To the life he once knew | 0:31:45 | 0:31:48 | |
# Oh, yes, he did | 0:31:48 | 0:31:50 | |
# He said he would | 0:31:50 | 0:31:52 | |
# Oh-oh, he's leaving | 0:31:52 | 0:31:54 | |
# On that midnight train to Georgia | 0:31:56 | 0:32:00 | |
# Yeah. | 0:32:00 | 0:32:03 | |
# He said he's going back to find | 0:32:03 | 0:32:07 | |
# Ooh, a simpler place and time | 0:32:07 | 0:32:10 | |
# Oh, yeah | 0:32:10 | 0:32:12 | |
# And I'm gonna be with him | 0:32:14 | 0:32:17 | |
# On that midnight train to Georgia | 0:32:17 | 0:32:24 | |
# Ooh, ooh | 0:32:24 | 0:32:26 | |
# I'd rather live in his world | 0:32:26 | 0:32:28 | |
# Than live without him in mine | 0:32:28 | 0:32:33 | |
# Ooh-ooh-oooh. # | 0:32:33 | 0:32:39 | |
APPLAUSE | 0:32:39 | 0:32:40 | |
Hi! | 0:32:51 | 0:32:53 | |
-How are you? -Gutted. -Aw. | 0:32:56 | 0:32:59 | |
You know, you got past 30,000 people to get up here, you know. | 0:33:01 | 0:33:04 | |
That's one mean feat right there. Um... | 0:33:04 | 0:33:07 | |
-What's your background? Where do you come from? -I'm from Newcastle. | 0:33:07 | 0:33:10 | |
CHEERING | 0:33:10 | 0:33:12 | |
And you've all heard me sing before, by the way. | 0:33:12 | 0:33:15 | |
I sang a song that was number one in 1993. | 0:33:15 | 0:33:18 | |
I sang a song called I Would Do Anything For Love with Meatloaf. | 0:33:18 | 0:33:22 | |
GASPING | 0:33:22 | 0:33:23 | |
CHEERING AND APPLAUSE | 0:33:23 | 0:33:25 | |
Basically, I came on because I wasn't in the video | 0:33:25 | 0:33:28 | |
and everybody I tell I sang the song, | 0:33:28 | 0:33:30 | |
they've got no idea it was me, so that's why I came. | 0:33:30 | 0:33:33 | |
APPLAUSE | 0:33:33 | 0:33:35 | |
You've got a great voice, like, gorgeous, gorgeous tone. | 0:33:35 | 0:33:39 | |
Like, even when you growled, I liked it. Does that make sense? | 0:33:39 | 0:33:41 | |
Like, there was moments I was, like, "I really like this." Going, | 0:33:41 | 0:33:44 | |
"Yeah, yeah." And then I wanted you to do a riff or something on the end | 0:33:44 | 0:33:47 | |
of a sentence to make it really yours. It kind of just disappeared? | 0:33:47 | 0:33:50 | |
-And that's the reason I didn't turn around. -I appreciate that. | 0:33:50 | 0:33:53 | |
I thought your voice was magnificent. | 0:33:58 | 0:34:00 | |
I was hoping Jessie or Tom turned around for you | 0:34:00 | 0:34:04 | |
because they would be great coaches. And I was pleasantly surprised. | 0:34:04 | 0:34:08 | |
Um... I thought, the way you sang, you sound like, er, one of my family members? | 0:34:08 | 0:34:13 | |
-Ah. -And then I turned around, I was like, "Ah..." -Thank you, Will. | 0:34:13 | 0:34:16 | |
-Yeah, really so. -Thank you. | 0:34:16 | 0:34:17 | |
CHEERING AND APPLAUSE | 0:34:17 | 0:34:20 | |
'I came here today hoping for one of the coaches to turn round' | 0:34:27 | 0:34:30 | |
and change my life in some way, but they didn't, | 0:34:30 | 0:34:34 | |
but at least I got to tell my story, and I'm happy with that. | 0:34:34 | 0:34:38 | |
She sang with Meatloaf. That's her... | 0:34:38 | 0:34:40 | |
# I would do anything for love But I won't do that... # | 0:34:40 | 0:34:45 | |
That was her on that song. | 0:34:45 | 0:34:47 | |
People have come from all corners of the UK to try and | 0:34:49 | 0:34:52 | |
impress our coaches, and our next act has decided to bring a little | 0:34:52 | 0:34:56 | |
-bit of home along with him. -Anybody want a biscuit? | 0:34:56 | 0:35:00 | |
All the way from... | 0:35:00 | 0:35:02 | |
My name's Gary Ryland, also known as Ragsy, | 0:35:02 | 0:35:05 | |
from Aberdare, South Wales, in the Valleys. | 0:35:05 | 0:35:08 | |
It's a fantastic place, full of colourful characters | 0:35:08 | 0:35:11 | |
and wonderful people. | 0:35:11 | 0:35:12 | |
-That's my mum, that is. That's my dad. -Hello. -Do I get a kiss as well? | 0:35:12 | 0:35:15 | |
Course you do. | 0:35:15 | 0:35:17 | |
-Always. -Never wash that again. -HOLLY LAUGHS | 0:35:17 | 0:35:20 | |
Where does the name Ragsy come from? | 0:35:20 | 0:35:22 | |
Um, when my brothers were... | 0:35:22 | 0:35:24 | |
were young, like, you know, my parents, obviously, | 0:35:24 | 0:35:26 | |
were a little bit skint, like, so my mother, she used to... | 0:35:26 | 0:35:30 | |
She used to patch their jeans up and they used to go to school | 0:35:30 | 0:35:33 | |
and all that, like, and everybody was calling them Ragsy then. | 0:35:33 | 0:35:36 | |
And that's where it comes from? | 0:35:36 | 0:35:37 | |
Yeah, and then it was Ragsy 1, Ragsy 2, and then Ragsy 3. | 0:35:37 | 0:35:40 | |
THEY LAUGH | 0:35:40 | 0:35:42 | |
In my current day job, I'm a chef. Music's my first love. | 0:35:42 | 0:35:47 | |
Food is a very close second. | 0:35:47 | 0:35:49 | |
At work I'm known as the rock 'n' roll chef. | 0:35:49 | 0:35:52 | |
HE SINGS | 0:35:52 | 0:35:54 | |
Cooking away, I'm always singing. | 0:35:54 | 0:35:58 | |
I've been gigging all my life, and as gigs go, | 0:36:01 | 0:36:03 | |
this is the biggest yet. | 0:36:03 | 0:36:06 | |
This opportunity is, you know, it's an amazing chance | 0:36:07 | 0:36:10 | |
to really do something musically in my life. | 0:36:10 | 0:36:13 | |
-Gee, he's good looking, like his dad, isn't he? -He is. | 0:36:21 | 0:36:24 | |
I was just thinking that. | 0:36:24 | 0:36:25 | |
# I was just guessing at numbers and figures | 0:36:37 | 0:36:44 | |
# Pulling the puzzles apart... # | 0:36:44 | 0:36:48 | |
Come on, my son. | 0:36:48 | 0:36:50 | |
# Questions of science | 0:36:50 | 0:36:53 | |
# Science and progress | 0:36:53 | 0:36:56 | |
# Do not speak as loud as my heart | 0:36:56 | 0:37:02 | |
# So tell me you love me | 0:37:02 | 0:37:06 | |
# Oh, come back and haunt me | 0:37:06 | 0:37:08 | |
# Oh, and we rush to the start | 0:37:08 | 0:37:15 | |
# I'm running in circles | 0:37:15 | 0:37:18 | |
# Chasing our tails | 0:37:18 | 0:37:21 | |
# Coming back as we are | 0:37:21 | 0:37:26 | |
# Nobody said it was easy | 0:37:27 | 0:37:33 | |
# Oh, it's such a shame for us to part | 0:37:33 | 0:37:40 | |
# Nobody said it was easy | 0:37:41 | 0:37:46 | |
# No one ever said it would be so hard | 0:37:46 | 0:37:57 | |
# Oh, take me back to the start | 0:37:57 | 0:38:07 | |
# Ooooohhhhhhh. # | 0:38:07 | 0:38:12 | |
CHEERING AND APPLAUSE | 0:38:12 | 0:38:16 | |
Whoo. | 0:38:31 | 0:38:33 | |
Yeah, man. Take me back to the start of that performance. | 0:38:33 | 0:38:35 | |
-That was brilliant. -Thank you very much. | 0:38:35 | 0:38:37 | |
-What's your name? -Ragsy. -Ragsy? | 0:38:37 | 0:38:40 | |
-Yeah, as in scruffy jeans - Ragsy. -Ragsy. JESSIE: Ragsy. | 0:38:40 | 0:38:44 | |
-Where are you from? -Yeah, all the way from Aberdare. | 0:38:44 | 0:38:47 | |
Yabba-dabba-dare. Whatever you want to call it. | 0:38:47 | 0:38:50 | |
APPLAUSE AND LAUGHTER | 0:38:50 | 0:38:53 | |
-How come you didn't turn around? Is there anything...? -Because... | 0:38:55 | 0:38:58 | |
I didn't turn around because I know that you'll be better off with | 0:38:58 | 0:39:03 | |
-either one of those two guys. -Oh, right, right. | 0:39:03 | 0:39:05 | |
No, I just thought that it might have been something I did wrong, | 0:39:05 | 0:39:08 | |
-like, you know. -Oh, no. You did nothing wrong. -Uh-huh. | 0:39:08 | 0:39:11 | |
I am transparent, man. When I see something and I see one of my mates | 0:39:11 | 0:39:14 | |
over there hit the button, I'm like, "You know what? | 0:39:14 | 0:39:16 | |
"I would hate if they did that to me," so let me, like, | 0:39:16 | 0:39:19 | |
practise what I preach, and turn the other cheek. | 0:39:19 | 0:39:21 | |
Father, Father, will you help us? Send some guidance from above. Where is the love? | 0:39:21 | 0:39:26 | |
Everything that's synonymous with M-A-G | 0:39:29 | 0:39:31 | |
is what you were right there. | 0:39:31 | 0:39:33 | |
-Oh, thank you very much. -Margarine? | 0:39:33 | 0:39:35 | |
So M-A-G is magnificent, imagination, magazine... | 0:39:35 | 0:39:39 | |
-You belong on the cover of a magazine. -Oh, do I? | 0:39:39 | 0:39:44 | |
Magnet. Magnetic. Um... | 0:39:44 | 0:39:47 | |
Magician. Magical. Um... | 0:39:47 | 0:39:51 | |
-and magnum. -Wow. -Ah. | 0:39:51 | 0:39:54 | |
Thank you very much for that. | 0:39:55 | 0:39:58 | |
I love people who do take risks, just taking a song like that, | 0:39:59 | 0:40:02 | |
-such a signature song, and doing your own thing to it. -Fantastic. | 0:40:02 | 0:40:05 | |
I was looking for a really, really great rock singer. | 0:40:05 | 0:40:07 | |
-I think I just found him. So... -Ooh... | 0:40:07 | 0:40:09 | |
-JESSIE: Hello. -Hi, you all right? -Well done, | 0:40:10 | 0:40:14 | |
but I always try and give a little bit of advice. | 0:40:14 | 0:40:16 | |
Really, really try and go for those high notes, because you were kind of | 0:40:16 | 0:40:19 | |
-sitting just underneath them. -Oh, OK. Thank you very much. | 0:40:19 | 0:40:21 | |
So really just sit on top of them instead of underneath them. | 0:40:21 | 0:40:25 | |
OK. Thank you very much. That's brilliant, that is. I'll, er... | 0:40:25 | 0:40:28 | |
-LAUGHTER -I'll give that a crack. | 0:40:28 | 0:40:29 | |
Well, I don't think you were sitting underneath anything. | 0:40:31 | 0:40:34 | |
-I think you were right on top of it. -RAGSY: -Ah! -TOM: -And that was it. | 0:40:34 | 0:40:39 | |
I loved the way you sounded right from the start, and I hope, | 0:40:40 | 0:40:45 | |
you know, I can be your coach and we can have some fun together. | 0:40:45 | 0:40:49 | |
-Ha-ha! -Yes! -Thank you very much, Tom. It means a lot. | 0:40:51 | 0:40:55 | |
It means a lot, especially from someone like yourself. | 0:40:55 | 0:40:58 | |
It's up to you. Do you want to go with Dan the man | 0:40:58 | 0:41:01 | |
or the man with the tan? | 0:41:01 | 0:41:02 | |
LAUGHTER | 0:41:02 | 0:41:05 | |
Who's it going to be, Ragsy? | 0:41:05 | 0:41:06 | |
It is a tough one. | 0:41:08 | 0:41:11 | |
HE LAUGHS | 0:41:11 | 0:41:13 | |
Wait, wait, wait. | 0:41:14 | 0:41:16 | |
CHEERING | 0:41:17 | 0:41:20 | |
SCREAMING | 0:41:20 | 0:41:23 | |
HE LAUGHS | 0:41:25 | 0:41:27 | |
Um...ooh, right. Um... | 0:41:28 | 0:41:32 | |
Being Welsh, I'm sure you came in going... | 0:41:32 | 0:41:35 | |
Like I said, I know you turned around first, | 0:41:35 | 0:41:38 | |
and I really do appreciate the comments and everything like that, | 0:41:38 | 0:41:42 | |
you know? And you're a fantastic artist. | 0:41:42 | 0:41:45 | |
It feels like we're splitting up! | 0:41:45 | 0:41:46 | |
LAUGHTER | 0:41:46 | 0:41:48 | |
Are we splitting up? | 0:41:48 | 0:41:50 | |
# Everybody hurts... # | 0:41:51 | 0:41:53 | |
I'm sorry, it's not you, it's me. | 0:41:53 | 0:41:56 | |
LAUGHTER AND APPLAUSE | 0:41:56 | 0:41:59 | |
We've just become different people and we want different things, like, you know? | 0:41:59 | 0:42:02 | |
DANNY LAUGHS | 0:42:02 | 0:42:04 | |
Um... | 0:42:04 | 0:42:06 | |
But I do really appreciate it, and I appreciate your compliments | 0:42:06 | 0:42:09 | |
and everything like that, but, you know, | 0:42:09 | 0:42:11 | |
I'd love to work with Tom, to be honest with you. | 0:42:11 | 0:42:14 | |
CHEERING | 0:42:14 | 0:42:16 | |
Yes. | 0:42:18 | 0:42:19 | |
Well done, Ragsy! | 0:42:44 | 0:42:46 | |
It's bonkers, innit? | 0:42:46 | 0:42:49 | |
-Outrageous. -Thank you very much. | 0:42:49 | 0:42:50 | |
It's crazy, man. | 0:42:50 | 0:42:52 | |
Once he hit that high note, that was it, it clinched the deal for me. | 0:42:52 | 0:42:56 | |
-You've done it, son! -Yeah. Definitely. | 0:42:56 | 0:43:00 | |
There are a lot of powerful singers in Wales, and he's one of them. | 0:43:00 | 0:43:05 | |
So Tom bags yet another Celt for his team. | 0:43:05 | 0:43:08 | |
Just what is it the Welsh find so irresistible about Mr Jones? | 0:43:08 | 0:43:12 | |
I think everyone in the world knows Tom Jones. | 0:43:12 | 0:43:15 | |
But especially round the Valleys. | 0:43:15 | 0:43:17 | |
Everybody feels some connection to Tom Jones. | 0:43:17 | 0:43:20 | |
Tom, you've been a hero most of my life. | 0:43:20 | 0:43:22 | |
-I grew up listening to Tom Jones. -He's a legend. | 0:43:22 | 0:43:25 | |
-Sir Tom! -Oh, thank you. | 0:43:25 | 0:43:26 | |
I'm very proud of him, everybody is. | 0:43:26 | 0:43:28 | |
I've loved you all my life! | 0:43:28 | 0:43:31 | |
He's like a dragon. A dragon got wings. | 0:43:31 | 0:43:33 | |
# Yeah... # | 0:43:33 | 0:43:36 | |
-Where do you come from, love? -A place called Swansea. | 0:43:38 | 0:43:40 | |
-I'm from Newport. -I'm from Abercynon. -I know it well. | 0:43:40 | 0:43:43 | |
-I'm from the Valleys. -Cardiff. -South Wales. -From South Wales! | 0:43:43 | 0:43:48 | |
Oh, here we go. I might as well just leave now. | 0:43:48 | 0:43:50 | |
# My, my, my Delilah... # | 0:43:50 | 0:43:52 | |
Tom Jones is like Velcro to Welsh people. | 0:43:52 | 0:43:54 | |
They just stick to him like glue, they do. | 0:43:54 | 0:43:56 | |
Every single contestant has a story. | 0:43:56 | 0:43:57 | |
My grandfather, he actually sang with Tom. | 0:43:57 | 0:44:00 | |
-It's like the six degrees of Tom Jones. -You danced for my nan. | 0:44:00 | 0:44:02 | |
Is there anybody you don't know? | 0:44:02 | 0:44:04 | |
My neighbour was Tom Jones's wife's best friend and hairdresser. | 0:44:04 | 0:44:09 | |
Really? Seriously. | 0:44:09 | 0:44:10 | |
-I've been around quite a while. -You're amazing, Tom Jones. | 0:44:10 | 0:44:14 | |
-Amazing! -Yes! | 0:44:14 | 0:44:15 | |
-CHEERING -Thank you. | 0:44:15 | 0:44:18 | |
Here come Harry Smith and Katie Jones. | 0:44:21 | 0:44:24 | |
-And together we are... -BOTH: Smith and Jones. | 0:44:24 | 0:44:27 | |
# Your hand fits in mine like it's made just for me... # | 0:44:29 | 0:44:33 | |
We're performing together today, | 0:44:33 | 0:44:35 | |
but we are actually boyfriend and girlfriend as well. | 0:44:35 | 0:44:38 | |
When we sing together, there's a connection and a bond, | 0:44:39 | 0:44:42 | |
and I think it makes us stronger as a couple. | 0:44:42 | 0:44:45 | |
Mmm. | 0:44:46 | 0:44:48 | |
# I'm in love with you | 0:44:48 | 0:44:52 | |
# And all these little things. # | 0:44:52 | 0:44:54 | |
He's written a few songs about me before, | 0:44:54 | 0:44:56 | |
and that just makes me feel really special. | 0:44:56 | 0:44:58 | |
-He writes me love letters... -Whoa! -No, you do, and they're all so lush... -Cut! | 0:44:59 | 0:45:04 | |
-And they're like, really poetic, and... -Kate! -Just say something that you put in your letters. | 0:45:04 | 0:45:08 | |
-You're revealing my deepest, darkest secrets. -But they just want you to say something nice about me, | 0:45:08 | 0:45:13 | |
and I feel like you can't say anything nice about me. | 0:45:13 | 0:45:15 | |
# You say it best | 0:45:15 | 0:45:18 | |
# When you say nothing at all. # | 0:45:18 | 0:45:20 | |
No matter what happens today, we're in it together, | 0:45:20 | 0:45:23 | |
we're still going to have each other after this, so... | 0:45:23 | 0:45:25 | |
-Aah! -..we won't completely lose. | 0:45:25 | 0:45:27 | |
THEY LAUGH | 0:45:27 | 0:45:30 | |
There is added pressure, I think, being in a couple, | 0:45:36 | 0:45:39 | |
because you don't want to let the other person down, and if you're | 0:45:39 | 0:45:42 | |
the one that goes wrong and then you don't get through, it's a bit scary. | 0:45:42 | 0:45:47 | |
Yeah, nobody wants to let down the person they love, do they? | 0:45:48 | 0:45:51 | |
# I was perched outside in the pouring rain | 0:46:10 | 0:46:15 | |
# Trying to make myself a sail | 0:46:15 | 0:46:18 | |
# Then I'll float to you my darlin' | 0:46:18 | 0:46:22 | |
# With the evening on my tail | 0:46:22 | 0:46:26 | |
# Although not the most honest means of travel | 0:46:26 | 0:46:30 | |
# But it gets me there nonetheless | 0:46:30 | 0:46:34 | |
# I'm a heartless man at worst, babe | 0:46:34 | 0:46:38 | |
# And a helpless one at best | 0:46:38 | 0:46:41 | |
BOTH: # Darling I'll bathe your skin | 0:46:41 | 0:46:45 | |
# I'll even wash your clothes | 0:46:45 | 0:46:48 | |
# Just give me some candy | 0:46:48 | 0:46:52 | |
# Before I go | 0:46:52 | 0:46:54 | |
# Oh-oh-oh | 0:46:54 | 0:46:57 | |
# Well, I'm often false explaining | 0:46:57 | 0:47:00 | |
# But to her it plays out all the same | 0:47:00 | 0:47:04 | |
-# And although I'm left defeated -Go on, Danny! | 0:47:04 | 0:47:07 | |
# Oh, it gets held against my name | 0:47:07 | 0:47:11 | |
BOTH: # Darling I'll bathe your skin | 0:47:11 | 0:47:15 | |
# I'll even wash your clothes | 0:47:15 | 0:47:18 | |
# Just give me some candy | 0:47:18 | 0:47:21 | |
-# Before I go... # -Oh, no! They're not going to go, are they? | 0:47:21 | 0:47:26 | |
# Darling I'll bathe your skin | 0:47:26 | 0:47:31 | |
# I'll even wash your clothes | 0:47:31 | 0:47:34 | |
# Just give me some candy... # | 0:47:34 | 0:47:42 | |
CHEERING AND APPLAUSE | 0:47:43 | 0:47:46 | |
Your names are..? | 0:47:55 | 0:47:57 | |
-We're called Smith and Jones. Katie Smith and... -Harry Jones. | 0:47:58 | 0:48:01 | |
-Amazing! -Thank you very much. -How old are you guys? -19. -19, wow. | 0:48:01 | 0:48:06 | |
And we're a couple, also. I should probably state that. | 0:48:06 | 0:48:09 | |
CHEERING AND APPLAUSE Awesome. | 0:48:09 | 0:48:12 | |
Aaaah! | 0:48:13 | 0:48:14 | |
-How long have you guys been boyfriend and girlfriend? -Wow! DANNY LAUGHS | 0:48:15 | 0:48:19 | |
-How long have you guys been boyfriend and girlfriend? -I love it! | 0:48:19 | 0:48:21 | |
-How long? A year and a half..? -That took you a while! | 0:48:21 | 0:48:26 | |
LAUGHTER | 0:48:26 | 0:48:28 | |
Just working it out. | 0:48:28 | 0:48:29 | |
Did you ask her, like, "Will you be my girlfriend?" | 0:48:29 | 0:48:32 | |
Well, we met singing at a charity event | 0:48:32 | 0:48:34 | |
where we were both performing as soloists, and then, | 0:48:34 | 0:48:37 | |
the kind of first date situation, if you like, was, | 0:48:37 | 0:48:40 | |
"Hey, do you want to come over to my house and sing a song together, and..?" | 0:48:40 | 0:48:44 | |
LAUGHTER | 0:48:44 | 0:48:45 | |
Don't worry, I've tried that one myself! | 0:48:45 | 0:48:47 | |
It worked! Didn't that work for you? It worked for me. | 0:48:47 | 0:48:50 | |
But I was so nervous, because I fancied him so much, that I couldn't sing. | 0:48:50 | 0:48:55 | |
Oh, yeah, that's what they all say! | 0:48:55 | 0:48:57 | |
LAUGHTER | 0:48:57 | 0:49:00 | |
Well, I thought it was great, I really did. I'm so glad that Danny has turned around, | 0:49:00 | 0:49:03 | |
-because I think you're amazing, and at 19, incredible. -Yeah. -Your harmonies are lovely. -Thanks. | 0:49:03 | 0:49:09 | |
-Really great, and congratulations on being in love and here and together. -Thank you very much. | 0:49:09 | 0:49:13 | |
CHEERING AND APPLAUSE | 0:49:13 | 0:49:16 | |
You guys are boyfriend and girlfriend, | 0:49:18 | 0:49:20 | |
you guys are obviously in love, right, | 0:49:20 | 0:49:22 | |
and you guys like singing harmoniously, | 0:49:22 | 0:49:24 | |
so that represents love, you know? | 0:49:24 | 0:49:26 | |
Don't break up! | 0:49:26 | 0:49:28 | |
THEY LAUGH | 0:49:28 | 0:49:30 | |
-Cos I'm telling you... -That's good advice! | 0:49:30 | 0:49:32 | |
You can't be fighting, during the battles and stuff... | 0:49:32 | 0:49:35 | |
I've said that. What if you're arguing? | 0:49:35 | 0:49:37 | |
You won't want to sing together. | 0:49:37 | 0:49:39 | |
Yeah, what if you guys go out to eat and you are eating too loud, | 0:49:39 | 0:49:42 | |
and you're like, "Honey, don't, it's disgusting." In the end... | 0:49:42 | 0:49:47 | |
Then you come and sing and stuff on a battle... | 0:49:47 | 0:49:50 | |
Danny's going to control that, | 0:49:50 | 0:49:52 | |
cos he's going to be like a counsellor, relationship coach... | 0:49:52 | 0:49:54 | |
DANNY LAUGHS | 0:49:54 | 0:49:56 | |
Crisis management, yeah, exactly. | 0:49:56 | 0:49:58 | |
But you guys are really cool, you guys are special. | 0:49:58 | 0:50:01 | |
APPLAUSE | 0:50:01 | 0:50:02 | |
You're with the right manager. | 0:50:05 | 0:50:07 | |
-I think Danny is going to work great with you. -Thanks, Tom. -Yeah, thanks, Tom. | 0:50:07 | 0:50:12 | |
I was looking for something that had a bit of energy in it, | 0:50:12 | 0:50:14 | |
bit of youth, great harmonies, I mean, perfect harmonies, you can totally tell that... | 0:50:14 | 0:50:18 | |
I don't know if you're trying to impress her by harmonising or you impressing him, but genuinely, | 0:50:18 | 0:50:22 | |
you guys literally sound like you've been playing all your lives together. | 0:50:22 | 0:50:26 | |
-That's what I love, I love the intricacies, the harmonies. -Yeah. | 0:50:26 | 0:50:29 | |
I think where going to blend really, really well together, | 0:50:29 | 0:50:31 | |
and welcome to Team Dan! | 0:50:31 | 0:50:33 | |
-CHEERING -Team Dan! | 0:50:33 | 0:50:36 | |
Aaah... | 0:50:38 | 0:50:40 | |
By the way, there'll be none of that now! | 0:50:40 | 0:50:42 | |
APPLAUSE | 0:50:42 | 0:50:44 | |
But welcome to The Voice, you're on the right team, Team Dan all the way. | 0:50:45 | 0:50:48 | |
-You're welcome. Thanks very much. -Thank you! | 0:50:48 | 0:50:51 | |
CHEERING | 0:51:12 | 0:51:15 | |
Congratulations. | 0:51:17 | 0:51:19 | |
I honestly thought I was going to be the first person to wet myself! | 0:51:19 | 0:51:22 | |
LAUGHTER | 0:51:22 | 0:51:23 | |
That's what I was waiting for! | 0:51:23 | 0:51:25 | |
BOTH: # Danny-y-yyy... # | 0:51:26 | 0:51:32 | |
THEY LAUGH | 0:51:32 | 0:51:34 | |
I think I'm too picky. | 0:51:36 | 0:51:37 | |
-Yeah. -That's why I'm single! | 0:51:37 | 0:51:40 | |
-You single? -Yeah. | 0:51:41 | 0:51:42 | |
Do you want to be my boyfriend? HE LAUGHS Ohh... | 0:51:42 | 0:51:47 | |
27-year-old Liam Tamne wants to swap one big stage for another. | 0:51:49 | 0:51:53 | |
In Les Mis, I play the character Enjolras. | 0:51:53 | 0:51:55 | |
I'm so proud of my musical theatre background. | 0:51:55 | 0:51:58 | |
But from such a young age, I've always wanted to be a recording artist, | 0:51:58 | 0:52:03 | |
and so I feel now is the time that I make that step. | 0:52:03 | 0:52:06 | |
What song are you doing? | 0:52:06 | 0:52:07 | |
-I'm singing Maxwell, This Woman's Work, but it's originally Kate Bush. -Yeah. | 0:52:07 | 0:52:13 | |
The reason this song means so much to me is because of my nan. | 0:52:13 | 0:52:16 | |
She brought me up from such a young age, | 0:52:18 | 0:52:20 | |
and she was a mother figure to me. | 0:52:20 | 0:52:24 | |
Last year, she became very ill, | 0:52:24 | 0:52:27 | |
and then she passed away three weeks later. | 0:52:27 | 0:52:29 | |
-CLEARS THROAT -I'm so sorry. | 0:52:29 | 0:52:31 | |
CLEARS THROAT | 0:52:34 | 0:52:35 | |
I picture it in the song, that's why it means quite a bit to me. | 0:52:37 | 0:52:41 | |
Even though it's a sad song, but then when I sing it, | 0:52:41 | 0:52:44 | |
it's a completely different feeling. | 0:52:44 | 0:52:47 | |
It's a feeling of, like, acceptance, in a weird way. | 0:52:47 | 0:52:50 | |
I know there's many people out there who have probably gone | 0:52:53 | 0:52:56 | |
through similar experiences that I have. | 0:52:56 | 0:52:58 | |
I can finally put my nan at rest. | 0:53:02 | 0:53:05 | |
She's always wanted me to be a recording artist, | 0:53:05 | 0:53:08 | |
and she's always said to me, "Me and your granddad will be there | 0:53:08 | 0:53:11 | |
"at your first concert," and I just hope that they're watching me. | 0:53:11 | 0:53:14 | |
# Pray God you can cope | 0:53:39 | 0:53:43 | |
# I'll stand outside | 0:53:43 | 0:53:46 | |
# This woman's work | 0:53:46 | 0:53:48 | |
# This woman's world | 0:53:48 | 0:53:51 | |
# Ooh, it's hard on a man | 0:53:51 | 0:53:55 | |
# Now his part is over | 0:53:55 | 0:53:59 | |
# Now starts the craft | 0:53:59 | 0:54:03 | |
# Of the father | 0:54:03 | 0:54:08 | |
# I know you've got a little life in you yet | 0:54:09 | 0:54:13 | |
# I know you've got a lot of strength left | 0:54:13 | 0:54:17 | |
# I know you've got a little life in you yet | 0:54:17 | 0:54:21 | |
# I know you've got a lot of strength left | 0:54:21 | 0:54:25 | |
# Should be crying but I just can't let it show | 0:54:25 | 0:54:30 | |
# Should be hoping but I can't stop thinking | 0:54:33 | 0:54:41 | |
# All the things we should've said that we never said | 0:54:42 | 0:54:47 | |
# All the things we should have done that we never did | 0:54:47 | 0:54:50 | |
# All the things that you wanted from me | 0:54:50 | 0:54:53 | |
Woo! | 0:54:53 | 0:54:55 | |
# All the things that you needed from me | 0:54:55 | 0:54:59 | |
# Oh, darling, make it go | 0:54:59 | 0:55:05 | |
# Just make it go away. # | 0:55:05 | 0:55:12 | |
CHEERING | 0:55:14 | 0:55:15 | |
Take it in! Take it in. | 0:55:44 | 0:55:47 | |
-Yes! -Take it in, take that all in! -Thank you. -What's your name? -Liam. | 0:55:50 | 0:55:56 | |
-Liam? -Yeah. -How are you? -I'm good. -Did you enjoy that? | 0:55:56 | 0:56:00 | |
I did, I mean, this song means so much to me, | 0:56:00 | 0:56:03 | |
because of personal reasons. | 0:56:03 | 0:56:05 | |
-Yeah, you can tell. -So, um... | 0:56:05 | 0:56:07 | |
I'm just so pleased that you have all turned round, because even if you didn't turn round, | 0:56:07 | 0:56:11 | |
it was a big achievement for me to sing that song. | 0:56:11 | 0:56:14 | |
CHEERING | 0:56:14 | 0:56:15 | |
You sound like so many singers that I listen to and that's rare to hear. | 0:56:18 | 0:56:22 | |
That was very, very, very good. | 0:56:22 | 0:56:25 | |
There are very few people that I hear that I want to sing with | 0:56:25 | 0:56:29 | |
and write with, and genuinely go, "I really want to make you what you deserve to be." | 0:56:29 | 0:56:35 | |
You have so much potential and I would be excited to have you on my team, so it's your choice, but... | 0:56:35 | 0:56:42 | |
CHEERING AND APPLAUSE | 0:56:42 | 0:56:44 | |
And you're really cute! | 0:56:46 | 0:56:47 | |
God, where do I start? | 0:56:51 | 0:56:52 | |
The only indicator I have is the hairs on the arms, and they were standing up on end. | 0:56:52 | 0:56:55 | |
Amazing falsetto. Really amazing. | 0:56:55 | 0:56:58 | |
-CHEERING AND APPLAUSE -Thank you. | 0:56:58 | 0:56:59 | |
What's your background? | 0:57:02 | 0:57:04 | |
Well, I'm in musical theatre, and I've done so many shows, | 0:57:04 | 0:57:06 | |
and I'm currently in Les Mis. I play a character called Enjolras. | 0:57:06 | 0:57:10 | |
APPLAUSE | 0:57:10 | 0:57:12 | |
That's amazing. | 0:57:12 | 0:57:14 | |
I thought it was great. | 0:57:14 | 0:57:15 | |
And when you first started to sing, I thought it was a girl. | 0:57:15 | 0:57:17 | |
LAUGHTER | 0:57:17 | 0:57:20 | |
That was in my mind. When you went into the lower register, | 0:57:20 | 0:57:22 | |
I thought it was another person. | 0:57:22 | 0:57:24 | |
I thought there were two people up there, | 0:57:24 | 0:57:26 | |
because it is so different, you know... | 0:57:26 | 0:57:28 | |
When I first heard it, I thought I heard a choir. | 0:57:28 | 0:57:32 | |
LAUGHTER | 0:57:32 | 0:57:33 | |
APPLAUSE | 0:57:33 | 0:57:35 | |
Whoo! Whoo! | 0:57:35 | 0:57:37 | |
Whoo! Whoo! Whoo! Whoo! | 0:57:37 | 0:57:40 | |
That was, er... | 0:57:40 | 0:57:42 | |
Spectacular. I turned around first. | 0:57:43 | 0:57:45 | |
LAUGHTER AND APPLAUSE | 0:57:45 | 0:57:47 | |
I didn't have to hear a lot. | 0:57:54 | 0:57:56 | |
If they just gave me three seconds, and you just did one note, | 0:57:56 | 0:58:01 | |
I could hear it. | 0:58:01 | 0:58:03 | |
I know exactly how to coach you. | 0:58:03 | 0:58:06 | |
And it's going to be fun. | 0:58:06 | 0:58:08 | |
If you... | 0:58:08 | 0:58:09 | |
I honestly didn't expect this! Um... | 0:58:16 | 0:58:19 | |
This is so hard! | 0:58:19 | 0:58:21 | |
CHEERING | 0:58:21 | 0:58:23 | |
Come on over here! | 0:58:30 | 0:58:32 | |
Liam... | 0:58:33 | 0:58:34 | |
Liam... | 0:58:34 | 0:58:36 | |
Come on over here! | 0:58:36 | 0:58:37 | |
-Can I say one last thing? -Yeah. -Your name is William? | 0:58:40 | 0:58:44 | |
-Yeah, Liam is an Irish name. -I know. But Liam, I mean, my name is Liam. | 0:58:44 | 0:58:48 | |
Will-Liam. | 0:58:48 | 0:58:49 | |
I know this! I know this! | 0:58:49 | 0:58:53 | |
LIAM LAUGHS | 0:58:53 | 0:58:55 | |
CHEERING | 0:59:14 | 0:59:16 | |
I'm going to go with Will. | 0:59:16 | 0:59:19 | |
No! | 0:59:19 | 0:59:21 | |
No! | 0:59:25 | 0:59:26 | |
-William. -It's on now! | 0:59:39 | 0:59:41 | |
I've a pretty solid team. | 0:59:44 | 0:59:45 | |
CHEERING | 0:59:47 | 0:59:49 | |
I can't believe it. | 0:59:49 | 0:59:50 | |
Like, it's such a huge honour to sing in front of them, | 0:59:50 | 0:59:53 | |
and then to sing the song now that means so much to me, it's just crazy. | 0:59:53 | 0:59:57 | |
Ohh, Liam, I can't stop thinking about Liam. | 1:00:00 | 1:00:03 | |
I think I've fallen in love. | 1:00:03 | 1:00:05 | |
Next up to perform is 52-year-old Kym Mazelle, | 1:00:09 | 1:00:12 | |
who has chosen The Voice to make her big comeback. | 1:00:12 | 1:00:15 | |
Don't call it a comeback. I never left! | 1:00:16 | 1:00:19 | |
LAUGHS | 1:00:19 | 1:00:21 | |
OK... | 1:00:22 | 1:00:23 | |
Next to perform is 52-year-old Kym Mazelle, and this is not a comeback. | 1:00:25 | 1:00:31 | |
My showbiz age is 48. | 1:00:33 | 1:00:35 | |
Third time lucky. | 1:00:38 | 1:00:40 | |
Next up is 48-year-old Kym Mazelle, | 1:00:41 | 1:00:43 | |
and this is most definitely not a comeback. | 1:00:43 | 1:00:47 | |
LAUGHS | 1:00:47 | 1:00:49 | |
I've had a number of career highlights. | 1:00:49 | 1:00:50 | |
# Enough is enough is enough... # | 1:00:50 | 1:00:52 | |
House music... | 1:00:52 | 1:00:54 | |
Recording with Soul II Soul, | 1:00:55 | 1:00:57 | |
every week, I think, I was on Top of the Pops. | 1:00:57 | 1:01:00 | |
Just really loved every minute of it. | 1:01:00 | 1:01:02 | |
# Never be hung up | 1:01:02 | 1:01:05 | |
# Hung up like my man and me... # | 1:01:05 | 1:01:08 | |
-THEY LAUGH -I love it! | 1:01:08 | 1:01:10 | |
I took some time out of the music industry, | 1:01:10 | 1:01:12 | |
but I just missed the audience so much. | 1:01:12 | 1:01:15 | |
LAUGHS | 1:01:15 | 1:01:16 | |
Despite all my years of experience, I am not good at auditioning. | 1:01:18 | 1:01:24 | |
My nerves go and my voice goes everywhere. | 1:01:25 | 1:01:28 | |
Maybe the coaches will recognise my voice, maybe they won't. | 1:01:30 | 1:01:34 | |
But they will recognise that there is soul in this voice. | 1:01:34 | 1:01:37 | |
LAUGHS | 1:01:37 | 1:01:39 | |
It's good to see y'all! Hear me now! | 1:02:00 | 1:02:03 | |
# Love is a burning thing, yeah | 1:02:03 | 1:02:06 | |
# And it makes a fiery ring | 1:02:06 | 1:02:11 | |
# Bound by wild desire | 1:02:11 | 1:02:16 | |
# I fell into a ring of fire | 1:02:16 | 1:02:19 | |
# Uh-huh | 1:02:19 | 1:02:21 | |
# I fell into a burning ring of fire | 1:02:21 | 1:02:25 | |
# I went down, down, down And the flames, they grew higher | 1:02:25 | 1:02:29 | |
# And it burn, burn, burn, burn | 1:02:29 | 1:02:32 | |
# Ooh, it burn | 1:02:32 | 1:02:34 | |
# The ring of fire | 1:02:34 | 1:02:36 | |
# The ring of fire | 1:02:36 | 1:02:39 | |
# The taste of love is sweet | 1:02:39 | 1:02:44 | |
# When hearts like ours meet | 1:02:44 | 1:02:48 | |
# I fell for you like a child | 1:02:48 | 1:02:53 | |
# Oh | 1:02:53 | 1:02:55 | |
# But the fire grew wild | 1:02:55 | 1:02:58 | |
# And I fell into a burning ring of fire | 1:02:58 | 1:03:02 | |
# I went down, down, down | 1:03:02 | 1:03:05 | |
# And the flames, thy grew higher | 1:03:05 | 1:03:07 | |
# And it burn, burn, burn, burn | 1:03:07 | 1:03:10 | |
# Ooh, it burn | 1:03:10 | 1:03:11 | |
# The ring of fire | 1:03:11 | 1:03:14 | |
# The ring | 1:03:14 | 1:03:16 | |
# Of fire. # | 1:03:16 | 1:03:17 | |
CHEERING | 1:03:17 | 1:03:19 | |
Thank you. | 1:03:19 | 1:03:21 | |
-LAUGHS -Thank you. | 1:03:21 | 1:03:23 | |
Thank you. | 1:03:28 | 1:03:30 | |
Whoo! | 1:03:32 | 1:03:33 | |
What's your name? | 1:03:33 | 1:03:34 | |
My name's Kym Mazelle, I'm from Gary, Indiana. | 1:03:34 | 1:03:37 | |
-Oh..! -Can I get a little help from you, Will, | 1:03:37 | 1:03:39 | |
-to help me down these stairs, baby? -Oh, yeah. You've got to stay there for a little bit. | 1:03:39 | 1:03:43 | |
-I've got to stay here for a little bit? -I'll stand next to you. -You'll stand next to me? -Yeah. | 1:03:43 | 1:03:47 | |
-SHE LAUGHS -So... | 1:03:47 | 1:03:49 | |
CHEERING | 1:03:49 | 1:03:51 | |
SHE LAUGHS | 1:03:51 | 1:03:52 | |
How long have you been in London, Kym? | 1:03:52 | 1:03:54 | |
I've been in London for over 20 years, actually. | 1:03:54 | 1:03:57 | |
Yeah, I came over here to bring house music to the UK about 20 years ago. | 1:03:57 | 1:04:02 | |
That's fresh. | 1:04:02 | 1:04:04 | |
-And I was one of the lead singers with Soul II Soul, um... -Oh! | 1:04:04 | 1:04:08 | |
CHEERING | 1:04:08 | 1:04:10 | |
-..with Chaka Khan, with Mick Jagger, I worked with a lot of people. -You really, really, really good. | 1:04:10 | 1:04:14 | |
SHE LAUGHS | 1:04:14 | 1:04:15 | |
-Soul II Soul was my favourite, that's like my favourites, right there. -Was that your favourite? -Yes. | 1:04:15 | 1:04:19 | |
-Yes, yes, that was like... -That's the 90s. -SHE LAUGHS | 1:04:19 | 1:04:22 | |
Make some noise for Kym, she's fab. | 1:04:22 | 1:04:23 | |
CHEERING | 1:04:25 | 1:04:27 | |
-Hi. -Hello, how are you, Sir Tom? -I'm fine, thank you. | 1:04:30 | 1:04:34 | |
-You know, you've been singing a long time, as you just said. -Yeah. | 1:04:34 | 1:04:38 | |
Maybe you could tell us to go and take a hike! | 1:04:38 | 1:04:43 | |
-You know, it didn't gel for me, you know, The Ring of Fire... -OK. | 1:04:43 | 1:04:47 | |
It's all about a soul approach to a country song, | 1:04:47 | 1:04:51 | |
-sometimes it works, and sometimes it doesn't. -Yeah. | 1:04:51 | 1:04:55 | |
-But I think your singing was better than what you did with the song. -OK. | 1:04:55 | 1:05:00 | |
-But that's the only criticism I have. -OK. | 1:05:00 | 1:05:03 | |
APPLAUSE And I recorded that song myself, as well. | 1:05:03 | 1:05:06 | |
-Oh, did you? -Yeah. There's not many songs I haven't recorded, to be honest! -OK. | 1:05:06 | 1:05:10 | |
LAUGHTER AND APPLAUSE | 1:05:10 | 1:05:12 | |
I personally... | 1:05:12 | 1:05:14 | |
I personally want to thank you for, you know, being a pioneer | 1:05:14 | 1:05:18 | |
-and coming from America to bring house and dance music to the UK. -Thanks for that. | 1:05:18 | 1:05:24 | |
-Because without that, I wouldn't be doing what I'm doing. -Thank you. | 1:05:24 | 1:05:27 | |
-Oh, right on. -Thank you. -Respect. Thank you. | 1:05:27 | 1:05:31 | |
-Let's go down here. -OK. | 1:05:31 | 1:05:33 | |
There's not really much you can tell a pioneer on what she did wrong. | 1:05:46 | 1:05:54 | |
She just picked a bad song. | 1:05:55 | 1:05:57 | |
Every musician has their inspirations, and for Nadeem Leigh, | 1:06:00 | 1:06:05 | |
inspiration is very close to home. | 1:06:05 | 1:06:08 | |
My mum has been incredibly influential. | 1:06:08 | 1:06:10 | |
My earliest memory is of helping her with the house work, listening | 1:06:10 | 1:06:14 | |
to Stevie wonder and Gladys Knight and the Pips, | 1:06:14 | 1:06:16 | |
and as I grew up, I really started to love music and performed | 1:06:16 | 1:06:20 | |
to music, and I've always been in bands ever since, really. | 1:06:20 | 1:06:22 | |
I lost my mum when I was 19, and it was a tough time to get through. | 1:06:27 | 1:06:32 | |
I experienced quite a lot of addiction and homelessness, | 1:06:32 | 1:06:36 | |
but even at my real, kind of, low times, when I didn't | 1:06:36 | 1:06:39 | |
feel like I had anything inside, there was always the desire to | 1:06:39 | 1:06:43 | |
just get on the street around Leeds and start singing and performing. | 1:06:43 | 1:06:47 | |
# I know that things can really get rough... # | 1:06:47 | 1:06:51 | |
Music was the thing that I felt healed me the most. | 1:06:51 | 1:06:53 | |
I guess it's that spiritual lubricant. If I'm in a good | 1:06:53 | 1:06:56 | |
mood, it makes me in a better mood, if I'm in a bad mood, it, kind of, | 1:06:56 | 1:06:59 | |
allows me to be in that bad mood and give me permission to be who I am. | 1:06:59 | 1:07:03 | |
I've been through some hard times in the past, | 1:07:06 | 1:07:08 | |
but that is just what it is, that's the past and what I do is, | 1:07:08 | 1:07:12 | |
I put all of that experience into my music today and focus on the future. | 1:07:12 | 1:07:16 | |
Music is the only thing I've ever wanted to do. | 1:07:23 | 1:07:26 | |
You spend so long, kind of, struggling and thinking, | 1:07:26 | 1:07:28 | |
"Man, I'm just going to give up," you know? | 1:07:28 | 1:07:30 | |
So to have the opportunity of having a real shot at a career in music, | 1:07:30 | 1:07:35 | |
it means the world to me. | 1:07:35 | 1:07:37 | |
CHEERING AND APPLAUSE | 1:07:46 | 1:07:48 | |
# I have climbed the highest mountains | 1:07:57 | 1:08:03 | |
# I have run all through the fields | 1:08:03 | 1:08:10 | |
# Only to be with you | 1:08:10 | 1:08:14 | |
# Only to be with you | 1:08:15 | 1:08:20 | |
# And I still haven't found what I'm looking for | 1:08:22 | 1:08:30 | |
# Oh, and I still haven't found, no, no | 1:08:35 | 1:08:41 | |
# What I'm looking for | 1:08:41 | 1:08:45 | |
CHEERING | 1:08:48 | 1:08:50 | |
# Can't take my eyes off of you | 1:08:53 | 1:08:57 | |
# Can't take my eyes off of you | 1:08:57 | 1:09:03 | |
# Can't take my eyes off of you | 1:09:05 | 1:09:10 | |
# And I still haven't found what I'm looking for | 1:09:13 | 1:09:20 | |
# Oh, and I still haven't found, no, no | 1:09:24 | 1:09:31 | |
# What I'm looking for. # | 1:09:31 | 1:09:33 | |
CHEERING | 1:09:36 | 1:09:37 | |
You know what, I've been waiting for someone to come on | 1:10:01 | 1:10:04 | |
and sing a U2 song with a bit of meaning, a bit of passion, | 1:10:04 | 1:10:06 | |
a bit of something different. Every hair on my arm was standing up there. | 1:10:06 | 1:10:10 | |
-Bless you. -And that's the sense of magic, man, thank you. Thank you! | 1:10:10 | 1:10:13 | |
-Thank you. -Thank you so much. | 1:10:13 | 1:10:16 | |
-Hi. -Hi. -What's your name? -Nadeem. -Nadeem? -Yeah. | 1:10:16 | 1:10:19 | |
-And how old are you, Nadeem? -I'm 34. -That was great. -Thank you. -Um... Lovely. | 1:10:19 | 1:10:24 | |
CHEERING AND APPLAUSE | 1:10:24 | 1:10:26 | |
And there are moments in this competition where the competition | 1:10:26 | 1:10:31 | |
and the competitive side of me comes out and I'm like, | 1:10:31 | 1:10:33 | |
"I'm going to push my button and I'm going to fight and pitch against Danny," | 1:10:33 | 1:10:37 | |
and then there's other times when you go...you know what? | 1:10:37 | 1:10:39 | |
You were singing I Still Haven't Found What I'm Looking For, | 1:10:39 | 1:10:42 | |
and I think you have now. | 1:10:42 | 1:10:43 | |
Oh! | 1:10:43 | 1:10:45 | |
Thank you. | 1:10:45 | 1:10:46 | |
No, I think you guys are a perfect match | 1:10:49 | 1:10:51 | |
and I'm really happy that you guys are going to be working together. | 1:10:51 | 1:10:54 | |
Come on, do you not understand how hard it is to play guitar | 1:10:54 | 1:10:56 | |
-and sing that flawlessly? -It is really hard. | 1:10:56 | 1:10:58 | |
It's really, really hard. So again, I commend it. | 1:10:58 | 1:11:01 | |
-CHEERING AND APPLAUSE I commend you. -Thank you. | 1:11:01 | 1:11:04 | |
-How long have you been playing? -I've been playing since I was, like, 16 years old, | 1:11:06 | 1:11:10 | |
I've been playing semi-professionally all my life, | 1:11:10 | 1:11:13 | |
-just trying to get some kind of success going, really. -Get a break. | 1:11:13 | 1:11:17 | |
-Year, I started off as a busker, that was my... -Me, too! | 1:11:17 | 1:11:20 | |
Then I got into soul music and things started changing, and so... | 1:11:20 | 1:11:24 | |
-Yeah, but I'm just trying to make a living out of this now. -Yeah. | 1:11:24 | 1:11:26 | |
-Because I love it, it's all I do. It's all I do. -I think... | 1:11:26 | 1:11:29 | |
I think I can speak for the rest of the UK in saying | 1:11:29 | 1:11:31 | |
that you can probably give up the busking, mate! | 1:11:31 | 1:11:34 | |
THEY LAUGH | 1:11:34 | 1:11:35 | |
Genuinely, I'm going to text all the lads in U2, and just tell them | 1:11:35 | 1:11:38 | |
-to check it out, because that was really, really special. -Wow, thank you. | 1:11:38 | 1:11:41 | |
That means a lot, man, thank you. | 1:11:41 | 1:11:42 | |
Welcome to Team Dan! | 1:11:42 | 1:11:44 | |
CHEERING | 1:11:44 | 1:11:46 | |
# I just found what I'm looking for... # | 1:11:49 | 1:11:55 | |
Yes! | 1:11:55 | 1:11:56 | |
CHEERING | 1:11:56 | 1:12:00 | |
Ohhh! | 1:12:00 | 1:12:02 | |
CHEERING | 1:12:02 | 1:12:04 | |
-That's a corker! -Yeah! -That's a corker. -Yeah. -I'm still standing up! | 1:12:07 | 1:12:11 | |
I've been through a lot, you know, in the last God knows how many years, | 1:12:11 | 1:12:16 | |
but it's been a journey getting here, you know? | 1:12:16 | 1:12:19 | |
-And one that wasn't too easy. -No, I bet. -I'm glad to just be here. | 1:12:19 | 1:12:24 | |
# It's been a long time coming... # | 1:12:25 | 1:12:27 | |
That was so good. | 1:12:27 | 1:12:29 | |
That was so, so good. | 1:12:29 | 1:12:31 | |
-He was good, he was really good. -Did you see me? I was like, "If you turn, I will kill you." | 1:12:31 | 1:12:35 | |
-Yeah. -DANNY LAUGHS | 1:12:35 | 1:12:36 | |
I've been waiting for Nadeem to come along, you know? | 1:12:36 | 1:12:38 | |
You know, the rest of them have been great singers, | 1:12:38 | 1:12:41 | |
they've got a great vibe I can possibly coach, but he was magic, magic. | 1:12:41 | 1:12:45 | |
Aged just 16, | 1:12:46 | 1:12:48 | |
Nick Dixon is one of the youngest acts at the blind auditions. | 1:12:48 | 1:12:51 | |
I started singing when I was five. | 1:12:52 | 1:12:54 | |
I was that this campsite, and there was this competition, | 1:12:54 | 1:12:57 | |
my parents were like, "go on, son, get into it." | 1:12:57 | 1:12:59 | |
I won, so that really got me off to, "Oh, my God, I can actually do this." | 1:12:59 | 1:13:03 | |
It's all he wants to do, be a singer. | 1:13:03 | 1:13:06 | |
-It means everything to him, doesn't it? -It's the world. | 1:13:06 | 1:13:08 | |
When I was younger, I struggled quite a lot with confidence, | 1:13:10 | 1:13:14 | |
but with the support of my parents, I've got my confidence up quite a bit. | 1:13:14 | 1:13:18 | |
I do quite a lot of stuff with Red Dreams as well, | 1:13:18 | 1:13:21 | |
which is a charity that boosts your confidence. | 1:13:21 | 1:13:23 | |
I just love the fact that you've just found who you are, | 1:13:23 | 1:13:27 | |
and I'm just so proud of who you are now. | 1:13:27 | 1:13:31 | |
You know, I think it's brilliant. Absolutely brilliant. | 1:13:31 | 1:13:33 | |
-End of! -THEY LAUGH | 1:13:33 | 1:13:36 | |
When I get up on stage, it's more enjoyable | 1:13:36 | 1:13:39 | |
and exciting than nerve wracking. I really wish I could be out on the Wembley stage. | 1:13:39 | 1:13:43 | |
If I was to win this show, it would mean the absolute world to me. | 1:13:48 | 1:13:52 | |
And I'd be able to thank my parents, for pushing me all the way. | 1:13:52 | 1:13:56 | |
And I'm not going to get up there and just think, | 1:13:56 | 1:13:58 | |
"Oh, here I am," I'm going to think, "this is it, I'm going for it." | 1:13:58 | 1:14:03 | |
# When I look into your eyes | 1:14:21 | 1:14:27 | |
# It's like watching the night sky | 1:14:27 | 1:14:32 | |
# Or a beautiful sunrise | 1:14:32 | 1:14:37 | |
# There's so much they hold | 1:14:37 | 1:14:43 | |
# And I won't give up on us | 1:14:43 | 1:14:48 | |
# Even if the skies get rough | 1:14:48 | 1:14:54 | |
# I'm giving you all my love | 1:14:54 | 1:14:59 | |
# I'm still looking up | 1:14:59 | 1:15:04 | |
-Come on! -Come on! Push it! -# Cos even the stars they burn | 1:15:04 | 1:15:10 | |
# And some even fall to the earth | 1:15:10 | 1:15:15 | |
# We've got a lot to learn | 1:15:15 | 1:15:21 | |
# But God knows we're worth it | 1:15:21 | 1:15:24 | |
-# No, I won't give up -Oh, my goodness! | 1:15:25 | 1:15:28 | |
I'm going to go out there and push the button for you. | 1:15:28 | 1:15:30 | |
# On us | 1:15:30 | 1:15:32 | |
# Even if the skies get worse | 1:15:32 | 1:15:36 | |
# I'm giving you all my love | 1:15:36 | 1:15:42 | |
# I'm still looking up | 1:15:42 | 1:15:46 | |
# Still looking up. # | 1:15:47 | 1:15:52 | |
CHEERING | 1:15:52 | 1:15:54 | |
-Oh! -Come on! Oh... | 1:15:57 | 1:15:59 | |
Oh, well done, Nick. | 1:15:59 | 1:16:01 | |
CHEERING AND APPLAUSE | 1:16:01 | 1:16:04 | |
-Hello! -Hey. -What's your name? -Nick Dixon. -Nick Dixon? How old are you? | 1:16:07 | 1:16:13 | |
-16. -Whoa! | 1:16:13 | 1:16:14 | |
CHEERING AND APPLAUSE | 1:16:14 | 1:16:19 | |
For 16, I think you sing great. You know, you have a great... | 1:16:19 | 1:16:22 | |
Thank you. Thank you very much. | 1:16:24 | 1:16:27 | |
So, you're 16. | 1:16:27 | 1:16:29 | |
That's really young. | 1:16:29 | 1:16:31 | |
It is tough, because your voice is going to change. | 1:16:31 | 1:16:34 | |
In two or three years, it's going to mature, | 1:16:34 | 1:16:36 | |
and I think it's natural you're going to grow into something that | 1:16:36 | 1:16:39 | |
I feel like would have made me press my button straight away. | 1:16:39 | 1:16:42 | |
At 16, you haven't quite found yourself yet, | 1:16:42 | 1:16:45 | |
but I think you have a big career in front of you, | 1:16:45 | 1:16:47 | |
and good luck to you and God bless you. | 1:16:47 | 1:16:49 | |
Thank you very much. | 1:16:49 | 1:16:51 | |
CHEERING AND APPLAUSE | 1:16:51 | 1:16:52 | |
You will get older, | 1:16:52 | 1:16:53 | |
but I don't think you're going to... | 1:16:53 | 1:16:55 | |
-DEEP VOICE: -..start singing all deep and stuff. | 1:16:55 | 1:16:57 | |
LAUGHTER | 1:16:57 | 1:16:59 | |
-It's really not going to change that much. -Oh, I don't know. | 1:16:59 | 1:17:01 | |
LAUGHTER | 1:17:01 | 1:17:04 | |
But come back next year... | 1:17:04 | 1:17:06 | |
-DEEP VOICE: -..and, hopefully, you ain't all deep and stuff. | 1:17:06 | 1:17:09 | |
LAUGHTER | 1:17:09 | 1:17:10 | |
-APPLAUSE -Thank you. | 1:17:10 | 1:17:12 | |
You know, I really should have turned around. | 1:17:12 | 1:17:15 | |
I think on any other show, I think you would have walked it | 1:17:15 | 1:17:18 | |
and gone straight on, you know, and it's stripping of, like... | 1:17:18 | 1:17:21 | |
-The rest of the UK are probably going, "Youse idiots." -Cos we can't see you, we don't know... | 1:17:21 | 1:17:26 | |
..and you genuinely have a really, really, really great, great voice. | 1:17:26 | 1:17:29 | |
Pitch-wise, you were great, tone-wise you were great, and knowing that you're 16, as well, | 1:17:29 | 1:17:33 | |
I wish I could just turn back time and redo it, you know? | 1:17:33 | 1:17:36 | |
Thank you. | 1:17:36 | 1:17:37 | |
I really, really do. | 1:17:37 | 1:17:39 | |
-But there's always next year. Come back. Please. -Absolutely. | 1:17:39 | 1:17:42 | |
-Love to hear you again. -Keep doing it. | 1:17:42 | 1:17:44 | |
Please come back next year and do that. | 1:17:44 | 1:17:45 | |
Thank you. | 1:17:45 | 1:17:47 | |
CHEERING AND APPLAUSE | 1:17:47 | 1:17:49 | |
-There he is. -Well done! | 1:18:11 | 1:18:12 | |
Well done. | 1:18:12 | 1:18:14 | |
You were really good, son. | 1:18:14 | 1:18:15 | |
-Well done. -Well done, son. | 1:18:15 | 1:18:17 | |
-He would have went straight on on any other show. -Yeah. -Straight on. -Yeah. | 1:18:18 | 1:18:21 | |
Idiots. Ohh... | 1:18:21 | 1:18:23 | |
-JESSIE: -That's the hard thing, though, we've done it so many times. | 1:18:24 | 1:18:28 | |
-Yeah. -Cos we genuinely cannot see them. | 1:18:28 | 1:18:30 | |
-No, I know, but that's what it is, isn't it? -No, it's so hard. -Yeah. | 1:18:30 | 1:18:34 | |
He was good. | 1:18:34 | 1:18:36 | |
There's no turning back time for Danny and Nick, | 1:18:36 | 1:18:39 | |
but with only 12 spaces each and only 90 seconds to make the decision, | 1:18:39 | 1:18:43 | |
how tough is it for our coaches? | 1:18:43 | 1:18:45 | |
It's incredibly hard to actually envision what that person looks like. | 1:18:45 | 1:18:49 | |
Everyone else is looking at if they're male or female, | 1:18:49 | 1:18:52 | |
how old they are, but we have no clue. | 1:18:52 | 1:18:55 | |
For us, it is only about the voice, and that's it. | 1:18:55 | 1:18:58 | |
It's always very difficult to make that choice. | 1:18:59 | 1:19:02 | |
You have no idea of the standard coming up next. | 1:19:03 | 1:19:06 | |
We've got 12 spots, | 1:19:07 | 1:19:09 | |
so I have to try and be as selective as I possibly can. | 1:19:09 | 1:19:13 | |
And the chairs turnaround, then you see the saddest face ever. | 1:19:14 | 1:19:20 | |
And that hurts. | 1:19:22 | 1:19:23 | |
That's a hard situation. | 1:19:26 | 1:19:28 | |
I feel like a dumbass right now. | 1:19:28 | 1:19:30 | |
I don't want you to feel disheartened, at all. | 1:19:32 | 1:19:34 | |
We're four people in the whole entire world. | 1:19:34 | 1:19:37 | |
I feel I should have pressed the button. | 1:19:37 | 1:19:39 | |
Can we not just turn back time? | 1:19:40 | 1:19:42 | |
Can you promise us you're going to come back next year? | 1:19:42 | 1:19:45 | |
APPLAUSE | 1:19:45 | 1:19:47 | |
so it seems there is only one chance for our acts and our coaches. | 1:19:51 | 1:19:56 | |
Or is there? Meet 25-year-old single mum Alys Williams. | 1:19:56 | 1:20:00 | |
I've come back to redeem myself. | 1:20:01 | 1:20:04 | |
Last year, when I came here, the nerves just completely took over. | 1:20:04 | 1:20:09 | |
I couldn't breathe. | 1:20:09 | 1:20:11 | |
# ..hope to see my face and that you'd be reminded... # | 1:20:11 | 1:20:15 | |
I choked. | 1:20:15 | 1:20:16 | |
My voice just cut off. | 1:20:16 | 1:20:19 | |
It was like being in the sea with a shark chasing you. | 1:20:22 | 1:20:27 | |
I was very nervous, I'm sorry. | 1:20:27 | 1:20:30 | |
If that's what you sound like nervous, wow. | 1:20:30 | 1:20:32 | |
To have such good feedback when I hadn't done very well, | 1:20:33 | 1:20:37 | |
that did mean a lot to me. | 1:20:37 | 1:20:39 | |
She was a great singer. | 1:20:39 | 1:20:40 | |
And it made me believe that if I can just do it right, | 1:20:40 | 1:20:43 | |
someone might turn round. | 1:20:43 | 1:20:45 | |
That's why I came back. | 1:20:45 | 1:20:46 | |
I'm so nervous. | 1:20:51 | 1:20:52 | |
To come back for a second year is a massive gamble. | 1:20:54 | 1:20:57 | |
If I choke again, that would be absolutely terrible. | 1:20:59 | 1:21:03 | |
But you never know what's going to happen. | 1:21:03 | 1:21:05 | |
# It's empty in the valley of your heart | 1:21:22 | 1:21:26 | |
# The sun it rises slowly as you walk | 1:21:26 | 1:21:30 | |
# Away from all the fears | 1:21:30 | 1:21:33 | |
# And all the faults you left behind | 1:21:33 | 1:21:37 | |
# But I will hold on hope | 1:21:39 | 1:21:44 | |
# I won't let you choke | 1:21:44 | 1:21:48 | |
# On the noose around your neck | 1:21:48 | 1:21:54 | |
# I'll find strength in pain | 1:21:56 | 1:22:01 | |
# I will change my ways | 1:22:01 | 1:22:07 | |
# I'll know my name as it's called again | 1:22:08 | 1:22:16 | |
-# I have other things to fill my time... # -Yes! Come on! | 1:22:16 | 1:22:21 | |
# You take what is yours And I'll take mine | 1:22:21 | 1:22:25 | |
# Now let me at the truth Which will refresh my broken mind | 1:22:25 | 1:22:32 | |
# But I will hold on hope | 1:22:33 | 1:22:38 | |
# I won't let you choke | 1:22:38 | 1:22:43 | |
# On the noose around your neck | 1:22:43 | 1:22:49 | |
Go on! | 1:22:50 | 1:22:51 | |
# I'll find strength in pain | 1:22:51 | 1:22:55 | |
# I will change my ways. # | 1:22:55 | 1:23:02 | |
CHEERING | 1:23:03 | 1:23:06 | |
SCREAMING | 1:23:06 | 1:23:09 | |
You were here last year. | 1:23:16 | 1:23:18 | |
I remember! | 1:23:18 | 1:23:20 | |
Whoo! | 1:23:21 | 1:23:23 | |
-You were here last year. -Yes. -And we didn't turn around. -Yes. -I remember. | 1:23:23 | 1:23:27 | |
-Yes, thank you so much. -And I wish we did, and here you are again, and we did. Yes! | 1:23:27 | 1:23:31 | |
Oh, thank you so much, I can't believe you all turned around! | 1:23:31 | 1:23:34 | |
-CHEERING -I can't believe it! | 1:23:34 | 1:23:35 | |
This is that moment where you realise that going away after the year, | 1:23:37 | 1:23:41 | |
-taking the advice and coming back can change everything. -Definitely. | 1:23:41 | 1:23:44 | |
-Absolutely fantastic, well done. -Thank you so much. -Really well done. | 1:23:44 | 1:23:47 | |
-Thank you. -APPLAUSE | 1:23:47 | 1:23:50 | |
-I thought the song choice was wonderful. -Yeah, me, too. | 1:23:50 | 1:23:52 | |
-Oh, thank you. -You couldn't have picked a better song for your voice. | 1:23:52 | 1:23:55 | |
-Mmm. -The emotion you put in there was fantastic. | 1:23:55 | 1:23:59 | |
CHEERING AND APPLAUSE | 1:23:59 | 1:24:01 | |
I've been waiting for this, been waiting for a really, you know, fresh breath of air to come along. | 1:24:03 | 1:24:07 | |
I could hear your accent in there, as well, and it was even more endearing, you know, | 1:24:07 | 1:24:11 | |
I, literally, couldn't help myself, I just wanted to see who had that beautiful voice, you know. | 1:24:11 | 1:24:15 | |
With my experience and songwriting ability, | 1:24:15 | 1:24:17 | |
being able to match a great voice with a great lyric, | 1:24:17 | 1:24:20 | |
I think you should be on my team, for that very reason. | 1:24:20 | 1:24:22 | |
CHEERING | 1:24:22 | 1:24:23 | |
JESSIE: when I'm at home, I listen to music like your voice. | 1:24:24 | 1:24:27 | |
To nurture a voice like yours, you need a female coach. | 1:24:27 | 1:24:31 | |
LAUGHTER | 1:24:31 | 1:24:34 | |
-So there's not much of a choice then! -It's hard, I'm serious, because this is a vocal competition, | 1:24:34 | 1:24:38 | |
and it's really hard to be coached by someone | 1:24:38 | 1:24:40 | |
-that can't sing the notes you would want to sing. -Yeah. -So that's my only difference. | 1:24:40 | 1:24:44 | |
-Ha ha! -Yeah(!) -WILL: -Can I say something? -Here he goes! | 1:24:44 | 1:24:48 | |
I'm just going to be honest, transparent. | 1:24:48 | 1:24:50 | |
And hopefully my transparency | 1:24:50 | 1:24:52 | |
and my honesty will open your mind to choosing me. | 1:24:52 | 1:24:55 | |
-Last year, Tom won. He was the victor. -Thank you! | 1:24:55 | 1:24:59 | |
And he did something amazing with Leanne, nobody saw that coming! | 1:24:59 | 1:25:03 | |
-Nobody. -No. -Not one person. | 1:25:03 | 1:25:06 | |
So I learned from Tom. I'm a sponge! | 1:25:06 | 1:25:08 | |
LAUGHTER | 1:25:08 | 1:25:10 | |
Throw me in the ocean, I'll learn! | 1:25:10 | 1:25:12 | |
I know how to learn. | 1:25:12 | 1:25:15 | |
So, listen, Tom, really, is your choice, | 1:25:15 | 1:25:19 | |
but that's me being transparent, so therefore I am your choice. | 1:25:19 | 1:25:22 | |
LAUGHTER | 1:25:22 | 1:25:23 | |
APPLAUSE | 1:25:23 | 1:25:25 | |
What size shoe are you? | 1:25:30 | 1:25:31 | |
I've got much bigger feet than you, Jesse, I think, I'm a size seven. | 1:25:31 | 1:25:34 | |
I'm a size six to seven, babes, we are sharing shoes! | 1:25:34 | 1:25:37 | |
LAUGHTER | 1:25:37 | 1:25:38 | |
Whenever you got her wardrobe, just come over on my team. | 1:25:39 | 1:25:41 | |
JESSIE: And you can wear denim on telly, whoo! | 1:25:41 | 1:25:43 | |
I feel like you'll disappear in your teams. | 1:25:49 | 1:25:53 | |
-You think I'll disappear? -Yeah. I think it's a safe option. I do! | 1:25:53 | 1:25:57 | |
-What's the safe option? -No, I think that... -I'm not safe! | 1:25:57 | 1:26:00 | |
I'm dangerous! | 1:26:00 | 1:26:02 | |
I'm more dangerous than them all! | 1:26:02 | 1:26:04 | |
OK, OK, OK, OK, OK. | 1:26:07 | 1:26:09 | |
-AUDIENCE CHANTS -Oh, I'm scared. | 1:26:13 | 1:26:15 | |
Basically, I'm looking at you all, and I know you all could do a good job, and I... | 1:26:16 | 1:26:20 | |
Can I just say this? | 1:26:20 | 1:26:21 | |
There are three things that I have over these other people. | 1:26:21 | 1:26:26 | |
And that is experience, experience, experience. | 1:26:26 | 1:26:30 | |
CHEERING | 1:26:30 | 1:26:32 | |
You all have something to offer me, anyway, this is the problem. | 1:26:35 | 1:26:39 | |
-GERMAN ACCENT: -Go with Will! | 1:26:39 | 1:26:40 | |
Who said that? | 1:26:40 | 1:26:42 | |
LAUGHTER | 1:26:42 | 1:26:43 | |
Oh... My God! | 1:26:47 | 1:26:49 | |
I respect you all the same. | 1:26:52 | 1:26:54 | |
Ohh... | 1:26:54 | 1:26:56 | |
-They need to be quiet, so she can make her decision. -Just make a decision. Come on. | 1:27:10 | 1:27:14 | |
It's just really difficult, because I genuinely, | 1:27:14 | 1:27:17 | |
genuinely don't know what to do. | 1:27:17 | 1:27:19 | |
It's so hard, and I'm sorry for keeping you, I'm wondering, | 1:27:24 | 1:27:27 | |
my God, do I have to go now, or..? | 1:27:27 | 1:27:29 | |
Come on, now. | 1:27:29 | 1:27:30 | |
So, sorry, people in the audience. | 1:27:32 | 1:27:34 | |
You have to go with what you feel, love, honestly. | 1:27:34 | 1:27:36 | |
CHEERING | 1:27:40 | 1:27:43 | |
Right, so... | 1:27:46 | 1:27:47 | |
Sorry, guys, I can't believe I'm doing this! | 1:27:50 | 1:27:53 | |
-I think you just have to go with your heart. -Oh... | 1:27:55 | 1:27:57 | |
That's all. | 1:27:57 | 1:27:59 | |
Oh, my God! | 1:27:59 | 1:28:01 | |
This is awful! Isn't it? It's awful! | 1:28:03 | 1:28:05 | |
Just let me know when this is over, because I can't watch. | 1:28:05 | 1:28:09 | |
-Have you ever had anyone wait this long? -No, but it's fine. | 1:28:09 | 1:28:12 | |
-I'm really sorry. -We'll give out snacks, we can be here for hours. | 1:28:12 | 1:28:16 | |
LAUGHTER | 1:28:16 | 1:28:17 | |
-I should have prepared for this situation. -Shall I get a coin? | 1:28:17 | 1:28:20 | |
-Just flip a coin? -No! -SHE LAUGHS | 1:28:20 | 1:28:22 | |
-Come on! -OK, OK, OK, OK, OK, OK, OK, OK... | 1:28:25 | 1:28:28 | |
AUDIENCE CHANTS | 1:28:29 | 1:28:31 | |
Ohh... | 1:28:31 | 1:28:33 | |
You've said such good things, I'm just like, what? OK... | 1:28:39 | 1:28:43 | |
I'm going to go... | 1:28:48 | 1:28:50 | |
Tom. | 1:28:52 | 1:28:53 | |
CHEERING | 1:28:53 | 1:28:55 | |
CHEERING | 1:29:01 | 1:29:03 | |
CHEERING | 1:29:09 | 1:29:12 | |
Anybody know what time it is? LAUGHTER | 1:29:13 | 1:29:15 | |
Think I'm after missing my bus home. | 1:29:15 | 1:29:17 | |
-I'm so sorry for taking so long! -Oh, my God, you... | 1:29:17 | 1:29:22 | |
-You have just been through hell, can I just say? -I'm so sorry! | 1:29:22 | 1:29:25 | |
I must have grown a beard and everything in that one. | 1:29:25 | 1:29:28 | |
I really honestly nearly went with everyone at some point | 1:29:28 | 1:29:30 | |
in my head, but in the end, I just went with my heart, | 1:29:30 | 1:29:33 | |
and I absolutely adore Tom Jones, so I just went with him. | 1:29:33 | 1:29:36 | |
Well done. | 1:29:36 | 1:29:38 | |
Being Welsh, you know, you've got to expect that. | 1:29:38 | 1:29:40 | |
-Yeah, you've got to expect that. -You've got to expect that! -DAN LAUGHS | 1:29:40 | 1:29:44 | |
So Tom is ecstatic to see off the other coaches | 1:29:46 | 1:29:49 | |
and take Alys into the battle. | 1:29:49 | 1:29:51 | |
But for Jessie, it's a big blow. | 1:29:51 | 1:29:53 | |
I just want females to not be, like... | 1:29:53 | 1:29:56 | |
Scared to work with me. | 1:29:56 | 1:29:58 | |
SHE GROANS | 1:29:58 | 1:30:00 | |
With Day Two of the blind auditions over... | 1:30:00 | 1:30:02 | |
..the search for The Voice UK has well and truly begun. | 1:30:04 | 1:30:07 | |
Tom's team is now four strong. | 1:30:09 | 1:30:11 | |
They call me trigger-happy, but when I hear something I like, that's it. | 1:30:11 | 1:30:15 | |
Jessie now has a team of five. | 1:30:15 | 1:30:17 | |
Whoo! | 1:30:17 | 1:30:19 | |
I know a good voice when I hear one. Boom. | 1:30:19 | 1:30:21 | |
Meanwhile, Will has three acts... | 1:30:21 | 1:30:24 | |
Whoa, that's a pretty fresh team. | 1:30:24 | 1:30:26 | |
-..and so does Dan. -Yes! | 1:30:28 | 1:30:30 | |
I'm still being quite selective. I may miss out on a few, | 1:30:30 | 1:30:33 | |
but I think in the long run, I've got the best plan. | 1:30:33 | 1:30:35 | |
Next week, the search continues | 1:30:35 | 1:30:36 | |
as more acts give it everything they've got. | 1:30:36 | 1:30:39 | |
That was amazing. | 1:30:39 | 1:30:40 | |
And we hit boiling point. | 1:30:43 | 1:30:45 | |
Who do you want to be your coach? | 1:30:45 | 1:30:46 | |
And the coaches are blown away by the talent. | 1:30:48 | 1:30:51 | |
Whoa. | 1:30:53 | 1:30:55 | |
The UK has just seen a star born. | 1:30:55 | 1:30:56 | |
I might just go and have a little cry, you know, for real. | 1:30:56 | 1:30:59 | |
Subtitles by Red Bee Media Ltd | 1:31:18 | 1:31:21 |