Browse content similar to Blind Auditions 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the final week of blind auditions. | 0:00:02 | 0:00:04 | |
And it's a straight race to the finish. | 0:00:04 | 0:00:07 | |
Who will be first to cross the line? | 0:00:10 | 0:00:12 | |
Take your marks... Set... | 0:00:14 | 0:00:16 | |
And they're off! With Faith quick off the blocks. | 0:00:18 | 0:00:21 | |
The blinds are 100% a marathon. You have to pace yourself. | 0:00:21 | 0:00:25 | |
Wilson's looking steady. | 0:00:25 | 0:00:27 | |
But what's this? i.am's up to his usual tricks! | 0:00:27 | 0:00:30 | |
You could sprint your way to the end. Good luck. | 0:00:30 | 0:00:33 | |
I haven't met any sprinter win a marathon. | 0:00:33 | 0:00:36 | |
Watch out, here comes Boy George. | 0:00:36 | 0:00:39 | |
You've got to conserve your energy. | 0:00:39 | 0:00:41 | |
You've got to dig deep. You've got to eat a lot of pasta. | 0:00:41 | 0:00:44 | |
It's all about saving some energy for the final leg. | 0:00:44 | 0:00:49 | |
And then it's a sprint to the finish line. | 0:00:49 | 0:00:51 | |
It looks like it'll be a photo finish | 0:00:51 | 0:00:53 | |
as the coaches hit the final straight. | 0:00:53 | 0:00:55 | |
I hold out to the last minute, because I don't like to be rushed. | 0:00:55 | 0:00:59 | |
I like to order last, I like to board the plane last. | 0:00:59 | 0:01:02 | |
I like to do things last. | 0:01:02 | 0:01:04 | |
No room for false starts or false hopes. | 0:01:12 | 0:01:14 | |
Here come the last blind auditions. | 0:01:14 | 0:01:17 | |
We've got some work to do, George! | 0:01:17 | 0:01:19 | |
Ricky, Boy George and Will are neck-and-neck | 0:01:21 | 0:01:24 | |
with 10 out of 12 acts. | 0:01:24 | 0:01:25 | |
But Paloma is holding a fragile lead with 11 acts. | 0:01:25 | 0:01:28 | |
Take your marks. The first singer is on the approach. | 0:01:28 | 0:01:32 | |
Please be good, please be good. Be amazing. | 0:01:32 | 0:01:34 | |
'Meet Lisa Wallace from East London.' | 0:01:36 | 0:01:38 | |
I'm 42 years old, even though I don't look it, | 0:01:38 | 0:01:41 | |
and I'm a duty manager at a leisure centre. | 0:01:41 | 0:01:43 | |
You eat all your greens, don't ya? | 0:01:43 | 0:01:46 | |
I oversee everything in the centre, | 0:01:46 | 0:01:47 | |
make sure everything is running correctly. | 0:01:47 | 0:01:49 | |
OK, no problem, I'll just transfer you now. | 0:01:49 | 0:01:52 | |
How do I transfer it to you? | 0:01:52 | 0:01:53 | |
And during the evening, I'm an aerobics instructor. | 0:01:53 | 0:01:56 | |
Good! | 0:01:58 | 0:01:59 | |
I work hard. I know I don't look like it but I'm really fit. | 0:02:01 | 0:02:04 | |
-I bet your class is a lot of fun. -They are, do you want to do some? | 0:02:04 | 0:02:07 | |
Let's do it, let's go. | 0:02:07 | 0:02:08 | |
I've got, you know when they check your heart rate, | 0:02:08 | 0:02:11 | |
blood pressure, I've got the blood pressure of an athlete. | 0:02:11 | 0:02:13 | |
Never know that, would ya? | 0:02:13 | 0:02:15 | |
-So, arms up. -Arms up, yeah. | 0:02:15 | 0:02:17 | |
-Elbows in line with the shoulders. -Is that all right? | 0:02:17 | 0:02:19 | |
Oh, babe! Let's just see that again. | 0:02:19 | 0:02:22 | |
-There we go. -Oh, sorry! | 0:02:22 | 0:02:24 | |
So, what we're going to do, we're going to bring the elbows in, | 0:02:24 | 0:02:28 | |
little bit higher, cos we're working this muscle here. | 0:02:28 | 0:02:30 | |
-OK. -SHE SIGHS HAPPILY | 0:02:30 | 0:02:33 | |
-Right. So we're going to go... -We must improve the bust, yeah? | 0:02:33 | 0:02:37 | |
We must, we must, we must improve the bust. | 0:02:37 | 0:02:40 | |
-Love your support, thank you, Marvin. -Cheers, babes. | 0:02:40 | 0:02:42 | |
-Thanks a lot. -Thank you, babe, thank you. | 0:02:42 | 0:02:45 | |
I've sung since I was a little girl, this is all I've ever wanted to do. | 0:02:46 | 0:02:50 | |
I just, I want it so bad, so bad. If it's meant to be, it's going to be. | 0:02:50 | 0:02:53 | |
I believe it's meant to be. | 0:02:53 | 0:02:55 | |
BACKING MUSIC BEGINS | 0:03:13 | 0:03:16 | |
# The last dance | 0:03:17 | 0:03:20 | |
# Last chance | 0:03:22 | 0:03:24 | |
# For love | 0:03:24 | 0:03:28 | |
# Whoa-oh | 0:03:30 | 0:03:32 | |
# I need you | 0:03:32 | 0:03:35 | |
# By me | 0:03:36 | 0:03:38 | |
# Beside me | 0:03:39 | 0:03:42 | |
# To guide me | 0:03:42 | 0:03:45 | |
# So-o-o-o-o | 0:03:47 | 0:03:49 | |
# Let's dance | 0:03:49 | 0:03:51 | |
# Last dance | 0:03:51 | 0:03:53 | |
# Let's dance | 0:03:53 | 0:03:55 | |
# Last dance | 0:03:55 | 0:03:56 | |
# Tonight | 0:03:56 | 0:04:00 | |
# Last dance | 0:04:01 | 0:04:02 | |
# Last chance | 0:04:02 | 0:04:04 | |
# For love | 0:04:04 | 0:04:06 | |
# Guess it's my last chance | 0:04:07 | 0:04:10 | |
# For romance | 0:04:10 | 0:04:12 | |
# Tonight | 0:04:12 | 0:04:14 | |
# Oh-oh, I need you | 0:04:14 | 0:04:17 | |
# By me | 0:04:17 | 0:04:19 | |
# Beside me | 0:04:19 | 0:04:21 | |
# To guide me | 0:04:21 | 0:04:23 | |
# Hold me | 0:04:23 | 0:04:24 | |
# Scold me | 0:04:24 | 0:04:26 | |
# Cos when I'm bad | 0:04:26 | 0:04:27 | |
# I'm so, so, so bad | 0:04:27 | 0:04:30 | |
# So let's dance | 0:04:30 | 0:04:32 | |
# The last dance | 0:04:32 | 0:04:34 | |
# Let's dance | 0:04:34 | 0:04:36 | |
# The last dance | 0:04:36 | 0:04:38 | |
# Tonight | 0:04:38 | 0:04:42 | |
# Whoo-ooh-ooh-ooh-ooh! # | 0:04:42 | 0:04:47 | |
CHEERING | 0:04:47 | 0:04:50 | |
Thank you so much. | 0:04:50 | 0:04:52 | |
-What happened? I saw the legs, what happened? -What's your name? | 0:05:01 | 0:05:07 | |
-Lisa, pleased to meet you. -Hi, Lisa, where you from? | 0:05:07 | 0:05:09 | |
Walthamstow, East London. | 0:05:09 | 0:05:11 | |
CHEERING | 0:05:11 | 0:05:13 | |
I didn't turn around, cos you'll see this on telly, | 0:05:15 | 0:05:18 | |
and I think you'll feel what we felt, | 0:05:18 | 0:05:21 | |
it was almost there, but more importantly, the stakes are high | 0:05:21 | 0:05:23 | |
because we all pretty much have the same amount of singers. | 0:05:23 | 0:05:26 | |
And now it's like the next level, and I'm not sure if you were, uh! | 0:05:26 | 0:05:32 | |
-Took me, you know what I mean? -We can "uh," Will! | 0:05:32 | 0:05:36 | |
It's difficult when the audience, like, gives such a great reaction. | 0:05:38 | 0:05:42 | |
Thank you, guys, thank you. | 0:05:42 | 0:05:44 | |
CHEERING | 0:05:44 | 0:05:47 | |
-You're charming. There's an instant likeability. -Thank you. | 0:05:48 | 0:05:52 | |
It's not easy to stand up on a stage when people don't know you | 0:05:52 | 0:05:55 | |
and get that kind of reaction. | 0:05:55 | 0:05:57 | |
You're obviously on fire with that. | 0:05:57 | 0:05:59 | |
I've been picked out of thousands of people, | 0:06:01 | 0:06:03 | |
and I saw all your legs doing that. | 0:06:03 | 0:06:06 | |
-I'm happy with that. -Yes. -I'm happy with that! | 0:06:06 | 0:06:10 | |
Thank you. | 0:06:13 | 0:06:14 | |
Thank you, Lisa. | 0:06:14 | 0:06:15 | |
-Well done. You sounded wicked. -Thank you. | 0:06:15 | 0:06:20 | |
No hands! | 0:06:26 | 0:06:28 | |
Think you could do better in my chair? | 0:06:31 | 0:06:33 | |
Download The Voice app and play along now. | 0:06:33 | 0:06:35 | |
Pick your own team by hitting your button. | 0:06:35 | 0:06:37 | |
Rate the performances then challenge other fans too. | 0:06:37 | 0:06:40 | |
Who would you turn for? | 0:06:40 | 0:06:43 | |
Download The Voice UK app and be a home coach now. | 0:06:43 | 0:06:47 | |
I'm Faith Nelson, I'm 17, | 0:06:51 | 0:06:53 | |
and I'm a student. | 0:06:53 | 0:06:55 | |
Hi! | 0:06:55 | 0:06:56 | |
I come from a big family. I'm one of ten, I'm the third youngest. | 0:06:58 | 0:07:01 | |
It's crazy. Yeah! | 0:07:03 | 0:07:06 | |
The whole house is musical, it's just lively. | 0:07:06 | 0:07:08 | |
Faith gets her voice from me and my mum also was a singer. | 0:07:08 | 0:07:12 | |
It was almost like it was a gift which was given to her from God. | 0:07:12 | 0:07:16 | |
I'm really proud of her. She makes my heart melt. | 0:07:19 | 0:07:23 | |
I know she can do it. | 0:07:23 | 0:07:25 | |
I believe in her. | 0:07:25 | 0:07:26 | |
And when she sings, she makes me feel strong. | 0:07:28 | 0:07:31 | |
Come on, Faith! Come on! | 0:07:35 | 0:07:38 | |
# You make it look like magic | 0:07:51 | 0:07:56 | |
# But I see nobody, nobody but you | 0:07:56 | 0:08:03 | |
# I'm never confused | 0:08:03 | 0:08:07 | |
# I'm too used to being used | 0:08:08 | 0:08:11 | |
# So I love when you call unexpected | 0:08:13 | 0:08:18 | |
# Cos I hate when the moment's expected | 0:08:18 | 0:08:23 | |
# I'm-a care for you, you, yeah | 0:08:23 | 0:08:28 | |
# I'm-a care for yo-o-o-o-u | 0:08:29 | 0:08:34 | |
# Cos boy, you're perfect | 0:08:34 | 0:08:37 | |
# You're always worth it | 0:08:37 | 0:08:41 | |
# And you deserve it | 0:08:41 | 0:08:44 | |
# The way you work it | 0:08:44 | 0:08:47 | |
# And boy, you earned it | 0:08:47 | 0:08:52 | |
# Boy, you earned it | 0:08:52 | 0:08:58 | |
# And boy, you're worth it | 0:08:58 | 0:09:04 | |
# You're always worth it, yeah, yeah | 0:09:04 | 0:09:09 | |
# And you deserve it, whoa-oh | 0:09:09 | 0:09:15 | |
# And boy, you earned it | 0:09:15 | 0:09:21 | |
# Whoa... # | 0:09:21 | 0:09:23 | |
CHEERING | 0:09:23 | 0:09:26 | |
-What's your name? -Oh, my days! | 0:09:38 | 0:09:42 | |
-What's your name? -My name is Faith. | 0:09:42 | 0:09:45 | |
Hi, Faith. | 0:09:45 | 0:09:46 | |
-Faith? -Yes. -Wow! | 0:09:46 | 0:09:49 | |
We have something in common. | 0:09:49 | 0:09:51 | |
You were a great singer. | 0:09:53 | 0:09:55 | |
-You look awesome, love the coat, love the hat. -Thank you. | 0:09:55 | 0:09:58 | |
I'm, you know, I'm close to being full myself. | 0:09:58 | 0:10:00 | |
I wanted to turn round out of respect for a great voice, | 0:10:00 | 0:10:03 | |
but I'm holding out, just in case I miss something. | 0:10:03 | 0:10:07 | |
And when I saw them turn I thought, well, you got someone. So well done. | 0:10:07 | 0:10:11 | |
Thank you. | 0:10:11 | 0:10:12 | |
Faith, did you have your eyes closed throughout the whole of that? | 0:10:16 | 0:10:19 | |
-Most of it. -Because I turned first. -No, he did not! | 0:10:19 | 0:10:23 | |
-Oh! -I just want you to know, I turned first. | 0:10:23 | 0:10:26 | |
No, it was magical. | 0:10:26 | 0:10:29 | |
-Are you a professional singer? -No, I'm only 17. -You're only 17?! | 0:10:29 | 0:10:32 | |
Well, as a professional careers adviser... | 0:10:37 | 0:10:41 | |
I would say you should pursue singing as a career. | 0:10:43 | 0:10:46 | |
Because it's what you were made to do. | 0:10:46 | 0:10:48 | |
And then he looks at you with those baby blues! | 0:10:49 | 0:10:52 | |
I love the song choice. I thought your delivery was amazing. | 0:10:54 | 0:10:58 | |
I was trying not to turn, because if you go with me, | 0:10:58 | 0:11:01 | |
then I have no more places left on my team. | 0:11:01 | 0:11:04 | |
-I only have one place left. -OK. | 0:11:04 | 0:11:07 | |
Which shows you how brilliant I thought you were. | 0:11:07 | 0:11:10 | |
I feel like in terms of what I could offer you, | 0:11:13 | 0:11:17 | |
I feel like you're a fantastic singer already. | 0:11:17 | 0:11:21 | |
But I'd want to work with you about finding you and your identity | 0:11:21 | 0:11:25 | |
and who you are. And your personality and the whole thing. | 0:11:25 | 0:11:28 | |
I'd love to get creative with you and see what we make together. | 0:11:28 | 0:11:32 | |
Your voice is, like, supreme. | 0:11:35 | 0:11:37 | |
Superb. Super. Dope. Except... | 0:11:37 | 0:11:42 | |
The beginning, man, if you would have ended it like you started it, | 0:11:43 | 0:11:48 | |
as far as the control, ooh! | 0:11:48 | 0:11:51 | |
Rockets into outer space. | 0:11:51 | 0:11:53 | |
Astronauts on Mars. | 0:11:53 | 0:11:55 | |
But there's no doubt about that Paloma or Ricky | 0:11:57 | 0:12:00 | |
could help you fine-tune that. | 0:12:00 | 0:12:02 | |
And I don't want to mess with that. | 0:12:02 | 0:12:04 | |
OK. Thank you very much. | 0:12:08 | 0:12:10 | |
AUDIENCE SHOUTS SUGGESTIONS | 0:12:15 | 0:12:18 | |
Shh! | 0:12:20 | 0:12:21 | |
I've listened to what both of you have had to say. And it's good. | 0:12:23 | 0:12:28 | |
But I've decided... | 0:12:28 | 0:12:30 | |
..I'm going to go with... | 0:12:33 | 0:12:36 | |
Paloma Faith. | 0:12:36 | 0:12:38 | |
Go on, Faith! | 0:12:40 | 0:12:41 | |
-So nice to meet you. Beautiful, beautiful voice. -Thank you. | 0:12:43 | 0:12:48 | |
You look like my cousin Ayesha. | 0:12:48 | 0:12:49 | |
-Thank you. -You're all topped up, Faith? | 0:12:52 | 0:12:54 | |
I'm done. I'm out. | 0:12:54 | 0:12:56 | |
I can relax. | 0:12:56 | 0:12:58 | |
Really nice to meet you, I'll take you out. | 0:12:58 | 0:13:01 | |
I'm full, my team is amazing. | 0:13:03 | 0:13:06 | |
CHEERING | 0:13:06 | 0:13:08 | |
Rest of the day is chilled. Or not. | 0:13:12 | 0:13:16 | |
First over the finish line is Paloma Faith, completing her team of 12. | 0:13:22 | 0:13:25 | |
Jolly good show! | 0:13:25 | 0:13:27 | |
The boys are still neck-and-neck. | 0:13:27 | 0:13:29 | |
There's no question about it, it's an elite race. | 0:13:29 | 0:13:32 | |
-I'm glad you're out the running. -I feel so glad. -I'm so jealous! | 0:13:34 | 0:13:39 | |
We have three coaches with just six spaces left between them, | 0:13:41 | 0:13:45 | |
so it's over to 16-year-old Rachel Ann | 0:13:45 | 0:13:47 | |
to use a bit of peace and love power. | 0:13:47 | 0:13:49 | |
I'm probably not your regular teenager. | 0:13:49 | 0:13:53 | |
I'm a vegan, and I like to spend as much time outdoors as possible. | 0:13:53 | 0:13:57 | |
I can see beauty in things that people | 0:13:57 | 0:14:01 | |
don't necessarily even notice. | 0:14:01 | 0:14:03 | |
There will be like a certain cloud that I notice in the sky | 0:14:03 | 0:14:06 | |
or a bird that's over there or just a little ant | 0:14:06 | 0:14:08 | |
and I'll notice the little things, and it makes me feel happier. | 0:14:08 | 0:14:11 | |
My family and my siblings do tease me | 0:14:11 | 0:14:14 | |
for being a little bit of a hippy because I don't wear shoes. | 0:14:14 | 0:14:17 | |
# I feel the earth move under my feet | 0:14:17 | 0:14:20 | |
# I feel the sky tumbling down... # | 0:14:20 | 0:14:24 | |
I found that when I wore shoes, I felt trapped. | 0:14:24 | 0:14:27 | |
And when I walked around without shoes on, | 0:14:27 | 0:14:29 | |
I felt more connected to everything around me. | 0:14:29 | 0:14:31 | |
If I had my way, my performing space would be outdoors, | 0:14:32 | 0:14:35 | |
maybe on a field with the birds and everything. | 0:14:35 | 0:14:39 | |
People do call me a hippy, and I suppose if you wanted to put | 0:14:42 | 0:14:45 | |
a label on me then I kind of am, but I'm just being myself. | 0:14:45 | 0:14:48 | |
# I'm going in for the kill | 0:15:11 | 0:15:15 | |
# I'm doing it for the thrill | 0:15:15 | 0:15:18 | |
# I'm hoping you'll understand | 0:15:18 | 0:15:23 | |
# Now, don't let go of my hand | 0:15:23 | 0:15:26 | |
# I hang my hopes | 0:15:26 | 0:15:30 | |
# Out on the line | 0:15:30 | 0:15:35 | |
# Oooh-oooh | 0:15:35 | 0:15:37 | |
# Will they be ready for you in time? | 0:15:37 | 0:15:41 | |
# And if you leave them out too long | 0:15:44 | 0:15:49 | |
# Ooh-ooh | 0:15:49 | 0:15:52 | |
# Well, they'll be withered by the sun | 0:15:52 | 0:15:57 | |
# I'm going in for the kill | 0:15:59 | 0:16:03 | |
# I'm doing it for the thrill | 0:16:03 | 0:16:07 | |
# I'm hoping you'll understand | 0:16:07 | 0:16:11 | |
# No, don't let go of my hand | 0:16:11 | 0:16:15 | |
# Oh-oh-oh | 0:16:15 | 0:16:19 | |
# Ooooh-oooh-oooh | 0:16:19 | 0:16:25 | |
# I'm going in for the kill | 0:16:29 | 0:16:34 | |
# I'm doing it for the thrill | 0:16:34 | 0:16:37 | |
# Oh, I'm hoping you understand | 0:16:37 | 0:16:42 | |
# No, don't let go of my hand. # | 0:16:42 | 0:16:45 | |
CHEERING | 0:16:45 | 0:16:48 | |
-Hello! -Hello! | 0:17:07 | 0:17:09 | |
-Wow! -Wow, you! -Wow. | 0:17:10 | 0:17:12 | |
-You are wow. -Wow. | 0:17:12 | 0:17:15 | |
Hi! My name is Rachel Ann, I'm from Bournemouth. | 0:17:17 | 0:17:20 | |
Hi, Rachel Ann. | 0:17:20 | 0:17:22 | |
Hello. | 0:17:22 | 0:17:24 | |
-How old are you? -I'm 16. -Whoa! | 0:17:25 | 0:17:28 | |
Wow! That's a standing ovation. | 0:17:28 | 0:17:31 | |
-So amazing. Amazing. -That was amazing. | 0:17:34 | 0:17:37 | |
No, you were amazing. I wish I could press my button. | 0:17:37 | 0:17:40 | |
I've got a full team, and it doesn't work any more. | 0:17:40 | 0:17:43 | |
I feel so lucky that I kept losing pitches, | 0:17:43 | 0:17:45 | |
I kept losing to George and Paloma. | 0:17:45 | 0:17:47 | |
And I'm so lucky that I kept losing because it got me | 0:17:47 | 0:17:50 | |
to a position where I've got places left and I turned for you. | 0:17:50 | 0:17:54 | |
Thank you so much for turning. | 0:17:54 | 0:17:56 | |
Yeah, so... There was a red moon a couple of days ago. | 0:17:56 | 0:18:00 | |
And it opened up a portal. And angels have fallen out of the sky. | 0:18:02 | 0:18:07 | |
And then, like, and then you're here. | 0:18:07 | 0:18:11 | |
See, I couldn't have come up with something like that. There's no way. | 0:18:16 | 0:18:20 | |
I borrowed that from Ricky's book. That was a Ricky pitch. | 0:18:20 | 0:18:24 | |
I just hope you appreciate how good you are. | 0:18:24 | 0:18:26 | |
-I'm literally still, like, shaking. -No, I'm shaking too. | 0:18:26 | 0:18:31 | |
You know, I wish I had the words to express what you just did, | 0:18:31 | 0:18:34 | |
and what people at home just saw, because that, that was... | 0:18:34 | 0:18:38 | |
I, I didn't think there was that much more to hear in life | 0:18:39 | 0:18:42 | |
and you just provided it, it was brilliant. | 0:18:42 | 0:18:44 | |
Oh, thank you, thank you so much. | 0:18:44 | 0:18:46 | |
It's rare that you hear somebody take a song and just own it | 0:18:51 | 0:18:55 | |
and it's theirs, and it was such a beautiful | 0:18:55 | 0:18:58 | |
interpretation of that song, and it felt very much like you. | 0:18:58 | 0:19:02 | |
That's what I love to do, | 0:19:02 | 0:19:04 | |
I do covers of songs and change them up, it's what I love. | 0:19:04 | 0:19:06 | |
And do you write as well? | 0:19:06 | 0:19:08 | |
I'm starting to, I never used to but over the last couple of months, | 0:19:08 | 0:19:11 | |
I'm starting to write. | 0:19:11 | 0:19:13 | |
Here's the reason I turned around, to be honest with you. | 0:19:13 | 0:19:15 | |
-In the beginning, you were kind of like, OK. -Yeah. -You know that. | 0:19:15 | 0:19:20 | |
And then you said, "I'm going in for the kill," | 0:19:20 | 0:19:24 | |
it was kind of like, I didn't really believe it. | 0:19:24 | 0:19:26 | |
And then you started improving. | 0:19:26 | 0:19:28 | |
Then I was like, OK, maybe she's going to stop there. | 0:19:28 | 0:19:31 | |
Then you kept on improving. | 0:19:31 | 0:19:33 | |
Then you were just, like, just became...you know, angelic. | 0:19:33 | 0:19:37 | |
And then, "I'm going in for the kill" again, | 0:19:37 | 0:19:40 | |
and then you hit that high. | 0:19:40 | 0:19:42 | |
And then you kept going. | 0:19:42 | 0:19:44 | |
And then Ricky was, he stood up, he shouldn't have stood up | 0:19:44 | 0:19:47 | |
cos I was like, "Maybe I should turn around too." | 0:19:47 | 0:19:50 | |
You come on my team, and...you know, it'll be fun. | 0:19:50 | 0:19:55 | |
And I would try to wear the same kind of sandals you have on. | 0:19:55 | 0:19:59 | |
-I'm not actually wearing any shoes, I don't wear shoes. -Whoa! | 0:19:59 | 0:20:03 | |
-I don't wear them. -Faux sandals! -Yeah. | 0:20:03 | 0:20:07 | |
-So, is this when I choose now, yeah? -Yeah. -This is where you choose. | 0:20:07 | 0:20:11 | |
OK, thank you both very, very much for turning, I didn't expect it. | 0:20:11 | 0:20:16 | |
Um... The person I'm going to go with today... | 0:20:16 | 0:20:19 | |
-..is Ricky. -Yes! | 0:20:22 | 0:20:24 | |
Meet the rest of them. | 0:20:33 | 0:20:35 | |
-Amazing. -Thank you. | 0:20:37 | 0:20:39 | |
Absolutely wonderful. So honoured to meet you. | 0:20:39 | 0:20:42 | |
-Thank you, lovely to meet you. -You too. | 0:20:42 | 0:20:46 | |
Nice to meet you guys. | 0:20:46 | 0:20:47 | |
-She was awesome. -Yeah. | 0:20:52 | 0:20:54 | |
CHEERING | 0:20:54 | 0:20:57 | |
It really moved me. I think she'll go far. She can sing amazingly well. | 0:20:57 | 0:21:02 | |
Wilson can now see the home straight. | 0:21:04 | 0:21:07 | |
He's got one place left to fill. | 0:21:07 | 0:21:08 | |
George and i.am each have 10. | 0:21:08 | 0:21:10 | |
Come on, chaps! | 0:21:10 | 0:21:12 | |
So, Ricky only needs one more act and with places scarce, | 0:21:16 | 0:21:19 | |
getting a chair turn is becoming increasingly difficult. | 0:21:19 | 0:21:23 | |
Early on in the competition it's easier to trust your instincts | 0:21:24 | 0:21:27 | |
when you've got that many places. | 0:21:27 | 0:21:28 | |
But if you've got one place left, | 0:21:28 | 0:21:30 | |
your brain gets in the way of what you're feeling. | 0:21:30 | 0:21:32 | |
# Stop making the eyes at me, I'll stop making the eyes at you | 0:21:34 | 0:21:39 | |
# What it is that surprises me is I don't really want you to... # | 0:21:39 | 0:21:42 | |
I'm doing The Voice to just show people what I can do. | 0:21:42 | 0:21:44 | |
# I bet that you look good on the dance floor... # | 0:21:44 | 0:21:47 | |
I think the harder you work, the more luck you make for yourself. | 0:21:47 | 0:21:51 | |
Hopefully a chair turns. | 0:21:53 | 0:21:55 | |
# Dancing to electropop... # | 0:21:55 | 0:21:57 | |
Come on, press the button! | 0:21:57 | 0:21:59 | |
# From 1984 | 0:21:59 | 0:22:01 | |
# From 1984! # | 0:22:01 | 0:22:06 | |
CHEERING | 0:22:08 | 0:22:10 | |
Well done, mate. | 0:22:12 | 0:22:13 | |
-Hi, guys. -Your voice is great. | 0:22:16 | 0:22:19 | |
We were all like, shall we turn? | 0:22:19 | 0:22:22 | |
This is a competition and we're holding out. | 0:22:22 | 0:22:26 | |
When your team's almost full, you have this vision in your head | 0:22:26 | 0:22:29 | |
of something that you can't really pinpoint. | 0:22:29 | 0:22:32 | |
# You can get it if you really want | 0:22:32 | 0:22:34 | |
# You can get it if you really want | 0:22:35 | 0:22:39 | |
# You can get it if you really want | 0:22:39 | 0:22:42 | |
# But you must try | 0:22:42 | 0:22:44 | |
# Try and try | 0:22:44 | 0:22:45 | |
# Try and try... # | 0:22:45 | 0:22:48 | |
Awww! | 0:22:50 | 0:22:52 | |
It was a great performance, really solid, the audience did love it. | 0:22:52 | 0:22:55 | |
As long as you keep playing the game, you're going to win it. | 0:22:55 | 0:22:58 | |
It's getting really hard, when you get to the final few. | 0:22:58 | 0:23:01 | |
Knowing your own judgment, you've got to be careful. | 0:23:01 | 0:23:04 | |
# Can I lay by your side | 0:23:04 | 0:23:10 | |
# Next to you... # | 0:23:11 | 0:23:14 | |
Come on, Ricky! Come on! | 0:23:15 | 0:23:17 | |
# Ooh-ooh-ooh-ooh-ooh... # | 0:23:17 | 0:23:20 | |
GROANING | 0:23:22 | 0:23:24 | |
-RICKY: -It's really difficult to say no to people. | 0:23:25 | 0:23:27 | |
But it wasn't the right place and time. | 0:23:27 | 0:23:30 | |
In this competition, you just never know what to expect. | 0:23:32 | 0:23:36 | |
# He was a famous trumpet man from out Chicago way | 0:23:36 | 0:23:40 | |
# He had a boogie style that no-one else could play | 0:23:40 | 0:23:42 | |
# He was the top man at his craft... # | 0:23:42 | 0:23:44 | |
It's super stressful because I'm not sure | 0:23:44 | 0:23:47 | |
if there's something amazing coming, I might push that button too soon. | 0:23:47 | 0:23:51 | |
# The boogie woogie bugle boy of Company B | 0:23:51 | 0:23:53 | |
# Company B! # | 0:23:55 | 0:23:58 | |
I just don't want to miss something amazing. | 0:23:59 | 0:24:01 | |
I feel like being here is a big opportunity for me. | 0:24:02 | 0:24:05 | |
And hopefully, fingers crossed, | 0:24:07 | 0:24:09 | |
become an artist that people remember forever. | 0:24:09 | 0:24:12 | |
Hello, everyone. I'm sure you all know who I am. I'm Redcoat Sam. | 0:24:21 | 0:24:25 | |
My name is Sam Bloor, I'm 19. I love my job. | 0:24:25 | 0:24:29 | |
When I'm not performing, I'm having a laugh. | 0:24:29 | 0:24:31 | |
Aaaaagh! | 0:24:31 | 0:24:34 | |
Being a Redcoat is a bit like being a celebrity. | 0:24:34 | 0:24:37 | |
Hiya, guys! | 0:24:37 | 0:24:38 | |
'Kids recognise you all the time, adults recognise you all the time.' | 0:24:38 | 0:24:41 | |
All right, mate? Nice to see you guys. | 0:24:41 | 0:24:43 | |
I can understand why celebs like being celebs. | 0:24:43 | 0:24:46 | |
# I have been crazy | 0:24:56 | 0:24:58 | |
# But that's just all right | 0:25:00 | 0:25:02 | |
# All right | 0:25:02 | 0:25:04 | |
# I have been lonely | 0:25:04 | 0:25:07 | |
# But that's just all right | 0:25:08 | 0:25:10 | |
# All right | 0:25:10 | 0:25:13 | |
# My feelings, I don't hide 'em, hide 'em | 0:25:13 | 0:25:17 | |
# From me | 0:25:17 | 0:25:20 | |
# Now, now, now, all right | 0:25:20 | 0:25:23 | |
# Come and get it if you really want it | 0:25:23 | 0:25:25 | |
# Come and get it if you really need it | 0:25:25 | 0:25:27 | |
# Come and get it if you really want it | 0:25:27 | 0:25:29 | |
# Come and get it if you really need it... # | 0:25:29 | 0:25:32 | |
-Come on! -Push it! -Come on! | 0:25:32 | 0:25:35 | |
# If you really need it | 0:25:35 | 0:25:37 | |
# Come and get it if you really want it | 0:25:37 | 0:25:38 | |
# Oooooh! # | 0:25:38 | 0:25:41 | |
CHEERING | 0:25:42 | 0:25:44 | |
Aww, so cute. | 0:25:55 | 0:25:57 | |
-What's your name? -Hi, my name's Sam Bloor, I'm 19 years old, | 0:25:57 | 0:26:00 | |
I'm originally from Stoke-on-Trent but I live in Bognor Regis now. | 0:26:00 | 0:26:03 | |
And I work at a holiday resort as a Redcoat. | 0:26:03 | 0:26:06 | |
-Hi-de-hi! -Hi-de-hi. | 0:26:09 | 0:26:12 | |
-So you work as a Redcoat? -Yeah. | 0:26:12 | 0:26:14 | |
-So that entails a lot of singing? -Yeah, a lot of singing. | 0:26:14 | 0:26:17 | |
It's not your average job, it's quite fun. | 0:26:17 | 0:26:20 | |
It's obvious you're a seasoned performer, | 0:26:20 | 0:26:22 | |
because look what the crowd were doing. | 0:26:22 | 0:26:23 | |
-They were on their feet, they were joining in. -Thank you very much. | 0:26:23 | 0:26:27 | |
-It's a John Newman track, right? -Yeah, that's right. | 0:26:29 | 0:26:32 | |
You weren't doing an impression of him. | 0:26:32 | 0:26:34 | |
But you were doing what he does on that song. | 0:26:34 | 0:26:37 | |
So song choice was excellent for showing that you can do that, | 0:26:37 | 0:26:41 | |
but not excellent enough for me to turn around | 0:26:41 | 0:26:43 | |
because I didn't see anything different, I wasn't sold on it. | 0:26:43 | 0:26:46 | |
This is where you're supposed to be, today wasn't your day, | 0:26:46 | 0:26:48 | |
-tomorrow is the start of something else. -Thank you very much. | 0:26:48 | 0:26:51 | |
I didn't really know the song, and I loved your performance. | 0:26:53 | 0:26:57 | |
But I've literally got two spaces left. | 0:26:57 | 0:26:59 | |
But you're a good singer, and you should definitely, | 0:26:59 | 0:27:02 | |
definitely carry on doing what you're doing. | 0:27:02 | 0:27:04 | |
Thank you very much, guys, Cheers, thank you. | 0:27:04 | 0:27:06 | |
Cheers, thank you very much, mate. | 0:27:08 | 0:27:10 | |
Well done. Keep going. | 0:27:10 | 0:27:14 | |
CHEERING | 0:27:18 | 0:27:20 | |
-PALOMA: -It's hard to say no to people when you look at them, | 0:27:23 | 0:27:26 | |
and their little faces are like... | 0:27:26 | 0:27:29 | |
-GEORGE: -Some of the nos have been so great. | 0:27:29 | 0:27:31 | |
And it's a very hard thing to have no-one turn. | 0:27:31 | 0:27:35 | |
But what you do with that no | 0:27:35 | 0:27:39 | |
is as important as what you do with a yes. | 0:27:39 | 0:27:42 | |
My name is Leighton Jones, 41, from Cardiff. Singer-songwriter. | 0:27:47 | 0:27:52 | |
I'm a full-time musician, and play with a band as well, | 0:27:52 | 0:27:55 | |
we play charity events, pubs, wherever they'll have us, really! | 0:27:55 | 0:27:59 | |
The reason I'm here, funny story, I had a bet with my boy. | 0:28:00 | 0:28:03 | |
If he got into Cardiff rugby, he said, "You have to go on The Voice." | 0:28:03 | 0:28:08 | |
And he got into Cardiff rugby, so I've come on The Voice! | 0:28:08 | 0:28:11 | |
-You nervous? -For you, really. -Why? | 0:28:13 | 0:28:17 | |
I just want you to get through. | 0:28:17 | 0:28:19 | |
-Don't you think I'm good enough? -Obviously I do! | 0:28:19 | 0:28:22 | |
'My son Jay is 15 years old. Love him to bits.' | 0:28:22 | 0:28:25 | |
He's doing really well, he's Cardiff captain of the under 16s now. | 0:28:25 | 0:28:28 | |
We hang out and he pinches money off me. | 0:28:28 | 0:28:31 | |
Today is really important, because I've been singing a long time, | 0:28:35 | 0:28:38 | |
and I want people to know who I am and my vocal abilities. | 0:28:38 | 0:28:42 | |
-Good luck, Dad, smash it. -Thank you. Love you lots. | 0:28:42 | 0:28:45 | |
-Talk to you later, OK? -All right. | 0:28:45 | 0:28:47 | |
Also, it will be nice to see Jay's little face | 0:28:48 | 0:28:51 | |
if one of the chairs turn round. | 0:28:51 | 0:28:53 | |
Here he is. Come on, mate, come on! | 0:29:00 | 0:29:02 | |
Come on, mate, let's go. | 0:29:02 | 0:29:05 | |
# Yeah, baby | 0:29:14 | 0:29:19 | |
# Do-do, yeah | 0:29:19 | 0:29:22 | |
# Heaven help the brother who never had a home | 0:29:22 | 0:29:26 | |
# Heaven help the girl who walks the streets alone | 0:29:26 | 0:29:31 | |
# Heaven help the roses if the bomb begins to fall | 0:29:32 | 0:29:36 | |
# Heaven help us all | 0:29:36 | 0:29:40 | |
# Heaven help us all | 0:29:40 | 0:29:45 | |
# Heaven help us all... # | 0:29:45 | 0:29:49 | |
Oh, guys, come on, come on! | 0:29:49 | 0:29:51 | |
# Hear our call when we call | 0:29:53 | 0:29:57 | |
# Baby, yeah | 0:29:57 | 0:29:59 | |
# Heaven help us | 0:29:59 | 0:30:01 | |
# Lay me down before I go to sleep... # | 0:30:01 | 0:30:05 | |
Woo! | 0:30:05 | 0:30:06 | |
# In my troubled world I pray the Lord to keep | 0:30:06 | 0:30:10 | |
# Keep hatred from the mighty... # | 0:30:10 | 0:30:13 | |
Come on, come on! | 0:30:13 | 0:30:16 | |
# Heaven help us all | 0:30:16 | 0:30:19 | |
# Heaven help us a-l-l-ll | 0:30:19 | 0:30:23 | |
# Heaven help us all | 0:30:23 | 0:30:28 | |
# Heaven help us | 0:30:28 | 0:30:30 | |
# Lord, hear our call | 0:30:30 | 0:30:34 | |
# When we call, oh, yeah | 0:30:34 | 0:30:38 | |
# Heaven help us all... # | 0:30:38 | 0:30:41 | |
CHEERING AND APPLAUSE | 0:30:41 | 0:30:44 | |
# Ye-e-ah | 0:30:44 | 0:30:48 | |
# Baby. # | 0:30:48 | 0:30:51 | |
CHEERING | 0:30:53 | 0:30:55 | |
Man, what's your name? | 0:31:07 | 0:31:09 | |
-Leighton Jones. -From? -From Cardiff, Wales. | 0:31:09 | 0:31:12 | |
You've got to be if you're called Jones, right? | 0:31:12 | 0:31:15 | |
You've got to be Welsh! | 0:31:15 | 0:31:17 | |
Man, you have got, like... You have got so much soul. | 0:31:17 | 0:31:21 | |
Thank you. APPLAUSE | 0:31:21 | 0:31:23 | |
Seriously, I am so happy George turned around. | 0:31:23 | 0:31:25 | |
Because I was going to turn around. | 0:31:25 | 0:31:28 | |
And then George turned around. | 0:31:28 | 0:31:30 | |
You are on my team, there is no competition! | 0:31:30 | 0:31:32 | |
Thank you, Mr Boy George. | 0:31:34 | 0:31:35 | |
It's a relief. | 0:31:37 | 0:31:39 | |
No, it is one of those things that I have been saying, | 0:31:39 | 0:31:41 | |
that I am looking for, I don't know, a voice that melts snow. | 0:31:41 | 0:31:46 | |
It would have been an insult if I hadn't turned, right? | 0:31:46 | 0:31:48 | |
Thank you very much, much appreciated. | 0:31:48 | 0:31:51 | |
-I was pressing my button manically, but I have got a full team. -Oh, OK. | 0:31:53 | 0:31:57 | |
So it doesn't turn, I am locked in, | 0:31:57 | 0:31:59 | |
but I thought that was a fantastic performance. | 0:31:59 | 0:32:01 | |
CHEERING | 0:32:01 | 0:32:03 | |
I think we were all waiting for George to turn, | 0:32:03 | 0:32:06 | |
because you are so up his street, it is unbelievable. | 0:32:06 | 0:32:09 | |
It is a match made in heaven, and to be totally honest, | 0:32:09 | 0:32:11 | |
-I can't wait to hear you sing again. -Oh, thank you very much. | 0:32:11 | 0:32:14 | |
Cheers, guys. | 0:32:17 | 0:32:18 | |
-Welcome to Team George, Mr Welsh Man. -Thank you, Georgie Boy. | 0:32:20 | 0:32:25 | |
MUSIC: Sir Duke by Stevie Wonder | 0:32:25 | 0:32:27 | |
CHEERING | 0:32:29 | 0:32:31 | |
I didn't want to turn, I wanted to hold out, | 0:32:32 | 0:32:35 | |
but he was so good, it was kind of... | 0:32:35 | 0:32:37 | |
I had to push the button. | 0:32:37 | 0:32:39 | |
How happy are you now, Leighton, | 0:32:39 | 0:32:41 | |
that you put on that bet with your son? | 0:32:41 | 0:32:43 | |
Very happy, yeah. | 0:32:43 | 0:32:46 | |
It's paid off. Jay, anything you want to say to your dad? | 0:32:46 | 0:32:49 | |
I'm just so proud. | 0:32:49 | 0:32:50 | |
George is finally hitting his stride | 0:32:52 | 0:32:55 | |
on 11, level pegging with Wilson. | 0:32:55 | 0:32:57 | |
I.am still laps behind with | 0:32:57 | 0:32:59 | |
two places left to fill. | 0:32:59 | 0:33:00 | |
-What are you looking for, Will? -I'm just open for something awesome. | 0:33:02 | 0:33:07 | |
-Something that surprises you? -Yeah. | 0:33:07 | 0:33:09 | |
OK, Will - awesome? Yeah. Surprise? Yeah. | 0:33:14 | 0:33:17 | |
This next act could be your bag. | 0:33:17 | 0:33:20 | |
SPAGHETTI WESTERN STYLE MUSIC | 0:33:21 | 0:33:24 | |
IN SPANISH: | 0:33:24 | 0:33:28 | |
GUNSHOTS | 0:33:34 | 0:33:36 | |
Uno, dos, tres... | 0:33:43 | 0:33:44 | |
HE CACKLES | 0:33:46 | 0:33:49 | |
We are not real brothers, but in Mexico, | 0:33:49 | 0:33:51 | |
everybody calls, "Brother, brother". | 0:33:51 | 0:33:53 | |
We are all about good times, having fun, and passion. | 0:33:55 | 0:34:00 | |
Two Latinos, very hot, hot, hot. | 0:34:00 | 0:34:04 | |
-BOTH: -Viva Britannia! | 0:34:04 | 0:34:07 | |
We love England and the English people love us. | 0:34:07 | 0:34:10 | |
-BOTH: -Viva Mexico! | 0:34:10 | 0:34:12 | |
We are very proun of being Mexican. | 0:34:13 | 0:34:16 | |
-WOMAN: -Proud, not "proun". | 0:34:16 | 0:34:17 | |
Proud... | 0:34:17 | 0:34:18 | |
My English is OK... | 0:34:20 | 0:34:22 | |
Hello! | 0:34:25 | 0:34:26 | |
We mix the British music and the Latino music. | 0:34:32 | 0:34:35 | |
Two cultures, one sound. | 0:34:35 | 0:34:39 | |
His name is fish and chips burrito. | 0:34:41 | 0:34:44 | |
Brrrr! Arriba! | 0:35:06 | 0:35:08 | |
# Para bailar la bamba | 0:35:08 | 0:35:11 | |
# Para bailar la bamba | 0:35:11 | 0:35:13 | |
# Se necesita una poca de gracia | 0:35:13 | 0:35:17 | |
# Woo! | 0:35:17 | 0:35:18 | |
# Una poca de gracia... | 0:35:18 | 0:35:21 | |
# Arriba y arriba | 0:35:21 | 0:35:23 | |
# Y arriba y arriba | 0:35:23 | 0:35:26 | |
# Por ti sere, por ti sere, por ti sere | 0:35:26 | 0:35:31 | |
# Ahhh | 0:35:31 | 0:35:33 | |
# Ahhh | 0:35:33 | 0:35:35 | |
# Ahhh | 0:35:35 | 0:35:36 | |
# Ahhh | 0:35:36 | 0:35:39 | |
-# Shake it up baby, now -Shake it up, baby | 0:35:39 | 0:35:42 | |
-# Twist and shout -Twist and shout | 0:35:42 | 0:35:45 | |
# Come on, come on Come on, baby, now | 0:35:45 | 0:35:47 | |
# Come on, baby | 0:35:47 | 0:35:48 | |
# Work it on out | 0:35:48 | 0:35:49 | |
# Work it on out... # | 0:35:49 | 0:35:51 | |
Clap your hands, everybody! | 0:35:51 | 0:35:53 | |
# Ahhh | 0:35:53 | 0:35:55 | |
# Ahhh | 0:35:55 | 0:35:56 | |
# Ahhh... # | 0:35:56 | 0:35:58 | |
Viva Mexico! | 0:35:58 | 0:36:02 | |
CHEERING AND APPLAUSE | 0:36:02 | 0:36:03 | |
MOURNFUL MARIACHI MUSIC | 0:36:06 | 0:36:09 | |
Hello. | 0:36:12 | 0:36:13 | |
Hola! | 0:36:15 | 0:36:16 | |
IN SPANISH: | 0:36:16 | 0:36:18 | |
-PALOMA: -Que bueno! | 0:36:25 | 0:36:26 | |
-You're from Mexico? -Yes, but we live in Colchester. | 0:36:27 | 0:36:31 | |
COLCHESTER! | 0:36:31 | 0:36:34 | |
Everywhere, yeah, every time. | 0:36:40 | 0:36:42 | |
They're buskers, from Colchester. | 0:36:42 | 0:36:45 | |
-LAUGHTER -It's like a cultural explosion, it's fantastic. | 0:36:45 | 0:36:48 | |
Thank you, sir. | 0:36:48 | 0:36:49 | |
Yes, why? | 0:36:57 | 0:36:58 | |
No, not calzones, that's underwear! | 0:37:02 | 0:37:03 | |
LAUGHTER | 0:37:03 | 0:37:05 | |
Thank you. | 0:37:13 | 0:37:15 | |
-Yeah! -Woo! | 0:37:20 | 0:37:22 | |
Thank you, guys, for teaching los gringos, the Mexicanos, | 0:37:22 | 0:37:26 | |
thank you for coming over here... | 0:37:26 | 0:37:28 | |
Yes! | 0:37:28 | 0:37:30 | |
It was a real crowd-pleasing performance. | 0:37:30 | 0:37:32 | |
I am not sure if it would win The Voice, | 0:37:32 | 0:37:35 | |
but what a lovely reaction you got from the crowd. Well done. | 0:37:35 | 0:37:38 | |
-CHEERING BOTH: -Thank you! | 0:37:38 | 0:37:40 | |
Thank you so much for coming... | 0:37:42 | 0:37:45 | |
Don't worry, me too. | 0:37:49 | 0:37:50 | |
-BOTH: -# Paloma... | 0:37:52 | 0:37:55 | |
# Oooh-ooh | 0:38:00 | 0:38:05 | |
# Paloma | 0:38:06 | 0:38:08 | |
# Paloma... # | 0:38:08 | 0:38:13 | |
Thank you. | 0:38:14 | 0:38:16 | |
CHEERING | 0:38:16 | 0:38:18 | |
Thank you. | 0:38:21 | 0:38:23 | |
Marvin, will you take a picture? Can I wear your hat? | 0:38:28 | 0:38:31 | |
-Say "nada." -Nada. | 0:38:33 | 0:38:35 | |
PALOMA LAUGHS | 0:38:38 | 0:38:40 | |
Thanks again. | 0:38:41 | 0:38:43 | |
-Woo! -Thank you! | 0:38:46 | 0:38:49 | |
Thank you. | 0:38:49 | 0:38:50 | |
That was crazy. | 0:38:51 | 0:38:53 | |
You're like the multilingual club, this is like the real Culture Club. | 0:38:53 | 0:38:56 | |
-Yay, viva Mexico! -Viva Mexico! | 0:38:58 | 0:39:02 | |
Are you OK, Will? | 0:39:02 | 0:39:04 | |
-ECHOING: -Will, Will... | 0:39:04 | 0:39:05 | |
Arriba! | 0:39:09 | 0:39:10 | |
-WILL! -RECORD SCRATCHES | 0:39:10 | 0:39:12 | |
EMMA: The blind auditions take our acts into unknown territory. | 0:39:17 | 0:39:20 | |
Something our next two acts know all about. | 0:39:20 | 0:39:23 | |
# Highway to the danger zone... # | 0:39:23 | 0:39:28 | |
HE SHOUTS COMMANDS | 0:39:28 | 0:39:31 | |
My name is David Barnes, I'm 37, and I'm in the British Army. | 0:39:31 | 0:39:35 | |
I'm David Williams, I'm 26 and I'm in the Royal navy. | 0:39:36 | 0:39:40 | |
I'm the drum major at the Royal Military School of Music. | 0:39:40 | 0:39:42 | |
The E to the B to the E... | 0:39:42 | 0:39:45 | |
is where it's slightly disjointed. | 0:39:45 | 0:39:47 | |
Day to day we do a lot of servicing on the aircraft, just maintaining | 0:39:47 | 0:39:50 | |
the aircraft, making sure they are all up to speed and ready to go. | 0:39:50 | 0:39:53 | |
-HE BELLOWS -A typical day for me | 0:39:53 | 0:39:55 | |
would involve inspection outside in the uniform... | 0:39:55 | 0:39:57 | |
How big is your belt? | 0:39:57 | 0:39:58 | |
I have been doing it for a year. | 0:39:58 | 0:40:00 | |
Before that, I was in the Royal Marines | 0:40:00 | 0:40:02 | |
and went out to Afghanistan with them. | 0:40:02 | 0:40:04 | |
I think the best bit about my job is the excitement. | 0:40:04 | 0:40:06 | |
Every day is different. | 0:40:06 | 0:40:08 | |
I love it, bit of discipline, | 0:40:08 | 0:40:09 | |
a bit of shouting on the square - it's great. | 0:40:09 | 0:40:12 | |
Marvin! By the left, quick march! | 0:40:12 | 0:40:15 | |
Left, right, left, right, left, right, left, right, | 0:40:15 | 0:40:19 | |
left, right, left, right, left, right, left, right! | 0:40:19 | 0:40:22 | |
Not bad at all. You can join up any time, it's fine. | 0:40:23 | 0:40:27 | |
-LAUGHING: -I'm petrified. | 0:40:27 | 0:40:29 | |
I am massively proud to do my job, | 0:40:30 | 0:40:32 | |
but I have always wanted to pursue | 0:40:32 | 0:40:34 | |
the singing side of being a musician. | 0:40:34 | 0:40:36 | |
I am really proud to be in the Forces, I think it is | 0:40:36 | 0:40:38 | |
an honour to be able to represent the country. | 0:40:38 | 0:40:40 | |
I decided to enter The Voice because it is either now or never. | 0:40:40 | 0:40:44 | |
# I'm still alive but I'm barely breathing | 0:41:05 | 0:41:08 | |
AUDIENCE: Woo! | 0:41:08 | 0:41:10 | |
# Just prayed to a god that I don't believe in | 0:41:10 | 0:41:14 | |
# Cos I got time while she got freedom | 0:41:15 | 0:41:20 | |
# And when a heart breaks, no, it don't break even | 0:41:20 | 0:41:25 | |
# No | 0:41:25 | 0:41:26 | |
# What am I supposed to do when the best part of me is always you? | 0:41:26 | 0:41:31 | |
# What am I supposed to say when I'm all choked up and you're OK? | 0:41:31 | 0:41:36 | |
# I'm falling to pieces | 0:41:36 | 0:41:40 | |
# I'm falling to pieces. # | 0:41:40 | 0:41:48 | |
CHEERING AND APPLAUSE | 0:41:48 | 0:41:50 | |
-JUDGES: -Hey. | 0:41:57 | 0:41:59 | |
-What's your name? -I am David Williams, I'm 26 | 0:41:59 | 0:42:01 | |
-and I am in the navy. -You're in the navy? | 0:42:01 | 0:42:04 | |
AUDIENCE: Woo! | 0:42:04 | 0:42:05 | |
-NORTHERN ACCENT: -Strapping lad from the navy. | 0:42:05 | 0:42:08 | |
If you had dressed in your uniform, | 0:42:08 | 0:42:10 | |
you would have sent Paloma over the edge. | 0:42:10 | 0:42:12 | |
LAUGHTER | 0:42:12 | 0:42:13 | |
What do you do in the navy? | 0:42:14 | 0:42:16 | |
I was in the Royal Marines for five years, and then transferred | 0:42:16 | 0:42:18 | |
-over to the greater navy to be an aircraft engineer. -Wow. | 0:42:18 | 0:42:21 | |
And what about the singing thing, tell us about that. | 0:42:23 | 0:42:26 | |
-How did this start? -While I was in the navy, I was a break dancer. | 0:42:26 | 0:42:29 | |
Wait a second, so you were break dancing, then you were like... | 0:42:29 | 0:42:32 | |
"Yo"... | 0:42:32 | 0:42:34 | |
-Whilst windmilling, yeah. -Do you perform now? | 0:42:34 | 0:42:36 | |
No, to be honest, only to myself in the car. And maybe my baby as well. | 0:42:36 | 0:42:40 | |
Aww. | 0:42:40 | 0:42:42 | |
But I think my advice to you would be that you need to | 0:42:42 | 0:42:44 | |
-get out and do this more to build up your confidence. -Yeah. | 0:42:44 | 0:42:48 | |
You have got a good voice, but it wasn't a strong performance. | 0:42:48 | 0:42:53 | |
-But there is definitely something there. -Thank you very much. | 0:42:53 | 0:42:56 | |
Don't give up your job, cos... | 0:42:56 | 0:42:58 | |
LAUGHTER | 0:42:58 | 0:42:59 | |
You know when he said... No... | 0:42:59 | 0:43:01 | |
I did that once. | 0:43:01 | 0:43:03 | |
I sort of got really confident and I went and left my job, | 0:43:03 | 0:43:07 | |
and then I realised that I couldn't pay my rent. | 0:43:07 | 0:43:10 | |
And got really worried. | 0:43:10 | 0:43:11 | |
And then I was like, "Oh, OK, the bailiffs are coming round", | 0:43:11 | 0:43:15 | |
and I went back to the same workplace that I'd told, | 0:43:15 | 0:43:18 | |
"Right, screw you, I'm hitting the big time!" | 0:43:18 | 0:43:20 | |
And I was like, tail between my legs, | 0:43:20 | 0:43:23 | |
"Can I have my job back, please?" | 0:43:23 | 0:43:25 | |
Do you guys wear those suits, like the navy suits? | 0:43:25 | 0:43:28 | |
Yes, we have got all our military uniform, | 0:43:28 | 0:43:30 | |
the navy one is like the marshmallow man kind of hat thing. | 0:43:30 | 0:43:33 | |
-Me and Boy George would probably wear those hats. -Yeah, yeah. | 0:43:33 | 0:43:37 | |
-I'll get some sorted out for you. -Hook us up. | 0:43:37 | 0:43:39 | |
-Thanks, bro. -Thank you very much. | 0:43:40 | 0:43:42 | |
APPLAUSE | 0:43:42 | 0:43:44 | |
-Thanks very much. -Do you still do any break dancing? | 0:43:45 | 0:43:47 | |
-I can do some moves. -Yeah, yeah, yeah. -Can you do windmills? | 0:43:47 | 0:43:50 | |
AUDIENCE: Woo! | 0:43:57 | 0:43:59 | |
Spin me, Will, spin me! | 0:44:07 | 0:44:09 | |
-Really appreciate that. -Thank you, cheers. | 0:44:17 | 0:44:19 | |
MUSIC: In the navy by Village People | 0:44:20 | 0:44:23 | |
Wahey! Look, they loved him. | 0:44:25 | 0:44:28 | |
-In the navy. -# In the navy... # | 0:44:28 | 0:44:31 | |
-MARVIN: -So, in the battle of the services, | 0:44:32 | 0:44:34 | |
the navy failed to gain a place. | 0:44:34 | 0:44:36 | |
Can David Barnes put the army into action? | 0:44:37 | 0:44:40 | |
Come on, David. Come on. | 0:44:41 | 0:44:45 | |
# When a man loves a woman | 0:44:54 | 0:44:57 | |
CHEERING | 0:44:57 | 0:44:59 | |
# Can't keep his mind on nothing else | 0:45:00 | 0:45:03 | |
# He'd trade the world for the good things he found | 0:45:04 | 0:45:09 | |
# Yeah | 0:45:11 | 0:45:13 | |
# When this man loves... | 0:45:13 | 0:45:16 | |
# When this man loves a woman | 0:45:16 | 0:45:20 | |
# I'll give you everything | 0:45:22 | 0:45:25 | |
# I'll give you everything | 0:45:25 | 0:45:27 | |
# I'll give you everything! | 0:45:27 | 0:45:30 | |
# Trying to hold on to your precious love | 0:45:30 | 0:45:38 | |
# Baby | 0:45:38 | 0:45:39 | |
# Baby, please, don't treat me bad | 0:45:39 | 0:45:45 | |
# When a man loves a woman | 0:45:45 | 0:45:50 | |
# I know, I know exactly what it feels | 0:45:51 | 0:45:57 | |
# When a man... | 0:45:57 | 0:45:59 | |
# When a man loves... | 0:46:01 | 0:46:04 | |
# A woman. # | 0:46:05 | 0:46:08 | |
CHEERING | 0:46:08 | 0:46:11 | |
Woo! | 0:46:19 | 0:46:20 | |
-Hey! -What's your name? | 0:46:24 | 0:46:27 | |
My name is David Barnes, I am 37 years old, | 0:46:27 | 0:46:29 | |
I am from Teddington in London, and I'm a British Army soldier. | 0:46:29 | 0:46:33 | |
A soldier? | 0:46:33 | 0:46:34 | |
Um, first, thank you for the service you do for this great nation. | 0:46:41 | 0:46:47 | |
Thank you, sir, thank you. | 0:46:47 | 0:46:48 | |
So you are in Team Ricky. | 0:46:50 | 0:46:53 | |
I welcome you on this show and let's have a great time. | 0:46:53 | 0:46:56 | |
Right, well, a British Army soldier. | 0:47:01 | 0:47:03 | |
You're in Team Ricky, you are the final member of Team Ricky | 0:47:03 | 0:47:06 | |
and you will be keeping everyone in check then. | 0:47:06 | 0:47:09 | |
-It's a pleasure to be on the team, sir. -Thank you very much. | 0:47:13 | 0:47:16 | |
CHEERING | 0:47:16 | 0:47:18 | |
So what do you do in the army? | 0:47:18 | 0:47:22 | |
So my job is I train army musicians to march in military bands, | 0:47:22 | 0:47:26 | |
and I do that at the Royal Military School of Music in Twickenham. | 0:47:26 | 0:47:30 | |
So, like...? | 0:47:31 | 0:47:33 | |
Yeah, the guys you see outside Buckingham Palace doing | 0:47:33 | 0:47:36 | |
the military music, that is my job, to train them to do that. | 0:47:36 | 0:47:40 | |
Well, again, you are on my team... | 0:47:40 | 0:47:42 | |
I'm excited to see what's going to happen. | 0:47:42 | 0:47:44 | |
Well done. | 0:47:47 | 0:47:48 | |
-PALOMA: -Good on you, mate. -Thank you. | 0:47:50 | 0:47:53 | |
Wilson crosses the finish line with a full team at last. | 0:47:53 | 0:47:57 | |
Just Boy George and i.am | 0:47:57 | 0:47:58 | |
in the running. It's getting tense. | 0:47:58 | 0:48:00 | |
I think it is safe to say that will.i.am is going to be | 0:48:05 | 0:48:07 | |
the last coach to fill up his team. | 0:48:07 | 0:48:10 | |
Here's me. | 0:48:10 | 0:48:11 | |
Say for example I have to wake up and be somewhere at 9am. | 0:48:11 | 0:48:15 | |
I'm not going to be late. Ooh. | 0:48:15 | 0:48:17 | |
I've nicknamed Will "Will I Am Always Late." | 0:48:17 | 0:48:21 | |
The alarm goes off at six. | 0:48:22 | 0:48:24 | |
I'm like, "Let's get breakfast." | 0:48:25 | 0:48:27 | |
That's his gimmick. | 0:48:27 | 0:48:29 | |
It's like Kojak had a lollipop, Will fills his team last. | 0:48:29 | 0:48:32 | |
I'm gonna wake up at 8... | 0:48:32 | 0:48:34 | |
ALARM CLOCK RINGS | 0:48:34 | 0:48:35 | |
..it's like, "Just going to lay down for five minutes." | 0:48:35 | 0:48:37 | |
Then that five minutes turns into, like, ten minutes. | 0:48:37 | 0:48:40 | |
Then you're rushing out of the house, and that always happens. | 0:48:40 | 0:48:42 | |
No matter how much I plan, for some reason, | 0:48:42 | 0:48:44 | |
it goes down that way. | 0:48:44 | 0:48:45 | |
And I'm working on that. | 0:48:46 | 0:48:48 | |
SNORING | 0:48:55 | 0:48:57 | |
EMMA: 'There's just three places left in the competition. | 0:49:00 | 0:49:02 | |
'Over to you, Rose Farquhar.' | 0:49:02 | 0:49:04 | |
I think you get to this point from years of practising. | 0:49:06 | 0:49:10 | |
Not many people in the world get to sing on the stage with a live band, | 0:49:10 | 0:49:14 | |
within feet of will.i.am, Paloma Faith, Boy George and Ricky. | 0:49:14 | 0:49:17 | |
It's insane. | 0:49:17 | 0:49:19 | |
SHE LAUGHS | 0:49:19 | 0:49:20 | |
# Anyone who ever loved | 0:49:24 | 0:49:27 | |
# Could look at me | 0:49:29 | 0:49:31 | |
# And know that I love you | 0:49:31 | 0:49:34 | |
# Anyone who ever dreamed | 0:49:36 | 0:49:39 | |
# Could look at me | 0:49:39 | 0:49:41 | |
# And know I dream of you | 0:49:41 | 0:49:46 | |
# Knowing I love you | 0:49:46 | 0:49:49 | |
# So! | 0:49:49 | 0:49:52 | |
# Anyone who had a heart would take me in his arms and love me too | 0:49:52 | 0:49:59 | |
# You couldn't really have a heart | 0:49:59 | 0:50:03 | |
# And hurt me like you hurt me | 0:50:03 | 0:50:06 | |
# And be so untrue | 0:50:06 | 0:50:09 | |
# Anyone who had a heart would love me too... # | 0:50:09 | 0:50:14 | |
-Come on! -Come on! | 0:50:14 | 0:50:18 | |
# ..in his arms and always love me | 0:50:18 | 0:50:22 | |
# Why won't you? # | 0:50:22 | 0:50:27 | |
CHEERING | 0:50:27 | 0:50:29 | |
Hello, lovely. | 0:50:35 | 0:50:37 | |
-Hi. -What's your name and where do you come from? | 0:50:37 | 0:50:40 | |
-My name is Rose, I'm from London. -Rose from London. | 0:50:40 | 0:50:43 | |
Hi. What do you do for your living? | 0:50:43 | 0:50:46 | |
I basically celebrate British brands in emerging and growth markets. | 0:50:46 | 0:50:51 | |
That sounds really grown up. | 0:50:51 | 0:50:53 | |
LAUGHTER | 0:50:53 | 0:50:55 | |
-Yep. -So you are an adult? -Yes, I am officially an adult. | 0:50:55 | 0:50:59 | |
So how did you get into singing? | 0:51:01 | 0:51:03 | |
Like everyone, I have sung since I was a small, little girl, | 0:51:03 | 0:51:07 | |
and singing really makes me tick. | 0:51:07 | 0:51:10 | |
From my point of view, I loved the song, I loved your performance, | 0:51:10 | 0:51:14 | |
and it just isn't right for my team right now. | 0:51:14 | 0:51:18 | |
But well done, and bravo for coming on the show | 0:51:18 | 0:51:21 | |
-and showing us what you can do. -Thank you very much. | 0:51:21 | 0:51:24 | |
CHEERING | 0:51:32 | 0:51:34 | |
I feel completely gutted but really proud, | 0:51:34 | 0:51:36 | |
and glad that I got the opportunity. | 0:51:36 | 0:51:38 | |
There's three places left. One with you and two with Will. | 0:51:41 | 0:51:45 | |
I'm just going to do a little... | 0:51:46 | 0:51:48 | |
HE WHISPERS TO HIMSELF | 0:51:48 | 0:51:50 | |
I'm just hoping for someone amazing. | 0:51:52 | 0:51:54 | |
My name's Laura Begley, I'm 22, I'm from Stirling in Scotland. | 0:51:59 | 0:52:02 | |
I probably would say I'm a hippie. | 0:52:02 | 0:52:04 | |
I love going to festivals and I like to find peace, | 0:52:07 | 0:52:10 | |
I am pretty chilled out, to be honest. | 0:52:10 | 0:52:12 | |
Last year, I came out of a break-up. | 0:52:14 | 0:52:16 | |
# Hello, darkness, my old friend. # | 0:52:16 | 0:52:18 | |
Because it was such a shock, something just | 0:52:18 | 0:52:20 | |
clicked in my head and I was like, "I need to learn to love myself." | 0:52:20 | 0:52:23 | |
I decided to go to a spiritual detox retreat in Portugal. | 0:52:23 | 0:52:26 | |
You do yoga, meditation, so it is all about the mind and the body. | 0:52:28 | 0:52:32 | |
I think I really found myself, | 0:52:33 | 0:52:35 | |
it was just an amazing experience for me. | 0:52:35 | 0:52:38 | |
Whilst I was still in Portugal, one of the guys | 0:52:38 | 0:52:41 | |
we met asked me to go and sing, and I got a really good reaction. | 0:52:41 | 0:52:45 | |
# What a beautiful day... # | 0:52:45 | 0:52:47 | |
So I've been doing a lot of gigs | 0:52:47 | 0:52:48 | |
and I've been getting really good compliments. | 0:52:48 | 0:52:50 | |
I've kind of learned to believe in myself. | 0:52:50 | 0:52:52 | |
I can do this, I can be successful. | 0:52:52 | 0:52:55 | |
It's been a good year for me. I feel really happy. | 0:52:55 | 0:52:59 | |
# Nothing is impossible in my all-powerful mind. # | 0:52:59 | 0:53:03 | |
THEY SHOUT ENCOURAGEMENT | 0:53:14 | 0:53:15 | |
# Shyness is nice and shyness can stop you | 0:53:28 | 0:53:33 | |
# From doing all the things in life you'd like to | 0:53:33 | 0:53:36 | |
# Coyness is nice and coyness can stop you | 0:53:40 | 0:53:44 | |
# From saying all the things in life you'd like to | 0:53:44 | 0:53:48 | |
# So if there's something you'd like to try | 0:53:51 | 0:53:53 | |
# If there's something you'd like to try | 0:53:53 | 0:53:57 | |
# Ask me, I won't say no, how could I? | 0:53:57 | 0:54:00 | |
# Warm summer days indoors | 0:54:02 | 0:54:06 | |
# Writing frightening verse to a buck-toothed girl in Luxembourg | 0:54:08 | 0:54:14 | |
# Ask me, ask me, ask me | 0:54:14 | 0:54:16 | |
# Ask me, ask me, ask me | 0:54:16 | 0:54:19 | |
# If it's not love, then it's the bomb, the bomb, the bomb | 0:54:21 | 0:54:26 | |
# The bomb that will bring us together | 0:54:26 | 0:54:28 | |
# Nature is a language, can't you read? | 0:54:33 | 0:54:39 | |
# So ask me, ask me, ask me | 0:54:39 | 0:54:42 | |
# Ask me, ask me, ask me | 0:54:42 | 0:54:46 | |
# If it's not love | 0:54:46 | 0:54:49 | |
# Then it's the bomb | 0:54:49 | 0:54:52 | |
# Then it's the bomb that will bring us together. # | 0:54:52 | 0:54:56 | |
CHEERING | 0:54:56 | 0:54:58 | |
Hello, what's your name? | 0:55:12 | 0:55:14 | |
My name's Laura, I'm 22, I'm from Stirling in Scotland. | 0:55:14 | 0:55:17 | |
Yeah! | 0:55:17 | 0:55:18 | |
AUDIENCE: Woo! | 0:55:18 | 0:55:19 | |
Thank you for coming on the show. Me and Paloma can't turn. | 0:55:23 | 0:55:25 | |
We were doing this, weren't we? | 0:55:25 | 0:55:27 | |
- Yeah. - I loved it. | 0:55:27 | 0:55:28 | |
Thank you so much. | 0:55:28 | 0:55:29 | |
Great song choice, great way of changing it up, love it. | 0:55:29 | 0:55:32 | |
-Congratulations, you are on the show. -Thank you! | 0:55:32 | 0:55:35 | |
I thought it was a really good song choice. | 0:55:37 | 0:55:39 | |
Uplifting, and you delivered it really well. | 0:55:39 | 0:55:41 | |
Thank you, I am a huge Smiths fan, so it's like the best song for me. | 0:55:41 | 0:55:45 | |
I met Morrissey in 1983. | 0:55:45 | 0:55:47 | |
It was hilarious, I had tea with him in Paris and he hated me. | 0:55:47 | 0:55:51 | |
He didn't speak and so I got really nervous | 0:55:52 | 0:55:55 | |
and just went into verbal overdrive for the whole hour. | 0:55:55 | 0:55:58 | |
And when I left, he said, "Boy George is overbearing." | 0:55:58 | 0:56:02 | |
But the good news is, we've met since then | 0:56:04 | 0:56:06 | |
and I was a little more grown up the second time and he was lovely. | 0:56:06 | 0:56:09 | |
-But anyway, welcome to The Voice. -Thank you. | 0:56:09 | 0:56:12 | |
OK, so this is the situation - we are down to the bone. | 0:56:12 | 0:56:17 | |
-Bone. -I have one space left, Will has two spaces left. | 0:56:17 | 0:56:22 | |
We are keeping it very exciting. So, basically, if you go with me, | 0:56:22 | 0:56:27 | |
-then that's me done. -That's a great pitch(!) | 0:56:27 | 0:56:30 | |
Well, you know... | 0:56:30 | 0:56:32 | |
I turned around for you, I liked your voice, that kind of | 0:56:34 | 0:56:37 | |
country break, which I always love, which I don't have on my team...yet. | 0:56:37 | 0:56:43 | |
I have a lot of kind of soulful voices, really, | 0:56:43 | 0:56:45 | |
you know...the choice is yours! | 0:56:45 | 0:56:47 | |
CHEERING | 0:56:47 | 0:56:49 | |
I loved it. I love that song. It brings me back to my childhood. | 0:56:52 | 0:56:57 | |
I love your approach and how you made it your own. | 0:56:57 | 0:57:01 | |
If you are on my team, I would...clear traffic for you. | 0:57:01 | 0:57:06 | |
LAUGHTER | 0:57:06 | 0:57:08 | |
What that means, literally, is to literally clear traffic. | 0:57:08 | 0:57:11 | |
OK. | 0:57:13 | 0:57:14 | |
It means that every time you are walking in the street after | 0:57:14 | 0:57:17 | |
this show, and you want to cross the road... | 0:57:17 | 0:57:20 | |
I'd be like... | 0:57:20 | 0:57:21 | |
Move out the way! Get out the way! | 0:57:21 | 0:57:24 | |
She's coming through, I'm clearing traffic. | 0:57:24 | 0:57:26 | |
She's on my team, move. | 0:57:26 | 0:57:28 | |
Move out the way. | 0:57:28 | 0:57:30 | |
Where did you get that? | 0:57:30 | 0:57:32 | |
You're not allowed to have props, that is unfair. | 0:57:32 | 0:57:35 | |
-Oh, no, no, this is not props. -He just carries that anyway. | 0:57:35 | 0:57:39 | |
Listen, honestly, it makes total creative, | 0:57:40 | 0:57:46 | |
cultural sense for the song you sang to go with Boy George. | 0:57:46 | 0:57:51 | |
I swear to you, that makes logical sense. It's like... | 0:57:51 | 0:57:57 | |
It's like orange juice in the morning with scrambled eggs. | 0:57:57 | 0:58:01 | |
Who would have thought to put the champagne from last night in it? | 0:58:01 | 0:58:04 | |
-Darling... -And that is called a mimosa. -Darling... | 0:58:04 | 0:58:07 | |
You know what I'm talking about? | 0:58:07 | 0:58:09 | |
You with me, it's like champagne in orange juice. | 0:58:09 | 0:58:11 | |
Whoever did that for the first time, is his last name Mimosa? | 0:58:11 | 0:58:14 | |
I don't know. | 0:58:14 | 0:58:16 | |
The fact is, I kind of like the drink. | 0:58:16 | 0:58:19 | |
Come with me, we are mimosa-ing up, I'm clearing traffic, | 0:58:19 | 0:58:22 | |
we're not driving and drinking mimosas... | 0:58:22 | 0:58:24 | |
LAUGHTER | 0:58:24 | 0:58:25 | |
Make up your mind, Smiths girl. | 0:58:29 | 0:58:31 | |
Erm... | 0:58:31 | 0:58:33 | |
-AUDIENCE MEMBERS: -Will! -George! | 0:58:33 | 0:58:35 | |
-This is so exciting. -No, the choice is... Let's help her. | 0:58:37 | 0:58:41 | |
-RICKY: -OK, the choice is... | 0:58:41 | 0:58:43 | |
-So, like... -What are these two doing? | 0:58:43 | 0:58:46 | |
Either you stay with this kind of mad scientist experimental guru, | 0:58:46 | 0:58:50 | |
who understands about that genre a lot more than you think he does. | 0:58:50 | 0:58:54 | |
Even I am agreeing, imagine putting The Smiths with will.i.am. | 0:58:54 | 0:58:57 | |
It's like a game show. This is my glamorous assistant. | 0:58:57 | 0:59:01 | |
He turns dirt into pearls, he's amazing. | 0:59:02 | 0:59:06 | |
Paloma, when did you start working for Will? | 0:59:06 | 0:59:10 | |
I think they're both incredible, and either way, you are winning. | 0:59:10 | 0:59:13 | |
APPLAUSE | 0:59:13 | 0:59:15 | |
Who are you going with, babe? | 0:59:17 | 0:59:19 | |
-You are making this so easy for me(!) -Will, what do you predict? | 0:59:19 | 0:59:23 | |
A riot. | 0:59:23 | 0:59:24 | |
I'm going to go with Boy George. | 0:59:33 | 0:59:34 | |
CHEERING | 0:59:34 | 0:59:36 | |
You're awesome. Seriously, you're awesome. | 0:59:37 | 0:59:40 | |
I'm done! | 0:59:43 | 0:59:45 | |
I said I was waiting for something quirky and special, | 0:59:45 | 0:59:48 | |
and there you came. | 0:59:48 | 0:59:49 | |
MUSIC: This Charming Man by The Smiths | 0:59:49 | 0:59:52 | |
-ALL: -Yay! | 0:59:52 | 0:59:55 | |
A respectable bronze for George means i.am is | 0:59:55 | 0:59:59 | |
still in the race searching for a place. | 0:59:59 | 1:00:02 | |
But he's not bothered. | 1:00:02 | 1:00:03 | |
I've completed my team and now, | 1:00:06 | 1:00:08 | |
I can sit back like Paloma and Ricky and watch Will... | 1:00:08 | 1:00:13 | |
-PALOMA: -..Squirm. -BOY GEORGE CHUCKLES | 1:00:13 | 1:00:15 | |
Now, it's all about you, man. | 1:00:15 | 1:00:17 | |
# It's all about you! # | 1:00:17 | 1:00:19 | |
LAUGHTER | 1:00:19 | 1:00:21 | |
It's the biggest opportunity to date. | 1:00:24 | 1:00:27 | |
It's one of those things where you never actually think it will happen | 1:00:27 | 1:00:30 | |
and now I'm here, it's just... massive. | 1:00:30 | 1:00:35 | |
I think that's what it is - | 1:00:35 | 1:00:36 | |
it's having the biggest audience you've ever had in your life. | 1:00:36 | 1:00:40 | |
It's exciting. | 1:00:40 | 1:00:42 | |
I'm Kerry O'Dowd. I'm 32 and I'm from Kent. | 1:00:46 | 1:00:50 | |
I started out once I left school working as a karaoke disc girl. | 1:00:50 | 1:00:53 | |
The songs ranged from 3,000 songs to eventually 15,000. | 1:00:53 | 1:00:58 | |
I learnt a lot of songs. | 1:00:58 | 1:01:00 | |
I then started singing in holiday parks, pubs, | 1:01:00 | 1:01:04 | |
clubs up and down the country. | 1:01:04 | 1:01:06 | |
I've loved music since I can remember. | 1:01:06 | 1:01:09 | |
I love performing, so this is mega. | 1:01:09 | 1:01:11 | |
This is massive. | 1:01:11 | 1:01:12 | |
# Standing here in the music hall | 1:01:19 | 1:01:22 | |
# With my microphone and a glitter ball | 1:01:22 | 1:01:25 | |
# And you walk right in blowing through the doors | 1:01:25 | 1:01:29 | |
# Like a force of nature Force of nature | 1:01:29 | 1:01:32 | |
# I can not look cos my head's a mess | 1:01:32 | 1:01:36 | |
# But you're beautiful in the way you dress | 1:01:36 | 1:01:39 | |
# I'm lost for words and I'm powerless | 1:01:39 | 1:01:43 | |
# Right from the beginning You've got me singing | 1:01:43 | 1:01:46 | |
# Ooh | 1:01:46 | 1:01:49 | |
# Singing | 1:01:49 | 1:01:50 | |
# Ah-oh, singing | 1:01:50 | 1:01:53 | |
# Ooh | 1:01:53 | 1:01:55 | |
# Singing | 1:01:55 | 1:01:57 | |
# Oh | 1:01:57 | 1:01:58 | |
# I'm so in love with you | 1:01:58 | 1:02:05 | |
# Yeah yeah yeah | 1:02:05 | 1:02:08 | |
# And I feel | 1:02:08 | 1:02:11 | |
# Love. # | 1:02:11 | 1:02:15 | |
CHEERING AND APPLAUSE | 1:02:17 | 1:02:20 | |
-JUDGES: Hello! -Hello. | 1:02:26 | 1:02:27 | |
-What's your name? -My name's Kerry O'Dowd. | 1:02:27 | 1:02:30 | |
-Oh, my God! -I know! | 1:02:30 | 1:02:32 | |
Are we related? | 1:02:32 | 1:02:33 | |
Unfortunately, I don't think we are, but that would have been awesome. | 1:02:33 | 1:02:37 | |
That was a lovely performance, but us three, we're closed down. | 1:02:37 | 1:02:40 | |
-We're all... -Ah, so... -The timing is just... | 1:02:40 | 1:02:44 | |
It is an amazing opportunity to do this anyway. | 1:02:44 | 1:02:47 | |
You did an amazing job. | 1:02:47 | 1:02:48 | |
The reason why no-one turned, primarily, | 1:02:48 | 1:02:51 | |
it's because there's only one person that can turn | 1:02:51 | 1:02:53 | |
and I'm discombobulated... | 1:02:53 | 1:02:56 | |
LAUGHTER | 1:02:57 | 1:02:58 | |
-Did I use that word right, right there? -No, it's a great word. | 1:02:58 | 1:03:01 | |
..and over-analysing, so I apologise for that. | 1:03:01 | 1:03:04 | |
-Thanks for coming on, and your hair is beautiful. -Thank you. | 1:03:04 | 1:03:07 | |
Thank you for having me. It's been amazing. | 1:03:07 | 1:03:09 | |
CHEERING AND APPLAUSE | 1:03:09 | 1:03:11 | |
Woo-hoo! Can we keep doing that for ten minutes? | 1:03:24 | 1:03:28 | |
-CREW: -We're having a problem with the chairs at the moment, so sorry. | 1:03:30 | 1:03:34 | |
LAUGHTER | 1:03:34 | 1:03:35 | |
Just stay in them for us! | 1:03:36 | 1:03:38 | |
-We in for the ride! -Get me off of this ride! | 1:03:38 | 1:03:41 | |
They're trying to kill me! | 1:03:41 | 1:03:43 | |
'Our next act knows all about the power of a spinning chair.' | 1:03:45 | 1:03:49 | |
My name is Aaron Hill, I'm 25 years old, | 1:03:49 | 1:03:51 | |
I'm a hair stylist and I'm from London. | 1:03:51 | 1:03:54 | |
What are we doing today, love? It's a fun job. | 1:03:54 | 1:03:56 | |
You just have to have great customer service skills, | 1:03:56 | 1:03:59 | |
cos at the end of the day, you want your clients to return, | 1:03:59 | 1:04:01 | |
so you have to treat them good and also do their hair great as well. | 1:04:01 | 1:04:05 | |
# Oh-oh, oh... # | 1:04:05 | 1:04:08 | |
Singing before the four coaches is a golden opportunity. | 1:04:10 | 1:04:14 | |
I'm feeling nervous, | 1:04:14 | 1:04:15 | |
but I know for a fact when I go out on that stage, | 1:04:15 | 1:04:18 | |
I'm really going to deliver the song. | 1:04:18 | 1:04:20 | |
# I can't fool myself, I don't want nobody else to ever love me | 1:04:37 | 1:04:42 | |
# You are my shinin' star, my guiding light, my love fantasy | 1:04:42 | 1:04:46 | |
# There's not a minute, hour, day or night that I don't love you | 1:04:46 | 1:04:50 | |
# You're at the top of my list cos I'm always thinkin' of you | 1:04:50 | 1:04:55 | |
# Oh, my love | 1:04:55 | 1:04:58 | |
# A thousand kisses from you is never too much | 1:05:00 | 1:05:09 | |
# And I just don't wanna stop | 1:05:09 | 1:05:12 | |
CHEERING AND APPLAUSE | 1:05:12 | 1:05:15 | |
# Woke up today, looked at your picture just to get me started | 1:05:17 | 1:05:21 | |
# I called you up, but you weren't there and I was broken hearted | 1:05:21 | 1:05:26 | |
# Hung up the phone, can't be too late, the boss is so demandin' | 1:05:26 | 1:05:30 | |
# Walked out the door and there to my surprise there you were standin' | 1:05:30 | 1:05:39 | |
# A thousand kisses from you is never too ma-ma-ma-much | 1:05:39 | 1:05:46 | |
# Ma-ma-ma-much | 1:05:46 | 1:05:49 | |
# And I just don't wanna stop. # | 1:05:49 | 1:05:56 | |
CHEERING AND APPLAUSE | 1:05:56 | 1:05:58 | |
Good evening, my name is Aaron Hill. | 1:06:09 | 1:06:11 | |
I'm a hair stylist, I am 25 years old. | 1:06:11 | 1:06:15 | |
CHEERING AND APPLAUSE | 1:06:15 | 1:06:17 | |
Welcome to Team Will. That's my mom's favourite song, | 1:06:17 | 1:06:20 | |
that means it's my favourite song. | 1:06:20 | 1:06:22 | |
It's hard doing Luther. | 1:06:22 | 1:06:24 | |
His licks and his runs are like, the best licks and runs in R&B, | 1:06:24 | 1:06:29 | |
but you didn't do his licks, you put your own licks and that was fresh. | 1:06:29 | 1:06:33 | |
Thank you so much, thank you so much. | 1:06:33 | 1:06:36 | |
CHEERING AND APPLAUSE | 1:06:36 | 1:06:39 | |
A few years ago, I had the pleasure of singing with Luther Vandross... | 1:06:39 | 1:06:42 | |
-Oh, wow. -Ooh! -..at the Apollo in Harlem | 1:06:42 | 1:06:44 | |
and it was one of the most scariest things I've ever done. | 1:06:44 | 1:06:47 | |
LAUGHTER | 1:06:47 | 1:06:49 | |
But it was a pleasure and everyone loves that song. | 1:06:49 | 1:06:52 | |
You know, we're always singing along all the words... | 1:06:52 | 1:06:55 | |
It's a winning song. Welcome to The Voice, welcome to Team Will. | 1:06:55 | 1:06:59 | |
-Thank you. -RICKY: -Great singing. Congratulations. | 1:06:59 | 1:07:01 | |
CHEERING AND APPLAUSE | 1:07:01 | 1:07:05 | |
Got one spot left, there's two singers coming up. | 1:07:12 | 1:07:15 | |
I either pick one or the other. | 1:07:15 | 1:07:18 | |
-That's just the way it goes. -I never knew it would be this exciting! | 1:07:18 | 1:07:21 | |
My name is Jeffri Ramli. | 1:07:27 | 1:07:28 | |
I'm 35 years old and I'm originally from Malaysia, | 1:07:30 | 1:07:34 | |
but I live in Newcastle upon Tyne. | 1:07:34 | 1:07:36 | |
Over the last few years, I've been mastering my skills in K-Pop. | 1:07:39 | 1:07:43 | |
It is a very unique style of music. | 1:07:43 | 1:07:46 | |
There's a lot of dancing, doing this... | 1:07:46 | 1:07:50 | |
Hey! And all of that. | 1:07:50 | 1:07:52 | |
It's just basically, go crazy. | 1:07:52 | 1:07:54 | |
Fashion is very important. | 1:07:56 | 1:07:58 | |
It's not just about your voice, but the whole package. | 1:07:58 | 1:08:02 | |
I think the UK need to hear Jeffri Ramli. | 1:08:02 | 1:08:05 | |
Hey! | 1:08:28 | 1:08:30 | |
# Well sometimes I go out by myself | 1:08:30 | 1:08:34 | |
# And I look across the water | 1:08:34 | 1:08:38 | |
# And I think of all the things What you're doing | 1:08:39 | 1:08:42 | |
# In my head I paint a picture | 1:08:42 | 1:08:46 | |
# Well, since I've come on home | 1:08:48 | 1:08:50 | |
# My body's been a mess | 1:08:50 | 1:08:53 | |
# And I miss your ginger hair | 1:08:53 | 1:08:55 | |
# And the way you like to dress | 1:08:55 | 1:08:58 | |
# Won't you come on over? | 1:08:58 | 1:09:00 | |
# Stop making a fool out of me | 1:09:00 | 1:09:05 | |
# Why don't you come on over Valerie | 1:09:05 | 1:09:11 | |
# Valerie | 1:09:11 | 1:09:13 | |
# Oh, Valerie. # | 1:09:13 | 1:09:19 | |
CHEERING AND APPLAUSE | 1:09:19 | 1:09:22 | |
-JUDGES: -Hello! | 1:09:28 | 1:09:29 | |
-Hello. -What's your name? | 1:09:29 | 1:09:32 | |
My name is Jeffri Ramli and I'm 35 years old. | 1:09:32 | 1:09:36 | |
I'm originally from Malaysia, but I live in Newcastle now, for 13 years. | 1:09:36 | 1:09:41 | |
CHEERING AND APPLAUSE | 1:09:41 | 1:09:43 | |
-You've got an incredible dress sense. -Thank you. | 1:09:43 | 1:09:46 | |
I very much admire it, from head to toe. | 1:09:46 | 1:09:49 | |
Thank you. | 1:09:49 | 1:09:51 | |
Can ask you a question? | 1:09:52 | 1:09:54 | |
Do you know how to do the traditional Malaysian dance? | 1:09:54 | 1:09:56 | |
Yeah, I can. Like this. | 1:09:56 | 1:09:58 | |
WHOOPING | 1:10:00 | 1:10:02 | |
-Yeah, like that. That's it. -Why don't you do it, Will? | 1:10:02 | 1:10:05 | |
Everybody does this. They go like this. # Dah-dah-dah... # | 1:10:05 | 1:10:07 | |
Oh, I think it's poco-poco - | 1:10:07 | 1:10:10 | |
it's like, one, two, three, four... | 1:10:10 | 1:10:13 | |
..And six and seven... | 1:10:13 | 1:10:15 | |
Yeah, that's it. Is it that? | 1:10:15 | 1:10:17 | |
-Yeah, it is that. -Can we do it? | 1:10:17 | 1:10:20 | |
-That's a Malaysian dance. -That's an electric slide. | 1:10:20 | 1:10:22 | |
WE say that's electric slide. | 1:10:22 | 1:10:24 | |
Actually, it originated from Indonesia, | 1:10:24 | 1:10:27 | |
-but we call it poco-poco. -Can we try and do it? | 1:10:27 | 1:10:30 | |
Do you want to do it? | 1:10:30 | 1:10:32 | |
Shall I try? I'm useless... | 1:10:32 | 1:10:34 | |
Can we get some music? What kind of music you want? | 1:10:34 | 1:10:37 | |
-BAND PLAYS MALAY BEAT -Yeah, that's it. | 1:10:37 | 1:10:40 | |
-That's it, that's it! -Woo! | 1:11:04 | 1:11:07 | |
-These guys can do it! -CHEERING AND APPLAUSE | 1:11:07 | 1:11:10 | |
Thank you, thank you very much. | 1:11:10 | 1:11:12 | |
The electric slide! | 1:11:28 | 1:11:30 | |
I was like, "You mean to tell me | 1:11:30 | 1:11:32 | |
"y'all been doing this for frigging 2,000 years?" | 1:11:32 | 1:11:34 | |
We just thought it was a new dance. | 1:11:34 | 1:11:36 | |
I've been doing this in the hood for like, 30 years! | 1:11:36 | 1:11:40 | |
Swear to God! | 1:11:40 | 1:11:42 | |
We called it the electric slide. | 1:11:42 | 1:11:44 | |
Is this the last person of the whole series? | 1:11:44 | 1:11:46 | |
-It depends if I don't turn, though. -You have to. | 1:11:46 | 1:11:49 | |
If I don't turn, we have to stay here another day. | 1:11:49 | 1:11:52 | |
I've got some fish in the fridge that's going off tomorrow, Will. | 1:11:52 | 1:11:56 | |
I've got to get back to London. | 1:11:56 | 1:11:58 | |
Will just like, totally views this as a game. | 1:12:01 | 1:12:05 | |
He loves playing the lottery. | 1:12:05 | 1:12:07 | |
That's quite exciting. | 1:12:07 | 1:12:09 | |
Here we go. | 1:12:09 | 1:12:10 | |
He's up to his old tricks, but he's playing a very dangerous game. | 1:12:10 | 1:12:14 | |
-Super brave, Will. -Yeah, we cool, we cool. | 1:12:14 | 1:12:17 | |
'It's a gamble.' | 1:12:17 | 1:12:19 | |
It's also a bit exciting, waiting till the last minute. It's like... | 1:12:19 | 1:12:22 | |
HE GIGGLES | 1:12:22 | 1:12:24 | |
It's competition! | 1:12:24 | 1:12:25 | |
I got this. I got this. | 1:12:25 | 1:12:28 | |
One spot. Maybe something's lurking behind that's angelic - | 1:12:28 | 1:12:32 | |
it has wings and it's capable of flight. | 1:12:32 | 1:12:35 | |
'Typical Will. It's the last act and he wants a flying angel. | 1:12:37 | 1:12:41 | |
'Well, here's 28-year-old Colleen Gormley.' | 1:12:41 | 1:12:44 | |
I started singing for my local church | 1:12:47 | 1:12:49 | |
and this is really where I felt at home. | 1:12:49 | 1:12:53 | |
My type of music is country music. | 1:12:53 | 1:12:55 | |
It has that sort of spiritual edge to it. | 1:12:55 | 1:12:58 | |
It's music, I think, that just speaks from the heart. | 1:12:58 | 1:13:01 | |
I'm not looking for a certain genre, certain type. | 1:13:01 | 1:13:04 | |
Whatever happens will happen, wonderfully. | 1:13:04 | 1:13:07 | |
I believe a lot in what's meant to be | 1:13:12 | 1:13:15 | |
and I just hope to capture that moment | 1:13:15 | 1:13:18 | |
and make everyone feel like, "Yes, I've had that moment." | 1:13:18 | 1:13:21 | |
CHEERING AND APPLAUSE | 1:13:27 | 1:13:29 | |
# It's amazing how you | 1:13:38 | 1:13:41 | |
# Can speak right to my heart | 1:13:41 | 1:13:45 | |
# Without saying a word | 1:13:49 | 1:13:52 | |
# You can light up the dark | 1:13:52 | 1:13:58 | |
# Try as I may, I can never explain | 1:13:59 | 1:14:06 | |
# What I hear when you don't say a thing | 1:14:06 | 1:14:13 | |
Come on, Will! | 1:14:13 | 1:14:15 | |
# The smile on your face lets me know that you need me | 1:14:15 | 1:14:21 | |
# There's a truth in your eyes saying you'll never leave me | 1:14:21 | 1:14:26 | |
# The touch of your hand says you'll catch me | 1:14:26 | 1:14:30 | |
# If ever I fall | 1:14:30 | 1:14:35 | |
# You say it best | 1:14:37 | 1:14:41 | |
# When you say nothing at all | 1:14:41 | 1:14:49 | |
# The smile on your face lets me know that you need me | 1:14:49 | 1:14:53 | |
# There's a truth in your eyes | 1:14:53 | 1:14:56 | |
# Saying you'll never leave me | 1:14:56 | 1:15:02 | |
# Cos you say it best | 1:15:02 | 1:15:06 | |
# When you say nothing at all. # | 1:15:06 | 1:15:12 | |
CHEERING AND APPLAUSE | 1:15:12 | 1:15:16 | |
CHEERING | 1:15:20 | 1:15:23 | |
We did it! | 1:15:29 | 1:15:31 | |
What's your name? | 1:15:33 | 1:15:35 | |
My name is Colleen Gormley | 1:15:35 | 1:15:37 | |
and I've just got my heel stuck in this part of the stage! | 1:15:37 | 1:15:40 | |
LAUGHTER | 1:15:40 | 1:15:42 | |
-There you go. -You're from Ireland? | 1:15:44 | 1:15:46 | |
-I'm from Ireland, yes. Getting old - I'm 28. -28? -That's not old. | 1:15:46 | 1:15:49 | |
That's the age that we put Fergie in our group. | 1:15:49 | 1:15:52 | |
I had one singer left on my team. | 1:15:52 | 1:15:55 | |
I was holding out for something angelic and here you are, | 1:15:55 | 1:15:58 | |
-dressed in all white... -CHEERING | 1:15:58 | 1:16:02 | |
That's off-white cream, darling. | 1:16:02 | 1:16:04 | |
LAUGHTER | 1:16:04 | 1:16:06 | |
It's taupe. | 1:16:06 | 1:16:08 | |
-Is it taupe? -I think it's taupe. | 1:16:08 | 1:16:10 | |
Rhymes with dope! | 1:16:10 | 1:16:12 | |
LAUGHTER | 1:16:12 | 1:16:13 | |
Here you are, dressed in all taupe, | 1:16:19 | 1:16:21 | |
singing all dope, | 1:16:21 | 1:16:23 | |
and you're everything that I hoped. | 1:16:23 | 1:16:25 | |
You got my vote. | 1:16:25 | 1:16:27 | |
You could do an album called Dope In Taupe. | 1:16:27 | 1:16:30 | |
Nope. | 1:16:30 | 1:16:32 | |
LAUGHTER | 1:16:32 | 1:16:34 | |
Welcome to Team Will. Awesome to have you. | 1:16:34 | 1:16:36 | |
CHEERING AND APPLAUSE | 1:16:36 | 1:16:38 | |
It's amazing, it's amazing! It's been amazing. | 1:16:46 | 1:16:50 | |
-Thanks for coming. -Thank you! -Thank you. | 1:16:50 | 1:16:53 | |
I can't think of anything else to say! | 1:16:53 | 1:16:57 | |
SCREAMING | 1:16:57 | 1:16:58 | |
Welcome back, Will. Well done. | 1:17:00 | 1:17:02 | |
-Thank you. -Jolly good show. | 1:17:02 | 1:17:06 | |
Taupe is dope, taupe is dope. | 1:17:06 | 1:17:09 | |
Get over it? Nope. | 1:17:09 | 1:17:11 | |
# I can't believe it's over... # | 1:17:13 | 1:17:16 | |
Oh, my gosh. | 1:17:17 | 1:17:19 | |
CHEERING AND APPLAUSE | 1:17:19 | 1:17:21 | |
'Next week on The Voice...' | 1:17:26 | 1:17:28 | |
The blinds are done. | 1:17:28 | 1:17:29 | |
Now, we're going to turn it up a notch. | 1:17:31 | 1:17:34 | |
-It's the Battles! -Let the battle commence! | 1:17:34 | 1:17:36 | |
12 singers - | 1:17:36 | 1:17:38 | |
six go home, | 1:17:38 | 1:17:39 | |
two get saved. | 1:17:39 | 1:17:41 | |
-'But there's a brand-new twist.' -Uh-oh! | 1:17:41 | 1:17:43 | |
'The spinning chairs make their Battles debut.' | 1:17:43 | 1:17:46 | |
Available for a steal... | 1:17:46 | 1:17:47 | |
I can't cope with this! | 1:17:50 | 1:17:52 | |
Let's go. | 1:17:52 | 1:17:54 | |
The gloves are off. | 1:17:54 | 1:17:56 | |
Come on! | 1:17:57 | 1:17:58 | |
It's just beautiful to watch. | 1:17:59 | 1:18:01 | |
-It's perfection. -Please! | 1:18:04 | 1:18:06 |