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-The battles were epic. -Woo! -Pretty freaking dope. | 0:00:03 | 0:00:07 | |
Oh! Difficult, but epic. | 0:00:07 | 0:00:08 | |
Epic. | 0:00:08 | 0:00:10 | |
CHEERING | 0:00:10 | 0:00:11 | |
Come on! | 0:00:11 | 0:00:13 | |
And just when you think you can relax and breathe, no, you can't. | 0:00:15 | 0:00:19 | |
It's the knockouts. | 0:00:19 | 0:00:20 | |
This weekend, the coaches pick their teams | 0:00:23 | 0:00:25 | |
for next week's live quarterfinals. | 0:00:25 | 0:00:28 | |
That is hard. | 0:00:28 | 0:00:29 | |
Come on! | 0:00:29 | 0:00:30 | |
From each team of seven, only three can go through. | 0:00:32 | 0:00:35 | |
It's going to be really emotional, it's going to be difficult. | 0:00:35 | 0:00:40 | |
And now it's the acts who have creative control. | 0:00:40 | 0:00:43 | |
This is when the act chooses their own song. | 0:00:43 | 0:00:46 | |
Hopefully, they make the right choice, | 0:00:46 | 0:00:49 | |
cos it's very important. | 0:00:49 | 0:00:50 | |
Tonight it's all about me and Sir Tom. | 0:00:50 | 0:00:55 | |
I'm very excited to see how our teams stack up against each other. | 0:00:55 | 0:00:59 | |
-Kylie, seven must become three. -Are you ready? | 0:00:59 | 0:01:02 | |
As ready as I'll ever be, I suppose. | 0:01:02 | 0:01:04 | |
Their acts will sing one after another, | 0:01:06 | 0:01:08 | |
fighting for those three precious places. | 0:01:08 | 0:01:11 | |
Yeah! | 0:01:11 | 0:01:13 | |
You're in or you're out. No-one can steal you. | 0:01:13 | 0:01:15 | |
It's the knockouts. | 0:01:15 | 0:01:17 | |
-Gotcha. -This is hard, this is hard. | 0:01:18 | 0:01:20 | |
CHEERING AND APPLAUSE | 0:01:24 | 0:01:26 | |
Hello and welcome to The Voice. | 0:01:26 | 0:01:29 | |
Now, so far, our artists have beaten the blinds, | 0:01:29 | 0:01:32 | |
won their battles and now here we are at the knockouts. | 0:01:32 | 0:01:36 | |
WHOOPING | 0:01:36 | 0:01:37 | |
Tonight, two coaches must pick their ultimate live show teams, | 0:01:37 | 0:01:40 | |
so let's meet those superstars. | 0:01:40 | 0:01:43 | |
Hashtag - "fresh", it's Will.i.am! | 0:01:43 | 0:01:46 | |
CHEERING | 0:01:46 | 0:01:48 | |
Our very own pop princess, it's Kylie. | 0:01:53 | 0:01:55 | |
CHEERING AND WHISTLING | 0:01:55 | 0:01:58 | |
Been there, done it, sung it - Sir Tom Jones! | 0:02:02 | 0:02:06 | |
CHEERING | 0:02:06 | 0:02:09 | |
And put on your riot gear - it's Ricky Wilson. | 0:02:15 | 0:02:18 | |
# I predict a riot | 0:02:18 | 0:02:20 | |
# I predict a riot | 0:02:20 | 0:02:22 | |
# I predict a riot | 0:02:24 | 0:02:26 | |
# I predict a riot | 0:02:26 | 0:02:28 | |
# I predict a riot... # | 0:02:29 | 0:02:32 | |
Ladies and gentlemen, our superstar coaches! | 0:02:32 | 0:02:35 | |
Now, these four stars may have front-row seats, | 0:02:43 | 0:02:46 | |
but now so much responsibility rests on their shoulders. | 0:02:46 | 0:02:49 | |
From teams of seven, they must select their top three artists | 0:02:49 | 0:02:51 | |
to take through to the live shows. | 0:02:51 | 0:02:53 | |
And it's not just the coaches who are making massive decisions. | 0:02:53 | 0:02:56 | |
The artists have chosen songs they hope will win them | 0:02:56 | 0:02:59 | |
one of those crucial spots. | 0:02:59 | 0:03:01 | |
And tonight's first knockout blow is coming from...Team Kylie. | 0:03:01 | 0:03:05 | |
CHEERING | 0:03:05 | 0:03:07 | |
Oh, yes! | 0:03:10 | 0:03:13 | |
Uh-huh, uh-huh, uh-huh! | 0:03:15 | 0:03:17 | |
My knockout team! | 0:03:17 | 0:03:20 | |
I think I've got a dynamic team, I think I've got different styles. | 0:03:20 | 0:03:25 | |
Yeah, I feel great about Team Kylie. | 0:03:25 | 0:03:28 | |
I think Kylie definitely wants to win. | 0:03:28 | 0:03:31 | |
Yeah, I think she's going to be dangerous. | 0:03:31 | 0:03:33 | |
Kylie's team is, like, super fresh. | 0:03:33 | 0:03:36 | |
She's a dark horse, is Kylie. | 0:03:36 | 0:03:38 | |
The breadth of talent and charisma | 0:03:38 | 0:03:40 | |
and amazingness that's in this team is awesome. | 0:03:40 | 0:03:43 | |
THEY WHOOP | 0:03:43 | 0:03:45 | |
The seven of us are all really close. | 0:03:45 | 0:03:48 | |
I love Kylie's team. | 0:03:48 | 0:03:49 | |
Everyone is quite caring towards me | 0:03:49 | 0:03:51 | |
and really does look after me backstage. | 0:03:51 | 0:03:53 | |
I've really made a lot of good friends here. | 0:03:53 | 0:03:55 | |
They've welcomed me like a long-lost brother, if you like. | 0:03:55 | 0:03:57 | |
At the same point, everybody wants to get through, | 0:03:57 | 0:03:59 | |
so it's going to be a difficult one. | 0:03:59 | 0:04:02 | |
I really want you to all be yourself, | 0:04:02 | 0:04:04 | |
and this is amazing you have the opportunity to do that, | 0:04:04 | 0:04:07 | |
cos it's your song. | 0:04:07 | 0:04:08 | |
'The difference now between battles and knockouts - | 0:04:08 | 0:04:11 | |
'song choices is everything,' | 0:04:11 | 0:04:13 | |
and it's their choice. | 0:04:13 | 0:04:14 | |
So just a little bit more pressure. | 0:04:14 | 0:04:17 | |
Oh, the devastating news is, as you know, | 0:04:17 | 0:04:20 | |
-that seven will become three. -Yeah. | 0:04:20 | 0:04:23 | |
It's going to be very tricky. | 0:04:23 | 0:04:25 | |
I am bricking it. | 0:04:25 | 0:04:27 | |
THEY LAUGH | 0:04:27 | 0:04:29 | |
It's a competition, at the end of the day. | 0:04:29 | 0:04:31 | |
I just need to be in these live shows so much. | 0:04:31 | 0:04:33 | |
It's getting harder because everyone is really, really good. | 0:04:33 | 0:04:35 | |
That's what's making me really nervous. | 0:04:35 | 0:04:37 | |
I'm just hoping I nail it on the night and get through to lives. | 0:04:37 | 0:04:41 | |
I'm sure if people are honest, there's a bit of them thinking, | 0:04:41 | 0:04:44 | |
"Oh, I hope he messes up now, I hope he messes up, I hope he messes up." | 0:04:44 | 0:04:48 | |
You either go through or you go home. | 0:04:48 | 0:04:50 | |
-It's make or break. -And it's simple as that. | 0:04:50 | 0:04:52 | |
KYLIE: If it doesn't happen for you in that performance, | 0:04:52 | 0:04:55 | |
you've got people either side of you | 0:04:55 | 0:04:57 | |
who will swoop in and take your place. | 0:04:57 | 0:04:59 | |
And there they are - give it up for Team Kylie. | 0:04:59 | 0:05:03 | |
CHEERING AND APPLAUSE Yeah! | 0:05:03 | 0:05:06 | |
Now Kylie can just take three of these seven | 0:05:06 | 0:05:08 | |
through to the live shows, | 0:05:08 | 0:05:09 | |
but she won't be making her decision until they've all sung. | 0:05:09 | 0:05:12 | |
Kylie, it's knockout time - how are you feeling? | 0:05:12 | 0:05:14 | |
I... Uh, I... | 0:05:15 | 0:05:17 | |
I have butterflies. | 0:05:17 | 0:05:18 | |
I'm super excited, but I'm nervous too, I have to say. | 0:05:18 | 0:05:22 | |
Obviously, your artists have got one last chance to impress you. | 0:05:22 | 0:05:25 | |
Any final words of advice for them, Kylie? | 0:05:25 | 0:05:27 | |
Um, well, I've had the pleasure of getting to know you all | 0:05:28 | 0:05:32 | |
a little bit through this process. | 0:05:32 | 0:05:36 | |
And one thing I could say across the board is just be yourself, | 0:05:36 | 0:05:40 | |
give it all you've got. | 0:05:40 | 0:05:42 | |
Let me get to know you a little bit more in this performance | 0:05:42 | 0:05:45 | |
and everyone at home as well. | 0:05:45 | 0:05:47 | |
CHEERING AND APPLAUSE | 0:05:47 | 0:05:49 | |
Fantastic. Right, let's kick things off then. | 0:05:49 | 0:05:51 | |
First up, singing for her place on Kylie's live team, | 0:05:51 | 0:05:53 | |
everyone give it up for Leo. | 0:05:53 | 0:05:56 | |
CHEERING AND APPLAUSE | 0:05:56 | 0:06:00 | |
-Ah, Leo. -I've fancied Charlene since I was this high. | 0:06:05 | 0:06:10 | |
Get out the way! | 0:06:10 | 0:06:11 | |
'Well, where do I start?' | 0:06:11 | 0:06:13 | |
Just makes me laugh. | 0:06:13 | 0:06:16 | |
Hmm-mm?! | 0:06:16 | 0:06:19 | |
In The Streets we had such an amazing time | 0:06:19 | 0:06:22 | |
and I think for me now, I just want to not be a sidekick anymore. | 0:06:22 | 0:06:26 | |
How are you going to sell yourself? | 0:06:26 | 0:06:28 | |
So I've decided to do I Want To Know What Love Is by Foreigner. | 0:06:28 | 0:06:31 | |
Power ballad. | 0:06:31 | 0:06:34 | |
I'm actually going to perform this song for Kylie. | 0:06:34 | 0:06:36 | |
I didn't expect you to choose a song like that, but I think it's gorgeous. | 0:06:36 | 0:06:39 | |
-Yeah, thank you. -I'm going to be waiting with an air grab. | 0:06:39 | 0:06:42 | |
Let's do it! | 0:06:42 | 0:06:44 | |
# I want to know what love is. # | 0:06:44 | 0:06:46 | |
'I think Leo does want to know what love is.' | 0:06:46 | 0:06:49 | |
Look out, don't pull me over! I'm just coming! | 0:06:53 | 0:06:56 | |
'I get a hug off Kylie and it just came out.' | 0:06:56 | 0:06:58 | |
You know I've been counting the hugs? | 0:06:58 | 0:07:00 | |
-Have I been counting your hugs? -No, I've been counting. | 0:07:00 | 0:07:02 | |
-Don't worry about it. -No, what are you trying to say? | 0:07:02 | 0:07:05 | |
Did I just say that out loud? | 0:07:05 | 0:07:08 | |
'The most cringiest situation I've ever been in my entire life.' | 0:07:08 | 0:07:11 | |
So, are we done here? | 0:07:11 | 0:07:13 | |
'I swear, if the ground could open up and swallow me, I would jump in.' | 0:07:13 | 0:07:18 | |
Epic fail! | 0:07:19 | 0:07:20 | |
'If I don't get through, I'll be super honest, I'll be super gutted.' | 0:07:20 | 0:07:24 | |
To have Kylie as a coach is amazing | 0:07:24 | 0:07:26 | |
and I just hope that that can continue. | 0:07:26 | 0:07:29 | |
Leo is a favourite of mine, but it doesn't guarantee him a place. | 0:07:29 | 0:07:32 | |
I have some really strong acts. | 0:07:32 | 0:07:35 | |
Let's go, Leo! | 0:07:41 | 0:07:43 | |
# I gotta take a little time | 0:07:46 | 0:07:50 | |
# A little time to think things over | 0:07:50 | 0:07:54 | |
# I'd better read between the lines | 0:07:57 | 0:07:59 | |
# In case I need it when I'm older | 0:08:02 | 0:08:05 | |
# In my life | 0:08:08 | 0:08:11 | |
# There's been heartache and pain | 0:08:11 | 0:08:15 | |
# I don't know if I can face it again now | 0:08:15 | 0:08:21 | |
# I can't stop now | 0:08:21 | 0:08:23 | |
# I've travelled so far | 0:08:23 | 0:08:26 | |
# To change this lonely life | 0:08:26 | 0:08:31 | |
# I wanna know what love is | 0:08:33 | 0:08:37 | |
# I want you to show me | 0:08:39 | 0:08:43 | |
# I wanna feel what love is | 0:08:45 | 0:08:48 | |
# Oh, yeah | 0:08:48 | 0:08:51 | |
# And I know you can show me. # | 0:08:51 | 0:08:55 | |
Go on, Leo! | 0:08:57 | 0:08:59 | |
# Ooh, yeah. # | 0:08:59 | 0:09:01 | |
CHEERING AND APPLAUSE | 0:09:03 | 0:09:07 | |
That's Leo, everyone. | 0:09:07 | 0:09:09 | |
He's really stepped up. Really good. | 0:09:18 | 0:09:20 | |
I can just imagine the relief once they've all performed. | 0:09:25 | 0:09:29 | |
You're all breathing, right? | 0:09:29 | 0:09:31 | |
Next up, singing for a place in the lives, give it up for Jai. | 0:09:33 | 0:09:37 | |
APPLAUSE | 0:09:37 | 0:09:40 | |
'Jai, she's covered in tats, | 0:09:47 | 0:09:50 | |
'but she's got this cute little face and this voice comes out of her.' | 0:09:50 | 0:09:53 | |
# Did you miss me? # | 0:09:53 | 0:09:55 | |
So she's unlike anyone else. | 0:09:55 | 0:09:58 | |
-What are you singing? -I am singing Take Your Mama Out. -Yay! | 0:09:58 | 0:10:02 | |
'When I'm performing this song, | 0:10:02 | 0:10:04 | |
'I will be singing it for every single mother in the crowd.' | 0:10:04 | 0:10:07 | |
Fantastic! | 0:10:07 | 0:10:09 | |
My son Kingston is only three | 0:10:09 | 0:10:12 | |
and he means everything to me | 0:10:12 | 0:10:14 | |
and I would love my son to be proud of me. | 0:10:14 | 0:10:17 | |
What's amazing about Jai is the tone that she has. | 0:10:17 | 0:10:20 | |
Now she has to be careful what she does with it. | 0:10:20 | 0:10:23 | |
# And a whole lot of fun. # | 0:10:23 | 0:10:26 | |
This song is tricky for Jai because of the timing. | 0:10:26 | 0:10:29 | |
'I don't know why it was so hard for me.' | 0:10:29 | 0:10:31 | |
I just couldn't get it in my head. | 0:10:31 | 0:10:33 | |
I wanted to encourage her | 0:10:33 | 0:10:35 | |
but I don't want to smother what is the essence of Jai. | 0:10:35 | 0:10:39 | |
-You don't need the 'wha-aat' cos then you're running out of time. -Yeah. | 0:10:39 | 0:10:43 | |
'Kylie's inspired me, so, yeah, | 0:10:43 | 0:10:45 | |
'I'm going to really have to deliver on the night because I really want | 0:10:45 | 0:10:49 | |
'to be in the lives more than anything right now.' | 0:10:49 | 0:10:52 | |
# When you grow up | 0:11:03 | 0:11:05 | |
# Live like a good boy oughta | 0:11:05 | 0:11:07 | |
# And your mama takes a shine to her best son | 0:11:09 | 0:11:13 | |
# Something different | 0:11:16 | 0:11:18 | |
# All the girls, they seem to like you | 0:11:18 | 0:11:20 | |
# Cos you're handsome, like to talk and a whole lot of fun | 0:11:22 | 0:11:26 | |
# Gonna take your mama out all night | 0:11:28 | 0:11:31 | |
# Yeah, we'll show her what it's all about | 0:11:31 | 0:11:34 | |
# We'll get her jacked up on some cheap champagne | 0:11:34 | 0:11:37 | |
# And let the good times all roll out | 0:11:37 | 0:11:41 | |
# And if the music ain't good, well it's just too bad | 0:11:41 | 0:11:44 | |
# We're gonna sing along no matter what | 0:11:44 | 0:11:47 | |
# Because the dancers don't mind at the New Orleans | 0:11:47 | 0:11:50 | |
# If you tip 'em and you make a cut | 0:11:50 | 0:11:53 | |
# We're gonna do it | 0:11:53 | 0:11:55 | |
# Take your mama out all night | 0:11:55 | 0:11:57 | |
# So she'll have no doubt that we're doing all the best we can | 0:11:59 | 0:12:03 | |
# We're gonna do it | 0:12:05 | 0:12:07 | |
# Take your mama out all night | 0:12:07 | 0:12:10 | |
# You can stay up late cos, baby, you're a full grown man | 0:12:12 | 0:12:15 | |
# Do it. # | 0:12:18 | 0:12:20 | |
CHEERING AND APPLAUSE | 0:12:20 | 0:12:22 | |
Everyone give it up for Jai. | 0:12:22 | 0:12:25 | |
Oh, boy. | 0:12:32 | 0:12:33 | |
Yeah, that was great. | 0:12:34 | 0:12:35 | |
The third act fighting to stay on Team Kylie, it's Jade. | 0:12:37 | 0:12:41 | |
CHEERING AND APPLAUSE | 0:12:41 | 0:12:43 | |
I got you. | 0:12:48 | 0:12:50 | |
You steamed the lenses on your blind auditions, you really did. | 0:12:52 | 0:12:56 | |
'Jade is sassy sex bomb.' | 0:12:56 | 0:13:00 | |
Wow, I felt that. | 0:13:05 | 0:13:07 | |
What song have you chosen? | 0:13:07 | 0:13:09 | |
-I've chosen to sing Blue Moon, Ella Fitzgerald's version. -Yeah? | 0:13:09 | 0:13:12 | |
Nice. | 0:13:12 | 0:13:13 | |
'I think it's a great choice | 0:13:13 | 0:13:15 | |
'cos now we're going to the more mature bluesy side.' | 0:13:15 | 0:13:19 | |
This is definitely my opportunity to show Kylie | 0:13:19 | 0:13:23 | |
that I'm not just a one-trick pony. | 0:13:23 | 0:13:24 | |
I don't just do pop and commercial. | 0:13:24 | 0:13:27 | |
I can really do the jazzy and soul aspect. | 0:13:27 | 0:13:29 | |
All right, let's hear it. | 0:13:29 | 0:13:32 | |
Jade can't perform the song where we feel like | 0:13:32 | 0:13:36 | |
we're watching an impersonation. | 0:13:36 | 0:13:39 | |
I'm looking forward to this. | 0:13:39 | 0:13:40 | |
'It can't sound like she's on Stars In Their Eyes.' | 0:13:40 | 0:13:43 | |
# Blue moon. # | 0:13:43 | 0:13:46 | |
This is the last round before the live shows. | 0:13:46 | 0:13:49 | |
I've literally got my fighting head on. | 0:13:49 | 0:13:51 | |
I know that I need to go out there now | 0:13:51 | 0:13:52 | |
and give it my absolute everything. | 0:13:52 | 0:13:54 | |
Thank you so much. | 0:13:54 | 0:13:56 | |
# Blue moon | 0:14:12 | 0:14:16 | |
# You saw me standing alone | 0:14:16 | 0:14:20 | |
# Without a dream in my heart | 0:14:22 | 0:14:26 | |
# Without a love of my own | 0:14:28 | 0:14:33 | |
# And then there suddenly appeared before me | 0:14:36 | 0:14:42 | |
# The only one my arms will ever hold | 0:14:42 | 0:14:46 | |
# I heard somebody whisper please adore me | 0:14:48 | 0:14:53 | |
# And when I look the moon had turned to gold | 0:14:55 | 0:14:59 | |
# Whoa | 0:14:59 | 0:15:01 | |
# Blue moon | 0:15:01 | 0:15:05 | |
# Now I'm no longer alone | 0:15:05 | 0:15:11 | |
# Without a dream in my heart | 0:15:11 | 0:15:16 | |
# Without a love of my own. # | 0:15:17 | 0:15:25 | |
APPLAUSE | 0:15:25 | 0:15:27 | |
Make some noise for Jade Mayjean! | 0:15:30 | 0:15:34 | |
-I can't believe how strong your team is. -I know. | 0:15:37 | 0:15:40 | |
-You've dug yourself a pretty deep hole there. -Yeah. Oh, my God. | 0:15:40 | 0:15:43 | |
Now singing for a place in Kylie's final three, | 0:15:44 | 0:15:47 | |
it's Lee! | 0:15:48 | 0:15:49 | |
Come on, Lee! Come on! | 0:15:53 | 0:15:55 | |
# I just can't get you out of my head... # | 0:16:01 | 0:16:04 | |
Lee, probably the most unique voice I have on my team. | 0:16:05 | 0:16:09 | |
He takes a song and he does a Lee Glasson version. | 0:16:09 | 0:16:13 | |
Which song have you chosen? | 0:16:13 | 0:16:14 | |
I've chosen Careless Whisper by George Michael. | 0:16:14 | 0:16:17 | |
Ooh, nice! | 0:16:17 | 0:16:18 | |
The song that I'm singing is potentially a huge risk. | 0:16:18 | 0:16:21 | |
People might not like the fact that I'm changing, like, a classic song. | 0:16:21 | 0:16:25 | |
-Have you got more buff since you started this competition? -Possibly! | 0:16:25 | 0:16:29 | |
How about my guns, huh?! | 0:16:29 | 0:16:31 | |
I'm used to working in an office. | 0:16:31 | 0:16:33 | |
And now suddenly I'm spending days and days in the studio with Kylie, | 0:16:33 | 0:16:37 | |
rehearsing music, which is what I've always wanted to do so, | 0:16:37 | 0:16:40 | |
it's brilliant and I don't want it to end. | 0:16:40 | 0:16:42 | |
# I feel so unsure | 0:16:55 | 0:17:01 | |
# As I take your hand and lead you to the dance floor | 0:17:02 | 0:17:09 | |
# As the music dies | 0:17:09 | 0:17:11 | |
# Something in your eyes | 0:17:11 | 0:17:14 | |
# Calls to mind a silver screen | 0:17:14 | 0:17:17 | |
# And all its goodbyes | 0:17:17 | 0:17:21 | |
#I'm never gonna dance again | 0:17:21 | 0:17:23 | |
# Guilty feet have got no rhythm | 0:17:23 | 0:17:27 | |
# Though it's easy to pretend | 0:17:27 | 0:17:29 | |
# I know you're not a fool | 0:17:29 | 0:17:32 | |
# Should've known better than to cheat a friend | 0:17:32 | 0:17:35 | |
# The wasted chance that I've been given | 0:17:35 | 0:17:39 | |
# So I'm never gonna dance again | 0:17:39 | 0:17:45 | |
# The way I danced with, with you | 0:17:47 | 0:17:55 | |
# The way I danced with you. # | 0:18:03 | 0:18:11 | |
APPLAUSE AND CHEERING | 0:18:13 | 0:18:15 | |
That's Lee, everyone. | 0:18:18 | 0:18:19 | |
Oh, my God! | 0:18:20 | 0:18:22 | |
They huggin', they huggin'. | 0:18:23 | 0:18:24 | |
That's a lotta love on stage, a lotta love on stage. | 0:18:24 | 0:18:28 | |
Now the newest member of Team Kylie, it's Femi! | 0:18:28 | 0:18:33 | |
-I just want to say his name. -Femi. | 0:18:38 | 0:18:40 | |
-Femi Santiago. -Santiago, huh? | 0:18:40 | 0:18:42 | |
Sounds like a pop star. | 0:18:43 | 0:18:45 | |
Femi was destined to be my steal. | 0:18:47 | 0:18:50 | |
# Just take me... # | 0:18:50 | 0:18:53 | |
From going through homelessness at such a young age | 0:18:56 | 0:18:59 | |
to such an extreme high of where I am right now | 0:18:59 | 0:19:02 | |
it was like Christmas came early, basically. It was brilliant. | 0:19:02 | 0:19:05 | |
I've chosen California Dreaming by Bobby Womack. | 0:19:05 | 0:19:09 | |
I think the challenge with California Dreaming is | 0:19:09 | 0:19:12 | |
it could sound a bit cliched. | 0:19:12 | 0:19:15 | |
It was a big risk, actually, picking this song. | 0:19:15 | 0:19:18 | |
But Kylie reacted in a way that I never expected her to react. | 0:19:18 | 0:19:23 | |
I forgot that I was working. I was just part of the Femi fan club! | 0:19:26 | 0:19:31 | |
THEY GIGGLE | 0:19:31 | 0:19:35 | |
That's beautiful! | 0:19:35 | 0:19:37 | |
I don't think my rehearsals could have gone any better | 0:19:37 | 0:19:39 | |
but it is a lot of pressure to take, | 0:19:39 | 0:19:41 | |
knowing that there are seven people on the team | 0:19:41 | 0:19:44 | |
and only three people actually can go through. | 0:19:44 | 0:19:46 | |
Ha-ha! I get another go! Ha-ha! | 0:19:46 | 0:19:49 | |
-So what you got? -KYLIE LAUGHS | 0:19:53 | 0:19:55 | |
# All the leaves are brown | 0:19:58 | 0:20:03 | |
# And the sky is grey | 0:20:03 | 0:20:08 | |
# I went for a walk | 0:20:08 | 0:20:12 | |
# On a winter's day | 0:20:12 | 0:20:16 | |
# I'd be safe and warm | 0:20:16 | 0:20:20 | |
# If I was in LA | 0:20:20 | 0:20:25 | |
# California dreaming | 0:20:25 | 0:20:28 | |
# On such a winter's day | 0:20:28 | 0:20:35 | |
# I went to a church, oh | 0:20:35 | 0:20:38 | |
# I passed along the way | 0:20:38 | 0:20:42 | |
# Yeah, I | 0:20:42 | 0:20:44 | |
# Got down on my knees | 0:20:44 | 0:20:47 | |
# And I began to pray | 0:20:47 | 0:20:51 | |
# You know the preacher digs the cold | 0:20:51 | 0:20:55 | |
# Cos he knows I'm gonna stay, he knows I'm gonna stay | 0:20:55 | 0:20:59 | |
# California dreaming | 0:20:59 | 0:21:03 | |
# On such a winter's day | 0:21:03 | 0:21:08 | |
# On such a winter's day. # | 0:21:08 | 0:21:16 | |
Let's hear it for Femi, everyone! | 0:21:19 | 0:21:21 | |
Great song. Really great. | 0:21:29 | 0:21:31 | |
-That's a good steal. You stole him, right? -I stole him, yeah. | 0:21:31 | 0:21:35 | |
He can sing, that kid. | 0:21:35 | 0:21:37 | |
Oh, that was lovely. Beautiful. | 0:21:37 | 0:21:39 | |
Next, into Kylie's Knockouts, it's Rachael. | 0:21:41 | 0:21:43 | |
Go on there, girl! Go on! | 0:21:46 | 0:21:49 | |
Here we go, Rachael, here we go, Rachael! | 0:21:50 | 0:21:53 | |
Rachael is my sweet 16 | 0:21:55 | 0:21:57 | |
and from the blind audition, | 0:21:57 | 0:22:00 | |
hearing that voice, you could tell it was a young voice, | 0:22:00 | 0:22:04 | |
turn around, she's absolutely gorgeous. | 0:22:04 | 0:22:06 | |
For the knockouts, I've decided to sing New York by Paloma Faith. | 0:22:06 | 0:22:11 | |
# Her name was New York | 0:22:11 | 0:22:13 | |
# New York... # | 0:22:13 | 0:22:15 | |
I wanted to show Kylie that I'm versatile and can sing upbeat songs. | 0:22:15 | 0:22:20 | |
And hopefully Kylie likes it. | 0:22:20 | 0:22:22 | |
OK, biggest thing I want to say is don't worry. | 0:22:24 | 0:22:26 | |
I can remember being 16 | 0:22:26 | 0:22:29 | |
and I didn't have an opportunity like this, | 0:22:29 | 0:22:32 | |
so I imagine, when she's not terrified with nerves, | 0:22:32 | 0:22:35 | |
she must be having the best time. | 0:22:35 | 0:22:38 | |
She's like... This microphone is going to be snapped in half! | 0:22:38 | 0:22:43 | |
I'm from a small village called Drumsurn in Northern Ireland, | 0:22:43 | 0:22:46 | |
so being here now, it is scary. | 0:22:46 | 0:22:49 | |
It is scary. | 0:22:49 | 0:22:51 | |
She really is not confident, because she gets super-duper nervous. | 0:22:51 | 0:22:57 | |
-How do you feel? -Good. | 0:22:57 | 0:22:59 | |
She said "good", everybody! She said "good"! | 0:22:59 | 0:23:02 | |
I Just have to be confident and I have to make the song my own, | 0:23:02 | 0:23:06 | |
because I don't want to go home yet. I really want to get to Lives. | 0:23:06 | 0:23:09 | |
# The days were long and the nights so cold | 0:23:23 | 0:23:25 | |
# The pages turn, the tale unfolds. | 0:23:25 | 0:23:27 | |
# He left me for another lady | 0:23:27 | 0:23:31 | |
# He took my hand one day | 0:23:33 | 0:23:37 | |
# And told me he was leaving | 0:23:37 | 0:23:40 | |
# Me disbelieving | 0:23:40 | 0:23:42 | |
# And I, I, I... | 0:23:42 | 0:23:44 | |
# Oh, I, I, I! | 0:23:44 | 0:23:47 | |
# I had to let him go | 0:23:47 | 0:23:50 | |
# Her name was New York | 0:23:51 | 0:23:54 | |
# New York | 0:23:54 | 0:23:56 | |
# And she took his heart away | 0:23:56 | 0:24:00 | |
# Oh, my, her name was New York | 0:24:00 | 0:24:04 | |
# New York | 0:24:04 | 0:24:06 | |
# And she poisoned his sweet mind | 0:24:06 | 0:24:11 | |
# Please don't make me go to | 0:24:11 | 0:24:16 | |
# New York | 0:24:16 | 0:24:21 | |
# New York | 0:24:21 | 0:24:23 | |
# And she took his heart away | 0:24:23 | 0:24:28 | |
# Her name was New York | 0:24:28 | 0:24:31 | |
# New York | 0:24:31 | 0:24:33 | |
# She poisoned his sweet mind | 0:24:33 | 0:24:38 | |
# She poisoned his sweet mind. # | 0:24:38 | 0:24:44 | |
Make some noise for Rachael! | 0:24:46 | 0:24:48 | |
Let's go, Rachael! | 0:24:50 | 0:24:53 | |
She's great. She's a ready-made pop star. Ready to go. | 0:24:53 | 0:24:56 | |
16, I think, isn't she? | 0:24:56 | 0:24:58 | |
She had to fight through some nerves there. | 0:24:58 | 0:25:00 | |
-Have you got any plan? -I had a plan, I changed the plan. | 0:25:04 | 0:25:07 | |
I make another plan, I change it. | 0:25:07 | 0:25:08 | |
Then I was, like, the decision is just going to come. | 0:25:08 | 0:25:11 | |
Last up for Team Kylie is Jamie. | 0:25:11 | 0:25:14 | |
Go on, Jamie! | 0:25:18 | 0:25:20 | |
-I'm happy he's there. -He's always smiling, so happy to be there. | 0:25:21 | 0:25:25 | |
Jamie J brings joy, he really does. | 0:25:28 | 0:25:31 | |
# Because I'm happy...# | 0:25:31 | 0:25:32 | |
-Jamie. -Are you blushing? | 0:25:32 | 0:25:35 | |
Yeah, he's such a nice guy. | 0:25:35 | 0:25:38 | |
A couple of months ago I was gigging in pubs. | 0:25:38 | 0:25:40 | |
The next thing you know you're singing with Kylie. It's brilliant! | 0:25:40 | 0:25:43 | |
I'm singing Sex On Fire by Kings of Leon. | 0:25:43 | 0:25:45 | |
I'm elated already. I love that track! | 0:25:45 | 0:25:48 | |
Picking the song for the knockouts | 0:25:48 | 0:25:49 | |
is the biggest decision I've made so far. | 0:25:49 | 0:25:51 | |
I'm putting on the performance of my life. | 0:25:51 | 0:25:53 | |
# Cos they're watching, they're watching... # | 0:25:53 | 0:25:56 | |
Stop. Stop. | 0:25:56 | 0:25:58 | |
Can we try even less? | 0:25:58 | 0:26:01 | |
We don't just want to be hit over the head for the entirety of the song. | 0:26:01 | 0:26:05 | |
You don't want to be just screaming the house down. | 0:26:05 | 0:26:07 | |
Or maybe you do, Sex On Fire, I don't know! HE LAUGHS | 0:26:07 | 0:26:10 | |
Beep, beep, beep, beep - I'm backing up, I'm backing right on up. | 0:26:10 | 0:26:13 | |
I've got to get through the knockouts, I've got to get to lives | 0:26:13 | 0:26:16 | |
and smash it and just show the audience what I've got. | 0:26:16 | 0:26:19 | |
He's going to show his sexy side tonight. | 0:26:24 | 0:26:26 | |
Yeah? Must be the coaching! | 0:26:26 | 0:26:28 | |
AUDIENCE LAUGHS | 0:26:28 | 0:26:30 | |
# Lay where you're laying | 0:26:35 | 0:26:38 | |
# Don't make a sound | 0:26:38 | 0:26:41 | |
# I know they're watching | 0:26:41 | 0:26:44 | |
# They're watching | 0:26:45 | 0:26:47 | |
# They're watching | 0:26:47 | 0:26:48 | |
# You | 0:26:48 | 0:26:53 | |
# Your sex is on fire | 0:26:53 | 0:26:56 | |
# Oh-oh-oh-ohh | 0:26:58 | 0:27:00 | |
# The dark of the alley | 0:27:00 | 0:27:02 | |
# The break of the day | 0:27:03 | 0:27:06 | |
# Head while I'm driving | 0:27:06 | 0:27:09 | |
# I'm driving | 0:27:09 | 0:27:12 | |
# I'm driving | 0:27:12 | 0:27:14 | |
# You | 0:27:14 | 0:27:17 | |
# Your sex is on fire | 0:27:18 | 0:27:23 | |
# Consumed | 0:27:26 | 0:27:31 | |
# With what's just transpired | 0:27:31 | 0:27:34 | |
# You | 0:27:38 | 0:27:43 | |
# Your sex is on fire. # | 0:27:43 | 0:27:48 | |
CHEERING AND APPLAUSE | 0:27:48 | 0:27:49 | |
Yeah! | 0:27:49 | 0:27:51 | |
Give it up for Jamie, everyone! | 0:27:51 | 0:27:54 | |
Go on! | 0:27:54 | 0:27:56 | |
Go on, Jamie! | 0:27:56 | 0:27:58 | |
Good energy. Ah-hah! | 0:27:58 | 0:28:01 | |
Wow, what a great performances. Let's hear it for Team Kylie. | 0:28:03 | 0:28:06 | |
Woop! Woop! | 0:28:10 | 0:28:12 | |
Kylie, congratulations. | 0:28:12 | 0:28:14 | |
They've done it, seven standout performances. You must be so proud. | 0:28:14 | 0:28:18 | |
There's no way of choosing three people and being happy. | 0:28:18 | 0:28:23 | |
That's, like... That's it. | 0:28:23 | 0:28:25 | |
I've tried to put the jigsaw every which way and it doesn't happen so... | 0:28:25 | 0:28:30 | |
They've made this difficult for me. | 0:28:30 | 0:28:33 | |
Let's hear from your fellow coaches. | 0:28:33 | 0:28:35 | |
Will.i.am, talk to us about the knockouts. | 0:28:35 | 0:28:37 | |
-First off, I think the song selections were too obvious. -OK. | 0:28:37 | 0:28:44 | |
Except for Jamie's. | 0:28:44 | 0:28:46 | |
WHOOPING AND CHEERING | 0:28:46 | 0:28:49 | |
The music industry is not just about looking at what you do, | 0:28:49 | 0:28:52 | |
but also paying attention to the competition. | 0:28:52 | 0:28:54 | |
Like, if Ricky was doing a concert | 0:28:54 | 0:28:56 | |
and you were playing Glastonbury, you're going to want to know | 0:28:56 | 0:28:59 | |
-what the opener did, because you would have to bring it. -Yeah. | 0:28:59 | 0:29:02 | |
I don't think you guys are paying attention to how explosive that was. | 0:29:02 | 0:29:05 | |
So I'm right in thinking if that was your team, | 0:29:05 | 0:29:07 | |
-Jamie would definitely go through for you? -Jamie would go through. | 0:29:07 | 0:29:12 | |
He would be, like, my centrepiece. | 0:29:12 | 0:29:14 | |
Then I'd be, like, all right, I know Femi can bring it | 0:29:14 | 0:29:18 | |
so I'll put him up next to him. | 0:29:18 | 0:29:20 | |
And Leo is freaking amazing too. | 0:29:21 | 0:29:25 | |
CHEERING AND APPLAUSE | 0:29:25 | 0:29:29 | |
Ricky, if you were Kylie right now, | 0:29:29 | 0:29:30 | |
what would be going through your mind? | 0:29:30 | 0:29:32 | |
Wow, it's like picking lobsters in a restaurant. | 0:29:32 | 0:29:35 | |
SHE LAUGHS | 0:29:35 | 0:29:37 | |
Singing lobsters. Sorry, that didn't make sense. | 0:29:37 | 0:29:40 | |
Sorry, Will, that's straight out of your book, that. | 0:29:40 | 0:29:43 | |
No, no, I never would have said that! | 0:29:43 | 0:29:45 | |
LAUGHTER | 0:29:45 | 0:29:46 | |
-Who would you pick? -I'll be more general. | 0:29:48 | 0:29:51 | |
I will say that I think the boys did a little bit better than the girls. | 0:29:51 | 0:29:54 | |
And I really didn't expect that. | 0:29:54 | 0:29:57 | |
OK. Thank you. | 0:29:57 | 0:29:59 | |
Who would you pick, Tom? | 0:30:01 | 0:30:03 | |
Erm, Jamie. | 0:30:03 | 0:30:04 | |
CHEERING | 0:30:04 | 0:30:08 | |
AUDIENCE MEMBER: Go on, Jamie! | 0:30:08 | 0:30:10 | |
And Femi. | 0:30:10 | 0:30:12 | |
CHEERING | 0:30:12 | 0:30:15 | |
The way I look at it is we've got three live shows to go. | 0:30:15 | 0:30:20 | |
I think Rachael fits that bill. | 0:30:20 | 0:30:23 | |
OK. Great stuff. | 0:30:23 | 0:30:25 | |
Thank you very much, Tom. | 0:30:25 | 0:30:27 | |
OK, now it's time where we get serious. | 0:30:28 | 0:30:31 | |
Kylie, seven must become three. It's time to make your knockout decision. | 0:30:31 | 0:30:34 | |
AUDIENCE SHOUT CONTESTANT NAMES OUT | 0:30:34 | 0:30:40 | |
Kylie, who gets the first place in your team? | 0:30:42 | 0:30:45 | |
AUDIENCE: Kylie! Kylie! Kylie! | 0:30:45 | 0:30:49 | |
I just want to thank each and every one of you for being part of my team. | 0:30:51 | 0:30:56 | |
APPLAUSE | 0:30:56 | 0:31:00 | |
And really, I'm a bit like mother hen, | 0:31:00 | 0:31:04 | |
I feel very, very proud and privileged to have shared this time | 0:31:04 | 0:31:08 | |
with you, so thank you very, very much. | 0:31:08 | 0:31:10 | |
Starting to get really serious. I need to know the first name | 0:31:13 | 0:31:17 | |
of the person going through to the live shows. | 0:31:17 | 0:31:20 | |
All right. | 0:31:27 | 0:31:28 | |
The first person I'm taking through to the live shows is... | 0:31:31 | 0:31:35 | |
Lee. | 0:31:46 | 0:31:47 | |
Congratulations, Lee! | 0:31:48 | 0:31:49 | |
Lee, you are through to the live shows. Come and see Kylie. | 0:31:55 | 0:31:59 | |
Massive congrats, buddy. | 0:32:05 | 0:32:06 | |
You absolutely knocked it out of the park. | 0:32:06 | 0:32:08 | |
Anything you'd like to say to Kylie? | 0:32:08 | 0:32:10 | |
I've learned so much from you already and I just can't wait | 0:32:10 | 0:32:13 | |
to continue, so thank you so much. Thank you. | 0:32:13 | 0:32:15 | |
OK, so now, just two places remain on Team Kylie. | 0:32:21 | 0:32:25 | |
Kylie, who gets the next place? | 0:32:27 | 0:32:29 | |
Um... | 0:32:33 | 0:32:34 | |
The next place is going to someone who... | 0:32:36 | 0:32:39 | |
who has been consistent, | 0:32:39 | 0:32:43 | |
really consistent. I know, every time, they can deliver. | 0:32:43 | 0:32:47 | |
I don't have an ounce of worry. | 0:32:47 | 0:32:51 | |
Jamie! | 0:33:05 | 0:33:07 | |
Congratulations, Jamie! | 0:33:07 | 0:33:10 | |
Congratulations, Jamie, | 0:33:17 | 0:33:19 | |
you are through to the live shows. | 0:33:19 | 0:33:21 | |
Come and give Kylie a big hug, Jamie. Congratulations. | 0:33:21 | 0:33:23 | |
Thank you! Thank you so much. | 0:33:27 | 0:33:29 | |
-You all right? -Thank you! Yeah! | 0:33:29 | 0:33:32 | |
Wow! | 0:33:32 | 0:33:33 | |
The Lee-ster, he smashed it! | 0:33:37 | 0:33:39 | |
Well done, Jamie. There's a lot of love on this stage. | 0:33:39 | 0:33:42 | |
It's getting emotional, right? | 0:33:42 | 0:33:43 | |
Uh, yeah, yeah. Like, er, meeting everyone and the experiences, | 0:33:43 | 0:33:48 | |
you can't explain how good it is. | 0:33:48 | 0:33:51 | |
Like... | 0:33:51 | 0:33:52 | |
Well, listen, congratulations. | 0:33:52 | 0:33:54 | |
You're through to the live show, along with Lee. Well done, boys. | 0:33:54 | 0:33:58 | |
Now, Kylie has just one more name to add to the line-up. | 0:34:04 | 0:34:07 | |
Kylie, who's getting the last crucial place on your team? | 0:34:09 | 0:34:12 | |
HE MOUTHS | 0:34:18 | 0:34:20 | |
OK. | 0:34:20 | 0:34:21 | |
I'm so sorry to be saying goodbye to four of you. | 0:34:27 | 0:34:31 | |
Thank you for being part of my journey on this show. | 0:34:31 | 0:34:34 | |
That means a lot to me. | 0:34:34 | 0:34:36 | |
First, then... | 0:34:36 | 0:34:38 | |
The third person I'm taking through to the live rounds is... | 0:34:41 | 0:34:45 | |
Rachael. | 0:34:59 | 0:35:01 | |
Congratulations, Rachael! | 0:35:02 | 0:35:04 | |
Smashed it! Congratulations. | 0:35:11 | 0:35:13 | |
Well done, Rachael. You are the last person in Kylie's team. | 0:35:13 | 0:35:16 | |
You're through to the live shows. | 0:35:16 | 0:35:19 | |
Unlucky! | 0:35:19 | 0:35:20 | |
Come over here, Rachael, give it up for Rachael! | 0:35:25 | 0:35:27 | |
Come here, Rachael, give us a hug. | 0:35:33 | 0:35:35 | |
Well done, hun. Congratulations. How you feeling right now? | 0:35:35 | 0:35:38 | |
I, I can't speak! Like, thank you so much for taking a chance | 0:35:40 | 0:35:45 | |
and...sorry for messing up and being nervous, but... | 0:35:45 | 0:35:49 | |
Listen, don't be sorry. You're through to the live shows | 0:35:49 | 0:35:52 | |
along with Lee, Jamie and Rachael - give it up for the new Team Kylie! | 0:35:52 | 0:35:56 | |
She was brilliant, yes! | 0:36:00 | 0:36:01 | |
Well done! | 0:36:09 | 0:36:10 | |
Well done, Kylie. | 0:36:12 | 0:36:13 | |
Kylie, they haven't made it to the final three | 0:36:16 | 0:36:18 | |
but you must be so proud of these four. | 0:36:18 | 0:36:21 | |
I'm, you're all here because you are very talented | 0:36:21 | 0:36:24 | |
and you have so much more to give, | 0:36:24 | 0:36:26 | |
and I wish you all the very, very best. | 0:36:26 | 0:36:29 | |
Everyone, show your appreciation for Femi, Jade, Leo and Jai! | 0:36:29 | 0:36:34 | |
-I'm sorry, it's so hard. -Hey! | 0:36:40 | 0:36:42 | |
It was always going to be difficult. | 0:36:45 | 0:36:47 | |
Like I said to them, seven to three is just not a lot of fun | 0:36:47 | 0:36:52 | |
but it had to be done. | 0:36:52 | 0:36:54 | |
The Kylie hug count has unfortunately come to an end now. | 0:36:54 | 0:36:58 | |
But I've got a poster of her at home, so I might hug that! | 0:36:58 | 0:37:02 | |
THEY LAUGH | 0:37:04 | 0:37:07 | |
Oh, my God! I can't believe it. | 0:37:07 | 0:37:11 | |
-I wouldn't have let that Femi go, would you? -No, I wouldn't have. | 0:37:11 | 0:37:14 | |
-Yeah, he was... -He's something else, he is. | 0:37:14 | 0:37:17 | |
Yeah. | 0:37:17 | 0:37:18 | |
Some of them picked some very clunky songs. | 0:37:18 | 0:37:22 | |
Put it this way, it's like the hot model with the nice physique... | 0:37:22 | 0:37:25 | |
-WOLF WHISTLE -..they should put a curtain on. | 0:37:25 | 0:37:29 | |
That's the metaphor. | 0:37:29 | 0:37:30 | |
The songs they sing did not show the physique vocally. | 0:37:30 | 0:37:33 | |
I would have gone Femi over Rachael. Rachael does have the potential. | 0:37:36 | 0:37:40 | |
I think she's a pop star ready to go. Make the video, stick it on telly. | 0:37:40 | 0:37:44 | |
LAUGHTER | 0:37:44 | 0:37:46 | |
SQUEALING | 0:37:46 | 0:37:48 | |
They each represent something different | 0:37:53 | 0:37:55 | |
and hopefully that's going to give Team Kylie a good chance. | 0:37:55 | 0:37:57 | |
-I've done it. Live shows! -Boy, oh, boy, oh, boy. | 0:37:59 | 0:38:03 | |
-I think I've broken myself. -Yeah. -It's rotten. | 0:38:03 | 0:38:07 | |
Well, Kylie's made her decision, mine's to come. | 0:38:07 | 0:38:12 | |
Like her, I'm dreading it. | 0:38:12 | 0:38:14 | |
We're all in it to win it. Did I rhyme then? | 0:38:14 | 0:38:17 | |
Yes, you did. That was good. | 0:38:17 | 0:38:19 | |
-Yeah. -Yeah. Hell, yeah. | 0:38:19 | 0:38:23 | |
Of course I think I've got the strongest team. | 0:38:23 | 0:38:25 | |
Everyone thinks their group of friends | 0:38:25 | 0:38:28 | |
are the best friends in the world. | 0:38:28 | 0:38:30 | |
Apart from maybe the friends on Friends. | 0:38:30 | 0:38:32 | |
We'd all like to be part of that gang, right? | 0:38:32 | 0:38:35 | |
HE GIGGLES | 0:38:37 | 0:38:39 | |
It is up to Sir Tom now. | 0:38:39 | 0:38:41 | |
If he needs to hold my hand, he can. | 0:38:41 | 0:38:46 | |
-Don't bore us, get to the chorus. -Don't bore us, get to the chorus. | 0:38:46 | 0:38:49 | |
Have you never heard don't bore us... | 0:38:49 | 0:38:51 | |
-No, I've never heard that before. -Tom, I taught Tom something. | 0:38:51 | 0:38:54 | |
-Yeah! -Let's skip to the good bit. | 0:38:54 | 0:38:57 | |
Well done, Kylie Minogue | 0:38:58 | 0:39:00 | |
OBE. | 0:39:00 | 0:39:01 | |
RICKY! | 0:39:01 | 0:39:03 | |
APPLAUSE AND CHEERING | 0:39:07 | 0:39:09 | |
Next up, going from seven to three it's Team Tom. | 0:39:09 | 0:39:11 | |
CHEERING | 0:39:11 | 0:39:13 | |
My knockout team is the best one. | 0:39:16 | 0:39:18 | |
-All hail Sir Tom. -Wow! | 0:39:18 | 0:39:21 | |
I think he has acts who cover different styles, different genres. | 0:39:21 | 0:39:26 | |
They can sing, they perform and I don't have two singers alike. | 0:39:26 | 0:39:29 | |
Are they any good? I don't know. Let me think... | 0:39:29 | 0:39:32 | |
-Of course. -Yeah. | 0:39:32 | 0:39:34 | |
Some of his team are just legendary. | 0:39:34 | 0:39:38 | |
Now we can see who's got the complete package, | 0:39:38 | 0:39:40 | |
who's got the potential to be a star. | 0:39:40 | 0:39:43 | |
Good morning. | 0:39:43 | 0:39:44 | |
-Everybody happy? -Yes. | 0:39:47 | 0:39:49 | |
-With the knockouts, you have to choose your own song. -What? -Oh. | 0:39:49 | 0:39:53 | |
-That is a big decision for the singer. -This is stressing me out. | 0:39:53 | 0:39:57 | |
They need to pick the right song. | 0:39:57 | 0:39:59 | |
It's only one minute 20 seconds to get over what I can do. | 0:39:59 | 0:40:03 | |
They must choose wisely. | 0:40:03 | 0:40:05 | |
The competition is very, very fierce. | 0:40:05 | 0:40:08 | |
The talent this year is insane. | 0:40:08 | 0:40:10 | |
I'm not going to hold back so I don't see why anyone else should. | 0:40:10 | 0:40:16 | |
-This stage is go hard or go home. -Good luck to you all. -Thank you. | 0:40:16 | 0:40:20 | |
I can't wait to hear them. | 0:40:20 | 0:40:22 | |
Only three can go through to the lives. | 0:40:23 | 0:40:25 | |
You can either be strong or you can crumble. So you better be strong. | 0:40:25 | 0:40:30 | |
And there they are. Give it up for Team Tom. | 0:40:33 | 0:40:36 | |
Everybody feeling all right? | 0:40:38 | 0:40:40 | |
So, Tom only has three places in his live show line-up | 0:40:43 | 0:40:46 | |
and he'll make his decision once the entire team have performed. | 0:40:46 | 0:40:49 | |
-Tom, are you ready for these knockouts? -Yes. -I was worried then. | 0:40:49 | 0:40:54 | |
I've told everybody that it all depends on what happens tonight. | 0:40:55 | 0:40:59 | |
Just bring it, give it the best you can. | 0:40:59 | 0:41:04 | |
That's all I've got to say. | 0:41:04 | 0:41:06 | |
APPLAUSE | 0:41:06 | 0:41:08 | |
OK, first up and singing to stay on Team Tom, | 0:41:09 | 0:41:11 | |
everybody give it up for Celestine. | 0:41:11 | 0:41:14 | |
APPLAUSE | 0:41:14 | 0:41:16 | |
-Feeling the pressure, Tom? -Yes. Pressure. -Need a shoulder rub? | 0:41:19 | 0:41:24 | |
-Celestine is a vibrant person. You bring the thing, baby. -The thing. | 0:41:29 | 0:41:33 | |
Yeah, you've got that thing. Her face lights up when she sings. | 0:41:33 | 0:41:38 | |
-So the song... -Yes, I'm doing You Might Need Somebody. -Right. | 0:41:38 | 0:41:42 | |
I've chosen this song | 0:41:42 | 0:41:44 | |
because the sentiment of You Might Need Somebody, it's so beautiful. | 0:41:44 | 0:41:48 | |
When I am singing I'm thinking about my kids, | 0:41:48 | 0:41:50 | |
I'm thinking about the people who, in my life, | 0:41:50 | 0:41:53 | |
have influenced me in such a way that has brought me to where I am now. | 0:41:53 | 0:41:58 | |
It's always important for a singer to relate to a song. | 0:41:58 | 0:42:01 | |
Celestine, she can do that. | 0:42:01 | 0:42:02 | |
Yeah! | 0:42:02 | 0:42:05 | |
You do what you just did and you don't have to worry about a thing. | 0:42:05 | 0:42:08 | |
Thank you. The competition is fierce | 0:42:08 | 0:42:10 | |
but I really want to get through to the live shows. | 0:42:10 | 0:42:13 | |
# Oooh-oooh! | 0:42:25 | 0:42:29 | |
# When somebody reaches for your heart | 0:42:29 | 0:42:35 | |
# Open up and let them through | 0:42:35 | 0:42:39 | |
# Cos everybody needs someone around | 0:42:40 | 0:42:45 | |
# Or things can tumble down on you | 0:42:46 | 0:42:51 | |
# If there is fire | 0:42:53 | 0:42:57 | |
# So in your heart | 0:42:58 | 0:43:01 | |
# And you're sure it's wrong and right | 0:43:01 | 0:43:05 | |
# Keep it burning through the cold night | 0:43:05 | 0:43:12 | |
# It can warm your lonely ni-igh-ights | 0:43:12 | 0:43:18 | |
# Oh-oooh | 0:43:18 | 0:43:20 | |
# You might need somebody | 0:43:20 | 0:43:23 | |
# You might need somebody too | 0:43:23 | 0:43:28 | |
# Oh-oh-oh, yeah! | 0:43:28 | 0:43:32 | |
# You might need | 0:43:32 | 0:43:35 | |
# Oh, yeah | 0:43:35 | 0:43:39 | |
# Somebody too. # | 0:43:39 | 0:43:43 | |
CHEERING | 0:43:43 | 0:43:45 | |
-All right. -Celestine, everybody. | 0:43:45 | 0:43:48 | |
CHEERING | 0:43:48 | 0:43:50 | |
Good luck. | 0:43:54 | 0:43:56 | |
That was excellent. | 0:43:57 | 0:43:59 | |
-She was a lovely present. -Yeah. | 0:43:59 | 0:44:01 | |
And it's good to be able to hear them, all in a row. | 0:44:01 | 0:44:04 | |
It's the best way to do it, I think. | 0:44:04 | 0:44:07 | |
-You know what you're doing. -Well, you know... | 0:44:07 | 0:44:10 | |
Next up, hoping to book a place in the live shows, it's Melissa. | 0:44:10 | 0:44:14 | |
CHEERING | 0:44:17 | 0:44:19 | |
-Melissa with the pink hair. -Hello. | 0:44:27 | 0:44:29 | |
-How are you, darling? -Good, thank you. | 0:44:29 | 0:44:31 | |
I like what she does. She has got a unique style. | 0:44:31 | 0:44:33 | |
There's a similarity there with Amy Winehouse, you know. | 0:44:33 | 0:44:36 | |
She's really good. | 0:44:36 | 0:44:38 | |
I'm glad you've still got pink hair. | 0:44:38 | 0:44:39 | |
I'd miss that if you had dyed it another colour. | 0:44:39 | 0:44:42 | |
-It's not going to happen. -Pink, pink! What song have you picked? | 0:44:42 | 0:44:45 | |
I've chosen to do I Love Rock'n'Roll by Joan Jett & The Blackhearts. | 0:44:45 | 0:44:48 | |
Ah! I love that song. | 0:44:48 | 0:44:49 | |
Everybody knows it as this hardcore rock, you know, anthem. | 0:44:49 | 0:44:53 | |
I thought, "I want to strip it back and turn it into a Melissa song." | 0:44:53 | 0:44:56 | |
She was... # I love rock'n'roll... # | 0:44:56 | 0:44:58 | |
It's a different approach. | 0:44:58 | 0:45:00 | |
I've never heard it like that. | 0:45:00 | 0:45:01 | |
Joan Jett didn't do it like that. | 0:45:01 | 0:45:03 | |
-How are you feeling? -Nervous. | 0:45:03 | 0:45:05 | |
When you change something, which Melissa has done, | 0:45:05 | 0:45:08 | |
it's always a risk but she is going to have fun with it. | 0:45:08 | 0:45:11 | |
Don't lose the fun. Get that across. | 0:45:11 | 0:45:13 | |
I'm just desperate to prove myself and get through into the lives. | 0:45:13 | 0:45:17 | |
I've got to impress Tom and make sure I am in his final three. | 0:45:17 | 0:45:20 | |
# I saw him dancin' there by the record machine | 0:45:30 | 0:45:36 | |
# I knew he must have been about 17 | 0:45:36 | 0:45:42 | |
# The beat was goin' strong Playin' my favourite song | 0:45:42 | 0:45:47 | |
# And I could tell it wouldn't be long till he was with me | 0:45:47 | 0:45:52 | |
# Yeah, me | 0:45:52 | 0:45:53 | |
# Singin' | 0:45:53 | 0:45:55 | |
# I love rock'n'roll | 0:45:55 | 0:45:56 | |
# So put another dime in the juke box, baby | 0:45:56 | 0:46:01 | |
# I love rock'n'roll | 0:46:01 | 0:46:03 | |
# So come on, take your time and dance with me | 0:46:03 | 0:46:07 | |
# He smiled so I got up and asked him for his name | 0:46:09 | 0:46:15 | |
# That don't matter he said cos it's all the same | 0:46:15 | 0:46:21 | |
# I said can I take you home where we can be alone? | 0:46:21 | 0:46:27 | |
# Next we were movin' on Yeah, he was with me | 0:46:27 | 0:46:31 | |
# Yeah, me | 0:46:31 | 0:46:32 | |
# Singin' | 0:46:32 | 0:46:35 | |
# I love rock'n'roll | 0:46:35 | 0:46:36 | |
# So put another dime in the juke box, baby | 0:46:36 | 0:46:40 | |
# I love rock'n'roll | 0:46:40 | 0:46:42 | |
# So come and take your time | 0:46:42 | 0:46:44 | |
# And dance with me... # | 0:46:44 | 0:46:51 | |
CHEERING | 0:46:51 | 0:46:53 | |
Please put your hands together for Melissa! | 0:46:53 | 0:46:55 | |
CHEERING | 0:46:55 | 0:46:57 | |
SHOUTING | 0:46:57 | 0:47:01 | |
Well done. | 0:47:01 | 0:47:02 | |
I better sit down. | 0:47:06 | 0:47:07 | |
-That was explosive. -Yeah. That was good. | 0:47:07 | 0:47:10 | |
Up next, singing to be one of Tom's top three, it's Gary. | 0:47:10 | 0:47:15 | |
CHEERING | 0:47:15 | 0:47:17 | |
Gary Poole. | 0:47:18 | 0:47:22 | |
Thank you. | 0:47:22 | 0:47:24 | |
-He's going to blow us all way. -He can sing. | 0:47:25 | 0:47:29 | |
Gary is a vocal teacher which is great | 0:47:32 | 0:47:34 | |
because his strong point is he's so musical. He's got that soul thing. | 0:47:34 | 0:47:38 | |
He's a natural performer. What song is it? | 0:47:38 | 0:47:41 | |
Freedom by George Michael. | 0:47:41 | 0:47:43 | |
-Oh, right. -Nice up-tempo song. I love the lyrics. I love the song. | 0:47:43 | 0:47:46 | |
And I think it's just a real crowd-pleasing song. | 0:47:46 | 0:47:49 | |
It is a sing-along song but it remains to be seen | 0:47:49 | 0:47:51 | |
if everybody else thinks that. | 0:47:51 | 0:47:53 | |
You're not smiling enough. It's worrying me. | 0:47:53 | 0:47:55 | |
He has to be careful because it's very easy when you're that equipped, | 0:47:55 | 0:47:59 | |
which he is, vocally, to overdo it. | 0:47:59 | 0:48:02 | |
It's either going to be brilliant or it is not going to work. | 0:48:02 | 0:48:05 | |
-It's one of those, isn't it? -It's not an easy song to sing. | 0:48:05 | 0:48:07 | |
I don't know if he can do it any stronger. | 0:48:07 | 0:48:09 | |
If he can then I'm looking forward to seeing it and hearing it. | 0:48:09 | 0:48:12 | |
I can feel the live shows. I am almost there, I need to go through. | 0:48:12 | 0:48:15 | |
It's plagued my every thought. | 0:48:15 | 0:48:17 | |
I really, really want this. | 0:48:17 | 0:48:19 | |
# I won't let you down I will not give you up | 0:48:29 | 0:48:34 | |
# Gotta have some faith in the sound | 0:48:34 | 0:48:37 | |
# It's the one good thing I've got | 0:48:37 | 0:48:39 | |
# Heaven knows I was a young boy | 0:48:39 | 0:48:42 | |
# Didn't know what I wanted to be | 0:48:42 | 0:48:44 | |
# Did, did, didn't know | 0:48:44 | 0:48:46 | |
# Oh now | 0:48:46 | 0:48:47 | |
# Say now | 0:48:47 | 0:48:49 | |
# Take back your picture in the frame | 0:48:49 | 0:48:51 | |
# Take back your singing in the rain | 0:48:51 | 0:48:54 | |
# I just hope you'll understand | 0:48:54 | 0:48:56 | |
# Sometimes the clothes do not make the man | 0:48:56 | 0:48:59 | |
# All we have to do, now | 0:48:59 | 0:49:03 | |
# Is take these lies and make them true somehow | 0:49:03 | 0:49:10 | |
# All we have to see | 0:49:10 | 0:49:13 | |
# Is that I don't belong to you | 0:49:13 | 0:49:17 | |
# And you don't belong to me | 0:49:17 | 0:49:19 | |
-# Take that -Freedom | 0:49:19 | 0:49:22 | |
# Oh! Freedom now | 0:49:22 | 0:49:27 | |
# You've gotta give her what you take | 0:49:27 | 0:49:30 | |
-# Freedom, freedom -Free-ee-dom | 0:49:30 | 0:49:37 | |
# You've got to give her what you take. # | 0:49:37 | 0:49:41 | |
CHEERING | 0:49:41 | 0:49:43 | |
-It's all right. -CHEERING | 0:49:43 | 0:49:46 | |
Give it up for Gary! | 0:49:46 | 0:49:48 | |
Well done. | 0:49:52 | 0:49:54 | |
It's going to get difficult now. | 0:49:54 | 0:49:56 | |
-Yeah! -Yeah. | 0:49:56 | 0:49:57 | |
-That's the way I love it. -KYLIE LAUGHS | 0:50:00 | 0:50:02 | |
APPLAUSE | 0:50:02 | 0:50:05 | |
Next up, it's Bizzi. | 0:50:07 | 0:50:10 | |
CHEERING Go, Bizzi! | 0:50:10 | 0:50:12 | |
Bizzi! TOM CHEERS | 0:50:15 | 0:50:17 | |
-I'm just thinking of in the battles, how great Bizzi was. -Yeah. | 0:50:21 | 0:50:25 | |
Bizzi is a soul singer, he's a gospel soul singer. | 0:50:29 | 0:50:33 | |
-You dressed up for it. -Thank very much. | 0:50:33 | 0:50:35 | |
With the bow tie and everything. | 0:50:35 | 0:50:37 | |
He comes from a family of gospel singers | 0:50:37 | 0:50:39 | |
and he's the only one in my team that sings like that. | 0:50:39 | 0:50:43 | |
The song I'm singing is when I Need You, Leo Sayer. | 0:50:43 | 0:50:45 | |
-I am putting a Bizzi twist to it. -Thank God for that. | 0:50:45 | 0:50:48 | |
I used to sing it growing up and it's one of my favourite songs. | 0:50:51 | 0:50:55 | |
I did a little jazz run but Tom did warn me | 0:50:56 | 0:50:59 | |
not to be too oobly-oobly. | 0:50:59 | 0:51:01 | |
-What? -You know what I mean. -I've got no idea. | 0:51:01 | 0:51:04 | |
-I call them oobly-ooblies. -OK. | 0:51:04 | 0:51:06 | |
I don't think you'll find that in a dictionary. | 0:51:06 | 0:51:08 | |
An oobly-oobly is my own creation. It's when somebody does a jazz run. | 0:51:08 | 0:51:12 | |
# Hey-hey-hey... # | 0:51:12 | 0:51:13 | |
I'm not particularly fond of it, to me it's oobly-oobly. | 0:51:13 | 0:51:17 | |
Bizzi has to stick to his roots. | 0:51:18 | 0:51:20 | |
He must establish the melody first, don't go too far off it. | 0:51:20 | 0:51:24 | |
He needs to keep that in mind. | 0:51:24 | 0:51:26 | |
The further you get in the competition, | 0:51:26 | 0:51:28 | |
the further you want to get. | 0:51:28 | 0:51:29 | |
It's going to be a challenge but I intend to give it my all. | 0:51:29 | 0:51:32 | |
# When I need you | 0:51:44 | 0:51:47 | |
# I just close my eyes and I'm with you | 0:51:47 | 0:51:54 | |
# And all that I so wanna give to you | 0:51:54 | 0:52:01 | |
# Is only a heartbeat away | 0:52:01 | 0:52:07 | |
# It's not easy when the road is your driver | 0:52:08 | 0:52:15 | |
# Honey that's a heavy load you bear | 0:52:15 | 0:52:22 | |
# But I know I won't be travelling a lifetime | 0:52:22 | 0:52:27 | |
# No, no, no | 0:52:27 | 0:52:29 | |
# It's cold out, but hold out and do like I do | 0:52:29 | 0:52:36 | |
# Oooh-ooh | 0:52:36 | 0:52:37 | |
# Oh, hey, hey, hey | 0:52:37 | 0:52:41 | |
-# Oh, I need you -I need you, baby | 0:52:41 | 0:52:46 | |
# Yes I do | 0:52:46 | 0:52:49 | |
# When I need you. # | 0:52:49 | 0:52:56 | |
CHEERING | 0:52:56 | 0:52:59 | |
Please raise the roof for Bizzi. | 0:52:59 | 0:53:04 | |
This is getting Bizzi. | 0:53:06 | 0:53:07 | |
You make me dizzy, Miss Lizzie when it's a song by Bizzi. | 0:53:11 | 0:53:14 | |
-# You make me dizzy, Miss Lizzie -Oh, yeah. # | 0:53:18 | 0:53:21 | |
Sorry, everybody, sometimes I get the feeling. | 0:53:21 | 0:53:26 | |
APPLAUSE | 0:53:26 | 0:53:29 | |
Next into the knockouts, it's Georgia. | 0:53:29 | 0:53:31 | |
CHEERING | 0:53:31 | 0:53:34 | |
Yeah! | 0:53:38 | 0:53:39 | |
I like this girl. I think Georgia is good. | 0:53:42 | 0:53:44 | |
I like Georgia. | 0:53:44 | 0:53:46 | |
-Georgia! -Tom. -Georgia, she's got a definite style and she is fun. | 0:53:48 | 0:53:54 | |
She can sing. | 0:53:54 | 0:53:55 | |
This song I am singing is very personal between myself | 0:53:55 | 0:53:58 | |
and my fiance. I'm singing Three Little Birds by Bob Marley. | 0:53:58 | 0:54:03 | |
We're getting married in May this year and this is our wedding song. | 0:54:03 | 0:54:06 | |
Georgia, she just has to have fun with this song. | 0:54:06 | 0:54:09 | |
-Get into that side of it. A sassy thing. -I am related to Adele. | 0:54:09 | 0:54:15 | |
She is my cousin but I really feel in this competition | 0:54:15 | 0:54:17 | |
-I have found my own voice. -I liked that. | 0:54:17 | 0:54:20 | |
Every time I kind of think about the lives, | 0:54:20 | 0:54:22 | |
I have mini heart palpitations. I would absolutely love to be there. | 0:54:22 | 0:54:26 | |
I can't even describe how that would feel. | 0:54:26 | 0:54:28 | |
# Rise up this mornin' | 0:54:37 | 0:54:40 | |
# I smiled with the risin' sun | 0:54:40 | 0:54:43 | |
# Three little birds | 0:54:43 | 0:54:45 | |
# Each by my doorstep | 0:54:45 | 0:54:48 | |
# And they're singin' sweet songs | 0:54:48 | 0:54:51 | |
# Of melodies pure and true | 0:54:51 | 0:54:54 | |
# Sayin', this is my message to you, to you, to you | 0:54:54 | 0:55:00 | |
# Don't worry about a thing | 0:55:00 | 0:55:05 | |
# Yeah | 0:55:05 | 0:55:07 | |
# Cos every little thing is gonna be all right | 0:55:07 | 0:55:10 | |
# Yeah, all right | 0:55:10 | 0:55:12 | |
# I rise up this mornin' | 0:55:12 | 0:55:14 | |
# I smiled with the risin' sun | 0:55:14 | 0:55:17 | |
# Three little birds | 0:55:17 | 0:55:20 | |
# Each by my doorstep | 0:55:20 | 0:55:23 | |
# And they're singin' sweet songs | 0:55:23 | 0:55:25 | |
# Of melodies pure and true | 0:55:25 | 0:55:28 | |
# And they're sayin' this is my message to you | 0:55:28 | 0:55:32 | |
# To you, to you, to you, | 0:55:32 | 0:55:35 | |
# Don't worry about a thing | 0:55:35 | 0:55:38 | |
# Yeah, heah-heah | 0:55:38 | 0:55:41 | |
# Every little thing is gonna be all right | 0:55:41 | 0:55:44 | |
# Yeah, heah Don't you worry! | 0:55:44 | 0:55:47 | |
# About a thing | 0:55:47 | 0:55:49 | |
# Yeah | 0:55:49 | 0:55:51 | |
# Cos every little thing | 0:55:51 | 0:55:57 | |
# Is gonna be all right. # | 0:55:57 | 0:56:01 | |
Oh! | 0:56:01 | 0:56:03 | |
Give it up for Georgia, everybody! | 0:56:03 | 0:56:05 | |
CHEERING | 0:56:05 | 0:56:08 | |
WHOOPING | 0:56:17 | 0:56:19 | |
-Very well done. That was amazing. -Yeah, I liked that. | 0:56:19 | 0:56:23 | |
-She, she's your little star. -Yeah. | 0:56:23 | 0:56:26 | |
Georgia, Georgia, Georgia! | 0:56:26 | 0:56:28 | |
Next, Tom's newest team member, it's his steal, Steven. | 0:56:32 | 0:56:36 | |
Come on, Steven. | 0:56:38 | 0:56:40 | |
Whoo-whoo-whoo! | 0:56:40 | 0:56:41 | |
-Your loss is my gain, baby. -You're right. | 0:56:45 | 0:56:47 | |
Steven is my steal. I thought he won the battle. | 0:56:52 | 0:56:55 | |
I'm praying there is going to be a steal after this. | 0:56:55 | 0:56:57 | |
CHEERING | 0:56:59 | 0:57:01 | |
-He did it, he delivered. -I'm so, so relieved. | 0:57:01 | 0:57:06 | |
He's not like anybody else. He's a performer. | 0:57:06 | 0:57:08 | |
I'm going to be doing Grace Kelly by Mika. | 0:57:08 | 0:57:11 | |
I need to show Tom my performance and this is a great song to do it with. | 0:57:11 | 0:57:15 | |
I'm glad it's you singing it, not me. | 0:57:15 | 0:57:19 | |
That's not an easy song to sing and for him to take that on, | 0:57:19 | 0:57:22 | |
he's got to have big... | 0:57:22 | 0:57:24 | |
There are no second chances in the knockouts. | 0:57:27 | 0:57:30 | |
This is it, it's the be all and end all. | 0:57:30 | 0:57:32 | |
It's all down to me and I've got to get it right. | 0:57:32 | 0:57:34 | |
-I love this song. -You're best pals with Mika. | 0:57:39 | 0:57:42 | |
I had to train myself not to sing it through dinner. | 0:57:42 | 0:57:46 | |
You had to train yourself not to do the bit, | 0:57:46 | 0:57:48 | |
# I tried a little Freddie... # | 0:57:48 | 0:57:49 | |
No, it was the... # I could be brown... | 0:57:49 | 0:57:52 | |
# I could be so... # | 0:57:52 | 0:57:55 | |
-It's so catchy. -There is some ring to it. -Yeah. | 0:57:55 | 0:57:58 | |
# Ooh, ah | 0:58:03 | 0:58:05 | |
# Do I attract you? | 0:58:06 | 0:58:07 | |
# Do I repulse you with my queasy smile? | 0:58:07 | 0:58:09 | |
# Am I too dirty? Am I too flirty? | 0:58:09 | 0:58:12 | |
# Do I like what you like? | 0:58:12 | 0:58:13 | |
# I could be wholesome I could be loathsome | 0:58:13 | 0:58:15 | |
# I guess I'm a little bit shy | 0:58:15 | 0:58:17 | |
# Why don't you like me? | 0:58:17 | 0:58:19 | |
# Why don't you like me without making me try? | 0:58:19 | 0:58:21 | |
# I tried to be like Grace Kelly | 0:58:21 | 0:58:24 | |
# But all her looks were too sad | 0:58:24 | 0:58:29 | |
# So I try a little Freddie | 0:58:29 | 0:58:32 | |
# Oh! I've gone identity mad! | 0:58:32 | 0:58:37 | |
# I could be brown I could be blue | 0:58:37 | 0:58:39 | |
# I could be violet sky | 0:58:39 | 0:58:41 | |
# I could be hurtful I could be purple | 0:58:41 | 0:58:43 | |
# I could be anything you like | 0:58:43 | 0:58:45 | |
# Gotta be green Gotta be mean | 0:58:45 | 0:58:47 | |
# Gotta be everything more | 0:58:47 | 0:58:49 | |
# Why don't you like me? | 0:58:49 | 0:58:50 | |
# Why don't you like me? | 0:58:50 | 0:58:51 | |
# Walk out the door! | 0:58:51 | 0:58:54 | |
# Say what you want | 0:58:54 | 0:58:56 | |
# To satisfy yourself | 0:58:56 | 0:58:59 | |
# Ah, yeah! | 0:58:59 | 0:59:02 | |
# But you only want what everybody else says you should want | 0:59:02 | 0:59:09 | |
# You want | 0:59:11 | 0:59:16 | |
# You wa-a-a-nt. # | 0:59:16 | 0:59:22 | |
Steven, everybody. | 0:59:24 | 0:59:27 | |
CHEERING | 0:59:27 | 0:59:30 | |
Oh. | 0:59:32 | 0:59:34 | |
-That was a double spin. -He did the double, it could be the triple. | 0:59:35 | 0:59:37 | |
Steven, are you a professionally trained dancer? | 0:59:37 | 0:59:41 | |
-A little bit, a little bit. -I did that once, I spun off the stage. | 0:59:41 | 0:59:46 | |
Last up for Team Tom, it's Sally. | 0:59:50 | 0:59:53 | |
CHEERING | 0:59:54 | 0:59:57 | |
GEORGIA WHOOPS | 1:00:01 | 1:00:03 | |
With Sally, she brings experience. | 1:00:08 | 1:00:10 | |
Because she opened for Bob Dylan | 1:00:10 | 1:00:12 | |
and she opened for a lot of folk singers. | 1:00:12 | 1:00:14 | |
I think she thought her career was over with. | 1:00:14 | 1:00:16 | |
It was so beautiful that I couldn't help but sing. | 1:00:16 | 1:00:19 | |
This girl is only just starting as far as I'm concerned. | 1:00:22 | 1:00:26 | |
-How are you doing? -I'm well, thank you. -Good. | 1:00:26 | 1:00:29 | |
After my husband died, my singing, it did pretty much go on to | 1:00:29 | 1:00:33 | |
the backburner but now I am so enjoying myself. | 1:00:33 | 1:00:36 | |
I want to go as far as I can in the competition. | 1:00:36 | 1:00:40 | |
I'm going to sing Walk On By. | 1:00:40 | 1:00:42 | |
It's a song that reminds me of when I was a teenager | 1:00:42 | 1:00:45 | |
and I wanted to do something different with it. | 1:00:45 | 1:00:48 | |
Less is more. | 1:00:48 | 1:00:49 | |
You don't have to bash ten bells out of something. | 1:00:49 | 1:00:51 | |
I like to change things. | 1:00:51 | 1:00:53 | |
Once you have established the melody, then you can change it. | 1:00:53 | 1:00:55 | |
It's been a really interesting journey. I'm really enjoying it. | 1:00:55 | 1:01:01 | |
Yeah! | 1:01:01 | 1:01:02 | |
Sally brings an aura that she has. | 1:01:02 | 1:01:06 | |
People feel it in the room. | 1:01:06 | 1:01:08 | |
-It is magical. All right, my love. -Thank you. | 1:01:08 | 1:01:11 | |
# If you see me walking down the street | 1:01:23 | 1:01:27 | |
# And I start to cry each time we meet | 1:01:27 | 1:01:32 | |
# Walk on by | 1:01:32 | 1:01:37 | |
# Make believe | 1:01:37 | 1:01:40 | |
# You don't see the tears | 1:01:40 | 1:01:43 | |
# Let me grieve in private | 1:01:43 | 1:01:47 | |
# Each time I see you | 1:01:47 | 1:01:50 | |
# I break down and cry | 1:01:50 | 1:01:57 | |
# I just can't get over losing you | 1:01:57 | 1:02:02 | |
# And so if I seem, broken and blue | 1:02:02 | 1:02:08 | |
# Walk on by | 1:02:08 | 1:02:13 | |
# Walk on by | 1:02:13 | 1:02:18 | |
# Foolish pride, that's all that I have left | 1:02:18 | 1:02:23 | |
# So let me hide the tears and the sadness you gave me | 1:02:23 | 1:02:31 | |
# When you said goodbye | 1:02:31 | 1:02:37 | |
# Walk on by. # | 1:02:37 | 1:02:42 | |
CHEERING | 1:02:42 | 1:02:45 | |
Please show your appreciation for Sally. | 1:02:45 | 1:02:48 | |
And let's hear it for the seven members of Team Tom. | 1:02:51 | 1:02:54 | |
CHEERING | 1:02:54 | 1:02:57 | |
So there they are, but Tom, you are only minutes from making them | 1:02:58 | 1:03:01 | |
a team of three for the live quarterfinals. | 1:03:01 | 1:03:05 | |
Team Tom, Team Tom. | 1:03:05 | 1:03:08 | |
That was beautiful. | 1:03:08 | 1:03:11 | |
-She makes the room stop. -Yeah. -Do you need a tissue? Hankie? | 1:03:11 | 1:03:16 | |
RICKY: She has that thing. | 1:03:16 | 1:03:18 | |
What have you got in that jacket? | 1:03:20 | 1:03:21 | |
Have you got a machine that makes everybody sing wonderful in there? | 1:03:21 | 1:03:26 | |
Oh, you know. | 1:03:26 | 1:03:27 | |
Well done with that one, Tom. | 1:03:29 | 1:03:31 | |
-It's just the third one I've got problems with. -Really? -Yeah. | 1:03:31 | 1:03:34 | |
If I was going to give you any advice, which I wouldn't try | 1:03:36 | 1:03:38 | |
and play tactics, I would go with your heart. | 1:03:38 | 1:03:41 | |
-You know exactly what to do with his voice. -Yeah. I thought so. | 1:03:41 | 1:03:44 | |
-But it's tough. -Yeah. | 1:03:46 | 1:03:49 | |
SHOUTING | 1:03:49 | 1:03:51 | |
This is hard, this is hard. | 1:03:53 | 1:03:56 | |
APPLAUSE | 1:03:56 | 1:03:58 | |
Melissa! | 1:03:58 | 1:04:02 | |
So, Tom, this is your biggest decision yet. | 1:04:02 | 1:04:04 | |
Before you make it, let's talk to the others. | 1:04:04 | 1:04:06 | |
Kylie, let's start with you. What were your thoughts | 1:04:06 | 1:04:08 | |
on the performances that we just saw? | 1:04:08 | 1:04:12 | |
They've all had the Tom effect. | 1:04:12 | 1:04:14 | |
-Golden ears. -Golden ears, right. | 1:04:14 | 1:04:18 | |
Was there one particular performance that stood out for you? | 1:04:18 | 1:04:22 | |
Erm, there was a few. | 1:04:22 | 1:04:26 | |
If I was to just say one, | 1:04:26 | 1:04:30 | |
I have a slight obsession with Georgia. | 1:04:30 | 1:04:32 | |
I think she's fantastic. | 1:04:32 | 1:04:35 | |
CHEERING | 1:04:35 | 1:04:37 | |
Will, what did you think of the song choices that our acts made? | 1:04:39 | 1:04:43 | |
The best one, that, like, | 1:04:43 | 1:04:45 | |
blew me away, | 1:04:45 | 1:04:47 | |
was Georgia's... | 1:04:47 | 1:04:50 | |
APPLAUSE | 1:04:50 | 1:04:52 | |
..because of the twist. | 1:04:52 | 1:04:56 | |
She reinvented something that... | 1:04:56 | 1:04:58 | |
I wasn't expecting a curveball like that. | 1:04:58 | 1:05:01 | |
It was really fantastic. | 1:05:01 | 1:05:03 | |
CHEERING | 1:05:03 | 1:05:05 | |
There are lots of experienced singers up there on Tom's team, | 1:05:07 | 1:05:13 | |
-do you think that showed tonight? -Yeah. -I mean, totally. | 1:05:13 | 1:05:15 | |
Sally has always been one by favourites. | 1:05:15 | 1:05:18 | |
CHEERING | 1:05:18 | 1:05:20 | |
But it's not just experience, | 1:05:23 | 1:05:25 | |
it's like drawing on that emotion and you hear it pouring out. | 1:05:25 | 1:05:28 | |
She takes you with her. | 1:05:28 | 1:05:30 | |
APPLAUSE | 1:05:30 | 1:05:33 | |
OK, Tom. Let's talk through your team. | 1:05:36 | 1:05:39 | |
-Firstly though, do you think you have a winner up there? -Yes. | 1:05:39 | 1:05:42 | |
-I know I've got the winner. -Can we say a classic "yeah"? | 1:05:42 | 1:05:46 | |
Yeah! | 1:05:46 | 1:05:48 | |
APPLAUSE | 1:05:48 | 1:05:51 | |
OK, Tom, are you ready? | 1:05:51 | 1:05:55 | |
-I'm as ready as I'll ever be, I suppose. -OK. | 1:05:55 | 1:05:58 | |
I must say this, this is the hardest part cos there are seven | 1:05:58 | 1:06:02 | |
people and only three can go. | 1:06:02 | 1:06:06 | |
Four have got to go home and that's a big thing, | 1:06:06 | 1:06:08 | |
that's a big decision for anybody to make. | 1:06:08 | 1:06:11 | |
Especially me, right now. | 1:06:11 | 1:06:13 | |
Breathe in, breathe out. | 1:06:13 | 1:06:16 | |
OK, Tom, it's time to make your knockout decision. | 1:06:16 | 1:06:21 | |
SHOUTING | 1:06:23 | 1:06:27 | |
Tom, who gets the first place on your team? | 1:06:29 | 1:06:31 | |
SHOUTING | 1:06:31 | 1:06:34 | |
Sally. | 1:06:54 | 1:06:55 | |
CHEERING | 1:06:55 | 1:06:58 | |
Sally, congratulations. | 1:06:59 | 1:07:01 | |
You are staying on Team Tom. | 1:07:01 | 1:07:05 | |
-Well done. -You got it. You were brilliant. | 1:07:05 | 1:07:08 | |
-Come on, babe. Give me your hand. -Thank you. | 1:07:14 | 1:07:16 | |
-OK? -You look fantastic tonight. -Thank you, love. | 1:07:17 | 1:07:20 | |
So your boys are up there looking immensely proud. | 1:07:27 | 1:07:30 | |
And you are going through to the live shows, so well done. | 1:07:30 | 1:07:35 | |
Congratulations. Give it up for Sally, everybody. | 1:07:35 | 1:07:38 | |
CHEERING | 1:07:38 | 1:07:41 | |
Tom has two places remaining. | 1:07:45 | 1:07:48 | |
Tom, who gets your second place? | 1:07:50 | 1:07:53 | |
SHOUTING | 1:07:53 | 1:07:55 | |
HE MOUTHS | 1:08:02 | 1:08:05 | |
What are you thinking, Tom? | 1:08:09 | 1:08:10 | |
Well, I think I know who the second person is going to be. | 1:08:11 | 1:08:15 | |
It is the third one I have difficulty with. | 1:08:15 | 1:08:17 | |
-But you know, one step at a time, right? -Absolutely. | 1:08:17 | 1:08:20 | |
SHOUTING | 1:08:20 | 1:08:22 | |
Georgia. | 1:08:34 | 1:08:36 | |
Ah! | 1:08:36 | 1:08:37 | |
-Georgia, well done. We are going to be seeing you. -Oh, my God! | 1:08:41 | 1:08:47 | |
WHISTLING | 1:08:47 | 1:08:49 | |
-I can't really talk right now. -You deserve it. -Thank you. | 1:08:55 | 1:08:58 | |
-Lovely singer. -I feel honoured, I really do. | 1:08:58 | 1:09:01 | |
-Thanks, Tom. -All right, my love. | 1:09:01 | 1:09:02 | |
-Thank you. -Georgia, well done. | 1:09:02 | 1:09:04 | |
-Can you believe it! You are one of the final three. -Really? -Yes. | 1:09:06 | 1:09:10 | |
It's happening. | 1:09:10 | 1:09:12 | |
You're going to the live shows! | 1:09:12 | 1:09:14 | |
So, Georgia joins Sally right here on Tom's final team. | 1:09:17 | 1:09:25 | |
We are about to discover his all-important third choice. | 1:09:25 | 1:09:28 | |
Tom, who is the final artist staying on your team? | 1:09:32 | 1:09:35 | |
SHOUTING | 1:09:35 | 1:09:38 | |
I don't know who he's going to go for. | 1:09:41 | 1:09:44 | |
(Bizzi, Bizzi.) | 1:09:44 | 1:09:47 | |
-Bizzi. -CHEERING | 1:09:58 | 1:10:01 | |
Bizzi, congratulations. | 1:10:05 | 1:10:07 | |
You are the final member of Team Tom going through to the live shows. | 1:10:07 | 1:10:13 | |
Well done. | 1:10:13 | 1:10:16 | |
Thanks a lot, Tom. Thanks a lot. | 1:10:19 | 1:10:21 | |
Let's do it. | 1:10:21 | 1:10:23 | |
Bizzi, well done. Congratulations. | 1:10:25 | 1:10:28 | |
What is that headshake for? | 1:10:28 | 1:10:30 | |
Though it's very good to be on TV, I'm very emotional right now. | 1:10:30 | 1:10:33 | |
Are you really? It was absolutely brilliant. | 1:10:33 | 1:10:37 | |
That was well done and we will see you at the live shows. | 1:10:37 | 1:10:40 | |
Thank you so much. | 1:10:40 | 1:10:42 | |
Give it up for Team Tom, everybody. | 1:10:42 | 1:10:44 | |
CHEERING | 1:10:44 | 1:10:46 | |
-Yeah, you did the right thing. -Yeah, I think so. | 1:10:48 | 1:10:53 | |
APPLAUSE | 1:10:53 | 1:10:56 | |
WHISTLING | 1:11:00 | 1:11:02 | |
Tom, they've done you and themselves proud, haven't they? | 1:11:02 | 1:11:05 | |
-They have been fantastic. -Yeah, definitely. | 1:11:05 | 1:11:08 | |
Definitely, I'm proud to have been their coach. | 1:11:08 | 1:11:11 | |
Guys, thank you so much for being part of The Voice. | 1:11:11 | 1:11:15 | |
Everybody, put your hands together | 1:11:15 | 1:11:17 | |
for Celestine, Melissa, Gary and Steven. | 1:11:17 | 1:11:20 | |
-You were great. -Take care. | 1:11:27 | 1:11:30 | |
Goodbye. | 1:11:30 | 1:11:32 | |
WHISTLING | 1:11:33 | 1:11:36 | |
Yeah. | 1:11:40 | 1:11:43 | |
-Well done, Tom. -Thanks. -It's funny how it's boiling down, like. | 1:11:43 | 1:11:47 | |
Now, you suddenly look at your team and go ,"Wow, it's strong." | 1:11:47 | 1:11:53 | |
-Do you know what I mean? -Yeah. | 1:11:53 | 1:11:55 | |
When you first started with 12, you go, "Oh, you know." | 1:11:55 | 1:11:58 | |
And you get to seven and you go, "Heh, you know." | 1:11:58 | 1:12:01 | |
And now you've got three and you go, "Wow!" | 1:12:01 | 1:12:03 | |
CHEERING | 1:12:03 | 1:12:07 | |
Tom's team was pristine. | 1:12:12 | 1:12:15 | |
He picked the right people. Bizzi, fantastic. | 1:12:15 | 1:12:19 | |
And with Tom's guidance, he could be pretty ferocious. | 1:12:21 | 1:12:24 | |
Georgia is great. I've always thought she has been sensational. | 1:12:28 | 1:12:31 | |
I didn't turn for her. What an idiot. | 1:12:31 | 1:12:34 | |
CHEERING | 1:12:34 | 1:12:36 | |
Sally is hypnotising. When she performs, we are under her spell. | 1:12:36 | 1:12:41 | |
The energy in the room changes. | 1:12:41 | 1:12:43 | |
I think he chose well. | 1:12:45 | 1:12:48 | |
OK, that's it. What a night. | 1:12:48 | 1:12:49 | |
Two teams are complete. | 1:12:49 | 1:12:51 | |
Make some noise for Team Kylie, everyone. | 1:12:51 | 1:12:54 | |
CHEERING | 1:12:54 | 1:13:00 | |
And finally, it's Team Tom, everyone! | 1:13:04 | 1:13:08 | |
CHEERING | 1:13:08 | 1:13:10 | |
Join us tomorrow for more incredible performances | 1:13:10 | 1:13:13 | |
and game-changing knockouts as the coaches continue | 1:13:13 | 1:13:16 | |
their mission to find The Voice. | 1:13:16 | 1:13:19 | |
-Good night. -Good night. | 1:13:19 | 1:13:21 | |
Tomorrow night... | 1:13:22 | 1:13:23 | |
Now, Mr Wilson, are you ready for this? | 1:13:23 | 1:13:25 | |
-It's Will and Ricky's turn. -It's not going to be easy, is it? | 1:13:25 | 1:13:29 | |
As they decide their final teams of three | 1:13:29 | 1:13:32 | |
for next week's live quarterfinals. | 1:13:32 | 1:13:34 | |
That's hard, Will. | 1:13:34 | 1:13:36 | |
-Everybody went quiet when the light went on. -It's all or nothing. | 1:13:37 | 1:13:41 | |
Who will stay? | 1:13:41 | 1:13:43 | |
Who will be on the floor? | 1:13:43 | 1:13:45 | |
As the knockout weekend concludes. | 1:13:45 | 1:13:48 | |
I don't know what to do. | 1:13:48 | 1:13:49 | |
Go with your heart, Ricky. | 1:13:49 | 1:13:51 |