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Let's get ready to battle! | 0:00:02 | 0:00:03 | |
BELL RINGS | 0:00:03 | 0:00:04 | |
One singer against another singer, going head-to-head. | 0:00:04 | 0:00:07 | |
-CHEERING -Anyone goes through. | 0:00:07 | 0:00:09 | |
And, for the first time ever, | 0:00:09 | 0:00:11 | |
the spinning chairs are making their battles debut. | 0:00:11 | 0:00:14 | |
Spinning for a steal. | 0:00:14 | 0:00:15 | |
BELL RINGS, GROANING | 0:00:15 | 0:00:16 | |
And this is where it gets VERY personal. | 0:00:16 | 0:00:18 | |
-CHEERING -I can't cope with this. | 0:00:18 | 0:00:19 | |
The Blinds were easy, compared to this. | 0:00:19 | 0:00:21 | |
Please. | 0:00:21 | 0:00:23 | |
No singing below the belt. | 0:00:23 | 0:00:25 | |
Or else, you are going home! | 0:00:25 | 0:00:27 | |
MIC CLANGS | 0:00:27 | 0:00:28 | |
The gloves are off. Woo-hoo! | 0:00:28 | 0:00:30 | |
This is the battles! | 0:00:30 | 0:00:32 | |
HE PANTS | 0:00:33 | 0:00:35 | |
CHEERING | 0:00:41 | 0:00:44 | |
Hello and welcome to The Voice, the battle rounds! | 0:00:44 | 0:00:48 | |
CHEERING | 0:00:48 | 0:00:50 | |
So, the coaches have their teams of 12, | 0:00:51 | 0:00:54 | |
but who will stay, who will go | 0:00:54 | 0:00:56 | |
and who will get stolen? | 0:00:56 | 0:00:58 | |
-Tonight is when we find out. -Yes, it is indeed. | 0:00:58 | 0:01:00 | |
Strap in tight. Let's meet our coaches. | 0:01:00 | 0:01:02 | |
CHEERING | 0:01:02 | 0:01:04 | |
Rocking and rollin' is Ricky Wilson, | 0:01:04 | 0:01:08 | |
alongside pitch-perfect Paloma Faith. | 0:01:08 | 0:01:11 | |
Let's hear it for the boys - | 0:01:11 | 0:01:13 | |
Boy George and wham, bam, it's will.i.am. | 0:01:13 | 0:01:17 | |
CHEERING | 0:01:17 | 0:01:19 | |
Ladies and gentlemen, your coaches! | 0:01:20 | 0:01:23 | |
CHEERING | 0:01:23 | 0:01:24 | |
MUSIC: Easy Love by Sigala | 0:01:24 | 0:01:27 | |
Good evening! | 0:01:33 | 0:01:35 | |
Evening, everyone. | 0:01:35 | 0:01:36 | |
So, the battle rounds. | 0:01:36 | 0:01:37 | |
George, first time at the battles for you. | 0:01:37 | 0:01:40 | |
-Yes. -How are you feeling about splitting your team in half? | 0:01:40 | 0:01:42 | |
It is kind of daunting. | 0:01:42 | 0:01:45 | |
It's going to be emotional, | 0:01:45 | 0:01:46 | |
but I have to remember that it's a competition. | 0:01:46 | 0:01:48 | |
It's all going to be about the performance. | 0:01:48 | 0:01:50 | |
Good stuff. Paloma, how are you feeling tonight? | 0:01:50 | 0:01:53 | |
I don't want to see anyone go and I just was saying, like, | 0:01:53 | 0:01:55 | |
I wish this wasn't The Voice at the moment. | 0:01:55 | 0:01:58 | |
I just wish it was like a summer school or something. | 0:01:58 | 0:02:00 | |
-LAUGHTER -So we could just carry on | 0:02:00 | 0:02:02 | |
working for ever. | 0:02:02 | 0:02:04 | |
-Ricky, Will... -Hi. -You are obviously seasoned pros at the battles. | 0:02:04 | 0:02:07 | |
Have you got any advice for George and Paloma tonight? | 0:02:07 | 0:02:10 | |
I've got loads of advice, but as it's a competition, | 0:02:10 | 0:02:12 | |
I don't think I'm going to be dishing much out. | 0:02:12 | 0:02:14 | |
-ALL: -Ooh! | 0:02:14 | 0:02:16 | |
Competitive already! | 0:02:16 | 0:02:18 | |
LAUGHTER | 0:02:18 | 0:02:19 | |
Coaches, very best of luck. Enjoy the evening. | 0:02:19 | 0:02:22 | |
-Let's get the battle rounds started. -Thank you. | 0:02:22 | 0:02:25 | |
CHEERING | 0:02:25 | 0:02:27 | |
-Wow. They're so close. -LAUGHTER | 0:02:38 | 0:02:40 | |
-Yeah, they've changed the room. -They have changed the room. | 0:02:40 | 0:02:43 | |
-The feng shui's much better like this. -I like it. | 0:02:43 | 0:02:46 | |
Hiya! | 0:02:46 | 0:02:48 | |
AUDIENCE MEMBER: I love you, Will! | 0:02:49 | 0:02:51 | |
APPLAUSE | 0:02:54 | 0:02:56 | |
The battles are intense. | 0:02:56 | 0:02:58 | |
We have our teams and they have to go up against each other. | 0:02:58 | 0:03:02 | |
I think we have the best team out of all the coaches. | 0:03:02 | 0:03:04 | |
Everything is hinging on this, like... | 0:03:04 | 0:03:06 | |
-Ricky's team's, like, all right. -LAUGHTER | 0:03:06 | 0:03:08 | |
I'm glad will.i.am doesn't like it. | 0:03:08 | 0:03:10 | |
Somewhere in my team could be The Voice. | 0:03:10 | 0:03:13 | |
I just have to hang onto them. | 0:03:13 | 0:03:15 | |
Paloma has some pretty good singers. | 0:03:15 | 0:03:17 | |
You know my team is the best. | 0:03:17 | 0:03:19 | |
They are calling it the battles, | 0:03:19 | 0:03:21 | |
which I refuse to say, because I'm a pacifist. | 0:03:21 | 0:03:24 | |
So I'm starting a revolution. | 0:03:24 | 0:03:26 | |
# All we are singing | 0:03:26 | 0:03:30 | |
# Is give peace a chance. # | 0:03:30 | 0:03:32 | |
And Boy George's team is...pretty cool. | 0:03:35 | 0:03:38 | |
Oh, thank you. | 0:03:38 | 0:03:39 | |
CHEERING | 0:03:39 | 0:03:41 | |
I think I have a really strong team of real, soulful singers. | 0:03:41 | 0:03:45 | |
What a motley crew! Look at you. | 0:03:45 | 0:03:47 | |
-LAUGHTER -It's perfect! | 0:03:47 | 0:03:48 | |
But I reckon our team is the dopest. | 0:03:51 | 0:03:53 | |
CHEERING | 0:03:55 | 0:03:57 | |
First up to battle tonight, it's Team Will. | 0:04:01 | 0:04:04 | |
CHEERING | 0:04:04 | 0:04:06 | |
It's OK! | 0:04:09 | 0:04:10 | |
-ALL: -Hey! | 0:04:13 | 0:04:14 | |
-How you guys feeling? You guys all right? -Good. -Yeah. | 0:04:14 | 0:04:17 | |
The song that will be sung for our first battle is called | 0:04:17 | 0:04:20 | |
Cryin' by Aerosmith. | 0:04:20 | 0:04:22 | |
And the two people that are going to be | 0:04:22 | 0:04:24 | |
battling and singing it are... | 0:04:24 | 0:04:26 | |
..Irene... | 0:04:28 | 0:04:30 | |
I know who you're going to sing against. | 0:04:32 | 0:04:35 | |
It's like the battle of the freakin' voices right here. | 0:04:35 | 0:04:38 | |
You're going to be singing against... | 0:04:38 | 0:04:40 | |
..Lydia. | 0:04:41 | 0:04:43 | |
This is when it gets good. | 0:04:49 | 0:04:51 | |
Lydia and Irene are just powerhouses. | 0:04:51 | 0:04:54 | |
Irene is like a tornado of harmonics. | 0:04:55 | 0:04:58 | |
When she sings, the Earth ripples. | 0:04:58 | 0:05:01 | |
SHE HOLDS A HIGH NOTE | 0:05:02 | 0:05:04 | |
Lydia can sing, too. | 0:05:07 | 0:05:08 | |
# Knew you were bad news... # | 0:05:08 | 0:05:11 | |
But she has a lot of tricks. | 0:05:11 | 0:05:13 | |
She's, like, flippin' around and rapping. | 0:05:13 | 0:05:15 | |
# I shoulda known you were bad news... # | 0:05:15 | 0:05:18 | |
SHE HOLDS A HIGH NOTE | 0:05:18 | 0:05:19 | |
You're amazing. | 0:05:19 | 0:05:20 | |
Being at the blind auditions, doing what I love doing, | 0:05:20 | 0:05:23 | |
it was just amazing. | 0:05:23 | 0:05:25 | |
My mum is a massive fan. | 0:05:25 | 0:05:27 | |
To be honest, my whole family are so supportive. | 0:05:27 | 0:05:29 | |
'Whenever we're all together, it's just Essex banter, really.' | 0:05:29 | 0:05:33 | |
-Why are you smirking like that? -I'm smiling! | 0:05:34 | 0:05:37 | |
I don't know what else to say. | 0:05:37 | 0:05:40 | |
Hello. | 0:05:40 | 0:05:41 | |
Both of them are supposed to bring out the best | 0:05:41 | 0:05:43 | |
out of each one of them. | 0:05:43 | 0:05:44 | |
-How are you guys feeling? -A bit nervous. -Why? | 0:05:44 | 0:05:47 | |
We both don't really know the song, do we? | 0:05:47 | 0:05:49 | |
You don't know the song? | 0:05:49 | 0:05:50 | |
-I haven't... -Never sung it? -I've never sung it. | 0:05:50 | 0:05:52 | |
All right. Well, let's give it a go. | 0:05:52 | 0:05:54 | |
-Yeah? -Yes. -OK. -OK. | 0:05:54 | 0:05:55 | |
# There was a time... # | 0:05:55 | 0:05:58 | |
'When we went into rehearsals, I was very nervous, | 0:05:58 | 0:06:01 | |
'because I was thinking I'm too old school | 0:06:01 | 0:06:03 | |
'and Lydia is so current.' | 0:06:03 | 0:06:06 | |
But I thought, "I'm here to fight." | 0:06:06 | 0:06:08 | |
# Till you give your heart away! # | 0:06:08 | 0:06:14 | |
Dominating today was done by Irene. | 0:06:14 | 0:06:16 | |
She's the kind of person that can sing | 0:06:16 | 0:06:19 | |
in a stadium without a microphone, and you can hear her still. | 0:06:19 | 0:06:22 | |
But Lydia, she has it in her. She knows she has it. | 0:06:24 | 0:06:26 | |
But I want her to, like, fight for it. | 0:06:26 | 0:06:28 | |
I felt like I didn't really know the song | 0:06:28 | 0:06:32 | |
and I couldn't give it my all. | 0:06:32 | 0:06:33 | |
Irene was, like, going for it and I wasn't. | 0:06:33 | 0:06:35 | |
I was just standing there like... | 0:06:35 | 0:06:37 | |
"Pff, I don't know what I'm doing." Do you know what I mean? | 0:06:37 | 0:06:39 | |
I just didn't know what I was doing. | 0:06:39 | 0:06:41 | |
-How do you feel? -At the moment, I'm just a bit like... | 0:06:41 | 0:06:43 | |
-All over the place. -For the first time that you guys are singing it, | 0:06:43 | 0:06:46 | |
you guys sound magical. | 0:06:46 | 0:06:48 | |
Lydia has to light it up, so, when she leaves, | 0:06:48 | 0:06:51 | |
she's like, "I lit it up." | 0:06:51 | 0:06:53 | |
Get it? Lydia. Boom! She lit it up. | 0:06:53 | 0:06:55 | |
BELL RINGS | 0:06:56 | 0:06:58 | |
APPLAUSE AND CHEERING | 0:06:58 | 0:06:59 | |
OK. Prepare yourselves for a scorching vocal showdown. | 0:06:59 | 0:07:02 | |
It's Irene Alano-Rhodes... | 0:07:02 | 0:07:04 | |
CHEERING | 0:07:04 | 0:07:06 | |
..against Lydia Lucy. | 0:07:08 | 0:07:09 | |
CHEERING | 0:07:09 | 0:07:11 | |
-Psst! -Hm? | 0:07:17 | 0:07:19 | |
-Mm. -Just chill, Will, OK? | 0:07:19 | 0:07:22 | |
-It will all be fine. -It's going to be fine. | 0:07:22 | 0:07:24 | |
Let the battle commence. | 0:07:25 | 0:07:27 | |
APPLAUSE AND CHEERING | 0:07:27 | 0:07:29 | |
DRUMSTICKS CLICK | 0:07:46 | 0:07:47 | |
BAND PLAYS | 0:07:48 | 0:07:50 | |
# There was a time | 0:07:57 | 0:08:00 | |
# When I was so broken-hearted | 0:08:00 | 0:08:04 | |
# Love wasn't much | 0:08:04 | 0:08:06 | |
# Of a friend of mine | 0:08:06 | 0:08:10 | |
# The tables have turned | 0:08:10 | 0:08:13 | |
# Yeah, cos me and them ways have parted | 0:08:13 | 0:08:17 | |
# That kind of love | 0:08:17 | 0:08:19 | |
# Was the killin' kind | 0:08:19 | 0:08:22 | |
# Ooh, listen! | 0:08:22 | 0:08:24 | |
# All I want | 0:08:24 | 0:08:26 | |
# Is someone I can't resist | 0:08:26 | 0:08:31 | |
BOTH: # I know all I need to know | 0:08:31 | 0:08:33 | |
# By the way that I got kissed, yeah | 0:08:33 | 0:08:37 | |
# I was cryin' when I met you | 0:08:37 | 0:08:40 | |
# Now I'm tryin' to forget you | 0:08:40 | 0:08:45 | |
# Love is sweet misery | 0:08:45 | 0:08:49 | |
# Yeah, yeah! | 0:08:49 | 0:08:50 | |
# I was cryin' just to get you | 0:08:50 | 0:08:54 | |
# Now I'm dyin' cos I let you | 0:08:54 | 0:08:58 | |
# Do what you do | 0:08:58 | 0:09:00 | |
# Down on me | 0:09:00 | 0:09:03 | |
# Yeah! | 0:09:03 | 0:09:05 | |
# Now there's not even breathin' room | 0:09:05 | 0:09:08 | |
# Between pleasure and pain | 0:09:08 | 0:09:11 | |
-# No, no, no, no! -Yeah, yeah, yeah, yeah! | 0:09:11 | 0:09:12 | |
# Yeah, you cry when we're makin' love | 0:09:12 | 0:09:15 | |
# Must be one and the same | 0:09:15 | 0:09:19 | |
# Cos what you got inside | 0:09:19 | 0:09:21 | |
# Ain't where your love should stay, yeah | 0:09:21 | 0:09:25 | |
-# Our love -Sweet love | 0:09:25 | 0:09:27 | |
# Ain't love | 0:09:27 | 0:09:28 | |
# Till you give your heart away | 0:09:28 | 0:09:34 | |
# Away... | 0:09:34 | 0:09:37 | |
# I was cryin' when I met you | 0:09:38 | 0:09:42 | |
# Now I'm tryin' to forget you | 0:09:42 | 0:09:47 | |
# Your love is sweet misery, yeah | 0:09:47 | 0:09:52 | |
# I was cryin' | 0:09:52 | 0:09:56 | |
# Now I'm dyin' cos I let you | 0:09:56 | 0:10:00 | |
-# Do what you do -Down on, down on | 0:10:00 | 0:10:05 | |
# Down on, down on me | 0:10:05 | 0:10:09 | |
# Yeah... # | 0:10:09 | 0:10:16 | |
CHEERING | 0:10:16 | 0:10:18 | |
Wow. How about that? Let's hear it one more time for Irene and Lydia! | 0:10:20 | 0:10:23 | |
CHEERING | 0:10:23 | 0:10:26 | |
Irene, well done. How does it feel to be on the stage tonight? | 0:10:26 | 0:10:28 | |
Absolutely amazing. | 0:10:28 | 0:10:31 | |
Cool. Who's come to watch you tonight, Irene? | 0:10:31 | 0:10:33 | |
My little boy. My loves, Little Boy and Pupa. | 0:10:33 | 0:10:36 | |
Hello, 14-year-old! | 0:10:36 | 0:10:39 | |
Congratulations, Irene. Well done. Lydia, how was that for you? | 0:10:39 | 0:10:42 | |
Oh, it was amazing. Wow. I'm speechless. | 0:10:42 | 0:10:44 | |
-APPLAUSE -George, if you were going to be | 0:10:44 | 0:10:46 | |
duetting with any of these ladies, who would you pick? | 0:10:46 | 0:10:48 | |
Well, first of all, it was quite an angry performance, | 0:10:48 | 0:10:51 | |
and that song isn't really an angry song. | 0:10:51 | 0:10:53 | |
AUDIENCE GROANS | 0:10:53 | 0:10:55 | |
I mean, Irene, you know, you did some amazing notes. | 0:10:55 | 0:10:57 | |
Very different to your audition. | 0:10:57 | 0:10:59 | |
I mean, you both did yourselves proud, but... | 0:10:59 | 0:11:02 | |
You didn't sing together. | 0:11:02 | 0:11:03 | |
So I would find it really hard to call that. | 0:11:03 | 0:11:06 | |
-But you've both got amazing voices. -All right. Thank you, George. | 0:11:06 | 0:11:09 | |
I'm quite in agreement with George, in the sense that I'm a pacifist | 0:11:11 | 0:11:15 | |
and I don't really like it being a battle. | 0:11:15 | 0:11:18 | |
I feel like nurturing each other | 0:11:18 | 0:11:21 | |
is always the best way to go. | 0:11:21 | 0:11:24 | |
In the future, like, when you sing with people, | 0:11:24 | 0:11:26 | |
I would definitely think about | 0:11:26 | 0:11:28 | |
what you can do to help one another, | 0:11:28 | 0:11:30 | |
-cos it's a metaphor for life. -APPLAUSE AND CHEERING | 0:11:30 | 0:11:33 | |
Thank you, Paloma. | 0:11:33 | 0:11:34 | |
If the girls were on your team, and you had to pick one of them | 0:11:34 | 0:11:36 | |
-to go through, who would you pick to go through tonight? -Ooh... | 0:11:36 | 0:11:40 | |
They're both exceptional singers | 0:11:40 | 0:11:42 | |
and could sing me under the table and back again, | 0:11:42 | 0:11:45 | |
but, erm... | 0:11:45 | 0:11:47 | |
what I lack in talent, I make up for in banter. | 0:11:47 | 0:11:50 | |
-LAUGHTER -But, er.... | 0:11:50 | 0:11:53 | |
..I think I'd probably... | 0:11:54 | 0:11:55 | |
keep Irene. | 0:11:55 | 0:11:57 | |
-Irene. -APPLAUSE | 0:11:57 | 0:11:58 | |
OK. Thank you, Paloma. | 0:11:58 | 0:12:00 | |
Ricky, do you feel the need to wave | 0:12:00 | 0:12:01 | |
your lighter in the air for that performance? | 0:12:01 | 0:12:03 | |
I loved it. And I quite... I love the fact it was a battle. | 0:12:03 | 0:12:06 | |
I thought neither of you were going to let | 0:12:06 | 0:12:08 | |
-that one slip through your fingers. -APPLAUSE AND CHEERING | 0:12:08 | 0:12:10 | |
And... | 0:12:10 | 0:12:12 | |
And sometimes, you need a bit of competition, because it's like, | 0:12:12 | 0:12:15 | |
"If you're going to bring that, I'm going to bring this, | 0:12:15 | 0:12:17 | |
"I'm going to bring that." | 0:12:17 | 0:12:19 | |
Absolutely. Who would you put through? | 0:12:19 | 0:12:21 | |
If I had to keep someone, I would keep Lydia. | 0:12:21 | 0:12:23 | |
Lydia. OK. APPLAUSE | 0:12:23 | 0:12:25 | |
Thank you, Ricky. | 0:12:25 | 0:12:26 | |
Will? | 0:12:26 | 0:12:27 | |
Irene, Lydia brought something out of you today | 0:12:27 | 0:12:29 | |
that we didn't see in the Blinds. | 0:12:29 | 0:12:32 | |
And you were like Super Irene today. | 0:12:32 | 0:12:35 | |
And, Lydia, you was like... You had this, like... | 0:12:35 | 0:12:38 | |
You were battling Method Man, or freakin' Kanye and Jay-Z | 0:12:38 | 0:12:41 | |
-up on the mic. -LAUGHTER | 0:12:41 | 0:12:43 | |
But out came Lauryn Hill | 0:12:43 | 0:12:44 | |
and Whitney Houston and Mariah Carey all together. | 0:12:44 | 0:12:46 | |
-So I thought that was really freakin' fresh. -Yeah. | 0:12:46 | 0:12:49 | |
APPLAUSE | 0:12:49 | 0:12:50 | |
- Cool, thank you, Will. - A star was born today. | 0:12:50 | 0:12:53 | |
And it took a collision - pshh! - to bring about that star. | 0:12:54 | 0:12:58 | |
But, that being said, there are... | 0:12:58 | 0:13:00 | |
Somebody has to be stolen, | 0:13:00 | 0:13:03 | |
because we've got some golden gems right there on stage. | 0:13:03 | 0:13:06 | |
Please, somebody steal. | 0:13:06 | 0:13:08 | |
And the winner of today's battle, for Team Will is... | 0:13:08 | 0:13:11 | |
-AUDIENCE SHOUT -Shh! | 0:13:11 | 0:13:14 | |
Let me say it. | 0:13:14 | 0:13:15 | |
LAUGHTER | 0:13:15 | 0:13:16 | |
HIGH-PITCHED IMITATION | 0:13:19 | 0:13:21 | |
How come they can't say, like, a different tone? Like... | 0:13:21 | 0:13:24 | |
MIMICS IN DEEP VOICE | 0:13:24 | 0:13:25 | |
DEEP VOICES SHOUT BACK | 0:13:25 | 0:13:28 | |
LAUGHTER | 0:13:28 | 0:13:30 | |
OK. OK. Here we go. | 0:13:31 | 0:13:33 | |
And the winner of today's battle is... | 0:13:33 | 0:13:35 | |
-..Lydia! -APPLAUSE | 0:13:37 | 0:13:39 | |
Lydia! Congratulations. Well done, mate. | 0:13:39 | 0:13:42 | |
You are through to the Knockouts. How are you feeling? | 0:13:42 | 0:13:45 | |
I can't believe it. I'm so happy, honestly. | 0:13:45 | 0:13:47 | |
Thank you so much. Thank you. | 0:13:47 | 0:13:49 | |
Well done, Lydia. You are still on Team Will. One more time for Lydia! | 0:13:49 | 0:13:53 | |
CHEERING | 0:13:53 | 0:13:54 | |
-You were awesome. -Thank you. | 0:13:54 | 0:13:56 | |
CHEERING | 0:13:56 | 0:13:58 | |
OK, Irene, there could be a second chance on the way. | 0:14:04 | 0:14:07 | |
What would it mean for you to stay in the competition? | 0:14:07 | 0:14:10 | |
From the age of five, I've been singing. | 0:14:10 | 0:14:12 | |
I sing from my heart. I work from my heart. | 0:14:12 | 0:14:14 | |
If you want me to stay, | 0:14:14 | 0:14:16 | |
I would love to stay. | 0:14:16 | 0:14:18 | |
OK, brace yourself, | 0:14:18 | 0:14:20 | |
as your future now lies with the coaches. | 0:14:20 | 0:14:22 | |
AUDIENCE SHOUTS OUT | 0:14:24 | 0:14:26 | |
Irene, you are now available for a steal. | 0:14:26 | 0:14:29 | |
AUDIENCE SHOUTS OUT | 0:14:29 | 0:14:31 | |
Steal her! | 0:14:48 | 0:14:50 | |
Three, two... | 0:14:50 | 0:14:53 | |
One! | 0:14:53 | 0:14:55 | |
-Ah, no! -AUDIENCE GROANS | 0:14:55 | 0:14:56 | |
-Irene, I'm so sorry. -APPLAUSE | 0:14:56 | 0:14:58 | |
You haven't been stolen. Have you had a great time on the show? | 0:14:58 | 0:15:01 | |
I've had an absolutely amazing time. Thank you. | 0:15:01 | 0:15:04 | |
Bless you. One more time for Irene, everybody. | 0:15:04 | 0:15:06 | |
APPLAUSE DROWNS SPEECH | 0:15:06 | 0:15:09 | |
Well done. | 0:15:09 | 0:15:11 | |
CHEERING | 0:15:18 | 0:15:20 | |
Irene did a great job. | 0:15:26 | 0:15:28 | |
I wish the three coaches had stolen her. | 0:15:28 | 0:15:31 | |
I don't know why they didn't, but Lydia was a smasher. | 0:15:31 | 0:15:34 | |
She smashed it. | 0:15:34 | 0:15:35 | |
Wow. That was unexpected, you know? | 0:15:37 | 0:15:39 | |
You know, watching it on the TV | 0:15:41 | 0:15:42 | |
and then seeing it in real life, it's kind of...yeah. | 0:15:42 | 0:15:45 | |
-It's exciting, isn't it? -It's really exciting. | 0:15:45 | 0:15:47 | |
Really exciting. And these people are good enough to get to here. | 0:15:47 | 0:15:50 | |
-Oh, yeah. -The standard is that high. | 0:15:50 | 0:15:52 | |
-It's kind of great. -It's incredible. And we're watching everything. -Yeah. | 0:15:52 | 0:15:55 | |
It's not like you turn round and you watch a bit of it. | 0:15:55 | 0:15:57 | |
-It's a total different performance. -Yeah, yeah. You get to know them. | 0:15:57 | 0:16:00 | |
-OK, then. We're spinning round. -All right. | 0:16:00 | 0:16:02 | |
Are you lot enjoying yourselves? | 0:16:06 | 0:16:08 | |
-ALL: -Yeah. -It's marvellous, isn't it? | 0:16:08 | 0:16:10 | |
-Woo! -LAUGHTER | 0:16:10 | 0:16:12 | |
Love you, Paloma! | 0:16:12 | 0:16:13 | |
Thank you! | 0:16:13 | 0:16:15 | |
OK, the next battle comes from the sensational Team Paloma. | 0:16:15 | 0:16:18 | |
APPLAUSE AND CHEERING | 0:16:18 | 0:16:20 | |
How are you feeling, girl? | 0:16:23 | 0:16:25 | |
Just enjoy it. Really enjoy it. | 0:16:25 | 0:16:27 | |
My first pairing is going to be... | 0:16:30 | 0:16:33 | |
Dwaine... | 0:16:33 | 0:16:35 | |
APPLAUSE | 0:16:35 | 0:16:36 | |
..and you're going to be singing with... | 0:16:36 | 0:16:39 | |
Aliesha. | 0:16:39 | 0:16:40 | |
# This is the part where... # | 0:16:45 | 0:16:48 | |
What I love most about Aliesha | 0:16:48 | 0:16:50 | |
is that there is something very pure and clear about her. | 0:16:50 | 0:16:54 | |
CHEERING | 0:16:56 | 0:16:58 | |
How did you end up on here? | 0:16:58 | 0:17:00 | |
I'm not too sure. Er... | 0:17:00 | 0:17:02 | |
I don't... I'm sorry. | 0:17:02 | 0:17:03 | |
# Something has to... # | 0:17:03 | 0:17:07 | |
I think Dwaine's very comfortable in his own skin. | 0:17:07 | 0:17:10 | |
I could hear it in the blind audition. | 0:17:10 | 0:17:13 | |
Do you know how to sing like your dad? | 0:17:13 | 0:17:15 | |
# Don't know why I didn't come. # | 0:17:15 | 0:17:19 | |
-Hello. -How are you feeling? | 0:17:21 | 0:17:22 | |
I picked Kiss Me by Olly Murs | 0:17:22 | 0:17:25 | |
because I think it's a really brilliant pop song. | 0:17:25 | 0:17:27 | |
# Take it high with you... # | 0:17:27 | 0:17:30 | |
Aliesha's young and she's quite poppy | 0:17:30 | 0:17:33 | |
and I didn't want to throw her in the deep end. | 0:17:33 | 0:17:35 | |
# How you can be my lady... # | 0:17:35 | 0:17:37 | |
Dwaine's a super-versatile singer and can adapt to anything anyway. | 0:17:37 | 0:17:41 | |
# Kiss me like you mean it... # | 0:17:41 | 0:17:43 | |
-Sounds good. -Lovely. -How do you feel? | 0:17:43 | 0:17:46 | |
Dwaine was absolutely brilliant. | 0:17:46 | 0:17:48 | |
Aliesha seemed very quiet. | 0:17:48 | 0:17:51 | |
It's all very new to her. | 0:17:51 | 0:17:53 | |
I think it'd be nice just to sing in each other's bits as well sometimes, | 0:17:53 | 0:17:57 | |
boost each other up, as it is a duet, not a battle. | 0:17:57 | 0:18:03 | |
I don't like the word "battle", | 0:18:03 | 0:18:05 | |
so I've given this round a few alternative names. | 0:18:05 | 0:18:10 | |
I prefer Snuggles, Tea Parties, | 0:18:10 | 0:18:14 | |
Petits Rendez-vous. | 0:18:14 | 0:18:16 | |
WOLF WHISTLE | 0:18:16 | 0:18:18 | |
Or just Duets. R-R-Rargh! | 0:18:18 | 0:18:21 | |
CHEERING AND APPLAUSE | 0:18:24 | 0:18:26 | |
Let the battle commence. | 0:18:27 | 0:18:29 | |
Duet! | 0:18:31 | 0:18:33 | |
DRUMSTICKS CLICK | 0:18:41 | 0:18:44 | |
# Ooh, yeah, yeah, baby | 0:18:45 | 0:18:50 | |
# Ooh-ooh-ooh-ooh-ooh | 0:18:50 | 0:18:53 | |
# I want to love you | 0:18:54 | 0:18:56 | |
# Give you that loving, baby | 0:18:56 | 0:18:58 | |
# Take it high with you | 0:18:58 | 0:19:01 | |
# Do you what you like, baby | 0:19:01 | 0:19:04 | |
# I got to find out | 0:19:04 | 0:19:06 | |
# How you can be my lady | 0:19:06 | 0:19:08 | |
# I got to do things | 0:19:08 | 0:19:11 | |
# Do things to drive you crazy | 0:19:11 | 0:19:13 | |
# We got one chance and I want it badly | 0:19:13 | 0:19:16 | |
# Do you feel like it's going the wrong way? | 0:19:16 | 0:19:18 | |
# Do you know what you're doing inside me? | 0:19:18 | 0:19:20 | |
# If you want that then bring that fire, baby | 0:19:20 | 0:19:23 | |
# Yeah, you got me I'm dreaming about it | 0:19:23 | 0:19:26 | |
# If you like that then we can go round it | 0:19:26 | 0:19:28 | |
# If you need that then tell me right now, baby | 0:19:28 | 0:19:30 | |
# Cos I wanna know | 0:19:30 | 0:19:33 | |
# If this is the last night | 0:19:33 | 0:19:35 | |
# Baby, let's do this right | 0:19:35 | 0:19:38 | |
# Oh, baby, kiss me like you mean it | 0:19:38 | 0:19:42 | |
# If this is the last night | 0:19:42 | 0:19:44 | |
# Then, baby, let's do this right | 0:19:44 | 0:19:48 | |
# Kiss me like you mean it | 0:19:48 | 0:19:51 | |
# Oh, I want to show you | 0:19:51 | 0:19:53 | |
# Show you that good life, baby | 0:19:53 | 0:19:56 | |
# You got my heartbeat | 0:19:56 | 0:19:58 | |
# Beating inside me lately | 0:19:58 | 0:20:01 | |
# I'm watching your lips move | 0:20:01 | 0:20:03 | |
# Can't hear a word you're saying | 0:20:03 | 0:20:06 | |
# Cos I want to do things | 0:20:06 | 0:20:08 | |
# Do things that drive you crazy | 0:20:08 | 0:20:11 | |
# We got one chance and I want it badly | 0:20:11 | 0:20:13 | |
# Do you feel like it's going the wrong way? | 0:20:13 | 0:20:16 | |
# Do you know what you're doing inside me? | 0:20:16 | 0:20:18 | |
# If you want that then bring that fire, baby | 0:20:18 | 0:20:21 | |
# Yeah, you got me I'm dreaming about it | 0:20:21 | 0:20:23 | |
# If you like that then we can go round it | 0:20:23 | 0:20:25 | |
# If you need that then tell me right now, baby | 0:20:25 | 0:20:28 | |
# Kiss me like you mean it | 0:20:28 | 0:20:30 | |
# Oh, kiss me | 0:20:30 | 0:20:33 | |
# Hold me | 0:20:33 | 0:20:35 | |
# Let's go to a place we'll never be lonely | 0:20:35 | 0:20:40 | |
# Oh-oh-oh, I need you | 0:20:40 | 0:20:43 | |
# To hold me | 0:20:43 | 0:20:47 | |
# Kiss me like you mean it | 0:20:47 | 0:20:49 | |
# If this is the last night | 0:20:49 | 0:20:51 | |
# Baby, let's do this right | 0:20:51 | 0:20:54 | |
# Whoo | 0:20:54 | 0:20:56 | |
# Kiss me like you mean it | 0:20:56 | 0:20:59 | |
# If this is the last night | 0:20:59 | 0:21:01 | |
# Baby, let's do this right | 0:21:01 | 0:21:07 | |
# Kiss me like you mean it... # | 0:21:09 | 0:21:15 | |
CHEERING AND APPLAUSE | 0:21:15 | 0:21:17 | |
Show your support for Dwaine and Aliesha! | 0:21:18 | 0:21:22 | |
Yes! Guys, that was amazing. | 0:21:24 | 0:21:26 | |
Paloma, what do you think the guys brought out in each other tonight? | 0:21:26 | 0:21:30 | |
I'm really proud of both of them. | 0:21:30 | 0:21:32 | |
It's kind of strange, because when I chose this song, | 0:21:32 | 0:21:36 | |
in all honesty, I had Aliesha in mind, | 0:21:36 | 0:21:39 | |
because I feel like you're the perfect pop princess, | 0:21:39 | 0:21:44 | |
but I do think Dwaine made it his own | 0:21:44 | 0:21:47 | |
and really owned that song. | 0:21:47 | 0:21:50 | |
Ricky, that was Paloma's first battle. | 0:21:54 | 0:21:56 | |
Can you give us some of the Wilson wisdom? | 0:21:56 | 0:21:59 | |
I really love Aliesha. | 0:21:59 | 0:22:00 | |
I thought that she was stepping towards what you were doing, | 0:22:00 | 0:22:03 | |
and I'd like to hear you sing again, | 0:22:03 | 0:22:07 | |
more like who you want to be. | 0:22:07 | 0:22:09 | |
Thank you, Ricky. | 0:22:09 | 0:22:12 | |
Will, tell us your thoughts on that performance. | 0:22:12 | 0:22:15 | |
If it was their song, which one sounded right singing it? | 0:22:15 | 0:22:18 | |
Aliesha sounded right singing the song, | 0:22:18 | 0:22:21 | |
but who sang their ass off? | 0:22:21 | 0:22:23 | |
Dwaine. | 0:22:23 | 0:22:25 | |
Thank you, Will. | 0:22:25 | 0:22:27 | |
For the first time ever, I'm going to disagree with Will. | 0:22:30 | 0:22:32 | |
-MARVIN: -Controversial! | 0:22:32 | 0:22:34 | |
I don't think it was the right song for you, Aliesha. | 0:22:34 | 0:22:37 | |
You're very young, and I think you surrendered a little bit. | 0:22:37 | 0:22:40 | |
You've obviously got a beautiful voice but you weren't confident. | 0:22:40 | 0:22:43 | |
And I think you know that and, in a way, you supported Dwaine. | 0:22:43 | 0:22:47 | |
He's got a bigger voice, and Dwaine threw in some of those Olly moves, | 0:22:47 | 0:22:50 | |
which really helped as well! | 0:22:50 | 0:22:52 | |
For this song, I think Dwaine owned it. | 0:22:52 | 0:22:55 | |
OK, thank you, George. | 0:22:55 | 0:22:56 | |
-Paloma. -Yeah? -Who's the winner of this battle tonight? | 0:23:01 | 0:23:04 | |
It's so difficult to say goodbye to anybody | 0:23:04 | 0:23:08 | |
but... | 0:23:08 | 0:23:10 | |
AUDIENCE SHOUTS OUT | 0:23:10 | 0:23:12 | |
..the person I'm going to take is... | 0:23:12 | 0:23:15 | |
..Dwaine. | 0:23:17 | 0:23:19 | |
Dwaine, congratulations. | 0:23:19 | 0:23:21 | |
Thank you so much! | 0:23:23 | 0:23:25 | |
Baby, I did it, I got through! | 0:23:25 | 0:23:28 | |
Well done. | 0:23:30 | 0:23:31 | |
Well done. | 0:23:34 | 0:23:36 | |
-It was brilliant. -Thank you so much. | 0:23:36 | 0:23:38 | |
Thank you so much. | 0:23:38 | 0:23:39 | |
OK. Aliesha, there is still hope. | 0:23:47 | 0:23:49 | |
Tell us why you'd like to stay in the competition. | 0:23:49 | 0:23:51 | |
This has been so amazing, | 0:23:51 | 0:23:53 | |
and the three of you turned around for me, | 0:23:53 | 0:23:54 | |
and that was incredible - I wasn't expecting that at all. | 0:23:54 | 0:23:58 | |
-But I really never want this to end. -Fingers crossed, Aliesha. | 0:23:58 | 0:24:02 | |
Your future now lies with the coaches. | 0:24:02 | 0:24:05 | |
OK, Aliesha, you are now available for a steal. | 0:24:06 | 0:24:10 | |
AUDIENCE SHOUTS OUT | 0:24:10 | 0:24:12 | |
CHEERING | 0:24:26 | 0:24:28 | |
You've got one steal, Aliesha. | 0:24:33 | 0:24:35 | |
Yes! I'm so happy! I'm so happy! Thank you so much! | 0:24:35 | 0:24:38 | |
Congratulations. | 0:24:38 | 0:24:39 | |
You are now on Team Ricky. | 0:24:41 | 0:24:44 | |
Thank you so much. Thank you so much. | 0:24:46 | 0:24:48 | |
It was my plan all along. Don't thank me. | 0:24:48 | 0:24:50 | |
-You did all the hard work. -Thank you. | 0:24:50 | 0:24:53 | |
-That was so good. -Thank you. | 0:24:53 | 0:24:57 | |
-Thank you. -Your family... | 0:25:00 | 0:25:02 | |
Wah! | 0:25:06 | 0:25:07 | |
When they are equal like that, | 0:25:07 | 0:25:10 | |
you've got to go for the one that you think's probably | 0:25:10 | 0:25:13 | |
less likely to get stolen. | 0:25:13 | 0:25:14 | |
-I loved it! -Oh, bless you! | 0:25:14 | 0:25:17 | |
It made me smile too much! | 0:25:17 | 0:25:21 | |
My aim was to keep both. | 0:25:21 | 0:25:22 | |
I can't believe it... | 0:25:26 | 0:25:29 | |
-Thank you, she's amazing. -She is great. Yeah. | 0:25:29 | 0:25:31 | |
It's the battles. | 0:25:34 | 0:25:36 | |
I think I know what I'm doing, but I'm not going to tell you. | 0:25:36 | 0:25:40 | |
I have a hard time figuring out who stays in my team. | 0:25:40 | 0:25:44 | |
It's going to be really hard for me because I get attached | 0:25:44 | 0:25:47 | |
very quickly to people. | 0:25:47 | 0:25:49 | |
I'm just going to base it on what happens in that moment. | 0:25:49 | 0:25:53 | |
We have to use our guts and intuition really wisely. | 0:25:53 | 0:25:58 | |
I pride myself on my good guts. | 0:25:58 | 0:26:01 | |
Watch out for the underdog, | 0:26:03 | 0:26:05 | |
because the one on top thinks like, "Oh, I got this." Wrong! | 0:26:05 | 0:26:08 | |
Look how hungry the underdog is. | 0:26:08 | 0:26:10 | |
They just bit your ankles, and now you're on the floor, crawling. | 0:26:10 | 0:26:13 | |
The hat's sick, bro. | 0:26:16 | 0:26:18 | |
-Oh, guess who got it for me? -Who? -Mr George. -Of course he did. | 0:26:18 | 0:26:22 | |
-It looks so good on you. -I've never seen one like that before. | 0:26:22 | 0:26:25 | |
-It's amazing. -It's a wooden hat, bro. | 0:26:25 | 0:26:27 | |
-That's sick. -Knock on wood now. | 0:26:27 | 0:26:29 | |
-George, where's my hat? -We'll find you... | 0:26:29 | 0:26:32 | |
-I've got quite a big head. -Are you good with hats? | 0:26:32 | 0:26:34 | |
I don't usually wear them, to be honest, | 0:26:34 | 0:26:36 | |
but if you give me a hat, I'll wear it. | 0:26:36 | 0:26:38 | |
Will is a hat guy like me. I went into his dressing room | 0:26:38 | 0:26:42 | |
-and it was like Hat City! -Yeah. | 0:26:42 | 0:26:46 | |
-The next battle... -OK. -We'll carry on with the hat talk. | 0:26:46 | 0:26:49 | |
This is going to be special. | 0:26:49 | 0:26:51 | |
Oh, I'm excited about this. | 0:26:51 | 0:26:53 | |
Ready to battle, it's Team Boy George. | 0:26:53 | 0:26:55 | |
CHEERING | 0:26:55 | 0:26:58 | |
# I just can't stop loving you... # | 0:27:06 | 0:27:09 | |
I wanted to put Charley and Harry together | 0:27:09 | 0:27:11 | |
because it was like youth and experience. | 0:27:11 | 0:27:14 | |
# ..Let it go | 0:27:14 | 0:27:18 | |
# Just let it be... # | 0:27:18 | 0:27:21 | |
Moving away from home's been scary. | 0:27:21 | 0:27:23 | |
Being at uni's been amazing so far, but I do miss my mum. | 0:27:23 | 0:27:27 | |
-Will you be all right? -Yeah, I'll be fine. -You sure? | 0:27:27 | 0:27:31 | |
I was really surprised that I was the only person that turned. | 0:27:34 | 0:27:37 | |
I was like, "Man, these people have got no taste." It was SO good. | 0:27:37 | 0:27:40 | |
I certainly wasn't expecting you to look like you do, | 0:27:40 | 0:27:44 | |
and I certainly wasn't expecting you to be wearing shoes like that. | 0:27:44 | 0:27:47 | |
So quirky. Wow! | 0:27:47 | 0:27:50 | |
# Can't you see that I'm lonely? | 0:27:50 | 0:27:54 | |
# Rescue me... # | 0:27:54 | 0:27:56 | |
Charley has real character to her voice. | 0:27:56 | 0:27:59 | |
I was like, "Oh, she sounds like Lulu." | 0:27:59 | 0:28:01 | |
She just sounded real. | 0:28:01 | 0:28:02 | |
# Rescue me. # | 0:28:02 | 0:28:04 | |
Wow. | 0:28:04 | 0:28:06 | |
They're very different, | 0:28:08 | 0:28:10 | |
so it's a way of forcing maybe Charley | 0:28:10 | 0:28:13 | |
to be a little bit more modern. | 0:28:13 | 0:28:15 | |
Harry has the kind of youthful braveness | 0:28:15 | 0:28:18 | |
so he'll bring his own tone to it. | 0:28:18 | 0:28:21 | |
When you're trying to be too perfect, | 0:28:21 | 0:28:24 | |
it loses something, and I think, "Don't be frightened | 0:28:24 | 0:28:27 | |
-"to have vulnerability." -OK. | 0:28:27 | 0:28:29 | |
You're a young 'un, but you'll learn. | 0:28:29 | 0:28:31 | |
Don't try to be perfect, be beautiful. | 0:28:31 | 0:28:34 | |
I want more from you. | 0:28:34 | 0:28:35 | |
I think you've got a lot of experience | 0:28:35 | 0:28:38 | |
-and you're being very polite. -OK. | 0:28:38 | 0:28:40 | |
-We don't need polite. -OK. | 0:28:40 | 0:28:42 | |
Two opposite ends of the spectrum singing together - | 0:28:42 | 0:28:46 | |
in some ways it's unfair, | 0:28:46 | 0:28:48 | |
but then who said life was fair? | 0:28:48 | 0:28:51 | |
HE CHORTLES | 0:28:51 | 0:28:54 | |
Bring on Charley! | 0:28:58 | 0:29:00 | |
Up against Harry! | 0:29:03 | 0:29:05 | |
You ready? | 0:29:09 | 0:29:11 | |
Let the battle commence. | 0:29:14 | 0:29:16 | |
DRUMSTICKS CLICK | 0:29:37 | 0:29:39 | |
# Each time the wind blows | 0:29:44 | 0:29:47 | |
# I hear your voice so | 0:29:47 | 0:29:49 | |
# I call your name | 0:29:49 | 0:29:52 | |
# Whispers at morning | 0:29:54 | 0:29:56 | |
# Our love is dawning | 0:29:56 | 0:29:59 | |
# Heaven's glad you came | 0:29:59 | 0:30:03 | |
# You know how I feel | 0:30:03 | 0:30:05 | |
# This thing can't go wrong | 0:30:05 | 0:30:08 | |
# I'm so proud to say I love you | 0:30:08 | 0:30:13 | |
# Your love's got me high | 0:30:13 | 0:30:15 | |
# I long to get by | 0:30:15 | 0:30:17 | |
# This time it's for ever | 0:30:17 | 0:30:20 | |
# Love is the answer | 0:30:20 | 0:30:23 | |
# I hear your voice now | 0:30:23 | 0:30:25 | |
# You are my choice now | 0:30:25 | 0:30:27 | |
# The love you bring | 0:30:27 | 0:30:32 | |
# Heaven's in my heart | 0:30:32 | 0:30:34 | |
# At your call I hear harps | 0:30:34 | 0:30:37 | |
# And angels sing | 0:30:37 | 0:30:41 | |
# You know how I feel | 0:30:41 | 0:30:44 | |
# This thing can't go wrong | 0:30:44 | 0:30:46 | |
# I can't live my life without you | 0:30:46 | 0:30:50 | |
# And I just can't hold on | 0:30:50 | 0:30:53 | |
# I feel we belong | 0:30:53 | 0:30:56 | |
# Cos my life ain't worth living | 0:30:56 | 0:30:58 | |
# If I can't be with you | 0:30:58 | 0:31:01 | |
# I just can't stop loving you | 0:31:01 | 0:31:05 | |
# I just can't stop loving you | 0:31:06 | 0:31:10 | |
# And if I stop | 0:31:10 | 0:31:12 | |
# Then just tell me what will I do | 0:31:12 | 0:31:18 | |
# I just can't stop loving you | 0:31:18 | 0:31:22 | |
# We can change all the world | 0:31:22 | 0:31:27 | |
# We can sing the songs of yesterday | 0:31:27 | 0:31:32 | |
# I can say, hey, farewell to sorrow | 0:31:32 | 0:31:36 | |
# Cos this is my life and I want to | 0:31:36 | 0:31:39 | |
# Stay for always | 0:31:39 | 0:31:42 | |
-# I just can't stop loving you -You, you, you | 0:31:42 | 0:31:47 | |
# I just can't stop loving you | 0:31:47 | 0:31:52 | |
# And if I stop | 0:31:52 | 0:31:54 | |
# Then tell me just what will I do | 0:31:54 | 0:31:58 | |
# I just can't stop loving you... # | 0:31:58 | 0:32:04 | |
Hey! | 0:32:10 | 0:32:12 | |
-Hey. -How are you both? | 0:32:12 | 0:32:14 | |
-I'm feeling good. -Yes? You OK? -Yeah. | 0:32:14 | 0:32:17 | |
My son hasn't seen me sing for ten years, live. Whoo! Nicky! | 0:32:17 | 0:32:21 | |
Well, he's got to be very, very proud of what he just saw. | 0:32:21 | 0:32:25 | |
-I hope so. -Well done. Harry, how was it for you? | 0:32:25 | 0:32:28 | |
-It's just incredible. -You've got the best grin on your face. | 0:32:28 | 0:32:31 | |
-And a little twinkle in your eye. -I can't stop. | 0:32:31 | 0:32:35 | |
George. | 0:32:37 | 0:32:39 | |
It was very sweet. They were holding hands. | 0:32:39 | 0:32:41 | |
I know they've formed a really strong bond | 0:32:41 | 0:32:44 | |
and you could see that. | 0:32:44 | 0:32:45 | |
I was a little bit worried about the holding of the hands. | 0:32:45 | 0:32:48 | |
I wrote "OMG - help" on my book. | 0:32:48 | 0:32:50 | |
God, are they going to be able to perform in their own space? | 0:32:50 | 0:32:53 | |
I thought, particularly, Charley really stepped up | 0:32:53 | 0:32:57 | |
from the rehearsal. | 0:32:57 | 0:32:58 | |
It's a really close call, it really is. | 0:32:58 | 0:33:01 | |
Paloma, let's go to you. | 0:33:02 | 0:33:04 | |
I thought they were both exceptional | 0:33:04 | 0:33:07 | |
and you were really respectful to the song, | 0:33:07 | 0:33:09 | |
and that's really important to me. | 0:33:09 | 0:33:12 | |
-Will. -Yeah? -Who do you think had the edge? | 0:33:16 | 0:33:19 | |
I liked Charley's effortlessness. | 0:33:19 | 0:33:23 | |
-Thank you so much. -Thanks, Will. | 0:33:23 | 0:33:26 | |
George, time for you to make your decision. | 0:33:27 | 0:33:30 | |
Well, you know... | 0:33:30 | 0:33:32 | |
..I knew that this was going to be once of the most difficult pairings, | 0:33:38 | 0:33:42 | |
cos I like you both, | 0:33:42 | 0:33:44 | |
for very different and similar reasons. | 0:33:44 | 0:33:47 | |
Um...for me, that performance was owned by... | 0:33:50 | 0:33:54 | |
Harry. | 0:33:54 | 0:33:56 | |
Harry! | 0:33:56 | 0:33:57 | |
He's funny, he's so sweet. | 0:34:02 | 0:34:04 | |
Harry, congratulations. You remain on Team Boy George. | 0:34:08 | 0:34:12 | |
How are you feeling? | 0:34:12 | 0:34:14 | |
I can't actually... | 0:34:14 | 0:34:15 | |
I think I'm going to go off and just cry. Thank you so much. | 0:34:15 | 0:34:20 | |
Go see George. You can cry on his shoulder. | 0:34:20 | 0:34:23 | |
Harry, everyone! | 0:34:23 | 0:34:25 | |
CHEERING | 0:34:25 | 0:34:27 | |
I'm loving the coordination! | 0:34:27 | 0:34:29 | |
Thank you so much. | 0:34:29 | 0:34:32 | |
-PALOMA: -So beautiful. | 0:34:32 | 0:34:34 | |
Hello! | 0:34:37 | 0:34:39 | |
OK. Charley, so you're no longer on Team Boy George, | 0:34:41 | 0:34:44 | |
but another coach could snap you up. Why should they do that? | 0:34:44 | 0:34:48 | |
Because I entered this competition, | 0:34:48 | 0:34:51 | |
wanted George to turn round and he did. | 0:34:51 | 0:34:54 | |
I worked so hard. | 0:34:54 | 0:34:55 | |
And you should definitely, definitely be doing this. | 0:34:55 | 0:34:58 | |
-It's in your blood. You're very good at it. -I appreciate that. Thank you. | 0:34:58 | 0:35:02 | |
OK, Charley, well, once again, | 0:35:02 | 0:35:04 | |
your future now lies with the coaches. | 0:35:04 | 0:35:07 | |
Charley, you are now available for a steal. | 0:35:08 | 0:35:11 | |
AUDIENCE SHOUTS OUT | 0:35:11 | 0:35:14 | |
She's got a great voice but... | 0:35:19 | 0:35:20 | |
Not today, I'm afraid. Sorry, George. | 0:35:26 | 0:35:29 | |
It's really tough, isn't it? | 0:35:29 | 0:35:31 | |
-I'm so sorry. -It's OK. | 0:35:31 | 0:35:34 | |
I've had a fantastic time. Thank you so much. | 0:35:34 | 0:35:37 | |
Please, put your hands together one more time for Charley! | 0:35:37 | 0:35:40 | |
-Hi. -You absolutely have to go with your head held high | 0:35:42 | 0:35:46 | |
cos that was amazing. | 0:35:46 | 0:35:48 | |
Thanks for giving me the opportunity, George. | 0:35:48 | 0:35:50 | |
You're amazing. | 0:35:50 | 0:35:51 | |
It was close but Harry has that kind of slightly guttural kind of thing. | 0:35:51 | 0:35:57 | |
It's untamed, it's a lot of natural soul. | 0:35:57 | 0:36:01 | |
He's got a big future ahead of him and I just think he had the edge. | 0:36:01 | 0:36:04 | |
Aw... | 0:36:04 | 0:36:06 | |
It's just the most incredible feeling. | 0:36:08 | 0:36:10 | |
It doesn't feel real. It doesn't feel like it's just happened. | 0:36:10 | 0:36:13 | |
I've got to stop crying. | 0:36:13 | 0:36:14 | |
Why are YOU crying?! Stop crying! | 0:36:14 | 0:36:17 | |
Everyone just stop crying, OK? | 0:36:17 | 0:36:20 | |
How do you feel, George? | 0:36:20 | 0:36:22 | |
I think I made the right choice, but it was REALLY tough. | 0:36:22 | 0:36:26 | |
GENTLE LAUGHTER | 0:36:26 | 0:36:28 | |
Do you want to swap seats? | 0:36:30 | 0:36:32 | |
GEORGE CHUCKLES | 0:36:32 | 0:36:34 | |
Come on. | 0:36:35 | 0:36:37 | |
# We will, we will rock you... # | 0:36:37 | 0:36:41 | |
AUDIENCE CLAPS IN TIME | 0:36:41 | 0:36:42 | |
# We will, we will rock you | 0:36:42 | 0:36:46 | |
# Buddy, I'm a... # | 0:36:46 | 0:36:48 | |
LAUGHTER | 0:36:48 | 0:36:50 | |
-Was that you? Was that you? -Yeah. -Pretty good, actually. | 0:36:50 | 0:36:53 | |
-Come on, more. -No, don't know the words. | 0:36:53 | 0:36:56 | |
That was... | 0:36:56 | 0:36:57 | |
Oh, God, that's not good for your back. | 0:36:57 | 0:37:01 | |
LAUGHTER | 0:37:01 | 0:37:03 | |
AUDIENCE MEMBER SCREAMS | 0:37:03 | 0:37:05 | |
LAUGHTER | 0:37:05 | 0:37:08 | |
Are you ready for this? It's Team Ricky! | 0:37:08 | 0:37:10 | |
CHEERING | 0:37:10 | 0:37:13 | |
# I still get jealous... # | 0:37:17 | 0:37:20 | |
I love Efe. I think he's absolutely fantastic. | 0:37:20 | 0:37:23 | |
# I didn't have... # | 0:37:23 | 0:37:25 | |
My blind audition was full of adrenaline. I wanted it so bad. | 0:37:25 | 0:37:28 | |
It was my last note that Ricky turned. | 0:37:28 | 0:37:32 | |
CHEERING | 0:37:32 | 0:37:35 | |
So, Jolan has been on the show before. | 0:37:38 | 0:37:40 | |
# Couldn't stop if you tried it... # | 0:37:40 | 0:37:44 | |
I was on series three, two years ago. | 0:37:44 | 0:37:47 | |
When the chairs didn't turn, I was really, really gutted. | 0:37:47 | 0:37:51 | |
Since I was here last, a lot's changed in my life. | 0:37:51 | 0:37:54 | |
Sadly, my mum has passed away. | 0:37:54 | 0:37:57 | |
Another thing that's pushed me on to come back | 0:37:57 | 0:37:59 | |
is that I need to do this, and it's going to be for her. | 0:37:59 | 0:38:02 | |
CHEERING | 0:38:04 | 0:38:07 | |
This time, I just want to do the best I can | 0:38:08 | 0:38:13 | |
and mainly, I want to make my mum proud. | 0:38:13 | 0:38:15 | |
Jolan and Efe are singing Beat Surrender by the Jam. | 0:38:18 | 0:38:23 | |
I've given them this song because it's a soul song | 0:38:23 | 0:38:26 | |
and they will smash the flipping heck out of it. | 0:38:26 | 0:38:30 | |
# To the beat surrender | 0:38:30 | 0:38:33 | |
# Feel there's n-no passion... # | 0:38:33 | 0:38:36 | |
Don't know that bit. | 0:38:36 | 0:38:38 | |
'Efe's got a lot of edge on Jolan, confidence-wise.' | 0:38:38 | 0:38:41 | |
# Sure about | 0:38:44 | 0:38:46 | |
# Are sorted out at once... # | 0:38:46 | 0:38:49 | |
I'm pretty shy and keep myself to myself day to day, | 0:38:49 | 0:38:53 | |
so I need to work on that. | 0:38:53 | 0:38:55 | |
# Come on, boy, come on, girl... # | 0:38:55 | 0:38:58 | |
In my everyday life, being a salesperson, | 0:38:58 | 0:39:01 | |
you have to have some confidence. | 0:39:01 | 0:39:03 | |
# To the beat surrender... # | 0:39:03 | 0:39:05 | |
Great. I love it. | 0:39:05 | 0:39:07 | |
Put all that energy into it. | 0:39:07 | 0:39:08 | |
Confidence is going to make this go through the roof. | 0:39:08 | 0:39:12 | |
I think the winner of this battle will be in the final three. | 0:39:12 | 0:39:16 | |
Get rehearsing. | 0:39:16 | 0:39:18 | |
See you in the ring, Jolan! | 0:39:18 | 0:39:20 | |
-See you later, lads. -See you. | 0:39:23 | 0:39:25 | |
It's pretty nerve-racking. | 0:39:25 | 0:39:27 | |
I don't know what's going to happen. | 0:39:27 | 0:39:30 | |
Let the battle commence. | 0:39:33 | 0:39:35 | |
BOTH: # Beat surrender | 0:39:54 | 0:39:59 | |
# Come on, boy Come on, girl | 0:39:59 | 0:40:02 | |
# Succumb to the beat surrender | 0:40:02 | 0:40:05 | |
# Come on, boy Come on, girl | 0:40:05 | 0:40:08 | |
# Succumb to the beat surrender | 0:40:08 | 0:40:13 | |
# All the things that we talk about | 0:40:13 | 0:40:16 | |
# Are packed into one punch | 0:40:16 | 0:40:19 | |
# All the things that I'm not sure about | 0:40:19 | 0:40:22 | |
# Are sorted out at once | 0:40:22 | 0:40:25 | |
-# And as it was in the beginning -Oh-whoa-oh | 0:40:25 | 0:40:28 | |
# So shall it be in the end | 0:40:28 | 0:40:31 | |
# That lie's just a lie It just goes by different names | 0:40:31 | 0:40:34 | |
# Whoa-oh-oh | 0:40:34 | 0:40:36 | |
# Come on, boy Come on, girl | 0:40:36 | 0:40:39 | |
# Succumb to the beat surrender | 0:40:39 | 0:40:42 | |
# Come on, boy Come on, girl | 0:40:42 | 0:40:45 | |
# Succumb to the beat surrender | 0:40:45 | 0:40:50 | |
# All the things that we shout about | 0:40:50 | 0:40:53 | |
# But never act upon | 0:40:53 | 0:40:56 | |
# All the courage and dreams I've had | 0:40:56 | 0:40:59 | |
# But seem to wait too long | 0:40:59 | 0:41:02 | |
# My doubt is cast aside | 0:41:02 | 0:41:06 | |
# Run to hide | 0:41:06 | 0:41:08 | |
# The dignified don't even enter in the game | 0:41:08 | 0:41:11 | |
# Come on, boy Come on, girl | 0:41:11 | 0:41:14 | |
# Succumb to the beat surrender | 0:41:14 | 0:41:17 | |
# Come on, boy Come on, girl | 0:41:17 | 0:41:20 | |
# Succumb to the beat surrender | 0:41:20 | 0:41:25 | |
# And if you feel there's no passion | 0:41:25 | 0:41:28 | |
# No quality sensation | 0:41:28 | 0:41:30 | |
# Seize the young determination | 0:41:30 | 0:41:33 | |
-# Show the fakers you ain't foolin' -You see me come running | 0:41:33 | 0:41:40 | |
# To the sound of you strumming | 0:41:40 | 0:41:43 | |
# Fill my heart with joy and gladness | 0:41:43 | 0:41:46 | |
# I've lived too long in the shadow of sadness | 0:41:46 | 0:41:50 | |
# My doubt is cast aside | 0:41:50 | 0:41:53 | |
# Watch phonies run to hide | 0:41:53 | 0:41:56 | |
# The dignified don't even | 0:41:56 | 0:41:57 | |
# Enter in the game | 0:41:57 | 0:42:00 | |
# Come on, boy Come on, girl | 0:42:00 | 0:42:03 | |
# Succumb to the beat surrender | 0:42:03 | 0:42:07 | |
# Come on, boy Come on, girl | 0:42:07 | 0:42:10 | |
# Succumb to the beat surrender. # | 0:42:10 | 0:42:15 | |
CHEERING AND APPLAUSE | 0:42:15 | 0:42:17 | |
That was good. | 0:42:20 | 0:42:23 | |
Jolan and Efe, everyone! | 0:42:23 | 0:42:25 | |
How was that? | 0:42:27 | 0:42:29 | |
It was absolutely electric. Thank you so much, crowd. | 0:42:29 | 0:42:31 | |
The crowd were incredible, the band were incredible. Awesome. | 0:42:31 | 0:42:34 | |
You're pumped, aren't you? | 0:42:34 | 0:42:36 | |
Super. I want to do it again. It was awesome. | 0:42:36 | 0:42:38 | |
OK, Ricky, why did you put these two together? | 0:42:38 | 0:42:41 | |
I wanted them... | 0:42:41 | 0:42:43 | |
Well, they've both got soul in their soul... | 0:42:43 | 0:42:45 | |
LAUGHTER | 0:42:45 | 0:42:47 | |
..I wanted to put them with a song that I love. | 0:42:47 | 0:42:49 | |
I put them together because there's no point in giving anyone | 0:42:49 | 0:42:52 | |
an easy ride at this point. | 0:42:52 | 0:42:53 | |
They need to become better. | 0:42:53 | 0:42:55 | |
Either of them could go on and be in the final three. | 0:42:55 | 0:42:58 | |
CHEERING AND APPLAUSE | 0:42:58 | 0:43:01 | |
Efe was the bomb. | 0:43:01 | 0:43:03 | |
Jolan, whoa, bro, you've got a lot of soul. | 0:43:08 | 0:43:12 | |
I love what you did with the song. | 0:43:16 | 0:43:18 | |
I agree with Ricky, it was such an exciting beginning. | 0:43:18 | 0:43:21 | |
I was, like, hyperventilating. | 0:43:21 | 0:43:23 | |
You were both great. | 0:43:28 | 0:43:29 | |
It's really almost impossible to call it, | 0:43:29 | 0:43:32 | |
but, Jolan, those little falsetto things that you do are genius. | 0:43:32 | 0:43:36 | |
Thank you. Thank you so much. | 0:43:38 | 0:43:40 | |
-As you know, I tried to get you on my team. -Yes. | 0:43:40 | 0:43:43 | |
-And so I would probably go with you. -Thank you. | 0:43:43 | 0:43:46 | |
CHEERING | 0:43:46 | 0:43:47 | |
OK. Boys, are you ready? | 0:43:47 | 0:43:49 | |
Ricky, it's time for you to make your decision. | 0:43:49 | 0:43:53 | |
CROWD SHOUTS | 0:43:53 | 0:43:56 | |
Ricky, who is the winner of this battle? | 0:44:00 | 0:44:04 | |
The person I'm taking through... | 0:44:11 | 0:44:15 | |
is Jolan. | 0:44:15 | 0:44:16 | |
CHEERING AND APPLAUSE | 0:44:16 | 0:44:20 | |
Congratulations, Jolan, everyone! | 0:44:30 | 0:44:33 | |
OK, Efe, you're no longer on Team Ricky, | 0:44:42 | 0:44:44 | |
but that doesn't mean that it's the end. | 0:44:44 | 0:44:47 | |
Tell us why you'd love to stay in the competition. | 0:44:47 | 0:44:49 | |
It's been such an amazing experience. | 0:44:49 | 0:44:51 | |
I came to this show because I wanted to show my children that | 0:44:51 | 0:44:54 | |
if they had a gift that they should come and share it with the world | 0:44:54 | 0:44:57 | |
and if they really want it, they have to go and grab it. | 0:44:57 | 0:45:01 | |
I would love the opportunity to continue to push forward | 0:45:01 | 0:45:04 | |
-in this process. -Thanks, Efe. | 0:45:04 | 0:45:06 | |
Well, it might not be over yet, | 0:45:06 | 0:45:08 | |
because you're now available for a steal. | 0:45:08 | 0:45:11 | |
Are you going to turn? | 0:45:13 | 0:45:16 | |
Will? | 0:45:19 | 0:45:21 | |
Are you going to...? | 0:45:22 | 0:45:23 | |
GROANING | 0:45:33 | 0:45:36 | |
I'm so sorry. So sorry. | 0:45:36 | 0:45:37 | |
No steal this evening for you, but have you enjoyed it? | 0:45:37 | 0:45:40 | |
It's been awesome. | 0:45:40 | 0:45:41 | |
Thank you very much, Ricky, it's been awesome. Thank you. | 0:45:41 | 0:45:44 | |
-Nothing to worry about. -Thank you. | 0:45:44 | 0:45:47 | |
Please put your hands together one more time for Efe. | 0:45:47 | 0:45:50 | |
CHEERING AND APPLAUSE | 0:45:50 | 0:45:53 | |
Jolan was just so... | 0:46:05 | 0:46:07 | |
It was just easy, it was breezy. | 0:46:07 | 0:46:09 | |
I just have a connection with Jolan. | 0:46:09 | 0:46:13 | |
He makes so much sense on my team, I couldn't lose him. | 0:46:13 | 0:46:16 | |
The main thing I need to do it is for my mum, she's... | 0:46:16 | 0:46:18 | |
She's always been there. | 0:46:23 | 0:46:24 | |
She'd be proud. | 0:46:26 | 0:46:28 | |
You could be kicking yourself come tomorrow afternoon. | 0:46:34 | 0:46:37 | |
-PALOMA: -We could be, but we can't do anything about it now. | 0:46:37 | 0:46:40 | |
I was hoping you'd get rid of Jolan so I could steal him. | 0:46:40 | 0:46:42 | |
GEORGE LAUGHS | 0:46:42 | 0:46:44 | |
So he's never going to be up for grabs again, that's it, right? | 0:46:44 | 0:46:48 | |
-It's a one-chance saloon. -Mm-hm. | 0:46:48 | 0:46:49 | |
Will. | 0:46:49 | 0:46:51 | |
Hey, what's up? Good to see you. | 0:46:51 | 0:46:54 | |
CHEERING | 0:46:54 | 0:46:57 | |
-Hello. -Hello, how are you, Will? -How are you? -You're looking good. | 0:46:58 | 0:47:01 | |
Thank you. | 0:47:01 | 0:47:02 | |
But it's awful when you think they're such a wonderful person. | 0:47:02 | 0:47:06 | |
It doesn't end here. | 0:47:06 | 0:47:08 | |
-RICKY: -Also, I don't mind looking like a wally for not choosing him. | 0:47:08 | 0:47:12 | |
I haven't heard that word for years, Ricky. | 0:47:12 | 0:47:14 | |
I got called Wally of the Week once in the Sunday Mirror. | 0:47:14 | 0:47:16 | |
That's quite complimentary. | 0:47:16 | 0:47:19 | |
Wally of the Week. | 0:47:19 | 0:47:22 | |
-You're busy, aren't you? -Yeah. | 0:47:22 | 0:47:25 | |
Where's Will? | 0:47:25 | 0:47:27 | |
-MARVIN: -Coming up is Team will.i.am. | 0:47:27 | 0:47:30 | |
-OK, I'm going to go head back. -OK. -See you later. | 0:47:30 | 0:47:34 | |
Next battle is Charley Blue... | 0:47:35 | 0:47:39 | |
CHEERING | 0:47:39 | 0:47:42 | |
# Gonna write a little letter gotta take it to my local DJ | 0:47:43 | 0:47:47 | |
# Hoo-woo | 0:47:47 | 0:47:49 | |
# It's a jumpy little record | 0:47:49 | 0:47:51 | |
# I want my jockey to play... # | 0:47:51 | 0:47:53 | |
Charley is like a rapper who sings great | 0:47:53 | 0:47:56 | |
who also plays the freaking fiddle. | 0:47:56 | 0:47:58 | |
Hey diddle, diddle. | 0:47:58 | 0:47:59 | |
I'm going to choose Will. | 0:47:59 | 0:48:00 | |
The only thing that could actually go up against Charley Blue | 0:48:04 | 0:48:07 | |
and her flying violin is a duet. | 0:48:07 | 0:48:12 | |
..Scott And Vicki. | 0:48:12 | 0:48:14 | |
CHEERING | 0:48:14 | 0:48:15 | |
Scott and Vicki - boom, they start singing, like Donny and Marie. | 0:48:23 | 0:48:26 | |
Like, whoa. You just took me for a loop there. | 0:48:26 | 0:48:29 | |
They're chipper, they get you going. Yeah. | 0:48:31 | 0:48:35 | |
The song that you guys are going to be singing is by Little Mix | 0:48:35 | 0:48:40 | |
called Black Magic. | 0:48:40 | 0:48:42 | |
-Yes! -I love that song. | 0:48:42 | 0:48:45 | |
# Take a sip of my secret potion... # | 0:48:46 | 0:48:48 | |
It's actually two versus three, because Charley Blue, | 0:48:48 | 0:48:52 | |
she's a lot of people too. | 0:48:52 | 0:48:53 | |
Instead of singing the part and then they... | 0:48:56 | 0:48:59 | |
..you could violin the part and then they still do their response. | 0:49:01 | 0:49:06 | |
We don't want to play it safe. | 0:49:06 | 0:49:10 | |
No, we can take it all the way. | 0:49:10 | 0:49:12 | |
Charley Blue is going to be singing, rhyming and playing the fiddle. | 0:49:12 | 0:49:15 | |
For Scott And Vicki, the cow has to jump over the moon, | 0:49:15 | 0:49:17 | |
the little dog has to laugh to see such sport | 0:49:17 | 0:49:20 | |
and the fish has to run away with the spoon. | 0:49:20 | 0:49:22 | |
CHEERING AND APPLAUSE | 0:49:27 | 0:49:29 | |
-MARVIN: -Let the battle commence. | 0:49:31 | 0:49:33 | |
Is this fair? | 0:49:36 | 0:49:37 | |
Two against one. | 0:49:37 | 0:49:39 | |
-VICKI AND CHARLEY: -# All the girls on the block | 0:49:52 | 0:49:54 | |
# Knocking at my door... # | 0:49:54 | 0:49:55 | |
Come on, everybody! Yes! | 0:49:55 | 0:49:57 | |
# Wanna know what it is Make the boys want more... # | 0:49:57 | 0:49:59 | |
Come on! | 0:49:59 | 0:50:00 | |
# Is your lover | 0:50:00 | 0:50:03 | |
# Playing on your side? | 0:50:03 | 0:50:05 | |
# Says he loves you | 0:50:05 | 0:50:07 | |
# But he ain't got time | 0:50:07 | 0:50:09 | |
# Here's the answer | 0:50:09 | 0:50:11 | |
# Come and get it | 0:50:11 | 0:50:13 | |
# At a knocked-down price... # | 0:50:13 | 0:50:16 | |
SCOTT AND VICKI: Hey! | 0:50:16 | 0:50:18 | |
# Full of honey | 0:50:18 | 0:50:20 | |
# Just to make him sweet | 0:50:20 | 0:50:22 | |
# Crystal balling | 0:50:22 | 0:50:24 | |
# Just to help him see | 0:50:24 | 0:50:26 | |
# What he's been missing | 0:50:26 | 0:50:28 | |
# So come and get it | 0:50:28 | 0:50:30 | |
# While you've still got time... # | 0:50:30 | 0:50:33 | |
Hey! | 0:50:33 | 0:50:35 | |
# Get your boy on his knees And repeat after me, say | 0:50:35 | 0:50:40 | |
# Take a sip of my secret potion | 0:50:40 | 0:50:42 | |
# I'll make you fall in love | 0:50:42 | 0:50:44 | |
# For a spell that can't be broken | 0:50:44 | 0:50:46 | |
# One drop should be enough | 0:50:46 | 0:50:48 | |
# Boy, you belong to me | 0:50:48 | 0:50:51 | |
# I got the recipe | 0:50:51 | 0:50:52 | |
# And it's called black magic | 0:50:52 | 0:50:54 | |
# And it's called black magic | 0:50:54 | 0:50:57 | |
# Take a sip of my secret potion | 0:50:57 | 0:50:59 | |
# One taste and you'll be mine | 0:50:59 | 0:51:01 | |
# It's a spell that can't be broken | 0:51:01 | 0:51:04 | |
# It'll keep you up all night | 0:51:04 | 0:51:06 | |
# Boy, you belong to me | 0:51:06 | 0:51:08 | |
# I got the recipe | 0:51:08 | 0:51:10 | |
# And it's called black magic | 0:51:10 | 0:51:12 | |
# And it's called black magic | 0:51:12 | 0:51:18 | |
-# If you're looking -If you're looking | 0:51:18 | 0:51:20 | |
# For Mr Right | 0:51:20 | 0:51:22 | |
-# Need that magic -Magic | 0:51:22 | 0:51:24 | |
# To change him overnight | 0:51:24 | 0:51:26 | |
# Here's the answer | 0:51:26 | 0:51:28 | |
# Come and get it | 0:51:28 | 0:51:30 | |
# While you've still got time | 0:51:30 | 0:51:31 | |
-RAPPING: -# You wanna get it while you've still got time | 0:51:31 | 0:51:33 | |
# Gonna use a little magic Gonna make you mine | 0:51:33 | 0:51:35 | |
-SINGING: -# Get your boy on his knees And repeat after me, say | 0:51:35 | 0:51:40 | |
# Take a sip of my secret potion | 0:51:40 | 0:51:42 | |
# I'll make you fall in love | 0:51:42 | 0:51:44 | |
# For a spell that can't be broken | 0:51:44 | 0:51:46 | |
# One drop should be enough | 0:51:46 | 0:51:48 | |
# Boy, you belong to me | 0:51:48 | 0:51:51 | |
# I got the recipe | 0:51:51 | 0:51:52 | |
# And it's called black magic | 0:51:52 | 0:51:55 | |
# And it's called black magic! | 0:51:55 | 0:52:00 | |
-ALL: -# Take a sip of my secret potion | 0:52:01 | 0:52:03 | |
# One taste and you'll be mine | 0:52:03 | 0:52:08 | |
# It'll keep you up all night | 0:52:08 | 0:52:10 | |
# Boy, you belong to me | 0:52:10 | 0:52:12 | |
# You belong to me | 0:52:12 | 0:52:14 | |
-RAPPING: -# You know I've got the recipe, so come on... | 0:52:14 | 0:52:17 | |
# And it's called black magic. # | 0:52:17 | 0:52:21 | |
CHEERING AND APPLAUSE | 0:52:21 | 0:52:24 | |
Yeah, let's hear it for Charley and Scott And Vicki! | 0:52:26 | 0:52:29 | |
Well done, guys. Amazing. | 0:52:32 | 0:52:34 | |
George, do you think Will made the right choice by putting these guys | 0:52:34 | 0:52:37 | |
on the stage together tonight? | 0:52:37 | 0:52:38 | |
For me, it was a little bit messy, the performance. | 0:52:38 | 0:52:41 | |
I just would have liked to have heard more individual singing | 0:52:41 | 0:52:45 | |
from Scott And Vicki. | 0:52:45 | 0:52:46 | |
So, you know, it's really hard for me to call because of that. | 0:52:46 | 0:52:50 | |
I feel like vocally, I would err towards Scott And Vicki | 0:52:50 | 0:52:56 | |
in terms of, like...your singing was fantastic. | 0:52:56 | 0:53:00 | |
But I feel that when you add the extra dimensions of violin, | 0:53:00 | 0:53:04 | |
rapping and singing, like, you can't help but be impressed. | 0:53:04 | 0:53:10 | |
Like, you're like, "Oh, she means business." | 0:53:10 | 0:53:14 | |
If I was having to make this decision, as with all of them, | 0:53:14 | 0:53:18 | |
they're tough, but I would probably take Charley with me. | 0:53:18 | 0:53:21 | |
CHEERING | 0:53:21 | 0:53:24 | |
OK, it is time to make your decision, Will. | 0:53:24 | 0:53:28 | |
OK, so... | 0:53:31 | 0:53:34 | |
Processing, processing, processing, processing. | 0:53:34 | 0:53:39 | |
-LAUGHTER -Processing. | 0:53:39 | 0:53:41 | |
Um, I think the world needs renaissance, it needs a bit of, | 0:53:41 | 0:53:45 | |
"I don't know. Right now I feel like this. | 0:53:45 | 0:53:47 | |
"Boom. I feel like that. Bow. | 0:53:47 | 0:53:49 | |
"Right now I feel like ugh! | 0:53:49 | 0:53:51 | |
-"Right now I feel like this. Whaa?" -LAUGHTER | 0:53:51 | 0:53:54 | |
You know? For that... | 0:53:54 | 0:53:57 | |
The most energetic person I've met in a long time is Charley Blue. | 0:53:57 | 0:54:00 | |
-CHEERING AND APPLAUSE MARVIN: -Congratulations, Charley. | 0:54:00 | 0:54:04 | |
You are through to the knockouts. What does that mean to you? | 0:54:04 | 0:54:07 | |
Thank you so much. Thank you so much, Will. | 0:54:07 | 0:54:09 | |
That really means a lot. I'll work hard. I will. | 0:54:09 | 0:54:11 | |
-Bless you. -Thank you so much. | 0:54:11 | 0:54:13 | |
Guys, give it up one more time for Charley, guys. | 0:54:13 | 0:54:15 | |
CHEERING | 0:54:15 | 0:54:17 | |
Sorry, I'm all over the place. | 0:54:21 | 0:54:23 | |
Thank you so much. | 0:54:25 | 0:54:27 | |
I can't believe it. Oh, God. | 0:54:29 | 0:54:32 | |
OK, Scott and Vicki, you didn't win that battle, | 0:54:34 | 0:54:36 | |
but, Vicki, can you tell us why | 0:54:36 | 0:54:38 | |
you'd like to stay in the competition? | 0:54:38 | 0:54:40 | |
There is nobody left in the whole of the competition like us. | 0:54:40 | 0:54:43 | |
I mean, we are the only duo now, so it's double the hard work, | 0:54:43 | 0:54:46 | |
double the vocals, double the fun. | 0:54:46 | 0:54:48 | |
It's like buy one get one free really with us two, isn't it? | 0:54:48 | 0:54:51 | |
A bit of a BOGOF offer there. | 0:54:51 | 0:54:54 | |
What a pitch! | 0:54:54 | 0:54:55 | |
OK, Scott And Vicki, you still have a chance now, OK? | 0:54:56 | 0:55:00 | |
Your future lies with the coaches. | 0:55:00 | 0:55:02 | |
Scott And Vicki, you're now available for a steal. | 0:55:03 | 0:55:06 | |
-PALOMA: -There just like "steal" to every... | 0:55:06 | 0:55:09 | |
-WILL: -STEAL THEM! Steal them. | 0:55:09 | 0:55:11 | |
I only have one left. I've one left and I've got like... | 0:55:11 | 0:55:15 | |
You guys suck! You guys suck! You guys... | 0:55:15 | 0:55:18 | |
-I'm just playing. -What's he saying? | 0:55:18 | 0:55:21 | |
-MARVIN: -OK, coaches, you only have a short amount of time left to steal. | 0:55:21 | 0:55:26 | |
-PALOMA: -Take it, this one is for you. | 0:55:26 | 0:55:29 | |
-RICKY: -I've only got one left. | 0:55:29 | 0:55:31 | |
Guys, I'm so sorry. You've not been stolen tonight. | 0:55:31 | 0:55:34 | |
Well done, guys. | 0:55:34 | 0:55:35 | |
One more time, everyone, please, for Scott And Vicki! | 0:55:35 | 0:55:38 | |
Well done, Scott. Well done, love. | 0:55:38 | 0:55:41 | |
Thank you. | 0:55:41 | 0:55:42 | |
CHEERING | 0:55:42 | 0:55:43 | |
I want to know about your choices of song. | 0:55:47 | 0:55:49 | |
My choice of songs are to make them both equally uncomfortable. | 0:55:49 | 0:55:53 | |
That's cruel. I think it's hard to sing when you're, | 0:55:53 | 0:55:56 | |
like, completely out of your comfort zone. | 0:55:56 | 0:55:58 | |
-Yeah, so that's a point. -We've all done it. | 0:55:58 | 0:56:01 | |
-I know, but I hated every second of it. -Yeah, me too. | 0:56:01 | 0:56:03 | |
-RICKY: -But if they're both in that situation, | 0:56:03 | 0:56:05 | |
-then one of them shines, then... -See how they perform | 0:56:05 | 0:56:07 | |
when they're under... | 0:56:07 | 0:56:08 | |
I mean, these kind of performances, they're so high-pressure. | 0:56:08 | 0:56:11 | |
I mean, I couldn't do that. Could you? | 0:56:11 | 0:56:13 | |
I mean, it's enough pressure as it is. No, I couldn't do it. | 0:56:13 | 0:56:16 | |
I picked Charley based on who I felt I could coach and improve. | 0:56:16 | 0:56:20 | |
Right, Wilson, what have you got for us next? | 0:56:22 | 0:56:24 | |
Hopefully the UK's largest mass sock detachment - | 0:56:24 | 0:56:28 | |
you're going to get your socks blown off. | 0:56:28 | 0:56:30 | |
Amazing! Stand by, it's Team Ricky. | 0:56:30 | 0:56:32 | |
Alaric versus Chloe is going to be amazing. | 0:56:36 | 0:56:38 | |
He's a bouncer, she's a busker. | 0:56:38 | 0:56:40 | |
This is the thing that everyone is going to be talking about. | 0:56:40 | 0:56:43 | |
# Baby | 0:56:43 | 0:56:46 | |
# There's something wretched about me... # | 0:56:46 | 0:56:48 | |
The blind auditions was an amazing experience for me, | 0:56:48 | 0:56:51 | |
just so different from busking. | 0:56:51 | 0:56:53 | |
I love busking, don't get me wrong, | 0:56:53 | 0:56:55 | |
but that's not what I want for the rest of my life. | 0:56:55 | 0:56:57 | |
The emotion, that's what Chloe is all about. | 0:57:01 | 0:57:05 | |
Wow, what a voice. | 0:57:05 | 0:57:06 | |
Thank you so much. | 0:57:06 | 0:57:08 | |
-And your skirt is great as well. -Thank you, it's my nan's. | 0:57:08 | 0:57:11 | |
-From the -'70s? Yeah, yeah. -Awesome. -She gave it to me when I was 17. | 0:57:11 | 0:57:14 | |
She bought it when she was 17. | 0:57:14 | 0:57:16 | |
Have you got some ID, please, mate? | 0:57:16 | 0:57:18 | |
Alaric, what he's got going for him is his great voice. | 0:57:18 | 0:57:21 | |
Perfect. Flawless. | 0:57:21 | 0:57:25 | |
# I let you fly... # | 0:57:25 | 0:57:28 | |
I really like the voice. | 0:57:28 | 0:57:29 | |
I turned around for it, | 0:57:29 | 0:57:31 | |
and I know that people will like you. | 0:57:31 | 0:57:32 | |
I put you together cos you've got the most heart | 0:57:33 | 0:57:36 | |
out of any of the singers, | 0:57:36 | 0:57:37 | |
which is what this song needs. | 0:57:37 | 0:57:38 | |
Alaric and Chloe, the song Antony And The Johnsons, | 0:57:38 | 0:57:41 | |
Hope There Is Someone. | 0:57:41 | 0:57:42 | |
It's a beautiful song, it's very emotional. | 0:57:42 | 0:57:45 | |
# Oh, I'm scared... # | 0:57:45 | 0:57:47 | |
'This song is really deep lyrically. It cuts right to your core.' | 0:57:47 | 0:57:50 | |
'In rehearsal watching them, it definitely had an impact on me. | 0:57:50 | 0:57:56 | |
'Chloe and Alaric are going to make people cry with this.' | 0:57:56 | 0:57:59 | |
It's incredible. Well done, guys. | 0:57:59 | 0:58:02 | |
-It's emotional. -Yeah. | 0:58:02 | 0:58:03 | |
I feel your emotion while you're singing it. | 0:58:03 | 0:58:07 | |
It's stunning. Cheers, man. Thank you. | 0:58:07 | 0:58:10 | |
This is my battle. This is going to make | 0:58:10 | 0:58:13 | |
George, Paloma and Will's teams look stupid. | 0:58:13 | 0:58:16 | |
# Hope there's someone | 0:58:42 | 0:58:44 | |
# Who'll take care of me | 0:58:44 | 0:58:47 | |
# When I die, will I go? | 0:58:47 | 0:58:51 | |
# Hope there's someone | 0:58:54 | 0:58:55 | |
# Who'll set my heart free | 0:58:55 | 0:58:58 | |
# Nice to hold | 0:58:58 | 0:59:01 | |
# When I'm tired | 0:59:01 | 0:59:04 | |
# There's a ghost on the horizon | 0:59:06 | 0:59:10 | |
# When I go to bed | 0:59:10 | 0:59:14 | |
# How can I fall asleep tonight? | 0:59:17 | 0:59:21 | |
# How will I rest my head? | 0:59:21 | 0:59:25 | |
# Oh, I'm scared of the middle place | 0:59:28 | 0:59:32 | |
# Between light and nowhere | 0:59:32 | 0:59:37 | |
# I don't want to be the one | 0:59:39 | 0:59:44 | |
# Left in there, left in there | 0:59:44 | 0:59:51 | |
# There's a man on the horizon | 0:59:54 | 0:59:58 | |
# Wish that I'd go to bed | 0:59:58 | 1:00:03 | |
# If I fall to his feet tonight | 1:00:05 | 1:00:09 | |
# Will allow rest my head | 1:00:09 | 1:00:14 | |
-BOTH: -# So here's hoping I will not drown | 1:00:17 | 1:00:21 | |
# Or paralyse in the light | 1:00:21 | 1:00:25 | |
# And godsend I don't want to go | 1:00:28 | 1:00:32 | |
# To the sea's watershed | 1:00:32 | 1:00:38 | |
# Hope there's someone | 1:00:39 | 1:00:41 | |
# Who'll take care of me | 1:00:41 | 1:00:44 | |
# When I die, will I go? | 1:00:44 | 1:00:49 | |
# Hope there's someone | 1:00:51 | 1:00:53 | |
# Who'll set my heart free | 1:00:53 | 1:00:55 | |
# Nice to hold | 1:00:55 | 1:01:00 | |
-# When I'm -Tired. # | 1:01:00 | 1:01:04 | |
CHEERING AND APPLAUSE | 1:01:04 | 1:01:07 | |
Wow! | 1:01:10 | 1:01:12 | |
Chloe and Alaric! | 1:01:12 | 1:01:15 | |
Oh, my goodness! | 1:01:18 | 1:01:21 | |
I had goose bumps all over my body. | 1:01:21 | 1:01:23 | |
You guys have such a lovely relationship, | 1:01:23 | 1:01:25 | |
and I think that really came out during your performance. | 1:01:25 | 1:01:27 | |
Chloe is amazing. It's an honour to be on the stage with her. | 1:01:27 | 1:01:31 | |
Thank you. | 1:01:31 | 1:01:32 | |
You're so sweet. Look at you! | 1:01:34 | 1:01:37 | |
Sorry. It was amazing. | 1:01:37 | 1:01:40 | |
It was absolutely amazing. Alaric, you were fantastic. | 1:01:40 | 1:01:43 | |
I just don't want... I just don't want either of us to go. | 1:01:43 | 1:01:46 | |
Can we just come as a duo? | 1:01:46 | 1:01:48 | |
They're quite a phenomenal duo. | 1:01:48 | 1:01:51 | |
-Ricky, it's going to be tricky. -Yeah. Oh, God, yeah. | 1:01:51 | 1:01:54 | |
I'm going to let you dry your eyes, and we'll go to Paloma. | 1:01:54 | 1:01:57 | |
Paloma, what did you think of the battle? | 1:01:57 | 1:02:00 | |
I thought that was, like, a really precious, special moment. | 1:02:00 | 1:02:05 | |
Thank you both for bringing it here, cos it was really moving. | 1:02:05 | 1:02:09 | |
Thank you, Paloma. | 1:02:09 | 1:02:13 | |
Antony Hegarty, who wrote the song, is a really good friend of mine. | 1:02:13 | 1:02:15 | |
The song is really special to me, it's just beautiful. | 1:02:15 | 1:02:19 | |
What was nice was that, Alaric, you stepped out of your comfort zone. | 1:02:19 | 1:02:23 | |
What it showed is you're capable of other genres, you know, | 1:02:23 | 1:02:27 | |
cos when you first came, it was very theatrical, operatic, | 1:02:27 | 1:02:30 | |
so it was beautiful to hear that. Chloe, you're amazing. | 1:02:30 | 1:02:34 | |
You're 19, your audition was off the charts, | 1:02:34 | 1:02:37 | |
-I was gutted I didn't get you. -Thank you so much. | 1:02:37 | 1:02:40 | |
I just think, you know, I love the way you dress, | 1:02:40 | 1:02:42 | |
I love everything about you. You're just so cool. | 1:02:42 | 1:02:45 | |
Thank you, George. | 1:02:45 | 1:02:48 | |
Thank you. Ricky? | 1:02:48 | 1:02:49 | |
Em, I think there's something very special about both of you. | 1:02:49 | 1:02:52 | |
Together, you made it even more special. | 1:02:52 | 1:02:55 | |
Yeah, I agree with Paloma - thanks for that. | 1:02:55 | 1:02:58 | |
That's the kind of thing that I want people to be talking about, | 1:02:58 | 1:03:02 | |
and they will be, because it was perfection. | 1:03:02 | 1:03:05 | |
CHEERING AND APPLAUSE | 1:03:05 | 1:03:08 | |
Ricky, who is the winner of the battle? | 1:03:08 | 1:03:12 | |
Chloe. I'm choosing Chloe. | 1:03:17 | 1:03:18 | |
CHEERING AND APPLAUSE | 1:03:18 | 1:03:21 | |
OK, Alaric, you could be poached for another team. | 1:03:49 | 1:03:52 | |
Tell us why you would really like to stay in the competition. | 1:03:52 | 1:03:55 | |
Well, Paloma, when I first auditioned, | 1:03:55 | 1:03:57 | |
you said that the reason you didn't turn | 1:03:57 | 1:03:59 | |
was that you didn't like the style of music that I sung. | 1:03:59 | 1:04:02 | |
Now I've brought something new to the table, | 1:04:02 | 1:04:04 | |
I hope that it will change your mind, maybe. George, same. | 1:04:04 | 1:04:07 | |
You said you didn't know what to do with my voice, | 1:04:07 | 1:04:10 | |
now I've brought something else to the table. | 1:04:10 | 1:04:12 | |
OK, Alaric, this could be your chance, | 1:04:18 | 1:04:20 | |
as your future now lies once again with the coaches. | 1:04:20 | 1:04:24 | |
No pressure, guys. | 1:04:24 | 1:04:25 | |
Turn! | 1:04:29 | 1:04:30 | |
CROWD SHOUTS | 1:04:32 | 1:04:35 | |
I don't have anyone like him in my team, he's really different. | 1:04:35 | 1:04:38 | |
He's wonderful. | 1:04:38 | 1:04:40 | |
CHEERING | 1:04:47 | 1:04:50 | |
It's George! | 1:04:56 | 1:04:59 | |
You're now on Team Boy George. | 1:04:59 | 1:05:00 | |
Congratulations. Alaric, everyone! | 1:05:00 | 1:05:02 | |
CHEERING AND APPLAUSE | 1:05:02 | 1:05:04 | |
Although Alaric technically and emotionally was spot-on, | 1:05:04 | 1:05:07 | |
there's something about Chloe's spirit that I love. | 1:05:07 | 1:05:12 | |
CHLOE SCREAMS | 1:05:12 | 1:05:14 | |
I've got my first Steal, Alaric. He's different. | 1:05:15 | 1:05:18 | |
I don't have anyone like him on my team. I'm pretty chuffed. | 1:05:18 | 1:05:21 | |
One more to get. | 1:05:21 | 1:05:23 | |
I think you've got a very safe pair of hands there. | 1:05:26 | 1:05:29 | |
I think that he's... There's no-one like him on my team. | 1:05:29 | 1:05:33 | |
Based on what he did tonight, you know, | 1:05:33 | 1:05:35 | |
I would have stolen Chloe from you, I was so... | 1:05:35 | 1:05:38 | |
I was hoping you could take Alaric so I could steal Chloe. | 1:05:38 | 1:05:41 | |
-What's next, babe? -Will. | 1:05:41 | 1:05:43 | |
Ooh, there's some good ones coming up, fellas. | 1:05:47 | 1:05:50 | |
-MARVIN: -That's right, Ricky, there's still so much more to come. | 1:05:52 | 1:05:55 | |
I feel like I just witnessed something truly special. | 1:05:58 | 1:06:01 | |
Steal! | 1:06:01 | 1:06:02 | |
Double trouble! | 1:06:05 | 1:06:07 | |
Wow! | 1:06:10 | 1:06:11 | |
You guys both need to be in season five to the end. | 1:06:11 | 1:06:14 | |
And a familiar face makes an unexpected return. | 1:06:14 | 1:06:18 | |
I'm so happy that I've been able to give her the chance to come back. | 1:06:18 | 1:06:22 | |
Next into battle, it's Team Will. | 1:06:24 | 1:06:27 | |
Release the riffs, it's a soul stand-off. Let's hear it for Aaron. | 1:06:33 | 1:06:37 | |
CHEERING | 1:06:37 | 1:06:41 | |
..up against Faheem. | 1:06:41 | 1:06:44 | |
CHEERING | 1:06:44 | 1:06:46 | |
Faheem against Aaron Hill. | 1:06:50 | 1:06:52 | |
I think we need to identify who the soul warrior is, | 1:06:52 | 1:06:56 | |
and what better way to do that but to put them together? | 1:06:56 | 1:07:00 | |
# And I just don't want to stop... # | 1:07:00 | 1:07:04 | |
Aaron is an amazing powerhouse soul singer. | 1:07:04 | 1:07:08 | |
# Let's Marvin Gaye and get it on... # | 1:07:08 | 1:07:10 | |
Faheem is a dynamite soul sensation, | 1:07:10 | 1:07:14 | |
and he is going to give Aaron his run for his money. | 1:07:14 | 1:07:18 | |
-Living For The City. -It's a good song, man. | 1:07:18 | 1:07:20 | |
-Good song. -Definitely. | 1:07:20 | 1:07:22 | |
Just listen to the song, be selective, tasteful with the runs. | 1:07:22 | 1:07:25 | |
Like Stevie Wonder, he could do runs, | 1:07:25 | 1:07:27 | |
but there is something about, like, just where you put the runs. | 1:07:27 | 1:07:31 | |
We're just going to crack on... | 1:07:31 | 1:07:35 | |
# Just enough for the city | 1:07:35 | 1:07:39 | |
# Yeah | 1:07:39 | 1:07:43 | |
# Just enough. # | 1:07:43 | 1:07:45 | |
# The cit-ay-ay-ay-ay-ooh-ooh-ooh. # | 1:07:45 | 1:07:49 | |
No more running. | 1:07:49 | 1:07:50 | |
Here's what I would do - do Aaron, do Faheem, but easy on the runs. | 1:07:50 | 1:07:56 | |
You don't want to do run-run the do run-run. | 1:07:56 | 1:07:59 | |
You don't want to run out the door now. | 1:07:59 | 1:08:00 | |
There's two ways you could look at riffs - ter-riff-ic, or hor-riff-ic. | 1:08:00 | 1:08:06 | |
We want the ter-riff-ic riffs, not the hor-riff-ic riffs. Right? | 1:08:06 | 1:08:10 | |
Let the battle commence. | 1:08:13 | 1:08:15 | |
CHEERING | 1:08:17 | 1:08:20 | |
Good luck, bro. | 1:08:20 | 1:08:21 | |
Good luck. | 1:08:21 | 1:08:22 | |
# Ooh, yeah | 1:08:36 | 1:08:39 | |
# A boy is born in hard time Mississippi | 1:08:41 | 1:08:46 | |
# Surrounded by four walls that ain't so pretty | 1:08:46 | 1:08:50 | |
# His parents give | 1:08:50 | 1:08:52 | |
# Him love and affection | 1:08:52 | 1:08:55 | |
# To keep him strong | 1:08:55 | 1:08:57 | |
# Moving in the right direction | 1:08:57 | 1:08:59 | |
# Living just enough, just enough for the city | 1:08:59 | 1:09:06 | |
# Hey, yeah, yeah | 1:09:06 | 1:09:09 | |
# His father works some days for 14 hours | 1:09:09 | 1:09:13 | |
# And you can bet he hardly makes a dollar | 1:09:13 | 1:09:18 | |
# His mother goes to scrub the floor for many | 1:09:18 | 1:09:23 | |
# And you'd best believe she hardly gets a penny | 1:09:23 | 1:09:27 | |
# Living just enough, just enough for the city | 1:09:27 | 1:09:35 | |
# Oh-whoa-whoa-oh | 1:09:36 | 1:09:40 | |
# La-la-la-la-la | 1:09:40 | 1:09:43 | |
# Oh-oh, la-la | 1:09:43 | 1:09:47 | |
# La-la-la-la-la-ah | 1:09:47 | 1:09:53 | |
# His brother's smart | 1:09:53 | 1:09:54 | |
# He's got more sense than many | 1:09:54 | 1:09:57 | |
# His patience's long | 1:09:57 | 1:09:59 | |
# But soon he won't have any | 1:09:59 | 1:10:02 | |
# To find a job is like a haystack needle | 1:10:02 | 1:10:07 | |
# Cos where he lives they don't use coloured people | 1:10:07 | 1:10:11 | |
# Living just enough, just enough for the city | 1:10:11 | 1:10:15 | |
# Living just enough for the city | 1:10:15 | 1:10:20 | |
-# Living -Just enough for the city | 1:10:20 | 1:10:24 | |
# I'm living | 1:10:24 | 1:10:29 | |
# Living | 1:10:29 | 1:10:31 | |
-BOTH: -# Just enough! | 1:10:31 | 1:10:33 | |
# Yeah! # | 1:10:33 | 1:10:37 | |
-CHEERING AND APPLAUSE -Thank you. | 1:10:37 | 1:10:39 | |
Oh! Aaron and Faheem! | 1:10:39 | 1:10:42 | |
Wow! | 1:10:44 | 1:10:45 | |
All the audience up on their feet, me and Marv were dancing back there. | 1:10:45 | 1:10:50 | |
Will, this is going to be tricky for you. | 1:10:50 | 1:10:52 | |
Normally Tricky Ricky, but Tricky Will. | 1:10:52 | 1:10:54 | |
Doesn't really rhyme, but never mind | 1:10:54 | 1:10:56 | |
It's going to be a hard decision. | 1:10:56 | 1:10:58 | |
If it's Tricky Ricky, then mine's would be... | 1:10:58 | 1:11:01 | |
-RICKY: -Silly. | 1:11:01 | 1:11:03 | |
-PALOMA: -Silly Willy! | 1:11:03 | 1:11:05 | |
LAUGHTER | 1:11:05 | 1:11:06 | |
Silly, really? That's good, that's good. | 1:11:06 | 1:11:09 | |
APPLAUSE | 1:11:09 | 1:11:12 | |
You guys put on a great show. The singing was flawless. | 1:11:12 | 1:11:16 | |
The licks were like... | 1:11:16 | 1:11:18 | |
You didn't run too much, you did the right amount of runs. | 1:11:18 | 1:11:23 | |
It was perfect, it was great. | 1:11:23 | 1:11:25 | |
I really enjoyed it. | 1:11:25 | 1:11:26 | |
CHEERING AND APPLAUSE | 1:11:26 | 1:11:29 | |
Thank you so much, thank you so much. | 1:11:29 | 1:11:31 | |
Thank you so much. | 1:11:31 | 1:11:32 | |
Aaron, you were so much better than your original audition. | 1:11:32 | 1:11:35 | |
You took it to church. It felt, like... | 1:11:35 | 1:11:39 | |
CHEERING | 1:11:39 | 1:11:43 | |
That's really your type of song, you really owned it. | 1:11:43 | 1:11:46 | |
Faheem, it was also really good as well. | 1:11:46 | 1:11:48 | |
Thank you. Thank you very much. | 1:11:48 | 1:11:51 | |
Your team over there is screaming. | 1:11:51 | 1:11:53 | |
We love you! | 1:11:55 | 1:11:57 | |
Love you too. | 1:11:57 | 1:11:59 | |
It just filled me with joy and happiness. | 1:12:02 | 1:12:05 | |
I feel so good to be alive right now. | 1:12:05 | 1:12:07 | |
I'm so grateful to you both for reminding us about living life. | 1:12:07 | 1:12:11 | |
It's just beautiful to watch. Beautiful! | 1:12:11 | 1:12:15 | |
CHEERING | 1:12:15 | 1:12:16 | |
OK, Will. It's time for you to make your decision. | 1:12:19 | 1:12:22 | |
So you guys both need to be in season five to the end. | 1:12:22 | 1:12:26 | |
Right? | 1:12:26 | 1:12:27 | |
CHEERING | 1:12:27 | 1:12:30 | |
And because of that, this is just strategics now. Now I'm just... | 1:12:30 | 1:12:34 | |
I have no favourite, like, I have no favourite. | 1:12:34 | 1:12:37 | |
I have no favourite, I'm torn. | 1:12:37 | 1:12:40 | |
George is looking intently at you, Will. | 1:12:40 | 1:12:42 | |
Cos I don't know what he's going to do... | 1:12:42 | 1:12:45 | |
No, no, no, so boom - check it out. | 1:12:45 | 1:12:48 | |
Because of that, looking at strategies, | 1:12:48 | 1:12:51 | |
strategising...on all the strategic ways... | 1:12:51 | 1:12:54 | |
LAUGHTER | 1:12:54 | 1:12:57 | |
..in order to execute the strategy, | 1:12:57 | 1:12:59 | |
there's no winner of the battle, it is a kneel. | 1:12:59 | 1:13:04 | |
Did I say that right, football? Uh-oh, American. | 1:13:04 | 1:13:07 | |
-Draw. -Oh, sorry. It's a draw. | 1:13:07 | 1:13:09 | |
Americans always get it wrong. | 1:13:11 | 1:13:13 | |
So, moving forward is... | 1:13:13 | 1:13:16 | |
..Faheem. | 1:13:19 | 1:13:20 | |
CHEERING AND APPLAUSE | 1:13:20 | 1:13:23 | |
Faheem, congratulations. | 1:13:23 | 1:13:25 | |
Will, man, you're my guy, man. Thank you so much, man. | 1:13:33 | 1:13:37 | |
-Thank you so much. -Give him some. | 1:13:40 | 1:13:43 | |
OK, Aaron, so tell us why you would like to stay in the competition. | 1:13:48 | 1:13:52 | |
I'm a hard worker. I love singing. I've been singing... | 1:13:52 | 1:13:55 | |
I sing all the time. | 1:13:55 | 1:13:57 | |
# And I need it! # | 1:13:57 | 1:14:00 | |
CHEERING AND APPLAUSE | 1:14:00 | 1:14:02 | |
OK, it's not over just yet, | 1:14:05 | 1:14:07 | |
as your future now lies again with the coaches. | 1:14:07 | 1:14:10 | |
You are now available for a Steal. | 1:14:13 | 1:14:16 | |
Steal! | 1:14:20 | 1:14:21 | |
CROWD SHOUTS | 1:14:21 | 1:14:24 | |
-Two! -Double trouble! | 1:14:34 | 1:14:37 | |
CHEERING AND APPLAUSE | 1:14:37 | 1:14:39 | |
Well done. | 1:14:42 | 1:14:45 | |
Congratulations. | 1:14:45 | 1:14:47 | |
Two steals - George and Paloma. How are you feeling? | 1:14:47 | 1:14:50 | |
I'm feeling great. I'm feeling great. | 1:14:50 | 1:14:52 | |
I can't even express how I'm feeling right now, but, yeah, I'm excited. | 1:14:52 | 1:14:57 | |
George, let's start with you. | 1:14:57 | 1:14:59 | |
Erm... I just turned because, you know, you were amazing. | 1:14:59 | 1:15:02 | |
I didn't actually really like your original audition | 1:15:02 | 1:15:04 | |
but on that song you took it somewhere else. You know. | 1:15:04 | 1:15:09 | |
-CHEERING -And... -Thank you so much. | 1:15:09 | 1:15:12 | |
You're a belter. | 1:15:12 | 1:15:13 | |
You know? you remind me of like, Darryl Pandy. | 1:15:13 | 1:15:15 | |
You've just got to get into a song, | 1:15:15 | 1:15:17 | |
and there were certain lines in that song | 1:15:17 | 1:15:19 | |
that only you could have owned, and you really did. | 1:15:19 | 1:15:21 | |
So I don't care if you go with Paloma | 1:15:21 | 1:15:23 | |
because she's got nicer hair than me and she's wearing a skirt... | 1:15:23 | 1:15:25 | |
I've got a bit more to me than that, but, yeah. | 1:15:25 | 1:15:28 | |
-LAUGHTER -As well. | 1:15:28 | 1:15:30 | |
No, I mean, I won't be offended either way, | 1:15:31 | 1:15:33 | |
I just think you're a great singer... | 1:15:33 | 1:15:34 | |
-Thank you. -..and whoever you go with, | 1:15:34 | 1:15:36 | |
you know, good luck. You know? | 1:15:36 | 1:15:38 | |
-Thank you so much. -APPLAUSE | 1:15:38 | 1:15:40 | |
I want to nurture what I've seen, and I want to work WITH you. | 1:15:40 | 1:15:44 | |
I don't want to dictate to you. I want to understand what it is | 1:15:44 | 1:15:48 | |
that you see within yourself and bring that out together. | 1:15:48 | 1:15:50 | |
APPLAUSE | 1:15:50 | 1:15:52 | |
I don't want to go down... | 1:15:52 | 1:15:53 | |
I don't want to sound like I DIDN'T want you, because I do, | 1:15:53 | 1:15:56 | |
I think you're an amazing singer, | 1:15:56 | 1:15:57 | |
and Paloma HAS got some big ass voices on her team. | 1:15:57 | 1:16:01 | |
So there'll be competition. Just warning you! | 1:16:01 | 1:16:05 | |
LAUGHTER AND CHEERING | 1:16:05 | 1:16:07 | |
So Aaron, now it's back to you. | 1:16:07 | 1:16:10 | |
I'm going to go with my heart... | 1:16:10 | 1:16:12 | |
I'm going to pick... | 1:16:14 | 1:16:16 | |
-..Paloma. -WHOOPING AND APPLAUSE | 1:16:18 | 1:16:20 | |
Congratulations, well done. | 1:16:20 | 1:16:22 | |
You're now on Team Paloma. We'll see you at the Knockouts! | 1:16:23 | 1:16:26 | |
-I wasn't... -I know, thank you. | 1:16:27 | 1:16:30 | |
'Aaron/Faheem was a great battle. I had to be a little strategic,' | 1:16:30 | 1:16:33 | |
so I picked Faheem cos I knew someone was going to pick Aaron. | 1:16:33 | 1:16:36 | |
Won the battle! Won the battle. | 1:16:36 | 1:16:38 | |
Won the battle. Oh, I'm buzzing. | 1:16:38 | 1:16:40 | |
I'm so excited. | 1:16:40 | 1:16:42 | |
Not only did one person try to steal - | 1:16:42 | 1:16:44 | |
two, that was double trouble, bust your bubble. | 1:16:44 | 1:16:47 | |
Huddle huddle. | 1:16:47 | 1:16:49 | |
Cuddle cuddle. | 1:16:49 | 1:16:50 | |
# Thank you-ou-ou-ou! | 1:16:50 | 1:16:53 | |
# Oh, thank you, Lo-o-o-ord | 1:16:53 | 1:16:55 | |
# I'm still here! # | 1:16:55 | 1:16:58 | |
Oi...! And I didn't just say you were a skirt and a wig. | 1:16:58 | 1:17:01 | |
It just sounded like that. You're much more than that to me, Paloma. | 1:17:01 | 1:17:05 | |
You're so defensive! Honestly. | 1:17:05 | 1:17:08 | |
-No, that was my banter. -Oh, OK. -I didn't take offence. -OK. | 1:17:08 | 1:17:11 | |
-Not even slightly. -OK. | 1:17:11 | 1:17:12 | |
Ready to battle... | 1:17:14 | 1:17:15 | |
-Shall we do it? -Yeah. -All right, let's do it for Team George. | 1:17:15 | 1:17:19 | |
So, only one voice can emerge victorious - | 1:17:22 | 1:17:25 | |
will it be Laura Begley... | 1:17:25 | 1:17:26 | |
or Tobias Robertson? Let the battle commence. | 1:17:26 | 1:17:30 | |
-How do you feel about the pairing? -We love it, but when we first met, | 1:17:35 | 1:17:37 | |
we just clicked instantly, we became really good friends. | 1:17:37 | 1:17:40 | |
And we actually joked about, | 1:17:40 | 1:17:41 | |
-"Oh, what if we were in the battles together?" -And we are. -Amazing. | 1:17:41 | 1:17:46 | |
# If it's not love, then it's the bomb, the bomb... # | 1:17:46 | 1:17:49 | |
Laura has this great kind of country tone, which I absolutely love. | 1:17:49 | 1:17:53 | |
# Oh, you got a friend... # | 1:17:53 | 1:17:56 | |
Tobias is a crooner. He's got a jazzy voice. | 1:17:56 | 1:17:59 | |
Seeing them together, they kind of look like a couple. | 1:18:00 | 1:18:03 | |
There's something about the two of them that they go together. | 1:18:03 | 1:18:05 | |
This, I think, is going to require emotional engagement. | 1:18:05 | 1:18:08 | |
And you're going to really have to perform like a great couple. | 1:18:08 | 1:18:12 | |
I think Laura and Tobias have got the biggest challenge of all the singers. | 1:18:12 | 1:18:15 | |
So it's going to be really interesting | 1:18:15 | 1:18:17 | |
to see whether they listen to what I've said. | 1:18:17 | 1:18:19 | |
# When routine bites hard | 1:18:31 | 1:18:36 | |
# And ambitions are low | 1:18:36 | 1:18:40 | |
# And resentment rides high | 1:18:40 | 1:18:44 | |
# But emotions won't grow | 1:18:44 | 1:18:48 | |
# And we're changing our ways | 1:18:48 | 1:18:52 | |
# Taking different roads | 1:18:52 | 1:18:57 | |
# Then love | 1:18:57 | 1:18:59 | |
# Love will tear us apart again | 1:18:59 | 1:19:05 | |
# Love | 1:19:06 | 1:19:08 | |
# Love will tear us apart | 1:19:08 | 1:19:13 | |
# You cry out in your sleep | 1:19:14 | 1:19:18 | |
# All my failings exposed... # APPLAUSE | 1:19:18 | 1:19:22 | |
# And there's a taste in my mouth | 1:19:22 | 1:19:26 | |
# As desperation takes hold | 1:19:26 | 1:19:30 | |
BOTH: # Just that something so good | 1:19:30 | 1:19:34 | |
# Just don't function no more... # APPLAUSE | 1:19:34 | 1:19:40 | |
# Love | 1:19:40 | 1:19:42 | |
# Love will tear us apart again | 1:19:42 | 1:19:47 | |
# Love | 1:19:48 | 1:19:50 | |
# Love will tear us apart. # | 1:19:50 | 1:19:56 | |
CHEERING AND APPLAUSE | 1:19:56 | 1:19:57 | |
Yeah, let's hear it for Laura and Tobias! | 1:20:01 | 1:20:04 | |
I really feel that when I put these two together, I created a union. | 1:20:11 | 1:20:15 | |
I just felt there was an instant connection. | 1:20:15 | 1:20:17 | |
And I think that you can do so much for each other, | 1:20:17 | 1:20:19 | |
I mean, I really hope that this becomes a band. It's meant to be. | 1:20:19 | 1:20:23 | |
We've seen duets between people where they're | 1:20:23 | 1:20:26 | |
sort of fighting against each other and there's a lot of conflict, | 1:20:26 | 1:20:29 | |
and then we've seen duets with people | 1:20:29 | 1:20:31 | |
that we'd like to see as a group. | 1:20:31 | 1:20:33 | |
You should definitely swap numbers, is my advice. | 1:20:33 | 1:20:36 | |
-We're already like, best friends now anyway. -Good! | 1:20:36 | 1:20:39 | |
-Maybe you could get married, I'll sing at your wedding. -LAUGHTER | 1:20:39 | 1:20:42 | |
I've just got a feeling about you two, | 1:20:42 | 1:20:45 | |
-I just think there's just this lovely thing. -Can I buy a new hat?! | 1:20:45 | 1:20:48 | |
-You can buy a new hat, Paloma! -Well, they're both single, George. | 1:20:48 | 1:20:51 | |
Both single? Well, you know, so am I. Join the club. | 1:20:51 | 1:20:54 | |
OK, listen, let's do it. | 1:20:54 | 1:20:55 | |
George, I need to know who's the winner of tonight's battle. | 1:20:55 | 1:20:59 | |
I'm going to take Laura through. | 1:20:59 | 1:21:01 | |
Laura, congratulations! | 1:21:01 | 1:21:02 | |
-You are through to the Knockouts. -Thank you so much. | 1:21:02 | 1:21:05 | |
Go on, go and give George a big squeeze. | 1:21:05 | 1:21:07 | |
-One more time for Laura, everyone! -CHEERING | 1:21:07 | 1:21:10 | |
It was the right thing to do. Love your dress, baby! | 1:21:10 | 1:21:13 | |
-You sounded like the girl from The Cranberries. -I know, everyone says. | 1:21:13 | 1:21:16 | |
OK. Tobias, once again your future now lies with the coaches. | 1:21:21 | 1:21:26 | |
Tobias, you're now available for a steal. | 1:21:28 | 1:21:32 | |
He has the likeability factor. | 1:21:34 | 1:21:38 | |
No? | 1:21:38 | 1:21:39 | |
CHEERS OF ENCOURAGEMENT | 1:21:39 | 1:21:42 | |
Aw, Tobias, I'm so sorry. | 1:21:43 | 1:21:45 | |
Unfortunately it's the end of the road for you. | 1:21:45 | 1:21:47 | |
Have you had a great time? | 1:21:47 | 1:21:48 | |
-Yeah, I've had an amazing time. -Good man. | 1:21:48 | 1:21:50 | |
Listen, one more time please, let's hear it for Tobias, everyone! | 1:21:50 | 1:21:53 | |
APPLAUSE AND CHEERING | 1:21:55 | 1:21:57 | |
Hard, cos the standard's so high | 1:22:02 | 1:22:05 | |
that there's some brilliant people going home. | 1:22:05 | 1:22:07 | |
Yeah. Yeah. | 1:22:07 | 1:22:09 | |
I'm sorry... | 1:22:12 | 1:22:14 | |
-Who's now? -Me. -Team Paloma. | 1:22:16 | 1:22:18 | |
Theo and Jordan. | 1:22:18 | 1:22:20 | |
Oh! Gorgeous Jordan. | 1:22:20 | 1:22:22 | |
Yeah. It's beautiful. | 1:22:22 | 1:22:24 | |
I hope they're not too nervous. | 1:22:24 | 1:22:26 | |
But she was your spare. Someone pulled out, right? | 1:22:26 | 1:22:29 | |
Yeah. | 1:22:29 | 1:22:30 | |
Unfortunately for me, one of my team pulled out due to personal reasons. | 1:22:32 | 1:22:38 | |
So I've selected my reserve, | 1:22:38 | 1:22:40 | |
which was Jordan. | 1:22:40 | 1:22:42 | |
# Well, she takes | 1:22:42 | 1:22:44 | |
# Just like a woman | 1:22:44 | 1:22:48 | |
# Yes, she does... # | 1:22:48 | 1:22:49 | |
APPLAUSE | 1:22:49 | 1:22:51 | |
'I was just so regretful that I didn't press that button,' | 1:22:53 | 1:22:57 | |
and I'm so happy that I've been able to give her a chance to come back. | 1:22:57 | 1:23:02 | |
Well, good luck. This is a bit of a lifeline | 1:23:02 | 1:23:04 | |
and we're throwing it out and we're going, "Yeah!" | 1:23:04 | 1:23:07 | |
-I'm going to hold on. I'm going through. Thank you. -Bringing you in! | 1:23:07 | 1:23:11 | |
'I wanted to be on Team Paloma from the very beginning. | 1:23:11 | 1:23:13 | |
'I think I'm the first transgender person | 1:23:13 | 1:23:16 | |
'that's ever been on the series.' | 1:23:16 | 1:23:18 | |
It's really great to be here. | 1:23:18 | 1:23:19 | |
-Hiya. -Hey! Hello. | 1:23:19 | 1:23:21 | |
I think Jordan and Theo's a really interesting pairing. | 1:23:21 | 1:23:25 | |
Theo's got a very versatile voice. | 1:23:25 | 1:23:28 | |
HE SINGS A HIGH SUSTAINED NOTE | 1:23:28 | 1:23:31 | |
I'm a sucker for a voice like that. | 1:23:33 | 1:23:35 | |
Thank you! | 1:23:35 | 1:23:37 | |
# Ah ah-ah-ah... # | 1:23:38 | 1:23:42 | |
The song we're singing is This Woman's Work by Kate Bush. | 1:23:42 | 1:23:45 | |
# ..a little life in you yet... # | 1:23:45 | 1:23:47 | |
'When we found out what our song was | 1:23:47 | 1:23:49 | |
'I thought, "Brilliant, "I'm back in and I have a chance."' | 1:23:49 | 1:23:52 | |
And then I very quickly | 1:23:52 | 1:23:55 | |
started to realise that maybe I spoke too soon. | 1:23:55 | 1:23:58 | |
# Oh-ohhhh... # | 1:23:58 | 1:24:00 | |
I was a bit... | 1:24:00 | 1:24:01 | |
# ..God you can cope... # | 1:24:01 | 1:24:03 | |
Do you feel comfortable with the key that's it at? | 1:24:03 | 1:24:06 | |
I'd like to take it down. | 1:24:06 | 1:24:07 | |
'Jordan's very hard on herself' | 1:24:07 | 1:24:08 | |
because she's in a transition at the moment between male/female... | 1:24:08 | 1:24:14 | |
I don't want to be a parody of a woman all the way through the song. | 1:24:16 | 1:24:20 | |
Cos I spend every day kind of feeling like a parody of a woman. | 1:24:20 | 1:24:23 | |
It seems to me like you're your own worst critic. | 1:24:23 | 1:24:27 | |
And there's nothing parody about it - | 1:24:27 | 1:24:30 | |
I mean, I wish that I could sing that high. I can't. | 1:24:30 | 1:24:33 | |
Jordan was suggesting that I should take the spotlight | 1:24:33 | 1:24:38 | |
and she should just stay in the back-seat and whatnot. | 1:24:38 | 1:24:40 | |
I kind of feel like you should do the whole thing. | 1:24:40 | 1:24:43 | |
She was really underestimating herself. | 1:24:43 | 1:24:45 | |
You're both going to do yourselves proud, I'm sure. | 1:24:45 | 1:24:48 | |
There's not going to be a dry eye in the house! | 1:24:48 | 1:24:51 | |
APPLAUSE AND CHEERING | 1:24:59 | 1:25:01 | |
PIANO INTRO | 1:25:15 | 1:25:17 | |
# Oh-ohhh | 1:25:18 | 1:25:23 | |
# Ooh-ooh-ooh ooooh-ooh.... # | 1:25:23 | 1:25:25 | |
APPLAUSE | 1:25:25 | 1:25:27 | |
# Oh-ohhh ohhh... # | 1:25:27 | 1:25:29 | |
APPLAUSE AND WHISTLING | 1:25:29 | 1:25:31 | |
# Pray God you can cope | 1:25:37 | 1:25:40 | |
# I stand outside | 1:25:40 | 1:25:44 | |
# This woman's work | 1:25:44 | 1:25:46 | |
# This woman's world | 1:25:46 | 1:25:49 | |
CHEERING AND APPLAUSE | 1:25:49 | 1:25:50 | |
# Oh, it's hard on the man | 1:25:50 | 1:25:53 | |
# Now his part is over | 1:25:53 | 1:25:56 | |
# Now starts the craft | 1:25:56 | 1:25:59 | |
# Of the fa-a-a-ather... # | 1:26:00 | 1:26:04 | |
WHOOPING | 1:26:04 | 1:26:06 | |
# I know you've got a little life in you yet | 1:26:06 | 1:26:10 | |
# I know you've got a lot of strength left | 1:26:10 | 1:26:14 | |
# I should be crying but I just can't | 1:26:14 | 1:26:17 | |
# Let it show | 1:26:17 | 1:26:19 | |
# I should be hoping but I can't stop thinking | 1:26:19 | 1:26:22 | |
# Of all the things I should've said that we never said | 1:26:22 | 1:26:26 | |
# And all the things we should've done that we never did | 1:26:26 | 1:26:31 | |
# All the things I should've given but we didn't | 1:26:31 | 1:26:34 | |
BOTH: # Oh... | 1:26:34 | 1:26:36 | |
# Darling | 1:26:36 | 1:26:37 | |
JORDAN: # Make it go | 1:26:37 | 1:26:41 | |
# Make it go away | 1:26:42 | 1:26:46 | |
# Give me these moments | 1:26:50 | 1:26:54 | |
# Back | 1:26:56 | 1:26:57 | |
# Back, back | 1:26:57 | 1:26:59 | |
# Give them | 1:26:59 | 1:27:04 | |
-# Back to me... # -APPLAUSE | 1:27:04 | 1:27:06 | |
# I should be crying but I just can't | 1:27:06 | 1:27:08 | |
# Let it show-ow-ow-ow | 1:27:08 | 1:27:13 | |
# I should be hoping but I can't stop thinki-i-i-ing | 1:27:13 | 1:27:21 | |
# Of all the things I should've said that we never said | 1:27:22 | 1:27:25 | |
# All the things we should've done that we never did | 1:27:25 | 1:27:30 | |
# And all the things I should've given, but we didn't | 1:27:30 | 1:27:33 | |
# Oh-oh-oh ohhh... | 1:27:33 | 1:27:38 | |
# Oh, darling | 1:27:38 | 1:27:41 | |
# Make it go away. # | 1:27:41 | 1:27:47 | |
CHEERING AND APPLAUSE | 1:27:47 | 1:27:49 | |
Wow! Make some noise for Jordan and Theo, everyone. | 1:27:54 | 1:27:59 | |
Incredible. | 1:27:59 | 1:28:01 | |
Jordan, come in here. | 1:28:01 | 1:28:04 | |
Wow, but was emotional. | 1:28:04 | 1:28:07 | |
Paloma - are you OK, hun? | 1:28:07 | 1:28:08 | |
Sorry...?! | 1:28:08 | 1:28:09 | |
That was so beautiful. | 1:28:09 | 1:28:11 | |
-MARVIN: -It was. So good. | 1:28:11 | 1:28:13 | |
You could hear a pin drop in here through that, right? | 1:28:13 | 1:28:16 | |
Paloma, I'm going to come to you in a moment. | 1:28:16 | 1:28:18 | |
-I think you need to give me a sec! -Yeah... -MARVIN LAUGHS | 1:28:18 | 1:28:21 | |
Let's go to Ricky first of all. | 1:28:21 | 1:28:23 | |
Ricky, are you glad to see Jordan back in the competition? | 1:28:23 | 1:28:26 | |
Yeah. Sometimes, you know, people slip through the net. | 1:28:26 | 1:28:31 | |
And we always feel like proper idiots. And you just proved | 1:28:31 | 1:28:35 | |
that all four of us when we didn't turn for you, | 1:28:35 | 1:28:38 | |
we made a big mistake, but you're back, | 1:28:38 | 1:28:40 | |
and it shows that everything happens for a reason. | 1:28:40 | 1:28:42 | |
Cos you came back fighting, and you came back | 1:28:42 | 1:28:44 | |
and you just showed the world, and well done. | 1:28:44 | 1:28:47 | |
-Thank you, Ricky. -WHOOPING AND APPLAUSE | 1:28:47 | 1:28:49 | |
-Will... -I don't know how Paloma's going to do it. | 1:28:49 | 1:28:52 | |
It's a tough one cos you guys are both, | 1:28:52 | 1:28:56 | |
like, extraordinary artists. | 1:28:56 | 1:28:59 | |
Theo to me was like, controlled. | 1:28:59 | 1:29:01 | |
APPLAUSE AND WHOOPING | 1:29:01 | 1:29:03 | |
It was controlled, and um... | 1:29:03 | 1:29:08 | |
Jordan, today was just really emotional. | 1:29:08 | 1:29:12 | |
But you're... | 1:29:13 | 1:29:15 | |
Whoa. You're...a forever. A forever thing. | 1:29:15 | 1:29:19 | |
Yeah. | 1:29:19 | 1:29:20 | |
APPLAUSE | 1:29:20 | 1:29:22 | |
George, I got goose bumps watching that, I think. | 1:29:22 | 1:29:25 | |
-You was getting quite emotional yourself. -How was it for you? | 1:29:25 | 1:29:28 | |
Yeah, we were all in tears. | 1:29:28 | 1:29:29 | |
You know. Very emotional. | 1:29:29 | 1:29:31 | |
I feel like I just witnessed something truly special. | 1:29:31 | 1:29:34 | |
CHEERING AND APPLAUSE | 1:29:34 | 1:29:36 | |
You two are the oddest pairing ever | 1:29:36 | 1:29:39 | |
but it was SO beautiful. | 1:29:39 | 1:29:41 | |
And perfect. | 1:29:41 | 1:29:42 | |
Perfect, beautiful, flawless... | 1:29:42 | 1:29:44 | |
Good luck(!) | 1:29:44 | 1:29:46 | |
LAUGHTER AND APPLAUSE | 1:29:46 | 1:29:48 | |
It is a very difficult decision. | 1:29:50 | 1:29:52 | |
But I think, you know, what we spoke about in terms of... | 1:29:52 | 1:29:56 | |
You know, it not being about gender and... | 1:29:56 | 1:29:59 | |
You know, your story, Jordan, and the moment that you sing that line, | 1:29:59 | 1:30:04 | |
it's hard for the man in your low register just... | 1:30:04 | 1:30:08 | |
was the moment that... | 1:30:08 | 1:30:10 | |
Sorry. | 1:30:10 | 1:30:11 | |
It's so moving. | 1:30:11 | 1:30:13 | |
But I really believe in you and... | 1:30:13 | 1:30:17 | |
And Theo, we're going to miss you so much, but I'm going to take Jordan. | 1:30:17 | 1:30:23 | |
Jordan, you are through to the Knockouts, well done. | 1:30:23 | 1:30:26 | |
How are you feeling, Jordan? | 1:30:26 | 1:30:28 | |
Thank you. | 1:30:28 | 1:30:30 | |
I love this guy. | 1:30:31 | 1:30:33 | |
If you don't steal him, I'm going to steal him. | 1:30:33 | 1:30:35 | |
Congratulations, Jordan, you are through to the knockouts. | 1:30:37 | 1:30:40 | |
Give Paloma a hug. Jordan, one more time, everyone. | 1:30:40 | 1:30:42 | |
That was very beautiful. | 1:30:42 | 1:30:44 | |
OK, now, Theo, this may not be the end of the road for you. | 1:30:58 | 1:31:02 | |
Anything you'd like to say to the coaches? | 1:31:02 | 1:31:05 | |
Um... | 1:31:05 | 1:31:07 | |
CHEERING AND SHOUTING | 1:31:07 | 1:31:10 | |
I... Being here has actually been a complete learning curve. | 1:31:11 | 1:31:16 | |
It's helped me to think outside of the box and not be stuck in my ways. | 1:31:16 | 1:31:20 | |
It was an honour performing | 1:31:20 | 1:31:22 | |
in front of all four of you and everyone else here. | 1:31:22 | 1:31:24 | |
You're a gentleman, Theo, thank you. | 1:31:24 | 1:31:26 | |
OK, your future now lies with the coaches. | 1:31:26 | 1:31:31 | |
OK, Theo, you're now available for a steal. | 1:31:32 | 1:31:35 | |
CHEERING | 1:31:52 | 1:31:55 | |
One steal, well done, Theo. | 1:31:55 | 1:31:57 | |
How good is that? | 1:31:59 | 1:32:01 | |
He can't believe it. | 1:32:06 | 1:32:07 | |
Theo, congratulations, you are now on Team Will. | 1:32:10 | 1:32:12 | |
Yo! | 1:32:14 | 1:32:15 | |
Oh, mate. | 1:32:15 | 1:32:17 | |
Um...um... | 1:32:17 | 1:32:20 | |
-Yo! -You can't believe it, can you? | 1:32:21 | 1:32:23 | |
You can't relax now, Theo. | 1:32:23 | 1:32:25 | |
Listen, well done, man, go and see your new coach. | 1:32:25 | 1:32:28 | |
One more time, for Theo, everyone. | 1:32:28 | 1:32:30 | |
CHEERING AND APPLAUSE | 1:32:30 | 1:32:33 | |
I feel like my make-up's going to run. | 1:32:52 | 1:32:55 | |
I think that might be one of the highlights of the show. | 1:33:01 | 1:33:04 | |
Done in. | 1:33:04 | 1:33:05 | |
Jordan! | 1:33:05 | 1:33:07 | |
Well done. | 1:33:07 | 1:33:08 | |
Who knew? Come on, from the audition to that is just...it was like... | 1:33:08 | 1:33:12 | |
Beautiful. | 1:33:12 | 1:33:14 | |
It was like... That was another level he's never really been. | 1:33:14 | 1:33:17 | |
-You know what I mean? -Yeah. | 1:33:17 | 1:33:19 | |
Transgender kind of pop star, I think it's kind of time. | 1:33:19 | 1:33:22 | |
It really feels like it's time. | 1:33:22 | 1:33:23 | |
Ah, my gosh! | 1:33:23 | 1:33:25 | |
I'm so happy that Paloma picked Jordan | 1:33:25 | 1:33:28 | |
cos I got my first steal with Theo. | 1:33:28 | 1:33:30 | |
I'm through! | 1:33:30 | 1:33:32 | |
Theo is... | 1:33:32 | 1:33:34 | |
He's something super. | 1:33:34 | 1:33:36 | |
CHEERING AND LAUGHTER | 1:33:36 | 1:33:39 | |
I can't cope with this. | 1:33:39 | 1:33:42 | |
Can you send the make-up person in? Cos I just bawled my eyes out. | 1:33:43 | 1:33:47 | |
I think you need it. | 1:33:47 | 1:33:48 | |
Guys, we need a bit of touch-up, it's a bit emotional. | 1:33:48 | 1:33:52 | |
The one time I didn't have a handkerchief as well. | 1:33:52 | 1:33:54 | |
Beautiful, wasn't it? | 1:33:54 | 1:33:56 | |
-Slavered. -Yeah. | 1:33:59 | 1:34:01 | |
LAUGHTER | 1:34:01 | 1:34:03 | |
The singing, the steals and the stand-offs continue with Team Ricky. | 1:34:09 | 1:34:14 | |
Brooklynne, you're going to be singing with... | 1:34:19 | 1:34:23 | |
Tom. | 1:34:23 | 1:34:24 | |
The song you'll be singing together | 1:34:26 | 1:34:28 | |
-is Tears Dry On Their Own by Amy Winehouse. -Oh, no way! | 1:34:28 | 1:34:31 | |
# Well, nothing... # | 1:34:32 | 1:34:34 | |
Looking back to the blind audition, | 1:34:34 | 1:34:36 | |
I was actually really proud of myself. | 1:34:36 | 1:34:38 | |
# ..Crying... # | 1:34:38 | 1:34:40 | |
Going onto the stage was quite overwhelming, really. | 1:34:41 | 1:34:45 | |
# ..Wanna feel your body... # | 1:34:45 | 1:34:46 | |
It was pretty cool. | 1:34:46 | 1:34:48 | |
# All I can ever be to you... # | 1:34:51 | 1:34:52 | |
Tears Dry On Their Own, it's a great song, | 1:34:52 | 1:34:54 | |
undeniably brilliant. It means a lot to me. | 1:34:54 | 1:34:56 | |
# And this regret I got... # | 1:34:56 | 1:34:58 | |
Timing-wise and getting the lyrics in the right place, | 1:34:58 | 1:35:01 | |
I wasn't too comfortable with, but I'm really happy with the song. | 1:35:01 | 1:35:04 | |
# Once it was so right... # | 1:35:04 | 1:35:06 | |
Brooklynne probably has the upper hand, | 1:35:06 | 1:35:08 | |
but I'm putting a different spin on the song. | 1:35:08 | 1:35:10 | |
It does work as a duet. | 1:35:10 | 1:35:12 | |
You give it a new twist of energy that I really like. | 1:35:12 | 1:35:15 | |
Brooklynne and Tom both have a..."up" vibe about them. | 1:35:15 | 1:35:18 | |
It's absolutely fantastic. | 1:35:18 | 1:35:20 | |
On the night, this battle comes down to who I believe most in. | 1:35:20 | 1:35:24 | |
It's going to be great. | 1:35:24 | 1:35:26 | |
Let the battle commence. | 1:35:29 | 1:35:31 | |
# All I can ever be to you is a darkness that we knew | 1:35:33 | 1:35:37 | |
# And this regret I got accustomed to | 1:35:37 | 1:35:40 | |
# It's my responsibility | 1:35:41 | 1:35:43 | |
# But you don't owe nothing to me | 1:35:43 | 1:35:45 | |
# But to walk away I have no capacity | 1:35:45 | 1:35:49 | |
# He walks away | 1:35:49 | 1:35:52 | |
# The sun goes down | 1:35:52 | 1:35:54 | |
# He takes the day, but I'm grown | 1:35:54 | 1:35:57 | |
# And in your way In this blue shade | 1:35:57 | 1:36:00 | |
# My tears dry on their own | 1:36:00 | 1:36:05 | |
# I don't understand | 1:36:05 | 1:36:07 | |
# Why do I stress you, woman | 1:36:07 | 1:36:09 | |
# When there's so many bigger things at hand | 1:36:09 | 1:36:12 | |
# I should play myself again | 1:36:12 | 1:36:15 | |
# Be my own best friend | 1:36:15 | 1:36:17 | |
# Not stave myself in the head for stupid men | 1:36:17 | 1:36:21 | |
# He walks away The sun goes down | 1:36:21 | 1:36:25 | |
# He takes the day but I am grown | 1:36:25 | 1:36:28 | |
# And in your way In this blue shade | 1:36:28 | 1:36:31 | |
# My tears dry on their own | 1:36:31 | 1:36:35 | |
# Ohhh | 1:36:35 | 1:36:37 | |
# She walks away The sun goes down | 1:36:37 | 1:36:40 | |
# She takes the day But I am grown | 1:36:40 | 1:36:44 | |
# And in your way In this blue shade | 1:36:44 | 1:36:47 | |
# My tears dry on their own. # | 1:36:47 | 1:36:53 | |
CHEERING AND APPLAUSE | 1:36:53 | 1:36:57 | |
One more time for Tom and Brooklynne. | 1:36:59 | 1:37:02 | |
Will, you were rather animated watching that performance. | 1:37:02 | 1:37:07 | |
There was a lot of this. | 1:37:07 | 1:37:09 | |
Oh, no, no, I was watching my man, he was animated with it. | 1:37:09 | 1:37:13 | |
I was like, wow, check him out, | 1:37:13 | 1:37:14 | |
he's like really being in the theatricals. | 1:37:14 | 1:37:17 | |
Usually, like, theatre... | 1:37:17 | 1:37:19 | |
er, I don't know, it doesn't really belong in pop. | 1:37:19 | 1:37:22 | |
-Theatre belongs in theatre. -I know what you mean, yeah. | 1:37:22 | 1:37:25 | |
Then there's people that perform theatrical, like Michael Jackson | 1:37:25 | 1:37:28 | |
-performed theatrical. -Yeah. | 1:37:28 | 1:37:30 | |
I've grown up with Michael Jackson, I was fed it as a young lad. | 1:37:30 | 1:37:34 | |
To the point where I think it's Earth Song | 1:37:34 | 1:37:37 | |
where he's grabbing hold of two trees, | 1:37:37 | 1:37:39 | |
and I used to get the conservatory chairs and use that. | 1:37:39 | 1:37:42 | |
With a plastic microphone that kept... | 1:37:42 | 1:37:45 | |
-# Ah-ah-ohhh. # -There you go. | 1:37:45 | 1:37:48 | |
And Brooklynne is just like, she reminds me of, like, | 1:37:48 | 1:37:53 | |
um, a Lauryn Hill. | 1:37:53 | 1:37:55 | |
Oh, wow, thank you! | 1:37:55 | 1:37:57 | |
I was really entertained, it was dope, | 1:37:59 | 1:38:01 | |
you guys really brought the house down. | 1:38:01 | 1:38:04 | |
Thanks, Will. | 1:38:04 | 1:38:05 | |
And, Ricky, happy? | 1:38:05 | 1:38:08 | |
Yeah, it was really good, you should be proud of yourselves, well done. | 1:38:08 | 1:38:12 | |
OK, good. | 1:38:12 | 1:38:14 | |
OK, Ricky, who is the winner of the battle? | 1:38:15 | 1:38:18 | |
The person I'm going to take forward in the competition... | 1:38:18 | 1:38:21 | |
CHEERING AND SHOUTING | 1:38:21 | 1:38:24 | |
..is Brooklynne. | 1:38:27 | 1:38:28 | |
Congratulations. | 1:38:29 | 1:38:32 | |
Ricky, thank you! | 1:38:33 | 1:38:36 | |
OK, Tom, you're not available for a steal. | 1:38:42 | 1:38:45 | |
GROANS | 1:39:01 | 1:39:04 | |
I'm sorry. | 1:39:04 | 1:39:06 | |
Thank you. We've loved having you, Tom, thank you so much. | 1:39:14 | 1:39:18 | |
Tom, everyone. | 1:39:18 | 1:39:19 | |
Paloma, what have you got for us next? | 1:39:27 | 1:39:30 | |
-I have 100% got something, a little bit of eye candy... -Oh! | 1:39:30 | 1:39:34 | |
..something to satisfy the ladies at home. | 1:39:34 | 1:39:38 | |
-And the men, potentially. -And some men. | 1:39:38 | 1:39:42 | |
And we're all very excited about this. | 1:39:45 | 1:39:48 | |
-Sounds very interesting. -So hold on to your chair. | 1:39:48 | 1:39:51 | |
Oh! OK, Team Paloma. | 1:39:51 | 1:39:53 | |
Rick and Bradley are my heart-throb pairing. | 1:39:57 | 1:40:00 | |
They bring a bit of heat to Team Paloma. | 1:40:02 | 1:40:05 | |
# Because.... # | 1:40:05 | 1:40:08 | |
Rick Snowdon's blind audition was phenomenal. | 1:40:08 | 1:40:13 | |
# Ahhhh... # | 1:40:13 | 1:40:16 | |
And I don't think there's anything in the market like him right now. | 1:40:16 | 1:40:21 | |
You have this aged, amazing voice. I'm so happy they turned for you. | 1:40:21 | 1:40:25 | |
# I see you driving down town... # | 1:40:26 | 1:40:30 | |
When I turned around and saw Bradley, swoon, | 1:40:30 | 1:40:34 | |
I realised that he is the whole package. | 1:40:34 | 1:40:37 | |
There's so much gravel and grittiness to his voice. | 1:40:39 | 1:40:42 | |
Let's have a hug. | 1:40:42 | 1:40:44 | |
Are you all right? Welcome. | 1:40:44 | 1:40:46 | |
I gave them a medley of Something's Got Hold On Me by Etta James | 1:40:46 | 1:40:50 | |
and I'm A Man by Bo Diddley. | 1:40:50 | 1:40:52 | |
I picked the song because you don't realise how attractive you both are. | 1:40:52 | 1:40:59 | |
I felt like it would be very sexy | 1:40:59 | 1:41:02 | |
to hear two men sort of defiantly saying, "Yeah, I'm a man." | 1:41:02 | 1:41:07 | |
# I'm a man... # | 1:41:07 | 1:41:09 | |
We'll just have to turn up the man switch and be more masculine. | 1:41:11 | 1:41:16 | |
I think I'm going to go to the gym, | 1:41:16 | 1:41:19 | |
not shave for a week or two and then perform that song. | 1:41:19 | 1:41:23 | |
# Gonna make love to you, baby... # | 1:41:23 | 1:41:25 | |
I think those two boys have got it going on | 1:41:25 | 1:41:28 | |
and they're like properly proper lookers, aren't they? | 1:41:28 | 1:41:32 | |
# Man... # | 1:41:32 | 1:41:35 | |
It's going to be so good. | 1:41:37 | 1:41:39 | |
Turn up the heat, here comes our smouldering Stand-Off. | 1:41:44 | 1:41:48 | |
Bradley Waterman... | 1:41:48 | 1:41:50 | |
going against Rick Snowdon. | 1:41:50 | 1:41:52 | |
Let the battle commence. | 1:41:55 | 1:41:57 | |
# Whoa | 1:42:12 | 1:42:15 | |
# Sometimes I get a good feeling | 1:42:15 | 1:42:19 | |
# I get a feeling | 1:42:21 | 1:42:22 | |
# That I never, never knew | 1:42:22 | 1:42:25 | |
# And I just wanna tell you right now | 1:42:28 | 1:42:34 | |
# That I | 1:42:34 | 1:42:36 | |
# Now, when I was a little boy | 1:42:37 | 1:42:40 | |
# At the age of five | 1:42:40 | 1:42:43 | |
# I had something in my pocket | 1:42:43 | 1:42:45 | |
# Kept a lot of folks alive | 1:42:45 | 1:42:48 | |
# I'm a man, yeah | 1:42:49 | 1:42:51 | |
# I spell M | 1:42:51 | 1:42:54 | |
# A, yeah, yeah, M | 1:42:54 | 1:43:00 | |
# Man | 1:43:00 | 1:43:04 | |
# I was going back down | 1:43:04 | 1:43:07 | |
# To Kansas to | 1:43:07 | 1:43:10 | |
# Bring back the second cousin | 1:43:10 | 1:43:13 | |
# Little John the conqueroo | 1:43:13 | 1:43:15 | |
# Ohh | 1:43:16 | 1:43:19 | |
# Yeah | 1:43:19 | 1:43:21 | |
# Yeah, yeah, oh | 1:43:21 | 1:43:26 | |
# The line that I shoot | 1:43:28 | 1:43:31 | |
# Will never miss | 1:43:31 | 1:43:34 | |
# The way I make love to 'em | 1:43:34 | 1:43:37 | |
# They never resist, yeah | 1:43:37 | 1:43:41 | |
# I'm a man | 1:43:41 | 1:43:43 | |
# I spell M | 1:43:43 | 1:43:45 | |
# A | 1:43:45 | 1:43:49 | |
# N | 1:43:49 | 1:43:51 | |
# Man. # | 1:43:52 | 1:43:59 | |
CHEERING AND APPLAUSE | 1:43:59 | 1:44:02 | |
Whoo! Bradley and Rick! | 1:44:05 | 1:44:09 | |
Ohh! | 1:44:09 | 1:44:11 | |
Let me tell you, the stage is a very nice place to be right now. | 1:44:12 | 1:44:16 | |
Both of you look so at home up here, like you were having the best time. | 1:44:16 | 1:44:21 | |
Paloma, it's going to be a really tough choice between these two. | 1:44:21 | 1:44:25 | |
Woo-hoo! | 1:44:25 | 1:44:26 | |
Now, we know there's two very fine young men up there. | 1:44:26 | 1:44:30 | |
We'll come back to you in a minute. Ricky. | 1:44:32 | 1:44:34 | |
-Yes. -Can you feel the testosterone that I can feel? | 1:44:34 | 1:44:37 | |
CHEERING | 1:44:37 | 1:44:39 | |
Worryingly, I can, yeah. | 1:44:39 | 1:44:42 | |
-What did you think? -Sometimes, when, you know, people come on stage | 1:44:42 | 1:44:46 | |
and sing the blues with rock voices like that, | 1:44:46 | 1:44:49 | |
the kind of confidence can be a bit off-putting, | 1:44:49 | 1:44:51 | |
but their confidence was perfect, | 1:44:51 | 1:44:53 | |
it was saying, we're going to smash the hell out of this, | 1:44:53 | 1:44:56 | |
and they did, and everyone loved it, you know what I mean? | 1:44:56 | 1:44:59 | |
Thanks, Ricky. Er, Will, did you feel the blues? | 1:44:59 | 1:45:02 | |
I felt a lot of colours, not just blues. | 1:45:02 | 1:45:06 | |
GEORGE LAUGHS | 1:45:06 | 1:45:07 | |
But, like... | 1:45:07 | 1:45:09 | |
it was a great performance. | 1:45:09 | 1:45:11 | |
Bradley, your ever awesome soulful voice. | 1:45:11 | 1:45:15 | |
Rick, you're like those iconic people | 1:45:15 | 1:45:18 | |
that when that person has a hit - Oh, my gosh! - | 1:45:18 | 1:45:22 | |
then people are going to start mimicking and imitating them. | 1:45:22 | 1:45:25 | |
You have one of those imitating qualities. | 1:45:25 | 1:45:27 | |
I was just watching your moves, like, "Is he serious right now?" | 1:45:27 | 1:45:30 | |
-LAUGHTER -Like, after you would sing a lick, you do this thing with your face. | 1:45:30 | 1:45:34 | |
It's like... I'm, like, "Whoa! He's for real right now?!" | 1:45:34 | 1:45:37 | |
I mean, that is so freaking fresh. So, like, hats off. | 1:45:37 | 1:45:40 | |
I won't take my hat off | 1:45:40 | 1:45:42 | |
because I haven't combed my hair, but hats off. | 1:45:42 | 1:45:44 | |
-Thank you very much, man. -Thanks, Will. | 1:45:44 | 1:45:46 | |
APPLAUSE George, what did you think? | 1:45:46 | 1:45:49 | |
Well, I feel like, you know, Rick was more in his comfort zone. | 1:45:49 | 1:45:52 | |
He's a rocker, he's a blues guy, | 1:45:52 | 1:45:54 | |
so, you know, I think you were slightly not in your comfort zone | 1:45:54 | 1:45:57 | |
with what you just did. | 1:45:57 | 1:45:58 | |
And all those kind of great falsetto things, it was just very animal. | 1:45:58 | 1:46:02 | |
The performance was very animal and very kind of, | 1:46:02 | 1:46:05 | |
I don't know, it was exciting to watch. You really complemented each other. | 1:46:05 | 1:46:08 | |
It wasn't like a fight, | 1:46:08 | 1:46:10 | |
it was like, "Wow! This is really entertaining." | 1:46:10 | 1:46:13 | |
-It was really entertaining. -That means we all won. -Yeah. It was really good. | 1:46:13 | 1:46:17 | |
CHEERING AND APPLAUSE | 1:46:17 | 1:46:18 | |
Paloma, was it man enough for you? | 1:46:18 | 1:46:20 | |
It was. It totally blew my socks off. | 1:46:20 | 1:46:23 | |
I'm so proud of both of them, | 1:46:23 | 1:46:25 | |
cos they were just, like, "Let's just go in together, | 1:46:25 | 1:46:28 | |
"do this together and nail it." And they did. | 1:46:28 | 1:46:31 | |
This is really hard, | 1:46:31 | 1:46:33 | |
and it is no reflection on how fantastic you both are, | 1:46:33 | 1:46:37 | |
but I have to make a decision. | 1:46:37 | 1:46:40 | |
And I'm going to take... | 1:46:40 | 1:46:42 | |
Rick with me. | 1:46:42 | 1:46:44 | |
CHEERING AND APPLAUSE Hmm. | 1:46:44 | 1:46:46 | |
-Well done. -Thank you. -Brilliant. | 1:46:49 | 1:46:52 | |
-You were great. -Rick, congratulations. | 1:46:52 | 1:46:55 | |
You remain on Team Paloma. How do you feel about the Knockouts? | 1:46:55 | 1:46:58 | |
The battle was obviously awesome. It was just amazing. | 1:46:58 | 1:47:01 | |
It was nice to get up here and do a bit of rock and roll. | 1:47:01 | 1:47:04 | |
His hair smells lovely as well, just so you all know. | 1:47:04 | 1:47:07 | |
Please, put your hands together one more time for Rick. | 1:47:07 | 1:47:10 | |
APPLAUSE | 1:47:10 | 1:47:12 | |
-Well done, Rick. Great performance. -Thank you. | 1:47:12 | 1:47:16 | |
Yeah. Super that. | 1:47:16 | 1:47:18 | |
Well done, hon. You're a star. | 1:47:18 | 1:47:21 | |
Thank you. | 1:47:21 | 1:47:23 | |
CHEERING AND APPLAUSE | 1:47:23 | 1:47:25 | |
OK, Bradley, your future now lies again with the coaches. | 1:47:29 | 1:47:34 | |
Yeah. Are you going to? | 1:47:40 | 1:47:42 | |
Erm... | 1:47:42 | 1:47:44 | |
BUZZER SOUNDS REPEATEDLY | 1:47:47 | 1:47:50 | |
You have to wait till the clock's moving. | 1:47:51 | 1:47:54 | |
-I ain't got time for all that. -Bradley, you are now available | 1:47:57 | 1:48:00 | |
for a steal. | 1:48:00 | 1:48:02 | |
CHEERING | 1:48:02 | 1:48:04 | |
EMMA LAUGHS | 1:48:13 | 1:48:15 | |
Congratulations. | 1:48:15 | 1:48:17 | |
George hit that button for you. | 1:48:17 | 1:48:19 | |
-Well, you were great. -How happy are you? -You were great. | 1:48:19 | 1:48:22 | |
And you should have been on my team in the first place. | 1:48:22 | 1:48:24 | |
LAUGHTER | 1:48:24 | 1:48:26 | |
APPLAUSE | 1:48:26 | 1:48:27 | |
Well done, Bradley. | 1:48:27 | 1:48:29 | |
-I'm so proud. Now you can win the whole thing. -Thank you so much. | 1:48:29 | 1:48:33 | |
-Well done. -Cheers, mate. | 1:48:33 | 1:48:35 | |
-You did it, bro. -Well done. -GEORGE AND PALOMA LAUGH | 1:48:35 | 1:48:38 | |
CHEERING | 1:48:38 | 1:48:41 | |
Bradley and Rick, it was one of those really well-balanced things, | 1:48:44 | 1:48:48 | |
-but they were both so different. -Yeah! Well done, man. Well done. | 1:48:48 | 1:48:52 | |
They're both brilliant, but I'm all about the individual, | 1:48:52 | 1:48:56 | |
and I feel like Rick really stood out to me | 1:48:56 | 1:48:59 | |
as being a complete one-off. | 1:48:59 | 1:49:02 | |
Whoo! Bring on the knockouts. | 1:49:02 | 1:49:05 | |
Bradley, he just sang great. | 1:49:05 | 1:49:07 | |
And I think he's got huge likeability. | 1:49:07 | 1:49:11 | |
I think people are going to love him. | 1:49:11 | 1:49:13 | |
-Anyway, Paloma's loss is George's gain. -Yes! -Yes. Well done. | 1:49:13 | 1:49:18 | |
I can't steal any more. That's it. | 1:49:19 | 1:49:22 | |
-I'm kind of relieved. -Yeah, you can relax now. | 1:49:22 | 1:49:25 | |
OK, this is it. | 1:49:25 | 1:49:27 | |
The final battle of the night comes from Team Boy George. | 1:49:27 | 1:49:30 | |
CHEERING | 1:49:30 | 1:49:32 | |
My last pairing is... | 1:49:35 | 1:49:37 | |
-Cody. -CHEERING AND APPLAUSE | 1:49:37 | 1:49:39 | |
Cody has, like, an ocean of vulnerability. | 1:49:39 | 1:49:42 | |
That was the big thing with Cody. | 1:49:42 | 1:49:44 | |
# Yeah! # | 1:49:44 | 1:49:47 | |
Cody was like a mini me, | 1:49:47 | 1:49:49 | |
the way she was dressed, the make-up. | 1:49:49 | 1:49:51 | |
I like to be different, because that's how you get your voice heard, | 1:49:51 | 1:49:54 | |
that's how you can make a change. | 1:49:54 | 1:49:56 | |
I feel like I understand her completely. | 1:49:56 | 1:49:59 | |
And Cody will be up against... | 1:49:59 | 1:50:01 | |
-Heather. -CHEERING AND APPLAUSE | 1:50:01 | 1:50:04 | |
Heather is very talented. | 1:50:04 | 1:50:06 | |
She has a kind of quirky quality about her which I completely love. | 1:50:06 | 1:50:10 | |
I've been a member of Mensa for about six years now. | 1:50:10 | 1:50:14 | |
Mensa is an organisation | 1:50:14 | 1:50:16 | |
that contains the top 2% of intelligent adults. | 1:50:16 | 1:50:20 | |
I feel connected to Cody, | 1:50:20 | 1:50:21 | |
but I also think that Heather could easily win this battle. | 1:50:21 | 1:50:25 | |
It's going to be very difficult to lose either one of them. | 1:50:25 | 1:50:29 | |
You're both pretty young, so you're both fresh out of school, | 1:50:29 | 1:50:31 | |
-what was that like? -I didn't really enjoy school. | 1:50:31 | 1:50:34 | |
I did a year of A-levels and got Us on all of them. | 1:50:34 | 1:50:37 | |
But I'm still at school. | 1:50:37 | 1:50:39 | |
I'm doing four A-levels at the moment, which is really tough. | 1:50:39 | 1:50:42 | |
So we've got a brainy one and one that's a bit more like me. | 1:50:42 | 1:50:45 | |
Me and Heather are like different ends of the spectrum, | 1:50:45 | 1:50:48 | |
she does really pretty make-up and wears pretty dresses. | 1:50:48 | 1:50:50 | |
I feel like I look like a bad influence. | 1:50:50 | 1:50:52 | |
Shall we have a little listen to your interpretation? | 1:50:52 | 1:50:55 | |
-# I go out every night... # -Cody's got massive potential. | 1:50:55 | 1:50:58 | |
I think she's got something very unique about her, | 1:50:58 | 1:51:01 | |
she knows how to place things emotionally. | 1:51:01 | 1:51:04 | |
# I know that living with you... # | 1:51:04 | 1:51:05 | |
Quite scary singing against Cody. | 1:51:05 | 1:51:07 | |
When she sings, I get goose bumps. | 1:51:07 | 1:51:09 | |
And I want to try and have the same effect that she does on Boy George. | 1:51:09 | 1:51:13 | |
"Oh, the flowers that you planted, mama... # | 1:51:13 | 1:51:16 | |
Heather needs to be encouraged | 1:51:16 | 1:51:17 | |
to be a little bit more connected to what she's singing. | 1:51:17 | 1:51:20 | |
Can we just talk a little bit about the journey of the song. | 1:51:20 | 1:51:23 | |
I just think you've got to find the light and shade in it. | 1:51:23 | 1:51:26 | |
You don't need to do 101 notes. | 1:51:26 | 1:51:28 | |
It's nice to push you, but don't feel that you have to... | 1:51:28 | 1:51:31 | |
-Not all the time. -Yeah. | 1:51:31 | 1:51:32 | |
I think of everything so analytically, | 1:51:32 | 1:51:34 | |
it just ends up making you so much more nervous. | 1:51:34 | 1:51:37 | |
It's horrible. | 1:51:37 | 1:51:40 | |
One second. Can I have a second? Is that all right? | 1:51:40 | 1:51:43 | |
How did you feel about the session? | 1:51:43 | 1:51:45 | |
I thought it was good. I mean, Cody is absolutely incredible. | 1:51:45 | 1:51:49 | |
You've also got a very touching voice. | 1:51:49 | 1:51:51 | |
You were chosen to be in my team, | 1:51:51 | 1:51:53 | |
so, clearly, I feel like you got something too. | 1:51:53 | 1:51:55 | |
I just need to just be myself and to sing how I normally sing. | 1:51:55 | 1:51:59 | |
I need to not worry what Cody's doing. | 1:51:59 | 1:52:01 | |
I need to just not listen to her | 1:52:01 | 1:52:04 | |
and just really get into my own zone. | 1:52:04 | 1:52:06 | |
It's going to be really hard. | 1:52:06 | 1:52:08 | |
It will literally be down to, who do I believe? | 1:52:08 | 1:52:11 | |
It's got to be that cold. | 1:52:11 | 1:52:13 | |
CHEERING | 1:52:14 | 1:52:17 | |
It's a teenage tear-up. | 1:52:18 | 1:52:21 | |
-Let's hear it for Cody Frost... -CHEERING | 1:52:21 | 1:52:23 | |
..taking on Heather Cameron-Hayes. | 1:52:23 | 1:52:26 | |
CHEERING | 1:52:26 | 1:52:28 | |
# It's been seven hours and 15 days | 1:52:51 | 1:52:57 | |
CHEERING | 1:52:57 | 1:52:59 | |
# Since you took your love away | 1:52:59 | 1:53:05 | |
# I go out every night and sleep all day | 1:53:06 | 1:53:14 | |
CHEERING | 1:53:14 | 1:53:15 | |
# Since you took your love away | 1:53:15 | 1:53:20 | |
# Since you've been gone I can do whatever I want | 1:53:23 | 1:53:31 | |
# I can see whomever I choose | 1:53:31 | 1:53:37 | |
# I can eat my dinner in a fancy restaurant | 1:53:39 | 1:53:46 | |
# But nothing, I said, nothing can take away these blues | 1:53:46 | 1:53:53 | |
# Cos nothing compares | 1:53:53 | 1:53:58 | |
-# Nothing compares to you -..to you | 1:53:58 | 1:54:04 | |
APPLAUSE | 1:54:04 | 1:54:05 | |
# All the flowers that you planted, mama | 1:54:10 | 1:54:14 | |
# In the back yard | 1:54:14 | 1:54:19 | |
# All died when you went away | 1:54:19 | 1:54:26 | |
# Oh, I know that living with you, baby, was sometimes hard | 1:54:26 | 1:54:34 | |
# But I'm willing to give it another try | 1:54:34 | 1:54:42 | |
# Because nothing compares | 1:54:42 | 1:54:47 | |
BOTH: # Nothing compares to you | 1:54:47 | 1:54:54 | |
# No, nothing compares | 1:54:54 | 1:54:59 | |
BOTH: # Nothing compares to you. # | 1:54:59 | 1:55:04 | |
CHEERING AND APPLAUSE | 1:55:06 | 1:55:08 | |
MARVIN LAUGHS | 1:55:12 | 1:55:13 | |
How good was that? Let's hear it for Cody and Heather, everyone! | 1:55:13 | 1:55:17 | |
CHEERING | 1:55:17 | 1:55:19 | |
Well done, girls. So good. | 1:55:19 | 1:55:22 | |
George, that was amazing. | 1:55:24 | 1:55:26 | |
How you feeling? It was beautiful. | 1:55:26 | 1:55:30 | |
It was exactly what I thought it was going to be, but better. | 1:55:30 | 1:55:33 | |
-Yeah, it was beautiful. -Emotional. | 1:55:33 | 1:55:35 | |
Paloma, now, you fought hard for Cody in the blinds, | 1:55:35 | 1:55:38 | |
how did she do for you tonight? | 1:55:38 | 1:55:39 | |
It was absolutely beautiful, but it was a special duet. It was haunting. | 1:55:39 | 1:55:45 | |
Like, Heather, your voice when it trails off, | 1:55:45 | 1:55:48 | |
it's like at the end somewhere there's truth. | 1:55:48 | 1:55:51 | |
-It just resonates. And there's just so much in it. -Thank you. | 1:55:51 | 1:55:55 | |
-APPLAUSE -Erm... | 1:55:55 | 1:55:57 | |
Cody just said to Heather that she did a sick job, | 1:55:59 | 1:56:02 | |
so...that was quite cool. Yeah, she did a sick job. | 1:56:02 | 1:56:05 | |
Will, two very individual styles, | 1:56:05 | 1:56:07 | |
but which of these 17-year-old girls stood out for you today? | 1:56:07 | 1:56:10 | |
First off, I want to meet Cody's parents. Where are they at? | 1:56:10 | 1:56:13 | |
-So, Mom, where's Mom? -Can we have a wave? | 1:56:13 | 1:56:16 | |
-Mum's there. -Hi. -And Pops? -And Dad's the bald one. | 1:56:16 | 1:56:19 | |
All right. Whatever design you guys did, | 1:56:19 | 1:56:22 | |
you guys did an awesome job designing that. Wow! | 1:56:22 | 1:56:27 | |
And, Heather, your parents? You guys should be proud of Heather, | 1:56:27 | 1:56:31 | |
cos she's, like, so sweet and sings so awesome. | 1:56:31 | 1:56:35 | |
-Thank you. -I don't even know who to choose. | 1:56:35 | 1:56:37 | |
Like, whatever, forget my opinion, I'm just here. | 1:56:37 | 1:56:40 | |
-LAUGHTER -Thank you, Will. | 1:56:40 | 1:56:42 | |
APPLAUSE | 1:56:42 | 1:56:43 | |
OK. | 1:56:45 | 1:56:46 | |
Heather, you brought so much emotion to that song | 1:56:46 | 1:56:50 | |
and you made it effortless. You brought me to tears, it was amazing. | 1:56:50 | 1:56:54 | |
And I...I don't cry at many things. | 1:56:54 | 1:56:56 | |
-Except tax bills. -LAUGHTER | 1:56:56 | 1:56:58 | |
So, erm... | 1:56:58 | 1:57:00 | |
But, you know, you're 17 | 1:57:00 | 1:57:02 | |
and you have a massive future in front of you. | 1:57:02 | 1:57:05 | |
And I kind of feel like this is going to end well whatever happens, | 1:57:05 | 1:57:08 | |
but because I fought so hard to get Cody, | 1:57:08 | 1:57:11 | |
you just remind so much of myself when I was your age, | 1:57:11 | 1:57:13 | |
and so I am going to take you through. | 1:57:13 | 1:57:16 | |
Yay! Cody, congratulations! | 1:57:16 | 1:57:18 | |
Well done! You're through to the knockouts. | 1:57:18 | 1:57:22 | |
So good. Are you OK? | 1:57:22 | 1:57:24 | |
-I'm all right. -Go and give George a big hug one more time. | 1:57:24 | 1:57:28 | |
Make some noise for Cody, who's through to the knockouts, everyone. | 1:57:28 | 1:57:32 | |
Amazing! | 1:57:32 | 1:57:34 | |
Thank you so much. Thank you. | 1:57:34 | 1:57:36 | |
You're so gorgeous. | 1:57:36 | 1:57:38 | |
-Really special. -CHEERING | 1:57:38 | 1:57:40 | |
CODY SCREAMS LAUGHTER | 1:57:42 | 1:57:45 | |
Will you tell us what it would mean for you, Heather, to stay in the competition? | 1:57:45 | 1:57:48 | |
It would mean everything, because I've learnt so, so much, | 1:57:48 | 1:57:52 | |
but I really want to show you kind of me as an artist, | 1:57:52 | 1:57:55 | |
and show you all what I can do behind a piano singing my stuff. | 1:57:55 | 1:57:58 | |
-It's just been amazing and I don't want it to end. -Thank you. | 1:57:58 | 1:58:01 | |
Once again, Heather, your future lies with the coaches. | 1:58:01 | 1:58:06 | |
APPLAUSE | 1:58:06 | 1:58:08 | |
-PALOMA: -It's really hard, isn't it? | 1:58:09 | 1:58:11 | |
LAUGHTER | 1:58:15 | 1:58:17 | |
-Ricky? -Too similar to one that I love on my team. | 1:58:30 | 1:58:34 | |
-Please steal. -Paloma, I need to get you back in your chair, hon. | 1:58:34 | 1:58:37 | |
-I'm a revolutionary. -LAUGHTER | 1:58:37 | 1:58:39 | |
OK, fingers crossed, all right? Fingers crossed. | 1:58:40 | 1:58:43 | |
-Yes! -CHEERING | 1:58:51 | 1:58:54 | |
Well done! | 1:58:54 | 1:58:55 | |
APPLAUSE | 1:58:55 | 1:58:57 | |
One steal from Paloma. | 1:58:58 | 1:59:00 | |
Oh, my...! | 1:59:00 | 1:59:02 | |
Amazing! You are now Team Paloma. Well done, Heather. | 1:59:03 | 1:59:06 | |
-Well done. -CHEERING DROWNS OUT DIALOGUE | 1:59:06 | 1:59:08 | |
CHEERING DROWNS OUT DIALOGUE | 1:59:14 | 1:59:16 | |
Well done! | 1:59:20 | 1:59:22 | |
That was exciting. | 1:59:22 | 1:59:25 | |
I love it. Thank you for just being amazing. | 1:59:27 | 1:59:30 | |
We just... That wasn't stressful, Paloma(!) | 1:59:31 | 1:59:34 | |
LAUGHTER | 1:59:34 | 1:59:36 | |
I might have lost my winner today, | 1:59:36 | 1:59:38 | |
cos I think Heather has huge, huge potential to win. | 1:59:38 | 1:59:43 | |
Oh, my God! I'm in the knockouts! | 1:59:43 | 1:59:46 | |
I think today we've had really special performances. | 1:59:46 | 1:59:48 | |
It was like an honour to be here. | 1:59:48 | 1:59:50 | |
Next week. Round two from the battles. | 1:59:52 | 1:59:55 | |
All remaining singers fight for survival in the competition. | 1:59:55 | 2:00:00 | |
-I feel sick. -What's going on?! | 2:00:00 | 2:00:02 | |
Only Ricky and will have a steal left to make. | 2:00:02 | 2:00:05 | |
I've got my eye on somebody. | 2:00:05 | 2:00:07 | |
-But guess who's being a naughty boy? -Come on, Will! | 2:00:09 | 2:00:13 | |
Getting ready to say it, but I just can't seem to think. | 2:00:13 | 2:00:16 | |
This is, like, a travesty. | 2:00:16 | 2:00:17 | |
LAUGHTER | 2:00:17 | 2:00:19 |