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This corridor leads to these stairs. | 0:00:04 | 0:00:07 | |
And these stairs lead to this stage. | 0:00:07 | 0:00:11 | |
CHEERING | 0:00:11 | 0:00:13 | |
And the stage is well and truly set. | 0:00:15 | 0:00:18 | |
For someone to take their first step. | 0:00:18 | 0:00:21 | |
Towards becoming The Voice UK. | 0:00:21 | 0:00:24 | |
-Shall we? -Let's do it! | 0:00:27 | 0:00:29 | |
This is like a game of poker, you know, | 0:00:35 | 0:00:37 | |
we all try to read one another. | 0:00:37 | 0:00:39 | |
You broke your poker face. | 0:00:39 | 0:00:41 | |
I think each coach wants to get the best team. | 0:00:41 | 0:00:44 | |
Will knows what he's doing. | 0:00:44 | 0:00:46 | |
I mean, that's why we're here. | 0:00:46 | 0:00:47 | |
You're on a roll, Ricky. | 0:00:47 | 0:00:49 | |
I'm very competitive cos I can't stand losing. | 0:00:51 | 0:00:53 | |
He'd be great for you if he could stay off his phone for five minutes. | 0:00:53 | 0:00:56 | |
I predict a riot. | 0:00:58 | 0:01:00 | |
So, this is going to be absolute hell! | 0:01:00 | 0:01:03 | |
Unless I win. | 0:01:03 | 0:01:05 | |
# I like a little competition from time to time... # | 0:01:05 | 0:01:08 | |
Get out of the way! | 0:01:08 | 0:01:10 | |
I do feel competitive. The red chair really brings it out of you. | 0:01:10 | 0:01:13 | |
Sit in that chair! | 0:01:13 | 0:01:15 | |
Control yourself. Just keep it together. | 0:01:15 | 0:01:18 | |
She's a ball of fire, that one. | 0:01:18 | 0:01:20 | |
If there was no competition, it would be pretty boring. | 0:01:20 | 0:01:23 | |
Is Will still fighting? | 0:01:23 | 0:01:25 | |
Peow! Damn right I'm fighting. | 0:01:25 | 0:01:27 | |
I hate to be Usain Bolt, he just wins everybody. | 0:01:27 | 0:01:32 | |
Reverse psychology, yeah, I got it. | 0:01:32 | 0:01:35 | |
Usain Bolt and the cheetah...now, that's comp. | 0:01:35 | 0:01:40 | |
Yeah! | 0:01:40 | 0:01:41 | |
-Right. -We got to get to work. | 0:01:43 | 0:01:45 | |
First up tonight is 20-year-old Andy Otley from North Wales. | 0:01:48 | 0:01:52 | |
-Oooh, oh! -I'm Andy. -How lovely. | 0:01:52 | 0:01:55 | |
That's the first gentleman that's stood up and kissed me. | 0:01:55 | 0:01:58 | |
-Well, there you go. -What a charmer you are. -Thank you. | 0:01:58 | 0:02:01 | |
Look at those eyes. | 0:02:01 | 0:02:02 | |
I can't look at you. | 0:02:02 | 0:02:04 | |
The reason I learned the guitar is | 0:02:07 | 0:02:09 | |
because I thought if I could play "Hero" by Enrique Iglesias | 0:02:09 | 0:02:12 | |
on the guitar, I might be able to get a girlfriend from it. | 0:02:12 | 0:02:14 | |
Erm, but that didn't really work out. | 0:02:14 | 0:02:17 | |
My day job's an estate agent. | 0:02:17 | 0:02:19 | |
I work in a small office, erm, with five women. | 0:02:19 | 0:02:21 | |
He's very nice to work with, he's got a nice manner about him. | 0:02:21 | 0:02:24 | |
-Thanks, Andy. -It's all right. | 0:02:24 | 0:02:26 | |
That's a good job for me, I'll enjoy that. | 0:02:26 | 0:02:28 | |
He is a gentleman. | 0:02:28 | 0:02:30 | |
# I can be your hero, baby... # | 0:02:30 | 0:02:33 | |
Do you like being around the chicks? | 0:02:36 | 0:02:38 | |
-Erm, yeah? -Yeah, he does. | 0:02:38 | 0:02:41 | |
-Is he a bit of ladies' man? -He is. | 0:02:41 | 0:02:43 | |
He asks me for advice every now and again. | 0:02:43 | 0:02:44 | |
LAUGHTER | 0:02:44 | 0:02:47 | |
Bless him, he's only young, ain't he? So... | 0:02:47 | 0:02:49 | |
How to charm a lady. | 0:02:49 | 0:02:51 | |
When I walk out onto the stage, it's sort of all eyes on me. | 0:02:54 | 0:02:57 | |
Everybody's thinking, "Is he good? Isn't he good?" | 0:02:57 | 0:03:01 | |
Tonight, I'm going to try and use all my sales tactics | 0:03:01 | 0:03:04 | |
and sell myself to the coaches. | 0:03:04 | 0:03:07 | |
Hopefully I can just show that I've got something. | 0:03:07 | 0:03:10 | |
-Oh, it's so quiet. -My nerves are going now. -That's the scary bit. | 0:03:29 | 0:03:32 | |
# My name is Andy, nice to meet you | 0:03:38 | 0:03:39 | |
# Can I tell you, baby | 0:03:39 | 0:03:41 | |
# Look around, there's a whole lot of pretty ladies | 0:03:41 | 0:03:44 | |
# But none like you, you shine so bright | 0:03:44 | 0:03:47 | |
# Oooh, yeah | 0:03:47 | 0:03:50 | |
# And I was wondering if you and me could spend a minute | 0:03:50 | 0:03:53 | |
# On the floor up and close getting lost in it | 0:03:53 | 0:03:56 | |
# I won't give up without a fight | 0:03:56 | 0:03:59 | |
# Cos I just want you | 0:04:00 | 0:04:03 | |
# Oooh, baby | 0:04:03 | 0:04:05 | |
# I just want you to dance with me tonight | 0:04:07 | 0:04:11 | |
# So, come on | 0:04:12 | 0:04:13 | |
# Oooh, yeah, baby | 0:04:13 | 0:04:18 | |
# I just want you to dance with me tonight... # | 0:04:18 | 0:04:21 | |
Go on, Ricky, push the button! | 0:04:21 | 0:04:23 | |
CHEERING | 0:04:23 | 0:04:25 | |
# Yeah, yeah, yeah, yeah, yeah | 0:04:25 | 0:04:28 | |
# Yeah, yeah, yeah, yeah, yeah | 0:04:28 | 0:04:30 | |
# I just want you to dance with me tonight | 0:04:30 | 0:04:34 | |
# One more time, one more time, come on now | 0:04:34 | 0:04:37 | |
# Yeah, yeah, yeah, yeah, yeah | 0:04:37 | 0:04:39 | |
Sing with me! | 0:04:39 | 0:04:40 | |
# Yeah, yeah, yeah, yeah, yeah | 0:04:40 | 0:04:42 | |
# I just want you to dance with me tonight | 0:04:42 | 0:04:46 | |
# So come on, oooh | 0:04:47 | 0:04:50 | |
# Oh, yeah, baby | 0:04:50 | 0:04:52 | |
# I just want you to dance with me tonight... # | 0:04:54 | 0:04:57 | |
Give him a push! | 0:04:59 | 0:05:01 | |
# Oh, yeah, baby | 0:05:02 | 0:05:05 | |
# I just want you to dance with me tonight | 0:05:05 | 0:05:10 | |
# Yeah, yeah! # | 0:05:10 | 0:05:12 | |
CHEERING | 0:05:12 | 0:05:15 | |
CHEERING | 0:05:21 | 0:05:23 | |
-All right, mate. Hello! -Hello, how are you doing? -Yeah, all right. | 0:05:26 | 0:05:29 | |
What's your name? | 0:05:29 | 0:05:30 | |
-My name's Andy, Andy Otley. -Where you from? -I'm from North Wales. | 0:05:30 | 0:05:33 | |
CHEERING | 0:05:33 | 0:05:34 | |
And how old are you? | 0:05:34 | 0:05:37 | |
-How old are you? -I'm 20. -What do you do for a living? | 0:05:37 | 0:05:39 | |
-Do you go to college or anything? -No, I'm an estate agent. | 0:05:39 | 0:05:42 | |
Estate agent! | 0:05:42 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:45 | |
You've got a great voice and the audience certainly loved it. | 0:05:46 | 0:05:50 | |
CHEERING | 0:05:50 | 0:05:52 | |
Thank you. | 0:05:52 | 0:05:53 | |
Erm, I just think it didn't happen today but that doesn't mean, | 0:05:53 | 0:05:56 | |
you know, it can't happen tomorrow. | 0:05:56 | 0:05:58 | |
Just learn from it and keep singing and stop being an estate agent. | 0:05:58 | 0:06:02 | |
Ha-ha, thanks, cheers. | 0:06:02 | 0:06:05 | |
Thank you. | 0:06:05 | 0:06:06 | |
APPLAUSE | 0:06:06 | 0:06:08 | |
Is there any reason, in particular, that you picked that song? | 0:06:08 | 0:06:11 | |
Erm, no, I just like it. I like the song. | 0:06:11 | 0:06:14 | |
It's a good song. | 0:06:14 | 0:06:15 | |
So, you have a very great version of a song that was dear to you. | 0:06:15 | 0:06:21 | |
I wasn't dear to us. | 0:06:21 | 0:06:23 | |
The reason why we didn't turn around because to me, | 0:06:23 | 0:06:25 | |
I prefer the original version. | 0:06:25 | 0:06:27 | |
For example, you're driving a car. You're hitting a possum. | 0:06:27 | 0:06:31 | |
LAUGHTER | 0:06:31 | 0:06:32 | |
Did you kill it? | 0:06:32 | 0:06:33 | |
Cos right now, I got out the car and it's moving around still. | 0:06:33 | 0:06:36 | |
-LAUGHTER -"Put me out of my misery." | 0:06:36 | 0:06:38 | |
You didn't kill it, kill it! | 0:06:38 | 0:06:40 | |
APPLAUSE | 0:06:40 | 0:06:42 | |
I hope my metaphor didn't confuse you. I'm sorry. | 0:06:45 | 0:06:48 | |
-No, I sort of got that. -You got it, right. | 0:06:48 | 0:06:52 | |
-Sort of. -Hiya. -Hello. | 0:06:52 | 0:06:54 | |
Erm, it sounded a little bit safe to me. | 0:06:54 | 0:06:59 | |
Like, If you wanted to sell me a house and someone else came, | 0:06:59 | 0:07:04 | |
another agent came to sell me the house, they might have come, like... | 0:07:04 | 0:07:08 | |
Like you...you would have been like, "You have no option. | 0:07:08 | 0:07:11 | |
"You have to buy this house. | 0:07:11 | 0:07:12 | |
"I'm going to sell it to you whether you want it or not. | 0:07:12 | 0:07:15 | |
-"You're going to buy the house." -OK, sell her a house right now. | 0:07:15 | 0:07:17 | |
Two-bedroom, me against you. | 0:07:17 | 0:07:20 | |
-OK. -Go! | 0:07:20 | 0:07:21 | |
-OK, it's in an apartment building, right. -Right. -And it's really nice. | 0:07:21 | 0:07:25 | |
It's got like, really modern kitchen diner, erm, nice bedroom space | 0:07:25 | 0:07:30 | |
and I live next door... | 0:07:30 | 0:07:32 | |
OK. | 0:07:32 | 0:07:34 | |
LAUGHTER | 0:07:34 | 0:07:36 | |
Good one, Andy! | 0:07:36 | 0:07:38 | |
-Is it my turn? -Go for it. | 0:07:38 | 0:07:39 | |
OK, what you selling? | 0:07:39 | 0:07:41 | |
There's this two-bedroom house, you've got to check it out. | 0:07:41 | 0:07:44 | |
I mean, let me tell you something, this house is so freaking gorge... | 0:07:44 | 0:07:49 | |
LAUGHTER | 0:07:49 | 0:07:51 | |
-I'm sorry, it's gorgeous. -I need to know about my neighbours, though. | 0:07:51 | 0:07:54 | |
LAUGHTER | 0:07:54 | 0:07:56 | |
Sorry, I just said "neighbours". | 0:07:56 | 0:07:58 | |
I didn't realise that. | 0:07:58 | 0:08:01 | |
-Anyway... -That's good, that was good. | 0:08:01 | 0:08:04 | |
Bruno Mars is going to buy the one right next to you | 0:08:04 | 0:08:07 | |
and Alicia Keys is probably going to buy the one right across the street. | 0:08:07 | 0:08:10 | |
They haven't done the deal yet... | 0:08:10 | 0:08:12 | |
I've heard about them, they make so much noise, seriously! | 0:08:12 | 0:08:16 | |
So much noise! | 0:08:16 | 0:08:18 | |
-Pitch it! -See, you've got to perform like the way you sold it. -Yeah. | 0:08:18 | 0:08:22 | |
I just think you need a bit more mmmmm! A bit more passion. | 0:08:22 | 0:08:26 | |
A bit more oomph, OK. | 0:08:26 | 0:08:29 | |
So, what's the property market like in North Wales now? | 0:08:29 | 0:08:33 | |
It's good, it's good. Yeah, it's picking up. | 0:08:33 | 0:08:36 | |
-It's good. -Cos I was thinking of maybe buying something up there. | 0:08:36 | 0:08:39 | |
CHEERING | 0:08:39 | 0:08:41 | |
-I could sell you one, if you'd like. -Yeah? | 0:08:41 | 0:08:43 | |
He knows a great two-bedroom apartment. | 0:08:43 | 0:08:45 | |
Please don't tell him that you're his neighbour. | 0:08:45 | 0:08:48 | |
Oh, no, no, it's Bruno Mars and Alicia Keys. | 0:08:48 | 0:08:50 | |
LAUGHTER | 0:08:50 | 0:08:52 | |
Thank you very much. Thank you. | 0:08:53 | 0:08:55 | |
Oh, isn't he lovely? | 0:08:55 | 0:08:58 | |
Thank you. | 0:08:58 | 0:09:00 | |
CHEERING | 0:09:05 | 0:09:07 | |
-That was an almosty! -Yeah, almost. | 0:09:14 | 0:09:17 | |
-Let's see what's coming up next. -Yeah. | 0:09:19 | 0:09:21 | |
Going to be a great show! | 0:09:24 | 0:09:26 | |
I can't wait to see who YOU turn for. | 0:09:26 | 0:09:28 | |
Are you going to agree with me? | 0:09:28 | 0:09:30 | |
To turn or not to turn? That is the question. | 0:09:30 | 0:09:34 | |
-Would you turn? -Download The Voice app now and you can be a home coach. | 0:09:36 | 0:09:41 | |
Decide whether or not to turn. | 0:09:41 | 0:09:43 | |
You can also rate the performances, see what all the other home coaches | 0:09:43 | 0:09:46 | |
think and earn stars if the coaches agree with your decisions. | 0:09:46 | 0:09:50 | |
# This is The Voice! # | 0:09:50 | 0:09:53 | |
Our next act is hoping she can say, "Goodbye popcorn, hello pop career!" | 0:09:55 | 0:10:00 | |
My name's Iesher Haughton. I'm 19, I'm from Walthamstow, wooo! | 0:10:00 | 0:10:05 | |
And I work in a cinema. | 0:10:05 | 0:10:09 | |
I rip the tickets for the customer to come and enjoy their film. | 0:10:09 | 0:10:12 | |
I serve the popcorn and the drinks | 0:10:12 | 0:10:14 | |
and I clean up the popcorn and drinks. | 0:10:14 | 0:10:16 | |
It's not glamorous but it's my job. | 0:10:16 | 0:10:18 | |
My family are very supportive. | 0:10:21 | 0:10:23 | |
It was me that, erm, encouraged Iesher to apply for the show. | 0:10:23 | 0:10:28 | |
They all said to me if I didn't sign up, that they | 0:10:28 | 0:10:30 | |
were going to sign me up anyway. | 0:10:30 | 0:10:33 | |
She's naturally shy. She looks unassuming. | 0:10:33 | 0:10:38 | |
She doesn't look like this boisterous type of character. | 0:10:38 | 0:10:41 | |
The joy of singing helps her to be comfortable in herself. | 0:10:41 | 0:10:45 | |
She's my little Beyonce. | 0:10:45 | 0:10:47 | |
I'm here to prove to myself that I can actually do this. | 0:10:50 | 0:10:55 | |
I am nervous but I'm going to be strong. | 0:10:57 | 0:11:01 | |
# When I | 0:11:26 | 0:11:32 | |
# Had you | 0:11:34 | 0:11:37 | |
# I treated you bad | 0:11:37 | 0:11:43 | |
# And wrong, my dear | 0:11:43 | 0:11:47 | |
# Now since | 0:11:47 | 0:11:50 | |
# Since you've been gone | 0:11:50 | 0:11:52 | |
# But don't you know I sit around | 0:11:54 | 0:11:58 | |
# With my head hanging down | 0:11:58 | 0:12:03 | |
# And I wonder | 0:12:03 | 0:12:06 | |
# Who's lovin' you? | 0:12:06 | 0:12:10 | |
# Said I, I, I, I-whoa-oh-oh-oh | 0:12:11 | 0:12:18 | |
# Said I-I... # | 0:12:18 | 0:12:20 | |
Go on, Tom! | 0:12:20 | 0:12:22 | |
# Should have never, ever | 0:12:22 | 0:12:27 | |
# Ever made you cry... # | 0:12:27 | 0:12:29 | |
Come on, Kylie. | 0:12:29 | 0:12:31 | |
# But now, since... # | 0:12:31 | 0:12:32 | |
-Yes! -Yeah! | 0:12:32 | 0:12:34 | |
# Since you've been gone | 0:12:34 | 0:12:39 | |
# Don't you know I sit around | 0:12:39 | 0:12:43 | |
# With my head hanging down | 0:12:43 | 0:12:48 | |
# And I wonder | 0:12:48 | 0:12:51 | |
# Whooooo's | 0:12:51 | 0:12:54 | |
# Lo-oooo-ovin' | 0:12:54 | 0:13:01 | |
# Yoooou-ah-oh-oh. # | 0:13:01 | 0:13:06 | |
CHEERING AND APPLAUSE | 0:13:06 | 0:13:08 | |
DELIGHTED LAUGHTER | 0:13:15 | 0:13:16 | |
-First of all, what's your name? -Iesher Haughton. | 0:13:36 | 0:13:39 | |
-Iesher? -Yeah. -That's a lovely name. | 0:13:39 | 0:13:41 | |
SHE GIGGLES | 0:13:41 | 0:13:42 | |
-So if you don't mind me asking, how old are you? -19. -19. | 0:13:42 | 0:13:45 | |
CHEERING AND APPLAUSE | 0:13:45 | 0:13:49 | |
-That sounded great. -Thank you. -That really did. | 0:13:49 | 0:13:51 | |
-I loved your phrasing, I loved the whole... -Thank you. | 0:13:51 | 0:13:55 | |
So, you know, I'd love to have you on my team. | 0:13:57 | 0:14:02 | |
CHEERING AND APPLAUSE | 0:14:02 | 0:14:05 | |
-Iesher. -Hello. | 0:14:06 | 0:14:09 | |
It was so good, you're just at the start of something incredible. | 0:14:09 | 0:14:13 | |
I'd like you on my team, purely because I want to win this | 0:14:16 | 0:14:21 | |
and I think you probably will win this. | 0:14:21 | 0:14:24 | |
CHEERING AND APPLAUSE | 0:14:24 | 0:14:27 | |
You are the cutest voice, you sound like you can do anything. | 0:14:30 | 0:14:36 | |
I'm loving your little Whitney Houston vibe here, | 0:14:37 | 0:14:39 | |
I Wanna Dance With Somebody | 0:14:39 | 0:14:40 | |
so if you wanna dance with me, then come on Team Kylie. | 0:14:40 | 0:14:45 | |
-Erm... -I have a cousin named Iesher. | 0:14:47 | 0:14:49 | |
LAUGHTER | 0:14:49 | 0:14:51 | |
So have I! | 0:14:51 | 0:14:52 | |
We're going to call her on the phone right now. | 0:14:54 | 0:14:58 | |
That's a bit old-fashioned for you, calling on the phone. | 0:14:58 | 0:15:01 | |
Let's beam to her right now! | 0:15:01 | 0:15:02 | |
She doesn't sing like you, though. She doesn't sing the way you sing. | 0:15:05 | 0:15:08 | |
That first note, I didn't waste no time. | 0:15:08 | 0:15:12 | |
I was, like, pla-dow! | 0:15:12 | 0:15:15 | |
So I would like to have you on my team to give you, you know, | 0:15:15 | 0:15:20 | |
my perspective and go through this journey together and hope... | 0:15:20 | 0:15:23 | |
CHEERING AND APPLAUSE | 0:15:23 | 0:15:24 | |
And I think, you know... | 0:15:26 | 0:15:30 | |
-that'd be dope. -Dope! I was waiting for you to say that word! | 0:15:30 | 0:15:34 | |
CHEERING AND APPLAUSE | 0:15:34 | 0:15:37 | |
Dope! | 0:15:37 | 0:15:39 | |
Wow. Erm, I'm really shocked that everyone's turned around, | 0:15:39 | 0:15:43 | |
-I wasn't expecting this. -You shouldn't be. -But... | 0:15:43 | 0:15:47 | |
APPLAUSE AND CHEERS OF ENCOURAGEMENT | 0:15:47 | 0:15:50 | |
AUDIENCE: Will, Will, Will! | 0:15:50 | 0:15:55 | |
Everyone's chanting "Will", and I think that's a really great thing | 0:16:00 | 0:16:03 | |
but if you do go with him, just don't let him change you too much | 0:16:03 | 0:16:06 | |
because you really don't need changing. | 0:16:06 | 0:16:09 | |
I wouldn't change it. I wouldn't change anything. | 0:16:09 | 0:16:12 | |
All I would do is put a mirror right in front of your face | 0:16:12 | 0:16:15 | |
so you have more confidence, but I wouldn't change... | 0:16:15 | 0:16:18 | |
Not your style, I wouldn't even have nobody style you, | 0:16:18 | 0:16:20 | |
-you're freaking fabulous. -KYLIE: Yeah. | 0:16:20 | 0:16:23 | |
CHEERING AND APPLAUSE | 0:16:23 | 0:16:25 | |
Well... | 0:16:25 | 0:16:27 | |
CHEERING AND APPLAUSE INTENSIFIES | 0:16:27 | 0:16:31 | |
The coach that I'm going to go with is... | 0:16:34 | 0:16:39 | |
..Will. | 0:16:44 | 0:16:46 | |
CHEERING AND APPLAUSE | 0:16:46 | 0:16:47 | |
-# We ignite the sky -Come on and get it | 0:16:47 | 0:16:49 | |
-# A billion lights tonight -Come on and get it | 0:16:49 | 0:16:53 | |
-# Flashing in your eyes -Come on and get it... # | 0:16:53 | 0:16:57 | |
-You're amazing. -Thank you! | 0:16:57 | 0:16:59 | |
-ALL: -Iesher! Iesher! | 0:16:59 | 0:17:01 | |
-ALL: -Iesher! Iesher! | 0:17:06 | 0:17:08 | |
CHEERING AND APPLAUSE | 0:17:08 | 0:17:09 | |
That's a good match. | 0:17:16 | 0:17:18 | |
You guys are going to be great together. | 0:17:18 | 0:17:20 | |
-ALL: -Iesher! Iesher! | 0:17:21 | 0:17:23 | |
I swear to God, I have a cousin named Iesher. | 0:17:26 | 0:17:28 | |
So Iesher is like family. There's certain names, like Deborah. | 0:17:28 | 0:17:32 | |
Like, that's my mom's name. My dad's name's Casper. | 0:17:32 | 0:17:36 | |
Cos he's a ghost. | 0:17:36 | 0:17:37 | |
I don't know him. | 0:17:37 | 0:17:38 | |
-"DARTH VADER" VOICE: -Still to come on The Voice. | 0:17:41 | 0:17:44 | |
Ricky gets Will going. | 0:17:44 | 0:17:46 | |
Will is absolutely seething. | 0:17:46 | 0:17:49 | |
I just beamed him a thought, and he received it. | 0:17:49 | 0:17:52 | |
MARVIN: Two acts reveal their famous relatives. | 0:17:52 | 0:17:54 | |
My brother is... | 0:17:54 | 0:17:56 | |
My cousin is... | 0:17:56 | 0:17:57 | |
And it's time to make a big decision. | 0:17:59 | 0:18:01 | |
Choose wisely. | 0:18:01 | 0:18:03 | |
I've always been judged, really, cos of the way I look. | 0:18:04 | 0:18:07 | |
Just because it's a certain look it doesn't mean | 0:18:07 | 0:18:10 | |
that that's the way the character is. | 0:18:10 | 0:18:12 | |
But I always like that sort of element of surprise. | 0:18:12 | 0:18:15 | |
My name is Paul Black and I'm a tattoo artist. | 0:18:18 | 0:18:23 | |
Some people ask me, "How many tattoos have you got?" | 0:18:24 | 0:18:27 | |
and I just say one now because I've only got my back to go, | 0:18:27 | 0:18:29 | |
and then I'll be done. | 0:18:29 | 0:18:31 | |
You can't look at a rock band these days without seeing any tattoos | 0:18:34 | 0:18:38 | |
so music and tattooing go pretty much hand-in-hand together. | 0:18:38 | 0:18:41 | |
I am big into my rock music - | 0:18:44 | 0:18:45 | |
Ozzy Osbourne, Iron Maiden, something like that. | 0:18:45 | 0:18:47 | |
Nice, good rock stuff, you know. | 0:18:47 | 0:18:49 | |
-IN BIG BAND STYLE: -# I get up | 0:19:14 | 0:19:16 | |
# Nothing ever gets me down | 0:19:18 | 0:19:21 | |
# You've got it tough | 0:19:22 | 0:19:24 | |
# I've seen the toughest around... # | 0:19:26 | 0:19:29 | |
Kylie knows the song. | 0:19:31 | 0:19:32 | |
She's lovin' it. Come on, Kylie, push the button! Come on. | 0:19:32 | 0:19:35 | |
# ...just how you feel | 0:19:35 | 0:19:37 | |
# You got to ro-o-oll with the punches | 0:19:40 | 0:19:43 | |
# Get to what's real | 0:19:43 | 0:19:45 | |
# Oh, can't you see me standing here | 0:19:48 | 0:19:50 | |
# I got my back against the record machine | 0:19:50 | 0:19:54 | |
# I ain't the worst that you've seen... # | 0:19:56 | 0:19:58 | |
-Come on, Tom! -Come on, Tom! | 0:20:06 | 0:20:08 | |
# Jump! # That's your part! Come on! | 0:20:08 | 0:20:11 | |
# Oh, go ahead and jump - Jump! | 0:20:11 | 0:20:13 | |
Come on, y'all! | 0:20:13 | 0:20:15 | |
# Oh, get it, get it - jump! Jump! | 0:20:15 | 0:20:16 | |
Help me out, boys. One more time. # Oh, go ahead and jump - jump! | 0:20:16 | 0:20:21 | |
# Oh, can't you see me standing here | 0:20:24 | 0:20:25 | |
# I got my back against the record machine | 0:20:25 | 0:20:29 | |
# Ah... | 0:20:29 | 0:20:31 | |
# I ain't the worst that you've seen... # | 0:20:31 | 0:20:33 | |
-Oh, now, come on. -Come on, guys. Come on. | 0:20:33 | 0:20:35 | |
# Oh, can't you see what I me-e-ean | 0:20:35 | 0:20:39 | |
# You might as well jump | 0:20:39 | 0:20:41 | |
# Jump! | 0:20:41 | 0:20:43 | |
# Oh, go ahea-a-ad | 0:20:43 | 0:20:47 | |
# Jump! Hey! # | 0:20:47 | 0:20:49 | |
Aw....! | 0:20:55 | 0:20:58 | |
-Wow! -Hi, there! How are you doing? | 0:21:12 | 0:21:14 | |
What's your name? | 0:21:14 | 0:21:16 | |
-US ACCENT: -I'm Paul Black. I'm from Hoboken, New Jersey, where Frank Sinatra's from. | 0:21:16 | 0:21:20 | |
But I didn't like it, so I moved... | 0:21:20 | 0:21:22 | |
-WELSH ACCENT: -..all the way to Merthyr Tydfil in south Wales. | 0:21:22 | 0:21:25 | |
LAUGHTER, CHEERING AND APPLAUSE | 0:21:25 | 0:21:29 | |
Thank you very much. | 0:21:29 | 0:21:31 | |
Thank you. | 0:21:31 | 0:21:33 | |
-Really from New Jersey? -Pardon? -You're really from New Jersey? | 0:21:33 | 0:21:36 | |
No, I'm from Merthyr Tydfil in south Wales. | 0:21:36 | 0:21:38 | |
-EVERYONE LAUGHS -It was the Hoboken thing, Sinatra... | 0:21:38 | 0:21:41 | |
-TOM: -It's a Welsh joke. Welsh humour. | 0:21:41 | 0:21:44 | |
Welsh humour, yeah. | 0:21:44 | 0:21:46 | |
If you'd kept it up, one would believe it. | 0:21:46 | 0:21:48 | |
I got you that time, right? | 0:21:48 | 0:21:51 | |
CHEERING AND APPLAUSE | 0:21:51 | 0:21:55 | |
Is this what you do, then? | 0:21:57 | 0:21:59 | |
Yes, pretty much. I'm a tattoo artist by day | 0:21:59 | 0:22:02 | |
-and by night I'm a swing-singing superhero, -LAUGHTER | 0:22:02 | 0:22:05 | |
going through the houses and villages of Wales | 0:22:05 | 0:22:08 | |
spreading joy and fear. | 0:22:08 | 0:22:10 | |
-RICKY: And tattoos. -Yeah. | 0:22:10 | 0:22:12 | |
-Dad, where have you been all these years? -What?! | 0:22:12 | 0:22:15 | |
Mum said it was the only way I'd get to see you. | 0:22:15 | 0:22:18 | |
And you didn't turn round! | 0:22:18 | 0:22:20 | |
LAUGHTER AND APPLAUSE | 0:22:20 | 0:22:23 | |
-I didn't expect you to look the way you do, with the tattoos. -Nobody does. | 0:22:23 | 0:22:26 | |
I loved it. Vocally, it was spot on. It just wasn't for me. | 0:22:26 | 0:22:29 | |
-So, keep going. -Thank you, Ricky. | 0:22:29 | 0:22:33 | |
I like the bravery of taking a song we all know one way | 0:22:35 | 0:22:39 | |
and you just totally, like, transformed it. | 0:22:39 | 0:22:42 | |
-Sure. -Like Optimus Prime. | 0:22:42 | 0:22:45 | |
-PAUL CHUCKLES -Yeah. | 0:22:45 | 0:22:48 | |
Optimus Prime was the good Transformer. | 0:22:49 | 0:22:52 | |
PAUL MAKES WHIRRING NOISES | 0:22:52 | 0:22:54 | |
But the reason why I didn't turn was I just couldn't picture us... | 0:22:54 | 0:22:58 | |
sitting down trying to figure out another song to transform. | 0:22:58 | 0:23:02 | |
But, you know, like, you let me know where you're gigging, | 0:23:02 | 0:23:05 | |
because I would love to go see you gig like that. | 0:23:05 | 0:23:08 | |
CHEERING AND APPLAUSE | 0:23:08 | 0:23:10 | |
I suppose we'll have to come to Merthyr to see you, then. | 0:23:14 | 0:23:17 | |
Yeah, or get me a season in Vegas, or something like that. | 0:23:17 | 0:23:20 | |
If you change your minds, you know. You know where I am. | 0:23:20 | 0:23:23 | |
I'll give you my number. | 0:23:23 | 0:23:24 | |
-Keep swinging. -Keep swinging! | 0:23:24 | 0:23:27 | |
CHEERING AND APPLAUSE | 0:23:27 | 0:23:31 | |
-Amazing! -Thank you very much. Cheers, thank you. | 0:23:31 | 0:23:34 | |
KYLIE: Merthyr Tydfil. Merthyr Tydfil. | 0:23:34 | 0:23:37 | |
Nice one, thank you. | 0:23:37 | 0:23:38 | |
-Merthyr Tydfil! How you doing? -Thank you, Tom. | 0:23:39 | 0:23:43 | |
-Great to see you. -You, too. | 0:23:43 | 0:23:44 | |
-Well done, mate. -Cheers, man. | 0:23:44 | 0:23:47 | |
All the best. | 0:23:47 | 0:23:49 | |
WILD CHEERING | 0:23:49 | 0:23:51 | |
# Yeah, for once in my life I've found someone | 0:23:51 | 0:23:58 | |
# For once in my life... # | 0:23:58 | 0:23:59 | |
-TOM: -I think Sinatra would have appreciated the way he sings. | 0:23:59 | 0:24:02 | |
He would have encouraged him. | 0:24:02 | 0:24:04 | |
Frank Sinatra gave me some advice, | 0:24:04 | 0:24:08 | |
which I still think about and cherish, | 0:24:08 | 0:24:10 | |
he said, "Look, be careful. Don't push too much. | 0:24:10 | 0:24:13 | |
"You only have one voice." | 0:24:13 | 0:24:16 | |
So, Frank Sinatra was a great teacher in that respect. | 0:24:16 | 0:24:19 | |
For 27-year-old Georgia, and 29-year-old Vicky, | 0:24:22 | 0:24:25 | |
music is more than a passion, | 0:24:25 | 0:24:28 | |
it is in their DNA. | 0:24:28 | 0:24:30 | |
Adele is my cousin. The famous Adele. | 0:24:32 | 0:24:36 | |
My brother is Danny from the band McFly. | 0:24:36 | 0:24:39 | |
# One, two, three, four! | 0:24:39 | 0:24:40 | |
My brother and I are extremely close. | 0:24:46 | 0:24:49 | |
We've got the same sense of humour. | 0:24:49 | 0:24:50 | |
We're both stupid! | 0:24:50 | 0:24:53 | |
To everyone else he's Danny from McFly, | 0:24:53 | 0:24:55 | |
but to me he's my brother I used to beat him up | 0:24:55 | 0:24:57 | |
when we were six years old. | 0:24:57 | 0:24:59 | |
That's always going to be Danny to me. | 0:24:59 | 0:25:01 | |
He's incredibly talented. | 0:25:02 | 0:25:04 | |
I'm really proud of him, yeah. | 0:25:04 | 0:25:07 | |
But, today is about me. | 0:25:07 | 0:25:08 | |
# It's all about you | 0:25:08 | 0:25:11 | |
# It's about you | 0:25:11 | 0:25:12 | |
# It's all about you, baby # | 0:25:12 | 0:25:16 | |
Finally! | 0:25:16 | 0:25:17 | |
-Danny is obviously not here today. -No. -Was that a conscious thing? | 0:25:19 | 0:25:22 | |
I didn't ask him. | 0:25:22 | 0:25:24 | |
# Never mind, I'll find someone like you... # | 0:25:26 | 0:25:31 | |
Everybody sings in our family. | 0:25:31 | 0:25:33 | |
Everybody plays something or sings something. | 0:25:33 | 0:25:35 | |
And my cousin Adele does inspire me, | 0:25:35 | 0:25:37 | |
and I am a massive, massive fan of her music. | 0:25:37 | 0:25:39 | |
I would love to be as good as her. I want to be a diva. | 0:25:42 | 0:25:44 | |
But first, it's all about Vicky. | 0:25:44 | 0:25:46 | |
People might think I don't deserve a place on this show | 0:25:46 | 0:25:51 | |
because of who my brother is. | 0:25:51 | 0:25:55 | |
What I'd like people to know is that I need this opportunity, | 0:25:55 | 0:25:58 | |
just as much as anybody else does. | 0:25:58 | 0:26:00 | |
Believe me. I've been trying for ten years. | 0:26:02 | 0:26:05 | |
MUSIC STARTS | 0:26:25 | 0:26:28 | |
# With an ironclad fist | 0:26:30 | 0:26:32 | |
# I wake up, French kiss the morning... # | 0:26:32 | 0:26:36 | |
-Go on, Vicky. -Come on, girl. | 0:26:38 | 0:26:41 | |
# ..while we're talking | 0:26:41 | 0:26:44 | |
# About all of the things that I long to believe | 0:26:46 | 0:26:51 | |
# About love, the truth | 0:26:51 | 0:26:53 | |
# What you mean to me | 0:26:53 | 0:26:55 | |
# And the truth is... # | 0:26:55 | 0:26:58 | |
-Come on, Kylie! -Push it! | 0:27:01 | 0:27:05 | |
# I want to lay you down in a bed of roses | 0:27:05 | 0:27:12 | |
# For tonight I sleep on a bed of nails | 0:27:14 | 0:27:20 | |
# I want to be just as close as the Holy Ghost is | 0:27:22 | 0:27:30 | |
# And lay you do-o-own | 0:27:32 | 0:27:37 | |
# On a bed of roses. # | 0:27:40 | 0:27:45 | |
Thank you! | 0:27:57 | 0:27:59 | |
Oh, my God. Hi! Hi! | 0:28:05 | 0:28:07 | |
KYLIE: Hi! | 0:28:07 | 0:28:10 | |
Who are you? | 0:28:10 | 0:28:11 | |
My name's Vicky, and I'm from Bolton. | 0:28:11 | 0:28:14 | |
CHEERING | 0:28:14 | 0:28:16 | |
Vicky from Bolton! | 0:28:18 | 0:28:19 | |
-Oh, I am so nervous. -I don't blame you. | 0:28:20 | 0:28:22 | |
I would be a bag of nerves up there, | 0:28:22 | 0:28:25 | |
but you didn't sound nervous one...little...bit. | 0:28:25 | 0:28:30 | |
Thank you. Thank you. | 0:28:30 | 0:28:31 | |
-Thank you so much. -How did that feel? | 0:28:35 | 0:28:38 | |
Amazing, actually. Yeah. Amazing. | 0:28:38 | 0:28:40 | |
Maybe nervous really before, | 0:28:40 | 0:28:42 | |
nervous afterwards, but... | 0:28:42 | 0:28:45 | |
totally nailed it. | 0:28:45 | 0:28:47 | |
Thank you. | 0:28:47 | 0:28:48 | |
Yeah. At the beginning I couldn't hear enough of you. | 0:28:51 | 0:28:55 | |
Because the band was full-on, | 0:28:55 | 0:28:58 | |
but then as it went on | 0:28:58 | 0:29:00 | |
you got stronger, then I got from you, | 0:29:00 | 0:29:03 | |
I feel what you were doing. | 0:29:03 | 0:29:05 | |
And I loved that. | 0:29:05 | 0:29:08 | |
APPLAUSE | 0:29:08 | 0:29:09 | |
And that's why I turned around. | 0:29:11 | 0:29:13 | |
Because I'd love to have you on my team, | 0:29:13 | 0:29:16 | |
because I think you're a great singer, | 0:29:16 | 0:29:18 | |
and I think we could work great together. | 0:29:18 | 0:29:21 | |
Thanks, Tom. Thank you. | 0:29:21 | 0:29:23 | |
You've got such a tough choice. | 0:29:25 | 0:29:27 | |
AUDIENCE: Tom! Tom! | 0:29:34 | 0:29:37 | |
I often find myself going "Tom! Tom! Tom!" | 0:29:41 | 0:29:45 | |
Yeah, I noticed that. | 0:29:45 | 0:29:47 | |
-It's not normally in front of so many people. -No, of course. | 0:29:47 | 0:29:50 | |
EVERYONE LAUGHS | 0:29:50 | 0:29:53 | |
-I like that. -Oh, dear. -Oh, well. | 0:29:53 | 0:29:55 | |
Then, I guess, | 0:30:01 | 0:30:02 | |
I'm absolutely overwhelmed | 0:30:02 | 0:30:05 | |
that you have both turned around. | 0:30:05 | 0:30:08 | |
-Thank you, Tom. I'll go on your team. -Great! | 0:30:21 | 0:30:23 | |
Thank you. | 0:30:23 | 0:30:25 | |
-Thank you! -You're going to be great. | 0:30:29 | 0:30:32 | |
Thank you, Kylie. | 0:30:32 | 0:30:34 | |
It was the right choice. | 0:30:34 | 0:30:35 | |
# ..five colours in her hair | 0:30:36 | 0:30:40 | |
# She's just a loner with a sexy attitude... # | 0:30:40 | 0:30:44 | |
-Hiya! -'How you doing?' -Fine, thank you. You? | 0:30:48 | 0:30:52 | |
-'How was it?' -Kylie and Tom turned around. | 0:30:52 | 0:30:55 | |
EVERYBODY SQUEALS AND LAUGHS | 0:30:55 | 0:31:00 | |
If all four of us had've turned, | 0:31:00 | 0:31:02 | |
that's where she would've gone. | 0:31:02 | 0:31:04 | |
Well, hopefully. | 0:31:04 | 0:31:06 | |
I've seen you turn those blue eyes on. Even from the side I'm, like... | 0:31:06 | 0:31:10 | |
he's doing the blue eyes, he's givin' the look. | 0:31:10 | 0:31:14 | |
-But there's Will on the end, you see. -I don't got blue eyes. | 0:31:14 | 0:31:17 | |
You got to watch him. You got to watch him. | 0:31:17 | 0:31:20 | |
I've supported my brother for the last ten years, | 0:31:21 | 0:31:24 | |
now it's his turn...to support me. | 0:31:24 | 0:31:28 | |
He can come to MY shows! | 0:31:28 | 0:31:30 | |
Vicky's through, | 0:31:33 | 0:31:35 | |
but can Georgia follow in the family footsteps, too? | 0:31:35 | 0:31:38 | |
My cousin Adele is amazing, and I'm in total awe of her. | 0:31:40 | 0:31:44 | |
But I really want to be known for me, | 0:31:44 | 0:31:47 | |
and for my voice, and for my sound. | 0:31:47 | 0:31:50 | |
And I'm ready to show the world the way I am and what I'm made of. | 0:31:50 | 0:31:53 | |
MUSIC STARTS SWING STYLE | 0:32:12 | 0:32:16 | |
# Let me tell you 'bout a boy I know | 0:32:19 | 0:32:22 | |
# He is my baby and he lives next door | 0:32:22 | 0:32:25 | |
# Every morning 'fore the sun comes up | 0:32:25 | 0:32:29 | |
# He brings my coffee in my favourite cup | 0:32:29 | 0:32:31 | |
# That's how I know | 0:32:31 | 0:32:33 | |
# I kno-o-ow | 0:32:33 | 0:32:35 | |
# Hallelujah, I just love him so | 0:32:35 | 0:32:38 | |
# When I'm in trouble and I have no friends | 0:32:38 | 0:32:42 | |
# I know he'll go with me until the end | 0:32:42 | 0:32:45 | |
# Everybody ask me how I know | 0:32:45 | 0:32:48 | |
# I smile at them and say he told me so | 0:32:48 | 0:32:51 | |
# That's how I know | 0:32:51 | 0:32:53 | |
# I kno-o-ow | 0:32:53 | 0:32:54 | |
# Hallelujah, I just love him so... # | 0:32:54 | 0:32:58 | |
Come on, Will! Come on! | 0:33:00 | 0:33:01 | |
# And tell him that I'm all alone | 0:33:01 | 0:33:04 | |
# By the time I count from one to four | 0:33:05 | 0:33:08 | |
# I hear him knockin' on my do-o-o-oor | 0:33:08 | 0:33:12 | |
# In the evening as the sun does down | 0:33:12 | 0:33:16 | |
# And there is nobody else around | 0:33:16 | 0:33:19 | |
# He kisses me and he holds me tight | 0:33:19 | 0:33:22 | |
# Tells me, baby, everything's all right | 0:33:22 | 0:33:26 | |
# That's how I know | 0:33:26 | 0:33:29 | |
# Hallelujah, I just love him so | 0:33:29 | 0:33:32 | |
# Hallelujah, I just love him so | 0:33:32 | 0:33:35 | |
# Hallelujah, I just love him so. # | 0:33:35 | 0:33:38 | |
CHEERING AND APPLAUSE | 0:33:38 | 0:33:42 | |
Thank God I didn't wait too long! | 0:34:00 | 0:34:01 | |
I was on the up, and it finished... | 0:34:01 | 0:34:04 | |
I just missed the down. | 0:34:04 | 0:34:06 | |
-Hi! -Hi! | 0:34:06 | 0:34:08 | |
Hi, what's your name? | 0:34:08 | 0:34:09 | |
My name's Georgia. I'm 27 and I'm from Huddersfield in Yorkshire. | 0:34:09 | 0:34:13 | |
-You're 27? -I'm 27, yes. | 0:34:17 | 0:34:19 | |
-You look like you're, like, 19, 20. -I know. | 0:34:19 | 0:34:21 | |
When I'm 40 that'll come in handy, won't it? | 0:34:21 | 0:34:23 | |
Yes, it will! Yes, it will! | 0:34:23 | 0:34:27 | |
-You sounded amazing. -Thank you. | 0:34:27 | 0:34:29 | |
What an interesting song choice. Is that the style you normally sing? | 0:34:29 | 0:34:32 | |
Yeah, I absolutely love Ray Charles, Etta James, | 0:34:32 | 0:34:34 | |
Otis Redding, Gladys Knight... | 0:34:34 | 0:34:37 | |
APPLAUSE | 0:34:37 | 0:34:39 | |
Yeah, it was incredible, | 0:34:39 | 0:34:41 | |
and I have no good reason for not turning round. | 0:34:41 | 0:34:43 | |
I'm glad you're with Tom. | 0:34:43 | 0:34:45 | |
I think, out of all of us, he is probably going to show you the way. | 0:34:45 | 0:34:48 | |
I think it's amazing that you, you look like, 18, | 0:34:48 | 0:34:50 | |
but you sound so, like, experienced. Yeah, it's just... | 0:34:50 | 0:34:55 | |
-I think you'll go a long way in this competition. -Yes. -Thank you. | 0:34:55 | 0:34:59 | |
I think you did a great job on that song. I love that song. | 0:35:00 | 0:35:03 | |
And I love Ray Charles, I love what he did. | 0:35:03 | 0:35:06 | |
And you did that song justice. | 0:35:06 | 0:35:09 | |
APPLAUSE | 0:35:09 | 0:35:11 | |
-Have you sung with Ray Charles? -Yes, I sang with Ray Charles. | 0:35:11 | 0:35:14 | |
Yeees! I knew there was a reason! | 0:35:14 | 0:35:17 | |
And there's proof, because I used to have a television show | 0:35:17 | 0:35:20 | |
and Ray Charles was on it. | 0:35:20 | 0:35:22 | |
-We sang together. -Wow. -So there's proof. I'm not just saying it. | 0:35:22 | 0:35:25 | |
Amazing. APPLAUSE | 0:35:25 | 0:35:27 | |
Wow. | 0:35:29 | 0:35:30 | |
Anyway, here I am. And here we are. | 0:35:30 | 0:35:33 | |
Team Tom! Team Tom! | 0:35:33 | 0:35:36 | |
# Georgia... # | 0:35:38 | 0:35:40 | |
-Well done! -Hello. | 0:35:40 | 0:35:41 | |
You are my size - yes! | 0:35:41 | 0:35:44 | |
Just about. Just about. | 0:35:44 | 0:35:45 | |
Welcome to the team, love. It was lovely. You did a great job! | 0:35:45 | 0:35:49 | |
-Thank you, Tom. -A pleasure. | 0:35:49 | 0:35:52 | |
Oh, look at you! | 0:35:52 | 0:35:53 | |
# ..Georgia on my mind... # | 0:35:58 | 0:36:02 | |
How many have you got? | 0:36:05 | 0:36:06 | |
Four. | 0:36:06 | 0:36:08 | |
And they're all girls so far. | 0:36:08 | 0:36:11 | |
WHOOPING | 0:36:11 | 0:36:13 | |
Problems. | 0:36:14 | 0:36:16 | |
Tom has a squad full of females. | 0:36:18 | 0:36:20 | |
It is true - all my team are girls. | 0:36:20 | 0:36:23 | |
-You silver bear, you! -Well, you know. | 0:36:23 | 0:36:25 | |
It's not because he's a sex bomb, sex bomb, | 0:36:25 | 0:36:28 | |
it's because he's a charmer. | 0:36:28 | 0:36:31 | |
You're with me, and we're going to be great together. | 0:36:31 | 0:36:34 | |
Thank you. | 0:36:34 | 0:36:35 | |
It's mind-blowing what he does to people. | 0:36:35 | 0:36:37 | |
-MIMICS TOM: -I have, like, 100 ladies on my team. | 0:36:37 | 0:36:40 | |
So many girls on this team! | 0:36:41 | 0:36:43 | |
I've seen the effect he has on them, and I'm not surprised. | 0:36:43 | 0:36:46 | |
Yes! | 0:36:47 | 0:36:49 | |
How can you have too many girls? | 0:36:49 | 0:36:51 | |
-Have I got her make-up all over my face? -Yep. | 0:36:51 | 0:36:53 | |
-She's got yours all over hers. -Make-up! | 0:36:53 | 0:36:55 | |
It's another girl's lipstick on Tom's face! | 0:36:55 | 0:36:58 | |
No, I can't see it. | 0:36:58 | 0:36:59 | |
And he's not done yet... | 0:37:01 | 0:37:02 | |
# You tried hard to get next to me | 0:37:03 | 0:37:06 | |
# I was so in love with you | 0:37:08 | 0:37:10 | |
# I could hardly speak | 0:37:10 | 0:37:12 | |
# Now it seems you wanna run out on me | 0:37:12 | 0:37:16 | |
# Now after all this time, tell me can't you see | 0:37:16 | 0:37:20 | |
# All this love that I'm giving | 0:37:20 | 0:37:23 | |
# All this love that I'm giving | 0:37:24 | 0:37:28 | |
# All this love... # | 0:37:28 | 0:37:30 | |
..as 30-year-old Celestine also adds her voice to Tom's roster of ladies. | 0:37:30 | 0:37:35 | |
CHEERING | 0:37:37 | 0:37:41 | |
Thank you so much for turning. | 0:37:41 | 0:37:43 | |
-Well, I had to. You sounded great to me. -Thank you. | 0:37:43 | 0:37:45 | |
And you did all the runs with ease, and I noticed that, so that's it. | 0:37:45 | 0:37:51 | |
APPLAUSE | 0:37:51 | 0:37:52 | |
It's going to be great. | 0:37:52 | 0:37:54 | |
I didn't mean it. | 0:38:00 | 0:38:02 | |
I didn't set out to say that I'm going to have all women. | 0:38:02 | 0:38:05 | |
You think that's going to change? | 0:38:05 | 0:38:07 | |
-Maybe not. -What if you had an all-girl team? | 0:38:07 | 0:38:09 | |
That's all right with me. | 0:38:09 | 0:38:11 | |
I mean, hey, it might end up like that. | 0:38:11 | 0:38:13 | |
You need that many to counterbalance your testosterone levels. | 0:38:13 | 0:38:17 | |
Yeah. | 0:38:17 | 0:38:18 | |
OK, strap yourselves in, here comes the one-man musical whirlwind | 0:38:19 | 0:38:23 | |
that is 42-year-old Si Genaro. | 0:38:23 | 0:38:25 | |
When I die, | 0:38:25 | 0:38:27 | |
there'll always be someone else along to sing The Beatles' songs, | 0:38:27 | 0:38:29 | |
but who's going to sing mine? | 0:38:29 | 0:38:32 | |
The very first song I ever wrote was the Pigeon Song. | 0:38:32 | 0:38:34 | |
HE BEATBOXES | 0:38:34 | 0:38:36 | |
# First I had one pigeon | 0:38:36 | 0:38:39 | |
# Then I had another | 0:38:39 | 0:38:41 | |
# Then I had two pigeons | 0:38:41 | 0:38:43 | |
# And I told my brother | 0:38:43 | 0:38:45 | |
# He wanted one, but I said no | 0:38:45 | 0:38:48 | |
# Ha-ha-ha-ha-ha. # | 0:38:48 | 0:38:50 | |
That's going to come back to haunt me, isn't it? | 0:38:50 | 0:38:53 | |
What would you say your style of music is? | 0:38:53 | 0:38:57 | |
I suppose you could call me | 0:38:57 | 0:38:58 | |
acoustic, breakbeat, folk, | 0:38:58 | 0:39:00 | |
-punk, funk, reggae. -Really? | 0:39:00 | 0:39:01 | |
I love singing the most, | 0:39:01 | 0:39:03 | |
but obviously I do a lot of other things as well, | 0:39:03 | 0:39:05 | |
because I think versatility is the key to good entertainment. | 0:39:05 | 0:39:07 | |
Let me rip this up. | 0:39:07 | 0:39:09 | |
HE PLAYS HARMONICA | 0:39:09 | 0:39:11 | |
To be honest, | 0:39:11 | 0:39:12 | |
I don't think I'm really constructed for the 9-5 existence, | 0:39:12 | 0:39:15 | |
because if you're a musician that's always going to be in your heart | 0:39:15 | 0:39:18 | |
and in your soul, and now I'm running | 0:39:18 | 0:39:20 | |
two open mic nights, cos I started off with open mic, | 0:39:20 | 0:39:22 | |
so I think it's good to help other people do that sort of thing. | 0:39:22 | 0:39:26 | |
Listen, that is fantastic. | 0:39:26 | 0:39:28 | |
I'd love to make a difference and if I could stop people fighting and warring... | 0:39:32 | 0:39:37 | |
I'd love to be able to bring about global peace and harmony. | 0:39:37 | 0:39:40 | |
I think I'm different from everyone else, | 0:39:41 | 0:39:43 | |
I can bring that to The Voice and my energy too. | 0:39:43 | 0:39:47 | |
No man can contain all this energy, | 0:39:47 | 0:39:49 | |
so when it comes in, you've got to put it out again pretty quick | 0:39:49 | 0:39:51 | |
or you're just literally going to explode. | 0:39:51 | 0:39:53 | |
-ALL: Oh, my God. -There he is. | 0:39:54 | 0:39:56 | |
Come on, Si. | 0:39:56 | 0:39:58 | |
DRUMS START PLAYING | 0:40:05 | 0:40:08 | |
HE PLAYS HARMONICA | 0:40:08 | 0:40:10 | |
# Travelling in a fried-out Kombi | 0:40:18 | 0:40:21 | |
# On a hippie trail, head full of zombies | 0:40:23 | 0:40:26 | |
# I met a strange lady, she made me nervous | 0:40:28 | 0:40:31 | |
# She took me in and gave me breakfast | 0:40:33 | 0:40:36 | |
# And she said, Do you come from a land down under? | 0:40:36 | 0:40:40 | |
# Where women glow and men plunder? | 0:40:42 | 0:40:45 | |
# Can't you hear, can't you hear the thunder? | 0:40:47 | 0:40:50 | |
# You better run, you better take cover... # | 0:40:51 | 0:40:55 | |
HE BEATBOXES | 0:40:56 | 0:40:58 | |
# Buying bread from a man in Brussels... # | 0:41:06 | 0:41:08 | |
Come on, someone press the button. | 0:41:08 | 0:41:10 | |
# He was six foot four and full of muscles | 0:41:10 | 0:41:15 | |
# I said, Do you speak-a my language? | 0:41:16 | 0:41:19 | |
# He just smiled and gave me a Vegemite sandwich | 0:41:21 | 0:41:24 | |
# He said, I come from a land down under | 0:41:25 | 0:41:28 | |
# Where beer does flow and men chunder | 0:41:30 | 0:41:33 | |
# Can't you hear, can't you hear the thunder? | 0:41:35 | 0:41:38 | |
# You better run, you better take cover. # | 0:41:40 | 0:41:44 | |
CHEERING | 0:41:48 | 0:41:50 | |
Oh, no. | 0:41:52 | 0:41:53 | |
Hello, guys. | 0:42:10 | 0:42:11 | |
What's your name and where do you come from? | 0:42:11 | 0:42:13 | |
My name is Si Genaro. I currently live in the New Forest. | 0:42:13 | 0:42:16 | |
Wow. You live in a forest? | 0:42:16 | 0:42:20 | |
I certainly do. Up a tree. | 0:42:20 | 0:42:22 | |
Is anyone here from the Forest? Love you guys. Squirrels. | 0:42:22 | 0:42:26 | |
LAUGHTER | 0:42:26 | 0:42:29 | |
Did you enjoy that? | 0:42:29 | 0:42:31 | |
I had a brilliant time. This crowd are absolutely wonderful. | 0:42:31 | 0:42:34 | |
CHEERING | 0:42:34 | 0:42:36 | |
-Was he moving about a lot? -AUDIENCE: Yeah! | 0:42:36 | 0:42:39 | |
Are you tired? | 0:42:39 | 0:42:41 | |
Um...no. He lied. | 0:42:41 | 0:42:44 | |
It was really good, the energy was there, | 0:42:45 | 0:42:47 | |
but maybe kind of just... hold it back a little. | 0:42:47 | 0:42:51 | |
It's all about getting there, | 0:42:51 | 0:42:53 | |
not throwing everything at it from the start. | 0:42:53 | 0:42:56 | |
Absolutely. | 0:42:56 | 0:42:58 | |
I liked it, I didn't love it enough to press this. So, that's it. | 0:42:58 | 0:43:01 | |
APPLAUSE Yeah. No, I get that. | 0:43:01 | 0:43:03 | |
But I think you gave them the highlight of the day. | 0:43:05 | 0:43:08 | |
Thank you. | 0:43:08 | 0:43:10 | |
I can't believe my luck, it's such a joy to be here, | 0:43:10 | 0:43:13 | |
this has been such a beautiful experience for me. | 0:43:13 | 0:43:15 | |
And how good are the band? | 0:43:15 | 0:43:17 | |
CHEERING | 0:43:17 | 0:43:18 | |
The band are awesome. | 0:43:18 | 0:43:19 | |
Will? | 0:43:21 | 0:43:23 | |
I felt that if you would have just focused on one thing - | 0:43:23 | 0:43:26 | |
cos you came in playing the harmonica, which is great, | 0:43:26 | 0:43:29 | |
I was like, "Cool," | 0:43:29 | 0:43:30 | |
and then you came in singing fresh, and then you started beatboxing. | 0:43:30 | 0:43:33 | |
There was a lot in there, it has to be said. | 0:43:33 | 0:43:36 | |
I was going to do some whistling and some aerobatics. | 0:43:36 | 0:43:42 | |
I'm glad I left those out in the end. | 0:43:42 | 0:43:43 | |
I don't whether I'd have been able to deal with it. | 0:43:43 | 0:43:46 | |
CHEERING | 0:43:46 | 0:43:47 | |
Maybe if you would have, like... I love beatboxing, but... | 0:43:51 | 0:43:55 | |
..not in The Voice, you know what I mean, like, | 0:43:56 | 0:43:58 | |
I don't think you can get to the end and win it beatboxing, | 0:43:58 | 0:44:01 | |
it's a lot of spit on the mic, and then you've got to share it. | 0:44:01 | 0:44:04 | |
LAUGHTER AND APPLAUSE | 0:44:04 | 0:44:07 | |
Kylie, if you can get a word in, I'd go for it now. | 0:44:10 | 0:44:13 | |
I'm trying! | 0:44:13 | 0:44:14 | |
-Hello, Kylie. -Hi. | 0:44:14 | 0:44:16 | |
Of course I loved that song, you had me at Vegemite sandwich. | 0:44:16 | 0:44:21 | |
I enjoyed it, | 0:44:21 | 0:44:22 | |
I thought the same with the beatboxing, | 0:44:22 | 0:44:27 | |
that seemed like a bit of waste of your valuable time. | 0:44:27 | 0:44:30 | |
But thanks for singing one of my favourite songs. | 0:44:30 | 0:44:32 | |
You are very welcome. | 0:44:32 | 0:44:35 | |
It's always been my dream to sit in one of those chairs. | 0:44:35 | 0:44:38 | |
What are the chances? I'm not trying to steal your job. | 0:44:38 | 0:44:42 | |
CHEERING | 0:44:42 | 0:44:43 | |
-Thank you. -There he goes! | 0:44:46 | 0:44:49 | |
I can't believe I'm sitting in Will.i.am's chair, | 0:44:57 | 0:44:59 | |
this is the best buzz ever. | 0:44:59 | 0:45:01 | |
OK, Will, um... | 0:45:01 | 0:45:03 | |
I personally think that you're from the future. | 0:45:04 | 0:45:08 | |
LAUGHTER | 0:45:08 | 0:45:10 | |
Am I right? | 0:45:10 | 0:45:11 | |
He's definitely from the future, isn't he? | 0:45:14 | 0:45:15 | |
He's too cool for our time. | 0:45:15 | 0:45:17 | |
CHEERING | 0:45:17 | 0:45:19 | |
His phone's in here. I won't touch it. | 0:45:19 | 0:45:22 | |
And there's a drink. | 0:45:22 | 0:45:23 | |
So, what do you do in the Forest? | 0:45:23 | 0:45:27 | |
LAUGHTER | 0:45:27 | 0:45:29 | |
I mainly chase badgers, really. | 0:45:29 | 0:45:31 | |
There's not a lot else to do. | 0:45:31 | 0:45:33 | |
LAUGHTER AND APPLAUSE | 0:45:33 | 0:45:35 | |
I write songs cos the countryside's a good place for writing songs. | 0:45:39 | 0:45:42 | |
It's very conducive for the creative process. | 0:45:42 | 0:45:45 | |
-Would you like your chair back? Thank you so much. -No, go ahead. | 0:45:46 | 0:45:50 | |
It's been an absolute privilege. | 0:45:50 | 0:45:51 | |
Oh, my God. | 0:45:55 | 0:45:57 | |
Thanks for coming in. | 0:45:57 | 0:45:59 | |
I've always thought you were a legend | 0:45:59 | 0:46:01 | |
-for as long as I've lived in this world. -Thank you. | 0:46:01 | 0:46:05 | |
What I want to ask though, you do a lot of shows? | 0:46:05 | 0:46:08 | |
I do actually combine music with comedy sometimes. | 0:46:08 | 0:46:11 | |
When I was in the hotel room the other day, | 0:46:11 | 0:46:13 | |
I did actually write a song called Chicken Train. | 0:46:13 | 0:46:15 | |
-Can we hear it? -Yeah. -Yeah. | 0:46:15 | 0:46:18 | |
HARMONICA MIMICS CHICKEN | 0:46:21 | 0:46:22 | |
# Chicken train | 0:46:27 | 0:46:29 | |
HE BEATBOXES | 0:46:29 | 0:46:31 | |
BAND STARTS PLAYING | 0:46:35 | 0:46:38 | |
# Put the needle to the record Put the needle to the record | 0:46:58 | 0:47:01 | |
# Drumbeats go like | 0:47:01 | 0:47:03 | |
# Needle to the record | 0:47:03 | 0:47:05 | |
-# Put the needle to the record. -# | 0:47:05 | 0:47:06 | |
-Chicken Train, eh? -Chicken train. | 0:47:37 | 0:47:39 | |
Chicken Train is a smash. | 0:47:39 | 0:47:41 | |
Well, it will be. | 0:47:41 | 0:47:43 | |
-That was kind of amazing. -Yeah. | 0:47:49 | 0:47:51 | |
What a character, huh? | 0:47:51 | 0:47:52 | |
He's gotta get out of the forest more often. | 0:47:52 | 0:47:55 | |
Well done, Si. | 0:47:55 | 0:47:56 | |
Si, that was absolutely incredible. | 0:48:01 | 0:48:04 | |
-It was so good. -Thank you. | 0:48:04 | 0:48:07 | |
Look at your brother, he's emotional. | 0:48:07 | 0:48:09 | |
I'm so proud of you. | 0:48:09 | 0:48:11 | |
Si is my big brother, he's always been my hero... | 0:48:11 | 0:48:14 | |
I've always been his big brother. | 0:48:14 | 0:48:16 | |
And he's so confident and so fearless out there. | 0:48:16 | 0:48:20 | |
Whether they turn around or not, he's everything I'd like to be. | 0:48:20 | 0:48:24 | |
Yeah, but Philip, you're everything I want to be. | 0:48:25 | 0:48:27 | |
Si Genaro was like... | 0:48:27 | 0:48:30 | |
bizarro. He even made his harmonica sound like a chicken. | 0:48:30 | 0:48:33 | |
That was nuts. | 0:48:33 | 0:48:35 | |
Aye-aye. | 0:48:38 | 0:48:39 | |
Quick polish. Polish me button. | 0:48:40 | 0:48:43 | |
Ricky's gotta do more than just polish that button. | 0:48:43 | 0:48:46 | |
He's got to push it. | 0:48:46 | 0:48:47 | |
But what will it take for him to turn? | 0:48:47 | 0:48:49 | |
What I'm looking for is more than technical ability, | 0:48:49 | 0:48:52 | |
it's got to hit me here, not just here, it's about...connecting. | 0:48:52 | 0:48:57 | |
Will 19-year-old Nathan Kobierowski have what it takes | 0:48:57 | 0:49:00 | |
to get Ricky to push that button? | 0:49:00 | 0:49:02 | |
I think Ricky will be more into the rockier kind of stuff. | 0:49:02 | 0:49:04 | |
Hopefully that will work in my favour. | 0:49:04 | 0:49:07 | |
# You only hold me when I sleep | 0:49:08 | 0:49:11 | |
# And I was meant to tread the water | 0:49:13 | 0:49:17 | |
# Now I've gotten in too deep | 0:49:20 | 0:49:23 | |
# For every piece of me that wants you | 0:49:25 | 0:49:29 | |
# Another piece backs away | 0:49:31 | 0:49:34 | |
# You give me something | 0:49:36 | 0:49:41 | |
# That makes me scared all right | 0:49:41 | 0:49:43 | |
# This could be nothing | 0:49:43 | 0:49:46 | |
# But I'm willing to give it a try | 0:49:46 | 0:49:48 | |
# Please give me something | 0:49:49 | 0:49:52 | |
# Cos someday I might know my heart. # | 0:49:52 | 0:49:57 | |
APPLAUSE | 0:49:58 | 0:50:00 | |
I felt like you really wanted it, and you needed it, | 0:50:02 | 0:50:05 | |
but maybe at some points the passion got in the way of the tuning | 0:50:05 | 0:50:09 | |
and you got ahead of yourself, but that boy can sing. | 0:50:09 | 0:50:13 | |
Cheers, thanks. | 0:50:13 | 0:50:15 | |
Ricky is a rock singer with a rock band. That's what he does. | 0:50:15 | 0:50:19 | |
-I thought you might have turned. -That wasn't what I was looking for. | 0:50:19 | 0:50:22 | |
No. | 0:50:22 | 0:50:23 | |
It'd be boring if my team was just a load of guys singing rock songs. | 0:50:23 | 0:50:26 | |
It just wasn't right for me, and if it's not right for me | 0:50:26 | 0:50:29 | |
then it could be right for the other three. | 0:50:29 | 0:50:31 | |
Ricky's probably into the same sort of music as I am | 0:50:33 | 0:50:36 | |
and I think he's probably my best bet, to be honest. | 0:50:36 | 0:50:40 | |
# I want your loving and I want your revenge | 0:50:40 | 0:50:43 | |
# You and me could write a bad romance | 0:50:43 | 0:50:47 | |
# I want your loving and I want your revenge | 0:50:48 | 0:50:50 | |
# You and me could write a bad romance | 0:50:50 | 0:50:54 | |
# Oh-oh-oh-oh | 0:50:56 | 0:50:59 | |
# Caught in a bad romance | 0:50:59 | 0:51:01 | |
# Um-da um-um-da-da | 0:51:03 | 0:51:05 | |
# Da-da um-dum-da-da | 0:51:05 | 0:51:07 | |
# Da-da um-dum-da-da | 0:51:07 | 0:51:09 | |
# I want your romance | 0:51:09 | 0:51:11 | |
# I want your loving I want your revenge | 0:51:11 | 0:51:14 | |
# You and me could write a bad romance | 0:51:14 | 0:51:17 | |
# I want your loving and I want your revenge... # | 0:51:19 | 0:51:21 | |
'Sometimes I feel under pressure that | 0:51:21 | 0:51:22 | |
'if I hear an acoustic guitar that I'm supposed to pick it.' | 0:51:22 | 0:51:26 | |
I'm not doing that...I'll go for you cos you're up there with a guitar. | 0:51:27 | 0:51:32 | |
I'll go for anything that I just think...there's something in there. | 0:51:32 | 0:51:36 | |
# Romance. # | 0:51:36 | 0:51:38 | |
CHEERING | 0:51:38 | 0:51:41 | |
I wish someone else had gone for it cos...it was grand. | 0:51:41 | 0:51:45 | |
Thank you. APPLAUSE | 0:51:45 | 0:51:47 | |
'I think it is good for someone like me going on and singing a rock song | 0:51:49 | 0:51:53 | |
'that there is now Ricky on the panel, because there's going to be certain | 0:51:53 | 0:51:56 | |
'things that he hears that maybe some of the other coaches won't.' | 0:51:56 | 0:52:00 | |
# They will stop degrading us | 0:52:00 | 0:52:08 | |
# They will not control us | 0:52:08 | 0:52:15 | |
# We will be victorious | 0:52:15 | 0:52:22 | |
# Come on | 0:52:22 | 0:52:24 | |
# We rise up and take the power back | 0:52:27 | 0:52:30 | |
# It's time the fat cats had a heart attack | 0:52:30 | 0:52:33 | |
# You know that their time is coming to an end | 0:52:33 | 0:52:37 | |
# We have to unify and watch our flag ascend | 0:52:37 | 0:52:42 | |
# They will not force us | 0:52:42 | 0:52:49 | |
# They will stop degrading us | 0:52:49 | 0:52:56 | |
# They will not control us | 0:52:56 | 0:53:04 | |
# And we will be victorious. # | 0:53:04 | 0:53:13 | |
Will is absolutely seething with me. Look at that face. | 0:53:21 | 0:53:24 | |
Oh, I'm not upset. I just beamed him a thought and he received it. | 0:53:24 | 0:53:28 | |
But you did an amazing job, I'm just the indie guy. | 0:53:28 | 0:53:31 | |
Thank you all so much for your time. | 0:53:31 | 0:53:33 | |
It's been an absolute privilege to perform in front of you guys. | 0:53:33 | 0:53:36 | |
CHEERING | 0:53:36 | 0:53:38 | |
I haven't had the moment where I've gone...there's no hesitation. | 0:53:40 | 0:53:43 | |
I need that moment that makes my heart pound, | 0:53:43 | 0:53:46 | |
I need that moment that makes me feel to an extent. | 0:53:46 | 0:53:49 | |
Hoping he can make that connection is 26-year-old Myles Evans. | 0:53:54 | 0:53:57 | |
Tell me a little bit about you. What's your normal day-to-day job? | 0:53:59 | 0:54:03 | |
-I'm a trainee lawyer at the moment. -Oh. | 0:54:03 | 0:54:06 | |
-Yeah. -It's quite different. -A bit different. | 0:54:06 | 0:54:09 | |
I'm kind of out of my comfort zone here, I don't really do anything | 0:54:09 | 0:54:12 | |
like this or any kind of music or singing or performing. | 0:54:12 | 0:54:16 | |
-So, this is my fault. -Your fault? -I did the application for him. | 0:54:16 | 0:54:21 | |
How did you feel when you found out? | 0:54:21 | 0:54:22 | |
I was pretty surprised. | 0:54:22 | 0:54:25 | |
-Angry with her? -Not angry. Just a bit shocked. | 0:54:25 | 0:54:29 | |
But I thought, you can't argue with your sister. | 0:54:29 | 0:54:31 | |
No, you really can't. | 0:54:31 | 0:54:33 | |
We know how the brother and sister relationship goes. | 0:54:33 | 0:54:35 | |
The sister will always win. | 0:54:35 | 0:54:37 | |
My sister was diagnosed with cancer in February last year. | 0:54:37 | 0:54:45 | |
It's obviously a very serious condition... | 0:54:45 | 0:54:50 | |
Sorry. | 0:54:51 | 0:54:52 | |
She's undergone chemotherapy treatment | 0:54:57 | 0:55:00 | |
and she's going to have to undergo surgery as well. | 0:55:00 | 0:55:04 | |
I thought it was about time that somebody pushed him | 0:55:07 | 0:55:09 | |
and going through chemotherapy | 0:55:09 | 0:55:11 | |
is the perfect time to use emotional blackmail, really, | 0:55:11 | 0:55:14 | |
to get him to do it, | 0:55:14 | 0:55:15 | |
so he couldn't say no to his big sister. | 0:55:15 | 0:55:17 | |
I feel hugely out of my depth here. | 0:55:21 | 0:55:23 | |
I've never actually sung in any bars or clubs | 0:55:24 | 0:55:27 | |
or had any kind of professional training whatsoever, | 0:55:27 | 0:55:30 | |
but here I am, performing in front of millions of people | 0:55:30 | 0:55:34 | |
and the four celebrity coaches. | 0:55:34 | 0:55:36 | |
No pressure. | 0:55:36 | 0:55:37 | |
-There he is! -Come on, Myles! | 0:55:37 | 0:55:39 | |
If I knew what I was hoping to find, | 0:55:42 | 0:55:44 | |
I'd know where to look for it. | 0:55:44 | 0:55:46 | |
I want it to surprise me and, yeah, I want to find a little bit of magic. | 0:55:46 | 0:55:50 | |
MYLES: I want to do it for my sister. | 0:55:51 | 0:55:52 | |
She believes in me more than I believe in myself. | 0:55:52 | 0:55:55 | |
He looks the part, doesn't he? He really does. | 0:56:03 | 0:56:06 | |
# Broken bottles in the hotel lobby | 0:56:20 | 0:56:25 | |
# Seems to me like I'm just scared of never feeling it again | 0:56:27 | 0:56:33 | |
# I know it's crazy to believe in silly things | 0:56:33 | 0:56:40 | |
# But it's not that easy | 0:56:40 | 0:56:43 | |
# But I've got high hopes... # | 0:56:43 | 0:56:48 | |
Come on, Ricky, push it! | 0:56:48 | 0:56:51 | |
Go on! | 0:56:51 | 0:56:53 | |
Yes! | 0:56:58 | 0:56:59 | |
# When it all comes to an end | 0:57:01 | 0:57:04 | |
# But the world keeps spinning | 0:57:04 | 0:57:08 | |
# Around | 0:57:10 | 0:57:12 | |
# Oh-oh | 0:57:16 | 0:57:19 | |
# Whoa, whoa-oh-oh! | 0:57:19 | 0:57:23 | |
# High hopes | 0:57:23 | 0:57:25 | |
# It takes me back to where we started | 0:57:25 | 0:57:29 | |
# High hopes | 0:57:29 | 0:57:32 | |
-# When you let it go, go out and start again... # -Again! | 0:57:32 | 0:57:35 | |
Well done! | 0:57:35 | 0:57:38 | |
# Whoa-oh-oh-oh | 0:57:38 | 0:57:42 | |
# But the world keeps spinning | 0:57:42 | 0:57:45 | |
# Around. # | 0:57:48 | 0:57:51 | |
CHEERING AND APPLAUSE | 0:57:51 | 0:57:55 | |
-Yes! -Well done! | 0:57:55 | 0:57:57 | |
CHEERING | 0:57:57 | 0:57:59 | |
Thank you. | 0:58:07 | 0:58:08 | |
Thank you. | 0:58:11 | 0:58:13 | |
-Hi! -Hi, Kylie, how are you? | 0:58:13 | 0:58:15 | |
Good! Who are you, what's your name? | 0:58:15 | 0:58:17 | |
My name's Myles. I'm 26 and I'm a trainee solicitor. | 0:58:17 | 0:58:23 | |
WHOOPING AND APPLAUSE | 0:58:23 | 0:58:26 | |
So you prefer your day job or being here? | 0:58:26 | 0:58:29 | |
Er, I quite enjoyed that, actually, yeah. | 0:58:29 | 0:58:32 | |
Good! It was really good! | 0:58:32 | 0:58:34 | |
APPLAUSE Thank you. | 0:58:34 | 0:58:36 | |
I've never actually sung in public before. | 0:58:36 | 0:58:38 | |
What?! | 0:58:38 | 0:58:39 | |
CHEERING | 0:58:41 | 0:58:43 | |
Obviously, I haven't had the experience... | 0:58:47 | 0:58:50 | |
I'm putting this in a nice way. | 0:58:50 | 0:58:51 | |
-Oh, thank you. -LAUGHTER | 0:58:51 | 0:58:53 | |
-Thank you very much. -..that Tom has, | 0:58:53 | 0:58:56 | |
but I would say that at times it wasn't perfect, | 0:58:56 | 0:59:01 | |
but you were nervous, I could tell that straight away. | 0:59:01 | 0:59:04 | |
You're on TV, it's Saturday night. | 0:59:04 | 0:59:06 | |
Everything else is there - the emotion, the power of it. | 0:59:06 | 0:59:10 | |
I think you were just nervous. | 0:59:10 | 0:59:13 | |
-But I think it was great. -Yeah. | 0:59:13 | 0:59:16 | |
-You'll go a long way. -Cheers, thank you. | 0:59:16 | 0:59:18 | |
APPLAUSE | 0:59:18 | 0:59:21 | |
I enjoyed your performance. Thank you so much. | 0:59:21 | 0:59:24 | |
-Thank you. -I think, you know, those two blokes over there... | 0:59:24 | 0:59:28 | |
I said "bloke" like an Englishman! | 0:59:28 | 0:59:31 | |
LAUGHTER AND WHOOPING | 0:59:31 | 0:59:33 | |
Very British, very proper. | 0:59:33 | 0:59:35 | |
Look at me, Mom, I'm turning English! | 0:59:35 | 0:59:37 | |
I think, out of those two mates... | 0:59:38 | 0:59:40 | |
I did it again! | 0:59:40 | 0:59:42 | |
Now you're Australian! | 0:59:42 | 0:59:43 | |
Oh, that's right. I didn't feel... | 0:59:43 | 0:59:45 | |
I was sitting here thinking, "OK, what can I do to coach?" | 0:59:45 | 0:59:51 | |
I didn't turn cos I didn't want to... | 0:59:51 | 0:59:54 | |
-It'd be an injustice if you were to pick me. -Thank you, Will. | 0:59:54 | 0:59:58 | |
I loved it. | 0:59:58 | 1:00:00 | |
I can't criticise anything that you did, | 1:00:00 | 1:00:02 | |
because you sounded really good and really original. | 1:00:02 | 1:00:06 | |
You have the tone and you have a style. | 1:00:06 | 1:00:09 | |
You've got a thing there that I wouldn't try to change. | 1:00:09 | 1:00:14 | |
I would just hopefully give you more confidence, that's all. | 1:00:14 | 1:00:17 | |
WHOOPING AND APPLAUSE | 1:00:17 | 1:00:21 | |
Who do you think he'll pick, Christopher? | 1:00:21 | 1:00:23 | |
-Um, Ricky. -Do you? | 1:00:23 | 1:00:25 | |
AUDIENCE SHOUT SUGGESTIONS | 1:00:25 | 1:00:30 | |
I didn't even think I'd be in this position at all. | 1:00:30 | 1:00:33 | |
Um... | 1:00:33 | 1:00:34 | |
I think... I think the person that I want as my coach... | 1:00:35 | 1:00:41 | |
Ricky or Tom, Ricky or Tom. | 1:00:41 | 1:00:43 | |
-..is Ricky. -Yeah. | 1:00:46 | 1:00:48 | |
Yes! | 1:00:48 | 1:00:50 | |
We'll have a great time. | 1:00:58 | 1:01:00 | |
-Good luck. No, it's great. -Thank you. -OK. | 1:01:01 | 1:01:04 | |
Your first time performing? That was amazing, well done. | 1:01:04 | 1:01:07 | |
HE MOUTHS CONGRATULATIONS | 1:01:09 | 1:01:11 | |
He seems like the nicest guy ever. He's so sweet. | 1:01:14 | 1:01:18 | |
There he is! | 1:01:19 | 1:01:21 | |
Yes! | 1:01:21 | 1:01:23 | |
You must be so pleased that your sister pushed you into it. | 1:01:23 | 1:01:27 | |
-Forced your hand. -She can feel less guilty now. | 1:01:27 | 1:01:30 | |
-I got one. -Got one! | 1:01:30 | 1:01:32 | |
He's done brilliant. I would have been proud of him whatever happened, | 1:01:34 | 1:01:37 | |
but he's done so well | 1:01:37 | 1:01:38 | |
and I just wanted other people to see he could sing. | 1:01:38 | 1:01:41 | |
It didn't sound like anyone else. | 1:01:41 | 1:01:44 | |
-It was like the emotion was in the cracks. It was just him. -Yeah! | 1:01:44 | 1:01:48 | |
Exactly. He came over very real. | 1:01:48 | 1:01:50 | |
Very natural. | 1:01:51 | 1:01:52 | |
It's not about what genre you're into or you think you're into. | 1:01:52 | 1:01:57 | |
It's about... It was just about emotion. And... | 1:01:57 | 1:02:00 | |
..he had it. | 1:02:01 | 1:02:03 | |
Last up tonight is 31-year-old Leverne Scott-Roberts | 1:02:07 | 1:02:10 | |
and this is isn't the first time she's had a stab at musical success. | 1:02:10 | 1:02:14 | |
When I was 18 years of age, I was in a girl band | 1:02:14 | 1:02:17 | |
with two other girls. | 1:02:17 | 1:02:19 | |
We got a development deal | 1:02:21 | 1:02:22 | |
and we were having a lot of fun with each other, and it was great. | 1:02:22 | 1:02:26 | |
I then fell pregnant with my first little boy. | 1:02:28 | 1:02:32 | |
I really left everything and came back home to be a mother. | 1:02:35 | 1:02:40 | |
-Oh, who's that for? -You! | 1:02:41 | 1:02:44 | |
I'm a single mum now to four boys under 11, | 1:02:44 | 1:02:49 | |
and my routine consists of just the daily chores of having children | 1:02:49 | 1:02:55 | |
and it doesn't leave much time for singing. | 1:02:55 | 1:02:58 | |
I have a record deal with the kitchen sink now, | 1:02:58 | 1:03:00 | |
cos it's the only place I ever get to sing. | 1:03:00 | 1:03:03 | |
She sings in the kitchen and she sings everywhere. | 1:03:03 | 1:03:07 | |
I'm doing this to show my children | 1:03:07 | 1:03:10 | |
that no dream should really be too big. | 1:03:10 | 1:03:13 | |
I always doubt myself a lot - | 1:03:16 | 1:03:18 | |
"Can I sing? Am I in tune? | 1:03:18 | 1:03:20 | |
"Is there anything there at all?" | 1:03:20 | 1:03:22 | |
Today is the first time in ten years I've stepped out on a stage. | 1:03:24 | 1:03:28 | |
It's nerve-racking. | 1:03:30 | 1:03:31 | |
-Does she look nervous to you? -ALL: Yes. | 1:03:50 | 1:03:53 | |
# You trembled like you'd seen a ghost | 1:04:04 | 1:04:10 | |
# And I gave in | 1:04:10 | 1:04:13 | |
# "I lack the things you need the most", you said | 1:04:14 | 1:04:19 | |
# Where have you been | 1:04:19 | 1:04:23 | |
# I've fallen from grace | 1:04:23 | 1:04:26 | |
# Took a blow to my face | 1:04:26 | 1:04:28 | |
# I've loved and I've lost | 1:04:28 | 1:04:31 | |
# I've loved and I've lost | 1:04:31 | 1:04:33 | |
# Explosions | 1:04:33 | 1:04:38 | |
# On the day you wake up | 1:04:38 | 1:04:41 | |
# Needing somebody | 1:04:41 | 1:04:43 | |
# You've learned | 1:04:43 | 1:04:48 | |
# It's OK to be afraid | 1:04:48 | 1:04:52 | |
# But it will never be the same | 1:04:52 | 1:04:55 | |
# The nights you could cope | 1:04:55 | 1:04:58 | |
# Your intentions were gold | 1:04:58 | 1:05:00 | |
# But the mountains will shake | 1:05:00 | 1:05:03 | |
# I need to know I can still make | 1:05:03 | 1:05:05 | |
# Explosions | 1:05:05 | 1:05:10 | |
# On the day you wake up | 1:05:10 | 1:05:13 | |
# Needing somebody | 1:05:13 | 1:05:15 | |
# And you've learned | 1:05:15 | 1:05:20 | |
# It's OK to be afraid | 1:05:20 | 1:05:24 | |
# But it will never be the same | 1:05:24 | 1:05:28 | |
# Oh-oh-oh | 1:05:28 | 1:05:29 | |
# It will never be the same. # | 1:05:29 | 1:05:35 | |
CHEERING AND APPLAUSE | 1:05:35 | 1:05:40 | |
No way! | 1:05:45 | 1:05:46 | |
Thank you, thank you. | 1:05:54 | 1:05:56 | |
Thank you! | 1:05:56 | 1:05:57 | |
-You have a full house! -Are your chairs broken? | 1:05:57 | 1:05:59 | |
LAUGHTER | 1:05:59 | 1:06:01 | |
-What's your name? -Sorry, my name is Leverne | 1:06:01 | 1:06:04 | |
and I'm from Cheshire. | 1:06:04 | 1:06:06 | |
WHOOPING | 1:06:06 | 1:06:09 | |
I'm a mummy of four, | 1:06:09 | 1:06:11 | |
four little boys. | 1:06:11 | 1:06:13 | |
You probably don't have a lot of time with four children. | 1:06:17 | 1:06:21 | |
So how did you become such a good singer? | 1:06:21 | 1:06:24 | |
-I don't sing, Kylie... -What?! | 1:06:24 | 1:06:28 | |
I don't do gigs, I don't do shows, I basically... | 1:06:28 | 1:06:31 | |
Do laundry and packed lunches? | 1:06:31 | 1:06:34 | |
Yes, Hoover, wash up and sing whilst I'm going with the boys going, | 1:06:34 | 1:06:38 | |
"Stop singing, Mum!" | 1:06:38 | 1:06:40 | |
CHEERING | 1:06:40 | 1:06:43 | |
Well, that was just beautiful and I would love to hear you sing | 1:06:46 | 1:06:49 | |
more songs and I'd love to be part of your journey. | 1:06:49 | 1:06:52 | |
We'll sort out the baby-sitter and all that. | 1:06:52 | 1:06:55 | |
And you're just delightful and lovely and you have my heart. | 1:06:55 | 1:07:00 | |
CHEERING | 1:07:00 | 1:07:03 | |
I've got five girls on my team. | 1:07:07 | 1:07:09 | |
LAUGHTER | 1:07:09 | 1:07:10 | |
I have to stress that point, because, as it happens, | 1:07:10 | 1:07:13 | |
they are all girls. | 1:07:13 | 1:07:16 | |
-I don't know why, because... -Ah! | 1:07:16 | 1:07:18 | |
No, no, because I really like the way they sang. | 1:07:18 | 1:07:22 | |
Each one of them brought something different. | 1:07:22 | 1:07:25 | |
And that's what you do - you've brought something different. | 1:07:25 | 1:07:29 | |
You just sang it. | 1:07:29 | 1:07:31 | |
You didn't try to do anything clever. You did what you felt. | 1:07:31 | 1:07:37 | |
And I felt what you felt, so if you want to come with me, come on. | 1:07:37 | 1:07:43 | |
APPLAUSE | 1:07:43 | 1:07:46 | |
Yeah, during that, me and TJ... | 1:07:46 | 1:07:48 | |
sorry, Sir TJ - we were looking at each other | 1:07:48 | 1:07:51 | |
and we both said the same thing - we were both going, "Pure." | 1:07:51 | 1:07:54 | |
-Yeah. -It was so pure. | 1:07:54 | 1:07:55 | |
It was amazing. But I think we're going to have to find someone | 1:07:55 | 1:07:58 | |
to help you with the laundry | 1:07:58 | 1:07:59 | |
and looking after the kids cos you're going to be pretty busy | 1:07:59 | 1:08:03 | |
over the next few weeks. | 1:08:03 | 1:08:05 | |
CHEERING | 1:08:05 | 1:08:08 | |
I thought you sounded like a little angel | 1:08:10 | 1:08:14 | |
and I didn't want to waste any time. I wanted to see you... | 1:08:14 | 1:08:17 | |
I wanted to see what fell out of the sky, so I turned around. | 1:08:18 | 1:08:22 | |
AUDIENCE: Aww! | 1:08:22 | 1:08:24 | |
Smooth. | 1:08:26 | 1:08:28 | |
We all have that person in our lives | 1:08:30 | 1:08:33 | |
that helps us do impossible things. | 1:08:33 | 1:08:35 | |
Whether it's a family member, a close friend, a manager, | 1:08:35 | 1:08:39 | |
so this journey, | 1:08:39 | 1:08:41 | |
there's going to be some things that seem impossible to you | 1:08:41 | 1:08:44 | |
because you've been doing impossible things raising a wonderful family. | 1:08:44 | 1:08:48 | |
Regardless of who you pick, | 1:08:48 | 1:08:50 | |
we'll be walking around backstage and I'll be there to give you | 1:08:50 | 1:08:54 | |
a shove on the shoulder to help you through the hard times. | 1:08:54 | 1:08:57 | |
CHEERING AND APPLAUSE | 1:08:57 | 1:09:00 | |
It's a tough choice, right? | 1:09:03 | 1:09:04 | |
-It's the toughest. -Cos on the end you've got Will, | 1:09:04 | 1:09:08 | |
and what he can do for you is immeasurable. | 1:09:08 | 1:09:10 | |
You've got Kyles, there. | 1:09:12 | 1:09:14 | |
She can bring out the diva in you, which needs to be brought out. | 1:09:14 | 1:09:18 | |
Tom can teach you everything cos he's done everything. | 1:09:19 | 1:09:23 | |
He's met Jessie J(!) | 1:09:23 | 1:09:25 | |
LAUGHTER | 1:09:25 | 1:09:27 | |
I'd just let you be yourself, that's what I'd do. And you are great. | 1:09:31 | 1:09:35 | |
WHOOPING | 1:09:35 | 1:09:38 | |
Choose wisely. | 1:09:40 | 1:09:41 | |
AUDIENCE SHOUTS SUGGESTIONS | 1:09:45 | 1:09:49 | |
Such a decision. | 1:09:49 | 1:09:50 | |
I thought backstage now who my heart was belonging to | 1:09:52 | 1:09:55 | |
from before I got on the stage... | 1:09:55 | 1:09:57 | |
..and for who I think can take me further... | 1:10:00 | 1:10:04 | |
..Tom Jones. | 1:10:10 | 1:10:12 | |
# I want to scream | 1:10:12 | 1:10:13 | |
# I want to shout | 1:10:13 | 1:10:16 | |
# I want to scream till the words come out... # | 1:10:16 | 1:10:20 | |
CHEERING | 1:10:31 | 1:10:35 | |
-Six girls, yes. -Six girls now. | 1:10:38 | 1:10:41 | |
THEY SCREAM | 1:10:41 | 1:10:43 | |
She's got a natural voice. She didn't try to, you know, | 1:10:44 | 1:10:48 | |
-make us turn around. She just sang it. -Yeah. | 1:10:48 | 1:10:51 | |
-And I love that. -And it felt effortless. -Yeah. | 1:10:51 | 1:10:53 | |
Moms, to me, I always think of my mom. | 1:10:54 | 1:10:56 | |
She had four kids of her own and adopted four, | 1:10:56 | 1:10:59 | |
so there's eight of us, | 1:10:59 | 1:11:01 | |
so I sympathise and empathise with single moms. | 1:11:01 | 1:11:06 | |
She's Supermom. | 1:11:06 | 1:11:07 | |
She's like a little pop star ready to go, | 1:11:08 | 1:11:11 | |
but I think Tom had her from the very start. | 1:11:11 | 1:11:14 | |
A very powerful Sex Bomb to defuse. | 1:11:14 | 1:11:16 | |
How do you do it? | 1:11:18 | 1:11:20 | |
I just do it. | 1:11:20 | 1:11:21 | |
He just does it! | 1:11:21 | 1:11:23 | |
As we approach the halfway mark in the blind auditions, | 1:11:24 | 1:11:27 | |
week three of the talent grab is over. | 1:11:27 | 1:11:29 | |
Tom has been busy, as his all-female team grows to six. | 1:11:31 | 1:11:35 | |
I didn't intend it to be this way. | 1:11:35 | 1:11:37 | |
12 girls, I mean, hey, it might end up like that. | 1:11:37 | 1:11:40 | |
Yeah! | 1:11:40 | 1:11:42 | |
Team Will has one new member, taking his total to four. | 1:11:42 | 1:11:44 | |
I'm really happy with my team so far. | 1:11:46 | 1:11:48 | |
I think this is going to be freakin' fresh. | 1:11:48 | 1:11:50 | |
-MARVIN: -Along with Ricky, who also adds one to make four. | 1:11:50 | 1:11:53 | |
I've got four acts. I'm feeling very positive. | 1:11:53 | 1:11:56 | |
But there's no pressure, though. | 1:11:56 | 1:11:58 | |
And Kylie bides her time... | 1:11:58 | 1:12:00 | |
..sticking on four. | 1:12:02 | 1:12:03 | |
I'm really happy with Team Kylie so far. | 1:12:03 | 1:12:06 | |
I think it's more about quality than quantity, | 1:12:06 | 1:12:08 | |
but I'll fight the whole way. | 1:12:08 | 1:12:10 | |
With time running out, the coaches must raise their game... | 1:12:10 | 1:12:13 | |
I don't think the claws have totally come out yet. | 1:12:13 | 1:12:15 | |
-No. -..Kylie's "spinning around"... | 1:12:15 | 1:12:18 | |
These guys are starting to play games now. | 1:12:18 | 1:12:19 | |
HE IMITATES CRYING | 1:12:19 | 1:12:21 | |
..and fighting talk. | 1:12:25 | 1:12:27 | |
Me and Kylie haven't got the experience, | 1:12:27 | 1:12:29 | |
so that makes us a bit more fresh. | 1:12:29 | 1:12:32 | |
-No, you can't do that! -Ah! | 1:12:32 | 1:12:35 | |
-See these fists? -See these heels? | 1:12:35 | 1:12:37 | |
Mama dope. | 1:12:38 | 1:12:39 | |
Find out next week, as the blind auditions continue. | 1:12:39 | 1:12:42 | |
We'll see what happens next time. | 1:12:42 | 1:12:44 | |
Bam. | 1:12:44 | 1:12:46 |