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Last week, the teams charged into battle. | 0:00:02 | 0:00:04 | |
It's so beautiful. | 0:00:05 | 0:00:07 | |
'Some marched forward...' | 0:00:07 | 0:00:08 | |
'..while others were left behind.' | 0:00:10 | 0:00:12 | |
We're so sorry. | 0:00:12 | 0:00:13 | |
'But six were stolen...' | 0:00:13 | 0:00:15 | |
'..to sing again on new teams.' | 0:00:15 | 0:00:17 | |
-That wasn't stressful. -LAUGHTER | 0:00:17 | 0:00:19 | |
MARVIN: Tonight... | 0:00:19 | 0:00:21 | |
This is Round Two. | 0:00:21 | 0:00:22 | |
-MARVIN: -'Let the battle commence.' -CHEERING | 0:00:22 | 0:00:24 | |
EMMA: Two coaches each have one steal left. | 0:00:24 | 0:00:27 | |
All the eyes are on me and Will. | 0:00:27 | 0:00:28 | |
Head-to-head. | 0:00:28 | 0:00:30 | |
I've got my eye on somebody. | 0:00:30 | 0:00:32 | |
HE GASPS, LAUGHTER | 0:00:32 | 0:00:33 | |
You're going to be the evil warlord. | 0:00:33 | 0:00:35 | |
LAUGHTER | 0:00:35 | 0:00:36 | |
-MARVIN: -But i.am will not be swayed. | 0:00:36 | 0:00:38 | |
Come on, Will! | 0:00:38 | 0:00:39 | |
I'm sure he's got something up his sleeve. | 0:00:39 | 0:00:41 | |
AUDIENCE SHOUTS | 0:00:41 | 0:00:43 | |
-ALL: -Steal, steal, steal! | 0:00:43 | 0:00:46 | |
APPLAUSE AND CHEERING | 0:00:46 | 0:00:48 | |
APPLAUSE AND CHEERING | 0:00:52 | 0:00:54 | |
Hello and welcome to The Voice, | 0:00:56 | 0:00:58 | |
where the battle rounds continue. | 0:00:58 | 0:01:00 | |
Now, if the coaches thought last week was tough, | 0:01:00 | 0:01:03 | |
then they better think again. | 0:01:03 | 0:01:05 | |
Indeed, only Ricky and Will | 0:01:05 | 0:01:06 | |
are left with a steal tonight, so every decision | 0:01:06 | 0:01:08 | |
is more important than ever. | 0:01:08 | 0:01:10 | |
-Shall we do it? -Oh, yes, please. | 0:01:10 | 0:01:12 | |
Come on. Let's go. Here are our coaches! | 0:01:12 | 0:01:14 | |
APPLAUSE AND CHEERING | 0:01:14 | 0:01:16 | |
Permission to scream... | 0:01:16 | 0:01:17 | |
it's Ricky Wilson! | 0:01:17 | 0:01:19 | |
Along with our vintage vixen... | 0:01:19 | 0:01:21 | |
Paloma Faith! | 0:01:21 | 0:01:22 | |
APPLAUSE AND CHEERING | 0:01:22 | 0:01:24 | |
King of culture... | 0:01:24 | 0:01:25 | |
it's Boy George! | 0:01:25 | 0:01:26 | |
And the man with a plan... | 0:01:26 | 0:01:28 | |
will.i.am. | 0:01:28 | 0:01:29 | |
APPLAUSE AND CHEERING | 0:01:29 | 0:01:31 | |
Fancy seeing you here! | 0:01:31 | 0:01:32 | |
APPLAUSE AND CHEERING | 0:01:32 | 0:01:34 | |
Please, put your hands together one more time for our coaches! | 0:01:34 | 0:01:38 | |
APPLAUSE AND CHEERING | 0:01:38 | 0:01:40 | |
MUSIC: Good Times by Ella Eyre | 0:01:40 | 0:01:43 | |
-Beautiful. -Hi! | 0:01:45 | 0:01:47 | |
-Ricky, you've got one steal left. -Yep. | 0:01:48 | 0:01:51 | |
-Got your eye on anyone you can tell us about? -Yep. | 0:01:51 | 0:01:53 | |
-One person in particular. -Really? -Who? | 0:01:53 | 0:01:54 | |
But there may not be an opportunity for him | 0:01:54 | 0:01:56 | |
to steal that person he's got his eye on. | 0:01:56 | 0:01:58 | |
Oh, yeah, but Will might. LAUGHTER | 0:01:58 | 0:02:00 | |
Will might? I'm definitely not giving it away... | 0:02:00 | 0:02:02 | |
Will, have you got your eye on anyone tonight? | 0:02:02 | 0:02:04 | |
I've got my ear, my eye... | 0:02:04 | 0:02:07 | |
my nose... | 0:02:07 | 0:02:09 | |
That's it. Nothing else. | 0:02:09 | 0:02:10 | |
LAUGHTER Are you all ready? | 0:02:10 | 0:02:12 | |
Yeah! | 0:02:12 | 0:02:13 | |
-CHEERING -Shall we do it? | 0:02:13 | 0:02:14 | |
Are you all ready? Let's get the battle rounds started. | 0:02:14 | 0:02:17 | |
APPLAUSE AND CHEERING | 0:02:17 | 0:02:19 | |
PALOMA LAUGHS | 0:02:26 | 0:02:27 | |
APPLAUSE AND CHEERING | 0:02:29 | 0:02:31 | |
Hello, Elvis. | 0:02:33 | 0:02:34 | |
Nice that you came back. | 0:02:37 | 0:02:38 | |
LAUGHTER | 0:02:38 | 0:02:39 | |
APPLAUSE AND CHEERING | 0:02:41 | 0:02:43 | |
First up to battle tonight, | 0:02:44 | 0:02:46 | |
it's Team Paloma. | 0:02:46 | 0:02:47 | |
APPLAUSE AND CHEERING | 0:02:47 | 0:02:48 | |
My first pairing will be... | 0:02:54 | 0:02:57 | |
Kevin... | 0:02:57 | 0:02:59 | |
APPLAUSE | 0:02:59 | 0:03:00 | |
I think, obviously, coming from a band... | 0:03:03 | 0:03:05 | |
MUSIC: Just a Little by Liberty X | 0:03:05 | 0:03:06 | |
'..I felt a major pressure on me.' | 0:03:06 | 0:03:08 | |
My blind audition was a big sort of gamble. | 0:03:08 | 0:03:11 | |
# I'm gonna swing... # | 0:03:11 | 0:03:13 | |
I had this worrying thing | 0:03:13 | 0:03:14 | |
that, if I didn't get any turns, | 0:03:14 | 0:03:16 | |
that may as well be the end of my singing career. | 0:03:16 | 0:03:19 | |
# Won't look down, won't open my eyes | 0:03:19 | 0:03:22 | |
# Keep my glass full until the morning light | 0:03:22 | 0:03:25 | |
# Cos I'm just holding on... # | 0:03:25 | 0:03:27 | |
So getting the four was amazing. | 0:03:27 | 0:03:29 | |
You're so incredible. I promise I'm not going to let you down. | 0:03:29 | 0:03:32 | |
And Kevin will be singing with... | 0:03:32 | 0:03:34 | |
..Faith. | 0:03:36 | 0:03:37 | |
APPLAUSE AND CHEERING | 0:03:37 | 0:03:39 | |
'I'm used to singing at church,' | 0:03:41 | 0:03:43 | |
so singing at the blinds was just crazy.' | 0:03:43 | 0:03:46 | |
I was so nervous. | 0:03:46 | 0:03:47 | |
# You're always worth it | 0:03:47 | 0:03:52 | |
# And you deserve it... # | 0:03:52 | 0:03:55 | |
'I didn't know what to do with myself, | 0:03:55 | 0:03:57 | |
I didn't know where to look.' | 0:03:57 | 0:03:58 | |
I was just like, too many people. | 0:03:58 | 0:03:59 | |
APPLAUSE AND CHEERING | 0:03:59 | 0:04:01 | |
Paloma gave us Spotlight by Jennifer Hudson. | 0:04:01 | 0:04:04 | |
For me, it's comfortable, because it's in my vocal range. | 0:04:04 | 0:04:07 | |
# Am I doing time? # | 0:04:07 | 0:04:11 | |
The rehearsal, for me, was probably not one of my proudest vocals. | 0:04:11 | 0:04:14 | |
# Then I'm staying, no doubt | 0:04:14 | 0:04:16 | |
# Is that you? Is that you? # | 0:04:16 | 0:04:17 | |
Lost it there. | 0:04:17 | 0:04:18 | |
'Kevin was quite ill.' | 0:04:18 | 0:04:20 | |
And, if you're ill, you can't sing as well as you normally do. | 0:04:20 | 0:04:23 | |
-Shall we have a go? -Is it all right to get some water? | 0:04:23 | 0:04:25 | |
-Yeah. -I am struggling a bit today. | 0:04:25 | 0:04:28 | |
What, with your voice? | 0:04:28 | 0:04:29 | |
Yeah. | 0:04:29 | 0:04:30 | |
It is, like, literally pushing me to my limit. | 0:04:30 | 0:04:32 | |
I put a lot of pressure on myself in these sort of situations, | 0:04:32 | 0:04:35 | |
because, when you're... | 0:04:35 | 0:04:37 | |
out there, trying to prove yourself | 0:04:37 | 0:04:39 | |
all over again, | 0:04:39 | 0:04:40 | |
you know, it's just tough. | 0:04:40 | 0:04:42 | |
PIANO PLAYS | 0:04:42 | 0:04:43 | |
# I don't like... # | 0:04:43 | 0:04:46 | |
Kevin wasn't able to give 100%. | 0:04:46 | 0:04:49 | |
I hope that's not something that he does | 0:04:49 | 0:04:52 | |
in the performance, because, | 0:04:52 | 0:04:54 | |
as they say in the business, | 0:04:54 | 0:04:56 | |
the show must go on. | 0:04:56 | 0:04:57 | |
I'm pretty confident that Faith will not slip up, | 0:04:58 | 0:05:01 | |
so I think I do have to be sort of on my game | 0:05:01 | 0:05:04 | |
and, if I did sort of screw something up, | 0:05:04 | 0:05:06 | |
then there's a good chance that it will be the end of it for me. | 0:05:06 | 0:05:08 | |
BELL RINGS | 0:05:10 | 0:05:11 | |
APPLAUSE AND CHEERING | 0:05:11 | 0:05:13 | |
He's hoping for a second chance. | 0:05:14 | 0:05:15 | |
She's hoping for first place. | 0:05:15 | 0:05:17 | |
It's Kevin Simm... | 0:05:17 | 0:05:19 | |
APPLAUSE AND CHEERING | 0:05:19 | 0:05:21 | |
..and Faith Nelson. | 0:05:23 | 0:05:24 | |
APPLAUSE AND CHEERING | 0:05:24 | 0:05:26 | |
FAITH LAUGHS | 0:05:32 | 0:05:33 | |
-AUDIENCE: -Woo! -Woo! | 0:05:37 | 0:05:38 | |
Let the battle commence. | 0:05:40 | 0:05:41 | |
DRUMSTICKS TAP | 0:05:58 | 0:06:00 | |
INSTRUMENTAL | 0:06:00 | 0:06:01 | |
# Are you a man who loves | 0:06:03 | 0:06:06 | |
# And cherishes | 0:06:06 | 0:06:08 | |
# And cares for me? | 0:06:08 | 0:06:09 | |
# Is that you? Is that you? | 0:06:09 | 0:06:11 | |
-# Is that you? -(Yeah) | 0:06:11 | 0:06:13 | |
# Are you a guard in prison maximum security? | 0:06:13 | 0:06:18 | |
# Is that you? Is that you? Is that you? | 0:06:18 | 0:06:21 | |
# Do we stay home all the time | 0:06:21 | 0:06:23 | |
# Cos you want me to yourself? | 0:06:23 | 0:06:26 | |
# Is that you? | 0:06:26 | 0:06:28 | |
# Is that you? Is that you? | 0:06:28 | 0:06:29 | |
# Or am I locked away | 0:06:29 | 0:06:32 | |
# Out of fear that I'll find someone else? | 0:06:32 | 0:06:35 | |
# (Is that you? Is that you? Is that you?) | 0:06:35 | 0:06:38 | |
# Well, I don't like | 0:06:38 | 0:06:41 | |
# Living under your spotlight | 0:06:41 | 0:06:44 | |
# (Yeah, hee-hee) | 0:06:44 | 0:06:46 | |
# Maybe if you treat me right | 0:06:46 | 0:06:49 | |
# (Yeah, hee-hee) | 0:06:49 | 0:06:50 | |
# You won't have to worry | 0:06:50 | 0:06:55 | |
# (Worry) | 0:06:55 | 0:06:56 | |
# Is this a relationship | 0:06:56 | 0:06:58 | |
# Fulfilling your needs as well as mine? | 0:06:58 | 0:07:02 | |
# Is that you? Is that you? Is that you? | 0:07:02 | 0:07:05 | |
# Or is this just my sentence? | 0:07:05 | 0:07:08 | |
# Am I doing time? | 0:07:08 | 0:07:11 | |
# (Is that you? Is that you?) | 0:07:11 | 0:07:12 | |
-# (Is that you?) -Oh! | 0:07:12 | 0:07:14 | |
# If this is love | 0:07:14 | 0:07:15 | |
# Real, real love | 0:07:15 | 0:07:17 | |
# Then I'm staying, no doubt | 0:07:17 | 0:07:20 | |
# Is that you? Is that you? Yeah! | 0:07:20 | 0:07:22 | |
# But if I'm just love's prisoner | 0:07:22 | 0:07:26 | |
# Then I'm bustin' out | 0:07:26 | 0:07:28 | |
# (Is that you? Is that you?) | 0:07:28 | 0:07:30 | |
# Oh, all I do is try | 0:07:30 | 0:07:33 | |
# (Try) | 0:07:33 | 0:07:34 | |
# To show you that you're my | 0:07:34 | 0:07:37 | |
# (My) | 0:07:37 | 0:07:39 | |
-# One and only guy -(Only guy) | 0:07:39 | 0:07:43 | |
# No matter who may come along | 0:07:43 | 0:07:47 | |
# Open your eyes | 0:07:47 | 0:07:48 | |
# Cos, baby, I don't like | 0:07:48 | 0:07:51 | |
# (Ooh, ooh) | 0:07:51 | 0:07:52 | |
# Living under your spotlight | 0:07:52 | 0:07:56 | |
# Just because you think I might | 0:07:56 | 0:07:59 | |
# (Hee, hee) | 0:07:59 | 0:08:01 | |
# Find somebody worthy | 0:08:01 | 0:08:05 | |
# Oh, whoa, whoa, whoa! | 0:08:05 | 0:08:06 | |
# Well, I don't like | 0:08:06 | 0:08:10 | |
# Living under your spotlight | 0:08:10 | 0:08:14 | |
# Maybe if you treat me right | 0:08:14 | 0:08:17 | |
# (Yeah, hee-hee) | 0:08:17 | 0:08:19 | |
# You don't have to worry | 0:08:19 | 0:08:23 | |
# (Worry) | 0:08:23 | 0:08:25 | |
# I don't like... # | 0:08:25 | 0:08:29 | |
APPLAUSE AND CHEERING | 0:08:29 | 0:08:31 | |
Wow, wow, wow. | 0:08:34 | 0:08:35 | |
Let's hear it for Kevin and Faith! | 0:08:35 | 0:08:38 | |
APPLAUSE AND CHEERING | 0:08:38 | 0:08:39 | |
Kev, You performed at the O2 | 0:08:43 | 0:08:45 | |
with Liberty X, so... | 0:08:45 | 0:08:47 | |
this show's surely a doddle for you, right? | 0:08:47 | 0:08:49 | |
-No, definitely not. -MARVIN LAUGHS | 0:08:49 | 0:08:51 | |
It's the scariest, hardest thing I've ever done in my life, so no. | 0:08:51 | 0:08:54 | |
And, for someone like Faith, | 0:08:54 | 0:08:56 | |
who's, like, 17 to... | 0:08:56 | 0:08:58 | |
It's just...she's awesome. | 0:08:58 | 0:09:00 | |
APPLAUSE DROWNS SPEECH | 0:09:00 | 0:09:02 | |
Kev, well done, man. | 0:09:02 | 0:09:03 | |
How you feeling now about putting these two together tonight? | 0:09:06 | 0:09:09 | |
I feel sick... | 0:09:09 | 0:09:11 | |
LAUGHTER | 0:09:11 | 0:09:12 | |
..because I think that | 0:09:12 | 0:09:14 | |
they both... | 0:09:14 | 0:09:15 | |
..could win the competition. | 0:09:17 | 0:09:19 | |
So I'm in a mess, really. | 0:09:19 | 0:09:20 | |
Kevin, you have this incredible gift. | 0:09:22 | 0:09:24 | |
You're a little bit kind of... | 0:09:24 | 0:09:26 | |
overwhelmed by it, in some respects, which is endearing, but... | 0:09:26 | 0:09:30 | |
I think you need to really work on your confidence, | 0:09:30 | 0:09:32 | |
because you've got this incredible voice. | 0:09:32 | 0:09:34 | |
APPLAUSE | 0:09:34 | 0:09:37 | |
Faith, you know, you're 17, | 0:09:37 | 0:09:39 | |
the whole world is in front of you. | 0:09:39 | 0:09:41 | |
I'm amazed how confident you are at your age. | 0:09:41 | 0:09:44 | |
CHEERING Thanks, George. | 0:09:44 | 0:09:46 | |
APPLAUSE AND CHEERING | 0:09:46 | 0:09:47 | |
Will? | 0:09:49 | 0:09:50 | |
The performance was great. | 0:09:50 | 0:09:51 | |
Kevin, your voice is, like, amazing. | 0:09:51 | 0:09:54 | |
And, Faith, being so young, 17 years old, | 0:09:54 | 0:09:57 | |
it seems like you've been singing for 17 years. | 0:09:57 | 0:09:59 | |
You probably, like, came out crying, singing... | 0:09:59 | 0:10:01 | |
LAUGHTER | 0:10:01 | 0:10:02 | |
It's true, it's true. | 0:10:02 | 0:10:03 | |
You were probably hitting runs like... | 0:10:03 | 0:10:05 | |
HE HUMS RUN | 0:10:05 | 0:10:06 | |
LAUGHTER | 0:10:06 | 0:10:08 | |
-WILL LAUGHS -But it was... | 0:10:08 | 0:10:09 | |
it was a great...it was a great battle. | 0:10:09 | 0:10:11 | |
-Thank you guys so much. -Thank you. -Thanks, Will. | 0:10:11 | 0:10:13 | |
APPLAUSE AND CHEERING | 0:10:13 | 0:10:15 | |
Now, Ricky, you turned for both of these guys | 0:10:16 | 0:10:18 | |
-in the blind auditions. -I did. | 0:10:18 | 0:10:19 | |
I did, cos I'm a very clever man. | 0:10:19 | 0:10:21 | |
LAUGHTER You are indeed. | 0:10:21 | 0:10:24 | |
Who would you say edged it tonight though, Rick? | 0:10:24 | 0:10:26 | |
Oh, I'm just going to have to go with | 0:10:26 | 0:10:28 | |
on the night, when I first turned during the blinds. | 0:10:28 | 0:10:30 | |
I felt like I really | 0:10:30 | 0:10:32 | |
fought for Kevin. And... | 0:10:32 | 0:10:33 | |
-so I'm going to go with Kevin. -APPLAUSE | 0:10:33 | 0:10:35 | |
Nice one, Rick. | 0:10:35 | 0:10:37 | |
OK. Well, Paloma... | 0:10:39 | 0:10:40 | |
I need to know, | 0:10:40 | 0:10:41 | |
who's the winner of this battle tonight? | 0:10:41 | 0:10:44 | |
Well, there's no winner and there's no loser, | 0:10:45 | 0:10:48 | |
first of all, because I'd really like to hope | 0:10:48 | 0:10:52 | |
that you will take whoever doesn't get through. | 0:10:52 | 0:10:56 | |
Will and Ricky have got two spaces. | 0:10:56 | 0:11:01 | |
My fingers and toes are crossed | 0:11:01 | 0:11:03 | |
that they'll hear what I've said. | 0:11:03 | 0:11:05 | |
Erm... | 0:11:05 | 0:11:06 | |
This is, like, a travesty. | 0:11:08 | 0:11:10 | |
I feel that I can give so much more... | 0:11:16 | 0:11:20 | |
..to Faith. | 0:11:22 | 0:11:23 | |
APPLAUSE AND CHEERING Faith! | 0:11:23 | 0:11:25 | |
Wow. | 0:11:25 | 0:11:26 | |
Congratulations! | 0:11:26 | 0:11:27 | |
You are through to the knockouts, hun. | 0:11:27 | 0:11:30 | |
Thank you so much. | 0:11:37 | 0:11:38 | |
Give it up one more time for Faith on Team Paloma! | 0:11:38 | 0:11:41 | |
APPLAUSE DROWNS SPEECH | 0:11:41 | 0:11:42 | |
ALL TALK | 0:11:51 | 0:11:52 | |
Well done. | 0:11:52 | 0:11:53 | |
Thank you. | 0:11:53 | 0:11:55 | |
OK, Kevin. You're no longer on Team Paloma. | 0:11:57 | 0:11:59 | |
But can you tell us | 0:11:59 | 0:12:01 | |
why another coach should snap you up. | 0:12:01 | 0:12:02 | |
It's pretty obvious, but in your words... | 0:12:02 | 0:12:04 | |
Erm... | 0:12:06 | 0:12:07 | |
..I guess, er... | 0:12:09 | 0:12:10 | |
I guess if you're after someone | 0:12:12 | 0:12:13 | |
that's going to give it absolutely everything | 0:12:13 | 0:12:15 | |
and leave everything on the stage, | 0:12:15 | 0:12:17 | |
then I can do that. | 0:12:17 | 0:12:19 | |
APPLAUSE AND CHEERING | 0:12:19 | 0:12:20 | |
OK. There could still be a chance for you, Kevin, | 0:12:22 | 0:12:24 | |
as your future now lies with the coaches. | 0:12:24 | 0:12:26 | |
Kevin, you are now available for a steal. | 0:12:29 | 0:12:31 | |
AUDIENCE SHOUT | 0:12:34 | 0:12:36 | |
Yeah! APPLAUSE AND CHEERING | 0:12:46 | 0:12:48 | |
One steal from Ricky! | 0:12:48 | 0:12:49 | |
Well done, mate. | 0:12:52 | 0:12:53 | |
You're still in the competition. | 0:12:53 | 0:12:55 | |
You're going through to the knockouts. | 0:12:55 | 0:12:56 | |
You are now on Team Ricky. Well done. | 0:12:56 | 0:12:58 | |
Thanks, mate. Cheers, Ricky. Appreciate that. | 0:12:58 | 0:13:01 | |
APPLAUSE AND CHEERING | 0:13:01 | 0:13:02 | |
-Hey, can I ask you a question? -Mm. | 0:13:08 | 0:13:09 | |
Why are you so shy? | 0:13:09 | 0:13:10 | |
Er... | 0:13:12 | 0:13:13 | |
I think, like, coming onto this, I just felt really... | 0:13:13 | 0:13:16 | |
like I could really sort of end up with egg on my face. | 0:13:16 | 0:13:19 | |
-No, never. -And I think, like... | 0:13:19 | 0:13:21 | |
It's the scariest thing in the world, | 0:13:21 | 0:13:22 | |
putting yourself out there, cos you're opening yourself up to | 0:13:22 | 0:13:25 | |
a lot of kind of... | 0:13:25 | 0:13:26 | |
You're putting your emotions on the line. | 0:13:26 | 0:13:28 | |
That's what successful people do. | 0:13:28 | 0:13:29 | |
I really thought Kevin deserved... | 0:13:29 | 0:13:32 | |
this shot. | 0:13:32 | 0:13:33 | |
Woo! | 0:13:33 | 0:13:34 | |
'I mean, I've never taken a steal through to the finals before, | 0:13:34 | 0:13:37 | |
'but he has got a shot at that.' | 0:13:37 | 0:13:39 | |
So, I've used all my steals up. | 0:13:44 | 0:13:46 | |
I'm pretty happy. | 0:13:46 | 0:13:48 | |
And who's left, but Will? | 0:13:48 | 0:13:50 | |
I love that! | 0:13:52 | 0:13:53 | |
Rawr! | 0:13:53 | 0:13:54 | |
-Will's the only one left with a steal. -EVIL LAUGH | 0:13:54 | 0:13:57 | |
Yet again, all eyes are on will.i.am. | 0:13:57 | 0:13:59 | |
Mr Random. | 0:13:59 | 0:14:00 | |
Will's always waiting till the very end. I wouldn't do it. | 0:14:00 | 0:14:03 | |
It could be a tricky position for Will. | 0:14:03 | 0:14:06 | |
Let's see how this pans out. | 0:14:06 | 0:14:07 | |
You're going to like this! | 0:14:07 | 0:14:09 | |
Pow! | 0:14:09 | 0:14:10 | |
Ready to do it, it's Team Boy George! | 0:14:12 | 0:14:14 | |
APPLAUSE | 0:14:14 | 0:14:16 | |
Oh, my God, this is... | 0:14:18 | 0:14:20 | |
I think it'll be equally difficult, like the last one. | 0:14:20 | 0:14:23 | |
This is the hot one, isn't it? | 0:14:23 | 0:14:26 | |
I want everyone to get up and dance. It's one of those! | 0:14:26 | 0:14:29 | |
So my next battle pairing is going to be... | 0:14:31 | 0:14:34 | |
J. | 0:14:34 | 0:14:36 | |
J Sealy is, for me, a kind of classic soul voice. | 0:14:36 | 0:14:42 | |
# The first cut is the deepest | 0:14:42 | 0:14:46 | |
# Whoa-whoa. # | 0:14:46 | 0:14:47 | |
He's got emotion. He's my kind of singer. | 0:14:49 | 0:14:52 | |
J's going to be singing against... | 0:14:52 | 0:14:54 | |
Chase. | 0:14:54 | 0:14:56 | |
Let's face it, George wants to see a good battle, | 0:14:57 | 0:14:59 | |
and me and Chase are very similar. | 0:14:59 | 0:15:01 | |
So it's a great pairing. | 0:15:01 | 0:15:03 | |
Are you ready? You going to bring it? | 0:15:03 | 0:15:05 | |
# I want to see you again | 0:15:05 | 0:15:08 | |
# I hope that you... # | 0:15:08 | 0:15:10 | |
He's not just a singer, he's also a cage fighter. | 0:15:10 | 0:15:13 | |
So he's probably the most confident of all the people I chose. | 0:15:15 | 0:15:19 | |
Johnny Nash, I Can See Clearly Now is one of my favourite songs. | 0:15:23 | 0:15:26 | |
One of the nation's favourite songs from the '70s. | 0:15:26 | 0:15:28 | |
# I can see clearly now the rain has gone... # | 0:15:28 | 0:15:32 | |
This song definitely suits me better. | 0:15:32 | 0:15:35 | |
It's almost like this song was written for me. | 0:15:35 | 0:15:38 | |
J, he's got a bigger voice, and he was comfortable where he was. | 0:15:38 | 0:15:42 | |
Chase, I could hear was really at the edge of his range. | 0:15:42 | 0:15:46 | |
# Blue skies... # | 0:15:46 | 0:15:49 | |
-I am going to suggest that we come down. -A semitone, yeah. | 0:15:49 | 0:15:52 | |
You're OK, because you've got quite a long way to go. | 0:15:52 | 0:15:55 | |
Don't let us changing the key knock your confidence. | 0:15:55 | 0:15:58 | |
In the session, J seemed like he had a lot more confidence. | 0:15:58 | 0:16:01 | |
I got something to bring for you, bruv! | 0:16:01 | 0:16:03 | |
I'm not going to lie, man! | 0:16:03 | 0:16:05 | |
Some of it you could say was a bit of a front. | 0:16:05 | 0:16:07 | |
It's a front. | 0:16:07 | 0:16:10 | |
It's a front. | 0:16:10 | 0:16:11 | |
But, hey, it's working, right? | 0:16:11 | 0:16:13 | |
Who do you think is the most competitive? | 0:16:15 | 0:16:18 | |
-You think it's you! -I don't like losing at anything. | 0:16:18 | 0:16:20 | |
I think they're really scared of each other. | 0:16:22 | 0:16:25 | |
This could be an awesome battle, who's going to have the edge? | 0:16:25 | 0:16:28 | |
Chase has definitely got some moves up his sleeve. | 0:16:28 | 0:16:31 | |
You're going to see some skills, some dipping... | 0:16:31 | 0:16:33 | |
I've got some stuff happening there as well. | 0:16:33 | 0:16:35 | |
Some bat moves and punches. | 0:16:35 | 0:16:36 | |
Chase, you better bring it, because I got some - hoo-hoo-hoo! - | 0:16:36 | 0:16:39 | |
I got some stuff for you, man! So you better bring it on! | 0:16:39 | 0:16:41 | |
Bring it on! | 0:16:41 | 0:16:42 | |
Two super-competitive singers | 0:16:44 | 0:16:46 | |
make for one super-exciting battle. | 0:16:46 | 0:16:49 | |
Give it up for Chase Morton! | 0:16:49 | 0:16:51 | |
APPLAUSE | 0:16:51 | 0:16:54 | |
Versus J Sealey! | 0:16:54 | 0:16:56 | |
APPLAUSE | 0:16:56 | 0:16:57 | |
Let the battle commence. | 0:17:07 | 0:17:08 | |
Orange and red, the shoes. The battle of the coloured shoes. | 0:17:15 | 0:17:19 | |
# Yeah, yeah, yeah | 0:17:33 | 0:17:37 | |
# I can see clearly now the rain has gone | 0:17:37 | 0:17:42 | |
# I can see all obstacles in my way | 0:17:45 | 0:17:51 | |
# Gone are the dark clouds that had me blind | 0:17:52 | 0:17:58 | |
# It's going to be a bright, bright, sunshiny day | 0:17:58 | 0:18:04 | |
# I think I can make it now the rain has gone | 0:18:08 | 0:18:14 | |
# All of the bad feelings have disappeared | 0:18:16 | 0:18:22 | |
# Here is the rainbow I've been praying for | 0:18:24 | 0:18:30 | |
# It's going to be a bright, bright, sunshiny day | 0:18:30 | 0:18:36 | |
# Whoa | 0:18:38 | 0:18:40 | |
# Look all around, there's nothing but blue skies | 0:18:40 | 0:18:47 | |
# But look straight ahead, there's nothing but blue skies | 0:18:47 | 0:18:55 | |
# I can see clearly now the rain has gone | 0:18:55 | 0:19:02 | |
-# It's going to be a bright -Bright, sunshiny day | 0:19:02 | 0:19:07 | |
# Yeah, yeah | 0:19:07 | 0:19:09 | |
# I said it's going to be a bright | 0:19:09 | 0:19:11 | |
# Going to be a bright | 0:19:11 | 0:19:14 | |
# Sunshiny day. # | 0:19:16 | 0:19:22 | |
APPLAUSE | 0:19:22 | 0:19:24 | |
Ladies and gentlemen, Chase and J! CHEERING | 0:19:30 | 0:19:33 | |
-Very respectful. -I think that... | 0:19:33 | 0:19:35 | |
How was that? | 0:19:43 | 0:19:44 | |
Compared to cage fighting, I feel this is an amazing energy. | 0:19:44 | 0:19:47 | |
Everyone in here vibing off the song. | 0:19:47 | 0:19:50 | |
George, as I said, that was so feel-good, everybody was swaying | 0:19:50 | 0:19:53 | |
and dancing and clapping and up on their feet, including yourself? | 0:19:53 | 0:19:57 | |
It was a very respectful performance. | 0:19:57 | 0:19:59 | |
You could see the friendship, | 0:19:59 | 0:20:00 | |
and it was very close in so many ways. | 0:20:00 | 0:20:05 | |
In a way, this battle pairing was slightly unfair, | 0:20:05 | 0:20:09 | |
because they are so similar, | 0:20:09 | 0:20:11 | |
they've both got similar qualities, so it's going to be really... | 0:20:11 | 0:20:16 | |
I wish I could see clearly now! | 0:20:16 | 0:20:18 | |
We'll give you a minute to try and see clearly. | 0:20:18 | 0:20:20 | |
We'll go to Paloma first. | 0:20:20 | 0:20:22 | |
Who caught your eye out the two, Paloma? | 0:20:22 | 0:20:24 | |
Who caught my eye is Chase, but we're listening, so it's my ear. | 0:20:24 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:31 | |
Too much! | 0:20:31 | 0:20:33 | |
RICKY WHISTLES | 0:20:33 | 0:20:35 | |
CHASE: Wow, I don't know what to say. | 0:20:35 | 0:20:37 | |
Thank God she's got no steals left, or you'd be in real trouble. | 0:20:37 | 0:20:41 | |
In all honesty, I think J sounded like the more experienced singer, | 0:20:42 | 0:20:49 | |
but then when Chase came and brought this crazy ad lib | 0:20:49 | 0:20:53 | |
that sounded very personal to him, | 0:20:53 | 0:20:55 | |
I'm attracted to that, so I would go home... | 0:20:55 | 0:20:58 | |
I would definitely go home with Chase. | 0:20:58 | 0:21:00 | |
LAUGHTER AND APPLAUSE | 0:21:00 | 0:21:02 | |
Oh, Paloma! | 0:21:05 | 0:21:07 | |
Although it wasn't one of the most bombastic battles, | 0:21:07 | 0:21:10 | |
or it wasn't the most... You know, those moments | 0:21:10 | 0:21:13 | |
where we all end up crying, it wasn't one of them. | 0:21:13 | 0:21:15 | |
This is the truth - it was my favourite one so far, | 0:21:15 | 0:21:18 | |
cos I enjoyed it the most. | 0:21:18 | 0:21:19 | |
CHEERING AND APPLAUSE | 0:21:19 | 0:21:21 | |
-Um, Will. -Chase had J in a singing headlock | 0:21:21 | 0:21:25 | |
and J was like, "Oh, no, homie, you ain't going to put me | 0:21:25 | 0:21:28 | |
"in no singing headlock," so he sing-kicked him... | 0:21:28 | 0:21:32 | |
then he body-slammed him with the high note, "Flam!" | 0:21:32 | 0:21:36 | |
-It was cool. -Thanks, Will. High five! | 0:21:38 | 0:21:40 | |
-"Pew-pew!" -"Pew!" | 0:21:40 | 0:21:42 | |
-George, one of your favourite reggae songs. -Yeah, beautiful song. | 0:21:42 | 0:21:45 | |
Did they deliver what you wanted? | 0:21:45 | 0:21:47 | |
They did, they really delivered | 0:21:47 | 0:21:48 | |
and they really connected to the spirit of the song. | 0:21:48 | 0:21:51 | |
I think based on that performance... | 0:21:54 | 0:21:57 | |
..I'm going to go with Chase. | 0:22:01 | 0:22:03 | |
CHEERING AND APPLAUSE | 0:22:03 | 0:22:05 | |
Thank you so much. Thank you, man, honestly, | 0:22:14 | 0:22:16 | |
and thank you, J, man. | 0:22:16 | 0:22:18 | |
Chase, thank you. Go see George. | 0:22:20 | 0:22:21 | |
Chase, everyone. | 0:22:21 | 0:22:23 | |
CHEERING | 0:22:23 | 0:22:25 | |
Well done, well done. | 0:22:27 | 0:22:29 | |
That was a tough call. | 0:22:29 | 0:22:31 | |
It is so close! | 0:22:31 | 0:22:33 | |
I was thinking that as well. | 0:22:33 | 0:22:34 | |
Thank you. | 0:22:35 | 0:22:36 | |
So you are no longer on Team Boy George, | 0:22:48 | 0:22:51 | |
but that doesn't mean it's the end. | 0:22:51 | 0:22:53 | |
As you can probably see, Will is the only one with a steal left. | 0:22:57 | 0:23:00 | |
-AUDIENCE CALLS OUT: -Steal! | 0:23:03 | 0:23:05 | |
CHEERING | 0:23:06 | 0:23:08 | |
Steal, steal, Will! | 0:23:09 | 0:23:10 | |
Will, there's only a short amount of time left to steal J. | 0:23:10 | 0:23:14 | |
AUDIENCE GROANS I'm so sorry. | 0:23:19 | 0:23:21 | |
-Have you enjoyed it here? -I've absolutely enjoyed it. | 0:23:21 | 0:23:24 | |
I've met some great people, I've learned a lot of lessons | 0:23:24 | 0:23:27 | |
and, yeah, I don't regret anything. | 0:23:27 | 0:23:29 | |
Put your hands together for J, everyone. | 0:23:29 | 0:23:32 | |
The most horrible feeling in the world. | 0:23:34 | 0:23:36 | |
In the moment, I felt that Chase kind of stole it a bit. | 0:23:42 | 0:23:46 | |
-PALOMA: -I think you can teach Chase more. | 0:23:46 | 0:23:49 | |
I think Chase can kind of model, | 0:23:49 | 0:23:51 | |
he's got a lot of stuff going for him. | 0:23:51 | 0:23:53 | |
He could be a real... | 0:23:53 | 0:23:54 | |
Bring on the knockouts, cos someone's getting knocked out. | 0:23:55 | 0:23:59 | |
So no-one can be stolen on this, | 0:24:02 | 0:24:04 | |
-cos it's your one. -I know, it sucks. | 0:24:04 | 0:24:06 | |
So you're going to be the evil warlord. | 0:24:06 | 0:24:08 | |
I think we just followed our instincts. | 0:24:08 | 0:24:10 | |
It's, like, in the moment... | 0:24:10 | 0:24:12 | |
I'm still following my instincts too, | 0:24:12 | 0:24:14 | |
it's just my instincts take a little longer to bake. | 0:24:14 | 0:24:17 | |
I've got my oven not on 250, but, like, at 100, so it cooks longer. | 0:24:17 | 0:24:22 | |
LAUGHTER | 0:24:22 | 0:24:24 | |
Next into battle, it's Team Will. | 0:24:24 | 0:24:27 | |
CHEERING | 0:24:27 | 0:24:30 | |
This one is Vivica. You're going to be singing against Lauren. | 0:24:35 | 0:24:39 | |
'How amazing is it to say, "I am on Team Will"?' | 0:24:41 | 0:24:43 | |
He's like the king of the coaches. | 0:24:43 | 0:24:44 | |
# Happened so naturally | 0:24:44 | 0:24:47 | |
# I did not know it was love... # | 0:24:47 | 0:24:49 | |
My blind audition, it was a crazy feeling. | 0:24:49 | 0:24:51 | |
# Oh...! # | 0:24:51 | 0:24:52 | |
Being on the stage was so much better | 0:24:52 | 0:24:54 | |
than working in any bagel shop. | 0:24:54 | 0:24:56 | |
A large latte, please. | 0:24:56 | 0:24:58 | |
Yeah! | 0:24:58 | 0:25:00 | |
'It's so hard keeping a job when I'm this ditzy.' | 0:25:00 | 0:25:03 | |
-Hi! -'Lauren is, like, young,' | 0:25:04 | 0:25:07 | |
-adorable. -I can't believe it, I felt like I was in a dream! | 0:25:07 | 0:25:11 | |
She could use a bit of... | 0:25:11 | 0:25:13 | |
fire. That's the reason why I put up against Vivica Jade. | 0:25:13 | 0:25:17 | |
# Hearts break as long as they should... # | 0:25:17 | 0:25:19 | |
Vivica Jade is a powerhouse. | 0:25:19 | 0:25:21 | |
# Cos I'm the only one who gets you... # | 0:25:21 | 0:25:23 | |
I was going for it, literally singing for my life. | 0:25:23 | 0:25:26 | |
# Even gravity can't hold us down... # | 0:25:26 | 0:25:29 | |
That was dope. That was super-dope. | 0:25:29 | 0:25:33 | |
The song that you're going to be singing - Love Shack by the B52s. | 0:25:33 | 0:25:36 | |
THEY WHOOP | 0:25:36 | 0:25:39 | |
I was like, "Oh, my God, I know this song!" And it's so fun. | 0:25:39 | 0:25:42 | |
Then when I was thinking about it, I was like, | 0:25:42 | 0:25:44 | |
"What are we going to do with this song?" | 0:25:44 | 0:25:45 | |
Because it's like, | 0:25:45 | 0:25:47 | |
"If you see a faded sign at the back of the road..." | 0:25:47 | 0:25:49 | |
THEY LAUGH | 0:25:49 | 0:25:50 | |
And the reason why I picked Love Shack - | 0:25:50 | 0:25:53 | |
I wanted them both to be uncomfortable. | 0:25:53 | 0:25:55 | |
# I'm on the wrong page, I think I am... # | 0:25:55 | 0:25:59 | |
If I said, "Hey, Vivica Jade, you're going to sing Whitney Houston," | 0:25:59 | 0:26:02 | |
she'd be like, "All right, yeah, I love that. | 0:26:02 | 0:26:04 | |
"I've sung it 1,000 times!" | 0:26:04 | 0:26:06 | |
I'm like, "Girl, you're singing Love Shack, B52s. | 0:26:06 | 0:26:08 | |
"Now make it interesting." | 0:26:08 | 0:26:10 | |
That little last bit? | 0:26:10 | 0:26:11 | |
-I'm, like, bored. -Yeah. -Yeah. -That's when you put your DNA on it! | 0:26:12 | 0:26:16 | |
Come out the bushes with a surprise! | 0:26:16 | 0:26:18 | |
Right now, we got lost in the bushes. | 0:26:18 | 0:26:20 | |
I was like, "OK, I've got to put my own twist on it," | 0:26:20 | 0:26:22 | |
so I went away and I wrote a little rap really, really quickly. | 0:26:22 | 0:26:26 | |
-SHE RAPS: -# A little love shack, I've got plenty of that | 0:26:26 | 0:26:28 | |
# It goes - boom-boom, pow! - in the love love shack. # | 0:26:28 | 0:26:31 | |
-That is so good. -That's dope. What's yours? | 0:26:31 | 0:26:33 | |
SHE RAPS: # Me and my homies are just chillin' in the club. # | 0:26:33 | 0:26:37 | |
-They had some raps... -SHE RAPS RAPIDLY | 0:26:37 | 0:26:40 | |
..and, um... | 0:26:40 | 0:26:42 | |
it was like Love Whack. | 0:26:42 | 0:26:44 | |
I don't think Will will want me to rap, to be honest. | 0:26:44 | 0:26:47 | |
BELL RINGS | 0:26:50 | 0:26:51 | |
OK, let's do it. It's the rapping mama versus the talkative teen. | 0:26:52 | 0:26:56 | |
It's Vivica Jade... | 0:26:56 | 0:26:58 | |
CHEERING | 0:26:58 | 0:27:00 | |
..against Lauren Lapsley-Browne. | 0:27:02 | 0:27:04 | |
WHOOPING | 0:27:04 | 0:27:06 | |
Let the battle commence. | 0:27:15 | 0:27:17 | |
# If you see a faded sign at the side of the road | 0:27:39 | 0:27:42 | |
# That says, "15 miles to the Love Shack" | 0:27:42 | 0:27:48 | |
# The Love Shack, yeah, yeah | 0:27:48 | 0:27:52 | |
# L-L-L-Love Shack | 0:27:52 | 0:27:53 | |
# We're headin' down the Atlanta highway, yeah | 0:27:53 | 0:28:00 | |
BOTH: # Lookin' for the love getaway | 0:28:00 | 0:28:05 | |
# Heading for the love getaway | 0:28:05 | 0:28:07 | |
# Well, I've got me a car and it's as big as a whale | 0:28:07 | 0:28:11 | |
# And we're heading on down to the Love Shack | 0:28:11 | 0:28:14 | |
# I said I got me a Chrysler, well, it seats about 20 | 0:28:14 | 0:28:18 | |
# So hurry up and bring your jukebox money | 0:28:18 | 0:28:22 | |
BOTH: # The Love Shack is a little old place where | 0:28:22 | 0:28:26 | |
# We can get together | 0:28:26 | 0:28:31 | |
# Love Shack, baby, oh | 0:28:31 | 0:28:36 | |
# The Love Shack, baby, Love Shack | 0:28:36 | 0:28:40 | |
# Love Shack, baby, Love Shack | 0:28:40 | 0:28:43 | |
# Sign says - woo! - "Stay away, fools" | 0:28:43 | 0:28:47 | |
# Cos love rules at the Love Shack | 0:28:47 | 0:28:50 | |
# Well, it's set way back in the middle of a field | 0:28:50 | 0:28:54 | |
# Just a funky old shack and I gotta get back | 0:28:54 | 0:28:57 | |
# Whoa, glitter on the mattress | 0:28:57 | 0:29:01 | |
# Glitter on the highway, yeah! | 0:29:01 | 0:29:05 | |
BOTH: # The Love Shack is a little old place where | 0:29:05 | 0:29:09 | |
# We can get together | 0:29:09 | 0:29:14 | |
# Love Shack, baby, yeah | 0:29:14 | 0:29:19 | |
# Love Sha-ack | 0:29:19 | 0:29:21 | |
# That's where it's at | 0:29:21 | 0:29:23 | |
# Love Sha-ack | 0:29:23 | 0:29:25 | |
# That is where it's at | 0:29:25 | 0:29:26 | |
# I said a boom-boom, pow with the Love-Love Shack | 0:29:26 | 0:29:28 | |
# This is the little Love Shack | 0:29:28 | 0:29:30 | |
# Wearing next to nothing cos it's like an oven | 0:29:30 | 0:29:34 | |
# Everybody's movin', everybody's groovin', baby | 0:29:34 | 0:29:37 | |
# Folks linin' up outside just to get down | 0:29:37 | 0:29:41 | |
# Everybody's movin', everybody's groovin' | 0:29:41 | 0:29:45 | |
# Funky old shack, I said funky old shack | 0:29:45 | 0:29:48 | |
BOTH: # The Love Shack is a little old place where | 0:29:48 | 0:29:52 | |
# We can get together! # | 0:29:52 | 0:29:57 | |
CHEERING | 0:29:57 | 0:30:01 | |
Lauren, what was the highlight of that performance for you? | 0:30:03 | 0:30:06 | |
Oh, my God! | 0:30:06 | 0:30:08 | |
I need to work it out! | 0:30:08 | 0:30:10 | |
The highlight of that performance was just jumping off the stage, | 0:30:10 | 0:30:13 | |
telling Ricky I was hot as an oven | 0:30:13 | 0:30:15 | |
and... LAUGHTER | 0:30:15 | 0:30:17 | |
..running up and down the coaches and dancing. It was just brilliant. | 0:30:17 | 0:30:20 | |
-Rick, did you enjoy that? -Yeah! -Yeah? Good! | 0:30:20 | 0:30:23 | |
Good, good, we loved it. | 0:30:23 | 0:30:24 | |
George, a high-energy battle - what did you make of that? | 0:30:24 | 0:30:26 | |
Yeah, listen, I can't fault the energy of the performance, | 0:30:26 | 0:30:29 | |
it was really fun, but I feel like when you came on, | 0:30:29 | 0:30:32 | |
you did soulful stuff, you did, Ain't Nobody, I think, right? | 0:30:32 | 0:30:35 | |
Then you did something that's a bit soul-y. | 0:30:35 | 0:30:37 | |
That's a fun song. | 0:30:37 | 0:30:39 | |
It's kind of a silly song, the B52s are not singers | 0:30:39 | 0:30:42 | |
and I feel like you two are real singers, | 0:30:42 | 0:30:45 | |
so I think it was difficult, | 0:30:45 | 0:30:47 | |
but what you couldn't do with the song, you made up for in performing | 0:30:47 | 0:30:50 | |
and it was so entertaining, one of the best shows that we've had. | 0:30:50 | 0:30:53 | |
Yeah, it was, wasn't it? It was good! | 0:30:53 | 0:30:55 | |
CHEERING | 0:30:55 | 0:30:58 | |
OK, Ricky, first of all, did you enjoy that? | 0:30:59 | 0:31:01 | |
Yeah, the thing is, | 0:31:01 | 0:31:03 | |
the reason I kept coming back to this show is cos it's celebratory | 0:31:03 | 0:31:08 | |
and it's warm and everyone makes each other better | 0:31:08 | 0:31:11 | |
and we're having a good time and also, | 0:31:11 | 0:31:14 | |
sorry, but I don't think it's a throwaway song, | 0:31:14 | 0:31:16 | |
cos it's a pop song, it's a perfect pop song and pop is an art form. | 0:31:16 | 0:31:21 | |
I loved it, it was joyful. Well done. | 0:31:22 | 0:31:25 | |
-CHEERING -Good stuff. | 0:31:25 | 0:31:27 | |
Now, Will, you're the only coach with a steal left and of course, | 0:31:27 | 0:31:31 | |
you cannot steal from your own team, | 0:31:31 | 0:31:33 | |
so this is more important than ever right now. | 0:31:33 | 0:31:35 | |
It's time to make that decision, Will. | 0:31:35 | 0:31:37 | |
OK, so... | 0:31:37 | 0:31:39 | |
AUDIENCE SHOUTS OUT | 0:31:39 | 0:31:41 | |
I got it, got it, got it, I got it. | 0:31:41 | 0:31:42 | |
SHOUTING CONTINUES | 0:31:42 | 0:31:44 | |
OK, OK, OK. | 0:31:47 | 0:31:49 | |
All right, OK. | 0:31:49 | 0:31:51 | |
Who I felt...shined | 0:31:51 | 0:31:54 | |
and... | 0:31:54 | 0:31:55 | |
-You guys both shined, so that's not fair. -"Shone." | 0:31:55 | 0:31:58 | |
Um, huh? | 0:31:58 | 0:32:00 | |
-"Shone." -Shone? | 0:32:00 | 0:32:01 | |
"You both shone." | 0:32:01 | 0:32:02 | |
Shone? | 0:32:02 | 0:32:03 | |
-Yeah. -I have a friend named Shaun. | 0:32:03 | 0:32:05 | |
LAUGHTER | 0:32:05 | 0:32:07 | |
Not Shaun the Sheep? | 0:32:07 | 0:32:09 | |
"Shined" sounds better. | 0:32:09 | 0:32:11 | |
But it's...not right. | 0:32:11 | 0:32:13 | |
-LAUGHTER -This show's educational. | 0:32:13 | 0:32:15 | |
Hold on one second. | 0:32:15 | 0:32:17 | |
Listen, there's a lot of things that just don't make any sense | 0:32:17 | 0:32:20 | |
of what the world is like today, so "shined" is great. | 0:32:20 | 0:32:22 | |
You can make up your own words in music, right? | 0:32:22 | 0:32:25 | |
-MARVIN: -It's all good, Will, it's all good. | 0:32:25 | 0:32:27 | |
-WILL: -I know it's wrong. | 0:32:27 | 0:32:29 | |
I failed English. | 0:32:29 | 0:32:31 | |
And now I'm on English telly - go figure. | 0:32:32 | 0:32:35 | |
So, um... | 0:32:35 | 0:32:37 | |
sometimes you need a little bit more time in the cocoon | 0:32:37 | 0:32:40 | |
before you turn into a butterfly. | 0:32:40 | 0:32:42 | |
LAUGHTER | 0:32:42 | 0:32:43 | |
OK, Will, tell us, please. | 0:32:43 | 0:32:46 | |
The person that's going to go through... | 0:32:46 | 0:32:49 | |
is... | 0:32:49 | 0:32:51 | |
-..and don't hate me, please, either of you. -I might hate you. | 0:32:54 | 0:32:58 | |
-Yeah, we hate you. -It's going to be, um... | 0:32:58 | 0:33:00 | |
It's going to be... | 0:33:02 | 0:33:04 | |
and don't hate me, please, don't, | 0:33:04 | 0:33:06 | |
it's going to be Lauren. | 0:33:06 | 0:33:08 | |
CHEERING | 0:33:08 | 0:33:10 | |
-MARVIN: -Congratulations, Lauren, you are through to the knockouts. | 0:33:10 | 0:33:13 | |
How are you feeling? | 0:33:13 | 0:33:14 | |
-MARVIN: -Are you OK? | 0:33:18 | 0:33:19 | |
Please, make some noise one more time for Lauren, everyone. | 0:33:20 | 0:33:23 | |
-CHEERING -Wow, that was tension-building. | 0:33:23 | 0:33:25 | |
Thank you! | 0:33:29 | 0:33:31 | |
SPEECH DROWNED OUT BY CHEERING | 0:33:33 | 0:33:35 | |
-WILL: -Wow. | 0:33:40 | 0:33:41 | |
OK, Vivica, unfortunately, the other three coaches have used up | 0:33:44 | 0:33:47 | |
all of their steals, so unfortunately, | 0:33:47 | 0:33:49 | |
we have to say goodbye. Have you enjoyed your time on The Voice? | 0:33:49 | 0:33:52 | |
I've loved every single minute, I'm so proud of myself. | 0:33:52 | 0:33:54 | |
Thank you, thank you, thank you. Thank you to all the team | 0:33:54 | 0:33:57 | |
and, Will, I really appreciate the opportunity you've given me. | 0:33:57 | 0:34:00 | |
-Thank you. -A lovely girl. Listen, congratulations, OK? | 0:34:00 | 0:34:02 | |
You did so well. One more time for Vivica, everybody. | 0:34:02 | 0:34:05 | |
CHEERING AND APPLAUSE | 0:34:05 | 0:34:07 | |
-Thank you. -PALOMA: -You're a star, don't stop. | 0:34:12 | 0:34:14 | |
SHE WHOOPS | 0:34:18 | 0:34:19 | |
Well done, babe. | 0:34:22 | 0:34:24 | |
- I was surprised at that. - Were you? | 0:34:27 | 0:34:29 | |
It's what I would have done. | 0:34:29 | 0:34:31 | |
- She had me when she ran on. - I would love her. | 0:34:32 | 0:34:35 | |
Would you? Vivica? | 0:34:35 | 0:34:37 | |
Yeah, if I could have stolen her, I would. | 0:34:37 | 0:34:41 | |
But... | 0:34:42 | 0:34:44 | |
this thing is out of order! | 0:34:44 | 0:34:46 | |
Right, ready for another round? | 0:34:49 | 0:34:50 | |
CHEERING This time we're in the capable hands of Team Ricky. | 0:34:50 | 0:34:54 | |
CHEERING | 0:34:54 | 0:34:57 | |
# When a man loves a woman... # | 0:34:59 | 0:35:04 | |
David Barnes has got a great voice. | 0:35:04 | 0:35:06 | |
He's a great singer. He needs to let go a bit more, though. | 0:35:06 | 0:35:09 | |
He needs to learn how to sing from the heart. | 0:35:09 | 0:35:11 | |
# But you put on quite a show... # | 0:35:11 | 0:35:14 | |
Kagan's all from the heart. | 0:35:14 | 0:35:15 | |
His brilliance lies in the fact that there's a vulnerability to it. | 0:35:15 | 0:35:19 | |
A battle of heart versus the head out there in seeing who's the best. | 0:35:19 | 0:35:23 | |
I think this is a great song choice for both of you. | 0:35:23 | 0:35:26 | |
It's a pop song, but I want to hear your kind of soul take on it. | 0:35:26 | 0:35:29 | |
It's not something I'd ever think about singing myself, ever. | 0:35:29 | 0:35:32 | |
That's why I think we can make it something special. | 0:35:32 | 0:35:34 | |
OK. | 0:35:34 | 0:35:35 | |
# They say it's easy to leave you behind... # | 0:35:35 | 0:35:38 | |
It's a really good song. I get the hooks and the lyrics. | 0:35:38 | 0:35:41 | |
It's going to be good. | 0:35:41 | 0:35:42 | |
Kagan's tone of voice is definitely more suited to that type of music. | 0:35:42 | 0:35:46 | |
I've even forgotten the beginning bit. | 0:35:48 | 0:35:50 | |
There's a lot of nerves. | 0:35:50 | 0:35:51 | |
This song is something I'm not comfortable with, | 0:35:51 | 0:35:53 | |
but it's good to be pushed out your comfort zone. | 0:35:53 | 0:35:55 | |
I want to be pushed a little bit harder. | 0:35:55 | 0:35:57 | |
David says he would never choose anything like this, | 0:35:57 | 0:35:59 | |
but that's why it's good, | 0:35:59 | 0:36:00 | |
cos he can't get away with just belting it out, | 0:36:00 | 0:36:02 | |
he's better than that, he's a great singer. | 0:36:02 | 0:36:04 | |
He just needs to believe he can do it. | 0:36:04 | 0:36:06 | |
I can't believe you hit the ground running that well | 0:36:06 | 0:36:09 | |
and I can hear already you figuring it out. | 0:36:09 | 0:36:11 | |
Stick to what you know you'll do brilliantly, don't get intimidated | 0:36:11 | 0:36:14 | |
by his tricks and don't get intimidated by his full voice. | 0:36:14 | 0:36:17 | |
You either win or you lose, there's only one winner | 0:36:17 | 0:36:19 | |
and I'm going to fight to the end to get that. | 0:36:19 | 0:36:22 | |
Hand on heart, I don't know which way it's going to go. | 0:36:22 | 0:36:25 | |
BELL RINGS | 0:36:25 | 0:36:27 | |
# I caught you watching me under the light | 0:36:37 | 0:36:41 | |
# Can I realign? | 0:36:41 | 0:36:44 | |
# Oh, yeah | 0:36:44 | 0:36:46 | |
# They say it's easy to leave you behind | 0:36:46 | 0:36:49 | |
# I don't want to try | 0:36:49 | 0:36:53 | |
# Cut cover, take that test | 0:36:53 | 0:36:56 | |
# Hold courage to your chest | 0:36:56 | 0:36:58 | |
# Don't wanna wait for you | 0:36:58 | 0:37:00 | |
# Don't wanna have to lose | 0:37:00 | 0:37:02 | |
# All that I've compromised | 0:37:02 | 0:37:04 | |
# To feel another high | 0:37:04 | 0:37:06 | |
# I've got to keep it down tonight | 0:37:06 | 0:37:10 | |
# And oh, oh, oh | 0:37:10 | 0:37:13 | |
# I was a king under your control | 0:37:13 | 0:37:18 | |
# Whoa | 0:37:18 | 0:37:21 | |
# I want to feel like you've let me go | 0:37:21 | 0:37:26 | |
# I had to break myself to carry on | 0:37:26 | 0:37:30 | |
# No love and no admission, take this from me tonight | 0:37:30 | 0:37:36 | |
# Oh, oh, let's fight | 0:37:36 | 0:37:40 | |
# Oh, oh | 0:37:40 | 0:37:42 | |
# Yeah, yeah, yeah | 0:37:42 | 0:37:45 | |
# Let go, let go, let go of everything | 0:37:45 | 0:37:49 | |
# Let go, let go, let go of everything | 0:37:49 | 0:37:52 | |
# Let go, let go, let go of everything | 0:37:52 | 0:37:57 | |
# Let go, let go, let go of everything. # | 0:37:57 | 0:38:04 | |
CHEERING AND APPLAUSE | 0:38:04 | 0:38:06 | |
Ladies and gentlemen, Kagan and David! | 0:38:11 | 0:38:13 | |
Right, how was that? | 0:38:13 | 0:38:15 | |
-Enjoy it? -Yeah, it was amazing. | 0:38:15 | 0:38:17 | |
It was amazing, great experience. | 0:38:17 | 0:38:19 | |
David, you're an army man - this must have been a doddle for you. | 0:38:19 | 0:38:22 | |
No, completely the opposite, actually, | 0:38:22 | 0:38:24 | |
cos it's more personal to me now, | 0:38:24 | 0:38:26 | |
so I haven't got so much of a team around me. | 0:38:26 | 0:38:28 | |
And out your comfort zone? | 0:38:28 | 0:38:30 | |
Yeah, massively out my comfort zone with that song. | 0:38:30 | 0:38:32 | |
You had everyone up on their feet. | 0:38:32 | 0:38:34 | |
Fantastic. George, who do you think was the king of the battle? | 0:38:34 | 0:38:38 | |
I don't think it's that simple. | 0:38:38 | 0:38:39 | |
David, you sang parts of the song beautifully, | 0:38:39 | 0:38:42 | |
but you just said yourself you were out of your comfort zone | 0:38:42 | 0:38:45 | |
and you let that show in your performance. | 0:38:45 | 0:38:48 | |
-You've actually got a great voice. -Thank you. | 0:38:48 | 0:38:51 | |
Kagan, it just felt like you were a little bit more confident, | 0:38:51 | 0:38:54 | |
but for both of you, there were really good moments in that, | 0:38:54 | 0:38:57 | |
so it's hard to call and I don't have to! | 0:38:57 | 0:39:00 | |
But what if I asked you who you would pick? | 0:39:00 | 0:39:03 | |
I think probably I would go with David. | 0:39:03 | 0:39:06 | |
Thank you very much, thank you. | 0:39:06 | 0:39:08 | |
CHEERING AND APPLAUSE | 0:39:08 | 0:39:10 | |
Thank you, George. Paloma, what did you think of the performance? | 0:39:10 | 0:39:13 | |
I was erring on that side before, | 0:39:13 | 0:39:15 | |
but the thing with David that sold it for me is that I feel like | 0:39:15 | 0:39:20 | |
he's not taking himself way too seriously | 0:39:20 | 0:39:23 | |
and it makes the audience relax, | 0:39:23 | 0:39:25 | |
it makes me feel relaxed and enjoy it, | 0:39:25 | 0:39:28 | |
so I would take David, but I don't think you should stop. | 0:39:28 | 0:39:32 | |
Thank you very much, thank you. | 0:39:32 | 0:39:34 | |
OK, Ricky, are you ready? You boys ready? | 0:39:34 | 0:39:37 | |
Ricky, who's the winner of the battle? | 0:39:37 | 0:39:39 | |
The winner of the battle today... | 0:39:39 | 0:39:41 | |
AUDIENCE SHOUTS OUT | 0:39:41 | 0:39:43 | |
The winner of the battle today is Kagan. | 0:39:46 | 0:39:48 | |
CHEERING | 0:39:48 | 0:39:50 | |
Congratulations, go see Ricky. Kagan, everyone. | 0:39:55 | 0:39:57 | |
CHEERING | 0:39:57 | 0:39:59 | |
OK, so, you could join another team. | 0:40:04 | 0:40:07 | |
Your future now lies solely with Will. | 0:40:07 | 0:40:11 | |
David, you are now available for a steal. | 0:40:13 | 0:40:16 | |
AUDIENCE SHOUT ENCOURAGEMENT | 0:40:19 | 0:40:23 | |
I'm just coming to de-stress you... | 0:40:27 | 0:40:29 | |
AUDIENCE CHANT AND CLAP | 0:40:33 | 0:40:36 | |
David, I'm so sorry. So, so sorry. | 0:40:38 | 0:40:40 | |
Please, put your hands together one more time, for David! | 0:40:40 | 0:40:44 | |
CHEERING AND APPLAUSE | 0:40:45 | 0:40:47 | |
I'm really gutted. I put everything I had into that. | 0:40:53 | 0:40:56 | |
I tried to show off every single tone of the voice that I had. | 0:40:56 | 0:40:59 | |
But it's been a really, really good experience. | 0:41:00 | 0:41:03 | |
A good learning curve for me. | 0:41:03 | 0:41:05 | |
CHEERING AND APPLAUSE | 0:41:06 | 0:41:08 | |
OK, the next the next battle of the night comes from Team Boy George. | 0:41:08 | 0:41:13 | |
CHEERING AND APPLAUSE | 0:41:13 | 0:41:16 | |
Look at the T-shirts they've all got on. | 0:41:17 | 0:41:21 | |
Oh, honey. | 0:41:21 | 0:41:23 | |
Does Vangelis have representation? | 0:41:24 | 0:41:27 | |
CHEERING AND APPLAUSE | 0:41:27 | 0:41:30 | |
OK, battling for The Boy, bring on Vangelis. | 0:41:30 | 0:41:34 | |
Taking on Melissa! | 0:41:36 | 0:41:39 | |
CHEERING AND APPLAUSE | 0:41:39 | 0:41:42 | |
-How do you feel about being paired together? -Petrified. -Nervous. | 0:41:46 | 0:41:52 | |
I saw his audition. | 0:41:52 | 0:41:53 | |
And he was one of the two people, where I was like, | 0:41:53 | 0:41:57 | |
"please don't let me be paired with him. | 0:41:57 | 0:41:59 | |
"Please let me be paired with him!" | 0:41:59 | 0:42:01 | |
I mostly sing in my room. | 0:42:01 | 0:42:03 | |
I could probably count on two hands how many gigs I've done. | 0:42:03 | 0:42:06 | |
I think it's a confidence thing. | 0:42:06 | 0:42:08 | |
# Do you really want to hurt me? # | 0:42:08 | 0:42:11 | |
Vangelis blew me away with his version of Do You Really Want To Hurt Me. | 0:42:13 | 0:42:16 | |
I was dreading somebody coming on and doing | 0:42:16 | 0:42:19 | |
a version of one of my songs and doing it badly. | 0:42:19 | 0:42:22 | |
# Precious kisses Words that burn me... # | 0:42:22 | 0:42:25 | |
I mean it was, it was beautiful. Absolutely beautiful. | 0:42:25 | 0:42:32 | |
# Don't blame it on me-e-e-e! # | 0:42:32 | 0:42:34 | |
My blind audition was single-handedly, | 0:42:36 | 0:42:38 | |
like, the most petrifying thing I've ever done in my whole entire life. | 0:42:38 | 0:42:42 | |
# Just blame it on the ni-i-ight. # | 0:42:42 | 0:42:46 | |
It's great knowing that things are finally going the right way for us. | 0:42:46 | 0:42:50 | |
-Well, it's me and you, babe. -Yay! | 0:42:50 | 0:42:53 | |
# All cried out... # | 0:42:53 | 0:42:56 | |
The song I gave them was All Cried Out by Alison Moyet. | 0:42:56 | 0:42:58 | |
-# A handful of nothing... -All cried out... # | 0:42:58 | 0:43:03 | |
I'm not happy with it at all. | 0:43:03 | 0:43:04 | |
I just think it's not, it's not working. As a song. | 0:43:04 | 0:43:08 | |
You're two of the best singers in the show. | 0:43:08 | 0:43:10 | |
And I have to make sure that you are amazing | 0:43:10 | 0:43:13 | |
and I'm just not blown away by that. Sorry. | 0:43:13 | 0:43:15 | |
They needed something that challenged them. | 0:43:15 | 0:43:18 | |
So, we swapped the song. | 0:43:18 | 0:43:19 | |
We're going to go for One, by U2. | 0:43:19 | 0:43:22 | |
-Are you happier? -I think so. -I think, yeah, yeah. | 0:43:22 | 0:43:25 | |
It's just one of those songs what's really, like, heart-driven | 0:43:25 | 0:43:28 | |
and it's like, for the soul and I was really happy that it changed. | 0:43:28 | 0:43:32 | |
# One love... # I'm very happy about it. | 0:43:32 | 0:43:34 | |
-I think it's a much better choice for us. -You both have to rock out. | 0:43:34 | 0:43:37 | |
You have to rock out, you have to, more power. | 0:43:37 | 0:43:41 | |
More, more power. | 0:43:41 | 0:43:42 | |
It's passionate. Look at those lyrics, you know? | 0:43:42 | 0:43:45 | |
I need to believe THAT. | 0:43:45 | 0:43:47 | |
-# Love is the higher law. # -Don't hold back! | 0:43:47 | 0:43:50 | |
-# But then you made me crawl. # -Take it to church! | 0:43:50 | 0:43:54 | |
Ah! | 0:43:54 | 0:43:56 | |
I have no idea how well they've learned this song. | 0:43:56 | 0:43:58 | |
But they have to bring something very powerful to the performance. | 0:43:58 | 0:44:04 | |
BELL RINGS | 0:44:04 | 0:44:07 | |
Let the battle commence. | 0:44:07 | 0:44:10 | |
WOLF WHISTLES | 0:44:13 | 0:44:15 | |
# Ooh... # | 0:44:30 | 0:44:34 | |
# Is it getting better? | 0:44:41 | 0:44:44 | |
# Or do you feel the same? | 0:44:46 | 0:44:50 | |
# Will it make it easier on you now? | 0:44:51 | 0:44:55 | |
# You got someone to blame | 0:44:56 | 0:44:59 | |
# You say | 0:44:59 | 0:45:01 | |
-# One love -Ooh, ooh | 0:45:01 | 0:45:04 | |
-# One life -One life | 0:45:04 | 0:45:07 | |
# It's one need In the night | 0:45:07 | 0:45:11 | |
-# One love -One love | 0:45:11 | 0:45:14 | |
-# We get to share it -Ooh, ooh | 0:45:14 | 0:45:16 | |
# Leaves you, darling If you don't care for it | 0:45:16 | 0:45:22 | |
-# Aah, aah -Yeah... | 0:45:23 | 0:45:27 | |
# Have you come here for forgiveness? | 0:45:27 | 0:45:32 | |
# Have you come to raise the dead? | 0:45:32 | 0:45:37 | |
# Have you come here to play Jesus? | 0:45:37 | 0:45:42 | |
# To the lepers in your head | 0:45:43 | 0:45:47 | |
# Well, did I ask too much? | 0:45:47 | 0:45:50 | |
# More than a lot | 0:45:50 | 0:45:53 | |
# You gave me nothing Now it's all I've got | 0:45:53 | 0:45:58 | |
# We're one But we're not the same | 0:45:58 | 0:46:03 | |
-# Well, we hurt each other -Then we do it again | 0:46:03 | 0:46:07 | |
-# You say -Love is a temple Love's a higher law | 0:46:07 | 0:46:13 | |
# Love is a temple # Love's a higher law | 0:46:13 | 0:46:18 | |
# You ask me to enter But then you make me crawl | 0:46:18 | 0:46:24 | |
# And I can't be holding on To what we got | 0:46:24 | 0:46:29 | |
-# When all you've got is hurt -One love | 0:46:30 | 0:46:34 | |
# One blood One life | 0:46:34 | 0:46:38 | |
# You got to do what you should | 0:46:38 | 0:46:42 | |
-# One life -With each other | 0:46:42 | 0:46:47 | |
# One lo-o-o-o-ove... # | 0:46:49 | 0:46:55 | |
CHEERING AND APPLAUSE | 0:46:57 | 0:46:59 | |
Ah, how good was that? Let's hear it for Vangelis and Melissa! | 0:47:01 | 0:47:05 | |
George, before you make a decision, | 0:47:06 | 0:47:07 | |
let's find out what your other coaches thought. | 0:47:07 | 0:47:10 | |
Paloma, what do you think? | 0:47:10 | 0:47:11 | |
I feel like you are both, you are both fantastic singers | 0:47:11 | 0:47:16 | |
and I feel like Melissa definitely had a definite | 0:47:16 | 0:47:20 | |
understanding of the words she was saying, like, I believed her, | 0:47:20 | 0:47:23 | |
because you were, like, saying the words, | 0:47:23 | 0:47:26 | |
and I was, like, she knows the words what she's singing. | 0:47:26 | 0:47:28 | |
She's feeling it? | 0:47:28 | 0:47:30 | |
I feel like Vangelis, you did a bit less of that. | 0:47:30 | 0:47:35 | |
And you were focusing more on your singing. | 0:47:35 | 0:47:37 | |
I feel like you could learn from that, from her. | 0:47:37 | 0:47:40 | |
You know, I disagree totally with what Paloma said. | 0:47:40 | 0:47:42 | |
I think, for me, you know, Vangelis, You're so good at what you do. | 0:47:42 | 0:47:46 | |
It's just, you do it with ease, because it's kind of... | 0:47:46 | 0:47:49 | |
It's what you do. You're a naturally beautiful singer, | 0:47:49 | 0:47:52 | |
and you have this great tone in your voice, and, of course, when you did | 0:47:52 | 0:47:55 | |
your audition, you sang one of my songs and you sang it beautifully. | 0:47:55 | 0:47:58 | |
-Yeah. -And one of the things that I asked Melissa to do was to bring | 0:47:58 | 0:48:01 | |
her inner Janis Joplin and I think she really did, you know? | 0:48:01 | 0:48:05 | |
She listened to me, and it was great, | 0:48:06 | 0:48:08 | |
and she expressed the song brilliantly. | 0:48:08 | 0:48:10 | |
So, based on this performance, I have to go with my | 0:48:10 | 0:48:14 | |
kind of emotions and my emotions say I'm going to take Vangelis through. | 0:48:14 | 0:48:18 | |
Vangelis! Congratulations. | 0:48:18 | 0:48:20 | |
You're through to the knockout. | 0:48:20 | 0:48:23 | |
-Congratulations. Go and see George. Well done. -Thank you so much. | 0:48:23 | 0:48:28 | |
-Thank you. -Very well done. | 0:48:29 | 0:48:32 | |
That was beautiful. | 0:48:33 | 0:48:36 | |
-Oh, I love you! -Well done! | 0:48:40 | 0:48:41 | |
So, Melissa, this may not be the end just yet | 0:48:43 | 0:48:48 | |
as your future now lies with Will. | 0:48:48 | 0:48:50 | |
OK, Melissa, you're now available for a steal. | 0:48:53 | 0:48:56 | |
OK, Will, you've only got a short amount of time left | 0:49:06 | 0:49:09 | |
to steal Melissa. | 0:49:09 | 0:49:11 | |
Ah, Melissa, you haven't been stolen but to be here | 0:49:14 | 0:49:17 | |
and achieve what you've achieved is remarkable. | 0:49:17 | 0:49:20 | |
You must be so happy with yourself tonight. | 0:49:20 | 0:49:22 | |
I'm going out on a high. Like, I've had the best time ever. | 0:49:22 | 0:49:24 | |
I'm so grateful to Boy George for turning around in the first place. | 0:49:24 | 0:49:27 | |
Thank you so much. I've had the best time, | 0:49:27 | 0:49:29 | |
so thanks very much for having us. | 0:49:29 | 0:49:31 | |
Congratulations. Let's hear it one more time for Melissa! | 0:49:31 | 0:49:33 | |
Thank you. | 0:49:33 | 0:49:34 | |
CHEERING | 0:49:34 | 0:49:36 | |
Well done, baby. Absolutely. I hope I see you again, yeah? | 0:49:37 | 0:49:41 | |
Keep in touch, yeah? | 0:49:41 | 0:49:42 | |
Console us, eh? | 0:49:44 | 0:49:46 | |
Well done. Ohh! | 0:49:46 | 0:49:48 | |
Thank you. | 0:49:48 | 0:49:50 | |
Melissa really stepped up her game and I loved her, | 0:49:50 | 0:49:53 | |
I really loved her, and I wish I could have taken her through, | 0:49:53 | 0:49:57 | |
but Vangelis, you know, I think he's a potential winner. | 0:49:57 | 0:50:01 | |
Just has an amazing voice | 0:50:01 | 0:50:03 | |
and there's just no way I could have...not chosen him. | 0:50:03 | 0:50:07 | |
THEY CHEER | 0:50:07 | 0:50:11 | |
Felt so amazing performing on stage. | 0:50:11 | 0:50:13 | |
I literally was so nervous, I was shaking. | 0:50:13 | 0:50:15 | |
Probably the worst I've actually sang it, but I mean, | 0:50:15 | 0:50:17 | |
the emotion was there and I was really trying to go for it. | 0:50:17 | 0:50:20 | |
I just can't believe I got through. I'm so glad, so glad. | 0:50:20 | 0:50:23 | |
He was out of his comfort zone as a balladeer, | 0:50:23 | 0:50:25 | |
so I think, in that respect, you were probably right. | 0:50:25 | 0:50:28 | |
No, I didn't say he wasn't good, | 0:50:28 | 0:50:29 | |
-I just said that he hadn't really listened to the words. -Yeah, yeah. | 0:50:29 | 0:50:34 | |
Love the trousers! | 0:50:34 | 0:50:35 | |
Thank you! | 0:50:35 | 0:50:37 | |
Paloma sewed these on. | 0:50:37 | 0:50:39 | |
He had me up all night. I haven't had any sleep. | 0:50:39 | 0:50:42 | |
I was just stitching sequins. | 0:50:42 | 0:50:44 | |
"Please, George, forgive me!" | 0:50:44 | 0:50:47 | |
Get ready for Team Ricky! | 0:50:49 | 0:50:51 | |
WHOOPING | 0:50:51 | 0:50:53 | |
I always... I... | 0:51:02 | 0:51:03 | |
The musical mum faces the comeback kid. It's Janine Dyer... | 0:51:10 | 0:51:14 | |
CHEERING | 0:51:14 | 0:51:16 | |
..against Mia Sylvester! | 0:51:17 | 0:51:19 | |
CHEERING | 0:51:19 | 0:51:20 | |
Wahoo! | 0:51:25 | 0:51:26 | |
# Don't know just how it happened... # | 0:51:28 | 0:51:32 | |
I came last year and obviously didn't get the chair turn. | 0:51:32 | 0:51:35 | |
It does knock your confidence a bit. | 0:51:36 | 0:51:39 | |
Coming back this year, | 0:51:40 | 0:51:41 | |
I wasn't expecting anything. I just went there and gave it my best shot. | 0:51:41 | 0:51:46 | |
# Oh, but it ain't no way | 0:51:46 | 0:51:48 | |
# For me to give you... # | 0:51:49 | 0:51:54 | |
Super proud and super happy that I managed to get a chair turn. | 0:51:54 | 0:51:58 | |
# ..call on me... # | 0:51:58 | 0:52:00 | |
Mia can sing the socks off anyone. | 0:52:00 | 0:52:02 | |
She's brilliant. But then Janine's got this massive soul. | 0:52:02 | 0:52:07 | |
# Like a bridge over troubled water... # | 0:52:07 | 0:52:15 | |
I've been at home raising my family. | 0:52:15 | 0:52:18 | |
I decided to put my singing on the back burner for a little while. | 0:52:18 | 0:52:22 | |
And so doing blind auditions on The Voice is the first time | 0:52:22 | 0:52:25 | |
I've been able to just do something for me again. | 0:52:25 | 0:52:28 | |
It just felt really good to be there. | 0:52:28 | 0:52:30 | |
# ..lay me down. # | 0:52:30 | 0:52:34 | |
It comes complete from the heart with Janine. | 0:52:34 | 0:52:38 | |
-How you doing? -Good, how are you? -Cool. | 0:52:40 | 0:52:43 | |
I couldn't not turn for Janine. Or Mia. | 0:52:43 | 0:52:46 | |
They were too good. And they're up there with the best | 0:52:46 | 0:52:49 | |
I've ever had on my team, and that's why I put them together. | 0:52:49 | 0:52:52 | |
# Ain't no other... # | 0:52:52 | 0:52:54 | |
Janine and Mia both have a lightness of touch about their big | 0:52:54 | 0:52:57 | |
voices which make it special. | 0:52:57 | 0:52:58 | |
# Oh, oh, oh, oh. # | 0:52:58 | 0:53:02 | |
It's really important that you focus on the battle | 0:53:02 | 0:53:07 | |
and making it the best it can be. That's why I put you together, | 0:53:07 | 0:53:10 | |
because I know you'll really push each other. | 0:53:10 | 0:53:12 | |
# And no other man but... | 0:53:12 | 0:53:15 | |
# Ain't no other man... # | 0:53:15 | 0:53:18 | |
Out of all the battles, I think this is the most competitive. | 0:53:18 | 0:53:21 | |
# ..you. # | 0:53:21 | 0:53:23 | |
This could be an amazing battle, this one. | 0:53:23 | 0:53:24 | |
-Yeah! -It's exciting. | 0:53:24 | 0:53:26 | |
That's exciting stuff. | 0:53:26 | 0:53:28 | |
Let the battle commence. | 0:53:31 | 0:53:33 | |
# Hey | 0:53:54 | 0:53:59 | |
# Do your thing, honey! | 0:53:59 | 0:54:01 | |
# I could feel it from the start | 0:54:01 | 0:54:04 | |
# Couldn't stand to be apart now | 0:54:04 | 0:54:08 | |
# Something 'bout you caught my eye | 0:54:08 | 0:54:10 | |
Whoo! | 0:54:10 | 0:54:12 | |
# Something moved me deep inside | 0:54:12 | 0:54:15 | |
# Don't know what you did, boy, but you had it | 0:54:15 | 0:54:19 | |
# And I've been hooked ever since, yeah | 0:54:19 | 0:54:23 | |
# I told my mother, my brother, my sister and my friend | 0:54:23 | 0:54:26 | |
# I told others, my lover, both past and present tense | 0:54:26 | 0:54:30 | |
# Every time I see you, everything starts making sense, yeah | 0:54:30 | 0:54:36 | |
# No, oh | 0:54:36 | 0:54:38 | |
# Ain't no other man can stand up next to you now | 0:54:38 | 0:54:42 | |
# Ain't no other man on the planet does what you do | 0:54:42 | 0:54:45 | |
# You're the kind of guy that a girl finds in a blue moon | 0:54:45 | 0:54:49 | |
# You got soul, you got class, you got style with your bad ass | 0:54:49 | 0:54:53 | |
# Ain't no other man, it's true | 0:54:53 | 0:54:56 | |
# Ain't no other man but you | 0:54:56 | 0:54:59 | |
BOY GEORGE MIMICS JANINE | 0:54:59 | 0:55:01 | |
# Ain't no other, hey, there ain't no other | 0:55:01 | 0:55:04 | |
# No other, ain't, ain't no other lover | 0:55:04 | 0:55:08 | |
# Ain't no other, I, I, I need no other | 0:55:08 | 0:55:12 | |
# Ain't no other man but you | 0:55:12 | 0:55:16 | |
# You are there when I'm a mess | 0:55:16 | 0:55:19 | |
# Talk me down from every ledge | 0:55:19 | 0:55:23 | |
# Give me strength, boy, you're the best | 0:55:23 | 0:55:27 | |
# You're the only one who's passed every test, yeah, yeah! | 0:55:27 | 0:55:34 | |
# Ain't no other man can stand up next to you | 0:55:34 | 0:55:38 | |
# Ain't no other man on the planet does what you do | 0:55:38 | 0:55:41 | |
# You're the kinda guy a girl finds in a blue moon | 0:55:41 | 0:55:45 | |
# You got soul, you got class, you got style, your bad ass | 0:55:45 | 0:55:49 | |
# Ain't no other man, it's true | 0:55:49 | 0:55:52 | |
# Ain't no other man | 0:55:52 | 0:55:57 | |
# Ain't no other man, it's true | 0:55:57 | 0:55:59 | |
# Ain't no other man but you. # | 0:55:59 | 0:56:03 | |
CHEERING | 0:56:03 | 0:56:05 | |
Janine and Mia! | 0:56:08 | 0:56:11 | |
Go, girl! | 0:56:11 | 0:56:12 | |
Well, well, well, ladies! | 0:56:13 | 0:56:16 | |
-Ricky, they were great, weren't they? -Incredible. | 0:56:16 | 0:56:18 | |
You know that that's my kind of thing, and I loved it, | 0:56:18 | 0:56:21 | |
and you did yourselves proud, you did your friends | 0:56:21 | 0:56:24 | |
and family proud and thanks, you did me proud, as well. Thank you. | 0:56:24 | 0:56:27 | |
-You were having a right little boogie, as well. -Yeah! | 0:56:27 | 0:56:29 | |
How can you help yourself? | 0:56:29 | 0:56:31 | |
A hard decision again, for you, Ricky, | 0:56:31 | 0:56:32 | |
we'll come to you in a minute. Firstly, will, what did you think? | 0:56:32 | 0:56:35 | |
That was really amazing. A lot of power. | 0:56:35 | 0:56:38 | |
Your low notes were awesome. | 0:56:38 | 0:56:41 | |
Your high tricks up there on your falsetto were great. | 0:56:41 | 0:56:45 | |
I was thoroughly entertained, and great song choice, Rick. | 0:56:45 | 0:56:49 | |
-Thanks, Will. -OK. | 0:56:49 | 0:56:50 | |
It was powerful. | 0:56:52 | 0:56:53 | |
And it's really going to be hard to call it, and I don't have to! | 0:56:53 | 0:56:57 | |
George, George, George, I do need help on this one. | 0:56:57 | 0:56:59 | |
You need help, but not with this! | 0:56:59 | 0:57:01 | |
LAUGHTER | 0:57:01 | 0:57:03 | |
A bit like...usually, I've kind of half made my mind up, | 0:57:03 | 0:57:07 | |
but this is the one battle that I... It, you know, still ticking. | 0:57:07 | 0:57:12 | |
It's hard, because there were moments when Janine kind of owned it | 0:57:12 | 0:57:15 | |
and then there were moments when Mia took it like, | 0:57:15 | 0:57:17 | |
"Oh, Concorde, there we go." High in the sky! | 0:57:17 | 0:57:20 | |
So, for me, you were equally matched but, you know, | 0:57:20 | 0:57:23 | |
I'm just being a coward, like! Not a great look. | 0:57:23 | 0:57:25 | |
-Sit on that fence, George. It's not like you. -I would go with Mia. | 0:57:25 | 0:57:29 | |
Mia. Thank you, George. | 0:57:29 | 0:57:31 | |
Er, Paloma? | 0:57:31 | 0:57:33 | |
I'll just come and stand here. Get some, like, some female vibe. | 0:57:33 | 0:57:40 | |
APPLAUSE | 0:57:40 | 0:57:42 | |
Emma? Can you sing, Emma? | 0:57:43 | 0:57:46 | |
-Can I sing? -Yeah. -Hell, no! | 0:57:46 | 0:57:48 | |
That's a real shame, because that's, like, | 0:57:48 | 0:57:50 | |
a good-looking supergroup up there. I mean, that's like... | 0:57:50 | 0:57:54 | |
-I can mime really well! -Awesome. | 0:57:54 | 0:57:57 | |
So, Paloma, what did you think? | 0:57:57 | 0:57:59 | |
You're both very equally matched. I'm going to sit down over here. | 0:57:59 | 0:58:03 | |
I'm just not... | 0:58:03 | 0:58:05 | |
Erm, yeah, it's really hard. They're both brilliant singers. | 0:58:05 | 0:58:10 | |
You felt, like, empowered, watching you guys. Oh, I don't envy you. | 0:58:10 | 0:58:16 | |
So, you know, because they're equally matched and he said Mia, | 0:58:16 | 0:58:19 | |
-I'm going to say Janine. -Yeah, I knew you would! | 0:58:19 | 0:58:22 | |
Thank you, Paloma. | 0:58:22 | 0:58:23 | |
There's no point in putting people against each other that | 0:58:23 | 0:58:26 | |
aren't going to raise their games and become better together. | 0:58:26 | 0:58:29 | |
You both became better together. | 0:58:29 | 0:58:31 | |
And it makes my decision really, really tough. | 0:58:31 | 0:58:34 | |
I thought you did amazingly well. | 0:58:35 | 0:58:37 | |
It's something to celebrate, like George said before. | 0:58:37 | 0:58:40 | |
That was a real moment. Thank you. | 0:58:40 | 0:58:44 | |
OK, Ricky. | 0:58:44 | 0:58:45 | |
Whoohoo! | 0:58:47 | 0:58:48 | |
Ricky, who is the winner of the battle? | 0:58:48 | 0:58:51 | |
The first one I'm going to take through to the knockout is... | 0:58:51 | 0:58:55 | |
..Mia. | 0:58:56 | 0:58:58 | |
CHEERING AND APPLAUSE | 0:58:58 | 0:59:00 | |
Oh, my God! It's OK! Don't cry! | 0:59:03 | 0:59:05 | |
Go and see Ricky. Congratulations. | 0:59:08 | 0:59:11 | |
We'll see you in the knockout. Mia, everyone. | 0:59:11 | 0:59:13 | |
Hello! | 0:59:16 | 0:59:17 | |
Well done, Mia. | 0:59:17 | 0:59:18 | |
Absolutely amazing. Love you loads. So proud of you. | 0:59:26 | 0:59:30 | |
OK, Janine, your future now lies with Will. | 0:59:30 | 0:59:33 | |
-CROWD CHANT: -Steal her! Steal her! Steal her! | 0:59:38 | 0:59:41 | |
Will, there's only a short amount of time left to steal Janine. | 0:59:47 | 0:59:50 | |
It's all right, Will. Thank you. | 1:00:00 | 1:00:02 | |
-Have you had a good time? -Fantastic. | 1:00:02 | 1:00:05 | |
Janine, thank you so much for taking part. | 1:00:10 | 1:00:12 | |
Thank you. A pleasure. Thank you. | 1:00:12 | 1:00:15 | |
Janine, everyone! | 1:00:15 | 1:00:16 | |
You all right there? You really have been. Sorry. | 1:00:16 | 1:00:19 | |
I don't know what Will's waiting for. | 1:00:27 | 1:00:29 | |
I mean, he's in the worst position because he's right by the families. | 1:00:29 | 1:00:32 | |
And that's a lot of pressure. | 1:00:32 | 1:00:34 | |
Coming soon to a screen near you. It's Team Will. | 1:00:39 | 1:00:42 | |
WHOOPING | 1:00:43 | 1:00:46 | |
# When you ca-ca-catch me like you do... # | 1:00:53 | 1:00:57 | |
Tom, he's a really good singer. Like, really good. | 1:00:57 | 1:01:00 | |
And he's comfortable. | 1:01:00 | 1:01:02 | |
# The smile on your face lets me know that you need me... # | 1:01:02 | 1:01:07 | |
Colleen is a sweetheart, who sings amazing. | 1:01:07 | 1:01:10 | |
She, too, is comfortable. | 1:01:10 | 1:01:13 | |
So how you guys feeling? | 1:01:13 | 1:01:15 | |
Pumped, pumped. | 1:01:15 | 1:01:16 | |
I wanted to throw this song to you guys | 1:01:16 | 1:01:18 | |
and see how you guys get on with it. | 1:01:18 | 1:01:20 | |
-You wanna hear a bit of craic? -Yeah, let's do it. | 1:01:21 | 1:01:23 | |
I had them singing Everything She Wants by Wham! | 1:01:23 | 1:01:26 | |
Almost to break them out of their comfort zone | 1:01:26 | 1:01:28 | |
so I could see how they shine when it's dark. | 1:01:28 | 1:01:31 | |
# Somebody, yeah... # | 1:01:31 | 1:01:34 | |
Oh, no! | 1:01:36 | 1:01:37 | |
In the rehearsal, Tom had the upper hand | 1:01:37 | 1:01:40 | |
but don't count Colleen out just yet. | 1:01:40 | 1:01:43 | |
-I got to work on that. Sorry. -Yeah. | 1:01:43 | 1:01:46 | |
What did Michael Jackson say once? "That's why they call it 'rehearse' | 1:01:46 | 1:01:50 | |
"because if you don't rehearse, you'll end up in a hearse." | 1:01:50 | 1:01:53 | |
Yeah! | 1:01:53 | 1:01:54 | |
I THINK he said that! | 1:01:54 | 1:01:55 | |
Right now there's a predator and a prey. | 1:01:55 | 1:01:58 | |
The cheetah obviously runs faster than the gazelle. | 1:01:58 | 1:02:02 | |
But there's been plenty of gazelles that got away. | 1:02:02 | 1:02:05 | |
CHEERING | 1:02:07 | 1:02:09 | |
Two mates are about to become vocal enemies. | 1:02:09 | 1:02:12 | |
From Team Will, it's Colleen Gormley... | 1:02:12 | 1:02:14 | |
..against Tom Rickels. | 1:02:17 | 1:02:20 | |
Let the battle commence. | 1:02:29 | 1:02:31 | |
Oh, She Wants! | 1:02:48 | 1:02:49 | |
You want that, Will. Ah! | 1:02:49 | 1:02:51 | |
# Somebody told me | 1:02:53 | 1:02:57 | |
# "Boy, everything she wants is everything she sees", yeah | 1:02:57 | 1:03:02 | |
# I guess I must have loved you | 1:03:02 | 1:03:05 | |
# Because I said you were the perfect girl for me, baby | 1:03:05 | 1:03:10 | |
# But now we're six months older | 1:03:10 | 1:03:14 | |
# And everything you want and everything you see | 1:03:14 | 1:03:19 | |
# Is out of reach, not good enough | 1:03:19 | 1:03:22 | |
# I don't know what the hell you want from me, oh | 1:03:22 | 1:03:27 | |
-# Oh, I -# Oh, I | 1:03:27 | 1:03:29 | |
# La, la, la, la | 1:03:29 | 1:03:32 | |
# Ooh | 1:03:32 | 1:03:34 | |
# Somebody tell me | 1:03:34 | 1:03:37 | |
# Won't you tell me | 1:03:37 | 1:03:41 | |
# Why I work so hard for you | 1:03:41 | 1:03:44 | |
# Give you money, all to g-g-give you, money, yeah | 1:03:44 | 1:03:48 | |
# My situation never changes | 1:03:48 | 1:03:54 | |
# Walking in and out of that door | 1:03:54 | 1:03:58 | |
# Like a stranger, I got the wages | 1:03:58 | 1:04:01 | |
# I give you all, you say you want more, yeah, yeah, yeah | 1:04:01 | 1:04:08 | |
# And all I can see at the end of the week | 1:04:08 | 1:04:12 | |
# All the things we sign and the things we buy | 1:04:12 | 1:04:17 | |
# C-C-Cant keep us together, girl | 1:04:17 | 1:04:20 | |
# It's just a matter of time, ooh | 1:04:20 | 1:04:27 | |
# All to give you money. # | 1:04:27 | 1:04:30 | |
Please give it up for Colleen and Tom! | 1:04:33 | 1:04:37 | |
Well done, guys! Well done! | 1:04:41 | 1:04:44 | |
-How was that? -That was really good! | 1:04:44 | 1:04:46 | |
It's just been the most amazing experience. | 1:04:46 | 1:04:49 | |
A little girl from Northern Ireland standing here tonight is like, | 1:04:49 | 1:04:52 | |
"Wow! Experience." | 1:04:52 | 1:04:53 | |
Look how happy she is. | 1:04:53 | 1:04:55 | |
Look at that face - so happy! | 1:04:55 | 1:04:56 | |
Tom, this is kind of miles away from gutting fish, isn't it? | 1:04:56 | 1:05:00 | |
Yeah, I mean, my usual audience is dead fish. | 1:05:00 | 1:05:04 | |
LAUGHTER | 1:05:04 | 1:05:05 | |
-Definitely no dead fish in here tonight. -This is the plaice to be! | 1:05:05 | 1:05:09 | |
APPLAUSE AND CHEERING | 1:05:09 | 1:05:12 | |
What did he say? | 1:05:12 | 1:05:13 | |
-This is the plaice to be. -Plaice. -Plaice. -It is a fish. -Meaning fish. | 1:05:13 | 1:05:18 | |
He is reeling you in! Let's go that way. | 1:05:21 | 1:05:24 | |
Oh, Will, barracud-ya gonna choose? | 1:05:24 | 1:05:28 | |
GROANS | 1:05:28 | 1:05:30 | |
Will, we'll come to you in a minute, | 1:05:30 | 1:05:32 | |
let's see what your fellow coaches thought, first. | 1:05:32 | 1:05:35 | |
George, did it take you back to the '80s? | 1:05:35 | 1:05:37 | |
It did, I actually love that song, it's one of my favourite Wham! songs. | 1:05:37 | 1:05:41 | |
I am a secret Wham! fan. I don't tell people about it much. | 1:05:41 | 1:05:45 | |
APPLAUSE Nobody will find out. | 1:05:45 | 1:05:49 | |
It was kind of a little chaotic, | 1:05:49 | 1:05:50 | |
I did not sure what was going to happen next, | 1:05:50 | 1:05:52 | |
there was a lot of sort of falsetto, different ranges going on, you know. | 1:05:52 | 1:05:56 | |
I am not entirely sure whether you understood the text of the song, | 1:05:56 | 1:06:00 | |
what it is about, because it is kind of like a sultry thing, | 1:06:00 | 1:06:03 | |
but it was a really fun performance to watch. | 1:06:03 | 1:06:05 | |
You seem to have a great relationship with each other, | 1:06:05 | 1:06:08 | |
-which was nice to feel, as well. -Who would you take to the knockouts? | 1:06:08 | 1:06:11 | |
Uh, I would probably take the fishmonger. | 1:06:11 | 1:06:14 | |
APPLAUSE | 1:06:14 | 1:06:15 | |
He claims Tom! | 1:06:15 | 1:06:16 | |
-I think that is what you should call your album. -What? | 1:06:18 | 1:06:20 | |
Fishmonger. | 1:06:20 | 1:06:22 | |
Off with their heads! | 1:06:22 | 1:06:24 | |
I thought it was really entertaining, because, | 1:06:26 | 1:06:29 | |
because it is quite important, this bit, | 1:06:29 | 1:06:32 | |
a lot of people forget to inject their personality back into it, | 1:06:32 | 1:06:36 | |
and they just concentrate on singing it well. | 1:06:36 | 1:06:39 | |
You both added humour to it, and I thought you were both great, | 1:06:39 | 1:06:42 | |
you both in the pants off it. | 1:06:42 | 1:06:44 | |
APPLAUSE | 1:06:44 | 1:06:46 | |
Will, so, did you push them out of their comfort zone with the song? | 1:06:46 | 1:06:51 | |
Yeah, I totally pushed them out of their comfort zone, | 1:06:51 | 1:06:53 | |
and I apologise for putting you guys in that uncomfortable situation, | 1:06:53 | 1:06:57 | |
but, that being said, you guys did perform it wonderfully, | 1:06:57 | 1:06:59 | |
and you guys did it with smiles, | 1:06:59 | 1:07:01 | |
and you guys did it with your own styles, | 1:07:01 | 1:07:03 | |
and everybody else was, like, "Oh, I like their profiles." | 1:07:03 | 1:07:07 | |
And they were dancing in the aisles! | 1:07:07 | 1:07:10 | |
I wish I could send both of you through, but I can't, | 1:07:11 | 1:07:14 | |
so the winner of this battle, to keep it real, boom, | 1:07:14 | 1:07:18 | |
real simple, without getting into any, like, | 1:07:18 | 1:07:20 | |
I don't want to analyse it, | 1:07:20 | 1:07:23 | |
I don't want to, like, give you theories on why I've... | 1:07:23 | 1:07:27 | |
I'm just kidding, it's Tom. | 1:07:27 | 1:07:28 | |
APPLAUSE | 1:07:28 | 1:07:31 | |
I have decided you are like a pop sage. | 1:07:35 | 1:07:37 | |
You know, because, it's kind of wise, what you say. | 1:07:37 | 1:07:41 | |
It's like... | 1:07:41 | 1:07:42 | |
He delivered in every meaning of that sentence. | 1:07:42 | 1:07:46 | |
I am so excited! | 1:07:47 | 1:07:48 | |
I have had the most amazing time, and I just want to thank Tom, | 1:07:48 | 1:07:52 | |
he has been a great battle partner, and, to my amazing coach, | 1:07:52 | 1:07:55 | |
will.i.am, it has been brilliant. Thank you. | 1:07:55 | 1:07:58 | |
It is hard to say goodbye to acts, it is. | 1:07:58 | 1:08:00 | |
I don't like saying no to people. | 1:08:00 | 1:08:02 | |
APPLAUSE | 1:08:02 | 1:08:05 | |
OK, come on, then, Ms Faith, give us a little teaser for what is to come next. | 1:08:12 | 1:08:15 | |
Sorry, but... | 1:08:15 | 1:08:16 | |
Oh, what's he doing? Can you get back in your chair, please? | 1:08:16 | 1:08:19 | |
Thank you, Will. | 1:08:21 | 1:08:22 | |
I am really excited about the next pair. | 1:08:22 | 1:08:25 | |
We have got an incredible testament to womanhood, a mother of four. | 1:08:25 | 1:08:31 | |
-OK. -And, somebody who, in my view could sing the phone book | 1:08:31 | 1:08:36 | |
and still touch my heart. | 1:08:36 | 1:08:37 | |
OK. Will, can you go back in your chair, please? | 1:08:37 | 1:08:40 | |
Thank you, Will. Sorry, Paloma, carry on. | 1:08:40 | 1:08:44 | |
I have finished. | 1:08:44 | 1:08:45 | |
OK, here we go. It is Team Paloma. | 1:08:45 | 1:08:48 | |
APPLAUSE | 1:08:48 | 1:08:51 | |
How you both feeling? | 1:08:51 | 1:08:53 | |
-Really good. -Excited. -We are happy, aren't we? | 1:08:53 | 1:08:55 | |
-Very happy. -You're happy? -Yeah, very happy. -Good. | 1:08:55 | 1:08:58 | |
# You do something to me. # | 1:08:58 | 1:09:01 | |
Deano has one of the most unusual voices, there is | 1:09:01 | 1:09:06 | |
so much depth to it. | 1:09:06 | 1:09:07 | |
# It's what you don't do, It's what you don't say... # | 1:09:07 | 1:09:13 | |
I turned for Meagan because she had a lot of conviction, | 1:09:13 | 1:09:16 | |
a real optimistic positivity behind her voice. | 1:09:16 | 1:09:20 | |
She is a mother of four kids, she is representative of the strength | 1:09:21 | 1:09:25 | |
and determination of women. | 1:09:25 | 1:09:27 | |
Lunch is ready now! | 1:09:27 | 1:09:28 | |
The boys are really excited, they are just so happy for me. | 1:09:28 | 1:09:32 | |
-ALL: -Mum is the best mummy in the world. | 1:09:32 | 1:09:35 | |
I am doing it to show them that | 1:09:35 | 1:09:36 | |
if you work hard, you can achieve anything. | 1:09:36 | 1:09:38 | |
-I cannot believe what a yummy mummy you are. -Thank you! | 1:09:38 | 1:09:42 | |
They are really supportive of everything I want to do, in fact, | 1:09:42 | 1:09:45 | |
they have written me a little card that I have brought with me. | 1:09:45 | 1:09:47 | |
-Oh, wow, let me see. -They made me this. -So sweet. "We love you, Mum." | 1:09:47 | 1:09:52 | |
It is so gorgeous. | 1:09:52 | 1:09:55 | |
# This I can't deny. # | 1:09:55 | 1:09:58 | |
Megan is a really, really good singer. | 1:09:58 | 1:10:00 | |
She can do the riffs and the runs, | 1:10:00 | 1:10:01 | |
which is where I am not really like that. | 1:10:01 | 1:10:04 | |
So, I am really nervous. | 1:10:04 | 1:10:05 | |
# Here's my confession... # | 1:10:06 | 1:10:08 | |
-Oh, sorry. -You stay the same. | 1:10:08 | 1:10:09 | |
It is surreal that I am here, basically I am just a bit of a bedroom singer. | 1:10:09 | 1:10:14 | |
-I feel a bit out of my depth. -You're not, by the way, | 1:10:14 | 1:10:17 | |
but you might feel that way. You are so exceptional. | 1:10:17 | 1:10:20 | |
You are born with a tone that means that | 1:10:20 | 1:10:22 | |
you are almost in a luxurious position. | 1:10:22 | 1:10:25 | |
Deano needs to realise that he is on a big stage now, | 1:10:25 | 1:10:29 | |
and come out, as opposed to going into himself. | 1:10:29 | 1:10:33 | |
It is going to be very difficult for me to choose between this pairing. | 1:10:34 | 1:10:39 | |
I am regretting it, pairing them together, already. | 1:10:39 | 1:10:42 | |
APPLAUSE | 1:10:45 | 1:10:47 | |
It is Deano versus Megan. | 1:10:47 | 1:10:50 | |
She looks so good. | 1:10:53 | 1:10:54 | |
Let the battle commence. | 1:10:58 | 1:11:00 | |
# Games, changes and fears | 1:11:17 | 1:11:19 | |
# When will they go from here? | 1:11:21 | 1:11:24 | |
# When will they stop? | 1:11:25 | 1:11:27 | |
# I believe that fate has brought us here | 1:11:27 | 1:11:33 | |
# And we should be together, baby | 1:11:33 | 1:11:37 | |
# But we're not | 1:11:37 | 1:11:39 | |
# Oh | 1:11:39 | 1:11:41 | |
# Here is my confession | 1:11:42 | 1:11:45 | |
# May I be your possession? | 1:11:45 | 1:11:48 | |
# Boy, I need your touch | 1:11:48 | 1:11:51 | |
# Your love, kisses and such | 1:11:51 | 1:11:55 | |
# With all my might, I try | 1:11:55 | 1:11:58 | |
-BOTH: -# But this, I can't deny | 1:11:58 | 1:12:01 | |
# Deny | 1:12:01 | 1:12:07 | |
# I play it off, but I'm dreamin' | 1:12:07 | 1:12:10 | |
# I'm dreamin' of you, baby | 1:12:10 | 1:12:13 | |
# I'll keep my cool, but I'm fiendin' | 1:12:13 | 1:12:17 | |
# Try to say goodbye | 1:12:17 | 1:12:21 | |
# Try to walk away | 1:12:21 | 1:12:23 | |
# Though I try to hide it, it's clear | 1:12:23 | 1:12:27 | |
# My world crumbles when you are not here | 1:12:27 | 1:12:30 | |
# Goodbye and I choke | 1:12:30 | 1:12:33 | |
# I try to walk away and I stumble | 1:12:33 | 1:12:36 | |
# Though I try to hide it | 1:12:36 | 1:12:38 | |
# It's clear | 1:12:38 | 1:12:39 | |
# My world crumbles when you are not here. # | 1:12:39 | 1:12:48 | |
APPLAUSE | 1:12:48 | 1:12:51 | |
Yeah, raise the roof for Deano and Megan! | 1:12:51 | 1:12:54 | |
APPLAUSE AND CHEERING | 1:12:54 | 1:12:55 | |
Guys, Deano, Megan, well done. | 1:12:55 | 1:12:59 | |
Now, Will, how did these guys deal with that Macy Gray number? | 1:13:00 | 1:13:04 | |
Um, first off, great song choice. | 1:13:04 | 1:13:08 | |
Macy is, like, a dear friend, | 1:13:08 | 1:13:10 | |
one of our first tours was with Macy Gray, and if she was here, | 1:13:10 | 1:13:15 | |
she would have said... | 1:13:15 | 1:13:16 | |
-IMPERSONATES MACY -GRAY: "That is great, I really like it a lot." | 1:13:16 | 1:13:19 | |
-IMPERSONATES MACY -GRAY: She would like the fact that you sung the song on the show. | 1:13:19 | 1:13:23 | |
Thanks, Will. Will, who would you put through the night? | 1:13:23 | 1:13:26 | |
-Just on hairstyle alone, Megan. -Megan. | 1:13:26 | 1:13:29 | |
No, but she sounded great, too. | 1:13:29 | 1:13:31 | |
APPLAUSE | 1:13:31 | 1:13:33 | |
Deano, obviously has a unique voice, it is | 1:13:33 | 1:13:36 | |
separate, it's different to anything I have heard on this show so far. | 1:13:36 | 1:13:41 | |
And then, Megan is the very definition of, | 1:13:41 | 1:13:44 | |
a, singing wise, a really safe pair of hands, | 1:13:44 | 1:13:47 | |
she could, like, sing anything and you would never feel worried | 1:13:47 | 1:13:52 | |
when she sings, that anything can go wrong. You're safe. | 1:13:52 | 1:13:55 | |
So it is totally different ends of the singing spectrum, | 1:13:55 | 1:13:58 | |
both which I appreciate greatly, but if I had to take someone through... | 1:13:58 | 1:14:01 | |
Who connects with emotionally? I think that... | 1:14:01 | 1:14:04 | |
Possibly Deano, but I would take through Megan. | 1:14:04 | 1:14:07 | |
OK, Cheers, thanks, Ricky. | 1:14:07 | 1:14:08 | |
APPLAUSE | 1:14:08 | 1:14:10 | |
George, what do you make of that battle? | 1:14:10 | 1:14:12 | |
Deano, you have this great rasp in your voice, | 1:14:12 | 1:14:14 | |
and I think you are a much better singer than what we have just heard. | 1:14:14 | 1:14:17 | |
Equally, I think, Megan, the same. | 1:14:17 | 1:14:19 | |
It is just, sometimes when you put a guy and the girl | 1:14:19 | 1:14:21 | |
together, even though it is a brilliant song, | 1:14:21 | 1:14:23 | |
so I am not knocking that, babe, but I think you struggle pitch-wise, | 1:14:23 | 1:14:26 | |
so we didn't get the full benefit of what you can both really | 1:14:26 | 1:14:30 | |
do, so that is a real shame, because I can't really call it honestly. | 1:14:30 | 1:14:33 | |
All right, thanks, George, thank you. Paloma, what are you thinking right now, hon? | 1:14:33 | 1:14:37 | |
It is really hard, because I like them both a lot, | 1:14:37 | 1:14:41 | |
and, there is only one steal left, which Will has. | 1:14:41 | 1:14:46 | |
I am really hoping that Will would think about using it. | 1:14:46 | 1:14:51 | |
Fingers crossed. | 1:14:51 | 1:14:53 | |
And, as baned as I am to do this, | 1:14:53 | 1:14:56 | |
I am going to...take to the next round... | 1:14:56 | 1:15:03 | |
CROWD SHOUTS | 1:15:03 | 1:15:06 | |
-..Deano. -Deano! | 1:15:06 | 1:15:08 | |
Congratulations, mate. You are through to the knockouts, well done. | 1:15:08 | 1:15:11 | |
APPLAUSE | 1:15:11 | 1:15:14 | |
Well done, Deano, how are you feeling, mate? | 1:15:14 | 1:15:17 | |
Amazing, thank you so much. | 1:15:17 | 1:15:19 | |
Well done, you're still on Team Paloma. | 1:15:19 | 1:15:20 | |
Go and give her a big hug. One more time for Deano! | 1:15:20 | 1:15:22 | |
APPLAUSE | 1:15:22 | 1:15:26 | |
OK, Megan, you are no longer on Paloma's team, | 1:15:42 | 1:15:44 | |
but tell us why you would love to stay in the competition. | 1:15:44 | 1:15:47 | |
First of all, can I thank Paloma for bringing me to this stage? | 1:15:47 | 1:15:50 | |
-I am so grateful to be here tonight. -You're wonderful. -Thank you so much. | 1:15:50 | 1:15:54 | |
And I would just like to say, the kids wanted me to do this because | 1:15:54 | 1:15:57 | |
I have dedicated so much of my life to raising them, | 1:15:57 | 1:16:00 | |
which is my greatest honour. As much as I love motherhood, I love music | 1:16:00 | 1:16:03 | |
and it is time for me to try and let myself flower in that sense, | 1:16:03 | 1:16:07 | |
because I have always been a singer. | 1:16:07 | 1:16:09 | |
APPLAUSE | 1:16:09 | 1:16:11 | |
Thank you. | 1:16:11 | 1:16:12 | |
Brace yourself, as your future now lies with Will. | 1:16:12 | 1:16:16 | |
CROWD SHOUTS | 1:16:16 | 1:16:18 | |
OK, Megan, you are now available for a steal. | 1:16:18 | 1:16:21 | |
CROWD SHOUTS | 1:16:21 | 1:16:23 | |
Come on, Will! | 1:16:31 | 1:16:32 | |
Will, you only have a short amount of time left to steal Megan. | 1:16:34 | 1:16:37 | |
Oh, Megan. | 1:16:41 | 1:16:43 | |
That is the end of the road for you, Megan, | 1:16:43 | 1:16:45 | |
but you have had a fantastic time on the show, right? | 1:16:45 | 1:16:48 | |
Yes, I have had an amazing time. | 1:16:48 | 1:16:49 | |
Thank you so much, and well done to Deano, he is incredible. | 1:16:49 | 1:16:52 | |
Oh, bless you, let's hear it one more time, | 1:16:52 | 1:16:54 | |
Megan, everybody. | 1:16:54 | 1:16:56 | |
APPLAUSE | 1:16:56 | 1:16:58 | |
It was so hard, but I really want you to keep singing. | 1:16:58 | 1:17:01 | |
It is really hard. | 1:17:10 | 1:17:11 | |
Look, look, look! | 1:17:17 | 1:17:19 | |
She is so sweet. | 1:17:22 | 1:17:24 | |
-She was so, first of all, one of the most gracious... -People on the show. -..contestants. | 1:17:27 | 1:17:32 | |
So sweet, what she just said. So nice, they've got a lovely mum. | 1:17:32 | 1:17:36 | |
-We have all got a lovely mum. -You have a wonderful mum, boys. -Awesome. | 1:17:36 | 1:17:40 | |
APPLAUSE | 1:17:40 | 1:17:42 | |
Seeing my children there was one of the proudest moments for me. | 1:17:42 | 1:17:46 | |
Performing in front of them was an honour. | 1:17:46 | 1:17:48 | |
Poor Will was in the worst position right there. | 1:17:50 | 1:17:52 | |
That is four records you're not going to sell. | 1:17:54 | 1:17:58 | |
Thanks, Will, thanks. I will remember that. | 1:18:00 | 1:18:03 | |
Again, we are waiting for Will. | 1:18:03 | 1:18:05 | |
So, what will push his button? | 1:18:05 | 1:18:07 | |
Unfortunately I am the only steal left, so it is tough. | 1:18:07 | 1:18:10 | |
I don't know what Will is waiting for, it would be very | 1:18:10 | 1:18:13 | |
silly of me to try and imagine what is going on in Will's head, | 1:18:13 | 1:18:16 | |
because it is kaleidoscopic. | 1:18:16 | 1:18:17 | |
Yes! | 1:18:17 | 1:18:19 | |
What is he going to do? Probably wait till the very end. | 1:18:19 | 1:18:22 | |
I feel like Will enjoys the thrill of being the last | 1:18:22 | 1:18:27 | |
person to fill their team. | 1:18:27 | 1:18:28 | |
-Sure do. -It is like a gamble. -"Come on, Will!" | 1:18:28 | 1:18:32 | |
I have someone in mind, | 1:18:36 | 1:18:37 | |
but I don't know if their coach is going to let them go. | 1:18:37 | 1:18:40 | |
I just hope, for his sake, that this person becomes available. | 1:18:40 | 1:18:45 | |
OK, from the house of O'Dowd, it is Team Boy George! | 1:18:45 | 1:18:49 | |
APPLAUSE | 1:18:49 | 1:18:51 | |
Leighton and Eli, it is a kind of scary pairing. | 1:18:54 | 1:18:59 | |
# Heaven help us all. # | 1:18:59 | 1:19:03 | |
Leighton he is like the Welsh Stevie Wonder, | 1:19:03 | 1:19:06 | |
he's got this big, soulful voice. | 1:19:06 | 1:19:07 | |
# This is real, real, real, real love. # | 1:19:07 | 1:19:14 | |
And, Eli, she is super cool, beautiful, tall, elegant. | 1:19:14 | 1:19:19 | |
It is really going to be interesting. | 1:19:19 | 1:19:22 | |
I think, it is the one to watch, for me. | 1:19:22 | 1:19:24 | |
The song I have chosen you to sing is | 1:19:24 | 1:19:26 | |
I'll be Your Woman by Gladys Knight. | 1:19:26 | 1:19:28 | |
-OK, OK. -I love the drama of this song. | 1:19:28 | 1:19:31 | |
There is a lot of light and shade in this. The song, I think, | 1:19:31 | 1:19:34 | |
is going to require you to bust out a little bit. So, no pressure! | 1:19:34 | 1:19:36 | |
The song is completely beyond my comfort zone. | 1:19:38 | 1:19:42 | |
And, Leighton is like, "Yeah, I can belt these notes." | 1:19:42 | 1:19:46 | |
# That you're nothing at all. # | 1:19:46 | 1:19:50 | |
# But I will pick you up, darling. # | 1:19:50 | 1:19:52 | |
You are holding back so massively. | 1:19:52 | 1:19:54 | |
Leighton's got this big voice, and so have you. | 1:19:54 | 1:19:57 | |
You have got to give me a lot more than what you're giving me. | 1:19:57 | 1:20:00 | |
When I see someone like Eli holding back, it makes me | 1:20:00 | 1:20:02 | |
realise, that is what I am here to do. | 1:20:02 | 1:20:06 | |
I'm here to encourage her to go and be brave. | 1:20:06 | 1:20:09 | |
-# Life is so crazy... # -Is it, is it crazy? | 1:20:09 | 1:20:12 | |
Come on, baby! How crazy is life? Come on! | 1:20:12 | 1:20:15 | |
You are giving me, like, a toe. I need whole leg. With a heel on! | 1:20:15 | 1:20:20 | |
She can't sing it like she is going down the shops. | 1:20:20 | 1:20:24 | |
Get a pint of milk. It has got to be, you know, bust a gut, babe! | 1:20:24 | 1:20:27 | |
-Being a fellow Gemini, we are emotional creatures. -Yes. | 1:20:27 | 1:20:31 | |
And, you are, what I try to do as a singer, | 1:20:31 | 1:20:33 | |
you know, I am not interested in perfection, | 1:20:33 | 1:20:37 | |
but I am interested in making an emotional connection | 1:20:37 | 1:20:40 | |
with the audience. | 1:20:40 | 1:20:41 | |
It is going to be really exciting, and terrifying, | 1:20:41 | 1:20:45 | |
to see what she does with the advice I have given her, | 1:20:45 | 1:20:48 | |
because, you know, she really has to dig deep. | 1:20:48 | 1:20:51 | |
APPLAUSE | 1:20:56 | 1:20:58 | |
Let the battle commence. | 1:21:02 | 1:21:04 | |
# Mmmm, mmmm | 1:21:28 | 1:21:30 | |
# If I were your woman | 1:21:32 | 1:21:34 | |
# And you were my man | 1:21:34 | 1:21:37 | |
# You'd have no other woman | 1:21:37 | 1:21:40 | |
# You'd be weak as a lamb | 1:21:40 | 1:21:44 | |
# If you had the strength | 1:21:44 | 1:21:47 | |
# To walk out that door | 1:21:47 | 1:21:50 | |
# My love would over-rule my sense | 1:21:50 | 1:21:54 | |
# I'd call you back for more | 1:21:54 | 1:21:56 | |
# If I were your woman | 1:21:56 | 1:21:58 | |
# If you were my woman | 1:21:58 | 1:22:00 | |
# If I were your woman | 1:22:00 | 1:22:01 | |
# If you were my woman | 1:22:01 | 1:22:03 | |
# And you were my man | 1:22:03 | 1:22:06 | |
# Ooooh, oooh | 1:22:06 | 1:22:09 | |
# She tears you down, darling | 1:22:10 | 1:22:13 | |
# Says you're nothing at all | 1:22:13 | 1:22:16 | |
# But I'll pick you up, darling | 1:22:16 | 1:22:19 | |
# When she lets you fall | 1:22:19 | 1:22:23 | |
# You're like a diamond | 1:22:23 | 1:22:26 | |
# But she treats you like glass | 1:22:26 | 1:22:29 | |
# Yet you beg her to love you | 1:22:29 | 1:22:33 | |
# But me, you don't ask | 1:22:33 | 1:22:35 | |
# If I was your woman | 1:22:35 | 1:22:37 | |
# If you were my woman | 1:22:37 | 1:22:38 | |
-# If I were your woman -If you were my woman | 1:22:38 | 1:22:41 | |
-# If I was your woman -If you were my woman | 1:22:41 | 1:22:45 | |
# Here's what I'd do | 1:22:45 | 1:22:48 | |
# Baby, I'd never, no, never stop lovin' you | 1:22:48 | 1:22:54 | |
# Oooh, ooh, | 1:22:54 | 1:22:56 | |
# Ooooh | 1:22:56 | 1:22:59 | |
# Life is so crazy And love is unkind | 1:23:00 | 1:23:05 | |
# Because she came first, darlin', will she hang on your mind? | 1:23:05 | 1:23:12 | |
# You're a part of me, baby | 1:23:12 | 1:23:15 | |
# And I want you to know it | 1:23:15 | 1:23:18 | |
# You're what I need | 1:23:19 | 1:23:21 | |
# And I didn't even need you to show it | 1:23:21 | 1:23:24 | |
-# If I were your woman -If you were my woman | 1:23:24 | 1:23:27 | |
-# If I was your woman -If you were my woman | 1:23:27 | 1:23:30 | |
-# If I was your woman -If you were my woman, baby | 1:23:30 | 1:23:34 | |
# Here's what I'd do | 1:23:34 | 1:23:36 | |
# Baby | 1:23:36 | 1:23:37 | |
BOTH: # I'd never, no, never stop lovin' | 1:23:37 | 1:23:41 | |
# You. # | 1:23:41 | 1:23:48 | |
APPLAUSE AND CHEERING | 1:23:48 | 1:23:51 | |
That was incredible. | 1:23:51 | 1:23:52 | |
Let's hear it for Leighton and Eli, everyone! Amazing. | 1:23:52 | 1:23:57 | |
APPLAUSE | 1:23:57 | 1:23:59 | |
Well done, bro. | 1:23:59 | 1:24:02 | |
-Leighton, I know your son is the reason... -My son... Sorry. | 1:24:02 | 1:24:04 | |
-..that you entered this competition. Is he here tonight? -Yes, stand up, Jay. | 1:24:04 | 1:24:09 | |
Oh, that is his son. | 1:24:09 | 1:24:10 | |
APPLAUSE AND CHEERING | 1:24:10 | 1:24:12 | |
Good stuff, he must be very proud of his dad. | 1:24:12 | 1:24:14 | |
-How was that performance for you? -I really enjoyed myself. | 1:24:14 | 1:24:17 | |
-Fantastic, yes. -You sounded brilliant, mate. -Thank you, sir. | 1:24:17 | 1:24:19 | |
And, Eli, how was that performance for you? | 1:24:19 | 1:24:21 | |
It was amazing, I loved singing with Leighton, it was just electric. | 1:24:21 | 1:24:25 | |
It was electric, it was amazing. | 1:24:25 | 1:24:27 | |
George, of course, you can only keep one of these acts. | 1:24:27 | 1:24:30 | |
Let's see if your other coaches have any words of wisdom. | 1:24:30 | 1:24:33 | |
Paloma, who had the soul for you tonight, would you say? | 1:24:33 | 1:24:36 | |
We were utterly transported, it was so brilliant. | 1:24:36 | 1:24:40 | |
And so joyful. You both have so much soul. | 1:24:40 | 1:24:45 | |
That is the kind of thing that you play at Montreux Jazz Festival, | 1:24:45 | 1:24:50 | |
and you look in the archives of what happened there | 1:24:50 | 1:24:53 | |
and it is this type of stuff. | 1:24:53 | 1:24:56 | |
-You should both be so proud. -Thank you very much. -Thank you, Paloma. | 1:24:56 | 1:24:59 | |
APPLAUSE | 1:24:59 | 1:25:02 | |
I know it is a tough one but if you had to pick between the guys, | 1:25:02 | 1:25:05 | |
would you have Leighton or Eli tonight? | 1:25:05 | 1:25:07 | |
And what did you think, Ricky? | 1:25:07 | 1:25:09 | |
-RICKY: -That is interesting you should ask, Paloma. | 1:25:09 | 1:25:12 | |
I loved it, I don't have any steals left, | 1:25:12 | 1:25:16 | |
which I feel idiotic because of, I should have waited, | 1:25:16 | 1:25:20 | |
I should have been like Will, | 1:25:20 | 1:25:21 | |
because both of you deserve to go further in the competition. | 1:25:21 | 1:25:26 | |
APPLAUSE | 1:25:26 | 1:25:29 | |
George has a really tough time, and you are both great singers, | 1:25:29 | 1:25:33 | |
that is obvious, but what's more than that is I totally believed you. | 1:25:33 | 1:25:37 | |
Totally. I felt like you were madly in love, and you were his woman. | 1:25:37 | 1:25:42 | |
-And he was... -You felt that, right? | 1:25:42 | 1:25:44 | |
-It was sultry! -Will, what are you thinking right now? | 1:25:44 | 1:25:47 | |
You know how much soul your daddy got? | 1:25:47 | 1:25:50 | |
Your dad is packed with freakin' soul. | 1:25:51 | 1:25:55 | |
-Where are you from, Mr Jones? -Cardiff, Wales. -Wales? -Soul city! | 1:25:56 | 1:26:02 | |
Is it something in the water, or something? | 1:26:03 | 1:26:06 | |
I think so. | 1:26:06 | 1:26:07 | |
Where it's like, where black guys are like, | 1:26:07 | 1:26:11 | |
"Damn, that guy has more soul than me!" Seriously. | 1:26:11 | 1:26:15 | |
I say that with all the blackness in me. | 1:26:15 | 1:26:18 | |
OK, and you are just not fair, Ms Cripps. | 1:26:21 | 1:26:23 | |
That is not fair. | 1:26:23 | 1:26:25 | |
Because, usually you see beautiful women and you're like, | 1:26:25 | 1:26:29 | |
"She can't really sing without a computer." | 1:26:29 | 1:26:31 | |
Or "She's not that pretty. | 1:26:31 | 1:26:35 | |
"She got the best make-up artist in the world and the best..." | 1:26:35 | 1:26:39 | |
-Like, wow. Seriously. -Yeah, drop dead. -Stunning, drop dead. | 1:26:39 | 1:26:43 | |
-And she is Welsh as well, Will. -I am Welsh and black. | 1:26:43 | 1:26:45 | |
APPLAUSE AND CHEERING | 1:26:45 | 1:26:48 | |
Whoa! What is going on? | 1:26:48 | 1:26:51 | |
APPLAUSE | 1:26:51 | 1:26:52 | |
OK, George, did these two deliver exactly what you intended tonight? | 1:26:52 | 1:26:57 | |
They did, and, you know, I have been blessed, | 1:26:57 | 1:27:00 | |
because all of my singers have really listened to the advice | 1:27:00 | 1:27:03 | |
I gave them, and I was very, very, very clear about what I wanted. | 1:27:03 | 1:27:08 | |
And I know for Eli, Eli is supercool, | 1:27:08 | 1:27:10 | |
she is like a Sade, you know, and I kind of forced her, | 1:27:10 | 1:27:14 | |
there were moments where I was, | 1:27:14 | 1:27:16 | |
like, "Go on girl!" You did a bit of it. | 1:27:16 | 1:27:18 | |
You did not quite go as mad as I wanted you to and, there is so much | 1:27:18 | 1:27:21 | |
more inside of you, so much more to come, because you are really good. | 1:27:21 | 1:27:26 | |
Thank you. | 1:27:26 | 1:27:28 | |
Um. Leighton just has this guttural, | 1:27:28 | 1:27:31 | |
you know, I love the fact that he looks like he does | 1:27:31 | 1:27:33 | |
and then sings like that. | 1:27:33 | 1:27:35 | |
It's like, "What? What is going on in the world?" | 1:27:35 | 1:27:39 | |
But Wales does produce amazing singers. | 1:27:39 | 1:27:41 | |
As much as I love you, Eli, and I hope someone grabs hold of you, | 1:27:41 | 1:27:44 | |
because you are awesome, I have to go with my Welsh Stevie Wonder, | 1:27:44 | 1:27:47 | |
and I'm going to take Leighton through. | 1:27:47 | 1:27:50 | |
Leighton, congratulations. You are through to the knockouts. | 1:27:50 | 1:27:53 | |
Well done, Leighton. Go and see George. | 1:27:57 | 1:27:59 | |
One more time for Leighton, everyone. | 1:27:59 | 1:28:00 | |
-APPLAUSE -You really nailed it, and you were respectful, | 1:28:00 | 1:28:04 | |
and you built the song and did | 1:28:04 | 1:28:06 | |
-everything I ask you to do. -Thank you. -Honestly. -You are awesome. | 1:28:06 | 1:28:09 | |
Eli, can you tell us why you would like to stay in the competition? | 1:28:17 | 1:28:20 | |
I have had such an incredible journey | 1:28:20 | 1:28:22 | |
and such a great adventure so far, in The Voice, | 1:28:22 | 1:28:25 | |
and I feel like it has just begun, so I am not quite ready for it to finish. | 1:28:25 | 1:28:30 | |
OK, Eli there could still be a chance for you, | 1:28:30 | 1:28:32 | |
-your future now lies with Will. -OK. | 1:28:32 | 1:28:35 | |
OK, Eli, you are now available for a steal. | 1:28:37 | 1:28:41 | |
CROWD SHOUTS | 1:28:41 | 1:28:44 | |
OK, Will, you only have a short amount of time left to steal Eli. | 1:28:53 | 1:28:58 | |
APPLAUSE AND CHEERING | 1:29:00 | 1:29:02 | |
You are on Team Will, Eli! | 1:29:03 | 1:29:06 | |
Go and see your new coach. One more time for Eli, everyone. | 1:29:10 | 1:29:12 | |
APPLAUSE | 1:29:12 | 1:29:14 | |
Will was my complete guardian angel today, | 1:29:15 | 1:29:18 | |
because I loved both Eli and Leighton. | 1:29:18 | 1:29:20 | |
Buzzing, we both got through, absolutely buzzing, | 1:29:20 | 1:29:22 | |
because we worked hard. | 1:29:22 | 1:29:24 | |
Lookie-lookie! | 1:29:24 | 1:29:25 | |
I held out for Eli Cripps, and went through a lot of pressure | 1:29:27 | 1:29:32 | |
and I am happy that George left her available for a steal. | 1:29:32 | 1:29:36 | |
Oh, my God, it is so good. | 1:29:40 | 1:29:42 | |
Did we find out whether Leighton's son could sing? Get them young. | 1:29:42 | 1:29:45 | |
Can his son sing? Leighton's son. | 1:29:45 | 1:29:47 | |
-Leighton's, he probably could. -Should we ask him? | 1:29:47 | 1:29:50 | |
Baby Jones, do you know how to sing? | 1:29:51 | 1:29:54 | |
APPLAUSE AND CHEERING | 1:29:54 | 1:29:58 | |
I'm only asking for later. | 1:29:59 | 1:30:01 | |
You know, we like to get in there early, in case | 1:30:01 | 1:30:03 | |
you've got a good voice like your dad, you know. | 1:30:03 | 1:30:05 | |
How old are you? | 1:30:05 | 1:30:07 | |
15? | 1:30:07 | 1:30:08 | |
I used to be 15. | 1:30:08 | 1:30:09 | |
How old are you? | 1:30:11 | 1:30:12 | |
20-late. | 1:30:12 | 1:30:14 | |
-No, I'm proud to be 40. -Really? | 1:30:15 | 1:30:17 | |
-CHEERING -Yeah. | 1:30:17 | 1:30:18 | |
-You're 40? -Yeah. -You look good. -Yeah. -You look good. -Yeah, yeah. | 1:30:21 | 1:30:27 | |
40, yeah. Yeah. | 1:30:27 | 1:30:30 | |
I can't eat certain foods any more, though. | 1:30:30 | 1:30:32 | |
Like, I can't eat, like, burgers and stuff. | 1:30:32 | 1:30:38 | |
Like burgers go here. | 1:30:38 | 1:30:39 | |
Like, burritos go here. | 1:30:41 | 1:30:44 | |
LAUGHTER | 1:30:46 | 1:30:49 | |
Ask George. | 1:30:49 | 1:30:50 | |
LAUGHTER | 1:30:50 | 1:30:52 | |
That was mean of you. | 1:30:58 | 1:30:59 | |
Whoohoo! | 1:31:04 | 1:31:06 | |
By stealing Eli for his team, | 1:31:06 | 1:31:08 | |
Will has given all the remaining acts plenty to think about. | 1:31:08 | 1:31:11 | |
There are no steals left. | 1:31:11 | 1:31:13 | |
It puts a lot more pressure on the acts. | 1:31:13 | 1:31:15 | |
One singer will always have to go from now on. | 1:31:15 | 1:31:18 | |
There's no second chance. | 1:31:20 | 1:31:22 | |
It's like, you're the best, you're going. | 1:31:22 | 1:31:25 | |
# I like a little competition | 1:31:26 | 1:31:27 | |
# From time to time. # | 1:31:27 | 1:31:29 | |
That's how it is, so get to work and try your best. | 1:31:29 | 1:31:34 | |
Because everything is up for grabs. | 1:31:34 | 1:31:36 | |
Next up is Team Will. | 1:31:37 | 1:31:40 | |
CHEERING | 1:31:40 | 1:31:42 | |
The next battle is Mari Marli singing against Lyrickal. | 1:31:46 | 1:31:51 | |
CHEERING | 1:31:53 | 1:31:54 | |
Lyrickal is the beatboxer, a good one. | 1:31:56 | 1:31:59 | |
HE BEATBOXES | 1:31:59 | 1:32:03 | |
He's a singer, a great one. | 1:32:03 | 1:32:06 | |
# Futures made of virtual insanity... # | 1:32:06 | 1:32:10 | |
And he looks like the black Mad Max. | 1:32:12 | 1:32:15 | |
# Baba-da baba-da baba-da | 1:32:15 | 1:32:18 | |
# Oooh. # | 1:32:18 | 1:32:20 | |
# I love her Can't leave her | 1:32:22 | 1:32:25 | |
# Forever I'll always need her... # | 1:32:25 | 1:32:27 | |
Mari Marli came and sang Bang Bang | 1:32:27 | 1:32:29 | |
and I thought straight away that she was singing the wrong song. | 1:32:29 | 1:32:34 | |
I wrote that song for my limitations of singing. | 1:32:34 | 1:32:36 | |
She obviously sings one trillion times better than me. | 1:32:36 | 1:32:40 | |
I could hear how awesome you actually are. | 1:32:40 | 1:32:43 | |
Thank you. | 1:32:43 | 1:32:45 | |
Whoo! | 1:32:45 | 1:32:48 | |
I've paired them together to sing Like I Can by Sam Smith | 1:32:48 | 1:32:51 | |
because it's the perfect solo song. | 1:32:51 | 1:32:54 | |
# Like I can, can, can | 1:32:54 | 1:32:57 | |
# Can, can, can. # | 1:32:57 | 1:32:59 | |
That was really fresh. | 1:33:01 | 1:33:02 | |
Your falsetto was ill, Lyrickal. Sounds really nice. | 1:33:02 | 1:33:06 | |
It's obvious that you're extra skilled in this... | 1:33:06 | 1:33:10 | |
department called singing. | 1:33:10 | 1:33:12 | |
I did feel a bit left out in the rehearsal | 1:33:12 | 1:33:15 | |
with Will. But that just makes me want to work harder. | 1:33:15 | 1:33:19 | |
-You got, like, crazy soul. -Thank you. -Really, really awesome. | 1:33:21 | 1:33:25 | |
This is a true battle. This one is like, | 1:33:26 | 1:33:29 | |
"You got 1000 skills? | 1:33:29 | 1:33:30 | |
"Ha! Cute." | 1:33:30 | 1:33:32 | |
And then Mari Marli says, | 1:33:33 | 1:33:35 | |
"I got a truck full coming." | 1:33:35 | 1:33:38 | |
And then Lyrickal says, "Ha-ha, you foolish child! | 1:33:38 | 1:33:42 | |
"I'm a hologram and I'm downloading more of me." | 1:33:42 | 1:33:45 | |
It's going to be awesome. | 1:33:46 | 1:33:48 | |
CHEERING | 1:33:53 | 1:33:54 | |
Bring on Mari Marli... | 1:33:54 | 1:33:56 | |
..up against Lyrickal. | 1:34:00 | 1:34:01 | |
Let the battle commence. | 1:34:14 | 1:34:15 | |
# He could be a sinner or a gentleman | 1:34:32 | 1:34:38 | |
# He could be a preacher when your soul is damned | 1:34:38 | 1:34:43 | |
# He could be a lawyer on a witness stand | 1:34:43 | 1:34:47 | |
# But he'll never love you like I can, no | 1:34:47 | 1:34:52 | |
# He could be a stranger you gave a second glance | 1:34:52 | 1:34:57 | |
# He could be a trophy, yeah from a one-night stand | 1:34:57 | 1:35:02 | |
# He could have your humour but I don't understand | 1:35:02 | 1:35:08 | |
# Cos he'll never love you like I can, can, can | 1:35:08 | 1:35:12 | |
# Why are you looking down all these wrong roads | 1:35:12 | 1:35:17 | |
# When mine is the heart and the salt of the soul? | 1:35:17 | 1:35:21 | |
# There may be lovers who hold out their hands | 1:35:21 | 1:35:26 | |
# But they'll never love you like I can, can, can | 1:35:26 | 1:35:32 | |
# They'll never love you like I can, no | 1:35:32 | 1:35:35 | |
# A chance encounter of a circumstance | 1:35:35 | 1:35:40 | |
# Maybe he's a mantra keeps your mind entranced | 1:35:40 | 1:35:44 | |
# He could be the silence in this mayhem | 1:35:44 | 1:35:50 | |
# But he'll never love you like I can, can | 1:35:50 | 1:35:55 | |
# We both have demons that we can't stand | 1:35:55 | 1:36:00 | |
# I love your demons like devils can | 1:36:00 | 1:36:05 | |
# If you're self-seeking An honest man | 1:36:05 | 1:36:09 | |
# Then stop deceiving | 1:36:09 | 1:36:12 | |
# Lord, please | 1:36:12 | 1:36:17 | |
# Why are you looking down all the wrong roads | 1:36:17 | 1:36:21 | |
# When mine is the heart and the salt of the soul? | 1:36:21 | 1:36:27 | |
# There may be lovers who hold out their hands | 1:36:27 | 1:36:31 | |
# But they'll never love you like I can, can, can | 1:36:31 | 1:36:37 | |
# They'll never love you like I can, oh, yeah | 1:36:37 | 1:36:42 | |
# They'll never love you like I can, can, can. # | 1:36:42 | 1:36:51 | |
CHEERING | 1:36:51 | 1:36:54 | |
Yeah, let's hear it one more time for Mari and Lyrickal. | 1:36:54 | 1:36:58 | |
CHEERING | 1:36:58 | 1:36:59 | |
Hey. | 1:36:59 | 1:37:01 | |
Well done, guys. Well done, Mari. | 1:37:01 | 1:37:03 | |
Will, what were you looking for in this battle? | 1:37:04 | 1:37:08 | |
I was looking for control. I think you guys both over-sang. | 1:37:08 | 1:37:14 | |
I think you guys came in like, "I'm gonna tear this house down." | 1:37:14 | 1:37:18 | |
A lot of the time when you over-anticipate knocking it out | 1:37:18 | 1:37:21 | |
the park, you rarely do. | 1:37:21 | 1:37:23 | |
It's like usually you knock it out the park when you least expect it | 1:37:23 | 1:37:26 | |
and it's when you're in your natural state but it was still beautiful. | 1:37:26 | 1:37:30 | |
-I could just feel the thinking. -Thanks, Will. | 1:37:30 | 1:37:33 | |
George? | 1:37:33 | 1:37:34 | |
I was really surprised by Lyrickal, mostly, because it's | 1:37:34 | 1:37:36 | |
so different to what you did in your audition. | 1:37:36 | 1:37:39 | |
And I just didn't know you had that kind of lovely tone in your voice. | 1:37:39 | 1:37:42 | |
So that was a nice surprise. | 1:37:42 | 1:37:44 | |
You're an amazing singer, there's a really powerful voice there, | 1:37:44 | 1:37:47 | |
so it would be a hard one but, because Lyrickal surprised me | 1:37:47 | 1:37:50 | |
so much, I would probably go with Lyrickal because I was like, | 1:37:50 | 1:37:53 | |
"Wow, that's a surprise." | 1:37:53 | 1:37:54 | |
APPLAUSE | 1:37:54 | 1:37:56 | |
I was the same, like, when I heard Lyrickal sing, | 1:37:56 | 1:37:59 | |
I was like, | 1:37:59 | 1:38:01 | |
"Oh, this is totally not what I expected." | 1:38:01 | 1:38:03 | |
I feel like you could have done a bit less of the falsetto. | 1:38:03 | 1:38:07 | |
It's, like, enough to have a great tone. | 1:38:07 | 1:38:10 | |
And, Mari, I think that you were a bit nervous | 1:38:10 | 1:38:13 | |
and, like, a little pitchy. | 1:38:13 | 1:38:15 | |
I could see your leg shaking at the beginning. It's really hard | 1:38:15 | 1:38:19 | |
to control when your nerves are making you shake. | 1:38:19 | 1:38:22 | |
Ricky, tell us what you thought. | 1:38:22 | 1:38:23 | |
Not many people can show another side of them | 1:38:23 | 1:38:26 | |
and then a side of them that you prefer to the original. | 1:38:26 | 1:38:28 | |
Lyrickal, I preferred that to your blind audition, like, a lot. | 1:38:28 | 1:38:32 | |
But if I'm going to pick who my favourite was, | 1:38:32 | 1:38:34 | |
I would probably take Mari. | 1:38:34 | 1:38:36 | |
APPLAUSE Mari. Thank you, Ricky. | 1:38:36 | 1:38:39 | |
Of course, there are no more steals available, so this choice is really | 1:38:39 | 1:38:43 | |
more important than ever and it's time to make that decision, Will. | 1:38:43 | 1:38:47 | |
So my decision moving forward is who I feel is ready for the next | 1:38:52 | 1:38:56 | |
level of the competition. | 1:38:56 | 1:38:58 | |
-And that will be Lyrickal. -Lyrickal, congratulations. | 1:39:03 | 1:39:07 | |
CHEERING Yay! | 1:39:07 | 1:39:09 | |
You are through to the knockouts, Lyrickal. | 1:39:09 | 1:39:12 | |
That's amazing, unbelievable. | 1:39:12 | 1:39:14 | |
Well done, mate. | 1:39:23 | 1:39:26 | |
Unbelievable. | 1:39:26 | 1:39:27 | |
Mari, unfortunately, the other three coaches have used | 1:39:35 | 1:39:38 | |
all of their steals, so we're going to have to say goodbye. | 1:39:38 | 1:39:40 | |
It's been so amazing to sing in front of people that everybody, | 1:39:40 | 1:39:44 | |
like, looks up to as idols. | 1:39:44 | 1:39:46 | |
It's been amazing to work with the other singers | 1:39:46 | 1:39:48 | |
-and be part of such a great show. -CHEERING | 1:39:48 | 1:39:50 | |
Let's hear it one more time for Mari, thank you. | 1:39:50 | 1:39:53 | |
It's just too hard to put into words, man. | 1:40:02 | 1:40:05 | |
I feel ridiculous, crazy, about to collapse. | 1:40:05 | 1:40:09 | |
For Lyrickal, you ain't seen nothing yet. | 1:40:09 | 1:40:12 | |
I'm still in the place, so place your bets. | 1:40:12 | 1:40:14 | |
Next up, it's Team Ricky. | 1:40:16 | 1:40:18 | |
# When you going to call? Don't leave me broken-hearted. # | 1:40:25 | 1:40:29 | |
Aine's got a terrific voice, she's amazing. | 1:40:29 | 1:40:32 | |
On a good day, she can out-sing Rachel. | 1:40:35 | 1:40:37 | |
You're something special. | 1:40:37 | 1:40:38 | |
CHEERING | 1:40:38 | 1:40:41 | |
# I'm going in for the kill... # | 1:40:41 | 1:40:45 | |
CHEERING | 1:40:45 | 1:40:46 | |
Think of your favourite musicians of all time. | 1:40:47 | 1:40:50 | |
They all had something very special, something that | 1:40:50 | 1:40:52 | |
makes your heart break a little bit when you think about them. | 1:40:52 | 1:40:55 | |
Something that makes your heart leap a little bit | 1:40:55 | 1:40:57 | |
when you think about them. | 1:40:57 | 1:41:00 | |
That's what Rachel Ann's got. | 1:41:00 | 1:41:01 | |
They are the two youngest in the competition. | 1:41:04 | 1:41:07 | |
Only one can go through. I really hate to do that to them. | 1:41:07 | 1:41:10 | |
The song you're going to be singing together is | 1:41:10 | 1:41:12 | |
This Is The Last Time by Keane. | 1:41:12 | 1:41:15 | |
Oh, I don't know it but I like Keane. | 1:41:15 | 1:41:17 | |
-Hello, ladies. -Hey. | 1:41:20 | 1:41:22 | |
-How you doing? -Nervous. -Yeah, you must be. | 1:41:22 | 1:41:25 | |
-Nervous. -I really suffer from nerves as well. | 1:41:25 | 1:41:27 | |
Shall we just go for it and see what happens? | 1:41:27 | 1:41:29 | |
# The last time... # | 1:41:29 | 1:41:31 | |
When they first did the chorus I was like, "Wow." | 1:41:31 | 1:41:34 | |
# For anything you like. # | 1:41:34 | 1:41:36 | |
I mean, that, you've really hit the ground running | 1:41:36 | 1:41:39 | |
and I know you don't feel like you have but, towards the end | 1:41:39 | 1:41:42 | |
when the confidence came up, I nearly went, | 1:41:42 | 1:41:45 | |
when it first hit the chorus. | 1:41:45 | 1:41:47 | |
This could be a real tear-jerker. | 1:41:47 | 1:41:49 | |
Rachel is one of my friends and it's going to be kind of tough | 1:41:49 | 1:41:52 | |
seeing one of us go through and one of us not go through. | 1:41:52 | 1:41:55 | |
Use the nervous energy in a positive way. | 1:41:55 | 1:41:57 | |
Embrace it and I think it's going to be amazing. | 1:41:57 | 1:42:01 | |
CHEERING | 1:42:01 | 1:42:04 | |
The sweet 16s are about to get super serious. | 1:42:05 | 1:42:08 | |
Let the battle commence. | 1:42:09 | 1:42:11 | |
# This is the last time that | 1:42:22 | 1:42:26 | |
# I will say these words | 1:42:26 | 1:42:29 | |
# I remember the first time | 1:42:29 | 1:42:32 | |
# The first of many lies | 1:42:33 | 1:42:36 | |
# Sweep it into the corner | 1:42:36 | 1:42:40 | |
# Or hide it under the bed | 1:42:40 | 1:42:43 | |
# Say these things they go away | 1:42:43 | 1:42:48 | |
# But they never do | 1:42:48 | 1:42:51 | |
# The last time you fall on me for anything you like | 1:42:52 | 1:42:57 | |
# Your one last line | 1:43:00 | 1:43:04 | |
# You fall on me for anything you like | 1:43:04 | 1:43:08 | |
-BOTH: -# And I | 1:43:08 | 1:43:09 | |
# No, I don't mind | 1:43:09 | 1:43:15 | |
# This is the last time | 1:43:15 | 1:43:18 | |
# That I will show my face | 1:43:18 | 1:43:21 | |
# Say some things they never die | 1:43:21 | 1:43:25 | |
# Well, I tried and I tried | 1:43:25 | 1:43:29 | |
-# Something I wasn't sure of. # -Whoa! | 1:43:29 | 1:43:31 | |
# But I was in the middle of | 1:43:33 | 1:43:37 | |
# Something I forget now | 1:43:37 | 1:43:40 | |
# But I've seen too little of | 1:43:40 | 1:43:44 | |
# The last time you fall on me for anything you like | 1:43:44 | 1:43:52 | |
# One last line | 1:43:52 | 1:43:56 | |
# You fall on me for anything you like | 1:43:56 | 1:44:00 | |
-BOTH: -# And I | 1:44:00 | 1:44:01 | |
# No, I don't mind. # | 1:44:01 | 1:44:05 | |
CHEERING AND APPLAUSE | 1:44:11 | 1:44:15 | |
Hello, girls! | 1:44:17 | 1:44:18 | |
How you doing? Come on in! How was that? | 1:44:18 | 1:44:21 | |
Oh, it was actually so good. Like, oh, my God! | 1:44:21 | 1:44:23 | |
Our first barefoot battler. | 1:44:24 | 1:44:27 | |
-Yes. -Did you enjoy it? -I love her! | 1:44:27 | 1:44:31 | |
Aww! | 1:44:31 | 1:44:32 | |
APPLAUSE | 1:44:32 | 1:44:36 | |
Will, you were doing a lot of pointing. | 1:44:38 | 1:44:41 | |
You just kept going... | 1:44:41 | 1:44:43 | |
When Rachel Ann hit that whistle... | 1:44:43 | 1:44:46 | |
-Thank you. -When she went up to the clouds, I was like, "What?!" | 1:44:46 | 1:44:49 | |
CHEERING | 1:44:49 | 1:44:50 | |
I mean, I'm sure there were frequencies | 1:44:50 | 1:44:52 | |
that were heard by animals that we couldn't even hear! | 1:44:52 | 1:44:55 | |
Aine, good on ya for today! | 1:44:55 | 1:44:57 | |
-LAUGHTER -Everyone does that joke! | 1:44:57 | 1:45:00 | |
Oh, right, so I'm not the first? | 1:45:00 | 1:45:01 | |
No. | 1:45:01 | 1:45:02 | |
That look! | 1:45:02 | 1:45:04 | |
-"No." -LAUGHTER | 1:45:04 | 1:45:06 | |
-I love the bare feet. -Thanks. -It's so Sandy Shaw. | 1:45:06 | 1:45:09 | |
Everyone always says that, but I don't actually know who she is. | 1:45:09 | 1:45:12 | |
The first time I went on Top Of The Pops, | 1:45:12 | 1:45:14 | |
I went bare feet because I loved Sandy Shaw. | 1:45:14 | 1:45:16 | |
Now I'm really good friends with her. You'd love her. | 1:45:16 | 1:45:18 | |
-Yeah, I think I would. -I wore bare feet once and then | 1:45:18 | 1:45:20 | |
-everybody walked out the room. -LAUGHTER | 1:45:20 | 1:45:24 | |
You're both great singers. | 1:45:24 | 1:45:26 | |
Both great performers, both mesmerising to watch | 1:45:26 | 1:45:30 | |
and both causing me a massive headache right now. | 1:45:30 | 1:45:34 | |
An even bigger headache as well because there's no more steals, | 1:45:34 | 1:45:36 | |
-which means no more second chances. -I know. | 1:45:36 | 1:45:39 | |
Are you ready? | 1:45:41 | 1:45:43 | |
The person who is going to sing again in the knockouts... | 1:45:43 | 1:45:46 | |
..is Rachel Ann. | 1:45:52 | 1:45:53 | |
CHEERING | 1:45:53 | 1:45:56 | |
Congratulations! | 1:45:56 | 1:45:57 | |
Can I just say, I'm so grateful and I'm going to miss you so much! | 1:45:58 | 1:46:03 | |
-I love you. -Don't make me cry! | 1:46:03 | 1:46:05 | |
I know you're going to do so well. | 1:46:05 | 1:46:07 | |
APPLAUSE | 1:46:07 | 1:46:10 | |
What a sweet girl. | 1:46:10 | 1:46:12 | |
-She's so beautiful. -Really sweet. Going to make me cry. | 1:46:14 | 1:46:19 | |
I'm not crying because I didn't get through because | 1:46:25 | 1:46:27 | |
I am so grateful that I got this far, you know? | 1:46:27 | 1:46:29 | |
Thank you so much. But I don't know, I just think she's | 1:46:29 | 1:46:32 | |
such a good friend and that's why... | 1:46:32 | 1:46:34 | |
So, you've come here and you've made a brilliant friend as well. | 1:46:34 | 1:46:37 | |
Please put your hands together for Aine! | 1:46:37 | 1:46:39 | |
-APPLAUSE -Well done, Aine. Well done. | 1:46:39 | 1:46:42 | |
We want to take you home! | 1:46:44 | 1:46:47 | |
You were wonderful. Good luck. | 1:46:47 | 1:46:49 | |
God bless you. | 1:46:49 | 1:46:51 | |
See you later. | 1:46:51 | 1:46:52 | |
-Thanks. -You OK? -Yeah, I'm fine. | 1:46:52 | 1:46:54 | |
She's so sweet! | 1:46:57 | 1:46:59 | |
I wasn't like that when I was 16! | 1:47:01 | 1:47:03 | |
When you sing, it lights up the whole room. | 1:47:03 | 1:47:05 | |
-Thank you. -Well done. | 1:47:05 | 1:47:08 | |
-OK. -It was really good. -Thank you. | 1:47:08 | 1:47:10 | |
-Happy? -Yeah, I am happy. -Be happy. | 1:47:10 | 1:47:11 | |
-See you soon. -Thank you. | 1:47:11 | 1:47:14 | |
OK, Paloma, it's the final battle. | 1:47:14 | 1:47:17 | |
This one is a little tete-a-tete. | 1:47:17 | 1:47:19 | |
Ooh! AUDIENCE WHOOPS | 1:47:19 | 1:47:21 | |
I like it when you get all French on me. | 1:47:21 | 1:47:23 | |
LAUGHTER | 1:47:25 | 1:47:28 | |
Here's another duet from Team Paloma! | 1:47:30 | 1:47:33 | |
CHEERING | 1:47:33 | 1:47:36 | |
It's the Queen of Style versus the King of Swing. | 1:47:37 | 1:47:40 | |
Bring on Beth Morris... | 1:47:41 | 1:47:43 | |
CHEERING | 1:47:43 | 1:47:46 | |
..taking on the charms of Steve Devereaux. | 1:47:49 | 1:47:53 | |
CHEERING | 1:47:53 | 1:47:56 | |
Oh, my God. | 1:48:03 | 1:48:04 | |
My final pairing is going to be... | 1:48:06 | 1:48:10 | |
Steve... | 1:48:10 | 1:48:11 | |
In the blind audition, Steve sounded familiar to me | 1:48:18 | 1:48:21 | |
because of the music that I like. | 1:48:21 | 1:48:23 | |
# That's why the lady is a tramp. # | 1:48:23 | 1:48:27 | |
CHEERING | 1:48:27 | 1:48:29 | |
And he's just such a huge presence. | 1:48:29 | 1:48:32 | |
I do voice-overs to make a crust. | 1:48:32 | 1:48:34 | |
# Don't push me cos I'm close to the edge. # | 1:48:34 | 1:48:38 | |
And you, my dear friend, are going to be singing with... | 1:48:40 | 1:48:44 | |
Beth. | 1:48:44 | 1:48:45 | |
Beth's blind audition... | 1:48:50 | 1:48:51 | |
Oh, it's giving me goose bumps just thinking about. | 1:48:51 | 1:48:54 | |
# They call it Nutbush | 1:48:54 | 1:48:57 | |
# Oh, Nutbush. # | 1:48:57 | 1:49:00 | |
CHEERING | 1:49:00 | 1:49:01 | |
Stop! Let's just make musical babies now! | 1:49:03 | 1:49:06 | |
-I'm going to go with Paloma. -Yes! | 1:49:06 | 1:49:08 | |
And I'm just so excited that she picked me. | 1:49:08 | 1:49:11 | |
Have you got a voice-over impression of me yet? | 1:49:11 | 1:49:13 | |
-Yeah. -Let's hear it. | 1:49:13 | 1:49:15 | |
# I tell myself... # | 1:49:15 | 1:49:17 | |
Steve's an absolute hoot. | 1:49:18 | 1:49:20 | |
Starting here! | 1:49:20 | 1:49:21 | |
That was then and this is now. | 1:49:22 | 1:49:24 | |
All right? | 1:49:24 | 1:49:26 | |
He's a barrel of laughs. | 1:49:26 | 1:49:27 | |
You're just so smooth. | 1:49:27 | 1:49:29 | |
Sweetheart, you're never going to rough anything down with me. | 1:49:29 | 1:49:33 | |
Don't give me that tone of voice on your face. | 1:49:33 | 1:49:36 | |
Steve, shut up. | 1:49:36 | 1:49:37 | |
-Shall I leave my name and number in the wastepaper bin? -Please do! | 1:49:37 | 1:49:40 | |
No! | 1:49:40 | 1:49:41 | |
Steve is just, "Whoa!" | 1:49:41 | 1:49:43 | |
He's there and I love that, but it introverted me a little bit. | 1:49:43 | 1:49:47 | |
# I think you're crazy | 1:49:47 | 1:49:51 | |
# Just like me. # | 1:49:51 | 1:49:53 | |
Overpowering somebody doesn't necessarily mean that you're | 1:49:53 | 1:49:57 | |
the better performer. | 1:49:57 | 1:49:59 | |
I feel like, Steve, you need to be the gentleman | 1:49:59 | 1:50:03 | |
and not just hog the limelight, darling. | 1:50:03 | 1:50:06 | |
I think that if Beth lets Steve overpower her, | 1:50:06 | 1:50:09 | |
then she could be going home tonight. | 1:50:09 | 1:50:12 | |
Behave, Steve. | 1:50:19 | 1:50:20 | |
Shh. | 1:50:20 | 1:50:21 | |
Let the battle commence. | 1:50:24 | 1:50:26 | |
# I remember when | 1:50:44 | 1:50:45 | |
# I remember, I remember when I lost my mind | 1:50:45 | 1:50:49 | |
# There was something so pleasant about that place | 1:50:49 | 1:50:53 | |
# Even your emotions had an echo | 1:50:53 | 1:50:55 | |
# In so much space | 1:50:55 | 1:50:57 | |
# Ooh, yeah | 1:50:57 | 1:50:59 | |
# And when you're out there | 1:51:01 | 1:51:02 | |
# Without care, yeah, I was out of touch | 1:51:02 | 1:51:06 | |
# But it wasn't because I didn't know enough | 1:51:06 | 1:51:09 | |
# Oh, no | 1:51:09 | 1:51:11 | |
# I just knew too much | 1:51:11 | 1:51:14 | |
# Does that make me crazy? | 1:51:16 | 1:51:19 | |
# Does that make me crazy? | 1:51:20 | 1:51:25 | |
# Does that make me crazy? | 1:51:25 | 1:51:29 | |
# Possibly | 1:51:29 | 1:51:33 | |
# And I hope that you are having the time of your life | 1:51:35 | 1:51:41 | |
# But think twice | 1:51:42 | 1:51:45 | |
# That's my only advice | 1:51:45 | 1:51:51 | |
Come on, everyone! | 1:51:51 | 1:51:52 | |
# Come on now, who do you | 1:51:52 | 1:51:54 | |
# Who do you, who do you, who do you think you are? | 1:51:54 | 1:51:58 | |
# Ha-ha-ha, bless your soul | 1:51:58 | 1:52:02 | |
# You really think you're in control | 1:52:02 | 1:52:07 | |
# Well, I think you're crazy | 1:52:07 | 1:52:12 | |
# Well, I think you're crazy | 1:52:12 | 1:52:16 | |
# I think you're crazy | 1:52:16 | 1:52:21 | |
# Just like me | 1:52:21 | 1:52:25 | |
Come on! | 1:52:25 | 1:52:26 | |
# Ever since I was little | 1:52:26 | 1:52:28 | |
# Ever since I was little it looked like fun | 1:52:28 | 1:52:32 | |
# And it's no coincidence I've come | 1:52:32 | 1:52:35 | |
# And I can die when I'm done | 1:52:37 | 1:52:42 | |
# Does that make me crazy? | 1:52:42 | 1:52:46 | |
# Maybe you're crazy | 1:52:46 | 1:52:50 | |
# Maybe we're crazy | 1:52:50 | 1:52:55 | |
# Probably. # | 1:52:55 | 1:53:00 | |
CHEERING | 1:53:01 | 1:53:04 | |
Come on! | 1:53:07 | 1:53:08 | |
One more time for Beth and Steve! | 1:53:08 | 1:53:11 | |
CHEERING | 1:53:11 | 1:53:12 | |
Ricky? Who caught your eye out the two of them? | 1:53:15 | 1:53:18 | |
I think they're both a little crazy. | 1:53:18 | 1:53:21 | |
And it's nice to inject a touch of madness into proceedings. | 1:53:21 | 1:53:25 | |
And I think they both did. | 1:53:25 | 1:53:26 | |
You know, in your blind performance, you were full-on. | 1:53:26 | 1:53:29 | |
And that's why we love you. | 1:53:29 | 1:53:31 | |
Steve, big personality. Well done. | 1:53:31 | 1:53:34 | |
-Thank you. -APPLAUSE | 1:53:34 | 1:53:36 | |
That's one of my favourite songs, so thanks for that. | 1:53:36 | 1:53:38 | |
Steve, your take on it was unique and refreshing. | 1:53:38 | 1:53:41 | |
That could've easily have been like a James Bond song. Pretty cool. | 1:53:41 | 1:53:45 | |
-Thank you. -And Beth, like, if CeeLo never sung that song, | 1:53:45 | 1:53:48 | |
that could be your song. | 1:53:48 | 1:53:49 | |
Oh, thank you. | 1:53:49 | 1:53:51 | |
Yep. Pretty awesome. | 1:53:51 | 1:53:52 | |
APPLAUSE | 1:53:52 | 1:53:53 | |
Do you know what, on paper, it's the most bonkers thing. | 1:53:53 | 1:53:56 | |
-When Paloma said to me, I'm putting these two together, I was like, OK... -And it's called Crazy! | 1:53:56 | 1:54:00 | |
No, no, no - I was just, like, Steve, I have to applaud you, | 1:54:00 | 1:54:04 | |
because you could so have drowned in Beth. | 1:54:04 | 1:54:07 | |
Because she's an amazing soul singer. | 1:54:07 | 1:54:09 | |
And it could've been a car crash. | 1:54:09 | 1:54:12 | |
But somehow, with all your experience and your theatricality, | 1:54:12 | 1:54:16 | |
you just injected something great into it. | 1:54:16 | 1:54:20 | |
Actually, it was a lovely moment. It should've been a disaster! | 1:54:20 | 1:54:23 | |
I was like, wow, I really loved that! | 1:54:25 | 1:54:27 | |
So well done, guys, well done. | 1:54:27 | 1:54:29 | |
APPLAUSE | 1:54:29 | 1:54:31 | |
It's strange, but they're really reflective, as a pairing, | 1:54:31 | 1:54:35 | |
of the type of friends that I keep. | 1:54:35 | 1:54:38 | |
Like, I've got friends like Steve and I've got friends like Beth, | 1:54:38 | 1:54:42 | |
and we're all exceptionally crazy. | 1:54:42 | 1:54:45 | |
And I thought it was, like, the perfect title | 1:54:45 | 1:54:48 | |
and the perfect song for that situation. | 1:54:48 | 1:54:52 | |
Well, Paloma, as you know, all four steals have gone, | 1:54:52 | 1:54:55 | |
so once you make your decision, there's no going back. | 1:54:55 | 1:54:58 | |
I feel floored. | 1:54:58 | 1:54:59 | |
It will be Beth. | 1:55:06 | 1:55:07 | |
APPLAUSE | 1:55:07 | 1:55:09 | |
Congratulations! | 1:55:12 | 1:55:14 | |
You continue to battle on into the knockouts. | 1:55:14 | 1:55:17 | |
Thank you, Paloma. | 1:55:17 | 1:55:18 | |
Thank you. | 1:55:29 | 1:55:31 | |
Wow, that was like a different person. | 1:55:33 | 1:55:37 | |
Congratulations. Congratulations. | 1:55:37 | 1:55:40 | |
So Steve, it is the end of the road for you, | 1:55:40 | 1:55:42 | |
as far as The Voice is concerned, | 1:55:42 | 1:55:44 | |
but we've loved having you. Thank you so much. | 1:55:44 | 1:55:47 | |
Thank you. It's been a wonderful experience, | 1:55:47 | 1:55:49 | |
and I've loved meeting all of you... | 1:55:49 | 1:55:51 | |
Um...in equal measure. Look at me, | 1:55:51 | 1:55:53 | |
-Will, when I'm talking to you. -LAUGHTER | 1:55:53 | 1:55:55 | |
That's better. It may be late, but don't go tired on me now, baby. | 1:55:55 | 1:56:00 | |
-Come on. -I'm looking. | 1:56:00 | 1:56:01 | |
That's better. That's better. | 1:56:01 | 1:56:03 | |
That's one voice that you can't ignore, cos it's so deep! | 1:56:03 | 1:56:06 | |
I sound like that when I wake up in the morning. | 1:56:06 | 1:56:08 | |
LAUGHTER | 1:56:08 | 1:56:10 | |
You should hear ME in the morning, baby! | 1:56:10 | 1:56:12 | |
You need a seismograph. | 1:56:14 | 1:56:16 | |
LAUGHTER | 1:56:16 | 1:56:17 | |
Thank you all very much. I'm going to go and see my friends and family. | 1:56:17 | 1:56:20 | |
Thank you so much. Steve, everyone! | 1:56:20 | 1:56:23 | |
Well done, sir. Well done. Well done. | 1:56:26 | 1:56:29 | |
I was going to ask my steal for you | 1:56:29 | 1:56:31 | |
if there were any steals left, but there weren't. | 1:56:31 | 1:56:34 | |
If I had a steal, I would have stolen you. | 1:56:34 | 1:56:37 | |
-I'm a klepto like that. -Beautiful. | 1:56:37 | 1:56:40 | |
That was a lovely way to end the day. | 1:56:47 | 1:56:49 | |
Have you had fun? | 1:56:49 | 1:56:50 | |
Gorge. Gorge. | 1:56:51 | 1:56:53 | |
It's been gorge! | 1:56:53 | 1:56:56 | |
And what a show that was! | 1:56:56 | 1:56:58 | |
After some very intense battles, | 1:56:58 | 1:57:00 | |
the coaches now have their teams of just eight. | 1:57:00 | 1:57:04 | |
Hey, guys, can we make a request | 1:57:04 | 1:57:06 | |
on how the crowd responds to you when you say their name? | 1:57:06 | 1:57:09 | |
-Yeah? -Like when you say Team will.i.am, say, "Oh, yeah!" | 1:57:09 | 1:57:13 | |
-OK, but I want one as well, then. -What do you want? | 1:57:13 | 1:57:16 | |
# All we are saying... # | 1:57:16 | 1:57:19 | |
LAUGHTER | 1:57:19 | 1:57:20 | |
SHE CAWS | 1:57:20 | 1:57:22 | |
Ricky, you're happy with a cheer? | 1:57:25 | 1:57:27 | |
Yeah. I love the cheers. I'm an applause junkie. | 1:57:27 | 1:57:30 | |
After some very intense battles, | 1:57:32 | 1:57:34 | |
the coaches now have their teams of just eight. | 1:57:34 | 1:57:37 | |
Yeah, but those eight must become three. | 1:57:37 | 1:57:39 | |
Join us next time at the knockouts, as the artists sing to survive | 1:57:39 | 1:57:43 | |
-into the live shows. -But for now, please join us in thanking | 1:57:43 | 1:57:46 | |
our incredible house band - David Tench and The Confidential Waste. | 1:57:46 | 1:57:50 | |
And of course, our awesome coaches - Ricky Wilson! | 1:57:50 | 1:57:55 | |
Paloma Faith! | 1:57:56 | 1:57:58 | |
THEY CAW | 1:57:58 | 1:57:59 | |
Boy George! | 1:57:59 | 1:58:01 | |
# All we are saying... # | 1:58:01 | 1:58:02 | |
And will.i.am. | 1:58:02 | 1:58:04 | |
Oh, yeah! | 1:58:04 | 1:58:06 | |
See you next time. | 1:58:09 | 1:58:10 | |
-Goodnight. -Goodnight. | 1:58:10 | 1:58:12 | |
Next week... | 1:58:15 | 1:58:16 | |
It's the knockouts. | 1:58:16 | 1:58:19 | |
Very excited. Almost hyperventilating. | 1:58:19 | 1:58:22 | |
The coaches face heavy losses... | 1:58:22 | 1:58:24 | |
Five from every team will go home. | 1:58:24 | 1:58:27 | |
Oh! I hate my life. | 1:58:27 | 1:58:29 | |
So 20 people bounce. | 1:58:29 | 1:58:31 | |
-The big moment has come. -Argh! | 1:58:31 | 1:58:33 | |
..and create their ultimate live show line-up. | 1:58:33 | 1:58:36 | |
I'm left with three. | 1:58:36 | 1:58:38 | |
It's the fight for survival. | 1:58:38 | 1:58:40 | |
Who's the first person you're taking through to the live shows? | 1:58:40 | 1:58:44 |