Browse content similar to Blind Auditions 5. Check below for episodes and series from the same categories and more!
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Everyone's keeping their cards close to their chest, | 0:00:02 | 0:00:04 | |
and you never know how strong the teams are. | 0:00:04 | 0:00:06 | |
# I be everywhere, everybody know me... # | 0:00:06 | 0:00:08 | |
-WILL.I.AM: -My team is freakin' crazy fresh. | 0:00:08 | 0:00:11 | |
# Dance with me...slow... # | 0:00:11 | 0:00:12 | |
-KYLIE: -I feel good about my team, | 0:00:12 | 0:00:14 | |
cos they just keep getting better and better. | 0:00:14 | 0:00:16 | |
-TOM: -The coaches always have to worry about my team, | 0:00:16 | 0:00:18 | |
because they know, I pick 'em because they're strong. | 0:00:18 | 0:00:21 | |
I really want to win this. | 0:00:23 | 0:00:24 | |
What's the point in going forward if you're not going to up your game? | 0:00:24 | 0:00:27 | |
I'm not tricky. | 0:00:27 | 0:00:29 | |
Or am I? | 0:00:29 | 0:00:30 | |
-EMMA: -Tonight, two coaches go head-to-head. | 0:00:32 | 0:00:35 | |
What, you want to start something? | 0:00:35 | 0:00:37 | |
We're becoming...almost old adversaries. | 0:00:37 | 0:00:39 | |
-MARVIN: -There's some blasts from the past. | 0:00:39 | 0:00:41 | |
I've seen you before. | 0:00:41 | 0:00:43 | |
And the boys are left speechless. | 0:00:43 | 0:00:45 | |
MUSIC: "Silence is Golden" by The Tremeloes | 0:00:46 | 0:00:49 | |
If none of you guys can talk, I'll talk. | 0:00:49 | 0:00:51 | |
First up tonight, singing restaurant manager Steven Alexander... | 0:00:56 | 0:01:01 | |
# Fever...in the evening. # | 0:01:01 | 0:01:03 | |
..who's picked up a few tips from his auntie. | 0:01:03 | 0:01:05 | |
She knows exactly how he's feeling today. | 0:01:05 | 0:01:07 | |
Singing does run in the family, | 0:01:07 | 0:01:09 | |
my auntie Max was on the show as one part of Diva... | 0:01:09 | 0:01:13 | |
# Oh, tell me... # | 0:01:13 | 0:01:15 | |
..who got through to Team Tom last year. | 0:01:17 | 0:01:19 | |
They had the most amazing time, | 0:01:19 | 0:01:20 | |
constantly screaming down the phone, | 0:01:20 | 0:01:22 | |
"Oh, my God, you'll never guess what's happening, | 0:01:22 | 0:01:24 | |
"I'm out for lunch with Tom Jones!" They absolutely loved it, | 0:01:24 | 0:01:27 | |
said it was the best time of their life. | 0:01:27 | 0:01:28 | |
Just relax, enjoy the experience, watch those chairs turn. | 0:01:28 | 0:01:32 | |
The more you relax into it, the more natural you're going to sound, | 0:01:32 | 0:01:36 | |
the more chance you have of them turning the chairs. | 0:01:36 | 0:01:39 | |
Aargh! | 0:01:39 | 0:01:40 | |
Auntie Max is, like, my number one fan. | 0:01:40 | 0:01:42 | |
She is so supportive it's unreal. | 0:01:42 | 0:01:45 | |
Going to be magic, right? | 0:01:45 | 0:01:47 | |
She'll be there with bells on, like, | 0:01:47 | 0:01:48 | |
screaming at the back of the room, "Go on, Steven!" | 0:01:48 | 0:01:50 | |
The coaches obviously turned round for Max last year. | 0:01:55 | 0:01:58 | |
Hopefully this year, they're going to take a shot on me. | 0:02:00 | 0:02:03 | |
I just want to go out there and absolutely nail it. | 0:02:03 | 0:02:06 | |
For myself obviously, but for her as well, | 0:02:06 | 0:02:08 | |
because she's going to be there every step of the way. | 0:02:08 | 0:02:12 | |
-Is it bringing back memories? -Aye! Yeah! | 0:02:12 | 0:02:14 | |
You just feel for it, oh, my God. | 0:02:14 | 0:02:16 | |
Walking up those stairs, I think there's going to be | 0:02:16 | 0:02:19 | |
a mixture of nerves and electricity, like I've never felt before. | 0:02:19 | 0:02:22 | |
HE WHISTLES THROUGH HIS TEETH | 0:02:31 | 0:02:32 | |
I almost had a sneaky peek then. | 0:02:35 | 0:02:36 | |
-How'd you think he's feeling. -Oh, he'll be... | 0:02:42 | 0:02:45 | |
-I think he'll hold it together though. -Yeah. | 0:02:45 | 0:02:47 | |
I think he'll hold it together. | 0:02:47 | 0:02:48 | |
# Heeeeyyy | 0:02:56 | 0:02:59 | |
# I see you floating it constantly | 0:03:05 | 0:03:07 | |
# You're making me feel | 0:03:07 | 0:03:10 | |
# You and I could be real | 0:03:10 | 0:03:12 | |
# Yeahhhh... # | 0:03:12 | 0:03:15 | |
Yeah! | 0:03:15 | 0:03:17 | |
# ..you walk away and turn your back... # | 0:03:17 | 0:03:19 | |
-Kylie's feeling it. -Come on! | 0:03:19 | 0:03:21 | |
SHOUTS OF ENCOURAGEMENT | 0:03:21 | 0:03:23 | |
# Cos I'm mystified, yeah, and you know I tried now | 0:03:24 | 0:03:29 | |
# I just can't get through to you, you tell me | 0:03:29 | 0:03:33 | |
# "What you gon' do?" I don't know | 0:03:33 | 0:03:35 | |
# "What you gon' say?" I ain't sure | 0:03:35 | 0:03:38 | |
# All of the time, all the time you... # | 0:03:38 | 0:03:41 | |
Press that button! | 0:03:41 | 0:03:42 | |
# I can't keep wasting my time on your game | 0:03:42 | 0:03:48 | |
CHEERING | 0:03:48 | 0:03:49 | |
# All the time, yeah | 0:03:54 | 0:03:57 | |
# Playing your game | 0:03:57 | 0:04:00 | |
# Seen it all before | 0:04:00 | 0:04:03 | |
# Ti-hi-ime, yeah | 0:04:03 | 0:04:06 | |
# Cos I'm mystified | 0:04:06 | 0:04:09 | |
JAZZY VOCAL | 0:04:09 | 0:04:11 | |
# Whoa-oh-oh-ohhhhhh... # | 0:04:12 | 0:04:15 | |
Oh, come on! | 0:04:15 | 0:04:18 | |
# Hey, hey, hey, yeah! | 0:04:18 | 0:04:21 | |
# Ain't no doubt about it... # | 0:04:23 | 0:04:26 | |
Come on, hit the button! | 0:04:26 | 0:04:27 | |
# Ain't no... # | 0:04:28 | 0:04:31 | |
Oh, my God! | 0:04:31 | 0:04:33 | |
CHEERING | 0:04:33 | 0:04:34 | |
Woo! KYLIE LAUGHS | 0:04:55 | 0:04:57 | |
-What's your name? -My name's Steven Alexander. | 0:04:57 | 0:05:00 | |
CHEERING | 0:05:00 | 0:05:02 | |
OK, I got a bit excited then. | 0:05:06 | 0:05:08 | |
I think you threw everything at us. We could probably work on... | 0:05:08 | 0:05:12 | |
pacing, some of those runs and your tricks and things like that. | 0:05:12 | 0:05:16 | |
But all I can say is I felt that, and you just swept me away. | 0:05:16 | 0:05:20 | |
Thank you, thank you so much. | 0:05:20 | 0:05:22 | |
So there was a note at the beginning there, | 0:05:28 | 0:05:30 | |
I didn't know whether it was the melody of the song | 0:05:30 | 0:05:34 | |
or whether you had gone off or not, but then it became stronger | 0:05:34 | 0:05:38 | |
and better, and I could hear then what you were doing. | 0:05:38 | 0:05:41 | |
And I loved what I heard. | 0:05:41 | 0:05:43 | |
So that's why, at the end, when you started to give it plenty... | 0:05:43 | 0:05:48 | |
-Yeah. -..that's when I hit the button. | 0:05:48 | 0:05:51 | |
CHEERING | 0:05:51 | 0:05:52 | |
My auntie's backstage. She was part of Diva last year, Maxine. | 0:05:54 | 0:06:01 | |
So she's Team Tom all the way, she was on your team last year. | 0:06:01 | 0:06:05 | |
-All right, Tom? -Hi, Tom! | 0:06:05 | 0:06:07 | |
-Whoa, check that out! -So, it's a bit crazy. | 0:06:07 | 0:06:10 | |
Um, we keep it in the family, keeping it real. | 0:06:11 | 0:06:14 | |
-# We are family -Yeah, we are | 0:06:14 | 0:06:17 | |
-# I got my auntie in the back -Oh, yeah! # | 0:06:17 | 0:06:20 | |
LAUGHTER | 0:06:20 | 0:06:21 | |
So the reason I didn't turn, lil' Miss Kylie turned around - boom! | 0:06:25 | 0:06:29 | |
Now you got, you know, she's going to be a great coach, | 0:06:29 | 0:06:33 | |
and then you was rocking even more. | 0:06:33 | 0:06:35 | |
But then I was trying to figure out, "Should I turn around?" | 0:06:35 | 0:06:38 | |
And then the legend turned around. | 0:06:38 | 0:06:40 | |
LAUGHTER | 0:06:40 | 0:06:41 | |
-But you're amazing. -Thank you, thank you. | 0:06:41 | 0:06:44 | |
- Hello, you all right? - I'm really good. | 0:06:46 | 0:06:48 | |
If I'm going to give a reason for not turning around, it's probably | 0:06:48 | 0:06:51 | |
because I was messing about too much with Will. | 0:06:51 | 0:06:53 | |
The stuff that these two liked about it | 0:06:55 | 0:06:56 | |
will be acrobatics and stuff like that. | 0:06:56 | 0:06:58 | |
For me personally, I found it masked a little bit of the heart of it | 0:06:58 | 0:07:02 | |
and the emotions. | 0:07:02 | 0:07:03 | |
But I'm sure that when you work with Tom or Kylie, you can | 0:07:03 | 0:07:06 | |
bring more of the heart into the song and find the emotion of it. | 0:07:06 | 0:07:11 | |
Thank you, thank you. | 0:07:11 | 0:07:13 | |
- But, yeah, well done. - Thanks, dude. Thank you very much. | 0:07:14 | 0:07:16 | |
Now make your choice. | 0:07:16 | 0:07:18 | |
Oh, God, this is crazy. | 0:07:18 | 0:07:20 | |
AUDIENCE SHOUT JUDGE NAMES | 0:07:20 | 0:07:23 | |
Go on, go Kylie. | 0:07:24 | 0:07:26 | |
STEVEN: Erm... | 0:07:28 | 0:07:29 | |
AUDIENCE: Kylie! Kylie! Kylie! | 0:07:29 | 0:07:31 | |
-What'd you reckon, guys? -I reckon he's going Kylie. -Kylie, yeah? | 0:07:31 | 0:07:34 | |
AUDIENCE: Tom! Tom! | 0:07:37 | 0:07:39 | |
My auntie might be a little bit annoyed with me for this decision, | 0:07:41 | 0:07:44 | |
but I would love to go with Miss Kylie Minogue. | 0:07:44 | 0:07:46 | |
-Well done! -Thank you. | 0:07:52 | 0:07:54 | |
Auntie Max's top tips have been tip-top, | 0:08:02 | 0:08:04 | |
it's great just to have her feedback and her input, | 0:08:04 | 0:08:06 | |
and she knows what I'm going through, so she gets it. | 0:08:06 | 0:08:09 | |
He was great, the way he was working the audience, | 0:08:09 | 0:08:12 | |
it was really cool when I turned around to see him take it | 0:08:12 | 0:08:14 | |
up to the next level, and I was seduced by that, I couldn't help it. | 0:08:14 | 0:08:18 | |
I think you're going to go all the way, pal. | 0:08:18 | 0:08:21 | |
To turn, or not to turn? That is the question. | 0:08:23 | 0:08:26 | |
Download The Voice app and you can be a home coach. | 0:08:30 | 0:08:33 | |
# This is The Voice! # | 0:08:33 | 0:08:35 | |
Now, a tale of love in the Highlands, | 0:08:39 | 0:08:41 | |
between 56-year-old Fiona Kelly | 0:08:41 | 0:08:43 | |
and the other man in her life. | 0:08:43 | 0:08:45 | |
ROMANTIC MUSIC | 0:08:45 | 0:08:49 | |
My husband works away quite a lot. | 0:08:49 | 0:08:51 | |
It can get a bit lonely sometimes, | 0:08:51 | 0:08:53 | |
yes...yes. | 0:08:53 | 0:08:56 | |
But I do have another man in my life, and his name is Bob. Bob the Clob. | 0:08:56 | 0:09:02 | |
RECORD SQUEAKS | 0:09:02 | 0:09:04 | |
Bob is my horse, and I love Bob! | 0:09:04 | 0:09:07 | |
BLACK BEAUTY THEME | 0:09:07 | 0:09:10 | |
Bob would not be the fastest horse in the world. | 0:09:10 | 0:09:12 | |
But he's very willing. | 0:09:14 | 0:09:16 | |
MUSIC CUTS OUT Bob! | 0:09:16 | 0:09:19 | |
You could say that Bob is the ideal man, | 0:09:19 | 0:09:21 | |
because he never answers me back. | 0:09:21 | 0:09:22 | |
You're filthy! | 0:09:22 | 0:09:23 | |
NEIGHING | 0:09:23 | 0:09:25 | |
Oh, I just love him! We're absolutely a match made in heaven. | 0:09:25 | 0:09:29 | |
I've always sung for fun. | 0:09:34 | 0:09:37 | |
I would never, ever have dreamed that I would be here. | 0:09:37 | 0:09:40 | |
I want to take this opportunity and just grab it with both hands. | 0:09:43 | 0:09:48 | |
And make one of those chairs turn. | 0:09:49 | 0:09:51 | |
Oh, look, she's nervous. | 0:10:02 | 0:10:04 | |
# You light the skies up above me... # | 0:10:11 | 0:10:18 | |
CHEERING | 0:10:20 | 0:10:21 | |
Wow. | 0:10:21 | 0:10:23 | |
# A star so bright | 0:10:23 | 0:10:29 | |
# You blind me | 0:10:29 | 0:10:34 | |
# Don't close your eyes | 0:10:36 | 0:10:40 | |
# Don't fade away, don't fade away | 0:10:40 | 0:10:47 | |
# You and me... # | 0:10:48 | 0:10:51 | |
Come on, Ricky! | 0:10:51 | 0:10:53 | |
# If you stay by my side, we can rule the world... # | 0:10:53 | 0:10:59 | |
Come on, guys! | 0:10:59 | 0:11:00 | |
SHE VOCALISES | 0:11:01 | 0:11:04 | |
SHOUTS OF ENCOURAGEMENT | 0:11:12 | 0:11:14 | |
CHEERING | 0:11:18 | 0:11:19 | |
Ohhh, no. | 0:11:19 | 0:11:21 | |
CHEERING INTENSIFIES | 0:11:30 | 0:11:31 | |
-How are you? I'm good, thank you, how are you? -I'm OK. | 0:11:37 | 0:11:41 | |
Oh, it's you! I didn't see who it was! | 0:11:41 | 0:11:44 | |
He does look like I sound. | 0:11:45 | 0:11:47 | |
LAUGHTER | 0:11:47 | 0:11:48 | |
Just kidding. Where you from? | 0:11:50 | 0:11:52 | |
I'm from a little village just outside Aberdeen, in Scotland. | 0:11:52 | 0:11:56 | |
-Fit like? -Nae bad, fit like yersel? | 0:11:56 | 0:11:59 | |
I'm all right. I speak Aberdeen. | 0:11:59 | 0:12:02 | |
LAUGHTER | 0:12:02 | 0:12:04 | |
-Um, what's your name? -Fiona Kelly. -Hi, Fiona. | 0:12:06 | 0:12:09 | |
I didn't turn around cos I didn't know how to add to... | 0:12:11 | 0:12:16 | |
the angelic vibe that you already have. | 0:12:16 | 0:12:19 | |
Hi, Fiona. | 0:12:24 | 0:12:26 | |
Think you hit a couple little bumps where you weren't so sure. | 0:12:26 | 0:12:31 | |
Maybe it wasn't totally there tonight, | 0:12:31 | 0:12:36 | |
-but thank you very much anyway. -Thank you. | 0:12:36 | 0:12:38 | |
I'm going to surprise you now. I don't go to that many operas. | 0:12:43 | 0:12:46 | |
LAUGHTER So I don't know about that world. | 0:12:46 | 0:12:49 | |
And that was my reason for not turning round, | 0:12:49 | 0:12:52 | |
because I wouldn't know what to do. | 0:12:52 | 0:12:55 | |
I think I could lead you down a very wrong path. | 0:12:55 | 0:12:59 | |
Really? | 0:12:59 | 0:13:00 | |
But, I actually really enjoyed your song choice | 0:13:03 | 0:13:06 | |
for the style you were singing. | 0:13:06 | 0:13:09 | |
IMPERSONATES GARY BARLOW: And I'm sure Gary | 0:13:09 | 0:13:11 | |
would have really liked it as well. | 0:13:11 | 0:13:12 | |
That was awful, wasn't it? | 0:13:14 | 0:13:16 | |
OK, thanks very much. | 0:13:18 | 0:13:19 | |
Thank you very much, I was wondering how I was going to get down there. | 0:13:25 | 0:13:29 | |
-Worst Gary Barlow impression ever. -Wrong show. | 0:13:33 | 0:13:36 | |
Well done, Fiona. | 0:13:37 | 0:13:39 | |
APPLAUSE | 0:13:39 | 0:13:40 | |
Bob would indeed have turned his chair, his little hoof would | 0:13:40 | 0:13:43 | |
have been on that buzzer, and he would have turned it. | 0:13:43 | 0:13:47 | |
NEIGHING | 0:13:47 | 0:13:48 | |
For many of our acts, | 0:13:52 | 0:13:53 | |
The Voice is their first shot at a major singing competition. | 0:13:53 | 0:13:57 | |
But 25-year-old Manchester lad Chris Royal is an old hand. | 0:13:57 | 0:14:00 | |
I've been singing since I was a little boy. | 0:14:00 | 0:14:03 | |
My mum used to take me to holiday camps and I'd enter the talent shows. | 0:14:03 | 0:14:07 | |
I used to do exactly the same thing, you used to win holidays. | 0:14:07 | 0:14:10 | |
Yeah, you used to win holidays, and I won one or two. | 0:14:10 | 0:14:13 | |
-When Chris was younger, was he cute? -He was very cute, yeah. | 0:14:13 | 0:14:17 | |
Still is! | 0:14:18 | 0:14:19 | |
Me and my family are very close. | 0:14:24 | 0:14:26 | |
Don't worry about that. | 0:14:26 | 0:14:28 | |
-Everybody says I'm a mummy's boy. -I love Chris with all my heart... | 0:14:29 | 0:14:34 | |
I'm going to get upset now! | 0:14:34 | 0:14:37 | |
Why you crying? I'm not, shut up. | 0:14:37 | 0:14:39 | |
She'll still call me up in the morning, "Are you awake?" | 0:14:39 | 0:14:41 | |
I'm like, "Aw, Mum, I'm 25!" | 0:14:41 | 0:14:43 | |
A year ago, I decided to move to London. | 0:14:47 | 0:14:49 | |
My decision was based purely on music. | 0:14:49 | 0:14:52 | |
Since being in London, I've had jobs. | 0:14:52 | 0:14:55 | |
Unfortunately, I'm not working no more. | 0:14:55 | 0:14:57 | |
I'm not going to lie and say it's easy, especially by myself. | 0:14:57 | 0:15:00 | |
Singing in front of these four coaches could be the break | 0:15:00 | 0:15:03 | |
that I need. | 0:15:03 | 0:15:04 | |
-This opportunity is priceless. I need to make the most of it. -Here we go. | 0:15:08 | 0:15:13 | |
Come on, Chris! | 0:15:13 | 0:15:15 | |
-Oh, he looks so nervous. -He does, doesn't he? Go on, son. | 0:15:30 | 0:15:34 | |
# Feeling my way through the darkness | 0:15:40 | 0:15:45 | |
# Guided by a beating heart | 0:15:47 | 0:15:50 | |
# I can't tell where my journey... # | 0:15:52 | 0:15:54 | |
-Come on, Will.i.am. -Ohhh! | 0:15:54 | 0:15:57 | |
# But I know where to start | 0:15:57 | 0:16:00 | |
# So wake me up when it's all over | 0:16:01 | 0:16:05 | |
# When I'm wiser and I'm older | 0:16:06 | 0:16:12 | |
# All this time I was finding myself | 0:16:12 | 0:16:17 | |
# And I didn't know I was lost... # | 0:16:17 | 0:16:21 | |
Oh, my God! | 0:16:21 | 0:16:24 | |
# They tell me I'm too young to understand | 0:16:24 | 0:16:30 | |
# They say I'm caught up in a dream | 0:16:30 | 0:16:33 | |
# Life will pass me by if I don't open up my eyes | 0:16:35 | 0:16:40 | |
# Well, that's fine by me | 0:16:40 | 0:16:44 | |
# So wake me up when it's all over | 0:16:44 | 0:16:50 | |
# When I'm wiser and I'm older | 0:16:50 | 0:16:54 | |
# All this time I was finding myself | 0:16:54 | 0:16:59 | |
# When I didn't know I was lost. # | 0:16:59 | 0:17:05 | |
HE VOCALISES | 0:17:07 | 0:17:09 | |
Yeah! | 0:17:11 | 0:17:13 | |
CHEERING Thank you. | 0:17:13 | 0:17:15 | |
Woo! | 0:17:18 | 0:17:20 | |
Yes! | 0:17:24 | 0:17:26 | |
Hello, hello. | 0:17:27 | 0:17:29 | |
-What's your name? -My name's Chris, and I'm from Manchester. | 0:17:29 | 0:17:32 | |
I mean, that just got better and better and better, I thought. | 0:17:38 | 0:17:41 | |
And you ended up even stronger at the end of it, | 0:17:41 | 0:17:43 | |
-so I think you're great. -Thank you. | 0:17:43 | 0:17:45 | |
All right, my turn to stand. | 0:17:48 | 0:17:51 | |
So you must feel pretty good right now, yeah? | 0:17:51 | 0:17:54 | |
CHRIS: I do. To be honest, I didn't expect it all, I just came out, I was so nervous. | 0:17:54 | 0:17:58 | |
You seriously didn't think anyone was going to turn around? | 0:17:58 | 0:18:01 | |
Are you mad?! | 0:18:01 | 0:18:02 | |
LAUGHTER | 0:18:02 | 0:18:03 | |
-Your voice is like honey, that was so good. -Thank you. | 0:18:03 | 0:18:07 | |
If we were to work together, we'd go through your record collection, | 0:18:08 | 0:18:13 | |
we'd get to know who you are, we'd spend some time together. | 0:18:13 | 0:18:17 | |
And, erm... | 0:18:17 | 0:18:19 | |
LAUGHTER | 0:18:19 | 0:18:20 | |
You're ready to go to the next level. | 0:18:22 | 0:18:25 | |
Thank you. | 0:18:25 | 0:18:26 | |
I've been around a long time, and I've heard a lot of singers, | 0:18:28 | 0:18:32 | |
and I can move you into directions | 0:18:32 | 0:18:34 | |
that maybe you haven't even tried yet, | 0:18:34 | 0:18:36 | |
and pick the right material for you, because that is very important. | 0:18:36 | 0:18:40 | |
So... | 0:18:40 | 0:18:42 | |
I'd probably do the same as those two, but more and better. | 0:18:43 | 0:18:46 | |
WHOOPING | 0:18:48 | 0:18:50 | |
This show's a bit like a catapult, | 0:18:53 | 0:18:55 | |
so it's not just us pulling it back and going, | 0:18:55 | 0:18:57 | |
"That's where you've gotta go", | 0:18:57 | 0:18:59 | |
it's a joint effort, you have to point it, | 0:18:59 | 0:19:02 | |
we pull it back, you tell me | 0:19:02 | 0:19:03 | |
where you want to go, and we'll do it together. | 0:19:03 | 0:19:06 | |
And I will not give up until you've won this. | 0:19:06 | 0:19:09 | |
CHEERING | 0:19:10 | 0:19:12 | |
HE MOUTHS: Wow. | 0:19:15 | 0:19:16 | |
AUDIENCE: Ricky! Ricky! Ricky! | 0:19:20 | 0:19:23 | |
I'm just torn between all three of you. I'm just going to... | 0:19:26 | 0:19:29 | |
-It's his future, isn't it? -Exactly, it's hard. | 0:19:32 | 0:19:36 | |
The coach that I'm going to choose... | 0:19:36 | 0:19:38 | |
..is, erm... | 0:19:39 | 0:19:42 | |
I'm going to go with Ricky. | 0:19:46 | 0:19:47 | |
Yes! | 0:19:47 | 0:19:48 | |
- A-ha! You made the right decision. - Thank you. | 0:19:52 | 0:19:55 | |
It's going to be great. We're going to have a good time, yeah? | 0:19:55 | 0:19:59 | |
Oh, man, it's going to be ace. | 0:19:59 | 0:20:00 | |
That was a beautiful performance. | 0:20:01 | 0:20:03 | |
Nice shirt, too. | 0:20:04 | 0:20:06 | |
WHOOPING | 0:20:06 | 0:20:08 | |
Good pitch. | 0:20:10 | 0:20:11 | |
-AUDIENCE MEMBER: -Love you Ricky! | 0:20:11 | 0:20:13 | |
SCREAMING | 0:20:15 | 0:20:18 | |
My gut was telling me to go for Tom, but Ricky's pitch won me over. | 0:20:18 | 0:20:22 | |
It just felt really heart-full. It felt honest. | 0:20:22 | 0:20:24 | |
Maybe Ricky can pull something out of me | 0:20:24 | 0:20:26 | |
that I don't even know that's there. | 0:20:26 | 0:20:28 | |
RICKY: Feel that. | 0:20:28 | 0:20:29 | |
Yeah, it's like a pigeon's heart, he's going like this. | 0:20:31 | 0:20:34 | |
LAUGHTER | 0:20:34 | 0:20:36 | |
He's going to fly away in a minute. | 0:20:36 | 0:20:39 | |
Also, I've run out of lines now. | 0:20:39 | 0:20:41 | |
I know, have a nap! Cos I think you've... | 0:20:41 | 0:20:44 | |
This show! | 0:20:45 | 0:20:47 | |
KYLIE: Will you please breathe? I'm worried! | 0:20:47 | 0:20:49 | |
-Congratulations. -Yeah, well done. | 0:20:54 | 0:20:56 | |
RICKY: Thank you, Tom. | 0:20:57 | 0:20:59 | |
Let me ask you this - was it worth you picking up from home, | 0:20:59 | 0:21:01 | |
moving down to London? Does it all feel worth it now? | 0:21:01 | 0:21:04 | |
Yeah, deffo. | 0:21:04 | 0:21:05 | |
MARVIN LAUGHS | 0:21:05 | 0:21:07 | |
You look like you're having way too much fun there, Marv. | 0:21:07 | 0:21:10 | |
Don't you know we're here to do a serious job? | 0:21:10 | 0:21:13 | |
# Because I'm happy... # | 0:21:13 | 0:21:15 | |
Whoa-whoa-whoa! | 0:21:15 | 0:21:16 | |
Yeah! | 0:21:17 | 0:21:19 | |
-Hi! -AUDIENCE: Hi! | 0:21:20 | 0:21:22 | |
-Are you all right? -AUDIENCE: Yes! | 0:21:22 | 0:21:25 | |
-Oh, good! -LAUGHTER | 0:21:25 | 0:21:27 | |
-Wasaaabi! -That's it! | 0:21:27 | 0:21:29 | |
-WELSH ACCENT: -What's occurring? | 0:21:29 | 0:21:30 | |
-Where do they go? -Well... | 0:21:30 | 0:21:32 | |
MARVIN LAUGHS | 0:21:34 | 0:21:37 | |
-WELSH ACCENT: -Tidy, innit? | 0:21:37 | 0:21:39 | |
-BOTH: -Yaay! | 0:21:39 | 0:21:40 | |
You've the cutest little face! Oh! | 0:21:40 | 0:21:42 | |
Woop-woop! You chatting up? | 0:21:42 | 0:21:44 | |
-Look at your eyes. -Look at yours! | 0:21:44 | 0:21:46 | |
-You look much better in the flesh. -Really? | 0:21:46 | 0:21:48 | |
Can I meet Marvin before I go? | 0:21:48 | 0:21:50 | |
-Oh! It's like that, is it? -LAUGHTER | 0:21:50 | 0:21:53 | |
Ooooh! | 0:21:53 | 0:21:55 | |
CHEERING | 0:21:57 | 0:21:59 | |
So much fun! | 0:22:01 | 0:22:03 | |
Even if you've been on The Voice before, our doors are always open. | 0:22:06 | 0:22:10 | |
And tonight's next two acts are coming back through them. | 0:22:10 | 0:22:13 | |
First, 17-year-old Nick Dixon. | 0:22:13 | 0:22:16 | |
# I won't give up on us... # | 0:22:18 | 0:22:21 | |
'Last series I was so nervous' | 0:22:21 | 0:22:24 | |
that I could feel my heart pounding in my chest. | 0:22:24 | 0:22:26 | |
'When I finished the song and no-one turned round, | 0:22:28 | 0:22:31 | |
'my heart hit rock bottom.' | 0:22:31 | 0:22:32 | |
'It took me a few seconds to realise, "Oh, I'm not through."' | 0:22:34 | 0:22:37 | |
You haven't quite found yourself yet. | 0:22:38 | 0:22:42 | |
But there's always next year, come back. | 0:22:42 | 0:22:44 | |
I would love to hear you again. | 0:22:44 | 0:22:46 | |
'If I could go back in time | 0:22:47 | 0:22:49 | |
'and give my younger self a bit of advice, | 0:22:49 | 0:22:51 | |
'I'd say, "Be more relaxed."' | 0:22:51 | 0:22:53 | |
And it's also back into The Voice spotlight for Elesha Paul Moses. | 0:22:55 | 0:22:59 | |
Last year I was on the show as part of a duo called Nu-Tarna. | 0:22:59 | 0:23:03 | |
# Now look at me...! # | 0:23:03 | 0:23:05 | |
'I looked very different, with big blue hair.' | 0:23:05 | 0:23:09 | |
We got picked by Will.i.am. | 0:23:09 | 0:23:11 | |
CHEERING | 0:23:13 | 0:23:15 | |
Woo! Nu-Tarna! That's the name! | 0:23:15 | 0:23:18 | |
'We got into the battle rounds, but we didn't make it through, | 0:23:18 | 0:23:21 | |
'and we decided to go our separate ways.' | 0:23:21 | 0:23:24 | |
'As part of Nu-Tarna I had to kind of play a role.' | 0:23:26 | 0:23:30 | |
This year I just want people to see me as me. | 0:23:30 | 0:23:33 | |
'I'm my own person.' | 0:23:33 | 0:23:35 | |
NICK: 'Since I auditioned last year I've worked so hard. | 0:23:37 | 0:23:40 | |
'I want to be able to show the people what I have learned.' | 0:23:40 | 0:23:43 | |
ELESHA: 'Coming back is a big risk. | 0:23:46 | 0:23:48 | |
'If I didn't get a turn this time around | 0:23:48 | 0:23:50 | |
'it'd be really hard to take.' | 0:23:50 | 0:23:52 | |
'That doubt would start coming in.' | 0:23:54 | 0:23:56 | |
NICK: 'To get through this audition, it means so much to me. | 0:23:57 | 0:24:01 | |
'It is more than a dream. | 0:24:01 | 0:24:02 | |
'It's my life and it's what I want.' | 0:24:02 | 0:24:05 | |
-Come on, son. -You go. Come on, Nick. | 0:24:15 | 0:24:18 | |
He's looking a bit more relaxed this time. | 0:24:18 | 0:24:20 | |
You can do it. | 0:24:20 | 0:24:22 | |
# I'm counting on a memory to get me out of here | 0:24:40 | 0:24:46 | |
CHEERING | 0:24:46 | 0:24:48 | |
# I'm waiting for the fog around this spooky little town to clear | 0:24:48 | 0:24:54 | |
# And all this time I've spent being... # | 0:24:54 | 0:24:59 | |
-Come on, Ricky! -Come on! | 0:24:59 | 0:25:01 | |
# Someone else's friend | 0:25:01 | 0:25:03 | |
# Just one more time, for old time's sake | 0:25:03 | 0:25:07 | |
# If I could go back home again | 0:25:07 | 0:25:10 | |
-Come on! -Come on! | 0:25:10 | 0:25:11 | |
# If I could go back home | 0:25:11 | 0:25:14 | |
# If I could go back home | 0:25:16 | 0:25:19 | |
# If I'd never left | 0:25:19 | 0:25:22 | |
# Then I never would have known | 0:25:22 | 0:25:27 | |
-ALL: -Come on! | 0:25:27 | 0:25:29 | |
# We all dream of leaving | 0:25:29 | 0:25:32 | |
# But wind up in the end | 0:25:32 | 0:25:35 | |
-Come on! -Come on! | 0:25:35 | 0:25:37 | |
-Push it! -Push it! | 0:25:37 | 0:25:38 | |
# Spending all our time | 0:25:38 | 0:25:40 | |
# Trying to get back home | 0:25:40 | 0:25:45 | |
# We all dream of leaving | 0:25:45 | 0:25:50 | |
# But wind up in the end | 0:25:50 | 0:25:55 | |
# Spending all our time | 0:25:55 | 0:25:58 | |
# Trying to get back home again. # | 0:25:58 | 0:26:02 | |
CHEERING AND APPLAUSE | 0:26:03 | 0:26:06 | |
-Ohhh! -Oh, not again! | 0:26:09 | 0:26:11 | |
-What's your name? -Nick Dixon. | 0:26:22 | 0:26:24 | |
I've seen you before. | 0:26:24 | 0:26:25 | |
Yeah, I was on last year. | 0:26:25 | 0:26:28 | |
CROWD: Awww! | 0:26:28 | 0:26:29 | |
Wow. | 0:26:29 | 0:26:31 | |
Erm, I just really wanted another shot. | 0:26:31 | 0:26:33 | |
took in your advice and I just wanted to get through. | 0:26:33 | 0:26:37 | |
CROWD: Awww! APPLAUSE | 0:26:37 | 0:26:38 | |
Maybe... Maybe the song was wrong, maybe. | 0:26:38 | 0:26:41 | |
Maybe make a better choice of song to show you off more. | 0:26:41 | 0:26:45 | |
Keep doing it, don't-don't give up. | 0:26:45 | 0:26:48 | |
APPLAUSE | 0:26:48 | 0:26:49 | |
RICKY: You know, you'll keep going and keep going | 0:26:49 | 0:26:52 | |
and it'll happen one day. | 0:26:52 | 0:26:53 | |
Thank you very much. | 0:26:53 | 0:26:55 | |
Will he give up or will he keep going? | 0:26:55 | 0:26:57 | |
He won't give up. He'll carry on, he won't give up. | 0:26:57 | 0:26:59 | |
I know you saw us last year, | 0:27:01 | 0:27:03 | |
and the outcome wasn't what you wanted. | 0:27:03 | 0:27:06 | |
That's OK, you came back this year. | 0:27:06 | 0:27:09 | |
That's all right. | 0:27:09 | 0:27:10 | |
That happened to me, too. | 0:27:10 | 0:27:12 | |
You make a demo, | 0:27:12 | 0:27:14 | |
you shop it, they tell you no. | 0:27:14 | 0:27:17 | |
You keep going back, they tell you no. | 0:27:17 | 0:27:19 | |
I said, "Why do you keep telling me no? Like, what is it?" | 0:27:19 | 0:27:22 | |
He was like, "Well, it's just not tangible." | 0:27:22 | 0:27:25 | |
I didn't even know what "tangible" meant at the time. | 0:27:25 | 0:27:28 | |
LAUGHTER | 0:27:28 | 0:27:29 | |
I looked up "tangible" in the dictionary, | 0:27:29 | 0:27:32 | |
it means something with a handle, something to hold. | 0:27:32 | 0:27:35 | |
Like a hook. | 0:27:35 | 0:27:37 | |
So, since then I've been writing freaking hooks like crazy! | 0:27:37 | 0:27:40 | |
CHEERING AND APPLAUSE | 0:27:40 | 0:27:43 | |
I'd like to say thanks very much to all the coaches for listening. | 0:27:47 | 0:27:51 | |
Oh! | 0:27:51 | 0:27:52 | |
I've had some business cards made | 0:27:52 | 0:27:55 | |
and I'd just like to, if I could, hand them out to you guys. | 0:27:55 | 0:27:59 | |
-Yeah, you got a business card? -Give us the cards! | 0:27:59 | 0:28:02 | |
CHEERING | 0:28:02 | 0:28:04 | |
Go on, Nick! | 0:28:04 | 0:28:05 | |
-Go on, Nick! -Well done, son! | 0:28:05 | 0:28:08 | |
KYLIE: Can I have a hug? | 0:28:08 | 0:28:09 | |
Thank you so much for performing. | 0:28:09 | 0:28:12 | |
CHEERING | 0:28:13 | 0:28:15 | |
THEY LAUGH | 0:28:16 | 0:28:18 | |
I fell a little bit in love with him. | 0:28:26 | 0:28:28 | |
It's all right, I've got his contact details. | 0:28:28 | 0:28:31 | |
LAUGHTER | 0:28:31 | 0:28:32 | |
Well done. I'm proud of you. | 0:28:32 | 0:28:35 | |
-You were brilliant. -Fantastic job. | 0:28:35 | 0:28:37 | |
-WILL: -'That takes a lot, to come back the second time, | 0:28:37 | 0:28:39 | |
'not get turned around for.' | 0:28:39 | 0:28:42 | |
He walked off the stage still smiling, like, "Thanks, guys!" | 0:28:42 | 0:28:45 | |
Yeah, just still like, "Wow, that was great! | 0:28:45 | 0:28:47 | |
"Look at this, freaking doing it." | 0:28:47 | 0:28:49 | |
So, second time unlucky for Nick. | 0:28:51 | 0:28:53 | |
But will Elesha make a comeback as a solo artist? | 0:28:55 | 0:28:58 | |
'Going out on the stage on my own is going to be scary. | 0:29:00 | 0:29:05 | |
'By myself, am I good enough? | 0:29:05 | 0:29:07 | |
'I pray that I am, and I hope the coaches hear that.' | 0:29:07 | 0:29:10 | |
-Mummy! -Yeah! | 0:29:17 | 0:29:19 | |
# All I knew | 0:29:41 | 0:29:43 | |
# This morning when I woke | 0:29:43 | 0:29:46 | |
# Is I know something | 0:29:46 | 0:29:48 | |
# I know something I didn't before | 0:29:48 | 0:29:52 | |
# And all I've seen | 0:29:52 | 0:29:55 | |
# Since 18 hours ago... # | 0:29:55 | 0:29:58 | |
Will's got a smile on his face! | 0:29:58 | 0:29:59 | |
-Come on, Will. -Come on! | 0:29:59 | 0:30:01 | |
# In the back of my mind making me feel right | 0:30:01 | 0:30:04 | |
# I just want to know you better | 0:30:04 | 0:30:06 | |
# Know you better, know you better now | 0:30:06 | 0:30:09 | |
# I just want to know you better | 0:30:09 | 0:30:12 | |
# Know you better, know you better now | 0:30:12 | 0:30:16 | |
# I just want to know you | 0:30:16 | 0:30:18 | |
# Know you, know you better now | 0:30:18 | 0:30:21 | |
# I just want to know you... # | 0:30:21 | 0:30:24 | |
-Push it! -Come on! -Come on, Will. | 0:30:24 | 0:30:27 | |
# All I know is you said hello | 0:30:27 | 0:30:30 | |
# Your eyes looking like coming home | 0:30:30 | 0:30:33 | |
# All I know is a simple name | 0:30:33 | 0:30:37 | |
# Everything has changed | 0:30:37 | 0:30:39 | |
# All I know is you held the door | 0:30:39 | 0:30:42 | |
# You'll be mine and I'll be yours | 0:30:42 | 0:30:45 | |
# All I know since yesterday | 0:30:45 | 0:30:49 | |
# Everything has changed | 0:30:49 | 0:30:51 | |
# All I know is a new-found grace... # | 0:30:51 | 0:30:54 | |
-Come on! -Push! -Press the button now! | 0:30:54 | 0:30:56 | |
# All I know since yesterday | 0:30:57 | 0:31:05 | |
# Everything has changed. # | 0:31:05 | 0:31:08 | |
CHEERING AND APPLAUSE | 0:31:09 | 0:31:12 | |
THEY CHEER AND SCREAM | 0:31:12 | 0:31:14 | |
CHEERING CONTINUES | 0:31:19 | 0:31:22 | |
CHEERING CONTINUES | 0:31:34 | 0:31:38 | |
Thank you! | 0:31:44 | 0:31:46 | |
Hi, I'm Elesha Paul Moses, and I'm from Surrey. | 0:31:46 | 0:31:50 | |
CHEERING AND APPLAUSE | 0:31:50 | 0:31:52 | |
Thank you. Hi, Will. | 0:31:54 | 0:31:56 | |
How you doing, Elesha? | 0:31:56 | 0:31:58 | |
I don't know if you remember me, I had blue hair last year. | 0:31:58 | 0:32:00 | |
-You were Tina Turner. -Yeah! | 0:32:00 | 0:32:03 | |
-Your hair grew fast! -It did. I know. | 0:32:03 | 0:32:05 | |
Sometimes it does, doesn't it? | 0:32:05 | 0:32:07 | |
LAUGHTER AND APPLAUSE | 0:32:07 | 0:32:10 | |
-I used some sort of, er, spray in it. -Potion. | 0:32:13 | 0:32:15 | |
No, you got to let me know this spray, | 0:32:15 | 0:32:18 | |
cos I've been trying to grow this side back. | 0:32:18 | 0:32:20 | |
LAUGHTER AND APPLAUSE | 0:32:20 | 0:32:22 | |
It only grows on this side! | 0:32:22 | 0:32:24 | |
-I'm so happy that you're back. -Oh, thank you. | 0:32:26 | 0:32:28 | |
And I'm so happy that Tom turned for you. | 0:32:28 | 0:32:31 | |
And... | 0:32:31 | 0:32:32 | |
LAUGHTER | 0:32:32 | 0:32:34 | |
Really. | 0:32:34 | 0:32:36 | |
But the reason I didn't turn is there was this high note | 0:32:36 | 0:32:39 | |
that when you went to the high note I was going to push it, | 0:32:39 | 0:32:42 | |
but then it.. Pow! | 0:32:42 | 0:32:43 | |
-Yeah. -You didn't hit it. | 0:32:43 | 0:32:45 | |
Nerves, I think. | 0:32:45 | 0:32:47 | |
I was super, super nervous this time, I didn't think I'd be. | 0:32:47 | 0:32:50 | |
But, yeah, I was. | 0:32:50 | 0:32:52 | |
Why were you nervous this time? | 0:32:52 | 0:32:53 | |
-I don't know, well... -Because you're by yourself. | 0:32:53 | 0:32:56 | |
Yeah. And normally I'm singing... | 0:32:56 | 0:32:57 | |
-What was your partner's name again? -Kelly. | 0:32:57 | 0:33:00 | |
Yeah, you guys were wild on the show. I remember that. | 0:33:00 | 0:33:04 | |
APPLAUSE | 0:33:04 | 0:33:07 | |
-Hello, love. -Hi. | 0:33:07 | 0:33:09 | |
-Nice to see you again. -Yes, and you. | 0:33:09 | 0:33:12 | |
-And know you're by yourself. -Yeah. -Wow. | 0:33:12 | 0:33:14 | |
-And now I've got you! -Yes! | 0:33:14 | 0:33:16 | |
And you're going to make me a thousand times better! | 0:33:16 | 0:33:18 | |
APPLAUSE AND CHEERING | 0:33:18 | 0:33:20 | |
CROWD: Tom! Tom! Tom! Tom! | 0:33:22 | 0:33:26 | |
-WILL IN A DEEP VOICE: -Tom! | 0:33:27 | 0:33:29 | |
Just for you to know, when you first started off | 0:33:31 | 0:33:33 | |
I thought maybe the key was a little low for you, | 0:33:33 | 0:33:36 | |
because it was at the bottom of your register. | 0:33:36 | 0:33:38 | |
But I liked the low part, | 0:33:38 | 0:33:39 | |
because it was very breathy and very human-sounding. | 0:33:39 | 0:33:42 | |
And then, of course, when you... | 0:33:42 | 0:33:45 | |
And very sexy, by the way. | 0:33:45 | 0:33:47 | |
CROWD WHOOPS | 0:33:47 | 0:33:49 | |
And then when you went up, that then clinched the deal for me, | 0:33:49 | 0:33:53 | |
because I loved the overall sound that you made | 0:33:53 | 0:33:56 | |
and the range that you have, it sounded great. | 0:33:56 | 0:33:58 | |
CHEERING AND APPLAUSE Thank you very much. | 0:33:58 | 0:34:00 | |
-There you go. -Thank you. | 0:34:02 | 0:34:04 | |
KYLIE: She doesn't know where to go! | 0:34:08 | 0:34:10 | |
ELESHA: Hello! how are you? | 0:34:10 | 0:34:13 | |
So, welcome to Team Tom. | 0:34:13 | 0:34:15 | |
-And it was lovely to see you again. -And you! | 0:34:15 | 0:34:17 | |
CHEERING AND APPLAUSE | 0:34:17 | 0:34:19 | |
SCREAMING | 0:34:21 | 0:34:22 | |
I'm on Tom's team! | 0:34:24 | 0:34:26 | |
Sir Tom! That's cool! | 0:34:26 | 0:34:28 | |
Some acts go that extra mile for The Voice. | 0:34:38 | 0:34:41 | |
29-year-old Lucy Winter has gone 2,000 extra miles to be here today. | 0:34:41 | 0:34:46 | |
My husband, Martin, is in the Air Force, | 0:34:48 | 0:34:50 | |
and we are currently based in Cyprus with our son, Archie. | 0:34:50 | 0:34:53 | |
Daddy! | 0:34:53 | 0:34:54 | |
Obviously commuting from Cyprus to UK, | 0:34:55 | 0:34:59 | |
it will be tough, but 100% behind her. | 0:34:59 | 0:35:01 | |
-ALL: -Wee! | 0:35:01 | 0:35:03 | |
When I was younger I did a few summer seasons | 0:35:03 | 0:35:05 | |
singing in the bars out in Cyprus, but after having Archie, | 0:35:05 | 0:35:09 | |
I put my music on the backburner for a little bit. | 0:35:09 | 0:35:11 | |
I'm grateful to Lucy for putting her dream on hold | 0:35:11 | 0:35:16 | |
whilst I pursued my career. | 0:35:16 | 0:35:18 | |
And now it's time for her to pursue her dream again. | 0:35:18 | 0:35:21 | |
Yeah! | 0:35:21 | 0:35:23 | |
The audition today is a big deal for me. | 0:35:27 | 0:35:30 | |
I felt for a long time like I was just Archie's mummy | 0:35:30 | 0:35:33 | |
and Martin's wife. | 0:35:33 | 0:35:34 | |
And I want to make sure that I know I've done everything in my power | 0:35:36 | 0:35:40 | |
to make my dreams come true. | 0:35:40 | 0:35:42 | |
CHEERING | 0:35:45 | 0:35:47 | |
# When the truth is found to be lies | 0:36:05 | 0:36:11 | |
# An' all the joy within you dies | 0:36:12 | 0:36:19 | |
# Don't you want somebody to love? | 0:36:19 | 0:36:22 | |
# Don't you need somebody to love? | 0:36:22 | 0:36:26 | |
# Wouldn't you love somebody to love? | 0:36:26 | 0:36:29 | |
-ALL: -Come on! | 0:36:29 | 0:36:31 | |
# You better find somebody to love | 0:36:31 | 0:36:35 | |
# When the garden flowers | 0:36:40 | 0:36:42 | |
# Baby, I dare, yes | 0:36:42 | 0:36:46 | |
# And you're mind, you're mind, you're so full of red | 0:36:47 | 0:36:53 | |
# Don't you want somebody to love? | 0:36:53 | 0:36:57 | |
# Don't you need somebody to love? | 0:36:57 | 0:37:01 | |
# Wouldn't you love somebody to love | 0:37:01 | 0:37:04 | |
# You better find somebody to love. # | 0:37:04 | 0:37:14 | |
No! | 0:37:18 | 0:37:19 | |
CHEERING AND APPLAUSE | 0:37:21 | 0:37:23 | |
Wow. | 0:37:28 | 0:37:29 | |
-Hello. -Do you want a breath? | 0:37:29 | 0:37:32 | |
You're still standing? | 0:37:32 | 0:37:33 | |
Yes, I am, just about, thank you. | 0:37:33 | 0:37:35 | |
The chairs are rattling. | 0:37:35 | 0:37:37 | |
What's your name? | 0:37:37 | 0:37:39 | |
My name's Lucy Winter. | 0:37:39 | 0:37:40 | |
I'm 29 from... I've come from Cyprus today | 0:37:40 | 0:37:44 | |
to be here for you guys. | 0:37:44 | 0:37:45 | |
CHEERING | 0:37:46 | 0:37:48 | |
You gave that so much passion and so much energy. | 0:37:51 | 0:37:54 | |
The chairs, I felt like they were rocking. | 0:37:54 | 0:37:57 | |
You could have actually sung it to us from Cyprus | 0:37:57 | 0:37:59 | |
and we would have still heard it. LAUGHTER | 0:37:59 | 0:38:01 | |
I did ask them, but they said "no." | 0:38:01 | 0:38:03 | |
Do you live in Cyprus or are you on holiday...? | 0:38:03 | 0:38:05 | |
- No, my husband's in the armed forces. - Oh, wow. | 0:38:05 | 0:38:07 | |
I'm a military wife and we're posted out there. | 0:38:07 | 0:38:09 | |
CHEERING | 0:38:09 | 0:38:11 | |
Yeah, I mean, at points it was scary... | 0:38:14 | 0:38:17 | |
Sorry. | 0:38:17 | 0:38:18 | |
..in a good way, like, it hit me there, you know. | 0:38:18 | 0:38:21 | |
Vocally, it's not my bag. I think you need to contain it a little bit more. | 0:38:21 | 0:38:25 | |
I know that sounds weird because you were giving it everything. | 0:38:25 | 0:38:28 | |
It's fine, thank you. Thank you very much. Appreciate it, thank you. | 0:38:28 | 0:38:32 | |
APPLAUSE | 0:38:32 | 0:38:33 | |
Thanks for singing for us. | 0:38:33 | 0:38:35 | |
I was hoping that Tom would turn around | 0:38:35 | 0:38:38 | |
cos I think it would have been a great match, | 0:38:38 | 0:38:40 | |
but really at the end of the day, who cares about us? | 0:38:40 | 0:38:43 | |
No, no. That's how you have to go about it. | 0:38:44 | 0:38:48 | |
Like, I'm a singer and you should turn it around | 0:38:48 | 0:38:51 | |
based on what I do for a living. | 0:38:51 | 0:38:52 | |
-You should not try to force us to turn around. -OK. | 0:38:52 | 0:38:55 | |
-I sensed that you were doing that. -Thank you. | 0:38:55 | 0:38:59 | |
For me listening to it, like Will said, | 0:39:02 | 0:39:05 | |
-it sounded like you were trying too hard. -OK. | 0:39:05 | 0:39:08 | |
But I did like the rough parts, you know what I mean? | 0:39:08 | 0:39:12 | |
It's sounded more real. | 0:39:12 | 0:39:14 | |
-Even though it was forced, you can definitely sing. -Thank you. | 0:39:14 | 0:39:18 | |
CHEERING | 0:39:18 | 0:39:20 | |
Coming here and getting the feedback is amazing. | 0:39:42 | 0:39:45 | |
I'm never going to get that again. | 0:39:45 | 0:39:47 | |
No-one said that I had an awful voice. Yay! | 0:39:47 | 0:39:49 | |
This was not in the brochure, people! | 0:39:55 | 0:39:58 | |
This is not in the brochure. | 0:39:58 | 0:40:00 | |
Jumbo, jumbo. | 0:40:05 | 0:40:06 | |
The coaches better not mess with our next act - he's a lethal weapon. | 0:40:09 | 0:40:13 | |
My name's Max Murphy, I'm 18 years old | 0:40:13 | 0:40:15 | |
and I'm a full-time judo athlete. | 0:40:15 | 0:40:17 | |
There's no reason why Max can't represent Great Britain | 0:40:20 | 0:40:22 | |
at the Olympic Games. | 0:40:22 | 0:40:24 | |
Just has so much natural talent. | 0:40:24 | 0:40:25 | |
I'm quite good at throwing, that's what I'm known for in judo. | 0:40:25 | 0:40:29 | |
Oh, wow. | 0:40:29 | 0:40:31 | |
I take it that you would literally chuck me on the floor | 0:40:31 | 0:40:34 | |
if we were doing it properly. | 0:40:34 | 0:40:35 | |
Despite my dedication to judo, I've always loved singing. | 0:40:37 | 0:40:41 | |
As national coach I need all my best players staying into judo. | 0:40:41 | 0:40:45 | |
So...let's hope he doesn't make it. | 0:40:45 | 0:40:48 | |
-MARVIN: -Yeah, thanks for your support, gents. | 0:40:48 | 0:40:50 | |
Over in Bolton, | 0:40:52 | 0:40:53 | |
16-year-old Joe Keegan is a champion of a different kind. | 0:40:53 | 0:40:56 | |
I've been competing as an Irish dancer since I was eight. | 0:41:02 | 0:41:05 | |
Currently I'm 13th in the world and 5th in Great Britain. | 0:41:05 | 0:41:09 | |
The biggest influence sort of in Irish music is my dad. | 0:41:11 | 0:41:14 | |
-Oh, sick, sick! -Sick means good. | 0:41:14 | 0:41:17 | |
I guess he really got me into the dancing. | 0:41:17 | 0:41:22 | |
He puts his heart into it. | 0:41:22 | 0:41:25 | |
And I get the joy in seeing him grow. | 0:41:25 | 0:41:29 | |
It's almost like cultivating a plant. | 0:41:29 | 0:41:33 | |
I think my dad would probably prefer it if I did go into dancing, | 0:41:33 | 0:41:38 | |
it's a safer option. | 0:41:38 | 0:41:39 | |
Before Joe finds out if he's swapping dancing for singing, | 0:41:39 | 0:41:43 | |
judo champion Max is on. | 0:41:43 | 0:41:45 | |
This is a massive opportunity for me. | 0:41:45 | 0:41:48 | |
If one of those chairs turn round, | 0:41:48 | 0:41:49 | |
that could be the end of my judo career. | 0:41:49 | 0:41:52 | |
But I would rather sing in front of thousands of people | 0:41:54 | 0:41:57 | |
than represent Great Britain in the next Olympics. | 0:41:57 | 0:42:00 | |
So I'm just going to give it my all. | 0:42:00 | 0:42:02 | |
Oh, so nervous. | 0:42:13 | 0:42:15 | |
# All along the western front | 0:42:30 | 0:42:33 | |
# People line up to receive | 0:42:35 | 0:42:38 | |
# She got the power in her hands | 0:42:39 | 0:42:42 | |
# To shock you like you won't believe | 0:42:43 | 0:42:46 | |
# Saw her in the Amazon | 0:42:47 | 0:42:51 | |
# With the voltage running through her skin | 0:42:52 | 0:42:55 | |
# Standing there with nothing on | 0:42:56 | 0:43:00 | |
# She gonna teach me how to swim | 0:43:00 | 0:43:04 | |
# I said, oh girl | 0:43:07 | 0:43:09 | |
# Shock me like an electric eel | 0:43:11 | 0:43:15 | |
# Baby girl | 0:43:16 | 0:43:18 | |
# You turn me on with your electric feel | 0:43:20 | 0:43:26 | |
# You can feel it in your mind | 0:43:27 | 0:43:30 | |
# Oh, you can do it all the time | 0:43:31 | 0:43:34 | |
# Plug it in and change the world | 0:43:35 | 0:43:38 | |
You are my electric girl... # | 0:43:40 | 0:43:43 | |
Push the button! | 0:43:43 | 0:43:45 | |
-Come on! -Push it! | 0:43:45 | 0:43:47 | |
# Baby girl | 0:43:47 | 0:43:48 | |
# Turn me on with your electric feel. # | 0:43:50 | 0:43:56 | |
CHEERING | 0:44:04 | 0:44:05 | |
What's your name? | 0:44:29 | 0:44:30 | |
I'm Max Murphy, I'm from Glasgow, I'm 18. | 0:44:30 | 0:44:34 | |
- That was hot. - Thank you, Kylie. | 0:44:35 | 0:44:37 | |
- Can you just move away from the microphone... - Yeah. | 0:44:37 | 0:44:39 | |
No, I need to see you! | 0:44:39 | 0:44:41 | |
AUDIENCE WOOS OK. | 0:44:42 | 0:44:44 | |
You been doing gigs or playing? | 0:44:47 | 0:44:49 | |
Yeah, I gig around Glasgow. | 0:44:49 | 0:44:51 | |
But I'm a professional judo athlete. | 0:44:51 | 0:44:54 | |
Excuse me? | 0:44:54 | 0:44:56 | |
- You're a professional judo athlete? - Yeah. | 0:44:56 | 0:44:58 | |
I was number one in Britain under 17 years of age. | 0:44:58 | 0:45:03 | |
APPLAUSE | 0:45:03 | 0:45:05 | |
I can do a forward roll! | 0:45:09 | 0:45:11 | |
AUDIENCE: Do it! | 0:45:11 | 0:45:13 | |
No, I might need his help. | 0:45:13 | 0:45:15 | |
But that was great. And you are in very, very safe hands. | 0:45:18 | 0:45:22 | |
APPLAUSE | 0:45:22 | 0:45:25 | |
I liked it. I mean I really liked it. But it didn't hit me hard. | 0:45:27 | 0:45:32 | |
What? Judo? You don't want him to hit you hard. | 0:45:32 | 0:45:36 | |
I'm sure he could hit me hard with judo. | 0:45:36 | 0:45:39 | |
The only fighting I know is street fighting. | 0:45:39 | 0:45:42 | |
I wasn't born with this nose. | 0:45:42 | 0:45:45 | |
But I love boxing and I love judo | 0:45:46 | 0:45:48 | |
and I love all kinds of physical, one-on-one things... | 0:45:48 | 0:45:52 | |
Tom! | 0:45:52 | 0:45:54 | |
But I liked it. | 0:45:59 | 0:46:01 | |
With Ricky you are with the right man | 0:46:01 | 0:46:03 | |
because he can take you a long way. | 0:46:03 | 0:46:05 | |
Yeah, I'd just like to say I'm so grateful you turned around for me. | 0:46:05 | 0:46:09 | |
Thanks very much. | 0:46:09 | 0:46:10 | |
APPLAUSE | 0:46:10 | 0:46:13 | |
There's no need to be grateful. It was going to happen. | 0:46:15 | 0:46:17 | |
Great song choice, you made it to your own. | 0:46:17 | 0:46:20 | |
What we're going to do, we are going to pick songs you want to sing, | 0:46:20 | 0:46:23 | |
you're gonna sing them your way and I will help you | 0:46:23 | 0:46:26 | |
and also I'm going to try to avoid getting thrown about. | 0:46:26 | 0:46:29 | |
I'm going to make all the right decisions on this one. | 0:46:30 | 0:46:34 | |
APPLAUSE | 0:46:34 | 0:46:36 | |
- Cheers. - See you. | 0:46:38 | 0:46:40 | |
Please to meet you. Hi, Kylie. Well done. | 0:46:43 | 0:46:45 | |
Swagger, swagger | 0:46:53 | 0:46:56 | |
and then some swagger. | 0:46:56 | 0:46:58 | |
Yeah! | 0:46:58 | 0:47:01 | |
You and her there was definitely a bit of flirting going on there. | 0:47:06 | 0:47:10 | |
I think you've got a big fan in Miss Minogue. | 0:47:10 | 0:47:13 | |
I just felt like a handshake was a bit too formal! | 0:47:13 | 0:47:16 | |
So, Judo Max makes the grade with Ricky. | 0:47:19 | 0:47:23 | |
Can Irish dancer Joe follow in his footsteps? | 0:47:23 | 0:47:27 | |
Irish dancing is to something that I've always done. | 0:47:27 | 0:47:30 | |
But the singing is my passion. | 0:47:30 | 0:47:34 | |
I've never been judged singing before. | 0:47:34 | 0:47:38 | |
I'm feeling nervous. | 0:47:38 | 0:47:41 | |
# Now I'm walkin' back down this mountain | 0:48:10 | 0:48:15 | |
# With the strength of a turnin' tide Oh, the wind's so soft | 0:48:15 | 0:48:18 | |
# On my skin | 0:48:18 | 0:48:21 | |
# The sun so hard upon my side... # | 0:48:21 | 0:48:24 | |
Come on, Joe! | 0:48:24 | 0:48:25 | |
# ..This happiness | 0:48:25 | 0:48:27 | |
# I search for between the sheets | 0:48:27 | 0:48:29 | |
# Feelin' blind and I realise | 0:48:29 | 0:48:32 | |
# All I was searchin' for was me | 0:48:32 | 0:48:36 | |
# Ooh ooh All I was searchin' for was me | 0:48:37 | 0:48:42 | |
# It was me, yeah | 0:48:44 | 0:48:46 | |
# Keep your head up Keep your heart strong | 0:48:46 | 0:48:51 | |
# No, no, no, no | 0:48:51 | 0:48:53 | |
# Keep your mind set in your ways | 0:48:53 | 0:48:56 | |
# Keep your heart strong... # | 0:48:58 | 0:49:00 | |
Push the button, somebody! | 0:49:00 | 0:49:02 | |
# I saw a friend of mine the other day | 0:49:02 | 0:49:06 | |
# And he told me that my eyes were gleamin' | 0:49:06 | 0:49:09 | |
# Oh, I said I had been away and he knew | 0:49:09 | 0:49:13 | |
# Yeah, keep your head up Keep your heart strong | 0:49:15 | 0:49:17 | |
# No, no, no | 0:49:17 | 0:49:20 | |
# Keep your head up Keep your heart strong | 0:49:20 | 0:49:25 | |
# Whoa! # | 0:49:26 | 0:49:28 | |
APPLAUSE | 0:49:30 | 0:49:33 | |
-Hi. -Hello. -What's your name? -Joe Keegan. -How old are you? -16. -16! | 0:49:49 | 0:49:54 | |
APPLAUSE | 0:49:54 | 0:49:57 | |
And what you do for a living or are you still in school? | 0:50:00 | 0:50:02 | |
-I am still at college. I'm in my first year. -What are you studying? | 0:50:02 | 0:50:06 | |
Music. | 0:50:06 | 0:50:07 | |
-Are you getting extra credit for being here? -I should do. | 0:50:10 | 0:50:13 | |
-Yeah, you should. -I hope so. KYLIE: So, you're studying music. | 0:50:13 | 0:50:16 | |
I'm doing A-levels. | 0:50:16 | 0:50:18 | |
Have you been singing since ever or...? | 0:50:18 | 0:50:20 | |
Well, I've been performing since I was six | 0:50:20 | 0:50:23 | |
originally as a dancer - I'm an Irish dancer. | 0:50:23 | 0:50:25 | |
Seriously? | 0:50:26 | 0:50:29 | |
-You do Irish dancing? -Yeah, like Riverdance. -You can do that? | 0:50:30 | 0:50:34 | |
I can show you, if you want. | 0:50:36 | 0:50:38 | |
You'll show me how to Riverdance?! | 0:50:39 | 0:50:43 | |
All right, this is called a treble. | 0:50:43 | 0:50:46 | |
APPLAUSE | 0:50:55 | 0:51:00 | |
I'm going to bust a treble all the way to the rest room. | 0:51:05 | 0:51:09 | |
-The trouble or the treble? -Treble. | 0:51:09 | 0:51:11 | |
-Not trouble like you almost saw some trouble up in this. -No, treble. | 0:51:11 | 0:51:15 | |
What, you want to start something? | 0:51:16 | 0:51:19 | |
Well, you got two turns which is great | 0:51:32 | 0:51:34 | |
and the charts are full of people who are 16 and It's Not Unusual. | 0:51:34 | 0:51:38 | |
Sorry, Tom! | 0:51:38 | 0:51:41 | |
Don't worry about being too young. You've got it. | 0:51:45 | 0:51:48 | |
-I think it was amazing, actually. -Thank you so much. | 0:51:48 | 0:51:52 | |
-This guy is one of my idols, right here. -Really? Keep your head up. | 0:51:52 | 0:51:58 | |
Oh, man. Shucks, I should have turned around. | 0:51:58 | 0:52:01 | |
But the reason I didn't is because you hit that high note | 0:52:01 | 0:52:05 | |
and I saw Kylie jump and she lit up with light. | 0:52:05 | 0:52:09 | |
She looked like one of the lasers. | 0:52:09 | 0:52:11 | |
But you were fantastic and I'm so happy you are on the show. | 0:52:12 | 0:52:15 | |
Thank you. | 0:52:15 | 0:52:17 | |
APPLAUSE | 0:52:17 | 0:52:21 | |
Hi. | 0:52:21 | 0:52:22 | |
Hello. | 0:52:22 | 0:52:23 | |
I'm bouncing around here which means I'm excited. | 0:52:23 | 0:52:28 | |
Good. | 0:52:28 | 0:52:29 | |
Thank you. KYLIE: I really loved it. | 0:52:29 | 0:52:31 | |
Kylie Minogue. I can't believe this is happening! | 0:52:33 | 0:52:36 | |
Oh, it's happening! | 0:52:36 | 0:52:38 | |
- And this could be happening. - I can see it happening. | 0:52:38 | 0:52:41 | |
I can see it happening. | 0:52:41 | 0:52:43 | |
You started something, | 0:52:49 | 0:52:50 | |
you got Ricky and I... | 0:52:50 | 0:52:52 | |
We're becoming almost old adversaries. | 0:52:52 | 0:52:56 | |
Yeah, I know. I don't like it, Kylie. | 0:52:56 | 0:52:59 | |
I don't like having to get forceful. | 0:52:59 | 0:53:01 | |
With you. | 0:53:03 | 0:53:04 | |
Now you've got to make a decision. | 0:53:11 | 0:53:14 | |
It's a tough call. | 0:53:17 | 0:53:20 | |
AUDIENCE SHOUT SUGGESTIONS | 0:53:20 | 0:53:23 | |
Kylie Minogue. | 0:53:27 | 0:53:29 | |
Thank you so much. | 0:53:32 | 0:53:34 | |
KYLIE: I'll be seeing you. | 0:53:37 | 0:53:39 | |
-I don't think there's any Irish dancing singers, are there? -No. | 0:53:44 | 0:53:48 | |
KYLIE: You would have to have incredible fitness | 0:53:48 | 0:53:52 | |
to do Irish dancing and singing. | 0:53:52 | 0:53:54 | |
I had to give up the Irish dancing when I started singing. | 0:53:54 | 0:53:56 | |
Yeah, me too. I know the feeling(!) | 0:53:56 | 0:53:59 | |
Well done, Joe. | 0:54:02 | 0:54:03 | |
You stole my Irish dancer kid. | 0:54:11 | 0:54:13 | |
-I just persuaded him. I know, she's good at that. -Yeah, she is, Ricky. | 0:54:15 | 0:54:19 | |
Just what is it about the beautiful, talented, globally-famous | 0:54:19 | 0:54:23 | |
Princess Of Pop that men find so attractive? | 0:54:23 | 0:54:26 | |
Hi. | 0:54:26 | 0:54:27 | |
-I'm blushing right now. -Wow, wow, wow! | 0:54:27 | 0:54:29 | |
-I'm going with Kylie. -I'll go with Kylie. -Kylie. -Kylie Minogue. | 0:54:34 | 0:54:38 | |
All right, lads. | 0:54:40 | 0:54:42 | |
Kylie now has nine acts and some of them are girls. | 0:54:42 | 0:54:45 | |
Tom's total stands at eight acts. | 0:54:46 | 0:54:49 | |
Team Ricky looks a little stronger after judo tough-guy Max | 0:54:51 | 0:54:54 | |
put him on seven. | 0:54:54 | 0:54:57 | |
But Will trails with only six and tonight he's yet to push his button. | 0:54:57 | 0:55:01 | |
I'm just really selective on who I go for. | 0:55:01 | 0:55:03 | |
For our next act, music is a way of expressing individuality. | 0:55:05 | 0:55:10 | |
Singing is really important to me. | 0:55:10 | 0:55:12 | |
It gave me a voice because I'm quite a shy person. | 0:55:12 | 0:55:17 | |
But when I sing something that I really believe in, | 0:55:17 | 0:55:19 | |
that's the most empowering feeling. | 0:55:19 | 0:55:22 | |
I was bullied as I was growing up because I'm the way I look | 0:55:22 | 0:55:26 | |
and that kind of stunted my confidence quite a lot. | 0:55:26 | 0:55:30 | |
I've always been quite feminine so I get a lot of people | 0:55:31 | 0:55:34 | |
that confuse me for a woman. | 0:55:34 | 0:55:36 | |
My name is James Byron, I'm 24 and I'm from Leicestershire. | 0:55:36 | 0:55:40 | |
Throughout his life he has always looked female | 0:55:40 | 0:55:44 | |
and everyone thought he was a girl. | 0:55:44 | 0:55:48 | |
He must have been through quite a lot and I am so proud of him, | 0:55:48 | 0:55:52 | |
so very proud of him. | 0:55:52 | 0:55:54 | |
He's done really well. | 0:55:54 | 0:55:57 | |
You have to carry on with life. | 0:55:57 | 0:55:59 | |
You can't let things in your past get to you all the time | 0:55:59 | 0:56:02 | |
and it means it made me feel better. | 0:56:02 | 0:56:04 | |
I've grown with music and music has grown with me. | 0:56:06 | 0:56:09 | |
Tonight is a very special night for me because it's the first time | 0:56:14 | 0:56:19 | |
I'll be able to get judged on the way I sing | 0:56:19 | 0:56:22 | |
rather than the way I look. | 0:56:22 | 0:56:24 | |
Come on, James. | 0:56:34 | 0:56:37 | |
# Cry | 0:56:55 | 0:57:01 | |
# Baby | 0:57:01 | 0:57:04 | |
Wow, he's got a big voice, hasn't he? | 0:57:04 | 0:57:07 | |
# Baby | 0:57:07 | 0:57:10 | |
# Cry baby | 0:57:10 | 0:57:14 | |
# Honey, welcome back home | 0:57:14 | 0:57:17 | |
# I know she told you | 0:57:19 | 0:57:22 | |
# Honey, I know that she told you that she loves you so much more | 0:57:24 | 0:57:31 | |
# Than I do | 0:57:31 | 0:57:34 | |
# All I know is that he loves you... # | 0:57:34 | 0:57:37 | |
# That you don't know... # Come on! | 0:57:39 | 0:57:42 | |
# ..That I'll always always be around | 0:57:44 | 0:57:48 | |
# If you ever want me | 0:57:50 | 0:57:53 | |
# Come on and cry, cry baby | 0:57:53 | 0:57:58 | |
# Cry baby | 0:57:58 | 0:58:01 | |
# Cry baby | 0:58:03 | 0:58:06 | |
# And if you ever get a little lonely | 0:58:07 | 0:58:11 | |
# What I want you to do is call now | 0:58:11 | 0:58:16 | |
# And if you ever need a little loving | 0:58:17 | 0:58:21 | |
# Come on now, baby, baby, baby now | 0:58:21 | 0:58:25 | |
# Cry baby | 0:58:25 | 0:58:28 | |
# Cry, cry, cry baby... # Push the button! | 0:58:30 | 0:58:35 | |
APPLAUSE | 0:58:40 | 0:58:43 | |
- Hi, there. - Hi, how are you? Oh, wow. | 0:59:01 | 0:59:04 | |
Lovely to meet you. | 0:59:06 | 0:59:08 | |
- And you, what's your name? - My name is James Byron. | 0:59:08 | 0:59:11 | |
-James Bond? -Yeah, James Byron. -I thought you said James Bond. | 0:59:11 | 0:59:15 | |
I wish! | 0:59:15 | 0:59:17 | |
Shaken not stirred. | 0:59:17 | 0:59:18 | |
Yeah, I'm 24 and I'm from Leicestershire. | 0:59:20 | 0:59:22 | |
That was a really amazing performance. | 0:59:26 | 0:59:28 | |
Thank you very much. Cheers. | 0:59:28 | 0:59:30 | |
APPLAUSE | 0:59:30 | 0:59:32 | |
We were all perplexed. Didn't know if it was a man's voice or a woman's voice. | 0:59:32 | 0:59:35 | |
People get very confused with me sometimes, well, | 0:59:35 | 0:59:38 | |
quite a lot of the time! | 0:59:38 | 0:59:40 | |
There are times in your voice when you sound like a man | 0:59:40 | 0:59:42 | |
and other times when you sound like a woman. | 0:59:42 | 0:59:44 | |
-Mix it up a bit. -Yeah, there's nothing wrong with that. | 0:59:44 | 0:59:48 | |
-That makes it more interesting, to me. -Thank you. | 0:59:48 | 0:59:51 | |
And now I'm sorry I didn't press my button. | 0:59:51 | 0:59:54 | |
Thank you. Thank you so much. | 0:59:54 | 0:59:57 | |
I loved it. | 0:59:57 | 0:59:58 | |
-It was great. -Thank you. | 0:59:59 | 1:00:01 | |
Thank you. | 1:00:01 | 1:00:02 | |
CHEERING | 1:00:02 | 1:00:05 | |
I come across quite shy, I don't mean to be. | 1:00:06 | 1:00:08 | |
No, you come across really gorgeous. | 1:00:08 | 1:00:10 | |
If you're stood on that stage and singing a song, shyness goes away, | 1:00:10 | 1:00:14 | |
everything kicks in and you just do it. | 1:00:14 | 1:00:16 | |
I hate between songs, when we play live, | 1:00:16 | 1:00:18 | |
that's the worst bit for me, what I get scared before I go on about. | 1:00:18 | 1:00:22 | |
Exactly like me, I'm exactly the same. | 1:00:22 | 1:00:24 | |
Head down, tune the guitar. | 1:00:24 | 1:00:26 | |
I just want to sing and it's great with a great audience like this, | 1:00:26 | 1:00:30 | |
-and you can bounce off that. -Yeah. | 1:00:30 | 1:00:31 | |
Are you ready for Will, though? | 1:00:35 | 1:00:37 | |
-Hi, Will. -I'll tell you why I turned around. | 1:00:37 | 1:00:39 | |
You sing magnificent, right? Cos I'm like, | 1:00:39 | 1:00:42 | |
oh, shucks, I need to stack up female singers | 1:00:42 | 1:00:45 | |
to compete with Tom's female singers. | 1:00:45 | 1:00:48 | |
Then I turned around and you're a boy, | 1:00:48 | 1:00:51 | |
but it's all good cos you sound like a girl and... | 1:00:51 | 1:00:54 | |
LAUGHTER | 1:00:54 | 1:00:56 | |
We can still accomplish the same thing. | 1:00:56 | 1:00:58 | |
-You get the best of both worlds. -Best of both worlds, I hope. | 1:00:58 | 1:01:02 | |
CHEERING AND APPLAUSE | 1:01:02 | 1:01:04 | |
Seriously, you sounded fantastic. | 1:01:07 | 1:01:10 | |
Thank you so much, Will, for turning round. You're an absolute superstar. | 1:01:10 | 1:01:14 | |
Nice work. | 1:01:23 | 1:01:25 | |
-That's cool. -It's cool. | 1:01:26 | 1:01:28 | |
-That's a lot of noise coming from a little, tiny person. -Yeah, tiny. | 1:01:28 | 1:01:32 | |
Yeah. | 1:01:32 | 1:01:33 | |
Sometimes it's the little ones. | 1:01:33 | 1:01:35 | |
-Yeah, you've got to be careful of those little ones. -You do. | 1:01:35 | 1:01:38 | |
-Prince. -Prince? | 1:01:38 | 1:01:40 | |
I'm the same size as Prince. | 1:01:40 | 1:01:42 | |
-That's right. -Both in our high heels. | 1:01:42 | 1:01:45 | |
-That's right. -Yeah. | 1:01:45 | 1:01:47 | |
Well done, James! | 1:01:47 | 1:01:50 | |
I wasn't expecting Will to turn round. | 1:01:53 | 1:01:56 | |
I'm just so glad that he has. | 1:01:56 | 1:01:58 | |
He's just completely made my life. | 1:01:58 | 1:02:01 | |
Oh, my God! That was mental! | 1:02:01 | 1:02:04 | |
Not seeing the acts gives our coaches a whole new perspective. | 1:02:05 | 1:02:09 | |
When you see and hear things, | 1:02:09 | 1:02:11 | |
sometimes what you're seeing can sway what you hear. | 1:02:11 | 1:02:14 | |
We can't see behind us. | 1:02:14 | 1:02:16 | |
Fancy clothes, fancy hairdos. | 1:02:16 | 1:02:18 | |
# Oh, you pretty things... # | 1:02:18 | 1:02:20 | |
You don't know what someone looks like or what their story is, | 1:02:20 | 1:02:23 | |
you just hear...the voice. | 1:02:23 | 1:02:25 | |
So, great looks count for nothing. | 1:02:25 | 1:02:28 | |
You just need a great sound. | 1:02:28 | 1:02:30 | |
18-year-old Reece has modern looks. | 1:02:31 | 1:02:34 | |
But this is no catwalk. | 1:02:34 | 1:02:37 | |
# Baby, you light up my world Like nobody else | 1:02:37 | 1:02:41 | |
# The way that you flick your hair | 1:02:41 | 1:02:43 | |
# Leaves me overwhelmed | 1:02:43 | 1:02:45 | |
# But when you smile at the ground | 1:02:45 | 1:02:47 | |
# It ain't hard to tell | 1:02:47 | 1:02:48 | |
# You don't know | 1:02:48 | 1:02:51 | |
# You don't know you're beautiful. # | 1:02:51 | 1:02:54 | |
CHEERING AND APPLAUSE | 1:02:54 | 1:02:57 | |
You look like you could be in One Direction. | 1:03:01 | 1:03:03 | |
You're 18, you've just gotten into this, find a bit of your personality, | 1:03:03 | 1:03:07 | |
put that into what you're doing. | 1:03:07 | 1:03:10 | |
We're going to be seeing you. | 1:03:10 | 1:03:12 | |
-He's a good-looking kid. -Cute. | 1:03:13 | 1:03:15 | |
Does fresh-faced Jolan sound as good as he looks? | 1:03:15 | 1:03:18 | |
-He looks very handsome. -Yes. | 1:03:18 | 1:03:20 | |
# Would you let me | 1:03:20 | 1:03:23 | |
# See beneath your beautiful tonight? | 1:03:23 | 1:03:29 | |
# We ain't perfect, no | 1:03:29 | 1:03:31 | |
# Would you let me | 1:03:31 | 1:03:34 | |
# See beneath your beautiful tonight? # | 1:03:34 | 1:03:40 | |
You have a talent. | 1:03:44 | 1:03:45 | |
-And the reaction from the audience was crazy. -Thank you very much. | 1:03:45 | 1:03:49 | |
He's still got time. | 1:03:53 | 1:03:55 | |
-Good looking as well. -Yeah. | 1:03:55 | 1:03:57 | |
Will 24-year-old Yinka Williams' performance press the right buttons? | 1:03:57 | 1:04:02 | |
# If I was a man, I'd make my move | 1:04:02 | 1:04:05 | |
# And if I was a judge I'd break the law | 1:04:07 | 1:04:13 | |
# And if I was from Paris | 1:04:13 | 1:04:15 | |
# If I was from Paris | 1:04:15 | 1:04:17 | |
# I would say Ooh la la la la la! # | 1:04:17 | 1:04:22 | |
CHEERING AND APPLAUSE | 1:04:22 | 1:04:25 | |
-KYLIE: You're a vision. -Thank you. | 1:04:28 | 1:04:31 | |
I was almost there. But you look great and you sound great. | 1:04:31 | 1:04:34 | |
Thank you. | 1:04:34 | 1:04:35 | |
- She looked great. - She's really cute. | 1:04:39 | 1:04:42 | |
But this is about the voice. It's not about the way you look, really. | 1:04:42 | 1:04:46 | |
Yeah. | 1:04:46 | 1:04:47 | |
21-year-old Jade looks the part, | 1:04:49 | 1:04:51 | |
but that counts for nothing at our blind auditions. | 1:04:51 | 1:04:54 | |
I'm a waitress back in Ipswich. | 1:04:54 | 1:04:58 | |
I enjoy the job, but all I want to do is music. My heart is in music. | 1:04:59 | 1:05:04 | |
Just knowing that one of those chairs could turn | 1:05:06 | 1:05:09 | |
and change my life for ever, | 1:05:09 | 1:05:11 | |
so I wouldn't have to go back to waitressing, | 1:05:11 | 1:05:13 | |
that would be absolutely amazing. | 1:05:13 | 1:05:15 | |
Look at those legs! | 1:05:23 | 1:05:25 | |
Yeah, she looks fantastic. | 1:05:25 | 1:05:27 | |
# Ooh, watching me | 1:05:50 | 1:05:53 | |
# I'm hanging by a string this time... # | 1:05:53 | 1:05:55 | |
Aah! | 1:05:55 | 1:05:56 | |
-Come on, Jade. -Kylie's liking it. | 1:05:56 | 1:05:59 | |
# ..Easily The climax of a perfect lie | 1:05:59 | 1:06:04 | |
# Ooh, watching me | 1:06:04 | 1:06:07 | |
# I'm hanging by a string this time | 1:06:07 | 1:06:11 | |
# Don't, easily A smile's... # | 1:06:11 | 1:06:16 | |
-Oh, look! -Come on! | 1:06:16 | 1:06:18 | |
# If there's lessons to be learned... # | 1:06:18 | 1:06:22 | |
CHEERING | 1:06:22 | 1:06:23 | |
# ..Get my jamming words in first | 1:06:23 | 1:06:26 | |
# I'll tell you something that I've found | 1:06:26 | 1:06:29 | |
# That the world's a better place when it's upside down... # | 1:06:29 | 1:06:33 | |
# ..I'd rather get my jamming words in first | 1:06:36 | 1:06:41 | |
# I'll tell you something that I've found | 1:06:41 | 1:06:44 | |
# The world's a better place when it's upside down | 1:06:44 | 1:06:49 | |
# Nothing sweet about me | 1:06:49 | 1:06:52 | |
# Yeah... # | 1:06:52 | 1:06:54 | |
CHEERING | 1:06:54 | 1:06:57 | |
# Nothing sweet about me | 1:06:57 | 1:07:00 | |
# No | 1:07:00 | 1:07:01 | |
# Sweet about me Yeah, yeah | 1:07:01 | 1:07:05 | |
# Sweet about me | 1:07:05 | 1:07:08 | |
# Sweet about me, ooh-ooh | 1:07:08 | 1:07:16 | |
# Ooh. # | 1:07:16 | 1:07:18 | |
CHEERING AND APPLAUSE | 1:07:18 | 1:07:20 | |
Don't look, don't look! | 1:07:44 | 1:07:46 | |
Don't look! | 1:07:46 | 1:07:47 | |
Hello! | 1:07:51 | 1:07:52 | |
LAUGHTER | 1:07:55 | 1:07:57 | |
No-one can talk. | 1:07:57 | 1:07:58 | |
-Um... -You try talking. Look, | 1:07:59 | 1:08:03 | |
if none of you guys can talk, I'll talk. Can you talk? | 1:08:03 | 1:08:05 | |
Um, I thought...you ripped it... | 1:08:05 | 1:08:09 | |
..slashed it... | 1:08:11 | 1:08:12 | |
and I'm not talking about the rip or slash in your... | 1:08:12 | 1:08:17 | |
Thank you. | 1:08:21 | 1:08:23 | |
What's your name? Did someone ask your name already? | 1:08:23 | 1:08:25 | |
I've been looking at you, so... I haven't been thinking. What is it? | 1:08:25 | 1:08:30 | |
-It's Jade. -That's a lovely name. | 1:08:30 | 1:08:32 | |
-Thank you. -And, er... | 1:08:32 | 1:08:34 | |
-And you look lovely and you sound lovely. -Here we go! | 1:08:35 | 1:08:39 | |
You sounded like you were excited. | 1:08:39 | 1:08:43 | |
And everybody else sounded like they were excited, the audience did. | 1:08:43 | 1:08:46 | |
And now I see you, I can understand why everybody was like... | 1:08:46 | 1:08:50 | |
But more excited than just singing. | 1:08:50 | 1:08:52 | |
But we can only go on what we hear. | 1:08:52 | 1:08:55 | |
-Yes. -And I liked what I heard. | 1:08:55 | 1:08:57 | |
Thank you so much. That means so much, thank you. | 1:08:57 | 1:09:00 | |
What do you do for a living? | 1:09:00 | 1:09:02 | |
Waitressing most days, singing and waitressing though. | 1:09:02 | 1:09:05 | |
Singing and waitressing waitress. | 1:09:05 | 1:09:07 | |
Yeah, pretty much. | 1:09:07 | 1:09:09 | |
I bet you get the tips. | 1:09:09 | 1:09:11 | |
Yeah, some. | 1:09:11 | 1:09:12 | |
I am...excited! | 1:09:14 | 1:09:17 | |
Wow. It was amazing. And I loved the sexiness in your voice, | 1:09:19 | 1:09:24 | |
the sassiness, the control as well. | 1:09:24 | 1:09:27 | |
You're kind of like me, but just curvier. | 1:09:27 | 1:09:30 | |
LAUGHTER AND CHEERING | 1:09:30 | 1:09:33 | |
Oh, my God, is this down to me now? | 1:09:36 | 1:09:39 | |
Well, it is, but you can ask us questions, you can... | 1:09:39 | 1:09:42 | |
I just want to know who I can relate to most, | 1:09:42 | 1:09:45 | |
who's going to really... | 1:09:45 | 1:09:47 | |
Me! | 1:09:47 | 1:09:49 | |
ME! | 1:09:50 | 1:09:52 | |
When you say "relate", do you mean like... | 1:09:52 | 1:09:55 | |
How high the slit should go. | 1:09:55 | 1:09:58 | |
I got slits. | 1:09:58 | 1:09:59 | |
LAUGHTER | 1:09:59 | 1:10:01 | |
No, I don't have slits. | 1:10:01 | 1:10:03 | |
LAUGHTER AND APPLAUSE | 1:10:03 | 1:10:06 | |
Just in case somebody takes that for YouTube and puts it all over the internet. | 1:10:08 | 1:10:12 | |
Like, "I got slits!" | 1:10:12 | 1:10:14 | |
-"I got slits!" -"Slits, slits-slits-slits, slits." | 1:10:15 | 1:10:18 | |
APPLAUSE | 1:10:18 | 1:10:20 | |
My pitch is this. I pressed the button and didn't look. | 1:10:23 | 1:10:25 | |
I didn't need to look, I just wanted to carry on listening to it | 1:10:25 | 1:10:28 | |
because I was enjoying it so much. | 1:10:28 | 1:10:31 | |
Um, but now I've looked... | 1:10:31 | 1:10:34 | |
LAUGHTER | 1:10:34 | 1:10:36 | |
It's complete, really, so, uh... | 1:10:38 | 1:10:40 | |
APPLAUSE | 1:10:40 | 1:10:42 | |
Thank you. Obviously you all have different credentials and different areas, it's just... | 1:10:42 | 1:10:46 | |
I've done them all! | 1:10:46 | 1:10:48 | |
I went from pop to dance to indie | 1:10:48 | 1:10:51 | |
to dance, to jazz, to pop... | 1:10:51 | 1:10:54 | |
APPLAUSE | 1:10:54 | 1:10:55 | |
You need to be on my team, that's all I'm saying. | 1:10:58 | 1:11:00 | |
APPLAUSE | 1:11:00 | 1:11:01 | |
I'm so speechless, I really don't know what to say. I'm just...I feel so privileged being here | 1:11:01 | 1:11:07 | |
and to have four of you turn around and say you want me is just amazing. | 1:11:07 | 1:11:11 | |
I'm crying right now, I feel so happy. | 1:11:11 | 1:11:14 | |
CHEERING | 1:11:17 | 1:11:18 | |
Come on, Jade! | 1:11:18 | 1:11:19 | |
CROWD: Kylie! Kylie! Kylie! | 1:11:24 | 1:11:26 | |
-My heart was set today... -We can't hear her when you're stomping! | 1:11:28 | 1:11:32 | |
My heat was set today on somebody. | 1:11:35 | 1:11:37 | |
Who is it? | 1:11:41 | 1:11:42 | |
Sorry, um... | 1:11:42 | 1:11:44 | |
It was Kylie! | 1:11:46 | 1:11:47 | |
Yes! | 1:11:47 | 1:11:49 | |
APPLAUSE | 1:11:49 | 1:11:52 | |
It had to be, it had to be! | 1:11:52 | 1:11:54 | |
Yes! Yes, yes! | 1:11:54 | 1:11:56 | |
CHEERING | 1:11:58 | 1:12:00 | |
-I would have killed you if you made another decision! -Thank you so much! | 1:12:00 | 1:12:04 | |
-Congratulations. -Thank you. | 1:12:04 | 1:12:06 | |
The legend himself! | 1:12:07 | 1:12:09 | |
Look out. brace yourselves, people, brace yourselves! | 1:12:10 | 1:12:14 | |
They look like sisters! | 1:12:14 | 1:12:15 | |
Sashay, sashay, sashay, sashay, sashay. | 1:12:15 | 1:12:18 | |
-You got it all, I can't wait to see it! -Thank you. | 1:12:21 | 1:12:24 | |
CHEERING | 1:12:24 | 1:12:28 | |
-Well! -It's a good one. | 1:12:33 | 1:12:34 | |
Pretty happy about that! | 1:12:34 | 1:12:36 | |
CHEERING | 1:12:38 | 1:12:40 | |
I pressed the buzzer not knowing how attractive she was and how sexy she was. | 1:12:45 | 1:12:49 | |
I've seen you guys in action today. | 1:12:49 | 1:12:53 | |
-OK. -Bust a move! I had to! She's really cute. -Ah, I let you have her. | 1:12:53 | 1:12:59 | |
So generous(!) | 1:13:01 | 1:13:02 | |
Opportunities like The Voice don't come around every day, | 1:13:06 | 1:13:09 | |
and 27-year-old Londoner Femi Santiago knows all about how life can change in a heartbeat. | 1:13:09 | 1:13:15 | |
From around the age of 19 I found myself without a | 1:13:15 | 1:13:18 | |
home, without a place to stay. | 1:13:18 | 1:13:20 | |
Being on the streets is like being in a place where you don't exist. | 1:13:22 | 1:13:27 | |
You see people, but people don't see you. | 1:13:27 | 1:13:30 | |
It was the most difficult time I've ever had to deal with in life. | 1:13:32 | 1:13:35 | |
I came very close to losing hope. I was either going to end my life at that point | 1:13:36 | 1:13:41 | |
or...do something about it. | 1:13:41 | 1:13:44 | |
And I chose to do something about it. | 1:13:46 | 1:13:47 | |
Through the help of a work scheme, I found employment | 1:13:48 | 1:13:51 | |
actually helping other people find work. | 1:13:51 | 1:13:54 | |
My first proper job, I would say. | 1:13:54 | 1:13:56 | |
-Hey! -Who's that? | 1:13:56 | 1:13:58 | |
Now I'm happily married. I have an eight month old son called Shakur | 1:13:58 | 1:14:04 | |
and he's the best thing that's ever happened to me. | 1:14:04 | 1:14:07 | |
I just look into his eyes and he looks back at me and | 1:14:07 | 1:14:10 | |
the smile he returns to me is priceless. | 1:14:10 | 1:14:14 | |
My family are my unit. Now that I've actually got that, | 1:14:14 | 1:14:20 | |
I intent to keep it. | 1:14:20 | 1:14:21 | |
If one of those chairs turns around, it would be an opportunity for me to be able to | 1:14:25 | 1:14:30 | |
do so much more for my family than my parents did for me. | 1:14:30 | 1:14:33 | |
I'm not here to fail, I'm here to succeed, | 1:14:36 | 1:14:38 | |
and that's what I intend to do and what I will do. | 1:14:38 | 1:14:40 | |
I'm ready to be the person that I was born to be. | 1:14:42 | 1:14:45 | |
# La, la, la, la, la, la, la | 1:15:09 | 1:15:14 | |
# My Cherie amour | 1:15:14 | 1:15:17 | |
# Lovely as a summer day... # | 1:15:17 | 1:15:21 | |
He's on point, he's on point. | 1:15:21 | 1:15:24 | |
# My Cherie amour | 1:15:24 | 1:15:27 | |
# Distant as the Milky Way | 1:15:27 | 1:15:30 | |
# My Cherie amour | 1:15:33 | 1:15:36 | |
# Pretty little one that I adore | 1:15:36 | 1:15:41 | |
# You're the only girl my heart beats for | 1:15:41 | 1:15:46 | |
# How I wish that you were mine | 1:15:46 | 1:15:52 | |
# La la la la la laaaaa | 1:15:52 | 1:15:57 | |
# La, la, la, oh. # | 1:15:57 | 1:16:01 | |
Come on! | 1:16:01 | 1:16:02 | |
# Maybe someday, I'll see your face among the crowd | 1:16:02 | 1:16:11 | |
# Maybe someday | 1:16:11 | 1:16:15 | |
# I'll share your little distant cloud | 1:16:15 | 1:16:19 | |
# Whoa, oh, Cherie amour | 1:16:19 | 1:16:23 | |
# Pretty little one that I adore | 1:16:23 | 1:16:29 | |
# You're the only girl my heart beats for | 1:16:29 | 1:16:33 | |
# How I wish that you were mine. # | 1:16:33 | 1:16:43 | |
CHEERING AND APPLAUSE | 1:16:43 | 1:16:46 | |
What's your name? | 1:17:04 | 1:17:06 | |
My name's Femi Santiago, I'm from East London, | 1:17:06 | 1:17:09 | |
I'm 27 years old. | 1:17:09 | 1:17:11 | |
CHEERING | 1:17:11 | 1:17:13 | |
-All right mate, how's it going? -Not bad, yourself? -Did you enjoy that? It sounded like you did. | 1:17:15 | 1:17:20 | |
It sounded like you could sing that song all day long. | 1:17:20 | 1:17:22 | |
I usually perform that song to my wife and my little boy actually, so... | 1:17:22 | 1:17:26 | |
Is that what inspired you? | 1:17:26 | 1:17:27 | |
Yeah, she pushed me to actually sing that song to all of you tonight. | 1:17:27 | 1:17:31 | |
APPLAUSE | 1:17:31 | 1:17:33 | |
There you go! | 1:17:33 | 1:17:35 | |
Well, it was the right song for you and it worked perfectly, | 1:17:35 | 1:17:38 | |
maybe too perfectly, I was, like, "Wow, is Stevie back there?" | 1:17:38 | 1:17:41 | |
-What do you do for a living? -I'm an employment advisor, I help long term unemployed people look for work. | 1:17:41 | 1:17:49 | |
-That's cool. -I help them have confidence. | 1:17:49 | 1:17:51 | |
You help people and give them confidence, | 1:17:51 | 1:17:53 | |
-that's what Will's going to do for you! -Looking forward to it. | 1:17:53 | 1:17:55 | |
APPLAUSE | 1:17:55 | 1:17:58 | |
Hi! | 1:18:00 | 1:18:01 | |
Hi, Kylie! | 1:18:01 | 1:18:03 | |
I'm thrilled Will turned around. | 1:18:03 | 1:18:06 | |
-So sneaky, waiting till the very end! -I was like, "We can't just let this guy not be a part of the show." | 1:18:07 | 1:18:16 | |
It was a perfect, classic interpretation of that song. | 1:18:17 | 1:18:22 | |
-Thank you so much. -It was so precise and fluid and enjoyable. | 1:18:22 | 1:18:26 | |
I shut my eyes and... You had me, I wouldn't know what to do with you but Will does. | 1:18:26 | 1:18:31 | |
Thank you so much, thank you, thank you. | 1:18:31 | 1:18:35 | |
It really means a lot. | 1:18:35 | 1:18:37 | |
First of all, you're with... you're with the best man I think, | 1:18:39 | 1:18:42 | |
but for me, you did a hell of a job and I almost went for my button. | 1:18:42 | 1:18:46 | |
-So... -I take that as a massive compliment coming from you, thanks so much! | 1:18:46 | 1:18:50 | |
APPLAUSE | 1:18:50 | 1:18:53 | |
I loved it, it was strong. | 1:18:53 | 1:18:55 | |
You were flawless, I didn't hear one bad note. | 1:18:58 | 1:19:00 | |
There were some points where you sounded exactly like Stevie Wonder, | 1:19:00 | 1:19:03 | |
but now you're on my team we can experiment to bring your character out | 1:19:03 | 1:19:08 | |
of the music so people, when they hear you sing, they'll get to know | 1:19:08 | 1:19:12 | |
you so we'll have fun trying to do that. | 1:19:12 | 1:19:15 | |
I can't wait, man. | 1:19:15 | 1:19:17 | |
APPLAUSE | 1:19:17 | 1:19:19 | |
I look at my life now, and the hard times, I appreciate that | 1:19:32 | 1:19:36 | |
because it's taught me to appreciate these good times, | 1:19:36 | 1:19:39 | |
and I'm going to carry on appreciating everything that happens! Simple as that! | 1:19:39 | 1:19:43 | |
I'm proud of him. | 1:19:43 | 1:19:46 | |
Yeah, you've done so well, man, so proud of you. I only just met you and I feel like I know you. | 1:19:46 | 1:19:50 | |
Probably because we look at a little bit similar. | 1:19:50 | 1:19:53 | |
You know what I'm saying? | 1:19:53 | 1:19:55 | |
So as week five draws to a close, the coaches' teams | 1:20:00 | 1:20:02 | |
of 12 are filling up. | 1:20:02 | 1:20:05 | |
Sneaky Willy struck late to bag James and Femi, taking his team total to eight. | 1:20:06 | 1:20:11 | |
Kylie only has two spaces left as she streaks ahead on ten, with the addition of Stephen, Joe and Jade. | 1:20:12 | 1:20:18 | |
Team Tom looks strong, and the addition of Alicia puts him on eight acts. | 1:20:18 | 1:20:22 | |
And moving up to a total of seven wasn't tricky for Ricky, | 1:20:22 | 1:20:26 | |
after Chris and Max joined his team. | 1:20:26 | 1:20:28 | |
Next Week on The Voice... | 1:20:28 | 1:20:30 | |
Will dishes out the compliments. | 1:20:32 | 1:20:34 | |
Kylie's amazing. Tom Jones is a legend. And Ricky... | 1:20:34 | 1:20:38 | |
is really good. | 1:20:38 | 1:20:40 | |
There's a shock revelation... | 1:20:41 | 1:20:43 | |
Woo-hoo! I knew it! | 1:20:43 | 1:20:45 | |
I knew it! | 1:20:45 | 1:20:46 | |
And Tom is out of time. | 1:20:46 | 1:20:49 | |
Too late! | 1:20:49 | 1:20:50 | |
Grr! | 1:20:50 | 1:20:52 |