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The time has come for the live show line-ups to be completed. | 0:00:02 | 0:00:05 | |
It can only mean one thing. | 0:00:06 | 0:00:08 | |
Oh, God! | 0:00:08 | 0:00:09 | |
It's knockout time! | 0:00:09 | 0:00:12 | |
All teams must go from eight down to three. | 0:00:12 | 0:00:14 | |
They have to go for it. | 0:00:14 | 0:00:16 | |
Don't look back. | 0:00:16 | 0:00:17 | |
They just have to be the best. Take a risk, be brave. | 0:00:17 | 0:00:21 | |
Nah... It's the knockouts. | 0:00:21 | 0:00:23 | |
They have to have a little bit of... | 0:00:23 | 0:00:26 | |
Hold on. Let me find the right words. | 0:00:27 | 0:00:30 | |
You thought you made it? | 0:00:30 | 0:00:32 | |
Oh, you thought you had to dig within yourself | 0:00:32 | 0:00:35 | |
to bring the best out of yourself | 0:00:35 | 0:00:37 | |
so you could take it to the next level and surprise yourself? | 0:00:37 | 0:00:40 | |
Nah, homie. | 0:00:40 | 0:00:41 | |
You might just see yourself on the bottom of the shelf | 0:00:41 | 0:00:44 | |
and you hurt your health because you freakin'... | 0:00:44 | 0:00:46 | |
Up under the belt, they hit you under the belt! | 0:00:48 | 0:00:51 | |
-That's the knockouts. -HE CHUCKLES | 0:00:51 | 0:00:54 | |
Sorry, I couldn't make it work. Kinda hot in here. | 0:00:54 | 0:00:57 | |
Hello, and welcome to The Voice. | 0:01:05 | 0:01:07 | |
Now, are you ready for the knockouts? | 0:01:07 | 0:01:10 | |
CHEERING | 0:01:10 | 0:01:11 | |
Of course you are. The coaches have auditioned and battled their teams, | 0:01:11 | 0:01:15 | |
now they must cut them down from eight to just three. | 0:01:15 | 0:01:17 | |
So let's meet them. | 0:01:17 | 0:01:19 | |
Hail to the Chief! It's Ricky Wilson... | 0:01:21 | 0:01:24 | |
..with the divine diva - it's Paloma Faith. | 0:01:26 | 0:01:29 | |
Go mad about the Boy - it is Boy George. | 0:01:32 | 0:01:35 | |
And bring the action - it's will.i.am. | 0:01:35 | 0:01:38 | |
MUSIC AND CHEERING | 0:01:38 | 0:01:41 | |
Ladies and gentlemen, it's the coaches! | 0:01:44 | 0:01:47 | |
Good evening, coaches. | 0:01:52 | 0:01:54 | |
-Evening, coaches. How you doing? -Hello. | 0:01:54 | 0:01:57 | |
-Good? -Tonight it is the turn of Team Paloma and Team Ricky. | 0:01:57 | 0:02:03 | |
CHEERING | 0:02:03 | 0:02:06 | |
-OK, coaches, you ready? -Yes. -Are you all ready? | 0:02:06 | 0:02:09 | |
CHEERING | 0:02:09 | 0:02:11 | |
OK, let's get the knockouts started. | 0:02:11 | 0:02:13 | |
So, Paloma, you're up first. | 0:02:20 | 0:02:23 | |
Hello. | 0:02:30 | 0:02:31 | |
We're about to arrive at the biggest test yet. | 0:02:31 | 0:02:35 | |
The next round is the knockouts. | 0:02:35 | 0:02:37 | |
This is hell for me, this whole elimination situation. | 0:02:37 | 0:02:42 | |
I have eight acts on my team. | 0:02:42 | 0:02:44 | |
By the end of this, I'll have just three. | 0:02:44 | 0:02:47 | |
So I'm really excited to see something I haven't seen before, | 0:02:47 | 0:02:51 | |
but also harnessing what we love about you already. | 0:02:51 | 0:02:56 | |
The contestants have to choose their own song in this round. | 0:02:56 | 0:02:59 | |
And they'll have to choose wisely. It's time to see their potential. | 0:02:59 | 0:03:04 | |
I want to see them emerging as true artists. | 0:03:04 | 0:03:06 | |
Got immense amounts of talent, | 0:03:07 | 0:03:09 | |
and I'm excited to see you stand on your own two feet. | 0:03:09 | 0:03:13 | |
I've taken them this far, | 0:03:13 | 0:03:14 | |
but they'll have to take themselves through to the lives. | 0:03:14 | 0:03:18 | |
So there they are, all ready to go. | 0:03:22 | 0:03:24 | |
Please make some noise for Team Paloma. | 0:03:24 | 0:03:27 | |
CHEERING | 0:03:27 | 0:03:30 | |
-Ready? -Yeah. -Let's get started. First off tonight, it's Beth. | 0:03:31 | 0:03:35 | |
CHEERING | 0:03:35 | 0:03:36 | |
Go on, Beth. Go on, Beth. | 0:03:38 | 0:03:41 | |
# Church house... # | 0:03:46 | 0:03:48 | |
Beth is a powerhouse of sass. | 0:03:48 | 0:03:51 | |
# Nutbush... | 0:03:51 | 0:03:55 | |
# Nutbush. # | 0:03:57 | 0:03:58 | |
This whole experience is just so surreal. I can't believe I'm here. | 0:03:58 | 0:04:02 | |
# You really think you're in control... # | 0:04:02 | 0:04:06 | |
Beth. | 0:04:06 | 0:04:07 | |
Beth chose to sing Hey Joe by Jimi Hendrix. | 0:04:11 | 0:04:15 | |
# I gave him the gun I shot him... # | 0:04:15 | 0:04:19 | |
And it wasn't working. | 0:04:19 | 0:04:20 | |
Just then it felt a little bit chaotic. | 0:04:20 | 0:04:23 | |
You could tell on her face there was a lot she didn't like about it. | 0:04:23 | 0:04:26 | |
Firstly I just thought, "Oh, my God!" | 0:04:26 | 0:04:28 | |
I just feel like it's not right. | 0:04:28 | 0:04:31 | |
We then decided to change my song. | 0:04:31 | 0:04:34 | |
You came up with some other ideas for songs. | 0:04:34 | 0:04:37 | |
Yeah, so I thought maybe... | 0:04:37 | 0:04:40 | |
But I still wasn't sure about what song to do. | 0:04:40 | 0:04:44 | |
So, go away and have a think about it and surprise me | 0:04:44 | 0:04:47 | |
-next week with whatever you decide to do. -OK, I will. | 0:04:47 | 0:04:50 | |
I'm nervous for Beth. | 0:04:50 | 0:04:53 | |
Cos I really want her to show how brilliant she can be, | 0:04:53 | 0:04:56 | |
cos we've seen that. | 0:04:56 | 0:04:57 | |
# I was born in a crossfire hurricane | 0:05:04 | 0:05:08 | |
# And I howled at my ma in the driving rain | 0:05:11 | 0:05:17 | |
# But it's all right | 0:05:18 | 0:05:22 | |
# Jumpin' Jack Flash It's a gas, gas, gas | 0:05:22 | 0:05:25 | |
# I was raised by a toothless, bearded hag | 0:05:28 | 0:05:32 | |
# I was schooled with a strap right across my back | 0:05:34 | 0:05:39 | |
# But it's all right | 0:05:41 | 0:05:46 | |
# Jumpin' Jack Flash It's a gas, gas, gas | 0:05:46 | 0:05:49 | |
# But it's all right | 0:05:49 | 0:05:53 | |
# Jumpin' Jack Flash It's a gas, gas, gas | 0:05:53 | 0:05:57 | |
-# Jumpin' Jack Flash -It's a gas | 0:05:57 | 0:06:00 | |
-# Jumpin' Jack Flash -It's a gas | 0:06:00 | 0:06:03 | |
-# Jumpin' Jack Flash -It's a gas | 0:06:03 | 0:06:07 | |
# Gas, gas, gas Wow! | 0:06:07 | 0:06:10 | |
# But it's all right now In fact, it's a gas | 0:06:10 | 0:06:17 | |
# But it's all... | 0:06:17 | 0:06:21 | |
# Jumpin' Jack Flash It's a gas, gas, gas | 0:06:21 | 0:06:25 | |
# Gas, gas, gas, gas, gas. # | 0:06:25 | 0:06:30 | |
CHEERING | 0:06:30 | 0:06:32 | |
Give it up for Beth! | 0:06:32 | 0:06:34 | |
Next up is Deano. | 0:06:56 | 0:06:59 | |
CHEERING | 0:06:59 | 0:07:02 | |
# You do something to me | 0:07:10 | 0:07:14 | |
I love Deano because I think he's got | 0:07:16 | 0:07:18 | |
one of the most beautiful tones of voice in the show this year. | 0:07:18 | 0:07:22 | |
# Hanging on the wire... # | 0:07:22 | 0:07:27 | |
The sort of feeling that you get watching him perform | 0:07:27 | 0:07:30 | |
and how internal he is with it. | 0:07:30 | 0:07:31 | |
Like, it really draws me in. | 0:07:34 | 0:07:36 | |
I thought my battle performance went really well. | 0:07:36 | 0:07:38 | |
I think I'm starting... As I'm growing in confidence, | 0:07:38 | 0:07:40 | |
I'm starting to believe in my own ability. | 0:07:40 | 0:07:42 | |
# I may seem all right... # | 0:07:42 | 0:07:45 | |
Deano. | 0:07:45 | 0:07:47 | |
Deano! Congratulations, mate. | 0:07:47 | 0:07:48 | |
I'm really excited for the knockouts, | 0:07:48 | 0:07:51 | |
but the competition is so high this year. | 0:07:51 | 0:07:55 | |
-What have you decided to sing? -Right, so I'm going to go with | 0:07:55 | 0:07:58 | |
-Ray Charles, Georgia On My Mind. -Great. | 0:07:58 | 0:08:01 | |
-Yeah. -You love Ray. -I love Ray. | 0:08:01 | 0:08:04 | |
# Ooh... # | 0:08:04 | 0:08:07 | |
I feel like this song really pushes him to his limit, | 0:08:07 | 0:08:12 | |
and it could go either way. | 0:08:12 | 0:08:14 | |
All you've got to do is relax and be like, "I can do this." | 0:08:14 | 0:08:17 | |
It could be my last performance, so I need to make sure it counts. | 0:08:17 | 0:08:22 | |
# Georgia, oh, Georgia | 0:08:26 | 0:08:32 | |
# The whole day through | 0:08:34 | 0:08:37 | |
# Just an old sweet song | 0:08:39 | 0:08:43 | |
# Keeps Georgia on my mind | 0:08:43 | 0:08:49 | |
# Other arms, they reach out to me | 0:08:52 | 0:08:57 | |
# Other eyes, they smile tenderly | 0:08:58 | 0:09:05 | |
# Still in peaceful dreams I see | 0:09:07 | 0:09:13 | |
# The road leads me back to you | 0:09:13 | 0:09:21 | |
Georgia, Georgia, Georgia | 0:09:22 | 0:09:29 | |
# No, no peace I found | 0:09:29 | 0:09:35 | |
# Just an old sweet song | 0:09:35 | 0:09:39 | |
# Keeps Georgia on my... | 0:09:39 | 0:09:47 | |
# Mind. # | 0:09:48 | 0:09:54 | |
Let's hear it for Deano. | 0:09:55 | 0:09:58 | |
-CHEERING -Flawless. | 0:09:58 | 0:10:01 | |
That was beautiful. | 0:10:01 | 0:10:03 | |
Some really beautiful moments in there. | 0:10:06 | 0:10:08 | |
It was like, some nice bits of magic. | 0:10:08 | 0:10:10 | |
They are all good, though. | 0:10:10 | 0:10:11 | |
Into the knockouts, now - it's Jordan. | 0:10:11 | 0:10:13 | |
CHEERING | 0:10:15 | 0:10:18 | |
Jordan's my comeback girl. | 0:10:28 | 0:10:30 | |
I didn't turn for her blind audition, | 0:10:30 | 0:10:32 | |
but because somebody pulled out, she got a place. | 0:10:32 | 0:10:35 | |
And I'm over the moon that I decided to bring Jordan back. | 0:10:38 | 0:10:42 | |
I think I'm the first transgender person | 0:10:42 | 0:10:44 | |
that has ever been on the series. | 0:10:44 | 0:10:46 | |
It's really great to be here. | 0:10:46 | 0:10:48 | |
# All the things I should have said. # | 0:10:48 | 0:10:51 | |
Every time I watch her perform anything I get emotional. | 0:10:51 | 0:10:55 | |
It's just so beautiful. | 0:10:55 | 0:10:57 | |
I'm going to take Jordan. | 0:10:57 | 0:10:58 | |
-Hello, beauty. -Hello. | 0:11:00 | 0:11:02 | |
The song chosen for the knockouts is Real Gone Kid by Deacon Blue. | 0:11:02 | 0:11:07 | |
# I'll do what I should have did... # | 0:11:07 | 0:11:11 | |
I usually find her so mesmerising, | 0:11:11 | 0:11:14 | |
but in this performance, I feel like it's slightly on the edge. | 0:11:14 | 0:11:19 | |
# You're a real gone kid... # | 0:11:19 | 0:11:22 | |
It's like sort of giddy, giggling. | 0:11:22 | 0:11:24 | |
I literally want to laugh all the way through. | 0:11:24 | 0:11:27 | |
It's great, it adds to it, | 0:11:27 | 0:11:28 | |
but make it intimate, as your audience will enjoy it with you. | 0:11:28 | 0:11:32 | |
I feel like if she laughs too much, | 0:11:32 | 0:11:35 | |
it might take away from the thing that's really drawn me to her. | 0:11:35 | 0:11:39 | |
I belong here, and I just need to make sure | 0:11:39 | 0:11:41 | |
I work hard enough to stay here. | 0:11:41 | 0:11:43 | |
# Now I've stood on your shadow | 0:11:54 | 0:11:56 | |
# And I've watched it grow | 0:11:58 | 0:11:59 | |
# And it's shaken and it's driven me | 0:12:02 | 0:12:04 | |
# And let me know, let me know let me know, let me know | 0:12:05 | 0:12:09 | |
# All the 45s | 0:12:09 | 0:12:13 | |
# And the paperback rooms | 0:12:13 | 0:12:14 | |
# And it's scattered all the photographs | 0:12:16 | 0:12:19 | |
# About summer and sun | 0:12:20 | 0:12:22 | |
# Cos you're a real gone kid | 0:12:22 | 0:12:25 | |
# Maybe now, baby | 0:12:27 | 0:12:29 | |
# Maybe now, baby | 0:12:31 | 0:12:34 | |
# Oh, I'll do what I should have did | 0:12:34 | 0:12:37 | |
# Whoo! | 0:12:38 | 0:12:39 | |
# Woohoo, woohoo, woohoo, woohoo | 0:12:43 | 0:12:45 | |
# Oh | 0:12:45 | 0:12:47 | |
-# Oh, oh. # -Amazing! | 0:12:47 | 0:12:51 | |
# Woohoo, woohoo, woohoo, woohoo | 0:12:51 | 0:12:52 | |
# Cos you're a real gone kid | 0:12:52 | 0:12:58 | |
# I'll do what I should've did. # | 0:13:03 | 0:13:05 | |
CHEERING | 0:13:08 | 0:13:11 | |
One more time, please, for Jordan! | 0:13:12 | 0:13:15 | |
That was amazing. To take that song and make it your own. | 0:13:24 | 0:13:29 | |
And that was just one of the best things I've seen tonight. | 0:13:29 | 0:13:32 | |
-No question. -So exciting! | 0:13:32 | 0:13:35 | |
What's she going to do? | 0:13:35 | 0:13:38 | |
I don't have a clue. Behind me, a small group of voice coaches... | 0:13:38 | 0:13:41 | |
She's amazing. Let's wait till we see more of them. | 0:13:41 | 0:13:45 | |
..discussing what should happen. | 0:13:45 | 0:13:48 | |
Will's talking to that camera over there. | 0:13:48 | 0:13:51 | |
He's over there, they're over there talking, | 0:13:51 | 0:13:53 | |
while those guys are over there talking to those guys. | 0:13:53 | 0:13:56 | |
I'm over here talking to you. | 0:13:56 | 0:13:58 | |
HE LAUGHS | 0:13:58 | 0:14:01 | |
See you. | 0:14:01 | 0:14:02 | |
Singing for a place at the lives, it's Rick. | 0:14:05 | 0:14:09 | |
-CHEERING -Go on, Rick. | 0:14:09 | 0:14:12 | |
Oh! | 0:14:15 | 0:14:17 | |
Rick Snowden is my rock and roll heart-throb. | 0:14:20 | 0:14:24 | |
He's like Kurt Cobain and Brad Pitt's lovechild. | 0:14:25 | 0:14:29 | |
He's perfect. | 0:14:29 | 0:14:31 | |
Thank you so much. | 0:14:31 | 0:14:32 | |
-Tell us what the song is. -The song is called | 0:14:32 | 0:14:36 | |
Watch Over You by Alter Bridge. | 0:14:36 | 0:14:38 | |
It's a love song about losing somebody. | 0:14:38 | 0:14:41 | |
You've chosen to show a bit of a different side to yourself. | 0:14:41 | 0:14:45 | |
I'm very nervous to do it, because it's very emotional. | 0:14:45 | 0:14:48 | |
# Leaves are on the ground... # | 0:14:48 | 0:14:52 | |
I think it's a great choice, because it's much more sensitive. | 0:14:52 | 0:14:55 | |
# ..you're long gone. # | 0:14:55 | 0:14:59 | |
It sounds beautiful. | 0:14:59 | 0:15:02 | |
It's so vulnerable. It's like, "Hi, everyone." | 0:15:02 | 0:15:05 | |
-Love me for who I am. -Yeah, that's what it is. | 0:15:05 | 0:15:07 | |
-Well, I love you for who you are. -Oh, thank you, Paloma. | 0:15:07 | 0:15:10 | |
Girls will be swooning. Not only is he a man, but he's also sensitive. | 0:15:10 | 0:15:15 | |
He needs to show emotion and vulnerability, | 0:15:15 | 0:15:18 | |
without losing control. | 0:15:18 | 0:15:20 | |
# Leaves are on the ground | 0:15:25 | 0:15:31 | |
# Fall has come | 0:15:31 | 0:15:37 | |
# Blue skies turning grey | 0:15:37 | 0:15:42 | |
# Like my love | 0:15:42 | 0:15:47 | |
# I tried to carry you | 0:15:47 | 0:15:53 | |
# And make you whole | 0:15:53 | 0:15:59 | |
# But it was never enough | 0:15:59 | 0:16:04 | |
# I must go | 0:16:04 | 0:16:10 | |
# O-o-o-h, watch over you | 0:16:10 | 0:16:18 | |
# And when I'm gone, who'll break your fall? | 0:16:18 | 0:16:25 | |
# Who will you blame? | 0:16:25 | 0:16:31 | |
# Who'll ease your pain? | 0:16:31 | 0:16:34 | |
# Ease your pain | 0:16:34 | 0:16:38 | |
# Snow is on the ground | 0:16:38 | 0:16:45 | |
# And you're long gone. # | 0:16:45 | 0:16:53 | |
CHEERING | 0:16:55 | 0:16:58 | |
Let's hear it for Rick! | 0:17:02 | 0:17:05 | |
Now one of Paloma's steals, it's Aaron! | 0:17:12 | 0:17:16 | |
CHEERING | 0:17:16 | 0:17:18 | |
A bit of soul, baby, bit of soul. | 0:17:21 | 0:17:23 | |
-Come on, Aaron. -Aaron! -Whoop-whoop-whoop-whoop! | 0:17:23 | 0:17:27 | |
# ..just enough for city living... # | 0:17:32 | 0:17:34 | |
Aaron is an undoubtedly fantastic singer. | 0:17:34 | 0:17:36 | |
And he is the top of his game within the gospel world. | 0:17:36 | 0:17:40 | |
# I'm on Team Paloma and I can't wait, I can't wait. # | 0:17:40 | 0:17:45 | |
Aaron's chosen to sing a gospel classic, | 0:17:45 | 0:17:48 | |
the real roots of soul music. | 0:17:48 | 0:17:50 | |
It is a risk. I could have picked a song that's in the charts, | 0:17:50 | 0:17:53 | |
but now is my chance to make the coaches see what I can do. | 0:17:53 | 0:17:56 | |
Your voice is, like, so silky and melty. | 0:17:56 | 0:18:00 | |
It's really hard to fault anything. | 0:18:00 | 0:18:01 | |
I just hope that, at the performance, | 0:18:01 | 0:18:04 | |
he injects a sense of himself, rather than just relying on the fact | 0:18:04 | 0:18:09 | |
that he's so gifted in a specific genre of music. | 0:18:09 | 0:18:12 | |
When the audience is there, just be aware of what they're experiencing. | 0:18:12 | 0:18:16 | |
Use space and open up and let the heavens come out of you. | 0:18:16 | 0:18:21 | |
# If anybody asks you | 0:18:23 | 0:18:28 | |
# Where I am going | 0:18:28 | 0:18:33 | |
# Where I am going some day soon | 0:18:33 | 0:18:40 | |
-# I'm going up yonder -Going up yonder | 0:18:42 | 0:18:46 | |
# Yes, I am | 0:18:46 | 0:18:47 | |
-# I'm going up yonder -Going up yonder | 0:18:47 | 0:18:51 | |
# I said I'm going up yonder to be with my Lord | 0:18:51 | 0:18:58 | |
# Lord... | 0:18:58 | 0:19:01 | |
# I can take the pain Yes, I can | 0:19:01 | 0:19:06 | |
# The trouble that it brings | 0:19:06 | 0:19:11 | |
# Till I see my Saviour | 0:19:11 | 0:19:15 | |
# I'll see him face-to-face | 0:19:15 | 0:19:20 | |
-# I'm going up yonder -Going up yonder | 0:19:20 | 0:19:24 | |
-# I said I'm going up yonder -Going up yonder | 0:19:24 | 0:19:29 | |
# I'm going up yonder to be with my Lord | 0:19:29 | 0:19:38 | |
# I'm going up yonder | 0:19:38 | 0:19:44 | |
# To be with my Lord. # | 0:19:44 | 0:19:52 | |
CHEERING | 0:19:53 | 0:19:56 | |
Roof's on the floor! | 0:20:01 | 0:20:03 | |
That was amazing. | 0:20:10 | 0:20:12 | |
Next into knockouts, | 0:20:20 | 0:20:22 | |
one of Paloma's steals, it's Heather! | 0:20:22 | 0:20:24 | |
CHEERING | 0:20:24 | 0:20:27 | |
Breathe. | 0:20:31 | 0:20:33 | |
# We're a thousand miles from comfort... # | 0:20:40 | 0:20:44 | |
At school, I couldn't imagine that | 0:20:44 | 0:20:46 | |
I'm working with Paloma Faith and I'm on The Voice. | 0:20:46 | 0:20:49 | |
I'm so close to achieving my dream. | 0:20:49 | 0:20:51 | |
# ..no place I'd rather be. # | 0:20:51 | 0:20:53 | |
# All the flowers that you planted... # | 0:20:53 | 0:20:56 | |
Heather is another one of my steals. | 0:20:56 | 0:20:59 | |
Sometimes somebody just has something | 0:20:59 | 0:21:02 | |
that you can't put into words and I think Heather is that. | 0:21:02 | 0:21:05 | |
She's the whole package. | 0:21:05 | 0:21:08 | |
-Welcome to Team Paloma. -Thank you so much. | 0:21:08 | 0:21:10 | |
I heard you've got a higher IQ than Stephen Hawking. | 0:21:10 | 0:21:13 | |
Yeah, I'm in the same region as him. | 0:21:13 | 0:21:15 | |
I've never had my IQ tested. I presume it's probably quite low. | 0:21:15 | 0:21:19 | |
What have you decided to sing? | 0:21:19 | 0:21:21 | |
I'm going to do Holding Out For A Hero by Bonnie Tyler. | 0:21:21 | 0:21:24 | |
I'm going to be singing a cover that I've made myself. | 0:21:24 | 0:21:27 | |
It's going to be a lot different from the original. | 0:21:27 | 0:21:29 | |
How do you deal with your nerves? | 0:21:29 | 0:21:31 | |
The reason why audiences love music isn't to witness perfection. | 0:21:31 | 0:21:35 | |
From the moment you let yourself off the hook in that sense, | 0:21:35 | 0:21:38 | |
you don't feel as nervous. | 0:21:38 | 0:21:40 | |
If nerves get the better of her, | 0:21:40 | 0:21:42 | |
Heather could jeopardise her performance. | 0:21:42 | 0:21:45 | |
I just hope that on this one, Heather does me proud. | 0:21:45 | 0:21:47 | |
# Where have all the good men gone | 0:21:50 | 0:21:55 | |
# And where are all the gods? | 0:21:55 | 0:22:01 | |
# Where's the street-wise Hercules | 0:22:01 | 0:22:06 | |
# To fight the rising odds? | 0:22:06 | 0:22:11 | |
# Isn't there a white knight upon a fiery steed? | 0:22:13 | 0:22:21 | |
# Late at night I toss and I turn | 0:22:23 | 0:22:28 | |
# And I dream of what I need | 0:22:28 | 0:22:36 | |
# I need a hero | 0:22:36 | 0:22:39 | |
# I'm holding out for a hero till the end of the night | 0:22:40 | 0:22:47 | |
# He's got to be strong | 0:22:47 | 0:22:49 | |
# And he's got to be fast | 0:22:49 | 0:22:53 | |
# He's got to be fresh from the fight | 0:22:53 | 0:22:58 | |
# I need a hero | 0:22:58 | 0:23:02 | |
# I'm holding out for a hero till the morning light | 0:23:02 | 0:23:07 | |
# He's got to be sure | 0:23:07 | 0:23:10 | |
# And he's got to be soon | 0:23:10 | 0:23:13 | |
# He's got to be larger than life | 0:23:13 | 0:23:18 | |
# Larger than life. # | 0:23:18 | 0:23:22 | |
CHEERING | 0:23:23 | 0:23:26 | |
Let's hear it for Heather, everybody! | 0:23:29 | 0:23:32 | |
It was magic. Magic. | 0:23:43 | 0:23:45 | |
Next up, it's Dwaine. | 0:23:45 | 0:23:48 | |
CHEERING | 0:23:48 | 0:23:50 | |
# I want to show you | 0:24:01 | 0:24:03 | |
# Show you that good love, baby... # | 0:24:03 | 0:24:06 | |
Dwaine's got a really great soul, R&B voice. | 0:24:06 | 0:24:09 | |
He is technically one of my best singers. | 0:24:09 | 0:24:13 | |
He could teach me a thing or two. | 0:24:13 | 0:24:16 | |
What did you decide to sing in the end? | 0:24:16 | 0:24:19 | |
-Knocks Me Off My Feet by Stevie Wonder. -Lovely. | 0:24:19 | 0:24:21 | |
-It's one of my favourite songs to sing. -Let's see. | 0:24:21 | 0:24:24 | |
# I don't want to bore you... # | 0:24:24 | 0:24:27 | |
'I sang my song the way that I usually sing it. | 0:24:27 | 0:24:29 | |
'I've got my own lyrical backflips and I guess' | 0:24:29 | 0:24:32 | |
I just wanted Paloma to be like, "Oh, I really like you." | 0:24:32 | 0:24:34 | |
What do you think? Give me some tips. | 0:24:34 | 0:24:37 | |
The temptation is to throw everything in the kitchen sink. | 0:24:37 | 0:24:40 | |
-Yeah. -But what makes a great voice, for me personally, is feeling. | 0:24:40 | 0:24:44 | |
I would be more captured by you if you didn't drag me | 0:24:44 | 0:24:47 | |
around the whole world before we arrived at the end. | 0:24:47 | 0:24:51 | |
HE LAUGHS | 0:24:51 | 0:24:53 | |
The danger for Dwaine is that he over-sings. | 0:24:53 | 0:24:56 | |
I feel like your tone is the magic of what you do. | 0:24:56 | 0:25:00 | |
It's really important for me | 0:25:00 | 0:25:01 | |
that a performer's connected on an emotional level. | 0:25:01 | 0:25:05 | |
I don't want to, sort of, | 0:25:05 | 0:25:07 | |
watch a demonstration of gymnastic vocal ability. | 0:25:07 | 0:25:11 | |
# I see us in the park | 0:25:16 | 0:25:19 | |
# Strolling the summer days of imaginings in my head | 0:25:19 | 0:25:27 | |
# And words from our hearts | 0:25:27 | 0:25:31 | |
# Told only to the wind felt even without being said | 0:25:31 | 0:25:37 | |
# I don't want to bore you with my troubles | 0:25:37 | 0:25:45 | |
# But there's something about your love that makes me weak | 0:25:45 | 0:25:53 | |
# And knocks me off my feet | 0:25:53 | 0:25:59 | |
# Now I don't want to bore you with it | 0:25:59 | 0:26:04 | |
# Oh, but I love you I love you, I love you | 0:26:04 | 0:26:09 | |
# I don't want to bore you with it | 0:26:09 | 0:26:15 | |
# Oh, but I love you I love you, I love you | 0:26:15 | 0:26:20 | |
# I don't want to bore you with it | 0:26:20 | 0:26:25 | |
# Oh, I love you, I love you I love you, baby | 0:26:25 | 0:26:30 | |
# I don't want to bore you with it | 0:26:30 | 0:26:35 | |
# Oh, but I love you I love you, I love you. # | 0:26:35 | 0:26:43 | |
CHEERING | 0:26:43 | 0:26:47 | |
Dwaine! | 0:26:49 | 0:26:52 | |
Give it up for Dwaine! | 0:26:52 | 0:26:55 | |
Well done. | 0:27:00 | 0:27:02 | |
Out of all the guys that have sung, he's in the most safe pair of hands. | 0:27:02 | 0:27:05 | |
The final artist on Team Paloma, it's Faith! | 0:27:05 | 0:27:09 | |
CHEERING | 0:27:09 | 0:27:12 | |
Faith is a real powerhouse for me. | 0:27:22 | 0:27:25 | |
# ..under your spotlight. # | 0:27:25 | 0:27:28 | |
Going in with Kevin, I couldn't sing with him | 0:27:28 | 0:27:31 | |
with the confidence she did. | 0:27:31 | 0:27:33 | |
And I just found it really, really admirable. | 0:27:33 | 0:27:36 | |
-Faith. -Yay! | 0:27:36 | 0:27:37 | |
I can't believe I beat Kevin, to be honest. | 0:27:37 | 0:27:40 | |
I'm feeling more confident as the competition is going ahead. | 0:27:40 | 0:27:42 | |
-I've decided to do Running by Naughty Boy. -Mm. | 0:27:42 | 0:27:46 | |
Cos the song says I'm not running from myself any more. | 0:27:46 | 0:27:48 | |
So, I'm going to try and be confident and be myself | 0:27:48 | 0:27:51 | |
-and try and embrace who I am. -OK. | 0:27:51 | 0:27:55 | |
# These four lonely walls have changed. # | 0:27:55 | 0:27:58 | |
I just see her blossoming | 0:27:58 | 0:28:00 | |
and she's confident enough to ask for what she wants. | 0:28:00 | 0:28:03 | |
I just think, just at the beginning, I just want, you know, | 0:28:03 | 0:28:06 | |
like the wailing of the guitar. | 0:28:06 | 0:28:07 | |
SHE IMITATES GUITAR Something like that. | 0:28:07 | 0:28:10 | |
-Yeah! -That is it. -That's it. | 0:28:10 | 0:28:12 | |
I can see that she's really growing as an artist on the show. | 0:28:12 | 0:28:15 | |
You're really good at putting your stamp on things. | 0:28:15 | 0:28:18 | |
Cos, I'll admit, when I heard you wanted to do this song, | 0:28:18 | 0:28:21 | |
I was like, "Oh, no, she's going to be impersonating Beyonce." | 0:28:21 | 0:28:25 | |
No, I never want to impersonate anyone. | 0:28:25 | 0:28:27 | |
Move over, Beyonce! | 0:28:27 | 0:28:30 | |
I'm so happy with the progress I've made | 0:28:30 | 0:28:33 | |
and the personality that is flowing out of me right now. | 0:28:33 | 0:28:36 | |
It's amazing. | 0:28:36 | 0:28:38 | |
# These four lonely walls have changed the way I feel | 0:28:43 | 0:28:49 | |
# The way I feel, I'm standing still | 0:28:49 | 0:28:57 | |
# Nothing else matters now you're not here | 0:28:57 | 0:29:00 | |
# So where are you? | 0:29:00 | 0:29:03 | |
# I'm calling you, I'm missing you | 0:29:03 | 0:29:09 | |
# Oh, where else can I go? Where else can I go? | 0:29:09 | 0:29:16 | |
# Chasing you, chasing you | 0:29:16 | 0:29:24 | |
# Runnin', runnin', runnin', runnin' | 0:29:24 | 0:29:27 | |
# Runnin', runnin', runnin' | 0:29:27 | 0:29:30 | |
# I ain't runnin' from myself no more | 0:29:30 | 0:29:34 | |
# Together we will win it all | 0:29:34 | 0:29:37 | |
# I ain't runnin', runnin', runnin' | 0:29:37 | 0:29:40 | |
# Oh, runnin', runnin', runnin', runnin' | 0:29:40 | 0:29:44 | |
# Runnin' from myself no more... # | 0:29:44 | 0:29:46 | |
Whoo! | 0:29:46 | 0:29:47 | |
# Together we will win it all | 0:29:47 | 0:29:52 | |
# If I lose myself, I lose it all | 0:29:52 | 0:29:57 | |
# If I lose myself, I lose it all. # | 0:29:57 | 0:30:05 | |
APPLAUSE AND CHEERING | 0:30:05 | 0:30:06 | |
RICK CHEERS | 0:30:08 | 0:30:10 | |
Team Paloma, everyone! | 0:30:12 | 0:30:14 | |
Oh, you're done. You're done. | 0:30:16 | 0:30:17 | |
-APPLAUSE AND CHEERING -Team Paloma, everyone! | 0:30:17 | 0:30:21 | |
APPLAUSE AND CHEERING | 0:30:21 | 0:30:22 | |
Paloma, eight fantastic voices. | 0:30:29 | 0:30:32 | |
How do you think they did? | 0:30:32 | 0:30:33 | |
Everyone did so, so well. | 0:30:33 | 0:30:36 | |
They are all wonderful people. | 0:30:36 | 0:30:39 | |
And, erm...when I was backstage, thinking about what I wanted to do, | 0:30:39 | 0:30:44 | |
I had in mind who I was going to put through. | 0:30:44 | 0:30:47 | |
And, based on tonight, | 0:30:48 | 0:30:51 | |
it's not those people. | 0:30:51 | 0:30:53 | |
But I think that everyone there | 0:30:53 | 0:30:56 | |
should definitely pursue a career in music. | 0:30:56 | 0:30:58 | |
APPLAUSE | 0:30:58 | 0:31:01 | |
OK, Paloma. Let's go to the other coaches. | 0:31:01 | 0:31:04 | |
Ricky, what did you think? | 0:31:04 | 0:31:06 | |
I thought you were all spectacular tonight. | 0:31:06 | 0:31:08 | |
She's right, she's been saying all along, | 0:31:08 | 0:31:10 | |
"I'm never going to make my mind up". | 0:31:10 | 0:31:11 | |
I was just like, big talk from Paloma, "I've got the best team". | 0:31:11 | 0:31:14 | |
But she has got an amazingly strong team | 0:31:14 | 0:31:16 | |
and you've all got to be really proud of yourselves. | 0:31:16 | 0:31:18 | |
Yeah, if I had to say, | 0:31:18 | 0:31:19 | |
I thought the girls were better tonight. | 0:31:19 | 0:31:21 | |
APPLAUSE AND CHEERING | 0:31:21 | 0:31:23 | |
Will, Paloma stole Aaron from you. | 0:31:24 | 0:31:27 | |
Do you think he shone bright tonight? | 0:31:27 | 0:31:29 | |
-Erm... -HE CLEARS HIS THROAT | 0:31:29 | 0:31:31 | |
Right after you performed, Aaron, I said, | 0:31:31 | 0:31:35 | |
"Somebody brought the roof to the floor. | 0:31:35 | 0:31:38 | |
"And there's no more windows, no more doors". | 0:31:38 | 0:31:40 | |
Cos you tore the house down. | 0:31:40 | 0:31:42 | |
-Thank you so much. -I have to say that. | 0:31:42 | 0:31:44 | |
APPLAUSE AND CHEERING | 0:31:44 | 0:31:46 | |
-That being said, the ladies built the house back up. -Mm-hm. | 0:31:49 | 0:31:53 | |
-Ooh! -And then set the house on fire. | 0:31:53 | 0:31:55 | |
Oh! APPLAUSE AND CHEERING | 0:31:55 | 0:31:57 | |
LAUGHTER | 0:32:00 | 0:32:01 | |
George, do you think they were a good representative of their coach? | 0:32:03 | 0:32:08 | |
Absolutely. I mean, there were some great performances. | 0:32:08 | 0:32:11 | |
For me, Faith's performance | 0:32:11 | 0:32:13 | |
was a little chaotic, | 0:32:13 | 0:32:15 | |
but you are a real singer | 0:32:15 | 0:32:17 | |
and when you got it, it was amazing. | 0:32:17 | 0:32:19 | |
APPLAUSE AND CHEERING | 0:32:19 | 0:32:21 | |
I love what Jordan did. | 0:32:24 | 0:32:26 | |
You know, you are a real, real performer and one to watch. | 0:32:26 | 0:32:29 | |
Beth, obviously, is a bit of a no-brainer. | 0:32:29 | 0:32:32 | |
She is an incredible singer. | 0:32:32 | 0:32:33 | |
But I'm glad I don't have to make the decision. | 0:32:33 | 0:32:36 | |
LAUGHTER | 0:32:36 | 0:32:38 | |
APPLAUSE AND CHEERING | 0:32:38 | 0:32:39 | |
Well, Paloma, I would not want to be | 0:32:39 | 0:32:41 | |
in your seat right now. | 0:32:41 | 0:32:43 | |
So, before you make any choices, | 0:32:43 | 0:32:45 | |
please put your hands together one more time for Team Paloma! | 0:32:45 | 0:32:48 | |
APPLAUSE AND CHEERING | 0:32:48 | 0:32:50 | |
OK, Paloma. | 0:32:59 | 0:33:01 | |
It's time to make your first knockout decision. | 0:33:01 | 0:33:04 | |
LAUGHTER | 0:33:15 | 0:33:17 | |
This person is someone who | 0:33:17 | 0:33:21 | |
is an undeniable...performing force. | 0:33:21 | 0:33:26 | |
So the first person I am going to put through tonight is... | 0:33:26 | 0:33:29 | |
..Beth. | 0:33:34 | 0:33:35 | |
-APPLAUSE AND CHEERING -Beth, congratulations! | 0:33:35 | 0:33:38 | |
You are through to the live shows, Beth! | 0:33:40 | 0:33:42 | |
Beth, well done. Come and see Paloma. | 0:33:42 | 0:33:45 | |
One more time for Beth, everyone! | 0:33:45 | 0:33:46 | |
APPLAUSE AND CHEERING | 0:33:46 | 0:33:47 | |
Come over here, Beth. Come on. Give us a hug. Well done. | 0:33:55 | 0:33:58 | |
Amazing. | 0:33:58 | 0:33:59 | |
You were on absolute fire tonight. What have you got...? | 0:33:59 | 0:34:02 | |
Oh, you're feeling emotional, hun? | 0:34:02 | 0:34:05 | |
Overwhelming? | 0:34:05 | 0:34:06 | |
Yeah, it's overwhelming. | 0:34:06 | 0:34:08 | |
I can't believe she picked me. I was sure she wasn't going to. | 0:34:08 | 0:34:10 | |
God! | 0:34:10 | 0:34:11 | |
Thank you, Paloma. | 0:34:11 | 0:34:13 | |
-APPLAUSE AND CHEERING -And I just look forward to | 0:34:13 | 0:34:15 | |
working with you and just smashing every single door down. | 0:34:15 | 0:34:18 | |
LAUGHTER | 0:34:18 | 0:34:19 | |
APPLAUSE AND CHEERING | 0:34:19 | 0:34:21 | |
Right, you are staying on Team Paloma. | 0:34:21 | 0:34:22 | |
There are just two places left on Paloma's team. | 0:34:22 | 0:34:26 | |
Paloma, it's time to make your next knockout decision. | 0:34:26 | 0:34:29 | |
AUDIENCE SHOUTS | 0:34:29 | 0:34:30 | |
Erm...OK. | 0:34:45 | 0:34:48 | |
The next person... | 0:34:49 | 0:34:50 | |
..I'm going to put through, I feel has... | 0:34:52 | 0:34:55 | |
..an old soul | 0:34:56 | 0:34:58 | |
and makes me feel that I could learn from them | 0:34:58 | 0:35:01 | |
and I feel very humbled | 0:35:01 | 0:35:04 | |
to be in their presence. | 0:35:04 | 0:35:06 | |
OK, who is it, Paloma? | 0:35:06 | 0:35:08 | |
The person I'm going to put through tonight is... | 0:35:08 | 0:35:11 | |
..Heather. | 0:35:13 | 0:35:14 | |
-Heather! -APPLAUSE AND CHEERING | 0:35:14 | 0:35:16 | |
Congratulations, Heather. You are still on Team Paloma! | 0:35:16 | 0:35:20 | |
Thank you so much. | 0:35:28 | 0:35:30 | |
CHEERING | 0:35:30 | 0:35:32 | |
PALOMA LAUGHS | 0:35:32 | 0:35:33 | |
We're an emotional team, aren't we? | 0:35:33 | 0:35:37 | |
Thank you so much. | 0:35:37 | 0:35:38 | |
-Come over here. -APPLAUSE AND CHEERING | 0:35:38 | 0:35:40 | |
It's some top marks at school | 0:35:42 | 0:35:44 | |
and now top marks from Paloma. | 0:35:44 | 0:35:45 | |
How are you feeling, hun? | 0:35:45 | 0:35:47 | |
Erm... | 0:35:47 | 0:35:48 | |
I just wasn't expecting it at all. | 0:35:48 | 0:35:50 | |
Like, not just... I...I don't know. | 0:35:50 | 0:35:53 | |
-I want to say thanks very much. -Well done, hun. You deserved it. | 0:35:53 | 0:35:56 | |
-Well done, it's great. -APPLAUSE AND CHEERING | 0:35:56 | 0:35:58 | |
Let's see which of your team-mates is the final person | 0:35:58 | 0:36:00 | |
to join us on Team Paloma. | 0:36:00 | 0:36:01 | |
Oh, God! | 0:36:01 | 0:36:03 | |
It's time to make your final knockout decision. | 0:36:03 | 0:36:06 | |
Oh! | 0:36:12 | 0:36:14 | |
This is the hard bit. | 0:36:14 | 0:36:15 | |
AUDIENCE SHOUTS | 0:36:17 | 0:36:19 | |
I agree with...the coaches tonight that... | 0:36:21 | 0:36:26 | |
..I think it was | 0:36:28 | 0:36:29 | |
the women on the team that | 0:36:29 | 0:36:31 | |
really did something amazing, | 0:36:31 | 0:36:34 | |
so there's a clue to where I am stuck. | 0:36:34 | 0:36:36 | |
AUDIENCE SHOUTS | 0:36:38 | 0:36:40 | |
I don't know. | 0:36:46 | 0:36:48 | |
-IN DEEP VOICE: -"Who's it gonna be?" | 0:36:48 | 0:36:50 | |
AUDIENCE SHOUTS | 0:36:50 | 0:36:51 | |
I'm going to have to push you, Paloma. | 0:36:51 | 0:36:54 | |
AUDIENCE SHOUTS | 0:36:54 | 0:36:55 | |
Jordan. | 0:36:55 | 0:36:56 | |
-Jordan! -APPLAUSE AND CHEERING | 0:36:56 | 0:36:59 | |
Congratulations, Jordan. | 0:36:59 | 0:37:01 | |
You are in Paloma's final place in the live shows. Well done. | 0:37:01 | 0:37:06 | |
APPLAUSE AND CHEERING | 0:37:06 | 0:37:08 | |
THEY TALK | 0:37:09 | 0:37:10 | |
-You're amazing. -Thank you so much. | 0:37:10 | 0:37:12 | |
-Oh! -Thank you. | 0:37:12 | 0:37:14 | |
Come on, Jordan. | 0:37:16 | 0:37:17 | |
Congratulations, Jordan. Well done. | 0:37:17 | 0:37:20 | |
APPLAUSE AND CHEERING | 0:37:20 | 0:37:22 | |
Jordan, congratulations. So, listen, you left the blind auditions | 0:37:22 | 0:37:25 | |
with no chair turns. Now you are here on Paloma's live team. | 0:37:25 | 0:37:29 | |
-How amazing is that? -APPLAUSE AND CHEERING | 0:37:29 | 0:37:31 | |
JORDAN SIGHS | 0:37:31 | 0:37:32 | |
Thank you. I look forward to making you proud. | 0:37:32 | 0:37:35 | |
I love you guys so much. | 0:37:35 | 0:37:36 | |
This is the best experience of my whole life. Thank you. | 0:37:36 | 0:37:39 | |
-APPLAUSE AND CHEERING -You are all through | 0:37:39 | 0:37:40 | |
to the live shows. Let's hear it for Paloma's final three. | 0:37:40 | 0:37:43 | |
It's Beth, Heather and Jordan! | 0:37:43 | 0:37:45 | |
APPLAUSE AND CHEERING | 0:37:45 | 0:37:47 | |
Please put your hands together one more time for Team Paloma. | 0:37:53 | 0:37:56 | |
APPLAUSE AND CHEERING | 0:37:56 | 0:37:58 | |
Tough. Very tough. | 0:38:06 | 0:38:07 | |
-ALL: -Team Paloma! | 0:38:10 | 0:38:11 | |
'I'm so happy with Team Paloma.' | 0:38:11 | 0:38:13 | |
There is something...for everybody in my team. | 0:38:13 | 0:38:16 | |
We're in the live shows! | 0:38:16 | 0:38:18 | |
Heather is an amazing, | 0:38:18 | 0:38:20 | |
youthful old soul. | 0:38:20 | 0:38:22 | |
I think the public | 0:38:22 | 0:38:23 | |
are going to love that. | 0:38:23 | 0:38:24 | |
SCREAMING | 0:38:24 | 0:38:27 | |
'Beth gave an amazing performance.' | 0:38:27 | 0:38:29 | |
There's not many people | 0:38:29 | 0:38:30 | |
to match her in the competition. | 0:38:30 | 0:38:32 | |
'Jordan is super-special.' | 0:38:32 | 0:38:34 | |
A great, great...surprise, really. | 0:38:34 | 0:38:37 | |
Tonight, the girls were the strongest | 0:38:38 | 0:38:41 | |
and I'm really proud to be a woman tonight. | 0:38:41 | 0:38:43 | |
-ALL: -Paloma, Paloma, Paloma! | 0:38:43 | 0:38:46 | |
LAUGHTER | 0:38:46 | 0:38:47 | |
Up next, it's Team Ricky! | 0:38:47 | 0:38:49 | |
APPLAUSE AND CHEERING | 0:38:49 | 0:38:50 | |
-APPLAUSE -How are we doing? | 0:38:59 | 0:39:01 | |
Wow, look at you all! | 0:39:02 | 0:39:03 | |
'My team are all representing hashtag Team Ricky pretty well.' | 0:39:03 | 0:39:07 | |
I love this team. | 0:39:07 | 0:39:09 | |
This team has got a vibe about it that no other team has got. | 0:39:09 | 0:39:12 | |
'We're still the quiet underdogs.' | 0:39:12 | 0:39:14 | |
But I think I am quietly confident that they have the best voices. | 0:39:14 | 0:39:18 | |
This is your chance to show us what you've got. | 0:39:18 | 0:39:20 | |
It's not just me, you're showing everyone what you've got. | 0:39:20 | 0:39:22 | |
'They choose their own song.' | 0:39:22 | 0:39:24 | |
At this point, you have to be brave. Everything could hinge on it. | 0:39:24 | 0:39:26 | |
It is so scary to think that more than half of our team is going home. | 0:39:26 | 0:39:30 | |
I can't tell you how much I want to get to the live shows. | 0:39:30 | 0:39:32 | |
It would just be the pinnacle, really. | 0:39:32 | 0:39:34 | |
I'm young and hungry, too, so... | 0:39:34 | 0:39:37 | |
You know? I'm not going down without a fight. | 0:39:37 | 0:39:39 | |
They just have to not mess it up. | 0:39:39 | 0:39:42 | |
APPLAUSE AND CHEERING | 0:39:44 | 0:39:45 | |
OK, ready to sing for their place | 0:39:45 | 0:39:47 | |
in the live shows, | 0:39:47 | 0:39:48 | |
it's Team Ricky! | 0:39:48 | 0:39:50 | |
APPLAUSE AND CHEERING | 0:39:50 | 0:39:51 | |
OK. Let's do it then. | 0:39:55 | 0:39:56 | |
First up, it's Jolan. | 0:39:56 | 0:39:57 | |
APPLAUSE AND CHEERING | 0:39:57 | 0:39:59 | |
#..but I'll try. | 0:40:06 | 0:40:08 | |
# Would you let me... # | 0:40:08 | 0:40:10 | |
Two years ago, I didn't get any turns. | 0:40:10 | 0:40:12 | |
# See beneath your beautiful | 0:40:12 | 0:40:14 | |
# Tonight. # | 0:40:14 | 0:40:15 | |
-APPLAUSE AND CHEERING -But, this time, I felt ready. | 0:40:15 | 0:40:18 | |
# ..bells ring, yeah! # | 0:40:18 | 0:40:20 | |
APPLAUSE AND CHEERING | 0:40:20 | 0:40:23 | |
'Jolan, the comeback king. | 0:40:23 | 0:40:24 | |
'A lot to prove.' | 0:40:24 | 0:40:26 | |
Flawless! | 0:40:26 | 0:40:27 | |
And he's proven it. | 0:40:27 | 0:40:28 | |
-APPLAUSE AND CHEERING -'Every time.' | 0:40:28 | 0:40:30 | |
'Getting through was the best feeling in the world. | 0:40:30 | 0:40:33 | |
'But, at the same time, my mum couldn't be there. | 0:40:33 | 0:40:36 | |
'That was the one thing' | 0:40:36 | 0:40:37 | |
that made me emotional more than anything else. | 0:40:37 | 0:40:39 | |
She'd be proud. | 0:40:39 | 0:40:40 | |
What song are you going to sing? | 0:40:43 | 0:40:45 | |
-I'm singing Never Tear Us Apart by INXS. -Big song. -Yeah. | 0:40:45 | 0:40:48 | |
It's a song that means a lot and I just want to do it justice. | 0:40:48 | 0:40:51 | |
This is one of my mum's favourite songs. | 0:40:51 | 0:40:53 | |
# Don't know why... # | 0:40:53 | 0:40:56 | |
Feelings are pretty fresh. | 0:40:56 | 0:40:58 | |
-They're all still, like, wrapped up. -Yes. | 0:40:58 | 0:40:59 | |
You can tell when it's real. | 0:40:59 | 0:41:02 | |
I just want him to control his emotions. | 0:41:02 | 0:41:04 | |
I think you can do it, mate. | 0:41:04 | 0:41:06 | |
And you've got to have that belief. | 0:41:06 | 0:41:08 | |
'You can see how important it is to him.' | 0:41:08 | 0:41:10 | |
I'm willing him to succeed. | 0:41:10 | 0:41:11 | |
# You were there... # | 0:41:11 | 0:41:13 | |
If I lose my way in the song by getting too emotional, | 0:41:13 | 0:41:17 | |
I'll lose the performance. | 0:41:17 | 0:41:19 | |
It just needs to be...perfect. | 0:41:19 | 0:41:22 | |
# Don't ask me | 0:41:28 | 0:41:31 | |
# What you know is true | 0:41:31 | 0:41:35 | |
# Don't have to tell you | 0:41:35 | 0:41:38 | |
APPLAUSE AND CHEERING | 0:41:38 | 0:41:39 | |
# I love your precious heart | 0:41:39 | 0:41:43 | |
# I, I... | 0:41:43 | 0:41:46 | |
# I was standing | 0:41:46 | 0:41:50 | |
# And you were there | 0:41:50 | 0:41:53 | |
# Two worlds collided | 0:41:53 | 0:41:57 | |
# And they will never tear us apart | 0:41:57 | 0:42:01 | |
# We could live | 0:42:01 | 0:42:03 | |
APPLAUSE | 0:42:03 | 0:42:05 | |
# For a thousand years | 0:42:05 | 0:42:09 | |
# But if I hurt you, baby | 0:42:09 | 0:42:12 | |
# I'd make wine from your tears | 0:42:12 | 0:42:17 | |
# I told you | 0:42:17 | 0:42:20 | |
# That we could fly | 0:42:20 | 0:42:24 | |
# But we all have wings | 0:42:24 | 0:42:28 | |
# But some of us don't know why | 0:42:28 | 0:42:35 | |
# And I was standing | 0:42:35 | 0:42:38 | |
# And you were there | 0:42:38 | 0:42:42 | |
# Two worlds collided | 0:42:42 | 0:42:45 | |
# And they will never | 0:42:45 | 0:42:48 | |
# Never tear us apart. # | 0:42:48 | 0:42:53 | |
APPLAUSE AND CHEERING | 0:42:53 | 0:42:55 | |
-Let's hear it for Jolan! -APPLAUSE AND CHEERING | 0:42:59 | 0:43:02 | |
Phenomenal. | 0:43:07 | 0:43:09 | |
Phenomenal, Jolan. | 0:43:09 | 0:43:10 | |
That was awesome. | 0:43:11 | 0:43:12 | |
-That was brilliant. -Erm... | 0:43:12 | 0:43:14 | |
I get...I get so much emotion from it, | 0:43:14 | 0:43:17 | |
sometimes, I'm worried he's going to pull it off. | 0:43:17 | 0:43:19 | |
Yeah, but I love all that. | 0:43:19 | 0:43:20 | |
-I like to be on the edge of my seat a bit. -Yeah. I loved it. | 0:43:20 | 0:43:23 | |
Next to perform, it's Brooklynne! | 0:43:23 | 0:43:27 | |
APPLAUSE AND CHEERING | 0:43:27 | 0:43:29 | |
AUDIENCE SHOUTS | 0:43:35 | 0:43:36 | |
Working in a slots arcade, | 0:43:40 | 0:43:42 | |
I would never have imagined myself being here. | 0:43:42 | 0:43:44 | |
# ..feel like crying... # | 0:43:44 | 0:43:45 | |
I can't believe it. I'm just on top of the world. | 0:43:45 | 0:43:47 | |
Brooklynne was incredible, exciting... | 0:43:47 | 0:43:50 | |
-Brooklynne's in the house. -Heya! | 0:43:50 | 0:43:52 | |
..chatty. I think she's lovely. | 0:43:52 | 0:43:54 | |
-Brooklynne. -APPLAUSE AND CHEERING | 0:43:54 | 0:43:57 | |
-Hello! -Hello, Ricky. -Hi, Brooklynne. | 0:43:57 | 0:43:58 | |
How you doing? How you doing? | 0:43:58 | 0:44:00 | |
-What have you chosen? -I chose Think by Aretha Franklin. | 0:44:00 | 0:44:03 | |
Amazing. | 0:44:03 | 0:44:04 | |
Perfect, I think. It's what I'd choose for her. | 0:44:04 | 0:44:06 | |
You know it's going to be brilliant. | 0:44:06 | 0:44:07 | |
# Let your mind go and let yourself be free... # | 0:44:07 | 0:44:09 | |
I see myself as a soulful singer. | 0:44:09 | 0:44:11 | |
# You need me and I need you... # | 0:44:11 | 0:44:12 | |
The song is really groovy and that's one of my main reasons I chose it. | 0:44:12 | 0:44:15 | |
And it's Aretha Franklin. | 0:44:15 | 0:44:17 | |
-The thing I would say - it's not a criticism. -OK. | 0:44:17 | 0:44:19 | |
Quite a lot of attack on the vocals. | 0:44:19 | 0:44:20 | |
And I think you've got a lot more space | 0:44:20 | 0:44:22 | |
than you think you have, in the song. | 0:44:22 | 0:44:24 | |
-It feels like you're... -..rushing it? | 0:44:24 | 0:44:26 | |
'That kind of threw me a bit.' | 0:44:26 | 0:44:27 | |
I think I'm just trying to fit the words into how fast it is. | 0:44:27 | 0:44:30 | |
-Oh, yeah. -That's why it seems...you know? | 0:44:30 | 0:44:32 | |
'I am kind of panicking about getting it right.' | 0:44:32 | 0:44:34 | |
She was really overthinking and rushing the words. | 0:44:34 | 0:44:36 | |
I'm going to have to hear it again. | 0:44:36 | 0:44:38 | |
I'm not ready to go home. | 0:44:38 | 0:44:39 | |
I'm just going to calm it down, | 0:44:39 | 0:44:41 | |
put my own spin on it and just give it my all. | 0:44:41 | 0:44:44 | |
-# You better think -Think | 0:44:46 | 0:44:48 | |
# Think about what you're trying to do to me | 0:44:48 | 0:44:50 | |
-# Yeah, think -Think, think | 0:44:50 | 0:44:52 | |
# Let your mind go, let yourself be free | 0:44:52 | 0:44:54 | |
# Let's go back, let's go back, | 0:44:54 | 0:44:55 | |
# Let's go way on back when | 0:44:55 | 0:44:58 | |
# I didn't even know you | 0:44:58 | 0:44:59 | |
# You couldn't have been too much more than ten | 0:44:59 | 0:45:02 | |
# I ain't no psychiatrist I ain't no doctor with degrees | 0:45:02 | 0:45:06 | |
# It don't take too much high IQ | 0:45:06 | 0:45:07 | |
# To see what you're doing to me | 0:45:07 | 0:45:09 | |
-# You better think -Think | 0:45:09 | 0:45:11 | |
# Think about what you're trying to do to me | 0:45:11 | 0:45:12 | |
-# Oh, think -Think, think | 0:45:12 | 0:45:14 | |
# Let your mind go, let yourself be free | 0:45:14 | 0:45:17 | |
-# Freedom -Freedom | 0:45:17 | 0:45:19 | |
-# Freedom -Freedom | 0:45:19 | 0:45:21 | |
# Freedom! | 0:45:21 | 0:45:23 | |
-# Oh, freedom! -Freedom | 0:45:23 | 0:45:25 | |
# Hey! | 0:45:25 | 0:45:26 | |
# Cos I need you | 0:45:26 | 0:45:29 | |
# There ain't nothing you could ask | 0:45:29 | 0:45:30 | |
-# I could answer you but I won't -I won't | 0:45:30 | 0:45:32 | |
# But I'm not gonna change my mind | 0:45:32 | 0:45:34 | |
# If you keep doing things I don't | 0:45:34 | 0:45:36 | |
# Yeah, yeah! | 0:45:36 | 0:45:37 | |
# Think about what you're trying to do to me | 0:45:37 | 0:45:39 | |
-# Yeah, think -Think, think | 0:45:39 | 0:45:41 | |
# Let your mind go, let yourself be free | 0:45:41 | 0:45:44 | |
-# You need me -Need me | 0:45:44 | 0:45:45 | |
# And I need you | 0:45:45 | 0:45:47 | |
# Without each other | 0:45:47 | 0:45:49 | |
# There ain't nothing we can do | 0:45:49 | 0:45:51 | |
-# Oh! -Freedom | 0:45:51 | 0:45:54 | |
# Freedom | 0:45:54 | 0:45:55 | |
# Freedom, oh! | 0:45:55 | 0:45:57 | |
-# Freedom -Freedom | 0:45:57 | 0:45:59 | |
-# Freedom -Freedom | 0:45:59 | 0:46:01 | |
-# Freedom -Freedom | 0:46:01 | 0:46:03 | |
-# Freedom... # -Yeah! | 0:46:03 | 0:46:05 | |
-# Oh, freedom! -Freedom | 0:46:05 | 0:46:07 | |
# You had better stop and think | 0:46:07 | 0:46:10 | |
# Before you think! # | 0:46:10 | 0:46:12 | |
-APPLAUSE AND CHEERING -Yeah, Brooklynne! | 0:46:12 | 0:46:14 | |
Thank you. Ooh! | 0:46:21 | 0:46:23 | |
Thank you. Thank you. Thank you. | 0:46:23 | 0:46:25 | |
Oh, my God, I'm shaking. | 0:46:27 | 0:46:29 | |
It was sassy. | 0:46:29 | 0:46:30 | |
Yeah, sassy. | 0:46:30 | 0:46:32 | |
Next up into the knockouts, it's Ricky's first steal... | 0:46:32 | 0:46:35 | |
Aliesha! | 0:46:35 | 0:46:36 | |
APPLAUSE AND CHEERING | 0:46:36 | 0:46:38 | |
This competition is definitely an emotional rollercoaster. | 0:46:43 | 0:46:47 | |
# If this is the last night | 0:46:47 | 0:46:48 | |
# Then baby, let's do this right... # | 0:46:48 | 0:46:51 | |
I'm going to take Dwaine. | 0:46:51 | 0:46:53 | |
APPLAUSE AND CHEERING | 0:46:53 | 0:46:55 | |
I definitely thought I was going home. | 0:46:55 | 0:46:58 | |
APPLAUSE AND CHEERING | 0:46:58 | 0:46:59 | |
'It's amazing that Ricky stole me.' | 0:47:01 | 0:47:04 | |
He's given me another opportunity to show people what I can do. | 0:47:04 | 0:47:07 | |
So happy. Thank you so much. | 0:47:07 | 0:47:08 | |
Aliesha, she's my pop star one. | 0:47:08 | 0:47:10 | |
-You sang excellently. Did you enjoy it? -It was amazing. | 0:47:10 | 0:47:13 | |
'I'm really happy she's on the team.' | 0:47:13 | 0:47:14 | |
She's something that I haven't had this year. She's incredible. | 0:47:14 | 0:47:18 | |
What have you chosen? | 0:47:18 | 0:47:19 | |
I have chosen Unconditionally by Katy Perry. | 0:47:19 | 0:47:22 | |
'It's a really hard song to sing.' | 0:47:22 | 0:47:23 | |
Katy Perry's got a great voice and a big voice. | 0:47:23 | 0:47:26 | |
# Do it all because I love you! # | 0:47:26 | 0:47:31 | |
She's one of my youngest contestants, | 0:47:31 | 0:47:33 | |
but she's also one of the most "professional". | 0:47:33 | 0:47:36 | |
There's so many singers that are...like, world-famous at 17. | 0:47:36 | 0:47:40 | |
I'm not going to give you that as an excuse not to be amazing. | 0:47:40 | 0:47:44 | |
I think sometimes, I feel a bit intimidated, | 0:47:44 | 0:47:46 | |
because I'm up against people | 0:47:46 | 0:47:47 | |
that have so much more experience than me. | 0:47:47 | 0:47:49 | |
I just want to performance to the best of my ability. | 0:47:49 | 0:47:52 | |
It's all about performance | 0:47:52 | 0:47:54 | |
and...being that pop princess, if you will. | 0:47:54 | 0:47:57 | |
She'll have to up her game. | 0:47:57 | 0:47:58 | |
# Oh, no, did I get too close? | 0:48:04 | 0:48:08 | |
# Oh, did I almost see | 0:48:08 | 0:48:12 | |
# What's really on the inside? APPLAUSE AND CHEERING | 0:48:12 | 0:48:18 | |
# Take your bad days with your good | 0:48:18 | 0:48:23 | |
# And walk through the storm | 0:48:23 | 0:48:25 | |
# I would do it all | 0:48:25 | 0:48:28 | |
# Because I love you | 0:48:28 | 0:48:32 | |
# Unconditional | 0:48:32 | 0:48:36 | |
# Unconditionally | 0:48:36 | 0:48:40 | |
# I will love you | 0:48:40 | 0:48:42 | |
# Unconditionally | 0:48:42 | 0:48:47 | |
# So open up your heart and just let it begin | 0:48:47 | 0:48:51 | |
# Open up your heart! | 0:48:51 | 0:48:53 | |
# Unconditional | 0:48:54 | 0:48:58 | |
# Unconditionally | 0:48:58 | 0:49:02 | |
# I will love you | 0:49:02 | 0:49:04 | |
# Unconditionally | 0:49:04 | 0:49:08 | |
# Yeah | 0:49:08 | 0:49:09 | |
# And there is no fear now | 0:49:09 | 0:49:13 | |
# Let go and just be free | 0:49:13 | 0:49:16 | |
# Cos I will love you | 0:49:16 | 0:49:19 | |
# Unconditionally. # | 0:49:19 | 0:49:24 | |
APPLAUSE AND CHEERING | 0:49:24 | 0:49:25 | |
Show your appreciation for Aliesha. | 0:49:31 | 0:49:33 | |
APPLAUSE AND CHEERING | 0:49:33 | 0:49:35 | |
She's amazing! | 0:49:38 | 0:49:40 | |
I just want to go up and give her a hug. | 0:49:40 | 0:49:42 | |
Well done, mate. | 0:49:42 | 0:49:44 | |
Up next, it's Chloe! | 0:49:44 | 0:49:46 | |
APPLAUSE AND CHEERING | 0:49:46 | 0:49:48 | |
# And I don't... # | 0:49:57 | 0:49:58 | |
At the Battles, I picked Chloe | 0:49:58 | 0:50:00 | |
because Alaric was the rock in that performance. | 0:50:00 | 0:50:03 | |
Chloe, she was the fire. | 0:50:03 | 0:50:05 | |
# Left in there... # | 0:50:05 | 0:50:08 | |
What song have you chosen? | 0:50:08 | 0:50:10 | |
I've chosen Alive by Sia. | 0:50:10 | 0:50:11 | |
-It's unexpected. -It is. | 0:50:11 | 0:50:13 | |
It's not what I'd usually go for at all. | 0:50:13 | 0:50:15 | |
I'm definitely taking a bit of a risk, singing this song. | 0:50:15 | 0:50:17 | |
I've got a few high notes in it that I'm a bit worried about. | 0:50:17 | 0:50:20 | |
# Alive... # | 0:50:20 | 0:50:23 | |
You've got such a blank canvas with this song | 0:50:23 | 0:50:25 | |
that you can...imprint yourself on it. | 0:50:25 | 0:50:28 | |
That's what I'm happiest about. | 0:50:28 | 0:50:29 | |
-It's going to be great. -SHE LAUGHS | 0:50:29 | 0:50:31 | |
-I'll see you later. See you soon. -See you at the knockouts. | 0:50:31 | 0:50:34 | |
I've just got to make sure I deliver | 0:50:34 | 0:50:35 | |
and, hopefully, I'll get the outcome I'm looking for. | 0:50:35 | 0:50:38 | |
# I was born in a thunderstorm | 0:50:45 | 0:50:49 | |
# I grew up overnight APPLAUSE AND CHEERING | 0:50:49 | 0:50:52 | |
# I...I | 0:50:52 | 0:50:54 | |
# Played alone, I'm playing on my own | 0:50:54 | 0:50:58 | |
# I survived | 0:50:58 | 0:51:00 | |
# I wanted to go to a place where all the demons go | 0:51:00 | 0:51:05 | |
# Where the wind don't change and nothing in the ground | 0:51:05 | 0:51:08 | |
# Could ever grow | 0:51:08 | 0:51:10 | |
# No hope, just lies | 0:51:10 | 0:51:12 | |
# And you're taught to cry in your pillow | 0:51:12 | 0:51:15 | |
# But I'm still breathing | 0:51:15 | 0:51:17 | |
# I'm still breathing | 0:51:17 | 0:51:20 | |
# I'm alive | 0:51:20 | 0:51:24 | |
# I'm alive | 0:51:24 | 0:51:28 | |
# I knew what I wanted I went out and got it | 0:51:29 | 0:51:32 | |
# Did all the things that you said that I wouldn't | 0:51:32 | 0:51:34 | |
# I told you that I would never be forgotten | 0:51:34 | 0:51:37 | |
# And all in spite of you | 0:51:37 | 0:51:41 | |
# And I'm still breathing | 0:51:43 | 0:51:46 | |
# I'm still breathing | 0:51:46 | 0:51:48 | |
# I'm alive | 0:51:48 | 0:51:52 | |
# I'm alive | 0:51:53 | 0:51:58 | |
# I'm alive. # | 0:51:58 | 0:52:02 | |
APPLAUSE AND CHEERING | 0:52:04 | 0:52:06 | |
Thank you. Thank you so much. | 0:52:07 | 0:52:09 | |
APPLAUSE AND CHEERING | 0:52:09 | 0:52:11 | |
Chloe, everybody! | 0:52:11 | 0:52:12 | |
APPLAUSE AND CHEERING | 0:52:12 | 0:52:14 | |
Well done, that was amazing! | 0:52:14 | 0:52:16 | |
Singing to stay in Ricky's top three, | 0:52:21 | 0:52:23 | |
it's Rachel Ann. | 0:52:23 | 0:52:25 | |
-APPLAUSE AND CHEERING ALL: -Go on, Rachel! | 0:52:25 | 0:52:27 | |
I love this kid. She's like a Joan Baez, or something. | 0:52:27 | 0:52:29 | |
-You know, she's got that very '60s look about her. -Mm-hm. | 0:52:29 | 0:52:32 | |
# And I'm doing it for a thrill APPLAUSE AND CHEERING | 0:52:38 | 0:52:42 | |
APPLAUSE AND CHEERING | 0:52:42 | 0:52:44 | |
It was brilliant. | 0:52:44 | 0:52:46 | |
Rachel Ann, quite spiritual. | 0:52:46 | 0:52:48 | |
Quite connected to the Earth. | 0:52:48 | 0:52:50 | |
Got bare feet all the time. | 0:52:50 | 0:52:51 | |
My first barefoot battler. | 0:52:51 | 0:52:52 | |
'It's not a gimmick with her.' | 0:52:52 | 0:52:54 | |
You really believe it. It's who she is. | 0:52:54 | 0:52:56 | |
Rachel Ann. | 0:52:56 | 0:52:57 | |
# This girl is on fire... # | 0:52:57 | 0:53:01 | |
She's...amazing. | 0:53:01 | 0:53:04 | |
What's the song you've chosen? | 0:53:04 | 0:53:06 | |
Come As You Are by Nirvana. | 0:53:06 | 0:53:07 | |
W... Right, OK. | 0:53:07 | 0:53:08 | |
I think Ricky thought it was a bit of a strange song choice | 0:53:08 | 0:53:11 | |
for maybe someone my age, but that's kind of what I wanted. | 0:53:11 | 0:53:13 | |
I wanted to do something that was different | 0:53:13 | 0:53:16 | |
and that would maybe shock him. | 0:53:16 | 0:53:17 | |
It's quite dark, it's quite deep. | 0:53:17 | 0:53:19 | |
It is dark, but how I see it is that | 0:53:19 | 0:53:21 | |
-I used to be quite unconfident. -Uh-huh. | 0:53:21 | 0:53:23 | |
And, over the last year, I've really build my confidence up | 0:53:23 | 0:53:26 | |
and I think it really does suit the situation, for me. | 0:53:26 | 0:53:29 | |
-Empowering? -Yeah. | 0:53:29 | 0:53:30 | |
I feel, when I'm singing this song, I'm singing it to the old me, | 0:53:30 | 0:53:33 | |
who used to be really unconfident, didn't speak very much. | 0:53:33 | 0:53:35 | |
This is all about finding a uniqueness, | 0:53:35 | 0:53:38 | |
finding a great singer and, God, you can sing... | 0:53:38 | 0:53:41 | |
-Thank you. -..but someone who brings themselves to it. | 0:53:41 | 0:53:43 | |
For someone of her age | 0:53:45 | 0:53:46 | |
to have that knowledge of self that she has is incredible. | 0:53:46 | 0:53:49 | |
She's in with a really, really, really good chance. | 0:53:49 | 0:53:52 | |
She's very special. | 0:53:53 | 0:53:55 | |
# Come as you are | 0:54:01 | 0:54:04 | |
# As you were | 0:54:04 | 0:54:06 | |
# As I want you to be | 0:54:06 | 0:54:10 | |
# As a friend, as a friend | 0:54:10 | 0:54:14 | |
# As an old enemy | 0:54:14 | 0:54:20 | |
# Memoria | 0:54:20 | 0:54:24 | |
APPLAUSE AND CHEERING | 0:54:24 | 0:54:25 | |
# Come doused in mud | 0:54:25 | 0:54:28 | |
# Soaked in bleach | 0:54:28 | 0:54:30 | |
# As I want you to be | 0:54:30 | 0:54:34 | |
# As a trend | 0:54:34 | 0:54:36 | |
# As a friend | 0:54:36 | 0:54:38 | |
# As an old | 0:54:38 | 0:54:40 | |
# Memoria | 0:54:40 | 0:54:47 | |
HIGH KEY: # Ah... | 0:54:49 | 0:54:53 | |
# Ooh-ooh | 0:54:53 | 0:54:57 | |
# Ooh | 0:54:57 | 0:54:59 | |
# When I swear | 0:54:59 | 0:55:01 | |
# That I don't | 0:55:01 | 0:55:02 | |
# Have a gun | 0:55:02 | 0:55:05 | |
# No, I don't | 0:55:05 | 0:55:09 | |
# Woo | 0:55:09 | 0:55:10 | |
HIGH KEY: # Ah... | 0:55:10 | 0:55:13 | |
# Memoria. # | 0:55:13 | 0:55:18 | |
APPLAUSE AND CHEERING | 0:55:18 | 0:55:20 | |
Let's hear it for Rachel Ann! | 0:55:23 | 0:55:25 | |
APPLAUSE AND CHEERING | 0:55:25 | 0:55:27 | |
Ah! | 0:55:29 | 0:55:30 | |
Well done. | 0:55:32 | 0:55:33 | |
RICKY SIGHS | 0:55:33 | 0:55:35 | |
-Pff. -GEORGE LAUGHS | 0:55:35 | 0:55:38 | |
Amazing. | 0:55:38 | 0:55:39 | |
Yeah, I know. Let the public decide. | 0:55:39 | 0:55:42 | |
Performing for a place in the live shows, | 0:55:45 | 0:55:47 | |
it's Kagan! | 0:55:47 | 0:55:49 | |
APPLAUSE AND CHEERING | 0:55:49 | 0:55:51 | |
So Kagan...he's pretty cool, right? | 0:55:59 | 0:56:01 | |
APPLAUSE AND CHEERING | 0:56:01 | 0:56:03 | |
He's very good at drawing you in, and making you really like him. | 0:56:03 | 0:56:06 | |
The winner of the battle today is Kagan. | 0:56:06 | 0:56:09 | |
# Call me on my cellphone... # | 0:56:09 | 0:56:11 | |
I'm singing Hotline Bling by Drake, | 0:56:11 | 0:56:13 | |
but it's more like a R&B, slow, smooth kind of version to it. | 0:56:13 | 0:56:17 | |
And it's going to be sick. | 0:56:17 | 0:56:19 | |
Everyone knows the song and everyone knows Drake, | 0:56:19 | 0:56:21 | |
but what you're doing is bringing your own personal Kagan-ness to it. | 0:56:21 | 0:56:24 | |
It's a big song, everyone knows it, | 0:56:24 | 0:56:26 | |
but he does it and he does it in a different way, | 0:56:26 | 0:56:28 | |
which...I think is astonishing. | 0:56:28 | 0:56:30 | |
The other singers in the competition, | 0:56:32 | 0:56:33 | |
most of them are all about blasting it out there | 0:56:33 | 0:56:36 | |
and, like...seeing what comes back. | 0:56:36 | 0:56:39 | |
But what you do is you're more about drawing them in. | 0:56:39 | 0:56:42 | |
And that's your strength that no-one else is doing. | 0:56:42 | 0:56:44 | |
He makes you listen to the story. | 0:56:44 | 0:56:45 | |
I'd heard that song a million times and never really listened to it, | 0:56:45 | 0:56:48 | |
so it's great when someone can make you do that. | 0:56:48 | 0:56:52 | |
I just want to show Ricky that I want this so bad | 0:56:52 | 0:56:54 | |
and I'm going to prove it to him. | 0:56:54 | 0:56:55 | |
And I'm going to go out there and smash it. | 0:56:55 | 0:56:57 | |
And if it wasn't for him pressing that red button | 0:56:57 | 0:56:59 | |
in the blind auditions, I wouldn't have got this far | 0:56:59 | 0:57:01 | |
so I owe it to him. | 0:57:01 | 0:57:03 | |
# You used to call me on my cellphone | 0:57:06 | 0:57:11 | |
# Late night when you need my love | 0:57:11 | 0:57:15 | |
# Call me on my cellphone | 0:57:15 | 0:57:19 | |
# Late night when you need my love | 0:57:19 | 0:57:23 | |
# And I know when that hotline bling | 0:57:23 | 0:57:28 | |
# That can only mean one thing | 0:57:28 | 0:57:31 | |
# Ever since I left the city | 0:57:31 | 0:57:33 | |
# You! | 0:57:33 | 0:57:35 | |
# Got a reputation for yourself now APPLAUSE AND CHEERING | 0:57:35 | 0:57:39 | |
# Glasses of champagne out on the dance floor | 0:57:39 | 0:57:43 | |
# Hangin' with some girls I've never seen before | 0:57:43 | 0:57:46 | |
# No | 0:57:46 | 0:57:47 | |
# You used to call me on my cellphone | 0:57:47 | 0:57:50 | |
# My cellphone | 0:57:50 | 0:57:52 | |
# Late night when you need my love | 0:57:52 | 0:57:55 | |
# And I know when that hotline bling | 0:57:55 | 0:58:00 | |
# That can only mean one thing | 0:58:00 | 0:58:04 | |
# These days, all I do is | 0:58:04 | 0:58:05 | |
# Wonder if you bendin' over backwards for someone else | 0:58:05 | 0:58:10 | |
# Wonder if you're rollin' over backwards | 0:58:10 | 0:58:13 | |
# For someone else | 0:58:13 | 0:58:15 | |
# For someone | 0:58:15 | 0:58:17 | |
# For someone else | 0:58:17 | 0:58:20 | |
# You use to call me on my cellphone. # | 0:58:20 | 0:58:25 | |
APPLAUSE AND CHEERING | 0:58:25 | 0:58:27 | |
Let's hear it for Kagan! | 0:58:32 | 0:58:33 | |
APPLAUSE AND CHEERING | 0:58:33 | 0:58:35 | |
Amazing. That was great. It was amazing. | 0:58:37 | 0:58:41 | |
-He's come a long, long way. -Yeah. | 0:58:41 | 0:58:44 | |
And girls like him. | 0:58:44 | 0:58:46 | |
He's very sweet. | 0:58:46 | 0:58:48 | |
MARVIN: Into the knockouts, it's Mia. | 0:58:48 | 0:58:50 | |
APPLAUSE AND CHEERING | 0:58:50 | 0:58:52 | |
# I told my mother, my brother... # | 0:59:03 | 0:59:05 | |
Mia got through the Battles, | 0:59:05 | 0:59:07 | |
because Mia is just a force of nature. | 0:59:07 | 0:59:09 | |
She's incredible. | 0:59:09 | 0:59:10 | |
# ..other man! # | 0:59:10 | 0:59:13 | |
-How you feeling? I'm good. How are you? -Good. I'm really good. | 0:59:13 | 0:59:16 | |
Yeah, this is the second time. But not this far. | 0:59:16 | 0:59:19 | |
'I came last year and, obviously, didn't get the chair turn.' | 0:59:19 | 0:59:22 | |
And so I felt like I'd won the competition, | 0:59:22 | 0:59:24 | |
when I just got Ricky to turn around. | 0:59:24 | 0:59:26 | |
I'm pinching myself that I am here. | 0:59:26 | 0:59:29 | |
As expected, rehearsal with Mia went brilliantly, | 0:59:29 | 0:59:31 | |
but, at this stage, I need her to show me | 0:59:31 | 0:59:34 | |
the beauty within her perfect voice. | 0:59:34 | 0:59:36 | |
All those things that have gone wrong in the past - | 0:59:36 | 0:59:38 | |
like you not getting through last year - | 0:59:38 | 0:59:40 | |
don't think you need to hide that. | 0:59:40 | 0:59:42 | |
-Let your emotions shine out a bit. -Mm. | 0:59:42 | 0:59:44 | |
Rather than just being one of the best singers in the competition. | 0:59:44 | 0:59:47 | |
She has to let us in a bit more. Show us her personality in the song. | 0:59:47 | 0:59:52 | |
You've got not much to worry about. You're a great singer. | 0:59:52 | 0:59:55 | |
# When... | 0:59:58 | 1:00:03 | |
# I had you | 1:00:03 | 1:00:10 | |
# I treated you bad | 1:00:10 | 1:00:17 | |
# And wrong, my dear | 1:00:17 | 1:00:20 | |
# Since | 1:00:20 | 1:00:22 | |
# Since you went away | 1:00:22 | 1:00:27 | |
# Now don't you know | 1:00:27 | 1:00:28 | |
# I sit around | 1:00:28 | 1:00:31 | |
# With my head hangin' down | 1:00:31 | 1:00:36 | |
# And I wonder | 1:00:36 | 1:00:38 | |
# Who's lovin' you | 1:00:38 | 1:00:42 | |
# Life without love | 1:00:43 | 1:00:49 | |
# Is so lonely | 1:00:49 | 1:00:52 | |
# Oh! | 1:00:52 | 1:00:54 | |
# Come on and take it now | 1:00:54 | 1:00:58 | |
# Come on and take it | 1:00:58 | 1:01:00 | |
# Because I, I, I... | 1:01:00 | 1:01:07 | |
# And I wonder | 1:01:09 | 1:01:12 | |
# Who's lovin'... | 1:01:12 | 1:01:18 | |
# You. # | 1:01:18 | 1:01:22 | |
APPLAUSE AND CHEERING | 1:01:22 | 1:01:24 | |
-Make some noise for Mia! -APPLAUSE AND CHEERING | 1:01:28 | 1:01:31 | |
Sounded so good. It was amazing. | 1:01:40 | 1:01:42 | |
-You ready? -No. | 1:01:42 | 1:01:45 | |
Kevin! Kevin's back. | 1:01:45 | 1:01:48 | |
Last up for Team Ricky, it's his second steal... | 1:01:48 | 1:01:52 | |
Kevin! APPLAUSE AND CHEERING | 1:01:52 | 1:01:54 | |
Go on, Kevin! | 1:02:02 | 1:02:03 | |
We all know Kevin, from Liberty X. | 1:02:08 | 1:02:11 | |
# Oh, oh | 1:02:11 | 1:02:12 | |
# Everybody's comin', all the party's jumpin' | 1:02:12 | 1:02:14 | |
# And we're gonna go... # | 1:02:14 | 1:02:16 | |
We all know Kevin now from The Voice. | 1:02:16 | 1:02:18 | |
# I'm gonna swing | 1:02:18 | 1:02:23 | |
# From the chandelier | 1:02:23 | 1:02:26 | |
# From the chandelier... # | 1:02:26 | 1:02:30 | |
He's brilliant. I never realised he had such an amazing voice. | 1:02:30 | 1:02:33 | |
Where was he hiding it? | 1:02:33 | 1:02:34 | |
How did you find the Battles? | 1:02:34 | 1:02:36 | |
-Nerve-racking, you know? -I loved it. -Did you? | 1:02:36 | 1:02:38 | |
Cos I stole you! | 1:02:38 | 1:02:39 | |
APPLAUSE AND CHEERING | 1:02:39 | 1:02:41 | |
One steal from Ricky! | 1:02:41 | 1:02:44 | |
When it all sort of sunk in | 1:02:44 | 1:02:45 | |
I, like, was so happy that I was still in the competition. | 1:02:45 | 1:02:48 | |
I can't believe Paloma let you go. It was ridiculous. | 1:02:48 | 1:02:51 | |
I can't believe...that I've got a second chance. | 1:02:51 | 1:02:54 | |
You have been through the ringer a bit. | 1:02:54 | 1:02:56 | |
And it has knocked you down a few times, | 1:02:56 | 1:02:58 | |
but...you keep coming back. | 1:02:58 | 1:03:00 | |
# For the rest of our lives. # | 1:03:00 | 1:03:04 | |
Oh, no! | 1:03:04 | 1:03:06 | |
-That was horrendous. -It wasn't! Horrendous?! | 1:03:06 | 1:03:09 | |
He's another one with the weight of the world on his shoulders. | 1:03:09 | 1:03:12 | |
'Every time he gets a knock back, it's brought him to this spot.' | 1:03:12 | 1:03:15 | |
'I am critical of myself.' | 1:03:15 | 1:03:16 | |
I came into the competition with not a great lot of confidence. | 1:03:16 | 1:03:19 | |
You don't have to be swinging off chandeliers | 1:03:19 | 1:03:21 | |
to show that you deserve to be there. | 1:03:21 | 1:03:23 | |
Cos whenever you start singing, you show your confidence then. | 1:03:23 | 1:03:25 | |
Regrets are sort of... | 1:03:27 | 1:03:28 | |
I'm leaving them all behind, | 1:03:28 | 1:03:30 | |
so I'm definitely going to go into this next round confident. | 1:03:30 | 1:03:33 | |
Now you just have to be the best. | 1:03:33 | 1:03:34 | |
Kevin's definitely got it in him to do that. | 1:03:34 | 1:03:37 | |
# Sunlight comes creeping in | 1:03:42 | 1:03:45 | |
# Illuminates our skin | 1:03:45 | 1:03:47 | |
# We watch the day go by | 1:03:47 | 1:03:50 | |
# Stories of all we did | 1:03:50 | 1:03:53 | |
# It made me think of you | 1:03:53 | 1:03:56 | |
# It made me think of you | 1:03:56 | 1:03:58 | |
# I'm in a foreign state | 1:04:01 | 1:04:04 | |
# My thoughts they slip away | 1:04:04 | 1:04:06 | |
# My words are leaving me | 1:04:06 | 1:04:09 | |
# They caught an aeroplane | 1:04:09 | 1:04:12 | |
# Because I thought of you | 1:04:12 | 1:04:15 | |
# Just from the thought of you | 1:04:15 | 1:04:18 | |
# Oh! | 1:04:18 | 1:04:20 | |
# Lights go down | 1:04:20 | 1:04:23 | |
# In the moment we're lost and found | 1:04:23 | 1:04:28 | |
# I just wanna be by your side | 1:04:29 | 1:04:34 | |
# If these wings could fly | 1:04:34 | 1:04:39 | |
# Whoa-oh! | 1:04:39 | 1:04:42 | |
# Damn these walls | 1:04:42 | 1:04:45 | |
# In the moment we're ten feet tall | 1:04:45 | 1:04:50 | |
# And how you told me after it all | 1:04:50 | 1:04:56 | |
# We'd remember tonight | 1:04:56 | 1:05:00 | |
# For the rest of our | 1:05:01 | 1:05:04 | |
# Lives. # | 1:05:04 | 1:05:09 | |
APPLAUSE AND CHEERING | 1:05:09 | 1:05:10 | |
Woo! | 1:05:12 | 1:05:14 | |
CHEERING AND WHISTLING | 1:05:14 | 1:05:18 | |
That's Team Ricky, everyone! | 1:05:18 | 1:05:20 | |
-Yes! -APPLAUSE AND CHEERING | 1:05:20 | 1:05:23 | |
Team Ricky! Team Ricky! | 1:05:23 | 1:05:25 | |
-Ricky! -Team Ricky! | 1:05:25 | 1:05:26 | |
Rick, a team of eight for the very last time. | 1:05:33 | 1:05:35 | |
How do you feel after seeing them perform tonight? | 1:05:35 | 1:05:37 | |
Well, you know. This is a very emotional part of the show. | 1:05:37 | 1:05:40 | |
And I feel that, every one of you, | 1:05:40 | 1:05:42 | |
I fought for you. | 1:05:42 | 1:05:44 | |
In different ways, every one I fought for. | 1:05:44 | 1:05:46 | |
And none of you tonight has let me down. | 1:05:46 | 1:05:48 | |
-Yeah. -So, yeah, there you go. | 1:05:48 | 1:05:50 | |
Oh, thank you, Rick. APPLAUSE AND CHEERING | 1:05:50 | 1:05:52 | |
Will, how good were Ricky's knockouts tonight? | 1:05:54 | 1:05:57 | |
Psh! Man! | 1:05:57 | 1:05:58 | |
Psst... | 1:05:58 | 1:06:00 | |
-That means psst, sizzling. -LAUGHTER | 1:06:00 | 1:06:02 | |
They were good. Amazing. | 1:06:02 | 1:06:03 | |
I've been on this show for a long time. | 1:06:03 | 1:06:05 | |
And I've never seen anything like that. | 1:06:05 | 1:06:07 | |
-That is... -Wow. APPLAUSE AND CHEERING | 1:06:07 | 1:06:08 | |
Amazing praise. | 1:06:08 | 1:06:10 | |
There's a lot of big, big powerful voices on that stage. | 1:06:12 | 1:06:15 | |
You know, you get so wrapped up in your own teams, | 1:06:15 | 1:06:17 | |
-you forget who else is coming on. -Of course. | 1:06:17 | 1:06:19 | |
I mean, it's interesting, you've got Kevin... | 1:06:19 | 1:06:22 | |
APPLAUSE AND CHEERING Yeah. | 1:06:22 | 1:06:23 | |
..who, you're almost a bit shocked | 1:06:23 | 1:06:25 | |
-by what comes out, you know? -LAUGHTER | 1:06:25 | 1:06:27 | |
And you've got Jolan, who's got this beautiful, kind of...voice. | 1:06:27 | 1:06:31 | |
And you've got Rachel Ann, who is just... | 1:06:32 | 1:06:35 | |
APPLAUSE AND CHEERING | 1:06:35 | 1:06:36 | |
..like Janis Joplin, Joni Mitchell, | 1:06:36 | 1:06:38 | |
-kind of Joan Baez. -LAUGHTER | 1:06:38 | 1:06:40 | |
That's a lot of names. We'll stick with that. | 1:06:40 | 1:06:42 | |
That's all good, George. Thank you. HE LAUGHS | 1:06:42 | 1:06:44 | |
-Paloma, of course, Ricky stole Kevin and Aliesha from your team. -Yeah. | 1:06:44 | 1:06:48 | |
Did the guys do you proud tonight? | 1:06:48 | 1:06:49 | |
So proud. They were both wonderful. | 1:06:49 | 1:06:52 | |
I thought that I had the most difficult decision. | 1:06:52 | 1:06:55 | |
And I feel like Ricky's meeting me. | 1:06:55 | 1:06:58 | |
It's a hard one, but I would definitely take Kevin. | 1:06:58 | 1:07:01 | |
APPLAUSE AND CHEERING | 1:07:01 | 1:07:02 | |
-All right, Rick. -Yep. -It's all down to you now. | 1:07:04 | 1:07:06 | |
But, before you make your decision, | 1:07:06 | 1:07:08 | |
guys, let's hear it one more time for Team Ricky. | 1:07:08 | 1:07:10 | |
APPLAUSE AND CHEERING | 1:07:10 | 1:07:11 | |
-OK, Rick. -Mm. -You know the deal by now. | 1:07:23 | 1:07:26 | |
It's time for you to make your first knockout decision. | 1:07:26 | 1:07:28 | |
AUDIENCE SHOUTS | 1:07:36 | 1:07:37 | |
Erm, life's full of tough decisions. | 1:07:42 | 1:07:45 | |
This isn't one of them. | 1:07:45 | 1:07:46 | |
Erm...there's not really much more to say than that. | 1:07:46 | 1:07:50 | |
Erm, so, yeah. It's going to be... | 1:07:50 | 1:07:53 | |
..Chloe. | 1:07:55 | 1:07:56 | |
APPLAUSE AND CHEERING Congratulations! | 1:07:56 | 1:07:59 | |
-PALOMA: -Congratulations. | 1:08:09 | 1:08:11 | |
-You were great. Really amazing. -Thanks. | 1:08:11 | 1:08:13 | |
APPLAUSE AND CHEERING | 1:08:13 | 1:08:15 | |
Well done! Oh, my goodness. | 1:08:15 | 1:08:18 | |
I can't believe it. I really can't. I'm so speechless. | 1:08:18 | 1:08:21 | |
-Thank you. That's all I can say. -CHEERING | 1:08:21 | 1:08:23 | |
-I was... Just, thank you. -APPLAUSE AND CHEERING | 1:08:23 | 1:08:27 | |
Well done. | 1:08:27 | 1:08:28 | |
Ricky, it's time for you to make your second knockout decision. | 1:08:28 | 1:08:31 | |
AUDIENCE SHOUTS | 1:08:32 | 1:08:34 | |
OK, the second person I'm taking to the live shows | 1:08:42 | 1:08:44 | |
is someone who...erm... | 1:08:44 | 1:08:46 | |
I hope everyone at home agrees with me. | 1:08:46 | 1:08:48 | |
Erm...I'm rooting for them. | 1:08:48 | 1:08:52 | |
Erm...really deeply rooting for them, | 1:08:52 | 1:08:54 | |
cos I think they deserve it. | 1:08:54 | 1:08:56 | |
AUDIENCE SHOUTS | 1:08:56 | 1:08:58 | |
And the second person I'm taking through to the live shows is... | 1:08:58 | 1:09:02 | |
..Kevin! | 1:09:04 | 1:09:05 | |
APPLAUSE AND CHEERING | 1:09:05 | 1:09:07 | |
Congratulations! | 1:09:13 | 1:09:16 | |
You remain on Team Ricky. | 1:09:16 | 1:09:18 | |
You are definitely going to the live shows! | 1:09:18 | 1:09:22 | |
Are you OK? | 1:09:30 | 1:09:32 | |
Yeah. Yeah. I'm... | 1:09:32 | 1:09:34 | |
I'm overwhelmed, slightly. | 1:09:34 | 1:09:36 | |
I think, apart from my wedding day and the birth of my two kids, | 1:09:36 | 1:09:39 | |
this is the best night I've ever had. | 1:09:39 | 1:09:41 | |
APPLAUSE AND CHEERING | 1:09:41 | 1:09:43 | |
Kevin! | 1:09:43 | 1:09:44 | |
LAUGHTER | 1:09:46 | 1:09:47 | |
You've got it written down in your top pocket. | 1:09:47 | 1:09:50 | |
OK, listen, stay exactly where you are. | 1:09:50 | 1:09:51 | |
Let's find out who's going to be joining you in the live shows. | 1:09:51 | 1:09:55 | |
Ricky...it's time for you to make your final knockout decision. | 1:09:55 | 1:09:59 | |
AUDIENCE SHOUTS | 1:10:04 | 1:10:06 | |
RICKY SIGHS | 1:10:06 | 1:10:08 | |
Between three in this, isn't it? | 1:10:08 | 1:10:10 | |
Two. | 1:10:10 | 1:10:13 | |
AUDIENCE SHOUTS | 1:10:13 | 1:10:14 | |
WILL HUMS DARTH VADER THEME | 1:10:19 | 1:10:22 | |
AUDIENCE SHOUTS | 1:10:22 | 1:10:24 | |
OK. This is important | 1:10:24 | 1:10:26 | |
and the person I am taking through, because they, erm... | 1:10:26 | 1:10:29 | |
..they show me their soul when they sing... | 1:10:31 | 1:10:34 | |
..is... | 1:10:37 | 1:10:38 | |
-..Jolan. -APPLAUSE AND CHEERING | 1:10:41 | 1:10:44 | |
Jolan, congratulations! | 1:10:48 | 1:10:51 | |
You are the final member of Team Ricky | 1:10:51 | 1:10:54 | |
going through to the live shows. Well done. | 1:10:54 | 1:10:57 | |
APPLAUSE AND CHEERING | 1:10:57 | 1:10:58 | |
Congratulations, Jolan. | 1:11:05 | 1:11:07 | |
-Thank you. -Look at that face! | 1:11:07 | 1:11:09 | |
Un... I... It's... Yeah. | 1:11:09 | 1:11:11 | |
HE STUTTERS | 1:11:11 | 1:11:12 | |
-Agh! Er... -Speechless? -A little bit, yeah. | 1:11:12 | 1:11:14 | |
I honestly had no idea that this would ever happen. | 1:11:14 | 1:11:18 | |
Hopefully, I can show everybody what else there is to come. | 1:11:18 | 1:11:20 | |
APPLAUSE AND CHEERING | 1:11:20 | 1:11:23 | |
-Love you, mate! -Woo! | 1:11:23 | 1:11:24 | |
Well done, all three of you. | 1:11:24 | 1:11:26 | |
Here is Ricky's top three - | 1:11:26 | 1:11:29 | |
Chloe, Kevin and Jolan! | 1:11:29 | 1:11:31 | |
APPLAUSE AND CHEERING | 1:11:31 | 1:11:32 | |
-CHLOE: -Thank you so much. | 1:11:40 | 1:11:42 | |
Guys, you were fantastic at every stage. | 1:11:42 | 1:11:44 | |
You should be so proud of yourselves. | 1:11:44 | 1:11:45 | |
One more time for Brooklynne, Aliesha, Rachel Ann, | 1:11:45 | 1:11:48 | |
Kagan and Mia, everyone! | 1:11:48 | 1:11:49 | |
APPLAUSE AND CHEERING | 1:11:49 | 1:11:51 | |
THEY CHEER | 1:11:56 | 1:11:57 | |
Yes! | 1:11:57 | 1:11:59 | |
I think my team, as a whole, fantastic. | 1:11:59 | 1:12:01 | |
Emotional voices and they won't let me down. | 1:12:01 | 1:12:04 | |
CHEERING | 1:12:04 | 1:12:05 | |
-PALOMA: -Chloe blew me away tonight. | 1:12:07 | 1:12:08 | |
She is so slight and then she just sung like that. | 1:12:08 | 1:12:12 | |
Wow, she's a perfect contradiction. | 1:12:12 | 1:12:15 | |
-Oh, it's great! Ah! -LAUGHTER | 1:12:15 | 1:12:17 | |
'Jolan, he's got this incredible white soul voice. | 1:12:17 | 1:12:20 | |
You are amazed | 1:12:20 | 1:12:21 | |
at what comes out of his mouth. | 1:12:21 | 1:12:23 | |
Amazing. | 1:12:23 | 1:12:24 | |
LAUGHTER | 1:12:24 | 1:12:26 | |
Kevin is an awesome singer. | 1:12:26 | 1:12:27 | |
Top-notch professional. | 1:12:27 | 1:12:29 | |
He has the chops. | 1:12:29 | 1:12:30 | |
-Woo! Ricky! -LAUGHTER | 1:12:30 | 1:12:32 | |
So it's half-time oranges for the knockouts now, | 1:12:37 | 1:12:40 | |
as we have our first two live show teams. | 1:12:40 | 1:12:42 | |
Yes, we do. Thanks to our artists, | 1:12:42 | 1:12:44 | |
our house band, David Tench and Meat Platter! | 1:12:44 | 1:12:46 | |
APPLAUSE AND CHEERING | 1:12:46 | 1:12:48 | |
And our four coaches... | 1:12:48 | 1:12:50 | |
Mr Ricky Wilson! | 1:12:50 | 1:12:52 | |
Paloma Faith! | 1:12:54 | 1:12:55 | |
Boy George! | 1:12:55 | 1:12:58 | |
And will.i.am. | 1:12:58 | 1:13:00 | |
Don't forget to join us next Sunday for more knockouts, | 1:13:02 | 1:13:05 | |
when the heat will be on Will and George, | 1:13:05 | 1:13:07 | |
as their teams take to the stage. | 1:13:07 | 1:13:09 | |
Yes, and, of course, our coaches continue their mission | 1:13:09 | 1:13:12 | |
to find The Voice. | 1:13:12 | 1:13:13 | |
-Goodnight. -Goodnight. | 1:13:13 | 1:13:14 | |
APPLAUSE AND CHEERING | 1:13:14 | 1:13:17 | |
-MARVIN: -'Next Sunday, the knockouts must end.' | 1:13:20 | 1:13:23 | |
-APPLAUSE AND CHEERING -It's me and it's Will. | 1:13:23 | 1:13:25 | |
Me and Boy George, we're going to be buds. | 1:13:25 | 1:13:26 | |
Wouldn't that be scary? | 1:13:26 | 1:13:28 | |
Whoa! | 1:13:28 | 1:13:29 | |
'And, with a place in the live quarterfinals at stake...' | 1:13:29 | 1:13:31 | |
-You ready? -Yeah. -Woo! | 1:13:31 | 1:13:33 | |
# Yeah! # | 1:13:33 | 1:13:35 | |
'..passion takes hold like never before.' | 1:13:35 | 1:13:37 | |
Agh! | 1:13:37 | 1:13:38 | |
Five from every team will go home. | 1:13:38 | 1:13:41 | |
Oh...I hate my life! | 1:13:41 | 1:13:43 |