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MUSIC: School's Out by Alice Cooper | 0:00:02 | 0:00:04 | |
-will.i.am: -Each one of the coaches in this year's Voice | 0:00:04 | 0:00:06 | |
were totally different personalities. | 0:00:06 | 0:00:09 | |
And we're schoolmates. | 0:00:09 | 0:00:11 | |
# School's out... # | 0:00:11 | 0:00:13 | |
-Yeah! -Phwoar! | 0:00:13 | 0:00:14 | |
The teacher's trying to keep us in line. | 0:00:15 | 0:00:18 | |
Boy George is the rebel. | 0:00:18 | 0:00:20 | |
Teacher was like, "Get back over here, George." | 0:00:20 | 0:00:22 | |
I feel like I'm the grown-up one. | 0:00:22 | 0:00:23 | |
-You know I used to be an art teacher? -He still dresses like one! | 0:00:23 | 0:00:26 | |
'The rest of them are very immature.' | 0:00:26 | 0:00:28 | |
Ricky would be in the back, making jokes. | 0:00:29 | 0:00:32 | |
I'm the normal one. | 0:00:32 | 0:00:33 | |
Paloma is, like, the most adorablest. | 0:00:34 | 0:00:37 | |
Thank you! | 0:00:37 | 0:00:38 | |
I thought I talked a lot. | 0:00:38 | 0:00:40 | |
That's Paloma. | 0:00:40 | 0:00:42 | |
We all dance to our own rhythm. | 0:00:42 | 0:00:44 | |
That's just originality. | 0:00:44 | 0:00:45 | |
I've lived my life being true to myself, being an individual. | 0:00:45 | 0:00:49 | |
I think I know what I'm looking for. | 0:00:49 | 0:00:51 | |
-MARVIN HUMES: -The coaches might know what they want, but term time is almost over. | 0:00:51 | 0:00:55 | |
Team Will is joint top of the class on nine acts. | 0:00:55 | 0:00:58 | |
Boy George is also teacher's pet, with nine. | 0:00:58 | 0:01:01 | |
Ricky's the class clown on eight. | 0:01:01 | 0:01:02 | |
And Paloma's risking detention, also on eight acts. | 0:01:02 | 0:01:06 | |
I want to copy your homework. | 0:01:06 | 0:01:08 | |
SCHOOL BELL RINGS | 0:01:08 | 0:01:09 | |
First up, we're welcoming a former Voice pupil, | 0:01:13 | 0:01:16 | |
28-year-old Mia Sylvester. | 0:01:16 | 0:01:19 | |
This isn't my first time on the Voice, | 0:01:19 | 0:01:21 | |
I did actually come last year. | 0:01:21 | 0:01:23 | |
At the time, I was an electrician. | 0:01:23 | 0:01:25 | |
But I didn't manage to get any turns. | 0:01:25 | 0:01:28 | |
# I don't know just how it happened... # | 0:01:29 | 0:01:32 | |
'I was chokey and I was uncomfortable, I think.' | 0:01:32 | 0:01:35 | |
# I'm addicted to you... # | 0:01:35 | 0:01:37 | |
'When you sing a few lines and you notice no-one's turned round... | 0:01:37 | 0:01:41 | |
'All you can see is a big red chair.' | 0:01:42 | 0:01:44 | |
Hi. | 0:01:45 | 0:01:46 | |
They gave me some really nice feedback. | 0:01:46 | 0:01:48 | |
You are a fierce, powerful... | 0:01:48 | 0:01:52 | |
wonderful singer and thank you for performing today. | 0:01:52 | 0:01:55 | |
With such positive comments, it would be silly not to just give it one more try. | 0:01:57 | 0:02:01 | |
I would like to get just one, small, tiny turn. | 0:02:03 | 0:02:06 | |
PIANO INTRO | 0:02:22 | 0:02:24 | |
# Oh-oh | 0:02:25 | 0:02:26 | |
# Ha, yeah | 0:02:26 | 0:02:30 | |
APPLAUSE | 0:02:31 | 0:02:32 | |
# Ain't no way | 0:02:33 | 0:02:36 | |
# For me to love you | 0:02:38 | 0:02:44 | |
# If you won't let me | 0:02:45 | 0:02:49 | |
# Ah | 0:02:49 | 0:02:51 | |
# I said there ain't no way | 0:02:53 | 0:02:56 | |
# For me to give you all that you need | 0:02:58 | 0:03:02 | |
# If you don't let me give all of me | 0:03:02 | 0:03:09 | |
# And if you need me to love you | 0:03:12 | 0:03:15 | |
# Say Say you do | 0:03:15 | 0:03:20 | |
# Oh, cos, baby | 0:03:20 | 0:03:21 | |
# Baby, baby | 0:03:21 | 0:03:24 | |
# Don't you know that I | 0:03:24 | 0:03:26 | |
# Need you | 0:03:26 | 0:03:29 | |
# Ohhh | 0:03:29 | 0:03:31 | |
# Ain't no way | 0:03:31 | 0:03:34 | |
# Hey-ay-ay | 0:03:34 | 0:03:36 | |
# For me | 0:03:36 | 0:03:39 | |
# To love you | 0:03:39 | 0:03:41 | |
# If you won't | 0:03:42 | 0:03:44 | |
# Let me | 0:03:44 | 0:03:46 | |
# No, no | 0:03:46 | 0:03:49 | |
# Oooh | 0:03:49 | 0:03:53 | |
# Oooh-ooh-ooh-ooh-ooh | 0:03:53 | 0:03:54 | |
# Oh-oh ohhh. # | 0:03:56 | 0:03:59 | |
CHEERING AND APPLAUSE | 0:03:59 | 0:04:01 | |
Yes! | 0:04:01 | 0:04:03 | |
Well done. | 0:04:12 | 0:04:14 | |
Thank you so much. | 0:04:19 | 0:04:20 | |
-What's your name? -Mia. | 0:04:20 | 0:04:22 | |
Hi, Mia. I'm Ricky. | 0:04:22 | 0:04:24 | |
Hi, Ricky. | 0:04:25 | 0:04:26 | |
Mia... What's your last name, Mia? | 0:04:26 | 0:04:28 | |
My name is Mia Sylvester. | 0:04:28 | 0:04:30 | |
I'm 28 years young | 0:04:30 | 0:04:32 | |
and I'm an electrician and I was actually here last year. | 0:04:32 | 0:04:36 | |
So...I didn't get a turn! | 0:04:36 | 0:04:38 | |
And now I've come back. | 0:04:38 | 0:04:40 | |
I remember. | 0:04:40 | 0:04:41 | |
You've got an amazing voice, so why didn't you get through last time? | 0:04:41 | 0:04:46 | |
Do we know why? | 0:04:46 | 0:04:47 | |
I think you all had a lot of girls on your team. | 0:04:47 | 0:04:49 | |
Well, that's what you told me. | 0:04:49 | 0:04:51 | |
No, so you... So, OK, so I remember it. | 0:04:51 | 0:04:53 | |
-So you came, it was towards the end. -Yes. | 0:04:53 | 0:04:56 | |
Some people said, "There's a lot of people on my team," | 0:04:56 | 0:04:59 | |
-and, "You should come back next year," something like that. -Yes. | 0:04:59 | 0:05:02 | |
It was tough last year but, you know, | 0:05:02 | 0:05:04 | |
I took everything you guys said on board | 0:05:04 | 0:05:07 | |
but I just felt like I needed to come by myself | 0:05:07 | 0:05:09 | |
and just kind of do it for me. | 0:05:09 | 0:05:11 | |
APPLAUSE Honestly, I feel so, so happy | 0:05:11 | 0:05:13 | |
that you turned for me, so thank you so much, | 0:05:13 | 0:05:15 | |
cos you don't know what it means. | 0:05:15 | 0:05:17 | |
Thing is, I think we all know what it means, | 0:05:17 | 0:05:19 | |
cos we've all been through that situation where we've had rejection. | 0:05:19 | 0:05:22 | |
We talk about it quite a lot. | 0:05:22 | 0:05:24 | |
The people that make it are the people who come back. | 0:05:24 | 0:05:26 | |
That's what you did and you sang our socks off. | 0:05:26 | 0:05:28 | |
Thank you. | 0:05:28 | 0:05:30 | |
I thought that was exceptional. | 0:05:30 | 0:05:32 | |
-Yeah. -And I think you're definitely a contender to go | 0:05:32 | 0:05:34 | |
very far in this competition. | 0:05:34 | 0:05:36 | |
I'm really glad that Ricky did what he did. | 0:05:36 | 0:05:38 | |
You said you're 28. You know, you've got such a powerful voice. | 0:05:38 | 0:05:41 | |
Why have you taken this long to do this? | 0:05:41 | 0:05:45 | |
-It's interesting. -Yeah. | 0:05:45 | 0:05:47 | |
When I left school, I did an apprenticeship as an electrician. | 0:05:47 | 0:05:51 | |
And then I had a good, stable job | 0:05:51 | 0:05:53 | |
and you kind of just get into a regime | 0:05:53 | 0:05:54 | |
of that's what you do and you earn all right and you... | 0:05:54 | 0:05:58 | |
I started really late as well | 0:05:58 | 0:06:00 | |
and I actually got my first record deal aged 27. | 0:06:00 | 0:06:03 | |
And I felt like a kind of pressure because I'd read an article once | 0:06:03 | 0:06:09 | |
about an artist called KT Tunstall | 0:06:09 | 0:06:12 | |
and it just said that she was really old and she was 27. | 0:06:12 | 0:06:17 | |
And I was really put off | 0:06:17 | 0:06:19 | |
and I went to this record label and I was like, | 0:06:19 | 0:06:21 | |
"Women aren't allowed to be over the age of 21," or whatever, | 0:06:21 | 0:06:25 | |
so they asked me how old I was, and I just went... | 0:06:25 | 0:06:28 | |
"23!" | 0:06:29 | 0:06:30 | |
And then, basically, that was my age for several years | 0:06:30 | 0:06:34 | |
and people still get confused now. | 0:06:34 | 0:06:38 | |
My point to you is | 0:06:38 | 0:06:39 | |
that that doesn't matter. | 0:06:39 | 0:06:41 | |
What matters is you're a brilliant singer | 0:06:41 | 0:06:43 | |
-and we're really excited to have you on the show. -Thank you so much. | 0:06:43 | 0:06:46 | |
Thank you. APPLAUSE | 0:06:46 | 0:06:48 | |
Usually at this point, I have to say why I turned round for you. | 0:06:48 | 0:06:52 | |
but I think you proved your point | 0:06:52 | 0:06:53 | |
and they've all just seen that on the telly. | 0:06:53 | 0:06:55 | |
So thank you. | 0:06:55 | 0:06:57 | |
APPLAUSE AND CHEERING | 0:06:57 | 0:06:59 | |
Thank you so much. | 0:07:01 | 0:07:03 | |
Thank you. | 0:07:04 | 0:07:05 | |
THEY CONGRATULATE HER | 0:07:05 | 0:07:07 | |
So excited. | 0:07:09 | 0:07:10 | |
Being on Team Ricky has made me super happy | 0:07:10 | 0:07:13 | |
and I really, really hope to do him proud. | 0:07:13 | 0:07:15 | |
Whee! | 0:07:15 | 0:07:16 | |
Rate the performances, then challenge other fans too. | 0:07:25 | 0:07:28 | |
Download the Voice UK app | 0:07:30 | 0:07:32 | |
and be a home coach now. | 0:07:32 | 0:07:34 | |
EMMA: Next up, it's two singers for the price of one. And you are? | 0:07:36 | 0:07:39 | |
-Hi, I'm Scott. -Hi, I'm Vicki. | 0:07:39 | 0:07:41 | |
And together, we are Scott & Vicki. | 0:07:41 | 0:07:43 | |
-MARVIN: -Good name. Anything else? | 0:07:43 | 0:07:45 | |
'And we are best friends.' | 0:07:45 | 0:07:46 | |
Yeah, thought so. | 0:07:46 | 0:07:48 | |
-I'm a hairdresser. -And I'm a presenter on Shopping TV. | 0:07:50 | 0:07:53 | |
# No, no, no, no, drama | 0:07:53 | 0:07:54 | |
# So don't pull on my hair... # | 0:07:54 | 0:07:56 | |
We have always sung together, whether it be in the car or when we're getting ready. | 0:07:56 | 0:07:59 | |
One, two, three, four, five, six, seven, go. | 0:07:59 | 0:08:01 | |
Sorry. | 0:08:01 | 0:08:03 | |
Who's got the best voice? | 0:08:03 | 0:08:04 | |
We've both got... | 0:08:04 | 0:08:05 | |
No, I'm joking. | 0:08:06 | 0:08:08 | |
I don't think there's anybody out there that's like us. | 0:08:09 | 0:08:11 | |
There isn't really many male/female duos. | 0:08:13 | 0:08:15 | |
So I think we thought, "There's a gap for that, let's join forces and let's do it together." | 0:08:16 | 0:08:20 | |
PIANO INTRO | 0:08:31 | 0:08:33 | |
# Easy | 0:08:35 | 0:08:39 | |
# Living | 0:08:39 | 0:08:41 | |
# Killed the young dudes | 0:08:41 | 0:08:45 | |
# In the high boots | 0:08:45 | 0:08:49 | |
# Teenage | 0:08:50 | 0:08:52 | |
# In the pace age | 0:08:52 | 0:08:56 | |
# That's where love burns | 0:08:56 | 0:09:00 | |
# Now it's your turn | 0:09:00 | 0:09:03 | |
# Fascination | 0:09:06 | 0:09:09 | |
# Fascination | 0:09:09 | 0:09:11 | |
# It's just the way | 0:09:11 | 0:09:13 | |
# We feel | 0:09:13 | 0:09:17 | |
# We love this exaltation | 0:09:18 | 0:09:21 | |
# Oh, whoa | 0:09:21 | 0:09:23 | |
# We live on fascination | 0:09:23 | 0:09:25 | |
# Passion | 0:09:28 | 0:09:30 | |
# Is our passion | 0:09:30 | 0:09:32 | |
# In the moonlight | 0:09:32 | 0:09:35 | |
# On a joyride | 0:09:35 | 0:09:38 | |
# Fascination | 0:09:39 | 0:09:42 | |
# Fascination | 0:09:42 | 0:09:43 | |
-# It's just the way we feel... -Come on! | 0:09:43 | 0:09:47 | |
Come on! | 0:09:47 | 0:09:48 | |
# We love this exaltation | 0:09:48 | 0:09:51 | |
# Whoa-oh whoa-oh | 0:09:51 | 0:09:53 | |
# We want the new temptations | 0:09:53 | 0:09:56 | |
# Whoa-oh whoa-oh | 0:09:56 | 0:09:58 | |
# It's like a revelation | 0:09:58 | 0:10:01 | |
# Whoa-oh whoa-oh | 0:10:01 | 0:10:03 | |
# We live on | 0:10:03 | 0:10:05 | |
# Fascination. # | 0:10:05 | 0:10:12 | |
CHEERING | 0:10:15 | 0:10:17 | |
-Hello! -Hi, guys. | 0:10:28 | 0:10:30 | |
Hello! Yes, will! | 0:10:30 | 0:10:32 | |
First of all, I love your little sly moves there, like, | 0:10:34 | 0:10:37 | |
"What?" Right at the last minute, so cool. | 0:10:37 | 0:10:38 | |
What's your names? | 0:10:38 | 0:10:40 | |
-Hi, I'm Vicki. -Hi, I'm Scott. | 0:10:40 | 0:10:41 | |
-Are you related? -We're best friends. | 0:10:41 | 0:10:44 | |
OK. So no. | 0:10:44 | 0:10:46 | |
LAUGHTER | 0:10:46 | 0:10:48 | |
Has your group got a name? | 0:10:48 | 0:10:50 | |
We're just Scott & Vicki. | 0:10:50 | 0:10:51 | |
Anything that we tried to put together, we thought sounded a bit cheesy. | 0:10:51 | 0:10:55 | |
Like Soul Matez, with a Z. | 0:10:55 | 0:10:57 | |
Nah, nah, nah, eurgh. | 0:10:57 | 0:10:58 | |
Soul Matez. What about other names? | 0:10:58 | 0:11:01 | |
-We liked Forte, didn't we? -Yeah, cos it means "loud". | 0:11:01 | 0:11:04 | |
Forte? But there's only two of you guys. Keep going. | 0:11:04 | 0:11:06 | |
LAUGHTER | 0:11:06 | 0:11:08 | |
If there was four of you guys, like, "We're For-tez." | 0:11:08 | 0:11:11 | |
LAUGHTER | 0:11:11 | 0:11:13 | |
How about, like, Deuce? | 0:11:13 | 0:11:15 | |
With a zee? | 0:11:15 | 0:11:16 | |
-No... -LAUGHTER | 0:11:16 | 0:11:18 | |
-Just to make it cool. -Anything with a zee, we're happy with. | 0:11:18 | 0:11:21 | |
Zzz. Zzzz. | 0:11:21 | 0:11:23 | |
-LAUGHTER -Zzz-zz-zz-zz-zz. | 0:11:23 | 0:11:25 | |
Oh, yeah, what are you guys' last names? | 0:11:25 | 0:11:28 | |
Mine's Gordon. | 0:11:28 | 0:11:29 | |
Mine's Storey. | 0:11:29 | 0:11:30 | |
I like Gordon's Story. You could spell story with a zee. | 0:11:30 | 0:11:33 | |
-Z-tory. -And we could tell stories as well. | 0:11:33 | 0:11:36 | |
"Tell me your z-tory." Anyways... | 0:11:36 | 0:11:37 | |
I'll tell you why I turned. | 0:11:37 | 0:11:39 | |
This show is about variety and my team's like pretty full, | 0:11:39 | 0:11:45 | |
but I wanted to switch it up, add some spice into it. | 0:11:45 | 0:11:48 | |
We've got plenty of spice. I'm ginger. | 0:11:48 | 0:11:51 | |
-Hey, I like ginger. -Me too. | 0:11:51 | 0:11:53 | |
LAUGHTER | 0:11:53 | 0:11:54 | |
Well done. Scott. | 0:11:55 | 0:11:57 | |
CHEERING DROWNS OUT SPEECH | 0:11:59 | 0:12:01 | |
Whoo! | 0:12:03 | 0:12:05 | |
Thank you! | 0:12:05 | 0:12:07 | |
CHEERING | 0:12:12 | 0:12:14 | |
You've got an eclectic ten. Like, really eclectic. | 0:12:16 | 0:12:19 | |
Yeah, it's like Benetton. | 0:12:19 | 0:12:21 | |
It's like it... Yeah, your team's like Benetton. | 0:12:21 | 0:12:23 | |
It's like the United Nations. Like I'm Kofi Annan. | 0:12:23 | 0:12:27 | |
We need to find a name. No-one seems to be happy with our own names. | 0:12:30 | 0:12:33 | |
No, people obviously hate Scott & Vicki. | 0:12:33 | 0:12:35 | |
-Yeah. They are horrible names! -Horrible names. | 0:12:35 | 0:12:38 | |
EMMA: OK, want a good showbiz name? | 0:12:40 | 0:12:42 | |
Well, try this, everyone - Paul Phoenix. | 0:12:42 | 0:12:44 | |
So, Paul, what brings you to the Voice today - other than singing? | 0:12:44 | 0:12:48 | |
Well, I was in the Eurovision Song Contest 20 years ago. | 0:12:48 | 0:12:53 | |
SHE GASPS Were you really? | 0:12:53 | 0:12:54 | |
Love City Groove and Love City Groove. | 0:12:54 | 0:12:58 | |
# In the morning | 0:12:58 | 0:13:00 | |
# When the sun shines... # | 0:13:00 | 0:13:02 | |
Eurovision was an absolute fairy tale come true. | 0:13:02 | 0:13:05 | |
It was really crazy times. | 0:13:05 | 0:13:06 | |
The biggest audience that goes out once a year on TV | 0:13:06 | 0:13:10 | |
that you'll ever perform to, | 0:13:10 | 0:13:12 | |
so no pressure. | 0:13:12 | 0:13:13 | |
-And how did you do? -Not bad. -Did you get any "nil points"? | 0:13:15 | 0:13:18 | |
-No nil points, no. -Good, good, good. | 0:13:18 | 0:13:20 | |
But you're always dreading that moment. | 0:13:20 | 0:13:22 | |
All hell broke loose with the song. | 0:13:22 | 0:13:23 | |
Please enjoy Love City Groove. | 0:13:23 | 0:13:25 | |
It got to number seven in the UK charts | 0:13:25 | 0:13:27 | |
and you're in there with Take That, Oasis, every big band of the day. | 0:13:27 | 0:13:31 | |
Everything that I did that I'm proud of in singing | 0:13:34 | 0:13:37 | |
was 20 years ago. | 0:13:37 | 0:13:39 | |
A lot of people said, "Oh, it'll be easy for you, | 0:13:39 | 0:13:41 | |
"You've already been a pop star," | 0:13:41 | 0:13:42 | |
and I say, "No, it is actually harder," | 0:13:42 | 0:13:44 | |
because I feel there's even more pressure for me to do well. | 0:13:44 | 0:13:47 | |
It's a chance to show myself and show everybody else | 0:13:48 | 0:13:50 | |
what I can do now. | 0:13:50 | 0:13:52 | |
GUITAR INTRO | 0:14:06 | 0:14:08 | |
# If I tell the world | 0:14:08 | 0:14:11 | |
# I'll never say enough if it was not said to you | 0:14:11 | 0:14:17 | |
# And that's exactly what I would do | 0:14:17 | 0:14:20 | |
# If I | 0:14:20 | 0:14:22 | |
# End up with you | 0:14:22 | 0:14:27 | |
# Should I give up | 0:14:27 | 0:14:28 | |
# Or should I just keep chasing pavements | 0:14:28 | 0:14:32 | |
# Even if it leads nowhere? | 0:14:32 | 0:14:36 | |
# Or would it be a waste | 0:14:36 | 0:14:39 | |
# Even if I knew my place | 0:14:39 | 0:14:42 | |
# Even if it leads | 0:14:42 | 0:14:46 | |
# Nowhere-ere-ere | 0:14:46 | 0:14:51 | |
# Should I give up | 0:14:51 | 0:14:53 | |
# Or should I just keep chasing pavements | 0:14:53 | 0:14:57 | |
# Even if it leads nowhere? | 0:14:57 | 0:15:01 | |
# Or would it be | 0:15:01 | 0:15:03 | |
# A wa-a-a-ste | 0:15:03 | 0:15:11 | |
# If it leads nowhere? | 0:15:13 | 0:15:18 | |
APPLAUSE AND CHEERING | 0:15:19 | 0:15:23 | |
Ah! | 0:15:27 | 0:15:30 | |
-Hi, there. I'm Rick. What's your name? -Paul Phoenix. -Paul Phoenix. | 0:15:33 | 0:15:37 | |
With a name like that, you're an entertainer, right? | 0:15:37 | 0:15:39 | |
-I'm an entertainer, yes. -OK, so you gig a lot. -I gig a lot. | 0:15:39 | 0:15:42 | |
My big claim to fame was that I sang in a group called | 0:15:42 | 0:15:45 | |
Love City Groove in the Eurovision Song Contest. | 0:15:45 | 0:15:48 | |
-Eurovision. -That's right. In 1995. | 0:15:48 | 0:15:50 | |
With a rainbow heart and everything. | 0:15:51 | 0:15:53 | |
With a rainbow heart, that's the one. | 0:15:53 | 0:15:55 | |
How far did you get on the Eurovision? | 0:15:55 | 0:15:58 | |
-We came a respectable 10th. -Very well done. -That's not bad. | 0:15:58 | 0:16:02 | |
APPLAUSE AND CHEERING | 0:16:02 | 0:16:03 | |
Obviously, you have a gift in singing. | 0:16:07 | 0:16:09 | |
It was just missing something. | 0:16:09 | 0:16:12 | |
I couldn't pinpoint what it is that it's missing. | 0:16:12 | 0:16:14 | |
You have to have the right ingredients to get people. | 0:16:14 | 0:16:17 | |
-Boom, boom, boom, boom! -I feel the same. | 0:16:17 | 0:16:19 | |
Like, you're obviously a really good entertainer | 0:16:19 | 0:16:22 | |
and it's definitely something you should continue doing. | 0:16:22 | 0:16:26 | |
But I didn't turn because I found it a bit safe. | 0:16:26 | 0:16:29 | |
Yeah, I understand that. | 0:16:29 | 0:16:31 | |
I actually forgot the chairs were there | 0:16:31 | 0:16:33 | |
-because I was just having fun with the crowd, so... -Good. | 0:16:33 | 0:16:36 | |
APPLAUSE AND CHEERING | 0:16:36 | 0:16:39 | |
-It's great to see you. -I get to hug Ricky. This is great. | 0:16:40 | 0:16:43 | |
Let's go for the hug. Thank you so much. | 0:16:43 | 0:16:46 | |
APPLAUSE AND CHEERING | 0:16:47 | 0:16:49 | |
# Da-ba-da... | 0:16:52 | 0:16:54 | |
-There was a rap in the middle. -Why didn't he sing that? -What? | 0:16:54 | 0:16:57 | |
He should've sung that. | 0:16:57 | 0:16:59 | |
# We're really making it now... # | 0:16:59 | 0:17:01 | |
28-year-old Eli Cripps sees this short walk as a potential long gain. | 0:17:06 | 0:17:11 | |
I applied for The Voice because, as a creative person, | 0:17:11 | 0:17:15 | |
you have to take risks. | 0:17:15 | 0:17:16 | |
I think that I am probably more ready than I'm ever going to be. | 0:17:16 | 0:17:20 | |
I've got to go out there and try and get it | 0:17:20 | 0:17:23 | |
and I just think that, perhaps, | 0:17:23 | 0:17:25 | |
if one of the coaches can see something in me, then, | 0:17:25 | 0:17:28 | |
you never know, it could be the start of the rest of my life. | 0:17:28 | 0:17:32 | |
# Oh, you got a feeling that I want to feel | 0:17:42 | 0:17:47 | |
# Oh, you've got the feeling that I know is real, real, real | 0:17:51 | 0:17:57 | |
# It's in the way you look | 0:17:58 | 0:18:00 | |
# It's in the way you love | 0:18:00 | 0:18:03 | |
# I can see that this is real | 0:18:03 | 0:18:05 | |
# It's in the way you talk | 0:18:06 | 0:18:08 | |
# It's in the way you touch | 0:18:08 | 0:18:10 | |
# And I can see | 0:18:10 | 0:18:13 | |
# This is real, real, real | 0:18:13 | 0:18:16 | |
# Real love | 0:18:16 | 0:18:19 | |
# This is real, real, real, real love | 0:18:21 | 0:18:27 | |
# Whoa | 0:18:27 | 0:18:30 | |
# You give me that feeling | 0:18:30 | 0:18:32 | |
# That feeling | 0:18:32 | 0:18:34 | |
# You give me that, you give me real love | 0:18:34 | 0:18:38 | |
# You give me that feeling | 0:18:38 | 0:18:40 | |
# That feeling | 0:18:40 | 0:18:41 | |
# You give me that | 0:18:41 | 0:18:43 | |
# You give me real love | 0:18:43 | 0:18:46 | |
# Time won't waste and we just learn | 0:18:46 | 0:18:50 | |
# To take it slow and wait our turn | 0:18:50 | 0:18:54 | |
# Held my breath cos I believed | 0:18:54 | 0:18:58 | |
# That you'll find me | 0:18:58 | 0:19:01 | |
# Real, real, real, real love | 0:19:01 | 0:19:06 | |
# This is real, real, real, real love. # | 0:19:08 | 0:19:15 | |
APPLAUSE AND CHEERING | 0:19:19 | 0:19:22 | |
Hi. | 0:19:30 | 0:19:32 | |
-It's you and me, babe. -Thank you. -You're stuck with me. | 0:19:32 | 0:19:35 | |
-What's your name? -My name is Eli Cripps. | 0:19:35 | 0:19:38 | |
I'm 28 and I'm from Manchester. | 0:19:38 | 0:19:40 | |
-Eli Cripps? -With two P's. -That's a lot of crippin'. | 0:19:43 | 0:19:46 | |
I actually didn't know whether you were male or female to start with. | 0:19:48 | 0:19:51 | |
-Really? -I was like, "Is it a boy or is it a girl?" | 0:19:51 | 0:19:54 | |
There's kind of an interesting, slightly androgynous | 0:19:54 | 0:19:57 | |
-thing, which I like. -Well, thank you. | 0:19:57 | 0:19:59 | |
I mean, it wasn't perfect but there's a really nice tone in | 0:19:59 | 0:20:01 | |
-your voice. -Thank you. -And I think there's something... | 0:20:01 | 0:20:05 | |
And I think you're drop-dead gorgeous. | 0:20:05 | 0:20:07 | |
APPLAUSE AND CHEERING | 0:20:07 | 0:20:10 | |
Thank you. | 0:20:10 | 0:20:11 | |
-Hi, Ricky. -Hello. I really enjoyed it. | 0:20:13 | 0:20:15 | |
I thought it was really good. | 0:20:15 | 0:20:17 | |
The thing is, you were trying to show us everything you could do. | 0:20:17 | 0:20:20 | |
-Yeah. -But then you've got 90 seconds... -Yes. -That's not long. | 0:20:20 | 0:20:22 | |
-I can't wait to hear you sing again. -Me too. -You're in. -Thank you. | 0:20:22 | 0:20:27 | |
Yeah. | 0:20:27 | 0:20:29 | |
-Thank you. -That's OK. | 0:20:32 | 0:20:34 | |
-You're so beautiful. -Thank you very much. -Well done. | 0:20:34 | 0:20:38 | |
-Thank you so much. -Nice eyebrows, babe. | 0:20:38 | 0:20:41 | |
-I love an eyebrow. -Thank you. | 0:20:41 | 0:20:44 | |
-She's beautiful. -Yeah, she was nice. Posh. -Posh and beautiful. | 0:20:49 | 0:20:53 | |
-Nice and posh. -She had a nice speaking voice. | 0:20:53 | 0:20:56 | |
-Nice and posh, nice and posh. -I only work with classy singers. | 0:20:56 | 0:21:00 | |
I think, for me, it's really exciting that not everyone is | 0:21:06 | 0:21:09 | |
turning for the same thing. | 0:21:09 | 0:21:10 | |
It's quite weird when you're the only person who pushes the button. | 0:21:12 | 0:21:16 | |
Sometimes to start with, you think, "Have I made a mistake?" | 0:21:16 | 0:21:20 | |
But I think my intuition was pretty good. | 0:21:20 | 0:21:22 | |
We're all very individual in what we appreciate. | 0:21:22 | 0:21:27 | |
Sometimes, people can be raving about a certain singer | 0:21:27 | 0:21:30 | |
and I just don't get it. | 0:21:30 | 0:21:31 | |
I've got very, very kind of individual sort of taste. | 0:21:31 | 0:21:34 | |
If four people turn, that's great. | 0:21:39 | 0:21:41 | |
You've got a universal interest in you. | 0:21:41 | 0:21:44 | |
But I'm trying to find something that makes me feel special. | 0:21:44 | 0:21:50 | |
It's a lot of that. This is my style. This is my style. | 0:21:50 | 0:21:55 | |
It's like, "Oh, you turned? I ain't turning. That's what you got!" | 0:21:55 | 0:21:59 | |
Next, a former risk assessment officer taking a risk. | 0:22:02 | 0:22:06 | |
My name is JJ Soulx and I am a full-time musician. | 0:22:06 | 0:22:08 | |
I did work as a risk and compliance executive | 0:22:08 | 0:22:11 | |
but I am not driven by money at all, so I quit last year | 0:22:11 | 0:22:16 | |
and now I want to share my music with the world. | 0:22:16 | 0:22:19 | |
# Oh | 0:22:25 | 0:22:29 | |
# Mother, mother | 0:22:29 | 0:22:32 | |
# There's too many of you crying | 0:22:32 | 0:22:37 | |
# Brother, brother, brother | 0:22:38 | 0:22:41 | |
# There's far too many of you dying | 0:22:41 | 0:22:46 | |
# You see war is not the answer | 0:22:46 | 0:22:51 | |
# For only love can conquer hate | 0:22:51 | 0:22:55 | |
# You know you've got to find a way | 0:22:55 | 0:23:00 | |
# To bring some understanding here today | 0:23:00 | 0:23:03 | |
RAPS: Mother, mother, what's going wrong with humanity? | 0:23:06 | 0:23:09 | |
What's going on with the war and tragedy? | 0:23:09 | 0:23:11 | |
Understanding and respect could be the strategy. | 0:23:11 | 0:23:13 | |
We need love, all kinds of humanity. Call for me... | 0:23:13 | 0:23:17 | |
# So you can see | 0:23:17 | 0:23:20 | |
# What's going on | 0:23:20 | 0:23:22 | |
# What's going on | 0:23:22 | 0:23:24 | |
# What's going on | 0:23:24 | 0:23:27 | |
# What's going on | 0:23:27 | 0:23:30 | |
# Da-da-da-da-da-do, yeah | 0:23:30 | 0:23:36 | |
# Whoa. # | 0:23:38 | 0:23:43 | |
APPLAUSE AND CHEERING | 0:23:43 | 0:23:46 | |
-What's your name? -JJ Soulx. -From? | 0:23:55 | 0:23:58 | |
I'm from East London and I'm 25 years old. | 0:23:58 | 0:24:01 | |
APPLAUSE AND CHEERING | 0:24:01 | 0:24:04 | |
-What do you do for a living? -I'm a professional singer. | 0:24:04 | 0:24:08 | |
I gave up my full-time city job about a year ago. | 0:24:08 | 0:24:11 | |
-What was your city job? -I'm also a risk and compliance executive. | 0:24:11 | 0:24:15 | |
-I think you made the right decision, because your voice is great. -OK. | 0:24:17 | 0:24:21 | |
It was a beautiful performance. | 0:24:23 | 0:24:25 | |
I could hear all your influences straightaway. | 0:24:25 | 0:24:27 | |
The soul stuff, the jazz stuff, bit of hip-hop all mixed together | 0:24:27 | 0:24:31 | |
and it sounds wicked. | 0:24:31 | 0:24:33 | |
Thank you. | 0:24:33 | 0:24:34 | |
The thing is, there are brilliant singers on the show. | 0:24:38 | 0:24:41 | |
Hundreds of them. And they come out and they sing | 0:24:41 | 0:24:43 | |
and it's really hard to say you don't like it, | 0:24:43 | 0:24:46 | |
but, then, not a lot of them have got the edge, the thing that makes | 0:24:46 | 0:24:50 | |
them a star and you have that and it's what Paloma saw, | 0:24:50 | 0:24:55 | |
it's what I saw. | 0:24:55 | 0:24:56 | |
You're right up my street and the kind of person | 0:24:56 | 0:24:58 | |
I was looking for and I hope that Paloma really messes this up. | 0:24:58 | 0:25:03 | |
APPLAUSE | 0:25:03 | 0:25:05 | |
So, I haven't finished. | 0:25:08 | 0:25:10 | |
Wait! Paloma hasn't pitched yet. | 0:25:10 | 0:25:14 | |
So, I'm somebody who likes to push boundaries and I'm excited | 0:25:14 | 0:25:18 | |
about your capabilities, like, I've got an open mind. | 0:25:18 | 0:25:23 | |
I like to push things in different directions and I love to nurture and | 0:25:23 | 0:25:27 | |
take you somewhere where, maybe, is not necessarily a safe place | 0:25:27 | 0:25:31 | |
but an exciting place, so even you are surprised by what you're doing. | 0:25:31 | 0:25:36 | |
APPLAUSE | 0:25:36 | 0:25:38 | |
She didn't mess it up. | 0:25:42 | 0:25:45 | |
Can't project what's going to happen in a year's time, | 0:25:45 | 0:25:48 | |
five year's time, but we're just talking about this competition | 0:25:48 | 0:25:51 | |
and getting you as far as possible in it and getting you singing | 0:25:51 | 0:25:55 | |
every week, in front of as many people as possible. | 0:25:55 | 0:25:57 | |
I can promise you that, as well, that bit, the singing every week. | 0:25:57 | 0:26:01 | |
SHOUTING FROM AUDIENCE | 0:26:01 | 0:26:04 | |
She's thinking. | 0:26:06 | 0:26:08 | |
This is so hard. | 0:26:10 | 0:26:12 | |
Paloma! | 0:26:22 | 0:26:25 | |
APPLAUSE AND CHEERING | 0:26:25 | 0:26:28 | |
I promise you I won't let you down. I promise you. | 0:26:30 | 0:26:34 | |
Thank you, darling. Honestly, you made the right decision. | 0:26:35 | 0:26:38 | |
Sorry. | 0:26:38 | 0:26:41 | |
APPLAUSE AND CHEERING | 0:26:41 | 0:26:44 | |
-AUDIENCE: -Ah! | 0:26:45 | 0:26:46 | |
It just feels like since I've left the job, | 0:26:54 | 0:26:56 | |
everything has kind of aligned itself perfectly. | 0:26:56 | 0:27:00 | |
Don't be too hard on yourself, Ricky. Paloma, she's a hard grafter. | 0:27:02 | 0:27:05 | |
Work ethic is really important to me. | 0:27:10 | 0:27:12 | |
I got my first job when I was 14 and I've been working ever | 0:27:12 | 0:27:16 | |
since that day. | 0:27:16 | 0:27:18 | |
People say, "Oh, I've been singing since I was little." | 0:27:18 | 0:27:20 | |
I'm like, "Have you ever worked a really tough job?" | 0:27:20 | 0:27:23 | |
And if they say no, I say, "Please go and get one." | 0:27:23 | 0:27:26 | |
That kind of life experience, prepares you for the resilience | 0:27:26 | 0:27:30 | |
to stay in the music industry and if you haven't developed that | 0:27:30 | 0:27:33 | |
kind of thick skin, then you've got no chance. | 0:27:33 | 0:27:36 | |
So, Paloma's after hard workers. | 0:27:40 | 0:27:42 | |
Let's see if Brighton's Mario Wolfgang | 0:27:42 | 0:27:44 | |
and London's Theo Llewellyn have the right CV. | 0:27:44 | 0:27:46 | |
I work on the night shift in a big supermarket. | 0:27:46 | 0:27:49 | |
I'm a postman. | 0:27:49 | 0:27:51 | |
I love being a postman. It's great. | 0:27:51 | 0:27:53 | |
It gets me up in the morning, | 0:27:53 | 0:27:55 | |
get to wear a sexy uniform, | 0:27:55 | 0:27:56 | |
which I love. | 0:27:56 | 0:27:58 | |
Biggest hazard is probably the dogs. | 0:27:58 | 0:28:01 | |
I'm not an anti-dog person, but got to be careful. | 0:28:03 | 0:28:07 | |
Who's this fella, up here? | 0:28:07 | 0:28:09 | |
You're in their territory and they take no mercy. | 0:28:09 | 0:28:12 | |
Rule number one, fingers never through the letterbox | 0:28:12 | 0:28:15 | |
because, to a dog, that's a sausage. | 0:28:15 | 0:28:17 | |
Just want to get the post in quick. | 0:28:17 | 0:28:19 | |
Wait for the bark to stop, boom! Then you're away. | 0:28:19 | 0:28:22 | |
# All night long... # | 0:28:22 | 0:28:25 | |
Nobody wants to work night shifts. | 0:28:25 | 0:28:27 | |
It's lonely, it's unsociable, but it pays the bills | 0:28:27 | 0:28:30 | |
and I've got a family to support, so it's got to be done. | 0:28:30 | 0:28:32 | |
Jayon's three years old and my little one, Taya, | 0:28:32 | 0:28:35 | |
is just the cutest, chubbiest little girl. | 0:28:35 | 0:28:39 | |
They're just everything and then some. | 0:28:39 | 0:28:42 | |
First on stage is postman Mario. | 0:28:44 | 0:28:47 | |
Being a postie is great because it gives me the time | 0:28:47 | 0:28:50 | |
to concentrate on my music. | 0:28:50 | 0:28:51 | |
That's where my passion is and that's where my heart is. | 0:28:53 | 0:28:56 | |
That's what I want to do with my life. | 0:28:56 | 0:28:58 | |
# I know your eyes in the morning sun | 0:28:58 | 0:29:01 | |
# I feel you touch me in the pouring rain | 0:29:01 | 0:29:07 | |
# And the moment that you wander far from me | 0:29:07 | 0:29:11 | |
# I want to feel you in my arms again | 0:29:11 | 0:29:15 | |
# Yeah | 0:29:15 | 0:29:16 | |
# And you come to me on a summer breeze | 0:29:16 | 0:29:20 | |
# Keep me warm in your love and then softly leave | 0:29:20 | 0:29:26 | |
# It's me you need to show | 0:29:26 | 0:29:30 | |
# How deep is your love. # | 0:29:30 | 0:29:35 | |
APPLAUSE | 0:29:35 | 0:29:39 | |
Hey, guys. | 0:29:46 | 0:29:48 | |
-Hey, what's your name? -My name is Mario. | 0:29:49 | 0:29:52 | |
I am 25 and I'm a postman. | 0:29:52 | 0:29:54 | |
APPLAUSE AND CHEERING | 0:29:54 | 0:29:57 | |
Do you think you delivered? | 0:29:57 | 0:29:59 | |
It was a shaky performance. I think your nerves got the better of you. | 0:30:01 | 0:30:05 | |
Clearly, there's a really fine voice in there. | 0:30:05 | 0:30:08 | |
I think you just need to decide which part of your voice | 0:30:08 | 0:30:11 | |
you're going to use. There's a tendency to use the highest part | 0:30:11 | 0:30:14 | |
-and when you were down a bit... -Yeah, you're right. | 0:30:14 | 0:30:16 | |
-..it was actually really nice and I was like... -Yeah. | 0:30:16 | 0:30:18 | |
.."Ah, that's where the vulnerability is," and it's a shame. | 0:30:18 | 0:30:21 | |
But, you know, learn from this. | 0:30:21 | 0:30:23 | |
APPLAUSE AND CHEERING | 0:30:23 | 0:30:26 | |
That last lick at the ends, | 0:30:26 | 0:30:27 | |
you guys agree that that was a pretty awesome lick, right? | 0:30:27 | 0:30:30 | |
Cheers, dude. | 0:30:30 | 0:30:31 | |
APPLAUSE AND CHEERING | 0:30:31 | 0:30:33 | |
I let the whole nerves just get the best of me, really. | 0:30:40 | 0:30:44 | |
So, the postie goes back to the day job. | 0:30:44 | 0:30:47 | |
But can Theo say goodbye to the night shift? | 0:30:47 | 0:30:50 | |
I've always wanted to sing, be a musician, but life happens. | 0:30:50 | 0:30:55 | |
I had to get a stable job and now I feel I've done that, | 0:30:55 | 0:30:58 | |
to a point where I can now go for what I want. | 0:30:58 | 0:31:01 | |
-ALL: -Go on, Theo. -Go on. | 0:31:09 | 0:31:11 | |
# Oh | 0:31:17 | 0:31:22 | |
# With all my heart I love you, baby | 0:31:22 | 0:31:29 | |
# Stay with me and you will see | 0:31:29 | 0:31:33 | |
# My arms will hold you, baby | 0:31:33 | 0:31:39 | |
# Never leave cos | 0:31:40 | 0:31:43 | |
# Baby, I believe I'm in love | 0:31:43 | 0:31:47 | |
# Sweet love | 0:31:47 | 0:31:50 | |
# Hear me calling out your name | 0:31:50 | 0:31:54 | |
# It'll always be this way | 0:31:54 | 0:31:56 | |
# No stronger love in this world... | 0:31:56 | 0:31:59 | |
Come on! Push the button! | 0:31:59 | 0:32:01 | |
-# Oh, baby, no... -Come on! | 0:32:01 | 0:32:02 | |
# I'm your man, you're my girl | 0:32:02 | 0:32:07 | |
# I'll never go | 0:32:07 | 0:32:08 | |
# Wait and see just can't be wrong... | 0:32:08 | 0:32:10 | |
Go on! Push it! | 0:32:10 | 0:32:12 | |
# Don't you know this is where you belong? | 0:32:12 | 0:32:17 | |
# Now I | 0:32:17 | 0:32:24 | |
# Hear me calling out your name | 0:32:26 | 0:32:29 | |
# I feel no shame | 0:32:29 | 0:32:31 | |
# I'm in love, sweet love | 0:32:31 | 0:32:37 | |
# It'll always be the sweet | 0:32:37 | 0:32:40 | |
# It'll always be this way | 0:32:40 | 0:32:44 | |
# I'm in love. # | 0:32:44 | 0:32:50 | |
APPLAUSE AND CHEERING | 0:32:51 | 0:32:57 | |
-Hello, how you doing? -Hi, I'm good, thank you. How are you? | 0:33:02 | 0:33:05 | |
-What's your name? -Theo, Theo Llewellyn. -Where are you from? | 0:33:05 | 0:33:08 | |
London. | 0:33:08 | 0:33:10 | |
-Can I ask you what you do for a living? -I work in a supermarket. | 0:33:10 | 0:33:14 | |
-Supermarket? -Yeah. -You're very good at singing. -Thank you. | 0:33:14 | 0:33:17 | |
And you're through to the next round of The Voice UK. | 0:33:17 | 0:33:21 | |
APPLAUSE | 0:33:21 | 0:33:23 | |
-I'm a sucker for a voice like that. -Thank you. | 0:33:23 | 0:33:26 | |
I turned because there's no doubt you've got an absolutely | 0:33:28 | 0:33:31 | |
beautiful voice. | 0:33:31 | 0:33:33 | |
And, also, Will's looking at me like, "What are you doing?" | 0:33:33 | 0:33:35 | |
I was like, "Yeah, what am I doing?" So, I love it. | 0:33:35 | 0:33:41 | |
-I really thought it was a great audition, so, well done. -Thank you. | 0:33:41 | 0:33:46 | |
APPLAUSE | 0:33:46 | 0:33:47 | |
That's one of my favourite songs of all time. | 0:33:48 | 0:33:52 | |
My mom used to play that and let me go outside and play. | 0:33:52 | 0:33:56 | |
-That song makes me reminisce of, like, playtime. -Yeah. | 0:33:56 | 0:34:00 | |
Your selections at the end, like, how you ended it, | 0:34:00 | 0:34:03 | |
was, like, great taste. | 0:34:03 | 0:34:05 | |
Wow! That was cool. But throughout the song, there was too many runs. | 0:34:05 | 0:34:10 | |
Some R&B singers, they got too much noodle neck. | 0:34:10 | 0:34:13 | |
That's like, what a noodle neck is, they're in a booth | 0:34:13 | 0:34:16 | |
and they're like... | 0:34:16 | 0:34:18 | |
HE WARBLES | 0:34:18 | 0:34:20 | |
You know what I'm saying? | 0:34:20 | 0:34:21 | |
There's a difference between riffs, where they're terrific or | 0:34:21 | 0:34:25 | |
if you are just riffing too much. That was great, though. | 0:34:25 | 0:34:27 | |
I'm glad you're on Paloma's team. | 0:34:27 | 0:34:29 | |
She can help you with the noodle neck, get it stiffened up. | 0:34:29 | 0:34:32 | |
I can't noodle neck, so... | 0:34:32 | 0:34:34 | |
Well done. You did so good. Well done. | 0:34:37 | 0:34:40 | |
Well done. Good luck. | 0:34:40 | 0:34:42 | |
CHEERING AND APPLAUSE | 0:34:42 | 0:34:43 | |
Basically, when I don't look at you, you turn. It's really weird. | 0:34:50 | 0:34:54 | |
-Will was just looking at me going... -I was like, "Check out his riffs." | 0:34:54 | 0:34:59 | |
-There was a lot going on. -I like the noodle neck thing. | 0:34:59 | 0:35:02 | |
He's got a good voice, though. | 0:35:02 | 0:35:06 | |
THEY CHEER | 0:35:06 | 0:35:07 | |
I've never had a job. | 0:35:09 | 0:35:10 | |
I mean, I had a summer job when I was 15, then I got signed, | 0:35:10 | 0:35:13 | |
two years later, to a record deal. So I never really had a job, job. | 0:35:13 | 0:35:17 | |
Worked in a fruit packing factory, packing apples. | 0:35:17 | 0:35:20 | |
Unfortunately, I wasn't very employable. | 0:35:20 | 0:35:23 | |
I was always getting fired. | 0:35:23 | 0:35:25 | |
Taking orders was never really going to work. | 0:35:25 | 0:35:28 | |
OK, Julie Williams is next | 0:35:28 | 0:35:30 | |
and she has a job Will might also appreciate. | 0:35:30 | 0:35:33 | |
-She's a wrapper. -Come on down, the price is right. | 0:35:33 | 0:35:36 | |
-A chip wrapper. -What are you having? -Small chips and beans, please. | 0:35:36 | 0:35:40 | |
Best fish and chips in South Wales, without a doubt. | 0:35:40 | 0:35:43 | |
Anybody who says any different... | 0:35:43 | 0:35:47 | |
'Oh, that's the only thing with working in a chippy, | 0:35:47 | 0:35:50 | |
'it's like a kid in a sweet shop.' | 0:35:50 | 0:35:53 | |
-One, you said! -Sorry. | 0:35:53 | 0:35:56 | |
'Very partial to a plate of chips and gravy, unfortunately.' | 0:35:56 | 0:35:59 | |
Mm! Yeah, stop it now. I'm hungry. | 0:36:02 | 0:36:05 | |
-Knock, knock. -Who's there? -The interrupting cow. | 0:36:08 | 0:36:11 | |
-Interrupting cow who? -MOO! | 0:36:11 | 0:36:13 | |
Yeah, it's hard being a single mum but Taryn, my little boy, | 0:36:13 | 0:36:17 | |
he's five, he's everything to me. | 0:36:17 | 0:36:20 | |
-That's how you sing it? -Yeah. -Oh, my God, don't sing to me. | 0:36:20 | 0:36:23 | |
I hope that what I'm doing will definitely kick-start something. | 0:36:23 | 0:36:27 | |
Make a better life for me and Tars. | 0:36:29 | 0:36:32 | |
# Whoa-oa | 0:36:43 | 0:36:48 | |
# We are young | 0:36:48 | 0:36:51 | |
# Heartache to heartache | 0:36:51 | 0:36:54 | |
# We stand | 0:36:54 | 0:36:57 | |
# No promises No demands | 0:36:57 | 0:37:00 | |
# Love is a battlefield | 0:37:02 | 0:37:04 | |
# We are young | 0:37:06 | 0:37:09 | |
# Heartache to heartache | 0:37:09 | 0:37:11 | |
# We stand | 0:37:11 | 0:37:15 | |
# No promises No demands | 0:37:15 | 0:37:19 | |
# Love is a battlefield | 0:37:20 | 0:37:23 | |
# Love is a battlefield. # | 0:37:26 | 0:37:29 | |
CHEERING AND APPLAUSE | 0:37:29 | 0:37:31 | |
No! Oh, no! | 0:37:36 | 0:37:39 | |
-Hello! -What's your name? -Julie. -Where are you from? | 0:37:43 | 0:37:48 | |
From South Wales. CHEERING AND APPLAUSE | 0:37:48 | 0:37:52 | |
-You sounded amazing. -Oh, thank you. | 0:37:53 | 0:37:56 | |
And the turn didn't turn just because the sheer fact that | 0:37:56 | 0:38:03 | |
I'm overanalysing things and we're holding out. | 0:38:03 | 0:38:09 | |
-You've got a powerful voice, though. -Thank you. I gave it my all. | 0:38:09 | 0:38:13 | |
I wanted a turn. Never mind. It's not to be. | 0:38:13 | 0:38:16 | |
AUDIENCE: Aw! | 0:38:16 | 0:38:17 | |
Well, that's not it. This is just one thing. So actually, no. | 0:38:17 | 0:38:21 | |
It isn't the end cos all of us up here | 0:38:21 | 0:38:24 | |
have experienced not getting through, not getting record deals. | 0:38:24 | 0:38:28 | |
-Yeah. -This is just a great opportunity. Do you perform anyway? | 0:38:28 | 0:38:32 | |
-Yeah, I gig. But I work in a chip shop. -I love a battered fish. | 0:38:32 | 0:38:38 | |
Come down to my chippy any time you want, Paloma. Free chips for life. | 0:38:38 | 0:38:41 | |
-I'd love to! -I want to encourage you to carry on doing what you're doing, | 0:38:41 | 0:38:45 | |
you know, because you've got a powerful voice... | 0:38:45 | 0:38:49 | |
-Thank you. -..just unlucky you're not right | 0:38:49 | 0:38:51 | |
for what we want right now but that doesn't mean you're not great. | 0:38:51 | 0:38:54 | |
-You're fantastic. Be proud of yourself. -Thank you. | 0:38:54 | 0:38:57 | |
CHEERING AND APPLAUSE | 0:38:57 | 0:39:00 | |
-Keep going. -If you want it, you'll get it. That's the thing. | 0:39:00 | 0:39:03 | |
-You have to want it, want it, want it. -Thank you. | 0:39:03 | 0:39:05 | |
THEY JOIN IN: # You can get it if you really want | 0:39:07 | 0:39:12 | |
# You can get it if you really want... # | 0:39:12 | 0:39:15 | |
-You did really good. Keep going. -I will. -Love your dress. Great legs. | 0:39:15 | 0:39:19 | |
CHEERING AND APPLAUSE | 0:39:19 | 0:39:21 | |
# Try and try | 0:39:23 | 0:39:26 | |
# You succeed at last... # | 0:39:26 | 0:39:28 | |
CHEERING AND APPLAUSE | 0:39:32 | 0:39:34 | |
'I'm going to be heading back to the chippy with my head held high' | 0:39:34 | 0:39:38 | |
and proud of myself and, yeah, that I did the best I could. | 0:39:38 | 0:39:41 | |
INTRO PLAYS: Safety Dance | 0:39:45 | 0:39:47 | |
Will! What are you doing to me? | 0:39:47 | 0:39:50 | |
Will's stopped speaking. | 0:39:52 | 0:39:54 | |
He's only going to communicate through sound now. | 0:39:54 | 0:39:56 | |
-# We can dance if we want to -# We can dance if we want to | 0:39:56 | 0:40:00 | |
-# We can dance... # -THEY LAUGH | 0:40:00 | 0:40:02 | |
My name's Jordan Gray. I'm 26 and I'm from Essex. | 0:40:08 | 0:40:11 | |
I'm a full-time recording artist. I play up and down the UK. | 0:40:11 | 0:40:14 | |
I'm a transgender woman. | 0:40:17 | 0:40:19 | |
'When I was a child I never realised that I was a girl,' | 0:40:19 | 0:40:23 | |
I just didn't think I was a boy. I kind of thought I was an alien. | 0:40:23 | 0:40:26 | |
Got to about 19 and realised this is what | 0:40:26 | 0:40:28 | |
I wanted to do with my life and be. | 0:40:28 | 0:40:30 | |
So, what brings you here? | 0:40:30 | 0:40:34 | |
-I've been performing for nine years. -Yep. -Seven years as a man. Boy. | 0:40:34 | 0:40:39 | |
And two years as a woman. | 0:40:39 | 0:40:41 | |
# We're more than just mates! # | 0:40:41 | 0:40:43 | |
-Do you feel like you perform differently now? -Yeah. | 0:40:47 | 0:40:50 | |
Now everything's happier and more authentic. | 0:40:50 | 0:40:53 | |
'It's the most amazing feeling when you finally realise | 0:40:55 | 0:40:57 | |
'what you're supposed to do with your life. | 0:40:57 | 0:41:00 | |
'I'm singing Just Like a Woman by Bob Dylan | 0:41:00 | 0:41:03 | |
'so it is deeply personal to me. | 0:41:03 | 0:41:05 | |
'Now that I'm who I'm supposed to be, music is the only thing | 0:41:07 | 0:41:10 | |
'I can imagine doing cos I get to be me and no questions asked.' | 0:41:10 | 0:41:15 | |
# Nobody feels any pain | 0:41:40 | 0:41:43 | |
# Tonight as I stand outside the rain | 0:41:46 | 0:41:50 | |
APPLAUSE | 0:41:50 | 0:41:53 | |
# Everybody knows | 0:41:53 | 0:41:55 | |
# This baby's got new clothes | 0:41:55 | 0:41:59 | |
# And lately I seen all her ribbons and her bows | 0:41:59 | 0:42:07 | |
# Have fallen from her curls | 0:42:07 | 0:42:12 | |
# She takes just like a woman | 0:42:13 | 0:42:19 | |
# Yes, she does And she makes love | 0:42:19 | 0:42:22 | |
# Just like a woman | 0:42:25 | 0:42:27 | |
# And she a-a-aches just like a woman | 0:42:27 | 0:42:34 | |
# But she breaks | 0:42:34 | 0:42:36 | |
# Yes, she breaks | 0:42:37 | 0:42:40 | |
# Just like a little girl | 0:42:40 | 0:42:43 | |
# Been a long time curse | 0:42:45 | 0:42:47 | |
# And what's worse | 0:42:47 | 0:42:50 | |
# Is all of this pain in here | 0:42:50 | 0:42:53 | |
# Darling, he-e-ey | 0:42:53 | 0:42:56 | |
# A-a-ah | 0:42:57 | 0:43:01 | |
# Is staying here | 0:43:01 | 0:43:05 | |
# But she breaks just like a little girl. # | 0:43:05 | 0:43:12 | |
CHEERING AND APPLAUSE | 0:43:12 | 0:43:15 | |
JORDAN LAUGHS | 0:43:17 | 0:43:19 | |
-Hello. -Hello. My name's Jordan Gray. I'm 26. I'm from Essex. | 0:43:29 | 0:43:36 | |
-I'm a transgender woman, so... -Oh, wow! | 0:43:36 | 0:43:39 | |
-CHEERING AND APPLAUSE -Thank you. Thank you. | 0:43:39 | 0:43:43 | |
I mean, in a way I think you're one of those people that you | 0:43:43 | 0:43:46 | |
kind of do need to see. | 0:43:46 | 0:43:48 | |
I could see the reaction from the audience | 0:43:48 | 0:43:50 | |
so I knew that there was this kind of gorgeous twist and | 0:43:50 | 0:43:53 | |
I couldn't tell what it was and, yeah, | 0:43:53 | 0:43:55 | |
I turned round and there you were - a vision of beauty. | 0:43:55 | 0:43:58 | |
Thank you, I really appreciate that. That's really sweet. | 0:43:58 | 0:44:01 | |
APPLAUSE | 0:44:01 | 0:44:04 | |
I'm trying to figure out why I didn't turn. | 0:44:04 | 0:44:06 | |
The voice and the song, the combination of them | 0:44:06 | 0:44:08 | |
both didn't say, "Get over here. Turn around for me!" | 0:44:08 | 0:44:11 | |
So, yeah, that's the reason that I didn't turn. | 0:44:11 | 0:44:15 | |
Jordan, I'm trying to figure out why I didn't turn either | 0:44:15 | 0:44:17 | |
and I think I can only apologise. | 0:44:17 | 0:44:19 | |
My gut was telling me to turn and I didn't because I was...I dunno. | 0:44:19 | 0:44:24 | |
I was being an idiot, so sorry about that. | 0:44:24 | 0:44:26 | |
APPLAUSE | 0:44:26 | 0:44:28 | |
It's a really great song and now that I've turned | 0:44:28 | 0:44:31 | |
and seen how beautiful you are, I regret not pressing the button. | 0:44:31 | 0:44:35 | |
-GEORGE: -What a sweet thing to say! | 0:44:35 | 0:44:37 | |
APPLAUSE | 0:44:37 | 0:44:38 | |
-Thanks so much. -It was very beautiful. | 0:44:41 | 0:44:43 | |
-Bless you. Thank you so much. -Thank you. | 0:44:43 | 0:44:46 | |
So nice to meet you. | 0:44:46 | 0:44:49 | |
'Gutted I didn't turn for her. Just thought she was completely gifted.' | 0:44:49 | 0:44:53 | |
So versatile. | 0:44:53 | 0:44:55 | |
I just think it was a big mistake and I really regret it. | 0:44:55 | 0:45:01 | |
Oooh! | 0:45:01 | 0:45:02 | |
73-year-old Mike Berry is no stranger to the pop business - | 0:45:07 | 0:45:11 | |
a bit like his best mate Chas from Chas & Dave. | 0:45:11 | 0:45:15 | |
'Chas is the one that convinced me to go for The Voice, cos I had lots of doubt.' | 0:45:16 | 0:45:20 | |
I said, "I don't think I should do this. What do you reckon?" | 0:45:20 | 0:45:23 | |
He said, "Do it! Do it! You've got a good voice." | 0:45:23 | 0:45:25 | |
He said, "Go and show off a bit." | 0:45:25 | 0:45:26 | |
I said, "You still look all right, you ain't fat and bald." | 0:45:26 | 0:45:29 | |
And he can sing good. | 0:45:29 | 0:45:32 | |
He's singing better than ever so there's no reason why he shouldn't go on and do it. | 0:45:32 | 0:45:36 | |
-You've done quite a lot, haven't you? -I've done quite a lot, yeah. | 0:45:36 | 0:45:39 | |
-Talk me through it. -Started with Chas, actually, in about 1960. | 0:45:39 | 0:45:43 | |
We got a record deal with a guy called Joe Meek. | 0:45:43 | 0:45:46 | |
The first hit was called A Tribute to Buddy Holly. | 0:45:46 | 0:45:48 | |
I was still working in a piano shop in East London. | 0:45:48 | 0:45:51 | |
I remember walking up the road, reading the music paper and I was in the Hit Parade! | 0:45:51 | 0:45:55 | |
And I was still earning six quid a week in this piano shop! | 0:45:55 | 0:45:58 | |
I toured with the Rolling Stones in '64 and it was absolute magic | 0:45:58 | 0:46:04 | |
because you could've gone on sweeping the stage and you'd have taken the roof off. | 0:46:04 | 0:46:08 | |
When the singing took a back seat, I then got lucky with a TV career. | 0:46:08 | 0:46:12 | |
I was in "Are You Being Served?" - playing Mr Spooner. | 0:46:12 | 0:46:15 | |
I've got a very big place for you here. | 0:46:15 | 0:46:19 | |
Got room for the whole department there. | 0:46:19 | 0:46:22 | |
I was on John Inman's counter. The young ne'er do well upstart. | 0:46:22 | 0:46:25 | |
# I've got rhythm I've got music... # | 0:46:25 | 0:46:29 | |
Ha-ha! | 0:46:29 | 0:46:31 | |
'I've got two grown-up kids and five grandchildren. | 0:46:33 | 0:46:36 | |
'I may be a grandad but I'm singing better now than I ever did. | 0:46:36 | 0:46:40 | |
'I know I am. | 0:46:40 | 0:46:42 | |
'But this is me, on my own, singing for four very good singers, | 0:46:42 | 0:46:48 | |
'so it's terrifying.' | 0:46:48 | 0:46:51 | |
# Just you know why | 0:47:04 | 0:47:07 | |
APPLAUSE | 0:47:07 | 0:47:09 | |
# Why you and I | 0:47:09 | 0:47:12 | |
# Will by and by | 0:47:15 | 0:47:21 | |
# Know true love ways | 0:47:21 | 0:47:26 | |
# Sometimes we'll sigh | 0:47:26 | 0:47:30 | |
# Sometimes we'll cry | 0:47:32 | 0:47:36 | |
# And we'll know why just you and I | 0:47:37 | 0:47:43 | |
# Know true love ways | 0:47:43 | 0:47:48 | |
# Throughout the days | 0:47:48 | 0:47:55 | |
# Our true love ways | 0:47:55 | 0:48:00 | |
# Will bring us joys to share | 0:48:00 | 0:48:05 | |
# With those who really care | 0:48:05 | 0:48:11 | |
# Sometimes we'll sigh | 0:48:11 | 0:48:17 | |
# Sometimes we'll cry | 0:48:17 | 0:48:23 | |
# And we'll know why just you and I | 0:48:23 | 0:48:31 | |
# Know true love | 0:48:31 | 0:48:35 | |
# Wa-a-ays. # | 0:48:35 | 0:48:40 | |
CHEERING AND APPLAUSE | 0:48:40 | 0:48:41 | |
-Ah! -Hello, sir! -I thought it was Michael Palin at first! | 0:48:49 | 0:48:56 | |
-How are you doing, sir? What's your name? -My mane's Mike. Mike Berry. | 0:48:56 | 0:49:00 | |
-Mike Berry. How are you doing? What do you do for a living? -I sing and act. | 0:49:00 | 0:49:04 | |
Well, you're definitely a singer. We can tell that. | 0:49:04 | 0:49:06 | |
-APPLAUSE -You sounded like a veteran to me. | 0:49:06 | 0:49:10 | |
I'm not surprised you've been doing this for a long time because I could tell. | 0:49:10 | 0:49:13 | |
-Can I be cheeky and ask how old you are? -73. -Wow! | 0:49:13 | 0:49:16 | |
APPLAUSE | 0:49:16 | 0:49:17 | |
-He looks incredible! -He's just had his birthday. | 0:49:17 | 0:49:20 | |
Did I mean 53? | 0:49:20 | 0:49:21 | |
Your friend was right for encouraging you to come here. | 0:49:22 | 0:49:25 | |
You're definitely top-notch. Amazing, smooth voice. | 0:49:25 | 0:49:29 | |
I would hate to bring my girl around you cos she will... | 0:49:29 | 0:49:33 | |
Honestly, you have a smooth... | 0:49:33 | 0:49:35 | |
-I wish I had a smooth voice like that. -Thank you. | 0:49:35 | 0:49:38 | |
I totally understand the genre that you're coming from. | 0:49:38 | 0:49:41 | |
I listen to those records, I've sung those records myself. | 0:49:41 | 0:49:46 | |
I only didn't turn because I already have somebody on my team who would | 0:49:46 | 0:49:49 | |
fit that kind of remit and I don't want to pit you against each other. | 0:49:49 | 0:49:53 | |
-Well, thank you for that. -I thought it was a fantastic performance. | 0:49:53 | 0:49:56 | |
Thank you for that, that's very kind. Thank you. | 0:49:56 | 0:49:58 | |
-APPLAUSE -Much appreciated. Thank you. | 0:49:58 | 0:50:01 | |
-Pleasure to meet you. -Love your group. Thank you. Not a problem. | 0:50:01 | 0:50:05 | |
-And this boy, I've followed you! Well done. -Nice to meet you, sir. | 0:50:05 | 0:50:09 | |
-Lovely to meet you, will.i.am. -You too. -Great. All the best. | 0:50:09 | 0:50:13 | |
APPLAUSE | 0:50:13 | 0:50:16 | |
Done yourself proud, boy. I tell you what, you've done yourself proud. | 0:50:22 | 0:50:26 | |
Well worth doing, yeah. | 0:50:26 | 0:50:28 | |
Thought you were never going to speak to me again. | 0:50:28 | 0:50:31 | |
-HE LAUGHS -Well done. Great. | 0:50:31 | 0:50:34 | |
'He sang great and they all loved him.' | 0:50:34 | 0:50:36 | |
I'm so pleased that I did encourage him to come. | 0:50:36 | 0:50:39 | |
-A very well-turned-out gentleman, I thought. -Yeah. | 0:50:39 | 0:50:41 | |
He looked like he'd had his clothes in the dry cleaner's. | 0:50:41 | 0:50:45 | |
They didn't have that washing-machine crinkle. | 0:50:46 | 0:50:49 | |
We've been wearing these same outfits for days. | 0:50:49 | 0:50:52 | |
-No, I've got five of these. -Have you? -Diva! | 0:50:52 | 0:50:55 | |
I'm even wearing the same pants. | 0:50:55 | 0:50:57 | |
You told me you didn't wear underpants! | 0:50:57 | 0:51:00 | |
-You said you favoured a thong. -GRANDLY: -I favour a thong. | 0:51:00 | 0:51:04 | |
Our next singer, Rick Snowdon, spent many years alone | 0:51:07 | 0:51:11 | |
but now he's ready to take the spotlight. | 0:51:11 | 0:51:14 | |
Growing up, I was always overweight. | 0:51:16 | 0:51:18 | |
Slowly got bigger and bigger and bigger and bigger | 0:51:21 | 0:51:25 | |
and around the age of 22 I got to my peak at 26 stone. | 0:51:25 | 0:51:29 | |
There was a lot of shame about it. | 0:51:34 | 0:51:36 | |
I didn't really want to be around people and I'd lock myself | 0:51:36 | 0:51:38 | |
in the house for the best part of four-and-a-half years. | 0:51:38 | 0:51:42 | |
I developed a love for music and trained myself to play guitar. | 0:51:43 | 0:51:47 | |
The only thing better than eating food, for me, is performing. | 0:51:48 | 0:51:52 | |
But nobody wants to see a 26-stone rock star. | 0:51:54 | 0:51:57 | |
Losing 13 stone has completely changed my life. | 0:52:02 | 0:52:06 | |
Now that I've lost the weight, | 0:52:08 | 0:52:10 | |
I want to inspire people and show them that | 0:52:10 | 0:52:12 | |
they can actually lose the weight and go and chase their dreams too. | 0:52:12 | 0:52:17 | |
Ten years ago I would never have believed that I'd be auditioning for The Voice. | 0:52:17 | 0:52:21 | |
There he is! | 0:52:29 | 0:52:31 | |
# I put a spell on you | 0:52:38 | 0:52:44 | |
CHEERING AND APPLAUSE | 0:52:44 | 0:52:46 | |
# Because you're mine | 0:52:46 | 0:52:52 | |
# Oh, stop the things you do | 0:52:54 | 0:53:01 | |
# I ain't lying | 0:53:01 | 0:53:04 | |
# And I-I-I-I-I-I-I | 0:53:05 | 0:53:09 | |
# I can't stand it | 0:53:09 | 0:53:11 | |
# No, running around | 0:53:14 | 0:53:18 | |
# I can't stand it | 0:53:18 | 0:53:21 | |
# You put me down | 0:53:23 | 0:53:25 | |
# I put a spell on you | 0:53:27 | 0:53:29 | |
# Oh, yeah | 0:53:31 | 0:53:33 | |
# Because you're mine CHEERING | 0:53:35 | 0:53:39 | |
# Whoa-a-a... | 0:53:39 | 0:53:42 | |
Agghh! | 0:53:42 | 0:53:43 | |
# Because you're mine | 0:53:43 | 0:53:46 | |
# I put a spell on you | 0:53:50 | 0:53:53 | |
# Because | 0:53:54 | 0:53:57 | |
FALSETTO: # You're mi-i-ine | 0:53:57 | 0:54:03 | |
# Because you're | 0:54:04 | 0:54:09 | |
# Mine. # | 0:54:09 | 0:54:15 | |
CHEERING AND APPLAUSE | 0:54:15 | 0:54:17 | |
-What's your name? -Rick Snowdon. I'm 29 and I'm a singer/songwriter. | 0:54:31 | 0:54:34 | |
-Great, man. -From Hartlepool. CHEERING AND APPLAUSE | 0:54:34 | 0:54:39 | |
Wow. You, erm... | 0:54:39 | 0:54:42 | |
-I... I... You're not what I thought you were going to look like. -No. | 0:54:42 | 0:54:46 | |
You know, cos you have this aged, erm, whisky voice. | 0:54:46 | 0:54:51 | |
-It's an amazing voice. I'm so happy they took you. -Thank you very much. | 0:54:51 | 0:54:54 | |
CHEERING AND APPLAUSE | 0:54:54 | 0:54:56 | |
Erm, reason why I didn't turn is not that I wouldn't want you on my team, | 0:54:56 | 0:55:02 | |
I just think you can improve my team by being on somebody else's team. | 0:55:02 | 0:55:07 | |
Fair point. Fair point. | 0:55:07 | 0:55:09 | |
No, seriously, I have some singers on my team | 0:55:09 | 0:55:12 | |
that need some pick-me-up by having them duel against Sir Lancelot. | 0:55:12 | 0:55:16 | |
-LAUGHTER -You hear what I'm saying? | 0:55:16 | 0:55:18 | |
From my point of view, I had to turn cos I thought you were a great singer. | 0:55:18 | 0:55:21 | |
-Thank you very much. -And, you know... | 0:55:21 | 0:55:24 | |
I just thought, "I've got to turn round cos that's a great voice." | 0:55:24 | 0:55:28 | |
I guess if you went on my team, what can I offer you? | 0:55:28 | 0:55:31 | |
Experience, you know. That's what I've been doing for over 30 years. | 0:55:31 | 0:55:35 | |
But whoever you land up with, I think, you know, | 0:55:35 | 0:55:38 | |
-what a great performance and what a great voice. -Thank you so much. | 0:55:38 | 0:55:42 | |
-Hi! -Hello, Paloma. -Can I ask you a bit more about yourself? | 0:55:42 | 0:55:47 | |
Like, how did you find out you had that voice and where did it all start? | 0:55:47 | 0:55:50 | |
Erm, how I found my voice was I used to be overweight as a kid. | 0:55:50 | 0:55:55 | |
I used to weigh 26 stone. GASPING FROM AUDIENCE | 0:55:55 | 0:55:58 | |
APPLAUSE | 0:55:58 | 0:56:00 | |
I then proceeded to lock myself in my house | 0:56:04 | 0:56:07 | |
for about four-and-a-half years and then I found music and started learning to sing | 0:56:07 | 0:56:12 | |
and that kind of gave me the inspiration to get out, | 0:56:12 | 0:56:15 | |
to perform music to people and that's where I found my voice. | 0:56:15 | 0:56:19 | |
APPLAUSE Thank you. | 0:56:19 | 0:56:22 | |
It's fantastic and I'm so glad that you did that and it was worth | 0:56:24 | 0:56:28 | |
that four years in your room because it sounds phenomenal. | 0:56:28 | 0:56:32 | |
Thank you very much. Cheers. APPLAUSE | 0:56:32 | 0:56:35 | |
-Hi, mate. How're you doing? -Good, mate. | 0:56:35 | 0:56:38 | |
You know, I don't just like rock music or indie music | 0:56:38 | 0:56:41 | |
or whatever, what have you. I like what I love, right? | 0:56:41 | 0:56:44 | |
And you're a flippin' ten. | 0:56:44 | 0:56:46 | |
-PALOMA: -I agree. -Thank you very much. | 0:56:46 | 0:56:48 | |
CHEERING AND APPLAUSE | 0:56:48 | 0:56:50 | |
I am so happy that regardless of who you choose that you are on the show. | 0:56:50 | 0:56:54 | |
I think you're very special and I also think that | 0:56:54 | 0:56:58 | |
when it gets to the bit where we have to duet together, | 0:56:58 | 0:57:01 | |
I would absolutely love to sing with you. | 0:57:01 | 0:57:04 | |
Whether or not that happens on the show | 0:57:04 | 0:57:07 | |
-or just in our lives in general... -Just walking down the street. | 0:57:07 | 0:57:09 | |
-..I would genuinely love to sing with you, full stop. -Thank you. | 0:57:09 | 0:57:13 | |
CHEERING AND APPLAUSE | 0:57:13 | 0:57:15 | |
HE SIGHS It's a very hard choice. | 0:57:18 | 0:57:20 | |
I mean, there's elements in both of yous that I gravitate towards. | 0:57:20 | 0:57:27 | |
-There's three. -Three of yous. LAUGHTER | 0:57:27 | 0:57:32 | |
AUDIENCE SHOUT SUGGESTIONS We do have the same names. | 0:57:34 | 0:57:38 | |
-GEORGE: -Shh, don't heckle. | 0:57:38 | 0:57:40 | |
Simmer down. Simmer down. Shh, shh. You get to hear him thinking. | 0:57:40 | 0:57:46 | |
Stylistically, I want to improve myself a certain way. | 0:57:46 | 0:57:50 | |
I've been doing a rock thing for the last six years in my band | 0:57:50 | 0:57:55 | |
and I'm looking for a kind of... someone to bring a performer out in me, | 0:57:55 | 0:57:58 | |
which is what I'm looking for. So it's going to have to be... | 0:57:58 | 0:58:03 | |
AUDIENCE CHANTS | 0:58:03 | 0:58:06 | |
..Paloma. CHEERING AND APPLAUSE | 0:58:11 | 0:58:14 | |
Thank you so much. We're going to have such, such a good time. | 0:58:16 | 0:58:20 | |
-You're so special. -Thank you very much, Paloma. | 0:58:20 | 0:58:24 | |
-Thank you very much. -Your singing is beautiful. -Thank you, dude. Cheers. | 0:58:24 | 0:58:29 | |
I'm so excited! | 0:58:29 | 0:58:31 | |
-That rasp! I love raspy voices. -Good, yeah. -Yeah. | 0:58:31 | 0:58:37 | |
Yes! Absolutely brilliant! | 0:58:38 | 0:58:41 | |
-PALOMA: -I'm so excited about Rick. | 0:58:41 | 0:58:44 | |
I heard that voice and I was like, "There he is. Boom." | 0:58:44 | 0:58:47 | |
-How many spaces have you got? One? -I've got one left. | 0:58:47 | 0:58:50 | |
Here, straight out of the 1920s is our next act. | 0:58:54 | 0:58:58 | |
'I would describe myself as gregarious, fun, naughty, | 0:58:59 | 0:59:03 | |
'a little bit irreverent and rather chaotic.' | 0:59:03 | 0:59:07 | |
That covers everything, doesn't it? My name is Tom Read Wilson. | 0:59:08 | 0:59:13 | |
I'm 28 and I'm a thespian. | 0:59:13 | 0:59:16 | |
-Your accent is fantastic. -It's rather plummy. | 0:59:16 | 0:59:18 | |
It's...I'm a bit of a cultural throwback, I'm afraid. | 0:59:18 | 0:59:21 | |
-Really? What do you mean? -I'm not gorgeous and contemporary like you. | 0:59:21 | 0:59:27 | |
What's it like, a day in the life of Tom Read Wilson? | 0:59:27 | 0:59:30 | |
Hello. Have a super day. | 0:59:30 | 0:59:34 | |
Oh, Brenda, these are lovely today. | 0:59:35 | 0:59:38 | |
I'd definitely describe myself as from another era. | 0:59:38 | 0:59:42 | |
Oh, it's got thistles in it too. | 0:59:42 | 0:59:44 | |
I'm a desperate romantic. | 0:59:44 | 0:59:47 | |
I feel that when I meet somebody I want a tsunami of warmth, and then the same back. | 0:59:49 | 0:59:56 | |
-Hello, mate, how are you doing? -How are you? | 0:59:56 | 0:59:58 | |
-What can I get you? -I'd like a pint but surprise me. I'm feeling daring. | 0:59:58 | 1:00:03 | |
'I think interactions are just so exciting.' | 1:00:03 | 1:00:07 | |
Good afternoon. Hi. | 1:00:07 | 1:00:10 | |
You're a gentleman and it's been lovely to meet you today. | 1:00:12 | 1:00:14 | |
-Lovely to meet you too. -I can't wait for your audition. | 1:00:14 | 1:00:17 | |
-Best of luck. -I don't want to let go now. | 1:00:17 | 1:00:18 | |
-That's OK, we can stay here for a while. -Let's just stay. | 1:00:18 | 1:00:21 | |
'When I perform, I'm like a coiled spring. | 1:00:24 | 1:00:27 | |
'I know full well that I'm a little bit of an oddity... | 1:00:27 | 1:00:31 | |
'..but sometimes oddities can be quite a nice surprise. | 1:00:33 | 1:00:37 | |
'At least, I hope the coaches think so.' | 1:00:39 | 1:00:42 | |
# You've got to accentuate the positive | 1:00:53 | 1:00:57 | |
# Eliminate the negative | 1:00:57 | 1:01:01 | |
# Latch on to the affirmative | 1:01:01 | 1:01:05 | |
# Don't mess with Mister In-Between | 1:01:05 | 1:01:08 | |
# You've got to spread joy up to the maximum | 1:01:08 | 1:01:12 | |
# Bring gloom down to the minimum | 1:01:12 | 1:01:16 | |
# Have faith or pandemonium's liable to walk upon the scene | 1:01:16 | 1:01:23 | |
# To illustrate the last remark | 1:01:23 | 1:01:27 | |
# Jonah and the whale Noah in the ark | 1:01:27 | 1:01:31 | |
# What did they do when everything looked so dark | 1:01:31 | 1:01:37 | |
# Well, they said you've got to accentuate the positive | 1:01:37 | 1:01:42 | |
# Eliminate the negative | 1:01:42 | 1:01:46 | |
# Latch on to the affirmative | 1:01:46 | 1:01:49 | |
# Don't mess with Mister In-Between | 1:01:49 | 1:01:52 | |
# To illustrate the last remark | 1:01:52 | 1:01:56 | |
# Jonah, Noah and the ark | 1:01:56 | 1:02:00 | |
# What did they do when everything looked so dark | 1:02:00 | 1:02:06 | |
# Well, they said you've got to accentuate | 1:02:06 | 1:02:09 | |
# Everything that is positive | 1:02:09 | 1:02:11 | |
# Eliminate the slightest trace of anything that's negative | 1:02:11 | 1:02:15 | |
# Latch on to the affirmative | 1:02:15 | 1:02:18 | |
# Don't mess with Mister In-Between | 1:02:18 | 1:02:22 | |
# No, don't mess with Mister In-Between | 1:02:22 | 1:02:28 | |
# No, no, don't mess with Mister In-Between. # | 1:02:28 | 1:02:32 | |
CHEERING AND APPLAUSE | 1:02:32 | 1:02:36 | |
-THEY GROAN -Oh, no, Tom! | 1:02:42 | 1:02:45 | |
-He did brilliantly. -It was amazing. | 1:02:45 | 1:02:48 | |
-Oh, hello! -Wait a second! You tricked me! -Hello. | 1:02:51 | 1:02:55 | |
-Wow! You tricked us! -Oh, did I? | 1:02:55 | 1:02:58 | |
Yeah, because you don't look anything like you sounded like. | 1:02:58 | 1:03:02 | |
I thought you were, like, 85. | 1:03:02 | 1:03:06 | |
LAUGHTER Oh, did you? Oh, no! | 1:03:06 | 1:03:09 | |
Thought you were an old man and stuff. | 1:03:09 | 1:03:11 | |
But I'm glad you got the memo about what to wear cos you're | 1:03:11 | 1:03:13 | |
wearing the same formations as will.i.am and me, | 1:03:13 | 1:03:17 | |
the pink and blue combo, so we could start a band today. | 1:03:17 | 1:03:21 | |
Well, I do like to harmonise in every way so I'm thrilled. | 1:03:21 | 1:03:25 | |
So, what background do you come from, musically? | 1:03:25 | 1:03:29 | |
-And your name, please. -I'm Tom. -Hello, Tom. | 1:03:29 | 1:03:31 | |
And I'm from a musical theatre background, really. | 1:03:31 | 1:03:34 | |
-MIMICS TOM: -Oh, really? I really didn't guess! | 1:03:34 | 1:03:38 | |
You have to know that Paloma said that she hates musical theatre. | 1:03:39 | 1:03:43 | |
-Oh, really? -The other day I did but I really, really find you very endearing. | 1:03:43 | 1:03:48 | |
-Thank you very much. -Truly. -Well, technically this one isn't. | 1:03:48 | 1:03:52 | |
It's just got a musical theatre spin on it. | 1:03:52 | 1:03:55 | |
-Wait a second. Where do you come from? -I come from Berkshire, | 1:03:55 | 1:03:59 | |
-real Wind In The Willows territory. -CHEERING AND APPLAUSE | 1:03:59 | 1:04:02 | |
Wait a second. Are you for real? That's how you... | 1:04:02 | 1:04:06 | |
-Are you like that all the time and stuff? -I'm afraid so. | 1:04:06 | 1:04:09 | |
You're everything that will.i.am thought he was going to find when he arrived in Britain and was... | 1:04:09 | 1:04:14 | |
I'm a bit of a cultural throwback, will, really. | 1:04:16 | 1:04:19 | |
Michael Jackson would flip his... He's flippin' right now, like... | 1:04:19 | 1:04:22 | |
-"We could have been best friends!" -LAUGHTER | 1:04:22 | 1:04:26 | |
I would love to see you, like, in a fight or something, like... | 1:04:28 | 1:04:31 | |
-MIMICS TOM: -"I'm going to kick your narrow arse." | 1:04:31 | 1:04:35 | |
I feel like you should read the news or something. Or the tube. | 1:04:40 | 1:04:44 | |
You know the tube, when they say, "The next stop..." | 1:04:44 | 1:04:46 | |
-Can you do it for us? -The next stop will be Oxford Circus. | 1:04:46 | 1:04:51 | |
LAUGHTER AND APPLAUSE | 1:04:51 | 1:04:54 | |
It's really lovely to have you on the show. Thank you. | 1:04:55 | 1:04:57 | |
Thank you so much. Thank you. | 1:04:57 | 1:05:00 | |
-Really nice to meet you. -Lovely to meet you. | 1:05:01 | 1:05:05 | |
-Well done, Tom. -Hello. -Well done. Well done. That was brilliant. | 1:05:08 | 1:05:13 | |
-Thanks. -Really brilliant. -Thank you. | 1:05:13 | 1:05:16 | |
'I loved it on that stage.' | 1:05:16 | 1:05:18 | |
It felt like I was surfing the crest of a great wave. It was wonderful. | 1:05:18 | 1:05:23 | |
Regardless of the outcome, I just had so much fun. | 1:05:23 | 1:05:27 | |
I couldn't trade it for anything. | 1:05:27 | 1:05:29 | |
-I swear to God, he was a character in a movie. -He's incredible. | 1:05:29 | 1:05:33 | |
He'd be such a great villain in a movie, wouldn't he? | 1:05:33 | 1:05:35 | |
-MIMICS TOM: -"I do believe you've got it wrong." | 1:05:35 | 1:05:38 | |
LAUGHTER AND APPLAUSE | 1:05:38 | 1:05:39 | |
-Well, that was nice. -That was really lovely. We're all uplifted. -I'm perked. | 1:05:39 | 1:05:45 | |
-Yeah. He was adorable. -Good. | 1:05:45 | 1:05:48 | |
There's always second chances on The Voice. | 1:05:51 | 1:05:53 | |
Will it happen tonight for 21-year-old Jolan? | 1:05:53 | 1:05:57 | |
-Now, I recognise you. -You might do. -From? -Two years ago. | 1:05:57 | 1:06:01 | |
'I'm back from a two-year absence.' | 1:06:01 | 1:06:03 | |
I was on series three with Kylie | 1:06:03 | 1:06:06 | |
and that was probably the best experience of my life. | 1:06:06 | 1:06:09 | |
# Let me see beneath your beautiful tonight. # | 1:06:09 | 1:06:17 | |
When the chairs didn't turn I was really, really gutted. | 1:06:17 | 1:06:21 | |
Really gutted. But I think I'm more prepared this time. | 1:06:21 | 1:06:26 | |
Hopefully since last time I was here, I think my voice has improved. | 1:06:26 | 1:06:30 | |
I've tried to improve it as much as I can. | 1:06:30 | 1:06:32 | |
And hopefully I can impress them more this time. | 1:06:32 | 1:06:35 | |
So proud of him. I mean, I think he did a wonderful performance | 1:06:35 | 1:06:38 | |
and I can't knock it. | 1:06:38 | 1:06:40 | |
I just thought...I'm gutted for him. | 1:06:40 | 1:06:42 | |
Since I was here last, a lot has changed in my life. | 1:06:42 | 1:06:45 | |
Sadly, my mum's passed away and it was a shock. | 1:06:45 | 1:06:51 | |
To know that my mum's not going to be here this time | 1:06:52 | 1:06:54 | |
and she was last time is another thing | 1:06:54 | 1:06:56 | |
that pushed me on to come back, | 1:06:56 | 1:06:58 | |
is that I need to do this and it's going to be for her. | 1:06:58 | 1:07:01 | |
'This is something I need to do. | 1:07:05 | 1:07:08 | |
'I have to prove to myself this time I can make them turn.' | 1:07:08 | 1:07:11 | |
Here we go! Come on, Jolan! THEY CHEER | 1:07:14 | 1:07:17 | |
-PIANO CHORD -I know that chord. | 1:07:24 | 1:07:28 | |
-Do you? What is it? -DRUMS KICK IN | 1:07:28 | 1:07:31 | |
# Kissing like a bandit stealing time | 1:07:33 | 1:07:37 | |
# Underneath a sycamore tree | 1:07:37 | 1:07:41 | |
# Cupid by the hour sends Valentines to my sweet lover and me | 1:07:42 | 1:07:50 | |
# Slowly, surely Your appetite is more than I knew | 1:07:51 | 1:08:00 | |
# Sweetly, softly I'm falling in love with you | 1:08:00 | 1:08:07 | |
# Wish me love a wishing well to kiss and tell | 1:08:09 | 1:08:14 | |
# A wishing well of butterfly tears | 1:08:14 | 1:08:18 | |
# Hugging like a monkey see, monkey do | 1:08:18 | 1:08:22 | |
# Right beside a riverboat gambler | 1:08:22 | 1:08:27 | |
# Erotic images float through my head | 1:08:27 | 1:08:31 | |
# I want to be your midnight rambler | 1:08:31 | 1:08:36 | |
# Quickly, loudly | 1:08:36 | 1:08:41 | |
# I want to hear your sugar bells ring, yeah! | 1:08:41 | 1:08:45 | |
# Wish me love a wishing well to kiss and tell | 1:08:46 | 1:08:50 | |
# A wishing well of butterfly tears | 1:08:50 | 1:08:54 | |
# Yeah, yeah | 1:08:54 | 1:08:56 | |
# Wish me love a wishing well to kiss and tell | 1:08:56 | 1:08:59 | |
# A wishing well of crocodile tears Yeah! # | 1:08:59 | 1:09:04 | |
CHEERING AND APPLAUSE | 1:09:04 | 1:09:07 | |
-Hi! -Hi. -How're you doing? -I'm not bad now. -What's your name? | 1:09:34 | 1:09:39 | |
-My name's Jolan. -Where are you from, Jolan? | 1:09:39 | 1:09:41 | |
-I'm from a little place called Cumbria. -Ah. | 1:09:41 | 1:09:43 | |
-A huge place called Cumbria. -Originally from Bolton. -Oh, right. | 1:09:43 | 1:09:48 | |
CHEERING | 1:09:48 | 1:09:50 | |
-Yeah. Well, erm... Mate, flawless. -Thank you. | 1:09:50 | 1:09:55 | |
And that's my pitch. | 1:09:55 | 1:09:56 | |
-Can't fault it. -Amazing voice, brilliant song. | 1:09:58 | 1:10:03 | |
Like, I couldn't really tell if you were a boy or girl but I don't think it matters. | 1:10:03 | 1:10:08 | |
-I've been called both so it's fine. -Me too! | 1:10:08 | 1:10:12 | |
-And what about this fella? -How old are you? -I'm 21. -Wow. | 1:10:12 | 1:10:18 | |
I mean, you have great chops, as we say in the business. | 1:10:18 | 1:10:21 | |
It's kind of about what you do with it from here on. | 1:10:21 | 1:10:24 | |
You've obviously got an amazing range and if you go with me, | 1:10:24 | 1:10:28 | |
we're talking global rather than a few little islands. | 1:10:28 | 1:10:31 | |
APPLAUSE | 1:10:31 | 1:10:33 | |
Boff, boff, boff, boff! | 1:10:35 | 1:10:36 | |
I think of myself as a kind of singer's singer, you know. | 1:10:38 | 1:10:41 | |
I love voices and, you know, I'll help you with the style as well. | 1:10:41 | 1:10:46 | |
-Thank you. -APPLAUSE | 1:10:46 | 1:10:48 | |
Don't get swayed by these youngsters, OK? | 1:10:51 | 1:10:53 | |
-I'm a classic. -LAUGHTER | 1:10:54 | 1:10:58 | |
I didn't turn, only because Boy George turned and then on the line | 1:10:59 | 1:11:05 | |
when you said, "Something about monkey see, monkey do..." | 1:11:05 | 1:11:09 | |
And then they turned. Sing the line. | 1:11:09 | 1:11:11 | |
# Hugging like a monkey see, monkey do... # | 1:11:11 | 1:11:15 | |
-Listen to his voice, though! -They turned right when you said that! | 1:11:15 | 1:11:19 | |
-It tells you all you need to know. -Ironic, don't you think? | 1:11:20 | 1:11:26 | |
-Do you know what? I was... -Basically... -No, shut up, George. | 1:11:26 | 1:11:29 | |
-I don't want you unless you want me. -George... -Be quiet. | 1:11:29 | 1:11:31 | |
I don't want you unless you want me, OK? | 1:11:31 | 1:11:34 | |
-They're fighting for him! -Yeah. | 1:11:34 | 1:11:36 | |
-I only want love that comes freely. -WHOOPING | 1:11:36 | 1:11:41 | |
I'm telling you, he's got the freakin' quotables. | 1:11:41 | 1:11:44 | |
So it's up to you, babe. | 1:11:44 | 1:11:46 | |
I haven't said, like, what... I think the reason why I turned | 1:11:46 | 1:11:50 | |
was because your voice and your tone is so unusual to me | 1:11:50 | 1:11:53 | |
and that is what stands out for me. | 1:11:53 | 1:11:56 | |
CHEERING AND APPLAUSE | 1:11:56 | 1:11:58 | |
Now, I'm not averse to a bit of showing off and shouting | 1:12:00 | 1:12:04 | |
and all this kind of stuff they're doing now but I also know | 1:12:04 | 1:12:06 | |
when to shut up and let the real star just shine so through. | 1:12:06 | 1:12:09 | |
-Oh, what a cheat! -CHEERING AND APPLAUSE | 1:12:09 | 1:12:12 | |
He might be racing ahead of himself slightly here but, you know. | 1:12:16 | 1:12:19 | |
-Do you need help deciding? -Oh, it's so hard. | 1:12:20 | 1:12:25 | |
No, it's not. | 1:12:25 | 1:12:26 | |
AUDIENCE SHOUT SUGGESTIONS | 1:12:26 | 1:12:28 | |
I think you could win this. | 1:12:32 | 1:12:34 | |
Stating the obvious. | 1:12:36 | 1:12:38 | |
And I have my magic crystal here that | 1:12:40 | 1:12:43 | |
I was holding just before you came onstage. | 1:12:43 | 1:12:46 | |
You're the last person of the day and, yeah, | 1:12:46 | 1:12:50 | |
-you absolutely should choose me. -I agree that you could win this. | 1:12:50 | 1:12:54 | |
CHEERING AND APPLAUSE | 1:12:54 | 1:12:56 | |
I think I'd go for Paloma. | 1:12:56 | 1:12:59 | |
I...I think I'm... | 1:13:00 | 1:13:03 | |
It's not like... | 1:13:03 | 1:13:06 | |
When I choose somebody, it's no disrespect to anyone... | 1:13:06 | 1:13:08 | |
-No, we don't mind. -Of course it is. | 1:13:08 | 1:13:10 | |
It is disrespectful, though. | 1:13:10 | 1:13:12 | |
Just kidding. I'm joking. | 1:13:15 | 1:13:17 | |
I think I'm going to have to go with... | 1:13:17 | 1:13:20 | |
I'm sorry to... I'm going to have to go with Ricky. | 1:13:27 | 1:13:30 | |
CHEERING AND APPLAUSE | 1:13:30 | 1:13:33 | |
THEY LAUGH | 1:13:38 | 1:13:41 | |
-Oh, my God! -Well done. That was shockingly brilliant. | 1:13:41 | 1:13:46 | |
THEY CHEER | 1:13:52 | 1:13:55 | |
-What a difference two years makes. -Yeah. Much better. | 1:13:57 | 1:14:00 | |
Far better outcome this time. | 1:14:00 | 1:14:04 | |
George put up a big fight for you. | 1:14:04 | 1:14:07 | |
I think he'll be very disappointed. You've just disappointed Boy George. | 1:14:07 | 1:14:11 | |
Just remember that. | 1:14:11 | 1:14:14 | |
-I actually can't believe he didn't pick you. -Yeah. | 1:14:14 | 1:14:17 | |
I thought when he was going, erm, it was between me and you | 1:14:17 | 1:14:21 | |
but I thought he should pick you. | 1:14:21 | 1:14:24 | |
You've got a very strong team, Ricky. | 1:14:24 | 1:14:26 | |
You've got a very strong team. | 1:14:26 | 1:14:28 | |
Well, you don't know that you've got a strong team. | 1:14:28 | 1:14:31 | |
-I think he was brilliant. -He is amazing. | 1:14:31 | 1:14:34 | |
Week 6 has been busy, busy, busy. | 1:14:34 | 1:14:37 | |
All four coaches have added to their teams. | 1:14:37 | 1:14:40 | |
will.i.am, George and Ricky are nearly topped out with 10 acts each. | 1:14:40 | 1:14:44 | |
While Paloma has 11, meaning one more turn could max her out. | 1:14:44 | 1:14:49 | |
So next week, coaches and buttons must get pushy to grab the best of the rest. | 1:14:49 | 1:14:55 | |
It's amazing! It's amazing! It's been amazing! | 1:14:55 | 1:15:00 |