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TOM JONES: Each coach wants to get the best team. | 0:00:04 | 0:00:07 | |
Yeah! | 0:00:07 | 0:00:09 | |
-RICKY WILSON: -I think Will's going to keep till the very last person. | 0:00:09 | 0:00:12 | |
I don't want to do that this year. That's the truth. | 0:00:12 | 0:00:16 | |
KYLIE MINOGUE: I'm expecting the unexpected | 0:00:16 | 0:00:18 | |
but I'll fight the whole way. | 0:00:18 | 0:00:20 | |
I don't know what Ricky's going to do. | 0:00:21 | 0:00:24 | |
I'm just going to play the game my way, I think. | 0:00:25 | 0:00:28 | |
I'll have the best team, and if they don't already know, | 0:00:29 | 0:00:32 | |
then I'll tell them. | 0:00:32 | 0:00:33 | |
It's all up in the air. You never know what's going to happen. | 0:00:33 | 0:00:37 | |
Tonight, every hit counts as the coaches must complete their teams of 12. | 0:00:37 | 0:00:42 | |
This is real hard. | 0:00:42 | 0:00:44 | |
Tom has two spaces remaining. | 0:00:44 | 0:00:46 | |
He has a lot of girls on his team. | 0:00:46 | 0:00:47 | |
I've been waiting for a male voice. | 0:00:47 | 0:00:50 | |
Will and Ricky also need two more acts. | 0:00:50 | 0:00:53 | |
Boom, into my chest. Straight there. | 0:00:53 | 0:00:56 | |
But Kylie only has one space to fill. | 0:00:56 | 0:00:58 | |
Tell me what to do! | 0:00:58 | 0:00:59 | |
Everyone's hunting for different things, so something's got to give. | 0:00:59 | 0:01:03 | |
He's playing a dangerous game. | 0:01:03 | 0:01:05 | |
-We ain't got time to mess around here. -No! | 0:01:05 | 0:01:08 | |
Sorry. | 0:01:09 | 0:01:11 | |
It's the final day of the blind auditions | 0:01:18 | 0:01:20 | |
and the coaches are getting ready. | 0:01:20 | 0:01:22 | |
-AUDIENCE LAUGHTER -Fine. You've done it. | 0:01:22 | 0:01:26 | |
Our teams are getting full up. | 0:01:26 | 0:01:28 | |
-I want to hit my buzzer. -It's coming like a tidal wave, baby. | 0:01:28 | 0:01:31 | |
LAUGHTER | 0:01:31 | 0:01:34 | |
It certainly is, Ricky! | 0:01:34 | 0:01:35 | |
Here comes 26-year-old ambulance controller Tom Barnwell. | 0:01:35 | 0:01:39 | |
999 call, please. | 0:01:45 | 0:01:46 | |
To town centre. Approximately 30-year-old female. | 0:01:46 | 0:01:51 | |
I take my job very seriously | 0:01:51 | 0:01:53 | |
because sometimes it literally can be life or death. | 0:01:53 | 0:01:56 | |
999 code activated. | 0:01:56 | 0:01:58 | |
So when someone calls 999, it's my job to allocate the nearest | 0:01:58 | 0:02:02 | |
ambulance to the call so that they get the help as fast as possible. | 0:02:02 | 0:02:06 | |
The time when I appreciate that my job is important | 0:02:06 | 0:02:09 | |
is not when I'm there. | 0:02:09 | 0:02:11 | |
It's when I'm on the way home and I'm thinking about everything that's | 0:02:11 | 0:02:14 | |
happened that day and it is quite important to leave it at the door. | 0:02:14 | 0:02:19 | |
Ever since I was a little boy, I've wanted to sing, | 0:02:20 | 0:02:22 | |
and I've never done anything big but it's what I want to do. | 0:02:22 | 0:02:26 | |
I'm used to dealing with stress on a daily basis, | 0:02:28 | 0:02:31 | |
but this is a totally different type of pressure. | 0:02:31 | 0:02:35 | |
Oh, yeah. Oh! Here we go! | 0:02:37 | 0:02:39 | |
MUSIC: "American Boy" | 0:02:52 | 0:02:57 | |
Oh, look at Will's little face! | 0:02:57 | 0:02:59 | |
# She said, hey sister | 0:03:01 | 0:03:04 | |
# It's really, really nice to meet ya | 0:03:04 | 0:03:05 | |
# I just met this five foot seven guy who's just my type | 0:03:05 | 0:03:10 | |
# I like the way he's speaking | 0:03:10 | 0:03:12 | |
# His confidence is peaking | 0:03:12 | 0:03:14 | |
# Don't like his baggy jeans but I'mma like what's underneath them | 0:03:14 | 0:03:18 | |
# And no, I ain't been to MIA | 0:03:18 | 0:03:21 | |
# I heard that Cali never rains and New York's heart awaits | 0:03:21 | 0:03:25 | |
# First let's see the West End | 0:03:25 | 0:03:27 | |
# I'll show you to my brethren | 0:03:27 | 0:03:29 | |
# I'm liking this... # | 0:03:29 | 0:03:30 | |
-Push it! -Go on! Go on! -Push! | 0:03:30 | 0:03:33 | |
# Take me on a trip I'd like to go some day | 0:03:33 | 0:03:37 | |
# Take me to New York, I'd like to see LA | 0:03:37 | 0:03:41 | |
# I really want to come kick it with you | 0:03:41 | 0:03:45 | |
# Won't you be my American boy? | 0:03:45 | 0:03:50 | |
# So won't you be mine, girl? | 0:03:50 | 0:03:53 | |
# Would you be mine? | 0:03:53 | 0:03:55 | |
# Would you be my love? | 0:03:55 | 0:03:56 | |
# Would you be mine? | 0:03:56 | 0:03:59 | |
# Would you be my love? | 0:03:59 | 0:04:02 | |
# Would you be my American boy? | 0:04:02 | 0:04:05 | |
# American boy, whoa-oh | 0:04:05 | 0:04:10 | |
# Take me to Chicago, San Francisco Bay | 0:04:10 | 0:04:14 | |
# I really want to come kick it with you | 0:04:14 | 0:04:18 | |
# I'm liking this American boy | 0:04:18 | 0:04:21 | |
-# American... -Can I dip you? | 0:04:21 | 0:04:23 | |
# Boy. # | 0:04:23 | 0:04:27 | |
Whoo! Hi, I'm Tom Barnwell. I'm 26. I'm from Stratford and I'm... | 0:04:49 | 0:04:53 | |
-AUDIENCE: -Whoo! | 0:04:53 | 0:04:55 | |
Thank you. And I'm an ambulance controller. | 0:04:55 | 0:04:57 | |
-Ambulance? -HE MIMICS SIREN | 0:04:57 | 0:05:02 | |
So you have, like, a Madonna mic on and you're, like... | 0:05:02 | 0:05:05 | |
I have a Madonna mic on, yeah. That's right. I love it. | 0:05:05 | 0:05:08 | |
I didn't expect all of you to turn around. | 0:05:08 | 0:05:11 | |
HE LAUGHS NERVOUSLY | 0:05:11 | 0:05:13 | |
Whoo! | 0:05:13 | 0:05:15 | |
AUDIENCE CHEERING | 0:05:15 | 0:05:18 | |
-Thank you. -Aww. Thanks for kicking the dancing off there. | 0:05:18 | 0:05:22 | |
That was cool. | 0:05:22 | 0:05:24 | |
Yeah. There's a moment that happens when we face the other way. | 0:05:24 | 0:05:28 | |
Just go like that and you get into it. | 0:05:28 | 0:05:30 | |
-We lost ourselves, so you did an awesome job. -Thank you so much. | 0:05:30 | 0:05:33 | |
You have a big decision ahead of you. | 0:05:33 | 0:05:36 | |
Someone's going to have to take over control. | 0:05:36 | 0:05:39 | |
-AUDIENCE LAUGHTER -Tom. | 0:05:39 | 0:05:41 | |
Well, the reason I didn't get up to dance with everybody else was I was still listening and looking. | 0:05:41 | 0:05:46 | |
-It's not that I can't get up and dance because I think... -LAUGHTER | 0:05:46 | 0:05:50 | |
I can still get up and dance. I've been dancing a long time. | 0:05:53 | 0:05:56 | |
But I love the way you sound. You just sounded different. | 0:05:56 | 0:05:59 | |
You had a fresh approach, which is great, | 0:05:59 | 0:06:06 | |
-and I liked the whole thing. -Thank you so much. | 0:06:06 | 0:06:08 | |
-All right, Tom. -Hello. -I want to say it was really great. | 0:06:11 | 0:06:15 | |
That's the first time we've got up and danced. | 0:06:15 | 0:06:18 | |
I can't remember why I pushed, you know? It just happened. | 0:06:18 | 0:06:21 | |
-Like you said. -Yeah. -I'm stealing your pitch. -Take it. | 0:06:21 | 0:06:24 | |
It just happened. | 0:06:24 | 0:06:25 | |
Anyway, it was really, really good. We all enjoyed it, obviously. | 0:06:25 | 0:06:28 | |
Thank you guys so much. Thank you. | 0:06:28 | 0:06:30 | |
I could feel you were singing from your heart. It was really good. | 0:06:30 | 0:06:34 | |
-Thank you. -What's up, Tom? -I'm good. How are you? -I'm good. | 0:06:34 | 0:06:39 | |
You were really good. What I like about it | 0:06:39 | 0:06:41 | |
is the Tom touch you added to it. Not that Tom. | 0:06:41 | 0:06:45 | |
Your Tom. | 0:06:45 | 0:06:47 | |
So that song that you sang, it means a lot to me, that particular song. | 0:06:47 | 0:06:52 | |
It was 2006, right? I started working on this beat. | 0:06:52 | 0:06:57 | |
PERFORMS BEAT | 0:06:57 | 0:07:00 | |
And then John Legend comes in. | 0:07:03 | 0:07:04 | |
He says, "What are you going to do with that?" | 0:07:04 | 0:07:07 | |
I was like, "I don't know. I'm just messing with it." | 0:07:07 | 0:07:10 | |
He was like, "I got this girl named Estelle. Can she have that?" | 0:07:10 | 0:07:15 | |
I'm like, "Um, all right." And it turned into American Boy. So... | 0:07:15 | 0:07:20 | |
AUDIENCE CHEERING | 0:07:20 | 0:07:23 | |
But the thing is that whole thing happened in an hour and a half, | 0:07:23 | 0:07:31 | |
so my point is - | 0:07:31 | 0:07:33 | |
dude, I know how to do that kind of stuff all day in, like, | 0:07:33 | 0:07:36 | |
an hour and a half. | 0:07:36 | 0:07:38 | |
This is so good. You are all amazing people. Um... But... | 0:07:49 | 0:07:54 | |
I think it's going to be will.i.am. | 0:08:02 | 0:08:04 | |
MUSIC: "Let's Get It Started" by the Black Eyed Peas | 0:08:04 | 0:08:07 | |
-Good job. Really good. -Nice to meet you. -Nice to meet you. | 0:08:09 | 0:08:13 | |
-Good choice. -It's so great to meet you, darling. -Very proud. | 0:08:13 | 0:08:18 | |
Very proud of him. | 0:08:18 | 0:08:19 | |
-Thank you. -All right, Tom. | 0:08:19 | 0:08:21 | |
So ambulance controller Tom Barnwell is one step closer | 0:08:32 | 0:08:35 | |
to giving up the day job. | 0:08:35 | 0:08:37 | |
And even our superstar coaches had to start somewhere. | 0:08:37 | 0:08:40 | |
Where I grew up was a coal mining area. They were working class people. | 0:08:41 | 0:08:45 | |
I felt that if I could make a living out of singing, | 0:08:45 | 0:08:48 | |
that would be perfection. | 0:08:48 | 0:08:50 | |
I knew that it wasn't just going to happen overnight. | 0:08:50 | 0:08:53 | |
Millions of people want to be footballers, train drivers... | 0:08:53 | 0:08:56 | |
When I was eight, I wanted to be ET. | 0:08:56 | 0:08:58 | |
And it didn't happen. | 0:08:58 | 0:09:00 | |
# MUSIC: "All Night Long" by Lionel Richie | 0:09:00 | 0:09:02 | |
# Forever. Come on and sing along | 0:09:02 | 0:09:04 | |
# Sing it! | 0:09:04 | 0:09:05 | |
# All night long | 0:09:05 | 0:09:08 | |
# All night | 0:09:08 | 0:09:10 | |
# All night long | 0:09:10 | 0:09:13 | |
# Yeah | 0:09:13 | 0:09:14 | |
I love my job so much, dealing with the lovely public. | 0:09:14 | 0:09:17 | |
-This is lovely. -That is nice, isn't it? | 0:09:17 | 0:09:19 | |
-Yeah! Whoo! -I think Johnny thinks he is a megastar already. | 0:09:19 | 0:09:22 | |
Many times I've climbed into bed with an older woman. | 0:09:22 | 0:09:26 | |
# Come join the party | 0:09:26 | 0:09:28 | |
# See how we play | 0:09:28 | 0:09:31 | |
# Whoa! # | 0:09:31 | 0:09:33 | |
I really liked it, man. You are definitely a singer. | 0:09:34 | 0:09:37 | |
-What do you do for a living? -I sell beds for a living. | 0:09:37 | 0:09:39 | |
So I'll give youse a good deal if you ever want to come down and see me. | 0:09:39 | 0:09:43 | |
will.i.am. I can look after you. | 0:09:43 | 0:09:46 | |
-I don't want to be up all night. -LAUGHTER | 0:09:46 | 0:09:50 | |
Kylie, do you mind being up all night? | 0:09:50 | 0:09:52 | |
The coaches are in the business of making careers. | 0:09:59 | 0:10:01 | |
Every single coach at one point in time was a diamond in the rough, | 0:10:01 | 0:10:05 | |
and with belief, we were able to craft our dream into a reality. | 0:10:05 | 0:10:09 | |
It can happen to you at any time. | 0:10:11 | 0:10:12 | |
When the opportunity comes, you just got to grab it. | 0:10:12 | 0:10:15 | |
Colourful supermarket demonstrator Jane Fraser was hoping to sing her way out of the aisles. | 0:10:15 | 0:10:21 | |
# Bet you're wondering how I knew | 0:10:21 | 0:10:24 | |
# About your plans to make me blue | 0:10:24 | 0:10:28 | |
# Some other guy I knew before... # | 0:10:28 | 0:10:31 | |
-I work for a large supermarket as a demonstrator. Ooh! -Sorry. | 0:10:31 | 0:10:36 | |
That's the person that's trying to coax you into trying the product. | 0:10:36 | 0:10:40 | |
-Does anyone fancy a nibble? -Can I just take one for my son? -Yeah. | 0:10:40 | 0:10:43 | |
Ay, you got two there, you naughty person. | 0:10:43 | 0:10:46 | |
You could put anything in the mouths of people in Blackpool. | 0:10:46 | 0:10:49 | |
I basically have fun with people. | 0:10:49 | 0:10:51 | |
# Don't you know I heard it through the grapevine? | 0:10:51 | 0:10:54 | |
# And I'm just about to lose my mind | 0:10:54 | 0:10:57 | |
# Honey, honey, I heard... # | 0:10:57 | 0:11:01 | |
-I like your dress. -Do you? | 0:11:03 | 0:11:05 | |
-It's very Hawaiian. -Do you think he's coming on to me? | 0:11:05 | 0:11:08 | |
LAUGHTER | 0:11:08 | 0:11:09 | |
-He's getting nervous. -I am nervous. -You've made will.i.am shy. -Really? | 0:11:10 | 0:11:16 | |
You are entertaining. | 0:11:16 | 0:11:17 | |
-You're made for it. Carry on. -Oh, thank you. | 0:11:17 | 0:11:20 | |
I worked on building sites when I was young and I sang at night, | 0:11:20 | 0:11:23 | |
but I was always singing. | 0:11:23 | 0:11:25 | |
It can be done if you want it bad enough. | 0:11:25 | 0:11:27 | |
I always had proper jobs but I never really took them seriously. | 0:11:29 | 0:11:32 | |
I was a lecturer at Leeds College of Art and Design. Don't put that in. | 0:11:32 | 0:11:37 | |
And barmaid Roxanne Yarnold is hoping she can pull the coaches in her direction. | 0:11:37 | 0:11:41 | |
# Shake it out, shake it out | 0:11:41 | 0:11:44 | |
# Shake it out, shake it out # Whoa | 0:11:44 | 0:11:47 | |
# Shake it out, shake it out | 0:11:47 | 0:11:48 | |
# Shake it out, shake it out | 0:11:48 | 0:11:50 | |
# Whoa | 0:11:50 | 0:11:51 | |
# And it's hard to dance with a devil on your back | 0:11:51 | 0:11:55 | |
# So shake him off... # | 0:11:55 | 0:11:58 | |
If it doesn't happen today and I don't get a turn from a coach, | 0:11:58 | 0:12:01 | |
I will be going back to a bar job, which is a bit sad. | 0:12:01 | 0:12:04 | |
There you are. That's £4.60, please. | 0:12:04 | 0:12:06 | |
-It's a good backup plan. -What? A backup plan? | 0:12:06 | 0:12:10 | |
Your backup plan should be making your dream happen. | 0:12:10 | 0:12:13 | |
That's your plan... | 0:12:13 | 0:12:15 | |
And the @ symbol cos that's where it's at. | 0:12:19 | 0:12:21 | |
# Shake it out, shake it out # Shake it out... # | 0:12:25 | 0:12:29 | |
I only have one space left on my entire team. | 0:12:29 | 0:12:32 | |
I'm sorry about the timing of that on my part. | 0:12:32 | 0:12:36 | |
What are your aspirations as far as a career? | 0:12:36 | 0:12:38 | |
I've always dreamed of singing my own songs and singing big stadiums. | 0:12:38 | 0:12:43 | |
Just don't give up, you know? You have an amazing voice. | 0:12:43 | 0:12:47 | |
I won't give up. | 0:12:47 | 0:12:49 | |
There is no such thing as not making your dream happen. | 0:12:49 | 0:12:52 | |
And that's why 48-year-old music teacher Gary Poole is here. | 0:12:52 | 0:12:56 | |
He's a really cool guy. | 0:13:00 | 0:13:01 | |
Like, he's so funny and he's like your mate more than anything. | 0:13:01 | 0:13:06 | |
There's definitely a role reversal going on here. | 0:13:07 | 0:13:10 | |
I'm going to be in front of four great coaches who know | 0:13:10 | 0:13:13 | |
what they're talking about so that'd be good. Get it going the other way. | 0:13:13 | 0:13:16 | |
Surrounded by these glamorous ladies, Gary. How'd you do it? | 0:13:16 | 0:13:20 | |
Showbiz. That's why I started doing it. | 0:13:20 | 0:13:22 | |
# L-O-V-E, love... # | 0:13:22 | 0:13:26 | |
-My name's Gary. -So Gary, what band were you in? | 0:13:26 | 0:13:29 | |
-It was probably before your time. -Try me. Try me. | 0:13:29 | 0:13:32 | |
It was a band called Troi. We did quite well of it. | 0:13:32 | 0:13:35 | |
Isn't that a name? | 0:13:35 | 0:13:36 | |
HE SINGS # 24/7, 365 | 0:13:36 | 0:13:39 | |
# I'm gonna love you, baby. # | 0:13:39 | 0:13:41 | |
-I do know that song. -There you go. | 0:13:41 | 0:13:43 | |
I don't really feel that my career has not really happened. | 0:13:45 | 0:13:49 | |
It's one of those things. Most people don't make it in music. | 0:13:49 | 0:13:52 | |
I think there's much more for me to achieve. | 0:13:54 | 0:13:56 | |
I think if you think you're there, you're clearly deluding yourself. | 0:13:56 | 0:14:00 | |
-He looks cool. -Yeah. He looks the part. | 0:14:04 | 0:14:06 | |
MUSIC: "Valerie" by The Zutons | 0:14:14 | 0:14:16 | |
# Well, sometimes I go out by myself | 0:14:16 | 0:14:20 | |
# I look across the water | 0:14:21 | 0:14:25 | |
# And I think to myself, "What you doing?" | 0:14:26 | 0:14:31 | |
# I paint a picture | 0:14:31 | 0:14:35 | |
# Come on over, baby | 0:14:35 | 0:14:37 | |
# Stop making a fool out of me | 0:14:37 | 0:14:41 | |
-Will, push the button! Come on, Will! -Come on! | 0:14:41 | 0:14:43 | |
# Why don't you come on over, Valerie? | 0:14:43 | 0:14:47 | |
# Valerie... # | 0:14:50 | 0:14:53 | |
Come on. Don't leave it too late. | 0:14:53 | 0:14:55 | |
# Valerie, darling | 0:14:55 | 0:14:58 | |
# Valerie, baby. | 0:14:59 | 0:15:02 | |
# I say... # Since you been gone | 0:15:04 | 0:15:07 | |
Yes! | 0:15:07 | 0:15:09 | |
# I miss your ginger hair and the way you like to dress | 0:15:09 | 0:15:15 | |
# Come on over, baby | 0:15:15 | 0:15:17 | |
# Stop making a little bitty fool out of me | 0:15:17 | 0:15:21 | |
# Say, why don't you come on over, Valerie? | 0:15:21 | 0:15:27 | |
# Valerie | 0:15:28 | 0:15:31 | |
-Push it, Tom! -Push it, Tom. | 0:15:31 | 0:15:33 | |
# Come on over, Valerie. # | 0:15:33 | 0:15:37 | |
-Whoo! -Thank you. | 0:15:37 | 0:15:39 | |
-Wow. Thank you. -All right, what's your name? -My name's Gary. | 0:15:51 | 0:15:54 | |
I'm 48 years old. I've had record deals, lost record deals. I'm here. | 0:15:54 | 0:16:00 | |
-Pick me, choose me, mould me. -Where are you based out of? -London. | 0:16:00 | 0:16:04 | |
-East London. -You look Puerto Rican. | 0:16:04 | 0:16:07 | |
LAUGHTER | 0:16:07 | 0:16:09 | |
-I'm mixed race, actually. -Really? -Yeah. -What races? | 0:16:09 | 0:16:13 | |
-Caribbean and English. -I'm mixed race too. -Yeah? With what? | 0:16:13 | 0:16:18 | |
-Lithuanian and Chinese. -Oh, nice. | 0:16:18 | 0:16:21 | |
I can see that now, now you said that. | 0:16:21 | 0:16:23 | |
-Well, wherever you're from, you were smoo-ooth. -Thank you. Thank you. | 0:16:25 | 0:16:29 | |
You didn't turn, though. | 0:16:29 | 0:16:30 | |
I didn't because I have someone in the same area as you. | 0:16:30 | 0:16:36 | |
-I hope that's true, Kylie. -But... It is true! | 0:16:36 | 0:16:39 | |
The thing is, you're in. | 0:16:39 | 0:16:41 | |
-SHE SINGS -# One way or another... # | 0:16:41 | 0:16:44 | |
You are in. So you'll know that that's true. But that was awesome. | 0:16:44 | 0:16:50 | |
Thank you very much. | 0:16:50 | 0:16:52 | |
-Tom. -Yeah. -Sir. -Yeah! -Yeah! | 0:16:54 | 0:16:58 | |
-So, on my team at the moment, I have mostly ladies. -Right. | 0:16:58 | 0:17:04 | |
-So I have one man. -Thank you. Thank you for turning. Thank you, sir. | 0:17:04 | 0:17:10 | |
-Everyone's music career... No-one's goes like that. -Nope. | 0:17:12 | 0:17:15 | |
-They all go like that. -Yeah. -And you've got to accept that. | 0:17:15 | 0:17:18 | |
-And I just think... -I have. | 0:17:18 | 0:17:20 | |
-You've just gone like that in the last five minutes. -Thank you. | 0:17:20 | 0:17:24 | |
Appreciate that. | 0:17:24 | 0:17:25 | |
All right, well,... | 0:17:32 | 0:17:35 | |
I'm going to go with Tom, if that's OK. | 0:17:39 | 0:17:41 | |
-Welcome. -Thank you. -What a gorgeous smile. -Thank you. | 0:17:43 | 0:17:47 | |
-You have been great. -Thank you so much. | 0:17:47 | 0:17:49 | |
Well done, Gary. Well done! | 0:17:51 | 0:17:53 | |
-Great. He had a great voice. -Yeah. He can sing and that's what I like. | 0:17:59 | 0:18:03 | |
Gary! | 0:18:04 | 0:18:06 | |
-Well done, Gary. -Thank you. -Well done. | 0:18:08 | 0:18:12 | |
Everyone here is hoping for success in the music business. | 0:18:15 | 0:18:18 | |
Our next act has already had it - meet Angie Brown. | 0:18:18 | 0:18:21 | |
# You DJ, pump this party | 0:18:21 | 0:18:23 | |
# Why waste your time? | 0:18:23 | 0:18:24 | |
# You know you're gonna be mine | 0:18:24 | 0:18:26 | |
-THEY SING -# I'm gonna get you, baby I'm gonna get, yes I am | 0:18:26 | 0:18:30 | |
# I'm gonna get you baby | 0:18:30 | 0:18:31 | |
# I'm gonna get you, yes I am. # | 0:18:31 | 0:18:34 | |
-Love that. That's a massive tune. It's huge. -It's 20 years old. | 0:18:34 | 0:18:38 | |
-# Why waste your time... # -Yeah. -That's huge. | 0:18:38 | 0:18:41 | |
That must have been, like, amazing for you. | 0:18:41 | 0:18:43 | |
It was totally an amazing time. | 0:18:43 | 0:18:45 | |
It's a great feeling to be a part of something that was so successful. | 0:18:45 | 0:18:50 | |
I've never had a track out that has been as big as | 0:18:52 | 0:18:56 | |
"I'm Gonna Get You". It's never happened again. | 0:18:56 | 0:19:00 | |
I don't want to be a one-hit wonder. | 0:19:00 | 0:19:03 | |
I want to prove to myself that I've still got it. | 0:19:03 | 0:19:06 | |
Oh, come on, Mummy! | 0:19:28 | 0:19:30 | |
# Why waste your time? | 0:19:33 | 0:19:35 | |
# You know you're gonna be mine... | 0:19:35 | 0:19:38 | |
-Go, Angie! -# You know you're gonna be mine | 0:19:38 | 0:19:41 | |
# Why waste your time | 0:19:41 | 0:19:43 | |
# You know you're gonna be mine | 0:19:43 | 0:19:45 | |
# You know you're gonna be mine | 0:19:45 | 0:19:47 | |
# You know you're gonna be mine | 0:19:47 | 0:19:49 | |
# Why waste your time? | 0:19:49 | 0:19:50 | |
# You know you're gonna be mine | 0:19:50 | 0:19:52 | |
# You know you're gonna be mine | 0:19:52 | 0:19:54 | |
# You know you're gonna be mine... # | 0:19:54 | 0:19:56 | |
Come on! | 0:19:56 | 0:19:58 | |
# You know you're gonna be mine | 0:19:58 | 0:20:00 | |
# You know you're gonna be mine | 0:20:00 | 0:20:02 | |
# you know you're gonna be my baby | 0:20:02 | 0:20:04 | |
# Gonna get you, baby | 0:20:04 | 0:20:05 | |
# I'm gonna get you, yes, I am | 0:20:05 | 0:20:08 | |
# Gonna get you, baby | 0:20:08 | 0:20:09 | |
# I'm gonna get you, yes, I am | 0:20:09 | 0:20:12 | |
# Gonna get you, baby | 0:20:12 | 0:20:13 | |
# I'm gonna get you, yes, I am | 0:20:13 | 0:20:16 | |
# Gonna get you, baby | 0:20:16 | 0:20:18 | |
# I'm gonna get you, yes, I am | 0:20:18 | 0:20:19 | |
# Why waste your time | 0:20:19 | 0:20:20 | |
THEY SHOUT | 0:20:20 | 0:20:22 | |
# You know you're gonna be | 0:20:22 | 0:20:24 | |
# You-you-you-you You know | 0:20:24 | 0:20:26 | |
# Why waste your time? Why waste your time? # | 0:20:26 | 0:20:29 | |
-Come on! Push the button! -Please, somebody got to push the button! | 0:20:29 | 0:20:33 | |
# My-my-my-my, oh, yeah! | 0:20:33 | 0:20:36 | |
# I'm | 0:20:36 | 0:20:38 | |
# I'm gonna get you, baby | 0:20:38 | 0:20:41 | |
# Oh, no, oh, yeah | 0:20:41 | 0:20:44 | |
# Oh | 0:20:44 | 0:20:45 | |
# I'm gonna get you, baby | 0:20:45 | 0:20:48 | |
# Oh, oh, oh, yeah | 0:20:48 | 0:20:51 | |
# I'm gonna get you, baby | 0:20:51 | 0:20:56 | |
# Oh, oh, oh, yeah | 0:20:56 | 0:20:58 | |
# Oh, oh | 0:20:58 | 0:21:00 | |
# I'm gonna get you, baby | 0:21:00 | 0:21:03 | |
# Yes, I am. # | 0:21:03 | 0:21:05 | |
THEY GROAN | 0:21:06 | 0:21:08 | |
-No. -Nobody. | 0:21:08 | 0:21:10 | |
-Hi. -Hi. -What's your name? | 0:21:28 | 0:21:31 | |
My name's Angie Brown and I had a hit with that song in 1992. | 0:21:31 | 0:21:36 | |
Oh, my...! | 0:21:36 | 0:21:37 | |
The reaction. Look. | 0:21:43 | 0:21:44 | |
It was a very long time ago. | 0:21:56 | 0:21:58 | |
Well, it was a little while ago, and I was in the clubs dancing to it, | 0:21:58 | 0:22:03 | |
-weekend after weekend after weekend. -Thank you. | 0:22:03 | 0:22:06 | |
-It was amazing and what a pleasure to hear you sing it live. -Thank you. | 0:22:06 | 0:22:10 | |
Cos I've only heard it in the club! | 0:22:10 | 0:22:13 | |
I've always loved that song. | 0:22:17 | 0:22:18 | |
I never thought I would meet the person that sung that song. | 0:22:18 | 0:22:21 | |
Why is that important for me? We were recording "Boom Boom Pow" | 0:22:21 | 0:22:24 | |
and we were coming up with the bridge part. | 0:22:24 | 0:22:27 | |
I'm like, "Fergie, you hear this song right here? | 0:22:27 | 0:22:30 | |
"I need you to do it like this." | 0:22:30 | 0:22:32 | |
When she says, "People in the place, if you wanna get down. | 0:22:32 | 0:22:35 | |
"Put your hands in the air." | 0:22:35 | 0:22:37 | |
I played your song for the power on that section. | 0:22:37 | 0:22:39 | |
So I never thought I was going to meet you one day. | 0:22:39 | 0:22:42 | |
Thank you so much. | 0:22:44 | 0:22:47 | |
I didn't turn around only | 0:22:48 | 0:22:49 | |
because the stage that we are in this competition... | 0:22:49 | 0:22:53 | |
I could be wrong. We all could be wrong. | 0:22:53 | 0:22:56 | |
It's no different than a relationship, right? | 0:22:56 | 0:22:58 | |
That one that got away. You could be that one that got away. | 0:22:58 | 0:23:03 | |
Yeah. I just really wanted to come here | 0:23:05 | 0:23:07 | |
and see what the reaction was going to be. | 0:23:07 | 0:23:09 | |
But, you know, you didn't turn around but what can I say? | 0:23:09 | 0:23:12 | |
I'm going to hold my head up high. | 0:23:12 | 0:23:14 | |
I am a singer. | 0:23:16 | 0:23:17 | |
-KYLIE AND TOM: -Yes, you are. | 0:23:17 | 0:23:19 | |
# Yes, I am! # | 0:23:19 | 0:23:21 | |
-KYLIE: Boys are scrambling to help you. -Oh. -Yeah. | 0:23:29 | 0:23:31 | |
-It's a real pleasure to meet you. -Oh, thank you. Thank you, Kylie. | 0:23:31 | 0:23:35 | |
Oh, Ricky Wilson. | 0:23:35 | 0:23:36 | |
I am feeling proud of myself. | 0:23:52 | 0:23:55 | |
Everybody does still know the song | 0:23:55 | 0:23:58 | |
and hopefully they'll remember the singer. | 0:23:58 | 0:24:02 | |
So Angie couldn't take one of the final places on a coach's team. | 0:24:02 | 0:24:06 | |
MUSIC: "What You Waiting For?" By Gwen Stefani | 0:24:06 | 0:24:09 | |
And as time runs out on the last day of the blind auditions, | 0:24:09 | 0:24:12 | |
what exactly do the coaches want? | 0:24:12 | 0:24:15 | |
I've been thinking about my team and I'm looking at the board. | 0:24:15 | 0:24:18 | |
I want a real variety. | 0:24:18 | 0:24:19 | |
What I want is to hear something and to have no choice | 0:24:19 | 0:24:24 | |
but to hit the button. | 0:24:24 | 0:24:26 | |
-will.i.am: -This is hard. -This is real hard. | 0:24:26 | 0:24:29 | |
I'm looking out for a girl. When I hear the voice that moves me, | 0:24:29 | 0:24:32 | |
I'll be pressing the button and that's it. | 0:24:32 | 0:24:35 | |
Most of my team are ladies and I need a man. | 0:24:36 | 0:24:39 | |
I'm waiting for someone to bring the freaking thunder. | 0:24:41 | 0:24:45 | |
Something's out there. Bam. | 0:24:46 | 0:24:49 | |
-Whoo-hoo! -LAUGHTER | 0:24:49 | 0:24:50 | |
Could that special something be 16-year-old Essex girl Luciee Marie Closier? | 0:24:52 | 0:24:57 | |
LUCIEE MARIE CLOSIER: My family are a typical Essex family. | 0:24:57 | 0:25:00 | |
We all sit around the sofa, get together, watch telly, have banter. | 0:25:00 | 0:25:05 | |
We're just really close. | 0:25:05 | 0:25:06 | |
And Tommy. Tommy'll be like... | 0:25:06 | 0:25:08 | |
My dad has a massive thing for Kylie. He proper fancies her. | 0:25:08 | 0:25:12 | |
-It's funny. Every dad that comes here... -Wonder why? | 0:25:12 | 0:25:15 | |
-They all want Kylie. -Do you know what I think the attraction is? | 0:25:15 | 0:25:18 | |
-Because she's beautiful. -We're both small. | 0:25:18 | 0:25:21 | |
Luciee's been waiting for two years to turn 16 to do this show | 0:25:23 | 0:25:26 | |
cos the minute that it came on she absolutely loved it. | 0:25:26 | 0:25:29 | |
She couldn't wait to apply, | 0:25:29 | 0:25:31 | |
and to be at this stage, it's brilliant. | 0:25:31 | 0:25:33 | |
Wasn't long ago I was sitting on the sofa, closing my eyes, | 0:25:34 | 0:25:37 | |
listening to other people sing. | 0:25:37 | 0:25:39 | |
It's just mad how I'm here now. I'm so nervous. | 0:25:39 | 0:25:45 | |
SHE BREATHES DEEPLY | 0:25:45 | 0:25:47 | |
-Ooh! Oh, my God! Look. -Come on, baby. | 0:25:52 | 0:25:56 | |
MUSIC: "Mama Do" by Pixie Lott | 0:26:03 | 0:26:07 | |
# Every night I go | 0:26:07 | 0:26:08 | |
# Every night I go sneaking out the door | 0:26:08 | 0:26:12 | |
# Little black butterflies | 0:26:12 | 0:26:15 | |
Come on! | 0:26:15 | 0:26:16 | |
# What would my mama do | 0:26:16 | 0:26:22 | |
# If she knew about me and you, boy? | 0:26:22 | 0:26:28 | |
# What would my daddy say | 0:26:28 | 0:26:32 | |
# If he saw me hurt this way? | 0:26:32 | 0:26:38 | |
# What would my mama do | 0:26:38 | 0:26:43 | |
# If she knew about me and you? | 0:26:43 | 0:26:48 | |
# What would my daddy say | 0:26:48 | 0:26:54 | |
ALL SHOUT | 0:26:56 | 0:26:58 | |
# All the things a girl should know | 0:27:00 | 0:27:03 | |
# Are the things she can't control | 0:27:03 | 0:27:06 | |
# All the things a girl should know | 0:27:06 | 0:27:09 | |
# She can't control | 0:27:09 | 0:27:12 | |
# What would my mama do | 0:27:12 | 0:27:17 | |
# If she knew about me and you, boy...? # | 0:27:17 | 0:27:22 | |
-Oh, please! Come on! -Push! -The button! | 0:27:22 | 0:27:25 | |
# Say | 0:27:25 | 0:27:28 | |
# If he saw me hurt this way? # | 0:27:28 | 0:27:36 | |
SHE MOUTHS | 0:27:44 | 0:27:46 | |
Thank you so much. | 0:27:57 | 0:27:59 | |
What's your name? | 0:28:04 | 0:28:06 | |
Luciee Marie Closier. I'm 16 and I'm from Essex. | 0:28:06 | 0:28:11 | |
I'm so happy Ricky turned. | 0:28:15 | 0:28:18 | |
-So happy. -I was, like... | 0:28:18 | 0:28:20 | |
I wanted to hit the button so bad. Oh, darn it. | 0:28:22 | 0:28:26 | |
I was like, "Oh, shucks. Should I hit it?" | 0:28:26 | 0:28:28 | |
because you started out magnificent | 0:28:28 | 0:28:30 | |
and then it just kind of stayed there. | 0:28:30 | 0:28:32 | |
And there was room to grow | 0:28:32 | 0:28:36 | |
but now you got room to grow on the show with Ricky as a coach. | 0:28:36 | 0:28:40 | |
-I mean, this is going to be fresh. -Thank you. -Yeah. | 0:28:40 | 0:28:43 | |
-KYLIE: -Hi. -Hello. -I loved it. -Thank you so much. | 0:28:46 | 0:28:49 | |
You're super cute and Ricky's super lucky. | 0:28:49 | 0:28:53 | |
-Thank you. -It was great. Well done. | 0:28:53 | 0:28:55 | |
Thank you. Honestly. | 0:28:55 | 0:28:57 | |
Ricky's got the winner! Sh! | 0:28:57 | 0:29:00 | |
-Hi. -Hello! -You all right? -Yeah. I'm fine, thanks. You? | 0:29:00 | 0:29:04 | |
-Yeah, I'm pretty good, yeah. -Good. -How's your day been? | 0:29:04 | 0:29:07 | |
I've been a bit emosh, but it's cool. | 0:29:07 | 0:29:09 | |
LAUGHTER | 0:29:09 | 0:29:12 | |
"Emosh"! I am so glad that Will didn't turn. | 0:29:13 | 0:29:17 | |
To turn now means loads, right? | 0:29:17 | 0:29:19 | |
-Cos you're my 11th. -Whoa. | 0:29:19 | 0:29:22 | |
-LAUGHTER -Whoa indeed. -It's going to be great. | 0:29:22 | 0:29:26 | |
-Thank you so much. Seriously. Thank you. -Welcome to my team. | 0:29:32 | 0:29:36 | |
It'll be great. It'll be really good. | 0:29:36 | 0:29:38 | |
I'm going to get my happy snap out with Ricky and all his catches. | 0:29:38 | 0:29:41 | |
Oh, it looks like an old-fashioned wedding! | 0:29:41 | 0:29:44 | |
So pleased I turned. | 0:29:48 | 0:29:49 | |
You look so cute together! | 0:29:51 | 0:29:53 | |
-SHE SQUEALS -You did. | 0:29:53 | 0:29:55 | |
-Can you send me that? -I sent you. | 0:29:55 | 0:29:57 | |
-TOM: Good photograph too. -That's sweet. | 0:29:57 | 0:29:59 | |
By joining Team Ricky, Luciee has made it an even playing field. | 0:30:08 | 0:30:12 | |
Everyone's got one left. I don't know what's going to happen. | 0:30:12 | 0:30:15 | |
-KYLIE: -Only have one place left. -It's a pretty nervous feeling. | 0:30:15 | 0:30:18 | |
-Ooh. The stress. -Stressful, isn't it? | 0:30:18 | 0:30:21 | |
-Shall I press or shall I wait? -Just got to go in for the killer blow. | 0:30:22 | 0:30:26 | |
We ain't got time to mess around here. | 0:30:26 | 0:30:28 | |
It's getting really tough. Really, really tough. | 0:30:28 | 0:30:30 | |
-What if none of us go for 12 people? -Then we got to come back tomorrow. | 0:30:30 | 0:30:36 | |
LAUGHTER | 0:30:36 | 0:30:38 | |
What am I going to do? | 0:30:38 | 0:30:40 | |
The coaches now need something spectacular to make them turn one final time. | 0:30:42 | 0:30:46 | |
# There's no business like show business... # | 0:30:46 | 0:30:49 | |
But our next act knows all about show-stopping performances. | 0:30:49 | 0:30:53 | |
Here's retired West End performer Teresa Vasilou. | 0:30:53 | 0:30:56 | |
TERESA VASILIOU: In 1973, I was doing a show playing the lead role | 0:30:56 | 0:30:59 | |
in Rock Carmen and Katharine Hepburn came in to see me | 0:30:59 | 0:31:02 | |
and she said to me that I reminded her very much of Judy Garland. | 0:31:02 | 0:31:06 | |
And she said that she was going to go back to America and put me | 0:31:06 | 0:31:10 | |
forward for the part of Gigi | 0:31:10 | 0:31:12 | |
and I started touring with the show all over America. | 0:31:12 | 0:31:16 | |
It was a total whirlwind. Fantastic time. | 0:31:16 | 0:31:19 | |
So you've had a big West End career, then? | 0:31:19 | 0:31:22 | |
Yeah, I did, | 0:31:22 | 0:31:24 | |
but it ended because I had a throat tumour. | 0:31:24 | 0:31:28 | |
The tumour nearly killed me. | 0:31:30 | 0:31:32 | |
My surgeon told me that I would never sing again. | 0:31:33 | 0:31:37 | |
The person that I was before sort of disappeared with that, | 0:31:37 | 0:31:43 | |
and that ended my career, really. | 0:31:43 | 0:31:46 | |
So when was the last time that you performed in front of anybody? | 0:31:48 | 0:31:51 | |
-In all honesty, I would say 31 years ago. -Wow. | 0:31:51 | 0:31:55 | |
I want to try and re-establish the kind of person that I once was. | 0:31:59 | 0:32:04 | |
Perhaps there's still a bit of life in the old girl yet. | 0:32:06 | 0:32:09 | |
-She's really nervous. -She's nervous, isn't she? | 0:32:15 | 0:32:18 | |
# Don't you know | 0:32:29 | 0:32:34 | |
# So many things, they come and go | 0:32:34 | 0:32:38 | |
# Like your words that once rang true | 0:32:38 | 0:32:43 | |
# Just like the love I thought I found in you | 0:32:43 | 0:32:47 | |
# And I remember the thunder | 0:32:47 | 0:32:51 | |
# Talkin' 'bout that fire in your eyes | 0:32:51 | 0:32:57 | |
# You walked away when I needed you most | 0:32:57 | 0:33:02 | |
# Maybe, baby | 0:33:02 | 0:33:04 | |
# Ahhhhh! | 0:33:04 | 0:33:07 | |
# I found someone | 0:33:07 | 0:33:10 | |
# To take away the heartache... # | 0:33:10 | 0:33:13 | |
Come on, Ricky. Come on. Hit the button. | 0:33:13 | 0:33:15 | |
# To take away my loneliness | 0:33:15 | 0:33:19 | |
# I've been feelin' since you've been gone... # | 0:33:19 | 0:33:22 | |
Come on, Teresa! | 0:33:22 | 0:33:24 | |
# Since you've been gone | 0:33:24 | 0:33:26 | |
# Too long on the borderline | 0:33:26 | 0:33:31 | |
# Wonderin' if your love was really mine | 0:33:31 | 0:33:36 | |
# But you left me with open eyes | 0:33:36 | 0:33:40 | |
# That's when I realised | 0:33:40 | 0:33:43 | |
# And baby, I found someone | 0:33:43 | 0:33:48 | |
# To take away the heartache | 0:33:48 | 0:33:51 | |
# Ohhh! | 0:33:51 | 0:33:56 | |
# I've been feeling since you've been gone | 0:33:56 | 0:34:02 | |
# Since you've been gone. # | 0:34:02 | 0:34:09 | |
CHEERING | 0:34:09 | 0:34:11 | |
-Press the button! -Oh, no! | 0:34:20 | 0:34:23 | |
-Hiya. -What's your name? -Teresa. -Where are you from, Teresa? | 0:34:28 | 0:34:32 | |
From Peckham in South London. I'm 61 years old. | 0:34:32 | 0:34:37 | |
SHE LAUGHS | 0:34:37 | 0:34:38 | |
-KYLIE: -Hi. -Hiya. | 0:34:41 | 0:34:44 | |
-How did that feel? -Oh, it's overwhelming. Overwhelming. -I bet. | 0:34:44 | 0:34:50 | |
-And you have you been singing... forever? -Yeah. | 0:34:50 | 0:34:53 | |
I sang all my life up until I was 30 and I had a throat tumour that, | 0:34:53 | 0:35:00 | |
um, sort of stopped that from happening. | 0:35:00 | 0:35:03 | |
And then I just concentrated on bringing up my children. And... | 0:35:05 | 0:35:09 | |
CHEERING | 0:35:09 | 0:35:12 | |
-They got a super dope mom. -Aw. | 0:35:19 | 0:35:22 | |
Thank you. | 0:35:22 | 0:35:24 | |
-Aw. -Super dope. -That's nice. -It's true. It's true. | 0:35:26 | 0:35:30 | |
We're glad you're here and glad that you are well. | 0:35:31 | 0:35:34 | |
It must have been something for you to overcome | 0:35:34 | 0:35:37 | |
and the thought of losing your voice and not being able to sing | 0:35:37 | 0:35:40 | |
when it's something that you do. I thought that you did a great job. | 0:35:40 | 0:35:44 | |
It just maybe wasn't the right day for us to come together. | 0:35:44 | 0:35:48 | |
I'm just glad for you that you are still singing | 0:35:48 | 0:35:51 | |
and the crowd loved it. | 0:35:51 | 0:35:52 | |
They were all up on their feet. | 0:35:52 | 0:35:54 | |
-Thank you so much for singing. It was wonderful. -Thank you very much. | 0:35:55 | 0:35:59 | |
Thank you. | 0:35:59 | 0:36:00 | |
-I also wanted just to say that I wrote a song for Tom. -Oh. -Yeah. | 0:36:02 | 0:36:09 | |
It's called If You're Going To Touch Me. | 0:36:09 | 0:36:11 | |
LAUGHTER | 0:36:11 | 0:36:13 | |
-Oh, all right, then. I would love to hear that song. -Would you? -Yes. | 0:36:15 | 0:36:20 | |
-Oh, that's wonderful. Thank you so much. -Can you sing it now? -What? | 0:36:20 | 0:36:25 | |
If You're Going To Touch Me? | 0:36:25 | 0:36:27 | |
# If you're going to touch me | 0:36:29 | 0:36:31 | |
# Then touch me | 0:36:31 | 0:36:32 | |
# Let me feel your body | 0:36:32 | 0:36:35 | |
# Move a little closer Show me love | 0:36:35 | 0:36:38 | |
# Give me your love and drift away Let's drift away. # | 0:36:38 | 0:36:43 | |
It goes like that. | 0:36:43 | 0:36:44 | |
Thank you so very much. | 0:36:49 | 0:36:50 | |
-Watch your step, darling. -Thank you, Will. Thank you so much. | 0:36:53 | 0:36:56 | |
-Well done. -Thank you, darling. | 0:36:56 | 0:36:59 | |
-And I will definitely listen to the song. -Thank you, Tom. | 0:36:59 | 0:37:02 | |
-I really appreciate it. -I will. | 0:37:02 | 0:37:03 | |
Well done, Teresa. | 0:37:08 | 0:37:10 | |
-Oh, you've done so well. -Oh, thank you so much. -Honestly. | 0:37:13 | 0:37:17 | |
You've done so well. | 0:37:17 | 0:37:18 | |
Performing that song for Tom today made it worth it. | 0:37:18 | 0:37:21 | |
It made it totally worth it. | 0:37:21 | 0:37:23 | |
For some, the pressure of the blind auditions can be too much, | 0:37:24 | 0:37:28 | |
something our coach Kylie can relate to. | 0:37:28 | 0:37:31 | |
Yeah. I know what it is to be really scared and terrified, | 0:37:31 | 0:37:34 | |
stepping up on that stage. | 0:37:34 | 0:37:36 | |
# I'm tense and nervous and I can't relax... # | 0:37:36 | 0:37:40 | |
It's difficult. It's, you know, the mental side of it. | 0:37:40 | 0:37:43 | |
I definitely can relate to the nerves. | 0:37:43 | 0:37:45 | |
24-year-old Bianca Nicholas has brought her mum and dad along to steady her nerves. | 0:37:45 | 0:37:51 | |
My family are really supportive. They really believe in me. | 0:37:51 | 0:37:55 | |
Probably more than I believe in myself. | 0:37:55 | 0:37:57 | |
SHE LAUGHS | 0:37:57 | 0:37:59 | |
But it helps with the nerves to have them there. | 0:37:59 | 0:38:01 | |
She's always made us proud. | 0:38:01 | 0:38:03 | |
She's done lots of things in her life and... | 0:38:03 | 0:38:06 | |
-HE SIGHS -You're just proud. | 0:38:07 | 0:38:09 | |
This is what I want to do. | 0:38:15 | 0:38:17 | |
And I've just got to get through that song and do the best I can | 0:38:17 | 0:38:20 | |
and that's all I can ask of myself. | 0:38:20 | 0:38:22 | |
Come on. | 0:38:24 | 0:38:25 | |
MUSIC: # "One" by U2 | 0:38:34 | 0:38:35 | |
# Have you come here for forgiveness? | 0:38:40 | 0:38:44 | |
# Have you come to raise the dead? | 0:38:46 | 0:38:49 | |
# Have you come here to play Jesus? | 0:38:51 | 0:38:56 | |
# To the lepers in your head | 0:38:56 | 0:38:59 | |
# Well, did I ask too much? | 0:38:59 | 0:39:03 | |
# More than a lot | 0:39:03 | 0:39:05 | |
# You gave me nothing | 0:39:05 | 0:39:07 | |
# Now it's all I got | 0:39:07 | 0:39:11 | |
# We're one | 0:39:11 | 0:39:13 | |
# But we're not the same | 0:39:13 | 0:39:15 | |
# Yeah, we hurt each other | 0:39:15 | 0:39:18 | |
# Then we do it again | 0:39:18 | 0:39:20 | |
# You say love is a temple | 0:39:20 | 0:39:23 | |
# Love is a higher law | 0:39:23 | 0:39:26 | |
# Love is a temple | 0:39:26 | 0:39:29 | |
# Love is a higher law | 0:39:29 | 0:39:31 | |
Come on! | 0:39:31 | 0:39:33 | |
# One love | 0:39:33 | 0:39:35 | |
# One blood | 0:39:35 | 0:39:37 | |
# One | 0:39:37 | 0:39:38 | |
# One | 0:39:38 | 0:39:40 | |
# Ooh-ooh. # | 0:39:40 | 0:39:42 | |
Come on, Bianca! Come on! | 0:39:42 | 0:39:44 | |
CHEERING | 0:39:44 | 0:39:46 | |
Thank you. | 0:39:49 | 0:39:51 | |
-Hello. -Hi there. -How are you? -I'm OK. Nice to meet you. I'm Bianca. | 0:39:59 | 0:40:06 | |
I know on the high notes I messed up I think, so I was nervous, but... | 0:40:06 | 0:40:10 | |
-Well, that's understandable. Nerves. -Yes. | 0:40:10 | 0:40:13 | |
And you try to hide them as best you can. That's what we all try to do. | 0:40:13 | 0:40:17 | |
-I do feel I let myself down a bit with my nerves but... -No, it's OK. | 0:40:17 | 0:40:20 | |
-It's a life lesson, isn't it? -Yeah, it's... | 0:40:20 | 0:40:22 | |
But don't look at it as you let yourself down. | 0:40:22 | 0:40:24 | |
The fact that we didn't turn around doesn't mean that that joy | 0:40:24 | 0:40:27 | |
and what music does for you has to stop, right? | 0:40:27 | 0:40:30 | |
-Oh, absolutely. -It's just a beginning of a whole new journey. | 0:40:30 | 0:40:34 | |
Thank you. | 0:40:34 | 0:40:35 | |
I just liked the tone of her voice. | 0:40:37 | 0:40:39 | |
She tripped up in one little place, but that's nerves. | 0:40:39 | 0:40:42 | |
-And I recognise that as being nerves. -Thank you. | 0:40:42 | 0:40:45 | |
-You look beautiful, love. -Thank you so much. -Lovely to see you. | 0:40:45 | 0:40:48 | |
-KYLIE: -All the contestants who are on the show | 0:40:48 | 0:40:50 | |
are here because they have a voice | 0:40:50 | 0:40:52 | |
and then it comes down to crunch time. | 0:40:52 | 0:40:54 | |
That's where the nerves and the adrenaline get to you. | 0:40:54 | 0:40:57 | |
It can tip you either way. | 0:40:57 | 0:41:00 | |
Can 17-year-old Aaliyah from Coventry overcome her nerves to bag one of the final four spaces? | 0:41:00 | 0:41:05 | |
I live at home with my mum. | 0:41:05 | 0:41:07 | |
She's the only person who's always there for me. | 0:41:07 | 0:41:10 | |
-She's probably my biggest fan. -I love hearing her sing. | 0:41:10 | 0:41:15 | |
I come home and say to her, "Can you just play something for me?" | 0:41:15 | 0:41:19 | |
And it will just soothe my soul. | 0:41:19 | 0:41:21 | |
Music is probably my only insecurity. | 0:41:22 | 0:41:25 | |
Everyone I perform to, I feel like they have to tell me I'm good. | 0:41:25 | 0:41:28 | |
I need to know if this is what I should be doing. | 0:41:28 | 0:41:32 | |
SHE CLEARS HER THROAT | 0:41:38 | 0:41:40 | |
SONG: "Read All About It" | 0:41:52 | 0:41:54 | |
# I wanna sing | 0:41:56 | 0:41:58 | |
# I wanna shout | 0:41:58 | 0:42:01 | |
# I wanna scream till the words dry out | 0:42:01 | 0:42:05 | |
# So put it in all of the papers | 0:42:05 | 0:42:09 | |
# I'm not afraid | 0:42:09 | 0:42:11 | |
# They can read all about it | 0:42:11 | 0:42:14 | |
# Read all about it | 0:42:14 | 0:42:18 | |
# Nothing to hide Strive for the struggle | 0:42:19 | 0:42:21 | |
# You've suffered and cried Strife made me tougher | 0:42:21 | 0:42:23 | |
# Never mumbled or shy To trouble I rise above all | 0:42:23 | 0:42:26 | |
# Expectations forget rep Ain't never begged... | 0:42:26 | 0:42:29 | |
# To be exactly what my neck says | 0:42:30 | 0:42:33 | |
# Bad girls, they try to cash in on my dad's death | 0:42:33 | 0:42:35 | |
# I wanted to vent They say nothing at all | 0:42:35 | 0:42:38 | |
# I said after all you were never kin to me | 0:42:38 | 0:42:40 | |
# I said family is something you've never been to me | 0:42:40 | 0:42:42 | |
# In fact making it harder for me to see my father | 0:42:42 | 0:42:45 | |
# Was the only thing that you ever | 0:42:45 | 0:42:46 | |
# I wanna sing | 0:42:46 | 0:42:48 | |
# I wanna shout | 0:42:48 | 0:42:51 | |
# I wanna scream till my words dry out | 0:42:51 | 0:42:55 | |
# So put it in all of the papers | 0:42:55 | 0:42:59 | |
# I'm not afraid | 0:42:59 | 0:43:01 | |
# They can read | 0:43:01 | 0:43:06 | |
# All about it. # | 0:43:06 | 0:43:13 | |
CHEERING | 0:43:13 | 0:43:15 | |
Oh, no! | 0:43:36 | 0:43:38 | |
-What's your name, love? -Aaliyah Dickens. | 0:43:39 | 0:43:42 | |
-Aaliyah. -Yeah. -I don't know what to say. | 0:43:42 | 0:43:45 | |
Aw. I just want to give her a hug. | 0:43:46 | 0:43:49 | |
Can I ask you how old are you? | 0:43:50 | 0:43:52 | |
-17. -17? | 0:43:52 | 0:43:53 | |
Well, you've got plenty of time. | 0:43:53 | 0:43:55 | |
You know, don't get disheartened by this. You've got plenty of time. | 0:43:55 | 0:44:00 | |
You have to come back, believe me. | 0:44:00 | 0:44:02 | |
-What's choking you up so bad? -I just really wanted this, basically. | 0:44:05 | 0:44:10 | |
Don't look at it like that, sweetie. | 0:44:11 | 0:44:14 | |
You did things that most people don't have the courage to do. | 0:44:14 | 0:44:17 | |
Other than that, you've performed in front of the beautiful UK for all | 0:44:17 | 0:44:21 | |
the British people. You did a fantastic job. | 0:44:21 | 0:44:24 | |
Please don't be disheartened. | 0:44:34 | 0:44:35 | |
I can only imagine the pressure building up to this moment. | 0:44:35 | 0:44:39 | |
You just were a little shaky today | 0:44:39 | 0:44:40 | |
and I think that's evident in your nerves now. | 0:44:40 | 0:44:43 | |
I've had plenty of opportunities where there's one shot | 0:44:43 | 0:44:46 | |
and I have stuffed it up. | 0:44:46 | 0:44:48 | |
Plenty of time. You've got plenty of time. | 0:44:48 | 0:44:50 | |
It can be just through nerves. | 0:44:52 | 0:44:54 | |
Are you going to keep going? Promise you'll keep going. | 0:44:54 | 0:44:57 | |
Yeah. You need to accept your failures and move forward. | 0:44:57 | 0:45:01 | |
She just needs a little time. That's all. | 0:45:08 | 0:45:10 | |
-You've got to take the hard knocks, haven't you? -Yeah. | 0:45:10 | 0:45:12 | |
It's all a learning thing, isn't it? | 0:45:12 | 0:45:14 | |
So the nerves bring another dream to an end. | 0:45:17 | 0:45:19 | |
Can Liverpool's Kenny Thompson keep his alive? | 0:45:19 | 0:45:22 | |
-How are you feeling about today? -Um, a little bit nervous. | 0:45:23 | 0:45:26 | |
I didn't sleep very well last night. | 0:45:26 | 0:45:28 | |
In terms of nerves, I'm sort of... OK at the moment. | 0:45:28 | 0:45:32 | |
Um, I can't even speak. Um... Um... Oh. | 0:45:32 | 0:45:38 | |
Listen, don't be scared, man. | 0:45:38 | 0:45:40 | |
This is such a great opportunity. | 0:45:43 | 0:45:44 | |
You're put with these people who are just at the top of their game. | 0:45:44 | 0:45:49 | |
It's exciting. It's really exciting. But it's scary as well. | 0:45:49 | 0:45:53 | |
If I got a turn today, it would just be the most amazing feeling. | 0:45:58 | 0:46:03 | |
It's just going to be so scary. I've just got to...make the most of it. | 0:46:03 | 0:46:11 | |
That light is bright. | 0:46:18 | 0:46:20 | |
It is. | 0:46:21 | 0:46:23 | |
SONG: "New York State of Mind" | 0:46:28 | 0:46:30 | |
# Some folks like to get away | 0:46:30 | 0:46:33 | |
# Take a holiday from the neighbourhood | 0:46:33 | 0:46:37 | |
# Hop a flight to Miami Beach | 0:46:39 | 0:46:41 | |
# Or to Hollywood | 0:46:41 | 0:46:43 | |
# But I'm taking the Greyhound | 0:46:46 | 0:46:49 | |
# Down the Hudson River Line | 0:46:49 | 0:46:53 | |
# I'm in a New York state of mind | 0:46:55 | 0:46:59 | |
THEY SHOUT | 0:47:01 | 0:47:03 | |
# It comes down to reality | 0:47:03 | 0:47:05 | |
# And it's fine by me cos I let it slide | 0:47:05 | 0:47:09 | |
# Don't care if it's Chinatown or on the Riverside | 0:47:11 | 0:47:18 | |
# I don't have any reasons | 0:47:18 | 0:47:21 | |
# Cos I've left them all behind | 0:47:21 | 0:47:27 | |
# I'm in a New York state of mind | 0:47:27 | 0:47:39 | |
# I'm just taking the Greyhound on the Hudson River Line | 0:47:39 | 0:47:51 | |
# Cos I'm in a New York state of mind. # | 0:47:52 | 0:48:08 | |
CHEERING | 0:48:08 | 0:48:10 | |
Hello. | 0:48:26 | 0:48:28 | |
Oh, shucks. I'm sorry. I'm still over here, hypnotised. | 0:48:28 | 0:48:32 | |
-Um...what's your name? -My name is Kenny Thompson. | 0:48:32 | 0:48:36 | |
I'm from Liverpool and I... | 0:48:36 | 0:48:38 | |
CHEERING | 0:48:38 | 0:48:39 | |
And I'm a teacher. | 0:48:41 | 0:48:43 | |
-And you're nervous right now. -Um... | 0:48:46 | 0:48:48 | |
Yeah. I'm like... I'm just shocked that people turned around, really. | 0:48:50 | 0:48:55 | |
OK. Whoever you pick out of these two, their team is complete. OK? | 0:49:04 | 0:49:11 | |
I've been...I've been, like, a wreck all day | 0:49:14 | 0:49:18 | |
because of the pressure of when to press for that final spot. | 0:49:18 | 0:49:23 | |
Whoa. You have got one big choice to make here. | 0:49:23 | 0:49:26 | |
-DRAMATIC VOICE -Team Ricky is heavy with amazing singers | 0:49:26 | 0:49:29 | |
led by an amazing coach. | 0:49:29 | 0:49:31 | |
Cool tactics. Down-to-earth approach. | 0:49:33 | 0:49:37 | |
The ability to bring you from the bottom to the top. Make some noise. | 0:49:37 | 0:49:42 | |
Team Tom. | 0:49:47 | 0:49:48 | |
He has been looking for a male. He has a lot of girls on his team. | 0:49:51 | 0:49:55 | |
LAUGHTER | 0:49:55 | 0:49:57 | |
-That's Team Tom. -That's right. | 0:49:58 | 0:50:02 | |
-Well, you just said everything I was going to say. -Oh, shucks! | 0:50:02 | 0:50:06 | |
I've been waiting for a male voice, you know. | 0:50:08 | 0:50:10 | |
So I thought "Well, I can't let this fella go. He's right here. | 0:50:10 | 0:50:14 | |
"Right now." And that's you. | 0:50:14 | 0:50:16 | |
Right. First job as potential coach. First thing I'm going to teach you. | 0:50:20 | 0:50:23 | |
-Well, you teach kids. Stand up straight. -I know. | 0:50:23 | 0:50:26 | |
-I'm so bad at all of these things. -A bit like this. | 0:50:26 | 0:50:28 | |
Right. If one of your kids was like that you'd be like... | 0:50:28 | 0:50:30 | |
So stand up straight. | 0:50:30 | 0:50:32 | |
-You know. Right. Because... -Be proud. -You belong on that stage. | 0:50:32 | 0:50:36 | |
And you'd also say... There's a music phrase which is hitting | 0:50:36 | 0:50:40 | |
the back of the room, right? | 0:50:40 | 0:50:41 | |
Now, you hit the back of the room, | 0:50:41 | 0:50:43 | |
bounced off, went boom into my chest and that's when I hit the button | 0:50:43 | 0:50:48 | |
when I thought you got there. I thought that... | 0:50:48 | 0:50:50 | |
And that was, like, halfway through? | 0:50:50 | 0:50:52 | |
You were more real than anyone else I've heard. | 0:50:52 | 0:50:55 | |
It's a tough decision. Who will you pick? | 0:50:59 | 0:51:02 | |
We need ten seconds of silence. | 0:51:04 | 0:51:06 | |
I'm going to come and sit with you, just to, you know, distract you. | 0:51:06 | 0:51:11 | |
-# Wow, wow, wow, wow. # -I think I'll just distract you. | 0:51:12 | 0:51:15 | |
I'm glad you sat down because I've been worried that you're just going to... | 0:51:15 | 0:51:18 | |
Just take... Let's just take a few deep breaths all together. | 0:51:18 | 0:51:21 | |
All I can think is, like, it's Charlene from Neighbours. | 0:51:21 | 0:51:24 | |
Well, yeah, it is. | 0:51:24 | 0:51:26 | |
THEY LAUGH | 0:51:26 | 0:51:28 | |
-HE LAUGHS -Yeah. | 0:51:28 | 0:51:31 | |
You didn't know I'd be sitting right next to you, | 0:51:31 | 0:51:33 | |
helping you with this incredible decision. | 0:51:33 | 0:51:36 | |
Thank you. You've calmed me. | 0:51:36 | 0:51:38 | |
-I've made a decision. -Here we go. | 0:51:41 | 0:51:44 | |
My gut is saying Tom. | 0:51:49 | 0:51:51 | |
-Yeah! -Hey, man. -All right. Yeah. We'll do it. | 0:51:55 | 0:51:58 | |
I need a hug. | 0:51:58 | 0:52:01 | |
-Well done, man. -I'm sorry. | 0:52:01 | 0:52:03 | |
He's completed Tom's team. | 0:52:03 | 0:52:06 | |
That's big. It's big. That's big. | 0:52:06 | 0:52:08 | |
Well, that's me finished. I'm off. | 0:52:22 | 0:52:24 | |
Someone put the kettle on. | 0:52:24 | 0:52:26 | |
SONG: "Happy" by Pharrell Williams | 0:52:26 | 0:52:28 | |
Well, my team is full now. And I'm excited. | 0:52:33 | 0:52:36 | |
Because I think I've got some great singers. | 0:52:36 | 0:52:38 | |
-So what's Tom going to do now? -He just cruises now. -Right. | 0:52:38 | 0:52:42 | |
Old schoolin' it. | 0:52:42 | 0:52:44 | |
I'm going to just sit back and listen. And enjoy. | 0:52:44 | 0:52:47 | |
With Team Tom complete there are only three spaces left to fill. | 0:52:47 | 0:52:52 | |
Could one of them be waiting for 19-year-old Joe West? | 0:52:52 | 0:52:56 | |
I live at home with my mum, my little sister. | 0:52:56 | 0:53:00 | |
My dad left us when I was, I think, 14, 15. | 0:53:00 | 0:53:05 | |
It had a big impact on my family. | 0:53:05 | 0:53:07 | |
For a couple of years I had to become sort of the man of the house | 0:53:07 | 0:53:10 | |
and stuff and grew up a lot quicker. | 0:53:10 | 0:53:12 | |
I work at my local supermarket as a supervisor. | 0:53:15 | 0:53:18 | |
I've been there for two years. | 0:53:18 | 0:53:20 | |
I'm a very proud mum. When he's there, he's non-stop. | 0:53:20 | 0:53:25 | |
It's important to me having a job to pay my rent | 0:53:25 | 0:53:28 | |
and show my mum that I am always working hard. | 0:53:28 | 0:53:31 | |
As teenagers go, he's pretty awesome. | 0:53:31 | 0:53:34 | |
He's exceptionally good with his younger sister Tierney. | 0:53:34 | 0:53:37 | |
She was diagnosed with cerebral palsy at birth, | 0:53:37 | 0:53:39 | |
so I kind of do a lot for her to help my mum out and stuff. | 0:53:39 | 0:53:43 | |
Ready for school? Yeah? Ready for school. | 0:53:43 | 0:53:45 | |
So, yeah. She does really mean the world to me. | 0:53:45 | 0:53:47 | |
This blind audition for Joe means everything to him. | 0:53:49 | 0:53:53 | |
Yeah, I really, really hope he gets it. | 0:53:53 | 0:53:55 | |
I never really had a break, to be honest, and I feel now is the time. | 0:53:57 | 0:54:02 | |
I just want the best for my family. | 0:54:02 | 0:54:03 | |
For that reason, I want to do well in this competition. | 0:54:03 | 0:54:06 | |
Come on, Joe. Let's pound it. | 0:54:10 | 0:54:12 | |
MUSIC: "Mirrors" by Justin Timberlake | 0:54:18 | 0:54:20 | |
# Aren't you somethin' to admire? | 0:54:20 | 0:54:23 | |
# Cos your shine is somethin' like a mirror | 0:54:23 | 0:54:26 | |
# And I can't help but notice | 0:54:26 | 0:54:28 | |
# You reflect in this heart of mine | 0:54:28 | 0:54:33 | |
# If you ever feel alone | 0:54:33 | 0:54:36 | |
# And the glare makes me hard to find | 0:54:36 | 0:54:39 | |
# Just know that I'm always | 0:54:39 | 0:54:41 | |
# Parallel on the other side | 0:54:41 | 0:54:44 | |
# Cos with your hand in my hand and a pocket full of soul | 0:54:44 | 0:54:48 | |
# I can tell you there's no place we couldn't go | 0:54:48 | 0:54:51 | |
# Just put your hand on the glass | 0:54:51 | 0:54:53 | |
# I'll be tryin' to pull you through | 0:54:53 | 0:54:54 | |
# You just gotta be strong | 0:54:54 | 0:54:57 | |
# Cos I don't wanna lose you now | 0:54:57 | 0:54:59 | |
# I'm lookin' right at the other half of me | 0:54:59 | 0:55:03 | |
# The vacancy that sat in my heart | 0:55:03 | 0:55:06 | |
# Is a space that now you hold | 0:55:06 | 0:55:09 | |
# Show me how to fight for now | 0:55:09 | 0:55:12 | |
# And I'll tell you, baby, it was easy | 0:55:12 | 0:55:15 | |
# Comin' back here to you once I figured it out | 0:55:15 | 0:55:18 | |
# You were right here all along | 0:55:18 | 0:55:22 | |
# Cos it's like you're my mirror | 0:55:22 | 0:55:25 | |
# My mirror staring back at me | 0:55:25 | 0:55:27 | |
# Staring back at me | 0:55:27 | 0:55:29 | |
# Cos it's like you're my mirror | 0:55:29 | 0:55:32 | |
# My mirror staring back at me | 0:55:32 | 0:55:34 | |
# Staring back at me. # | 0:55:34 | 0:55:36 | |
CHEERING | 0:55:36 | 0:55:38 | |
-Hi, mate. -Hiya. -How's it going? -Hey. How you doing? -I'm really good. | 0:55:53 | 0:55:57 | |
-What's your name? -Uh, Joe West. | 0:55:57 | 0:55:58 | |
-How old are you, Joe? -19. -Where are you from? -I'm from Ashford in Kent. | 0:55:58 | 0:56:03 | |
-Cool. Cool. Well, well done. -Thank you. -It was good. Everyone loved it. | 0:56:03 | 0:56:09 | |
CHEERING | 0:56:09 | 0:56:10 | |
Cheers. | 0:56:12 | 0:56:14 | |
But...here comes the tough love. | 0:56:14 | 0:56:17 | |
If you're going to get them to really love it and really | 0:56:17 | 0:56:20 | |
grab their attention, there's got to be another level to go to and it was | 0:56:20 | 0:56:24 | |
just, for me, it was like started and it just was on one level. | 0:56:24 | 0:56:29 | |
And it never took it to another place. | 0:56:29 | 0:56:31 | |
About 30 seconds to go, | 0:56:31 | 0:56:33 | |
I was thinking this is going to go up there. It just never got there. | 0:56:33 | 0:56:37 | |
-That's why I didn't turn around. -OK. Thank you. | 0:56:37 | 0:56:39 | |
You know you can sing. | 0:56:43 | 0:56:45 | |
But I don't know if you know if you are your favourite act yet. | 0:56:45 | 0:56:51 | |
-And that's why I didn't turn. -OK. | 0:56:51 | 0:56:53 | |
There's no limitations on what you can do now. | 0:56:53 | 0:56:56 | |
You just go on out there and doing it. | 0:56:56 | 0:56:58 | |
-Putting my stuff on the internet. -Yeah. Thanks anyway. | 0:56:58 | 0:57:01 | |
-Hi. -How are you? You all right? -I'm good. | 0:57:04 | 0:57:09 | |
Better for seeing your arms out of that singlet. | 0:57:09 | 0:57:11 | |
I have to agree with the others. | 0:57:14 | 0:57:16 | |
You weren't quite there, but that song was a big mountain to climb. | 0:57:16 | 0:57:21 | |
-So maybe with a different song it would have been another story. -Sure. | 0:57:21 | 0:57:25 | |
-OK. Thank you. -But I wish you all the best. | 0:57:25 | 0:57:27 | |
This is one shot and you have to make sure that that is the one that | 0:57:29 | 0:57:33 | |
you can shine on. But good luck to you and keep it up. | 0:57:33 | 0:57:38 | |
Thanks very much. Thank you. | 0:57:38 | 0:57:40 | |
24-year-old Jamie Lovatt is next to sing | 0:57:57 | 0:57:59 | |
for one of the three remaining spots. | 0:57:59 | 0:58:02 | |
But where did his journey begin? | 0:58:02 | 0:58:04 | |
I'm from Jersey. | 0:58:04 | 0:58:06 | |
MOOING | 0:58:06 | 0:58:08 | |
It's an amazing place. Beautiful little island. | 0:58:08 | 0:58:11 | |
But there's not the sort of much to do. | 0:58:11 | 0:58:13 | |
The first time I sang, at the time I must have only been about four, | 0:58:13 | 0:58:17 | |
so this sort of little blonde boy dancing and singing away. | 0:58:17 | 0:58:21 | |
I moved to London when I was 18 to sort pursue a career in music. | 0:58:24 | 0:58:29 | |
Normally people have people around them, but you are solo. | 0:58:29 | 0:58:32 | |
-So you're the Lone Ranger. -Yeah. The lone wolf. Hell yeah. | 0:58:32 | 0:58:35 | |
The dream, to be successful in what I want to do, | 0:58:38 | 0:58:41 | |
to me right now, that's all that matters. | 0:58:41 | 0:58:44 | |
I predict a riot. | 0:59:12 | 0:59:13 | |
# Brother and sister Together we'll make it through | 0:59:21 | 0:59:28 | |
# Someday a spirit will lift you and take you there | 0:59:30 | 0:59:37 | |
# I know you've been hurting but I've been waiting to be there for you | 0:59:38 | 0:59:47 | |
# And I'll be there just helping you out whenever I can | 0:59:47 | 0:59:54 | |
# Everybody's free | 0:59:54 | 1:00:00 | |
# To feel good | 1:00:00 | 1:00:02 | |
# Everybody's free | 1:00:03 | 1:00:08 | |
# To feel good | 1:00:08 | 1:00:11 | |
# We all are a family that should stand together as one | 1:00:13 | 1:00:20 | |
# When everyone's sharing their hope, love will shine through | 1:00:22 | 1:00:30 | |
# Everybody's free | 1:00:30 | 1:00:34 | |
# To feel good | 1:00:34 | 1:00:38 | |
# Everybody | 1:00:38 | 1:00:40 | |
# Everybody is free. # | 1:00:40 | 1:00:48 | |
CHEERING | 1:00:48 | 1:00:50 | |
Hi! What's your name? | 1:01:10 | 1:01:13 | |
My name is Jamie and I front a band called Romance. | 1:01:13 | 1:01:17 | |
I just wanted to come here today to show you what I've got. | 1:01:17 | 1:01:20 | |
-It seems it worked out all right. -Yeah! | 1:01:20 | 1:01:22 | |
-What happened to the rest of the band? -Where's my band? | 1:01:22 | 1:01:25 | |
I wasn't allowed to bring them with me today. We had a tough time. | 1:01:25 | 1:01:29 | |
-We signed for four albums. I was 21. -Amazing. | 1:01:29 | 1:01:34 | |
And, um, things were going great. | 1:01:34 | 1:01:36 | |
We had our album ready to go and my bassist got really ill. My drummer... | 1:01:36 | 1:01:43 | |
Oh, getting a bit emosh. | 1:01:43 | 1:01:45 | |
My drummer at, like, 21 years got a condition where the | 1:01:45 | 1:01:49 | |
muscles in his back are turning into cartilage. | 1:01:49 | 1:01:52 | |
Which effectively meant he could never play ever again. | 1:01:52 | 1:01:55 | |
Um, my guitarist just sort of lost heart. | 1:01:55 | 1:01:58 | |
It was a really hard thing for us. | 1:01:58 | 1:02:00 | |
We were literally about to put out all of it and...the label dropped. | 1:02:00 | 1:02:07 | |
-I lost management, I lost everything. -You didn't lose faith. | 1:02:07 | 1:02:12 | |
Oh, no. Never lose faith. | 1:02:12 | 1:02:14 | |
You've got to keep that. | 1:02:14 | 1:02:16 | |
-So, yeah. -Well, you can relax now because you are through. -Thank you. | 1:02:17 | 1:02:21 | |
I just liked the emotion in your voice. | 1:02:25 | 1:02:28 | |
I don't know if you always sing like that, | 1:02:28 | 1:02:30 | |
but the fact that you have the ability to sing like that | 1:02:30 | 1:02:32 | |
-is very moving. -Thank you. | 1:02:32 | 1:02:34 | |
Didn't know I was going to turn around | 1:02:34 | 1:02:36 | |
and see this, like, rock god dude. | 1:02:36 | 1:02:38 | |
Thank you. | 1:02:38 | 1:02:39 | |
# Rock on with snakeskin pants! # | 1:02:39 | 1:02:42 | |
LAUGHTER | 1:02:42 | 1:02:44 | |
-Hiya. -Yo. -I really loved it. I kind of feel like I know... | 1:02:49 | 1:02:54 | |
-I know what you've been through. I'm in a band. -Mmm. | 1:02:54 | 1:02:58 | |
We lost a record deal. I didn't stop. How old are you, did you say? | 1:02:58 | 1:03:01 | |
-I'm 24. -24. Well, I was 26 when the Kaiser Chiefs got signed. | 1:03:01 | 1:03:06 | |
And we've done all right. | 1:03:06 | 1:03:08 | |
So being in a band means, you know, | 1:03:08 | 1:03:09 | |
you've got people to pick you up when you're down. | 1:03:09 | 1:03:11 | |
You've got people to tell you | 1:03:11 | 1:03:13 | |
you definitely shouldn't be wearing those trousers. | 1:03:13 | 1:03:16 | |
-LAUGHTER -And, um... | 1:03:16 | 1:03:18 | |
-I'm in a band. -LAUGHTER | 1:03:21 | 1:03:24 | |
And...they can't be here with me right now. | 1:03:24 | 1:03:27 | |
LAUGHTER | 1:03:27 | 1:03:29 | |
And, um, as far as getting dropped... | 1:03:31 | 1:03:34 | |
Guess what? They lost. They lost. | 1:03:35 | 1:03:40 | |
So the choice is yours, my friend. | 1:03:42 | 1:03:45 | |
It is a difficult one, isn't it? Um... | 1:03:50 | 1:03:53 | |
If there were two people I wanted to turn around today, | 1:03:53 | 1:03:55 | |
it's just happened. | 1:03:55 | 1:03:57 | |
-So... -Well, that's good. -Amazing. | 1:03:57 | 1:04:00 | |
I think I've got to go with you, Ricky, man. | 1:04:04 | 1:04:06 | |
-Sorry, Kyles. -It's all right. | 1:04:08 | 1:04:10 | |
-Well done, mate. We'll make it work, all right? -Oh, yeah. | 1:04:11 | 1:04:14 | |
We'll make it work. | 1:04:14 | 1:04:16 | |
-Thank you. -And, oh, by the way, you're the last member of my team. | 1:04:19 | 1:04:23 | |
I can go home now. | 1:04:23 | 1:04:24 | |
I have tapped out, so thank you very much. | 1:04:24 | 1:04:28 | |
-Where's the closest bar, then, man? -The closest bar? | 1:04:28 | 1:04:30 | |
I'll meet you there. It's just that way. See you later, pal. | 1:04:30 | 1:04:33 | |
# Snakeskin pants! # | 1:04:34 | 1:04:37 | |
Yes. I am over the moon that I've filled my team. I'm happy. | 1:04:44 | 1:04:49 | |
With Team Ricky complete, it all comes down to Kylie and Will. | 1:04:49 | 1:04:53 | |
This is real hard. There's no-one to back you up. | 1:04:53 | 1:04:57 | |
Like, say for example, if somebody comes out that's pretty good | 1:04:57 | 1:05:00 | |
and you pass on them and then the next couple are ducks | 1:05:00 | 1:05:05 | |
and they come quacking? | 1:05:05 | 1:05:06 | |
Then you just messed up on that awesome one. | 1:05:08 | 1:05:10 | |
There's a couple of singers left. One of them can be golden. | 1:05:10 | 1:05:14 | |
Or they could all be ducks. | 1:05:15 | 1:05:17 | |
I have one place left. What am I going to do? | 1:05:17 | 1:05:22 | |
You got Donald, you got Daffy, | 1:05:22 | 1:05:25 | |
-you got Daisy Duck. -It's hard. | 1:05:25 | 1:05:28 | |
Scrooge McDuck. You got freaking, uh... Howard the Duck. | 1:05:28 | 1:05:33 | |
I'm about to choose one of the audience to come and replace me. | 1:05:33 | 1:05:36 | |
All the three DuckTales. Whoo-hoo. | 1:05:36 | 1:05:39 | |
Yeah. I'm really... I'm feeling the pressure. | 1:05:39 | 1:05:41 | |
How do you gauge when the songbird's going to come? | 1:05:41 | 1:05:44 | |
There's only two spaces left. Will our next artist, | 1:05:44 | 1:05:47 | |
22-year-old Nomakhosi have what it takes to bag one of the precious spots? | 1:05:47 | 1:05:54 | |
I am from South Africa. I came to England when I was nine years old. | 1:05:54 | 1:05:59 | |
South African music has definitely influenced my taste | 1:05:59 | 1:06:02 | |
and it plays a part in the way I sing as well. | 1:06:02 | 1:06:06 | |
My mum is definitely my number one fan. We're very close. | 1:06:08 | 1:06:12 | |
It's kind of just, like, having a sister but with rules. | 1:06:12 | 1:06:17 | |
I want to be as successful as Beyonce. Yeah. | 1:06:21 | 1:06:24 | |
I like to aim high and have big dreams, | 1:06:24 | 1:06:27 | |
so it's a matter of go big or go home, right? | 1:06:27 | 1:06:31 | |
Come on, girl! | 1:06:35 | 1:06:37 | |
MUSIC: "Get Ready" by The Temptations | 1:06:53 | 1:06:57 | |
# I never met a guy who makes me feel | 1:06:57 | 1:07:01 | |
-# The way that you do... # -Go, girl! | 1:07:01 | 1:07:06 | |
# Whenever I'm asked who makes my dreams real | 1:07:06 | 1:07:10 | |
# I say that you do | 1:07:10 | 1:07:14 | |
# Fee-fi-fo-fum | 1:07:15 | 1:07:19 | |
# Look out, baby, cos here I come | 1:07:19 | 1:07:24 | |
# I'll be giving you a love that's true | 1:07:24 | 1:07:27 | |
# So get ready, so get ready | 1:07:27 | 1:07:32 | |
# I'm gonna try to make you love me too | 1:07:32 | 1:07:36 | |
# So get ready, so get ready | 1:07:36 | 1:07:39 | |
# Cos here I come | 1:07:39 | 1:07:43 | |
# I'm on my way | 1:07:43 | 1:07:48 | |
SHE SCATS | 1:07:49 | 1:07:54 | |
# I'll be giving you a love that's true... # | 1:08:06 | 1:08:10 | |
Go on, Kylie. Push it! | 1:08:10 | 1:08:12 | |
# So get ready, baby | 1:08:12 | 1:08:15 | |
# I'm gonna try to make you love me too | 1:08:15 | 1:08:18 | |
# So get ready, so get ready | 1:08:18 | 1:08:22 | |
# Cos here I come | 1:08:22 | 1:08:27 | |
# Cos here I come. # | 1:08:29 | 1:08:32 | |
Ahh! | 1:08:53 | 1:08:55 | |
OK. OK, hi. What's your name? | 1:08:59 | 1:09:02 | |
-My name is Nomakhosi and I am 22 years old. -Wow. | 1:09:02 | 1:09:07 | |
-You're 22. -Yes, I am. | 1:09:09 | 1:09:11 | |
How do you sound like that when you're 22 years old? | 1:09:11 | 1:09:15 | |
You complete my team. | 1:09:15 | 1:09:19 | |
You complete my team! | 1:09:19 | 1:09:21 | |
Oh, my God. | 1:09:21 | 1:09:23 | |
I'm so happy to be with you! | 1:09:25 | 1:09:26 | |
We need each other! | 1:09:28 | 1:09:30 | |
-Thank you, thank you, thank you. Oh, my God. -Hi! | 1:09:31 | 1:09:36 | |
Kylie! Kylie! Whoo! | 1:09:36 | 1:09:39 | |
That's it. | 1:09:42 | 1:09:43 | |
Nomakhosi. Yeah. She's completed Team Kylie really well. | 1:09:46 | 1:09:51 | |
Hit. Turned. | 1:09:51 | 1:09:52 | |
She looks gorgeous and amazing. Done. | 1:09:52 | 1:09:56 | |
My team is fu-ull. | 1:09:56 | 1:09:58 | |
My team is fu-ull. | 1:09:58 | 1:10:01 | |
Team Kylie is good to go. | 1:10:01 | 1:10:04 | |
Team Kylie is complete. Team Kylie is complete. | 1:10:04 | 1:10:08 | |
Team Kylie is complete. | 1:10:08 | 1:10:10 | |
-Yeah, baby. -Yeah! -Yeah. | 1:10:15 | 1:10:18 | |
So there's one space on one team. | 1:10:20 | 1:10:23 | |
And only one coach left who can press their button. | 1:10:23 | 1:10:27 | |
For the third series in a row, it's will.i.am. | 1:10:27 | 1:10:31 | |
Last year I waited till the very last singer. | 1:10:31 | 1:10:34 | |
I don't want to do that this year. That's the truth. | 1:10:34 | 1:10:36 | |
Will's last man standing but we knew that was going to happen. | 1:10:36 | 1:10:39 | |
I did, anyway. You could see it in his twinkle. | 1:10:39 | 1:10:42 | |
That's his eye twinkle. | 1:10:42 | 1:10:44 | |
Will knows something we don't know. | 1:10:44 | 1:10:47 | |
-Will is waiting. -What I think Will is looking for I don't think is there. | 1:10:47 | 1:10:51 | |
Right? Because I don't think he'll ever find it and that's why he'll go at the end. | 1:10:51 | 1:10:55 | |
I've been here three freaking seasons in a row. | 1:10:55 | 1:10:57 | |
The same freaking position. | 1:10:57 | 1:10:59 | |
Like, why do I keep on making the same mistakes? | 1:10:59 | 1:11:02 | |
It might not be a mistake. | 1:11:02 | 1:11:03 | |
When I'm up in this chair, all eyes on me. All eyes on me. | 1:11:04 | 1:11:09 | |
All eyes on me. You see Tom over there? His team is full. | 1:11:09 | 1:11:14 | |
His team is full. | 1:11:14 | 1:11:16 | |
His team is full. You see Kylie right there? Her team is full. | 1:11:16 | 1:11:21 | |
Her team is full. Her team is full. | 1:11:21 | 1:11:24 | |
I want to hit and turn to see who's singing. | 1:11:24 | 1:11:28 | |
That was very bad. That was very bad. I messed my song up. | 1:11:28 | 1:11:32 | |
But I'm the last one. All eyes on me. | 1:11:33 | 1:11:38 | |
MUSIC: "You Can't Hurry Love" by The Supremes | 1:11:38 | 1:11:40 | |
Will our next artist be able to connect with will.i.am? | 1:11:40 | 1:11:44 | |
My name is Liz Oki, I'm 61 and I'm retired. | 1:11:44 | 1:11:48 | |
I've been in various bands over the years. | 1:11:50 | 1:11:52 | |
And music in my life has been the one thing that gets me up in the morning | 1:11:55 | 1:11:59 | |
when things feel bad. | 1:11:59 | 1:12:02 | |
I grew up in two children's homes. | 1:12:06 | 1:12:09 | |
In a baby's home in Woking until I was five, | 1:12:09 | 1:12:12 | |
and then in Harrogate in Yorkshire | 1:12:12 | 1:12:15 | |
until I was 15. | 1:12:15 | 1:12:17 | |
The lady I called Mum in Yorkshire, she was the one constant in my life, | 1:12:19 | 1:12:25 | |
right from when I was a child. | 1:12:25 | 1:12:27 | |
She's probably known me longer than anybody I know. | 1:12:27 | 1:12:30 | |
She passed just two weeks ago. | 1:12:31 | 1:12:34 | |
I didn't want to cry. Sorry. | 1:12:37 | 1:12:39 | |
She has been there throughout my life. | 1:12:41 | 1:12:44 | |
I know was very proud of me. | 1:12:44 | 1:12:47 | |
Here I go again. | 1:12:49 | 1:12:51 | |
And I'd like to do this for her as well. | 1:12:52 | 1:12:55 | |
This is the culmination of everything I've ever done in my life. | 1:13:02 | 1:13:07 | |
And this is the pinnacle. | 1:13:10 | 1:13:12 | |
Come on, girl. | 1:13:14 | 1:13:15 | |
MUSIC: "A Different Corner" by WHAM! | 1:13:37 | 1:13:40 | |
# I'd say love was a magical thing | 1:13:40 | 1:13:45 | |
# I'd say love would keep us from pain | 1:13:45 | 1:13:50 | |
# Had I been there | 1:13:50 | 1:13:54 | |
# Had I been there | 1:13:54 | 1:13:59 | |
# I would promise you all of my life | 1:13:59 | 1:14:05 | |
# But to lose you would cut like a knife | 1:14:05 | 1:14:09 | |
# So I don't dare... | 1:14:09 | 1:14:10 | |
-Turn around. -Come on. Turn around. | 1:14:10 | 1:14:13 | |
# No, I don't dare | 1:14:13 | 1:14:18 | |
# No, I've never come close in all of these years | 1:14:18 | 1:14:23 | |
# You are the only one to stop my tears | 1:14:23 | 1:14:28 | |
# And I'm so scared | 1:14:28 | 1:14:34 | |
# I'm so scared | 1:14:34 | 1:14:36 | |
# Oh, I don't understand it | 1:14:36 | 1:14:40 | |
# For you, it's a breeze... | 1:14:40 | 1:14:43 | |
-Come on! Turn around! -Come on! | 1:14:43 | 1:14:45 | |
# It brought me to my knees | 1:14:45 | 1:14:52 | |
# Oh | 1:14:52 | 1:14:54 | |
# Don't you care? | 1:14:54 | 1:14:56 | |
# No, I'd never come close in all of these years | 1:14:56 | 1:15:02 | |
# You are the only one | 1:15:02 | 1:15:04 | |
# To stop my tears | 1:15:04 | 1:15:12 | |
# I'm so scared of this love. # | 1:15:13 | 1:15:20 | |
She was fabulous. | 1:15:28 | 1:15:31 | |
Hello. | 1:15:36 | 1:15:37 | |
-Hello. What's your name? -My name is Liz Oki. How are you? | 1:15:37 | 1:15:42 | |
I'm great. | 1:15:42 | 1:15:44 | |
-You remind me of my Aunt Stephanie. -Oh, really? -Yeah. | 1:15:44 | 1:15:49 | |
And I thank you for singing today. Um... | 1:15:50 | 1:15:55 | |
Sorry. | 1:16:05 | 1:16:07 | |
I think I know how you feel. | 1:16:09 | 1:16:10 | |
-KYLIE: -You all right? | 1:16:10 | 1:16:13 | |
I lost my mother two weeks ago. | 1:16:19 | 1:16:21 | |
You OK, Will? | 1:16:25 | 1:16:26 | |
And... I had my back turned. | 1:16:29 | 1:16:34 | |
When you said "I'm so scared" | 1:16:34 | 1:16:38 | |
I thought of my Auntie Stephanie, you know? | 1:16:38 | 1:16:43 | |
And she passed away on Easter | 1:16:44 | 1:16:46 | |
and my Grandma passed away on Thanksgiving, | 1:16:46 | 1:16:52 | |
and... | 1:16:52 | 1:16:55 | |
I told myself that my aunt passed away, to be with my Grandma. | 1:16:56 | 1:17:00 | |
But I know she was afraid, you know? | 1:17:03 | 1:17:07 | |
My aunt used to sing for the family when we would hold hands | 1:17:07 | 1:17:10 | |
and pray before our family dinners. | 1:17:10 | 1:17:13 | |
And when I turned around, like, I... The same... | 1:17:16 | 1:17:20 | |
The same skin complexion. | 1:17:20 | 1:17:22 | |
And I thank you for singing today. | 1:17:25 | 1:17:28 | |
Thank you. | 1:17:28 | 1:17:29 | |
Thank you, Will. | 1:17:37 | 1:17:39 | |
-Hi, Liz. -Hi there. -I'm sorry to hear about your mum. -OK. | 1:17:39 | 1:17:45 | |
Singing is the way to express yourself | 1:17:45 | 1:17:48 | |
and you bring out emotions in other people. | 1:17:48 | 1:17:51 | |
I think that's what we do it for, | 1:17:51 | 1:17:53 | |
whether you want to feel joyful, you want to... | 1:17:53 | 1:17:56 | |
You want to somehow let someone know you're thinking of them. | 1:17:57 | 1:18:01 | |
You did that today, and yeah, | 1:18:01 | 1:18:05 | |
-thanks for sharing that with us today. -Thank you. | 1:18:05 | 1:18:09 | |
Thank you, Will. | 1:18:09 | 1:18:10 | |
Thank you. | 1:18:11 | 1:18:12 | |
-I'm sorry for your mom's loss. -And yours. -You're like an angel. | 1:18:17 | 1:18:22 | |
Thank you very much. | 1:18:22 | 1:18:24 | |
-Thank you. -Thank you. | 1:18:24 | 1:18:26 | |
-You all right, mate? -I'm good. | 1:18:29 | 1:18:31 | |
Thank you. | 1:18:32 | 1:18:34 | |
APPLAUSE | 1:18:36 | 1:18:38 | |
I was thinking of my mum out there | 1:18:53 | 1:18:55 | |
and how pleased and proud that she would be. | 1:18:55 | 1:18:58 | |
It's very raw for me at the moment | 1:18:58 | 1:19:01 | |
and I had no idea that he's just gone through the same thing. | 1:19:01 | 1:19:05 | |
Well, I hope the next song is a happy song. | 1:19:11 | 1:19:13 | |
God. That's emotional stuff there. | 1:19:14 | 1:19:17 | |
-HE SINGS -# Kumbaya, my Lord... # | 1:19:18 | 1:19:22 | |
So a single space still remains. | 1:19:22 | 1:19:24 | |
One of these three acts is the final member of Team Will - but which one? | 1:19:24 | 1:19:29 | |
This is such an important opportunity for me. | 1:19:30 | 1:19:33 | |
I mean, how many times am I going to get to do this? | 1:19:33 | 1:19:36 | |
It's a life-changing chance. | 1:19:36 | 1:19:37 | |
I'm just going to go out there and give it everything I've got. | 1:19:37 | 1:19:41 | |
# Roxanne | 1:19:41 | 1:19:42 | |
# You don't need to wear that dress tonight | 1:19:44 | 1:19:47 | |
# Walk the streets for money | 1:19:48 | 1:19:51 | |
# You don't care if it's wrong or if it's right | 1:19:51 | 1:19:54 | |
# Roxanne | 1:19:54 | 1:19:55 | |
# You don't need to put on the red light | 1:19:57 | 1:20:01 | |
# Roxanne | 1:20:01 | 1:20:03 | |
# You don't need to put on the red light | 1:20:04 | 1:20:08 | |
# You don't need to put on the red light | 1:20:08 | 1:20:11 | |
# You don't need to put on the red light | 1:20:11 | 1:20:15 | |
# Roxanne. # | 1:20:15 | 1:20:17 | |
APPLAUSE, CHEERING | 1:20:17 | 1:20:19 | |
-You look familiar to me. -I think I'd remember if we'd have met. | 1:20:24 | 1:20:28 | |
LAUGHTER | 1:20:28 | 1:20:29 | |
I was hoping... | 1:20:30 | 1:20:31 | |
I was hoping I'd convince you to spin around but I guess not, maybe. | 1:20:33 | 1:20:37 | |
I can't. I literally...I just completed my team. | 1:20:37 | 1:20:43 | |
Um...or I might have spun around. | 1:20:43 | 1:20:46 | |
-Thank you. -Cos you sounded gorgeous and... Got to big-up the band. | 1:20:46 | 1:20:50 | |
-Oh, yeah. -Doing an amazing job, guys. | 1:20:50 | 1:20:51 | |
-APPLAUSE -Really good to play with good musicians. | 1:20:51 | 1:20:54 | |
-Oh, yeah. -Yeah. | 1:20:54 | 1:20:55 | |
-That's a nice jacket combo blazer. -Thank you very much. | 1:20:59 | 1:21:03 | |
-Is that two pieces or all one piece? -No, no, it's a two-piece. | 1:21:03 | 1:21:06 | |
-WOLF WHISTLING -Thank you. | 1:21:06 | 1:21:08 | |
-Pretty smart, pretty smart. -Thanks. | 1:21:08 | 1:21:11 | |
-Not looking too bad yourself, man. I like the hat. -Oh, yeah. | 1:21:11 | 1:21:14 | |
It's my thinking hat. | 1:21:14 | 1:21:15 | |
I'm thinking... | 1:21:16 | 1:21:18 | |
..I need Q-tips right about now... | 1:21:18 | 1:21:21 | |
-HE LAUGHS -..to clean my ears out. | 1:21:21 | 1:21:23 | |
-HE LAUGHS KYLIE: -What's up with your head? | 1:21:25 | 1:21:28 | |
So, as I was thinking it, it came out. | 1:21:28 | 1:21:31 | |
-APPLAUSE -But... | 1:21:31 | 1:21:33 | |
..the reason why I didn't turn around was not because I didn't hear it. | 1:21:34 | 1:21:39 | |
It's because I'm just following my gut that something else... | 1:21:41 | 1:21:46 | |
It could come, it could come or I could be very wrong | 1:21:46 | 1:21:49 | |
and I just blew an opportunity. | 1:21:49 | 1:21:51 | |
There's a lot of talent back there. | 1:21:51 | 1:21:53 | |
APPLAUSE, CHEERING | 1:21:53 | 1:21:55 | |
-But thank you so much. -Thank you, guys. Thank you. | 1:22:00 | 1:22:03 | |
It's a hard one, to be the last, with one spot left. | 1:22:04 | 1:22:09 | |
-Wow. -Strong. | 1:22:12 | 1:22:13 | |
Why doesn't this thing go? | 1:22:16 | 1:22:18 | |
Just cos you can't press the button, | 1:22:20 | 1:22:22 | |
no need to be destroying the chairs now. | 1:22:22 | 1:22:25 | |
Yeah. | 1:22:26 | 1:22:28 | |
You know, I think he's waiting for somebody to really hit him hard, | 1:22:28 | 1:22:30 | |
that he has no choice but to push his button, | 1:22:30 | 1:22:34 | |
but there is a risk of letting somebody really good go. | 1:22:34 | 1:22:37 | |
I think that's the boy who could've taken on a Whitney, you know what I mean? | 1:22:37 | 1:22:40 | |
-Yeah, exactly. -What's Will waiting for? I have no idea. | 1:22:40 | 1:22:44 | |
But we'll soon find out. | 1:22:44 | 1:22:46 | |
-How many more? Two? -Two. Sorry, thr...two. | 1:22:47 | 1:22:50 | |
-It's really going to be tricky. -I think he's playing a dangerous game. | 1:22:52 | 1:22:56 | |
Am I waiting for potential or waiting for the person just to | 1:22:56 | 1:22:58 | |
come and, like, whisk me away with angelic freakin' vocal capabilities? | 1:22:58 | 1:23:03 | |
Like larynx of gold. | 1:23:03 | 1:23:05 | |
-HE LAUGHS -You keep saying, like, "Wow." | 1:23:05 | 1:23:08 | |
It's all good. We'll figure it out. I'mma use my gut. | 1:23:08 | 1:23:11 | |
Calm the gut. | 1:23:14 | 1:23:15 | |
With Pete Davis out of the running, just Cherri Prince and Erin remain, | 1:23:17 | 1:23:21 | |
both desperate for that last space on Team Will. | 1:23:21 | 1:23:25 | |
I work in a doctor's surgery as a phlebotomist. | 1:23:25 | 1:23:28 | |
If you've got to go for a blood test, | 1:23:28 | 1:23:29 | |
I'm the person you'll come and see. | 1:23:29 | 1:23:31 | |
I work as a project manager in a large bank in Glasgow. | 1:23:32 | 1:23:36 | |
I enjoy what I'm doing at the moment | 1:23:37 | 1:23:39 | |
but I'd rather leave blood in their arms... | 1:23:39 | 1:23:42 | |
-SHE LAUGHS -..and get out of the surgery | 1:23:42 | 1:23:45 | |
and start singing my songs. | 1:23:45 | 1:23:47 | |
I'm successful in my career but I'm just not happy. | 1:23:47 | 1:23:50 | |
I know what that is - it's because I'm not doing what I want to do, | 1:23:50 | 1:23:53 | |
which is singing. | 1:23:53 | 1:23:55 | |
If they don't turn around... | 1:23:56 | 1:23:58 | |
..get a little bit upset. | 1:24:01 | 1:24:03 | |
Carry on. | 1:24:06 | 1:24:07 | |
I'm absolutely terrified about singing for the coaches | 1:24:12 | 1:24:15 | |
because I could be completely heartbroken at the end of it. | 1:24:15 | 1:24:17 | |
So I'm very, very nervous. | 1:24:17 | 1:24:20 | |
# I know you think that I shouldn't still love you | 1:24:50 | 1:24:56 | |
# Or tell you that | 1:24:56 | 1:24:58 | |
# But if I didn't say it | 1:25:01 | 1:25:04 | |
# Well, I'd still have felt it | 1:25:04 | 1:25:07 | |
# Where's the sense in that? | 1:25:07 | 1:25:11 | |
# I gave you all the love I had in me | 1:25:11 | 1:25:19 | |
# Now I find you lied | 1:25:19 | 1:25:22 | |
# And I can't believe it's true | 1:25:22 | 1:25:26 | |
# Oh, you'd better stop | 1:25:26 | 1:25:31 | |
# Before you tear me all apart | 1:25:31 | 1:25:37 | |
# All that was there will be there still | 1:25:37 | 1:25:43 | |
# I'll let it pass | 1:25:43 | 1:25:46 | |
# And I'll hold my tongue | 1:25:46 | 1:25:49 | |
# And you will think that I moved on | 1:25:49 | 1:25:56 | |
# I will go down with this ship | 1:25:56 | 1:25:59 | |
# I won't put my hands up and surrender | 1:26:00 | 1:26:06 | |
# You better stop | 1:26:06 | 1:26:08 | |
# Before you tear me all apart | 1:26:08 | 1:26:14 | |
# Stop before | 1:26:14 | 1:26:18 | |
# You go and break my heart | 1:26:18 | 1:26:24 | |
# There will be no white flag above my door | 1:26:24 | 1:26:29 | |
# Cos I'm in love | 1:26:29 | 1:26:32 | |
# And always will be. # | 1:26:32 | 1:26:36 | |
# Ooh, ooh, oh | 1:26:36 | 1:26:39 | |
# You better stop. # | 1:26:39 | 1:26:42 | |
APPLAUSE, CHEERING | 1:26:42 | 1:26:45 | |
CHEERING | 1:26:56 | 1:26:59 | |
-Yes! -THEY CHEER | 1:27:04 | 1:27:06 | |
Thank you. Thank you. | 1:27:30 | 1:27:33 | |
-Hey. -What's your name? -Cherri. Cherri Prince. | 1:27:38 | 1:27:40 | |
-You're the last singer. You just filled up my team. -Wow! | 1:27:40 | 1:27:43 | |
And I was telling myself, "Am I going to wait for, like, a knockout | 1:27:43 | 1:27:46 | |
"person just to, like, knock me out, or do I turn around for potential?" | 1:27:46 | 1:27:51 | |
Cos you could potentially be the person | 1:27:51 | 1:27:54 | |
that wins it with the right coach | 1:27:54 | 1:27:57 | |
to help guide you through this competition. | 1:27:57 | 1:27:59 | |
I'm so pleased that you've turned around. | 1:27:59 | 1:28:02 | |
APPLAUSE, CHEERING | 1:28:02 | 1:28:04 | |
But you really hurt me when you waited till right, right, right till the end. | 1:28:07 | 1:28:10 | |
I was like, "OK, bye." | 1:28:10 | 1:28:12 | |
-No, no. -So thank you. -I told myself, like, "Don't double dip." | 1:28:12 | 1:28:15 | |
What's a double dip? | 1:28:15 | 1:28:16 | |
So, what a double dip is, like... I have a singer similar to you. | 1:28:16 | 1:28:20 | |
-She's jazz. -Ooh, OK. -Kind of jazzy. | 1:28:20 | 1:28:22 | |
That's the kind of music that I like, really. | 1:28:22 | 1:28:25 | |
It's alright to break the rules every once in a while, especially when | 1:28:25 | 1:28:29 | |
something's worth breaking the rules, and you're worth breaking the rules. | 1:28:29 | 1:28:32 | |
Thank you. Thank you. | 1:28:32 | 1:28:35 | |
-Can I come down? -Yeah! | 1:28:37 | 1:28:39 | |
-Hi. Nice to meet you. -Nice to meet you. | 1:28:43 | 1:28:47 | |
Will. | 1:29:00 | 1:29:02 | |
Yeah. | 1:29:02 | 1:29:04 | |
THEY CHEER, SHE SCREAMS | 1:29:05 | 1:29:07 | |
-Wow. -Wow. -I think he's going to be great. -Yeah. -Maybe too great. | 1:29:16 | 1:29:21 | |
-Too darn good. -I think we've all done well, I think. | 1:29:22 | 1:29:25 | |
-Oh, no, I'm happy with my team. Don't get me wrong. -Yeah. -You happy? | 1:29:25 | 1:29:29 | |
-Oh, yeah. -Each one of us thinks we have the best team. | 1:29:29 | 1:29:33 | |
Just like there's some parents that think they have cute kids | 1:29:33 | 1:29:35 | |
and you look at the kid and you're like, "That's an ugly baby." | 1:29:35 | 1:29:38 | |
HE CHUCKLES | 1:29:38 | 1:29:39 | |
And now it's time for the battles, slicing and dicing, cutting... | 1:29:39 | 1:29:44 | |
Hold on. | 1:29:44 | 1:29:45 | |
Cutting it up, bam, bam, bam! | 1:29:47 | 1:29:49 | |
All right, cool. See you. HE LAUGHS | 1:29:49 | 1:29:51 | |
-NARRATOR: -Next week on The Voice... | 1:29:54 | 1:29:57 | |
The coaches' teams of 12 are slashed in half, | 1:29:58 | 1:30:01 | |
as their acts go head to head. | 1:30:01 | 1:30:04 | |
I cannot wait to see the battles. | 1:30:04 | 1:30:08 | |
-All right! -Pull up, pull up! | 1:30:09 | 1:30:11 | |
-Ugh! -Do I have to choose? | 1:30:14 | 1:30:16 | |
-Meow! -Steals are back. | 1:30:18 | 1:30:19 | |
-RICKY: -There's definitely people out there that I wouldn't mind poaching. | 1:30:21 | 1:30:24 | |
That was just too, too awesome. | 1:30:24 | 1:30:26 | |
It's time to call in A-list back-up. | 1:30:26 | 1:30:28 | |
-What I'm looking for is star quality. -Bang. | 1:30:28 | 1:30:31 | |
Did you see the skirt she was wearing? Jeez. | 1:30:31 | 1:30:34 | |
-KYLIE: -Didn't you love that? -CHEERING | 1:30:34 | 1:30:38 | |
It's battle time. | 1:30:38 | 1:30:39 | |
It's like being in a high chair. | 1:30:40 | 1:30:42 | |
Mum! | 1:30:43 | 1:30:45 | |
HE SNEEZES | 1:30:45 | 1:30:49 | |
-The new coaches... WOMAN: -That was amazing. -Yeah, that was a ka-sneeze. | 1:30:49 | 1:30:53 | |
-HE LAUGHS -Skaneezing! | 1:30:53 | 1:30:55 | |
-I loved it. -LAUGHTER | 1:30:57 | 1:31:01 | |
I thought it was amazing. | 1:31:01 | 1:31:02 | |
-See you later, alligator. -Bye. | 1:31:04 | 1:31:07 | |
THEY LAUGH | 1:31:07 | 1:31:08 |