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'Paloma and Ricky completed their final teams of three.' | 0:00:02 | 0:00:05 | |
You know my team's the best. Team Paloma all the way! | 0:00:05 | 0:00:09 | |
Now you're going to see who the real stars are. | 0:00:09 | 0:00:11 | |
-'Tonight...' -All right, George - | 0:00:11 | 0:00:13 | |
the big moment's come. | 0:00:13 | 0:00:14 | |
'..all the heat is on Will and George...' | 0:00:14 | 0:00:16 | |
Round two of the knockouts. | 0:00:16 | 0:00:18 | |
HE WHOOPS | 0:00:18 | 0:00:19 | |
George... HE GASPS | 0:00:19 | 0:00:21 | |
'..as they choose their live show line-ups.' | 0:00:21 | 0:00:23 | |
Five people bounce and I'm left with three. | 0:00:23 | 0:00:26 | |
Arrgghh! | 0:00:26 | 0:00:27 | |
HE LAUGHS | 0:00:27 | 0:00:29 | |
It's the fight for survival. | 0:00:29 | 0:00:31 | |
'There are no second chances.' | 0:00:31 | 0:00:32 | |
I just don't want to think about it too much. | 0:00:32 | 0:00:34 | |
'It's going to be electric.' | 0:00:34 | 0:00:40 | |
CHEERING AND APPLAUSE | 0:00:40 | 0:00:43 | |
Hello and welcome to The Voice, the knockouts, round two. | 0:00:43 | 0:00:46 | |
Now, tonight, the remaining artists | 0:00:46 | 0:00:48 | |
have chosen a song that they hope will impress their coach | 0:00:48 | 0:00:52 | |
and take them sailing into the live shows. | 0:00:52 | 0:00:54 | |
Indeed - every decision is crucial | 0:00:54 | 0:00:56 | |
and here are the stars calling the shots. | 0:00:56 | 0:00:58 | |
Our chief frontman is Ricky Wilson, | 0:01:01 | 0:01:04 | |
alongside the stylish and sassy Paloma Faith. | 0:01:04 | 0:01:08 | |
The man, the boy, the legend - Boy George. | 0:01:09 | 0:01:13 | |
And our very own Inspector Gadget, will.i.am! | 0:01:13 | 0:01:17 | |
Ladies and gentlemen, it's our coaches! | 0:01:22 | 0:01:25 | |
Evening, coaches. | 0:01:31 | 0:01:33 | |
Evening, presenters! | 0:01:33 | 0:01:35 | |
-Everyone raring to go? -Fantastic. -Good stuff. | 0:01:35 | 0:01:39 | |
George, it's your first knockout, how you feeling? | 0:01:39 | 0:01:41 | |
Almost hyperventilating with excitement, | 0:01:41 | 0:01:43 | |
and still don't know really what I'm going to do, | 0:01:43 | 0:01:45 | |
who I'm going to choose, so it's going to be, you know... | 0:01:45 | 0:01:48 | |
-It's all about right now. -Yeah. | 0:01:48 | 0:01:50 | |
Best of luck, coaches - let's get the knockout rounds started. | 0:01:50 | 0:01:53 | |
WILL WHOOPS | 0:01:57 | 0:02:00 | |
Of course I think I've got the strongest team. | 0:02:07 | 0:02:09 | |
HE LAUGHS | 0:02:09 | 0:02:10 | |
You look so beautiful. | 0:02:10 | 0:02:12 | |
I've got real singers. | 0:02:12 | 0:02:15 | |
They're all quite unique, a lot of style going on. | 0:02:15 | 0:02:18 | |
They've all got a chance. | 0:02:18 | 0:02:20 | |
Yeah, I'm excited. | 0:02:20 | 0:02:21 | |
Now you choose your own songs. | 0:02:21 | 0:02:23 | |
It's been really frustrating, not knowing what you're going to sing. | 0:02:23 | 0:02:26 | |
They better choose wisely, | 0:02:26 | 0:02:28 | |
because there's a place in the live shows for three people. | 0:02:28 | 0:02:31 | |
I'm just always looking for emotion, connectedness to the lyrics... | 0:02:31 | 0:02:36 | |
You know - "What's my motivation?" I really want to feel that. | 0:02:36 | 0:02:40 | |
It's going to be really hard to get rid of five people. | 0:02:40 | 0:02:44 | |
And I'm nervous. | 0:02:44 | 0:02:45 | |
Right, George, are you ready? | 0:02:49 | 0:02:50 | |
-I'm so ready. -Are you guys ready? | 0:02:50 | 0:02:53 | |
Right. Let's do it. | 0:02:53 | 0:02:54 | |
Kicking off is one of Boy George's steals - it's Alaric. | 0:02:54 | 0:02:57 | |
Psst... | 0:03:01 | 0:03:02 | |
Have you got some ID, please, mate? | 0:03:10 | 0:03:12 | |
Alaric looks like he should be in Game Of Thrones, | 0:03:12 | 0:03:15 | |
but this beautiful voice comes out of him | 0:03:15 | 0:03:17 | |
and it is just this lovely contradiction. | 0:03:17 | 0:03:19 | |
# Hope there's someone who'll take care of me... # | 0:03:19 | 0:03:23 | |
Boy George stealing me was a massive compliment. | 0:03:25 | 0:03:28 | |
I don't want to let him down. | 0:03:28 | 0:03:29 | |
What's the song you're going to do for us? | 0:03:29 | 0:03:31 | |
-I'm going to sing Unchained Melody. -Wow. -Yeah. | 0:03:31 | 0:03:33 | |
I thought...kind of, tackling a classic | 0:03:33 | 0:03:36 | |
would be kind of bold. | 0:03:36 | 0:03:37 | |
# Time can do so much... # | 0:03:37 | 0:03:40 | |
I really like the fact | 0:03:40 | 0:03:41 | |
that he is taking himself out of his comfort zone. | 0:03:41 | 0:03:44 | |
-I wouldn't be afraid to throw in some of your opera. -Yeah? | 0:03:44 | 0:03:48 | |
I mean, it almost felt like you were holding back. | 0:03:48 | 0:03:51 | |
-You can probably get bigger with it. -Yeah? | 0:03:51 | 0:03:53 | |
I'm going to go home and just sing it over and over | 0:03:53 | 0:03:56 | |
and give it a real Alaric stamp. | 0:03:56 | 0:03:59 | |
Hope he likes it. | 0:03:59 | 0:04:00 | |
# Oh | 0:04:05 | 0:04:07 | |
# My love | 0:04:08 | 0:04:10 | |
# My darling | 0:04:12 | 0:04:14 | |
# I've hungered for your touch | 0:04:16 | 0:04:21 | |
# Oh, such a long | 0:04:22 | 0:04:25 | |
# Lonely time | 0:04:26 | 0:04:31 | |
# And time | 0:04:31 | 0:04:32 | |
# Time goes by | 0:04:33 | 0:04:36 | |
# So slowly | 0:04:38 | 0:04:41 | |
# And time | 0:04:41 | 0:04:43 | |
# Time can do so much | 0:04:44 | 0:04:47 | |
# Are you still mine? | 0:04:50 | 0:04:58 | |
# Cos I need your love | 0:04:59 | 0:05:05 | |
# I need your love | 0:05:07 | 0:05:12 | |
# God speed your love | 0:05:14 | 0:05:17 | |
# To... | 0:05:17 | 0:05:24 | |
# Me. # | 0:05:24 | 0:05:32 | |
Let's hear it for Alaric. | 0:05:38 | 0:05:40 | |
CHEERING AND APPLAUSE | 0:05:40 | 0:05:42 | |
-I didn't know he can do that. -It's going to be tough. | 0:05:53 | 0:05:55 | |
-GROANING: -I hate my life. | 0:05:55 | 0:05:57 | |
Next up, it's Laura. | 0:05:58 | 0:06:00 | |
# Nature is a language... # | 0:06:08 | 0:06:10 | |
Laura has this great, kind of, country sort of twang to her voice, | 0:06:10 | 0:06:14 | |
which I absolutely love. | 0:06:14 | 0:06:16 | |
Your last performance in the battles, | 0:06:16 | 0:06:18 | |
there was so much emotion. | 0:06:18 | 0:06:19 | |
I felt very proud. | 0:06:19 | 0:06:20 | |
# You cry out in your sleep... # | 0:06:20 | 0:06:23 | |
I didn't even think I'd get, like, a chair turn, | 0:06:23 | 0:06:25 | |
so to get this far is just incredible. | 0:06:25 | 0:06:27 | |
One step away from the lives. | 0:06:27 | 0:06:29 | |
It's one of the most nerve-racking things that you can ever do. | 0:06:29 | 0:06:32 | |
# ..surrender. # | 0:06:32 | 0:06:35 | |
I'm going to ask you, when you perform that, | 0:06:35 | 0:06:37 | |
-to engage with me. -Yeah. | 0:06:37 | 0:06:39 | |
In rehearsals, I encouraged Laura to look at the audience, | 0:06:39 | 0:06:42 | |
not close her eyes, | 0:06:42 | 0:06:43 | |
to connect with the people that she is performing to. | 0:06:43 | 0:06:45 | |
It's really important. | 0:06:45 | 0:06:46 | |
Literally, just look at everyone. | 0:06:46 | 0:06:48 | |
Look at them, engage with them, then they become your friends. | 0:06:48 | 0:06:51 | |
I've always been like that, when I'm performing. | 0:06:51 | 0:06:54 | |
I just go into myself little bit too much. | 0:06:54 | 0:06:55 | |
It's something I do really need to work on. | 0:06:55 | 0:06:57 | |
Give me a hug. | 0:06:57 | 0:06:58 | |
I am willing her to sing this song in such a beautiful way | 0:06:58 | 0:07:02 | |
that there is no denying that she has to come with me. | 0:07:02 | 0:07:05 | |
# Sweet disposition | 0:07:15 | 0:07:23 | |
# Never too soon | 0:07:26 | 0:07:34 | |
# A moment of love | 0:07:41 | 0:07:43 | |
# A dream, a laugh | 0:07:43 | 0:07:45 | |
# A kiss, a cry | 0:07:45 | 0:07:47 | |
# Our rights, our wrongs | 0:07:47 | 0:07:49 | |
# Stay there | 0:07:49 | 0:07:54 | |
# Cos I'll be coming over | 0:07:54 | 0:08:01 | |
# While our blood's still young | 0:08:02 | 0:08:06 | |
# It's so young, it runs | 0:08:06 | 0:08:09 | |
# Won't stop till it's over | 0:08:09 | 0:08:17 | |
# Won't stop to surrender | 0:08:17 | 0:08:21 | |
# It's over | 0:08:23 | 0:08:28 | |
# Won't stop to surrender. # | 0:08:28 | 0:08:32 | |
CHEERING AND APPLAUSE | 0:08:32 | 0:08:35 | |
Please put your hands together for Laura. | 0:08:39 | 0:08:42 | |
But you can make anything emotional. | 0:08:50 | 0:08:52 | |
I would have gone for, like, Crazy. | 0:08:52 | 0:08:54 | |
# Crazy... # That? | 0:08:54 | 0:08:55 | |
# Crazy for feeling so lonely... # | 0:08:55 | 0:08:58 | |
Singing to stay on Team Boy George, it's Harry. | 0:08:58 | 0:09:02 | |
# Come on, let it go... # | 0:09:17 | 0:09:19 | |
Harry has this natural soul in his voice. | 0:09:19 | 0:09:22 | |
# I just can't stop lovin' you... # | 0:09:22 | 0:09:25 | |
When he gets it, it's the most beautiful thing ever. | 0:09:25 | 0:09:28 | |
From his big shoes to his many hairdos, | 0:09:28 | 0:09:30 | |
he is special. | 0:09:30 | 0:09:31 | |
Before I came on The Voice, I was living at home with my mum, | 0:09:31 | 0:09:34 | |
then I moved out to uni. | 0:09:34 | 0:09:36 | |
My life has just changed drastically these last few months | 0:09:36 | 0:09:39 | |
and being this close to the lives is terrifying. | 0:09:39 | 0:09:43 | |
There is eight of us left and everyone is insane. | 0:09:43 | 0:09:46 | |
Now is the time to go in with a really risky choice. | 0:09:46 | 0:09:50 | |
I'm so nervous! I'm so nervous. | 0:09:50 | 0:09:53 | |
I'm so nervous about this song. | 0:09:53 | 0:09:54 | |
I have to be honest, | 0:09:56 | 0:09:57 | |
it's just really dangerous to take one of her songs and do it. | 0:09:57 | 0:10:00 | |
I can really feel your nerves. | 0:10:01 | 0:10:03 | |
Breathe. Channel your nerves. | 0:10:03 | 0:10:05 | |
Find the best place for them and put it into your performance. | 0:10:05 | 0:10:09 | |
He may do something magical and beautiful with it and steal it, | 0:10:09 | 0:10:13 | |
so there's hope. | 0:10:13 | 0:10:15 | |
HE LAUGHS | 0:10:15 | 0:10:17 | |
# Hello | 0:10:26 | 0:10:29 | |
# It's me | 0:10:29 | 0:10:31 | |
# I was wondering if after all the years | 0:10:31 | 0:10:35 | |
# You'd like to meet | 0:10:35 | 0:10:37 | |
# There's a difference between us | 0:10:37 | 0:10:44 | |
# And a million miles | 0:10:44 | 0:10:48 | |
# Hello from the other side | 0:10:50 | 0:10:56 | |
# I must have called a thousand times | 0:10:56 | 0:11:01 | |
# To tell you I'm sorry for breaking your heart | 0:11:01 | 0:11:07 | |
# But it don't matter | 0:11:07 | 0:11:09 | |
# It clearly doesn't tear you apart | 0:11:09 | 0:11:13 | |
# It's no secret the both of us | 0:11:13 | 0:11:20 | |
# Are running out of time | 0:11:20 | 0:11:25 | |
# Hello from the outside | 0:11:26 | 0:11:32 | |
# At least I can say that I've tried | 0:11:32 | 0:11:37 | |
# To tell you I'm sorry for breaking your heart | 0:11:37 | 0:11:43 | |
# But it don't matter | 0:11:43 | 0:11:45 | |
# It clearly doesn't tear you apart | 0:11:45 | 0:11:50 | |
# Any more. # | 0:11:50 | 0:11:55 | |
CHEERING AND APPLAUSE | 0:11:55 | 0:11:57 | |
Let's hear it for Harry! | 0:12:00 | 0:12:01 | |
That was good. | 0:12:06 | 0:12:08 | |
It's a physical, physical performance when he sings. | 0:12:11 | 0:12:13 | |
It's like he's going into battle. | 0:12:13 | 0:12:16 | |
The buzz is unreal. It unreal. | 0:12:16 | 0:12:19 | |
Next to perform, another of George's steals. | 0:12:19 | 0:12:22 | |
It's Bradley. | 0:12:22 | 0:12:25 | |
Bradley! | 0:12:25 | 0:12:26 | |
-Truly, Bradley, deeply. -Go on, Bradley! | 0:12:26 | 0:12:29 | |
# I'm a man, yeah... # | 0:12:39 | 0:12:41 | |
I think Bradley might be a very smart steal. | 0:12:41 | 0:12:44 | |
HE LAUGHS | 0:12:44 | 0:12:45 | |
# Yeah, yeah, yeah... # | 0:12:45 | 0:12:47 | |
I was really surprised when Paloma took Rick. | 0:12:47 | 0:12:50 | |
Yes! | 0:12:50 | 0:12:51 | |
Then what Bradley brings to Team Boy George, | 0:12:51 | 0:12:53 | |
he's young, he's cool, he's good-looking. | 0:12:53 | 0:12:56 | |
How are you doing? | 0:12:56 | 0:12:57 | |
I've been given a massive second chance and I'm really grateful. | 0:12:57 | 0:13:00 | |
'To work with Boy George is a big thing for me.' | 0:13:00 | 0:13:02 | |
# The sun don't shine The sun don't shine... # | 0:13:02 | 0:13:06 | |
Don't get so lost in the song that you leave us all alone out here. | 0:13:06 | 0:13:11 | |
-I know. I'm terrible, my eyes... -I understand. | 0:13:11 | 0:13:13 | |
I do it all the time and I get told off all the time. | 0:13:13 | 0:13:15 | |
People have paid to see you out there. | 0:13:15 | 0:13:18 | |
Don't cut us out, mate. | 0:13:18 | 0:13:19 | |
You need to twinkle those eyes, like Ricky. | 0:13:19 | 0:13:21 | |
Flutter those eyelashes. It'll make people fall in love with you. | 0:13:21 | 0:13:24 | |
Works with Ricky. You know? | 0:13:24 | 0:13:26 | |
Learn from the best. | 0:13:26 | 0:13:28 | |
The audience are there to support you. | 0:13:29 | 0:13:31 | |
They really want you to shine, and I want you to shine. | 0:13:31 | 0:13:34 | |
Bradley is singing his dad's favourite song. | 0:13:34 | 0:13:37 | |
If he brings enough emotion, | 0:13:37 | 0:13:39 | |
then he's going to be going to the live shows, no question, | 0:13:39 | 0:13:42 | |
and I think Paloma is going to be crying. | 0:13:42 | 0:13:44 | |
She's going to be crying. | 0:13:46 | 0:13:47 | |
HE LAUGHS | 0:13:47 | 0:13:49 | |
# I've walked through the valleys of the wilderness in time, | 0:13:52 | 0:13:58 | |
# Only to find out | 0:13:58 | 0:14:03 | |
# That you have love in places I can't describe | 0:14:04 | 0:14:12 | |
# I need you | 0:14:12 | 0:14:16 | |
# It's the sunrise | 0:14:16 | 0:14:24 | |
# I can't be without you | 0:14:24 | 0:14:30 | |
# Without you | 0:14:30 | 0:14:34 | |
# Without you | 0:14:34 | 0:14:38 | |
# Singing the sun don't shine | 0:14:39 | 0:14:42 | |
# The sun don't shine | 0:14:42 | 0:14:44 | |
# The sun don't shine The sun don't shine | 0:14:44 | 0:14:48 | |
# Without you | 0:14:48 | 0:14:52 | |
# Without you | 0:14:52 | 0:14:57 | |
# Through all the space and time | 0:14:57 | 0:14:59 | |
# Your love is mine | 0:14:59 | 0:15:02 | |
# The sun don't shine The sun don't shine | 0:15:02 | 0:15:05 | |
# Without you | 0:15:05 | 0:15:09 | |
# Without you, yeah. # | 0:15:09 | 0:15:15 | |
CHEERING AND APPLAUSE | 0:15:15 | 0:15:18 | |
Bradley, everyone! | 0:15:21 | 0:15:22 | |
Well done, bro. | 0:15:31 | 0:15:33 | |
-What did you think, William? -It was good. | 0:15:33 | 0:15:36 | |
It's hard to tell, without hearing everybody. | 0:15:36 | 0:15:38 | |
OK, so you think it's too soon to call? | 0:15:38 | 0:15:42 | |
That's very helpful of you! | 0:15:42 | 0:15:45 | |
Like, "Mm, wasn't that steak delicious? | 0:15:45 | 0:15:47 | |
"Don't we... | 0:15:47 | 0:15:48 | |
"Ain't we getting other food?" | 0:15:48 | 0:15:49 | |
THEY LAUGH | 0:15:49 | 0:15:51 | |
Next up for Team Boy George, it's Leighton. | 0:15:51 | 0:15:53 | |
# She tears you down, darling | 0:16:03 | 0:16:06 | |
# Says you're nothing at all... # | 0:16:06 | 0:16:09 | |
My boy Jay was at the battles. | 0:16:09 | 0:16:10 | |
I just looked at him, he was really happy. | 0:16:10 | 0:16:12 | |
As soon as we finished, we went for a chat, | 0:16:12 | 0:16:14 | |
I said, "How was my dad dancing?" | 0:16:14 | 0:16:15 | |
And he gave me the thumbs up, which I thought was not too bad, | 0:16:15 | 0:16:18 | |
from a 15-year-old who's cool - not like his dad! | 0:16:18 | 0:16:21 | |
Leighton is Team Boy George's all-rounder. | 0:16:21 | 0:16:24 | |
He plays piano, guitar, he's got this fantastic soul voice. | 0:16:24 | 0:16:29 | |
HE SCATS | 0:16:29 | 0:16:33 | |
Hey! | 0:16:33 | 0:16:34 | |
Brilliant. I am a little bit worried about the guitar. | 0:16:34 | 0:16:37 | |
-OK. -Kind of getting in your way of performing the song. | 0:16:37 | 0:16:40 | |
I would love to hear you do it without the guitar. | 0:16:40 | 0:16:43 | |
Cool. Not a problem. | 0:16:43 | 0:16:44 | |
Unless you're going to set fire to it, | 0:16:44 | 0:16:45 | |
play it with your teeth, like Jimi Hendrix, | 0:16:45 | 0:16:47 | |
there's no point having it. | 0:16:47 | 0:16:49 | |
I need you to be 100% in your performance. | 0:16:49 | 0:16:51 | |
-I'll take your advice. -We got a guitar player, haven't we? | 0:16:51 | 0:16:53 | |
A lovely guitar player who's being paid a fortune. | 0:16:53 | 0:16:56 | |
Boy George, he's straight to the point. | 0:16:56 | 0:16:58 | |
He don't pull no punches, which I really like. | 0:16:58 | 0:17:00 | |
HE SCATS | 0:17:00 | 0:17:02 | |
As soon as we lost the guitar, it was like a different performance. | 0:17:02 | 0:17:05 | |
It was just night and day. | 0:17:05 | 0:17:07 | |
-Sorry, the guitar is out. -It's gone. | 0:17:07 | 0:17:10 | |
To get through to the lives, | 0:17:10 | 0:17:11 | |
Leighton has to bring so much soul and emotion into this performance, | 0:17:11 | 0:17:16 | |
so there is no denying that he has to be in the top three. | 0:17:16 | 0:17:21 | |
# Strollin' in the park | 0:17:33 | 0:17:35 | |
# Watching winter turn to spring | 0:17:35 | 0:17:39 | |
# Oh, yeah, yeah | 0:17:40 | 0:17:43 | |
# Walkin' in the dark | 0:17:43 | 0:17:45 | |
# Seein' lovers do their thing | 0:17:45 | 0:17:49 | |
# Oh, baby, baby | 0:17:51 | 0:17:53 | |
# That's the time | 0:17:53 | 0:17:56 | |
# I feel like making love to you | 0:17:56 | 0:18:01 | |
# Oh, yeah, yeah, yeah, yeah, yeah | 0:18:01 | 0:18:04 | |
# Baby, baby - oh! | 0:18:04 | 0:18:07 | |
# In a restaurant | 0:18:08 | 0:18:11 | |
# Holdin' hands by candlelight | 0:18:11 | 0:18:15 | |
# Yeah, yeah, yeah | 0:18:15 | 0:18:18 | |
# When I'm touchin' you | 0:18:18 | 0:18:21 | |
# Holding you with all my might | 0:18:21 | 0:18:24 | |
# Ooh, doo-doo-doo, dah-dah-dah-dah-dah | 0:18:24 | 0:18:26 | |
# Yeah, yeah | 0:18:26 | 0:18:28 | |
# That's the time | 0:18:28 | 0:18:29 | |
# I feel like making love to you | 0:18:31 | 0:18:35 | |
# Oh, oh, oh | 0:18:35 | 0:18:38 | |
# That's the time, baby | 0:18:38 | 0:18:41 | |
# I feel like making dreams come true | 0:18:41 | 0:18:46 | |
# Yeah, oh, oh, oh | 0:18:46 | 0:18:48 | |
# Yeah. # | 0:18:48 | 0:18:53 | |
CHEERING AND APPLAUSE | 0:18:53 | 0:18:55 | |
Let's hear it for Leighton. | 0:18:55 | 0:18:57 | |
That was so good. Well done. | 0:19:04 | 0:19:06 | |
That was amazing. I had a well good time. | 0:19:06 | 0:19:08 | |
Next to perform, it's Vangelis. | 0:19:10 | 0:19:12 | |
Vangelis, for me, | 0:19:23 | 0:19:24 | |
he's just got great natural feeling in his voice. | 0:19:24 | 0:19:27 | |
# Do you really want to hurt me? # | 0:19:27 | 0:19:31 | |
My songs are so emotional and personal. | 0:19:31 | 0:19:33 | |
Not anyone can just come along and sing them. | 0:19:33 | 0:19:35 | |
But he was incredible and I had to have him on my team. | 0:19:35 | 0:19:38 | |
It's a bit weird, going from singing in my bedroom | 0:19:40 | 0:19:43 | |
to performing on stage. | 0:19:43 | 0:19:45 | |
It's a massive opportunity and I don't want to... | 0:19:45 | 0:19:47 | |
I don't want to waste it. | 0:19:47 | 0:19:48 | |
What song have you chosen to do? | 0:19:48 | 0:19:50 | |
-I've picked Viva Forever by Spice Girls. -OK. | 0:19:50 | 0:19:54 | |
The song choice is definitely key. It needs to be right. | 0:19:54 | 0:19:58 | |
# Live forever... # | 0:19:58 | 0:20:01 | |
Oh, my God. | 0:20:01 | 0:20:02 | |
I just felt like he wasn't blown away by it, | 0:20:02 | 0:20:06 | |
so I was a bit, like, I don't know if he's got it or not? | 0:20:06 | 0:20:09 | |
It was undeniably the wrong song. | 0:20:09 | 0:20:10 | |
It was just a bit of a shock. | 0:20:10 | 0:20:13 | |
It did kind of throw me a bit. | 0:20:13 | 0:20:15 | |
So we have decided to change the song. | 0:20:15 | 0:20:17 | |
# Give me... # | 0:20:17 | 0:20:20 | |
-I think it's beautiful. -Yeah? -Certainly better than Viva Forever. | 0:20:21 | 0:20:25 | |
I feel really happy about the song change. | 0:20:25 | 0:20:28 | |
People are going to go, "Oh, I love this song." You know? | 0:20:28 | 0:20:31 | |
It isn't an ideal situation for Vangelis, | 0:20:32 | 0:20:35 | |
but I think it is going to keep him on his toes | 0:20:35 | 0:20:38 | |
and I am very excited about what he's going to do. | 0:20:38 | 0:20:42 | |
# Maybe I didn't treat you | 0:20:49 | 0:20:53 | |
# Quite as good as I should have | 0:20:54 | 0:20:58 | |
# Maybe I didn't love you | 0:21:00 | 0:21:06 | |
# Quite as often as I could have | 0:21:06 | 0:21:10 | |
# Little things I should have said and done | 0:21:12 | 0:21:17 | |
# I just never took the time | 0:21:18 | 0:21:23 | |
# You were always on my mind | 0:21:24 | 0:21:30 | |
# You were always on my mind | 0:21:30 | 0:21:34 | |
# Tell me | 0:21:36 | 0:21:40 | |
# Tell me that your sweet love hasn't died | 0:21:41 | 0:21:46 | |
# Give me | 0:21:47 | 0:21:53 | |
# Give me one more chance to keep you satisfied | 0:21:53 | 0:22:00 | |
# You were always on | 0:22:00 | 0:22:04 | |
# My mind. # | 0:22:04 | 0:22:09 | |
CHEERING AND APPLAUSE | 0:22:09 | 0:22:11 | |
Vangelis! | 0:22:18 | 0:22:20 | |
-Have you heard him in rehearsals doing better than that? -Oh, yeah. | 0:22:26 | 0:22:29 | |
Well, that means that he is capable of doing it better than that. | 0:22:29 | 0:22:32 | |
But it's about what he did tonight, isn't it? | 0:22:32 | 0:22:35 | |
My eyes are twitching, my hands are shaking! | 0:22:35 | 0:22:38 | |
Let's see what Chase does. | 0:22:38 | 0:22:39 | |
I need your help. I know you fancy him - forget that. | 0:22:39 | 0:22:41 | |
Boy George's next artist is Chase. | 0:22:41 | 0:22:44 | |
Chase is a cool, calm fighting man. | 0:22:58 | 0:23:00 | |
He is a cage fighter. | 0:23:02 | 0:23:03 | |
Very confident. | 0:23:04 | 0:23:05 | |
Paloma, I think, had a bit of an eye for Chase. | 0:23:06 | 0:23:09 | |
I would definitely go home with Chase. | 0:23:09 | 0:23:11 | |
LAUGHTER | 0:23:11 | 0:23:13 | |
# If you let me stay... # | 0:23:15 | 0:23:17 | |
I'm singing if you let me stay, Terence Trent D'arby. | 0:23:17 | 0:23:21 | |
It's a fun song and I think George is a fun person, | 0:23:21 | 0:23:24 | |
and that's why he's going to dig it. | 0:23:24 | 0:23:25 | |
# ..stay, oh, I... # | 0:23:25 | 0:23:27 | |
Very confident, he's a great performer, | 0:23:27 | 0:23:30 | |
but it's not just about being confident at this point. | 0:23:30 | 0:23:33 | |
I want something more from him. | 0:23:33 | 0:23:35 | |
Let's pretend we've got Paloma here, in a figure-hugging little number, | 0:23:35 | 0:23:40 | |
going, "Oh, baby, sing for me, sing for me!" | 0:23:40 | 0:23:43 | |
LAUGHTER | 0:23:43 | 0:23:44 | |
I was sort of saying, "Look, connect." | 0:23:44 | 0:23:46 | |
Imagine the whole audience is full of Palomas. | 0:23:46 | 0:23:48 | |
Wouldn't that be scary? | 0:23:48 | 0:23:50 | |
HE LAUGHS | 0:23:50 | 0:23:52 | |
All that hairspray. | 0:23:52 | 0:23:53 | |
# Look at me... # | 0:23:53 | 0:23:55 | |
Smooth, he's got a lovely voice, he's got great moves, | 0:23:55 | 0:23:57 | |
'but he needs to remember to bring the emotion to this performance.' | 0:23:57 | 0:24:03 | |
OK, everyone. Get out of your seats. Here we go. | 0:24:06 | 0:24:09 | |
# Honey, don't leave me now | 0:24:09 | 0:24:12 | |
# With my head on my shoulders wrong | 0:24:12 | 0:24:14 | |
# Have I done something wrong | 0:24:14 | 0:24:17 | |
# For you to leave? | 0:24:17 | 0:24:19 | |
# I know I've been careless, girl | 0:24:19 | 0:24:22 | |
# For this I apologise | 0:24:22 | 0:24:24 | |
# I'll try better next time, baby | 0:24:24 | 0:24:27 | |
# If you let me stay | 0:24:27 | 0:24:29 | |
# If you let me stay | 0:24:29 | 0:24:31 | |
# I'll say what I should have said | 0:24:31 | 0:24:33 | |
# If you let me stay | 0:24:33 | 0:24:36 | |
# I should have said that I love you | 0:24:36 | 0:24:38 | |
# If you let me stay | 0:24:38 | 0:24:41 | |
# And I should have said it from my heart | 0:24:41 | 0:24:43 | |
# If you let me stay, all right | 0:24:43 | 0:24:49 | |
# Your pretentions aim for gullible fools | 0:24:49 | 0:24:53 | |
# What do you need anyway? | 0:24:53 | 0:24:57 | |
# I'mma get mine, I swear, where I taught the school | 0:24:57 | 0:25:03 | |
# You will regret it some day | 0:25:03 | 0:25:07 | |
# If you let me stay | 0:25:07 | 0:25:10 | |
# I'll say what I should have said | 0:25:10 | 0:25:11 | |
# If you let me stay | 0:25:11 | 0:25:13 | |
-# Na-na-na-na-na-na -I should have said that I love you | 0:25:13 | 0:25:16 | |
# If you let me stay, na-na-na | 0:25:16 | 0:25:19 | |
# And I should have said it from my heart | 0:25:19 | 0:25:21 | |
# If you let me stay | 0:25:21 | 0:25:24 | |
# All right, ooh-ooh! # | 0:25:24 | 0:25:27 | |
-CHEERING AND APPLAUSE -Yes! | 0:25:27 | 0:25:31 | |
Loved it. | 0:25:32 | 0:25:34 | |
Make some noise for Chase. | 0:25:39 | 0:25:41 | |
And the final artist for Team Boy George - it's Cody. | 0:25:45 | 0:25:48 | |
My name is Cody Frost, I'm 17, and I'm from Lancashire. | 0:26:01 | 0:26:04 | |
I live at home with my mum and my little sister. | 0:26:04 | 0:26:08 | |
This is by far the biggest thing I've done in my life. | 0:26:08 | 0:26:11 | |
# I beg of you, oh... # | 0:26:11 | 0:26:14 | |
From the moment I heard Cody singing in the auditions, | 0:26:14 | 0:26:16 | |
I knew she was unique. | 0:26:16 | 0:26:18 | |
# Lay all your love... # | 0:26:18 | 0:26:21 | |
I think she's the real deal | 0:26:21 | 0:26:22 | |
and everything that she's done in this competition | 0:26:22 | 0:26:25 | |
has only confirmed that. | 0:26:25 | 0:26:26 | |
# Whoa | 0:26:26 | 0:26:28 | |
# I know that living with you, baby, was sometimes hard... | 0:26:28 | 0:26:32 | |
As you can see, I'm a little bit in love with Cody! | 0:26:32 | 0:26:34 | |
HE LAUGHS | 0:26:34 | 0:26:36 | |
'I'm going to be singing | 0:26:38 | 0:26:39 | |
'Another Brick In The Wall by Pink Floyd, | 0:26:39 | 0:26:41 | |
'because it's rebellious.' | 0:26:41 | 0:26:44 | |
My biggest challenge with this song | 0:26:44 | 0:26:45 | |
'will probably be not to get too excited and scream.' | 0:26:45 | 0:26:49 | |
-Like... -GLOTTAL HISS | 0:26:50 | 0:26:52 | |
Yeah! | 0:26:54 | 0:26:55 | |
I think Cody thinks of herself as being quite rebellious, | 0:26:55 | 0:26:58 | |
but I think, underneath all that, | 0:26:58 | 0:27:00 | |
there is a very sensitive, compassionate person. | 0:27:00 | 0:27:03 | |
Once you do that Cody thing, I don't know what it is... | 0:27:03 | 0:27:05 | |
SHE LAUGHS | 0:27:05 | 0:27:07 | |
..try to balance it, | 0:27:07 | 0:27:08 | |
cos when you get angry, it's great, but don't lose that vulnerability. | 0:27:08 | 0:27:12 | |
I mean, she's clearly very creative. | 0:27:12 | 0:27:14 | |
She's got a unique artistic side to her, | 0:27:14 | 0:27:17 | |
and I think there is so much more to come from her. | 0:27:17 | 0:27:20 | |
Everything hangs on this performance, | 0:27:20 | 0:27:21 | |
so...nothing is for certain. | 0:27:21 | 0:27:25 | |
# We don't need no education... # | 0:27:30 | 0:27:35 | |
Yes! | 0:27:35 | 0:27:36 | |
# We don't need no thought control | 0:27:37 | 0:27:42 | |
# No dark sarcasm in the classroom | 0:27:44 | 0:27:49 | |
# Teachers leave them kids alone | 0:27:51 | 0:27:56 | |
# Hey, teacher, leave them kids alone | 0:27:57 | 0:28:02 | |
# All in all it's just a brick in the wall | 0:28:06 | 0:28:11 | |
# I don't need no arms around me | 0:28:14 | 0:28:19 | |
# Don't think I need anything at all | 0:28:22 | 0:28:29 | |
# Don't think I need anything at all | 0:28:29 | 0:28:35 | |
# Whoa | 0:28:35 | 0:28:36 | |
# All in all it was just a brick in the wall | 0:28:36 | 0:28:42 | |
# Oh, oh, oh | 0:28:43 | 0:28:46 | |
# All in all you were just a brick in the wall. # | 0:28:46 | 0:28:53 | |
CHEERING AND APPLAUSE | 0:28:53 | 0:28:56 | |
Oh, it's going to be tough. Oh, my God, oh, my God, oh, my God! | 0:29:01 | 0:29:03 | |
GEORGE GROANS | 0:29:03 | 0:29:05 | |
Make some noise for Team Boy George, everyone! | 0:29:05 | 0:29:08 | |
CHEERING AND APPLAUSE | 0:29:08 | 0:29:12 | |
Yeah, he's a super singer, but that's not enough. | 0:29:14 | 0:29:17 | |
George, this is your team. | 0:29:19 | 0:29:20 | |
-Did the guys do you proud tonight? -Amazing. | 0:29:20 | 0:29:22 | |
You know, there were some really magical moments tonight | 0:29:22 | 0:29:26 | |
and it is going to be really, really tough to call. | 0:29:26 | 0:29:29 | |
You know, for me, singing is a completely emotional experience | 0:29:29 | 0:29:34 | |
and if I feel the person going through that up there, | 0:29:34 | 0:29:38 | |
that's the thing that's going to make me go, "OK..." | 0:29:38 | 0:29:40 | |
Before we go to that, let's hear from the other coaches. | 0:29:40 | 0:29:43 | |
Will, talk us through George's knockouts. | 0:29:43 | 0:29:46 | |
I think that...the best singer | 0:29:46 | 0:29:49 | |
is, uh...Leighton. | 0:29:49 | 0:29:51 | |
But I would put Cody through. She's the best... | 0:29:56 | 0:29:59 | |
She's the best...for me, like, | 0:29:59 | 0:30:03 | |
a dope, amazing artist. | 0:30:03 | 0:30:06 | |
-And then Chase. -Chase. | 0:30:06 | 0:30:08 | |
Brilliant. Thank you, Will. | 0:30:08 | 0:30:11 | |
Paloma, how did George's team do for you? | 0:30:11 | 0:30:13 | |
I think the team is amazing. | 0:30:13 | 0:30:16 | |
There was a couple of people in the team | 0:30:20 | 0:30:23 | |
who picked the wrong song | 0:30:23 | 0:30:25 | |
or interpreted the songs in a way that let them down a little bit, | 0:30:25 | 0:30:30 | |
but I would be putting through, definitely, Cody. | 0:30:30 | 0:30:34 | |
Um...Harry, for sure. | 0:30:35 | 0:30:39 | |
And Chase. | 0:30:39 | 0:30:42 | |
Brilliant. Thank you, Paloma. | 0:30:43 | 0:30:45 | |
-Rick. -Hi! -Hey. | 0:30:45 | 0:30:47 | |
George stole Alaric from your team, of course, in the battles. | 0:30:47 | 0:30:50 | |
-How do you think he did tonight? -Amazing, as always. Well done, Al. | 0:30:50 | 0:30:52 | |
-I'd have you back. -Really? -Yes, course. | 0:30:52 | 0:30:55 | |
So if Alaric went through, | 0:30:55 | 0:30:57 | |
-what other two would you pick, do you think? -Oh... | 0:30:57 | 0:30:59 | |
I'd go Harry and Cody. | 0:30:59 | 0:31:00 | |
George, you have got a tough choice ahead. | 0:31:05 | 0:31:07 | |
I don't envy you right now. But for one more time, | 0:31:07 | 0:31:09 | |
let's hear it for Team Boy George. | 0:31:09 | 0:31:11 | |
CHEERING AND APPLAUSE | 0:31:12 | 0:31:14 | |
OK, George - your big moment has come. | 0:31:17 | 0:31:21 | |
It's time for you to make your first knockout decision. | 0:31:21 | 0:31:24 | |
OK, so... | 0:31:32 | 0:31:34 | |
Sh... | 0:31:34 | 0:31:35 | |
Let him think, let him think. | 0:31:35 | 0:31:38 | |
When I first heard the song this person was going to sing, | 0:31:39 | 0:31:42 | |
I was like, "Oh, no!" | 0:31:42 | 0:31:44 | |
Because I would never have chosen that particular song | 0:31:44 | 0:31:48 | |
and I was worried that it would be, you know, karaoke. | 0:31:48 | 0:31:52 | |
I was really freaked out. | 0:31:52 | 0:31:53 | |
But the person nailed it, well and truly. | 0:31:53 | 0:31:56 | |
So the person that I am taking through first is going to be... | 0:31:58 | 0:32:03 | |
..Harry. | 0:32:05 | 0:32:06 | |
Harry, congratulations! | 0:32:06 | 0:32:09 | |
You are going through to the live shows. | 0:32:09 | 0:32:12 | |
Come on down to George. | 0:32:12 | 0:32:14 | |
SHE LAUGHS | 0:32:24 | 0:32:27 | |
Harry, Harry, Harry! | 0:32:27 | 0:32:29 | |
Congratulations. | 0:32:29 | 0:32:30 | |
OK, so, now just two places remain on Team Boy George. | 0:32:30 | 0:32:34 | |
George, it is time for you to make your second knockout decision. | 0:32:34 | 0:32:39 | |
You know, this is a singing competition, | 0:32:52 | 0:32:54 | |
so it's about the voice. | 0:32:54 | 0:32:58 | |
And I'm choosing this person, although I would say they need work | 0:32:58 | 0:33:02 | |
on connecting to what they do emotionally, | 0:33:02 | 0:33:04 | |
I still have to base it on vocal performance. | 0:33:04 | 0:33:08 | |
So the person that I am taking through next is... | 0:33:08 | 0:33:13 | |
..Vangelis. | 0:33:22 | 0:33:24 | |
Vangelis, congratulations! | 0:33:24 | 0:33:27 | |
Come on down. | 0:33:27 | 0:33:28 | |
Well done. | 0:33:48 | 0:33:50 | |
I can't believe that. I really can't. | 0:33:50 | 0:33:52 | |
I thought I was going home. Thank you so much. | 0:33:52 | 0:33:54 | |
-I...I don't know what say. -OK, so we have two. | 0:33:54 | 0:33:57 | |
There is one more space left on Team Boy George, | 0:33:57 | 0:34:01 | |
so let's find out who is going to be joining you. | 0:34:01 | 0:34:03 | |
George, it is time to make your final knockout decision. | 0:34:03 | 0:34:06 | |
There are six fine voices up there. | 0:34:17 | 0:34:21 | |
I don't believe that this is the end, it's the beginning. | 0:34:21 | 0:34:25 | |
So I would encourage you all to carry on doing what you do, | 0:34:25 | 0:34:30 | |
go out there and sing and...you know, make people happy, | 0:34:30 | 0:34:34 | |
cos that is a good thing to do. | 0:34:34 | 0:34:36 | |
We are all kind of looking for someone who can be a real artist, | 0:34:42 | 0:34:47 | |
that can develop and grow and become something unique and... | 0:34:47 | 0:34:53 | |
..you know, I think that... | 0:34:56 | 0:34:57 | |
I think I've definitely found it in this person. | 0:34:58 | 0:35:01 | |
So the last person that I am taking through... | 0:35:04 | 0:35:07 | |
..is... | 0:35:09 | 0:35:11 | |
..Cody. | 0:35:12 | 0:35:13 | |
Cody, congratulations! Come on down to George. | 0:35:14 | 0:35:17 | |
You are the final member of Team Boy George | 0:35:20 | 0:35:22 | |
going through to the live shows. | 0:35:22 | 0:35:25 | |
You're amazing. | 0:35:29 | 0:35:31 | |
I like this. | 0:35:31 | 0:35:32 | |
Come on over! | 0:35:32 | 0:35:34 | |
EMMA LAUGHS | 0:35:35 | 0:35:37 | |
-How are you feeling? -I'm all right. | 0:35:39 | 0:35:42 | |
What's it been like so far, being on Team Boy George? | 0:35:42 | 0:35:45 | |
Oh, it's been an amazing, like, learning from somebody | 0:35:45 | 0:35:47 | |
who is so similar, but so, like, so superior at the same time. | 0:35:47 | 0:35:52 | |
It's so cool. Like, he's just helped me so much. | 0:35:52 | 0:35:55 | |
Guys, congratulations. So, there we have it. | 0:35:57 | 0:36:00 | |
Team Boy George's live three. | 0:36:00 | 0:36:03 | |
Harry, Vangelis and Cody! | 0:36:03 | 0:36:05 | |
CHEERING AND APPLAUSE | 0:36:05 | 0:36:08 | |
Well done, guys. | 0:36:12 | 0:36:14 | |
George, obviously, they've not made it to your final three, | 0:36:14 | 0:36:17 | |
but you must be so proud of them. | 0:36:17 | 0:36:18 | |
I am, and you know, everybody did amazingly, | 0:36:18 | 0:36:20 | |
and it is kind of boring to say it, but I really, really hope | 0:36:20 | 0:36:23 | |
you all continue singing, you know? | 0:36:23 | 0:36:26 | |
Don't give up and, you know, we might see each other again. | 0:36:26 | 0:36:29 | |
-Watch this space. -Absolutely. Thank you. | 0:36:29 | 0:36:31 | |
One more time - from thousands of people, you made it to the knockouts. | 0:36:31 | 0:36:34 | |
Give it up for Alaric, Laura, Bradley, Leighton, and Chase. | 0:36:34 | 0:36:37 | |
-CHEERING AND APPLAUSE -Well done. | 0:36:37 | 0:36:40 | |
CHEERING AND LAUGHTER | 0:36:42 | 0:36:44 | |
I am very excited about Team George. | 0:36:44 | 0:36:46 | |
I've got three great singers, very different. | 0:36:46 | 0:36:49 | |
SCREAMING | 0:36:49 | 0:36:51 | |
Harry just won everybody's hearts and really delivered tonight, | 0:36:53 | 0:36:56 | |
and I feel like he is very unique, | 0:36:56 | 0:36:58 | |
very special, an undeniable talent. | 0:36:58 | 0:37:00 | |
Vangelis is amazing. I think he is going to be | 0:37:02 | 0:37:05 | |
very popular with people at home. | 0:37:05 | 0:37:07 | |
He has got a very classy voice. | 0:37:07 | 0:37:09 | |
Boy George has a superstar talent with Cody. | 0:37:12 | 0:37:14 | |
It's not just some default "I sing good" individual. | 0:37:14 | 0:37:18 | |
There is a fingerprint there, | 0:37:18 | 0:37:20 | |
and that is "I'm coming out tomorrow, | 0:37:20 | 0:37:23 | |
"and you are going to know me." | 0:37:23 | 0:37:24 | |
-ALL: -Yeah! Team George, Team George, Team George! | 0:37:24 | 0:37:28 | |
The next knockout of the night is from Team Will. | 0:37:29 | 0:37:31 | |
THEY CHEER | 0:37:41 | 0:37:43 | |
Team Will this year. | 0:37:43 | 0:37:45 | |
My team is like rocket launchers. | 0:37:45 | 0:37:47 | |
Black stealth jets. | 0:37:51 | 0:37:53 | |
I have an eagle that can dive into the freaking ocean, | 0:37:54 | 0:37:57 | |
and also be a submarine. | 0:37:57 | 0:37:59 | |
And then I have this singer on my team | 0:38:00 | 0:38:03 | |
that is like a great white shark... | 0:38:03 | 0:38:05 | |
Hold on, let me go back. Rewind. | 0:38:06 | 0:38:08 | |
I have eight singers on my team. | 0:38:10 | 0:38:12 | |
Five of them gets knocked out. | 0:38:12 | 0:38:13 | |
I think he's going to find it tough. Everyone is incredible. | 0:38:13 | 0:38:16 | |
Blow it, and you're blowing your opportunity. | 0:38:16 | 0:38:19 | |
That's how it is. | 0:38:19 | 0:38:21 | |
Man up. Get to work. | 0:38:21 | 0:38:23 | |
And try your best to be fierce. | 0:38:23 | 0:38:25 | |
Uh! | 0:38:25 | 0:38:26 | |
CHEERING AND APPLAUSE | 0:38:26 | 0:38:29 | |
Will, amazing round of applause for your team. | 0:38:31 | 0:38:35 | |
OK, first to perform, it's Lydia. | 0:38:38 | 0:38:41 | |
Wahey! Come on, Lydia. You go, girl! | 0:38:41 | 0:38:44 | |
# Smells like trouble to me | 0:38:52 | 0:38:55 | |
SHE RAPS: # I shoulda known you were bad news... # | 0:38:55 | 0:38:58 | |
Lydia not only sings good, | 0:38:58 | 0:38:59 | |
I believe Lydia is the full package. | 0:38:59 | 0:39:01 | |
I think she is a powerhouse. | 0:39:01 | 0:39:03 | |
You're amazing. | 0:39:03 | 0:39:04 | |
# Now I'm dyin' cos I let you... # | 0:39:04 | 0:39:08 | |
The winner of today's battle is...Lydia. | 0:39:08 | 0:39:12 | |
Lydia, congratulations! Well done. | 0:39:12 | 0:39:15 | |
When Will said my name, I couldn't believe it. | 0:39:15 | 0:39:18 | |
I was absolutely over the moon | 0:39:18 | 0:39:19 | |
and I couldn't wait to thank him for believing in me. | 0:39:19 | 0:39:23 | |
-Hello, hi, Lyds. -Hey. | 0:39:23 | 0:39:25 | |
'I was nervous going in there with Will' | 0:39:25 | 0:39:26 | |
and I was sort of, a bit, like... | 0:39:26 | 0:39:29 | |
I just want him to like it. | 0:39:29 | 0:39:30 | |
What song are you singing? | 0:39:30 | 0:39:32 | |
I Knew You Were Trouble, Taylor Swift. | 0:39:32 | 0:39:34 | |
When I told Will what the song was, | 0:39:34 | 0:39:36 | |
he sort of looked at me like, "What?" | 0:39:36 | 0:39:38 | |
And I was like, "Oh, um...OK, let me just sing it." | 0:39:38 | 0:39:41 | |
I'd say I'm taking a risk with this song, | 0:39:43 | 0:39:45 | |
because I've completely changed it up. | 0:39:45 | 0:39:47 | |
I am like, "Wait a second - | 0:39:49 | 0:39:51 | |
"Taylor Swift doesn't sing this song." | 0:39:51 | 0:39:53 | |
"Yes, she does." | 0:39:53 | 0:39:54 | |
"She doesn't sing it like that." | 0:39:54 | 0:39:56 | |
# Oh, oh, oh... # | 0:39:56 | 0:39:57 | |
-Serious. -Like it? | 0:40:01 | 0:40:02 | |
Yeah - first, I thought, "Oh, this is going to be boring." | 0:40:02 | 0:40:06 | |
Then - boom! - you hit me. | 0:40:06 | 0:40:07 | |
-Yeah? -That was dope. | 0:40:07 | 0:40:09 | |
It up to Lydia to live up to what is in my head, | 0:40:09 | 0:40:12 | |
cos she could totally mess it up. | 0:40:12 | 0:40:14 | |
Cos what's in my head is perfect. | 0:40:14 | 0:40:16 | |
# Once upon a time a few mistakes ago | 0:40:22 | 0:40:26 | |
# I was in your sights | 0:40:26 | 0:40:28 | |
# You got me alone | 0:40:28 | 0:40:30 | |
# You found me, you found me | 0:40:30 | 0:40:33 | |
# You found me | 0:40:33 | 0:40:37 | |
SHE RAPS: # And the saddest thoughts come in | 0:40:37 | 0:40:39 | |
# That you never loved me No, n-never loved me | 0:40:39 | 0:40:41 | |
# No apologies You'll never see me cry | 0:40:41 | 0:40:43 | |
# Even though you know you're the reason why | 0:40:43 | 0:40:45 | |
# You're long gone, cos I realised that you never loved me or her | 0:40:45 | 0:40:48 | |
SHE SINGS: # Or anyone, or anything | 0:40:48 | 0:40:52 | |
# Yeah | 0:40:52 | 0:40:56 | |
# I knew you were trouble when you walked in | 0:40:56 | 0:41:00 | |
# Oh, oh | 0:41:00 | 0:41:01 | |
# Now I'm lying on the cold hard ground | 0:41:01 | 0:41:05 | |
# Oh, oh | 0:41:05 | 0:41:08 | |
# Trouble, trouble, trouble | 0:41:08 | 0:41:11 | |
# Baby | 0:41:11 | 0:41:12 | |
# Whoa... | 0:41:12 | 0:41:17 | |
# Ooh... | 0:41:17 | 0:41:20 | |
# Oh | 0:41:20 | 0:41:23 | |
# Trouble, hey, hey, hey | 0:41:23 | 0:41:27 | |
# Whoa | 0:41:27 | 0:41:34 | |
# I knew you were trouble when you walked in | 0:41:34 | 0:41:38 | |
# Trouble, trouble, trouble. # | 0:41:38 | 0:41:46 | |
CHEERING AND APPLAUSE | 0:41:46 | 0:41:48 | |
Let's hear it for Lydia! | 0:41:52 | 0:41:55 | |
-That was great! -Really good. | 0:41:58 | 0:42:00 | |
SPEECH DROWNED OUT BY APPLAUSE | 0:42:02 | 0:42:04 | |
Next up is Faheem. | 0:42:06 | 0:42:08 | |
Faheem is a powerful, dynamic singer. | 0:42:23 | 0:42:25 | |
# His brother's smart He's got more sense than many... # | 0:42:25 | 0:42:30 | |
And he dresses well - that's very important for a singer. | 0:42:30 | 0:42:33 | |
You name a singer that didn't have style. I don't know. | 0:42:33 | 0:42:36 | |
I'm glad he's on my team. | 0:42:36 | 0:42:37 | |
-What are you singing? -Jermaine Stewart, | 0:42:37 | 0:42:39 | |
We Don't Have To Take Our Clothes Off. | 0:42:39 | 0:42:41 | |
-"We don't have to take our clothes off to have a good time?" -Uh-huh. | 0:42:41 | 0:42:44 | |
I've never sung that to anybody. | 0:42:44 | 0:42:46 | |
Two, I've never had a dude sing that to me. | 0:42:46 | 0:42:48 | |
# We don't have to take our clothes off... # | 0:42:48 | 0:42:52 | |
Three, when I listened to the lyric, I was like... | 0:42:52 | 0:42:54 | |
Wait a second, Jermaine Stewart. | 0:42:54 | 0:42:57 | |
You mean to tell me the girl was ready to get down, | 0:42:57 | 0:43:00 | |
and you were like, "Wait a sec..." | 0:43:00 | 0:43:01 | |
"Uh-uh..." | 0:43:01 | 0:43:03 | |
HE LAUGHS | 0:43:03 | 0:43:04 | |
-But the only advice I would have, don't over-sing it. -Uh-huh. | 0:43:04 | 0:43:09 | |
-You really wearing the "I'm a singer" shirt. -Uh-huh. | 0:43:09 | 0:43:12 | |
Instead of, like... Just...have fun with the song. | 0:43:12 | 0:43:15 | |
Now he's kind of picked up on that, I realise that myself. | 0:43:15 | 0:43:18 | |
I just have to do it in a better way. | 0:43:18 | 0:43:20 | |
I'm sure that I'm having fun. | 0:43:20 | 0:43:22 | |
# Not a word from your lips | 0:43:27 | 0:43:30 | |
# You just took for granted that I want to skinny dip | 0:43:30 | 0:43:34 | |
# A quick hit, that's your game | 0:43:34 | 0:43:37 | |
# But I'm not a piece of meat | 0:43:37 | 0:43:39 | |
# Stimulate my brain | 0:43:39 | 0:43:42 | |
# So come on, baby, won't you show some class? | 0:43:42 | 0:43:45 | |
# Why you want to move so fast? | 0:43:45 | 0:43:49 | |
# We don't have to take our clothes off | 0:43:49 | 0:43:53 | |
# To have a good time, oh, no | 0:43:53 | 0:43:57 | |
# We could dance and party all night | 0:43:57 | 0:44:00 | |
# And drink some cherry wine | 0:44:00 | 0:44:03 | |
# Yeah | 0:44:03 | 0:44:04 | |
# Oh, whoa | 0:44:04 | 0:44:07 | |
# Yeah, yeah | 0:44:07 | 0:44:13 | |
# I've got needs, just like you | 0:44:13 | 0:44:16 | |
# Gimme conversations, good vibrations, through and through | 0:44:16 | 0:44:20 | |
# So come on, baby, won't you show some class? | 0:44:20 | 0:44:24 | |
# Why you want to move so fast? | 0:44:24 | 0:44:29 | |
# We don't have to take our clothes off | 0:44:29 | 0:44:33 | |
# To have a good time, oh, no | 0:44:33 | 0:44:37 | |
# We could dance and party all night | 0:44:37 | 0:44:42 | |
-# And drink some cherry wine, uh-huh -Yeah | 0:44:42 | 0:44:45 | |
# We don't have to take our clothes off. # | 0:44:45 | 0:44:51 | |
That's Faheem, everyone. | 0:44:55 | 0:44:56 | |
-So incredible! -Thank you. | 0:45:01 | 0:45:03 | |
You forget those songs, you know what I mean? | 0:45:03 | 0:45:05 | |
-And then you're suddenly like,"Hey!" -I love that, yeah. | 0:45:05 | 0:45:08 | |
-Imagine, your cutting down from 8 to 3. -Uh-huh. That's right! | 0:45:08 | 0:45:13 | |
'Singing for a place at the lives, it's Charley Blue!' | 0:45:13 | 0:45:17 | |
CHEERING AND APPLAUSE | 0:45:18 | 0:45:21 | |
Come on, Charley Blue! | 0:45:21 | 0:45:23 | |
Charley Blue is like a ninja warrior. | 0:45:33 | 0:45:36 | |
I sing, I rap and I play the violin. | 0:45:38 | 0:45:41 | |
HE MIMICS VIOLIN | 0:45:41 | 0:45:43 | |
She's the master - with the sword. | 0:45:43 | 0:45:45 | |
Called the bow. Oh, what, you didn't know? | 0:45:45 | 0:45:48 | |
-What song you going to sing today? -Frisky by Tinie Tempah. Yeah! | 0:45:48 | 0:45:52 | |
Check you out. | 0:45:52 | 0:45:54 | |
And this is something, you know, I'm planning for women... | 0:45:54 | 0:45:57 | |
Changing it up, you know. I'm being frisky. Instead of Tinie Tempah! | 0:45:57 | 0:46:00 | |
You know what I mean. Yeah, sorry. | 0:46:00 | 0:46:02 | |
Yeah, it's good, let's check the friskiness out. | 0:46:02 | 0:46:04 | |
'I just don't think before I speak. | 0:46:04 | 0:46:06 | |
'So it just comes out.' Oh, you look nice! I like these! Oh, my gosh! | 0:46:06 | 0:46:09 | |
I get scared. I watch films a lot. Do you like films? | 0:46:09 | 0:46:11 | |
And then once I spilled a hot chocolate on stage... | 0:46:11 | 0:46:14 | |
But then I was, like, licking it off the floor. You know? | 0:46:14 | 0:46:17 | |
'And then I'm like, "No, no, no, you shouldn't be telling that!" | 0:46:17 | 0:46:20 | |
Cos I AM frisky... Yeah... | 0:46:20 | 0:46:22 | |
No, sorry. No, I'm not! I'm not frisky! | 0:46:22 | 0:46:25 | |
'Sometimes, you know, I just babble on. It's like normal.' | 0:46:25 | 0:46:27 | |
Oh, this is facing you! Oh, man! Sorry, I am a big fan, by the way. | 0:46:27 | 0:46:32 | |
I have to say. Sorry, I'm just talking a lot. I'm cool. | 0:46:32 | 0:46:36 | |
I'm nervous! | 0:46:36 | 0:46:38 | |
Five, six, seven, eight... | 0:46:48 | 0:46:51 | |
# I just can't stop the feelings | 0:46:53 | 0:46:56 | |
# Won't seem to go away | 0:46:56 | 0:46:59 | |
# So if I hurt your feelings | 0:46:59 | 0:47:02 | |
# Don't blame it all on me | 0:47:02 | 0:47:05 | |
# I just can't stop the feelings | 0:47:05 | 0:47:08 | |
# And now they're here to stay | 0:47:08 | 0:47:11 | |
# So, if I hurt your feelings | 0:47:11 | 0:47:14 | |
# It's just because I... # | 0:47:14 | 0:47:16 | |
SHE PLAYS MELODY | 0:47:16 | 0:47:20 | |
# Frisky! # | 0:47:20 | 0:47:22 | |
RAPS: I think I found a winner, with no ring around his finger | 0:47:22 | 0:47:25 | |
His shirt from All Saints, but I think I've found a sinner | 0:47:25 | 0:47:27 | |
I think his pals are with him, who's that boyfriend | 0:47:27 | 0:47:30 | |
Downin' liquor If I told him I'm a boxer... | 0:47:30 | 0:47:33 | |
# I wanna pick him up | 0:47:35 | 0:47:37 | |
# And put him down | 0:47:37 | 0:47:41 | |
# I just cant stop the feelings. # APPLAUSE | 0:47:41 | 0:47:44 | |
# Won't seem to go away | 0:47:44 | 0:47:46 | |
# So if I hurt your feelings It's just because I'm... # | 0:47:46 | 0:47:51 | |
SHE PLAYS MELODY | 0:47:51 | 0:47:54 | |
# Frisky! | 0:47:56 | 0:47:59 | |
# Frisky! # | 0:48:03 | 0:48:07 | |
CHEERING AND APPLAUSE | 0:48:08 | 0:48:11 | |
That was a confident performance. Confident. | 0:48:11 | 0:48:15 | |
'Please put your hands together for Charley Blue!' | 0:48:16 | 0:48:20 | |
CHEERING DROWNS OUT SPEECH | 0:48:21 | 0:48:26 | |
OK, next up, is one of Will's newest recruits, his steal, Theo! | 0:48:26 | 0:48:30 | |
CHEERING AND APPLAUSE | 0:48:32 | 0:48:35 | |
Come on, Theo! You got this, brother. | 0:48:35 | 0:48:38 | |
-Was he yours, Paloma? -Yeah. He is a beauty. | 0:48:43 | 0:48:48 | |
-Yo, what up, Theo? -Yo! I'm good, how are you? -Chillin', chillin'. | 0:48:52 | 0:48:55 | |
Theo is like, T-H-E-O - THE ONE. He could be THE ONE. | 0:48:55 | 0:48:59 | |
CHEERING AND APPLAUSE | 0:49:02 | 0:49:05 | |
-One steal! Well done, Theo! -Why did you steal me? | 0:49:05 | 0:49:08 | |
Not that I'm a klepto, but gems 'n' jewellery... | 0:49:08 | 0:49:11 | |
if it's lootable, I'm lootin' it! | 0:49:11 | 0:49:13 | |
You got a gem of a voice. What song you singing? | 0:49:13 | 0:49:16 | |
-I'm singing Photograph by Ed Sheeran. -All right, dope. | 0:49:16 | 0:49:20 | |
-Why you singing that song? -Any time I'm upset or something, | 0:49:20 | 0:49:24 | |
I'd pull out these... | 0:49:24 | 0:49:27 | |
'It's an emotional song for me. It's an important song. | 0:49:27 | 0:49:31 | |
Whenever I hear this song, it makes me think about my kids. | 0:49:31 | 0:49:33 | |
Oh, that's dope, yeah. | 0:49:33 | 0:49:35 | |
'He's a good pops. | 0:49:35 | 0:49:36 | |
Carries his picture of his kids around. | 0:49:36 | 0:49:39 | |
And I can tell he's singing to make them proud. So, it's good. | 0:49:39 | 0:49:44 | |
My biggest challenge for this song is making sure | 0:49:44 | 0:49:48 | |
I portray every single last piece of emotion. | 0:49:48 | 0:49:51 | |
Not forgetting why I'm singing it. | 0:49:51 | 0:49:53 | |
Nice! | 0:49:55 | 0:49:57 | |
# Loving can hurt | 0:50:04 | 0:50:06 | |
# Loving can hurt sometimes | 0:50:08 | 0:50:12 | |
# But it's the only thing that makes us feel alive | 0:50:12 | 0:50:17 | |
# Mm-mm-mm | 0:50:20 | 0:50:22 | |
# We keep this love in a photograph | 0:50:23 | 0:50:26 | |
# We've made these memories for ourselves | 0:50:27 | 0:50:31 | |
# Where our eyes are never closed And hearts are never broken | 0:50:31 | 0:50:36 | |
# Time's forever frozen still | 0:50:36 | 0:50:39 | |
# So you can keep me inside the pocket of your ripped jeans | 0:50:40 | 0:50:47 | |
# Holding me close until our eyes meet | 0:50:47 | 0:50:51 | |
# You will never be alone | 0:50:51 | 0:50:56 | |
# Just wait for me to come home! APPLAUSE | 0:50:56 | 0:51:01 | |
# Wait for me to come home | 0:51:01 | 0:51:06 | |
# When I'm away | 0:51:06 | 0:51:09 | |
# I will remember how you kissed me | 0:51:09 | 0:51:13 | |
# Under the lamppost Back on 6th Street | 0:51:13 | 0:51:19 | |
# Hearing you whisper through the phone | 0:51:19 | 0:51:23 | |
# Wait for me-e-e-e-e-e... | 0:51:23 | 0:51:29 | |
CHEERING AND APPLAUSE | 0:51:29 | 0:51:32 | |
# To come home. # | 0:51:32 | 0:51:36 | |
CHEERING AND APPLAUSE | 0:51:37 | 0:51:41 | |
Let's hear it one more time for Theo! | 0:51:43 | 0:51:47 | |
CHEERING DROWNS OUT SPEECH | 0:51:50 | 0:51:51 | |
-TOM: -Woo, thanks mum! | 0:51:53 | 0:51:56 | |
'Singing for a place in Will's top three, it's Tom!' | 0:51:56 | 0:52:01 | |
-Go on, Tom! -Come on, Tom! Woo! | 0:52:01 | 0:52:04 | |
Looking a little bit like Harry Styles today. | 0:52:05 | 0:52:09 | |
-Yeah. Ooh, he's a happy chappy! -Quick shimmy. | 0:52:09 | 0:52:12 | |
Tom, to me, is ready to go. | 0:52:17 | 0:52:19 | |
I'm all about Tom. | 0:52:21 | 0:52:22 | |
Tom is the bomb. | 0:52:22 | 0:52:23 | |
It's Tom. | 0:52:23 | 0:52:24 | |
Life on the fish counter, since The Battles, has been a whirlwind. | 0:52:26 | 0:52:30 | |
The fish now look at me in a slightly-different way. | 0:52:30 | 0:52:33 | |
I am now king fishmonger of the universe. | 0:52:33 | 0:52:36 | |
-How do you feel about The Battles? -The battles was fun, | 0:52:36 | 0:52:39 | |
-but I'm excited to show you more of who Tom is. -Mm-hm. | 0:52:39 | 0:52:43 | |
Tom is a singer that has so much to offer, because he is so quirky. | 0:52:43 | 0:52:47 | |
HE SINGS | 0:52:47 | 0:52:49 | |
In the knockouts, it is all about showing who I am as an artist. | 0:52:49 | 0:52:52 | |
# Head in the clouds | 0:52:52 | 0:52:54 | |
# Got no weight on my shoulders... # | 0:52:54 | 0:52:57 | |
-Are you putting a vibrato on that verse? -I think so. | 0:52:57 | 0:53:00 | |
Not intentionally. | 0:53:00 | 0:53:01 | |
# Head... # | 0:53:01 | 0:53:02 | |
-Yeah, it should do less. -Less. | 0:53:02 | 0:53:04 | |
-# Head in the... # -Like that. -Yeah. | 0:53:04 | 0:53:06 | |
So, Will made a lot of alterations in the band rehearsal, | 0:53:08 | 0:53:13 | |
so I have got to hope and pray that I remember all that, | 0:53:13 | 0:53:18 | |
ready for my performance. | 0:53:18 | 0:53:20 | |
Hey! | 0:53:25 | 0:53:26 | |
# Hey, baby, even though I hate ya | 0:53:27 | 0:53:30 | |
# I wanna love ya, I want you | 0:53:30 | 0:53:32 | |
# And even though I can't forgive you | 0:53:32 | 0:53:35 | |
# I really want to, I want you, yeah | 0:53:35 | 0:53:37 | |
# Tell me, tell me, tell me, baby Why can't you leave me? | 0:53:37 | 0:53:40 | |
# Leave me, leave me | 0:53:40 | 0:53:42 | |
# Cos even though I shouldn't want it | 0:53:42 | 0:53:44 | |
# I gotta have it, I want you | 0:53:44 | 0:53:47 | |
# Head in the clouds | 0:53:49 | 0:53:51 | |
# Got no weight on my shoulders | 0:53:51 | 0:53:54 | |
# I should be wiser And realise that I've got | 0:53:54 | 0:53:59 | |
# One less problem without you | 0:53:59 | 0:54:01 | |
# I got one less problem without you | 0:54:01 | 0:54:03 | |
# I got one less, one less | 0:54:03 | 0:54:05 | |
# I got one less problem without you | 0:54:05 | 0:54:08 | |
# I got smart money betting I'll be better off without you | 0:54:08 | 0:54:11 | |
# In no time I'll be forgetting all about you | 0:54:11 | 0:54:13 | |
# You're saying that you know But I really, really doubt you | 0:54:13 | 0:54:16 | |
# Understand, my life is easy when I ain't around you | 0:54:16 | 0:54:18 | |
# Iggy, Iggy Too biggie to be here stressing | 0:54:18 | 0:54:20 | |
# I'm thinkin' I love the thought of you more than I love your presence | 0:54:20 | 0:54:23 | |
# And the best thing now is probably for you to exit | 0:54:23 | 0:54:25 | |
# I let you go, let you back I finally learned my lesson.... | 0:54:25 | 0:54:29 | |
CHEERING AND APPLAUSE | 0:54:29 | 0:54:31 | |
# Head in the clouds | 0:54:31 | 0:54:32 | |
# Got no weight on my shoulders | 0:54:32 | 0:54:35 | |
# I should be wiser | 0:54:35 | 0:54:37 | |
# And realise that I've got | 0:54:37 | 0:54:40 | |
# One less problem without you | 0:54:40 | 0:54:42 | |
# One less problem without you | 0:54:42 | 0:54:45 | |
# One less, one less | 0:54:45 | 0:54:47 | |
# One less problem without you. # | 0:54:47 | 0:54:50 | |
CHEERING AND APPLAUSE | 0:54:50 | 0:54:54 | |
Will! | 0:54:54 | 0:54:55 | |
He's good!! | 0:54:55 | 0:54:56 | |
Let's hear it for Tom! | 0:54:57 | 0:55:00 | |
Will? | 0:55:00 | 0:55:02 | |
Will. | 0:55:02 | 0:55:03 | |
Are you, like, an island unto yourself? | 0:55:03 | 0:55:05 | |
Like, you just know what you are doing? | 0:55:05 | 0:55:08 | |
No, I was just clearing the noise, so I could pay attention. | 0:55:08 | 0:55:12 | |
I just like to, like, take in mind that they're nervous, | 0:55:12 | 0:55:15 | |
to making mistakes, to overdoing it. | 0:55:15 | 0:55:18 | |
-I'm supposed to still... We're still coaching them. -Yes. -Yeah. | 0:55:18 | 0:55:23 | |
-So, I just... -He's concentrating. | 0:55:23 | 0:55:26 | |
Next up, another of Will's steals. It's Eli! | 0:55:28 | 0:55:31 | |
CHEERING AND APPLAUSE | 0:55:31 | 0:55:34 | |
I stole Eli from George | 0:55:51 | 0:55:53 | |
because I feel I could just complete her a little bit. | 0:55:53 | 0:55:56 | |
She is beautiful, she sings great and she is blazing. | 0:55:56 | 0:55:59 | |
-What song are you singing? -A John Legend song called Used To Love You. | 0:55:59 | 0:56:03 | |
OK. | 0:56:03 | 0:56:04 | |
# Maybe, it's me Maybe I bore you... # | 0:56:04 | 0:56:08 | |
-But I don't know who you are aiming it towards. -OK. | 0:56:08 | 0:56:12 | |
It is emotionless. So, you need to pick a person | 0:56:12 | 0:56:14 | |
that you are singing it to. Obviously, you are not singing that | 0:56:14 | 0:56:17 | |
-to your husband. -No! -The song is, "I used to love you", so you have | 0:56:17 | 0:56:20 | |
got to sing that to the person that you were with before your husband | 0:56:20 | 0:56:23 | |
-and mean it! -I am, generally, a very emotional person, | 0:56:23 | 0:56:27 | |
so I am not really sure why it is not coming through. | 0:56:27 | 0:56:30 | |
She has to be more aggressive and passive-aggressive. | 0:56:30 | 0:56:34 | |
When I was on Team George, he was the one saying, "You have got | 0:56:34 | 0:56:38 | |
-"so much more to give". -You are holding back so massively. | 0:56:38 | 0:56:41 | |
-Now, Will is saying the same thing. -It needs to be hot and steamy. | 0:56:41 | 0:56:44 | |
Whoo! OK, right! | 0:56:44 | 0:56:46 | |
-Have just a little bit of, like, rawness. -OK. | 0:56:46 | 0:56:49 | |
Eli could go all the way, but she has to work hard. | 0:56:49 | 0:56:53 | |
# Ah-la-ha-la-ha-la-ha | 0:56:58 | 0:57:01 | |
# Maybe, it's me | 0:57:03 | 0:57:06 | |
# Maybe, I bore you | 0:57:06 | 0:57:07 | |
# No, no, it's my fault | 0:57:08 | 0:57:11 | |
# Cos I can't afford you | 0:57:11 | 0:57:13 | |
# Maybe, baby | 0:57:13 | 0:57:17 | |
# Puffy | 0:57:17 | 0:57:18 | |
# Or Jay-Z Would all be better for you | 0:57:18 | 0:57:22 | |
# Cos all I can do is love you | 0:57:22 | 0:57:24 | |
# Baby, when I used to love you | 0:57:24 | 0:57:27 | |
# There's nothing that I wouldn't do | 0:57:27 | 0:57:30 | |
# I went through the fire for you | 0:57:30 | 0:57:32 | |
# Do anything you asked me to | 0:57:32 | 0:57:34 | |
# But I'm tired of living this lie | 0:57:34 | 0:57:37 | |
# It's getting harder to justify | 0:57:37 | 0:57:40 | |
# Realised that I just don't love you | 0:57:40 | 0:57:45 | |
# Not like I used to | 0:57:45 | 0:57:46 | |
# Do you remember when I used to love you | 0:57:48 | 0:57:53 | |
# Baby, no, not any more | 0:57:53 | 0:57:57 | |
# I don't love you | 0:57:57 | 0:57:59 | |
# And you're gonna miss me now | 0:57:59 | 0:58:02 | |
# Hey! | 0:58:02 | 0:58:04 | |
# Baby, when I used to love you | 0:58:04 | 0:58:06 | |
# There's nothing that I wouldn't do | 0:58:06 | 0:58:08 | |
# I went through the fire for you | 0:58:10 | 0:58:12 | |
# But I'm not gonna play the fool | 0:58:12 | 0:58:15 | |
# I'll bet you miss me now | 0:58:15 | 0:58:17 | |
# Cos I don't love you. # | 0:58:17 | 0:58:22 | |
CHEERING AND APPLAUSE | 0:58:22 | 0:58:26 | |
Let's hear it for Eli! | 0:58:28 | 0:58:30 | |
-I think she was pretty good. -Yeah, brilliant. -I thought she was good. | 0:58:38 | 0:58:41 | |
Come on, Lauren. | 0:58:41 | 0:58:43 | |
Next, into The Knockouts, it's Lauren! | 0:58:43 | 0:58:46 | |
CHEERING AND APPLAUSE | 0:58:46 | 0:58:49 | |
-Hi! -Hey, Lauren. -How are you? -Good to see you. -So good to see you. | 0:59:00 | 0:59:03 | |
It's good to see everyone! | 0:59:03 | 0:59:05 | |
Lauren is sweet. She is a darling. | 0:59:05 | 0:59:07 | |
Being in the stage is SO much better than working in any bagel shop! | 0:59:09 | 0:59:13 | |
When she went up against Vivica Jade, she was dough! | 0:59:16 | 0:59:19 | |
Sometimes you need a little bit more time in the cocoon before you turn | 0:59:19 | 0:59:23 | |
into a butterfly. So, the winner is Lauren. | 0:59:23 | 0:59:25 | |
CHEERING AND APPLAUSE | 0:59:25 | 0:59:28 | |
-Congratulations! -I'm still in shock. I still can't believe it. | 0:59:28 | 0:59:31 | |
-Why are you in shock? -I'm just this 18-year-old girl starting out | 0:59:31 | 0:59:36 | |
in the big world! | 0:59:36 | 0:59:37 | |
The song I decided to sing for The Knockouts is Release Me, by Agnes. | 0:59:37 | 0:59:41 | |
# For something... # | 0:59:41 | 0:59:42 | |
-Why did you choose this song? -I just love the feel of it, | 0:59:42 | 0:59:44 | |
plus, you know, I'm still in my cocoon | 0:59:44 | 0:59:48 | |
and I want to be released into a butterfly! | 0:59:48 | 0:59:50 | |
Butterflies are cute. | 0:59:50 | 0:59:52 | |
Great. Awesome. If Lauren wants to make it to The Lives, | 0:59:52 | 0:59:55 | |
she has to turn into a freakin' dragon. | 0:59:55 | 0:59:58 | |
Rrrargh!!! | 0:59:58 | 1:00:00 | |
# Yeah, it's perfectly clear | 1:00:06 | 1:00:08 | |
# That love's not what you need | 1:00:08 | 1:00:10 | |
# I tell you I don't care | 1:00:10 | 1:00:11 | |
# But I don't want to | 1:00:11 | 1:00:13 | |
# Anything that you say | 1:00:13 | 1:00:15 | |
# I hear myself agree | 1:00:15 | 1:00:17 | |
# And I don't recognise what I've turned into | 1:00:17 | 1:00:21 | |
# I don't know what addictive hold | 1:00:21 | 1:00:25 | |
# You have on me, I can't shake | 1:00:25 | 1:00:28 | |
# No, I'm not in control | 1:00:28 | 1:00:33 | |
# So, let me go | 1:00:33 | 1:00:35 | |
# Release me | 1:00:35 | 1:00:38 | |
# Release my body | 1:00:38 | 1:00:42 | |
# Convince myself | 1:00:44 | 1:00:46 | |
# That I'm better off without you | 1:00:46 | 1:00:49 | |
# I could sleep by myself I would burn me alive | 1:00:50 | 1:00:55 | |
# Find me somebody else But I don't want to | 1:00:55 | 1:00:59 | |
# Release me | 1:00:59 | 1:01:04 | |
# Cos I'm not able to | 1:01:04 | 1:01:06 | |
# Convince myself | 1:01:06 | 1:01:10 | |
# That I'm better off without you | 1:01:10 | 1:01:15 | |
# Whoa-ho-oh-oh-oh | 1:01:15 | 1:01:18 | |
# Whoo-ooh, ooh-ooh-ooh, ooh-ooh | 1:01:18 | 1:01:21 | |
# Convince myself | 1:01:21 | 1:01:26 | |
# That I'm better off without you. # | 1:01:26 | 1:01:33 | |
CHEERING AND APPLAUSE | 1:01:33 | 1:01:36 | |
Lauren, everyone! | 1:01:40 | 1:01:42 | |
JUDGES SHOUT ENCOURAGEMENT | 1:01:52 | 1:01:56 | |
Last up for Team Will, it's Lyrickal! | 1:01:56 | 1:01:58 | |
CHEERING AND APPLAUSE | 1:01:58 | 1:02:02 | |
HE BEATBOXES | 1:02:06 | 1:02:08 | |
Lyrickal. | 1:02:09 | 1:02:10 | |
HE BEATBOXES | 1:02:10 | 1:02:11 | |
Lyrickal, I don't understand why he does not have the biggest career. | 1:02:11 | 1:02:16 | |
There is just so much talent in that guy. He sings better than me... | 1:02:16 | 1:02:20 | |
HE SINGS | 1:02:20 | 1:02:23 | |
..he can rap better than most rappers I have ever met. | 1:02:23 | 1:02:25 | |
HE RAPS | 1:02:25 | 1:02:27 | |
He is go. At The Battles, Mary Marley was my soul singer, | 1:02:27 | 1:02:32 | |
that I was going put through. | 1:02:32 | 1:02:33 | |
HE SINGS | 1:02:33 | 1:02:37 | |
Mary Marley went home. | 1:02:37 | 1:02:38 | |
Lyrickal! | 1:02:38 | 1:02:40 | |
When Will called my name, just a flood of emotions. Relief, mainly. | 1:02:40 | 1:02:45 | |
-So, what song are you singing? -I am going to be singing | 1:02:45 | 1:02:48 | |
Emeli Sande, Read All About it, cos there is a rap version that | 1:02:48 | 1:02:52 | |
Professor Green did. | 1:02:52 | 1:02:54 | |
For this, I wanted to tell my own story, | 1:02:54 | 1:02:56 | |
with my own original lyrics for the rap part. | 1:02:56 | 1:02:58 | |
HE RAPS | 1:02:58 | 1:03:01 | |
I had to stop a few times. | 1:03:04 | 1:03:06 | |
I think part of the reason is the lyrics mean a lot to me and... | 1:03:06 | 1:03:09 | |
I would slow the tempo down a little bit. | 1:03:09 | 1:03:13 | |
I know that, you know, there is so much riding on this song, | 1:03:13 | 1:03:16 | |
-but I have to step up the level. -When people are listening, | 1:03:16 | 1:03:19 | |
you want them to go like this... | 1:03:19 | 1:03:23 | |
Eyebrows to the neck. | 1:03:23 | 1:03:24 | |
To get through to the live shows is, like, all or nothing. | 1:03:26 | 1:03:29 | |
I'm ready to go. | 1:03:29 | 1:03:31 | |
# I want to sing | 1:03:36 | 1:03:38 | |
# I want to shout | 1:03:38 | 1:03:41 | |
# I want to scream till the words | 1:03:41 | 1:03:44 | |
# Dry out | 1:03:44 | 1:03:46 | |
# Put it in all of the papers | 1:03:46 | 1:03:49 | |
# I'm not afraid | 1:03:49 | 1:03:50 | |
# They can read all about it Read all about it | 1:03:50 | 1:03:56 | |
# Oh-oh-oh-oh | 1:03:56 | 1:03:58 | |
HE BEATBOXES | 1:03:58 | 1:03:59 | |
RAPPING: Think back to a young kid in primary school | 1:03:59 | 1:04:01 | |
Most kids laughing at him thinking he was a fool | 1:04:01 | 1:04:04 | |
Self taught on the keys from the age of ten | 1:04:04 | 1:04:06 | |
The music within helped him to smile and grin | 1:04:06 | 1:04:09 | |
When times were grim Back on the keys again | 1:04:09 | 1:04:11 | |
Learning to sing till he became 1989 rap champion | 1:04:11 | 1:04:16 | |
Improvised lyrics going way beyond | 1:04:16 | 1:04:18 | |
For the young and old but life's just too wrong | 1:04:18 | 1:04:21 | |
Those that know what's the way heard any more | 1:04:21 | 1:04:23 | |
I'm inspired by the greats who came before | 1:04:23 | 1:04:25 | |
So let me put a break through the door | 1:04:25 | 1:04:27 | |
# I want to sing | 1:04:27 | 1:04:29 | |
# I want to shout | 1:04:29 | 1:04:31 | |
# I want to scream till the words dry out | 1:04:31 | 1:04:36 | |
# So, put it in all of the papers | 1:04:36 | 1:04:40 | |
# I'm not afraid | 1:04:40 | 1:04:42 | |
# They can read all about it | 1:04:42 | 1:04:46 | |
# So, put it in all of the papers | 1:04:46 | 1:04:49 | |
# I'm not afraid | 1:04:49 | 1:04:52 | |
# They can read all about it | 1:04:52 | 1:04:55 | |
# Read all about it | 1:04:55 | 1:04:59 | |
# Ooh, ooh-ooh-ooh, ooh-ooh-ooh. # | 1:04:59 | 1:05:02 | |
CHEERING AND APPLAUSE | 1:05:02 | 1:05:06 | |
Yeah! One more time for Team Will, everyone! | 1:05:10 | 1:05:14 | |
OK, Will, quite a bit for you to consider. | 1:05:32 | 1:05:35 | |
Some brilliant performances up here. Let's talk to the other coaches. | 1:05:35 | 1:05:38 | |
George, what did you think of Team Will tonight? | 1:05:38 | 1:05:41 | |
You know what, I feel like I am at a fantastic concert, | 1:05:41 | 1:05:44 | |
watching loads of great performers. | 1:05:44 | 1:05:46 | |
You know, it's just such a pleasure to sit here watching people sing | 1:05:46 | 1:05:50 | |
and seeing the audience reaction. Obviously, they are all | 1:05:50 | 1:05:53 | |
-a high standard or they wouldn't be at this stage... -Yep. | 1:05:53 | 1:05:56 | |
-So, it's a pleasure. -If it were your team, which three would you be | 1:05:56 | 1:05:59 | |
-taking through? -We just made up a song for Lyrickal, didn't we, Ricky? | 1:05:59 | 1:06:02 | |
Well, we didn't make it up, we stole it! | 1:06:02 | 1:06:05 | |
One, two, three, four... | 1:06:05 | 1:06:06 | |
-ALL THREE: -# I believe in Lyrickal | 1:06:06 | 1:06:08 | |
# Where you from, you sexy thing?! # | 1:06:10 | 1:06:13 | |
CHEERING AND APPLAUSE | 1:06:13 | 1:06:16 | |
Paloma, we had quite a bit of dancing, | 1:06:19 | 1:06:21 | |
we had quite a bit of rapping, we had lots of emotion and a violin. | 1:06:21 | 1:06:25 | |
All the world encompassed. | 1:06:25 | 1:06:27 | |
It was... It's fantastic team. If I was going to take three... | 1:06:27 | 1:06:34 | |
in a, sort of, flippant, gut-feelingy way, | 1:06:34 | 1:06:37 | |
personally, I would probably take Eli, Theo and Faheem. | 1:06:37 | 1:06:42 | |
CHEERING AND APPLAUSE | 1:06:42 | 1:06:45 | |
Thank you, Paloma. | 1:06:47 | 1:06:48 | |
-Ricky, the acts picked their own songs this evening. -Yep. | 1:06:48 | 1:06:52 | |
Did they all make the right calls? | 1:06:52 | 1:06:54 | |
Some of the songs, I would have chosen, | 1:06:54 | 1:06:56 | |
some of the songs, I wouldn't. But it doesn't matter at this point, | 1:06:56 | 1:06:59 | |
cos you have got this far and you should be really proud | 1:06:59 | 1:07:02 | |
of yourselves. Well done. | 1:07:02 | 1:07:03 | |
OK, if it was up to me - and this is purely on, you know, gut - | 1:07:03 | 1:07:07 | |
Lydia Lucy... | 1:07:07 | 1:07:09 | |
CHEERING AND APPLAUSE | 1:07:09 | 1:07:11 | |
..Eli Cripps... | 1:07:11 | 1:07:13 | |
and then... And then it would be between the Ripples - | 1:07:13 | 1:07:16 | |
Tom or Lyrickal. | 1:07:16 | 1:07:18 | |
Lyrickal and Tom's outfits! | 1:07:21 | 1:07:23 | |
Fantastic! | 1:07:24 | 1:07:26 | |
Please put your hands together one more time for Team Will! | 1:07:26 | 1:07:29 | |
CHEERING AND APPLAUSE | 1:07:29 | 1:07:33 | |
OK, Will, here we go! | 1:07:33 | 1:07:34 | |
It's time to make your first Knockout decision. | 1:07:34 | 1:07:38 | |
I hate this part of the show, | 1:07:44 | 1:07:46 | |
because, you know, some amazing singers are going to go home. | 1:07:46 | 1:07:51 | |
And only three go through. | 1:07:51 | 1:07:54 | |
And I deeply apologise for not being able to put everyone through. | 1:07:54 | 1:08:00 | |
OK, Will, tell me about the first person you are taking through to | 1:08:00 | 1:08:04 | |
-the live shows. -Basically, my decision is based on, | 1:08:04 | 1:08:09 | |
you know, this person has been fighting and, every step of the way | 1:08:09 | 1:08:14 | |
this person has fought and improved. That person is Lauren. | 1:08:14 | 1:08:17 | |
Lauren! Congratulations! | 1:08:19 | 1:08:21 | |
Well done. Well done. | 1:08:23 | 1:08:24 | |
Well done, Lauren. Come and give Will a big hug! | 1:08:27 | 1:08:29 | |
I'm not crying, I'm just so happy! | 1:08:33 | 1:08:35 | |
I'm so happy! | 1:08:35 | 1:08:37 | |
Congratulations, Lauren, you are through to the live shows! | 1:08:41 | 1:08:44 | |
How good is that?! | 1:08:44 | 1:08:45 | |
-Well done. How are you feeling? -Do you know what, I just said, | 1:08:48 | 1:08:51 | |
I just couldn't believe it, every round that I got through, | 1:08:51 | 1:08:55 | |
and now, I have got to The Lives, I have to believe in myself. | 1:08:55 | 1:08:58 | |
When Will believes in me, obviously, I can believe in myself. | 1:08:58 | 1:09:01 | |
-Thank you so much, Will! -You're amazing. Well done! | 1:09:01 | 1:09:04 | |
Will, it's time to make your next Knockout decision. | 1:09:04 | 1:09:07 | |
AUDIENCE SHOUT OUT NAMES | 1:09:12 | 1:09:15 | |
OK, Will, tell me about the next artist you are taking through | 1:09:20 | 1:09:22 | |
to the live shows. | 1:09:22 | 1:09:24 | |
The next person I am going to... | 1:09:31 | 1:09:32 | |
-Hold on! -Here we go, guys. -Hold on, guys. One second. | 1:09:32 | 1:09:35 | |
Here we go. | 1:09:35 | 1:09:36 | |
-AUDIENCE MEMBER: -Lydia!! | 1:09:36 | 1:09:38 | |
LAUGHTER | 1:09:38 | 1:09:41 | |
The next person I am putting through, once again, the decisions | 1:09:41 | 1:09:45 | |
they made today and throughout the competition - from the songs | 1:09:45 | 1:09:50 | |
they chose and how they performed - and they are ready for | 1:09:50 | 1:09:55 | |
prime-time, big-time, shine like the sunshine. | 1:09:55 | 1:09:58 | |
That is... | 1:09:58 | 1:10:00 | |
..Lyrickal! | 1:10:02 | 1:10:03 | |
Lyrickal! | 1:10:03 | 1:10:04 | |
Yes! | 1:10:05 | 1:10:06 | |
Well done, Lyrickal! | 1:10:08 | 1:10:09 | |
You are still on Team Will! | 1:10:09 | 1:10:11 | |
Listen, man, we have heard you beatbox, rap and sing. | 1:10:22 | 1:10:26 | |
What is going to happen in the final, man? | 1:10:26 | 1:10:27 | |
I have got a few more surprises up my sleeve, you know. | 1:10:27 | 1:10:30 | |
Me and Will, we're going to talk. We'll get together. | 1:10:30 | 1:10:33 | |
You're going to have to wait and see! | 1:10:33 | 1:10:36 | |
Congratulations, man! It's amazing. Well done. | 1:10:36 | 1:10:39 | |
Let's find out who you will be going through to the live shows | 1:10:39 | 1:10:42 | |
with both of you guys. | 1:10:42 | 1:10:43 | |
Will, it's time to make your final knockout decision. | 1:10:43 | 1:10:47 | |
AUDIENCE SHOUT OUT NAMES | 1:10:49 | 1:10:51 | |
OK, Will, what is going through your mind right now? | 1:11:00 | 1:11:03 | |
-It's like a... It's not the end. -No. -Please, continue | 1:11:03 | 1:11:09 | |
and figure a way through the maze. | 1:11:09 | 1:11:11 | |
Who amazed me that, you know, who I think | 1:11:11 | 1:11:17 | |
should be out right now with records and videos | 1:11:17 | 1:11:23 | |
-and touring is the person I am putting through. -OK, who is it? | 1:11:23 | 1:11:28 | |
That is... | 1:11:28 | 1:11:29 | |
-..Lydia. -Lydia! | 1:11:31 | 1:11:33 | |
Congratulations! | 1:11:33 | 1:11:36 | |
Lydia, you are through to the live shows. You are still on Team Will. | 1:11:44 | 1:11:47 | |
Congratulations! | 1:11:47 | 1:11:48 | |
Come over here, Lydia. Well done. | 1:11:55 | 1:11:58 | |
You are still on Team Will. You are going through to the live shows. | 1:11:58 | 1:12:01 | |
-How are you feeling? -I can't believe it, honestly. | 1:12:01 | 1:12:04 | |
I'm overwhelmed. Everyone is obviously so amazing. | 1:12:04 | 1:12:07 | |
I was just, like, I'm so thankful. Thank you, Will. Thank you. | 1:12:07 | 1:12:10 | |
OK, please put your hands together for Will's live team - | 1:12:10 | 1:12:13 | |
Lauren, Lyrickal and Lydia! | 1:12:13 | 1:12:15 | |
CHEERING AND APPLAUSE | 1:12:15 | 1:12:18 | |
It wasn't hard picking the three. It was hard saying goodbye | 1:12:23 | 1:12:27 | |
to the other five. That was what was hard. | 1:12:27 | 1:12:30 | |
WHOOPING | 1:12:37 | 1:12:41 | |
Team Will is ready to go live, with two lovely ladies | 1:12:41 | 1:12:44 | |
and one lad. That is three freaking Ls | 1:12:44 | 1:12:47 | |
and we will not take an L, cos we will not lose! | 1:12:47 | 1:12:50 | |
WHOOPING AND CHEERING | 1:12:50 | 1:12:53 | |
Lyrickal has this real likability and I think he has shown himself | 1:12:54 | 1:12:58 | |
to have incredible soul. | 1:12:58 | 1:13:00 | |
I think people are going to love him. | 1:13:00 | 1:13:04 | |
Lauren - I think she's great. | 1:13:04 | 1:13:05 | |
She has come out fighting and she owned it. | 1:13:05 | 1:13:08 | |
She is something special all right. | 1:13:08 | 1:13:10 | |
Lydia, I feel like is an absolutely exceptional match for Will. | 1:13:14 | 1:13:18 | |
She has such a personal touch in everything she does. | 1:13:18 | 1:13:21 | |
The world is her oyster. | 1:13:21 | 1:13:22 | |
EXCITED CHATTER | 1:13:22 | 1:13:24 | |
Will! | 1:13:24 | 1:13:25 | |
CHEERING AND APPLAUSE | 1:13:27 | 1:13:28 | |
-What an amazing night, Willis. -It's been very good. | 1:13:30 | 1:13:33 | |
Next stop is just the simple matter of singing live to you | 1:13:33 | 1:13:36 | |
-and winning your votes. -Simple(!) -Easy! | 1:13:36 | 1:13:37 | |
A walk in the park! A huge thank you to our artists and, of course, | 1:13:37 | 1:13:41 | |
our house band. | 1:13:41 | 1:13:42 | |
CHEERING AND APPLAUSE | 1:13:42 | 1:13:44 | |
And our brilliant four coaches - Ricky Wilson! | 1:13:44 | 1:13:48 | |
Paloma Faith! | 1:13:50 | 1:13:52 | |
Boy George! | 1:13:52 | 1:13:54 | |
And Mr will.i.am! | 1:13:56 | 1:13:57 | |
Join us next Saturday, when we go live! | 1:13:59 | 1:14:03 | |
Oh! | 1:14:03 | 1:14:04 | |
And don't forget, | 1:14:04 | 1:14:05 | |
it's you and the coaches continuing the mission to find | 1:14:05 | 1:14:08 | |
-The Voice. Goodnight. -Goodnight. | 1:14:08 | 1:14:10 | |
CHEERING AND APPLAUSE | 1:14:10 | 1:14:13 | |
-Next week is The Lives. -This is what it's all about - | 1:14:18 | 1:14:21 | |
take a risk, be brave. | 1:14:21 | 1:14:22 | |
-It's the ultimate test. -This is real pressure. | 1:14:22 | 1:14:26 | |
# This night ain't for the faint of heart | 1:14:26 | 1:14:28 | |
# Cos the faint of heart are gonna fall apart... # | 1:14:28 | 1:14:30 | |
-They have to be fierce. -I want to see 100% emotional dynamic. | 1:14:32 | 1:14:36 | |
Sitting in that chair, it's kind of intense. | 1:14:37 | 1:14:40 | |
-Whoa! -You're just so beautiful! | 1:14:40 | 1:14:42 | |
They just have to be the best. | 1:14:43 | 1:14:44 | |
It's not just about singing. | 1:14:44 | 1:14:46 | |
It's about survival. | 1:14:46 | 1:14:48 |