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Sitting here for 2016, | 0:00:02 | 0:00:03 | |
we have Ricky Wilson, Paloma Faith, | 0:00:03 | 0:00:04 | |
Boy George and will.i.am. | 0:00:04 | 0:00:06 | |
And back there, who knows? | 0:00:06 | 0:00:07 | |
Because these are the blind auditions. | 0:00:07 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:00:10 | 0:00:14 | |
-Tonight.... -Paloma's losing faith. | 0:00:14 | 0:00:16 | |
-Oh! -Oh, no. | 0:00:16 | 0:00:18 | |
Paloma has been very selective of who she turns for. | 0:00:18 | 0:00:21 | |
Ah! I made a mistake. | 0:00:21 | 0:00:23 | |
-Wait a second! -LAUGHTER | 0:00:23 | 0:00:26 | |
Everyone's like, "What are you doing? | 0:00:26 | 0:00:27 | |
-"What are you doing?" -Paloma! Go! | 0:00:27 | 0:00:29 | |
-I don't really know. -What? | 0:00:29 | 0:00:32 | |
I'm sort of second-guessing myself. | 0:00:32 | 0:00:34 | |
I really thought you were going to go, Paloma. | 0:00:34 | 0:00:37 | |
I'm really sorry. I feel sick. | 0:00:37 | 0:00:38 | |
I'm an idiot. Oh! | 0:00:38 | 0:00:40 | |
I don't know what is going through your head. | 0:00:40 | 0:00:42 | |
I don't know what's stopping me. | 0:00:42 | 0:00:43 | |
I think I'm a bit delirious. | 0:00:43 | 0:00:45 | |
Ah! | 0:00:45 | 0:00:47 | |
I should probably start pressing the button a bit. | 0:00:47 | 0:00:50 | |
Oh, no, what am I going to do? | 0:00:50 | 0:00:53 | |
'OK, here goes - from Essex, it's Vivica Jade.' | 0:00:58 | 0:01:02 | |
VIVICA JADE: I've got to kill this. | 0:01:02 | 0:01:04 | |
I've got to smash it. I need a chair turn. | 0:01:04 | 0:01:07 | |
-How many singers do you have now? -Oh, I've got a lot. | 0:01:07 | 0:01:10 | |
No, what do you have on your team? | 0:01:10 | 0:01:12 | |
Seven, I think. | 0:01:12 | 0:01:14 | |
Have we got the same? | 0:01:14 | 0:01:15 | |
Yeah, yeah. | 0:01:15 | 0:01:16 | |
I really, really hope that the coaches are like, | 0:01:16 | 0:01:19 | |
"Wow, where did that come from?" | 0:01:19 | 0:01:20 | |
That is the aim - to shock the coaches. | 0:01:20 | 0:01:24 | |
How many have you got? | 0:01:24 | 0:01:25 | |
Seven. | 0:01:25 | 0:01:26 | |
I think six. | 0:01:26 | 0:01:28 | |
I've got, yeah, five places left. | 0:01:28 | 0:01:30 | |
I've got a lot riding on this performance. | 0:01:30 | 0:01:33 | |
Look at you, Jasmine. Beautiful. | 0:01:36 | 0:01:39 | |
-BABY SQUEALS -Aw... -Aw... | 0:01:39 | 0:01:41 | |
-I think she's taken after her mum. -I know. -She's got a pair of lungs. | 0:01:41 | 0:01:44 | |
I am a really, really, really new mamma. | 0:01:44 | 0:01:47 | |
It's a 24-hour job. It is demanding, | 0:01:47 | 0:01:49 | |
but I wouldn't change it for the world. | 0:01:49 | 0:01:51 | |
'When I auditioned for The Voice, | 0:01:51 | 0:01:52 | |
'I was actually 8½ months pregnant.' | 0:01:52 | 0:01:55 | |
People might think, "That girl's crazy," | 0:01:55 | 0:01:57 | |
but you can't knock back any opportunity in this industry. | 0:01:57 | 0:02:01 | |
I've been in two girl groups that had a little bit of success. | 0:02:01 | 0:02:04 | |
We opened up for the Pussycat Dolls. We was on tour with Ed Sheeran. | 0:02:06 | 0:02:10 | |
We ended up going on a JLS tour. It was amazing. | 0:02:10 | 0:02:13 | |
I loved those times and I just want to get back into that zone now. | 0:02:13 | 0:02:17 | |
This is my opportunity as a solo artist. | 0:02:18 | 0:02:21 | |
So, I really, really want this to work. | 0:02:23 | 0:02:26 | |
MUSIC: Gravity by DJ Fresh feat Ella Eyre | 0:02:34 | 0:02:37 | |
# All hands on the trigger | 0:02:37 | 0:02:40 | |
# All eyes on the gun | 0:02:40 | 0:02:43 | |
# They don't believe that we're... # CHEERING AND APPLAUSE | 0:02:43 | 0:02:46 | |
# Strong enough to hold on | 0:02:46 | 0:02:49 | |
# Cos I'm the only one who gets you... # | 0:02:49 | 0:02:51 | |
AUDIENCE CLAPS ALONG # The only one to figure you out | 0:02:51 | 0:02:55 | |
# You're a place that I can go to | 0:02:55 | 0:02:59 | |
# A face I couldn't live without | 0:02:59 | 0:03:02 | |
# And nobody sees what we do | 0:03:02 | 0:03:05 | |
# Don't need anybody else around | 0:03:05 | 0:03:08 | |
# And no matter what they told us | 0:03:08 | 0:03:11 | |
# Even gravity can't hold us down | 0:03:11 | 0:03:14 | |
# Whoa-oh-oh-oh Whoa-oh-oh-oh | 0:03:14 | 0:03:17 | |
# Even gravity can't hold us down | 0:03:17 | 0:03:20 | |
# Whoa-oh-oh-oh Whoa-oh-oh-oh | 0:03:20 | 0:03:24 | |
# Even gravity can't hold us... # | 0:03:24 | 0:03:26 | |
SHE RAPS: # Not even gravity can hold me | 0:03:26 | 0:03:28 | |
# From getting my crown I'm a majesty, would-be princess | 0:03:28 | 0:03:30 | |
# Your vanity is my triviality | 0:03:30 | 0:03:32 | |
# Under the crown We revolt in anarchy | 0:03:32 | 0:03:33 | |
# Losing control And we're losing sanity, abnormality | 0:03:33 | 0:03:36 | |
# Ageless vanity Want to have a go? | 0:03:36 | 0:03:37 | |
# Then step up, challenge me | 0:03:37 | 0:03:39 | |
# Back to basics Tied to bases | 0:03:39 | 0:03:40 | |
# Got one heart so you're trying to win it | 0:03:40 | 0:03:42 | |
# Let's dream I'm trying to chase it | 0:03:42 | 0:03:44 | |
# In the air I can almost taste it | 0:03:44 | 0:03:45 | |
# It tastes good Finally the girl came good | 0:03:45 | 0:03:47 | |
# I have the answer but I stay hood | 0:03:47 | 0:03:49 | |
# Hearts break as long as they should | 0:03:49 | 0:03:52 | |
SHE SINGS: # No matter what they told us | 0:03:52 | 0:03:55 | |
# Gravity can't hold us down | 0:03:55 | 0:03:59 | |
# Whoa-oh-oh-oh-oh. # | 0:03:59 | 0:04:03 | |
CHEERING AND APPLAUSE | 0:04:03 | 0:04:06 | |
-SCREAMING AND CHEERING -Yes, yes, yes, yes, yes! | 0:04:08 | 0:04:11 | |
Thank you. | 0:04:23 | 0:04:24 | |
-That was dope. That was super dope. -Thank you. | 0:04:24 | 0:04:27 | |
-What's your name? -My name's Vivica Jade. | 0:04:27 | 0:04:29 | |
I'm 27. I'm a new mummy. | 0:04:29 | 0:04:31 | |
My baby girl is three and half weeks old. | 0:04:31 | 0:04:33 | |
Aw... | 0:04:33 | 0:04:34 | |
VIVICA CHUCKLES | 0:04:34 | 0:04:36 | |
CHEERING AND APPLAUSE | 0:04:36 | 0:04:39 | |
Where's the baby? | 0:04:39 | 0:04:40 | |
-The baby is backstage. -Wow. -Baby Jasmine, she's backstage. | 0:04:40 | 0:04:43 | |
I hope she's cheering for me. | 0:04:43 | 0:04:45 | |
-JASMINE SQUEAKS -See? She said hi, look. -Yeah. | 0:04:45 | 0:04:47 | |
Your baby's backstage, three weeks old? | 0:04:47 | 0:04:48 | |
-That's... Man, awesome. -She's three weeks now. | 0:04:48 | 0:04:50 | |
-Can we give her a round of applause for that? -Thank you very much. | 0:04:50 | 0:04:53 | |
-CHEERING AND APPLAUSE -After just giving birth, | 0:04:53 | 0:04:56 | |
you thought, "Oh, I'll wait to go on The Voice till | 0:04:56 | 0:04:58 | |
-"I've just had a baby." -You know, some people might think... | 0:04:58 | 0:05:01 | |
Some people might think I'm crazy for doing this. | 0:05:01 | 0:05:03 | |
- No, I think it's amazing. - No, no, you have to be crazy... | 0:05:03 | 0:05:05 | |
You have to be crazy. | 0:05:05 | 0:05:06 | |
..cos, if you're going to make it, there is no off switch. | 0:05:06 | 0:05:09 | |
It's always flipped to on and you always keep coming back for more, | 0:05:09 | 0:05:12 | |
and even when it's punishing, right, | 0:05:12 | 0:05:14 | |
you just dust yourself off and you forget about that. | 0:05:14 | 0:05:16 | |
Instantly, you're onto the next thing, | 0:05:16 | 0:05:18 | |
and I can tell you're like that, | 0:05:18 | 0:05:19 | |
-and it's great you're here. -CHEERING AND APPLAUSE | 0:05:19 | 0:05:22 | |
-Thank you. -What do you do in terms of performance, now, you know? | 0:05:22 | 0:05:25 | |
I've been in two girl groups. | 0:05:25 | 0:05:26 | |
I've always wanted to be able to showcase | 0:05:26 | 0:05:28 | |
what I can do as a solo artist, | 0:05:28 | 0:05:30 | |
because I never got to showcase that as a quarter of a group. | 0:05:30 | 0:05:33 | |
Now is my time to show what I can do. | 0:05:33 | 0:05:36 | |
-That's amazing. -CHEERING AND APPLAUSE | 0:05:36 | 0:05:39 | |
The reason why I didn't hit the button was not | 0:05:39 | 0:05:42 | |
because it wasn't brilliant - because it is brilliant. | 0:05:42 | 0:05:45 | |
I want to go for people that are brilliant and that I can help... | 0:05:45 | 0:05:48 | |
-OK. -..and when I saw who turned for you, I thought, | 0:05:48 | 0:05:52 | |
"They'll be able to help you more than I would." | 0:05:52 | 0:05:54 | |
So, I definitely listened and thought, "Wow, she's amazing," | 0:05:54 | 0:05:58 | |
but I just don't want to waste your time... | 0:05:58 | 0:06:00 | |
-I really... -..and by the sounds of it, it's a good job that I didn't, | 0:06:00 | 0:06:03 | |
cos you've had that probably done a few times. | 0:06:03 | 0:06:05 | |
I really appreciate that. I really, really appreciate it. | 0:06:05 | 0:06:07 | |
-Thank you. -I'm so proud of you, and you're on the show, | 0:06:07 | 0:06:10 | |
-so go for it. -Thank you very much. Thank you. | 0:06:10 | 0:06:12 | |
-CHEERING AND APPLAUSE -Oh, isn't that nice of her? | 0:06:12 | 0:06:14 | |
Well, I consider myself to be the comeback king, you know? | 0:06:16 | 0:06:19 | |
I understand, you know, what you're talking about, | 0:06:19 | 0:06:22 | |
but going with what's safe or what's predictable is | 0:06:22 | 0:06:25 | |
not necessarily the smart idea. | 0:06:25 | 0:06:27 | |
You've tasted a little bit of that. | 0:06:27 | 0:06:29 | |
You don't want people around you who are agreeing with you. | 0:06:29 | 0:06:31 | |
You know, my manager doesn't tell me what I want to hear - | 0:06:31 | 0:06:34 | |
that's why he's my manager - so you've got to be smart. | 0:06:34 | 0:06:37 | |
So, think out of the box, or find your own box. | 0:06:37 | 0:06:41 | |
Create your own box. | 0:06:41 | 0:06:43 | |
He's totally right. | 0:06:43 | 0:06:44 | |
Sometimes that's all you need, is somebody that can see what... | 0:06:44 | 0:06:47 | |
No matter what genre you're in, they see your potential. | 0:06:47 | 0:06:50 | |
You'd better choose properly, | 0:06:50 | 0:06:52 | |
cos you could be put in a box and stuck in the box, | 0:06:52 | 0:06:54 | |
and then you're calling Jack to get out the box, | 0:06:54 | 0:06:57 | |
cos Jack was in the box, cos it's a jack-in-the-box. | 0:06:57 | 0:06:59 | |
Obviously, it's very hard to compete on a level with these megastars, | 0:07:01 | 0:07:06 | |
but, then, I think my experience doesn't really matter | 0:07:06 | 0:07:09 | |
in taking you forward, cos what really matters is your experience, | 0:07:09 | 0:07:11 | |
and that's what feeds your emotion, | 0:07:11 | 0:07:13 | |
and that's what fed that performance, | 0:07:13 | 0:07:15 | |
and it was the performance that made me turn. | 0:07:15 | 0:07:17 | |
I just have to go with my heart and my gut and that's why I turned, | 0:07:17 | 0:07:19 | |
so I don't really mind the fact that I'm not the obvious choice. | 0:07:19 | 0:07:24 | |
-That's what makes the world of music, doesn't it? -True. | 0:07:24 | 0:07:27 | |
CHEERING AND APPLAUSE | 0:07:27 | 0:07:30 | |
-Big decisions. -Big decisions. | 0:07:30 | 0:07:31 | |
Big decisions. | 0:07:31 | 0:07:32 | |
Big, big decisions. | 0:07:32 | 0:07:35 | |
CHEERING, WHISTLING AND APPLAUSE Erm... | 0:07:35 | 0:07:38 | |
-Go on, Jadey! -Go for Will. -Go for Will. -Don't be scared. | 0:07:38 | 0:07:41 | |
OK, I've made my decision. | 0:07:44 | 0:07:46 | |
I would love to go with... | 0:07:51 | 0:07:54 | |
..Will. | 0:07:57 | 0:07:58 | |
CHEERING AND APPLAUSE | 0:07:58 | 0:08:01 | |
-Thank you. -Thanks. | 0:08:03 | 0:08:04 | |
Thank you very much. | 0:08:07 | 0:08:08 | |
Thanks. | 0:08:09 | 0:08:11 | |
No way, I understand and I really appreciate it. | 0:08:11 | 0:08:13 | |
-Incredible. -Thank you very much. | 0:08:13 | 0:08:15 | |
-No problem. You don't have to thank me. -Thank you. | 0:08:15 | 0:08:17 | |
CHEERING AND APPLAUSE | 0:08:19 | 0:08:21 | |
I should have turned for her. | 0:08:22 | 0:08:24 | |
You should have done. | 0:08:24 | 0:08:25 | |
I don't know what's... what's going through your head. | 0:08:25 | 0:08:28 | |
SCREAMING | 0:08:28 | 0:08:31 | |
To be honest with you, I wouldn't have known | 0:08:32 | 0:08:34 | |
what to do with her, but I liked her spirit. | 0:08:34 | 0:08:36 | |
Personally, I thought, she already knows what she wants to do. | 0:08:36 | 0:08:38 | |
Now I've heard her attitude and the way she is, | 0:08:38 | 0:08:41 | |
I'm like, "Oh, I love it." | 0:08:41 | 0:08:43 | |
-See you later, guys. -See you. Thank you. -Bye-bye. Bye-bye. | 0:08:43 | 0:08:46 | |
Rate the performances, then challenge other fans, too. | 0:08:55 | 0:08:58 | |
Now. | 0:09:04 | 0:09:05 | |
'Hot-stepping up next is Marvin the Jazz Man. | 0:09:07 | 0:09:10 | |
'He's Marvin. He's a Jazz Man. The clue's in the name.' | 0:09:10 | 0:09:13 | |
The name "Marvin the Jazz Man" came around | 0:09:13 | 0:09:15 | |
when I started playing in my jazz band. | 0:09:15 | 0:09:17 | |
We were called the Barbershop Boys. | 0:09:17 | 0:09:19 | |
My teacher said, "Marvin, you're a jazz man," | 0:09:19 | 0:09:21 | |
and I kind of liked that. | 0:09:21 | 0:09:23 | |
Everyone was listening to dubstep, rap and hip-hop. | 0:09:23 | 0:09:25 | |
People would say, "Oh, jazz. Ugh, that's old-fashioned." | 0:09:25 | 0:09:28 | |
-Marvin. -How's it going, man? | 0:09:28 | 0:09:30 | |
-Lovely to meet you. -Big name! | 0:09:30 | 0:09:33 | |
So, in your performance today, Marv, any tricks up your sleeve? | 0:09:33 | 0:09:36 | |
-Anything different you're going to be doing? -I have one... | 0:09:36 | 0:09:39 | |
-OK, go on. -..which is tap-dancing. | 0:09:39 | 0:09:40 | |
-Are you serious? -Yeah! | 0:09:40 | 0:09:42 | |
-OK, so this is a little improvised shuffle, here, so... -OK. | 0:09:42 | 0:09:44 | |
..here goes. | 0:09:44 | 0:09:45 | |
The tap-dancing - it's become part of my everyday life. | 0:09:45 | 0:09:49 | |
Whoo! | 0:09:49 | 0:09:50 | |
I've got happy feet now. They just have a mind of their own. | 0:09:50 | 0:09:53 | |
Whoa-ho! Hoo-hoo! | 0:09:55 | 0:09:57 | |
I got a bit too carried away there. | 0:09:57 | 0:09:59 | |
I am 19 years old. | 0:10:03 | 0:10:05 | |
I have the voice of, like, a 60-year-old. | 0:10:05 | 0:10:08 | |
There's very few young, male baritone singers | 0:10:08 | 0:10:12 | |
who sing this type of music, and I want to, you know, | 0:10:12 | 0:10:15 | |
step in and bring something different. | 0:10:15 | 0:10:17 | |
HE EXHALES | 0:10:23 | 0:10:26 | |
# Sing, sing, sing, sing | 0:10:36 | 0:10:38 | |
# Everybody starts to sing | 0:10:38 | 0:10:40 | |
# La-dee-da, ho-ho-ho | 0:10:40 | 0:10:43 | |
# Now you're singing with a swing | 0:10:43 | 0:10:45 | |
# When the music goes around | 0:10:45 | 0:10:47 | |
# Everybody goes to town | 0:10:47 | 0:10:49 | |
# But here's one thing you should know | 0:10:49 | 0:10:52 | |
# Ho-ho, baby Ho-ho-ho | 0:10:52 | 0:10:54 | |
# Sing, sing, sing, sing | 0:10:54 | 0:10:56 | |
# Everybody starts to sing | 0:10:56 | 0:10:58 | |
# La-dee-da Ho-ho-ho | 0:10:58 | 0:11:01 | |
# Now you're singin' with a swing... # | 0:11:01 | 0:11:04 | |
# Ooh | 0:11:07 | 0:11:08 | |
# Doo-doo-buh-buh-buh | 0:11:08 | 0:11:10 | |
# Buh-doo-doo-doo Buh-doo-buh-buh-buh-buh-doo... # | 0:11:10 | 0:11:13 | |
Whoo! Not bad for a thick guy, huh? | 0:11:13 | 0:11:15 | |
# Come on Buh-buh-buh-buh-buh | 0:11:17 | 0:11:19 | |
# Doo-boo-doo Buh-buh-ba-dee | 0:11:19 | 0:11:22 | |
# When the music goes around Everybody goes to town | 0:11:22 | 0:11:26 | |
# But there's one thing you should know | 0:11:26 | 0:11:28 | |
# Ho-ho, baby Ho-ho-ho | 0:11:28 | 0:11:30 | |
# Sing, sing, sing, sing | 0:11:30 | 0:11:32 | |
# Everybody starts to sing | 0:11:32 | 0:11:34 | |
# La-dee-da and a ho-ho | 0:11:34 | 0:11:37 | |
# Now you're singin' with a swing | 0:11:37 | 0:11:42 | |
# Hidey-hidey-hidey-ho. # | 0:11:42 | 0:11:46 | |
Thank you. | 0:11:48 | 0:11:49 | |
CHEERING, WHISTLING AND APPLAUSE Whoo. | 0:11:49 | 0:11:52 | |
Thank you very much. | 0:11:52 | 0:11:53 | |
Thank you very much. | 0:11:56 | 0:11:58 | |
-Oh, you look amazing! -Hello! | 0:11:58 | 0:12:01 | |
Hello, my name is Marvin the Jazz Man. | 0:12:01 | 0:12:04 | |
I'm 19 years old and I'm from London. | 0:12:04 | 0:12:07 | |
19? | 0:12:07 | 0:12:08 | |
19. | 0:12:08 | 0:12:10 | |
Were you tap-dancing? | 0:12:10 | 0:12:12 | |
-Yes, I was. -And can I see? | 0:12:12 | 0:12:13 | |
CHEERING AND APPLAUSE | 0:12:16 | 0:12:18 | |
OK, where does this love of this style of music | 0:12:21 | 0:12:24 | |
and the dancing come from? | 0:12:24 | 0:12:25 | |
See, I was watching Blue Peter back in Year One, | 0:12:25 | 0:12:27 | |
and they were showing Riverdance. "Oh, look at that! That's so cool." | 0:12:27 | 0:12:30 | |
So I was like... AUDIENCE LAUGHS | 0:12:30 | 0:12:33 | |
But I never got the hang of it, so I showed it to my class, | 0:12:33 | 0:12:36 | |
and they all said, "You're a great tap-dancer." | 0:12:36 | 0:12:38 | |
You know, these feet have a mind of their own. | 0:12:38 | 0:12:40 | |
They just tap when I'm doing the dishes or cooking something. | 0:12:40 | 0:12:44 | |
They just like, you know... | 0:12:44 | 0:12:46 | |
I can't stop it, you know? | 0:12:46 | 0:12:47 | |
APPLAUSE | 0:12:47 | 0:12:49 | |
-It is thoroughly entertaining. -No worries. -Yeah. -And erm... | 0:12:49 | 0:12:52 | |
You know, you should definitely carry on doing this thing. | 0:12:52 | 0:12:55 | |
-I mean, you're great. -Thank you very much. | 0:12:55 | 0:12:57 | |
-You're so great. -Thank you very much. | 0:12:57 | 0:12:58 | |
APPLAUSE Thank you. | 0:12:58 | 0:13:01 | |
So, Marv, when I was 19, we had a crew, | 0:13:01 | 0:13:04 | |
and our whole thing was to dress like old men. | 0:13:04 | 0:13:08 | |
We went to second-hand stores and got old suits. | 0:13:08 | 0:13:10 | |
We used to go jazz hunting, | 0:13:10 | 0:13:11 | |
-go to second-hand stores and get records... -Yeah. | 0:13:11 | 0:13:14 | |
..and just get, like, Cab Calloway. | 0:13:14 | 0:13:16 | |
I love Cab Calloway. | 0:13:16 | 0:13:17 | |
It's refreshing to see your generation, you know, | 0:13:17 | 0:13:20 | |
appreciating jazz standards. | 0:13:20 | 0:13:22 | |
Now I feel like a dummy for not pushing the button, | 0:13:22 | 0:13:25 | |
so you could continue to be | 0:13:25 | 0:13:26 | |
-on the show. -No, don't worry about it. Don't worry. | 0:13:26 | 0:13:29 | |
I really think you should carry on and I think you're inspiring. | 0:13:29 | 0:13:31 | |
-Of course. -I feel actually overjoyed to stand here and look at you. | 0:13:31 | 0:13:34 | |
CHEERING AND APPLAUSE | 0:13:34 | 0:13:37 | |
-Really, well done. -Thank you very much. Thank you. | 0:13:37 | 0:13:40 | |
What a nice guy. What a sweet guy. | 0:13:40 | 0:13:42 | |
Hard-hitting, Jazz Man. | 0:13:42 | 0:13:43 | |
-Ricky, lovely to meet you. Thank you so much. -Mate... | 0:13:43 | 0:13:46 | |
-I'll never forget this day. -Right. -Thank you very much. Thank you. | 0:13:46 | 0:13:49 | |
CHEERING AND APPLAUSE Thank you. | 0:13:49 | 0:13:51 | |
Thank you. | 0:13:51 | 0:13:53 | |
He's so sweet. | 0:13:55 | 0:13:57 | |
-Thank you, Marvin. -Listen, man, great to meet you, yeah? | 0:14:01 | 0:14:04 | |
-Lovely. -Congratulations, man. I hope I see you again soon. | 0:14:04 | 0:14:06 | |
Maybe if the coaches were faced the right way, | 0:14:06 | 0:14:10 | |
the game might have been changed a little bit, | 0:14:10 | 0:14:12 | |
but at the end of the day, it is what it is. | 0:14:12 | 0:14:14 | |
Getting this far in any competition is a blessing, | 0:14:14 | 0:14:16 | |
so, you know, I'm really grateful for that. | 0:14:16 | 0:14:18 | |
HE SIGHS | 0:14:20 | 0:14:22 | |
HE CHUCKLES | 0:14:22 | 0:14:24 | |
I'm disappointed I didn't turn for him. | 0:14:26 | 0:14:29 | |
I feel that I've become a little bit stale | 0:14:29 | 0:14:32 | |
and sort of second-guessing beyond anything, | 0:14:32 | 0:14:35 | |
so I should probably start pressing the button a bit. | 0:14:35 | 0:14:39 | |
'Paloma's getting shaky. Can our next act restore her faith?' | 0:14:39 | 0:14:44 | |
I'm Chloe Castro. I'm 19 and I'm from Durham. | 0:14:44 | 0:14:49 | |
I used to not have a lot of confidence. | 0:14:49 | 0:14:51 | |
I was just a bedroom singer, but I thought one day, | 0:14:51 | 0:14:53 | |
"I've got to go out and perform in public." | 0:14:53 | 0:14:55 | |
Money is really tight. I don't have a lot of it. | 0:14:55 | 0:14:58 | |
I'm hoping singing will take me to that place where | 0:14:58 | 0:15:01 | |
I don't need to worry about money any more. | 0:15:01 | 0:15:04 | |
Singing in the streets, | 0:15:04 | 0:15:05 | |
and singing on a massive stage, like this, today - | 0:15:05 | 0:15:07 | |
they're both at complete different ends of the spectrum. | 0:15:07 | 0:15:10 | |
I don't quite know how I'm going to beat my nerves. | 0:15:10 | 0:15:12 | |
I'm wearing my nan's skirt. | 0:15:12 | 0:15:14 | |
She's here to watch me perform in it, which means quite a lot to her, | 0:15:14 | 0:15:17 | |
and I'm treating this skirt as a good-luck charm, definitely, yeah. | 0:15:17 | 0:15:21 | |
And the coaches will be listening to every single thing I do. | 0:15:26 | 0:15:30 | |
I'm very, very nervous, but I have nothing to lose. | 0:15:30 | 0:15:33 | |
MUSIC: From Eden by Hozier | 0:15:47 | 0:15:51 | |
# Babe | 0:15:51 | 0:15:54 | |
# There's something tragic about you | 0:15:54 | 0:15:57 | |
# Something so magic about you | 0:15:58 | 0:16:03 | |
# Don't you agree? | 0:16:03 | 0:16:05 | |
# No tired sighs | 0:16:08 | 0:16:10 | |
# No rolling eyes | 0:16:10 | 0:16:11 | |
# No irony... # | 0:16:11 | 0:16:13 | |
Good singer. | 0:16:13 | 0:16:14 | |
# No "who cares" | 0:16:14 | 0:16:16 | |
# No vacant stares | 0:16:16 | 0:16:18 | |
# No time for me | 0:16:18 | 0:16:20 | |
# Honey, you're familiar | 0:16:21 | 0:16:24 | |
# Like my mirror years ago | 0:16:24 | 0:16:29 | |
# Idealism sits in prison | 0:16:29 | 0:16:32 | |
# Chivalry fell on its sword | 0:16:32 | 0:16:37 | |
# Ba-a-a-aby | 0:16:38 | 0:16:41 | |
# There's something wretched about this | 0:16:41 | 0:16:45 | |
# Something so precious about this | 0:16:45 | 0:16:49 | |
# Where to begin...? # | 0:16:49 | 0:16:52 | |
CHEERING, WHISTLING AND APPLAUSE | 0:16:52 | 0:16:54 | |
# Ba-a-a-be | 0:16:54 | 0:16:57 | |
# Oh-oh-oh | 0:16:57 | 0:16:58 | |
# Honey, you're familiar | 0:16:58 | 0:17:02 | |
# Like my mirror years ago | 0:17:02 | 0:17:06 | |
# I slithered here from Eden | 0:17:06 | 0:17:10 | |
# Just to hide outside your door. # | 0:17:10 | 0:17:16 | |
APPLAUSE | 0:17:18 | 0:17:19 | |
Thank you so much. | 0:17:19 | 0:17:21 | |
Thank you. | 0:17:30 | 0:17:31 | |
I'm Chloe... I'm Chloe Castro, I'm 19 and I'm from Durham. | 0:17:31 | 0:17:36 | |
Wow, you are a real beautiful contradiction - | 0:17:36 | 0:17:39 | |
-I mean, I wasn't expecting you to look like you do. -No?! | 0:17:39 | 0:17:42 | |
You look so sweet, and then you sing so - whoar! | 0:17:42 | 0:17:45 | |
-Yeah! -Wow, what a voice. -Thank you so much. | 0:17:45 | 0:17:47 | |
Is not a surprise to me that Ricky turned. | 0:17:47 | 0:17:50 | |
You have a very... Like, an old soul. | 0:17:50 | 0:17:53 | |
Like you've been singing for aeons. Your aura is very, like, ancient. | 0:17:53 | 0:17:59 | |
-And your skirt's great, as well. -Thank you, it's my nan's. | 0:17:59 | 0:18:03 | |
From the '70s? | 0:18:03 | 0:18:04 | |
-Yeah, yeah. -Awesome. -She gave it to me when I was 17, | 0:18:04 | 0:18:07 | |
and she bought it when she was 17. | 0:18:07 | 0:18:08 | |
-Amazing. Amazing. -AUDIENCE: Aww! | 0:18:08 | 0:18:10 | |
APPLAUSE | 0:18:10 | 0:18:11 | |
I feel like I should have turned, and I'm really sorry that I didn't. | 0:18:11 | 0:18:14 | |
-It's OK. -Everyone was looking at me and they were just like, | 0:18:14 | 0:18:17 | |
"What you doing, what are you doing?" | 0:18:17 | 0:18:19 | |
And, um...I don't really know, like, what I'm doing. | 0:18:19 | 0:18:22 | |
LAUGHTER | 0:18:22 | 0:18:23 | |
That's all right, it's fine. | 0:18:23 | 0:18:25 | |
Half the time, I don't, | 0:18:25 | 0:18:26 | |
but there's definitely no shadow of a doubt that you're a great singer | 0:18:26 | 0:18:30 | |
and I'm really happy that somebody here has got some sense. | 0:18:30 | 0:18:34 | |
APPLAUSE Thank you so much. | 0:18:34 | 0:18:35 | |
I can't believe it! | 0:18:35 | 0:18:37 | |
Thank you so much. | 0:18:37 | 0:18:39 | |
What you did was magical, and I really appreciate it. | 0:18:42 | 0:18:45 | |
-PALOMA: -You've got a really lovely speaking voice, as well. | 0:18:45 | 0:18:48 | |
Thank you! As have you! | 0:18:48 | 0:18:50 | |
-No, mine's ridiculous. -I love it... I love it when you chat! | 0:18:50 | 0:18:53 | |
I'm stuck with it. | 0:18:53 | 0:18:55 | |
Getting Chloe, and being the only one to turn for her, | 0:18:55 | 0:18:58 | |
I honestly didn't expect that. | 0:18:58 | 0:19:00 | |
ALL CHEER | 0:19:00 | 0:19:02 | |
Did no-one else hear that? Amazing! | 0:19:05 | 0:19:07 | |
-Amazing, yeah. -She was! | 0:19:07 | 0:19:08 | |
Sometimes, a one-turn is as important as a four-turn, | 0:19:08 | 0:19:11 | |
because it's something that you saw that no-one else saw - | 0:19:11 | 0:19:15 | |
it's like a secret. | 0:19:15 | 0:19:16 | |
-I wasn't going to let that go. -She was really good. | 0:19:16 | 0:19:19 | |
I... I mean, I just thought you were going to go. I thought... | 0:19:19 | 0:19:21 | |
You never know what this show is going to throw at you, you know? | 0:19:21 | 0:19:24 | |
You said it, George - and next up | 0:19:27 | 0:19:29 | |
an act who is used to dealing with the completely unpredictable. | 0:19:29 | 0:19:33 | |
MIKE: I've been riding horses since I was three years old. | 0:19:33 | 0:19:37 | |
Working so close with such powerful animals | 0:19:37 | 0:19:40 | |
can be quite daunting at times. | 0:19:40 | 0:19:42 | |
I have to have complete trust in the horse, | 0:19:44 | 0:19:46 | |
because my job can be incredibly dangerous. | 0:19:46 | 0:19:49 | |
My name is Mike Collin, I'm 30 years old | 0:19:50 | 0:19:52 | |
and I'm a professional stunt rider. | 0:19:52 | 0:19:55 | |
MUSIC: Indiana Jones Theme | 0:19:55 | 0:19:56 | |
I'm not really a 9 to 5 office kind of guy. | 0:19:56 | 0:20:00 | |
I'm a bit of an adrenaline junkie. | 0:20:00 | 0:20:01 | |
Hitting the floor at about 30mph is such a good feeling. | 0:20:01 | 0:20:05 | |
I get a thrill and a buzz about what I do. | 0:20:05 | 0:20:08 | |
One of my favourite tricks is, | 0:20:08 | 0:20:10 | |
you pop up, stand on the saddle, and then you stand up. | 0:20:10 | 0:20:13 | |
When I first started doing that, that felt amazing. | 0:20:13 | 0:20:16 | |
I'm a performer at heart, I always have been. | 0:20:16 | 0:20:19 | |
And also taking to the stage, another act with a tough day job... | 0:20:19 | 0:20:22 | |
MUSIC: Eye Of The Tiger by Survivor | 0:20:22 | 0:20:24 | |
..but she wouldn't have it any other way. | 0:20:27 | 0:20:30 | |
Are you ready, then, Gemma? | 0:20:30 | 0:20:31 | |
SHE GRUNTS | 0:20:33 | 0:20:34 | |
I'm Gemma Magnusson, I'm 32 | 0:20:36 | 0:20:38 | |
and I'm one of the strongest women in the world. | 0:20:38 | 0:20:40 | |
EMMA SQUEALS | 0:20:40 | 0:20:42 | |
-Yeah, yeah... -Whoo! | 0:20:42 | 0:20:44 | |
You did that just like it was a walk in the park! | 0:20:44 | 0:20:46 | |
Nice quads. | 0:20:46 | 0:20:48 | |
# Pump it... # | 0:20:48 | 0:20:50 | |
I started training when I was 19. | 0:20:50 | 0:20:52 | |
Within a year, I'd won my first Britain's Strongest Woman title. | 0:20:52 | 0:20:55 | |
I have retained my title four times, came second in the world twice. | 0:20:55 | 0:20:59 | |
I've broken eight world records. Everything else is history. | 0:20:59 | 0:21:03 | |
EMMA: But before Gemma gets her chance, | 0:21:07 | 0:21:09 | |
it's over to our stunt rider. | 0:21:09 | 0:21:11 | |
MIKE: I've always sang, and I've always loved performing. | 0:21:11 | 0:21:16 | |
That's why I'm here today. I can't be a stunt rider forever. | 0:21:16 | 0:21:20 | |
I don't want to be getting 20 years down the line and thinking, | 0:21:20 | 0:21:22 | |
"Why didn't I go for it?" | 0:21:22 | 0:21:24 | |
ALL CHEER | 0:21:24 | 0:21:26 | |
Come on, Mike! | 0:21:27 | 0:21:28 | |
I hope I'm good enough. | 0:21:30 | 0:21:31 | |
# My house in Budapest | 0:21:46 | 0:21:48 | |
# My hidden treasure chest | 0:21:48 | 0:21:51 | |
# Golden grand piano | 0:21:51 | 0:21:52 | |
# My beautiful Castillo | 0:21:52 | 0:21:54 | |
# You, ooh | 0:21:54 | 0:21:55 | |
# You, ooh | 0:21:55 | 0:21:57 | |
# I'd leave it all | 0:21:57 | 0:22:00 | |
# My acres of a land | 0:22:02 | 0:22:04 | |
# I have achieved | 0:22:04 | 0:22:06 | |
# It may be hard for you to stop and believe | 0:22:06 | 0:22:08 | |
# But for you, ooh | 0:22:08 | 0:22:10 | |
# You, ooh | 0:22:10 | 0:22:12 | |
# I'd leave it all | 0:22:12 | 0:22:14 | |
# Give me one good reason | 0:22:16 | 0:22:18 | |
# Why I should never make a change | 0:22:18 | 0:22:21 | |
# And baby if you hold me | 0:22:23 | 0:22:25 | |
# Then all of this will go away | 0:22:25 | 0:22:28 | |
# My friends and family | 0:22:32 | 0:22:33 | |
# They don't understand | 0:22:33 | 0:22:35 | |
# They fear they'd lose so much | 0:22:35 | 0:22:37 | |
# If you take my hand | 0:22:37 | 0:22:38 | |
# But for you, ooh... # | 0:22:38 | 0:22:41 | |
HE HITS HIGH NOTE | 0:22:41 | 0:22:43 | |
# I'd lose it all | 0:22:43 | 0:22:45 | |
# Give me one good reason | 0:22:46 | 0:22:48 | |
# Why I should never make a change | 0:22:48 | 0:22:52 | |
# And baby if you hold me | 0:22:54 | 0:22:56 | |
# Then all of this will go away. # | 0:22:56 | 0:23:07 | |
APPLAUSE | 0:23:07 | 0:23:09 | |
-Hey! -Hi! | 0:23:15 | 0:23:18 | |
-How are you? -I'm good. My name is Mike and I'm from York, | 0:23:18 | 0:23:21 | |
and I'm a professional stunt rider. APPLAUSE | 0:23:21 | 0:23:24 | |
Have we seen you in loads of big films? | 0:23:24 | 0:23:26 | |
-Yeah, yeah... -Which ones? | 0:23:26 | 0:23:28 | |
I did Warhorse, I've done Merlin, Jamaica Inn... | 0:23:28 | 0:23:31 | |
APPLAUSE | 0:23:31 | 0:23:33 | |
Is it true that horses, like stunt horses, there is a password, | 0:23:33 | 0:23:37 | |
and you say it, and they kind of like pretend to die? | 0:23:37 | 0:23:40 | |
LAUGHTER | 0:23:40 | 0:23:42 | |
They do act, the horses - they fall over and go, "I'm dead!" | 0:23:42 | 0:23:45 | |
Yeah, they go, "Oh, my God!" | 0:23:45 | 0:23:47 | |
LAUGHTER | 0:23:47 | 0:23:48 | |
"Oh, the humanity!" | 0:23:48 | 0:23:51 | |
APPLAUSE | 0:23:51 | 0:23:52 | |
I mean, obviously, it's a great song choice - I love that song. | 0:23:52 | 0:23:55 | |
I think you went, kind of, a bit wild with it, | 0:23:55 | 0:23:58 | |
it was kind of like, "Ooh, where are you going with it?" | 0:23:58 | 0:24:00 | |
There is a good voice there, | 0:24:00 | 0:24:01 | |
but I think what you did with that song... | 0:24:01 | 0:24:03 | |
-You always run the risk of it, don't you, really? -Exactly. | 0:24:03 | 0:24:06 | |
-In that respect, it didn't really work. Sorry to say that. -No worries. | 0:24:06 | 0:24:09 | |
That's the thing, isn't it? | 0:24:09 | 0:24:11 | |
You know, I tried. APPLAUSE | 0:24:11 | 0:24:13 | |
You've got to get back on that horse. | 0:24:13 | 0:24:15 | |
LAUGHTER | 0:24:15 | 0:24:17 | |
Thank you. | 0:24:17 | 0:24:18 | |
Well done. There's always more than one chance. | 0:24:18 | 0:24:21 | |
Thank you very much. | 0:24:21 | 0:24:23 | |
So, it's no turns for Mike. | 0:24:23 | 0:24:26 | |
Will Gemma have the vocal strength to push some buttons? | 0:24:26 | 0:24:30 | |
I love being strong, | 0:24:30 | 0:24:32 | |
and I love everything that comes with that - | 0:24:32 | 0:24:34 | |
but no deadlift or squat or log lift | 0:24:34 | 0:24:36 | |
will ever give you a rush like singing. | 0:24:36 | 0:24:39 | |
I really am passionate about it, | 0:24:39 | 0:24:41 | |
and I didn't realise how passionate I was until I came on The Voice. | 0:24:41 | 0:24:45 | |
# The higher you build your barriers | 0:24:59 | 0:25:04 | |
# The taller I become | 0:25:04 | 0:25:08 | |
# The farther you take my rights away | 0:25:10 | 0:25:15 | |
# The faster I will run | 0:25:15 | 0:25:19 | |
# You can deny me | 0:25:22 | 0:25:25 | |
# You can decide to turn your face away | 0:25:25 | 0:25:31 | |
# No matter, cos there's | 0:25:31 | 0:25:33 | |
# Something inside so strong | 0:25:33 | 0:25:39 | |
# Brothers and sisters | 0:25:39 | 0:25:41 | |
# Just look 'em in the eyes and say | 0:25:41 | 0:25:44 | |
# I'm gonna do it anyway | 0:25:44 | 0:25:47 | |
# I'm gonna do it anyway | 0:25:47 | 0:25:53 | |
# Something inside so strong | 0:25:53 | 0:25:58 | |
# And I know that I can make it... # | 0:25:58 | 0:26:01 | |
Come on, turn round! | 0:26:01 | 0:26:02 | |
# Something inside so strong. # | 0:26:02 | 0:26:08 | |
APPLAUSE | 0:26:08 | 0:26:10 | |
Well done, Gemma! | 0:26:17 | 0:26:18 | |
- Well, hello! - Hello! | 0:26:20 | 0:26:22 | |
-Hi. -You know, before we stopped, George was going, "It's Cher," | 0:26:22 | 0:26:26 | |
and I was like, "Cher's not going to audition for The Voice UK." | 0:26:26 | 0:26:30 | |
You don't know - you've got a real Cher... | 0:26:30 | 0:26:33 | |
-You must have been told that, right? -A few times. | 0:26:33 | 0:26:37 | |
Tell us your name and where you come from. | 0:26:37 | 0:26:40 | |
My name's Gemma, I'm 32, I'm from Thirsk and I'm a strength coach. | 0:26:40 | 0:26:44 | |
-A strength coach? -Yeah. | 0:26:44 | 0:26:46 | |
I used to compete in the World's Strongest Woman competition, so... | 0:26:46 | 0:26:49 | |
APPLAUSE | 0:26:49 | 0:26:51 | |
So, it's almost like your theme song, right? | 0:26:51 | 0:26:54 | |
-Yeah, kind of, yeah. -Something Inside So Strong. | 0:26:54 | 0:26:56 | |
-Do you ever...? -So, you could, like, beat me and Ricky up. | 0:26:56 | 0:26:59 | |
Um... I'm very non-violent, but I could lift you up. | 0:26:59 | 0:27:04 | |
LAUGHTER | 0:27:04 | 0:27:05 | |
APPLAUSE | 0:27:05 | 0:27:07 | |
I could lift Ricky up, come on, anybody could... | 0:27:07 | 0:27:09 | |
Will, do you want me to lift you up, as well? | 0:27:09 | 0:27:11 | |
# Lift him up...! # | 0:27:11 | 0:27:13 | |
CROWD CHEERS | 0:27:13 | 0:27:14 | |
She's going to have to take them all. | 0:27:14 | 0:27:16 | |
-What do I do? -There are rules, OK? | 0:27:19 | 0:27:21 | |
OK. | 0:27:21 | 0:27:22 | |
You've got to put your arms around me... | 0:27:22 | 0:27:23 | |
-Like this. -# Put your arms around me. # | 0:27:23 | 0:27:25 | |
# Must be love! # | 0:27:25 | 0:27:26 | |
That's another Labi Siffre song, innit? | 0:27:26 | 0:27:28 | |
One, two, three... | 0:27:28 | 0:27:29 | |
ALL CHEER | 0:27:29 | 0:27:31 | |
That was amazing! | 0:27:33 | 0:27:35 | |
This is my kind of lady. | 0:27:35 | 0:27:37 | |
-PALOMA: -Can I just quickly have a go, just to test? | 0:27:38 | 0:27:41 | |
-Can I just see if I can lift you? -Can you put her up like that...? | 0:27:41 | 0:27:44 | |
-Up in the air. -Right... | 0:27:44 | 0:27:45 | |
One, two... | 0:27:45 | 0:27:46 | |
Paloma, you'll break something. | 0:27:46 | 0:27:48 | |
LAUGHTER | 0:27:48 | 0:27:50 | |
ALL CHEER | 0:27:50 | 0:27:52 | |
-That was great. -No, but that was... That just shows how strong she is. | 0:27:52 | 0:27:56 | |
-Well done. -Paloma... | 0:27:56 | 0:27:58 | |
LAUGHTER | 0:27:58 | 0:28:00 | |
# What doesn't kill you makes you stronger... # | 0:28:00 | 0:28:03 | |
Like Cinderella... | 0:28:05 | 0:28:07 | |
So nice to meet you. Inspiring. Thank you. | 0:28:07 | 0:28:11 | |
Come on, coaches, what's with the no-spins? | 0:28:16 | 0:28:18 | |
Maybe 19-year-old Kagan can turn things around. | 0:28:18 | 0:28:21 | |
Hopefully, this will be a big start for me. | 0:28:22 | 0:28:25 | |
My heart is going to be racing, my legs will be shaking. | 0:28:26 | 0:28:30 | |
I've just got to get up there, grab the microphone and just sing. | 0:28:30 | 0:28:34 | |
# You look so dumb right now | 0:28:54 | 0:29:00 | |
# Standin' outside my house | 0:29:00 | 0:29:04 | |
# Tryin' to apologise | 0:29:04 | 0:29:07 | |
# You're so ugly when you cry | 0:29:07 | 0:29:11 | |
# Just cut it out | 0:29:11 | 0:29:16 | |
# Don't tell me you're sorry cos you're not | 0:29:16 | 0:29:20 | |
# And baby when I know you're only sorry you got caught | 0:29:20 | 0:29:26 | |
# But you put on quite a show | 0:29:26 | 0:29:30 | |
# Really had me going | 0:29:30 | 0:29:33 | |
# Go on and take a bow | 0:29:33 | 0:29:38 | |
# And the award for the best liar goes to you | 0:29:38 | 0:29:48 | |
# For making me believe that you could be faithful to me | 0:29:48 | 0:29:57 | |
# Let's just hear your speech | 0:29:57 | 0:30:00 | |
# And you put on quite a show | 0:30:00 | 0:30:05 | |
# Really had me going | 0:30:05 | 0:30:07 | |
# That was quite a show | 0:30:07 | 0:30:10 | |
# Really entertaining | 0:30:10 | 0:30:13 | |
# But it's over now | 0:30:13 | 0:30:18 | |
# Go on and take a bow. # | 0:30:18 | 0:30:25 | |
APPLAUSE | 0:30:25 | 0:30:28 | |
Yes! | 0:30:28 | 0:30:29 | |
-Thank you. -Cheers, mate. | 0:30:41 | 0:30:43 | |
Oh, that was the most nerve-racking 60 seconds of my life! | 0:30:45 | 0:30:49 | |
-What's your name? -My name is Kagan, I'm from London. | 0:30:49 | 0:30:52 | |
ALL CHEER | 0:30:52 | 0:30:54 | |
-How old are you? -19. -19? -Yeah. | 0:30:54 | 0:30:57 | |
That's dope, man. Welcome to The Voice. | 0:30:57 | 0:30:59 | |
You're on Team Ricky. | 0:30:59 | 0:31:01 | |
Kagan, the reason I turned is cos... So many brilliant singers, | 0:31:03 | 0:31:08 | |
and everyone can sing, and everyone is brilliant in their own way. | 0:31:08 | 0:31:13 | |
What I've been missing is the personalities, | 0:31:13 | 0:31:16 | |
-and when you sing, your personality comes through. -Thank you. | 0:31:16 | 0:31:19 | |
That's the reason I turned, and I loved it. | 0:31:19 | 0:31:22 | |
APPLAUSE | 0:31:22 | 0:31:24 | |
-Did you like it? -Yeah, there's raw talent there. | 0:31:24 | 0:31:27 | |
I'm glad Ricky turned for you. | 0:31:27 | 0:31:28 | |
-You were good, it was nice. -Thank you. -Nice. | 0:31:28 | 0:31:30 | |
I loved it - I loved it. | 0:31:30 | 0:31:32 | |
Anyway, welcome to Team Ricky! | 0:31:32 | 0:31:34 | |
That was really great, really great. | 0:31:36 | 0:31:38 | |
-PALOMA: -Well done. Really good. | 0:31:38 | 0:31:41 | |
ALL CHEER | 0:31:41 | 0:31:44 | |
Well done, Kagan! | 0:31:44 | 0:31:46 | |
-PALOMA: -Have you ever had it where... | 0:31:46 | 0:31:47 | |
once you've filled up, and then you hear loads that you love...? | 0:31:47 | 0:31:50 | |
-RICKY: -Yeah, totally, but you just don't worry about it. | 0:31:50 | 0:31:53 | |
Up next, hoping for some luck of the Irish, it's Cian Ducrot. | 0:31:57 | 0:32:01 | |
My mum, she taught me music from a young age. | 0:32:01 | 0:32:04 | |
When I started songwriting and teaching myself piano and guitar, | 0:32:04 | 0:32:07 | |
she just always supported me equally | 0:32:07 | 0:32:10 | |
with my pop music as my classical music. | 0:32:10 | 0:32:13 | |
I recently moved over to Wells from Cork, | 0:32:13 | 0:32:15 | |
and I got a scholarship to go to a specialised musician school. | 0:32:15 | 0:32:19 | |
I thought it was important to move away | 0:32:19 | 0:32:22 | |
to further my career as a singer. | 0:32:22 | 0:32:24 | |
I hope that this move, and coming to England, | 0:32:24 | 0:32:27 | |
is going to be the right thing. | 0:32:27 | 0:32:28 | |
# Ooh, ooh, ooh | 0:32:40 | 0:32:43 | |
# You and I go hard at each other | 0:32:43 | 0:32:47 | |
# Like we're going to war | 0:32:47 | 0:32:49 | |
# You and I get rough we keep throwing things | 0:32:49 | 0:32:53 | |
# And slamming the door | 0:32:53 | 0:32:55 | |
# You and I get so damn dysfunctional | 0:32:55 | 0:32:58 | |
# We start keeping score | 0:32:58 | 0:32:59 | |
# You and I get sick | 0:32:59 | 0:33:02 | |
# Oh, I know that we can't do this no more | 0:33:02 | 0:33:05 | |
# But, baby, there you go again | 0:33:05 | 0:33:07 | |
# There you go again making me love you | 0:33:07 | 0:33:10 | |
# And now I feel stupid | 0:33:11 | 0:33:13 | |
# Feel stupid crawling back to you | 0:33:13 | 0:33:16 | |
# So I cross my heart and I hope to die | 0:33:16 | 0:33:21 | |
# That I will only stay with you one more night | 0:33:21 | 0:33:26 | |
# When I know I said it... # | 0:33:26 | 0:33:27 | |
Come on! | 0:33:27 | 0:33:28 | |
# ..a million times, yeah | 0:33:28 | 0:33:31 | |
# But I'll only stay with you one more night | 0:33:31 | 0:33:35 | |
# Oh, baby give me one more night. # | 0:33:35 | 0:33:39 | |
APPLAUSE | 0:33:39 | 0:33:41 | |
Oh, jeez. Oh, my God. | 0:33:44 | 0:33:47 | |
-Hey, man. -Hello. | 0:33:52 | 0:33:54 | |
Hello! | 0:33:54 | 0:33:55 | |
I'm Cian. I'm 18 and I'm from Cork, Ireland. | 0:33:55 | 0:33:59 | |
-I'm sorry that I didn't turn. -It's all right! | 0:33:59 | 0:34:02 | |
It's just that I thought that it wasn't really my domain. | 0:34:02 | 0:34:04 | |
-You obviously perform a lot. -Yeah. | 0:34:04 | 0:34:06 | |
I can tell, because you felt like a seasoned performer, even at 18. | 0:34:06 | 0:34:10 | |
-PALOMA: -Obviously, you're really young, you're just starting, | 0:34:10 | 0:34:13 | |
and everything. | 0:34:13 | 0:34:14 | |
The people, in my view, who make it in music | 0:34:14 | 0:34:16 | |
are the ones who have to work a little bit harder at the beginning. | 0:34:16 | 0:34:20 | |
-Yeah. -Like, you've got to be quite resilient - and you won't be, | 0:34:20 | 0:34:23 | |
unless you've experienced playing to a room of people | 0:34:23 | 0:34:27 | |
who aren't interested, for a start - and a few rejections. | 0:34:27 | 0:34:30 | |
And it sounds like this is the thing you want to do with your life, | 0:34:30 | 0:34:34 | |
-so I would just keep doing it. -Yeah. | 0:34:34 | 0:34:36 | |
APPLAUSE | 0:34:36 | 0:34:38 | |
-It felt as if you were pushing. -OK. | 0:34:38 | 0:34:41 | |
It seemed like you were straining, and... I couldn't see it, | 0:34:41 | 0:34:45 | |
-but it looked as if your veins in your neck were about to rip out. -OK! | 0:34:45 | 0:34:49 | |
-LAUGHTER -It just sounded like that. | 0:34:49 | 0:34:51 | |
Can I hear you play, just you and the guitar, one semitone lower? | 0:34:51 | 0:34:55 | |
Yeah, put the mic in there... I was about to say the same thing. | 0:34:55 | 0:34:58 | |
I bet you, what are about to play right now, | 0:34:58 | 0:35:00 | |
it'll be ten times better than what you just sung right there, | 0:35:00 | 0:35:03 | |
and then we all will regret that we didn't turn for it. | 0:35:03 | 0:35:05 | |
All right! | 0:35:05 | 0:35:06 | |
# When the rain is blowing in your face | 0:35:08 | 0:35:12 | |
# And the whole world is on your case... # | 0:35:15 | 0:35:20 | |
APPLAUSE | 0:35:20 | 0:35:21 | |
# I could offer you a warm embrace | 0:35:21 | 0:35:27 | |
# To make you feel my love | 0:35:28 | 0:35:33 | |
# I know you haven't made your mind up yet | 0:35:36 | 0:35:41 | |
# But I would never do you wrong | 0:35:43 | 0:35:47 | |
# I've known it from the moment that we met | 0:35:50 | 0:35:55 | |
# There's no doubt in my mind where you belong... # | 0:35:55 | 0:36:00 | |
APPLAUSE | 0:36:02 | 0:36:03 | |
-Thank you. -Argh! | 0:36:11 | 0:36:13 | |
Whoo! | 0:36:15 | 0:36:17 | |
See, we turned an awkward moment into a beautiful moment. | 0:36:22 | 0:36:25 | |
-Well done, that was so nice. -We wish you'd done that. | 0:36:25 | 0:36:28 | |
-I would have turned, for sure. -Oh, thank you. | 0:36:28 | 0:36:30 | |
-Sometimes, simpler is better. -Yeah. | 0:36:30 | 0:36:32 | |
ALL CHEER | 0:36:32 | 0:36:34 | |
That was beautiful! | 0:36:36 | 0:36:37 | |
That was so beautiful. Oh, my God. | 0:36:37 | 0:36:40 | |
-I got quite emotional. -Yeah! | 0:36:40 | 0:36:42 | |
It was vulnerable, it was really vulnerable. | 0:36:42 | 0:36:45 | |
Good call, Will. | 0:36:45 | 0:36:47 | |
That was good. | 0:36:47 | 0:36:48 | |
As your team gets more full, you start to lose perspective - | 0:36:54 | 0:36:59 | |
questioning whether you're right, you're wrong. | 0:36:59 | 0:37:02 | |
I'm definitely making mistakes. | 0:37:02 | 0:37:04 | |
I feel like I've let people down that really deserve it, | 0:37:04 | 0:37:08 | |
and that's quite hard. | 0:37:08 | 0:37:10 | |
I guess I'm doubting myself, because I'm not sure | 0:37:11 | 0:37:14 | |
if they're something amazing coming, and I might miss it - | 0:37:14 | 0:37:17 | |
you know, being a little bit hasty pushing that button. | 0:37:17 | 0:37:20 | |
Sometimes it feels like you just miss the opportunity. | 0:37:20 | 0:37:23 | |
You've heard so many things, and you've loved most of them. | 0:37:25 | 0:37:28 | |
You start thinking to yourself, "What am I even looking for?" | 0:37:28 | 0:37:31 | |
Mistakes WILL be made. | 0:37:31 | 0:37:33 | |
It's happened to people in relationships. | 0:37:35 | 0:37:37 | |
People that thought they were waiting for Mr or Mrs Right, | 0:37:37 | 0:37:40 | |
and Mr or Mrs Right was right there in the living room the whole time, | 0:37:40 | 0:37:43 | |
because they were waiting for something else - | 0:37:43 | 0:37:45 | |
and the same thing applies to picking a singer, and overthinking. | 0:37:45 | 0:37:50 | |
Not even seeing the beauty that is right there in front of you. | 0:37:50 | 0:37:53 | |
# If I lose myself I lose it all... # | 0:37:53 | 0:37:57 | |
So, the coaches are starting to doubt themselves - | 0:37:57 | 0:38:01 | |
but can our next act restore their confidence? | 0:38:01 | 0:38:04 | |
'I'm Tobias Robertson. | 0:38:04 | 0:38:06 | |
'I'm 22,' | 0:38:06 | 0:38:08 | |
and I'm a professional musician. | 0:38:08 | 0:38:10 | |
Music does run in my family, especially in a particular person. | 0:38:10 | 0:38:16 | |
My great auntie was Cilla Black - | 0:38:16 | 0:38:19 | |
obviously very famous for her music career. | 0:38:19 | 0:38:22 | |
# Anyone who had a heart... # | 0:38:22 | 0:38:25 | |
These are actually some pictures of... | 0:38:25 | 0:38:28 | |
- Of Cilla! - ..of Cilla's wedding. | 0:38:28 | 0:38:30 | |
-Now, that's me. -That's my mum! -I was a bridesmaid. | 0:38:30 | 0:38:33 | |
- She was, yeah. - Really? | 0:38:33 | 0:38:35 | |
Yeah. I was 10. | 0:38:35 | 0:38:37 | |
It was so exciting - on that day, I remember coming out of the church | 0:38:37 | 0:38:41 | |
and seeing a cameraman up a lamppost, | 0:38:41 | 0:38:43 | |
and then going home to my grandmother's, | 0:38:43 | 0:38:45 | |
because we weren't allowed to stay very late, | 0:38:45 | 0:38:47 | |
and then seeing myself on telly. It was surreal! | 0:38:47 | 0:38:50 | |
What's incredible is that you have that musical gene - | 0:38:50 | 0:38:53 | |
you have THAT musical gene inside you. | 0:38:53 | 0:38:56 | |
- Yeah, somewhere! - Somewhere! | 0:38:56 | 0:38:59 | |
TOBIAS: I'm actually feeling a little bit terrified. | 0:39:00 | 0:39:02 | |
It's always just amazing, just to have, in the back of my mind, | 0:39:02 | 0:39:05 | |
that someone in my family, someone I share blood with, | 0:39:05 | 0:39:08 | |
went on to achieve such great things. | 0:39:08 | 0:39:10 | |
To get a chair to turn today would mean a hell of a lot to me. | 0:39:10 | 0:39:16 | |
I owe it to myself. | 0:39:16 | 0:39:18 | |
-How many have you got now? -Seven. | 0:39:21 | 0:39:23 | |
-How many have you got? -Seven. | 0:39:23 | 0:39:24 | |
-We haven't paced ourselves, have we, really? It's really hard. -Slow down! | 0:39:24 | 0:39:29 | |
Yeah, I'm going to, now. | 0:39:29 | 0:39:32 | |
# You've got a friend in me... # APPLAUSE | 0:39:42 | 0:39:46 | |
# You've got a friend in me | 0:39:46 | 0:39:49 | |
# When the road looks rough ahead | 0:39:49 | 0:39:53 | |
# And you're miles and miles from your nice warm bed | 0:39:53 | 0:39:58 | |
# You just remember what your old pal said | 0:39:58 | 0:40:02 | |
# Cos you've got a friend in me | 0:40:02 | 0:40:05 | |
# You've got a friend in me | 0:40:07 | 0:40:10 | |
# Some other folks might be a little bit smarter than I am | 0:40:11 | 0:40:16 | |
# Bigger and stronger, too | 0:40:16 | 0:40:18 | |
# Maybe | 0:40:18 | 0:40:20 | |
# But none of them will ever love you | 0:40:20 | 0:40:24 | |
# The way I do | 0:40:24 | 0:40:26 | |
# It's me and you, boy | 0:40:26 | 0:40:28 | |
# And as the years go by | 0:40:28 | 0:40:32 | |
# Our friendship will never die | 0:40:32 | 0:40:36 | |
# You're gonna see it's our destiny | 0:40:36 | 0:40:41 | |
# You've got a friend in me | 0:40:42 | 0:40:46 | |
# You got a friend in me | 0:40:46 | 0:40:51 | |
# Oh, you got a friend... | 0:40:51 | 0:40:59 | |
# In me, yeah. # | 0:40:59 | 0:41:09 | |
APPLAUSE | 0:41:09 | 0:41:12 | |
Yeah, yeah, yeah! | 0:41:15 | 0:41:17 | |
Hello! | 0:41:18 | 0:41:19 | |
You've got a friend in me, my friend. What's your name? | 0:41:23 | 0:41:26 | |
-My name is Tobias Robertson. -Great name. -Thank you very much. | 0:41:26 | 0:41:29 | |
Halfway there, with a name like that. | 0:41:29 | 0:41:31 | |
-HE LAUGHS -Where are you from? | 0:41:31 | 0:41:32 | |
Newport, South Wales. | 0:41:32 | 0:41:34 | |
-CROWD CHEERS -Newport, South Wales! | 0:41:34 | 0:41:37 | |
-South Wales, home of singing. -Yeah, pretty much. Yeah, yeah. | 0:41:37 | 0:41:40 | |
Who are you here with today? | 0:41:40 | 0:41:42 | |
Just my mum - she's the only one who could make it up. | 0:41:42 | 0:41:45 | |
APPLAUSE | 0:41:46 | 0:41:49 | |
I think you made a few more fans today - hopefully. | 0:41:49 | 0:41:51 | |
-I do! -I hope so. | 0:41:51 | 0:41:52 | |
APPLAUSE Thank you. | 0:41:52 | 0:41:54 | |
Thank you, thank you. | 0:41:54 | 0:41:55 | |
-Do you write your own songs? -I do. Yeah. | 0:41:55 | 0:41:58 | |
What style of music do you write? | 0:41:58 | 0:42:00 | |
Folky...bluesy...souly... You know. | 0:42:00 | 0:42:05 | |
-That's cooly. -LAUGHTER | 0:42:05 | 0:42:07 | |
Yeah, so I'm so happy George turned for you. | 0:42:07 | 0:42:10 | |
Yeah, and try not to turn as much, but, unfortunately, you know, | 0:42:10 | 0:42:14 | |
to me, you're a real singer, | 0:42:14 | 0:42:16 | |
and I was wondering if anyone else was going to turn. | 0:42:16 | 0:42:19 | |
-They didn't, so you got me. -Excellent! -Yeah! | 0:42:19 | 0:42:22 | |
ALL CHEER | 0:42:22 | 0:42:24 | |
How are you doing, Tobias? | 0:42:25 | 0:42:27 | |
It's great. It's great. | 0:42:27 | 0:42:29 | |
-PALOMA: -Well done, mate. You look lucky. -Thank you. | 0:42:29 | 0:42:32 | |
- You just look lucky, doesn't he? - He does. | 0:42:32 | 0:42:34 | |
Well done, well done! Ooh! | 0:42:45 | 0:42:49 | |
-Don't cry! -I won't cry, I'm not going to cry! | 0:42:49 | 0:42:51 | |
# Close your eyes Give me your hand, darlin' | 0:42:53 | 0:42:58 | |
# Do you feel my heart beating? | 0:42:58 | 0:43:01 | |
# Do you understand? # | 0:43:01 | 0:43:03 | |
LAUGHTER | 0:43:03 | 0:43:05 | |
-YELLS: -# Do you feel the same?! # | 0:43:05 | 0:43:09 | |
LAUGHTER | 0:43:09 | 0:43:10 | |
Next, the rock-and-roll heartland... of Whitby. | 0:43:15 | 0:43:20 | |
Fish and chips...surf and sand... | 0:43:20 | 0:43:22 | |
and now these two. | 0:43:22 | 0:43:24 | |
'Wett N Wilde.' | 0:43:24 | 0:43:26 | |
-We've lived in Whitby for 15 years. -We love it, | 0:43:26 | 0:43:30 | |
and I can't see me living anywhere else. | 0:43:30 | 0:43:32 | |
Only in an old folks' home. | 0:43:32 | 0:43:34 | |
Oh, my God. | 0:43:35 | 0:43:37 | |
Come on, then, Rory - let's face the elements, eh? | 0:43:40 | 0:43:43 | |
Brrr! It's freezing. | 0:43:43 | 0:43:45 | |
I'm Wett - with two Ts, | 0:43:45 | 0:43:46 | |
and he's Wilde... | 0:43:46 | 0:43:48 | |
but, if necessary, I can get wild. SHE CHUCKLES | 0:43:48 | 0:43:50 | |
How's that? Is that not good? | 0:43:50 | 0:43:52 | |
Rory and I have been singing together now for 25 years. | 0:43:52 | 0:43:56 | |
We're comfortable together, we're confident together, | 0:43:56 | 0:43:59 | |
and I'm a very patient person. | 0:43:59 | 0:44:02 | |
# I would be nothing without you-ou! # | 0:44:02 | 0:44:05 | |
HE LAUGHS | 0:44:05 | 0:44:07 | |
Pfft. | 0:44:07 | 0:44:08 | |
# It takes two, baby... # | 0:44:08 | 0:44:11 | |
People always mistake Pam and I for being a couple - | 0:44:11 | 0:44:14 | |
including my wife! | 0:44:14 | 0:44:15 | |
It's an easy mistake to make, | 0:44:16 | 0:44:18 | |
because we just have this easy camaraderie between us - | 0:44:18 | 0:44:21 | |
but life is quite short, | 0:44:21 | 0:44:22 | |
why shouldn't you spend time with your best mate? | 0:44:22 | 0:44:24 | |
Our biggest fan is my mum, I would say. | 0:44:26 | 0:44:29 | |
She's going on to 91 now, and she was a singer. She's lovely. | 0:44:29 | 0:44:33 | |
So, Joyce, how much of a fan of Wett N Wilde are you? | 0:44:33 | 0:44:36 | |
Number one. | 0:44:36 | 0:44:37 | |
-Oh, number one fan of Wett N Wilde, yeah? -Yeah, number one. | 0:44:37 | 0:44:40 | |
They're very good singers, which we don't get these days - | 0:44:40 | 0:44:42 | |
they're all shouters. | 0:44:42 | 0:44:44 | |
But they can sing properly, not "Whurrr!" You know? | 0:44:44 | 0:44:46 | |
I think you should have been their manager, Joyce. | 0:44:46 | 0:44:48 | |
Yeah, you should have been. | 0:44:48 | 0:44:50 | |
Well, I would've asked for a lot of money, but... | 0:44:50 | 0:44:52 | |
LAUGHTER | 0:44:52 | 0:44:53 | |
In our mature years, | 0:44:56 | 0:44:57 | |
we think, "Let's try and prove that it's never too late." | 0:44:57 | 0:45:01 | |
It's nothing to do with how old you are. | 0:45:02 | 0:45:04 | |
It's all a matter of how good you are. | 0:45:04 | 0:45:06 | |
We're still good. | 0:45:08 | 0:45:09 | |
CHEERING | 0:45:11 | 0:45:13 | |
Come on, love! | 0:45:13 | 0:45:15 | |
# Who knows what tomorrow brings? | 0:45:22 | 0:45:27 | |
# In a world few hearts survive | 0:45:29 | 0:45:35 | |
# The road is long | 0:45:36 | 0:45:41 | |
# There are mountains in our way... # | 0:45:42 | 0:45:48 | |
If they don't turn round, I'll be cross. | 0:45:48 | 0:45:50 | |
-BOTH: -# But we climb a step every day, yeah | 0:45:50 | 0:45:55 | |
# Love lifts us up where we belong | 0:45:57 | 0:46:01 | |
# Far from the world below | 0:46:03 | 0:46:07 | |
# Up where the clear winds blow | 0:46:07 | 0:46:11 | |
# Time goes by | 0:46:11 | 0:46:14 | |
# No time to cry | 0:46:14 | 0:46:17 | |
# Life's you and I | 0:46:17 | 0:46:20 | |
# Alive today | 0:46:20 | 0:46:23 | |
# Baby, baby | 0:46:23 | 0:46:25 | |
# Love lifts us up where we belong | 0:46:25 | 0:46:29 | |
# Where the eagles cry | 0:46:30 | 0:46:34 | |
# On a mountain high | 0:46:34 | 0:46:38 | |
# Love lifts us up where we belong | 0:46:38 | 0:46:43 | |
# Yeah. # | 0:46:43 | 0:46:51 | |
CHEERING AND APPLAUSE | 0:46:51 | 0:46:54 | |
-PALOMA: -Oh, hello! Aren't you gorgeous? | 0:47:05 | 0:47:09 | |
What are your names? | 0:47:09 | 0:47:11 | |
We're Pamela and Rory. We are soul mates, baby. | 0:47:11 | 0:47:14 | |
Soul mates. | 0:47:14 | 0:47:15 | |
CHEERING AND APPLAUSE | 0:47:17 | 0:47:19 | |
Are you soul mates in the sense that you are a couple? | 0:47:19 | 0:47:22 | |
-No, we're not, no. -Couple of idiots, really. | 0:47:22 | 0:47:25 | |
LAUGHTER AND APPLAUSE | 0:47:25 | 0:47:27 | |
Do you do this performing together a lot? | 0:47:27 | 0:47:30 | |
-Yeah, quite a few years. -In what situations? | 0:47:30 | 0:47:32 | |
We worked together a lot in Spain, | 0:47:32 | 0:47:33 | |
and now we work in hotels in this country. | 0:47:33 | 0:47:36 | |
And do you have a big repertoire? | 0:47:36 | 0:47:39 | |
Oh, yes. It's here. | 0:47:39 | 0:47:41 | |
LAUGHTER | 0:47:41 | 0:47:43 | |
You're entertainers! | 0:47:43 | 0:47:46 | |
-Yes, we do. -How long have you been working together? | 0:47:46 | 0:47:49 | |
-25 years. -About 25. -Wow, congratulations. | 0:47:49 | 0:47:52 | |
We must be the oldest entertainers on the show. | 0:47:54 | 0:47:57 | |
How old are you? | 0:47:57 | 0:47:58 | |
-68. -We've had older. | 0:47:58 | 0:48:00 | |
75, almost. | 0:48:00 | 0:48:02 | |
- Well, I think we're about... - We've had older. | 0:48:02 | 0:48:05 | |
-PALOMA: -I think we've had older. | 0:48:05 | 0:48:07 | |
I didn't think anybody was older than me. | 0:48:07 | 0:48:10 | |
You were very entertaining. | 0:48:10 | 0:48:11 | |
I had no idea what I was going to see when I turned around, | 0:48:11 | 0:48:14 | |
but I could tell that there was experience there. | 0:48:14 | 0:48:16 | |
You know, you've obviously done this a lot | 0:48:16 | 0:48:18 | |
and you know how to connect with people. | 0:48:18 | 0:48:20 | |
You know, it's very entertaining. | 0:48:20 | 0:48:22 | |
This is the part of the show where... | 0:48:25 | 0:48:27 | |
I don't like this part where there's obviously | 0:48:27 | 0:48:30 | |
seasoned professionals, super, uber pros. | 0:48:30 | 0:48:34 | |
You sound magnificent together. | 0:48:34 | 0:48:37 | |
Who am I to tell all of your wonderful contribution | 0:48:37 | 0:48:41 | |
to the world of music and the people that you make smile | 0:48:41 | 0:48:44 | |
and escape from their daily lives... | 0:48:44 | 0:48:46 | |
You know, my opinion is nothing to what you guys do to people. | 0:48:46 | 0:48:50 | |
Thank you so much. | 0:48:50 | 0:48:51 | |
I have to say, I'm loving the coats. | 0:48:55 | 0:48:58 | |
MUSIC: I Got You Babe by Sonny and Cher | 0:48:58 | 0:49:00 | |
CHEERING AND APPLAUSE | 0:49:00 | 0:49:02 | |
CHEERING | 0:49:09 | 0:49:11 | |
So what did you think of the performance? | 0:49:14 | 0:49:16 | |
Very good, but not long enough. | 0:49:16 | 0:49:18 | |
They both looked amazing. | 0:49:20 | 0:49:21 | |
Yeah, they were great. Almost country. | 0:49:21 | 0:49:24 | |
Amazing. It was kind of hard to fault it, you know? It's tough. | 0:49:26 | 0:49:30 | |
It's really tough. | 0:49:30 | 0:49:32 | |
My name is Dylan Thomas. I'm 18 and I'm from Glasgow. | 0:49:36 | 0:49:40 | |
I'm named after Bob Dylan. | 0:49:40 | 0:49:41 | |
Aye, he's my biggest inspiration. He's cool. | 0:49:41 | 0:49:44 | |
My two middle names are Paul and John. | 0:49:44 | 0:49:47 | |
They were because of The Beatles. | 0:49:47 | 0:49:50 | |
So, aye, I've got quite a musical name. | 0:49:50 | 0:49:52 | |
I think it was just foretold that I was going to be a rock star. | 0:49:52 | 0:49:56 | |
People say, "Do you not like music nowadays?" | 0:49:56 | 0:50:00 | |
But I do like music nowadays - | 0:50:00 | 0:50:01 | |
it just doesn't compare to Bob Dylan, Beatles and stuff. | 0:50:01 | 0:50:05 | |
It just doesn't. | 0:50:05 | 0:50:06 | |
I'm auditioning to see how far I can go | 0:50:09 | 0:50:12 | |
and just make it a good experience. | 0:50:12 | 0:50:15 | |
When I walk on to the stage, I think I'll be more excited, | 0:50:15 | 0:50:17 | |
like, to be playing in front of that many people and the coaches. | 0:50:17 | 0:50:21 | |
# Once upon a time you dressed so fine | 0:50:51 | 0:50:53 | |
# You threw the bums a dime in your prime | 0:50:53 | 0:50:57 | |
# Didn't you? | 0:50:57 | 0:50:59 | |
# People'd call, say, Beware, doll, you're bound to fall | 0:51:01 | 0:51:04 | |
# You thought they were all | 0:51:04 | 0:51:06 | |
# Kiddin' you | 0:51:06 | 0:51:08 | |
# You used to laugh about | 0:51:11 | 0:51:15 | |
# Everybody that was hangin' out | 0:51:16 | 0:51:21 | |
# Now you don't talk so loud | 0:51:21 | 0:51:24 | |
# Now you don't seem so proud | 0:51:26 | 0:51:30 | |
# About having to be scrounging | 0:51:30 | 0:51:33 | |
# For your next meal | 0:51:33 | 0:51:38 | |
# Well, how does it feel | 0:51:38 | 0:51:40 | |
# To be on your own | 0:51:43 | 0:51:45 | |
# With no direction home | 0:51:47 | 0:51:50 | |
# Like a complete unknown | 0:51:52 | 0:51:55 | |
# Like a rolling stone? | 0:51:57 | 0:52:00 | |
# Like a rolling stone | 0:52:03 | 0:52:05 | |
# Like a rolling stone | 0:52:07 | 0:52:12 | |
# Like a rolling stone. # | 0:52:12 | 0:52:15 | |
CHEERING AND APPLAUSE | 0:52:21 | 0:52:23 | |
I really thought you were going to go for that one. | 0:52:30 | 0:52:33 | |
Oh, no! | 0:52:36 | 0:52:38 | |
How are yous doing? | 0:52:38 | 0:52:39 | |
I made a mistake! | 0:52:39 | 0:52:41 | |
It's all right. | 0:52:42 | 0:52:43 | |
I'm really sorry. | 0:52:43 | 0:52:44 | |
-It's fine. -How old are you? -18. | 0:52:44 | 0:52:46 | |
I feel sick. | 0:52:46 | 0:52:48 | |
I'm sorry. Can we ask you about yourself? | 0:52:49 | 0:52:52 | |
Eh, I'm 18, my name is Dylan Thomas. I'm a busker in Glasgow. | 0:52:52 | 0:52:57 | |
-You're a busker. -Aye. | 0:52:57 | 0:52:59 | |
You're brilliant. | 0:52:59 | 0:53:00 | |
-Cheers. -I've got prickly feelings in my head, cos I'm an idiot. | 0:53:00 | 0:53:05 | |
-I'm so sorry. -It's all right. | 0:53:05 | 0:53:07 | |
I'm such an idiot. | 0:53:07 | 0:53:08 | |
I've been talking about it - it was a brilliant song choice, | 0:53:08 | 0:53:11 | |
like, I love all that stuff, like, the Jake Bugg, Arctic Monkeys, | 0:53:11 | 0:53:15 | |
all them bands. | 0:53:15 | 0:53:17 | |
I was saying today that I want to find somebody in that world. | 0:53:17 | 0:53:21 | |
You know, the reality is, you know, all of us here | 0:53:21 | 0:53:24 | |
have faced similar obstacles. | 0:53:24 | 0:53:26 | |
You know, it's part of your growth as a performer. | 0:53:26 | 0:53:29 | |
You know, if you're really going to do this, | 0:53:29 | 0:53:31 | |
you're not always going to get your own way, | 0:53:31 | 0:53:33 | |
it's not always going to go the way you want it to, | 0:53:33 | 0:53:35 | |
but if you've got it in your bones... | 0:53:35 | 0:53:37 | |
-You look like a rock star. -I think you've got it in your bones. | 0:53:37 | 0:53:40 | |
Yeah, I think you've got it. | 0:53:40 | 0:53:41 | |
-Cheers, thanks. -You're welcome. -I'll just come and say hi. | 0:53:41 | 0:53:45 | |
APPLAUSE | 0:53:45 | 0:53:47 | |
MUSIC: Don't Look Back In Anger by Oasis | 0:53:47 | 0:53:49 | |
-I'm so sorry. -That was so good. It was brilliant. | 0:53:52 | 0:53:54 | |
I'm so gutted. | 0:54:02 | 0:54:04 | |
# But don't look back in anger | 0:54:04 | 0:54:07 | |
# Don't look back in anger... # | 0:54:07 | 0:54:10 | |
I'm so annoyed with myself. | 0:54:10 | 0:54:12 | |
# I heard you say... # | 0:54:14 | 0:54:15 | |
He's like proper. He was so good. | 0:54:15 | 0:54:19 | |
I'm gutted I didn't turn for him. | 0:54:19 | 0:54:21 | |
I thought he was really special. | 0:54:21 | 0:54:22 | |
I probably should have just gone with my gut. | 0:54:22 | 0:54:25 | |
Now my team is over half full, | 0:54:34 | 0:54:36 | |
I'm finding it really difficult to know when to press my button. | 0:54:36 | 0:54:41 | |
Oh, no! | 0:54:41 | 0:54:43 | |
Today, I feel like I missed two, | 0:54:43 | 0:54:45 | |
possibly three really good candidates. | 0:54:45 | 0:54:48 | |
I made a mistake! | 0:54:48 | 0:54:49 | |
-ECHOING: -I made a mistake! | 0:54:49 | 0:54:51 | |
Normally I'm, like, an instinctive person. | 0:54:51 | 0:54:54 | |
Then I start thinking, "Am I right? Am I wrong? Have I made mistakes?" | 0:54:54 | 0:54:58 | |
Oh, no. | 0:54:58 | 0:54:59 | |
What am I going to do? | 0:54:59 | 0:55:01 | |
-ECHOING: -What am I going to do? | 0:55:01 | 0:55:02 | |
I'm really dreading getting to the end and hearing someone | 0:55:02 | 0:55:05 | |
mind-blowingly incredible and not having space for them. | 0:55:05 | 0:55:09 | |
I'm really sorry. | 0:55:09 | 0:55:11 | |
So me and my gut have had a terrible relationship today. | 0:55:11 | 0:55:15 | |
I think I'm, like, going a bit into my head, | 0:55:18 | 0:55:20 | |
so I need to get back to my gut. | 0:55:20 | 0:55:22 | |
Paloma, just don't go all French on us | 0:55:23 | 0:55:26 | |
just because you've got a French outfit on. | 0:55:26 | 0:55:28 | |
-FRENCH ACCENT: -Oh, I don't know what I think. | 0:55:28 | 0:55:30 | |
Our next act is well used to smashing it - | 0:55:35 | 0:55:38 | |
19-year-old labourer Bradley Waterman. | 0:55:38 | 0:55:40 | |
My dad does work me hard, like any other boss. | 0:55:41 | 0:55:44 | |
Right, get on with it, then, | 0:55:44 | 0:55:45 | |
cos we've got to get this done by tonight. | 0:55:45 | 0:55:47 | |
You know, they've always got you running round, doing bits and bobs. | 0:55:47 | 0:55:51 | |
I do enjoy my job, and I get to spend time with my dad, as well, | 0:55:51 | 0:55:55 | |
so that's good. | 0:55:55 | 0:55:56 | |
Miss the old Baby Elvis quiff up there? | 0:55:56 | 0:55:58 | |
Baby Elvis. | 0:55:58 | 0:56:01 | |
My dad is always taking the mick out of me and calling me Elvis. | 0:56:01 | 0:56:04 | |
Come on, Baby Elvis, get your back into it. | 0:56:04 | 0:56:06 | |
I personally don't see why people call me Baby Elvis. | 0:56:06 | 0:56:11 | |
-IMITATING ELVIS: -Uh-huh. | 0:56:11 | 0:56:13 | |
HE LAUGHS | 0:56:13 | 0:56:15 | |
I'm very proud of Brad. | 0:56:15 | 0:56:16 | |
If he's successful on The Voice, obviously we'll miss him at work, | 0:56:16 | 0:56:19 | |
but life goes on. | 0:56:19 | 0:56:21 | |
# I'm all shook up. # | 0:56:21 | 0:56:22 | |
# I see you | 0:56:31 | 0:56:35 | |
# Driving round town | 0:56:35 | 0:56:37 | |
# With a girl I love | 0:56:37 | 0:56:40 | |
# I'm like | 0:56:40 | 0:56:41 | |
# Forget you | 0:56:41 | 0:56:45 | |
# I said I'm sorry | 0:56:48 | 0:56:50 | |
# I can't afford a Ferrari | 0:56:50 | 0:56:52 | |
# But that don't mean I can't get you there | 0:56:53 | 0:56:55 | |
# I guess he's an Xbox | 0:56:56 | 0:56:59 | |
# And I'm more Atari | 0:56:59 | 0:57:00 | |
# But the way you play your game ain't fair | 0:57:01 | 0:57:05 | |
# I pity the fool | 0:57:05 | 0:57:08 | |
# Who falls in love with you | 0:57:08 | 0:57:11 | |
# Cos she's a gold digger | 0:57:11 | 0:57:13 | |
# I just thought you should know | 0:57:13 | 0:57:14 | |
# Ooh | 0:57:14 | 0:57:17 | |
# Falls in love with you | 0:57:17 | 0:57:19 | |
# Ooh-ooh-ooh | 0:57:19 | 0:57:22 | |
# I see you driving round town | 0:57:22 | 0:57:25 | |
# With the girl I love | 0:57:25 | 0:57:27 | |
# And I'm like | 0:57:27 | 0:57:28 | |
# Forget you | 0:57:28 | 0:57:31 | |
# I guess the change in my pocket wasn't enough | 0:57:31 | 0:57:36 | |
# Forget you | 0:57:36 | 0:57:38 | |
# And forget her, too | 0:57:38 | 0:57:40 | |
# I said if I was richer | 0:57:40 | 0:57:42 | |
# I'd still be with you | 0:57:42 | 0:57:44 | |
# Yeah | 0:57:44 | 0:57:45 | |
# Now ain't that some sh! # | 0:57:45 | 0:57:49 | |
-Paloma! Go! -# Although there's pain in my chest | 0:57:49 | 0:57:51 | |
# I still wish you the best | 0:57:51 | 0:57:54 | |
-# With a forget you. # -Go! | 0:57:54 | 0:57:58 | |
CHEERING AND APPLAUSE | 0:57:58 | 0:58:01 | |
SQUEALING AND CHEERING | 0:58:06 | 0:58:09 | |
-What's your name? -I'm Brad. I'm 19 and I'm from Norwich. | 0:58:20 | 0:58:24 | |
I told you he was playing. | 0:58:26 | 0:58:27 | |
I was like, "I know he's playing the guitar." | 0:58:27 | 0:58:29 | |
-Yeah. -I knew it. -I try. | 0:58:29 | 0:58:31 | |
So that's a dope song that you picked. You sung it really awesome. | 0:58:31 | 0:58:34 | |
Thank you very much. | 0:58:34 | 0:58:35 | |
I didn't turn because I had a hunch that either Ricky or Paloma | 0:58:35 | 0:58:40 | |
was going to turn. | 0:58:40 | 0:58:42 | |
Every time I turn around, you know, and I turn against Ricky, | 0:58:42 | 0:58:46 | |
he always beats me. | 0:58:46 | 0:58:48 | |
AUDIENCE: Aw! | 0:58:48 | 0:58:50 | |
It does work, Ricky! You're right! | 0:58:50 | 0:58:52 | |
Oh, my gosh! | 0:58:52 | 0:58:53 | |
I just hit the Ricky trick, and it actually worked. | 0:58:53 | 0:58:56 | |
It's like the guitar and the checked shirt - | 0:58:56 | 0:58:58 | |
thank God you're not wearing a waistcoat, otherwise... | 0:58:58 | 0:59:01 | |
It was quite an androgynous sound. | 0:59:04 | 0:59:06 | |
Don't take this the wrong way - from me this is a compliment. | 0:59:06 | 0:59:10 | |
I wasn't sure whether you were male or female to start with, like, | 0:59:10 | 0:59:13 | |
"Is it a girl? Is it a boy?" | 0:59:13 | 0:59:14 | |
A very interesting voice, you know, it's worked for me. | 0:59:14 | 0:59:18 | |
Thank you. | 0:59:18 | 0:59:19 | |
APPLAUSE | 0:59:19 | 0:59:22 | |
I think...it's weird sometimes because you hit the button, | 0:59:22 | 0:59:26 | |
then you turn and you're like, | 0:59:26 | 0:59:27 | |
"Oh, no, what am I going to do?" | 0:59:27 | 0:59:30 | |
-It's true. -I'm worried. -No, I'm really glad. I loved the song. | 0:59:36 | 0:59:41 | |
The reason why I turned was because of that androgyny thing, | 0:59:41 | 0:59:46 | |
cos we kind of could hear you were playing guitar, | 0:59:46 | 0:59:48 | |
and I was like, | 0:59:48 | 0:59:49 | |
"Well, if it's a guy that sounds feminine playing a guitar, | 0:59:49 | 0:59:54 | |
"I love it. | 0:59:54 | 0:59:55 | |
"If it's a girl playing guitar, I love it, | 0:59:55 | 0:59:57 | |
"so I'm going to turn, because that's special." | 0:59:57 | 1:00:00 | |
I'm excited. | 1:00:00 | 1:00:01 | |
I love the song, I've sung it myself, I've sung it with him. | 1:00:01 | 1:00:05 | |
-Yeah, at the Brits. -Yeah. | 1:00:05 | 1:00:08 | |
I like your taste and I think we're going to have a really fun time. | 1:00:08 | 1:00:12 | |
-Yeah, don't jump ahead of yourself. -Oh, you've turned?! | 1:00:15 | 1:00:19 | |
You turned? That wasn't my pitch, then. | 1:00:19 | 1:00:22 | |
-RICKY: -So, Brad, Brad. | 1:00:22 | 1:00:25 | |
-PALOMA: -Wow, you play dirty. | 1:00:25 | 1:00:28 | |
-RICKY: -You know it, girl...friend? | 1:00:28 | 1:00:30 | |
-PALOMA: -That was, like, the last minute I would have ever left | 1:00:30 | 1:00:32 | |
it before I turned, and Ricky just goes that one step further. | 1:00:32 | 1:00:35 | |
-RICKY: -So, yeah, Brad, it was excellent. | 1:00:35 | 1:00:37 | |
One thing we've got to work on is... I love everything you can do, | 1:00:37 | 1:00:40 | |
-it's just getting in between those neater. -Yeah. | 1:00:40 | 1:00:43 | |
-That's the thing you need to work on. -Yeah. | 1:00:43 | 1:00:45 | |
But I think you're incredible. | 1:00:45 | 1:00:47 | |
Thank you very much. I appreciate that. | 1:00:47 | 1:00:50 | |
CHEERING AND APPLAUSE Thank you. | 1:00:50 | 1:00:53 | |
So now we do a pitch? | 1:00:53 | 1:00:54 | |
We have to pitch against each other, and it's so hard | 1:00:54 | 1:00:56 | |
because we love each other so much. | 1:00:56 | 1:00:58 | |
-PALOMA: -I feel like it's great that you play guitar and stuff, | 1:00:58 | 1:01:02 | |
but I would want to take it beyond that and for it to be, like, | 1:01:02 | 1:01:06 | |
more about where you can go creatively | 1:01:06 | 1:01:08 | |
-and working together on that. -Yeah. | 1:01:08 | 1:01:10 | |
Yeah, Brad, the thing is, on this show, | 1:01:10 | 1:01:12 | |
there are some brilliant singers. | 1:01:12 | 1:01:14 | |
The reason I spun around for you | 1:01:14 | 1:01:16 | |
was because there is a massive amount of potential | 1:01:16 | 1:01:19 | |
in what we all heard. | 1:01:19 | 1:01:20 | |
I can see that leading to something fantastic. | 1:01:20 | 1:01:23 | |
I just think you're what I needed. | 1:01:23 | 1:01:26 | |
You're the injection I needed on my team. It felt right. | 1:01:26 | 1:01:29 | |
APPLAUSE | 1:01:29 | 1:01:31 | |
So now you have to decide. | 1:01:34 | 1:01:36 | |
Oh... | 1:01:36 | 1:01:37 | |
AUDIENCE SHOUTS ADVICE | 1:01:37 | 1:01:40 | |
MUSIC: I Predict A Riot by Kaiser Chiefs | 1:01:40 | 1:01:42 | |
Just so you know, we're good friends, so it's fine. Don't worry. | 1:01:47 | 1:01:51 | |
Well, I had something in my head from the word go. | 1:01:51 | 1:01:54 | |
AUDIENCE SHOUTS ADVICE | 1:01:54 | 1:01:56 | |
So I'm going to go with Paloma. | 1:02:01 | 1:02:03 | |
CHEERING AND APPLAUSE | 1:02:03 | 1:02:04 | |
MUSIC: Changing by Sigma ft. Paloma Faith | 1:02:04 | 1:02:08 | |
-Very nice to meet you. -Thank you so much. -Thank you. | 1:02:08 | 1:02:12 | |
-RICKY: -Good choice, man. -Thanks, buddy. I appreciate that. | 1:02:12 | 1:02:15 | |
-PALOMA: -Thank you so much. | 1:02:15 | 1:02:16 | |
Looking forward to it. | 1:02:16 | 1:02:20 | |
I thought he was going to say you. | 1:02:20 | 1:02:21 | |
You're losing your touch! | 1:02:21 | 1:02:23 | |
Come on! | 1:02:27 | 1:02:28 | |
Baby Elvis! | 1:02:31 | 1:02:32 | |
Today, I thought I wasn't going to press my buzzer at all. | 1:02:33 | 1:02:37 | |
Then I heard Bradley Waterman and I was like, | 1:02:37 | 1:02:41 | |
"OK, I've got to turn for that." | 1:02:41 | 1:02:43 | |
So I'm pleased. | 1:02:43 | 1:02:44 | |
23-year-old Mari Marli is stacking her hopes | 1:02:47 | 1:02:51 | |
on one coach in particular. | 1:02:51 | 1:02:52 | |
Today I am singing one of will.i.am's songs. | 1:02:52 | 1:02:56 | |
There's a huge risk to singing one of the coaches' songs | 1:02:56 | 1:02:59 | |
because it's theirs, they know it better than anybody. | 1:02:59 | 1:03:03 | |
But I am going to bring my uber swags. | 1:03:03 | 1:03:05 | |
So, so much swags. | 1:03:05 | 1:03:07 | |
Bucket loads. | 1:03:07 | 1:03:08 | |
# Mmm | 1:03:20 | 1:03:21 | |
# Ba-dah-dee-do-ba-ba ow, ow, ow, ow, ow | 1:03:21 | 1:03:25 | |
# I love her, can't leave her | 1:03:25 | 1:03:27 | |
# For ever I'll always need her | 1:03:27 | 1:03:29 | |
# She lie, but I believe her | 1:03:29 | 1:03:31 | |
# Lovesick, I got that fever | 1:03:31 | 1:03:32 | |
# Love, love, stupid | 1:03:32 | 1:03:34 | |
# I, I know it | 1:03:34 | 1:03:35 | |
# Love stupid | 1:03:35 | 1:03:36 | |
# I know it | 1:03:36 | 1:03:37 | |
# I know cos I'm a fool in love | 1:03:37 | 1:03:40 | |
# My baby shot me down again | 1:03:40 | 1:03:43 | |
# Shot me down with a love and it went bang, bang | 1:03:44 | 1:03:47 | |
# Hey | 1:03:47 | 1:03:48 | |
# That girl's a killer from a gang | 1:03:48 | 1:03:50 | |
# Oh, yeah | 1:03:50 | 1:03:51 | |
# Shot me down with a love and it go bang, bang | 1:03:51 | 1:03:55 | |
# And oh, I love her so, that's why I gotta let her know | 1:03:55 | 1:03:59 | |
# That I'll be here for her to always love her down | 1:03:59 | 1:04:03 | |
# And maybe that's the truth and pluckin' chickens ain't no use | 1:04:03 | 1:04:06 | |
# I wanna be the one to see you in that gown | 1:04:06 | 1:04:10 | |
# Whoo! | 1:04:10 | 1:04:11 | |
# My baby makes me go down | 1:04:11 | 1:04:15 | |
# My baby makes me go bang, bang, bang | 1:04:15 | 1:04:18 | |
# Whoo! # | 1:04:18 | 1:04:20 | |
CHEERING AND APPLAUSE | 1:04:20 | 1:04:23 | |
-What's your name? -My name is Mari Marli. | 1:04:32 | 1:04:35 | |
I am 23 years old from South West London. | 1:04:35 | 1:04:38 | |
-So, um... It was the wrong song for you. -OK. | 1:04:38 | 1:04:43 | |
Honestly, cos I wrote that song for my limitations of singing. | 1:04:43 | 1:04:47 | |
That being said, I could hear how awesome you actually are. | 1:04:47 | 1:04:53 | |
It was all, like, a bit frantic for me. | 1:04:55 | 1:04:58 | |
And...I suppose I was, like, a little bit scared of, like, | 1:04:58 | 1:05:02 | |
who that was doing that. | 1:05:02 | 1:05:06 | |
Are you still afraid? | 1:05:06 | 1:05:07 | |
No, but now I'm like, "Oh, she's a little pussycat." | 1:05:07 | 1:05:10 | |
Thank you. | 1:05:10 | 1:05:11 | |
You did his song and he turned, so result. | 1:05:11 | 1:05:14 | |
-RICKY: -The reason I didn't turn is because I started thinking, | 1:05:16 | 1:05:19 | |
"Did I like it enough to turn?" | 1:05:19 | 1:05:21 | |
As soon as I start thinking that, I know it's wrong, | 1:05:21 | 1:05:23 | |
cos I shouldn't be analysing that much, | 1:05:23 | 1:05:26 | |
but Will can make you the person you want to be. | 1:05:26 | 1:05:29 | |
Wahey. | 1:05:29 | 1:05:31 | |
Thank you so much, guys. | 1:05:31 | 1:05:32 | |
APPLAUSE | 1:05:32 | 1:05:34 | |
Well done. | 1:05:38 | 1:05:40 | |
Well done, lovely. | 1:05:40 | 1:05:42 | |
Yeah, I waited for it again, | 1:05:42 | 1:05:44 | |
because I knew they would have turned around and copied my steal-o. | 1:05:44 | 1:05:49 | |
It was the wrong song for her, but I heard the quality of her voice. | 1:05:49 | 1:05:53 | |
SQUEALING | 1:05:53 | 1:05:56 | |
I've never heard a cover of my song that's sort of worked, ever. | 1:06:00 | 1:06:05 | |
The thing is, because you're so trapped in the original, | 1:06:05 | 1:06:08 | |
it's jarring a little bit. | 1:06:08 | 1:06:10 | |
Last up, Londoner Vangelis, and, BOY, he's taking a risk. | 1:06:15 | 1:06:21 | |
I'm really nervous about the blind audition today, | 1:06:21 | 1:06:23 | |
especially because I'm doing one of Boy George's songs. | 1:06:23 | 1:06:26 | |
There is obviously a lot of pressure there to impress him. | 1:06:26 | 1:06:29 | |
I'm kind of thinking I want to change it last minute. | 1:06:29 | 1:06:32 | |
I mostly sing in my room, which is quite bad, | 1:06:35 | 1:06:38 | |
because I do need to perform a lot more in front of people. | 1:06:38 | 1:06:41 | |
If I'm relaxed, I can sing really well, | 1:06:41 | 1:06:44 | |
but if I'm not, it does not go the way I kind of want it to. | 1:06:44 | 1:06:48 | |
I think Boy George, he's a very honest character. | 1:06:49 | 1:06:52 | |
It just didn't strike me. Didn't hit me in the right place. | 1:06:52 | 1:06:56 | |
So if he doesn't like the song, I'm sure he'll tell me. | 1:06:56 | 1:06:59 | |
That's pretty scary. | 1:07:00 | 1:07:02 | |
# Give me time | 1:07:26 | 1:07:29 | |
# To realise my crime | 1:07:29 | 1:07:33 | |
# Let me love and steal | 1:07:34 | 1:07:39 | |
# I have danced | 1:07:42 | 1:07:45 | |
# Inside your eyes | 1:07:45 | 1:07:51 | |
# How can I be real? | 1:07:51 | 1:07:55 | |
# Do you really want to hurt me? | 1:07:57 | 1:08:02 | |
# Do you really want to make me cry? | 1:08:03 | 1:08:08 | |
# Precious kisses words that burn me | 1:08:09 | 1:08:14 | |
# Lovers never ask you why | 1:08:16 | 1:08:19 | |
# If it's love you want from me | 1:08:21 | 1:08:27 | |
# Then take it away | 1:08:27 | 1:08:31 | |
# Everything is not what you see | 1:08:33 | 1:08:39 | |
# It's over, over again | 1:08:39 | 1:08:46 | |
# Yeah | 1:08:46 | 1:08:52 | |
# Do you really want to make me cry? # | 1:08:52 | 1:09:04 | |
CHEERING AND APPLAUSE | 1:09:04 | 1:09:06 | |
My name is Vangelis. I'm 24 and I'm from London. | 1:09:23 | 1:09:26 | |
CHEERING | 1:09:26 | 1:09:29 | |
More, more. I mean, what's the story? | 1:09:29 | 1:09:31 | |
You know, do you sing professionally? | 1:09:31 | 1:09:33 | |
Is this the thing you've just started doing? | 1:09:33 | 1:09:35 | |
I work part-time in a frozen-food shop. | 1:09:35 | 1:09:37 | |
I'm not really used to coming on the big stage and performing. | 1:09:39 | 1:09:42 | |
Like, I normally just sing in my room. | 1:09:42 | 1:09:45 | |
It was quite a big thing for me to come on stage and perform to you. | 1:09:45 | 1:09:48 | |
CHEERING AND APPLAUSE | 1:09:48 | 1:09:50 | |
I'm really happy. | 1:09:50 | 1:09:51 | |
Brave. | 1:09:53 | 1:09:54 | |
I mean, I was kind of dreading somebody doing one of my songs, | 1:09:54 | 1:09:57 | |
because there's this weird pressure. Like, do you turn? | 1:09:57 | 1:10:00 | |
But it was actually very good. | 1:10:00 | 1:10:02 | |
Thank you. | 1:10:02 | 1:10:03 | |
You have this great vulnerability in your voice, | 1:10:04 | 1:10:07 | |
and that song suits that. I'll tell you a funny story - | 1:10:07 | 1:10:09 | |
when the record company wanted to put that out, | 1:10:09 | 1:10:11 | |
I was really against it, because for me it was really personal | 1:10:11 | 1:10:14 | |
and it was about a relationship. | 1:10:14 | 1:10:16 | |
I thought it was too slow. | 1:10:16 | 1:10:18 | |
I marched into the record company and said, | 1:10:18 | 1:10:20 | |
"If you put this out, my career is over." | 1:10:20 | 1:10:21 | |
Little did I know it was the beginning of my career, | 1:10:21 | 1:10:24 | |
because when you put songs out that are honest and true, | 1:10:24 | 1:10:28 | |
that's when you really connect with people. | 1:10:28 | 1:10:31 | |
That was the magic of that song. It taught me so much, that song. | 1:10:31 | 1:10:36 | |
I've never really heard anyone do any of my songs that well, | 1:10:36 | 1:10:40 | |
you know, until now. | 1:10:40 | 1:10:42 | |
Just to hear you sing that song like that was a gift, you know, | 1:10:42 | 1:10:47 | |
so thank you very much. | 1:10:47 | 1:10:48 | |
I really think with my experience | 1:10:51 | 1:10:54 | |
I would know exactly where to take you. | 1:10:54 | 1:10:57 | |
I think you're perfect for my team. | 1:10:57 | 1:10:59 | |
You have a really pure, beautiful voice. | 1:10:59 | 1:11:02 | |
I already have someone that I thought might be the winner, | 1:11:02 | 1:11:05 | |
but that may have just changed. | 1:11:05 | 1:11:07 | |
Thank you so much. | 1:11:08 | 1:11:11 | |
-Do you know what? Hats off. -No. | 1:11:11 | 1:11:15 | |
I did the same thing. | 1:11:15 | 1:11:18 | |
-Metaphorically speaking. -My hat, not yours. | 1:11:18 | 1:11:20 | |
-RICKY: -The thing is, it was brilliant. | 1:11:20 | 1:11:22 | |
George touched on the vulnerability there, | 1:11:22 | 1:11:24 | |
but we've heard a lot of vulnerable singers, | 1:11:24 | 1:11:26 | |
but not with that level of control. | 1:11:26 | 1:11:27 | |
Vulnerability with control is something very difficult to sustain, | 1:11:27 | 1:11:31 | |
even just over 90 seconds, but over that 90 seconds, | 1:11:31 | 1:11:34 | |
you managed to make George rethink everything he's thought | 1:11:34 | 1:11:38 | |
about hearing someone do a cover. | 1:11:38 | 1:11:40 | |
The thing is... | 1:11:40 | 1:11:41 | |
..you love Culture Club. | 1:11:43 | 1:11:45 | |
The first LP I had was Colour By Numbers by Culture Club. | 1:11:45 | 1:11:49 | |
So, I'm in the same boat as you there, mate. | 1:11:49 | 1:11:52 | |
The thing is, this is pointless, but I'm not going to give up, | 1:11:52 | 1:11:55 | |
because there might be something in your mind that makes you want | 1:11:55 | 1:11:58 | |
to go with me. | 1:11:58 | 1:11:59 | |
I wouldn't want to discount that just because George turned first. | 1:11:59 | 1:12:04 | |
I thought it was really, really, really beautiful and touching. | 1:12:04 | 1:12:09 | |
There's always something really wonderful | 1:12:09 | 1:12:11 | |
when somebody takes a song and interprets it | 1:12:11 | 1:12:14 | |
in a completely different way that's creative and it suits them. | 1:12:14 | 1:12:18 | |
You know, a lot of people come on this show and they try | 1:12:18 | 1:12:21 | |
and be the person. | 1:12:21 | 1:12:23 | |
Of course, you couldn't do that in this situation, because he's here. | 1:12:23 | 1:12:28 | |
I think what you did with it was really special, so well done. | 1:12:28 | 1:12:30 | |
Thank you very much. | 1:12:30 | 1:12:32 | |
APPLAUSE | 1:12:32 | 1:12:34 | |
I want to add to what she said. | 1:12:36 | 1:12:37 | |
When someone gets up there and sings a song | 1:12:37 | 1:12:40 | |
and the singer has their back turned | 1:12:40 | 1:12:42 | |
and you have the freaking audacity to sing their song, that's brave, | 1:12:42 | 1:12:47 | |
because you're risking them not turning around | 1:12:47 | 1:12:50 | |
and then telling you what you did wrong. One. | 1:12:50 | 1:12:53 | |
Two - to have the guts to twist it up a bit | 1:12:53 | 1:12:56 | |
and then they not turn around and say, "Hey, you ruined my song." | 1:12:56 | 1:13:00 | |
That's what I thought was going to happen. | 1:13:00 | 1:13:03 | |
Then three - it's like, "Hey, you've been singing this song for years. | 1:13:03 | 1:13:06 | |
"Check this out." I saw his face. | 1:13:06 | 1:13:09 | |
At first he was like, "Oh, that's cute." | 1:13:09 | 1:13:11 | |
Then he was like, "Oh, wait a second." | 1:13:11 | 1:13:13 | |
Then he was like, "Boom." | 1:13:13 | 1:13:15 | |
And then you hit that freaking high falsetto, | 1:13:15 | 1:13:17 | |
and then everybody else turned around. He was like, "Yo." | 1:13:17 | 1:13:20 | |
Point is, you went over the barricade, under the barricade, | 1:13:20 | 1:13:24 | |
around the barricade and through the barricade all at the same time. | 1:13:24 | 1:13:28 | |
Thank you. | 1:13:28 | 1:13:30 | |
APPLAUSE | 1:13:30 | 1:13:32 | |
Who are you going to choose? | 1:13:32 | 1:13:34 | |
I honestly, genuinely, did not think anyone would turn. | 1:13:36 | 1:13:39 | |
Er... | 1:13:42 | 1:13:44 | |
AUDIENCE SHOUTS ADVICE | 1:13:44 | 1:13:47 | |
I'm going to go with Boy George. | 1:13:52 | 1:13:54 | |
CHEERING AND APPLAUSE | 1:13:54 | 1:13:56 | |
Yay! | 1:13:56 | 1:13:58 | |
Amazing. | 1:14:00 | 1:14:01 | |
Thank you so much. | 1:14:01 | 1:14:04 | |
-That was so beautiful. -Thank you so much. | 1:14:04 | 1:14:06 | |
I look forward to hearing you again. | 1:14:06 | 1:14:07 | |
That was amazing. | 1:14:07 | 1:14:09 | |
That's a beautiful... | 1:14:09 | 1:14:12 | |
CHEERING AND APPLAUSE | 1:14:12 | 1:14:15 | |
-EXAGGERATED VOICE: -# Do you really want make me cry? # | 1:14:17 | 1:14:20 | |
SHE SQUEALS | 1:14:24 | 1:14:25 | |
The fact that he said he hasn't sung much before, | 1:14:28 | 1:14:31 | |
he is an incredible person to find. | 1:14:31 | 1:14:33 | |
That's what you hope for. | 1:14:33 | 1:14:35 | |
Amazing voice. | 1:14:35 | 1:14:36 | |
Oh, my God. This is going to be a difficult competition! | 1:14:37 | 1:14:40 | |
Week five is over, and the coaches' teams are starting to top out. | 1:14:43 | 1:14:47 | |
George and Will are neck and neck on nine. | 1:14:50 | 1:14:53 | |
Ricky and Paloma are even on eight. | 1:14:54 | 1:14:58 | |
So what's in store next week? | 1:14:58 | 1:15:00 | |
Tell 'em, Will. | 1:15:00 | 1:15:02 | |
There's going to be rapping, beatboxing, | 1:15:02 | 1:15:05 | |
freakin' river dancing, rap and river dancing. | 1:15:05 | 1:15:07 | |
Yeah, yeah. | 1:15:07 | 1:15:09 | |
I was going with it, I was trying to make it work. | 1:15:09 | 1:15:12 | |
Sorry about that. | 1:15:12 | 1:15:14 | |
I tells you... | 1:15:14 | 1:15:16 |