Blind Auditions 6 The Voice UK


Blind Auditions 6

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Transcript


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Time is running out for the coaches to pick their teams.

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You would think it'd be easy, third time round.

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But this is the hardest part for me.

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I've got to make the right decision.

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You think you've got it sewn up but then people can surprise you.

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The pressure is mounting and the coaches are at breaking point.

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Wow, that was incredible.

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OK. Never heard of that? You've heard of that.

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-Knew it!

-I don't have Will's heavy-set aunt on my team.

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-What did you say?

-Hold it, hold it, hold it.

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-They're just all laughing.

-You heard it.

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-A lot of girls on my team.

-Ma'am.

-Definitely different.

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First tonight, a trip to the seaside

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to meet 18-year-old Emily Adams from Blackpool.

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My dad owns a hotel in Blackpool, he is the chef.

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Good evening and welcome to the Bedford Hotel.

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'Sometimes I help my dad out at the hotel when he needs me.'

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Enjoy.

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'People say my dad is like Basil Fawlty.'

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-Come on, chop chop.

-'Which is understandable'

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because he has his moments.

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-That will keep you busy.

-You look like Dumbo.

-I know.

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She comes to work to get some pocket money

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but usually when she's destitute.

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It won't go over my 'fro.

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Yeah. It's the last straw - to come and help Mum and Dad.

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'There is a lot of pressure put on people my age to

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'get their A-levels and then go off to uni.

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'And at the end of the day, that's not really what I want to do.

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'My dream is to be singing.'

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There she is. She's got her serious face.

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# Something told me

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# It was over... #

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Oh, I've got goose pimples!

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# When I saw you and that girl talkin'

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# Something deep down in my soul... #

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She sounds great, she sounds amazing.

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# ..Said, cry, girl

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# When I saw you and that girl walkin' around... #

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-Come on!

-Come on, Ricky! Push it!

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# I would rather, I would rather go blind, boy

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# Than to see you walk away from me

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Come on, push the button! Push!

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# I was just

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# I was just, I was just sittin' here thinkin'

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# Of your kiss and your warm embrace, yeah

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# Baby, baby, baby

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# I'd rather go blind, boy

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# Than to see you

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# Than to see you walk away... #

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THEY CHEER

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# ...for me, yeah. #

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APPLAUSE

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-Wow.

-THEY CHEER AND SQUEAL

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-Hello.

-Thank you so much.

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-Hi, I'm Ricky.

-I'm Emily, I'm 18 years old and I'm from Blackpool.

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APPLAUSE So, what do you do for a living?

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I'm a full-time college student at the moment, but apart from that,

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this is what I want to do and you've just made my dream come true.

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Thank you.

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Wow, I wasn't expecting that visually, from what I heard.

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-LAUGHTER

-What were you expecting?

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My aunt.

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LAUGHTER

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Yeah. The heavier one.

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APPLAUSE AND CHEERING

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You were fantastic.

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The only reason why I didn't turn around

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is I have a singer and you're similar to her.

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-Do you sing in church or something?

-No, never.

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-Whoa, really?

-No, never been.

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You should have Ricky take you one Sunday.

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LAUGHTER

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We will go. We will go now.

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Hi, Tom.

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Hello, love. First of all, I'm jealous.

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I know you are. And I know the reason you're going to give,

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and it's a good reason. You can say it one more time.

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You can say it.

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TOM LAUGHS

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-What do you think I'm going to say?

-You're going to say...

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-AS TOM: "I have a lot of girls on my team."

-No...

-LAUGHTER

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Hey, a fact's a fact!

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That was good, by the way.

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-But that is a fact.

-LAUGHTER

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You sound great. And I do have a lot of girls on my team, honest.

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But I wish I had pressed my button as well now.

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Thank you.

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-Hi.

-Hi, Ricky.

-First of all, welcome to the team.

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-Thank you.

-And the reason I pressed my button...

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Is cos you don't have a lot of girls!

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The reason I pressed my button, I was hearing you and I was thinking,

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"I don't have Will's heavy-set aunt on my team."

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And then I turn round...

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He doesn't have her on his team either.

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If she was here, she'd be like, "What did you say?!

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"I'll show you heavy-set!"

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Anyway, it's going to be great. And thank you for singing.

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Thank you for turning round! Thank you.

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APPLAUSE

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Let me help you down.

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-Aw!

-He looks pleased!

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You all right?

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SCREAMING

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Well, congratulations.

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I didn't expect the dress, or anything like that.

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-She's a killer, that kid.

-She's an amazing singer.

-Yeah!

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It's going to be a great show.

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I can't wait to see who you turn for.

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Are you going to agree with me?

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To turn or not to turn?

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That is the question.

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Download The Voice app now and you could be a home coach.

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Decide whether or not to turn.

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You can also rate the performances, see what all the other home

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coaches think, and earn stars if the coaches agree with your decisions.

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John Rafferty from Belfast is here hoping to put his favourite

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musical style on the map.

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Growing up, I think I was different.

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Instead of music from my mates... They were into hip-hop,

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and R&B, and I'm more into sort of country, country and western.

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I used to be a Garth Brooks impersonator, back in the day,

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when I was a bit skinnier.

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I stopped doing it because I was getting sort of heavier.

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But I still want to get the weight sort of back down, so I can do

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the Garth Brooks with the hat and a microphone and the guitar.

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John is not the only wannabe country star here tonight.

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Meet Talia Smith.

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I love country music. Because it is real. It is sung from the heart.

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It's been said it's three chords and the truth. And it really is.

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I've got tassle boots, I love a country shirt, so...yeah! I love it.

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John is up first. Will the coaches fall for his country sound?

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This audition today, it is a big challenge.

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But I'm ready to go for that challenge. Ready to give it all.

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-Come on, John!

-Come on, John!

-Go, John!

-Come on, John!

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# Almost heaven

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# West Virginia

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# Blue ridge mountains Shenandoah River

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# Life is old there

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# Older than the trees... #

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ALL SHOUT Push the button!

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# Country roads take me home

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# To the place I belong

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# West Virginia

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# Mountain momma

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# Take me home

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# Country roads

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# All my memories

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# Gather round her

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# Miner's lady... #

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Go on, Tom!

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# Dark and dusty

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# Painted on the sky... #

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ALL SHOUT

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# ..Teardrop in my eye

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# Country roads

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# Take me home

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# To the place

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# I belong

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# West Virginia

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# Mountain momma

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# Take me home... #

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ALL SHOUT

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# ..Country roads. #

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CHEERING AND APPLAUSE

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Wow.

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Oh! No! Tom was so close!

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# Like a rhinestone cowboy... #

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-All right, mate.

-Hello.

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-What's your name?

-John Rafferty from Belfast.

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-John Rafferty from Belfast.

-CHEERING

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Well, John, that was great.

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I loved the song choice, it's one of my favourites of all-time.

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When I was a kid, my mum and dad had two cassettes.

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One of them was the best of ABBA,

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and one of them was the best of country.

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So those were some very long car journeys.

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LAUGHTER

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And they were either disco-themed, which Kylie would have liked -

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she was never there - or they were country-themed.

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And that was my favourite. My brother used to be in the back,

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I'd be singing it, he'd be doing the harmonies.

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But what I loved about country music was the stories.

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And although you sang it amazingly, I didn't get the story.

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You told it well, I just didn't get it 100%.

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Well done, though, you can sing.

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Fair enough. Thanks.

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APPLAUSE

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Yeah, I'd have to agree with Ricky.

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It sounded as if you were reading it

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rather than, like, trying to put yourself

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in the person's point of view, that he lived in West Virginia,

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he was driving around on a country road,

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drinking moonshine?

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Take me home. You ain't gonna get home drinkin' no moonshine!

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LAUGHTER

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But, you know, when you're singing, try to live the lyric,

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and the emotion is what we're all drawn to.

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It's like, "Wow, I felt that."

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Thank you.

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APPLAUSE

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-RICKY:

-No, Tom!

-KYLIE: Sorry, sorry!

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Hold it, hold it!

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Sorry! I was going in for a cuddle.

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Well, there's nothing wrong with that.

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That's a John Denver song, right?

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-Yeah, it is, yeah.

-You worked with John Denver?

-I worked with him, yeah.

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LAUGHTER AND APPLAUSE

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I think that song could be more gritty,

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because it's got a lot of pathos to it.

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You can inject emotion if you want to.

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-But you sang it really, really good.

-Thanks very much.

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-I enjoyed it very much.

-Thanks very much, Tom.

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You've got a great voice, mate, you've got a great voice. Come down.

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Well done.

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Thank you for your feedback, as well.

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-Thank you very much.

-Great to see you.

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APPLAUSE AND CHEERING

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CHEERING

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-You all right?

-Yeah, I'm dead on.

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RICKY: It is a road song.

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I used to hate going for a Sunday drive.

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When I grew up in Wales, we didn't have a car.

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-What did you do?

-We walked!

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LAUGHTER

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So John is heading home.

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Now it's country and western round two, with Talia.

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Not everyone's going to like country music.

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You can't please everybody.

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So...as long as I do the best I can do,

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I'm OK with that.

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# I'm hell on heels

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# Say what you will

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# I've done, made the devil a deal

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# I'm hell on heels

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# Baby, I'm coming for you

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# I got a pink guitar

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# A Lincoln town car

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# From ol' what's-his-name I met in a bar

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# I got a high-rise flat in Hollywood

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-# From a married man up to no good... #

-I love her.

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# I'm hell on heels... #

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-Oh, no!

-There's still time, there's still time.

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# ..He made me pretty

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# He made me smart

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# I'm gonna break me a million hearts

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# I'm hell on heels

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# Baby, I'm comin' for you. #

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APPLAUSE AND CHEERING

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What's your name?

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My name's Talia Smith.

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-I loved that.

-Thank you.

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I love country music and I love when somebody puts some drive into it.

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-And you did.

-Thank you.

-I have a lot of girls on my team already.

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-LAUGHTER

-But I don't have...

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You've got 99 problems, but a girl ain't one.

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LAUGHTER AND APPLAUSE

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CHEERING

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But I don't have anybody like you,

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and I just loved what you did with that song.

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-Thank you, thank you.

-I had to hit my button, I couldn't help myself.

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Thank you!

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He's got 99 problems but his pitch ain't one,

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cos you didn't have to give one!

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APPLAUSE

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Unfortunately, none of us turned.

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For me, it was cos you are British,

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but you were singing in an American accent.

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Which is great, and it was perfect,

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but for me, you're not being true to yourself.

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I'm not saying I want them to come on

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and sing in a Yorkshire accent or owt, but...

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I've grown up listening to country - my influence was Loretta Lynn.

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That's where the twang comes from.

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-It was fantastic, anyway.

-Thank you.

-Thanks for singing!

-Thank you.

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APPLAUSE

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I agree, I'm really happy Tom turned.

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-You had a country singer last season, did you not?

-Yeah. Mike Ward.

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-So you're in good hands.

-Yeah, I know that!

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-APPLAUSE AND CHEERING

-Thank you very, very much!

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MUSIC: "North Country Boy" by the Charlatans

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It was great. I couldn't help myself, I couldn't help myself.

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I had to do it. You sounded great.

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# Country girl, take my hand

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# Let me keep on... #

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The way she sang it, I dug that.

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Behind the scenes at The Voice, family support is everything.

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And it's no different for our coaches.

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I don't think I would have made it through the bumps

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that this industry throws at you

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without my family being as supportive as they are.

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I encourage folks to follow their dreams

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and find a support system. It's about family.

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Why not take the family on stage,

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like brother and sister duo Buheiji?

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# Run for your children and your sisters and brothers

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# Leave all your love and your longing behind

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# You can't carry it with you if you want to survive

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# The dog days are over

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# The dog days... #

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RICKY: I remember telling Mum and Dad that there was one goal,

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and it was never anything else than being in a band.

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-We're brother and sister.

-So how long have you known each other?

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LAUGHTER

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My sister's going to see this show and be like,

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"Say, Will, how come I can't be in your group?"

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Thanks a lot for that.

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APPLAUSE AND CHEERING

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Me and my sister did record a song when I was 13.

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She was seven. The song was called The Chill Dance.

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# The chill dance... # It was pretty cool.

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You must be very proud of them.

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I'm very proud of them.

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KYLIE: If you're singing with family, there's usually a tone

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that's part of your DNA. So it's always interesting to hear

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how family sing together.

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So Kylie should identify with sister act Leanne and Natalie.

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# Step left, step right

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# Pull your knees tight

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# Do the butterfly To the side, to the side

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# Now slide, yeah

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# That's right, yeah

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# And now we're gonna bring you back to the old-school vibe... #

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There were many family get-togethers.

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People would encourage you to sing as a child. "Oh, Tommy...

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"Listen to Tommy sing." It gives you more confidence.

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You know, you think, "Yes!"

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CHEERING AND APPLAUSE

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Hello.

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Hello. I'm Leanne, this is my sister, Natalie.

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-Sisters?

-Yes, we are.

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You'd never guess(!) LAUGHTER

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It sounded like you guys were having massive fun.

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We really had a great, great time singing on this stage

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and the fact that it's with my younger sister...

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-We absolutely loved that.

-CHEERING AND APPLAUSE

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-Tom, my dad's a very big fan.

-Uh-huh.

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And I just wondered if it were possible for him to meet you.

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Sure, what's his name?

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Well, his name's Ray but he likes to be called Frank!

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THEY LAUGH

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-Thank you.

-That's all right, girls.

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Yeah!

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Yeah!

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Oh, the Silver Fox.

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THEY ALL CHEER

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Next time!

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-It's been great to meet you.

-All the best.

0:21:020:21:04

Listening to the girls made me think of Dannii.

0:21:040:21:06

There's a sisterly bond that is unlike anything else.

0:21:060:21:09

So it was really cute to see that and it did remind me of my sister.

0:21:090:21:12

THEY CHEER

0:21:120:21:14

It's about having people experience it with you. That's all that matters.

0:21:140:21:18

The family affair continues.

0:21:200:21:22

But brothers Bizzi and Shenton Dixon are about to become rivals.

0:21:220:21:26

We both love music but we went through different musical paths.

0:21:260:21:30

# Party... #

0:21:300:21:32

In 1997, I signed to EMI records.

0:21:320:21:35

I released a song called Bizzi's Party.

0:21:350:21:38

I did a tour all through Europe, America.

0:21:380:21:41

It was a brilliant experience.

0:21:410:21:42

But things didn't really pan out as well as we all wanted it to.

0:21:420:21:46

When I left the record label, I took some time out,

0:21:480:21:51

kind of had to lick my wounds and then thought, "You know what?

0:21:510:21:54

"This is what I want to do, this is what I DO do,

0:21:540:21:56

"this is what I always will do."

0:21:560:21:57

He went down the recording route.

0:21:570:21:59

I went down the tribute route.

0:21:590:22:02

I impersonate Barry White...

0:22:020:22:04

AS BARRY WHITE: # Aaaaaaaahh... #

0:22:040:22:06

Maybe start with Louis Armstrong, cos that's easier.

0:22:060:22:09

AS LOUIS ARMSTRONG: # Yes, hello, Marvin.

0:22:090:22:11

# You're looking good, Marvin. #

0:22:110:22:13

..Stevie Wonder...

0:22:130:22:15

AS STEVIE WONDER: # Isn't she lovely? #

0:22:150:22:18

..and I also do a tribute to Elvis.

0:22:180:22:20

AS ELVIS: # Love me tender

0:22:200:22:23

# Love me true... #

0:22:230:22:24

I've put a twist on it, I call it, "The King Is Black."

0:22:240:22:27

THEY LAUGH

0:22:270:22:29

Nice one, Shenton.

0:22:290:22:30

So are you guys going to be performing as a duo today?

0:22:300:22:33

-No.

-We're both solos.

0:22:330:22:35

-He's doing his and I'm doing mine.

-Yeah.

0:22:350:22:37

I love my brother with all my heart.

0:22:390:22:41

If there's one place left in the whole competition,

0:22:410:22:44

I think I'd like him to go through.

0:22:440:22:46

Shenton is my mentor.

0:22:460:22:48

I've always looked up to him.

0:22:480:22:50

He's pretty much got it all as a vocalist.

0:22:500:22:53

When I'm watching his blind audition,

0:22:530:22:54

I'll be doing that, doing that

0:22:540:22:56

and hoping that he gets the result that we all want.

0:22:560:22:59

May the best sons win!

0:22:590:23:00

Yes, I've been doing the tribute scene for a long time.

0:23:040:23:08

Tonight is an opportunity for me to step out as myself, as Shenton Dixon.

0:23:100:23:15

# Oooooooooh

0:23:250:23:31

# Ooh-ooh

0:23:310:23:32

# There have been so many things that have held us down... #

0:23:340:23:37

Yeah!

0:23:370:23:38

# ..But now it looks like things are finally comin' around

0:23:380:23:42

# I know we've got a long, long way to go

0:23:420:23:46

# And where we'll end up... #

0:23:470:23:48

THEY ALL SHOUT

0:23:480:23:51

# ..Don't you let nothing, nothing

0:23:510:23:56

# Stand in your way

0:23:560:24:00

# I want y'all to listen, listen

0:24:000:24:04

# To every word I say

0:24:040:24:06

# Every word I say... #

0:24:060:24:08

-Come on!

-Come on!

0:24:080:24:09

# ..We've got the groove

0:24:110:24:13

# Ooh-ohh-ohh, ooh... #

0:24:130:24:16

-Go on, Shenton!

-Yes!

0:24:160:24:18

# ..We're on the move

0:24:200:24:22

# Woo-ooh-ooh... #

0:24:220:24:23

Work that!

0:24:230:24:25

# ..Ain't no stopping us now

0:24:250:24:28

# We've got the groove

0:24:280:24:30

# Hey-hey-hey

0:24:300:24:32

# WAAAA-ha-hoooo! #

0:24:320:24:35

CHEERING AND APPLAUSE

0:24:350:24:38

-Come on.

-Oh, no...

0:24:420:24:45

-How's it going?

-I'm very good, thank you.

-What's your name?

0:24:470:24:51

-Shenton Dixon.

-And are you a professional singer?

0:24:510:24:54

Yes, I'm a multi-tribute artist.

0:24:540:24:57

APPLAUSE

0:24:570:24:59

- Hi there. - Hi, Kylie.

0:25:010:25:03

Being a tribute act,

0:25:030:25:05

it might be hard for you to find your voice and for our ears to hear,

0:25:050:25:09

"Oh, that's someone really distinctive."

0:25:090:25:11

Sometimes, I record a song and I love the song so much

0:25:110:25:13

the way the demo's been presented, I can sound like the demo.

0:25:130:25:17

Then I say to the producer,

0:25:170:25:20

"Let me just go through that once more again," and I make it mine,

0:25:200:25:23

and that might be what you need to do to get your personality across.

0:25:230:25:27

APPLAUSE

0:25:270:25:30

Um, so my only thing is, er...

0:25:300:25:34

I think your first note threw off the rest of the performance

0:25:340:25:37

because you were so...

0:25:370:25:39

It wasn't in key. "Ooh!" The first note that you hit.

0:25:390:25:42

# Ooooh! #

0:25:420:25:43

CHEERING AND APPLAUSE

0:25:430:25:45

-You were on, but just not in the key.

-OK.

0:25:450:25:48

So that's the reason why I didn't turn. Thank you so much.

0:25:480:25:51

You've done your best, Shenton.

0:25:510:25:53

-Cheers, mate.

-Thank you.

-Thank you very much. Cheers.

0:25:580:26:01

-Hey.

-Cheers, pal.

-Ricky. Thanks, mate. God bless, thank you.

0:26:010:26:05

Thank you. Thank you, guys.

0:26:050:26:06

APPLAUSE

0:26:060:26:07

# With many a winding turn

0:26:070:26:13

# That leads us to

0:26:130:26:15

# Who knows where...? #

0:26:150:26:19

'I'm thinking positive

0:26:210:26:22

'and I'm feeling positive for my kid brother to have a chair swing round.'

0:26:220:26:26

-It's up to you now, man.

-Yes!

0:26:260:26:28

I strongly believe Bizzi's going to go out there and nail it.

0:26:280:26:31

Have you got any last-minute advice for Bizzi?

0:26:310:26:34

Just do what you always do, man. You go ahead, man.

0:26:340:26:36

All right. Shenton, let's turn it into positiveness now, yeah?

0:26:360:26:39

-Bizzi? Go out there, man. Let's go, let's go.

-Come on, Bizzi.

0:26:390:26:43

# He's my brother... #

0:26:430:26:45

I've been singing a long time but this is the big one.

0:26:500:26:53

I'm doing this not only for myself

0:26:570:26:59

but for my brother and for my family.

0:26:590:27:01

Now I'm going to put everything to one side, close my eyes

0:27:030:27:06

and give it my best shot.

0:27:060:27:07

Come on, Bizzi! Let's go!

0:27:080:27:11

Come on, Bizzi!

0:27:110:27:12

Whoo!

0:27:220:27:23

# I've been roaming around

0:27:260:27:28

# Always looking down

0:27:280:27:30

# And all I see... #

0:27:300:27:32

CHEERING AND APPLAUSE

0:27:320:27:34

# ..Painted faces fill the places I can't reach

0:27:340:27:41

# You know that I could use somebody

0:27:410:27:44

# Yeah

0:27:460:27:48

# Someone like you and all you know

0:27:480:27:51

# And how you speak... #

0:27:510:27:53

Yes! Come on!

0:27:530:27:55

# ..You know that I could use somebody

0:27:550:27:59

# Whoa-oh-oh... #

0:27:590:28:01

Push the button, Tom!

0:28:010:28:03

# ..Someone like you

0:28:030:28:05

# Oh

0:28:050:28:06

# Whoa... #

0:28:070:28:08

Push it!

0:28:090:28:11

# ..Someone like you, yeah... #

0:28:110:28:16

Come on, come on, come on!

0:28:160:28:18

# I've been roaming around

0:28:180:28:19

# I was looking down

0:28:190:28:21

# And all I see. #

0:28:210:28:24

Yeah!

0:28:320:28:34

-Yes! He did it!

-Yes!

0:28:410:28:42

-What's your name?

-My name is Bizzi Dixon.

0:28:480:28:51

-You've just saw my brother, Shenton Dixon.

-Woo-hoo! I knew it!

0:28:510:28:55

I'm like, "You look like the homeboy that was just on stage!"

0:28:580:29:01

Yeah! The eyes!

0:29:010:29:03

There was just one little shaky part there, but I understand that,

0:29:050:29:08

-because nerves can do that.

-This is a big gig. Very nervous.

-Yes, it is.

0:29:080:29:12

I would want to hear more things that you can do.

0:29:120:29:16

Once I hear what else you can do, I could bring it to you.

0:29:160:29:19

And if you needed any help in any way, vocally or...otherwise,

0:29:190:29:24

you know, to present yourself right, I can do that.

0:29:240:29:28

But you came through.

0:29:280:29:30

-APPLAUSE And I loved that.

-Thank you.

0:29:300:29:32

You're a soulful singer, and I like that you did a rock song.

0:29:350:29:39

So that's a really good place to start.

0:29:390:29:41

Some bits were a little bit shaky, but there's something there.

0:29:410:29:45

-And I enjoyed it.

-OK. Thank you.

0:29:450:29:47

Can I add something? Tom doesn't have guys.

0:29:490:29:53

It's a team full of girls.

0:29:530:29:55

-All girls.

-OK!

0:29:550:29:57

LAUGHTER

0:29:570:30:00

Kylie has some great singers. Nobody like you.

0:30:000:30:04

Tom definitely doesn't have anybody like you!

0:30:040:30:07

-Kylie?

-Kylie.

-Yeah?

0:30:190:30:22

-Thank you. I am going to go with Tom.

-Yeah!

0:30:310:30:35

All right, mate.

0:30:420:30:43

Thanks a lot.

0:30:430:30:46

-Let's do it.

-We can do it. Believe me.

0:30:460:30:48

Finally I have a man on my team.

0:30:520:30:54

I wouldn't want it to be sort of, "Oh, Tom has got all girls."

0:30:540:30:58

That's not...

0:30:580:30:59

You know, that was not the plan.

0:30:590:31:01

Well done!

0:31:040:31:06

Delighted for him. I hope he goes on and wins the whole competition.

0:31:090:31:12

Yes! Yes! Yes! Yes! Yes! Yes!

0:31:120:31:14

-I got a man now.

-Yeah.

-On the team.

-That's the first dude.

-Yeah!

0:31:160:31:21

A dude's dude. Put a rooster amongst the hens.

0:31:220:31:25

If you're going to have a man on your team, for me, that is him.

0:31:250:31:29

'So, Tom finally gets his man.

0:31:290:31:32

'Which takes him level with Kylie on ten out of 12 acts.

0:31:320:31:35

'But lagging behind, with eight artists each,

0:31:350:31:38

'Ricky and Will need to get their button pushing mojo on.'

0:31:380:31:41

-How many people do we have left?

-How many have I got now?

0:31:410:31:44

-I've got two left, haven't I?

-Is that it?

0:31:440:31:46

-I think we are neck and neck, are we?

-How many to go, Kylie?

-Two.

0:31:460:31:49

-Two to go.

-How many have you got, Rick?

-I get so confused.

0:31:490:31:53

You have four.

0:31:530:31:57

I was like, "Oh, shucks!" We have two days left.

0:31:570:31:59

It ain't like it's the first day.

0:31:590:32:00

# The heat is on... #

0:32:000:32:03

I've got four spaces to go, and we are doing this stupid thing

0:32:030:32:06

where we are kind of waiting too long.

0:32:060:32:08

-So I've really got to start spinning round.

-Got to get to work.

0:32:100:32:15

All right, I need another one, then.

0:32:150:32:17

'So, Ricky and Will have the places,

0:32:180:32:20

'but do these next two acts have the voices?'

0:32:200:32:24

My name is Nathan Amzi. I'm 32, and I am a West End performer.

0:32:240:32:27

Can you do the splits, really? GASPS

0:32:270:32:31

Arms out. You are like, "No way!"

0:32:310:32:33

My name is Kiki deVille, I'm 40 years old, and I am a burlesque singer.

0:32:350:32:39

-Where do they go?

-Well... You could be creative.

0:32:390:32:44

How is it working?

0:32:440:32:46

SHE LAUGHS

0:32:460:32:48

'First up is Nathan.'

0:32:480:32:50

# On my knees

0:32:500:32:52

# As I try to make you see

0:32:520:32:54

# That you're everything I think I need

0:32:540:32:58

# Here on the ground

0:32:580:32:59

# You're neither friend or foe

0:33:000:33:03

# I can't seem to let you go

0:33:030:33:06

# One thing that I still know is you are keeping me down

0:33:060:33:12

Please turn.

0:33:140:33:15

# Woo-oooh. #

0:33:190:33:24

-Hello.

-Hey, man.

-I feel like I want to pitch, but I don't have to!

0:33:330:33:38

-We are on the same team together.

-CHEERING

0:33:400:33:44

Welcome to the show, buddy.

0:33:470:33:50

'So, Ricky overtakes Will and is right behind Tom and Kylie.

0:33:500:33:52

'His team is on nine.'

0:33:520:33:54

Nine down, three to go. OK, that's cool.

0:33:540:33:57

I can play around with that.

0:33:570:33:59

'Kiki deVille is next. Will she change the scoresheet again?'

0:33:590:34:03

# Telling me something

0:34:030:34:05

# But there's nothing cheap as words

0:34:050:34:08

# Walking away before I do affect the birds

0:34:080:34:12

# Excuse me, mister, I've got other things to do

0:34:130:34:16

# Than to stand here listening to you

0:34:160:34:21

# Stop talking at my face

0:34:210:34:24

# Take a rocket out to space... #

0:34:240:34:27

Come on! Come on!

0:34:280:34:30

# ..Yeah

0:34:300:34:31

# 119 miles an hour

0:34:340:34:35

# I'm in a whole other dimension Dancing doubles on the floor

0:34:350:34:40

# You think I'm crazy A little bit hazy

0:34:400:34:43

# But I'm stone-cold sober. #

0:34:430:34:48

You know how to keep a girl waiting. Yeah?

0:35:020:35:07

The whole crowd was really rocking. This is going to be freaking fun.

0:35:070:35:12

Thank you.

0:35:130:35:15

'He kept her waiting, but Kiki brings Team Will up to nine.

0:35:150:35:19

'Things are getting very close.'

0:35:190:35:21

It's all good. Now I got another bomb. Boom!

0:35:240:35:29

'So let's leave Will for a moment and say hello to our next act.

0:35:300:35:33

'It's Newport lad Callum Crowley.'

0:35:330:35:35

I come from a really big but really close-knit family.

0:35:380:35:41

Wandering hands, that is!

0:35:410:35:43

'They are quite an eclectic bunch. You've got my brother,'

0:35:430:35:46

who looks like me but is the complete polar opposite.

0:35:460:35:48

-We have got two different, there, haven't we?

-Yeah!

0:35:480:35:50

One is very sporty, Callum is very theatrical.

0:35:500:35:54

I just literally live for my family, like, they are everything.

0:35:540:35:58

Boom!

0:35:580:35:59

At the moment, I am working in a primary school.

0:35:590:36:02

I want you to give me your best picture.

0:36:020:36:05

'I love my job.'

0:36:050:36:06

But it is not something that I want to do forever.

0:36:060:36:09

'What I love to do is perform.'

0:36:090:36:11

I want Callum to be happy. I want him to live his dream.

0:36:110:36:14

-He's going to do it, I'm telling you, he's going to.

-Come on, Callum!

0:36:280:36:31

# Going nowhere fast

0:36:410:36:44

# We've reached the climax... #

0:36:440:36:48

Come on, Will, listen to him.

0:36:480:36:50

# ..Won't commit so we choose to

0:36:520:36:54

# Run away

0:36:540:36:58

# Do we separate?

0:36:580:37:02

# Don't wanna give in so we both gave up

0:37:020:37:06

# Can't take it back, it's too late we've reached the climax... #

0:37:060:37:09

Come on, Kylie!

0:37:090:37:11

# ..I gave my best

0:37:110:37:12

# It wasn't enough

0:37:120:37:13

# You get upset We argue too much

0:37:130:37:17

# We made a mess of what used to be love

0:37:170:37:21

# Why do I care, I care at all...? #

0:37:210:37:24

Let's go, let's go.

0:37:270:37:29

# ..At all

0:37:300:37:32

# At all

0:37:330:37:35

# Going nowhere fast... #

0:37:370:37:42

ALL SCREAM

0:37:420:37:44

# ..We're together Now we're undone

0:37:460:37:48

# Won't commit

0:37:480:37:49

# So we choose to run away

0:37:490:37:54

# Do we separate?

0:37:540:37:58

# Don't wanna give in

0:37:580:37:59

# So we both gave up

0:37:590:38:02

# Can't take it back It's too late

0:38:020:38:04

# We've reached the climax. #

0:38:040:38:06

CHEERING

0:38:060:38:10

Come on, son!

0:38:120:38:14

Too late.

0:38:220:38:23

He tried! He tried.

0:38:230:38:26

He tried.

0:38:260:38:27

-Very late.

-Come on, Tom, I'm Welsh!

-I was too late.

0:38:270:38:31

-LAUGHTER

-I hit the button but it was right at the end.

0:38:310:38:34

I waited too late.

0:38:340:38:35

You know, I wait as long as I possibly can

0:38:350:38:37

to hear the whole thing. Sorry about that.

0:38:370:38:39

Who are you, where do you come from?

0:38:400:38:43

My name's Callum Crawley.

0:38:430:38:45

I'm 22 and I'm originally from Newport in South Wales.

0:38:450:38:48

CHEERING

0:38:480:38:50

Welsh boy, Welsh boy!

0:38:500:38:52

-KYLIE:

-That was amazing. You have such a distinctive tone.

0:38:520:38:55

-Thank you very much.

-Sexy!

0:38:550:38:58

You know all about sexy. That's good, isn't it?!

0:38:580:39:01

But interesting.

0:39:010:39:03

The power's going to be in your hands

0:39:030:39:05

so tingle away

0:39:050:39:07

and let's see how everyone else sells themselves.

0:39:070:39:10

Yeah, yeah. Thank you.

0:39:100:39:11

RICKY: Are you going to pitch for this?

0:39:140:39:15

-Well, I can't pitch but I'm going to talk to the man.

-Oh.

0:39:150:39:19

The falsetto part, you know, was interesting.

0:39:190:39:23

-But to me, you're a little flat there.

-I was, yeah.

0:39:230:39:25

I know this girl that was flat

0:39:250:39:27

and then she went to Brazil

0:39:270:39:28

and came back looking like something else.

0:39:280:39:30

LAUGHTER

0:39:300:39:32

APPLAUSE

0:39:340:39:37

I'm not saying I'm going to take you to Brazil

0:39:370:39:39

but we could go to work and fine-tune some of those areas.

0:39:390:39:44

Me and Kylie were up and grooving.

0:39:440:39:46

-In sync...possibly!

-In sync!

0:39:460:39:48

-We hit the button at the same time and turned around.

-Yes!

0:39:480:39:50

We had a whole routine.

0:39:500:39:52

I loved it. I wasn't going to sit there with this voice going on

0:39:560:39:59

and not look at it.

0:39:590:40:00

Cos, you know, I wanted to see you.

0:40:000:40:02

And I just thought, "Well, you never know,

0:40:020:40:04

"he might be a big Kaiser Chiefs fan or something."

0:40:040:40:07

LAUGHTER AND CHEERING

0:40:070:40:09

On the off chance!

0:40:090:40:10

-KYLIE:

-We're all Kaiser Chiefs fans.

-Thank you.

0:40:100:40:13

So, as a massive Kaiser Chiefs fan,

0:40:150:40:17

you'll appreciate what I can bring to the table.

0:40:170:40:21

And it's just about energy, it's about connecting.

0:40:210:40:24

-And you can do that. CALLUM:

-Yeah.

0:40:240:40:26

APPLAUSE

0:40:260:40:29

But it's going to be a tough decision, you know.

0:40:290:40:31

You've got tricky Ricky.

0:40:310:40:33

You've got, you know,

0:40:330:40:35

the wonderful Minogue.

0:40:350:40:36

And the focused, determined...

0:40:360:40:41

In Spanish, my name is Guillermo.

0:40:410:40:44

In French, it's Guillaume.

0:40:440:40:47

In Welsh, my name would be...

0:40:470:40:49

What was my name, Tom?

0:40:490:40:51

William, just the same. Will.i.am.

0:40:510:40:53

LAUGHTER

0:40:530:40:55

Same as English!

0:41:000:41:01

AUDIENCE SHOUTS NAMES

0:41:040:41:07

I'm all about commercial pop music.

0:41:080:41:10

I love pop music.

0:41:100:41:12

That's what I'm about and...

0:41:120:41:15

I don't know, like... I'm just going to have to say that...

0:41:150:41:18

SHOUTING CONTINUES

0:41:180:41:21

Team Will, let's go!

0:41:240:41:25

CHEERING

0:41:250:41:28

-Oh, those are cool glasses, too.

-Thank you.

0:41:360:41:39

-KYLIE:

-Good choice, you're going to be in good hands.

0:41:390:41:41

-Thank you so much.

-That was amazing.

-Thank you.

0:41:410:41:43

-Well done, man, that was something else.

-Thank you so much.

0:41:450:41:47

-TOM:

-Good luck. You've got a good man there.

0:41:470:41:49

-Thank you, Tom.

-You've nothing to worry about.

0:41:490:41:51

CHEERING

0:41:510:41:53

I left it too late.

0:41:590:42:01

You can't cut it that fine any more.

0:42:010:42:03

I was thinking about it too much, you know.

0:42:030:42:05

THEY SCREAM

0:42:050:42:08

Oh, my God!

0:42:110:42:12

-Mum, how proud are you?

-I can't put it into words.

-Yeah.

0:42:120:42:15

-We've waited so long for this, haven't we?

-Mm-hm.

0:42:150:42:17

And I knew he would do it, I knew it.

0:42:170:42:19

-You should have pitched him harder. You should have been like...

-Me?

0:42:240:42:28

Yeah, like, "I know pop. I know how to pop it.

0:42:280:42:32

"Pop it, pop it, pop it."

0:42:320:42:34

Have you ever run for mayor?

0:42:340:42:36

No, I'm not going to run for mayor.

0:42:360:42:37

-POLITICIAN VOICE:

-I'm preserving the quality of my neighbourhood.

0:42:370:42:41

It's my duty to make sure people that come

0:42:410:42:43

-singing on The Voice...

-"The people of Manchester."

0:42:430:42:45

..have a place in the hearts of the citizens of the UK.

0:42:450:42:49

Well, he gets my vote.

0:42:510:42:52

So that's two on the trot for Mayor Will,

0:42:520:42:54

who seems to be taking it up a gear.

0:42:540:42:56

# I be everywhere Everybody know me

0:42:560:42:59

# Super, super fresh With a dope styling... #

0:42:590:43:01

I'm watching him.

0:43:010:43:03

He's putting a good team together.

0:43:030:43:04

Whoo!

0:43:040:43:06

Will really knows what he's doing.

0:43:060:43:07

I have a new formula.

0:43:090:43:10

You know what happens.

0:43:100:43:11

'Before, I was just holding back.

0:43:110:43:13

'Right now, I'm attacking.'

0:43:130:43:14

Oh, shucks.

0:43:150:43:17

It's like, "What? Where did that come from?"

0:43:180:43:22

-MARVIN:

-Who knows?

0:43:220:43:23

What's important is that Team Will has caught up

0:43:230:43:26

with Kylie and Tom, on ten acts.

0:43:260:43:28

You best shape up, Wilson, you're still on single figures.

0:43:280:43:31

24-year-old Marc William and 25-year-old Paul Raj

0:43:350:43:38

have studied the music industry very closely,

0:43:380:43:41

with some famous fellow students.

0:43:410:43:44

I went to The BRIT School with Adele, Katie B...

0:43:440:43:47

I went to Italia Conti Performing Arts College.

0:43:470:43:50

In my year were people like Pixie Lott.

0:43:500:43:53

As the years have gone by,

0:43:550:43:56

there are so many people that I studied with

0:43:560:43:58

that I've seen go on to be incredibly successful.

0:43:580:44:01

Going straight to the top of the charts.

0:44:010:44:03

Why didn't I go on to have that same success?

0:44:030:44:06

You can't help but feel, "Is my time going to come?"

0:44:060:44:10

I want to be an artist and that's why I'm here.

0:44:110:44:15

It's a now or never situation.

0:44:150:44:17

I hope it's now.

0:44:180:44:19

He's just waiting on that tkk-tkk-tkk.

0:44:300:44:33

DRUMMER COUNTS IN

0:44:330:44:36

# You need coolin', baby

0:44:410:44:45

# I'm not foolin'

0:44:450:44:47

# I'm gonna take you...

0:44:470:44:50

Come on, Kylie. Turn, turn!

0:44:500:44:52

# ..Way, way down inside

0:44:540:44:58

# Honey, you need it

0:44:580:45:01

# I'm gonna give you my love

0:45:010:45:04

# I'm gonna give you my love

0:45:040:45:07

# Oh

0:45:070:45:08

-# Wanna whole lotta love... #

-Push, push, push!

0:45:080:45:11

# ..Wanna whole lotta love

0:45:110:45:14

# Wanna whole lotta love, love, love... #

0:45:150:45:20

-Push, push, push!

-Come on!

0:45:200:45:22

# ..All those good times

0:45:220:45:24

# Baby, baby, baby

0:45:240:45:27

# I've been learning

0:45:270:45:29

# Way, way down inside

0:45:290:45:32

# Honey, you need a... #

0:45:320:45:34

-Push, push, push!

-Push!

0:45:340:45:36

# ..Give you my love

0:45:360:45:37

-FALSETTO:

-# Way, way down inside... #

0:45:370:45:43

Oh, please. Push!

0:45:430:45:45

# ..Wanna whole lotta love. #

0:45:450:45:50

CHEERING AND APPLAUSE

0:45:500:45:54

-What's your name?

-My name's Marc William.

0:46:060:46:08

-Where do you come from, Marc?

-I come from Glasgow.

0:46:080:46:11

You have an incredible voice.

0:46:110:46:13

Oh, thank you very much. I really appreciate that.

0:46:130:46:15

CHEERING

0:46:150:46:18

I thought Will might turn, you know, because...

0:46:180:46:20

-I was about to turn.

-Oh, no!

-Yes, I could see it.

0:46:200:46:22

I was about to turn.

0:46:220:46:24

TOM: One of the reasons that I didn't

0:46:240:46:26

-is because I've got a lot of people...

-OK, sure.

-..on my team.

0:46:260:46:29

I'm just waiting for something.

0:46:290:46:31

-And until I hear it, I won't know it.

-Yeah, absolutely.

0:46:310:46:34

-But the way you sing is great.

-Thank you very much.

0:46:340:46:37

This is the reason why I didn't turn around.

0:46:420:46:44

-Your outfit is dope.

-Yeah.

0:46:440:46:45

Futuristic Jesus jellies.

0:46:450:46:47

-LAUGHTER

-Those are cool.

0:46:470:46:50

-Now imagine you weren't wearing that necklace.

-Yeah.

0:46:500:46:52

-The outfit wouldn't be that fresh, right?

-OK.

0:46:520:46:54

-So you had to accessorise.

-Just that something.

0:46:540:46:56

-Well, the way you were singing was great, was cool.

-Yeah.

0:46:560:46:59

-But you didn't accessorise on the crescendo.

-Oh, OK.

0:46:590:47:03

-Singing is no different than the outfit.

-Sure.

0:47:030:47:05

It's no different than, like, baking a cake.

0:47:050:47:08

-Now, imagine they didn't put candles on the cake...

-Yeah, I know.

0:47:080:47:11

-..and it was your birthday.

-Then it's not special.

0:47:110:47:13

You've got to put the candles on it so you have something to blow out.

0:47:130:47:16

You know what I'm saying?

0:47:160:47:18

-So accessorise even on the vo-cals.

-OK.

0:47:180:47:21

-See, I could have said "vocals".

-Yeah, but you didn't!

0:47:210:47:23

-But I'm accessorising on vo-cals.

-See, I've learned something.

0:47:230:47:26

-LAUGHTER

-Thank you very much.

0:47:260:47:29

-Cheers, man.

-Vo-cals!

-Thank you.

0:47:290:47:31

-I wish I would've turned.

-That's... That's a little annoying, isn't it?

0:47:350:47:39

That is one of the perils of facing the other way!

0:47:390:47:42

But I don't think it's the last we're going to see of you.

0:47:420:47:45

Oh, it's so frustrating!

0:47:450:47:47

-CHEERING AND APPLAUSE

-Thank you very much for having me.

0:47:490:47:52

- It was great. - Oh, thanks.

0:47:520:47:54

If I had more room on my team, believe me, I would have...

0:47:540:47:57

-- I appreciate that so much. - No, really, honestly.

-Next time, bro.

0:47:570:48:00

-I will see you soon.

-You're really dope.

-I will see you soon. You're really good.

0:48:000:48:04

CHEERING

0:48:040:48:05

The coaches know time and spaces are running out for their teams,

0:48:050:48:09

and that gives them a new problem to consider.

0:48:090:48:12

-TOM:

-It gets harder as it goes on, because you get more selective.

0:48:120:48:15

Just in case somebody comes up later that you think,

0:48:150:48:19

"Oh, my God, I wish I had a couple of spots left."

0:48:190:48:22

CHEERING AND APPLAUSE

0:48:220:48:25

I should have turned for him. I should have turned for Marc.

0:48:250:48:28

He is a superstar.

0:48:280:48:29

With Will feeling regretful,

0:48:290:48:31

can Paul convince the coaches that he is worth spinning for?

0:48:310:48:35

I definitely would regret reaching 40

0:48:350:48:37

and my biggest achievement is that I went to school with Adele.

0:48:370:48:41

-You can do it, Paul.

-Come on, Paul.

0:48:510:48:53

One, two, three, four...

0:49:030:49:05

# Ohhhh!

0:49:070:49:09

# Baby, does he do it for ya?

0:49:090:49:13

# And when he's finished

0:49:130:49:14

# Does he step back and adore ya?

0:49:140:49:18

# I just gotta know

0:49:180:49:20

# Cos your time is money and I won't let him waste it

0:49:200:49:25

# No, no, no!

0:49:250:49:27

# Baby, just go with it

0:49:280:49:31

# Cos when you're with me, I can't explain it

0:49:310:49:34

# It's just different

0:49:340:49:36

# We can take it slow

0:49:360:49:39

# Or act like you're my girl

0:49:390:49:41

# Let's skip the basics

0:49:410:49:43

# No, no, no

0:49:430:49:45

# Oh, yeah!

0:49:450:49:47

# He's so replaceable

0:49:470:49:52

# Oh, oh!

0:49:520:49:54

# You're worth the chase

0:49:540:49:56

# You put it on

0:49:560:49:59

# Oh!

0:49:590:50:00

# It's all right

0:50:000:50:02

# I'm not dangerous... #

0:50:020:50:03

Yeah, she likes it, she does.

0:50:030:50:05

# ..When you're mine

0:50:050:50:07

# I'll be generous

0:50:070:50:09

# You're irreplaceable A collectible... #

0:50:090:50:12

-Go on!

-Come on!

0:50:120:50:14

# ..Just like fine china

0:50:140:50:18

# It's all right, I'm not dangerous

0:50:180:50:22

# When you're mine... #

0:50:220:50:24

-Come on, Kylie!

-Come on, Kylie!

0:50:240:50:27

# ..Yo-o-ou're

0:50:290:50:32

# Just like fine china! #

0:50:320:50:39

CHEERING AND APPLAUSE

0:50:390:50:41

Aww!

0:50:500:50:51

Hello.

0:50:550:50:56

Wow.

0:50:560:50:58

What is your name?

0:50:580:51:00

My name's Paul Raj, I'm 25.

0:51:000:51:02

I'm a teacher from London.

0:51:020:51:03

CHEERING AND APPLAUSE

0:51:030:51:06

I'm upset that I didn't turn around.

0:51:110:51:13

Um, your voice sounds fantastic.

0:51:130:51:17

Thank you.

0:51:170:51:18

I think that the song was...could've been, like, a semitone higher.

0:51:180:51:22

-OK.

-But other than that, I'm kicking myself that I didn't turn round.

0:51:220:51:25

-Sorry for that.

-Thank you.

0:51:250:51:27

APPLAUSE

0:51:270:51:30

Can you kick me at the same time?

0:51:320:51:35

Because I'm going to kick myself as well.

0:51:350:51:38

I was grooving along, um...

0:51:380:51:40

I think I just didn't hear the thing that made me go,

0:51:410:51:43

"What was that?!" But it was amazing.

0:51:430:51:46

-OK. Thank you.

-Yeah.

0:51:460:51:48

APPLAUSE

0:51:480:51:50

RICKY: I'm...

0:51:530:51:56

I'm disappointed in everybody.

0:51:560:51:57

I agree.

0:51:570:51:59

-Jones...

-Including you?

-..Minogue...

0:51:590:52:01

LAUGHTER ..Wilson, "Am".

0:52:010:52:05

LAUGHTER

0:52:050:52:06

But, thing is, it's all about not giving up,

0:52:070:52:10

cos one time there will be a right place and a right time.

0:52:100:52:13

Something will happen. APPLAUSE

0:52:130:52:15

-Thank you.

-Today wasn't the time. It should've been.

-Well, thank you.

0:52:150:52:22

I really appreciate your comments and, you know, it is

0:52:220:52:24

great to stand in front of you as well.

0:52:240:52:26

I'm really glad to be here and to make it this far. Thank you.

0:52:260:52:30

CHEERING AND APPLAUSE

0:52:300:52:32

I mean it. It will happen. It will happen.

0:52:350:52:37

Bom, bom, bom!

0:52:370:52:39

We'll see you again. I'm sure of it.

0:52:440:52:47

CHEERING AND APPLAUSE

0:52:510:52:54

God, that's upsetting. That is really upsetting.

0:52:580:53:00

Almost. There was just something... Couldn't put my finger on it.

0:53:030:53:08

Oh, what a twit!

0:53:080:53:10

When you have one or two spaces left, it is really stressful.

0:53:120:53:16

I have got to make the right decision. This show is not easy.

0:53:180:53:21

We need something to lift us up now.

0:53:220:53:24

Being in the chair all day, it's quite intense.

0:53:260:53:29

In between the performances is an important time just to

0:53:310:53:34

move around a bit.

0:53:340:53:36

Bit of exercise, stretch your legs.

0:53:360:53:38

I don't like sitting still for too long.

0:53:380:53:40

I want to move, I want to feel free.

0:53:400:53:42

She was working it.

0:53:440:53:46

And I don't blame her either!

0:53:460:53:48

CHEERING AND APPLAUSE

0:53:480:53:50

I don't know, it's just some of the others.

0:53:510:53:53

Sometimes they get up out of the chair, but it's not for me.

0:53:530:53:57

CHEERING

0:53:570:53:59

Go on, just do it. What have you got to lose? It'll be fun.

0:53:590:54:05

# Loose

0:54:050:54:06

# Footloose

0:54:060:54:08

# Kick off your Sunday shoes

0:54:080:54:11

# Everybody cut, everybody cut

0:54:110:54:13

# Everybody cut, everybody cut

0:54:130:54:16

# Everybody... Everybody cut

0:54:160:54:18

# Footloose! #

0:54:180:54:19

That was really good.

0:54:190:54:21

In between the acts, I'm just vibing off of the audience vibing.

0:54:210:54:25

So it's like a vibe off of a vibe.

0:54:250:54:28

-RECORDING:

-# What's new, pussycat?

0:54:280:54:30

AUDIENCE: # Whoa, whoa, whoa, whoa! #

0:54:300:54:32

Yeah!

0:54:320:54:34

# Tonight's the night

0:54:340:54:35

# Let's live it up

0:54:350:54:37

# I got my money

0:54:370:54:38

# Let's kick it off! #

0:54:380:54:40

That was a lot of fun.

0:54:400:54:41

Right, who's next?

0:54:410:54:43

-MARVIN:

-Ah, can't tell you, Ricky.

0:54:430:54:45

But, for you at home, this is 40-year-old man of contradictions

0:54:450:54:49

Amrick, from Kent.

0:54:490:54:51

I have been brought up as a Sikh.

0:54:510:54:56

My parents are very much into, you know, keeping in

0:54:570:55:00

with my religion, ensuring that we don't lose sight of who we were.

0:55:000:55:05

But...

0:55:050:55:07

..the other side of me is also going out clubbing,

0:55:090:55:13

partying with my friends, wearing crazy bling stuff.

0:55:130:55:18

It's kind of a double existence.

0:55:180:55:20

Yes, I am an Indian guy with a turban, but don't stereotype me.

0:55:200:55:24

CHEERING

0:55:260:55:28

SHOUTS OF ENCOURAGEMENT

0:55:280:55:30

HE CLEARS HIS THROAT

0:55:370:55:38

# Ooooh!

0:55:420:55:44

# People, let me tell you

0:55:440:55:48

# I work hard every day

0:55:480:55:52

# I get up out of bed

0:55:520:55:54

# Put on my clothes

0:55:540:55:56

# Cos I've got bills to pay

0:55:560:55:59

# Now it ain't... #

0:55:590:56:00

Come on, Amrick, yes, come on!

0:56:000:56:02

# ..Don't need no help

0:56:020:56:04

# Got a strong will to survive

0:56:040:56:07

# I've got a deeper love

0:56:070:56:10

# Deeper love

0:56:100:56:12

# Deeper love inside

0:56:120:56:15

# And I call it

0:56:150:56:16

# Pride, a deeper love

0:56:160:56:18

# Pride, a deeper love

0:56:180:56:20

# Pride, a deeper love

0:56:200:56:22

# Whoa, whoa, whoa, whoa!

0:56:220:56:24

# Pride!

0:56:240:56:26

# Yeah! #

0:56:260:56:28

SHOUTS OF ENCOURAGEMENT

0:56:280:56:30

# I got a deeper love

0:56:300:56:33

# Yeah, yeah!

0:56:330:56:35

# Deeper love inside

0:56:350:56:38

# I call it pride. #

0:56:380:56:41

CHEERING AND APPLAUSE

0:56:410:56:43

THEY GROAN

0:56:440:56:45

Don't worry, son!

0:56:450:56:47

RICKY: Hello! KYLIE: Hi!

0:56:480:56:50

Hello!

0:56:500:56:52

-My name is Amrick Channa.

-Wow, that was incredible.

-Thank you.

0:56:530:56:58

You do not look like I thought you were going to look.

0:56:580:57:01

What did you think I was going to look like?

0:57:010:57:03

I thought there'd be more feathers, to be honest.

0:57:030:57:06

LAUGHTER

0:57:060:57:08

I can't compete with that lady there with the feathers.

0:57:080:57:11

No, you should see her dressing room. A gust of wind, it'd take off.

0:57:110:57:15

Yeah, it was incredible. It was powerful.

0:57:150:57:17

But I didn't turn because it's not my bag.

0:57:170:57:22

OK, sure.

0:57:220:57:23

-But well done, mate.

-Thank you for that.

0:57:230:57:25

CHEERING

0:57:250:57:27

So, um, I didn't turn because I felt, at times, it seemed as if

0:57:270:57:32

you were fighting with the band.

0:57:320:57:35

Rather than guiding the band.

0:57:350:57:37

Do you perform a lot?

0:57:370:57:38

Mainly in clubs, yeah, nightclubs around Europe and...

0:57:380:57:42

To backing tracks or...?

0:57:420:57:44

Yeah, backing tracks, jamming with the DJs as well,

0:57:440:57:47

-so it's all very pumping house beats, you know?

-Yeah, yeah.

0:57:470:57:50

I would like to see you rocking over a DJ. That would be fresh.

0:57:500:57:53

-But thank you for singing, though.

-Thanks. No, thank you for that.

0:57:530:57:57

I appreciate it. I had it all planned out.

0:57:570:58:01

You were going to turn around.

0:58:010:58:02

And then I was going to say... # I'm high above the universe

0:58:020:58:07

# Losing track of time

0:58:070:58:08

# I'm falling free, I can't believe that you are really mine. #

0:58:080:58:13

Yeah. Well...

0:58:130:58:15

CHEERING

0:58:150:58:16

-I love your look.

-Thank you so much, Kylie. That means a lot.

-I mean...

0:58:180:58:23

-That means a lot. Thank you.

-I haven't seen this before.

0:58:230:58:25

I've seen a lot of things. I haven't seen this before.

0:58:250:58:28

He is single!

0:58:280:58:29

I think you have a great voice.

0:58:290:58:31

I think you've got plenty of nights ahead in the club

0:58:310:58:35

and look forward to seeing where you go in the future,

0:58:350:58:39

because I'll definitely remember you.

0:58:390:58:42

Oh, thank you, that means a lot to me. That means a lot to me.

0:58:420:58:44

I've been a fan of yours for a very long time now.

0:58:440:58:47

Let's not mention how long.

0:58:470:58:49

-But well done, thank you.

-Thank you so much. Much appreciated.

0:58:500:58:54

Well done, Amrick.

0:59:020:59:03

Despite having the most spaces to fill, Ricky isn't turning.

0:59:100:59:14

And explaining why is proving tricky.

0:59:140:59:17

It's really hard when I don't want them.

0:59:170:59:21

It's not fun facing them, saying why you think they're no good.

0:59:210:59:25

But that's why I'm here. I've got to give a reason I didn't turn.

0:59:260:59:30

-And I feel silly for saying this.

-Oh, well.

0:59:300:59:33

You have a great voice, but I really wouldn't know what to do with it.

0:59:330:59:36

Oh...

0:59:360:59:37

Recently I've bought a bread-maker.

0:59:370:59:40

It looks great in my kitchen.

0:59:400:59:42

But I've never used it and I didn't want you to be my bread-maker.

0:59:420:59:47

What?!

0:59:470:59:48

I was recently given a set of golf clubs.

0:59:510:59:53

They're in my hallway and everyone goes, "Nice clubs, mate."

0:59:540:59:58

It would be a bit like living in Leeds

0:59:581:00:00

and having a speedboat parked in the drive.

1:00:001:00:02

I'd sit in it all day long drinking beer.

1:00:021:00:04

-None of us can follow that.

-Definitely different!

1:00:041:00:07

I have a house in the country full of junk.

1:00:071:00:10

It's a terrible excuse.

1:00:131:00:14

So, will our next act get apologies or pitches?

1:00:191:00:22

It's 17-year-old Jazz Bates-Chambers from Nottingham.

1:00:221:00:25

I am a girlie girl.

1:00:251:00:27

I like clothes, I like fashion.

1:00:271:00:29

-Maybe something like this.

-I like that.

1:00:291:00:33

Nail varnish. I love nail varnish.

1:00:331:00:35

It goes with your nails as well.

1:00:351:00:37

I've been brought up by my mum from the beginning.

1:00:391:00:43

It's been just me and her.

1:00:431:00:44

Jazz and I are very close. We get on very well as friends.

1:00:461:00:49

We go on holiday together still.

1:00:511:00:53

I know some people get bored of going on holiday with their mums,

1:00:531:00:56

but I don't.

1:00:561:00:58

SHE LAUGHS

1:00:581:01:00

I'm going to be so nervous for her at the blind auditions.

1:01:001:01:02

I'm really hopeful that she will do well. She's just a great kid.

1:01:021:01:06

I never thought that anything like this would happen.

1:01:081:01:11

It's such a surprise.

1:01:111:01:13

And it's terrifying not knowing

1:01:131:01:15

whether I'm good enough to get to the next stage.

1:01:151:01:18

Is that a confident face, a calm face, a nervous face?

1:01:201:01:24

-Confident and nervous.

-I can't quite work it out!

1:01:241:01:27

# I remember when, I remember I remember when I lost my mind

1:01:391:01:46

# There was something so special about that place

1:01:461:01:51

# Even your emotions had an echo in so much space... #

1:01:511:01:56

Come on, turn round! Come on!

1:01:561:01:59

# ..Does that make me crazy?

1:01:591:02:02

# Does that make me crazy? No, no

1:02:031:02:09

# Does that make me crazy?

1:02:091:02:13

# Probably, no

1:02:141:02:19

# Come on now, who do you

1:02:211:02:24

# Who do you, who do you Who do you think you are?

1:02:241:02:29

# Ha, ha, ha, bless your soul

1:02:291:02:32

# You really think you're in control

1:02:351:02:40

# Well, I think you're crazy... #

1:02:411:02:44

Come on, Tom!

1:02:441:02:46

# ..I think you're crazy, yeah

1:02:461:02:52

# I think you're cra... No, yeah... #

1:02:521:02:57

Turn round!

1:02:571:02:59

# ..Probably, no, no. #

1:02:591:03:04

APPLAUSE

1:03:041:03:07

Yeah!

1:03:201:03:21

Hiya.

1:03:251:03:26

- What's your name? - Jazz.

1:03:261:03:28

I'm so jealous right now.

1:03:281:03:29

I was actually jealous before turning around and seeing Jazz.

1:03:301:03:35

My team is just about full.

1:03:361:03:40

But I loved it.

1:03:401:03:41

I absolutely loved it. Your tone is so unique, you're cool

1:03:411:03:46

and Ricky is one lucky, lucky guy right now.

1:03:461:03:49

That's all I can say.

1:03:491:03:50

CHEERING

1:03:501:03:53

It's great. Fantastic.

1:03:531:03:55

Thank you. Thank you.

1:03:551:03:57

The reason why I didn't turn around is

1:03:571:03:59

because I have this singer named Aisha, who is similar in soul.

1:03:591:04:04

You have an incredible voice

1:04:041:04:06

and when you guys find songs together, you are a deadly force.

1:04:061:04:10

Once you get on and flying and you guys are frying,

1:04:101:04:14

it's not going to even be like you're trying.

1:04:141:04:16

And I'm not lying.

1:04:161:04:17

LAUGHTER AND APPLAUSE

1:04:171:04:20

KYLIE: Whoo!

1:04:221:04:24

-It's going to be dope. Really fresh.

-Thank you. Thanks a lot.

1:04:251:04:30

The only reason that I didn't turn around is that

1:04:311:04:35

I have somebody on my team very similar. But you are great.

1:04:351:04:40

-Thank you.

-You sound great and you look great and you are great, so...

1:04:401:04:44

-And he's great.

-Yeah!

1:04:441:04:46

- Hi. - Hello.

1:04:491:04:52

I'm in a band, usually,

1:04:521:04:53

and usually I've got all of these mates around me and they help me.

1:04:531:04:56

Now it's like I'm forming a new band

1:04:561:04:59

and I've got a brand-new member and I'm going to do for you

1:04:591:05:02

what they do for me - we're going to go a long way.

1:05:021:05:05

- I'm so happy. - Thank you.

1:05:081:05:11

- Where are you from? - Nottingham. Yeah.

1:05:111:05:13

I love your accent. It's great.

1:05:131:05:15

This is going to be great. I'm glad you got through.

1:05:181:05:21

I was worried because everyone started, like, not turning.

1:05:211:05:24

Yeah.

1:05:241:05:25

We've filled up our things, but I had to turn.

1:05:251:05:27

-I'm happy for Ricky.

-Yeah.

1:05:271:05:30

THEY CHEER

1:05:301:05:32

- Your smile is from ear to ear. - Jazz is great, isn't she?

1:05:371:05:41

I was so nervous then. Because I...

1:05:411:05:44

I thought Will was going to go.

1:05:441:05:45

I feel absolutely amazing.

1:05:451:05:48

Last stop tonight is Liverpool, to meet 16-year-old Scouse lass

1:05:511:05:55

Amelia O'Connell.

1:05:551:05:57

I have to love Liverpool because I'm a Scouser.

1:05:571:06:00

You have no option - from Liverpool and that's it.

1:06:001:06:03

I've brought my family with me, but my dad can't come today

1:06:051:06:08

because he's actually in Germany working on a tribute show.

1:06:081:06:11

Basically he does shows as Tom Jones.

1:06:111:06:14

# Just help yourself to my lips... #

1:06:141:06:17

I've seen him once

1:06:171:06:18

and it was the most embarrassing time of my life.

1:06:181:06:21

I am a daddy's girl but I do love my mum. I do love her.

1:06:221:06:26

I'm not really very good with her singing. I just cry.

1:06:261:06:29

Her ability, it just takes my breath away.

1:06:291:06:32

When I was seven, I was really ill

1:06:341:06:36

and I had open heart surgery to fix a leak in my valve.

1:06:361:06:40

It was a hard time to go through as a family.

1:06:411:06:44

It does make me feel emotional, even thinking about it now.

1:06:441:06:48

I can remember clearly her coming off intensive care onto

1:06:511:06:54

the ward and she said to me, "Do you think I'll be able to sing?"

1:06:541:06:58

I'm not going to lie. I feel so nervous.

1:07:021:07:05

I've got no other chance. I can't come back tomorrow and do it again.

1:07:081:07:11

It's now. And I need to do it right.

1:07:131:07:16

My baby girl!

1:07:241:07:26

# And the first time

1:07:491:07:54

# Ever I saw your face

1:07:541:08:01

# I felt your heart

1:08:061:08:10

# So close to mine

1:08:101:08:21

# And I knew our joy... #

1:08:211:08:27

-Come on!

-Kylie, come on!

-Kylie, push the button!

1:08:271:08:30

# ..Would fill the earth

1:08:311:08:39

# And last, and last, and last

1:08:391:08:44

# Till the end of time... #

1:08:441:08:50

Come on, someone push the button!

1:08:501:08:52

# ..And the first time

1:08:551:09:00

# Ever I saw... #

1:09:001:09:10

CHEERING

1:09:101:09:14

# ..Your face

1:09:141:09:16

# Your face... #

1:09:181:09:25

CHEERING

1:09:251:09:27

# ..Your face. #

1:09:271:09:32

APPLAUSE AND CHEERING

1:09:321:09:36

Well done, well done. Oh, well done.

1:09:411:09:44

-What's your name?

-Amelia.

1:09:551:09:57

-Amelia?

-Amelia.

-Where are you from, lass?

-Liverpool.

-Liverpool?

1:09:571:10:01

Whoo! Yeah.

1:10:011:10:03

-Are you a professional singer?

-No. Not yet!

-Not yet.

1:10:031:10:06

My dad's actually the UK's number one Tom Jones tribute.

1:10:061:10:11

LAUGHTER

1:10:111:10:13

I go to college. I'm 16.

1:10:191:10:21

16?!

1:10:211:10:22

I am, yeah.

1:10:221:10:24

Wow. Go ahead with the education part, that's very important.

1:10:251:10:29

But you're a born singer, though.

1:10:291:10:31

If I were you, I would just, I would do that.

1:10:341:10:36

-And don't be concerned with other things.

-OK.

1:10:361:10:39

Only be concerned about being on my team.

1:10:391:10:42

LAUGHTER Obviously!

1:10:421:10:44

Hiya.

1:10:491:10:49

-Hello.

-That was...that was amazing, right?

1:10:491:10:52

-Yeah.

-Yeah.

1:10:521:10:54

It was only halfway through that I remembered I have a job to do.

1:10:541:10:57

-That's when I turned round.

-Thank you.

1:10:571:10:59

But it was cause you took us all to another place.

1:10:591:11:02

And I'd like to stay there.

1:11:021:11:05

CHEERING Thank you.

1:11:051:11:07

I didn't turn around. Not because I didn't like you.

1:11:091:11:13

I think you're spectacular. And now that I've turned around

1:11:131:11:16

and I've saw the bravery to have wonderful pink with a nice necklace and green pants.

1:11:161:11:22

-That's a nice outfit.

-Thanks.

1:11:241:11:25

But I'm so happy that the other three turned. You have a very, very difficult choice.

1:11:251:11:32

Because Kylie is amazing,

1:11:321:11:34

Tom Jones is a legend.

1:11:341:11:36

And Ricky...is really good.

1:11:361:11:39

LAUGHTER

1:11:391:11:41

What? Why is that bad?

1:11:411:11:44

APPLAUSE

1:11:441:11:45

"Amazing", "legend", "really good".

1:11:491:11:52

I'm sorry. Where I come from, "really good" is better.

1:11:521:11:57

-What, better than "legend"?

-No, no, just better.

1:11:591:12:02

So, I'm being remarkably quiet right now.

1:12:041:12:08

Just because you put me in a bit of a trance.

1:12:081:12:11

Your voice is just beautiful and soaring.

1:12:111:12:14

And that's what I'm looking for on my team.

1:12:141:12:16

It's part of you, probably passed on from your dad, if he's a...

1:12:171:12:21

-IN WELSH ACCENT:

-..Tom Jones impersonator.

1:12:211:12:23

Oh, God!

1:12:231:12:25

You have the three of us on the edge of our seats here.

1:12:251:12:29

APPLAUSE

1:12:291:12:31

Thanks!

1:12:321:12:34

Right on the edge. Right, like, here.

1:12:341:12:37

Just in front of everyone.

1:12:371:12:39

Because these guys have got the advantage of flirting with you

1:12:431:12:46

with their lovely blue eyes. I don't have that!

1:12:461:12:50

I'm your girl, right?

1:12:501:12:51

I think you can do anything. You're just lovely and angelic and I was once

1:12:511:12:57

your age and that's when I started having singing lessons. You guys should talk amongst yourselves.

1:12:571:13:03

I started having singing lessons and...

1:13:031:13:08

APPLAUSE

1:13:081:13:09

I think we all have something completely different to offer,

1:13:161:13:19

so the choice is yours.

1:13:191:13:21

APPLAUSE AND CHEERING

1:13:211:13:25

Wait a minute, can I say something?

1:13:251:13:27

Don't upset your dad, whatever you do.

1:13:291:13:31

LAUGHTER

1:13:311:13:33

You can't play the dad card!

1:13:341:13:36

Oh, God!

1:13:381:13:40

I normally would think that I'd have someone in mind, but I haven't got a clue.

1:13:421:13:47

But I think I'm going to have to go with Kylie.

1:13:481:13:51

-CHEERING

-You are?!

1:13:511:13:53

Yaay!

1:13:561:13:58

Kylie!

1:14:001:14:01

We're going to have to make up with your dad for the whole Tom Jones thing.

1:14:041:14:09

-I tried my best!

-Oh, I'm sorry!

1:14:101:14:13

You're a beautiful singer, love.

1:14:131:14:15

-IMITATING TOM:

-Don't upset your da.

-Exactly!

1:14:221:14:25

Don't upset your father, for God's sake!

1:14:271:14:30

I've never upset my father.

1:14:301:14:32

CHEERING

1:14:351:14:37

I feel like I'm going to faint or cry. I'm so happy, it's unreal.

1:14:381:14:43

What was Tom Jones doing when he was 16?

1:14:431:14:46

-When I was 16 I was trying to...

-Zip!

-I was trying to...

-Zip!

1:14:461:14:52

Gonna break down doors.

1:14:521:14:54

LAUGHTER

1:14:551:14:57

Kick down doors.

1:14:571:14:59

-Is that what they called it in those days?

-Break all the windows.

1:15:001:15:02

And thank God it worked.

1:15:031:15:05

Finally.

1:15:061:15:07

So, as the curtain falls on week six

1:15:101:15:12

and with only one more round of blind auditions to go,

1:15:121:15:15

the teams are almost at capacity.

1:15:151:15:17

The addition of Emily, Nathan and Jazz has taken Team Ricky to ten.

1:15:181:15:23

Tom added yet another girl, Talia, and bagged his first man, Bizzi,

1:15:241:15:28

giving him ten.

1:15:281:15:30

Kiki and Callum also take Team Will to ten.

1:15:301:15:34

And the addition of Amelia leaves Kylie on 11,

1:15:351:15:39

with just one spot left.

1:15:391:15:40

Next week...

1:15:441:15:45

it's the final blind auditions.

1:15:471:15:49

It's getting really tough. How many have you got left?

1:15:491:15:51

We ain't got time to be messing around here.

1:15:511:15:53

And the coaches must make some tough decisions.

1:15:531:15:57

Shall I press or shall I wait?

1:15:571:15:59

-Just got to go in for the kill.

-Tell me what to do!

1:15:591:16:02

'But securing the best team...'

1:16:021:16:03

You're more real than anyone else I've heard.

1:16:031:16:06

Will's playing a dangerous game.

1:16:061:16:07

He could be the one that got away.

1:16:071:16:09

'..comes at a high price.'

1:16:091:16:11

-No!

-Sorry. Thank you for singing today.

1:16:121:16:16

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