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Time is running out for the coaches to pick their teams. | 0:00:02 | 0:00:06 | |
You would think it'd be easy, third time round. | 0:00:07 | 0:00:10 | |
But this is the hardest part for me. | 0:00:10 | 0:00:12 | |
I've got to make the right decision. | 0:00:12 | 0:00:14 | |
You think you've got it sewn up but then people can surprise you. | 0:00:14 | 0:00:17 | |
The pressure is mounting and the coaches are at breaking point. | 0:00:17 | 0:00:21 | |
Wow, that was incredible. | 0:00:26 | 0:00:29 | |
OK. Never heard of that? You've heard of that. | 0:00:29 | 0:00:32 | |
-Knew it! -I don't have Will's heavy-set aunt on my team. | 0:00:32 | 0:00:36 | |
-What did you say? -Hold it, hold it, hold it. | 0:00:36 | 0:00:40 | |
-They're just all laughing. -You heard it. | 0:00:43 | 0:00:45 | |
-A lot of girls on my team. -Ma'am. -Definitely different. | 0:00:47 | 0:00:50 | |
First tonight, a trip to the seaside | 0:00:55 | 0:00:57 | |
to meet 18-year-old Emily Adams from Blackpool. | 0:00:57 | 0:00:59 | |
My dad owns a hotel in Blackpool, he is the chef. | 0:01:02 | 0:01:05 | |
Good evening and welcome to the Bedford Hotel. | 0:01:05 | 0:01:08 | |
'Sometimes I help my dad out at the hotel when he needs me.' | 0:01:08 | 0:01:11 | |
Enjoy. | 0:01:11 | 0:01:13 | |
'People say my dad is like Basil Fawlty.' | 0:01:13 | 0:01:15 | |
-Come on, chop chop. -'Which is understandable' | 0:01:15 | 0:01:18 | |
because he has his moments. | 0:01:18 | 0:01:20 | |
-That will keep you busy. -You look like Dumbo. -I know. | 0:01:20 | 0:01:25 | |
She comes to work to get some pocket money | 0:01:26 | 0:01:29 | |
but usually when she's destitute. | 0:01:29 | 0:01:31 | |
It won't go over my 'fro. | 0:01:31 | 0:01:33 | |
Yeah. It's the last straw - to come and help Mum and Dad. | 0:01:33 | 0:01:37 | |
'There is a lot of pressure put on people my age to | 0:01:39 | 0:01:42 | |
'get their A-levels and then go off to uni. | 0:01:42 | 0:01:44 | |
'And at the end of the day, that's not really what I want to do. | 0:01:45 | 0:01:49 | |
'My dream is to be singing.' | 0:01:52 | 0:01:55 | |
There she is. She's got her serious face. | 0:01:58 | 0:02:00 | |
# Something told me | 0:02:20 | 0:02:23 | |
# It was over... # | 0:02:23 | 0:02:26 | |
Oh, I've got goose pimples! | 0:02:26 | 0:02:28 | |
# When I saw you and that girl talkin' | 0:02:30 | 0:02:34 | |
# Something deep down in my soul... # | 0:02:37 | 0:02:41 | |
She sounds great, she sounds amazing. | 0:02:41 | 0:02:43 | |
# ..Said, cry, girl | 0:02:43 | 0:02:46 | |
# When I saw you and that girl walkin' around... # | 0:02:46 | 0:02:51 | |
-Come on! -Come on, Ricky! Push it! | 0:02:52 | 0:02:55 | |
# I would rather, I would rather go blind, boy | 0:02:55 | 0:03:01 | |
# Than to see you walk away from me | 0:03:04 | 0:03:06 | |
Come on, push the button! Push! | 0:03:06 | 0:03:09 | |
# I was just | 0:03:12 | 0:03:14 | |
# I was just, I was just sittin' here thinkin' | 0:03:14 | 0:03:20 | |
# Of your kiss and your warm embrace, yeah | 0:03:21 | 0:03:26 | |
# Baby, baby, baby | 0:03:29 | 0:03:31 | |
# I'd rather go blind, boy | 0:03:31 | 0:03:38 | |
# Than to see you | 0:03:38 | 0:03:39 | |
# Than to see you walk away... # | 0:03:39 | 0:03:43 | |
THEY CHEER | 0:03:43 | 0:03:46 | |
# ...for me, yeah. # | 0:03:46 | 0:03:50 | |
APPLAUSE | 0:03:50 | 0:03:53 | |
-Wow. -THEY CHEER AND SQUEAL | 0:04:15 | 0:04:16 | |
-Hello. -Thank you so much. | 0:04:16 | 0:04:18 | |
-Hi, I'm Ricky. -I'm Emily, I'm 18 years old and I'm from Blackpool. | 0:04:18 | 0:04:21 | |
APPLAUSE So, what do you do for a living? | 0:04:26 | 0:04:30 | |
I'm a full-time college student at the moment, but apart from that, | 0:04:30 | 0:04:34 | |
this is what I want to do and you've just made my dream come true. | 0:04:34 | 0:04:36 | |
Thank you. | 0:04:36 | 0:04:37 | |
Wow, I wasn't expecting that visually, from what I heard. | 0:04:42 | 0:04:46 | |
-LAUGHTER -What were you expecting? | 0:04:49 | 0:04:51 | |
My aunt. | 0:04:53 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:56 | |
Yeah. The heavier one. | 0:04:59 | 0:05:01 | |
APPLAUSE AND CHEERING | 0:05:01 | 0:05:04 | |
You were fantastic. | 0:05:09 | 0:05:11 | |
The only reason why I didn't turn around | 0:05:11 | 0:05:14 | |
is I have a singer and you're similar to her. | 0:05:14 | 0:05:19 | |
-Do you sing in church or something? -No, never. | 0:05:19 | 0:05:22 | |
-Whoa, really? -No, never been. | 0:05:22 | 0:05:26 | |
You should have Ricky take you one Sunday. | 0:05:26 | 0:05:28 | |
LAUGHTER | 0:05:28 | 0:05:30 | |
We will go. We will go now. | 0:05:30 | 0:05:32 | |
Hi, Tom. | 0:05:37 | 0:05:38 | |
Hello, love. First of all, I'm jealous. | 0:05:38 | 0:05:41 | |
I know you are. And I know the reason you're going to give, | 0:05:43 | 0:05:46 | |
and it's a good reason. You can say it one more time. | 0:05:46 | 0:05:48 | |
You can say it. | 0:05:48 | 0:05:50 | |
TOM LAUGHS | 0:05:50 | 0:05:52 | |
-What do you think I'm going to say? -You're going to say... | 0:05:52 | 0:05:55 | |
-AS TOM: "I have a lot of girls on my team." -No... -LAUGHTER | 0:05:55 | 0:05:58 | |
Hey, a fact's a fact! | 0:06:01 | 0:06:02 | |
That was good, by the way. | 0:06:03 | 0:06:05 | |
-But that is a fact. -LAUGHTER | 0:06:10 | 0:06:11 | |
You sound great. And I do have a lot of girls on my team, honest. | 0:06:14 | 0:06:18 | |
But I wish I had pressed my button as well now. | 0:06:18 | 0:06:21 | |
Thank you. | 0:06:23 | 0:06:24 | |
-Hi. -Hi, Ricky. -First of all, welcome to the team. | 0:06:24 | 0:06:27 | |
-Thank you. -And the reason I pressed my button... | 0:06:27 | 0:06:31 | |
Is cos you don't have a lot of girls! | 0:06:31 | 0:06:35 | |
The reason I pressed my button, I was hearing you and I was thinking, | 0:06:35 | 0:06:39 | |
"I don't have Will's heavy-set aunt on my team." | 0:06:39 | 0:06:43 | |
And then I turn round... | 0:06:45 | 0:06:47 | |
He doesn't have her on his team either. | 0:06:49 | 0:06:51 | |
If she was here, she'd be like, "What did you say?! | 0:06:51 | 0:06:54 | |
"I'll show you heavy-set!" | 0:06:55 | 0:06:58 | |
Anyway, it's going to be great. And thank you for singing. | 0:07:05 | 0:07:08 | |
Thank you for turning round! Thank you. | 0:07:08 | 0:07:10 | |
APPLAUSE | 0:07:10 | 0:07:12 | |
Let me help you down. | 0:07:12 | 0:07:14 | |
-Aw! -He looks pleased! | 0:07:22 | 0:07:23 | |
You all right? | 0:07:25 | 0:07:26 | |
SCREAMING | 0:07:30 | 0:07:33 | |
Well, congratulations. | 0:07:39 | 0:07:41 | |
I didn't expect the dress, or anything like that. | 0:07:41 | 0:07:43 | |
-She's a killer, that kid. -She's an amazing singer. -Yeah! | 0:07:43 | 0:07:46 | |
It's going to be a great show. | 0:07:49 | 0:07:51 | |
I can't wait to see who you turn for. | 0:07:51 | 0:07:54 | |
Are you going to agree with me? | 0:07:54 | 0:07:57 | |
To turn or not to turn? | 0:07:57 | 0:07:58 | |
That is the question. | 0:07:58 | 0:08:00 | |
Download The Voice app now and you could be a home coach. | 0:08:03 | 0:08:07 | |
Decide whether or not to turn. | 0:08:07 | 0:08:09 | |
You can also rate the performances, see what all the other home | 0:08:09 | 0:08:12 | |
coaches think, and earn stars if the coaches agree with your decisions. | 0:08:12 | 0:08:16 | |
John Rafferty from Belfast is here hoping to put his favourite | 0:08:21 | 0:08:24 | |
musical style on the map. | 0:08:24 | 0:08:26 | |
Growing up, I think I was different. | 0:08:28 | 0:08:30 | |
Instead of music from my mates... They were into hip-hop, | 0:08:30 | 0:08:33 | |
and R&B, and I'm more into sort of country, country and western. | 0:08:33 | 0:08:36 | |
I used to be a Garth Brooks impersonator, back in the day, | 0:08:38 | 0:08:40 | |
when I was a bit skinnier. | 0:08:40 | 0:08:43 | |
I stopped doing it because I was getting sort of heavier. | 0:08:43 | 0:08:46 | |
But I still want to get the weight sort of back down, so I can do | 0:08:46 | 0:08:49 | |
the Garth Brooks with the hat and a microphone and the guitar. | 0:08:49 | 0:08:51 | |
John is not the only wannabe country star here tonight. | 0:08:52 | 0:08:56 | |
Meet Talia Smith. | 0:08:56 | 0:08:57 | |
I love country music. Because it is real. It is sung from the heart. | 0:09:00 | 0:09:05 | |
It's been said it's three chords and the truth. And it really is. | 0:09:05 | 0:09:08 | |
I've got tassle boots, I love a country shirt, so...yeah! I love it. | 0:09:08 | 0:09:12 | |
John is up first. Will the coaches fall for his country sound? | 0:09:17 | 0:09:21 | |
This audition today, it is a big challenge. | 0:09:22 | 0:09:25 | |
But I'm ready to go for that challenge. Ready to give it all. | 0:09:25 | 0:09:30 | |
-Come on, John! -Come on, John! -Go, John! -Come on, John! | 0:09:40 | 0:09:44 | |
# Almost heaven | 0:09:57 | 0:09:59 | |
# West Virginia | 0:09:59 | 0:10:00 | |
# Blue ridge mountains Shenandoah River | 0:10:02 | 0:10:08 | |
# Life is old there | 0:10:09 | 0:10:12 | |
# Older than the trees... # | 0:10:12 | 0:10:15 | |
ALL SHOUT Push the button! | 0:10:15 | 0:10:18 | |
# Country roads take me home | 0:10:20 | 0:10:25 | |
# To the place I belong | 0:10:25 | 0:10:31 | |
# West Virginia | 0:10:31 | 0:10:33 | |
# Mountain momma | 0:10:33 | 0:10:36 | |
# Take me home | 0:10:36 | 0:10:38 | |
# Country roads | 0:10:39 | 0:10:41 | |
# All my memories | 0:10:44 | 0:10:47 | |
# Gather round her | 0:10:47 | 0:10:49 | |
# Miner's lady... # | 0:10:51 | 0:10:53 | |
Go on, Tom! | 0:10:53 | 0:10:55 | |
# Dark and dusty | 0:10:57 | 0:11:00 | |
# Painted on the sky... # | 0:11:00 | 0:11:03 | |
ALL SHOUT | 0:11:03 | 0:11:06 | |
# ..Teardrop in my eye | 0:11:06 | 0:11:08 | |
# Country roads | 0:11:08 | 0:11:11 | |
# Take me home | 0:11:11 | 0:11:13 | |
# To the place | 0:11:13 | 0:11:16 | |
# I belong | 0:11:16 | 0:11:19 | |
# West Virginia | 0:11:19 | 0:11:22 | |
# Mountain momma | 0:11:22 | 0:11:25 | |
# Take me home... # | 0:11:25 | 0:11:26 | |
ALL SHOUT | 0:11:26 | 0:11:29 | |
# ..Country roads. # | 0:11:29 | 0:11:33 | |
CHEERING AND APPLAUSE | 0:11:33 | 0:11:35 | |
Wow. | 0:11:35 | 0:11:36 | |
Oh! No! Tom was so close! | 0:11:41 | 0:11:45 | |
# Like a rhinestone cowboy... # | 0:11:45 | 0:11:50 | |
-All right, mate. -Hello. | 0:11:54 | 0:11:57 | |
-What's your name? -John Rafferty from Belfast. | 0:11:57 | 0:11:59 | |
-John Rafferty from Belfast. -CHEERING | 0:11:59 | 0:12:03 | |
Well, John, that was great. | 0:12:03 | 0:12:05 | |
I loved the song choice, it's one of my favourites of all-time. | 0:12:05 | 0:12:08 | |
When I was a kid, my mum and dad had two cassettes. | 0:12:08 | 0:12:11 | |
One of them was the best of ABBA, | 0:12:11 | 0:12:14 | |
and one of them was the best of country. | 0:12:14 | 0:12:18 | |
So those were some very long car journeys. | 0:12:18 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:23 | |
And they were either disco-themed, which Kylie would have liked - | 0:12:23 | 0:12:26 | |
she was never there - or they were country-themed. | 0:12:26 | 0:12:28 | |
And that was my favourite. My brother used to be in the back, | 0:12:28 | 0:12:31 | |
I'd be singing it, he'd be doing the harmonies. | 0:12:31 | 0:12:33 | |
But what I loved about country music was the stories. | 0:12:33 | 0:12:36 | |
And although you sang it amazingly, I didn't get the story. | 0:12:36 | 0:12:39 | |
You told it well, I just didn't get it 100%. | 0:12:39 | 0:12:42 | |
Well done, though, you can sing. | 0:12:42 | 0:12:43 | |
Fair enough. Thanks. | 0:12:43 | 0:12:45 | |
APPLAUSE | 0:12:45 | 0:12:47 | |
Yeah, I'd have to agree with Ricky. | 0:12:47 | 0:12:50 | |
It sounded as if you were reading it | 0:12:50 | 0:12:52 | |
rather than, like, trying to put yourself | 0:12:52 | 0:12:55 | |
in the person's point of view, that he lived in West Virginia, | 0:12:55 | 0:12:59 | |
he was driving around on a country road, | 0:12:59 | 0:13:03 | |
drinking moonshine? | 0:13:03 | 0:13:04 | |
Take me home. You ain't gonna get home drinkin' no moonshine! | 0:13:05 | 0:13:09 | |
LAUGHTER | 0:13:09 | 0:13:10 | |
But, you know, when you're singing, try to live the lyric, | 0:13:12 | 0:13:16 | |
and the emotion is what we're all drawn to. | 0:13:16 | 0:13:19 | |
It's like, "Wow, I felt that." | 0:13:19 | 0:13:21 | |
Thank you. | 0:13:21 | 0:13:23 | |
APPLAUSE | 0:13:23 | 0:13:24 | |
-RICKY: -No, Tom! -KYLIE: Sorry, sorry! | 0:13:24 | 0:13:26 | |
Hold it, hold it! | 0:13:26 | 0:13:28 | |
Sorry! I was going in for a cuddle. | 0:13:28 | 0:13:30 | |
Well, there's nothing wrong with that. | 0:13:30 | 0:13:33 | |
That's a John Denver song, right? | 0:13:33 | 0:13:35 | |
-Yeah, it is, yeah. -You worked with John Denver? -I worked with him, yeah. | 0:13:35 | 0:13:39 | |
LAUGHTER AND APPLAUSE | 0:13:39 | 0:13:43 | |
I think that song could be more gritty, | 0:13:47 | 0:13:49 | |
because it's got a lot of pathos to it. | 0:13:49 | 0:13:52 | |
You can inject emotion if you want to. | 0:13:52 | 0:13:55 | |
-But you sang it really, really good. -Thanks very much. | 0:13:55 | 0:13:57 | |
-I enjoyed it very much. -Thanks very much, Tom. | 0:13:57 | 0:14:00 | |
You've got a great voice, mate, you've got a great voice. Come down. | 0:14:00 | 0:14:04 | |
Well done. | 0:14:04 | 0:14:06 | |
Thank you for your feedback, as well. | 0:14:06 | 0:14:09 | |
-Thank you very much. -Great to see you. | 0:14:09 | 0:14:11 | |
APPLAUSE AND CHEERING | 0:14:11 | 0:14:13 | |
CHEERING | 0:14:19 | 0:14:22 | |
-You all right? -Yeah, I'm dead on. | 0:14:22 | 0:14:26 | |
RICKY: It is a road song. | 0:14:30 | 0:14:32 | |
I used to hate going for a Sunday drive. | 0:14:32 | 0:14:35 | |
When I grew up in Wales, we didn't have a car. | 0:14:35 | 0:14:37 | |
-What did you do? -We walked! | 0:14:37 | 0:14:40 | |
LAUGHTER | 0:14:40 | 0:14:42 | |
So John is heading home. | 0:14:42 | 0:14:44 | |
Now it's country and western round two, with Talia. | 0:14:44 | 0:14:47 | |
Not everyone's going to like country music. | 0:14:47 | 0:14:51 | |
You can't please everybody. | 0:14:52 | 0:14:54 | |
So...as long as I do the best I can do, | 0:14:54 | 0:14:56 | |
I'm OK with that. | 0:14:56 | 0:14:58 | |
# I'm hell on heels | 0:15:18 | 0:15:21 | |
# Say what you will | 0:15:21 | 0:15:23 | |
# I've done, made the devil a deal | 0:15:23 | 0:15:27 | |
# I'm hell on heels | 0:15:27 | 0:15:29 | |
# Baby, I'm coming for you | 0:15:29 | 0:15:32 | |
# I got a pink guitar | 0:15:35 | 0:15:37 | |
# A Lincoln town car | 0:15:37 | 0:15:39 | |
# From ol' what's-his-name I met in a bar | 0:15:39 | 0:15:43 | |
# I got a high-rise flat in Hollywood | 0:15:43 | 0:15:47 | |
-# From a married man up to no good... # -I love her. | 0:15:47 | 0:15:51 | |
# I'm hell on heels... # | 0:15:51 | 0:15:53 | |
-Oh, no! -There's still time, there's still time. | 0:15:53 | 0:15:55 | |
# ..He made me pretty | 0:15:59 | 0:16:01 | |
# He made me smart | 0:16:01 | 0:16:03 | |
# I'm gonna break me a million hearts | 0:16:03 | 0:16:07 | |
# I'm hell on heels | 0:16:07 | 0:16:09 | |
# Baby, I'm comin' for you. # | 0:16:09 | 0:16:16 | |
APPLAUSE AND CHEERING | 0:16:16 | 0:16:19 | |
What's your name? | 0:16:34 | 0:16:36 | |
My name's Talia Smith. | 0:16:36 | 0:16:37 | |
-I loved that. -Thank you. | 0:16:39 | 0:16:41 | |
I love country music and I love when somebody puts some drive into it. | 0:16:41 | 0:16:45 | |
-And you did. -Thank you. -I have a lot of girls on my team already. | 0:16:45 | 0:16:50 | |
-LAUGHTER -But I don't have... | 0:16:50 | 0:16:54 | |
You've got 99 problems, but a girl ain't one. | 0:16:54 | 0:16:57 | |
LAUGHTER AND APPLAUSE | 0:16:57 | 0:16:59 | |
CHEERING | 0:16:59 | 0:17:02 | |
But I don't have anybody like you, | 0:17:03 | 0:17:05 | |
and I just loved what you did with that song. | 0:17:05 | 0:17:06 | |
-Thank you, thank you. -I had to hit my button, I couldn't help myself. | 0:17:06 | 0:17:10 | |
Thank you! | 0:17:10 | 0:17:11 | |
He's got 99 problems but his pitch ain't one, | 0:17:13 | 0:17:15 | |
cos you didn't have to give one! | 0:17:15 | 0:17:17 | |
APPLAUSE | 0:17:17 | 0:17:18 | |
Unfortunately, none of us turned. | 0:17:18 | 0:17:20 | |
For me, it was cos you are British, | 0:17:20 | 0:17:23 | |
but you were singing in an American accent. | 0:17:23 | 0:17:26 | |
Which is great, and it was perfect, | 0:17:26 | 0:17:28 | |
but for me, you're not being true to yourself. | 0:17:28 | 0:17:31 | |
I'm not saying I want them to come on | 0:17:31 | 0:17:33 | |
and sing in a Yorkshire accent or owt, but... | 0:17:33 | 0:17:36 | |
I've grown up listening to country - my influence was Loretta Lynn. | 0:17:36 | 0:17:39 | |
That's where the twang comes from. | 0:17:39 | 0:17:41 | |
-It was fantastic, anyway. -Thank you. -Thanks for singing! -Thank you. | 0:17:41 | 0:17:45 | |
APPLAUSE | 0:17:45 | 0:17:47 | |
I agree, I'm really happy Tom turned. | 0:17:49 | 0:17:51 | |
-You had a country singer last season, did you not? -Yeah. Mike Ward. | 0:17:51 | 0:17:55 | |
-So you're in good hands. -Yeah, I know that! | 0:17:55 | 0:17:58 | |
-APPLAUSE AND CHEERING -Thank you very, very much! | 0:17:58 | 0:18:02 | |
MUSIC: "North Country Boy" by the Charlatans | 0:18:02 | 0:18:04 | |
It was great. I couldn't help myself, I couldn't help myself. | 0:18:07 | 0:18:10 | |
I had to do it. You sounded great. | 0:18:10 | 0:18:12 | |
# Country girl, take my hand | 0:18:20 | 0:18:23 | |
# Let me keep on... # | 0:18:23 | 0:18:25 | |
The way she sang it, I dug that. | 0:18:25 | 0:18:28 | |
Behind the scenes at The Voice, family support is everything. | 0:18:28 | 0:18:33 | |
And it's no different for our coaches. | 0:18:33 | 0:18:35 | |
I don't think I would have made it through the bumps | 0:18:35 | 0:18:38 | |
that this industry throws at you | 0:18:38 | 0:18:40 | |
without my family being as supportive as they are. | 0:18:40 | 0:18:43 | |
I encourage folks to follow their dreams | 0:18:43 | 0:18:46 | |
and find a support system. It's about family. | 0:18:46 | 0:18:50 | |
Why not take the family on stage, | 0:18:50 | 0:18:52 | |
like brother and sister duo Buheiji? | 0:18:52 | 0:18:54 | |
# Run for your children and your sisters and brothers | 0:18:54 | 0:18:56 | |
# Leave all your love and your longing behind | 0:18:56 | 0:19:00 | |
# You can't carry it with you if you want to survive | 0:19:00 | 0:19:03 | |
# The dog days are over | 0:19:03 | 0:19:06 | |
# The dog days... # | 0:19:06 | 0:19:08 | |
RICKY: I remember telling Mum and Dad that there was one goal, | 0:19:08 | 0:19:11 | |
and it was never anything else than being in a band. | 0:19:11 | 0:19:14 | |
-We're brother and sister. -So how long have you known each other? | 0:19:16 | 0:19:19 | |
LAUGHTER | 0:19:19 | 0:19:21 | |
My sister's going to see this show and be like, | 0:19:21 | 0:19:23 | |
"Say, Will, how come I can't be in your group?" | 0:19:23 | 0:19:26 | |
Thanks a lot for that. | 0:19:26 | 0:19:29 | |
APPLAUSE AND CHEERING | 0:19:29 | 0:19:30 | |
Me and my sister did record a song when I was 13. | 0:19:34 | 0:19:36 | |
She was seven. The song was called The Chill Dance. | 0:19:36 | 0:19:40 | |
# The chill dance... # It was pretty cool. | 0:19:40 | 0:19:43 | |
You must be very proud of them. | 0:19:43 | 0:19:45 | |
I'm very proud of them. | 0:19:45 | 0:19:46 | |
KYLIE: If you're singing with family, there's usually a tone | 0:19:46 | 0:19:49 | |
that's part of your DNA. So it's always interesting to hear | 0:19:49 | 0:19:52 | |
how family sing together. | 0:19:52 | 0:19:54 | |
So Kylie should identify with sister act Leanne and Natalie. | 0:19:54 | 0:19:58 | |
# Step left, step right | 0:19:58 | 0:19:59 | |
# Pull your knees tight | 0:19:59 | 0:20:00 | |
# Do the butterfly To the side, to the side | 0:20:00 | 0:20:03 | |
# Now slide, yeah | 0:20:03 | 0:20:04 | |
# That's right, yeah | 0:20:04 | 0:20:05 | |
# And now we're gonna bring you back to the old-school vibe... # | 0:20:05 | 0:20:08 | |
There were many family get-togethers. | 0:20:08 | 0:20:11 | |
People would encourage you to sing as a child. "Oh, Tommy... | 0:20:11 | 0:20:14 | |
"Listen to Tommy sing." It gives you more confidence. | 0:20:14 | 0:20:16 | |
You know, you think, "Yes!" | 0:20:16 | 0:20:17 | |
CHEERING AND APPLAUSE | 0:20:17 | 0:20:20 | |
Hello. | 0:20:20 | 0:20:22 | |
Hello. I'm Leanne, this is my sister, Natalie. | 0:20:22 | 0:20:24 | |
-Sisters? -Yes, we are. | 0:20:24 | 0:20:25 | |
You'd never guess(!) LAUGHTER | 0:20:25 | 0:20:28 | |
It sounded like you guys were having massive fun. | 0:20:28 | 0:20:30 | |
We really had a great, great time singing on this stage | 0:20:30 | 0:20:33 | |
and the fact that it's with my younger sister... | 0:20:33 | 0:20:35 | |
-We absolutely loved that. -CHEERING AND APPLAUSE | 0:20:35 | 0:20:39 | |
-Tom, my dad's a very big fan. -Uh-huh. | 0:20:39 | 0:20:41 | |
And I just wondered if it were possible for him to meet you. | 0:20:41 | 0:20:44 | |
Sure, what's his name? | 0:20:44 | 0:20:45 | |
Well, his name's Ray but he likes to be called Frank! | 0:20:45 | 0:20:47 | |
THEY LAUGH | 0:20:47 | 0:20:49 | |
-Thank you. -That's all right, girls. | 0:20:49 | 0:20:52 | |
Yeah! | 0:20:52 | 0:20:53 | |
Yeah! | 0:20:53 | 0:20:54 | |
Oh, the Silver Fox. | 0:20:54 | 0:20:56 | |
THEY ALL CHEER | 0:20:57 | 0:20:59 | |
Next time! | 0:21:00 | 0:21:02 | |
-It's been great to meet you. -All the best. | 0:21:02 | 0:21:04 | |
Listening to the girls made me think of Dannii. | 0:21:04 | 0:21:06 | |
There's a sisterly bond that is unlike anything else. | 0:21:06 | 0:21:09 | |
So it was really cute to see that and it did remind me of my sister. | 0:21:09 | 0:21:12 | |
THEY CHEER | 0:21:12 | 0:21:14 | |
It's about having people experience it with you. That's all that matters. | 0:21:14 | 0:21:18 | |
The family affair continues. | 0:21:20 | 0:21:22 | |
But brothers Bizzi and Shenton Dixon are about to become rivals. | 0:21:22 | 0:21:26 | |
We both love music but we went through different musical paths. | 0:21:26 | 0:21:30 | |
# Party... # | 0:21:30 | 0:21:32 | |
In 1997, I signed to EMI records. | 0:21:32 | 0:21:35 | |
I released a song called Bizzi's Party. | 0:21:35 | 0:21:38 | |
I did a tour all through Europe, America. | 0:21:38 | 0:21:41 | |
It was a brilliant experience. | 0:21:41 | 0:21:42 | |
But things didn't really pan out as well as we all wanted it to. | 0:21:42 | 0:21:46 | |
When I left the record label, I took some time out, | 0:21:48 | 0:21:51 | |
kind of had to lick my wounds and then thought, "You know what? | 0:21:51 | 0:21:54 | |
"This is what I want to do, this is what I DO do, | 0:21:54 | 0:21:56 | |
"this is what I always will do." | 0:21:56 | 0:21:57 | |
He went down the recording route. | 0:21:57 | 0:21:59 | |
I went down the tribute route. | 0:21:59 | 0:22:02 | |
I impersonate Barry White... | 0:22:02 | 0:22:04 | |
AS BARRY WHITE: # Aaaaaaaahh... # | 0:22:04 | 0:22:06 | |
Maybe start with Louis Armstrong, cos that's easier. | 0:22:06 | 0:22:09 | |
AS LOUIS ARMSTRONG: # Yes, hello, Marvin. | 0:22:09 | 0:22:11 | |
# You're looking good, Marvin. # | 0:22:11 | 0:22:13 | |
..Stevie Wonder... | 0:22:13 | 0:22:15 | |
AS STEVIE WONDER: # Isn't she lovely? # | 0:22:15 | 0:22:18 | |
..and I also do a tribute to Elvis. | 0:22:18 | 0:22:20 | |
AS ELVIS: # Love me tender | 0:22:20 | 0:22:23 | |
# Love me true... # | 0:22:23 | 0:22:24 | |
I've put a twist on it, I call it, "The King Is Black." | 0:22:24 | 0:22:27 | |
THEY LAUGH | 0:22:27 | 0:22:29 | |
Nice one, Shenton. | 0:22:29 | 0:22:30 | |
So are you guys going to be performing as a duo today? | 0:22:30 | 0:22:33 | |
-No. -We're both solos. | 0:22:33 | 0:22:35 | |
-He's doing his and I'm doing mine. -Yeah. | 0:22:35 | 0:22:37 | |
I love my brother with all my heart. | 0:22:39 | 0:22:41 | |
If there's one place left in the whole competition, | 0:22:41 | 0:22:44 | |
I think I'd like him to go through. | 0:22:44 | 0:22:46 | |
Shenton is my mentor. | 0:22:46 | 0:22:48 | |
I've always looked up to him. | 0:22:48 | 0:22:50 | |
He's pretty much got it all as a vocalist. | 0:22:50 | 0:22:53 | |
When I'm watching his blind audition, | 0:22:53 | 0:22:54 | |
I'll be doing that, doing that | 0:22:54 | 0:22:56 | |
and hoping that he gets the result that we all want. | 0:22:56 | 0:22:59 | |
May the best sons win! | 0:22:59 | 0:23:00 | |
Yes, I've been doing the tribute scene for a long time. | 0:23:04 | 0:23:08 | |
Tonight is an opportunity for me to step out as myself, as Shenton Dixon. | 0:23:10 | 0:23:15 | |
# Oooooooooh | 0:23:25 | 0:23:31 | |
# Ooh-ooh | 0:23:31 | 0:23:32 | |
# There have been so many things that have held us down... # | 0:23:34 | 0:23:37 | |
Yeah! | 0:23:37 | 0:23:38 | |
# ..But now it looks like things are finally comin' around | 0:23:38 | 0:23:42 | |
# I know we've got a long, long way to go | 0:23:42 | 0:23:46 | |
# And where we'll end up... # | 0:23:47 | 0:23:48 | |
THEY ALL SHOUT | 0:23:48 | 0:23:51 | |
# ..Don't you let nothing, nothing | 0:23:51 | 0:23:56 | |
# Stand in your way | 0:23:56 | 0:24:00 | |
# I want y'all to listen, listen | 0:24:00 | 0:24:04 | |
# To every word I say | 0:24:04 | 0:24:06 | |
# Every word I say... # | 0:24:06 | 0:24:08 | |
-Come on! -Come on! | 0:24:08 | 0:24:09 | |
# ..We've got the groove | 0:24:11 | 0:24:13 | |
# Ooh-ohh-ohh, ooh... # | 0:24:13 | 0:24:16 | |
-Go on, Shenton! -Yes! | 0:24:16 | 0:24:18 | |
# ..We're on the move | 0:24:20 | 0:24:22 | |
# Woo-ooh-ooh... # | 0:24:22 | 0:24:23 | |
Work that! | 0:24:23 | 0:24:25 | |
# ..Ain't no stopping us now | 0:24:25 | 0:24:28 | |
# We've got the groove | 0:24:28 | 0:24:30 | |
# Hey-hey-hey | 0:24:30 | 0:24:32 | |
# WAAAA-ha-hoooo! # | 0:24:32 | 0:24:35 | |
CHEERING AND APPLAUSE | 0:24:35 | 0:24:38 | |
-Come on. -Oh, no... | 0:24:42 | 0:24:45 | |
-How's it going? -I'm very good, thank you. -What's your name? | 0:24:47 | 0:24:51 | |
-Shenton Dixon. -And are you a professional singer? | 0:24:51 | 0:24:54 | |
Yes, I'm a multi-tribute artist. | 0:24:54 | 0:24:57 | |
APPLAUSE | 0:24:57 | 0:24:59 | |
- Hi there. - Hi, Kylie. | 0:25:01 | 0:25:03 | |
Being a tribute act, | 0:25:03 | 0:25:05 | |
it might be hard for you to find your voice and for our ears to hear, | 0:25:05 | 0:25:09 | |
"Oh, that's someone really distinctive." | 0:25:09 | 0:25:11 | |
Sometimes, I record a song and I love the song so much | 0:25:11 | 0:25:13 | |
the way the demo's been presented, I can sound like the demo. | 0:25:13 | 0:25:17 | |
Then I say to the producer, | 0:25:17 | 0:25:20 | |
"Let me just go through that once more again," and I make it mine, | 0:25:20 | 0:25:23 | |
and that might be what you need to do to get your personality across. | 0:25:23 | 0:25:27 | |
APPLAUSE | 0:25:27 | 0:25:30 | |
Um, so my only thing is, er... | 0:25:30 | 0:25:34 | |
I think your first note threw off the rest of the performance | 0:25:34 | 0:25:37 | |
because you were so... | 0:25:37 | 0:25:39 | |
It wasn't in key. "Ooh!" The first note that you hit. | 0:25:39 | 0:25:42 | |
# Ooooh! # | 0:25:42 | 0:25:43 | |
CHEERING AND APPLAUSE | 0:25:43 | 0:25:45 | |
-You were on, but just not in the key. -OK. | 0:25:45 | 0:25:48 | |
So that's the reason why I didn't turn. Thank you so much. | 0:25:48 | 0:25:51 | |
You've done your best, Shenton. | 0:25:51 | 0:25:53 | |
-Cheers, mate. -Thank you. -Thank you very much. Cheers. | 0:25:58 | 0:26:01 | |
-Hey. -Cheers, pal. -Ricky. Thanks, mate. God bless, thank you. | 0:26:01 | 0:26:05 | |
Thank you. Thank you, guys. | 0:26:05 | 0:26:06 | |
APPLAUSE | 0:26:06 | 0:26:07 | |
# With many a winding turn | 0:26:07 | 0:26:13 | |
# That leads us to | 0:26:13 | 0:26:15 | |
# Who knows where...? # | 0:26:15 | 0:26:19 | |
'I'm thinking positive | 0:26:21 | 0:26:22 | |
'and I'm feeling positive for my kid brother to have a chair swing round.' | 0:26:22 | 0:26:26 | |
-It's up to you now, man. -Yes! | 0:26:26 | 0:26:28 | |
I strongly believe Bizzi's going to go out there and nail it. | 0:26:28 | 0:26:31 | |
Have you got any last-minute advice for Bizzi? | 0:26:31 | 0:26:34 | |
Just do what you always do, man. You go ahead, man. | 0:26:34 | 0:26:36 | |
All right. Shenton, let's turn it into positiveness now, yeah? | 0:26:36 | 0:26:39 | |
-Bizzi? Go out there, man. Let's go, let's go. -Come on, Bizzi. | 0:26:39 | 0:26:43 | |
# He's my brother... # | 0:26:43 | 0:26:45 | |
I've been singing a long time but this is the big one. | 0:26:50 | 0:26:53 | |
I'm doing this not only for myself | 0:26:57 | 0:26:59 | |
but for my brother and for my family. | 0:26:59 | 0:27:01 | |
Now I'm going to put everything to one side, close my eyes | 0:27:03 | 0:27:06 | |
and give it my best shot. | 0:27:06 | 0:27:07 | |
Come on, Bizzi! Let's go! | 0:27:08 | 0:27:11 | |
Come on, Bizzi! | 0:27:11 | 0:27:12 | |
Whoo! | 0:27:22 | 0:27:23 | |
# I've been roaming around | 0:27:26 | 0:27:28 | |
# Always looking down | 0:27:28 | 0:27:30 | |
# And all I see... # | 0:27:30 | 0:27:32 | |
CHEERING AND APPLAUSE | 0:27:32 | 0:27:34 | |
# ..Painted faces fill the places I can't reach | 0:27:34 | 0:27:41 | |
# You know that I could use somebody | 0:27:41 | 0:27:44 | |
# Yeah | 0:27:46 | 0:27:48 | |
# Someone like you and all you know | 0:27:48 | 0:27:51 | |
# And how you speak... # | 0:27:51 | 0:27:53 | |
Yes! Come on! | 0:27:53 | 0:27:55 | |
# ..You know that I could use somebody | 0:27:55 | 0:27:59 | |
# Whoa-oh-oh... # | 0:27:59 | 0:28:01 | |
Push the button, Tom! | 0:28:01 | 0:28:03 | |
# ..Someone like you | 0:28:03 | 0:28:05 | |
# Oh | 0:28:05 | 0:28:06 | |
# Whoa... # | 0:28:07 | 0:28:08 | |
Push it! | 0:28:09 | 0:28:11 | |
# ..Someone like you, yeah... # | 0:28:11 | 0:28:16 | |
Come on, come on, come on! | 0:28:16 | 0:28:18 | |
# I've been roaming around | 0:28:18 | 0:28:19 | |
# I was looking down | 0:28:19 | 0:28:21 | |
# And all I see. # | 0:28:21 | 0:28:24 | |
Yeah! | 0:28:32 | 0:28:34 | |
-Yes! He did it! -Yes! | 0:28:41 | 0:28:42 | |
-What's your name? -My name is Bizzi Dixon. | 0:28:48 | 0:28:51 | |
-You've just saw my brother, Shenton Dixon. -Woo-hoo! I knew it! | 0:28:51 | 0:28:55 | |
I'm like, "You look like the homeboy that was just on stage!" | 0:28:58 | 0:29:01 | |
Yeah! The eyes! | 0:29:01 | 0:29:03 | |
There was just one little shaky part there, but I understand that, | 0:29:05 | 0:29:08 | |
-because nerves can do that. -This is a big gig. Very nervous. -Yes, it is. | 0:29:08 | 0:29:12 | |
I would want to hear more things that you can do. | 0:29:12 | 0:29:16 | |
Once I hear what else you can do, I could bring it to you. | 0:29:16 | 0:29:19 | |
And if you needed any help in any way, vocally or...otherwise, | 0:29:19 | 0:29:24 | |
you know, to present yourself right, I can do that. | 0:29:24 | 0:29:28 | |
But you came through. | 0:29:28 | 0:29:30 | |
-APPLAUSE And I loved that. -Thank you. | 0:29:30 | 0:29:32 | |
You're a soulful singer, and I like that you did a rock song. | 0:29:35 | 0:29:39 | |
So that's a really good place to start. | 0:29:39 | 0:29:41 | |
Some bits were a little bit shaky, but there's something there. | 0:29:41 | 0:29:45 | |
-And I enjoyed it. -OK. Thank you. | 0:29:45 | 0:29:47 | |
Can I add something? Tom doesn't have guys. | 0:29:49 | 0:29:53 | |
It's a team full of girls. | 0:29:53 | 0:29:55 | |
-All girls. -OK! | 0:29:55 | 0:29:57 | |
LAUGHTER | 0:29:57 | 0:30:00 | |
Kylie has some great singers. Nobody like you. | 0:30:00 | 0:30:04 | |
Tom definitely doesn't have anybody like you! | 0:30:04 | 0:30:07 | |
-Kylie? -Kylie. -Yeah? | 0:30:19 | 0:30:22 | |
-Thank you. I am going to go with Tom. -Yeah! | 0:30:31 | 0:30:35 | |
All right, mate. | 0:30:42 | 0:30:43 | |
Thanks a lot. | 0:30:43 | 0:30:46 | |
-Let's do it. -We can do it. Believe me. | 0:30:46 | 0:30:48 | |
Finally I have a man on my team. | 0:30:52 | 0:30:54 | |
I wouldn't want it to be sort of, "Oh, Tom has got all girls." | 0:30:54 | 0:30:58 | |
That's not... | 0:30:58 | 0:30:59 | |
You know, that was not the plan. | 0:30:59 | 0:31:01 | |
Well done! | 0:31:04 | 0:31:06 | |
Delighted for him. I hope he goes on and wins the whole competition. | 0:31:09 | 0:31:12 | |
Yes! Yes! Yes! Yes! Yes! Yes! | 0:31:12 | 0:31:14 | |
-I got a man now. -Yeah. -On the team. -That's the first dude. -Yeah! | 0:31:16 | 0:31:21 | |
A dude's dude. Put a rooster amongst the hens. | 0:31:22 | 0:31:25 | |
If you're going to have a man on your team, for me, that is him. | 0:31:25 | 0:31:29 | |
'So, Tom finally gets his man. | 0:31:29 | 0:31:32 | |
'Which takes him level with Kylie on ten out of 12 acts. | 0:31:32 | 0:31:35 | |
'But lagging behind, with eight artists each, | 0:31:35 | 0:31:38 | |
'Ricky and Will need to get their button pushing mojo on.' | 0:31:38 | 0:31:41 | |
-How many people do we have left? -How many have I got now? | 0:31:41 | 0:31:44 | |
-I've got two left, haven't I? -Is that it? | 0:31:44 | 0:31:46 | |
-I think we are neck and neck, are we? -How many to go, Kylie? -Two. | 0:31:46 | 0:31:49 | |
-Two to go. -How many have you got, Rick? -I get so confused. | 0:31:49 | 0:31:53 | |
You have four. | 0:31:53 | 0:31:57 | |
I was like, "Oh, shucks!" We have two days left. | 0:31:57 | 0:31:59 | |
It ain't like it's the first day. | 0:31:59 | 0:32:00 | |
# The heat is on... # | 0:32:00 | 0:32:03 | |
I've got four spaces to go, and we are doing this stupid thing | 0:32:03 | 0:32:06 | |
where we are kind of waiting too long. | 0:32:06 | 0:32:08 | |
-So I've really got to start spinning round. -Got to get to work. | 0:32:10 | 0:32:15 | |
All right, I need another one, then. | 0:32:15 | 0:32:17 | |
'So, Ricky and Will have the places, | 0:32:18 | 0:32:20 | |
'but do these next two acts have the voices?' | 0:32:20 | 0:32:24 | |
My name is Nathan Amzi. I'm 32, and I am a West End performer. | 0:32:24 | 0:32:27 | |
Can you do the splits, really? GASPS | 0:32:27 | 0:32:31 | |
Arms out. You are like, "No way!" | 0:32:31 | 0:32:33 | |
My name is Kiki deVille, I'm 40 years old, and I am a burlesque singer. | 0:32:35 | 0:32:39 | |
-Where do they go? -Well... You could be creative. | 0:32:39 | 0:32:44 | |
How is it working? | 0:32:44 | 0:32:46 | |
SHE LAUGHS | 0:32:46 | 0:32:48 | |
'First up is Nathan.' | 0:32:48 | 0:32:50 | |
# On my knees | 0:32:50 | 0:32:52 | |
# As I try to make you see | 0:32:52 | 0:32:54 | |
# That you're everything I think I need | 0:32:54 | 0:32:58 | |
# Here on the ground | 0:32:58 | 0:32:59 | |
# You're neither friend or foe | 0:33:00 | 0:33:03 | |
# I can't seem to let you go | 0:33:03 | 0:33:06 | |
# One thing that I still know is you are keeping me down | 0:33:06 | 0:33:12 | |
Please turn. | 0:33:14 | 0:33:15 | |
# Woo-oooh. # | 0:33:19 | 0:33:24 | |
-Hello. -Hey, man. -I feel like I want to pitch, but I don't have to! | 0:33:33 | 0:33:38 | |
-We are on the same team together. -CHEERING | 0:33:40 | 0:33:44 | |
Welcome to the show, buddy. | 0:33:47 | 0:33:50 | |
'So, Ricky overtakes Will and is right behind Tom and Kylie. | 0:33:50 | 0:33:52 | |
'His team is on nine.' | 0:33:52 | 0:33:54 | |
Nine down, three to go. OK, that's cool. | 0:33:54 | 0:33:57 | |
I can play around with that. | 0:33:57 | 0:33:59 | |
'Kiki deVille is next. Will she change the scoresheet again?' | 0:33:59 | 0:34:03 | |
# Telling me something | 0:34:03 | 0:34:05 | |
# But there's nothing cheap as words | 0:34:05 | 0:34:08 | |
# Walking away before I do affect the birds | 0:34:08 | 0:34:12 | |
# Excuse me, mister, I've got other things to do | 0:34:13 | 0:34:16 | |
# Than to stand here listening to you | 0:34:16 | 0:34:21 | |
# Stop talking at my face | 0:34:21 | 0:34:24 | |
# Take a rocket out to space... # | 0:34:24 | 0:34:27 | |
Come on! Come on! | 0:34:28 | 0:34:30 | |
# ..Yeah | 0:34:30 | 0:34:31 | |
# 119 miles an hour | 0:34:34 | 0:34:35 | |
# I'm in a whole other dimension Dancing doubles on the floor | 0:34:35 | 0:34:40 | |
# You think I'm crazy A little bit hazy | 0:34:40 | 0:34:43 | |
# But I'm stone-cold sober. # | 0:34:43 | 0:34:48 | |
You know how to keep a girl waiting. Yeah? | 0:35:02 | 0:35:07 | |
The whole crowd was really rocking. This is going to be freaking fun. | 0:35:07 | 0:35:12 | |
Thank you. | 0:35:13 | 0:35:15 | |
'He kept her waiting, but Kiki brings Team Will up to nine. | 0:35:15 | 0:35:19 | |
'Things are getting very close.' | 0:35:19 | 0:35:21 | |
It's all good. Now I got another bomb. Boom! | 0:35:24 | 0:35:29 | |
'So let's leave Will for a moment and say hello to our next act. | 0:35:30 | 0:35:33 | |
'It's Newport lad Callum Crowley.' | 0:35:33 | 0:35:35 | |
I come from a really big but really close-knit family. | 0:35:38 | 0:35:41 | |
Wandering hands, that is! | 0:35:41 | 0:35:43 | |
'They are quite an eclectic bunch. You've got my brother,' | 0:35:43 | 0:35:46 | |
who looks like me but is the complete polar opposite. | 0:35:46 | 0:35:48 | |
-We have got two different, there, haven't we? -Yeah! | 0:35:48 | 0:35:50 | |
One is very sporty, Callum is very theatrical. | 0:35:50 | 0:35:54 | |
I just literally live for my family, like, they are everything. | 0:35:54 | 0:35:58 | |
Boom! | 0:35:58 | 0:35:59 | |
At the moment, I am working in a primary school. | 0:35:59 | 0:36:02 | |
I want you to give me your best picture. | 0:36:02 | 0:36:05 | |
'I love my job.' | 0:36:05 | 0:36:06 | |
But it is not something that I want to do forever. | 0:36:06 | 0:36:09 | |
'What I love to do is perform.' | 0:36:09 | 0:36:11 | |
I want Callum to be happy. I want him to live his dream. | 0:36:11 | 0:36:14 | |
-He's going to do it, I'm telling you, he's going to. -Come on, Callum! | 0:36:28 | 0:36:31 | |
# Going nowhere fast | 0:36:41 | 0:36:44 | |
# We've reached the climax... # | 0:36:44 | 0:36:48 | |
Come on, Will, listen to him. | 0:36:48 | 0:36:50 | |
# ..Won't commit so we choose to | 0:36:52 | 0:36:54 | |
# Run away | 0:36:54 | 0:36:58 | |
# Do we separate? | 0:36:58 | 0:37:02 | |
# Don't wanna give in so we both gave up | 0:37:02 | 0:37:06 | |
# Can't take it back, it's too late we've reached the climax... # | 0:37:06 | 0:37:09 | |
Come on, Kylie! | 0:37:09 | 0:37:11 | |
# ..I gave my best | 0:37:11 | 0:37:12 | |
# It wasn't enough | 0:37:12 | 0:37:13 | |
# You get upset We argue too much | 0:37:13 | 0:37:17 | |
# We made a mess of what used to be love | 0:37:17 | 0:37:21 | |
# Why do I care, I care at all...? # | 0:37:21 | 0:37:24 | |
Let's go, let's go. | 0:37:27 | 0:37:29 | |
# ..At all | 0:37:30 | 0:37:32 | |
# At all | 0:37:33 | 0:37:35 | |
# Going nowhere fast... # | 0:37:37 | 0:37:42 | |
ALL SCREAM | 0:37:42 | 0:37:44 | |
# ..We're together Now we're undone | 0:37:46 | 0:37:48 | |
# Won't commit | 0:37:48 | 0:37:49 | |
# So we choose to run away | 0:37:49 | 0:37:54 | |
# Do we separate? | 0:37:54 | 0:37:58 | |
# Don't wanna give in | 0:37:58 | 0:37:59 | |
# So we both gave up | 0:37:59 | 0:38:02 | |
# Can't take it back It's too late | 0:38:02 | 0:38:04 | |
# We've reached the climax. # | 0:38:04 | 0:38:06 | |
CHEERING | 0:38:06 | 0:38:10 | |
Come on, son! | 0:38:12 | 0:38:14 | |
Too late. | 0:38:22 | 0:38:23 | |
He tried! He tried. | 0:38:23 | 0:38:26 | |
He tried. | 0:38:26 | 0:38:27 | |
-Very late. -Come on, Tom, I'm Welsh! -I was too late. | 0:38:27 | 0:38:31 | |
-LAUGHTER -I hit the button but it was right at the end. | 0:38:31 | 0:38:34 | |
I waited too late. | 0:38:34 | 0:38:35 | |
You know, I wait as long as I possibly can | 0:38:35 | 0:38:37 | |
to hear the whole thing. Sorry about that. | 0:38:37 | 0:38:39 | |
Who are you, where do you come from? | 0:38:40 | 0:38:43 | |
My name's Callum Crawley. | 0:38:43 | 0:38:45 | |
I'm 22 and I'm originally from Newport in South Wales. | 0:38:45 | 0:38:48 | |
CHEERING | 0:38:48 | 0:38:50 | |
Welsh boy, Welsh boy! | 0:38:50 | 0:38:52 | |
-KYLIE: -That was amazing. You have such a distinctive tone. | 0:38:52 | 0:38:55 | |
-Thank you very much. -Sexy! | 0:38:55 | 0:38:58 | |
You know all about sexy. That's good, isn't it?! | 0:38:58 | 0:39:01 | |
But interesting. | 0:39:01 | 0:39:03 | |
The power's going to be in your hands | 0:39:03 | 0:39:05 | |
so tingle away | 0:39:05 | 0:39:07 | |
and let's see how everyone else sells themselves. | 0:39:07 | 0:39:10 | |
Yeah, yeah. Thank you. | 0:39:10 | 0:39:11 | |
RICKY: Are you going to pitch for this? | 0:39:14 | 0:39:15 | |
-Well, I can't pitch but I'm going to talk to the man. -Oh. | 0:39:15 | 0:39:19 | |
The falsetto part, you know, was interesting. | 0:39:19 | 0:39:23 | |
-But to me, you're a little flat there. -I was, yeah. | 0:39:23 | 0:39:25 | |
I know this girl that was flat | 0:39:25 | 0:39:27 | |
and then she went to Brazil | 0:39:27 | 0:39:28 | |
and came back looking like something else. | 0:39:28 | 0:39:30 | |
LAUGHTER | 0:39:30 | 0:39:32 | |
APPLAUSE | 0:39:34 | 0:39:37 | |
I'm not saying I'm going to take you to Brazil | 0:39:37 | 0:39:39 | |
but we could go to work and fine-tune some of those areas. | 0:39:39 | 0:39:44 | |
Me and Kylie were up and grooving. | 0:39:44 | 0:39:46 | |
-In sync...possibly! -In sync! | 0:39:46 | 0:39:48 | |
-We hit the button at the same time and turned around. -Yes! | 0:39:48 | 0:39:50 | |
We had a whole routine. | 0:39:50 | 0:39:52 | |
I loved it. I wasn't going to sit there with this voice going on | 0:39:56 | 0:39:59 | |
and not look at it. | 0:39:59 | 0:40:00 | |
Cos, you know, I wanted to see you. | 0:40:00 | 0:40:02 | |
And I just thought, "Well, you never know, | 0:40:02 | 0:40:04 | |
"he might be a big Kaiser Chiefs fan or something." | 0:40:04 | 0:40:07 | |
LAUGHTER AND CHEERING | 0:40:07 | 0:40:09 | |
On the off chance! | 0:40:09 | 0:40:10 | |
-KYLIE: -We're all Kaiser Chiefs fans. -Thank you. | 0:40:10 | 0:40:13 | |
So, as a massive Kaiser Chiefs fan, | 0:40:15 | 0:40:17 | |
you'll appreciate what I can bring to the table. | 0:40:17 | 0:40:21 | |
And it's just about energy, it's about connecting. | 0:40:21 | 0:40:24 | |
-And you can do that. CALLUM: -Yeah. | 0:40:24 | 0:40:26 | |
APPLAUSE | 0:40:26 | 0:40:29 | |
But it's going to be a tough decision, you know. | 0:40:29 | 0:40:31 | |
You've got tricky Ricky. | 0:40:31 | 0:40:33 | |
You've got, you know, | 0:40:33 | 0:40:35 | |
the wonderful Minogue. | 0:40:35 | 0:40:36 | |
And the focused, determined... | 0:40:36 | 0:40:41 | |
In Spanish, my name is Guillermo. | 0:40:41 | 0:40:44 | |
In French, it's Guillaume. | 0:40:44 | 0:40:47 | |
In Welsh, my name would be... | 0:40:47 | 0:40:49 | |
What was my name, Tom? | 0:40:49 | 0:40:51 | |
William, just the same. Will.i.am. | 0:40:51 | 0:40:53 | |
LAUGHTER | 0:40:53 | 0:40:55 | |
Same as English! | 0:41:00 | 0:41:01 | |
AUDIENCE SHOUTS NAMES | 0:41:04 | 0:41:07 | |
I'm all about commercial pop music. | 0:41:08 | 0:41:10 | |
I love pop music. | 0:41:10 | 0:41:12 | |
That's what I'm about and... | 0:41:12 | 0:41:15 | |
I don't know, like... I'm just going to have to say that... | 0:41:15 | 0:41:18 | |
SHOUTING CONTINUES | 0:41:18 | 0:41:21 | |
Team Will, let's go! | 0:41:24 | 0:41:25 | |
CHEERING | 0:41:25 | 0:41:28 | |
-Oh, those are cool glasses, too. -Thank you. | 0:41:36 | 0:41:39 | |
-KYLIE: -Good choice, you're going to be in good hands. | 0:41:39 | 0:41:41 | |
-Thank you so much. -That was amazing. -Thank you. | 0:41:41 | 0:41:43 | |
-Well done, man, that was something else. -Thank you so much. | 0:41:45 | 0:41:47 | |
-TOM: -Good luck. You've got a good man there. | 0:41:47 | 0:41:49 | |
-Thank you, Tom. -You've nothing to worry about. | 0:41:49 | 0:41:51 | |
CHEERING | 0:41:51 | 0:41:53 | |
I left it too late. | 0:41:59 | 0:42:01 | |
You can't cut it that fine any more. | 0:42:01 | 0:42:03 | |
I was thinking about it too much, you know. | 0:42:03 | 0:42:05 | |
THEY SCREAM | 0:42:05 | 0:42:08 | |
Oh, my God! | 0:42:11 | 0:42:12 | |
-Mum, how proud are you? -I can't put it into words. -Yeah. | 0:42:12 | 0:42:15 | |
-We've waited so long for this, haven't we? -Mm-hm. | 0:42:15 | 0:42:17 | |
And I knew he would do it, I knew it. | 0:42:17 | 0:42:19 | |
-You should have pitched him harder. You should have been like... -Me? | 0:42:24 | 0:42:28 | |
Yeah, like, "I know pop. I know how to pop it. | 0:42:28 | 0:42:32 | |
"Pop it, pop it, pop it." | 0:42:32 | 0:42:34 | |
Have you ever run for mayor? | 0:42:34 | 0:42:36 | |
No, I'm not going to run for mayor. | 0:42:36 | 0:42:37 | |
-POLITICIAN VOICE: -I'm preserving the quality of my neighbourhood. | 0:42:37 | 0:42:41 | |
It's my duty to make sure people that come | 0:42:41 | 0:42:43 | |
-singing on The Voice... -"The people of Manchester." | 0:42:43 | 0:42:45 | |
..have a place in the hearts of the citizens of the UK. | 0:42:45 | 0:42:49 | |
Well, he gets my vote. | 0:42:51 | 0:42:52 | |
So that's two on the trot for Mayor Will, | 0:42:52 | 0:42:54 | |
who seems to be taking it up a gear. | 0:42:54 | 0:42:56 | |
# I be everywhere Everybody know me | 0:42:56 | 0:42:59 | |
# Super, super fresh With a dope styling... # | 0:42:59 | 0:43:01 | |
I'm watching him. | 0:43:01 | 0:43:03 | |
He's putting a good team together. | 0:43:03 | 0:43:04 | |
Whoo! | 0:43:04 | 0:43:06 | |
Will really knows what he's doing. | 0:43:06 | 0:43:07 | |
I have a new formula. | 0:43:09 | 0:43:10 | |
You know what happens. | 0:43:10 | 0:43:11 | |
'Before, I was just holding back. | 0:43:11 | 0:43:13 | |
'Right now, I'm attacking.' | 0:43:13 | 0:43:14 | |
Oh, shucks. | 0:43:15 | 0:43:17 | |
It's like, "What? Where did that come from?" | 0:43:18 | 0:43:22 | |
-MARVIN: -Who knows? | 0:43:22 | 0:43:23 | |
What's important is that Team Will has caught up | 0:43:23 | 0:43:26 | |
with Kylie and Tom, on ten acts. | 0:43:26 | 0:43:28 | |
You best shape up, Wilson, you're still on single figures. | 0:43:28 | 0:43:31 | |
24-year-old Marc William and 25-year-old Paul Raj | 0:43:35 | 0:43:38 | |
have studied the music industry very closely, | 0:43:38 | 0:43:41 | |
with some famous fellow students. | 0:43:41 | 0:43:44 | |
I went to The BRIT School with Adele, Katie B... | 0:43:44 | 0:43:47 | |
I went to Italia Conti Performing Arts College. | 0:43:47 | 0:43:50 | |
In my year were people like Pixie Lott. | 0:43:50 | 0:43:53 | |
As the years have gone by, | 0:43:55 | 0:43:56 | |
there are so many people that I studied with | 0:43:56 | 0:43:58 | |
that I've seen go on to be incredibly successful. | 0:43:58 | 0:44:01 | |
Going straight to the top of the charts. | 0:44:01 | 0:44:03 | |
Why didn't I go on to have that same success? | 0:44:03 | 0:44:06 | |
You can't help but feel, "Is my time going to come?" | 0:44:06 | 0:44:10 | |
I want to be an artist and that's why I'm here. | 0:44:11 | 0:44:15 | |
It's a now or never situation. | 0:44:15 | 0:44:17 | |
I hope it's now. | 0:44:18 | 0:44:19 | |
He's just waiting on that tkk-tkk-tkk. | 0:44:30 | 0:44:33 | |
DRUMMER COUNTS IN | 0:44:33 | 0:44:36 | |
# You need coolin', baby | 0:44:41 | 0:44:45 | |
# I'm not foolin' | 0:44:45 | 0:44:47 | |
# I'm gonna take you... | 0:44:47 | 0:44:50 | |
Come on, Kylie. Turn, turn! | 0:44:50 | 0:44:52 | |
# ..Way, way down inside | 0:44:54 | 0:44:58 | |
# Honey, you need it | 0:44:58 | 0:45:01 | |
# I'm gonna give you my love | 0:45:01 | 0:45:04 | |
# I'm gonna give you my love | 0:45:04 | 0:45:07 | |
# Oh | 0:45:07 | 0:45:08 | |
-# Wanna whole lotta love... # -Push, push, push! | 0:45:08 | 0:45:11 | |
# ..Wanna whole lotta love | 0:45:11 | 0:45:14 | |
# Wanna whole lotta love, love, love... # | 0:45:15 | 0:45:20 | |
-Push, push, push! -Come on! | 0:45:20 | 0:45:22 | |
# ..All those good times | 0:45:22 | 0:45:24 | |
# Baby, baby, baby | 0:45:24 | 0:45:27 | |
# I've been learning | 0:45:27 | 0:45:29 | |
# Way, way down inside | 0:45:29 | 0:45:32 | |
# Honey, you need a... # | 0:45:32 | 0:45:34 | |
-Push, push, push! -Push! | 0:45:34 | 0:45:36 | |
# ..Give you my love | 0:45:36 | 0:45:37 | |
-FALSETTO: -# Way, way down inside... # | 0:45:37 | 0:45:43 | |
Oh, please. Push! | 0:45:43 | 0:45:45 | |
# ..Wanna whole lotta love. # | 0:45:45 | 0:45:50 | |
CHEERING AND APPLAUSE | 0:45:50 | 0:45:54 | |
-What's your name? -My name's Marc William. | 0:46:06 | 0:46:08 | |
-Where do you come from, Marc? -I come from Glasgow. | 0:46:08 | 0:46:11 | |
You have an incredible voice. | 0:46:11 | 0:46:13 | |
Oh, thank you very much. I really appreciate that. | 0:46:13 | 0:46:15 | |
CHEERING | 0:46:15 | 0:46:18 | |
I thought Will might turn, you know, because... | 0:46:18 | 0:46:20 | |
-I was about to turn. -Oh, no! -Yes, I could see it. | 0:46:20 | 0:46:22 | |
I was about to turn. | 0:46:22 | 0:46:24 | |
TOM: One of the reasons that I didn't | 0:46:24 | 0:46:26 | |
-is because I've got a lot of people... -OK, sure. -..on my team. | 0:46:26 | 0:46:29 | |
I'm just waiting for something. | 0:46:29 | 0:46:31 | |
-And until I hear it, I won't know it. -Yeah, absolutely. | 0:46:31 | 0:46:34 | |
-But the way you sing is great. -Thank you very much. | 0:46:34 | 0:46:37 | |
This is the reason why I didn't turn around. | 0:46:42 | 0:46:44 | |
-Your outfit is dope. -Yeah. | 0:46:44 | 0:46:45 | |
Futuristic Jesus jellies. | 0:46:45 | 0:46:47 | |
-LAUGHTER -Those are cool. | 0:46:47 | 0:46:50 | |
-Now imagine you weren't wearing that necklace. -Yeah. | 0:46:50 | 0:46:52 | |
-The outfit wouldn't be that fresh, right? -OK. | 0:46:52 | 0:46:54 | |
-So you had to accessorise. -Just that something. | 0:46:54 | 0:46:56 | |
-Well, the way you were singing was great, was cool. -Yeah. | 0:46:56 | 0:46:59 | |
-But you didn't accessorise on the crescendo. -Oh, OK. | 0:46:59 | 0:47:03 | |
-Singing is no different than the outfit. -Sure. | 0:47:03 | 0:47:05 | |
It's no different than, like, baking a cake. | 0:47:05 | 0:47:08 | |
-Now, imagine they didn't put candles on the cake... -Yeah, I know. | 0:47:08 | 0:47:11 | |
-..and it was your birthday. -Then it's not special. | 0:47:11 | 0:47:13 | |
You've got to put the candles on it so you have something to blow out. | 0:47:13 | 0:47:16 | |
You know what I'm saying? | 0:47:16 | 0:47:18 | |
-So accessorise even on the vo-cals. -OK. | 0:47:18 | 0:47:21 | |
-See, I could have said "vocals". -Yeah, but you didn't! | 0:47:21 | 0:47:23 | |
-But I'm accessorising on vo-cals. -See, I've learned something. | 0:47:23 | 0:47:26 | |
-LAUGHTER -Thank you very much. | 0:47:26 | 0:47:29 | |
-Cheers, man. -Vo-cals! -Thank you. | 0:47:29 | 0:47:31 | |
-I wish I would've turned. -That's... That's a little annoying, isn't it? | 0:47:35 | 0:47:39 | |
That is one of the perils of facing the other way! | 0:47:39 | 0:47:42 | |
But I don't think it's the last we're going to see of you. | 0:47:42 | 0:47:45 | |
Oh, it's so frustrating! | 0:47:45 | 0:47:47 | |
-CHEERING AND APPLAUSE -Thank you very much for having me. | 0:47:49 | 0:47:52 | |
- It was great. - Oh, thanks. | 0:47:52 | 0:47:54 | |
If I had more room on my team, believe me, I would have... | 0:47:54 | 0:47:57 | |
-- I appreciate that so much. - No, really, honestly. -Next time, bro. | 0:47:57 | 0:48:00 | |
-I will see you soon. -You're really dope. -I will see you soon. You're really good. | 0:48:00 | 0:48:04 | |
CHEERING | 0:48:04 | 0:48:05 | |
The coaches know time and spaces are running out for their teams, | 0:48:05 | 0:48:09 | |
and that gives them a new problem to consider. | 0:48:09 | 0:48:12 | |
-TOM: -It gets harder as it goes on, because you get more selective. | 0:48:12 | 0:48:15 | |
Just in case somebody comes up later that you think, | 0:48:15 | 0:48:19 | |
"Oh, my God, I wish I had a couple of spots left." | 0:48:19 | 0:48:22 | |
CHEERING AND APPLAUSE | 0:48:22 | 0:48:25 | |
I should have turned for him. I should have turned for Marc. | 0:48:25 | 0:48:28 | |
He is a superstar. | 0:48:28 | 0:48:29 | |
With Will feeling regretful, | 0:48:29 | 0:48:31 | |
can Paul convince the coaches that he is worth spinning for? | 0:48:31 | 0:48:35 | |
I definitely would regret reaching 40 | 0:48:35 | 0:48:37 | |
and my biggest achievement is that I went to school with Adele. | 0:48:37 | 0:48:41 | |
-You can do it, Paul. -Come on, Paul. | 0:48:51 | 0:48:53 | |
One, two, three, four... | 0:49:03 | 0:49:05 | |
# Ohhhh! | 0:49:07 | 0:49:09 | |
# Baby, does he do it for ya? | 0:49:09 | 0:49:13 | |
# And when he's finished | 0:49:13 | 0:49:14 | |
# Does he step back and adore ya? | 0:49:14 | 0:49:18 | |
# I just gotta know | 0:49:18 | 0:49:20 | |
# Cos your time is money and I won't let him waste it | 0:49:20 | 0:49:25 | |
# No, no, no! | 0:49:25 | 0:49:27 | |
# Baby, just go with it | 0:49:28 | 0:49:31 | |
# Cos when you're with me, I can't explain it | 0:49:31 | 0:49:34 | |
# It's just different | 0:49:34 | 0:49:36 | |
# We can take it slow | 0:49:36 | 0:49:39 | |
# Or act like you're my girl | 0:49:39 | 0:49:41 | |
# Let's skip the basics | 0:49:41 | 0:49:43 | |
# No, no, no | 0:49:43 | 0:49:45 | |
# Oh, yeah! | 0:49:45 | 0:49:47 | |
# He's so replaceable | 0:49:47 | 0:49:52 | |
# Oh, oh! | 0:49:52 | 0:49:54 | |
# You're worth the chase | 0:49:54 | 0:49:56 | |
# You put it on | 0:49:56 | 0:49:59 | |
# Oh! | 0:49:59 | 0:50:00 | |
# It's all right | 0:50:00 | 0:50:02 | |
# I'm not dangerous... # | 0:50:02 | 0:50:03 | |
Yeah, she likes it, she does. | 0:50:03 | 0:50:05 | |
# ..When you're mine | 0:50:05 | 0:50:07 | |
# I'll be generous | 0:50:07 | 0:50:09 | |
# You're irreplaceable A collectible... # | 0:50:09 | 0:50:12 | |
-Go on! -Come on! | 0:50:12 | 0:50:14 | |
# ..Just like fine china | 0:50:14 | 0:50:18 | |
# It's all right, I'm not dangerous | 0:50:18 | 0:50:22 | |
# When you're mine... # | 0:50:22 | 0:50:24 | |
-Come on, Kylie! -Come on, Kylie! | 0:50:24 | 0:50:27 | |
# ..Yo-o-ou're | 0:50:29 | 0:50:32 | |
# Just like fine china! # | 0:50:32 | 0:50:39 | |
CHEERING AND APPLAUSE | 0:50:39 | 0:50:41 | |
Aww! | 0:50:50 | 0:50:51 | |
Hello. | 0:50:55 | 0:50:56 | |
Wow. | 0:50:56 | 0:50:58 | |
What is your name? | 0:50:58 | 0:51:00 | |
My name's Paul Raj, I'm 25. | 0:51:00 | 0:51:02 | |
I'm a teacher from London. | 0:51:02 | 0:51:03 | |
CHEERING AND APPLAUSE | 0:51:03 | 0:51:06 | |
I'm upset that I didn't turn around. | 0:51:11 | 0:51:13 | |
Um, your voice sounds fantastic. | 0:51:13 | 0:51:17 | |
Thank you. | 0:51:17 | 0:51:18 | |
I think that the song was...could've been, like, a semitone higher. | 0:51:18 | 0:51:22 | |
-OK. -But other than that, I'm kicking myself that I didn't turn round. | 0:51:22 | 0:51:25 | |
-Sorry for that. -Thank you. | 0:51:25 | 0:51:27 | |
APPLAUSE | 0:51:27 | 0:51:30 | |
Can you kick me at the same time? | 0:51:32 | 0:51:35 | |
Because I'm going to kick myself as well. | 0:51:35 | 0:51:38 | |
I was grooving along, um... | 0:51:38 | 0:51:40 | |
I think I just didn't hear the thing that made me go, | 0:51:41 | 0:51:43 | |
"What was that?!" But it was amazing. | 0:51:43 | 0:51:46 | |
-OK. Thank you. -Yeah. | 0:51:46 | 0:51:48 | |
APPLAUSE | 0:51:48 | 0:51:50 | |
RICKY: I'm... | 0:51:53 | 0:51:56 | |
I'm disappointed in everybody. | 0:51:56 | 0:51:57 | |
I agree. | 0:51:57 | 0:51:59 | |
-Jones... -Including you? -..Minogue... | 0:51:59 | 0:52:01 | |
LAUGHTER ..Wilson, "Am". | 0:52:01 | 0:52:05 | |
LAUGHTER | 0:52:05 | 0:52:06 | |
But, thing is, it's all about not giving up, | 0:52:07 | 0:52:10 | |
cos one time there will be a right place and a right time. | 0:52:10 | 0:52:13 | |
Something will happen. APPLAUSE | 0:52:13 | 0:52:15 | |
-Thank you. -Today wasn't the time. It should've been. -Well, thank you. | 0:52:15 | 0:52:22 | |
I really appreciate your comments and, you know, it is | 0:52:22 | 0:52:24 | |
great to stand in front of you as well. | 0:52:24 | 0:52:26 | |
I'm really glad to be here and to make it this far. Thank you. | 0:52:26 | 0:52:30 | |
CHEERING AND APPLAUSE | 0:52:30 | 0:52:32 | |
I mean it. It will happen. It will happen. | 0:52:35 | 0:52:37 | |
Bom, bom, bom! | 0:52:37 | 0:52:39 | |
We'll see you again. I'm sure of it. | 0:52:44 | 0:52:47 | |
CHEERING AND APPLAUSE | 0:52:51 | 0:52:54 | |
God, that's upsetting. That is really upsetting. | 0:52:58 | 0:53:00 | |
Almost. There was just something... Couldn't put my finger on it. | 0:53:03 | 0:53:08 | |
Oh, what a twit! | 0:53:08 | 0:53:10 | |
When you have one or two spaces left, it is really stressful. | 0:53:12 | 0:53:16 | |
I have got to make the right decision. This show is not easy. | 0:53:18 | 0:53:21 | |
We need something to lift us up now. | 0:53:22 | 0:53:24 | |
Being in the chair all day, it's quite intense. | 0:53:26 | 0:53:29 | |
In between the performances is an important time just to | 0:53:31 | 0:53:34 | |
move around a bit. | 0:53:34 | 0:53:36 | |
Bit of exercise, stretch your legs. | 0:53:36 | 0:53:38 | |
I don't like sitting still for too long. | 0:53:38 | 0:53:40 | |
I want to move, I want to feel free. | 0:53:40 | 0:53:42 | |
She was working it. | 0:53:44 | 0:53:46 | |
And I don't blame her either! | 0:53:46 | 0:53:48 | |
CHEERING AND APPLAUSE | 0:53:48 | 0:53:50 | |
I don't know, it's just some of the others. | 0:53:51 | 0:53:53 | |
Sometimes they get up out of the chair, but it's not for me. | 0:53:53 | 0:53:57 | |
CHEERING | 0:53:57 | 0:53:59 | |
Go on, just do it. What have you got to lose? It'll be fun. | 0:53:59 | 0:54:05 | |
# Loose | 0:54:05 | 0:54:06 | |
# Footloose | 0:54:06 | 0:54:08 | |
# Kick off your Sunday shoes | 0:54:08 | 0:54:11 | |
# Everybody cut, everybody cut | 0:54:11 | 0:54:13 | |
# Everybody cut, everybody cut | 0:54:13 | 0:54:16 | |
# Everybody... Everybody cut | 0:54:16 | 0:54:18 | |
# Footloose! # | 0:54:18 | 0:54:19 | |
That was really good. | 0:54:19 | 0:54:21 | |
In between the acts, I'm just vibing off of the audience vibing. | 0:54:21 | 0:54:25 | |
So it's like a vibe off of a vibe. | 0:54:25 | 0:54:28 | |
-RECORDING: -# What's new, pussycat? | 0:54:28 | 0:54:30 | |
AUDIENCE: # Whoa, whoa, whoa, whoa! # | 0:54:30 | 0:54:32 | |
Yeah! | 0:54:32 | 0:54:34 | |
# Tonight's the night | 0:54:34 | 0:54:35 | |
# Let's live it up | 0:54:35 | 0:54:37 | |
# I got my money | 0:54:37 | 0:54:38 | |
# Let's kick it off! # | 0:54:38 | 0:54:40 | |
That was a lot of fun. | 0:54:40 | 0:54:41 | |
Right, who's next? | 0:54:41 | 0:54:43 | |
-MARVIN: -Ah, can't tell you, Ricky. | 0:54:43 | 0:54:45 | |
But, for you at home, this is 40-year-old man of contradictions | 0:54:45 | 0:54:49 | |
Amrick, from Kent. | 0:54:49 | 0:54:51 | |
I have been brought up as a Sikh. | 0:54:51 | 0:54:56 | |
My parents are very much into, you know, keeping in | 0:54:57 | 0:55:00 | |
with my religion, ensuring that we don't lose sight of who we were. | 0:55:00 | 0:55:05 | |
But... | 0:55:05 | 0:55:07 | |
..the other side of me is also going out clubbing, | 0:55:09 | 0:55:13 | |
partying with my friends, wearing crazy bling stuff. | 0:55:13 | 0:55:18 | |
It's kind of a double existence. | 0:55:18 | 0:55:20 | |
Yes, I am an Indian guy with a turban, but don't stereotype me. | 0:55:20 | 0:55:24 | |
CHEERING | 0:55:26 | 0:55:28 | |
SHOUTS OF ENCOURAGEMENT | 0:55:28 | 0:55:30 | |
HE CLEARS HIS THROAT | 0:55:37 | 0:55:38 | |
# Ooooh! | 0:55:42 | 0:55:44 | |
# People, let me tell you | 0:55:44 | 0:55:48 | |
# I work hard every day | 0:55:48 | 0:55:52 | |
# I get up out of bed | 0:55:52 | 0:55:54 | |
# Put on my clothes | 0:55:54 | 0:55:56 | |
# Cos I've got bills to pay | 0:55:56 | 0:55:59 | |
# Now it ain't... # | 0:55:59 | 0:56:00 | |
Come on, Amrick, yes, come on! | 0:56:00 | 0:56:02 | |
# ..Don't need no help | 0:56:02 | 0:56:04 | |
# Got a strong will to survive | 0:56:04 | 0:56:07 | |
# I've got a deeper love | 0:56:07 | 0:56:10 | |
# Deeper love | 0:56:10 | 0:56:12 | |
# Deeper love inside | 0:56:12 | 0:56:15 | |
# And I call it | 0:56:15 | 0:56:16 | |
# Pride, a deeper love | 0:56:16 | 0:56:18 | |
# Pride, a deeper love | 0:56:18 | 0:56:20 | |
# Pride, a deeper love | 0:56:20 | 0:56:22 | |
# Whoa, whoa, whoa, whoa! | 0:56:22 | 0:56:24 | |
# Pride! | 0:56:24 | 0:56:26 | |
# Yeah! # | 0:56:26 | 0:56:28 | |
SHOUTS OF ENCOURAGEMENT | 0:56:28 | 0:56:30 | |
# I got a deeper love | 0:56:30 | 0:56:33 | |
# Yeah, yeah! | 0:56:33 | 0:56:35 | |
# Deeper love inside | 0:56:35 | 0:56:38 | |
# I call it pride. # | 0:56:38 | 0:56:41 | |
CHEERING AND APPLAUSE | 0:56:41 | 0:56:43 | |
THEY GROAN | 0:56:44 | 0:56:45 | |
Don't worry, son! | 0:56:45 | 0:56:47 | |
RICKY: Hello! KYLIE: Hi! | 0:56:48 | 0:56:50 | |
Hello! | 0:56:50 | 0:56:52 | |
-My name is Amrick Channa. -Wow, that was incredible. -Thank you. | 0:56:53 | 0:56:58 | |
You do not look like I thought you were going to look. | 0:56:58 | 0:57:01 | |
What did you think I was going to look like? | 0:57:01 | 0:57:03 | |
I thought there'd be more feathers, to be honest. | 0:57:03 | 0:57:06 | |
LAUGHTER | 0:57:06 | 0:57:08 | |
I can't compete with that lady there with the feathers. | 0:57:08 | 0:57:11 | |
No, you should see her dressing room. A gust of wind, it'd take off. | 0:57:11 | 0:57:15 | |
Yeah, it was incredible. It was powerful. | 0:57:15 | 0:57:17 | |
But I didn't turn because it's not my bag. | 0:57:17 | 0:57:22 | |
OK, sure. | 0:57:22 | 0:57:23 | |
-But well done, mate. -Thank you for that. | 0:57:23 | 0:57:25 | |
CHEERING | 0:57:25 | 0:57:27 | |
So, um, I didn't turn because I felt, at times, it seemed as if | 0:57:27 | 0:57:32 | |
you were fighting with the band. | 0:57:32 | 0:57:35 | |
Rather than guiding the band. | 0:57:35 | 0:57:37 | |
Do you perform a lot? | 0:57:37 | 0:57:38 | |
Mainly in clubs, yeah, nightclubs around Europe and... | 0:57:38 | 0:57:42 | |
To backing tracks or...? | 0:57:42 | 0:57:44 | |
Yeah, backing tracks, jamming with the DJs as well, | 0:57:44 | 0:57:47 | |
-so it's all very pumping house beats, you know? -Yeah, yeah. | 0:57:47 | 0:57:50 | |
I would like to see you rocking over a DJ. That would be fresh. | 0:57:50 | 0:57:53 | |
-But thank you for singing, though. -Thanks. No, thank you for that. | 0:57:53 | 0:57:57 | |
I appreciate it. I had it all planned out. | 0:57:57 | 0:58:01 | |
You were going to turn around. | 0:58:01 | 0:58:02 | |
And then I was going to say... # I'm high above the universe | 0:58:02 | 0:58:07 | |
# Losing track of time | 0:58:07 | 0:58:08 | |
# I'm falling free, I can't believe that you are really mine. # | 0:58:08 | 0:58:13 | |
Yeah. Well... | 0:58:13 | 0:58:15 | |
CHEERING | 0:58:15 | 0:58:16 | |
-I love your look. -Thank you so much, Kylie. That means a lot. -I mean... | 0:58:18 | 0:58:23 | |
-That means a lot. Thank you. -I haven't seen this before. | 0:58:23 | 0:58:25 | |
I've seen a lot of things. I haven't seen this before. | 0:58:25 | 0:58:28 | |
He is single! | 0:58:28 | 0:58:29 | |
I think you have a great voice. | 0:58:29 | 0:58:31 | |
I think you've got plenty of nights ahead in the club | 0:58:31 | 0:58:35 | |
and look forward to seeing where you go in the future, | 0:58:35 | 0:58:39 | |
because I'll definitely remember you. | 0:58:39 | 0:58:42 | |
Oh, thank you, that means a lot to me. That means a lot to me. | 0:58:42 | 0:58:44 | |
I've been a fan of yours for a very long time now. | 0:58:44 | 0:58:47 | |
Let's not mention how long. | 0:58:47 | 0:58:49 | |
-But well done, thank you. -Thank you so much. Much appreciated. | 0:58:50 | 0:58:54 | |
Well done, Amrick. | 0:59:02 | 0:59:03 | |
Despite having the most spaces to fill, Ricky isn't turning. | 0:59:10 | 0:59:14 | |
And explaining why is proving tricky. | 0:59:14 | 0:59:17 | |
It's really hard when I don't want them. | 0:59:17 | 0:59:21 | |
It's not fun facing them, saying why you think they're no good. | 0:59:21 | 0:59:25 | |
But that's why I'm here. I've got to give a reason I didn't turn. | 0:59:26 | 0:59:30 | |
-And I feel silly for saying this. -Oh, well. | 0:59:30 | 0:59:33 | |
You have a great voice, but I really wouldn't know what to do with it. | 0:59:33 | 0:59:36 | |
Oh... | 0:59:36 | 0:59:37 | |
Recently I've bought a bread-maker. | 0:59:37 | 0:59:40 | |
It looks great in my kitchen. | 0:59:40 | 0:59:42 | |
But I've never used it and I didn't want you to be my bread-maker. | 0:59:42 | 0:59:47 | |
What?! | 0:59:47 | 0:59:48 | |
I was recently given a set of golf clubs. | 0:59:51 | 0:59:53 | |
They're in my hallway and everyone goes, "Nice clubs, mate." | 0:59:54 | 0:59:58 | |
It would be a bit like living in Leeds | 0:59:58 | 1:00:00 | |
and having a speedboat parked in the drive. | 1:00:00 | 1:00:02 | |
I'd sit in it all day long drinking beer. | 1:00:02 | 1:00:04 | |
-None of us can follow that. -Definitely different! | 1:00:04 | 1:00:07 | |
I have a house in the country full of junk. | 1:00:07 | 1:00:10 | |
It's a terrible excuse. | 1:00:13 | 1:00:14 | |
So, will our next act get apologies or pitches? | 1:00:19 | 1:00:22 | |
It's 17-year-old Jazz Bates-Chambers from Nottingham. | 1:00:22 | 1:00:25 | |
I am a girlie girl. | 1:00:25 | 1:00:27 | |
I like clothes, I like fashion. | 1:00:27 | 1:00:29 | |
-Maybe something like this. -I like that. | 1:00:29 | 1:00:33 | |
Nail varnish. I love nail varnish. | 1:00:33 | 1:00:35 | |
It goes with your nails as well. | 1:00:35 | 1:00:37 | |
I've been brought up by my mum from the beginning. | 1:00:39 | 1:00:43 | |
It's been just me and her. | 1:00:43 | 1:00:44 | |
Jazz and I are very close. We get on very well as friends. | 1:00:46 | 1:00:49 | |
We go on holiday together still. | 1:00:51 | 1:00:53 | |
I know some people get bored of going on holiday with their mums, | 1:00:53 | 1:00:56 | |
but I don't. | 1:00:56 | 1:00:58 | |
SHE LAUGHS | 1:00:58 | 1:01:00 | |
I'm going to be so nervous for her at the blind auditions. | 1:01:00 | 1:01:02 | |
I'm really hopeful that she will do well. She's just a great kid. | 1:01:02 | 1:01:06 | |
I never thought that anything like this would happen. | 1:01:08 | 1:01:11 | |
It's such a surprise. | 1:01:11 | 1:01:13 | |
And it's terrifying not knowing | 1:01:13 | 1:01:15 | |
whether I'm good enough to get to the next stage. | 1:01:15 | 1:01:18 | |
Is that a confident face, a calm face, a nervous face? | 1:01:20 | 1:01:24 | |
-Confident and nervous. -I can't quite work it out! | 1:01:24 | 1:01:27 | |
# I remember when, I remember I remember when I lost my mind | 1:01:39 | 1:01:46 | |
# There was something so special about that place | 1:01:46 | 1:01:51 | |
# Even your emotions had an echo in so much space... # | 1:01:51 | 1:01:56 | |
Come on, turn round! Come on! | 1:01:56 | 1:01:59 | |
# ..Does that make me crazy? | 1:01:59 | 1:02:02 | |
# Does that make me crazy? No, no | 1:02:03 | 1:02:09 | |
# Does that make me crazy? | 1:02:09 | 1:02:13 | |
# Probably, no | 1:02:14 | 1:02:19 | |
# Come on now, who do you | 1:02:21 | 1:02:24 | |
# Who do you, who do you Who do you think you are? | 1:02:24 | 1:02:29 | |
# Ha, ha, ha, bless your soul | 1:02:29 | 1:02:32 | |
# You really think you're in control | 1:02:35 | 1:02:40 | |
# Well, I think you're crazy... # | 1:02:41 | 1:02:44 | |
Come on, Tom! | 1:02:44 | 1:02:46 | |
# ..I think you're crazy, yeah | 1:02:46 | 1:02:52 | |
# I think you're cra... No, yeah... # | 1:02:52 | 1:02:57 | |
Turn round! | 1:02:57 | 1:02:59 | |
# ..Probably, no, no. # | 1:02:59 | 1:03:04 | |
APPLAUSE | 1:03:04 | 1:03:07 | |
Yeah! | 1:03:20 | 1:03:21 | |
Hiya. | 1:03:25 | 1:03:26 | |
- What's your name? - Jazz. | 1:03:26 | 1:03:28 | |
I'm so jealous right now. | 1:03:28 | 1:03:29 | |
I was actually jealous before turning around and seeing Jazz. | 1:03:30 | 1:03:35 | |
My team is just about full. | 1:03:36 | 1:03:40 | |
But I loved it. | 1:03:40 | 1:03:41 | |
I absolutely loved it. Your tone is so unique, you're cool | 1:03:41 | 1:03:46 | |
and Ricky is one lucky, lucky guy right now. | 1:03:46 | 1:03:49 | |
That's all I can say. | 1:03:49 | 1:03:50 | |
CHEERING | 1:03:50 | 1:03:53 | |
It's great. Fantastic. | 1:03:53 | 1:03:55 | |
Thank you. Thank you. | 1:03:55 | 1:03:57 | |
The reason why I didn't turn around is | 1:03:57 | 1:03:59 | |
because I have this singer named Aisha, who is similar in soul. | 1:03:59 | 1:04:04 | |
You have an incredible voice | 1:04:04 | 1:04:06 | |
and when you guys find songs together, you are a deadly force. | 1:04:06 | 1:04:10 | |
Once you get on and flying and you guys are frying, | 1:04:10 | 1:04:14 | |
it's not going to even be like you're trying. | 1:04:14 | 1:04:16 | |
And I'm not lying. | 1:04:16 | 1:04:17 | |
LAUGHTER AND APPLAUSE | 1:04:17 | 1:04:20 | |
KYLIE: Whoo! | 1:04:22 | 1:04:24 | |
-It's going to be dope. Really fresh. -Thank you. Thanks a lot. | 1:04:25 | 1:04:30 | |
The only reason that I didn't turn around is that | 1:04:31 | 1:04:35 | |
I have somebody on my team very similar. But you are great. | 1:04:35 | 1:04:40 | |
-Thank you. -You sound great and you look great and you are great, so... | 1:04:40 | 1:04:44 | |
-And he's great. -Yeah! | 1:04:44 | 1:04:46 | |
- Hi. - Hello. | 1:04:49 | 1:04:52 | |
I'm in a band, usually, | 1:04:52 | 1:04:53 | |
and usually I've got all of these mates around me and they help me. | 1:04:53 | 1:04:56 | |
Now it's like I'm forming a new band | 1:04:56 | 1:04:59 | |
and I've got a brand-new member and I'm going to do for you | 1:04:59 | 1:05:02 | |
what they do for me - we're going to go a long way. | 1:05:02 | 1:05:05 | |
- I'm so happy. - Thank you. | 1:05:08 | 1:05:11 | |
- Where are you from? - Nottingham. Yeah. | 1:05:11 | 1:05:13 | |
I love your accent. It's great. | 1:05:13 | 1:05:15 | |
This is going to be great. I'm glad you got through. | 1:05:18 | 1:05:21 | |
I was worried because everyone started, like, not turning. | 1:05:21 | 1:05:24 | |
Yeah. | 1:05:24 | 1:05:25 | |
We've filled up our things, but I had to turn. | 1:05:25 | 1:05:27 | |
-I'm happy for Ricky. -Yeah. | 1:05:27 | 1:05:30 | |
THEY CHEER | 1:05:30 | 1:05:32 | |
- Your smile is from ear to ear. - Jazz is great, isn't she? | 1:05:37 | 1:05:41 | |
I was so nervous then. Because I... | 1:05:41 | 1:05:44 | |
I thought Will was going to go. | 1:05:44 | 1:05:45 | |
I feel absolutely amazing. | 1:05:45 | 1:05:48 | |
Last stop tonight is Liverpool, to meet 16-year-old Scouse lass | 1:05:51 | 1:05:55 | |
Amelia O'Connell. | 1:05:55 | 1:05:57 | |
I have to love Liverpool because I'm a Scouser. | 1:05:57 | 1:06:00 | |
You have no option - from Liverpool and that's it. | 1:06:00 | 1:06:03 | |
I've brought my family with me, but my dad can't come today | 1:06:05 | 1:06:08 | |
because he's actually in Germany working on a tribute show. | 1:06:08 | 1:06:11 | |
Basically he does shows as Tom Jones. | 1:06:11 | 1:06:14 | |
# Just help yourself to my lips... # | 1:06:14 | 1:06:17 | |
I've seen him once | 1:06:17 | 1:06:18 | |
and it was the most embarrassing time of my life. | 1:06:18 | 1:06:21 | |
I am a daddy's girl but I do love my mum. I do love her. | 1:06:22 | 1:06:26 | |
I'm not really very good with her singing. I just cry. | 1:06:26 | 1:06:29 | |
Her ability, it just takes my breath away. | 1:06:29 | 1:06:32 | |
When I was seven, I was really ill | 1:06:34 | 1:06:36 | |
and I had open heart surgery to fix a leak in my valve. | 1:06:36 | 1:06:40 | |
It was a hard time to go through as a family. | 1:06:41 | 1:06:44 | |
It does make me feel emotional, even thinking about it now. | 1:06:44 | 1:06:48 | |
I can remember clearly her coming off intensive care onto | 1:06:51 | 1:06:54 | |
the ward and she said to me, "Do you think I'll be able to sing?" | 1:06:54 | 1:06:58 | |
I'm not going to lie. I feel so nervous. | 1:07:02 | 1:07:05 | |
I've got no other chance. I can't come back tomorrow and do it again. | 1:07:08 | 1:07:11 | |
It's now. And I need to do it right. | 1:07:13 | 1:07:16 | |
My baby girl! | 1:07:24 | 1:07:26 | |
# And the first time | 1:07:49 | 1:07:54 | |
# Ever I saw your face | 1:07:54 | 1:08:01 | |
# I felt your heart | 1:08:06 | 1:08:10 | |
# So close to mine | 1:08:10 | 1:08:21 | |
# And I knew our joy... # | 1:08:21 | 1:08:27 | |
-Come on! -Kylie, come on! -Kylie, push the button! | 1:08:27 | 1:08:30 | |
# ..Would fill the earth | 1:08:31 | 1:08:39 | |
# And last, and last, and last | 1:08:39 | 1:08:44 | |
# Till the end of time... # | 1:08:44 | 1:08:50 | |
Come on, someone push the button! | 1:08:50 | 1:08:52 | |
# ..And the first time | 1:08:55 | 1:09:00 | |
# Ever I saw... # | 1:09:00 | 1:09:10 | |
CHEERING | 1:09:10 | 1:09:14 | |
# ..Your face | 1:09:14 | 1:09:16 | |
# Your face... # | 1:09:18 | 1:09:25 | |
CHEERING | 1:09:25 | 1:09:27 | |
# ..Your face. # | 1:09:27 | 1:09:32 | |
APPLAUSE AND CHEERING | 1:09:32 | 1:09:36 | |
Well done, well done. Oh, well done. | 1:09:41 | 1:09:44 | |
-What's your name? -Amelia. | 1:09:55 | 1:09:57 | |
-Amelia? -Amelia. -Where are you from, lass? -Liverpool. -Liverpool? | 1:09:57 | 1:10:01 | |
Whoo! Yeah. | 1:10:01 | 1:10:03 | |
-Are you a professional singer? -No. Not yet! -Not yet. | 1:10:03 | 1:10:06 | |
My dad's actually the UK's number one Tom Jones tribute. | 1:10:06 | 1:10:11 | |
LAUGHTER | 1:10:11 | 1:10:13 | |
I go to college. I'm 16. | 1:10:19 | 1:10:21 | |
16?! | 1:10:21 | 1:10:22 | |
I am, yeah. | 1:10:22 | 1:10:24 | |
Wow. Go ahead with the education part, that's very important. | 1:10:25 | 1:10:29 | |
But you're a born singer, though. | 1:10:29 | 1:10:31 | |
If I were you, I would just, I would do that. | 1:10:34 | 1:10:36 | |
-And don't be concerned with other things. -OK. | 1:10:36 | 1:10:39 | |
Only be concerned about being on my team. | 1:10:39 | 1:10:42 | |
LAUGHTER Obviously! | 1:10:42 | 1:10:44 | |
Hiya. | 1:10:49 | 1:10:49 | |
-Hello. -That was...that was amazing, right? | 1:10:49 | 1:10:52 | |
-Yeah. -Yeah. | 1:10:52 | 1:10:54 | |
It was only halfway through that I remembered I have a job to do. | 1:10:54 | 1:10:57 | |
-That's when I turned round. -Thank you. | 1:10:57 | 1:10:59 | |
But it was cause you took us all to another place. | 1:10:59 | 1:11:02 | |
And I'd like to stay there. | 1:11:02 | 1:11:05 | |
CHEERING Thank you. | 1:11:05 | 1:11:07 | |
I didn't turn around. Not because I didn't like you. | 1:11:09 | 1:11:13 | |
I think you're spectacular. And now that I've turned around | 1:11:13 | 1:11:16 | |
and I've saw the bravery to have wonderful pink with a nice necklace and green pants. | 1:11:16 | 1:11:22 | |
-That's a nice outfit. -Thanks. | 1:11:24 | 1:11:25 | |
But I'm so happy that the other three turned. You have a very, very difficult choice. | 1:11:25 | 1:11:32 | |
Because Kylie is amazing, | 1:11:32 | 1:11:34 | |
Tom Jones is a legend. | 1:11:34 | 1:11:36 | |
And Ricky...is really good. | 1:11:36 | 1:11:39 | |
LAUGHTER | 1:11:39 | 1:11:41 | |
What? Why is that bad? | 1:11:41 | 1:11:44 | |
APPLAUSE | 1:11:44 | 1:11:45 | |
"Amazing", "legend", "really good". | 1:11:49 | 1:11:52 | |
I'm sorry. Where I come from, "really good" is better. | 1:11:52 | 1:11:57 | |
-What, better than "legend"? -No, no, just better. | 1:11:59 | 1:12:02 | |
So, I'm being remarkably quiet right now. | 1:12:04 | 1:12:08 | |
Just because you put me in a bit of a trance. | 1:12:08 | 1:12:11 | |
Your voice is just beautiful and soaring. | 1:12:11 | 1:12:14 | |
And that's what I'm looking for on my team. | 1:12:14 | 1:12:16 | |
It's part of you, probably passed on from your dad, if he's a... | 1:12:17 | 1:12:21 | |
-IN WELSH ACCENT: -..Tom Jones impersonator. | 1:12:21 | 1:12:23 | |
Oh, God! | 1:12:23 | 1:12:25 | |
You have the three of us on the edge of our seats here. | 1:12:25 | 1:12:29 | |
APPLAUSE | 1:12:29 | 1:12:31 | |
Thanks! | 1:12:32 | 1:12:34 | |
Right on the edge. Right, like, here. | 1:12:34 | 1:12:37 | |
Just in front of everyone. | 1:12:37 | 1:12:39 | |
Because these guys have got the advantage of flirting with you | 1:12:43 | 1:12:46 | |
with their lovely blue eyes. I don't have that! | 1:12:46 | 1:12:50 | |
I'm your girl, right? | 1:12:50 | 1:12:51 | |
I think you can do anything. You're just lovely and angelic and I was once | 1:12:51 | 1:12:57 | |
your age and that's when I started having singing lessons. You guys should talk amongst yourselves. | 1:12:57 | 1:13:03 | |
I started having singing lessons and... | 1:13:03 | 1:13:08 | |
APPLAUSE | 1:13:08 | 1:13:09 | |
I think we all have something completely different to offer, | 1:13:16 | 1:13:19 | |
so the choice is yours. | 1:13:19 | 1:13:21 | |
APPLAUSE AND CHEERING | 1:13:21 | 1:13:25 | |
Wait a minute, can I say something? | 1:13:25 | 1:13:27 | |
Don't upset your dad, whatever you do. | 1:13:29 | 1:13:31 | |
LAUGHTER | 1:13:31 | 1:13:33 | |
You can't play the dad card! | 1:13:34 | 1:13:36 | |
Oh, God! | 1:13:38 | 1:13:40 | |
I normally would think that I'd have someone in mind, but I haven't got a clue. | 1:13:42 | 1:13:47 | |
But I think I'm going to have to go with Kylie. | 1:13:48 | 1:13:51 | |
-CHEERING -You are?! | 1:13:51 | 1:13:53 | |
Yaay! | 1:13:56 | 1:13:58 | |
Kylie! | 1:14:00 | 1:14:01 | |
We're going to have to make up with your dad for the whole Tom Jones thing. | 1:14:04 | 1:14:09 | |
-I tried my best! -Oh, I'm sorry! | 1:14:10 | 1:14:13 | |
You're a beautiful singer, love. | 1:14:13 | 1:14:15 | |
-IMITATING TOM: -Don't upset your da. -Exactly! | 1:14:22 | 1:14:25 | |
Don't upset your father, for God's sake! | 1:14:27 | 1:14:30 | |
I've never upset my father. | 1:14:30 | 1:14:32 | |
CHEERING | 1:14:35 | 1:14:37 | |
I feel like I'm going to faint or cry. I'm so happy, it's unreal. | 1:14:38 | 1:14:43 | |
What was Tom Jones doing when he was 16? | 1:14:43 | 1:14:46 | |
-When I was 16 I was trying to... -Zip! -I was trying to... -Zip! | 1:14:46 | 1:14:52 | |
Gonna break down doors. | 1:14:52 | 1:14:54 | |
LAUGHTER | 1:14:55 | 1:14:57 | |
Kick down doors. | 1:14:57 | 1:14:59 | |
-Is that what they called it in those days? -Break all the windows. | 1:15:00 | 1:15:02 | |
And thank God it worked. | 1:15:03 | 1:15:05 | |
Finally. | 1:15:06 | 1:15:07 | |
So, as the curtain falls on week six | 1:15:10 | 1:15:12 | |
and with only one more round of blind auditions to go, | 1:15:12 | 1:15:15 | |
the teams are almost at capacity. | 1:15:15 | 1:15:17 | |
The addition of Emily, Nathan and Jazz has taken Team Ricky to ten. | 1:15:18 | 1:15:23 | |
Tom added yet another girl, Talia, and bagged his first man, Bizzi, | 1:15:24 | 1:15:28 | |
giving him ten. | 1:15:28 | 1:15:30 | |
Kiki and Callum also take Team Will to ten. | 1:15:30 | 1:15:34 | |
And the addition of Amelia leaves Kylie on 11, | 1:15:35 | 1:15:39 | |
with just one spot left. | 1:15:39 | 1:15:40 | |
Next week... | 1:15:44 | 1:15:45 | |
it's the final blind auditions. | 1:15:47 | 1:15:49 | |
It's getting really tough. How many have you got left? | 1:15:49 | 1:15:51 | |
We ain't got time to be messing around here. | 1:15:51 | 1:15:53 | |
And the coaches must make some tough decisions. | 1:15:53 | 1:15:57 | |
Shall I press or shall I wait? | 1:15:57 | 1:15:59 | |
-Just got to go in for the kill. -Tell me what to do! | 1:15:59 | 1:16:02 | |
'But securing the best team...' | 1:16:02 | 1:16:03 | |
You're more real than anyone else I've heard. | 1:16:03 | 1:16:06 | |
Will's playing a dangerous game. | 1:16:06 | 1:16:07 | |
He could be the one that got away. | 1:16:07 | 1:16:09 | |
'..comes at a high price.' | 1:16:09 | 1:16:11 | |
-No! -Sorry. Thank you for singing today. | 1:16:12 | 1:16:16 |