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-Last week, the battles began. -Bang! | 0:00:02 | 0:00:05 | |
Yeah! | 0:00:07 | 0:00:09 | |
-You've got a tough decision! -I know! | 0:00:10 | 0:00:13 | |
-Some took victory. -Anna. | 0:00:13 | 0:00:16 | |
-Leo. -Sally. | 0:00:16 | 0:00:19 | |
Others were lost. | 0:00:19 | 0:00:20 | |
I'm sorry, Nathan. | 0:00:22 | 0:00:24 | |
But three were stolen. | 0:00:24 | 0:00:25 | |
Ricky's steal. Yes! | 0:00:29 | 0:00:30 | |
Tonight, the fight for a place in the knockouts intensifies. | 0:00:33 | 0:00:37 | |
-Come on! -Bam! | 0:00:37 | 0:00:39 | |
-One artist stays, one artist leaves. -Oh, dear. | 0:00:41 | 0:00:44 | |
-This is a really big moment for me. -OK. | 0:00:44 | 0:00:47 | |
And an even bigger moment for Kylie. | 0:00:47 | 0:00:49 | |
As the only coach with a steal left, the pressure is building. | 0:00:49 | 0:00:53 | |
I would like to back out of the decision. | 0:00:54 | 0:00:56 | |
Going to have to push you, Kylie. | 0:00:57 | 0:00:59 | |
Don't ask me anything. | 0:01:01 | 0:01:02 | |
Ah! | 0:01:05 | 0:01:06 | |
Hello and welcome to The Voice. | 0:01:23 | 0:01:25 | |
It's round two of the battles. | 0:01:25 | 0:01:28 | |
Let's meet our superstar coaches. | 0:01:28 | 0:01:31 | |
Give it up for the coolest man in town, Mr Will.i.am. | 0:01:31 | 0:01:35 | |
The beautiful Kylie! | 0:01:39 | 0:01:41 | |
Give it up for the living legend. It is Sir Tom Jones. | 0:01:45 | 0:01:49 | |
And the truly wonderful Ricky Wilson. | 0:01:53 | 0:01:57 | |
Everyone, we have our coaches. | 0:02:06 | 0:02:09 | |
Now, Kylie, you are the only coach left with a steal. | 0:02:12 | 0:02:16 | |
-Who are you looking for? -The one who has the magic. -Cool. | 0:02:16 | 0:02:20 | |
Nobody in particular that you have your eye on? No names? | 0:02:20 | 0:02:23 | |
I can't give names. I cannot divulge. | 0:02:23 | 0:02:26 | |
OK, Kylie won't give names so I reckon the sooner we start, | 0:02:26 | 0:02:28 | |
the sooner we'll find out. | 0:02:28 | 0:02:30 | |
So first into battle, Team Ricky. | 0:02:30 | 0:02:32 | |
The whole point of the battle round is to bring out the best in people. | 0:02:37 | 0:02:40 | |
The ones that I thought were weaker have all stepped up. | 0:02:40 | 0:02:43 | |
They're learning off each other. | 0:02:43 | 0:02:45 | |
First person is... | 0:02:45 | 0:02:47 | |
..Chris. | 0:02:49 | 0:02:50 | |
25-year-old Chris Royal had a secret weapon, his faultless falsetto. | 0:02:51 | 0:02:57 | |
Up against two other spinners, Ricky pitched them all out of the running. | 0:02:58 | 0:03:02 | |
You tell me how far you want to go and we'll do it together. | 0:03:02 | 0:03:05 | |
I know you've got a great voice. | 0:03:05 | 0:03:07 | |
You're going to have to pull it right out of the bottom of that bag | 0:03:07 | 0:03:10 | |
because the person you're going to be singing against is... | 0:03:10 | 0:03:14 | |
Jamie. | 0:03:14 | 0:03:15 | |
Former rock front man Jamie Lovatt went solo | 0:03:17 | 0:03:20 | |
and got the crowd on his side... | 0:03:20 | 0:03:21 | |
..and with Ricky and Kylie to choose between, | 0:03:23 | 0:03:26 | |
he opted for a fellow front man. | 0:03:26 | 0:03:28 | |
Chris and Jamie have got such different voices | 0:03:30 | 0:03:32 | |
but that is what this battle is all about, | 0:03:32 | 0:03:34 | |
it's just power versus emotion. | 0:03:34 | 0:03:35 | |
And the song is...Rolling In The Deep. | 0:03:35 | 0:03:39 | |
How you doing? You all right? | 0:03:40 | 0:03:42 | |
My battle advisor is Katy B. | 0:03:42 | 0:03:44 | |
It's great to have Katy there because she comes at it from a different angle. | 0:03:46 | 0:03:51 | |
She knows what she's talking about. | 0:03:51 | 0:03:53 | |
To be a recording artist takes a lot, a lot of practice and a lot of hard work. | 0:03:54 | 0:03:59 | |
Once you realise that then nothing can stop you. | 0:03:59 | 0:04:01 | |
How do you feel about having to go up against him? | 0:04:01 | 0:04:05 | |
Obviously, no offence, but you are in the way of my dream, kind of. | 0:04:05 | 0:04:08 | |
-Do you know what I mean? -Yeah, yeah, yeah. | 0:04:08 | 0:04:10 | |
-You're in the way of my dream. -SHE LAUGHS | 0:04:10 | 0:04:11 | |
I just want to hear the passion. | 0:04:11 | 0:04:13 | |
It was the first time we got to hear each other sing properly. | 0:04:16 | 0:04:20 | |
All right, mate! Calm down! | 0:04:21 | 0:04:23 | |
I thought I had better pull out my little falsetto. | 0:04:23 | 0:04:26 | |
My counteract to that falsetto is a rock'n'roll roar. | 0:04:27 | 0:04:31 | |
Chris and Jamie, they give every single last drop of energy | 0:04:32 | 0:04:37 | |
and it was really intense to watch. | 0:04:37 | 0:04:40 | |
-Whoo. -Fight for your lives. | 0:04:42 | 0:04:44 | |
Chris and Jamie have got such different voices. | 0:04:44 | 0:04:47 | |
It's like two things fighting each other that shouldn't be fighting each other. | 0:04:47 | 0:04:51 | |
It's a serpent versus a lion. | 0:04:51 | 0:04:54 | |
They've both got it in them to kill. | 0:04:54 | 0:04:56 | |
It's just who will come out on the night, I don't know. | 0:04:56 | 0:04:58 | |
I ain't ready to go home yet. | 0:05:01 | 0:05:03 | |
Jamie is standing in the way of my dream | 0:05:03 | 0:05:05 | |
so I need to prove to myself and Ricky | 0:05:05 | 0:05:08 | |
that I am the best guy to go through to the next stage of the competition. | 0:05:08 | 0:05:12 | |
I've never done anything like this before. | 0:05:12 | 0:05:15 | |
I just think we're very equally matched but in very different ways. | 0:05:15 | 0:05:18 | |
First into the ring tonight, | 0:05:23 | 0:05:25 | |
he is the serious soul boy from Manchester. | 0:05:25 | 0:05:27 | |
Give it up for Chris Royal... | 0:05:27 | 0:05:29 | |
..going voice to voice with the rock man from Jersey. | 0:05:33 | 0:05:36 | |
It's Jamie Lovatt. | 0:05:36 | 0:05:37 | |
All right. | 0:05:41 | 0:05:43 | |
Let the battle commence. | 0:05:48 | 0:05:50 | |
# There's a fire starting in my heart | 0:06:04 | 0:06:08 | |
# Reaching a fever pitch and it's bringing me out the dark | 0:06:08 | 0:06:13 | |
# Finally, I can see you crystal clear | 0:06:13 | 0:06:17 | |
# Go 'head and sell me out and I'll lay your ship bare | 0:06:17 | 0:06:21 | |
# See how I leave with every piece of you | 0:06:21 | 0:06:26 | |
# Don't underestimate the things that I will do | 0:06:26 | 0:06:30 | |
# There's a fire starting in my heart | 0:06:30 | 0:06:35 | |
# Reaching a fever pitch And it's bringing me out the dark | 0:06:35 | 0:06:40 | |
# The scars of your love remind me of us | 0:06:40 | 0:06:44 | |
# I can't help thinking that we almost had it all | 0:06:44 | 0:06:49 | |
# The scars of your love they leave me breathless | 0:06:49 | 0:06:53 | |
# I can't help feeling | 0:06:53 | 0:06:55 | |
# We could have had it all | 0:06:55 | 0:06:59 | |
# Rolling in the deep | 0:06:59 | 0:07:04 | |
# You had my heart inside of your hand | 0:07:04 | 0:07:08 | |
# You played it to the beat | 0:07:08 | 0:07:14 | |
# Throw your soul through every open door | 0:07:14 | 0:07:18 | |
# Count your blessings to find what you look for | 0:07:18 | 0:07:23 | |
# Turn my sorrow into treasured gold | 0:07:23 | 0:07:27 | |
# You'll pay me back in kind Reap what you sow | 0:07:27 | 0:07:34 | |
# Whoa | 0:07:34 | 0:07:39 | |
# We could have had it all | 0:07:39 | 0:07:43 | |
-# It all -# It all | 0:07:43 | 0:07:46 | |
# It all | 0:07:46 | 0:07:48 | |
# We could have had it all | 0:07:48 | 0:07:52 | |
# Rolling in the deep | 0:07:52 | 0:07:56 | |
# You had my heart inside of your hand | 0:07:56 | 0:08:01 | |
-# You played it -# You played it | 0:08:01 | 0:08:03 | |
# You played it | 0:08:03 | 0:08:04 | |
# You played it to the beat. # | 0:08:04 | 0:08:11 | |
Ladies and gentlemen, give it up for Chris and Jamie. | 0:08:13 | 0:08:17 | |
Fellas, what a fierce battle. | 0:08:19 | 0:08:22 | |
Ricky, what a way to open the show. | 0:08:22 | 0:08:24 | |
Amazing stuff, guys. So proud. | 0:08:24 | 0:08:26 | |
Now, Ricky, you can only take one of these singers through to the knockout. | 0:08:28 | 0:08:32 | |
You've got a very tough decision. | 0:08:32 | 0:08:33 | |
Let's have a chat with Tom. The first battle of the night, Tom. | 0:08:33 | 0:08:36 | |
-Did it deliver for you? -Yes, it did. | 0:08:36 | 0:08:38 | |
I wasn't expecting the falsetto. You did a hell of a job on that. | 0:08:44 | 0:08:47 | |
Commend you on that. | 0:08:47 | 0:08:49 | |
And, Jamie, I know you have got the look, you got the thing there going on | 0:08:51 | 0:08:54 | |
cos I used to have a shirt like that once. | 0:08:54 | 0:08:57 | |
It would be hard for me to make a choice. | 0:08:57 | 0:08:59 | |
I'm glad that I don't have to but you were really, really good, the both of you. | 0:08:59 | 0:09:03 | |
Ricky, fantastic song choice. What did the guys bring to...? | 0:09:05 | 0:09:08 | |
HE LAUGHS | 0:09:08 | 0:09:09 | |
It's a tough decision, right? | 0:09:09 | 0:09:11 | |
What did the guys bring to the battle this evening for you, Ricky? | 0:09:11 | 0:09:14 | |
I've said it before, it's the power versus the emotion. | 0:09:14 | 0:09:17 | |
It's like choosing between... | 0:09:17 | 0:09:19 | |
You would be better at thinking of an analogy. | 0:09:20 | 0:09:22 | |
You'd be like, "Space and the ocean," or something. | 0:09:22 | 0:09:26 | |
No, it's like choosing between, like, spaghettis... | 0:09:26 | 0:09:31 | |
and ramen. | 0:09:31 | 0:09:32 | |
They've both got noodles. | 0:09:32 | 0:09:33 | |
One has got tomatoes and one has just got water with miso in it. | 0:09:33 | 0:09:37 | |
And 'me so' confused right now that I don't know what to do. | 0:09:37 | 0:09:41 | |
APPLAUSE | 0:09:41 | 0:09:45 | |
OK, so, Ricky, as you said, power versus emotion. | 0:09:45 | 0:09:49 | |
We need to know what is your decision tonight? | 0:09:49 | 0:09:51 | |
AUDIENCE SHOUT OUT NAMES | 0:09:51 | 0:09:55 | |
All right! Whoa, whoa, whoa. | 0:09:58 | 0:10:01 | |
All right, it's really tough but the winner of this battle is... | 0:10:01 | 0:10:06 | |
..Chris. | 0:10:10 | 0:10:11 | |
CHEERING | 0:10:11 | 0:10:14 | |
Congratulations, my man. How do you feel right now? | 0:10:14 | 0:10:17 | |
-Wow. Thank you. Just thank you. -Very well-deserved, Chris. | 0:10:17 | 0:10:22 | |
Go and give Ricky a big hug. Everyone, give it up for Chris. | 0:10:22 | 0:10:24 | |
-You get me every time. You get me every time. -I won't let you down. | 0:10:31 | 0:10:35 | |
I know you won't. | 0:10:35 | 0:10:36 | |
CHEERING | 0:10:38 | 0:10:41 | |
Well done. You all right? | 0:10:44 | 0:10:48 | |
Can I just say, that was... | 0:10:49 | 0:10:52 | |
That's the toughest decision I've made so far | 0:10:52 | 0:10:54 | |
because I know how much they both want it. | 0:10:54 | 0:10:56 | |
-Sorry. -Thank you, Ricky. Thank you. | 0:10:56 | 0:10:58 | |
OK, so, Jamie, you still have a chance to get through | 0:10:58 | 0:11:02 | |
but it won't be with Tom or Will because they have already stolen an artist | 0:11:02 | 0:11:06 | |
so, Kylie, Jamie is now available for a steal. | 0:11:06 | 0:11:09 | |
Jamie, is there anything you would like to say to Kylie? | 0:11:11 | 0:11:13 | |
I've just had an amazing time. | 0:11:13 | 0:11:17 | |
Kylie, if you want the rock god you saw first time round | 0:11:17 | 0:11:19 | |
then you've got a chance now to take me. | 0:11:19 | 0:11:22 | |
CHEERING | 0:11:23 | 0:11:25 | |
Kylie, there's only a short amount of time now left to steal Jamie. | 0:11:25 | 0:11:30 | |
Everyone is going to fall in love with you. | 0:11:41 | 0:11:43 | |
You already have it all and run with it. | 0:11:43 | 0:11:47 | |
Jamie, you've been amazing. You're already an incredible artist. Give us a hug. | 0:11:47 | 0:11:51 | |
Go and see Ricky. Everyone, give it up for Jamie. | 0:11:54 | 0:11:56 | |
I know you think you put yourself on the line doing this | 0:11:59 | 0:12:01 | |
but you know, life is made of big decisions. | 0:12:01 | 0:12:05 | |
You made a really big decision. I'm really sorry, buddy. | 0:12:05 | 0:12:07 | |
-I had to make one decision. Sorry. -No, no. -Thanks. | 0:12:07 | 0:12:12 | |
-I'm not going to feel bad. -Yes. | 0:12:14 | 0:12:17 | |
Bye. | 0:12:17 | 0:12:20 | |
I followed my heart. | 0:12:20 | 0:12:23 | |
Although Jamie's power is undeniable and he's a great singer... | 0:12:23 | 0:12:27 | |
..you know, I don't think you can learn the kind of emotion that Chris can portray in a song. | 0:12:28 | 0:12:34 | |
SCREAMING | 0:12:34 | 0:12:37 | |
Well done, Chris. | 0:12:38 | 0:12:39 | |
It's very natural with him. It seems like it flows out of him, Chris. | 0:12:39 | 0:12:44 | |
And I shouldn't take it into account | 0:12:44 | 0:12:45 | |
but he's got that thing where you just stand next to him and he's talking to you | 0:12:45 | 0:12:49 | |
-and I'm just like... -There you go. | 0:12:49 | 0:12:50 | |
You feel like you're in the presence of someone who should be doing something. | 0:12:50 | 0:12:54 | |
You know what I mean? It's not forced. He's gentle. | 0:12:54 | 0:12:57 | |
That does come into it. | 0:12:57 | 0:12:58 | |
So proud of you, my love. | 0:13:00 | 0:13:02 | |
The first battle has been fought | 0:13:02 | 0:13:04 | |
but there is still only one question on everyone's lips. | 0:13:04 | 0:13:07 | |
Give it your best, Ricky. | 0:13:07 | 0:13:09 | |
So, your first steal, is it going to be early or later on? | 0:13:09 | 0:13:12 | |
Because you know, I've got some that deserve to stay in. | 0:13:13 | 0:13:16 | |
Who is feeling the most uncomfortable on set right now? | 0:13:17 | 0:13:22 | |
That would be me. | 0:13:22 | 0:13:23 | |
Will, Tom, Ricky, they all want me to steal from their team. Help. | 0:13:23 | 0:13:29 | |
I have some tactics of how to persuade Kylie. | 0:13:29 | 0:13:32 | |
I whisper subliminally, "Steal from me. Steal from me." | 0:13:32 | 0:13:35 | |
It's the power of the suggestion. | 0:13:35 | 0:13:37 | |
HE LAUGHS | 0:13:37 | 0:13:39 | |
Hey, shut up. | 0:13:39 | 0:13:41 | |
She should steal one of mine. | 0:13:41 | 0:13:42 | |
Hopefully, she'll steal one of my acts because I have got the best singers. | 0:13:43 | 0:13:47 | |
If she doesn't, that's her fault so I don't know what she's waiting for | 0:13:47 | 0:13:50 | |
but whatever it is, it had better be good. | 0:13:50 | 0:13:52 | |
There's a lot more acts to listen to. It's awful. | 0:13:52 | 0:13:57 | |
What am I going to do? Save me. | 0:13:57 | 0:14:01 | |
Next into battle, it's Team Kylie. | 0:14:05 | 0:14:07 | |
Team Kylie and first pairing is... | 0:14:11 | 0:14:15 | |
..Rachael... | 0:14:16 | 0:14:17 | |
APPLAUSE | 0:14:17 | 0:14:19 | |
# So I'll be your cloud. # | 0:14:20 | 0:14:22 | |
16-year-old Rachael O'Connor got Kylie very excited at the blinds. | 0:14:22 | 0:14:26 | |
First the chair spun. | 0:14:26 | 0:14:29 | |
-Yes! -Then Kylie spun around it. | 0:14:29 | 0:14:31 | |
I have got to do the rain dance around my chair! | 0:14:31 | 0:14:35 | |
You're going to be singing with... | 0:14:36 | 0:14:39 | |
..Amelia. | 0:14:39 | 0:14:40 | |
CHEERING | 0:14:40 | 0:14:43 | |
# First time. # | 0:14:43 | 0:14:48 | |
Amelia O'Connell from Liverpool is also 16. | 0:14:48 | 0:14:53 | |
You are! | 0:14:54 | 0:14:55 | |
And she also got the Kylie body spin. | 0:14:55 | 0:14:57 | |
This is super, super exciting. | 0:14:59 | 0:15:01 | |
The song is Holy Grail by Jay-Z featuring Justin Timberlake. | 0:15:01 | 0:15:06 | |
Lovely ladies. | 0:15:08 | 0:15:11 | |
My battle advisor is my very good friend Jake Shears from the Scissor Sisters. | 0:15:11 | 0:15:16 | |
He is kind of like this weird long-lost brother of mine. | 0:15:18 | 0:15:22 | |
We're both big showgirls. | 0:15:22 | 0:15:23 | |
What I can offer Team Kylie is my experience as a performer. | 0:15:24 | 0:15:29 | |
Performance is really where I shine. | 0:15:30 | 0:15:33 | |
What you both had in the audition was the emotion and this beautiful fragility | 0:15:35 | 0:15:40 | |
so it's really good to take a song like this and do something different with it. | 0:15:40 | 0:15:44 | |
# You take the clothes off my back. # | 0:15:44 | 0:15:46 | |
Pretty nervous about Holy Grail. | 0:15:46 | 0:15:48 | |
My biggest challenge is putting my own spin on the song. | 0:15:48 | 0:15:52 | |
It's slow, it's dead soft. | 0:15:52 | 0:15:55 | |
My strength is my power and I can't do it in this song | 0:15:55 | 0:15:58 | |
and it's dead annoying. | 0:15:58 | 0:16:00 | |
You guys did a fantastic job with I think some really difficult material. | 0:16:02 | 0:16:06 | |
You basically got it. | 0:16:06 | 0:16:08 | |
Remember, just be very, very delicate. | 0:16:08 | 0:16:12 | |
They want to keep it simple and it's been really frustrating | 0:16:12 | 0:16:14 | |
because I know in my head how I want to sing it. | 0:16:14 | 0:16:18 | |
And at studio rehearsals, the girls tell Kylie what is needed. | 0:16:18 | 0:16:22 | |
But there are parts of the song that we want to sing bigger. | 0:16:22 | 0:16:25 | |
Yeah, to make it a bit more like oomph. | 0:16:25 | 0:16:27 | |
We can perform it through and see what you have. | 0:16:27 | 0:16:30 | |
# And, baby, it's amazing. # | 0:16:30 | 0:16:34 | |
The girls came in really determined to throw everything in there. | 0:16:34 | 0:16:39 | |
# Don't know why I love you so much. # | 0:16:39 | 0:16:46 | |
I didn't think that was the most sensible way | 0:16:46 | 0:16:50 | |
to get the most out of that song. | 0:16:50 | 0:16:52 | |
It's beautiful, | 0:16:52 | 0:16:54 | |
but I think you just need to be really choosy with where you show it off. | 0:16:54 | 0:16:59 | |
It's hard being a 16-year-old girl. | 0:17:01 | 0:17:03 | |
You can see their emotions are just brimming. | 0:17:03 | 0:17:07 | |
I agree with what you're saying and everything, it's just... | 0:17:07 | 0:17:10 | |
I got emotional on stage but getting advice from Kylie Minogue, | 0:17:11 | 0:17:15 | |
it's like, you've got to listen to it. | 0:17:15 | 0:17:18 | |
-You girls, let's hug it out. -We just cry all the time. | 0:17:18 | 0:17:21 | |
Being in the same room as Kylie is, like, a big deal. | 0:17:21 | 0:17:24 | |
Thank you so much. | 0:17:24 | 0:17:26 | |
I've realised through the process how much it means to me. | 0:17:26 | 0:17:30 | |
I don't want to go home. | 0:17:30 | 0:17:31 | |
Two 16-year-olds here to prove their potential. | 0:17:38 | 0:17:41 | |
On the biggest stage of her life, Derry's girl Rachael O'Connor... | 0:17:41 | 0:17:44 | |
CHEERING | 0:17:44 | 0:17:48 | |
..and Liverpool's own Amelia O'Connell. | 0:17:48 | 0:17:52 | |
Let the battle commence. | 0:18:04 | 0:18:06 | |
# You take the clothes off my back | 0:18:22 | 0:18:27 | |
# And I let you | 0:18:27 | 0:18:29 | |
# You'd steal the food right out my mouth | 0:18:29 | 0:18:33 | |
# And I'd watch you eat it | 0:18:33 | 0:18:35 | |
# I still don't know why | 0:18:35 | 0:18:39 | |
# Why I love you so much | 0:18:39 | 0:18:44 | |
# Oh | 0:18:44 | 0:18:47 | |
# You curse my name | 0:18:48 | 0:18:51 | |
# In spite to put me to shame | 0:18:51 | 0:18:54 | |
# Leave my laundry in the streets Dirty or clean | 0:18:54 | 0:18:58 | |
# Give it all for fame | 0:18:58 | 0:19:00 | |
# But I still don't know why, oh | 0:19:00 | 0:19:05 | |
# Why I love you so much | 0:19:05 | 0:19:10 | |
# Yeah | 0:19:10 | 0:19:13 | |
# And baby, it's amazing I'm in this maze with you | 0:19:13 | 0:19:18 | |
# I just can't crack your code | 0:19:18 | 0:19:21 | |
# One day you're screaming you love me loud | 0:19:21 | 0:19:25 | |
# The next day you're so cold | 0:19:25 | 0:19:28 | |
# One day you're here, one day you're there | 0:19:28 | 0:19:31 | |
# One day you care | 0:19:31 | 0:19:32 | |
# You're so unfair, oh | 0:19:32 | 0:19:36 | |
# Sipping from your cup Till it runneth over, Holy Grail | 0:19:36 | 0:19:40 | |
# Screw the fame, keep cheating on me | 0:19:40 | 0:19:41 | |
# What I do, I took him back fool me twice | 0:19:41 | 0:19:43 | |
# That's my bad, I can't even blame him for that | 0:19:43 | 0:19:46 | |
# Enough to make me wanna murder Momma, please get my bail | 0:19:46 | 0:19:49 | |
# I know nobody to blame Kurt Cobain, I did it to myself | 0:19:49 | 0:19:53 | |
# And we're all just entertainers | 0:19:53 | 0:19:57 | |
# And we're stupid and contagious | 0:19:57 | 0:20:00 | |
# And we're all just entertainers | 0:20:00 | 0:20:05 | |
# You get the air out of my lungs | 0:20:05 | 0:20:09 | |
# Whenever you need it | 0:20:09 | 0:20:13 | |
# You take the blade right out my heart | 0:20:13 | 0:20:16 | |
# So you can watch me bleed | 0:20:16 | 0:20:18 | |
# And I still don't know why | 0:20:18 | 0:20:23 | |
# Why I love you so | 0:20:24 | 0:20:29 | |
# Much. # | 0:20:29 | 0:20:35 | |
Girls! | 0:20:36 | 0:20:38 | |
Give it up one more time for Rachael and Amelia. | 0:20:43 | 0:20:46 | |
Kylie, you must be just thrilled. | 0:20:50 | 0:20:53 | |
It takes a lot to get up here at 16... | 0:20:53 | 0:20:55 | |
Wait! I just have to hug the both of them because... | 0:20:55 | 0:20:59 | |
I'm so proud of you both. | 0:20:59 | 0:21:01 | |
-Yes. -It takes guts to get up here at 16. | 0:21:10 | 0:21:14 | |
It does but also, at 16, so many things are new to you | 0:21:14 | 0:21:18 | |
that it's just...it's another new step. | 0:21:18 | 0:21:20 | |
I'm just so thrilled for you both. | 0:21:20 | 0:21:22 | |
Thrilled for the girls but a very difficult decision for you is coming. | 0:21:25 | 0:21:28 | |
-Yes. -Have a think about it. Let's go to the other coaches. | 0:21:28 | 0:21:32 | |
Tom, what is it like performing at 16? | 0:21:32 | 0:21:35 | |
You were a performer yourself at that age. | 0:21:35 | 0:21:37 | |
Yeah, but not on a stage like this. | 0:21:37 | 0:21:40 | |
I was just singing locally in Pontypridd. | 0:21:40 | 0:21:44 | |
-So a slightly different scale. -Yes, yes. | 0:21:44 | 0:21:49 | |
I loved that. | 0:21:49 | 0:21:50 | |
I couldn't make a decision on what I heard and saw tonight. | 0:21:50 | 0:21:56 | |
It was really fantastic. | 0:21:56 | 0:21:57 | |
So, a little bit of help but not very much, really. | 0:22:00 | 0:22:03 | |
No, I understand, though, I do | 0:22:03 | 0:22:05 | |
cos I would like to back out of the decision myself but I can't. | 0:22:05 | 0:22:10 | |
I was really hoping throughout the process of getting to this point | 0:22:12 | 0:22:17 | |
that there would be a steal available so that you could both go through. | 0:22:17 | 0:22:21 | |
In this career, in this business, you hear "yes" sometimes, | 0:22:23 | 0:22:27 | |
you hear "no" a lot. | 0:22:27 | 0:22:28 | |
It's really hard. This is awful. | 0:22:28 | 0:22:30 | |
AUDIENCE SHOUTS OUT | 0:22:30 | 0:22:33 | |
You know you're both going to be fine, right? | 0:22:33 | 0:22:36 | |
The winner of this battle... | 0:22:39 | 0:22:41 | |
..is Rachael. | 0:22:49 | 0:22:50 | |
CHEERING | 0:22:50 | 0:22:54 | |
Well done. | 0:22:57 | 0:22:59 | |
-Well done. Are you OK? -Yeah. | 0:22:59 | 0:23:03 | |
-Thank you so much. Thank you. -Congratulations. | 0:23:03 | 0:23:07 | |
Give it up for Rachael, everybody. | 0:23:07 | 0:23:11 | |
Thank you so much. | 0:23:12 | 0:23:15 | |
CHEERING | 0:23:19 | 0:23:23 | |
So, Amelia, unfortunately, all the other coaches have used their steals | 0:23:23 | 0:23:27 | |
so this does mean it's the end of the road for you. | 0:23:27 | 0:23:29 | |
Thank you so much for taking part. | 0:23:29 | 0:23:32 | |
She's been fantastic, hasn't she? | 0:23:33 | 0:23:34 | |
She has and come back next year | 0:23:34 | 0:23:37 | |
or you'll be getting your first Brit Award and I'll be kicking myself. | 0:23:37 | 0:23:41 | |
But that's the thing, isn't it? | 0:23:41 | 0:23:43 | |
It's a great thing because she is still so young and you still have so much more time. | 0:23:43 | 0:23:47 | |
Yeah, I know. | 0:23:47 | 0:23:49 | |
It's been amazing and obviously, I'm devastated | 0:23:49 | 0:23:52 | |
but, like, I'm really thankful that everything that has, like, happened. Yeah. | 0:23:52 | 0:23:58 | |
Thank you. You've been an absolutely fantastic contestant. | 0:23:58 | 0:24:01 | |
Give it up for Amelia, everybody. | 0:24:01 | 0:24:02 | |
Thank you. | 0:24:05 | 0:24:06 | |
CHEERING | 0:24:16 | 0:24:19 | |
That was the right choice. | 0:24:21 | 0:24:22 | |
It's really hard but Rachael's voice just has that something... | 0:24:23 | 0:24:29 | |
that spoke to me. | 0:24:29 | 0:24:33 | |
It's crazy, like, knowing I'm in the knockouts. What? | 0:24:34 | 0:24:38 | |
The winner of this battle is... | 0:24:42 | 0:24:45 | |
Download The Voice app and become a home coach. | 0:24:46 | 0:24:49 | |
Decide who you'd put through | 0:24:49 | 0:24:51 | |
and see what all the other home coaches think. | 0:24:51 | 0:24:53 | |
Plus play the weekly trivia quiz and watch all the performances again. | 0:24:53 | 0:24:58 | |
Next into battle, it's Team Will. | 0:25:04 | 0:25:06 | |
With the battles, I'm looking for amazingness, vulnerability | 0:25:10 | 0:25:16 | |
and the confidence to do things out of their comfort zone. | 0:25:16 | 0:25:20 | |
My next pairing is Kiki deVille... | 0:25:20 | 0:25:24 | |
The blind auditions went to the wire | 0:25:26 | 0:25:29 | |
for 40-year-old burlesque singer Kiki deVille | 0:25:29 | 0:25:32 | |
until this final night... | 0:25:32 | 0:25:34 | |
..which spun Will round at the last second. | 0:25:36 | 0:25:39 | |
You know how to keep a girl waiting. | 0:25:39 | 0:25:42 | |
She will be rocking up against... | 0:25:42 | 0:25:47 | |
..James Byron. | 0:25:47 | 0:25:50 | |
# Oh, baby. # | 0:25:50 | 0:25:54 | |
Small-town boy James Byron also has a memorable look and sound. | 0:25:54 | 0:25:59 | |
I've always been quite feminine so I get a lot of people that confuse me for a woman. | 0:25:59 | 0:26:03 | |
And that sound took him straight into Team Will. | 0:26:06 | 0:26:08 | |
Thank you so much, Will, for turning around. | 0:26:10 | 0:26:12 | |
I was quite shocked with the pairing because Kiki is very theatrical. | 0:26:15 | 0:26:20 | |
I hadn't really considered James as somebody who would be paired with me, | 0:26:20 | 0:26:24 | |
probably because he is quite introverted. | 0:26:24 | 0:26:27 | |
And the song that you guys will be singing is... | 0:26:27 | 0:26:31 | |
Because The Night by Patti Smith. | 0:26:31 | 0:26:34 | |
-Oh, my God. -That's so cool. | 0:26:34 | 0:26:37 | |
This season, I've got two battle advisors. | 0:26:37 | 0:26:39 | |
Back for a third time, Black Eyed Peas co-founder | 0:26:39 | 0:26:42 | |
and global music producer Dante Santiago. | 0:26:42 | 0:26:45 | |
Will and I are very determined this year. | 0:26:45 | 0:26:48 | |
We're really, really ready for war. | 0:26:48 | 0:26:50 | |
With a girl who knows the score, | 0:26:51 | 0:26:53 | |
Will's finalist from last series, Leah McFall. | 0:26:53 | 0:26:56 | |
It feels really strange to be standing on the other side of the piano | 0:26:56 | 0:26:59 | |
but it's quite nice to just be able to share a wee bit of advice. | 0:26:59 | 0:27:02 | |
-You say hello to them first. -No, you do. -You do. -You do. -Go. | 0:27:02 | 0:27:06 | |
-Come on, they know you. -Hi! -What's up, Kiki? | 0:27:06 | 0:27:10 | |
Good to see you. | 0:27:10 | 0:27:12 | |
-Hi, Will. -James, good to see you. | 0:27:12 | 0:27:14 | |
I was quite nervous going into piano rehearsal. | 0:27:14 | 0:27:17 | |
Kiki has got such a big personality. | 0:27:17 | 0:27:20 | |
When she walks in the room, you know she is there. | 0:27:20 | 0:27:22 | |
Oh, my God! You do burlesque. You could do "boylesque". | 0:27:25 | 0:27:28 | |
-Show us your burlesque. -I don't take my clothes off. -Oh. | 0:27:28 | 0:27:32 | |
I'm just a burlesque singer. | 0:27:32 | 0:27:34 | |
# Because the night belongs to lovers. # | 0:27:36 | 0:27:40 | |
Kiki, right off the bat, she doesn't have any nerves. | 0:27:40 | 0:27:43 | |
She is ready for battle. | 0:27:43 | 0:27:45 | |
(WEAKLY) # Touch me now. # | 0:27:45 | 0:27:47 | |
James was very timid, but you could hear his skills. | 0:27:47 | 0:27:51 | |
So, James, do you feel a little intimidated? | 0:27:53 | 0:27:56 | |
Um... | 0:27:56 | 0:27:57 | |
Well, yeah, a little bit. Sorry, I'm really shy. I don't know why. | 0:27:57 | 0:28:02 | |
It's all good. There are a lot of folks that are shy. | 0:28:02 | 0:28:05 | |
Were you shy in school? | 0:28:05 | 0:28:07 | |
I was kind of like bullied so went a bit shy and kind of went a bit insular | 0:28:07 | 0:28:12 | |
but music is like what I do to be a big, flamboyant character. | 0:28:12 | 0:28:17 | |
-Do you know what I mean? -It's camouflage. -Mm. | 0:28:17 | 0:28:20 | |
Without it, you feel naked. | 0:28:20 | 0:28:23 | |
I'm shy but music is like... | 0:28:23 | 0:28:25 | |
It clothes me so you know, but you'll get used to it | 0:28:25 | 0:28:30 | |
and work out all those bugs. | 0:28:30 | 0:28:31 | |
James sounds amazing but he needs to get over that shyness so he can fly. | 0:28:31 | 0:28:37 | |
-I think Kiki deVille could bring out the diva in you. -Oh, my gosh. | 0:28:37 | 0:28:41 | |
And I think James could bring out the rock'n'roll in you. | 0:28:41 | 0:28:46 | |
-Yeah, definitely. If anyone can do it, she can do it. -Awesomeness. | 0:28:46 | 0:28:51 | |
I've been hiding quite a lot in my life and I need to just let go | 0:28:55 | 0:28:59 | |
and not care what people think. | 0:28:59 | 0:29:01 | |
I have been doing this for 25 years. | 0:29:04 | 0:29:06 | |
Once we hit the battle ring, nothing is going to stand in my way. | 0:29:06 | 0:29:10 | |
She knows what she wants and she's here to take it. It's Kiki deVille... | 0:29:15 | 0:29:19 | |
..versus James Byron. | 0:29:21 | 0:29:23 | |
Give me a hug right now. | 0:29:28 | 0:29:30 | |
Let the battle commence. | 0:29:35 | 0:29:37 | |
# Take me now, baby, here as I am | 0:29:51 | 0:29:55 | |
# Pull me close, try and understand | 0:29:55 | 0:29:59 | |
# Desire is hunger is the fire I breathe | 0:29:59 | 0:30:04 | |
# Love is a banquet on which we feed | 0:30:04 | 0:30:08 | |
# Come on now, try and understand | 0:30:08 | 0:30:12 | |
# The way I feel when I'm in your hands | 0:30:12 | 0:30:17 | |
# Take my hand, come undercover | 0:30:17 | 0:30:21 | |
# They can't hurt you now | 0:30:21 | 0:30:23 | |
# Can't hurt you now | 0:30:23 | 0:30:25 | |
# Can't hurt you now | 0:30:25 | 0:30:29 | |
# Because the night belongs to lovers | 0:30:29 | 0:30:33 | |
# Because the night belongs to us | 0:30:33 | 0:30:37 | |
# Have I doubt when I'm alone | 0:30:37 | 0:30:41 | |
# Love is a ring, the telephone | 0:30:41 | 0:30:45 | |
# Love is an angel disguised as lust | 0:30:45 | 0:30:48 | |
# Here in our bed until the morning comes | 0:30:48 | 0:30:53 | |
# With love we sleep | 0:30:53 | 0:30:54 | |
# With doubt the vicious circle turns and burns | 0:30:54 | 0:30:58 | |
# Without you I cannot | 0:30:58 | 0:31:01 | |
# Live, forgive, the yearning burning | 0:31:01 | 0:31:04 | |
# I believe it's time | 0:31:04 | 0:31:09 | |
-# So touch me now -Touch me now | 0:31:09 | 0:31:12 | |
# Touch me now | 0:31:12 | 0:31:16 | |
# Because the night belongs to lovers | 0:31:16 | 0:31:20 | |
# Because the night, yeah | 0:31:20 | 0:31:24 | |
# Because the night belongs to lovers | 0:31:24 | 0:31:28 | |
# Because the night belongs to us | 0:31:28 | 0:31:32 | |
# Because tonight there are two lovers | 0:31:32 | 0:31:36 | |
# Because the night | 0:31:36 | 0:31:37 | |
# Belongs to us. # | 0:31:37 | 0:31:44 | |
Hey! | 0:31:44 | 0:31:47 | |
Wow, an incredible battle. Give it up for Kiki and James. | 0:31:47 | 0:31:50 | |
CHEERING | 0:31:50 | 0:31:53 | |
Wow! That was incredible. Well done, guys. Fantastic. | 0:31:53 | 0:31:57 | |
Will, I mean, your team put on a great show tonight, right? | 0:31:57 | 0:32:00 | |
Yeah, it was fantastic. It was flawless. You guys were immaculate. | 0:32:00 | 0:32:04 | |
I'm proud of you guys. | 0:32:04 | 0:32:07 | |
OK, we're going to hear from the other coaches. | 0:32:07 | 0:32:09 | |
Kylie, you're not their coach | 0:32:09 | 0:32:10 | |
-but I know you can relate to both of these artists, can't you? -Mm-hm. | 0:32:10 | 0:32:14 | |
Kiki, I think you probably have more experience. This is just what you do. | 0:32:14 | 0:32:19 | |
James, I feel like you showed | 0:32:19 | 0:32:21 | |
so much more than what we heard in blind auditions | 0:32:21 | 0:32:25 | |
so I feel that you have come a long, long way already, | 0:32:25 | 0:32:29 | |
just with this amount of rehearsal and it was great. Loved it. | 0:32:29 | 0:32:33 | |
Ricky, from that performance, obviously, they both clearly wanted it very much | 0:32:33 | 0:32:37 | |
but in your eyes, who needs it the most? | 0:32:37 | 0:32:39 | |
I can't split you apart vocally but if I had to choose between you... | 0:32:39 | 0:32:44 | |
AUDIENCE SHOUTS | 0:32:45 | 0:32:49 | |
Are these voices in my head? LAUGHTER | 0:32:49 | 0:32:52 | |
No, they are definitely here. | 0:32:52 | 0:32:54 | |
..then I might go with James. | 0:32:54 | 0:32:56 | |
CHEERING | 0:32:56 | 0:32:59 | |
OK, let's go over to your coach, Will. | 0:32:59 | 0:33:02 | |
Will, you have got a very hard choice on your hands here. | 0:33:02 | 0:33:05 | |
These are some of the best people on my team... | 0:33:05 | 0:33:07 | |
CHEERING | 0:33:07 | 0:33:09 | |
..because they are more than just great singers, | 0:33:09 | 0:33:12 | |
they're like the complete package. | 0:33:12 | 0:33:14 | |
Kiki is like...you need to have your own TV show. | 0:33:14 | 0:33:18 | |
Yeah, I totally do. | 0:33:18 | 0:33:19 | |
I really do, and you would be my first boylesque guest. | 0:33:19 | 0:33:22 | |
And what's your name again? | 0:33:22 | 0:33:23 | |
Oh! Wait, wait, wait, it's... | 0:33:24 | 0:33:27 | |
Wildebeest. | 0:33:27 | 0:33:28 | |
-That's right! -Wildebeest! | 0:33:28 | 0:33:30 | |
-Beasty cos I'm working on my muscles. -Yes! | 0:33:30 | 0:33:33 | |
-I think that's what she meant. -Is that what you meant? -Absolutely. | 0:33:35 | 0:33:39 | |
She said "abbbsolutely" because of my abs. | 0:33:39 | 0:33:44 | |
I'm beastly. | 0:33:44 | 0:33:45 | |
-Can you tell us who the winner of the battle is? -I really don't know. | 0:33:45 | 0:33:50 | |
Um... | 0:33:51 | 0:33:53 | |
AUDIENCE SHOUTS | 0:33:53 | 0:33:56 | |
-Can I use the restroom? -Oh, the restroom, yeah, go for it. | 0:34:09 | 0:34:12 | |
-I'll be back. -OK. | 0:34:12 | 0:34:14 | |
Will needs the toilet. | 0:34:15 | 0:34:16 | |
LAUGHTER | 0:34:16 | 0:34:19 | |
One second. | 0:34:23 | 0:34:24 | |
OK, Will's making his way back to his chair so hopefully, he has made up his mind. | 0:34:43 | 0:34:48 | |
-Can I go now? -No, Ricky, just hold it. | 0:34:48 | 0:34:52 | |
-Yeah, I want to powder my nose. -Here he comes. Give it up for Will. | 0:34:52 | 0:34:55 | |
CHEERING AND APPLAUSE | 0:34:55 | 0:34:59 | |
I just needed to clear my head. | 0:35:01 | 0:35:03 | |
OK. Can you tell us who the winner of the battle is? | 0:35:03 | 0:35:08 | |
AUDIENCE SHOUTS | 0:35:08 | 0:35:11 | |
Sh. | 0:35:11 | 0:35:13 | |
James. | 0:35:13 | 0:35:14 | |
CHEERING | 0:35:14 | 0:35:18 | |
Congratulations, James. How much does that mean to you? | 0:35:20 | 0:35:23 | |
That is just... Thank you so much, Will. | 0:35:23 | 0:35:27 | |
-It means the world, it really does. -You didn't expect that, did you? | 0:35:27 | 0:35:30 | |
I really, really didn't. Thank you. | 0:35:30 | 0:35:32 | |
Listen, you have worked your socks off. Go and see Will. | 0:35:32 | 0:35:34 | |
Everyone, give it up for James. | 0:35:34 | 0:35:36 | |
Make me proud. | 0:35:40 | 0:35:42 | |
-Thank you so much. -You were great. | 0:35:46 | 0:35:49 | |
Oh, my God. | 0:35:54 | 0:35:55 | |
Proud of you, babe. | 0:35:56 | 0:35:58 | |
-Kiki, I'm so sorry. -That's OK. | 0:35:58 | 0:36:01 | |
However, Kiki, you are now available for a steal. | 0:36:01 | 0:36:04 | |
Is there anything you would like to say, Kiki? | 0:36:09 | 0:36:11 | |
Kylie, obviously, you are one of my idols. | 0:36:11 | 0:36:15 | |
You're a showgirl and that's what I like to think of myself as | 0:36:15 | 0:36:18 | |
and I can so incredibly bring it. | 0:36:18 | 0:36:21 | |
Like, you have no idea. | 0:36:21 | 0:36:23 | |
And I would just make you so, so proud. I really, really would. | 0:36:23 | 0:36:29 | |
OK, there's only a short amount of time now left. | 0:36:30 | 0:36:33 | |
Kylie, it's over to you. | 0:36:33 | 0:36:34 | |
OK, Kiki, you have been an incredible artist. | 0:36:45 | 0:36:49 | |
You have done yourself so proud. You have done your family so proud. | 0:36:49 | 0:36:53 | |
It's the end of the competition for you. | 0:36:53 | 0:36:54 | |
-How has your time been on The Voice, Kiki? -Incredible. Thank you so much. | 0:36:54 | 0:36:58 | |
Can I just say? This will not be the last that you see of me. | 0:36:58 | 0:37:02 | |
Absolutely not. Kiki, you have been amazing. | 0:37:02 | 0:37:05 | |
Please give it up, everybody, for Kiki deVille. | 0:37:05 | 0:37:09 | |
I'm proud of you. | 0:37:09 | 0:37:11 | |
Thank you for everything. | 0:37:13 | 0:37:14 | |
-It was lovely to meet you. -You're awesome. -Thank you very much. | 0:37:17 | 0:37:20 | |
-We'll see you again. -Thank you. | 0:37:20 | 0:37:22 | |
There's no right or wrong here. It's just taste. | 0:37:25 | 0:37:28 | |
I use my gut when I can't make a logical decision | 0:37:30 | 0:37:34 | |
and I go off of just gut instinct. | 0:37:34 | 0:37:37 | |
It has nothing to do with logic. | 0:37:38 | 0:37:40 | |
Oh, my God, darling, I'm so sorry. | 0:37:40 | 0:37:44 | |
It's not your fault. | 0:37:44 | 0:37:45 | |
That was difficult, not using my steal for Kiki | 0:37:45 | 0:37:48 | |
because she's Australian and she's a showgirl, yes, we have a lot in common | 0:37:48 | 0:37:53 | |
but I'm patiently waiting for the steal I can work with | 0:37:53 | 0:37:59 | |
to really gain some momentum in this show. | 0:37:59 | 0:38:03 | |
Next in to battle is Team Tom. | 0:38:09 | 0:38:11 | |
Any battle can go either way. | 0:38:15 | 0:38:17 | |
I try to match them as best I can, | 0:38:17 | 0:38:19 | |
but it makes it more difficult for me | 0:38:19 | 0:38:21 | |
when they are there, equally as good. | 0:38:21 | 0:38:23 | |
What then? | 0:38:24 | 0:38:26 | |
So, the next pairing will be... | 0:38:27 | 0:38:29 | |
..Melissa... | 0:38:31 | 0:38:32 | |
# Love is... # | 0:38:34 | 0:38:36 | |
21-year-old Melissa is a massive Amy Winehouse fan. | 0:38:36 | 0:38:40 | |
But then, I think we guessed that. | 0:38:40 | 0:38:42 | |
-You're foxy. -Thank you. | 0:38:44 | 0:38:47 | |
-I think I'm going to go with Tom. -CHEERING | 0:38:47 | 0:38:50 | |
..and Vicky. | 0:38:50 | 0:38:51 | |
# I want to lay you down... # | 0:38:54 | 0:38:57 | |
Vicky Jones from Bolton has watched her brother make it big in music. | 0:38:57 | 0:39:01 | |
To everyone else, he's Danny from McFly, but to me, he's my brother. | 0:39:01 | 0:39:04 | |
But now, it was her turn | 0:39:04 | 0:39:06 | |
and her voice was a perfect fit for Team Tom. | 0:39:06 | 0:39:09 | |
-The song is a Supremes song. -Oh. -It's called Keep Me Hangin' On. | 0:39:10 | 0:39:14 | |
This year, I've got a brand-new battle advisor, Tinie Tempah. | 0:39:17 | 0:39:21 | |
# Cos I'm a lover, not a fighter Hello? # | 0:39:22 | 0:39:27 | |
I've been blessed with an amazing career so far | 0:39:29 | 0:39:31 | |
and now I'm on The Voice with Sir Tom Jones. | 0:39:31 | 0:39:34 | |
It's really exciting. | 0:39:34 | 0:39:35 | |
OK, so, shall we try it? | 0:39:35 | 0:39:38 | |
# Set me free, why don't you, baby? # | 0:39:38 | 0:39:42 | |
You Keep Me Hangin' On, which is a '60s song, which I felt... | 0:39:42 | 0:39:45 | |
-You know, I was very happy with. -# You just keep me hanging on... # | 0:39:45 | 0:39:48 | |
But there were a few problems within the song. | 0:39:48 | 0:39:50 | |
-Yeah, I think it needs to be... -Held. -Needs to get on, yeah. | 0:39:50 | 0:39:53 | |
-It's a bit... -Yeah, yeah. We could try it a little bit slower. | 0:39:53 | 0:39:57 | |
And we were trying to work out a way that their song could end | 0:39:57 | 0:39:59 | |
with a bit of conviction. | 0:39:59 | 0:40:01 | |
# You just keep me hanging on. # | 0:40:01 | 0:40:03 | |
It just wasn't really working out. | 0:40:06 | 0:40:08 | |
I think I made a mistake here, picking this song. | 0:40:08 | 0:40:10 | |
So, I think we should just sort of say, "Not that one. | 0:40:13 | 0:40:16 | |
"Let's think again and we'll get another song." | 0:40:16 | 0:40:19 | |
It just didn't work and I don't blame them | 0:40:19 | 0:40:22 | |
so I felt we had to change the song. | 0:40:22 | 0:40:25 | |
-OK? -Thank you. -All right, girls. | 0:40:25 | 0:40:27 | |
Me and Vicky were like, "What can you say?" | 0:40:27 | 0:40:31 | |
-Fair enough. -Yeah, that wasn't it. | 0:40:31 | 0:40:33 | |
-Didn't kick off. -Wrong song for the wrong girls. | 0:40:33 | 0:40:35 | |
So, him and Tinie are trying to figure out something new for us. | 0:40:37 | 0:40:41 | |
There you are. | 0:40:41 | 0:40:43 | |
I picked another song by Pink. | 0:40:43 | 0:40:46 | |
Hair. It's called Just Give Me A Reason. | 0:40:47 | 0:40:50 | |
-You guys like that song? -Yeah, I do. | 0:40:51 | 0:40:53 | |
Well, that's it. We're halfway there, then. | 0:40:53 | 0:40:55 | |
# Right from the start | 0:40:55 | 0:40:57 | |
# You were a thief You stole my heart... # | 0:40:57 | 0:40:59 | |
It's a poppy kind of chart song and after kind of running it through, | 0:40:59 | 0:41:03 | |
I'm actually really enjoying it now. | 0:41:03 | 0:41:05 | |
-# We can learn to love again -# I never stopped... # | 0:41:05 | 0:41:10 | |
I'm really happy with the song choice, | 0:41:10 | 0:41:11 | |
but I think nerves are going to be my biggest obstacle and confidence. | 0:41:11 | 0:41:17 | |
Um, I was in a band with my brother and then he became quite successful | 0:41:17 | 0:41:21 | |
and then I went to university and he got his lucky break | 0:41:21 | 0:41:24 | |
and I just didn't and so, yeah, I just don't perform any more. | 0:41:24 | 0:41:28 | |
On the day, you know, just make sure you're on top form | 0:41:28 | 0:41:32 | |
and, you know, you're confident. | 0:41:32 | 0:41:33 | |
-That's going to be very important, you know. -Yeah. | 0:41:33 | 0:41:36 | |
It was a challenge to learn a new song, but I want this so bad. | 0:41:39 | 0:41:42 | |
I do not want to go home. | 0:41:42 | 0:41:43 | |
I want to make sure Tom knows that I'm supposed to be in his team. | 0:41:43 | 0:41:47 | |
Never going to get away from the fact of who my brother is. | 0:41:48 | 0:41:52 | |
I can really see this helping me push forward as Vicky Jones, | 0:41:52 | 0:41:57 | |
not Danny's sister. | 0:41:57 | 0:41:59 | |
It's the battle of rock versus retro. | 0:42:04 | 0:42:06 | |
-It's Vicky Jones. -CHEERING | 0:42:06 | 0:42:09 | |
-Give it up for Melissa. -CHEERING | 0:42:11 | 0:42:14 | |
-Enjoy. -CHEERING | 0:42:20 | 0:42:23 | |
Let the battle commence. | 0:42:23 | 0:42:25 | |
# Right from the start You were a thief, you stole my heart | 0:42:36 | 0:42:41 | |
# And I your willing victim | 0:42:41 | 0:42:45 | |
# I let you see the parts of me that weren't all that pretty | 0:42:46 | 0:42:51 | |
# And with every touch | 0:42:51 | 0:42:53 | |
# You fixed them | 0:42:53 | 0:42:55 | |
# Now, you've been talking in your sleep, oh, oh | 0:42:56 | 0:43:02 | |
# Things you never say to me Oh, oh | 0:43:02 | 0:43:07 | |
# Tell me that you've had enough | 0:43:07 | 0:43:11 | |
# Of our love, our love | 0:43:11 | 0:43:16 | |
# Just give me a reason Just a little bit's enough | 0:43:17 | 0:43:22 | |
# Just a second We're not broken just bent | 0:43:22 | 0:43:25 | |
# And we can learn to love again | 0:43:25 | 0:43:28 | |
# I never stopped | 0:43:28 | 0:43:29 | |
# It's still written in the scars on our hearts | 0:43:29 | 0:43:33 | |
# You're not broken just bent And we can learn to love again | 0:43:33 | 0:43:39 | |
-# Oh, tear ducts and rust -I'll fix it for us | 0:43:39 | 0:43:44 | |
-# We're collecting dust -But our love's enough | 0:43:44 | 0:43:49 | |
-# You're holding it in -You're pouring a drink | 0:43:49 | 0:43:54 | |
# No, nothing is as bad as it seems | 0:43:54 | 0:44:01 | |
# We'll come clean | 0:44:01 | 0:44:05 | |
# Just give me a reason Just a little bit's enough | 0:44:05 | 0:44:09 | |
# Just a second We're not broken just bent | 0:44:09 | 0:44:13 | |
# And we can learn to love again | 0:44:13 | 0:44:16 | |
# It's in the stars | 0:44:16 | 0:44:17 | |
# It's been written in the scars on our hearts | 0:44:17 | 0:44:21 | |
# You're not broken just bent | 0:44:21 | 0:44:23 | |
# And we can learn to love again. # | 0:44:23 | 0:44:29 | |
CHEERING AND APPLAUSE | 0:44:29 | 0:44:31 | |
Wow, wow, wow! Give it up for Vicky and Melissa! | 0:44:31 | 0:44:34 | |
-Well, Sir Tom, you've got a very tough decision. -Yeah. | 0:44:40 | 0:44:42 | |
We'll go to the other coaches first. Will, how good was that? | 0:44:42 | 0:44:45 | |
That was fantastic by both you guys. | 0:44:45 | 0:44:47 | |
There were some flat notes, | 0:44:47 | 0:44:49 | |
but you guys were aware of it and fixed them | 0:44:49 | 0:44:52 | |
and I salute you guys on being attentive to your performance | 0:44:52 | 0:44:56 | |
and then it was great. | 0:44:56 | 0:44:58 | |
You guys looked cute, you guys... | 0:44:58 | 0:45:00 | |
-Did you guys plan the red thing? -LAUGHTER | 0:45:00 | 0:45:02 | |
That's great. You guys were awesome. Thank you, Will. | 0:45:02 | 0:45:05 | |
APPLAUSE | 0:45:05 | 0:45:06 | |
If you had to take one of these through tonight, if it was your two girls, | 0:45:06 | 0:45:09 | |
who would you be taking through, Vicky or Melissa? | 0:45:09 | 0:45:12 | |
It would be... I would have to go with the plaids. | 0:45:12 | 0:45:14 | |
-LAUGHTER -Which is...? | 0:45:14 | 0:45:16 | |
I mean, hello! Shirts! Oh, with Vicky. OK. | 0:45:16 | 0:45:18 | |
-CHEERING -You betcha. | 0:45:18 | 0:45:20 | |
Thanks for that, Will. | 0:45:20 | 0:45:22 | |
-Ricky, I come to you. -Hi. | 0:45:22 | 0:45:25 | |
A song like that takes pretty much a take-no-prisoners performance. | 0:45:25 | 0:45:28 | |
Who do you think delivered out of Melissa and Vicky? | 0:45:28 | 0:45:30 | |
It is two remarkable performances | 0:45:30 | 0:45:32 | |
and I thought it was a great song choice, Tom. | 0:45:32 | 0:45:34 | |
-Thank you. -I loved it. | 0:45:34 | 0:45:35 | |
I thought Melissa, when she was great, you were really great. | 0:45:35 | 0:45:38 | |
CHEERING AND APPLAUSE | 0:45:38 | 0:45:40 | |
Thank you, Ricky. | 0:45:40 | 0:45:42 | |
But, Tom, we do have to come to that point | 0:45:42 | 0:45:44 | |
where we have to make a decision. | 0:45:44 | 0:45:45 | |
So, Vicky or Melissa, Tom? Who's the winner of this battle? | 0:45:45 | 0:45:50 | |
AUDIENCE SHOUTS OUT | 0:45:50 | 0:45:55 | |
It's very difficult for me, honestly, because you both... | 0:45:58 | 0:46:02 | |
You're great singers, the two of you, | 0:46:02 | 0:46:04 | |
and you did a great job. | 0:46:04 | 0:46:06 | |
So, it's so close, honestly. | 0:46:06 | 0:46:08 | |
So, the winner of this battle is... | 0:46:10 | 0:46:12 | |
AUDIENCE SHOUTS OUT | 0:46:12 | 0:46:16 | |
-Melissa. -Melissa! | 0:46:20 | 0:46:21 | |
CHEERING AND APPLAUSE | 0:46:21 | 0:46:24 | |
-Congratulations, Melissa. -Well done. Well done, baby girl. Well done. | 0:46:24 | 0:46:28 | |
Well done. | 0:46:28 | 0:46:29 | |
-Don't! -Melissa, how are you feeling? -Really emotional. | 0:46:29 | 0:46:34 | |
Of course you are. Listen, you absolutely nailed it up there. | 0:46:34 | 0:46:37 | |
Congratulations, Melissa. Go and give Tom a big hug. | 0:46:37 | 0:46:39 | |
We will be seeing you in The Knockouts. | 0:46:39 | 0:46:42 | |
-All right, love? -Thank you so much. | 0:46:43 | 0:46:44 | |
Thank you. | 0:46:46 | 0:46:47 | |
Now, Vicky, you're no longer on Team Tom. | 0:46:56 | 0:46:59 | |
So, Kylie, you know the deal. You are the only one that's left. | 0:46:59 | 0:47:04 | |
Vicky, you're now available for a steal. | 0:47:04 | 0:47:06 | |
Is there anything you'd like to say to Kylie, Vicky? | 0:47:09 | 0:47:11 | |
I'd just like to say that I kind of gave up singing | 0:47:11 | 0:47:15 | |
and this has kick-started it all for me. | 0:47:15 | 0:47:17 | |
So, whatever happens, I'm going to carry on, | 0:47:17 | 0:47:19 | |
but I'd love to stay on the show. | 0:47:19 | 0:47:21 | |
CHEERING | 0:47:21 | 0:47:23 | |
Over to you, Kylie. | 0:47:23 | 0:47:25 | |
No pressure! | 0:47:26 | 0:47:27 | |
LAUGHTER | 0:47:27 | 0:47:29 | |
Steal her! Steal her! Steal her! | 0:47:29 | 0:47:31 | |
I am going to pass today, but I wish you all the best | 0:47:41 | 0:47:45 | |
and I'm glad that you've gained so much confidence | 0:47:45 | 0:47:49 | |
throughout this experience. | 0:47:49 | 0:47:50 | |
You've been a fantastic artist. Go and see Tom. Go and see the rest of the coaches. | 0:47:51 | 0:47:55 | |
Give it up for Vicky Jones, everybody! | 0:47:55 | 0:47:57 | |
CHEERING | 0:47:57 | 0:47:59 | |
You did a great job, love, honestly. | 0:48:00 | 0:48:02 | |
It's really hard at that final moment | 0:48:03 | 0:48:07 | |
for these contestants when I'm their last hope. | 0:48:07 | 0:48:11 | |
It's really starting to wear me down. | 0:48:12 | 0:48:15 | |
It was a very tough decision | 0:48:15 | 0:48:17 | |
and they both got a hold of that song. | 0:48:17 | 0:48:20 | |
Um, Melissa, I think, maybe has more of an unusual voice | 0:48:20 | 0:48:24 | |
and that's why I went that way. | 0:48:24 | 0:48:26 | |
Told you! | 0:48:27 | 0:48:29 | |
Next, leading his team into battle, it's Ricky Wilson. | 0:48:32 | 0:48:36 | |
The music industry is about doing things, | 0:48:39 | 0:48:41 | |
not waiting for it just to happen. | 0:48:41 | 0:48:43 | |
It's all about getting yourself noticed | 0:48:43 | 0:48:46 | |
and this is a great platform for that. | 0:48:46 | 0:48:48 | |
OK, the next battle is between... | 0:48:48 | 0:48:51 | |
..Myles. | 0:48:52 | 0:48:53 | |
And you will be battling Max. | 0:48:53 | 0:48:56 | |
CHEERING | 0:48:56 | 0:48:57 | |
# Baby girl... # | 0:48:57 | 0:48:59 | |
Judo champion Max Murphy | 0:48:59 | 0:49:00 | |
was looking for at least one important hit from the coaches... | 0:49:00 | 0:49:04 | |
Despite my dedication to judo, I've always loved singing. | 0:49:04 | 0:49:08 | |
..and Ricky delivered. | 0:49:08 | 0:49:10 | |
Trainee solicitor Myles Evans has never performed in public before... | 0:49:14 | 0:49:19 | |
# Seems to me like... # | 0:49:19 | 0:49:21 | |
..but he was inspired to audition by his sister. | 0:49:21 | 0:49:24 | |
Davida was diagnosed with cancer in February last year. | 0:49:24 | 0:49:28 | |
I thought it was about time that somebody pushed him | 0:49:28 | 0:49:30 | |
and he couldn't say no to his big sister. | 0:49:30 | 0:49:32 | |
# But I got high hopes It takes me back to... # | 0:49:32 | 0:49:37 | |
-You'll go a long way. -Cheers. Thank you. | 0:49:37 | 0:49:40 | |
How are you doing? Good to see you. | 0:49:41 | 0:49:43 | |
For these two guys, I have chosen Eleanor Rigby by The Beatles. | 0:49:43 | 0:49:46 | |
What do you think of the song choice? | 0:49:46 | 0:49:48 | |
I like it a lot. I'm a big fan of The Beatles so... | 0:49:48 | 0:49:51 | |
I mean, I'm a big fan of The Beatles | 0:49:51 | 0:49:53 | |
and I think it's weird when people aren't. | 0:49:53 | 0:49:55 | |
I recognise the song, but I don't know it that well. | 0:49:55 | 0:49:58 | |
# Eleanor Rigby... # | 0:49:59 | 0:50:01 | |
Myles had a problem with this. | 0:50:01 | 0:50:03 | |
I was astonished by the fact that he didn't know the song very well. | 0:50:03 | 0:50:06 | |
We need to clear that one up. | 0:50:06 | 0:50:07 | |
And he's going up against Max | 0:50:10 | 0:50:12 | |
and Max has got this confidence which is incredible. | 0:50:12 | 0:50:15 | |
You sound uber confident, right? And I like that a lot. | 0:50:15 | 0:50:19 | |
You just need to come out of your shell a bit more. | 0:50:19 | 0:50:21 | |
And I know it's not your fault. You haven't sung that much in public. | 0:50:21 | 0:50:24 | |
It will get better, but it's got to get better quicker. | 0:50:24 | 0:50:27 | |
To sum up the piano rehearsal for me - disaster. | 0:50:27 | 0:50:31 | |
I kind of feel a bit out of my depth. | 0:50:31 | 0:50:33 | |
As long as you don't think I was holding back | 0:50:33 | 0:50:35 | |
because I don't want it. | 0:50:35 | 0:50:36 | |
I know you want it and you know why I know you want it. | 0:50:36 | 0:50:38 | |
You're at a career crossroads. | 0:50:38 | 0:50:40 | |
I guess you know in your heart | 0:50:40 | 0:50:41 | |
this is definitely something that you wanted to do. | 0:50:41 | 0:50:43 | |
It is now. I mean, I wouldn't... | 0:50:43 | 0:50:45 | |
I didn't put myself forward for this show in the first place. | 0:50:45 | 0:50:48 | |
-You didn't? Who did? -My sister. | 0:50:48 | 0:50:49 | |
Really? Aw. | 0:50:49 | 0:50:51 | |
She must be feeling so proud of you | 0:50:51 | 0:50:54 | |
and you should definitely sort of take that with you and hold that with you. | 0:50:54 | 0:50:57 | |
The thing about Myles is he's not just out of his comfort zone. | 0:50:57 | 0:51:01 | |
He hasn't got a comfort zone. But I know he can do it. | 0:51:01 | 0:51:04 | |
Since last time I saw you, how are things working out? | 0:51:04 | 0:51:06 | |
-It's a lot better than it was. -Right. | 0:51:06 | 0:51:08 | |
A bit of a disaster in the piano... | 0:51:08 | 0:51:09 | |
What I'd like to see is letting go a little bit more. | 0:51:09 | 0:51:13 | |
# Eleanor Rigby picks up the rice in the church... # | 0:51:13 | 0:51:17 | |
The onstage rehearsal, it went a lot better than the piano rehearsal. | 0:51:17 | 0:51:22 | |
Felt a lot more confident with it. | 0:51:22 | 0:51:23 | |
How much has that improved? Your vocals have just stepped up. | 0:51:23 | 0:51:27 | |
Now he's really on-form, I'm actually quite worried. | 0:51:27 | 0:51:31 | |
# No-one was there... # | 0:51:31 | 0:51:32 | |
With Myles, he's turned from being a trainee solicitor to a risk taker. He's proving himself. | 0:51:32 | 0:51:39 | |
# All the lonely people... # | 0:51:39 | 0:51:41 | |
Max is so freewheeling. He's never the same twice. | 0:51:41 | 0:51:44 | |
It's kind of dangerous, which is why I really like it. | 0:51:44 | 0:51:48 | |
Both want to swap big careers outside the music industry | 0:51:51 | 0:51:54 | |
to make a big impression inside it. | 0:51:54 | 0:51:57 | |
It's Myles Evans... | 0:51:57 | 0:51:58 | |
CHEERING AND APPLAUSE | 0:51:58 | 0:52:00 | |
..against Max Murphy. | 0:52:02 | 0:52:04 | |
CHEERING AND APPLAUSE | 0:52:04 | 0:52:06 | |
Let the battle commence. | 0:52:13 | 0:52:15 | |
# Eleanor Rigby | 0:52:32 | 0:52:34 | |
# Picks up the rice in the church where her wedding has been | 0:52:34 | 0:52:40 | |
# Lives in a dream | 0:52:40 | 0:52:42 | |
# Waits at the window | 0:52:42 | 0:52:44 | |
# Wearing the face that she keeps in a jar by the door | 0:52:44 | 0:52:49 | |
# Who is it for? | 0:52:50 | 0:52:52 | |
# All the lonely people | 0:52:52 | 0:52:56 | |
# Where do they all come from? | 0:52:56 | 0:53:00 | |
# All the lonely people | 0:53:00 | 0:53:04 | |
# Where do they all belong? | 0:53:05 | 0:53:08 | |
# Father McKenzie | 0:53:08 | 0:53:11 | |
# Writing the words for the sermon that no-one will hear | 0:53:11 | 0:53:17 | |
# No-one comes near | 0:53:17 | 0:53:19 | |
# Look at him working | 0:53:19 | 0:53:20 | |
# Darning his socks in the night when there's nobody there | 0:53:20 | 0:53:26 | |
# What does he care? | 0:53:26 | 0:53:28 | |
# All the lonely people | 0:53:28 | 0:53:32 | |
# Where do they all come from? | 0:53:32 | 0:53:37 | |
# All the lonely people | 0:53:37 | 0:53:40 | |
# Where do they all belong? | 0:53:40 | 0:53:43 | |
# Ah, look at all the lonely people | 0:53:45 | 0:53:53 | |
# Ah, look at all the lonely people | 0:53:53 | 0:54:00 | |
# Eleanor Rigby | 0:54:00 | 0:54:03 | |
# Died in the church and was buried along with her name | 0:54:03 | 0:54:08 | |
# Nobody came | 0:54:09 | 0:54:11 | |
# Father McKenzie | 0:54:11 | 0:54:13 | |
# Wiping the dirt from his hands as he walks from the grave | 0:54:13 | 0:54:18 | |
# No-one was saved | 0:54:19 | 0:54:21 | |
# All the lonely people | 0:54:21 | 0:54:24 | |
# Where do they all come from? | 0:54:24 | 0:54:29 | |
# All the lonely people | 0:54:29 | 0:54:33 | |
# Where do they all belong? # | 0:54:33 | 0:54:37 | |
CHEERING AND APPLAUSE | 0:54:37 | 0:54:40 | |
Max and Myles, everybody! | 0:54:43 | 0:54:45 | |
Ricky, you were looking very happy with yourself during that. | 0:54:48 | 0:54:51 | |
Yeah, they did me proud. Thanks, guys. Thanks. | 0:54:51 | 0:54:54 | |
It's going to be another tough decision. | 0:54:55 | 0:54:57 | |
Will, who would you want on your team? | 0:54:57 | 0:55:01 | |
Would you want the hotshot lawyer or the judo champion? | 0:55:01 | 0:55:04 | |
I'm not one for violence. | 0:55:04 | 0:55:05 | |
LAUGHTER | 0:55:05 | 0:55:07 | |
I've never had to, like, sock anybody or duck from a fist. | 0:55:07 | 0:55:11 | |
Where did you grow up, then? | 0:55:11 | 0:55:12 | |
LAUGHTER | 0:55:12 | 0:55:14 | |
APPLAUSE | 0:55:14 | 0:55:16 | |
Believe it or not, I grew up in a very bad neighbourhood. | 0:55:16 | 0:55:18 | |
It was just that my mom was strict and I couldn't leave the house. | 0:55:18 | 0:55:21 | |
-OK. -LAUGHTER | 0:55:21 | 0:55:23 | |
I kind of get the feeling you could talk your way out of a fight. | 0:55:23 | 0:55:25 | |
LAUGHTER | 0:55:25 | 0:55:27 | |
I could talk my way out of a fight! | 0:55:27 | 0:55:28 | |
LAUGHTER | 0:55:28 | 0:55:30 | |
Yeah, but it was a unique version of Eleanor Rigby. | 0:55:30 | 0:55:33 | |
-It was awesome. It was great. -APPLAUSE | 0:55:33 | 0:55:37 | |
So, Ricky, two members of your team. Only one of them can stay. | 0:55:37 | 0:55:42 | |
So, on one hand, you've got Myles. | 0:55:42 | 0:55:45 | |
Now, Myles, I know people talk on TV shows about... | 0:55:45 | 0:55:48 | |
Do you want to say something, Will? | 0:55:48 | 0:55:49 | |
-No, you said "one hand". I'm holding it. -OK. | 0:55:49 | 0:55:51 | |
LAUGHTER | 0:55:51 | 0:55:53 | |
This is my lovely assistant, who will demonstrate my points. | 0:55:53 | 0:55:58 | |
On the one hand... | 0:55:58 | 0:55:59 | |
LAUGHTER | 0:55:59 | 0:56:01 | |
..you've got Myles. | 0:56:01 | 0:56:02 | |
-His sister put him forward for this. -Who's here tonight. -Hello! | 0:56:02 | 0:56:05 | |
Um, hiya! | 0:56:10 | 0:56:11 | |
I'd really like to thank her and I think everyone should thank her because he would never have done it. | 0:56:11 | 0:56:15 | |
Then, on the other hand... | 0:56:20 | 0:56:22 | |
CLEARS THROAT Will. | 0:56:22 | 0:56:24 | |
LAUGHTER | 0:56:24 | 0:56:25 | |
..you've got Max and although they're both at massive crossroads | 0:56:27 | 0:56:30 | |
where, you know, you go on to become a... | 0:56:30 | 0:56:33 | |
LAUGHTER | 0:56:33 | 0:56:35 | |
Why is everyone laughing? | 0:56:35 | 0:56:36 | |
-It's your assistant. -Ricky. | 0:56:36 | 0:56:38 | |
Oh, it's you! | 0:56:39 | 0:56:40 | |
LAUGHTER | 0:56:40 | 0:56:42 | |
I'm still doing your...your things. | 0:56:42 | 0:56:44 | |
-This is a really big moment for me. -OK. | 0:56:46 | 0:56:48 | |
LAUGHTER | 0:56:48 | 0:56:50 | |
APPLAUSE | 0:56:50 | 0:56:55 | |
OK, Ricky, who's the winner of the battle? | 0:57:00 | 0:57:03 | |
AUDIENCE SHOUTS OUT | 0:57:03 | 0:57:05 | |
My decision is this. | 0:57:05 | 0:57:07 | |
The winner of the battle... | 0:57:10 | 0:57:11 | |
AUDIENCE SHOUTS OUT | 0:57:15 | 0:57:17 | |
..is Max. | 0:57:17 | 0:57:18 | |
CHEERING AND APPLAUSE | 0:57:18 | 0:57:21 | |
Congratulations! | 0:57:21 | 0:57:22 | |
-Well done. How are you feeling? -Thanks so much, Ricky. | 0:57:24 | 0:57:28 | |
Yeah, I'm really honoured to get through. | 0:57:28 | 0:57:30 | |
Give it up for Max, everybody! | 0:57:30 | 0:57:31 | |
-Thanks so much, man. -So much to do now. | 0:57:36 | 0:57:38 | |
OK, Myles, you could still be in with a chance, | 0:57:47 | 0:57:50 | |
as you are now available for a steal. | 0:57:50 | 0:57:53 | |
AUDIENCE SHOUTS OUT | 0:57:56 | 0:57:58 | |
OK, Kylie, it's all down to you. | 0:57:58 | 0:58:00 | |
-AUDIENCE: -Kylie! Kylie! Kylie! | 0:58:03 | 0:58:07 | |
OK, Myles, I'm so sorry, | 0:58:11 | 0:58:12 | |
but thank you so much and keep doing it. | 0:58:12 | 0:58:16 | |
Thank you. Myles, everybody! | 0:58:16 | 0:58:18 | |
-Hey, man. Sorry. It was a tough decision to make. -I know. | 0:58:20 | 0:58:23 | |
I'm really sorry. But thanks for coming out. | 0:58:23 | 0:58:25 | |
And you know what? It's the start of something great. | 0:58:25 | 0:58:28 | |
I meant what I said to Myles, which is now he's a risk-taker. | 0:58:28 | 0:58:31 | |
He's made a leap and I'm really proud of him. | 0:58:31 | 0:58:34 | |
That makes it all the more harder to not put him through. | 0:58:34 | 0:58:37 | |
I didn't feel like I could take Myles any further in the competition. | 0:58:40 | 0:58:45 | |
He's not my one. I still want to know who my one is. | 0:58:45 | 0:58:48 | |
He did brilliantly. Really proud of him. | 0:58:48 | 0:58:51 | |
He showed everyone he could sing. So, well chuffed. | 0:58:51 | 0:58:53 | |
Next into battle, it's Team Will. | 0:58:58 | 0:59:00 | |
And the next pairing is going to be Sophie May... | 0:59:03 | 0:59:07 | |
..and Cherri. | 0:59:10 | 0:59:11 | |
# If you're lost, you can... # | 0:59:14 | 0:59:17 | |
16-year-old Sophie May Williams' biggest fan is her grandad. | 0:59:17 | 0:59:21 | |
And she found a new fan at the last moment in sneaky Will. | 0:59:21 | 0:59:25 | |
# You better stop... # | 0:59:28 | 0:59:31 | |
33-year-old Cherri Prince thought time was running out on her singing dream, | 0:59:31 | 0:59:35 | |
until Will stepped in to give her the last place on his team. | 0:59:35 | 0:59:39 | |
And you guys are going to be singing Love Cats by The Cure. | 0:59:42 | 0:59:47 | |
It's a fantabulous number. | 0:59:48 | 0:59:50 | |
-Hi! -BOTH: Hi. | 0:59:52 | 0:59:54 | |
It's the perfect battle because they're similar in ways. | 0:59:54 | 0:59:58 | |
They're pretty dope! | 0:59:58 | 1:00:00 | |
Sophie could learn from Cherri's experience | 1:00:00 | 1:00:04 | |
and then Cherri could learn from Sophie May's freshness. | 1:00:04 | 1:00:08 | |
How do you guys like scatting? | 1:00:08 | 1:00:10 | |
-Oh, it's good, isn't it? -Love. Yeah. -Best bit of the song. | 1:00:10 | 1:00:15 | |
Scat is like vocal improvisation. Me and Leah scatted on Bang Bang. | 1:00:15 | 1:00:21 | |
SHE SCATS | 1:00:21 | 1:00:23 | |
Cherri has a great vocabulary of scat. | 1:00:24 | 1:00:27 | |
And then Little Miss Sophie May, she went with the yabba-dabbas. | 1:00:29 | 1:00:33 | |
SCATS | 1:00:33 | 1:00:36 | |
I'm like, "OK, we've got to get this girl some more vocabulary." | 1:00:36 | 1:00:39 | |
You've got me with Fred Flintstone all day. | 1:00:39 | 1:00:42 | |
Yabba dabba doo! | 1:00:42 | 1:00:44 | |
LAUGHTER | 1:00:44 | 1:00:46 | |
-Did you like it? -Love it a lot. -Good. | 1:00:46 | 1:00:49 | |
Make it your own without it sounding like Muzak. | 1:00:49 | 1:00:52 | |
Do you know what Muzak is? Have you never heard of Muzak? | 1:00:52 | 1:00:55 | |
A little take like MC Hammer, You Can't Touch This. | 1:00:55 | 1:00:58 | |
Play... | 1:00:58 | 1:00:59 | |
HUMS CAN'T TOUCH THIS BY MC HAMMER | 1:00:59 | 1:01:01 | |
PLAYS CAN'T TOUCH THIS BY MC HAMMER | 1:01:01 | 1:01:03 | |
But more jazzy. | 1:01:03 | 1:01:04 | |
# You can't touch this | 1:01:06 | 1:01:09 | |
# Stop! Hammer time! # | 1:01:09 | 1:01:12 | |
LAUGHTER | 1:01:12 | 1:01:13 | |
You don't want to do that. You don't want to do that. | 1:01:13 | 1:01:16 | |
I've never seen a jazz battle. | 1:01:16 | 1:01:18 | |
It's going to be cool, though. | 1:01:20 | 1:01:21 | |
Here come two sides of the same coin. | 1:01:25 | 1:01:27 | |
It's time for a jazz battle with Sophie May Williams. | 1:01:27 | 1:01:31 | |
CHEERING AND APPLAUSE | 1:01:31 | 1:01:34 | |
Cherri Prince. | 1:01:35 | 1:01:36 | |
CHEERING AND APPLAUSE | 1:01:36 | 1:01:38 | |
Let the battle commence. | 1:01:44 | 1:01:46 | |
Bam! | 1:01:48 | 1:01:49 | |
# Ooh, we move like cagey tigers | 1:02:04 | 1:02:08 | |
# We could not get closer than this | 1:02:08 | 1:02:12 | |
# The way we walk, the way we talk | 1:02:12 | 1:02:14 | |
# The way we stalk, the way we... | 1:02:14 | 1:02:17 | |
# We slip through the streets while everyone sleeps | 1:02:17 | 1:02:20 | |
# Getting bigger and sleeker and wider and brighter | 1:02:20 | 1:02:23 | |
# We bite and scratch and scream all night | 1:02:23 | 1:02:26 | |
# Let's go and throw all the songs we know | 1:02:26 | 1:02:29 | |
# Oh, into the sea Oh, you and me | 1:02:29 | 1:02:32 | |
# All these years and no-one heard | 1:02:32 | 1:02:35 | |
# I'll show you in spring It's a treacherous thing | 1:02:35 | 1:02:38 | |
# They missed you, hissed the lovecats... # | 1:02:38 | 1:02:42 | |
SOPHIE MAY SCATS | 1:02:42 | 1:02:46 | |
# So wonderfully, wonderfully, wonderfully, wonderfully pretty | 1:02:46 | 1:02:52 | |
# You know I would do anything for you | 1:02:52 | 1:02:58 | |
# We should have each other for tea, huh? | 1:02:58 | 1:03:01 | |
# We should have each other with cream | 1:03:01 | 1:03:04 | |
# Then curl up by the fire And sleep for a while | 1:03:04 | 1:03:07 | |
# It's the grooviest thing | 1:03:07 | 1:03:08 | |
# It's the perfect dream | 1:03:08 | 1:03:10 | |
# Hand in hand is the only way to land | 1:03:10 | 1:03:13 | |
# Always the right way round | 1:03:13 | 1:03:16 | |
# Not broken in pieces like hated little meeces | 1:03:16 | 1:03:19 | |
# Oh, how could we miss someone as dumb as this? | 1:03:19 | 1:03:25 | |
# They missed you, hissed the lovecats | 1:03:25 | 1:03:31 | |
# Oh, da-da mmm. # | 1:03:31 | 1:03:34 | |
SOPHIE MAY SCATS | 1:03:34 | 1:03:39 | |
CHERRI SCATS | 1:03:39 | 1:03:47 | |
Give it up for Sophie May and Cherri. | 1:03:54 | 1:03:58 | |
Wow! | 1:03:58 | 1:03:59 | |
Hi. | 1:04:01 | 1:04:02 | |
Will, this is going to be a tough one, right? | 1:04:07 | 1:04:09 | |
It's going to be pretty tough. | 1:04:10 | 1:04:12 | |
Tough but doable? | 1:04:12 | 1:04:13 | |
It's going to be pretty tough. | 1:04:13 | 1:04:15 | |
Ricky, did you ever think you'd hear a classic Cure song | 1:04:17 | 1:04:20 | |
sung quite like that? | 1:04:20 | 1:04:22 | |
It was two incredible performances and if I had a steal left, I mean, | 1:04:22 | 1:04:26 | |
I wouldn't care who you put through, I'd have the other one. | 1:04:26 | 1:04:28 | |
Will, is this going to be | 1:04:34 | 1:04:35 | |
the hardest of your battles, do you think? | 1:04:35 | 1:04:37 | |
This is my favourite of the battles. It's one of my favourite songs. | 1:04:37 | 1:04:41 | |
To hear it be done in a jazzy way and the way you guys executed it. | 1:04:41 | 1:04:46 | |
Cherri, you're like a cherry on top, | 1:04:46 | 1:04:48 | |
and Sophie, you came so sophisticated and wonderful. | 1:04:48 | 1:04:53 | |
Get it? Sophie-sticated. | 1:04:53 | 1:04:55 | |
LAUGHTER Got it. | 1:04:55 | 1:04:57 | |
I play with words! | 1:04:57 | 1:04:58 | |
-CHEERING -It was great. | 1:04:58 | 1:05:01 | |
Thank you. | 1:05:01 | 1:05:03 | |
OK, Will. It's decision-making time. | 1:05:03 | 1:05:04 | |
AUDIENCE YELLS SUGGESTIONS | 1:05:05 | 1:05:10 | |
I want to work with both you guys | 1:05:10 | 1:05:11 | |
because you guys sing in the style of the music I like, | 1:05:11 | 1:05:14 | |
but moving forward for tonight... | 1:05:14 | 1:05:17 | |
..it would be... | 1:05:21 | 1:05:23 | |
..Sophistication. | 1:05:27 | 1:05:28 | |
Sophie May! | 1:05:29 | 1:05:31 | |
Well done. | 1:05:36 | 1:05:37 | |
-Congratulations. -I don't know what to say. Like... | 1:05:43 | 1:05:45 | |
Well, go and say it to Will cos you're still on Team Will. | 1:05:45 | 1:05:47 | |
Give it up for Sophie May, everybody. | 1:05:47 | 1:05:49 | |
-Give me a hug. -Thank you. | 1:05:53 | 1:05:55 | |
OK, Cherri, so no longer part of Team Will. | 1:06:05 | 1:06:08 | |
Ricky and Tom have already stolen, so you can't join their teams. | 1:06:08 | 1:06:11 | |
However, it is not over just yet because Kylie still has a space. | 1:06:11 | 1:06:16 | |
So, you are now available for a steal. | 1:06:17 | 1:06:20 | |
MOUTHS INAUDIBLY | 1:06:22 | 1:06:24 | |
I'm not going to steal. | 1:06:30 | 1:06:31 | |
-OK, Cherri. I'm so sorry. -That's all right. | 1:06:34 | 1:06:36 | |
It's not going to happen today with Kylie. | 1:06:36 | 1:06:38 | |
Thank you so much, though, for being part of The Voice. | 1:06:38 | 1:06:40 | |
You've been absolutely wonderful. Go and see the coaches. | 1:06:42 | 1:06:44 | |
Give it up for Cherri, everybody. | 1:06:44 | 1:06:46 | |
-I'm sorry, love. -Don't worry. | 1:06:51 | 1:06:53 | |
-Thanks for a great performance. -Thank you. | 1:06:54 | 1:06:56 | |
-Keep in touch. -I definitely will. -Yes, please do. | 1:06:56 | 1:06:59 | |
-It's nice to meet you. -All right. See you later. Bye, Cherri. | 1:06:59 | 1:07:02 | |
Cherri, to see her not on the show any more, | 1:07:06 | 1:07:09 | |
it's a hard thing to swallow. | 1:07:09 | 1:07:12 | |
-You were amazing. -You were too. Well done. | 1:07:12 | 1:07:15 | |
-You better do well, love. -I will. Oh, my God. -I'll be watching you. | 1:07:15 | 1:07:17 | |
I'll do it for you. | 1:07:17 | 1:07:19 | |
Sophie did an amazing job. To be so young but so sophisticated... | 1:07:19 | 1:07:23 | |
..she is unique. | 1:07:24 | 1:07:26 | |
So, we're halfway through round two | 1:07:29 | 1:07:31 | |
and Kylie is getting rather a lot of attention. | 1:07:31 | 1:07:33 | |
-So, you're the only one left with a steal. -Yes, I am. | 1:07:35 | 1:07:39 | |
And I've got some strong singers coming up. | 1:07:39 | 1:07:41 | |
Ooh, I got something you could be looking for too. | 1:07:41 | 1:07:43 | |
Just zone him out, zone him out. | 1:07:43 | 1:07:45 | |
Talk, talk, talk, talk, talk. I'm not telling! | 1:07:45 | 1:07:48 | |
I am completely feeling the pressure. | 1:07:48 | 1:07:51 | |
I'm sure those guys knew what they were doing. | 1:07:51 | 1:07:54 | |
Steal early! | 1:07:54 | 1:07:55 | |
As the battles conclude... | 1:07:59 | 1:08:01 | |
The fight is on for the last few places. | 1:08:01 | 1:08:05 | |
The decisions get tougher. | 1:08:05 | 1:08:06 | |
-Oh, dear. -Dog eat dog. | 1:08:06 | 1:08:08 | |
-The pressure is on. -Don't ask me anything. | 1:08:08 | 1:08:11 | |
Before Miss Minogue finally uses her steal. | 1:08:11 | 1:08:14 | |
-Yeah! -Yes, yes, yes! | 1:08:14 | 1:08:17 | |
Next it's a battle, it's Team Kylie. | 1:08:22 | 1:08:25 | |
Next pairing... | 1:08:29 | 1:08:31 | |
..Jamie. | 1:08:31 | 1:08:32 | |
And you'll be facing... | 1:08:36 | 1:08:37 | |
..Joe. | 1:08:38 | 1:08:39 | |
# Cos I'm so sick of love songs. # | 1:08:42 | 1:08:45 | |
Professional singer Jamie Johnson | 1:08:45 | 1:08:47 | |
sang to his most important crowd yet. | 1:08:47 | 1:08:50 | |
And with three coaches to choose from, | 1:08:51 | 1:08:54 | |
he went the way of most young men. | 1:08:54 | 1:08:56 | |
-I think I'm going to go with Kylie. -You are? | 1:08:56 | 1:08:58 | |
# Keep your head up, keep your heart strong. # | 1:08:59 | 1:09:02 | |
16-year-old Irish dancing champion Joe Keegan is used to winning. | 1:09:02 | 1:09:07 | |
I currently am 13th in the world and 5th in Great Britain. | 1:09:07 | 1:09:10 | |
And there was only one coach he wanted to win over. | 1:09:10 | 1:09:13 | |
And this could be happening. | 1:09:13 | 1:09:15 | |
-I can see it happening. -I can see it happening. | 1:09:15 | 1:09:17 | |
You guys will be singing Counting Stars by OneRepublic. | 1:09:19 | 1:09:22 | |
KYLIE LAUGHS | 1:09:23 | 1:09:24 | |
How are you feeling about this pairing? | 1:09:26 | 1:09:28 | |
-Good. -Couldn't have been put against a nicer guy, but... | 1:09:28 | 1:09:30 | |
JAMIE LAUGHS | 1:09:30 | 1:09:32 | |
That's... tough, isn't it? | 1:09:32 | 1:09:34 | |
There's a bit of bromance happening. They get on absolutely fantastically. | 1:09:34 | 1:09:39 | |
As soon as I found out it was Joe, I thought... | 1:09:42 | 1:09:44 | |
He's such a nice guy. He's so easy to get on with. | 1:09:44 | 1:09:46 | |
Really genuine as well. | 1:09:46 | 1:09:47 | |
I don't know what it is about him, he's just... | 1:09:47 | 1:09:49 | |
Really, really cheeky. | 1:09:49 | 1:09:51 | |
He's funny. He's really funny. | 1:09:51 | 1:09:52 | |
But when we get on that battle stage, | 1:09:52 | 1:09:54 | |
I think we're just going to have to put our friendship on hold. | 1:09:54 | 1:09:56 | |
For about two minutes. | 1:09:58 | 1:09:59 | |
Even though this is a battle, I feel like with this kind of song, | 1:10:03 | 1:10:06 | |
I think the more that you guys connect with one another, | 1:10:06 | 1:10:08 | |
the better off I think you're both going to be. | 1:10:08 | 1:10:11 | |
# Lately I've been, I've been losing sleep... # | 1:10:11 | 1:10:16 | |
I think Jamie, he does bring the best out in me. | 1:10:16 | 1:10:20 | |
He pushes me and he is like a second mentor, really. | 1:10:20 | 1:10:23 | |
# I've been, I've been praying hard... # | 1:10:23 | 1:10:25 | |
I'm not a battley person, so I think the main thing for me | 1:10:25 | 1:10:28 | |
is just trying to sort of have that friendship on stage. | 1:10:28 | 1:10:31 | |
# Take that money and watch it burn | 1:10:31 | 1:10:33 | |
# Sing to the rhythm... # | 1:10:33 | 1:10:34 | |
They sound incredible. Way too incredible. | 1:10:34 | 1:10:38 | |
Oh, no. | 1:10:40 | 1:10:41 | |
Keep supporting each other. Remember, it is a battle on the day. | 1:10:42 | 1:10:46 | |
But I'll be there cheering you on, so... | 1:10:46 | 1:10:49 | |
-Thanks. -Thank you very much, yeah. -Thanks a million. | 1:10:49 | 1:10:52 | |
They really are neck and neck, so on the night, | 1:10:52 | 1:10:55 | |
I'm just going to have to go with my heart and make a decision. | 1:10:55 | 1:10:59 | |
Or I could just leave and not have to deal with any of it | 1:11:01 | 1:11:04 | |
because, frankly, it might come to that. | 1:11:04 | 1:11:06 | |
The new best friends are about to become sworn rivals in the ring. | 1:11:21 | 1:11:24 | |
Give it up for Joe Keegan... | 1:11:24 | 1:11:26 | |
SCREAMING AND CHEERING | 1:11:26 | 1:11:30 | |
..against Mr Jamie Johnson. | 1:11:30 | 1:11:33 | |
CHEERING AND WHISTLING | 1:11:33 | 1:11:34 | |
Hello, guys! | 1:11:39 | 1:11:40 | |
Let the battle commence. | 1:11:43 | 1:11:45 | |
Whoo! | 1:11:50 | 1:11:51 | |
# Lately I've been, I've been losing sleep | 1:11:57 | 1:12:02 | |
# Dreaming about the things that we could be | 1:12:02 | 1:12:06 | |
Baby, I've been, I've been praying hard, | 1:12:06 | 1:12:11 | |
# Said, no more counting dollars We'll be counting stars | 1:12:11 | 1:12:15 | |
# Yeah, we'll be counting stars | 1:12:16 | 1:12:21 | |
# I see this life like a swinging vine | 1:12:22 | 1:12:25 | |
# Swing my heart across the line | 1:12:25 | 1:12:27 | |
# And my face is flashing signs Seek it out and you shall find | 1:12:27 | 1:12:31 | |
# Old, but I'm not that old Young, but I'm not that bold | 1:12:31 | 1:12:35 | |
# And I don't think the world is sold | 1:12:35 | 1:12:37 | |
# Just doing what we're told | 1:12:37 | 1:12:39 | |
# And I-I-I-I feel something so right | 1:12:39 | 1:12:44 | |
# But doing the wrong thing | 1:12:44 | 1:12:47 | |
# And I-I-I feel something so wrong Doing the right thing | 1:12:47 | 1:12:54 | |
# I could lie, couldn't I, could lie | 1:12:54 | 1:12:59 | |
# Everything that kills me makes me feel alive | 1:12:59 | 1:13:03 | |
# Lately, I've been, I've been losing sleep | 1:13:03 | 1:13:06 | |
# Dreaming about the things that we could be | 1:13:06 | 1:13:10 | |
# But baby, I've been I've been praying hard | 1:13:10 | 1:13:15 | |
# Said, no more counting dollars We'll be, we'll be counting stars | 1:13:15 | 1:13:20 | |
# Yeah, whoa | 1:13:20 | 1:13:22 | |
# Take that money Watch it burn | 1:13:22 | 1:13:24 | |
# Sink in the river The lessons are learned | 1:13:24 | 1:13:26 | |
# Take that money Watch it burn | 1:13:26 | 1:13:28 | |
# Sink in the river The lessons are learned | 1:13:28 | 1:13:30 | |
# Take that money Watch it burn | 1:13:30 | 1:13:32 | |
# Sink in the river The lessons are learned | 1:13:32 | 1:13:34 | |
# Take that money Watch it burn | 1:13:34 | 1:13:36 | |
# Sink in the river The lessons are learned | 1:13:36 | 1:13:38 | |
# Everything that kills me makes feel alive | 1:13:38 | 1:13:45 | |
# Lately, I've been I've been losing sleep | 1:13:45 | 1:13:49 | |
# Dreaming about the things that we could be | 1:13:49 | 1:13:52 | |
# Baby, I've been, I've been praying hard | 1:13:52 | 1:13:56 | |
# Said, no more counting dollars We'll be counting stars | 1:13:56 | 1:14:00 | |
# Take that money Watch it burn | 1:14:00 | 1:14:02 | |
# Sink in the river The lessons are learned | 1:14:02 | 1:14:04 | |
# Take that money Watch it burn | 1:14:04 | 1:14:06 | |
# Sink in the river The lessons are learned | 1:14:06 | 1:14:08 | |
# Take that money Watch it burn | 1:14:08 | 1:14:10 | |
# Sink in the river The lessons are learned | 1:14:10 | 1:14:12 | |
# Take that money Watch it burn | 1:14:12 | 1:14:14 | |
# Sink in the river The lessons are learned. # | 1:14:14 | 1:14:18 | |
Wow, wow, wow! | 1:14:19 | 1:14:21 | |
-JOE AND JAMIE MUMBLE -Give it up for Joe and Jamie. | 1:14:21 | 1:14:24 | |
Fellas, come here. Let's have a group hug. | 1:14:26 | 1:14:29 | |
Boys, that was absolutely incredible. | 1:14:31 | 1:14:34 | |
I mean, I know backstage you guys have become very close. | 1:14:34 | 1:14:37 | |
Joe, how was it going up against your buddy Jamie tonight? | 1:14:37 | 1:14:40 | |
I couldn't have thought of anybody on the team that | 1:14:40 | 1:14:43 | |
I wanted to be against least, but... | 1:14:43 | 1:14:45 | |
Yeah, it was absolutely amazing, I think. | 1:14:45 | 1:14:47 | |
Everybody in here was on their feet. | 1:14:47 | 1:14:48 | |
Kylie, did the boys deliver the battle that you'd hoped for? | 1:14:48 | 1:14:52 | |
Oh, are you kidding me? Did they? | 1:14:52 | 1:14:55 | |
I'm shaking. I'm literally shaking with excitement, nerves. | 1:15:01 | 1:15:06 | |
SHE SIGHS That was so good. | 1:15:06 | 1:15:08 | |
Let's see if any of the other coaches can give you any advice. | 1:15:08 | 1:15:10 | |
Will, did you enjoy that? | 1:15:10 | 1:15:12 | |
Um...I want to salute you guys for doing a stellar performance. | 1:15:12 | 1:15:16 | |
AUDIENCE CHEERS | 1:15:16 | 1:15:20 | |
Joe, you were amazing. | 1:15:20 | 1:15:23 | |
And Jamie, you got a lot of energy and a lot of power. | 1:15:24 | 1:15:27 | |
-Ricky? -Hi, Marvin. | 1:15:30 | 1:15:32 | |
Do you see any similarities in yourself with these two guys? | 1:15:32 | 1:15:36 | |
Well, yeah. I mean, I think they've been in my wardrobe, which... | 1:15:36 | 1:15:39 | |
LAUGHTER | 1:15:39 | 1:15:41 | |
..we'll have to discuss later on. | 1:15:41 | 1:15:43 | |
Um...during this competition, some of the battles are quite fierce, | 1:15:44 | 1:15:48 | |
but you had a certain amount of humility. | 1:15:48 | 1:15:50 | |
You were looking at each other saying like, "Go on." | 1:15:50 | 1:15:53 | |
He was going like, "Go on, Jamie." He was like, "Go on, Joe." | 1:15:53 | 1:15:56 | |
And it's the ladder of making each other better | 1:15:56 | 1:15:59 | |
and I really feel like you've made each other better | 1:15:59 | 1:16:02 | |
and it's been a great friendship. | 1:16:02 | 1:16:03 | |
APPLAUSE | 1:16:03 | 1:16:06 | |
Kylie, obviously we can only take one of these guys | 1:16:06 | 1:16:08 | |
through to the knockouts. | 1:16:08 | 1:16:10 | |
Who is the winner of this battle? | 1:16:10 | 1:16:12 | |
AUDIENCE SHOUTS SUGGESTIONS | 1:16:13 | 1:16:17 | |
I'm going to have to push you for a decision. | 1:16:22 | 1:16:25 | |
OK. | 1:16:25 | 1:16:26 | |
The winner of this battle... | 1:16:29 | 1:16:31 | |
..is Jamie. | 1:16:39 | 1:16:40 | |
-Jamie! -CHEERING | 1:16:40 | 1:16:43 | |
Congratulations, bud. | 1:16:43 | 1:16:45 | |
Well done, my man. | 1:16:45 | 1:16:47 | |
Of course you can. Give him a hug for sure. | 1:16:47 | 1:16:49 | |
Kylie, how tough is that for you? | 1:17:00 | 1:17:02 | |
Don't ask me anything. | 1:17:05 | 1:17:06 | |
Just come here. SHE SNIFFS | 1:17:06 | 1:17:08 | |
Come on, guys. Go and see Kylie. | 1:17:09 | 1:17:11 | |
Oh! | 1:17:11 | 1:17:13 | |
-Thank you so much. -Thank you. | 1:17:14 | 1:17:16 | |
-Come here, man. -CHEERING | 1:17:17 | 1:17:20 | |
It's not the last I'll be seeing of you. | 1:17:25 | 1:17:27 | |
SHE GROANS | 1:17:28 | 1:17:30 | |
I don't even know what to say. | 1:17:32 | 1:17:34 | |
You both did so well and we knew this would be so, so difficult. | 1:17:34 | 1:17:38 | |
But let's hope that you can sing together again. Yeah? | 1:17:39 | 1:17:43 | |
It was horrible to have to choose either one of them. | 1:17:43 | 1:17:46 | |
And Jamie... | 1:17:46 | 1:17:47 | |
I just think Jamie was that touch more secure | 1:17:47 | 1:17:50 | |
and made me feel a bit more secure about where I can take him. | 1:17:50 | 1:17:54 | |
But I'm almost splitting hairs. | 1:17:54 | 1:17:56 | |
It's like, what could I find to choose one above the other? | 1:17:56 | 1:18:00 | |
The family here. | 1:18:00 | 1:18:01 | |
-He's going to do amazingly well. -Thank you, yes. Thank you. | 1:18:05 | 1:18:09 | |
I'm happy that I've been able to get through to the knockouts | 1:18:09 | 1:18:12 | |
and I just feel for Joe, but we're such good friends | 1:18:12 | 1:18:15 | |
that I know we will stay in contact, no matter what. | 1:18:15 | 1:18:17 | |
How good were they? That was tough. | 1:18:17 | 1:18:19 | |
Very good. You called it right, though. | 1:18:19 | 1:18:21 | |
Definitely. | 1:18:23 | 1:18:24 | |
Ahh la-la-la-la-la. | 1:18:24 | 1:18:26 | |
This is when you find your dad cries more than your mum. | 1:18:27 | 1:18:29 | |
-Hello, Nan. -Well done, love. | 1:18:31 | 1:18:32 | |
Next into battle it's Team Will. | 1:18:37 | 1:18:40 | |
My next pairing will be... | 1:18:45 | 1:18:48 | |
..Iesher... | 1:18:48 | 1:18:49 | |
-HE IMITATES OBAMA -..you're going to be singing against... | 1:18:53 | 1:18:55 | |
Just kidding, he doesn't look like Obama. | 1:18:57 | 1:18:59 | |
..Femi. | 1:18:59 | 1:19:01 | |
WILL LAUGHS | 1:19:01 | 1:19:02 | |
-HE IMITATES OBAMA -I like to remind him | 1:19:02 | 1:19:03 | |
all the time I see him that he reminds me | 1:19:03 | 1:19:07 | |
of the President of the United States of America. | 1:19:07 | 1:19:09 | |
Will.i.am seems to have this funny similarity | 1:19:09 | 1:19:12 | |
between me and Barack Obama for some reason. | 1:19:12 | 1:19:14 | |
I guess I might have to start changing my accent | 1:19:17 | 1:19:20 | |
and my attitude a little bit more. | 1:19:20 | 1:19:22 | |
# My Cherie Amour... # | 1:19:22 | 1:19:25 | |
After a tough early life... | 1:19:25 | 1:19:27 | |
Around the age of 19 I became homeless. | 1:19:27 | 1:19:30 | |
..27-year-old Femi Santiago turned things around. | 1:19:30 | 1:19:34 | |
Hey, baby. | 1:19:34 | 1:19:35 | |
And then he turned Will around too. | 1:19:37 | 1:19:39 | |
You were flawless. I didn't hear one bad note. | 1:19:42 | 1:19:45 | |
SHE WARBLES | 1:19:45 | 1:19:47 | |
And this was all it took | 1:19:47 | 1:19:50 | |
for 19-year-old cinema worker Iesher Haughton | 1:19:50 | 1:19:53 | |
to jump the queue onto Team Will. | 1:19:53 | 1:19:55 | |
The first note, I didn't waste no time. I was like...gotta have it. | 1:19:56 | 1:20:00 | |
-Hello. -How you doing, Little Miss Muffin? | 1:20:02 | 1:20:04 | |
-I'm fine. -SHE GIGGLES | 1:20:04 | 1:20:05 | |
How's it going, dude? | 1:20:05 | 1:20:06 | |
This song that we've been given is Stop, Look, Listen | 1:20:06 | 1:20:09 | |
by Marvin Gaye and Diana Ross. | 1:20:09 | 1:20:12 | |
# You're alone all the time... # | 1:20:12 | 1:20:16 | |
I forgot just how good Femi was until he sung that song. | 1:20:16 | 1:20:20 | |
How do you feel? | 1:20:20 | 1:20:22 | |
It's just an amazing experience, you know, doing all of this. | 1:20:22 | 1:20:25 | |
My background, it's been a bit, you know, ups and downs. | 1:20:25 | 1:20:29 | |
-Roller-coaster. -Like...? | 1:20:29 | 1:20:32 | |
Um, I had a pretty difficult family situation when I was younger. | 1:20:32 | 1:20:35 | |
I spent about six months on the street. | 1:20:35 | 1:20:38 | |
I had to find my own way to survive at that time and it wasn't easy. | 1:20:38 | 1:20:43 | |
But I've come out of it a much better person. | 1:20:43 | 1:20:46 | |
I want to be able to provide a life for my son, you know, | 1:20:46 | 1:20:49 | |
that I didn't necessarily have the fortune of having. | 1:20:49 | 1:20:52 | |
That's dope. | 1:20:53 | 1:20:55 | |
-Congratulations on your child. -Thank you so much. | 1:20:55 | 1:20:57 | |
# Why fool yourself? # | 1:20:58 | 1:21:00 | |
Iesher is amazing, but blank. | 1:21:00 | 1:21:04 | |
It's like Mona Lisa painting on all the time. | 1:21:04 | 1:21:08 | |
-Is that you just being cool? -Um, it's kind of me being me. | 1:21:08 | 1:21:13 | |
When I sing, my face is just like I'm not interested, | 1:21:13 | 1:21:16 | |
but really, I am. | 1:21:16 | 1:21:17 | |
OK, let's do a little practice. Make angry face. | 1:21:17 | 1:21:21 | |
You don't scrunch your eyebrows? | 1:21:21 | 1:21:23 | |
That's it. You have muscles in your face! | 1:21:23 | 1:21:26 | |
THEY LAUGH | 1:21:26 | 1:21:28 | |
There's two people that deserve to go through | 1:21:30 | 1:21:33 | |
and that is Iesher and Femi. | 1:21:33 | 1:21:37 | |
I don't know why I put them together, | 1:21:37 | 1:21:39 | |
now that I see the result. | 1:21:39 | 1:21:42 | |
I made the wrong decision. | 1:21:43 | 1:21:45 | |
I am really nervous. | 1:21:48 | 1:21:50 | |
I have been working more on my performance | 1:21:50 | 1:21:53 | |
so I can connect with the audience and show Will I have what it takes. | 1:21:53 | 1:21:57 | |
My family, my career, the rest of my life is riding on this | 1:21:58 | 1:22:03 | |
and I'm prepared to go on that stage and just give it my all. | 1:22:03 | 1:22:06 | |
OK, it's raw talent versus real experience. | 1:22:11 | 1:22:14 | |
The shy girl who lets her vocals do the talking, Iesher Haughton... | 1:22:14 | 1:22:18 | |
CHEERING AND APPLAUSE | 1:22:18 | 1:22:22 | |
..versus the man who's seen it all and now wants it all, | 1:22:22 | 1:22:25 | |
Femi Santiago. | 1:22:25 | 1:22:27 | |
CHEERING AND APPLAUSE | 1:22:27 | 1:22:29 | |
Let the battle commence. | 1:22:35 | 1:22:37 | |
Let's go...to the top. | 1:22:46 | 1:22:49 | |
# You're alone all the time | 1:22:58 | 1:23:02 | |
# Does it ever puzzle you? | 1:23:02 | 1:23:05 | |
# Have you asked why | 1:23:05 | 1:23:08 | |
# You seem to fall in love | 1:23:08 | 1:23:11 | |
# And out again? | 1:23:11 | 1:23:14 | |
# But do you really ever love or just pretend? | 1:23:14 | 1:23:19 | |
# Oh, baby | 1:23:19 | 1:23:20 | |
# Why fool yourself? | 1:23:20 | 1:23:23 | |
# Don't be afraid to help yourself | 1:23:23 | 1:23:28 | |
# It's never too late | 1:23:28 | 1:23:32 | |
# Stop, look | 1:23:32 | 1:23:34 | |
# Listen to your heart Hear what it's saying | 1:23:34 | 1:23:37 | |
# Stop, look | 1:23:37 | 1:23:40 | |
# Listen to your heart Hear what it's saying | 1:23:40 | 1:23:43 | |
# Love | 1:23:43 | 1:23:44 | |
# Love, love | 1:23:44 | 1:23:49 | |
# Though you try, you can't hide | 1:23:49 | 1:23:53 | |
# All the things you really feel This time decide | 1:23:53 | 1:23:58 | |
# That you will open up, let it in | 1:23:58 | 1:24:04 | |
# There's no shame in sharing love you feel within | 1:24:04 | 1:24:11 | |
# So, jump right in | 1:24:11 | 1:24:14 | |
# Head over heels and fall right in | 1:24:14 | 1:24:20 | |
# It's never too late, too late to | 1:24:20 | 1:24:22 | |
# Stop, look | 1:24:22 | 1:24:24 | |
# Listen to your heart Hear what it's saying | 1:24:24 | 1:24:28 | |
# Stop, look | 1:24:28 | 1:24:30 | |
# Listen to your heart Hear what it's saying | 1:24:30 | 1:24:33 | |
# Stop right now and listen to your heart | 1:24:33 | 1:24:36 | |
# Listen to your heart Hear what it's saying | 1:24:36 | 1:24:39 | |
# Can't you see it's not too late? | 1:24:39 | 1:24:42 | |
# Stop, look, listen to your heart Hear what it's saying | 1:24:42 | 1:24:45 | |
# Stop and listen to your heart right now | 1:24:45 | 1:24:48 | |
# Listen to your heart Hear what's it's saying | 1:24:48 | 1:24:51 | |
# Can't you see it's not too late? | 1:24:51 | 1:24:54 | |
# Listen to your heart Hear what it's saying | 1:24:54 | 1:24:57 | |
# Love. # | 1:24:57 | 1:25:02 | |
-Femi and Iesher, everybody! -CHEERING AND APPLAUSE | 1:25:05 | 1:25:08 | |
Wow! Just...wow! | 1:25:08 | 1:25:12 | |
That was... | 1:25:12 | 1:25:14 | |
That was so, so amazing. How are you feeling? | 1:25:14 | 1:25:18 | |
-I could really do with some water right now, to be honest. -Well... | 1:25:19 | 1:25:23 | |
# I said I've got some water Stop... # | 1:25:23 | 1:25:27 | |
Thank you so much. Thank you so much. | 1:25:27 | 1:25:29 | |
Um, Will, you've got to be pretty pleased with what they just did. | 1:25:29 | 1:25:33 | |
Oh, I'm blown away. | 1:25:33 | 1:25:35 | |
Um, how was it for you? | 1:25:36 | 1:25:38 | |
You just own it when you're up here. | 1:25:38 | 1:25:41 | |
You look so comfortable. You look incredible. | 1:25:41 | 1:25:44 | |
You sound phenomenal. I mean, you're just amazing. | 1:25:44 | 1:25:48 | |
Tried my best. | 1:25:48 | 1:25:50 | |
Wanted to prove to Will that I've got potential. | 1:25:50 | 1:25:53 | |
CHEERING AND APPLAUSE | 1:25:53 | 1:25:56 | |
Did she prove that, Will? | 1:25:56 | 1:25:57 | |
She has more than potential. You've got what it takes. | 1:25:57 | 1:26:03 | |
CHEERING AND APPLAUSE | 1:26:03 | 1:26:06 | |
As does, I would imagine, Femi. | 1:26:06 | 1:26:08 | |
So, this one is a pretty, pretty tough one for you. | 1:26:08 | 1:26:12 | |
Femi is incredible. | 1:26:12 | 1:26:14 | |
It's going to be hard to choose between you two. | 1:26:14 | 1:26:16 | |
I should never have put you guys together. | 1:26:16 | 1:26:18 | |
OK, well, we'll come back to you for your decision in a minute. | 1:26:18 | 1:26:20 | |
-Can I stay here? -Yeah, of course you can stay there. -Great. That's great. | 1:26:20 | 1:26:24 | |
Let's go. Or you can stay there. | 1:26:24 | 1:26:26 | |
Um, let's go to Tom. | 1:26:26 | 1:26:28 | |
Which one of them stood out for you the most this evening? | 1:26:28 | 1:26:31 | |
Um, well, I mean, I know Diana Ross fairly well. | 1:26:31 | 1:26:36 | |
LAUGHTER | 1:26:36 | 1:26:37 | |
-I'm not surprised. -Oh, Tom! | 1:26:39 | 1:26:42 | |
But I must say this. | 1:26:42 | 1:26:44 | |
And I love Diana Ross. She's a lovely, lovely lady. | 1:26:44 | 1:26:47 | |
-LAUGHTER -But Iesher brought something... | 1:26:47 | 1:26:51 | |
..fresh. | 1:26:52 | 1:26:53 | |
CHEERING AND APPLAUSE | 1:26:53 | 1:26:55 | |
You know, which wasn't there before. | 1:26:55 | 1:26:58 | |
But the two of you together, honestly, was really something. | 1:26:58 | 1:27:02 | |
And I commend Will for putting you together cos even though... | 1:27:02 | 1:27:06 | |
Even though I know Will doesn't want to lose either one of you, | 1:27:06 | 1:27:10 | |
and I can understand why, but it made for a great duet. | 1:27:10 | 1:27:14 | |
It's like a double-edged sword! | 1:27:17 | 1:27:19 | |
I'm like with nunchucks. | 1:27:19 | 1:27:21 | |
Imagine you've got nunchucks and you're like... | 1:27:21 | 1:27:24 | |
And then the nunchuck hits you in the head like bam! | 1:27:24 | 1:27:26 | |
That's what I'm dealing with right now. | 1:27:26 | 1:27:29 | |
There's a potential nunchuck up inside my cranium. | 1:27:29 | 1:27:32 | |
Yeah. | 1:27:32 | 1:27:33 | |
CHEERING AND APPLAUSE | 1:27:33 | 1:27:38 | |
That was splendid, beautiful, lovely and stylish! | 1:27:38 | 1:27:44 | |
Good. | 1:27:44 | 1:27:45 | |
Nice one, Will. Nice one. | 1:27:45 | 1:27:49 | |
Beautiful harmonies. It was delicious. | 1:27:49 | 1:27:52 | |
Time for you, then, Will. Are you ready? | 1:27:52 | 1:27:54 | |
-Can I stand in the middle? -Yeah. | 1:27:54 | 1:27:56 | |
-Can I sit in your chair? -Yeah. -Ooh! -In the chair! | 1:27:56 | 1:28:00 | |
I can't see the autocue, but I'm just going to go on-the-fly, OK? | 1:28:06 | 1:28:09 | |
Will? | 1:28:09 | 1:28:11 | |
-"It's time to make your decision." -It's time to make your decision. | 1:28:11 | 1:28:14 | |
-Eeny, meeny, miny, moe. -LAUGHTER | 1:28:20 | 1:28:23 | |
It's either, like, you're damned if you do, you're damned if you don't. | 1:28:29 | 1:28:32 | |
But do I have anybody to compete with Femi? | 1:28:32 | 1:28:36 | |
Kind of. | 1:28:36 | 1:28:37 | |
Right? Jermain, in a way. | 1:28:38 | 1:28:40 | |
Do I have anybody to compete with Iesher? | 1:28:41 | 1:28:44 | |
Nobody. | 1:28:44 | 1:28:45 | |
I've got nobody to compete with her. | 1:28:47 | 1:28:49 | |
-OK, so, Will? -So... | 1:28:50 | 1:28:53 | |
AUDIENCE CHANTS | 1:28:53 | 1:28:57 | |
Who is the winner of this battle? | 1:29:06 | 1:29:09 | |
The person moving forward, in hopes that both move forward... | 1:29:09 | 1:29:13 | |
..is Iesher. | 1:29:14 | 1:29:16 | |
CHEERING AND APPLAUSE | 1:29:16 | 1:29:19 | |
I put mascara on. I didn't think I was going to cry. | 1:29:22 | 1:29:25 | |
-Congratulations! -Thank you. | 1:29:26 | 1:29:28 | |
-Well done! -Thank you. -Well done. Go take a walk with Will. | 1:29:31 | 1:29:36 | |
Give it up for Iesher, everybody! | 1:29:36 | 1:29:38 | |
-Well done, Iesher. -Thank you. I'll give you a hug. | 1:29:40 | 1:29:43 | |
-I'll give you a kiss. -Thank you. -Congratulations! -Thank you. | 1:29:43 | 1:29:46 | |
OK, Femi. So, there's only one coach | 1:29:53 | 1:29:56 | |
who can now keep you in this competition and that is Kylie. | 1:29:56 | 1:30:01 | |
Femi, you are now available for a steal. | 1:30:01 | 1:30:05 | |
Is there anything that you'd like to say? | 1:30:06 | 1:30:09 | |
CHEERING AND APPLAUSE | 1:30:09 | 1:30:11 | |
SHE SHOUTS | 1:30:12 | 1:30:14 | |
They kind of love you in here. | 1:30:16 | 1:30:18 | |
You should sing it to her. | 1:30:18 | 1:30:20 | |
CHEERING AND APPLAUSE | 1:30:20 | 1:30:23 | |
-Is that OK? -Of course that's OK! | 1:30:23 | 1:30:26 | |
What...? | 1:30:32 | 1:30:34 | |
# I've come from a place quite far away | 1:30:37 | 1:30:41 | |
# In East London where I used to stay | 1:30:41 | 1:30:45 | |
# Yeah, I'm a man but I used to be a boy | 1:30:46 | 1:30:51 | |
SHE LAUGHS | 1:30:51 | 1:30:52 | |
# Now I'm married with a little boy of my own | 1:30:52 | 1:30:56 | |
# Called Shakeel Man, he's so cute, he's my own and | 1:30:56 | 1:31:01 | |
# Well, my family's here and I just don't know what to say | 1:31:01 | 1:31:07 | |
# But just take me | 1:31:10 | 1:31:15 | |
# As your only | 1:31:15 | 1:31:19 | |
# Femi | 1:31:19 | 1:31:22 | |
# Sexy-eyed girl | 1:31:22 | 1:31:25 | |
# Oh, whoa-oh | 1:31:25 | 1:31:27 | |
Yeah! | 1:31:27 | 1:31:29 | |
# Oh, just take me. # | 1:31:29 | 1:31:32 | |
Guess what... | 1:31:44 | 1:31:45 | |
-Welcome to Team Kylie! -Oh! | 1:31:48 | 1:31:50 | |
I can't believe it! Oh, my God! | 1:31:56 | 1:31:58 | |
Whoo! | 1:32:01 | 1:32:04 | |
-Congratulations! -Thank you so much. | 1:32:06 | 1:32:08 | |
Thank you so much. Thank you. | 1:32:08 | 1:32:11 | |
What made you turn for Femi? | 1:32:11 | 1:32:14 | |
I mean, I know he just serenaded you, | 1:32:14 | 1:32:15 | |
so that's probably part of it but... | 1:32:15 | 1:32:17 | |
That's irrelevant. I was always going to turn for you. | 1:32:17 | 1:32:20 | |
So this is the one that you were holding out for. | 1:32:23 | 1:32:25 | |
Yeah, his serenade was just... | 1:32:25 | 1:32:28 | |
the icing on the top. | 1:32:28 | 1:32:30 | |
Congratulations. I'm so happy for you. | 1:32:30 | 1:32:32 | |
You are now on Team Kylie. | 1:32:32 | 1:32:35 | |
Whoo! | 1:32:35 | 1:32:37 | |
Femi! Femi! Femi! | 1:32:38 | 1:32:40 | |
Yes! Yes, yes, yes! | 1:32:40 | 1:32:43 | |
He was my number one. | 1:32:43 | 1:32:45 | |
That was it. | 1:32:45 | 1:32:46 | |
The name I could not speak... | 1:32:46 | 1:32:49 | |
was... | 1:32:49 | 1:32:50 | |
Femi. | 1:32:50 | 1:32:51 | |
I'm so, so proud of you. | 1:32:55 | 1:32:57 | |
I'm so proud of you, too. | 1:32:57 | 1:32:58 | |
This has to be Kylie, cos she smells wonderful | 1:33:00 | 1:33:02 | |
and it can't be Tom or Ricky. | 1:33:02 | 1:33:04 | |
Hey! How are you doing? | 1:33:04 | 1:33:06 | |
-I got your guy. -Yes, thank you so much. | 1:33:06 | 1:33:09 | |
He is amazing. | 1:33:09 | 1:33:10 | |
He was serenading you. That was awesome. | 1:33:10 | 1:33:12 | |
-He made it up on the spot. -Amazing. | 1:33:12 | 1:33:15 | |
I knew that wasn't Tom. | 1:33:15 | 1:33:17 | |
Thank you. | 1:33:17 | 1:33:18 | |
So, that's it. No more second chances. | 1:33:21 | 1:33:24 | |
No more safety net. No more steals. | 1:33:24 | 1:33:27 | |
Next back into the ring is Team Tom. | 1:33:27 | 1:33:29 | |
So my next pairing will be... | 1:33:35 | 1:33:38 | |
Leverne... | 1:33:38 | 1:33:39 | |
..and... | 1:33:43 | 1:33:45 | |
Georgia. | 1:33:45 | 1:33:46 | |
# Hallelujah, I just love him so... # | 1:33:51 | 1:33:53 | |
27-year-old Georgia's family have given her a lot to live up to. | 1:33:53 | 1:33:56 | |
Adele is my cousin. She does inspire me. I'm a massive, massive fan. | 1:33:58 | 1:34:01 | |
But she made a name for herself when she joined Team Tom. | 1:34:01 | 1:34:06 | |
# Explosions... # | 1:34:07 | 1:34:11 | |
Leverne Scott-Roberts is a busy single mum of four. | 1:34:11 | 1:34:15 | |
# Needing somebody... # | 1:34:15 | 1:34:17 | |
And she got four more special fans at her blind audition. | 1:34:17 | 1:34:21 | |
And the song is... | 1:34:23 | 1:34:24 | |
..22 by Taylor Swift. | 1:34:25 | 1:34:28 | |
-Hey. -Hi. | 1:34:31 | 1:34:34 | |
Being paired with Georgia, I wouldn't say I dislike her, | 1:34:34 | 1:34:37 | |
but I feel like we're so opposite to each other. | 1:34:37 | 1:34:40 | |
When you think of 22, what vibe do you get? | 1:34:40 | 1:34:43 | |
I wish I was. | 1:34:43 | 1:34:45 | |
I think it would've been harder | 1:34:45 | 1:34:46 | |
if I was against someone that I was friends with, | 1:34:46 | 1:34:48 | |
where we're not bothered if either goes home, I don't think. | 1:34:48 | 1:34:51 | |
# It feels like a perfect night for breakfast at midnight... # | 1:34:51 | 1:34:55 | |
When I first got the song, I was quite upset. | 1:34:55 | 1:34:58 | |
I thought, "Please let me have that part, please let me have this part." | 1:34:58 | 1:35:02 | |
And I've got none of those parts. | 1:35:02 | 1:35:04 | |
# Yeah, yeah, yeah... # | 1:35:04 | 1:35:06 | |
I think she wants one of my lines. | 1:35:08 | 1:35:11 | |
But she can stick to her lines, I'll stick to my lines and we'll be good. | 1:35:11 | 1:35:14 | |
# Yeah | 1:35:14 | 1:35:16 | |
# We're happy, free, confused... # | 1:35:16 | 1:35:18 | |
It's got to be a good duet, but this is a battle. | 1:35:18 | 1:35:20 | |
I can't help her. She's gonna have to stand on her own two feet. | 1:35:20 | 1:35:23 | |
# I gotta have you. # | 1:35:23 | 1:35:26 | |
Yeah, yeah. | 1:35:26 | 1:35:27 | |
I need you guys to, like, feel 22. | 1:35:27 | 1:35:29 | |
-That's the problem. -Oh, is it? | 1:35:29 | 1:35:31 | |
That's where I am. That's my struggle. | 1:35:31 | 1:35:33 | |
I couldn't connect with the song. | 1:35:33 | 1:35:35 | |
At 22, I was mothering, changing nappies. | 1:35:35 | 1:35:40 | |
I was having quite a traumatic time. | 1:35:40 | 1:35:43 | |
When I was 22, I was rebuilding my life. | 1:35:43 | 1:35:46 | |
So for me, this was the best part of my life, when I was 22. | 1:35:46 | 1:35:49 | |
Amazing. | 1:35:49 | 1:35:50 | |
-Easy. -I like that. | 1:35:50 | 1:35:52 | |
When you said, like, you were rebuilding your life at 22, | 1:35:52 | 1:35:55 | |
what did you mean by that? | 1:35:55 | 1:35:57 | |
-My marriage broke down, my first marriage. -OK. | 1:35:57 | 1:35:59 | |
And I put on a lot of weight. | 1:35:59 | 1:36:01 | |
Coming up to 22, that's when I was starting to change my life. | 1:36:01 | 1:36:05 | |
That's when I lost a lot of weight. I lost four to five stone in total. | 1:36:05 | 1:36:08 | |
Never would've dreamed doing anything like this at all. | 1:36:08 | 1:36:11 | |
No way. This, I would watch this, | 1:36:11 | 1:36:13 | |
you know, and be like "That's so amazing." | 1:36:13 | 1:36:15 | |
I'm going to make you proud. I'm going to do it. | 1:36:15 | 1:36:17 | |
-Let's bring it for Team Tom. -All right, my love. -Let's do it. | 1:36:17 | 1:36:20 | |
The two girls are very competitive and it makes for a great battle. | 1:36:20 | 1:36:23 | |
I think they both want it. | 1:36:23 | 1:36:25 | |
Desperately. | 1:36:25 | 1:36:27 | |
-All right, ladies, how are you feeling? -Good. | 1:36:33 | 1:36:35 | |
-Yes. Yes? -Very nervous. | 1:36:35 | 1:36:37 | |
-Nervous? Don't be nervous. -I'm trying not to. | 1:36:37 | 1:36:39 | |
-Trying to enjoy it. I want to enjoy it. -Yeah, enjoy it. | 1:36:39 | 1:36:42 | |
-Just feel like you're 22. -Yes. | 1:36:42 | 1:36:44 | |
-Right? -Yeah. Definitely. | 1:36:44 | 1:36:46 | |
Try and relax if you can. | 1:36:46 | 1:36:47 | |
-I'm going to try and relax myself. -SHE LAUGHS | 1:36:47 | 1:36:49 | |
Phew! May the best girl win. | 1:36:49 | 1:36:52 | |
OK. | 1:36:52 | 1:36:53 | |
One had four chairs turning, the other got Tom's heart burning. | 1:36:57 | 1:37:00 | |
Give it up for Georgia. | 1:37:00 | 1:37:02 | |
She's the mum of four with just one big dream. | 1:37:05 | 1:37:09 | |
It's Leverne Scott-Roberts. | 1:37:09 | 1:37:10 | |
Let the battle commence. | 1:37:20 | 1:37:22 | |
# It feels like a perfect night to dress up like hipsters | 1:37:39 | 1:37:44 | |
# Make fun of our exes | 1:37:44 | 1:37:47 | |
# Oh-oh, oh-oh | 1:37:47 | 1:37:49 | |
# It feels like a perfect night for breakfast at midnight | 1:37:49 | 1:37:53 | |
# To fall in love with strangers Ooh, yeah | 1:37:53 | 1:37:58 | |
# Yeah | 1:37:58 | 1:38:00 | |
# We're happy, free, confused and lonely at the same time | 1:38:00 | 1:38:05 | |
# It's miserable and magical | 1:38:05 | 1:38:07 | |
# Oh, yeah | 1:38:07 | 1:38:09 | |
# Tonight's the night when we forget about the deadlines | 1:38:09 | 1:38:13 | |
# It's time | 1:38:13 | 1:38:15 | |
# Oh-oh Whoo! | 1:38:15 | 1:38:17 | |
# I don't know about you but I'm feeling 22 | 1:38:17 | 1:38:21 | |
# Everything will be all right | 1:38:21 | 1:38:23 | |
# If you keep me next to you | 1:38:23 | 1:38:26 | |
# You don't know about me | 1:38:26 | 1:38:28 | |
# But I'll bet you want to | 1:38:28 | 1:38:30 | |
# Everything will be all right | 1:38:30 | 1:38:32 | |
# If we just keep dancing like we're 22 | 1:38:32 | 1:38:37 | |
# Ooh-ooh, oh-oh | 1:38:37 | 1:38:40 | |
# 22 | 1:38:40 | 1:38:42 | |
# Ooh-ooh | 1:38:42 | 1:38:45 | |
# 22 | 1:38:45 | 1:38:47 | |
# Ooh-ooh-ooh | 1:38:47 | 1:38:50 | |
# 22 | 1:38:50 | 1:38:51 | |
# I'm feeling, I'm feeling | 1:38:51 | 1:38:53 | |
# 22, hey. # | 1:38:53 | 1:38:56 | |
Yeah! Give it up for Georgia and Leverne! | 1:38:58 | 1:39:02 | |
Georgia, how was that for you, hon? | 1:39:07 | 1:39:09 | |
That was good. Standing next to you, though, I'm a lot better! | 1:39:09 | 1:39:14 | |
Now, a little birdie has told me that that song is pretty special | 1:39:14 | 1:39:17 | |
to you because you and your fiance have been rehearsing to it | 1:39:17 | 1:39:20 | |
every single day before tonight. | 1:39:20 | 1:39:22 | |
There he is over there. | 1:39:22 | 1:39:24 | |
Yeah, he knows all the words, definitely. | 1:39:24 | 1:39:26 | |
Tom, that song, incredible song choice. | 1:39:27 | 1:39:30 | |
I loved it. | 1:39:30 | 1:39:31 | |
-That's why I picked it. -AUDIENCE LAUGHS | 1:39:31 | 1:39:33 | |
And it made me feel like I was 22. | 1:39:33 | 1:39:36 | |
-Look out! -Yeah, yeah. Honestly. | 1:39:36 | 1:39:38 | |
You've got a very tough decision so we'll give you some time to think about that. | 1:39:38 | 1:39:41 | |
Kylie, both girls found a connection in that song, | 1:39:41 | 1:39:44 | |
but who did you connect with the most tonight? | 1:39:44 | 1:39:46 | |
You both did a great job. | 1:39:46 | 1:39:49 | |
I would lean towards Georgia for that performance. | 1:39:49 | 1:39:52 | |
OK, Tom, there's no more steals available now, | 1:39:55 | 1:39:58 | |
so this decision is more important than ever. | 1:39:58 | 1:40:01 | |
So over to you, Tom. | 1:40:01 | 1:40:03 | |
Again, I've made it difficult for myself | 1:40:03 | 1:40:05 | |
cos I've put two great singers together. | 1:40:05 | 1:40:08 | |
Um... | 1:40:15 | 1:40:17 | |
OK. | 1:40:20 | 1:40:22 | |
The winner of this battle... | 1:40:22 | 1:40:24 | |
is... | 1:40:24 | 1:40:26 | |
Are we ready? | 1:40:27 | 1:40:28 | |
..Georgia. | 1:40:30 | 1:40:31 | |
Oh, my God. | 1:40:34 | 1:40:35 | |
Congratulation, Georgia. | 1:40:35 | 1:40:36 | |
You're through to the knockouts. How are you feeling? | 1:40:36 | 1:40:40 | |
I can't talk right now! | 1:40:40 | 1:40:41 | |
Oh, my Gosh. | 1:40:41 | 1:40:43 | |
-You didn't expect that, did you? -No, I'm overwhelmed. | 1:40:43 | 1:40:46 | |
Overwhelmed. | 1:40:46 | 1:40:48 | |
Well, listen, congratulations. | 1:40:48 | 1:40:49 | |
Go and see Tom. Everyone give it up for Georgia. | 1:40:49 | 1:40:52 | |
-OK? -Thank you so much. | 1:40:54 | 1:40:56 | |
I'm shaking! | 1:40:58 | 1:40:59 | |
Don't shake. You're there, you're there. | 1:40:59 | 1:41:03 | |
Listen, you done so well, darling. | 1:41:03 | 1:41:06 | |
Oh! | 1:41:08 | 1:41:11 | |
Well, Leverne, as all of our coaches have used up their steals | 1:41:11 | 1:41:13 | |
unfortunately we're saying goodbye now, | 1:41:13 | 1:41:15 | |
but you've been a fantastic artist, Leverne. | 1:41:15 | 1:41:17 | |
I'd just like to say thank you for an amazing opportunity. | 1:41:17 | 1:41:20 | |
-I've had a fabulous time. -Thank you so much. | 1:41:20 | 1:41:23 | |
Everyone give it up for Leverne. | 1:41:25 | 1:41:27 | |
-Thank you, Tom. -You were lovely, so you were. | 1:41:30 | 1:41:33 | |
Honestly. | 1:41:33 | 1:41:34 | |
I think Georgia connected better. | 1:41:37 | 1:41:39 | |
She connected with me, and I think people felt that as well. | 1:41:39 | 1:41:43 | |
-Ah! -Are you OK? | 1:41:43 | 1:41:44 | |
Oh! | 1:41:44 | 1:41:46 | |
-Fantastic. -Did you cry? -Just a bit, just a bit. | 1:41:46 | 1:41:48 | |
-Did you cry?! -Just a bit. | 1:41:48 | 1:41:50 | |
THEY All SCREAM | 1:41:50 | 1:41:51 | |
Going back into battle, it's Team Kylie. | 1:41:59 | 1:42:02 | |
With only one place left, they need to stay focused | 1:42:06 | 1:42:08 | |
and really trust in themselves. | 1:42:08 | 1:42:12 | |
All right. | 1:42:12 | 1:42:13 | |
Team Kylie final pairing is Gemyni... | 1:42:13 | 1:42:16 | |
..and of course, Jade. | 1:42:18 | 1:42:20 | |
All four coaches wanted 21-year-old Jade Mayjean Peters... | 1:42:23 | 1:42:27 | |
# Something that I found that there was a better... # | 1:42:27 | 1:42:30 | |
..but the boys left empty-handed. | 1:42:30 | 1:42:32 | |
Me! | 1:42:32 | 1:42:34 | |
# Sweet, sweet fantasy... # | 1:42:34 | 1:42:36 | |
Twin sister act Gemyni were a two-for-one deal. | 1:42:36 | 1:42:39 | |
And Kylie snapped up a bargain. | 1:42:43 | 1:42:44 | |
The song you girls are going to be singing, | 1:42:46 | 1:42:49 | |
Baby One More Time by Britney Spears. | 1:42:49 | 1:42:51 | |
Oh, OK! Sounds good! | 1:42:51 | 1:42:54 | |
-Hi, ladies! -Hi. | 1:42:56 | 1:42:58 | |
Hello, Kylie! | 1:42:58 | 1:43:00 | |
Baby One More Time, a pop classic. | 1:43:00 | 1:43:04 | |
They want to not be afraid of just delivering the song. | 1:43:04 | 1:43:07 | |
Ladies, your challenge... | 1:43:07 | 1:43:10 | |
is at some point during the song, | 1:43:10 | 1:43:12 | |
I want you to make your way around the piano. | 1:43:12 | 1:43:16 | |
Have fun with it. | 1:43:16 | 1:43:17 | |
# Oh, oh-oh, baby, yeah...# | 1:43:18 | 1:43:22 | |
Kylie made us strut around the piano I think to make us | 1:43:22 | 1:43:25 | |
relax a little bit and find our inner divas. | 1:43:25 | 1:43:28 | |
# My loneliness | 1:43:28 | 1:43:30 | |
-# Is killing me -And I... # | 1:43:30 | 1:43:33 | |
The twins, they really went for it. | 1:43:33 | 1:43:35 | |
There was places where they just soared really nicely. | 1:43:35 | 1:43:38 | |
# Hey, yeah... # | 1:43:38 | 1:43:39 | |
I think the most important thing is presence. | 1:43:39 | 1:43:42 | |
And I think Jade's biggest challenge is to try to get in the middle | 1:43:42 | 1:43:48 | |
and kind of steal the show. | 1:43:48 | 1:43:50 | |
# Hit me baby once more time. # | 1:43:50 | 1:43:53 | |
Yay! | 1:43:53 | 1:43:54 | |
It is quite scary that there is two against just one of me because | 1:43:55 | 1:43:59 | |
it's double the power, | 1:43:59 | 1:44:01 | |
but I'm definitely going to try and put my mark on it. | 1:44:01 | 1:44:05 | |
And she wasn't kidding. At studio rehearsals, Jade turned things up. | 1:44:05 | 1:44:09 | |
# Supposed to know... # | 1:44:09 | 1:44:11 | |
I think Jade is more naturally confident on a stage. | 1:44:11 | 1:44:14 | |
Smoky in her performance and so sassy. | 1:44:14 | 1:44:17 | |
# Oh, baby, baby, I shouldn't... # | 1:44:17 | 1:44:19 | |
Whereas Gemyni find the stage quite challenging. | 1:44:19 | 1:44:23 | |
They have to make the decision, "Are you going, am I going? | 1:44:23 | 1:44:26 | |
Are you going in front of me or am I going in front of you?" | 1:44:26 | 1:44:28 | |
There was a point here where I felt like you girls should have | 1:44:28 | 1:44:31 | |
gone off earlier. | 1:44:31 | 1:44:32 | |
I thought that maybe that would just be second nature with twins. | 1:44:32 | 1:44:35 | |
It's, like, panic. | 1:44:35 | 1:44:36 | |
It panics me, and I'm like, "What is she trying to tell me? I'm in the middle of singing." | 1:44:36 | 1:44:40 | |
-I'm trying to do the twin thing! -Just do your thing. | 1:44:40 | 1:44:42 | |
-Just... -Go for it. | 1:44:42 | 1:44:43 | |
Be, you know, be lionesses. | 1:44:43 | 1:44:45 | |
Do it, because it'll just make for a better battle. | 1:44:45 | 1:44:48 | |
Yeah. | 1:44:48 | 1:44:50 | |
Twins that got three chairs turning. | 1:44:52 | 1:44:55 | |
One girl that got four coaches spinning. | 1:44:55 | 1:44:58 | |
It's Gemyni... | 1:44:58 | 1:45:00 | |
..against Jade Mayjean Peters. | 1:45:04 | 1:45:06 | |
Let the battle commence. | 1:45:17 | 1:45:19 | |
-Good luck. -Good luck. -Go on, girls. | 1:45:27 | 1:45:30 | |
# Ooh | 1:45:37 | 1:45:41 | |
# Oh, baby, baby | 1:45:43 | 1:45:45 | |
# How was I supposed to know | 1:45:45 | 1:45:48 | |
# Somethin' wasn't right, babe | 1:45:50 | 1:45:53 | |
# Oh, baby, baby | 1:45:53 | 1:45:55 | |
# I shouldn't have let you go | 1:45:55 | 1:46:00 | |
# And now you're out of sight, yeah | 1:46:00 | 1:46:03 | |
# Show me how you want it to be | 1:46:03 | 1:46:08 | |
# Tell me baby | 1:46:08 | 1:46:10 | |
# Cos I need to know now what we've got | 1:46:10 | 1:46:14 | |
# My loneliness is killing me | 1:46:14 | 1:46:18 | |
# And I | 1:46:18 | 1:46:20 | |
# I must confess I still believe | 1:46:20 | 1:46:22 | |
# Still believe | 1:46:22 | 1:46:25 | |
# When I'm not with you I lose my mind | 1:46:25 | 1:46:29 | |
# Give me a sign | 1:46:29 | 1:46:32 | |
# Hit me baby one more time | 1:46:32 | 1:46:34 | |
# Oh, baby, baby How was I supposed to know | 1:46:35 | 1:46:41 | |
# Know, know, know, know | 1:46:41 | 1:46:44 | |
# Oh, pretty baby | 1:46:45 | 1:46:47 | |
# I shouldn't have let you go | 1:46:47 | 1:46:52 | |
# Cos I must confess that my loneliness | 1:46:54 | 1:46:59 | |
# Is killing me now | 1:46:59 | 1:47:02 | |
# Don't you know I still believe | 1:47:02 | 1:47:06 | |
# That you will be here And give me a sign | 1:47:06 | 1:47:12 | |
# Hit me baby one more time. # | 1:47:12 | 1:47:16 | |
Whoo! | 1:47:17 | 1:47:19 | |
Gemyni and Jade Mayjean! | 1:47:26 | 1:47:28 | |
Kylie, did your girls do you proud? | 1:47:31 | 1:47:33 | |
They did, and even from rehearsals | 1:47:33 | 1:47:35 | |
you all took it to the next level which was just what I was hoping for, | 1:47:35 | 1:47:38 | |
so thank you. | 1:47:38 | 1:47:39 | |
OK, Kylie, before you make your decision, | 1:47:42 | 1:47:44 | |
let's go to the other coaches. | 1:47:44 | 1:47:46 | |
Tom, Gemyni, they're not just a duo, but they're twins. | 1:47:46 | 1:47:50 | |
-Yes. -So, is this a fair fight? | 1:47:50 | 1:47:53 | |
Uh, well, it turned out to be a fair fight, I think. | 1:47:53 | 1:47:56 | |
She gave it her all, didn't she? | 1:47:56 | 1:47:58 | |
Yes. I really enjoyed it. | 1:48:00 | 1:48:02 | |
I was so wrapped up in listening and looking that I'd forgotten, | 1:48:02 | 1:48:06 | |
you know, but it's a battle and somebody's got to go on | 1:48:06 | 1:48:10 | |
and somebody's got to leave. | 1:48:10 | 1:48:12 | |
And I mean, I wasn't aware of it. I was just... | 1:48:12 | 1:48:14 | |
-Dancing. -..enjoying the whole thing. | 1:48:14 | 1:48:16 | |
Yeah, I was digging it, | 1:48:16 | 1:48:17 | |
so I wouldn't be able to make that decision. | 1:48:17 | 1:48:21 | |
Well, then I'm not going to argue with you, Tom. | 1:48:21 | 1:48:24 | |
I'll move straight on to Ricky. | 1:48:24 | 1:48:26 | |
-Now it's down to you. -Oh! | 1:48:26 | 1:48:28 | |
Who do you think gave the best overall performance? | 1:48:28 | 1:48:31 | |
Well, hang on, hang on, hang on. | 1:48:32 | 1:48:34 | |
It's not really for me to say, | 1:48:34 | 1:48:37 | |
but whoever Kylie chooses, | 1:48:37 | 1:48:39 | |
-this is the last person on your team, right? -Mm-hm. | 1:48:39 | 1:48:41 | |
Or people. | 1:48:41 | 1:48:43 | |
-The last act. -That song launched a massive career. | 1:48:43 | 1:48:47 | |
And it'll do the same for whoever she puts through. | 1:48:47 | 1:48:52 | |
-You can... -AUDIENCE CHEERS AND CLAPS | 1:48:52 | 1:48:55 | |
And you'll be climbing aboard Kylie's rocket ship. | 1:48:55 | 1:48:58 | |
Kylie, it's even more difficult now | 1:49:00 | 1:49:02 | |
because there are no steals available. | 1:49:02 | 1:49:05 | |
-This is it. -This is it! I feel even more pressure! | 1:49:05 | 1:49:08 | |
One artist stays, one artist leaves. No more steals. | 1:49:08 | 1:49:11 | |
I know you all want this so badly. | 1:49:19 | 1:49:21 | |
Shh. She has to think, guys! | 1:49:27 | 1:49:29 | |
AUDIENCE LAUGHS | 1:49:29 | 1:49:30 | |
You both have serious fan clubs already. | 1:49:30 | 1:49:32 | |
I know that all three of you want this so badly. | 1:49:32 | 1:49:36 | |
The winner of this battle... | 1:49:38 | 1:49:39 | |
..is Jade. | 1:49:44 | 1:49:45 | |
Yeah! | 1:49:45 | 1:49:46 | |
Congratulations! | 1:49:54 | 1:49:56 | |
Thank you so much. I'm not going to let you down. | 1:49:57 | 1:49:59 | |
I promise. I really am not going to let you down. | 1:49:59 | 1:50:02 | |
She is literally shaking in my arms. | 1:50:02 | 1:50:05 | |
I need a hug. | 1:50:05 | 1:50:07 | |
Go! Go hug Kylie! Give it up for Jade Mayjean, everybody. | 1:50:07 | 1:50:11 | |
Thank you so much. | 1:50:13 | 1:50:15 | |
I know it's really hard. | 1:50:15 | 1:50:17 | |
I'm sorry, girls. | 1:50:20 | 1:50:23 | |
So, girls, as you know, the coaches have used up all their steals, | 1:50:23 | 1:50:26 | |
so this is where we say goodbye to you in the competition. | 1:50:26 | 1:50:29 | |
-Have you enjoyed your time at The Voice? -We have. Seriously, thank you. | 1:50:29 | 1:50:32 | |
You've been fantastic to have around. | 1:50:32 | 1:50:34 | |
Thank you so much for taking part. Go see Kylie. | 1:50:34 | 1:50:37 | |
Give it up for Gemyni, everybody! | 1:50:37 | 1:50:38 | |
You both were absolutely beautiful up there. Thank you. | 1:50:41 | 1:50:43 | |
Thanks for having us. | 1:50:43 | 1:50:46 | |
Thank you for the experience. | 1:50:46 | 1:50:48 | |
Wow, that was so surreal. | 1:50:49 | 1:50:51 | |
Well done, Kylie. | 1:50:51 | 1:50:53 | |
-Thank you. -You're through. | 1:50:53 | 1:50:55 | |
Oh! Yes! | 1:50:55 | 1:50:56 | |
You're all topped-up. | 1:50:56 | 1:50:59 | |
That's it. | 1:50:59 | 1:51:00 | |
Team Kylie is complete with seven acts. | 1:51:00 | 1:51:05 | |
Yay! | 1:51:05 | 1:51:06 | |
The last place on Team Kylie. Ah! | 1:51:06 | 1:51:09 | |
My tank is full of gas. | 1:51:11 | 1:51:13 | |
Next into battle is Team Tom. | 1:51:19 | 1:51:21 | |
Well, my next pairing will be... | 1:51:24 | 1:51:28 | |
Gary... | 1:51:28 | 1:51:29 | |
Back in the '90s, 48-year-old music teacher Gary Poole | 1:51:29 | 1:51:33 | |
was a music maker with successful R&B act Troy. | 1:51:33 | 1:51:38 | |
Older and wiser, | 1:51:38 | 1:51:39 | |
he still had the magic to get Ricky and Tom turning, | 1:51:39 | 1:51:43 | |
and opted for Team Tom. | 1:51:43 | 1:51:45 | |
..and Elesha. | 1:51:45 | 1:51:46 | |
Oh! | 1:51:46 | 1:51:48 | |
Last year for Elesha Paul Moses it was a blue mohawk, | 1:51:48 | 1:51:52 | |
a spin from Will and high-energy girl duo Nu-Tarna. | 1:51:52 | 1:51:57 | |
This year it was different hair, different act and different coach. | 1:51:57 | 1:52:02 | |
The song is Caught Up. | 1:52:02 | 1:52:04 | |
Wow. | 1:52:04 | 1:52:06 | |
Elesha has been here before so she's been on that stage. | 1:52:06 | 1:52:08 | |
She's been in a battle. Gary hasn't. | 1:52:08 | 1:52:11 | |
But he has got experience too but in different ways. | 1:52:11 | 1:52:14 | |
So when they come together for that battle, | 1:52:14 | 1:52:16 | |
the experience is going to go... | 1:52:16 | 1:52:18 | |
So, you were on the show before, Elesha? | 1:52:18 | 1:52:20 | |
-I was, yeah. -What are you gonna do differently this time, then? | 1:52:20 | 1:52:23 | |
Just give it really my all, | 1:52:23 | 1:52:24 | |
and this time hopefully it can shine through. | 1:52:24 | 1:52:27 | |
I think Elesha is a fighter and a warrior | 1:52:27 | 1:52:29 | |
and I think she's not going to give up. | 1:52:29 | 1:52:31 | |
# Oh, oh-oh, oh... # | 1:52:31 | 1:52:32 | |
It isn't a song that I'd normally sing | 1:52:32 | 1:52:34 | |
so I'm definitely slightly out of my comfort zone. | 1:52:34 | 1:52:36 | |
# Mama told me | 1:52:36 | 1:52:38 | |
# Be careful what you do cos karma comes back around... # | 1:52:38 | 1:52:41 | |
I know this song. It's an awesome song. | 1:52:41 | 1:52:44 | |
And I'm not sure Gary is really familiar with it | 1:52:44 | 1:52:46 | |
or know it actually at all. | 1:52:46 | 1:52:48 | |
Gary, I know Usher. I supported him on the OMG tour... | 1:52:48 | 1:52:50 | |
Oh, right. | 1:52:50 | 1:52:51 | |
..so I've seen the way he performs this track. | 1:52:51 | 1:52:53 | |
There's a real, like, ownership that I just feel that you could have | 1:52:53 | 1:52:57 | |
on this performance a bit more. | 1:52:57 | 1:52:59 | |
-MARVIN: -With Tiny advising ownership, | 1:53:00 | 1:53:02 | |
it's time to head to studio, | 1:53:02 | 1:53:04 | |
but will it be second time lucky for Elesha? | 1:53:04 | 1:53:07 | |
Elesha, how does it feel to be back on this stage again? | 1:53:07 | 1:53:09 | |
It's still that same feeling of...you know, whatever happens happens. | 1:53:09 | 1:53:13 | |
-But I'm really excited to be here again. -Good. | 1:53:13 | 1:53:16 | |
I suppose it's this point now that last year I got sent home. | 1:53:16 | 1:53:20 | |
It's quite hard cos... | 1:53:22 | 1:53:23 | |
Oh, I feel like I'm getting really teary now. | 1:53:23 | 1:53:26 | |
Sorry. | 1:53:28 | 1:53:29 | |
I think, like, I want it so much. | 1:53:33 | 1:53:35 | |
In one corner we have Elesha. She's been here before. | 1:53:41 | 1:53:44 | |
In the other corner you've got me. This is my career. | 1:53:44 | 1:53:48 | |
I need to win this battle. No way am I ready to go home yet. | 1:53:48 | 1:53:53 | |
Last time I didn't make it through the battles and I was devastated. | 1:53:53 | 1:53:57 | |
I've just got to give the performance of my life. | 1:53:57 | 1:54:00 | |
I have to win. I have to get through this. | 1:54:00 | 1:54:03 | |
Two big voices, one giant battle. First up, Miss Elesha Paul Moses! | 1:54:07 | 1:54:11 | |
Against Gary Poole. | 1:54:18 | 1:54:19 | |
Let the battle commence. | 1:54:28 | 1:54:30 | |
# I'm the kind of brother | 1:54:47 | 1:54:50 | |
# Been doin' it my way Gettin' my way for years | 1:54:50 | 1:54:54 | |
# In my career | 1:54:54 | 1:54:56 | |
# And every lover, oh | 1:54:56 | 1:54:58 | |
# And out my life I've hit love and left the tears | 1:54:58 | 1:55:02 | |
# Without a care | 1:55:02 | 1:55:05 | |
# Until I met this girl who turned the tables around | 1:55:05 | 1:55:11 | |
# She caught me by surprise Yeah | 1:55:11 | 1:55:15 | |
# I never thought I'd be the one breaking down | 1:55:15 | 1:55:20 | |
# I cant figure it out why | 1:55:20 | 1:55:22 | |
-# I'm so -Caught up | 1:55:22 | 1:55:24 | |
-# Got me feelin' it -Caught up | 1:55:24 | 1:55:27 | |
# I don't know what it is but this girl, she got me twisted | 1:55:27 | 1:55:31 | |
-# I'm so -Caught up | 1:55:31 | 1:55:33 | |
-# Got me feelin' it -Caught up | 1:55:33 | 1:55:35 | |
# I'm losing control This boy's got a hold on me | 1:55:35 | 1:55:40 | |
# Ooh | 1:55:41 | 1:55:43 | |
# Let me go baby, oh | 1:55:44 | 1:55:48 | |
# Listen, my momma told me | 1:55:48 | 1:55:50 | |
# Be careful who you do cos karma comes back around | 1:55:50 | 1:55:55 | |
# Same ol' song now | 1:55:55 | 1:55:57 | |
# But I was so sure that it wouldn't happen to me | 1:55:57 | 1:56:01 | |
# Cos I know when to put it down | 1:56:01 | 1:56:03 | |
# But I was so wrong | 1:56:03 | 1:56:06 | |
# This girl was mean | 1:56:06 | 1:56:08 | |
# She really turned me-me-me out | 1:56:08 | 1:56:11 | |
# Her body was so tight | 1:56:11 | 1:56:12 | |
# I'm lookin' for her in the daytime with a flashlight | 1:56:12 | 1:56:16 | |
# My homies say this girl is crampin' my style | 1:56:16 | 1:56:21 | |
# Style, I'm so | 1:56:21 | 1:56:24 | |
# Caught up | 1:56:24 | 1:56:26 | |
-# I'm -Caught up | 1:56:26 | 1:56:28 | |
# I don't know what it is but it seems he's got me twisted | 1:56:28 | 1:56:33 | |
-# Caught up -Really feelin' it | 1:56:33 | 1:56:35 | |
# Caught up | 1:56:35 | 1:56:37 | |
# I'm losin' control | 1:56:37 | 1:56:39 | |
# This girl's got a hold on me. # | 1:56:39 | 1:56:41 | |
Yeah. Give it up for Gary and Elesha! | 1:56:44 | 1:56:48 | |
Tom, you've got a lot to consider right now. | 1:56:51 | 1:56:55 | |
Yes, I have, yes. | 1:56:55 | 1:56:57 | |
For sure. Let's see if any of the other coaches can help here. | 1:56:57 | 1:57:00 | |
-Will, how was that performance for you? -That was spectacular. | 1:57:00 | 1:57:03 | |
That song is hard to sing. | 1:57:03 | 1:57:04 | |
It's like this magical key that... | 1:57:04 | 1:57:06 | |
the song is in. | 1:57:06 | 1:57:07 | |
So, you know, Gary, you were able to do your fantastic run there. | 1:57:09 | 1:57:13 | |
I was like "Wow." | 1:57:13 | 1:57:15 | |
And then Elesha, you were at this stage last year. Season 2. | 1:57:15 | 1:57:18 | |
-Yeah. -And...she's better by herself. | 1:57:18 | 1:57:21 | |
Oh, thank you. Thank you. That's cool. Thank you very much. | 1:57:21 | 1:57:25 | |
I know it's a tough one for you all because obviously you know Elesha | 1:57:26 | 1:57:28 | |
from last year, but if you had to put one of these guys through, | 1:57:28 | 1:57:31 | |
who would it be for you tonight? | 1:57:31 | 1:57:33 | |
Gary is fantastic. And that riff just knocked me out. | 1:57:33 | 1:57:37 | |
But because I know what Elesha can do, I would pick Elesha. | 1:57:37 | 1:57:41 | |
Oh, thank you. Thank you very much. | 1:57:41 | 1:57:43 | |
That means a lot. That means a lot. | 1:57:43 | 1:57:45 | |
Thank you all. Tom, why did you put these two together? | 1:57:45 | 1:57:48 | |
Because they sound great together. | 1:57:48 | 1:57:50 | |
I mean, I wish you could sing together all the time. | 1:57:50 | 1:57:53 | |
-Aw. -It would suit me fine, and then I wouldn't have to make a decision. | 1:57:53 | 1:57:58 | |
Of course. | 1:57:58 | 1:57:59 | |
Tom, unfortunately, there's no more steals available. | 1:57:59 | 1:58:02 | |
You can only take one of the artists through to the knockouts | 1:58:02 | 1:58:05 | |
and now it's time to make that decision, Tom. | 1:58:05 | 1:58:07 | |
Oh, dear. | 1:58:07 | 1:58:09 | |
Oh, God. | 1:58:22 | 1:58:23 | |
Well, the winner of this battle is... | 1:58:23 | 1:58:27 | |
..Gary Poole. | 1:58:34 | 1:58:36 | |
Gary, congratulations, man! | 1:58:38 | 1:58:39 | |
Gary, you never expected that, did you? | 1:58:42 | 1:58:45 | |
No, not at all. Absolutely not. | 1:58:45 | 1:58:46 | |
I definitely didn't think I was going through. | 1:58:46 | 1:58:49 | |
You nailed it. You killed it tonight with that performance. | 1:58:49 | 1:58:51 | |
-Anything you'd like to say to Tom? -Amazing. | 1:58:51 | 1:58:54 | |
I really didn't expect that, actually. Thank you very much. | 1:58:54 | 1:58:56 | |
Gary, you're a gentleman. Congratulations. | 1:58:56 | 1:58:59 | |
Well done. You're through to the knockouts. | 1:58:59 | 1:59:01 | |
Everyone give it up for Gary Poole! | 1:59:01 | 1:59:03 | |
Go and see Tom, Gary. There you go. | 1:59:05 | 1:59:10 | |
-OK? -Thank you so much. | 1:59:11 | 1:59:13 | |
That's all right. You deserve it. | 1:59:13 | 1:59:15 | |
RICKY: Well done, Gary. | 1:59:15 | 1:59:16 | |
Now, Elesha, as you know all, | 1:59:21 | 1:59:23 | |
all of our coaches have used all their steals. | 1:59:23 | 1:59:25 | |
You've been absolutely brilliant. | 1:59:25 | 1:59:26 | |
-We've loved having you here on The Voice. -Thank you. | 1:59:26 | 1:59:28 | |
-What do you make of your experience this year? -Do you know what? | 1:59:28 | 1:59:31 | |
Like, last year and this year, I've had such an awesome time, | 1:59:31 | 1:59:34 | |
and I felt that I did do my best and felt like I did all right, so... | 1:59:34 | 1:59:39 | |
You definitely did, Elesha. We loved you. | 1:59:39 | 1:59:41 | |
Make sure you carry on singing. Everyone give it up for Elesha Paul Moses! | 1:59:41 | 1:59:45 | |
-You did a wonderful job, love. -Yeah. -You did. On my life, you did. | 1:59:51 | 1:59:54 | |
Thank you. | 1:59:54 | 1:59:55 | |
-WILL.I.AM: -Seeing Elesha go is heart-wrenching, you know. | 1:59:55 | 1:59:58 | |
She didn't go through the knockouts last year, | 1:59:58 | 2:00:01 | |
and this year, same thing. | 2:00:01 | 2:00:03 | |
The deciding thing for me was | 2:00:05 | 2:00:08 | |
Gary got a run in there that was really, really strong. | 2:00:08 | 2:00:10 | |
Usher doesn't even do it. | 2:00:10 | 2:00:12 | |
# She really turned me-me-me out... # | 2:00:12 | 2:00:14 | |
Like, when he did that run and I heard it, I was like, "What was that?" | 2:00:14 | 2:00:18 | |
-I noticed it and I got it. -That was great. | 2:00:18 | 2:00:21 | |
-Are you all right? -Well done! | 2:00:21 | 2:00:24 | |
-So proud. -Hello, Mum. | 2:00:24 | 2:00:25 | |
Next into battle it's Team Ricky. | 2:00:31 | 2:00:33 | |
My final pairing is Luciee Marie... | 2:00:37 | 2:00:40 | |
..and Jazz. | 2:00:42 | 2:00:44 | |
Only Ricky turned for 16-year-old Essex girl Luciee Marie Closier. | 2:00:48 | 2:00:52 | |
And he was chuffed to bits. | 2:00:52 | 2:00:54 | |
I feel like I've won a competition. | 2:00:54 | 2:00:57 | |
# Does that make me crazy... # | 2:00:57 | 2:01:01 | |
And it was the same story for 18-year-old Jazz Bates-Chambers. | 2:01:01 | 2:01:05 | |
Ricky is one lucky, lucky guy right now. | 2:01:06 | 2:01:10 | |
And the song is Grenade by Bruno Mars. | 2:01:10 | 2:01:14 | |
I love that song. | 2:01:14 | 2:01:16 | |
Luciee Marie, she's like...uber-cute and kind of poppy, | 2:01:16 | 2:01:20 | |
but also you can tell she really wants it. | 2:01:20 | 2:01:23 | |
-Yeah. -Jazz is really fiery. | 2:01:23 | 2:01:24 | |
-Yeah. -And she's, like, really soulful. | 2:01:24 | 2:01:27 | |
-I can't wait to hear them. -Hello! Hi, ladies! | 2:01:27 | 2:01:30 | |
-So this is Katy. -Lovely to meet you. | 2:01:30 | 2:01:33 | |
I love Katy B. Like, literally. | 2:01:33 | 2:01:36 | |
I've loved Katy B for, like, ever. She's very unique and different. | 2:01:36 | 2:01:40 | |
And I'm hoping that's what I am as well. | 2:01:40 | 2:01:42 | |
It's such a passionate song. | 2:01:42 | 2:01:43 | |
I think that's such a great opportunity for you | 2:01:43 | 2:01:46 | |
to just show that raw emotion and be yourself as well. | 2:01:46 | 2:01:50 | |
# Easy come, easy go... # | 2:01:50 | 2:01:53 | |
I really enjoyed Luciee and Jazzy's session. | 2:01:53 | 2:01:55 | |
I really like the tone of both of their voices. | 2:01:55 | 2:01:57 | |
# Why weren't they open... # | 2:01:57 | 2:01:59 | |
I just love all the attitude. | 2:01:59 | 2:02:00 | |
I love singers that just have all that kind of feistiness as well. | 2:02:00 | 2:02:04 | |
Because of my personality and how big it is, | 2:02:04 | 2:02:06 | |
I am gonna grab this opportunity with both hands, obviously. | 2:02:06 | 2:02:10 | |
Can I just say, right, I'm a really big fan? | 2:02:10 | 2:02:14 | |
You, like...you've been a massive icon to me | 2:02:14 | 2:02:16 | |
because you've done it all yourself. | 2:02:16 | 2:02:18 | |
I had to do it. She was standing in front of me. | 2:02:18 | 2:02:20 | |
I'm never gonna get that opportunity again. | 2:02:20 | 2:02:22 | |
I didn't know that it was that sort of competition, | 2:02:22 | 2:02:24 | |
to get Katy B's attention. | 2:02:24 | 2:02:26 | |
SHE LAUGHS | 2:02:26 | 2:02:27 | |
I don't think Jazz was that happy about it, to be fair. | 2:02:27 | 2:02:30 | |
-So you've got that out of your system. -OK, cool. | 2:02:31 | 2:02:34 | |
This time, just go for it and let's hear that emotion. | 2:02:34 | 2:02:37 | |
# Like a bullet straight through my... # | 2:02:37 | 2:02:39 | |
Luciee Marie really likes Katy B. | 2:02:39 | 2:02:42 | |
I'm not sure if that really put off Jazz a little bit. | 2:02:42 | 2:02:44 | |
# Understand is, oh | 2:02:44 | 2:02:46 | |
# Grenade for you... # | 2:02:46 | 2:02:48 | |
These things are going to come along and maybe throw you a little bit. | 2:02:48 | 2:02:51 | |
# But you won't do... # | 2:02:51 | 2:02:53 | |
Welcome to the music industry. It's dog eat dog. | 2:02:53 | 2:02:56 | |
Here come the girls, | 2:03:00 | 2:03:02 | |
the teenagers ready to show they can make it in music. | 2:03:02 | 2:03:05 | |
It's Jazz Bates-Chambers... | 2:03:05 | 2:03:07 | |
..versus Luciee Marie Closier. | 2:03:09 | 2:03:12 | |
They're teenagers? | 2:03:18 | 2:03:20 | |
Let the battle commence. | 2:03:25 | 2:03:27 | |
# Easy come, easy go | 2:03:38 | 2:03:40 | |
# That's just how you live, oh | 2:03:40 | 2:03:42 | |
# Take, take, take it all | 2:03:42 | 2:03:44 | |
# But you never give | 2:03:44 | 2:03:47 | |
# Should've known you was trouble from the first kiss | 2:03:47 | 2:03:51 | |
# Had your eyes wide open | 2:03:51 | 2:03:54 | |
# Why were they open? | 2:03:54 | 2:03:56 | |
# Gave you all I had | 2:03:56 | 2:03:57 | |
# And you tossed it in the trash | 2:03:57 | 2:04:00 | |
# You tossed it in the trash You did | 2:04:00 | 2:04:02 | |
# To give me all your love is all I ever asked | 2:04:04 | 2:04:08 | |
# Cos what you don't understand is | 2:04:08 | 2:04:11 | |
# I'd catch a grenade for you | 2:04:11 | 2:04:16 | |
# Throw my hand on a blade for you | 2:04:16 | 2:04:18 | |
# I'd jump in front of a train for you | 2:04:20 | 2:04:24 | |
# You know I'd do anything for you | 2:04:24 | 2:04:28 | |
# Oh, oh-oh, oh | 2:04:28 | 2:04:30 | |
# I would go through all this pain | 2:04:30 | 2:04:34 | |
# Take a bullet straight through my brain | 2:04:34 | 2:04:39 | |
# Yes, I would die for you, baby | 2:04:39 | 2:04:41 | |
# But you won't do the same | 2:04:41 | 2:04:45 | |
# If my body was on fire | 2:04:45 | 2:04:50 | |
# You'd watch me burn down in flames | 2:04:50 | 2:04:54 | |
# You said you loved me You're a liar | 2:04:54 | 2:04:56 | |
# Cos you never, ever, ever did, baby | 2:04:56 | 2:05:03 | |
# But, darling, I'd still catch a grenade for you | 2:05:03 | 2:05:08 | |
# Throw my hand on a blade for you | 2:05:08 | 2:05:12 | |
# I'd jump in front of a train for you | 2:05:12 | 2:05:16 | |
# You know I'd do anything for you | 2:05:16 | 2:05:21 | |
# Oh, oh-oh, oh | 2:05:21 | 2:05:22 | |
# I would go through all this pain | 2:05:22 | 2:05:26 | |
# Take a bullet straight through my brain | 2:05:26 | 2:05:30 | |
# Yes, I would die for you, baby | 2:05:30 | 2:05:33 | |
# But you won't do the same. # | 2:05:33 | 2:05:37 | |
Jazz and Luciee Marie, everybody! | 2:05:46 | 2:05:48 | |
AUDIENCE CHANTS FOR LUCIEE | 2:05:50 | 2:05:52 | |
Luciee! Luciee! | 2:05:52 | 2:05:54 | |
I take it the family are in? | 2:05:54 | 2:05:55 | |
Just a bit. | 2:05:55 | 2:05:57 | |
How was it? | 2:05:57 | 2:05:58 | |
That was absolutely phenomenal. | 2:05:58 | 2:06:00 | |
I can't explain the feeling. It's amazing. | 2:06:00 | 2:06:02 | |
You really gave it some, Jazz. | 2:06:02 | 2:06:04 | |
Yeah. More than I could've. | 2:06:04 | 2:06:07 | |
There was no holding back in you. | 2:06:07 | 2:06:08 | |
-No, I couldn't hold back. That was it. That was it. -Ricky? | 2:06:08 | 2:06:12 | |
-Yeah. -It's your favourite bit. -It's the worst bit, isn't it? | 2:06:12 | 2:06:15 | |
It is the worst bit. | 2:06:15 | 2:06:16 | |
I'm in such an awful position. | 2:06:16 | 2:06:19 | |
And I need some help from my mates. | 2:06:19 | 2:06:21 | |
Will, what did you make of it? | 2:06:21 | 2:06:23 | |
I'm speaking from the bottom of my heart right now when I say this, | 2:06:23 | 2:06:27 | |
that was so freaking awesome. | 2:06:27 | 2:06:29 | |
AUDIENCE CHEERS AND CLAPS | 2:06:29 | 2:06:31 | |
Will, if it were you picking, | 2:06:33 | 2:06:35 | |
which one would you be taking to the knockouts? | 2:06:35 | 2:06:37 | |
MAN: Luciee! | 2:06:37 | 2:06:39 | |
Is that your dad? | 2:06:42 | 2:06:43 | |
Yeah, that's my dad! | 2:06:43 | 2:06:45 | |
Sorry! | 2:06:45 | 2:06:47 | |
No, that's awesome! | 2:06:47 | 2:06:48 | |
I love... I love that. | 2:06:48 | 2:06:50 | |
That's like, "Luciee!" | 2:06:50 | 2:06:51 | |
-It's crazy. -SHE LAUGHS | 2:06:51 | 2:06:53 | |
You should do a song like that. | 2:06:53 | 2:06:54 | |
Yeah, definitely. Like... | 2:06:54 | 2:06:55 | |
-HE BEATBOXES: -Luciee! | 2:06:55 | 2:06:57 | |
-BEATBOXES: -Luciee! OK, you know it. | 2:06:57 | 2:07:00 | |
Kylie, powerful voices for two young girls. | 2:07:01 | 2:07:04 | |
Yeah. This is a moment where frankly I wish I had a steal. | 2:07:04 | 2:07:08 | |
-Yeah, me too. -I would've stole one of y'all. | 2:07:08 | 2:07:11 | |
That's nice for you girls to hear. | 2:07:11 | 2:07:12 | |
-That is amazing to hear, yeah. -Yeah. | 2:07:12 | 2:07:14 | |
Such a good comment, yeah. Thank you. | 2:07:14 | 2:07:17 | |
OK, Ricky, so there's no more steals available. | 2:07:17 | 2:07:20 | |
Yeah, I know. | 2:07:20 | 2:07:21 | |
You're about to send one of your artists home. | 2:07:21 | 2:07:23 | |
-I know. -Can only take one of these girls through to the knockouts. | 2:07:23 | 2:07:26 | |
-Yeah. -So it's time for you to make your decision. | 2:07:26 | 2:07:29 | |
HE BEATBOXES | 2:07:33 | 2:07:35 | |
I just want to say a couple of things | 2:07:35 | 2:07:37 | |
about, first of all, Jazz. | 2:07:37 | 2:07:39 | |
I find her inspiring. I really enjoy every performance she's done. | 2:07:39 | 2:07:42 | |
-You keep getting better. -Thank you. | 2:07:42 | 2:07:44 | |
Luciee Marie, people kind of think you're, like, just sweet and cute, | 2:07:44 | 2:07:49 | |
but you're so much more than that. | 2:07:49 | 2:07:50 | |
Yeah, I've enjoyed every performance I've seen you do as well. | 2:07:50 | 2:07:53 | |
Thank you. | 2:07:53 | 2:07:55 | |
But the winner of this battle is... | 2:08:03 | 2:08:06 | |
..Jazz. | 2:08:11 | 2:08:12 | |
AUDIENCE CHEERS AND CLAPS | 2:08:12 | 2:08:14 | |
Well done. Well done. | 2:08:18 | 2:08:21 | |
Congratulations. | 2:08:22 | 2:08:24 | |
-Well done, Jazz. -Thank you so much. | 2:08:26 | 2:08:29 | |
-Are you OK? -Yeah, I'm with you. | 2:08:30 | 2:08:32 | |
Thank you. | 2:08:34 | 2:08:36 | |
Give it up for Jazz, everybody. | 2:08:36 | 2:08:37 | |
Yes! | 2:08:39 | 2:08:40 | |
-I don't know what went wrong. -I'm so sorry. | 2:08:44 | 2:08:46 | |
I'm so sorry. | 2:08:46 | 2:08:47 | |
-I know how hard it is. -I know. It's fine. | 2:08:49 | 2:08:51 | |
I know. | 2:08:51 | 2:08:52 | |
OK, Luciee Marie, as you know, there are no more steals available | 2:08:55 | 2:08:59 | |
so unfortunately this is the end of your time on The Voice. | 2:08:59 | 2:09:02 | |
Thank you so much for being a part of it. | 2:09:02 | 2:09:04 | |
You were absolutely fantastic. | 2:09:04 | 2:09:05 | |
Luciee Marie, everybody! | 2:09:05 | 2:09:07 | |
Final member, that should be a happy thing, | 2:09:16 | 2:09:18 | |
but you know, it's marred by the fact I've had to lose Luciee Marie. | 2:09:18 | 2:09:22 | |
She was awesome. | 2:09:22 | 2:09:23 | |
I didn't want to cry! | 2:09:23 | 2:09:25 | |
Very tough decisions. | 2:09:25 | 2:09:27 | |
Especially when their dads are shouting their name. | 2:09:27 | 2:09:30 | |
You still look beautiful with tears in your eyes. | 2:09:30 | 2:09:33 | |
ALL SCREAM | 2:09:34 | 2:09:36 | |
I've got the last place on Team Ricky. | 2:09:39 | 2:09:43 | |
I'm...going to the knockouts! | 2:09:43 | 2:09:45 | |
So we've reached the end of the battles | 2:09:51 | 2:09:53 | |
and the coaches' knockout teams are complete. | 2:09:53 | 2:09:56 | |
I loved it. | 2:09:56 | 2:09:57 | |
Ricky selected the soulful voice of Jazz, | 2:09:57 | 2:09:59 | |
who stays on his team along with Chris and Max. | 2:09:59 | 2:10:03 | |
Team Tom is fighting fit with Georgia, Melissa and Gary. | 2:10:04 | 2:10:09 | |
Team Will is complete with the addition of James, | 2:10:11 | 2:10:13 | |
Sophie and Iesher. | 2:10:13 | 2:10:15 | |
And Kylie is pinning her hopes on Rachael, Jamie and Jade, | 2:10:17 | 2:10:21 | |
plus her steal... | 2:10:21 | 2:10:22 | |
Welcome to Team Kylie! | 2:10:22 | 2:10:24 | |
..Femi. | 2:10:24 | 2:10:25 | |
The battles are over and now | 2:10:31 | 2:10:33 | |
each of our coaches have just seven artists left | 2:10:33 | 2:10:36 | |
as we head into the knockouts. | 2:10:36 | 2:10:38 | |
That's right. | 2:10:38 | 2:10:39 | |
There's no more second chances, | 2:10:39 | 2:10:40 | |
as our acts have just one more performance | 2:10:40 | 2:10:42 | |
between heading home or going on to the live shows. | 2:10:42 | 2:10:45 | |
Thanks to our four superstar coaches. | 2:10:45 | 2:10:47 | |
Will.i.am! | 2:10:47 | 2:10:50 | |
Kylie! | 2:10:50 | 2:10:52 | |
Sir Tom Jones! | 2:10:53 | 2:10:55 | |
And Ricky Wilson. | 2:10:55 | 2:10:57 | |
Join us next week for more incredible performances | 2:10:58 | 2:11:00 | |
and game-changing decisions as the coaches continue | 2:11:00 | 2:11:05 | |
their mission to find the voice. | 2:11:05 | 2:11:07 | |
-Have a good night. -Goodnight. | 2:11:07 | 2:11:09 | |
-WILL.I.AM: -Are the people of the UK ready for the knockouts? | 2:11:14 | 2:11:17 | |
I better hope so, cos I sure the hell am. | 2:11:17 | 2:11:20 | |
-MARVIN: -It's the toughest test yet. | 2:11:23 | 2:11:26 | |
All right! | 2:11:26 | 2:11:28 | |
You're all breathing, right? | 2:11:28 | 2:11:30 | |
The coaches must complete their live show line-ups. | 2:11:31 | 2:11:35 | |
There's no way of choosing three people and being happy. | 2:11:35 | 2:11:38 | |
There will be no more second chances. | 2:11:38 | 2:11:40 | |
-That's the way I love it. -Are you ready? | 2:11:40 | 2:11:43 | |
Yeah! | 2:11:43 | 2:11:44 | |
It's time to make your knockout decision. | 2:11:44 | 2:11:47 | |
You thought it was gonna be easy, didn't you? | 2:11:47 | 2:11:49 | |
Yeah, you told me, Tom. | 2:11:49 | 2:11:50 | |
I hate these rules of the show. | 2:11:50 | 2:11:53 | |
It's the Knockout Weekend. | 2:11:53 | 2:11:55 | |
Ricky! | 2:11:55 | 2:11:56 |