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Nothing is actually like sitting in the red chair. | 0:00:04 | 0:00:08 | |
It feels great, it's blown my mind. | 0:00:08 | 0:00:11 | |
# I'm spinning around | 0:00:11 | 0:00:13 | |
# Move out of my way | 0:00:13 | 0:00:16 | |
# I know you're feeling me cos you like it like this...# | 0:00:16 | 0:00:19 | |
Choose wisely. | 0:00:19 | 0:00:20 | |
# I'm spinning around | 0:00:20 | 0:00:21 | |
# Move out of my way | 0:00:21 | 0:00:23 | |
Plan out! | 0:00:23 | 0:00:24 | |
# I know you're feeling me cos you like it like this... # | 0:00:24 | 0:00:26 | |
Here I am. | 0:00:26 | 0:00:28 | |
KYLIE SHRIEKS | 0:00:28 | 0:00:30 | |
-Are these things getting faster? -Yes. | 0:00:30 | 0:00:34 | |
Tonight on The Voice. | 0:00:34 | 0:00:36 | |
# One way or another...# | 0:00:36 | 0:00:38 | |
Kylie brings out here secret weapon. | 0:00:38 | 0:00:40 | |
I have a bag. | 0:00:40 | 0:00:41 | |
I'll give you anything, | 0:00:41 | 0:00:42 | |
spectacles...you want to get sexy, you get your spectacles on. | 0:00:42 | 0:00:46 | |
Sneaky Willy goes head-to-head with Tricky Ricky. | 0:00:46 | 0:00:50 | |
-Go with me... -I'm just getting comfortable. | 0:00:50 | 0:00:52 | |
..he's got me in his sights. | 0:00:52 | 0:00:53 | |
And will Tom add any more females to that all-girl team of his. | 0:00:53 | 0:00:56 | |
I loved what I heard, so, here I am! | 0:00:56 | 0:01:00 | |
CHEERING | 0:01:00 | 0:01:01 | |
If our first act looks familiar, that's | 0:01:08 | 0:01:10 | |
because she's been here before. | 0:01:10 | 0:01:12 | |
Step up, Jessica Steele. | 0:01:12 | 0:01:14 | |
Last year, I auditioned for The Voice and I was nearly being sick, | 0:01:14 | 0:01:17 | |
I was that nervous. | 0:01:17 | 0:01:19 | |
I was just terrified. | 0:01:19 | 0:01:21 | |
I remember I kept looking up to see if they were turning around. | 0:01:21 | 0:01:25 | |
# Don't you want me? # | 0:01:25 | 0:01:29 | |
I knew I had two more big bits and I did one | 0:01:29 | 0:01:31 | |
and they didn't turn around and I was thinking, | 0:01:31 | 0:01:33 | |
"Right, this is my last one, my last big note." | 0:01:33 | 0:01:36 | |
And I really went for it... | 0:01:36 | 0:01:38 | |
# Don't you want me, baby? # | 0:01:38 | 0:01:42 | |
When it got to the end of my performance, | 0:01:45 | 0:01:47 | |
I was absolutely distraught. | 0:01:47 | 0:01:50 | |
I was just dreading going back to see my mum and looking at her. | 0:01:53 | 0:01:57 | |
She's so proud and, like, she hugged me and stuff after and...she's | 0:02:00 | 0:02:05 | |
coming again this year and I really don't want to disappoint her. | 0:02:05 | 0:02:09 | |
It's very brave of you to come back. | 0:02:09 | 0:02:11 | |
What do you feel has changed from last year to this year? | 0:02:11 | 0:02:14 | |
Last year I felt like I was ready but now, how I feel now, | 0:02:14 | 0:02:17 | |
I know I wasn't and I feel like I've got more confidence. | 0:02:17 | 0:02:20 | |
So, I'm just going to go out, like, go out there and fight for it | 0:02:20 | 0:02:23 | |
and I don't feel like I fought for it last year. | 0:02:23 | 0:02:26 | |
I really feel like I'm ready. | 0:02:30 | 0:02:32 | |
I've waited a year and all I've been thinking about is this cos | 0:02:32 | 0:02:35 | |
I knew I was going to enter it again. | 0:02:35 | 0:02:38 | |
I am scared because I've built myself up to come back, | 0:02:40 | 0:02:43 | |
I'm scared that it'll knock me down again. | 0:02:43 | 0:02:46 | |
I'm praying somebody will turn around. | 0:02:47 | 0:02:50 | |
# She said, I love you boy, I love you so | 0:03:21 | 0:03:24 | |
# She said I love you baby, oh-oh-oh-oh | 0:03:24 | 0:03:30 | |
# She said I love you more than words can say | 0:03:34 | 0:03:38 | |
# She said I love you ba-ay-ay-ay-by | 0:03:38 | 0:03:42 | |
THEY CHEER | 0:03:42 | 0:03:44 | |
# Ooooh | 0:03:44 | 0:03:47 | |
# Hey! So I said, what you're saying girl it can't be right | 0:03:50 | 0:03:57 | |
# How can you be in love with me | 0:03:57 | 0:04:00 | |
# We only just met tonight | 0:04:00 | 0:04:02 | |
# So she said, boy I loved you from the start | 0:04:05 | 0:04:10 | |
# When I first heard love goes down | 0:04:10 | 0:04:13 | |
# Something started burning in my heart | 0:04:13 | 0:04:17 | |
# I said, stop this crazy talk | 0:04:17 | 0:04:20 | |
THEY CHEER | 0:04:20 | 0:04:23 | |
# Leave right now and close the door | 0:04:23 | 0:04:27 | |
# I love you boy, I love you so | 0:04:30 | 0:04:33 | |
# She said I love you baby oh-oh-oh-oh | 0:04:33 | 0:04:39 | |
# Yes, she did | 0:04:39 | 0:04:42 | |
# She said I love you more than words can say | 0:04:43 | 0:04:46 | |
# She said I love you baby | 0:04:46 | 0:04:50 | |
# So I said what the hell you gotta treat me this way! # | 0:04:52 | 0:04:58 | |
CHEERING | 0:04:58 | 0:04:59 | |
One, two, three, four! | 0:04:59 | 0:05:01 | |
CHEERING AND APPLAUSE | 0:05:16 | 0:05:21 | |
And breathe! | 0:05:29 | 0:05:30 | |
Hello, hiya! | 0:05:36 | 0:05:38 | |
-What's your name? -I'm Jess and I'm from Sheffield. | 0:05:38 | 0:05:41 | |
You can tell. | 0:05:41 | 0:05:42 | |
I can almost tell the street you were from. You know what I mean? | 0:05:44 | 0:05:47 | |
-I loved it and the thing is, that's what sells. -Did you love it? | 0:05:47 | 0:05:52 | |
I loved it! | 0:05:52 | 0:05:53 | |
CHEERING | 0:05:55 | 0:05:57 | |
I'm not going to start pitching yet | 0:05:58 | 0:06:00 | |
cos I want to hear what the others have got to say. | 0:06:00 | 0:06:02 | |
That was fresh! | 0:06:02 | 0:06:05 | |
-Thanks. -Erm, you look familiar, though. | 0:06:05 | 0:06:08 | |
Yeah, I was here last year | 0:06:08 | 0:06:10 | |
and you didn't turn around. | 0:06:10 | 0:06:12 | |
Huh? I turned around this year...shucks. | 0:06:12 | 0:06:17 | |
CHEERING | 0:06:17 | 0:06:19 | |
You got real emotional after you had the second turn and you | 0:06:22 | 0:06:25 | |
probably weren't thinking about singing any more, you were like... | 0:06:25 | 0:06:28 | |
HE WHIMPERS | 0:06:28 | 0:06:29 | |
LAUGHTER | 0:06:29 | 0:06:31 | |
But that was cool, that was great cos you crossed the finish line, | 0:06:31 | 0:06:34 | |
so that was amazing! | 0:06:34 | 0:06:37 | |
APPLAUSE AND CHEERING | 0:06:37 | 0:06:39 | |
You didn't just get over the finish line, | 0:06:42 | 0:06:44 | |
you belted over the finish line. | 0:06:44 | 0:06:48 | |
Erm...wow! So much character in your voice. | 0:06:48 | 0:06:52 | |
Yeah, that was just so exciting! | 0:06:52 | 0:06:54 | |
Well done. | 0:06:55 | 0:06:57 | |
Thank you. | 0:06:57 | 0:06:58 | |
Well, the first thing I want to know, is why didn't | 0:07:01 | 0:07:04 | |
I turn around last season? | 0:07:04 | 0:07:06 | |
LAUGHTER | 0:07:06 | 0:07:08 | |
I'll tell you what, what got me this time, the edge on your voice. | 0:07:08 | 0:07:13 | |
It cuts through. | 0:07:13 | 0:07:14 | |
You got into it. | 0:07:14 | 0:07:15 | |
You've got something that is special and that's what I loved about it. | 0:07:15 | 0:07:20 | |
Thank you. | 0:07:20 | 0:07:21 | |
-So, here we are. -Erm, you're in a great position right now. | 0:07:23 | 0:07:27 | |
CHEERING | 0:07:27 | 0:07:29 | |
Wait, wait, wait... | 0:07:33 | 0:07:35 | |
-Is there any questions you have for us, as far as, like... -Erm, erm... | 0:07:35 | 0:07:40 | |
..to help you make your decision? | 0:07:40 | 0:07:41 | |
My mind's just gone blank. Erm, erm... | 0:07:41 | 0:07:45 | |
You can take your time, just don't say "erm" any more. | 0:07:46 | 0:07:49 | |
LAUGHTER | 0:07:49 | 0:07:51 | |
Erm... | 0:07:51 | 0:07:52 | |
LAUGHTER | 0:07:52 | 0:07:54 | |
Oh, man! | 0:07:57 | 0:07:59 | |
Last year you said that you had somebody similar to me | 0:08:01 | 0:08:06 | |
on your team and that's why you didn't pick me. | 0:08:06 | 0:08:09 | |
But this time I turned around, I don't have anybody like you. | 0:08:09 | 0:08:13 | |
So, would you fight for me? | 0:08:14 | 0:08:16 | |
Wow, check this out! | 0:08:16 | 0:08:18 | |
LAUGHTER | 0:08:18 | 0:08:19 | |
See these fists? And these feets? | 0:08:19 | 0:08:23 | |
See these heels? | 0:08:25 | 0:08:27 | |
LAUGHTER AND CHEERING | 0:08:28 | 0:08:30 | |
Right, let's go down the line, what do you think? | 0:08:35 | 0:08:37 | |
-Will.i.am. -Will. -Will. -Will. -Will. | 0:08:37 | 0:08:40 | |
I think Will but it's boring to say the same as everybody else. | 0:08:40 | 0:08:44 | |
Kylie, it's got to be Kylie, I love Kylie. | 0:08:44 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:49 | |
-It's between Will and Ricky. -I think you know. | 0:08:49 | 0:08:54 | |
CHEERING | 0:08:54 | 0:08:56 | |
Me and Kylie haven't got the experience of Tom and Will | 0:08:58 | 0:09:02 | |
but that makes us a bit more fresh. | 0:09:02 | 0:09:06 | |
CROWD: Woooo! | 0:09:06 | 0:09:07 | |
Not more dope... | 0:09:09 | 0:09:11 | |
LAUGHTER | 0:09:11 | 0:09:13 | |
..a bit more fresh. | 0:09:13 | 0:09:15 | |
You don't have the experience on this show but you have experience. | 0:09:15 | 0:09:18 | |
Oh, we have experience. | 0:09:18 | 0:09:19 | |
-Yes. -Thanks for fighting my corner, Tom! | 0:09:19 | 0:09:21 | |
-Well, it's true. -I'm sorry. -Huh? -I'm sorry for taking so long. | 0:09:21 | 0:09:25 | |
-Oh, it's OK, don't be sorry-eh. -How much time have we got? | 0:09:25 | 0:09:28 | |
Take your time. | 0:09:28 | 0:09:29 | |
Can I get some burgers? | 0:09:31 | 0:09:33 | |
OK, erm... | 0:09:35 | 0:09:37 | |
I think...erm... | 0:09:40 | 0:09:42 | |
SHE GRUNTS | 0:09:44 | 0:09:46 | |
I want to go with Will. | 0:09:52 | 0:09:54 | |
CHEERING | 0:09:54 | 0:09:56 | |
He'll be all right, don't worry. | 0:10:09 | 0:10:12 | |
-Glad you came back. -Yes. | 0:10:12 | 0:10:15 | |
See you later. | 0:10:21 | 0:10:22 | |
Well done, Jess! | 0:10:26 | 0:10:29 | |
CHEERING | 0:10:29 | 0:10:30 | |
I can't believe all four of them turned around! | 0:10:33 | 0:10:36 | |
I can't believe it! | 0:10:36 | 0:10:37 | |
That was a good one! | 0:10:38 | 0:10:40 | |
You didn't even bring out the fact that | 0:10:40 | 0:10:42 | |
I had another Yorkshire lass on my team. | 0:10:42 | 0:10:44 | |
-I totally forgot about that. -A nail in the coffin. | 0:10:46 | 0:10:48 | |
-I was thinking that's his nail in my coffin. -Yeah. | 0:10:48 | 0:10:51 | |
I actually couldn't call that one. | 0:10:51 | 0:10:53 | |
-Really? -No, that was a hard call. -Really hard to call. | 0:10:53 | 0:10:56 | |
I want to beat Will but that's cos he wants to beat me. | 0:10:56 | 0:11:00 | |
But it's not coming from a nasty place. | 0:11:00 | 0:11:02 | |
He just really enjoys the game. | 0:11:02 | 0:11:04 | |
Champion! | 0:11:04 | 0:11:06 | |
# Trouble, trouble, trouble...# | 0:11:07 | 0:11:09 | |
-Enjoyed that, Will? -Yeah, that was pretty difficult. | 0:11:09 | 0:11:12 | |
There's a bit of head-to-head with those two. | 0:11:12 | 0:11:14 | |
In a playful way but, none the less, like the young buck competition. | 0:11:14 | 0:11:19 | |
# Trouble, trouble, trouble, trouble, trouble! # | 0:11:19 | 0:11:23 | |
To turn or not to turn, that is the question. | 0:11:25 | 0:11:29 | |
-Would you turn? -Download The Voice app and you can be a home coach. | 0:11:31 | 0:11:36 | |
# This is The Voice! # | 0:11:36 | 0:11:38 | |
56-year-old Bunny has been an accountant for 30 years but he sings. | 0:11:43 | 0:11:48 | |
So, what do his friends call him? | 0:11:48 | 0:11:51 | |
They call me the singing accountant! | 0:11:51 | 0:11:54 | |
I was born in Malaysia, that's where I was given my first guitar. | 0:11:54 | 0:11:59 | |
It's a dream that I had from a young age, that I wanted to be a pop star. | 0:11:59 | 0:12:04 | |
# Well, I'm on my way | 0:12:05 | 0:12:08 | |
# I don't know where I'm going...# | 0:12:08 | 0:12:10 | |
I met my wife in college. | 0:12:10 | 0:12:12 | |
When you start a family, you've got to think about mortgage, yeah, | 0:12:12 | 0:12:15 | |
nappies and stuff like that. | 0:12:15 | 0:12:18 | |
You tend to be distracted from, actually, | 0:12:18 | 0:12:20 | |
what you want to do in life. | 0:12:20 | 0:12:22 | |
I don't have much self-belief in what I'm actually doing. | 0:12:26 | 0:12:30 | |
I'm very nervous at performing in public, in case I disgrace myself | 0:12:30 | 0:12:35 | |
by forgetting the words. | 0:12:35 | 0:12:37 | |
-Oh, you do look nervous, you do look scared. -He does look nervous. | 0:12:40 | 0:12:44 | |
# She packed my bags last night, pre-flight. | 0:13:01 | 0:13:05 | |
CHEERING | 0:13:05 | 0:13:07 | |
# Zero hour, 9am | 0:13:09 | 0:13:12 | |
# And I'm going to be high | 0:13:15 | 0:13:21 | |
# As a kite by then... # | 0:13:21 | 0:13:23 | |
-Come on, Bunny! -Come on. | 0:13:27 | 0:13:29 | |
# And all the signs I don't understand | 0:13:29 | 0:13:34 | |
# It's just my job five days a week... # | 0:13:36 | 0:13:40 | |
Ricky! | 0:13:40 | 0:13:42 | |
# Rocket man | 0:13:42 | 0:13:49 | |
# Rocket man | 0:13:49 | 0:13:51 | |
# And I think it's going to be a long, long time | 0:13:57 | 0:14:01 | |
# Till touch down brings me round again to find | 0:14:01 | 0:14:05 | |
# I'm not the man they think I am at home... # | 0:14:05 | 0:14:08 | |
Press the button, please! | 0:14:08 | 0:14:10 | |
# I'm a rocket man | 0:14:10 | 0:14:13 | |
# Rocket man | 0:14:14 | 0:14:16 | |
# Burning out his fuse up there alone | 0:14:16 | 0:14:20 | |
# And I think it's going to be a long, long time... # | 0:14:23 | 0:14:26 | |
Ricky, press the button, come on. | 0:14:26 | 0:14:28 | |
# And I think it's going to be a long, long time. # | 0:14:30 | 0:14:35 | |
CHEERING AND APPLAUSE | 0:14:35 | 0:14:38 | |
THEY GROAN | 0:14:44 | 0:14:47 | |
- Hello. - Hi. | 0:14:55 | 0:14:56 | |
It's a dream come true to be standing here in front of you. | 0:14:56 | 0:14:59 | |
Aww! | 0:14:59 | 0:15:00 | |
WHOOPING | 0:15:00 | 0:15:02 | |
My name is Bunny Tan. | 0:15:04 | 0:15:07 | |
I'm 56 years old. | 0:15:07 | 0:15:09 | |
RICKY: Where are you from? - Are you? | 0:15:09 | 0:15:11 | |
I'm originally from Malaysia | 0:15:11 | 0:15:13 | |
but I've been living in the UK for quite some time. | 0:15:13 | 0:15:17 | |
So I'm fairly new to performing in public. | 0:15:17 | 0:15:20 | |
- OK. - Hence I'm very nervous. | 0:15:20 | 0:15:22 | |
RICKY: Well, even though it was a really... | 0:15:22 | 0:15:25 | |
I was a really great performance. | 0:15:25 | 0:15:26 | |
You could tell you were a little bit nervous. | 0:15:26 | 0:15:28 | |
- Yes. - I kind of enjoyed | 0:15:28 | 0:15:30 | |
that thing about it, | 0:15:30 | 0:15:31 | |
cos it made it feel vulnerable and I did enjoy it. | 0:15:31 | 0:15:33 | |
You've got a great singing voice. | 0:15:33 | 0:15:34 | |
You sound like Elton. | 0:15:34 | 0:15:37 | |
You don't look like Elton. | 0:15:37 | 0:15:38 | |
LAUGHTER | 0:15:38 | 0:15:40 | |
Well done, man. Well done. | 0:15:40 | 0:15:41 | |
APPLAUSE | 0:15:41 | 0:15:44 | |
Well, for me, it was too much like the original. | 0:15:44 | 0:15:48 | |
I would like to have heard you do something else with it. | 0:15:48 | 0:15:51 | |
-But I liked it. -Thank you for your feedback. | 0:15:51 | 0:15:54 | |
APPLAUSE | 0:15:54 | 0:15:57 | |
So when they say you sound like Elton John, | 0:16:00 | 0:16:02 | |
you nailed even the licks. | 0:16:02 | 0:16:05 | |
The only thing that was missing was the emotion, | 0:16:05 | 0:16:07 | |
probably because you were nervous. | 0:16:07 | 0:16:09 | |
Right, OK. | 0:16:09 | 0:16:10 | |
How would I learn to do that better? | 0:16:10 | 0:16:15 | |
OK, it's a good one. I got some tips. | 0:16:15 | 0:16:18 | |
-So you're from Malaysia? -Mmm-hmm. | 0:16:18 | 0:16:21 | |
Have you been to Genting? | 0:16:21 | 0:16:23 | |
Yes, yes, I have. | 0:16:23 | 0:16:25 | |
It's a gambling place. | 0:16:25 | 0:16:26 | |
LAUGHTER | 0:16:26 | 0:16:30 | |
Is that where you go for your flutters? | 0:16:30 | 0:16:32 | |
No, I was going to go there... | 0:16:32 | 0:16:34 | |
So the reason why I picked Genting, because of gambling, | 0:16:34 | 0:16:37 | |
you've just got to gamble as if you | 0:16:37 | 0:16:41 | |
and me and everyone in here are your family members | 0:16:41 | 0:16:44 | |
and when you're with your family members, | 0:16:44 | 0:16:46 | |
you're not really hiding any emotion. | 0:16:46 | 0:16:48 | |
You're just letting yourself go. | 0:16:48 | 0:16:51 | |
Because you don't care | 0:16:51 | 0:16:52 | |
if your sister or your mom or your cousins judge you. | 0:16:52 | 0:16:55 | |
That's why I picked Genting. | 0:16:55 | 0:16:56 | |
BUNNY: OK. | 0:16:56 | 0:16:58 | |
What an amazing story(!) | 0:16:58 | 0:16:59 | |
That's very good. Thank you. | 0:17:01 | 0:17:04 | |
I have to agree with Will. | 0:17:04 | 0:17:07 | |
Letting go is... | 0:17:07 | 0:17:08 | |
Is actually a really hard thing, especially on this stage. | 0:17:10 | 0:17:13 | |
I love that you are stepping out on the stage now | 0:17:13 | 0:17:16 | |
and giving it a hot shot. | 0:17:16 | 0:17:19 | |
It's probably my last shot, really. | 0:17:19 | 0:17:21 | |
ALL: NO! | 0:17:21 | 0:17:23 | |
-You can't do that! -Look at Tom! | 0:17:23 | 0:17:25 | |
I was going to take up golfing instead. | 0:17:25 | 0:17:28 | |
LAUGHTER | 0:17:28 | 0:17:30 | |
No, you can't do that! | 0:17:30 | 0:17:31 | |
You can't give up singing. | 0:17:31 | 0:17:33 | |
Malaysia, they have karaoke like crazy there. | 0:17:33 | 0:17:36 | |
-You do karaoke, right? -Yes. | 0:17:36 | 0:17:39 | |
-Come on! -BUNNY LAUGHS | 0:17:39 | 0:17:40 | |
So you can't stop! | 0:17:40 | 0:17:42 | |
KYLIE: Don't stop, don't stop... | 0:17:42 | 0:17:45 | |
ALL CHANT: Don't stop! Don't stop! - Thank you! | 0:17:45 | 0:17:48 | |
Don't stop, don't stop, don't stop... | 0:17:48 | 0:17:51 | |
Thank you. | 0:17:51 | 0:17:52 | |
APPLAUSE | 0:17:52 | 0:17:54 | |
Thank you very much. Can I come up? | 0:17:54 | 0:17:56 | |
Thank you so much. | 0:17:59 | 0:18:01 | |
You can sing. You can sing. | 0:18:04 | 0:18:06 | |
-Don't stop. -Don't stop! -You keep doing it. | 0:18:06 | 0:18:09 | |
KYLIE: All right, take care. | 0:18:09 | 0:18:12 | |
MUSIC: "Don't Stop" by Fleetwood Mac | 0:18:14 | 0:18:16 | |
# Don't stop thinking about tomorrow | 0:18:16 | 0:18:20 | |
# Don't stop, it'll soon be here | 0:18:20 | 0:18:25 | |
# It'll be better than before... # | 0:18:25 | 0:18:28 | |
Well done, Bunny. | 0:18:28 | 0:18:29 | |
Today's been a dream come true. You can pinch me or something. | 0:18:30 | 0:18:34 | |
I'll remember this day till I'm six feet under. | 0:18:36 | 0:18:40 | |
Is that bad? | 0:18:40 | 0:18:41 | |
There's a lot of nice people on this show. | 0:18:44 | 0:18:46 | |
Even me? | 0:18:48 | 0:18:49 | |
Even you! | 0:18:50 | 0:18:51 | |
Hmm... | 0:18:52 | 0:18:53 | |
-Have you been to Genting? -No. | 0:18:55 | 0:18:57 | |
-It's like this... -Got to go to Genting! -I don't gamble. | 0:18:58 | 0:19:01 | |
No, me neither. | 0:19:02 | 0:19:03 | |
I don't, honestly. | 0:19:05 | 0:19:06 | |
-I bet you do. -I don't gamble! | 0:19:07 | 0:19:10 | |
-You don't? -I quite like the 5-cent slots cos I feel like you get... | 0:19:10 | 0:19:14 | |
..bang for your buck! So rubbish. | 0:19:16 | 0:19:18 | |
TOM CLEARS THROAT | 0:19:18 | 0:19:20 | |
So will our definitely non-gambling coaches | 0:19:22 | 0:19:25 | |
take a punt on 27-year-old Sarah? | 0:19:25 | 0:19:27 | |
I live with my boyfriend. Me and Bill have our little flat together. | 0:19:27 | 0:19:31 | |
Sarah is funny, silly, | 0:19:31 | 0:19:33 | |
she's practically my best friend. | 0:19:33 | 0:19:35 | |
It's perfect. # Just the two of us... # | 0:19:35 | 0:19:38 | |
MUSIC GRINDS TO HALT | 0:19:38 | 0:19:39 | |
CATS MEOW | 0:19:39 | 0:19:41 | |
As well as living at home with Bill, | 0:19:41 | 0:19:43 | |
I decided to buy four cats. | 0:19:43 | 0:19:46 | |
ECHOING: '..four cats...four cats...' | 0:19:46 | 0:19:49 | |
I would I would get more if I could, but my flat's a bit small. | 0:19:49 | 0:19:52 | |
-Would you?! -Yeah. | 0:19:52 | 0:19:53 | |
ECHOING: '..four cats...' | 0:19:53 | 0:19:55 | |
Pretty much half the flat is taken up by a huge cat tree | 0:19:55 | 0:19:58 | |
which I bought for them. | 0:19:58 | 0:19:59 | |
-What do they eat? -They eat the best steak mince. | 0:19:59 | 0:20:02 | |
They are better fed than Bill. | 0:20:02 | 0:20:04 | |
At first Bill wasn't too sure and now he absolutely loves them. | 0:20:07 | 0:20:13 | |
Four cats. | 0:20:13 | 0:20:15 | |
This could be the big break that I've been waiting for. | 0:20:18 | 0:20:22 | |
Come on, sweetheart. | 0:20:24 | 0:20:26 | |
SHE EXHALES | 0:20:36 | 0:20:39 | |
# You want all my love | 0:20:48 | 0:20:52 | |
# And my devotion | 0:20:52 | 0:20:57 | |
# You want my love and soul | 0:20:57 | 0:21:02 | |
# Right on the line | 0:21:02 | 0:21:07 | |
# I have no doubt | 0:21:07 | 0:21:11 | |
# That I could love you forever | 0:21:11 | 0:21:16 | |
# The only trouble is | 0:21:16 | 0:21:21 | |
# You really don't have the time | 0:21:21 | 0:21:26 | |
# You've got one night only | 0:21:26 | 0:21:29 | |
# One night only... # | 0:21:29 | 0:21:32 | |
Come on! | 0:21:32 | 0:21:34 | |
# One night only | 0:21:37 | 0:21:39 | |
# Then I have to run | 0:21:39 | 0:21:45 | |
# One night only | 0:21:45 | 0:21:47 | |
# One night only | 0:21:47 | 0:21:49 | |
# There's nothing more to say | 0:21:49 | 0:21:53 | |
# One night only | 0:21:55 | 0:21:58 | |
# Words get in the way | 0:21:58 | 0:22:05 | |
# One night only | 0:22:05 | 0:22:10 | |
# One night only | 0:22:10 | 0:22:15 | |
# One night only. # | 0:22:15 | 0:22:20 | |
CHEERING AND APPLAUSE | 0:22:20 | 0:22:25 | |
CHEERING | 0:22:28 | 0:22:31 | |
Who is this lady with the big voice? | 0:22:44 | 0:22:48 | |
My name is Sarah Eden-Winn. I'm from Weston-super-Mare. | 0:22:48 | 0:22:52 | |
That was pretty flawless and huge. It was very...flawless is the word. | 0:22:52 | 0:23:00 | |
And I was just thinking, "There's some other folk on this panel | 0:23:02 | 0:23:05 | |
"that are going to be perfect for you." | 0:23:05 | 0:23:07 | |
Thank you, Kylie. | 0:23:07 | 0:23:10 | |
Tom. | 0:23:10 | 0:23:11 | |
Well, I turned, didn't I? | 0:23:11 | 0:23:13 | |
You span. | 0:23:13 | 0:23:14 | |
-That says it, doesn't it, really? -It does. | 0:23:14 | 0:23:17 | |
-Weston-super-Mare. -Yes. -I used to go there when I was a child. | 0:23:17 | 0:23:21 | |
I remember it very well, but I have a very good memory. | 0:23:21 | 0:23:25 | |
No, really, and it's very close to Wales, of course. | 0:23:25 | 0:23:28 | |
Of course, across the water. | 0:23:28 | 0:23:30 | |
Yes, just across the water. | 0:23:30 | 0:23:32 | |
I listened from the beginning, I loved the sound of your voice | 0:23:32 | 0:23:35 | |
and I thought it was great, flawless. | 0:23:35 | 0:23:37 | |
I couldn't find anything wrong with it, so hopefully, hopefully, we can work together. | 0:23:37 | 0:23:43 | |
CHEERING AND APPLAUSE | 0:23:43 | 0:23:45 | |
Thank you, Tom. | 0:23:45 | 0:23:47 | |
Thank you. | 0:23:47 | 0:23:49 | |
-Hiya. -Hiya. -You're certainly a singer. | 0:23:49 | 0:23:51 | |
And, yeah, it was amazing, and these guys are starting to play games now. | 0:23:51 | 0:23:55 | |
But, yeah, it was great. | 0:23:55 | 0:23:58 | |
-So, well done, it was...fantastic. -Thank you. | 0:23:58 | 0:24:02 | |
CHEERING AND APPLAUSE | 0:24:02 | 0:24:05 | |
I thought you were fantastic. | 0:24:06 | 0:24:09 | |
Um, but probably wasn't the best song that you could've sang | 0:24:09 | 0:24:13 | |
to show everybody just how amazing your voice is. | 0:24:13 | 0:24:16 | |
I think it was a safe choice, but if you join my team, we'll make sure | 0:24:16 | 0:24:19 | |
we're very careful on song selection and stuff. | 0:24:19 | 0:24:22 | |
CHEERING AND APPLAUSE | 0:24:22 | 0:24:25 | |
I can do that, I can do that. | 0:24:25 | 0:24:28 | |
AUDIENCE: Tom! Tom! Tom! | 0:24:33 | 0:24:35 | |
So, Tom is really good, right? | 0:24:35 | 0:24:39 | |
-Thank you. -He's real good. | 0:24:39 | 0:24:42 | |
So, the first season, Tom did things that we didn't even know. | 0:24:42 | 0:24:47 | |
He brought things out of singers we weren't even paying attention to. | 0:24:47 | 0:24:51 | |
Hopefully we can apply the knowledge I've learned from two seasons on. | 0:24:51 | 0:24:55 | |
But the thing is, you never know, cos Tom has a bunch of freaking tricks in his bag... | 0:24:55 | 0:24:59 | |
-You don't even know what Ricky's got in his bag. -There you go. | 0:24:59 | 0:25:02 | |
I haven't even got a bag! | 0:25:02 | 0:25:04 | |
LAUGHTER AND APPLAUSE | 0:25:04 | 0:25:07 | |
I have a bag. | 0:25:09 | 0:25:11 | |
I might have something in the bag. | 0:25:11 | 0:25:13 | |
APPLAUSE | 0:25:13 | 0:25:15 | |
The choice is yours, and whose team are you going with? | 0:25:17 | 0:25:21 | |
AUDIENCE SHOUT OUT | 0:25:21 | 0:25:25 | |
It's such a big decision, oh, my God! | 0:25:28 | 0:25:31 | |
Oh, my gosh! | 0:25:31 | 0:25:32 | |
So, really, the audience never lies. | 0:25:36 | 0:25:40 | |
No. | 0:25:45 | 0:25:46 | |
The audience never lies. | 0:25:51 | 0:25:53 | |
And neither does your gut. | 0:25:53 | 0:25:55 | |
So don't ignore your gut for the sake of the audience either. | 0:25:55 | 0:25:59 | |
OK. | 0:26:01 | 0:26:02 | |
Hey, just one thing. Just one thing before you pick Tom. | 0:26:02 | 0:26:08 | |
Which is, you know, I'm in a band and I like being in a gang | 0:26:09 | 0:26:14 | |
and it's all about being in a team working together, so that's | 0:26:14 | 0:26:17 | |
what I could offer you, that kind of experience of helping each other. | 0:26:17 | 0:26:21 | |
Still Tom! | 0:26:21 | 0:26:22 | |
My decision is... | 0:26:24 | 0:26:25 | |
AUDIENCE CHANT | 0:26:25 | 0:26:28 | |
I'm going to go with Will.i.am. | 0:26:28 | 0:26:30 | |
That's all, I love you. | 0:26:32 | 0:26:33 | |
Thank you, guys, so much. | 0:26:35 | 0:26:37 | |
CHEERING AND APPLAUSE | 0:26:47 | 0:26:50 | |
SQUEALING | 0:26:54 | 0:26:57 | |
How did the cats get out? | 0:26:57 | 0:26:59 | |
I can't wait to tell them when I get home. | 0:27:01 | 0:27:04 | |
Honestly, Tom would have been a great coach for Sarah. | 0:27:04 | 0:27:07 | |
You know, there are certain people that you want to learn from | 0:27:07 | 0:27:09 | |
and Tom is one of those folks. | 0:27:09 | 0:27:11 | |
-Oh, well. -You'll get the next one. -That was a good pitch, that. | 0:27:11 | 0:27:14 | |
-It was, wasn't it? -Reverse psychology, I've got it. | 0:27:14 | 0:27:17 | |
Yeah, that's it. | 0:27:18 | 0:27:19 | |
She followed her gut. | 0:27:19 | 0:27:21 | |
Mamado. | 0:27:24 | 0:27:26 | |
So, it's one boy and five girls on Team Will, taking his total to six. | 0:27:27 | 0:27:31 | |
Will's got completely different and completely amazing girls. Typical! | 0:27:31 | 0:27:36 | |
Tom's still sitting pretty with his team of six women. | 0:27:36 | 0:27:40 | |
I couldn't help myself, but it wouldn't bother me | 0:27:40 | 0:27:43 | |
if they were all female. | 0:27:43 | 0:27:44 | |
Team Tom, Team Tom! | 0:27:44 | 0:27:46 | |
-I love the way women sing. -I'm going to catch up to him, I am. | 0:27:46 | 0:27:49 | |
And Ricky is a non-mover, with four. | 0:27:50 | 0:27:53 | |
I am excited about my team. Everyone is different. | 0:27:54 | 0:27:57 | |
I've got a lot of fingers in a lot of pies. | 0:27:57 | 0:27:59 | |
Whilst Kylie's all-boy team of four is in need of some girl power. | 0:27:59 | 0:28:03 | |
I'm looking out for a strong girl's voice. | 0:28:04 | 0:28:07 | |
I'd like to increase my lady quota today. | 0:28:07 | 0:28:10 | |
The coaches can't see the acts, but today they'll be here in double... | 0:28:12 | 0:28:16 | |
# Here come the girls... # | 0:28:16 | 0:28:17 | |
..with two sets of twins. | 0:28:17 | 0:28:19 | |
-We are twins. -I'm Tila. -And I'm Tavelah. -And we're 18 years old. | 0:28:20 | 0:28:24 | |
And there's more, with 26-year-old twins sisters Lauren and Kimberley. | 0:28:24 | 0:28:28 | |
Together we are Gemyni. | 0:28:28 | 0:28:31 | |
-She's the oldest. -Yeah, I'm a minute older, so she's not forgetting that. | 0:28:32 | 0:28:36 | |
They've got very similar characteristics, | 0:28:36 | 0:28:39 | |
they wear very similar hairstyles. | 0:28:39 | 0:28:42 | |
Very similar clothing. | 0:28:42 | 0:28:43 | |
I'm always calling Tila Tavelah and Tavelah Tila. | 0:28:43 | 0:28:46 | |
In our daily lives, me and Kim are both very different. | 0:28:49 | 0:28:53 | |
Lauren is more of the homely type. | 0:28:53 | 0:28:55 | |
Kimberley is more of a party animal. | 0:28:55 | 0:28:58 | |
On stage, when me and Kimberley are performing with each other, | 0:28:58 | 0:29:01 | |
we have such a strong connection. | 0:29:01 | 0:29:03 | |
She can look at me and I know exactly what she is thinking. | 0:29:03 | 0:29:06 | |
I think that's really helps both of us performing together. | 0:29:06 | 0:29:10 | |
I couldn't have said it better myself. | 0:29:10 | 0:29:12 | |
First to face the coaches are Tila and Tavelah. | 0:29:14 | 0:29:17 | |
I think it's quite important that the coaches don't see us. | 0:29:19 | 0:29:23 | |
You'd see twins and you think, gimmick, fun. | 0:29:23 | 0:29:26 | |
We want to be serious and we want to be seen as that. | 0:29:26 | 0:29:29 | |
-Come on, girls, you can do this. -Come on! | 0:29:48 | 0:29:51 | |
# Boy, I think about it every night and day | 0:29:53 | 0:29:58 | |
# I'm addicted, want to jump inside your love... # | 0:29:58 | 0:30:02 | |
Come on, girls. | 0:30:02 | 0:30:04 | |
# Something about his style and his combo | 0:30:04 | 0:30:06 | |
# You got me high and I ain't comin' down, yo | 0:30:06 | 0:30:08 | |
# My heart's pumpin' out louder than electro | 0:30:08 | 0:30:11 | |
# He's got me feelin' like Mrs Roboto | 0:30:11 | 0:30:14 | |
# Oh, baby, I can't come down | 0:30:14 | 0:30:16 | |
# So please come help me out | 0:30:16 | 0:30:19 | |
# You got me feeling so high and I can't step off the cloud | 0:30:19 | 0:30:22 | |
# And I just can't get enough | 0:30:22 | 0:30:25 | |
# Whoa-oah | 0:30:25 | 0:30:27 | |
# Yeah... # | 0:30:28 | 0:30:29 | |
Come on, turn around! | 0:30:29 | 0:30:31 | |
Come on, Ricky. | 0:30:37 | 0:30:39 | |
# I'm addicted, wanna jump inside your love | 0:30:39 | 0:30:42 | |
# Jump inside, jump inside | 0:30:42 | 0:30:45 | |
# I wouldn't wanna have it any other way | 0:30:45 | 0:30:49 | |
# I just can't get enough | 0:30:51 | 0:30:53 | |
# I just can't get enough. # | 0:30:53 | 0:30:56 | |
CHEERING AND APPLAUSE | 0:30:56 | 0:30:58 | |
You've got me. | 0:31:02 | 0:31:03 | |
-Hi. -Hello. | 0:31:10 | 0:31:12 | |
We're Tila and Tavelah. | 0:31:12 | 0:31:14 | |
Hi. | 0:31:14 | 0:31:15 | |
Hi. And we're 18 and we are twins. | 0:31:15 | 0:31:19 | |
-You guys are twins? -Yes. | 0:31:19 | 0:31:21 | |
You are cute. | 0:31:21 | 0:31:23 | |
-Say your names again. -Tila and Tavelah. | 0:31:23 | 0:31:26 | |
Yes, I've got to learn them cos you're with me. | 0:31:26 | 0:31:29 | |
Thank you. | 0:31:29 | 0:31:31 | |
We're from Leeds too, you know. | 0:31:31 | 0:31:33 | |
I can tell. | 0:31:33 | 0:31:34 | |
LAUGHTER AND APPLAUSE | 0:31:34 | 0:31:37 | |
I really liked how you guys flipped that around. | 0:31:37 | 0:31:40 | |
-It was really dope. -Thank you. | 0:31:40 | 0:31:42 | |
-I think you can go a long way in this. -Definitely, thank you. | 0:31:42 | 0:31:46 | |
It's great, I'm really looking forward to working with you. | 0:31:54 | 0:31:57 | |
-I've got to get back. -Yeah. -Well done. | 0:32:01 | 0:32:04 | |
-They're going to look great as well. -Yeah, congratulations. | 0:32:10 | 0:32:13 | |
I'm surprised no-one else went. | 0:32:13 | 0:32:15 | |
Mum and Dad, you must be really proud. | 0:32:15 | 0:32:17 | |
Yes, I couldn't have been prouder of the two of them. | 0:32:17 | 0:32:19 | |
-They just went out there and smashed it. -Yeah. | 0:32:19 | 0:32:22 | |
So, Tila And Tavelah are through. | 0:32:23 | 0:32:26 | |
Will it be double success for Gemyni? | 0:32:26 | 0:32:29 | |
I think there's comfort stepping on stage with your twin sister. | 0:32:29 | 0:32:33 | |
You have that person who you love there, right next to you. | 0:32:33 | 0:32:38 | |
This is what we believe we were born to do. | 0:32:39 | 0:32:41 | |
It's everything, this performance, it's our everything. | 0:32:41 | 0:32:44 | |
I am proud of those two kids standing there. | 0:32:56 | 0:32:58 | |
# Shoo-ba-doo-ba, doo-ba-doo | 0:33:02 | 0:33:04 | |
# Shoo-ba-doo-ba, doo-ba-doo | 0:33:04 | 0:33:06 | |
# Shoo-ba-doo-ba-doo Shoo-ba-doo-ba-doo, whoa | 0:33:06 | 0:33:10 | |
# Oh, when you walk by every night | 0:33:10 | 0:33:13 | |
# Talkin' sweet and lookin' fine | 0:33:13 | 0:33:15 | |
# I get kinda hectic inside | 0:33:15 | 0:33:18 | |
# Oh, baby | 0:33:18 | 0:33:20 | |
# I'm so into you... # | 0:33:20 | 0:33:22 | |
Turn around. | 0:33:22 | 0:33:23 | |
# Darling, if you only knew | 0:33:23 | 0:33:25 | |
# All the things that flow through my mind | 0:33:25 | 0:33:28 | |
# Oh, it's just a sweet, sweet fantasy, baby | 0:33:28 | 0:33:33 | |
# Yeah... # | 0:33:33 | 0:33:34 | |
-Is she going to go? -Go on! -Do it! | 0:33:34 | 0:33:37 | |
# Baby... # | 0:33:37 | 0:33:39 | |
Hit that button! | 0:33:39 | 0:33:40 | |
# ..Sweet fantasy, baby | 0:33:40 | 0:33:43 | |
# Shoo-ba-doo-ba-doo. # | 0:33:43 | 0:33:47 | |
CHEERING AND APPLAUSE | 0:33:47 | 0:33:50 | |
Tom and Ricky have gone as well. | 0:33:50 | 0:33:52 | |
-Hi, I'm Kimberley. -And Lauren, 26, from London. | 0:34:09 | 0:34:14 | |
CHEERING | 0:34:14 | 0:34:16 | |
And we're called Gemyni. | 0:34:18 | 0:34:19 | |
Double trouble. | 0:34:19 | 0:34:20 | |
-Gemyni? -That's right, yes. | 0:34:20 | 0:34:23 | |
-Just like me. -And just like me. | 0:34:23 | 0:34:26 | |
My name is Ricky, I'm a Capricorn. | 0:34:28 | 0:34:31 | |
LAUGHTER | 0:34:31 | 0:34:33 | |
Yeah, I must have a thing for twins, | 0:34:33 | 0:34:35 | |
cos I've all ready got a set of twins. | 0:34:35 | 0:34:37 | |
-Have you? -Yeah. | 0:34:37 | 0:34:39 | |
But then you were too good to not turn round. | 0:34:39 | 0:34:41 | |
-Thank you. -Thank you so much. | 0:34:41 | 0:34:44 | |
All girls on my team. | 0:34:49 | 0:34:51 | |
I loved it, I loved what I heard, and I don't have a duo on my team. | 0:34:51 | 0:34:55 | |
-So here I am. -Yes. | 0:34:55 | 0:34:58 | |
CHEERING AND APPLAUSE | 0:34:58 | 0:35:01 | |
Thank you. | 0:35:01 | 0:35:02 | |
OK, I had to press my button because I was so excited | 0:35:03 | 0:35:07 | |
and so energised and I need some chicks on my team. | 0:35:07 | 0:35:11 | |
-So I'd love to have you. -OK, I didn't know that. | 0:35:11 | 0:35:13 | |
This decision is a very important one. | 0:35:16 | 0:35:19 | |
AUDIENCE CALL OUT | 0:35:19 | 0:35:22 | |
We're going to pick Kylie. | 0:35:46 | 0:35:48 | |
CHEERING | 0:35:48 | 0:35:50 | |
Geminis. | 0:36:06 | 0:36:08 | |
-That was amazing, I'm so glad we got Kylie. -I know. -Thank you. | 0:36:12 | 0:36:17 | |
So I needed girls. I didn't know I was going to get two in one hit. | 0:36:20 | 0:36:24 | |
-Well, there you go. -There I go. Twins. | 0:36:24 | 0:36:27 | |
You wait all show for a perfect pop voice | 0:36:31 | 0:36:33 | |
and then two come along at once for Kylie. | 0:36:33 | 0:36:36 | |
But The Voice isn't just for wannabe pop stars. | 0:36:36 | 0:36:39 | |
It's open to acts of all genres. | 0:36:39 | 0:36:42 | |
Rock, R&B, soul, jazz. | 0:36:42 | 0:36:45 | |
Opera. | 0:36:45 | 0:36:47 | |
And that's one of the reasons that I love this show. | 0:36:47 | 0:36:50 | |
I don't care what it is. Just as long as it's spice. | 0:36:50 | 0:36:53 | |
Next up is happy couple Vela. | 0:36:55 | 0:36:57 | |
Flute, headbands, acoustic guitar. | 0:36:57 | 0:37:00 | |
Two, three, four. | 0:37:00 | 0:37:01 | |
-Whoops! -Hippies, right? | 0:37:04 | 0:37:05 | |
-I don't know whether I'd describe us as hippies. -Oh! | 0:37:05 | 0:37:08 | |
Maybe slightly bohemian, I think that would be a better description. | 0:37:08 | 0:37:12 | |
-Yeah, musical pixies. -Right. -It's quite a special relationship. | 0:37:12 | 0:37:16 | |
I'd describe it as a slow-burning flame of admiration. | 0:37:16 | 0:37:20 | |
And not the raunchy thing that you might think it would be. | 0:37:20 | 0:37:24 | |
Mwah! | 0:37:24 | 0:37:25 | |
Because let's face it, we're no spring chickens. | 0:37:25 | 0:37:28 | |
We play everything from church functions to old people's homes. | 0:37:30 | 0:37:34 | |
Do you do funerals? | 0:37:40 | 0:37:41 | |
Actually, we did one funeral once and Vicky got her bag nicked. | 0:37:41 | 0:37:44 | |
Go on, someone might be watching. | 0:37:44 | 0:37:47 | |
# I'm sitting in the railway station | 0:37:49 | 0:37:53 | |
# Got a ticket for my destination | 0:37:53 | 0:37:56 | |
# Mm-hm | 0:37:57 | 0:37:59 | |
# On a tour of one-night stands | 0:38:01 | 0:38:03 | |
# My suitcase and guitar in hand | 0:38:03 | 0:38:06 | |
# And every stop is neatly planned | 0:38:06 | 0:38:08 | |
# For a poet and a one-man band | 0:38:08 | 0:38:11 | |
# Homeward bound | 0:38:12 | 0:38:15 | |
# I wish I was | 0:38:15 | 0:38:17 | |
# Homeward bound | 0:38:17 | 0:38:20 | |
# Home, where my thought's escaping | 0:38:21 | 0:38:23 | |
# Home, where my music's playing | 0:38:23 | 0:38:26 | |
# Home, where my love lies waiting | 0:38:26 | 0:38:29 | |
# Silently for me | 0:38:29 | 0:38:31 | |
# Silently for me. # | 0:38:33 | 0:38:36 | |
CHEERING AND APPLAUSE | 0:38:42 | 0:38:45 | |
Who are you and where do you come from? | 0:38:48 | 0:38:50 | |
Well, we're called Vela. | 0:38:50 | 0:38:52 | |
-I'm Rebecca. -I'm Jonathan. | 0:38:52 | 0:38:53 | |
And we're from Glastonbury, the real Glastonbury. | 0:38:53 | 0:38:57 | |
Yo! You are bona fide! | 0:38:57 | 0:39:01 | |
-Well, I've played Glastonbury a couple of times. -I'm aware of that. | 0:39:03 | 0:39:07 | |
When I go to Glastonbury, I party really hard. | 0:39:07 | 0:39:10 | |
Do you guys party hard too? | 0:39:10 | 0:39:12 | |
Oh, we try. We try, Will. | 0:39:12 | 0:39:15 | |
-You sound pretty chilled out. -Well, we manage. | 0:39:15 | 0:39:19 | |
-We're not as young as we used to be. -Neither's Tom. -I know how that feels. | 0:39:19 | 0:39:22 | |
LAUGHTER | 0:39:22 | 0:39:25 | |
That was really pretty to listen to. | 0:39:25 | 0:39:27 | |
-Didn't get me jumping out of my seat, but it sounded beautiful. -Thank you. | 0:39:27 | 0:39:32 | |
Maybe we'll come down there and have a... | 0:39:34 | 0:39:37 | |
-Yes, come and have a shindig with us. -And have a shandy. | 0:39:37 | 0:39:40 | |
A shandy and a shindig. | 0:39:40 | 0:39:42 | |
CHEERING AND APPLAUSE | 0:39:42 | 0:39:44 | |
So, it's homeward bound for folk duo Vela. | 0:39:47 | 0:39:49 | |
But incoming, it's shoe designer and opera singer, Milly J. | 0:39:51 | 0:39:55 | |
I'll hit the button whenever a voice moves me. | 0:39:56 | 0:40:00 | |
And it's all about connection, that's all that matters. | 0:40:00 | 0:40:04 | |
# Oh, your daddy's rich | 0:40:04 | 0:40:10 | |
# And your mommy's good looking | 0:40:10 | 0:40:14 | |
# So hush, little baby | 0:40:17 | 0:40:22 | |
# Don't you cry | 0:40:22 | 0:40:28 | |
# H-o-o-o-oo! # | 0:40:29 | 0:40:33 | |
CHEERING AND APPLAUSE | 0:40:33 | 0:40:36 | |
-Oh, wow! -I don't know why nobody turned round. | 0:40:38 | 0:40:42 | |
Oh, bless you. | 0:40:42 | 0:40:44 | |
I only know I didn't because I just thought... | 0:40:44 | 0:40:46 | |
Well, why didn't you then? | 0:40:46 | 0:40:48 | |
I wouldn't be confident choosing songs for you. | 0:40:48 | 0:40:51 | |
Yes, twitchy fingers. | 0:40:51 | 0:40:53 | |
Well, could you see my fingers? | 0:40:53 | 0:40:54 | |
Oh, but did you see my feet? | 0:40:54 | 0:40:56 | |
No, I didn't. | 0:40:56 | 0:40:58 | |
-I'm really upset with myself right now. -Oh, I'm upset with you, Will. | 0:41:00 | 0:41:03 | |
-Dang it. -I'm not what you expected. | 0:41:03 | 0:41:06 | |
I'm really beating myself up for not doing what I'm supposed to do. | 0:41:06 | 0:41:08 | |
Never mind, there's always a second time, don't worry, I'll be back. | 0:41:08 | 0:41:12 | |
CHEERING AND APPLAUSE | 0:41:12 | 0:41:14 | |
And Kylie, I wanted to say something. | 0:41:14 | 0:41:17 | |
Being a shoe artist, I had actually made a pair for Kylie. | 0:41:17 | 0:41:19 | |
Really? | 0:41:19 | 0:41:21 | |
And I know you love chocolate, so here we go. | 0:41:21 | 0:41:25 | |
-It's not really chocolate, so you can wear them. -It looks like chocolate. | 0:41:29 | 0:41:33 | |
-They are fully wearable, and they've got The Voice on the front. -You're very sweet. Thank you. | 0:41:33 | 0:41:37 | |
-Don't worry, thank you. -Thank you. -Thanks, everyone. | 0:41:37 | 0:41:41 | |
Bollywood, Hollywood, Inglewood. | 0:41:46 | 0:41:49 | |
That's gangsta. | 0:41:51 | 0:41:53 | |
I can guess I'm not going to see hard-core gangsta rap on The Voice. | 0:41:53 | 0:41:57 | |
We know that ain't gonna come. | 0:41:57 | 0:41:59 | |
Well, I'm from Memphis, Tennessee, and it's a music town. | 0:41:59 | 0:42:04 | |
That's what it's known for and it's with good reason | 0:42:04 | 0:42:07 | |
because there's plenty of it. | 0:42:07 | 0:42:08 | |
# Walking in Memphis... # | 0:42:08 | 0:42:10 | |
I love the blues, I love soul, I love country. | 0:42:10 | 0:42:13 | |
You know, it could come from any genre, | 0:42:13 | 0:42:17 | |
but I need to feel that singer be real. | 0:42:17 | 0:42:20 | |
I suppose I am here representing the blues. | 0:42:20 | 0:42:24 | |
Everything I do is probably tinged with that. | 0:42:24 | 0:42:27 | |
That's the language I speak, | 0:42:27 | 0:42:29 | |
so when I sing that's what's going to come out. | 0:42:29 | 0:42:31 | |
# I can't stand the rain | 0:42:31 | 0:42:33 | |
# Against my window | 0:42:35 | 0:42:37 | |
# Hey, bringing back sweet memories | 0:42:38 | 0:42:41 | |
# I can't stand the rain | 0:42:43 | 0:42:45 | |
# Against my window | 0:42:46 | 0:42:48 | |
# She's not here with me | 0:42:51 | 0:42:54 | |
# And I can't stand the rain against my window | 0:42:54 | 0:42:59 | |
# Bringing back sweet memories. # | 0:43:02 | 0:43:07 | |
CHEERING AND APPLAUSE | 0:43:07 | 0:43:10 | |
My name is Charlie Wood. I'm from Memphis, Tennessee. | 0:43:10 | 0:43:13 | |
CHEERING | 0:43:13 | 0:43:16 | |
-You're from America? -Yes. -What brought you to the UK? | 0:43:16 | 0:43:20 | |
-The weather originally. -I thought you said you can't stand the rain. | 0:43:20 | 0:43:25 | |
LAUGHTER | 0:43:25 | 0:43:27 | |
I don't mind the rain, I love it out here. | 0:43:31 | 0:43:33 | |
I'm from Los Angeles, it's sunny all the time. | 0:43:33 | 0:43:35 | |
I'm like, give me a umbrella-ella-ella, I'm moving to the UK. | 0:43:35 | 0:43:39 | |
-You played in Memphis, right? -Oh, yes. | 0:43:39 | 0:43:42 | |
Do you know that feeling when you are in the zone, | 0:43:42 | 0:43:45 | |
you are in it, ugh ugh ugh! | 0:43:45 | 0:43:46 | |
-Yeah. -And you rock like ugh ugh ugh, like nothing's going to stop you, like ugh ugh ugh! | 0:43:46 | 0:43:51 | |
Now, be honest, was that your ugh ugh ugh moment? | 0:43:51 | 0:43:56 | |
-Yeah, yeah, I was in the zone there. -Was that you like, ugh! | 0:43:56 | 0:43:59 | |
Sometimes it takes a while to get to that zone. | 0:43:59 | 0:44:03 | |
-I know, but it's hard to do it in 90 seconds. -Yes. | 0:44:03 | 0:44:05 | |
OK, say for example you were with a significant other. | 0:44:05 | 0:44:08 | |
And you've only got 90 seconds. | 0:44:08 | 0:44:10 | |
You don't got no time to be... you've got to be like ugh ugh ugh! | 0:44:10 | 0:44:14 | |
You know what I mean? | 0:44:14 | 0:44:16 | |
So that's all I'm saying. You don't got an hour, you got 90 seconds to ugh! | 0:44:16 | 0:44:21 | |
APPLAUSE | 0:44:21 | 0:44:23 | |
Yeah, you've really got to know when to jam, | 0:44:28 | 0:44:30 | |
really go hard-core on my piano right here. Really get loose. | 0:44:30 | 0:44:34 | |
-Some people really have that ability, like Stevie Wonder. -Sure. | 0:44:34 | 0:44:37 | |
-He can ugh ugh and ooh ooh. -Oh, sure. | 0:44:37 | 0:44:42 | |
-Ray Charles. -Yeah. | 0:44:42 | 0:44:44 | |
And Jerry Lee Lewis. My man! | 0:44:44 | 0:44:47 | |
Little Richard. | 0:44:47 | 0:44:49 | |
-Oh man, I want to meet him. -I'll introduce you. -Please. | 0:44:49 | 0:44:53 | |
Next time we are in LA together, I'll call him up, he's great. | 0:44:53 | 0:44:57 | |
I've known him a long time. You know, he plays and sings. | 0:44:57 | 0:44:59 | |
Victoria Wood. | 0:44:59 | 0:45:01 | |
LAUGHTER | 0:45:01 | 0:45:02 | |
# Sir Tom! Legend! # | 0:45:04 | 0:45:07 | |
The longer you're on the show, the more names will come out, believe me. | 0:45:07 | 0:45:10 | |
Name-dropping! Drop the name! Drop it! | 0:45:10 | 0:45:13 | |
Season one. | 0:45:13 | 0:45:14 | |
-Aretha Franklin, for instance. -# R-E-S-P-E-C-T... # | 0:45:14 | 0:45:17 | |
Frank Sinatra and Janis Joplin, Fats Domino. | 0:45:17 | 0:45:21 | |
-I was with Elvis Presley in Hawaii. -What?! | 0:45:21 | 0:45:23 | |
-This guy's a freakin' crazy brush. -# He's a superstar, yeah. # | 0:45:23 | 0:45:27 | |
-Season two. -You know the name-dropping... | 0:45:27 | 0:45:29 | |
I love the name-dropping, Tom. | 0:45:29 | 0:45:31 | |
I said to Elvis, I said, "Look..." | 0:45:31 | 0:45:34 | |
Tom grew up with everybody and their mom. Season three. | 0:45:34 | 0:45:37 | |
Yes, I sang with Ray Charles. Frank Sinatra gave me some advice. | 0:45:37 | 0:45:41 | |
I know Prince. And then Etta James, I toured with Etta James. | 0:45:41 | 0:45:46 | |
I didn't actually sing with Otis Redding, but I did meet him. | 0:45:46 | 0:45:49 | |
-Stop it! -He's worked with every legend ever. -He's met Jessie J. | 0:45:49 | 0:45:53 | |
I do know a lot of people, and Lionel Richie is one of them. | 0:45:56 | 0:45:58 | |
# Hello... # | 0:45:58 | 0:46:00 | |
That's as classic as it gets. Tom Jones, just being a legend. | 0:46:00 | 0:46:04 | |
So I was in this big shower, Caesars Palace, right after a performance. | 0:46:04 | 0:46:08 | |
He knows Elvis Presley. | 0:46:08 | 0:46:09 | |
When I got the soap out of my eyes, | 0:46:09 | 0:46:11 | |
Elvis was leaning over the shower door, singing this song to me. | 0:46:11 | 0:46:16 | |
Like, freakin' Elvis Presley. | 0:46:16 | 0:46:18 | |
It was just a funny thing to have Elvis Presley | 0:46:18 | 0:46:22 | |
sing to you in the shower. | 0:46:22 | 0:46:23 | |
He's the real deal, and you can't argue with that. | 0:46:23 | 0:46:26 | |
There are not many people that I haven't dueted with. | 0:46:26 | 0:46:28 | |
Oh, are you going to drop another one? | 0:46:28 | 0:46:31 | |
Next up, 24-year-old receptionist Jai McConnell, | 0:46:37 | 0:46:40 | |
who is hoping to make her little boy proud. | 0:46:40 | 0:46:43 | |
-My son Kingston is an absolute delight... -Fantastic! | 0:46:43 | 0:46:47 | |
..and a handful at the same time. | 0:46:47 | 0:46:49 | |
He has me wrapped round his finger at times. | 0:46:51 | 0:46:54 | |
Oh, wow! | 0:46:54 | 0:46:56 | |
After having Kingston, it really made me grow up. | 0:46:56 | 0:46:59 | |
I went from living the carefree life to really the opposite end | 0:47:00 | 0:47:05 | |
and putting the brakes on. | 0:47:05 | 0:47:07 | |
I have always dreamed of pursuing a career in music, | 0:47:12 | 0:47:15 | |
and things have come up in my life to challenge me. | 0:47:15 | 0:47:19 | |
When Kingston gets older, I want him to realise that whatever | 0:47:22 | 0:47:26 | |
challenge get in his way, he can do anything he wants. | 0:47:26 | 0:47:29 | |
I hope I make him proud. | 0:47:31 | 0:47:32 | |
# What you drinking? | 0:48:02 | 0:48:03 | |
# Rum or whisky? | 0:48:03 | 0:48:06 | |
# Now won't you have a double with me? | 0:48:08 | 0:48:14 | |
# I'm sorry I'm a little late I got your message, by the way | 0:48:15 | 0:48:21 | |
# I'm calling in sick today | 0:48:21 | 0:48:24 | |
# So let's go out for old time's sake | 0:48:24 | 0:48:28 | |
# I'll never forget you... # | 0:48:28 | 0:48:30 | |
-One, two! One, two, three! -# They say we'd never make it | 0:48:30 | 0:48:35 | |
# My sweet joy Always remember me... # | 0:48:35 | 0:48:38 | |
-Yes! -Yeah! All of them! | 0:48:38 | 0:48:40 | |
Amazing. Well done, well done. | 0:48:42 | 0:48:44 | |
# Did you miss me? | 0:48:46 | 0:48:48 | |
# I've borrowed your silver boots | 0:48:48 | 0:48:51 | |
# Now won't you just let me give them back to you? | 0:48:51 | 0:48:56 | |
# I'll never forget you | 0:48:56 | 0:48:59 | |
# They say we'd never make it | 0:48:59 | 0:49:02 | |
# My sweet joy, always remember me | 0:49:02 | 0:49:07 | |
# I'll never forget you | 0:49:09 | 0:49:12 | |
# Although at times we couldn't change | 0:49:12 | 0:49:16 | |
# You're my joy, always remember me | 0:49:16 | 0:49:21 | |
# Don't you know that you're my joy? | 0:49:22 | 0:49:25 | |
# Always remember me. # | 0:49:25 | 0:49:28 | |
CHEERING AND APPLAUSE | 0:49:28 | 0:49:31 | |
-What's your name? -My... My name's Jai. | 0:49:49 | 0:49:54 | |
Um, I'm from Belfast. I'm 24. | 0:49:54 | 0:49:57 | |
CHEERING AND APPLAUSE | 0:49:57 | 0:49:59 | |
That was really, really, really something. I mean, it was different. | 0:49:59 | 0:50:02 | |
-You don't sound like anybody, which I like. -Oh, wow. | 0:50:02 | 0:50:06 | |
You know, and I don't think you were copying anybody, | 0:50:06 | 0:50:09 | |
-that I know of, anyway, and that's why I hit my button. -Thank you. | 0:50:09 | 0:50:15 | |
-Hiya. -What's happening? -How you doing? -All right. | 0:50:15 | 0:50:19 | |
-That was really good. -Cheers, mate. Thanks. | 0:50:19 | 0:50:22 | |
-Is this the first time you've entered anything like this? -Totally. | 0:50:22 | 0:50:25 | |
I've a three-year-old, so it gets me out of the house. | 0:50:25 | 0:50:28 | |
Gets you out of the house. | 0:50:28 | 0:50:29 | |
You've obviously got something, and it's going to be magical, | 0:50:31 | 0:50:34 | |
and I can't wait to hear you sing again, | 0:50:34 | 0:50:36 | |
and I can't wait for you to pick me. | 0:50:36 | 0:50:39 | |
-Aside from the obvious, I like your wee earrings. -Thank you. | 0:50:46 | 0:50:49 | |
-You said "wee". -And I like your wee boots. And your wee tattoos. | 0:50:49 | 0:50:54 | |
-It's kind of wee. -It's kind of wee. | 0:50:54 | 0:50:57 | |
Your voice is incredible. It's unique. | 0:50:57 | 0:51:01 | |
I know exactly what to do with a voice like yours. | 0:51:01 | 0:51:04 | |
It's pretty fantastic, and I like your moves, | 0:51:04 | 0:51:06 | |
when you're singing, I was like, "Wow, ain't she got moves." | 0:51:06 | 0:51:09 | |
That was fresh. | 0:51:09 | 0:51:11 | |
What's super exciting for us is, we see this, | 0:51:11 | 0:51:14 | |
but now it's what we don't yet see and your potential. | 0:51:14 | 0:51:18 | |
-They show potential. -Potential. -Unique. | 0:51:18 | 0:51:21 | |
And it's up to you who you think is going to accompany you | 0:51:22 | 0:51:27 | |
on this journey. | 0:51:27 | 0:51:28 | |
If you go with me, I can... I can... | 0:51:34 | 0:51:37 | |
I'm just getting comfortable. | 0:51:39 | 0:51:42 | |
He's got me in his sights. | 0:51:42 | 0:51:44 | |
He'd be great for you if he could stay off his phone for five minutes. | 0:51:44 | 0:51:47 | |
AUDIENCE: Oooh! | 0:51:47 | 0:51:51 | |
-Or if he could make time. -Hold on one second! One second. | 0:51:51 | 0:51:55 | |
It is called connecting the dots and multitasking. | 0:51:55 | 0:51:58 | |
Not just sitting here waiting for something to happen. | 0:51:58 | 0:52:01 | |
Making it happen, Cap'n! What! | 0:52:01 | 0:52:03 | |
-You've got a lot of chat, haven't you? -Ha? -You've got a lot of chat. | 0:52:09 | 0:52:12 | |
What? | 0:52:12 | 0:52:13 | |
-See, I understood that. -Oh, really! What did she say? | 0:52:15 | 0:52:19 | |
-You've got a lot of chat, haven't you? -You're a chatterbox. | 0:52:19 | 0:52:24 | |
-You were going to pull something out of your bag, right? -Just then. | 0:52:26 | 0:52:30 | |
-I have a bag. I have a bag with stuff in it. -Tissues. | 0:52:30 | 0:52:33 | |
I'll give you anything. What can I give you? I'll give you... | 0:52:33 | 0:52:38 | |
I've got perfume. Look! | 0:52:38 | 0:52:41 | |
Look, this is awesome, spritz around, spritz around. I've got spectacles. | 0:52:41 | 0:52:45 | |
You know, you want to get reading, get sexy, get your spectacles on. | 0:52:45 | 0:52:50 | |
You're too bright, you're too bright, I can't stand it! | 0:52:50 | 0:52:53 | |
You're a superstar, you're going to need these. | 0:52:53 | 0:52:57 | |
You can have my badge, to get in whenever you want. | 0:52:57 | 0:53:00 | |
It's yours. | 0:53:00 | 0:53:01 | |
I just don't want you to get lost in their teams. | 0:53:06 | 0:53:08 | |
I really want you on my team. | 0:53:08 | 0:53:10 | |
She's not going to get lost. | 0:53:10 | 0:53:12 | |
-She can't get lost. -All right, Tom, I nearly had it. | 0:53:12 | 0:53:15 | |
OK, what's your decision? | 0:53:18 | 0:53:21 | |
AUDIENCE: Ricky! | 0:53:21 | 0:53:24 | |
Um, I would say it will be Kylie. | 0:53:41 | 0:53:44 | |
Oh, my God! Don't leave me hanging. | 0:53:53 | 0:53:56 | |
Really?! | 0:53:57 | 0:53:59 | |
Didn't you think Will had that sewn up? | 0:54:19 | 0:54:21 | |
I thought he had it sewn up! | 0:54:21 | 0:54:23 | |
-I think you gave her too much, Will. -No, no, no. -No? -It was the bag. | 0:54:29 | 0:54:33 | |
"Hello, get my bag out here with tricks in it!" | 0:54:33 | 0:54:36 | |
I really need a cup of tea now. | 0:54:37 | 0:54:39 | |
Hold the kettle, Kylie, because here's the Mod-father, John Quinn. | 0:54:40 | 0:54:44 | |
# People try to put us down Talking 'bout my generation... # | 0:54:45 | 0:54:49 | |
-You've got the whole Mod image going on. -Yeah. | 0:54:49 | 0:54:53 | |
Big fan of that era of music? | 0:54:53 | 0:54:55 | |
Yeah, you know, '60s music's like massive for me, | 0:54:55 | 0:54:58 | |
Beatles, The Who, Small Faces. | 0:54:58 | 0:55:00 | |
I'm a massive Paul Weller fan, | 0:55:00 | 0:55:02 | |
so the image kind of goes with the music that I like. | 0:55:02 | 0:55:04 | |
And talking of image, who do you think 21-year-old Melissa idolises? | 0:55:09 | 0:55:14 | |
When I was a kid, I was like any other child, you know, | 0:55:14 | 0:55:17 | |
normal hair, normal clothes, and then when I got into my teens, | 0:55:17 | 0:55:20 | |
I found Amy Winehouse. | 0:55:20 | 0:55:22 | |
# Told you I was trouble... # | 0:55:22 | 0:55:25 | |
Hearing Amy Winehouse was life-changing and influential. | 0:55:25 | 0:55:29 | |
I really believed her. | 0:55:29 | 0:55:31 | |
I really embraced the fact I could be anything I wanted to be, visually. | 0:55:31 | 0:55:35 | |
I've even got a tattoo that's "Daddy's girl", which she | 0:55:36 | 0:55:39 | |
had herself, and I'm hoping to get | 0:55:39 | 0:55:41 | |
an Amy Winehouse tribute | 0:55:41 | 0:55:43 | |
here at some point, which would be fantastic. | 0:55:43 | 0:55:45 | |
But this show is all about sound, not style, | 0:55:47 | 0:55:50 | |
and John's voice is all that counts right now. | 0:55:50 | 0:55:53 | |
I've always been into music. | 0:55:53 | 0:55:55 | |
The opportunities haven't really been there for me, | 0:55:55 | 0:55:58 | |
but with this I really want to grab it with both hands. | 0:55:58 | 0:56:02 | |
CHEERING | 0:56:06 | 0:56:07 | |
Come on, John. Come on. | 0:56:07 | 0:56:09 | |
-# Morning, it's another pure grey morning... # -Come on, Daddy! | 0:56:26 | 0:56:29 | |
# Don't know what the day is holding | 0:56:29 | 0:56:31 | |
# When I get uptight and I walk right into the path of a lightning bolt... | 0:56:31 | 0:56:36 | |
-Come on! -Come on, will.i.am! | 0:56:36 | 0:56:38 | |
# Everyone I see just wants to walk with gritted teeth | 0:56:39 | 0:56:43 | |
# But I just stand by and I wait my time | 0:56:43 | 0:56:47 | |
# They say you gotta toe the line | 0:56:47 | 0:56:50 | |
# Want the water not the wine | 0:56:50 | 0:56:52 | |
# When I see the sign I jump on that lightning bolt... | 0:56:52 | 0:56:58 | |
-Come on, Ricky! -Go on! | 0:57:00 | 0:57:02 | |
# People talking all about fortune | 0:57:02 | 0:57:04 | |
# Do you make it or does it just call you? | 0:57:04 | 0:57:06 | |
# In the blinking of an eye | 0:57:06 | 0:57:07 | |
# Just another passer-by in the path of a lightning bolt | 0:57:07 | 0:57:11 | |
# Everyone I see just wants to walk with gritted teeth | 0:57:14 | 0:57:17 | |
# But I just stand by and I wait my time | 0:57:17 | 0:57:22 | |
# They say you gotta toe the line | 0:57:22 | 0:57:24 | |
# Want the water not the wine | 0:57:24 | 0:57:26 | |
# When I see the sign | 0:57:26 | 0:57:29 | |
# I jump on that lightning bolt. # | 0:57:29 | 0:57:37 | |
APPLAUSE | 0:57:37 | 0:57:39 | |
Come on, John. | 0:57:41 | 0:57:43 | |
-All right, mate, how are you doing? -I'm all right. -What's your name? | 0:57:45 | 0:57:51 | |
-It's John. I'm from Peterborough. -How old are you? -31. -Nice one. | 0:57:51 | 0:57:55 | |
-Bit long in the tooth, but... -Well, not as long as me, | 0:57:55 | 0:57:58 | |
and definitely not as long as... Well, anyway. | 0:57:58 | 0:58:01 | |
LAUGHTER | 0:58:01 | 0:58:02 | |
-Are you looking at me? -No, no, no. | 0:58:02 | 0:58:04 | |
Anyway, um, it was really good, it was entertaining | 0:58:04 | 0:58:09 | |
and it was the Jake Bugg track which we all know | 0:58:09 | 0:58:11 | |
and I remember seeing Jake playing in a pub | 0:58:11 | 0:58:16 | |
upstairs on the Essex Road in Islington and he blew me away, | 0:58:16 | 0:58:20 | |
singing that, and I just don't think I'm ready at this point | 0:58:20 | 0:58:24 | |
to be blown away again by it. That's it. | 0:58:24 | 0:58:27 | |
APPLAUSE | 0:58:27 | 0:58:29 | |
You sang the hell out of it. | 0:58:31 | 0:58:32 | |
It's not that you didn't do a good job on it, but it was too much | 0:58:32 | 0:58:35 | |
like the original. There was nothing wrong with it, but it wasn't fresh. | 0:58:35 | 0:58:40 | |
APPLAUSE | 0:58:40 | 0:58:41 | |
Thanks a lot for your comments, guys, I really appreciate that. Cheers. | 0:58:41 | 0:58:45 | |
-Well done, John. -CHEERING | 0:58:53 | 0:58:55 | |
To perform in front of the coaches was awesome | 0:59:06 | 0:59:10 | |
and obviously to get to speak to all of them | 0:59:10 | 0:59:13 | |
and get the advice from them and that's great for me. | 0:59:13 | 0:59:16 | |
I will take that somewhere. | 0:59:16 | 0:59:18 | |
Another style, another sound. It's Melissa. | 0:59:18 | 0:59:22 | |
Today I'm going to be singing an Amy Whitehouse track. | 0:59:22 | 0:59:26 | |
I've listened to it thousands of times over | 0:59:26 | 0:59:28 | |
and I really want to do it justice. | 0:59:28 | 0:59:30 | |
This could change my life, so I am extremely nervous, but I'm | 0:59:32 | 0:59:36 | |
just trying to focus on giving the best performance that I can. | 0:59:36 | 0:59:39 | |
It means the world to me. | 0:59:39 | 0:59:42 | |
This is her moment, this is it. | 0:59:44 | 0:59:48 | |
# For you I was a flame... | 1:00:06 | 1:00:10 | |
APPLAUSE | 1:00:10 | 1:00:11 | |
# Love is a losing game | 1:00:11 | 1:00:16 | |
-# Five-storey fire as you came... # -Press the button! | 1:00:16 | 1:00:21 | |
Press! | 1:00:21 | 1:00:22 | |
# Love is a fate resigned | 1:00:22 | 1:00:29 | |
-# Over futile... -I hope she likes it. -Come on! | 1:00:29 | 1:00:33 | |
# Odds | 1:00:33 | 1:00:35 | |
# And laughed at by the gods | 1:00:35 | 1:00:40 | |
-Come on, come on! Come on! -# And now the final frame | 1:00:40 | 1:00:45 | |
# Love is a losing game | 1:00:45 | 1:00:51 | |
-# Love is a losing... -Come on, Kylie! Kylie! | 1:00:51 | 1:00:54 | |
# Game. # APPLAUSE | 1:00:54 | 1:01:00 | |
CHEERING | 1:01:00 | 1:01:01 | |
-Hi. -Hello. -What's your name? -Melissa. -You look foxy. -Thank you. | 1:01:19 | 1:01:25 | |
Well, I kind of expected you would look foxy, | 1:01:25 | 1:01:28 | |
that was smoky and funky and lovely. | 1:01:28 | 1:01:30 | |
-You're amazing... -Thank you. | 1:01:30 | 1:01:32 | |
..and I would love to have you as part of my team. | 1:01:32 | 1:01:35 | |
CHEERING AND APPLAUSE | 1:01:35 | 1:01:36 | |
-Now, I get the general vibe from you.. -Mm-hm? | 1:01:40 | 1:01:43 | |
..that you're not very mouldable. | 1:01:43 | 1:01:45 | |
What I mean by that is I don't think you'd take any...from anyone. | 1:01:45 | 1:01:49 | |
-You'd be very strong about it. -I'm not saying anything. | 1:01:49 | 1:01:52 | |
-Yes. -Is that true? -Definitely. -Don't take no nonsense? -No. | 1:01:52 | 1:01:55 | |
I had to turn because... I couldn't help it! | 1:01:55 | 1:01:59 | |
-How old are you, if you don't mind me asking? -21. -21. -Mm-hm. | 1:02:04 | 1:02:09 | |
-Well, you sing great. -Thank you. -And it was pure and it was... | 1:02:09 | 1:02:12 | |
You meant it, but I'd have to hear more of what you can do | 1:02:12 | 1:02:16 | |
before I would make a decision which way to take you, | 1:02:16 | 1:02:20 | |
but whichever way it would be, it would be great. I know that. | 1:02:20 | 1:02:25 | |
CHEERING | 1:02:25 | 1:02:26 | |
Um, OK, well... | 1:02:32 | 1:02:34 | |
I think... | 1:02:39 | 1:02:40 | |
Kylie? | 1:02:45 | 1:02:47 | |
I think I'm going to go with Tom. CHEERING | 1:02:48 | 1:02:51 | |
-Very good. -Legend, legend. | 1:02:56 | 1:03:00 | |
SHRIEKING | 1:03:04 | 1:03:06 | |
-How amazing was that? -Amazing. | 1:03:06 | 1:03:09 | |
I didn't think they were going to turn, I really didn't, so they left | 1:03:09 | 1:03:12 | |
it to the last minute and I was like, "I've got two more lines to sing, | 1:03:12 | 1:03:15 | |
"come on, somebody turn." | 1:03:15 | 1:03:17 | |
# I knew that was gonna happen... # | 1:03:17 | 1:03:19 | |
-Women, women, women. -Well... | 1:03:19 | 1:03:22 | |
So Amy Winehouse was Melissa's inspiration, | 1:03:23 | 1:03:27 | |
but 28-year-old Leanne Jones | 1:03:27 | 1:03:29 | |
was inspired by another kind of big hair and make-up. | 1:03:29 | 1:03:33 | |
When I was 11 years old, | 1:03:33 | 1:03:35 | |
my headmaster, at the time, gave me a video of Les Miserables | 1:03:35 | 1:03:39 | |
which starred Michael Ball, and I was hooked. | 1:03:39 | 1:03:43 | |
From that point on, I was obsessed with musicals. | 1:03:43 | 1:03:47 | |
Aged 22, I landed the lead role in Hairspray opposite Michael Ball. | 1:03:47 | 1:03:51 | |
Hairspray, for me, was life-changing. | 1:03:53 | 1:03:56 | |
I was lucky enough to win the Critics Circle Award, | 1:03:56 | 1:03:58 | |
the Whatsonstage Award and the Laurence Olivier Award. | 1:03:58 | 1:04:01 | |
We just cleaned up that year. | 1:04:02 | 1:04:05 | |
When I left the show, I was 24 | 1:04:05 | 1:04:07 | |
and then it's kind of, "What do you do next?" | 1:04:07 | 1:04:09 | |
At that kind of age, you do think, "Oh my gosh, | 1:04:09 | 1:04:12 | |
"I'm unstoppable and I could do anything," | 1:04:12 | 1:04:14 | |
but it hasn't necessarily been the case. | 1:04:14 | 1:04:17 | |
This isn't just another audition for me. | 1:04:21 | 1:04:25 | |
It's potentially somebody opening a door. | 1:04:25 | 1:04:29 | |
Having a chair turn would equal the experience that I had with Hairspray. | 1:04:29 | 1:04:34 | |
-Brilliant, come on, Leanne! -Here she is! -Can you see Mummy? | 1:04:40 | 1:04:44 | |
# This is the end | 1:05:01 | 1:05:04 | |
# Hold your breath | 1:05:06 | 1:05:08 | |
# And count to ten... | 1:05:08 | 1:05:11 | |
APPLAUSE | 1:05:11 | 1:05:13 | |
# Feel the earth move | 1:05:13 | 1:05:16 | |
# And then | 1:05:16 | 1:05:19 | |
# Hear my heart burst again | 1:05:19 | 1:05:26 | |
# For this is the end | 1:05:26 | 1:05:29 | |
# I drowned and dreamt this moment | 1:05:32 | 1:05:37 | |
-# So overdue I owe them... -Come on, Team Tom! | 1:05:37 | 1:05:43 | |
# Swept away, I'm stolen | 1:05:44 | 1:05:51 | |
# Let the sky fall | 1:05:51 | 1:05:55 | |
# When it crumbles | 1:05:55 | 1:05:58 | |
# We will stand tall | 1:05:58 | 1:06:01 | |
# And face it all together | 1:06:01 | 1:06:04 | |
# Let the sky fall | 1:06:04 | 1:06:07 | |
# When it crumbles | 1:06:07 | 1:06:10 | |
# We will stand tall | 1:06:10 | 1:06:13 | |
# And face it all together | 1:06:13 | 1:06:16 | |
# At Skyfall | 1:06:16 | 1:06:22 | |
# Oh-h! | 1:06:22 | 1:06:29 | |
-# At Skyfall... # -Yes! -Come on! | 1:06:29 | 1:06:34 | |
APPLAUSE | 1:06:34 | 1:06:35 | |
Well done, well done. | 1:06:42 | 1:06:45 | |
-Hiya. -Wow! Hello. -What's your name? -Leanne Jones. | 1:06:50 | 1:06:56 | |
I thought you pretty much nailed an Adele song. | 1:06:56 | 1:06:59 | |
-Oh, thank you very much. -Yeah. | 1:06:59 | 1:07:00 | |
Yeah. But not enough to individualise it. | 1:07:00 | 1:07:04 | |
-But you, you did sell the song. -Yeah. Oh, thank you, thank you. | 1:07:04 | 1:07:07 | |
APPLAUSE | 1:07:07 | 1:07:11 | |
The only reason why I didn't turn is...Adele is... | 1:07:11 | 1:07:15 | |
She is like Michael Phelps of singing, | 1:07:15 | 1:07:18 | |
Michael Phelps being the...the swimmer. | 1:07:18 | 1:07:20 | |
LAUGHTER | 1:07:20 | 1:07:21 | |
And if I had to swim against Michael Phelps, | 1:07:21 | 1:07:26 | |
I wouldn't do it in the pool, | 1:07:26 | 1:07:28 | |
I would do it in the Jacuzzi. | 1:07:28 | 1:07:30 | |
LAUGHTER | 1:07:30 | 1:07:31 | |
Cos I know I'd beat him there. | 1:07:31 | 1:07:33 | |
The only reason why I say that is if you're going to do an Adele song, | 1:07:33 | 1:07:36 | |
don't do it in the same style as Adele, change the music around. | 1:07:36 | 1:07:40 | |
-Yeah. -Don't put yourself to perform it how she performed it. | 1:07:40 | 1:07:43 | |
Let's do it in the Jacuzzi. | 1:07:43 | 1:07:45 | |
LAUGTHER AND APPLAUSE | 1:07:45 | 1:07:47 | |
OK, thank you. | 1:07:47 | 1:07:48 | |
-Hiya! -Hi, Ricky. | 1:07:50 | 1:07:52 | |
I was thinking, when I was listening to it, it's a great voice for, like, | 1:07:52 | 1:07:55 | |
-the stage. -Yeah. -And I was thinking, have you ever done any stage work? | 1:07:55 | 1:07:59 | |
-Um, I was in Hairspray with Michel Ball on the West End. -Oh! | 1:07:59 | 1:08:03 | |
CHEERING AND APPLAUSE | 1:08:03 | 1:08:07 | |
-Wow! -Yeah. | 1:08:07 | 1:08:08 | |
-I think, you know, you're made for the stage, so... -Oh, thanks. | 1:08:08 | 1:08:11 | |
-..carry on. -Thank you, I will, thank you. | 1:08:11 | 1:08:13 | |
CHEERING AND APPLAUSE | 1:08:13 | 1:08:16 | |
-Oh, thanks. -No problem. | 1:08:16 | 1:08:18 | |
I'm sure she does great shows. | 1:08:30 | 1:08:32 | |
Yeah. | 1:08:32 | 1:08:33 | |
Next and final stop tonight, | 1:08:35 | 1:08:38 | |
Northern Ireland and Rachel O'Connor. | 1:08:38 | 1:08:41 | |
I'm from a village called Drumsurn, in Derry, Northern Ireland. | 1:08:41 | 1:08:44 | |
Look at that! | 1:08:46 | 1:08:47 | |
My family is sports mad. | 1:08:47 | 1:08:49 | |
It's either golf, rugby or football. | 1:08:49 | 1:08:52 | |
It's an obsession. | 1:08:52 | 1:08:55 | |
And then, there's me... | 1:08:55 | 1:08:57 | |
I've just let them down. | 1:08:57 | 1:08:59 | |
She couldn't play rugby, | 1:09:02 | 1:09:05 | |
wasn't very good at hockey. | 1:09:05 | 1:09:06 | |
You play this game with us, you'll be part of the family | 1:09:06 | 1:09:09 | |
instead of singing on your own in your room, pet. | 1:09:09 | 1:09:11 | |
A singing superstar is something that I can put up with. | 1:09:11 | 1:09:15 | |
My grandad, he's a big inspiration in my singing. | 1:09:19 | 1:09:22 | |
When he was younger, he was in a band. | 1:09:22 | 1:09:24 | |
I love to hear her singing. | 1:09:24 | 1:09:27 | |
It brings a tear to my eye sometimes. | 1:09:27 | 1:09:29 | |
I just want to travel and to pursue my music career. | 1:09:32 | 1:09:35 | |
I think that's every parent's dream - | 1:09:35 | 1:09:38 | |
that their children fulfil their own dreams. | 1:09:38 | 1:09:41 | |
'I'm only 16 and to be onstage in front of four huge names | 1:09:43 | 1:09:47 | |
'in this industry is absolutely surreal. | 1:09:47 | 1:09:50 | |
'This is my dream, this is what I want to do. | 1:09:53 | 1:09:56 | |
'I can't imagine myself doing anything else. | 1:09:56 | 1:09:59 | |
'It has to go perfectly.' | 1:10:01 | 1:10:03 | |
There she comes. You won't believe it, you won't believe it, | 1:10:11 | 1:10:14 | |
how good she is. | 1:10:14 | 1:10:15 | |
# I guess it's funnier from where you're standing... # | 1:10:29 | 1:10:33 | |
CHEERING AND APPLAUSE | 1:10:33 | 1:10:36 | |
# But from over here I've missed the joke | 1:10:36 | 1:10:40 | |
# Cleared the way for my crash landing | 1:10:43 | 1:10:48 | |
# I've done it again | 1:10:48 | 1:10:50 | |
# Another number for your notes | 1:10:50 | 1:10:55 | |
# So I'll be your clown | 1:10:55 | 1:10:59 | |
# Behind the glass... # | 1:10:59 | 1:11:03 | |
Come on, Kylie! You know she's good, turn round! | 1:11:03 | 1:11:05 | |
# ..Cos it's funny | 1:11:05 | 1:11:07 | |
# I would too if I saw me | 1:11:07 | 1:11:10 | |
# I'll be your clown | 1:11:10 | 1:11:14 | |
# On your favourite channel | 1:11:14 | 1:11:17 | |
# My life's a circus, circus | 1:11:17 | 1:11:20 | |
# Round in circles | 1:11:20 | 1:11:22 | |
# I'm selling out tonight | 1:11:22 | 1:11:25 | |
# From the distance my choice is simple | 1:11:26 | 1:11:33 | |
# From a distance, I can entertain | 1:11:33 | 1:11:38 | |
# And you can see me I put make-up on my face... # | 1:11:41 | 1:11:43 | |
Come on, we're having a heart attack here! | 1:11:43 | 1:11:46 | |
# ..But there's no way you can feel it | 1:11:46 | 1:11:50 | |
# From so far away... # | 1:11:50 | 1:11:56 | |
CHEERING AND APPLAUSE | 1:11:56 | 1:11:58 | |
# So I'll be your clown. # | 1:11:58 | 1:12:06 | |
CHEERING AND APPLAUSE | 1:12:06 | 1:12:10 | |
What's your name? | 1:12:32 | 1:12:34 | |
I'm Rachael. | 1:12:34 | 1:12:36 | |
I'm 16 and I'm from Northern Ireland. | 1:12:36 | 1:12:38 | |
CHEERING AND APPLAUSE | 1:12:38 | 1:12:42 | |
Get in there! | 1:12:43 | 1:12:45 | |
You're wonderful. I'm a fool, I should have turned around. | 1:12:45 | 1:12:48 | |
It's OK, it's OK. | 1:12:48 | 1:12:49 | |
LAUGHTER | 1:12:49 | 1:12:51 | |
If you need advice on who to pick, just give me a holler. | 1:12:51 | 1:12:54 | |
Wait! I've got to do the rain dance around my chair! | 1:12:57 | 1:13:01 | |
CHEERING AND APPLAUSE | 1:13:01 | 1:13:05 | |
YOU... | 1:13:05 | 1:13:06 | |
..are what I was just dreaming to hear, and then to see! | 1:13:08 | 1:13:12 | |
CHEERING AND APPLAUSE | 1:13:12 | 1:13:16 | |
You are so moving, touching, the purity in your voice | 1:13:16 | 1:13:19 | |
-and beautiful song choice. -Thank you. -Ah! | 1:13:19 | 1:13:22 | |
CHEERING AND APPLAUSE | 1:13:22 | 1:13:24 | |
I would love to work with you. | 1:13:24 | 1:13:28 | |
-That's all I'm saying. -Thanks! | 1:13:28 | 1:13:31 | |
Well, I loved it. I think you sound original. | 1:13:31 | 1:13:34 | |
As young as you are, you've already found yourself, I think. | 1:13:34 | 1:13:40 | |
And I would like to help you to take that further... | 1:13:40 | 1:13:43 | |
CHEERING AND APPLAUSE | 1:13:43 | 1:13:45 | |
..if possible, so... | 1:13:45 | 1:13:47 | |
I mean, I would love to have you on my team | 1:13:47 | 1:13:50 | |
and that's from there, believe me. | 1:13:50 | 1:13:53 | |
Thank you, Tom. | 1:13:53 | 1:13:55 | |
-Hi. -Hi! | 1:13:57 | 1:13:58 | |
-It was great. -Thank you. | 1:13:58 | 1:13:59 | |
It was really, really good and your confidence on the stage | 1:13:59 | 1:14:02 | |
just poured over the back of my chair like a tidal wave. | 1:14:02 | 1:14:05 | |
CHEERING AND APPLAUSE | 1:14:05 | 1:14:06 | |
I still can't believe people turned round! | 1:14:06 | 1:14:09 | |
CHEERING AND APPLAUSE | 1:14:09 | 1:14:13 | |
You like Ricky? | 1:14:16 | 1:14:18 | |
So do you need my advice any more? | 1:14:20 | 1:14:22 | |
LAUGHTER | 1:14:22 | 1:14:23 | |
Only if you say me. | 1:14:23 | 1:14:25 | |
LAUGHTER | 1:14:25 | 1:14:27 | |
-There's the female choice. -The best choice! | 1:14:27 | 1:14:31 | |
And Kylie, I've worked with her in the studio. | 1:14:31 | 1:14:33 | |
She knows exactly how to take you where you want to go. | 1:14:33 | 1:14:38 | |
She's the bomb. | 1:14:38 | 1:14:39 | |
But I've also seen Mr Jones in action. | 1:14:40 | 1:14:43 | |
I mean, he's a legend, right. | 1:14:43 | 1:14:45 | |
Every trick in the book... | 1:14:45 | 1:14:47 | |
he wrote. | 1:14:47 | 1:14:49 | |
LAUGHTER | 1:14:49 | 1:14:51 | |
Ricky. | 1:14:51 | 1:14:53 | |
Ricky knows how to nurture and protect and guide, | 1:14:53 | 1:14:59 | |
but Kylie would be amazing, that would be spectacular right there. | 1:14:59 | 1:15:04 | |
CHEERING AND APPLAUSE | 1:15:04 | 1:15:07 | |
Um... | 1:15:09 | 1:15:10 | |
The thing is these two, they're superstars and, you know, | 1:15:10 | 1:15:14 | |
they live in a different world. | 1:15:14 | 1:15:16 | |
Oh! | 1:15:16 | 1:15:17 | |
LAUGHTER | 1:15:17 | 1:15:18 | |
We'll get you there. | 1:15:18 | 1:15:20 | |
It's just that it is a long journey and I don't want you just | 1:15:20 | 1:15:23 | |
to take that leap, cos you have to get there and not be carried away. | 1:15:23 | 1:15:27 | |
All I can say is, join my team and we'll have loads of fun. | 1:15:27 | 1:15:32 | |
It was my idea to cut my hair the way I cut it, | 1:15:32 | 1:15:35 | |
so don't listen to me all the time. | 1:15:35 | 1:15:37 | |
-I asked for that tag on my hat. -I like it, I like it! | 1:15:37 | 1:15:39 | |
Honestly, don't listen to me. | 1:15:39 | 1:15:41 | |
You still have the tag on your shoes as well. | 1:15:41 | 1:15:43 | |
That's cos I'm returning these after I finish the show. | 1:15:43 | 1:15:45 | |
You're not about to hit hard times! | 1:15:45 | 1:15:47 | |
LAUGHTER AND APPLAUSE | 1:15:47 | 1:15:50 | |
See? It's your choice! | 1:15:50 | 1:15:52 | |
AUDIENCE SHOUTS DIFFERENT NAMES | 1:15:52 | 1:15:56 | |
I'm going to go with Kylie. | 1:16:11 | 1:16:13 | |
Yes! | 1:16:13 | 1:16:14 | |
CHEERING AND APPLAUSE | 1:16:14 | 1:16:17 | |
Oh, my God! | 1:16:22 | 1:16:24 | |
I'm so excited. Come and meet everyone. | 1:16:26 | 1:16:29 | |
-Lovely, really, really lovely. -Thank you. | 1:16:34 | 1:16:36 | |
Have a seriously great time. Good luck. | 1:16:36 | 1:16:39 | |
I will see you! | 1:16:39 | 1:16:41 | |
-She's lovely, she is. -I'm so excited right now! | 1:16:50 | 1:16:52 | |
THEY CHEER | 1:16:56 | 1:17:00 | |
How are you feeling? | 1:17:02 | 1:17:04 | |
I can't...I can't believe it! | 1:17:04 | 1:17:08 | |
Three turns on The Voice. | 1:17:08 | 1:17:10 | |
It actually happened! | 1:17:12 | 1:17:15 | |
It's like a dream. | 1:17:15 | 1:17:16 | |
Like...it doesn't seem real, still hasn't sunk in! | 1:17:16 | 1:17:20 | |
THEY CHEER | 1:17:20 | 1:17:23 | |
I see girls! | 1:17:25 | 1:17:27 | |
So as week four draws to a close, | 1:17:27 | 1:17:29 | |
it's been something of a ladies' night for our coaches. | 1:17:29 | 1:17:32 | |
I see girls! | 1:17:34 | 1:17:35 | |
Kylie wanted girls, she got them. | 1:17:35 | 1:17:37 | |
Yes! | 1:17:37 | 1:17:38 | |
Three ladies bring her total to seven. | 1:17:38 | 1:17:41 | |
Took me a while to get my female vocalist today. | 1:17:41 | 1:17:44 | |
Really, really, really happy with the three additions I have. | 1:17:44 | 1:17:48 | |
Team Tom added yet another lass | 1:17:48 | 1:17:50 | |
to the six he already has, making seven. | 1:17:50 | 1:17:53 | |
I'm happy with the singers that I have, I think they're all strong. | 1:17:53 | 1:17:56 | |
But hopefully, there's going to be some more men | 1:17:56 | 1:17:59 | |
and I'll get one of them... | 1:17:59 | 1:18:00 | |
or hopefully two. | 1:18:00 | 1:18:02 | |
More women, Tom! More women! | 1:18:02 | 1:18:04 | |
Or maybe three. | 1:18:04 | 1:18:05 | |
Ah! | 1:18:05 | 1:18:07 | |
Will's won two new women. | 1:18:07 | 1:18:09 | |
So his team is now half full with six. | 1:18:09 | 1:18:13 | |
The talent this season has been pretty fricking crazy, | 1:18:13 | 1:18:16 | |
so I'm holding back. We have more auditions to do. | 1:18:16 | 1:18:20 | |
See these fists? They haven't seen me fight yet. | 1:18:20 | 1:18:22 | |
-That was a good pitch, that. -Thanks for fighting my corner. | 1:18:22 | 1:18:25 | |
And two for the price of one brings Ricky to five. | 1:18:25 | 1:18:27 | |
I'm feeling very positive, I'm on track. | 1:18:27 | 1:18:30 | |
I've got less people than everyone else. | 1:18:30 | 1:18:32 | |
I'm reserving. I'm a reserver. | 1:18:32 | 1:18:34 | |
Mamado! | 1:18:34 | 1:18:35 |