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-PALOMA: -The coaches, we're a bit like brothers and sisters. | 0:00:01 | 0:00:05 | |
-RICKY: -As in all families, it can be a little bit explosive, as well. | 0:00:06 | 0:00:09 | |
There's going to be some fireworks. | 0:00:11 | 0:00:13 | |
The other coaches get on your nerves! | 0:00:14 | 0:00:18 | |
Tonight on The Voice... | 0:00:18 | 0:00:19 | |
Did you just butt in? | 0:00:19 | 0:00:21 | |
There's going to be a bunfight! | 0:00:21 | 0:00:23 | |
Excuse me? | 0:00:24 | 0:00:25 | |
Dad's gone, Mom's gone, kids act up. | 0:00:25 | 0:00:28 | |
I didn't even do anything. | 0:00:28 | 0:00:30 | |
You see someone getting tired and upset... | 0:00:34 | 0:00:36 | |
Don't get upset! | 0:00:36 | 0:00:38 | |
Yes! | 0:00:39 | 0:00:40 | |
-Whoa, whoa! -Hey, wait a second! | 0:00:40 | 0:00:42 | |
-Is everything OK? -CRYING: -Actually, no. I'm all right! | 0:00:42 | 0:00:44 | |
Fire and flames... | 0:00:44 | 0:00:47 | |
That's extremely rude. | 0:00:47 | 0:00:48 | |
I disagree with Paloma. | 0:00:48 | 0:00:50 | |
Just getting that clear. | 0:00:50 | 0:00:52 | |
Can we bury the hatchet? | 0:00:52 | 0:00:53 | |
No, it's in your back! | 0:00:53 | 0:00:54 | |
I'm going to take her down. | 0:00:54 | 0:00:56 | |
What was that? | 0:00:56 | 0:00:57 | |
I can't stomach it! See you later. | 0:01:00 | 0:01:02 | |
See you later. Figure it out! | 0:01:02 | 0:01:04 | |
EMMA: In your face! | 0:01:07 | 0:01:09 | |
So here we go, 17-year-old student Aliesha Lobuczek. | 0:01:09 | 0:01:13 | |
ALIESHA: For me to be on that stage in front of those coaches | 0:01:13 | 0:01:16 | |
is just amazing. | 0:01:16 | 0:01:18 | |
Today could be the first step | 0:01:18 | 0:01:20 | |
into a life I hope I will live one day. | 0:01:20 | 0:01:23 | |
If one of the chairs did turn for me today, I think | 0:01:23 | 0:01:25 | |
that my friends and family would be really, really shocked. | 0:01:25 | 0:01:28 | |
But in a good way! | 0:01:28 | 0:01:29 | |
Come on, Aliesha. Come on! | 0:01:30 | 0:01:33 | |
I live at home with my dad. | 0:01:33 | 0:01:35 | |
He's really, really supportive. | 0:01:35 | 0:01:37 | |
Aliesha means the world to me. | 0:01:37 | 0:01:39 | |
Whatever makes her happy, I'm behind it 100%. | 0:01:39 | 0:01:42 | |
Whenever I do performances, he's always at the front, | 0:01:42 | 0:01:44 | |
like, recording and then on the way home | 0:01:44 | 0:01:46 | |
he'll play it in the car. | 0:01:46 | 0:01:47 | |
I love hearing Aliesha sing. | 0:01:47 | 0:01:49 | |
I think she's just fantastic. | 0:01:49 | 0:01:51 | |
I can't watch it! It makes me cringe. | 0:01:51 | 0:01:53 | |
He's really proud of me, which is nice. | 0:01:53 | 0:01:55 | |
# If you want it, take it | 0:02:04 | 0:02:09 | |
# I should have said it before | 0:02:09 | 0:02:12 | |
CHEERING # Tried to hide it, fake it | 0:02:12 | 0:02:16 | |
# I can't pretend any more | 0:02:17 | 0:02:20 | |
# I only want to die alive... # | 0:02:21 | 0:02:24 | |
Come on, let's go. Push the button. Come on! | 0:02:24 | 0:02:27 | |
# Broken heart | 0:02:27 | 0:02:29 | |
# I don't wanna hear you lie tonight | 0:02:29 | 0:02:32 | |
# Now that I've become who I really am | 0:02:32 | 0:02:36 | |
# And this is the part when I say I don't want ya | 0:02:37 | 0:02:43 | |
# I'm stronger than I've been before | 0:02:43 | 0:02:45 | |
# This is the part when I break free | 0:02:45 | 0:02:50 | |
# Cos I can't resist it no more | 0:02:50 | 0:02:54 | |
# It was lethal | 0:02:54 | 0:02:56 | |
# It was fatal... # | 0:02:56 | 0:02:57 | |
Go on, Liesh! | 0:02:57 | 0:02:59 | |
# My dreams, they felt so right | 0:02:59 | 0:03:02 | |
# But I woke up | 0:03:02 | 0:03:04 | |
# Every ti-i-i-ime | 0:03:04 | 0:03:09 | |
# This is the part when I say I don't want ya | 0:03:09 | 0:03:14 | |
# I'm stronger than I've been before | 0:03:14 | 0:03:17 | |
CHEERING | 0:03:17 | 0:03:19 | |
# This is the part when I break free | 0:03:19 | 0:03:23 | |
# Cos I can't resist it no more. # | 0:03:23 | 0:03:28 | |
CHEERING | 0:03:28 | 0:03:31 | |
Come on! Yes! | 0:03:33 | 0:03:35 | |
Hello, what's your name? | 0:03:41 | 0:03:44 | |
I'm Aliesha, I'm 17 and I'm a student from Birmingham. | 0:03:44 | 0:03:46 | |
CHEERING | 0:03:46 | 0:03:49 | |
How did you end up on here? | 0:03:49 | 0:03:51 | |
I'm not too sure! | 0:03:51 | 0:03:53 | |
I'm glad I came here though. | 0:03:54 | 0:03:57 | |
-I am. -I... I don't... I'm sorry! | 0:03:57 | 0:03:59 | |
That was really lovely and we all looked at each other | 0:03:59 | 0:04:02 | |
and went, "Let's turn, yes!" | 0:04:02 | 0:04:04 | |
And then you see your hair and it's dazzling. | 0:04:04 | 0:04:07 | |
Thank you! | 0:04:07 | 0:04:08 | |
I didn't turn around but I think you are fabulous. | 0:04:09 | 0:04:13 | |
When there is a live animated Pocahontas, | 0:04:13 | 0:04:16 | |
you know who's getting the role. Right? That would be you. | 0:04:16 | 0:04:19 | |
-PALOMA: -But, no, that was a really beautiful, crisp performance. | 0:04:23 | 0:04:28 | |
It was almost too perfect. | 0:04:28 | 0:04:30 | |
But that's a really good place to start, | 0:04:30 | 0:04:33 | |
in the sense that, you know, | 0:04:33 | 0:04:34 | |
we're all striving for that anyway and you're kind of like there. | 0:04:34 | 0:04:38 | |
CHEERING | 0:04:38 | 0:04:40 | |
-I'm Ricky, how you doing? -I'm great, yeah. | 0:04:40 | 0:04:43 | |
-Are you nervous? -Yeah, yeah. | 0:04:43 | 0:04:45 | |
It's a bit of a shock. | 0:04:45 | 0:04:46 | |
It didn't come across in your singing at all, | 0:04:46 | 0:04:48 | |
which is really strange, | 0:04:48 | 0:04:50 | |
to see you kind of like a ball of nerves now. | 0:04:50 | 0:04:53 | |
I however am really nervous that I might not get you on my team. | 0:04:53 | 0:04:57 | |
Hence I've been waffling for the last 20 seconds. | 0:04:57 | 0:05:00 | |
And I can tell that George really wants to say something. | 0:05:00 | 0:05:02 | |
I'm just going to keep talking! LAUGHTER | 0:05:02 | 0:05:06 | |
I just want to warn you that they've got, both of them, | 0:05:06 | 0:05:08 | |
have got similar singers to you, | 0:05:08 | 0:05:10 | |
so you've got to weigh that up when you... | 0:05:10 | 0:05:13 | |
-AUDIENCE: Oooooooh! -It's true! -Dang. | 0:05:13 | 0:05:15 | |
-What have I got that's similar? -You've got some big voices. | 0:05:15 | 0:05:18 | |
Yeah, but very different stylistically, like... | 0:05:18 | 0:05:21 | |
-No. -LAUGHTER | 0:05:21 | 0:05:22 | |
They are! | 0:05:22 | 0:05:23 | |
-She's lying. -AUDIENCE: Ooooh! | 0:05:23 | 0:05:26 | |
-RICKY: -I've done this for a couple of years and these two are new | 0:05:26 | 0:05:28 | |
and I'm starting to recognise their pitches already, | 0:05:28 | 0:05:31 | |
-and they're really good. -Oh, what about yours? | 0:05:31 | 0:05:33 | |
Oh, I can do Ricky's! | 0:05:33 | 0:05:35 | |
-Go on, then. -Hold on. | 0:05:35 | 0:05:36 | |
Could somebody give me some fake eyelashes so I can blink my eyes? | 0:05:36 | 0:05:39 | |
And the thing is, they're really good. | 0:05:41 | 0:05:43 | |
George has sold hundreds of millions of records. | 0:05:43 | 0:05:46 | |
Paloma's one of the most successful female artists | 0:05:46 | 0:05:48 | |
in the world right now, right? | 0:05:48 | 0:05:50 | |
-And that is... -CHEERING | 0:05:50 | 0:05:52 | |
..a real draw. | 0:05:52 | 0:05:53 | |
I just promise you that if you repeat that, | 0:05:55 | 0:05:57 | |
I can remove all the obstacles in your way | 0:05:57 | 0:05:59 | |
of going further on in the competition. | 0:05:59 | 0:06:02 | |
And not just that, finding your dreams. | 0:06:02 | 0:06:05 | |
CHEERING | 0:06:05 | 0:06:08 | |
Can't get better than that! | 0:06:08 | 0:06:10 | |
-PALOMA: -I feel like what I would like to work towards | 0:06:10 | 0:06:12 | |
is finding who the real you is | 0:06:12 | 0:06:15 | |
and what your influences are | 0:06:15 | 0:06:16 | |
and showing your versatility. | 0:06:16 | 0:06:19 | |
And that's where I'd go with it. | 0:06:19 | 0:06:20 | |
Thank you. CHEERING | 0:06:20 | 0:06:22 | |
I think the job of the coach is to find the right songs, | 0:06:22 | 0:06:25 | |
take you out of your comfort zone and, you know, | 0:06:25 | 0:06:28 | |
looking at the kind of career you want beyond this. | 0:06:28 | 0:06:32 | |
Did you have in mind a person that you wanted to go with? | 0:06:32 | 0:06:36 | |
-Kind of. -Who was that? | 0:06:36 | 0:06:38 | |
AUDIENCE YELL | 0:06:39 | 0:06:42 | |
I'm kind of torn. | 0:06:42 | 0:06:44 | |
Being torn is great, nothing wrong with being torn. | 0:06:44 | 0:06:47 | |
You just need to go with your gut feeling, | 0:06:47 | 0:06:49 | |
and that's what I've done throughout my whole career. | 0:06:49 | 0:06:52 | |
It's time for you to be kind of brave, actually. | 0:06:55 | 0:06:59 | |
Rather than just going, "I know what I want and I'll stick to that," | 0:06:59 | 0:07:03 | |
you know, be brave. | 0:07:03 | 0:07:05 | |
Be brave! | 0:07:05 | 0:07:07 | |
Choose wisely! | 0:07:08 | 0:07:10 | |
AUDIENCE YELL | 0:07:10 | 0:07:11 | |
But beware of wolves in sheep's clothing! | 0:07:11 | 0:07:14 | |
AUDIENCE: Oh! | 0:07:14 | 0:07:16 | |
I think I've made a decision. | 0:07:18 | 0:07:20 | |
I'm going to go with Paloma Faith. | 0:07:31 | 0:07:33 | |
CHEERING | 0:07:33 | 0:07:35 | |
-Congrats. -Thank you. | 0:07:44 | 0:07:45 | |
Thank you. | 0:07:47 | 0:07:48 | |
-Thank you. -Good luck. -I'm sorry, I'm sorry. | 0:07:48 | 0:07:50 | |
-No, you don't need to be sorry. It's fine. -Thank you. | 0:07:50 | 0:07:52 | |
-PALOMA: -It's wonderful. Come on, let's go. | 0:07:52 | 0:07:54 | |
Don't get upset! | 0:08:02 | 0:08:03 | |
See you soon! | 0:08:04 | 0:08:05 | |
THEY SCREAM | 0:08:11 | 0:08:14 | |
Three people! Three people! | 0:08:14 | 0:08:16 | |
Well done. | 0:08:16 | 0:08:17 | |
- Sorry. - Sorry? What are you sorry for? | 0:08:17 | 0:08:19 | |
That wasn't... | 0:08:20 | 0:08:23 | |
Who's the wolf, me or Ricky or both? | 0:08:23 | 0:08:26 | |
Me?! | 0:08:26 | 0:08:28 | |
-Oh, you're the wolf in sheep's clothing? -Apparently. | 0:08:28 | 0:08:30 | |
But isn't that just like a wolf with, like, wool trousers? | 0:08:30 | 0:08:33 | |
Does it have to be, like, SHEEP sheep? | 0:08:33 | 0:08:35 | |
I don't know what she means. | 0:08:35 | 0:08:36 | |
-I think she was just being metaphorical. -Oh, OK! | 0:08:36 | 0:08:38 | |
Rate the performances, then challenge other fans, too. | 0:08:50 | 0:08:53 | |
...now! | 0:08:59 | 0:09:00 | |
-How many do you have, Rick? -I have five! | 0:09:02 | 0:09:05 | |
I have five, too. | 0:09:06 | 0:09:08 | |
Forget sheep's clothing, try some really wild fashion statements | 0:09:10 | 0:09:14 | |
with a duo who call themselves the Dublin City Rounders. | 0:09:14 | 0:09:17 | |
-You have a very unique look. -Thank you. -So what would you put me in? | 0:09:18 | 0:09:22 | |
We basically just throw a whole lot of stuff together | 0:09:22 | 0:09:24 | |
-and see what looks good. -Oh, look, she can do it. This is all right! | 0:09:24 | 0:09:27 | |
-All right, all right. -And there is the third member of our band. | 0:09:27 | 0:09:30 | |
Boy George is going to love you! | 0:09:30 | 0:09:33 | |
-I am Rohan. -I'm Al. | 0:09:35 | 0:09:36 | |
I'm the older brother. | 0:09:36 | 0:09:37 | |
And I'm the younger brother, by eight years! | 0:09:37 | 0:09:40 | |
Would you believe it? | 0:09:40 | 0:09:41 | |
We're Irish guys but we grew up in Australia | 0:09:41 | 0:09:44 | |
so we have this kind of weird hybrid accent | 0:09:44 | 0:09:47 | |
of, like, Irish and Australian. | 0:09:47 | 0:09:49 | |
-We're citizens of the world. -Mm. | 0:09:49 | 0:09:51 | |
There's no two ways about it, | 0:09:56 | 0:09:57 | |
the opportunity to be on The Voice UK is absolutely massive. | 0:09:57 | 0:10:02 | |
We're just going to get out there | 0:10:04 | 0:10:05 | |
and expose ourselves to as many people as possible | 0:10:05 | 0:10:08 | |
and see what comes of it. | 0:10:08 | 0:10:10 | |
Rumblings! | 0:10:18 | 0:10:20 | |
-The amps. -The bass. | 0:10:21 | 0:10:23 | |
It's all about the bass. | 0:10:23 | 0:10:24 | |
# Nice to meet you, where you been? | 0:10:32 | 0:10:35 | |
# I could show you incredible things | 0:10:35 | 0:10:37 | |
# Magic, madness, heaven, sin | 0:10:37 | 0:10:40 | |
# Saw you there and I thought | 0:10:40 | 0:10:42 | |
# Oh, my Lord, look at that face | 0:10:42 | 0:10:44 | |
# You look like my next mistake | 0:10:44 | 0:10:46 | |
# Love's a game, wanna play? | 0:10:46 | 0:10:49 | |
# Yeah | 0:10:49 | 0:10:50 | |
# So it's gonna be forever | 0:10:51 | 0:10:54 | |
# Or it's gonna go down in flames | 0:10:54 | 0:10:57 | |
# You can tell me when it's over | 0:10:57 | 0:10:59 | |
# If the high was worth the pain | 0:10:59 | 0:11:02 | |
# Got a long list of ex-lovers | 0:11:02 | 0:11:04 | |
# They'll tell you I'm insane | 0:11:04 | 0:11:06 | |
# Cos you know I love the players | 0:11:06 | 0:11:08 | |
# And you love the game | 0:11:08 | 0:11:11 | |
-# Cos we're young and we're reckless -# Where you been? | 0:11:11 | 0:11:14 | |
-# We'll take this way too far -# Incredible things | 0:11:14 | 0:11:17 | |
-# It'll leave you breathless -# Heaven sent | 0:11:17 | 0:11:19 | |
-# Or with a nasty scar -# Well, I thought | 0:11:19 | 0:11:21 | |
# Got a long list of ex-lovers | 0:11:21 | 0:11:23 | |
# They'll tell you I'm insane | 0:11:23 | 0:11:26 | |
# But I've got a blank space, baby | 0:11:26 | 0:11:28 | |
# And I'll write your name. # | 0:11:29 | 0:11:31 | |
CHEERING | 0:11:31 | 0:11:34 | |
I don't know what to expect! | 0:11:41 | 0:11:43 | |
I knew there was two people! | 0:11:44 | 0:11:45 | |
Hey, wait a second, what are you guys' names? | 0:11:45 | 0:11:48 | |
-My name is Rohan and this is my brother Al. -I'm Al. | 0:11:48 | 0:11:51 | |
We're the Dublin City Rounders. | 0:11:51 | 0:11:53 | |
CHEERING | 0:11:53 | 0:11:55 | |
You look fantastic. | 0:11:55 | 0:11:57 | |
-ROHAN: -Thank you very much. | 0:11:57 | 0:11:58 | |
I love your hat. | 0:11:58 | 0:11:59 | |
-Where are you guys from? -We're from Dublin, Ireland, yeah. | 0:12:00 | 0:12:03 | |
The Irish! | 0:12:03 | 0:12:05 | |
-ROHAN: -Usually that's followed with, "Then why do you sound Australian?" | 0:12:05 | 0:12:08 | |
And we follow that with, | 0:12:08 | 0:12:09 | |
"We lived in Australia, we grew up there as well." | 0:12:09 | 0:12:11 | |
What part of Australia? | 0:12:11 | 0:12:13 | |
Sydney and also near Byron Bay, beautiful part of the world, so... | 0:12:13 | 0:12:16 | |
-No! -So, listen, | 0:12:16 | 0:12:18 | |
none of y'all turned around, which is, you know, whatevs. | 0:12:18 | 0:12:21 | |
But...! | 0:12:21 | 0:12:23 | |
-You did miss something. -You did miss something! | 0:12:23 | 0:12:25 | |
I think a few of the audience might have picked up on this. | 0:12:25 | 0:12:28 | |
Do you want to give them a little twirl of what you do there? | 0:12:28 | 0:12:30 | |
He sings half the song like this, and... | 0:12:30 | 0:12:33 | |
-He was rapping away up there. -Basically, I stand up here and... | 0:12:33 | 0:12:37 | |
Then when I'm done I just put this down here. | 0:12:40 | 0:12:43 | |
-GEORGE: -It's actually a Stray Cats move, | 0:12:43 | 0:12:45 | |
- they used to do that. - Nice, nice. | 0:12:45 | 0:12:48 | |
I haven't seen it done since then, so that's pretty cool. | 0:12:48 | 0:12:51 | |
I'm upset that I didn't turn around, | 0:12:51 | 0:12:52 | |
just for the fantastic, like, imagery | 0:12:52 | 0:12:55 | |
-and the iconography of, like, your whole being. -Yeah. | 0:12:55 | 0:12:58 | |
I was trying to... | 0:12:58 | 0:13:00 | |
It was hard for me to make out, like, what was happening. | 0:13:00 | 0:13:04 | |
-But I see what was happening. -Yeah, yeah, yeah. | 0:13:04 | 0:13:06 | |
Now I see it, I get it. | 0:13:06 | 0:13:07 | |
I didn't get it blindly. It's a whole package. | 0:13:07 | 0:13:10 | |
Some things you have to be able to see and absorb everything. | 0:13:10 | 0:13:13 | |
And his hair is just off the charts. | 0:13:13 | 0:13:16 | |
Thank you very much! | 0:13:16 | 0:13:17 | |
If I could see you, I probably would have turned as well. | 0:13:17 | 0:13:21 | |
I thought it was weird. | 0:13:21 | 0:13:23 | |
-ROHAN: -He's right. He's not wrong, he's not wrong. | 0:13:23 | 0:13:26 | |
No, that's... Weird...! | 0:13:26 | 0:13:29 | |
I don't like the term "weird" | 0:13:29 | 0:13:30 | |
because that gets used about me all the time. | 0:13:30 | 0:13:32 | |
- I've been told. - But I think, you know, | 0:13:32 | 0:13:36 | |
you are an alternative group. | 0:13:36 | 0:13:38 | |
That's a nicer way of putting it. | 0:13:38 | 0:13:40 | |
But I also think that it's not really fair to say to somebody, | 0:13:40 | 0:13:44 | |
"Oh, it's brilliant," if it's not. So... | 0:13:44 | 0:13:48 | |
Cheers! | 0:13:48 | 0:13:50 | |
- I won't mince. - I'll stick with weird, eh?! | 0:13:50 | 0:13:53 | |
I should have stuck with weird. | 0:13:53 | 0:13:55 | |
There's nothing weird about this(!) | 0:13:55 | 0:13:57 | |
I just don't think that it's got what it takes, I'm afraid. | 0:13:57 | 0:14:00 | |
Fair enough. | 0:14:00 | 0:14:01 | |
I disagree with Paloma, I actually think you have got something. | 0:14:01 | 0:14:04 | |
- Thank you, George. - I disagree. | 0:14:04 | 0:14:06 | |
I just think that it's one of those areas. | 0:14:06 | 0:14:09 | |
And I think the humour in you, you need to be seen. | 0:14:09 | 0:14:12 | |
And, you know, it just needs to be the right... | 0:14:12 | 0:14:15 | |
- The full package. - ..song and the right moment, | 0:14:15 | 0:14:18 | |
but I'm sure people will love you. | 0:14:18 | 0:14:19 | |
Do you guys dress like that, like, when you go to movies? | 0:14:19 | 0:14:23 | |
Depends what movie it is, I guess. | 0:14:23 | 0:14:25 | |
This is our casual look, yeah. | 0:14:25 | 0:14:27 | |
If it was Pirates Of The Caribbean, would you do that? | 0:14:27 | 0:14:29 | |
Yeah. | 0:14:29 | 0:14:30 | |
Thanks so much. It's been an amazing opportunity! | 0:14:32 | 0:14:35 | |
Hey, wait a second, so how do you do that bass stand thing? | 0:14:37 | 0:14:40 | |
Yeah, you can try that. | 0:14:40 | 0:14:41 | |
Someone call an ambulance just in case. | 0:14:41 | 0:14:43 | |
-PALOMA: -You guys, I'm so right! | 0:14:43 | 0:14:45 | |
Man, you're going to put me out of a job! | 0:14:48 | 0:14:50 | |
CHEERING | 0:14:54 | 0:14:57 | |
-PALOMA: -You've become too nice for your own good. | 0:15:03 | 0:15:06 | |
I've always been nice. | 0:15:06 | 0:15:07 | |
-Nice is my default setting. -Nice in a deluded way. | 0:15:10 | 0:15:14 | |
But you don't have to sing to be a good singer. | 0:15:14 | 0:15:17 | |
-What?! What was that? -I said you don't have to have a perfect voice | 0:15:17 | 0:15:21 | |
to be an interesting singer. | 0:15:21 | 0:15:23 | |
That's actually very correct. | 0:15:23 | 0:15:24 | |
I agree - Bob Dylan, but he said something amazing. | 0:15:24 | 0:15:28 | |
What was that? | 0:15:28 | 0:15:29 | |
She's a hard woman. | 0:15:29 | 0:15:31 | |
Have you got some ID, please, mate? | 0:15:35 | 0:15:37 | |
Nice one, mate. Have a good night, yeah? | 0:15:37 | 0:15:39 | |
I'm Alaric, I'm 21 and I'm a bouncer. | 0:15:39 | 0:15:42 | |
What place are you a bouncer for? | 0:15:42 | 0:15:43 | |
- It's a rock bar. - Right. | 0:15:43 | 0:15:45 | |
- Metal, rock. It's cool. - Do you ever perform in there? | 0:15:45 | 0:15:47 | |
No, never performed there. | 0:15:47 | 0:15:49 | |
It would be cool, it's a really cool place. I like it there, yeah. | 0:15:49 | 0:15:52 | |
Being a bouncer, you get to see a lot of things, | 0:15:52 | 0:15:54 | |
you get to meet cool people. | 0:15:54 | 0:15:55 | |
Evening. | 0:15:55 | 0:15:56 | |
For the most part, it's a lot of fun! | 0:15:56 | 0:15:58 | |
So, bouncers can sometimes be quite intimidating. | 0:15:59 | 0:16:03 | |
- Yeah. - But you seem quite lovely. | 0:16:03 | 0:16:04 | |
'Every now and then, you have to get someone out,' | 0:16:04 | 0:16:06 | |
causing trouble or something. | 0:16:06 | 0:16:08 | |
You're very tall! | 0:16:08 | 0:16:10 | |
- So... - OK, like, I want to come in. | 0:16:10 | 0:16:12 | |
OK. No, sorry. | 0:16:12 | 0:16:14 | |
- Why can't I come in? - Your shoes. | 0:16:14 | 0:16:16 | |
Are you offending my shoes? | 0:16:16 | 0:16:18 | |
Sorry, I don't make the rules. | 0:16:18 | 0:16:19 | |
You just dropped that one on me! | 0:16:21 | 0:16:23 | |
Being a bouncer, you're faced with some real tough places | 0:16:29 | 0:16:33 | |
but nothing compares to this. | 0:16:33 | 0:16:35 | |
It's scary but it's good. It makes me feel alive. | 0:16:39 | 0:16:42 | |
It's like being at the top of a roller-coaster, | 0:16:42 | 0:16:44 | |
just about to drop. | 0:16:44 | 0:16:45 | |
I'm ready, I just want to do it. | 0:16:45 | 0:16:47 | |
# Tell me his name | 0:16:58 | 0:17:00 | |
# I want to know | 0:17:00 | 0:17:03 | |
APPLAUSE | 0:17:03 | 0:17:06 | |
# The way he looks | 0:17:06 | 0:17:07 | |
# And where you go | 0:17:07 | 0:17:11 | |
# I need to see his face | 0:17:11 | 0:17:13 | |
# I need to understand | 0:17:13 | 0:17:16 | |
# Why you and I came to an end | 0:17:18 | 0:17:22 | |
# I let you go | 0:17:23 | 0:17:27 | |
# I let you fly | 0:17:27 | 0:17:30 | |
# Why do I keep on asking why? | 0:17:30 | 0:17:35 | |
# I let you go | 0:17:37 | 0:17:40 | |
# Now that I found | 0:17:40 | 0:17:43 | |
# A way to keep somehow | 0:17:43 | 0:17:49 | |
# More than a broken vow | 0:17:50 | 0:17:57 | |
# I let you go | 0:17:57 | 0:18:01 | |
# Now that I found | 0:18:01 | 0:18:04 | |
# A way to keep somehow | 0:18:04 | 0:18:10 | |
# More than a broken | 0:18:13 | 0:18:19 | |
# Vow. # | 0:18:19 | 0:18:25 | |
CHEERING | 0:18:25 | 0:18:27 | |
-Go on! -Oh, my God, two of them! | 0:18:35 | 0:18:37 | |
How's it going, guys? | 0:18:37 | 0:18:39 | |
-What's your name? -My name is Alaric. And 21 and I'm a bouncer. | 0:18:41 | 0:18:45 | |
CHEERING | 0:18:45 | 0:18:47 | |
I have to say, it's not what I expected to see when I turned round. | 0:18:47 | 0:18:50 | |
I mean, you look like somebody from Game Of Thrones. | 0:18:50 | 0:18:53 | |
LAUGHTER | 0:18:53 | 0:18:55 | |
-It's amazing! -Thank you very much. -First of all, beautiful voice. | 0:18:55 | 0:18:58 | |
Thank you very much. | 0:18:58 | 0:19:00 | |
I'm not sure what I would be able to do with you as a singer, | 0:19:00 | 0:19:04 | |
that's why I didn't turn around. | 0:19:04 | 0:19:05 | |
But, you know, you clearly could see that everyone in the audience, | 0:19:05 | 0:19:09 | |
they stood up for you. | 0:19:09 | 0:19:10 | |
Thank you very much. That's amazing. Thank you. | 0:19:10 | 0:19:12 | |
ALL CHEER | 0:19:12 | 0:19:14 | |
Well, have to warn you... | 0:19:14 | 0:19:16 | |
Paloma said she hates musical theatre! | 0:19:16 | 0:19:20 | |
-Sorry! -Which is pretty extreme, but we can see that you don't, right? | 0:19:20 | 0:19:23 | |
I just personally... Like, it's just not for me. | 0:19:23 | 0:19:26 | |
-But I'm really sorry because you're really good at it. -Thank you! | 0:19:26 | 0:19:29 | |
So what's the ambition? Do you want to go into theatre? | 0:19:29 | 0:19:33 | |
I don't know, mate. Like... | 0:19:33 | 0:19:35 | |
LAUGHTER | 0:19:35 | 0:19:36 | |
"I don't know, mate. Do you know what I mean, geezer? | 0:19:36 | 0:19:39 | |
"I just like a bit of opera." | 0:19:39 | 0:19:41 | |
-So what clubs do you bounce at? -I'm in Camden at the moment. | 0:19:42 | 0:19:46 | |
Do you go... | 0:19:46 | 0:19:47 | |
# Get out, now! # | 0:19:47 | 0:19:49 | |
Yeah! | 0:19:49 | 0:19:50 | |
# Get out of my place! # | 0:19:51 | 0:19:53 | |
# I'm telling you to leave! # | 0:19:56 | 0:19:58 | |
-Can I be honest? -Yeah. | 0:20:01 | 0:20:02 | |
So, I'm sitting here listening to you sing, | 0:20:02 | 0:20:05 | |
and then I'm writing the notes down, | 0:20:05 | 0:20:07 | |
and then as I am writing it down... | 0:20:07 | 0:20:10 | |
my arm hits the button! | 0:20:10 | 0:20:11 | |
-Oh, no! -I swear to you! | 0:20:14 | 0:20:16 | |
No, but I think the Lord works in mysterious ways. | 0:20:16 | 0:20:20 | |
All right! | 0:20:20 | 0:20:22 | |
Right? Because now you've got Ricky turned, too, | 0:20:22 | 0:20:26 | |
so I think it's like... | 0:20:26 | 0:20:28 | |
Yo, I mean, dang, if there was ever, like, a ghost that went, like, | 0:20:28 | 0:20:32 | |
"We better move your hand and hit that button." | 0:20:32 | 0:20:35 | |
That's how I felt what happened. You saw my face! | 0:20:35 | 0:20:38 | |
I was like, "No, I didn't...!" | 0:20:38 | 0:20:40 | |
But also, like, before that happened, | 0:20:41 | 0:20:43 | |
Ricky was looking at me going, | 0:20:43 | 0:20:45 | |
"I really think he's good, I really think he's good." | 0:20:45 | 0:20:48 | |
And then I was like, "Well, great," and then he, like, went. | 0:20:48 | 0:20:51 | |
When he saw, he was like - his mind was decided, so... | 0:20:51 | 0:20:55 | |
-RICKY: -Also, I don't know what's good and what's not | 0:20:55 | 0:20:58 | |
in this kind of world, | 0:20:58 | 0:20:59 | |
but I don't really know what I'm doing anyway. So... | 0:20:59 | 0:21:02 | |
You either like a voice or you don't, I mean, it's not... | 0:21:02 | 0:21:05 | |
Exactly, and who am I to get in the way of someone | 0:21:05 | 0:21:07 | |
that I just knew he was good? | 0:21:07 | 0:21:09 | |
Right? I really like the voice. | 0:21:09 | 0:21:11 | |
I turned around for it, and I know that people...will like you. | 0:21:11 | 0:21:15 | |
And that's halfway to, you know, the final, isn't it, really? | 0:21:15 | 0:21:18 | |
- Yeah. - But, yeah, well done, mate. | 0:21:18 | 0:21:20 | |
Thank you, man. APPLAUSE AND CHEERING | 0:21:20 | 0:21:22 | |
Are we going to say hello? | 0:21:22 | 0:21:24 | |
He hasn't chosen yet! | 0:21:24 | 0:21:25 | |
Oh, you have to choose! | 0:21:25 | 0:21:27 | |
Oh, we're not involved - it's fine. | 0:21:27 | 0:21:28 | |
Well, yeah, I've made my decision. | 0:21:28 | 0:21:31 | |
I'm going with Ricky. | 0:21:31 | 0:21:32 | |
CHEERING | 0:21:32 | 0:21:34 | |
CHEERING | 0:21:37 | 0:21:40 | |
Oh, bring it in. Thank you, guys. | 0:21:45 | 0:21:47 | |
Game Of Thrones! | 0:21:47 | 0:21:49 | |
CHEERING | 0:21:51 | 0:21:53 | |
-I hit the freaking button! -That was so funny. -Did you really not hit it? | 0:21:53 | 0:21:57 | |
I swear that I slipped on the button. | 0:21:57 | 0:22:00 | |
But he was very likable, though. | 0:22:00 | 0:22:01 | |
He's really nice. | 0:22:01 | 0:22:02 | |
He was a likable chap, | 0:22:02 | 0:22:03 | |
and he was kind of - I love that when you turn around you're like, | 0:22:03 | 0:22:06 | |
-"Oh, my God, that's not what I was expecting at all." -Yeah. | 0:22:06 | 0:22:09 | |
CHEERING | 0:22:09 | 0:22:11 | |
Come on, big boy! | 0:22:11 | 0:22:13 | |
Ooh... | 0:22:16 | 0:22:18 | |
Whoo! | 0:22:18 | 0:22:20 | |
Ladies and gentlemen, over the next nine hours... | 0:22:20 | 0:22:24 | |
we shall attempt to find a superstar. | 0:22:24 | 0:22:26 | |
The next one's going to be it. The next one. | 0:22:26 | 0:22:29 | |
What if a duck comes out, or the next five are ducks? | 0:22:31 | 0:22:35 | |
HE CHUCKLES | 0:22:35 | 0:22:36 | |
Don't worry, Will - no ducks on the way, | 0:22:37 | 0:22:39 | |
but if you still fancy some feathers, | 0:22:39 | 0:22:41 | |
our next acts can help out. | 0:22:41 | 0:22:43 | |
My name is Faheem. I'm 21 years old. | 0:22:43 | 0:22:46 | |
I love music and my parrots. | 0:22:46 | 0:22:49 | |
My name's Tim Baldwin. | 0:22:50 | 0:22:51 | |
I'm 20 years old, from Gloucestershire, | 0:22:51 | 0:22:53 | |
and I'm an engineer and also a bird keeper. | 0:22:53 | 0:22:56 | |
Me and my dad keep about 400 birds in our back garden. | 0:22:58 | 0:23:02 | |
I obviously like to talk to the birds | 0:23:02 | 0:23:04 | |
and sing to them when I go in there. | 0:23:04 | 0:23:06 | |
# Dinner time, dinner time | 0:23:06 | 0:23:07 | |
# What's your dinner time? # | 0:23:07 | 0:23:09 | |
I think the birds enjoy it. Never had any complaints, anyway. | 0:23:09 | 0:23:11 | |
I live at home with my two parrots, two cats, a budgie, | 0:23:14 | 0:23:19 | |
so, yeah, it's quite crazy. | 0:23:19 | 0:23:20 | |
We've been trying to teach the birds to talk. | 0:23:20 | 0:23:22 | |
Hello. | 0:23:24 | 0:23:25 | |
Hello. | 0:23:27 | 0:23:28 | |
-# It's, oh, so quiet... # -You say it. | 0:23:28 | 0:23:32 | |
And I tried to teach Maisie to sing Karma Chameleon, as well. | 0:23:32 | 0:23:36 | |
# You come and go-oh-oh-oh. # | 0:23:36 | 0:23:39 | |
-You sing it. -# Sing it back to me. # | 0:23:39 | 0:23:42 | |
Say, "Faheem to win The Voice." | 0:23:43 | 0:23:45 | |
# I don't wanna | 0:23:47 | 0:23:49 | |
# Talk about it. # | 0:23:49 | 0:23:52 | |
Yeah. It's not really working. | 0:23:52 | 0:23:55 | |
I do love looking after birds but, obviously, singing is my dream. | 0:23:56 | 0:24:00 | |
It's my passion, so I'm going to pursue that as far as I can. | 0:24:00 | 0:24:03 | |
# And it's like flying without wings | 0:24:03 | 0:24:07 | |
# Cos you're my special thing | 0:24:07 | 0:24:11 | |
# I'm flying without wings. # | 0:24:11 | 0:24:15 | |
# Well, you done done me and you bet I felt it | 0:24:21 | 0:24:24 | |
# I tried to be chill but you're so hot that I melted | 0:24:24 | 0:24:28 | |
# I fell right through the cracks | 0:24:28 | 0:24:30 | |
# Now I'm trying to get back | 0:24:30 | 0:24:34 | |
# Before the cool done run out I'll be giving it my bestest | 0:24:34 | 0:24:37 | |
# Nothing's gonna stop me but divine intervention | 0:24:37 | 0:24:40 | |
# I reckon it's again my turn | 0:24:40 | 0:24:43 | |
# To win some or learn some | 0:24:43 | 0:24:47 | |
# But I won't hesitate | 0:24:47 | 0:24:51 | |
# No more, no more | 0:24:51 | 0:24:54 | |
# It cannot wait | 0:24:54 | 0:24:57 | |
# I'm sure | 0:24:57 | 0:24:59 | |
# Open up your mind and see like me | 0:25:00 | 0:25:03 | |
# Open up your plans and, damn, you're free | 0:25:03 | 0:25:07 | |
# Look into your heart and you'll find | 0:25:07 | 0:25:09 | |
# This guy is yours. # | 0:25:09 | 0:25:15 | |
CHEERING AND APPLAUSE | 0:25:15 | 0:25:19 | |
-Oh, hello. -How you doing? All right? -What's your name? -Tim. | 0:25:22 | 0:25:27 | |
-Sorry that nobody turned. -That's all right. | 0:25:27 | 0:25:30 | |
-Where are you from? -Drybrook in the Forest of Dean, in Gloucestershire. | 0:25:30 | 0:25:33 | |
APPLAUSE | 0:25:33 | 0:25:34 | |
-RICKY: -Have you got any interesting hobbies? -Yeah, I keep birds. | 0:25:34 | 0:25:37 | |
You keep birds? You haven't got any on you now, have you? | 0:25:37 | 0:25:40 | |
-HE WHISTLES -Should have stuck that in the song! | 0:25:40 | 0:25:42 | |
Should've. A bit of whistling. | 0:25:42 | 0:25:44 | |
-I can do a pigeon. -Go for it. Go on. | 0:25:44 | 0:25:47 | |
HE COOS | 0:25:47 | 0:25:48 | |
That's real good. LAUGHTER | 0:25:48 | 0:25:51 | |
Thank you very much. | 0:25:53 | 0:25:54 | |
CHEERING AND APPLAUSE | 0:25:54 | 0:25:57 | |
EMMA: It's Bird Man round two. Can Faheem get those chairs a-spinning? | 0:25:57 | 0:26:01 | |
I want to be a professional singer so much that it hurts, you know? | 0:26:01 | 0:26:04 | |
I'm so excited to be here. | 0:26:04 | 0:26:06 | |
I'm ready. | 0:26:07 | 0:26:08 | |
# Let's Marvin Gaye and get it on | 0:26:20 | 0:26:23 | |
# You got that healing that I want... # THEY SQUEAL | 0:26:24 | 0:26:28 | |
# Just like they say it in the song | 0:26:28 | 0:26:31 | |
# Until the dawn, let's Marvin Gaye and get it on | 0:26:31 | 0:26:37 | |
# We got this king-size to ourselves | 0:26:37 | 0:26:42 | |
# Don't have to share with no-one else | 0:26:42 | 0:26:46 | |
# Don't keep your secrets to yourself | 0:26:46 | 0:26:50 | |
# It's Kama Sutra show and tell | 0:26:50 | 0:26:55 | |
# Let's Marvin Gaye and get it on | 0:26:55 | 0:26:59 | |
# You got that healing that I want | 0:26:59 | 0:27:03 | |
# Just like they say it in the song | 0:27:03 | 0:27:06 | |
# Until the dawn, let's Marvin Gaye and get it on | 0:27:06 | 0:27:12 | |
# And when you leave me all alone | 0:27:12 | 0:27:16 | |
# I'm like a stray without a home | 0:27:16 | 0:27:21 | |
# I'm like a dog without a bone | 0:27:21 | 0:27:25 | |
# I just want you for my own... # THEY CHEER | 0:27:25 | 0:27:30 | |
# Let's Marvin Gaye and get it on | 0:27:30 | 0:27:34 | |
# You got that healing that I want | 0:27:34 | 0:27:38 | |
# Just like they say it in the song | 0:27:38 | 0:27:42 | |
# Until the dawn, let's Marvin Gaye and get it on. # | 0:27:42 | 0:27:51 | |
THEY CHEER | 0:27:53 | 0:27:55 | |
CHEERING AND APPLAUSE | 0:27:56 | 0:27:59 | |
Thank you. | 0:28:01 | 0:28:03 | |
Thank you, thank you. | 0:28:03 | 0:28:05 | |
-Hello. -Wow! -What's your name? | 0:28:05 | 0:28:09 | |
Hi, guys. My name's Faheem. | 0:28:09 | 0:28:10 | |
I'm 21 years old and I'm from Bradford, West Yorkshire. | 0:28:10 | 0:28:13 | |
CHEERING | 0:28:13 | 0:28:15 | |
Well, I know how to hear freaking awesome tones. | 0:28:19 | 0:28:23 | |
Sometimes a singer don't even have to sing for 90 seconds. | 0:28:23 | 0:28:27 | |
They can sing for two seconds for you to know | 0:28:27 | 0:28:29 | |
if they're freaking awesome or not. | 0:28:29 | 0:28:31 | |
So first three words - bam! | 0:28:31 | 0:28:32 | |
Hit it. Like, damn! | 0:28:32 | 0:28:34 | |
CHEERING AND APPLAUSE | 0:28:36 | 0:28:38 | |
-Thank you. -You've got that magic tone. | 0:28:39 | 0:28:42 | |
Like, John Legend got a magic tone. You got that tone. | 0:28:42 | 0:28:45 | |
Thank you. I appreciate that. | 0:28:45 | 0:28:47 | |
Thank you. | 0:28:47 | 0:28:49 | |
I thought it was... | 0:28:49 | 0:28:51 | |
I thought it was amazing and I feel terrible that I didn't turn. | 0:28:51 | 0:28:54 | |
-Thank you. -Sorry about that. -No, that's absolutely fine. | 0:28:54 | 0:28:57 | |
-I understand. -You're amazing. | 0:28:57 | 0:28:59 | |
Just to sing for all four of you anyway was more than | 0:28:59 | 0:29:01 | |
I could ask for, so, like, | 0:29:01 | 0:29:03 | |
honestly, thank you very much. | 0:29:03 | 0:29:05 | |
What I've learned is the fact that... | 0:29:07 | 0:29:10 | |
I am a sucker for female voices. | 0:29:10 | 0:29:11 | |
I really like them and I turn quite a lot for female voices | 0:29:11 | 0:29:14 | |
so it takes an extraordinary male voice to, like, | 0:29:14 | 0:29:18 | |
get inside here and make me just go, "This is for me." | 0:29:18 | 0:29:22 | |
And it takes even more of an extraordinary one to make me | 0:29:22 | 0:29:24 | |
want to go up against Will, and I... | 0:29:24 | 0:29:28 | |
I am fighting for this and I'm making a fool of myself, so... | 0:29:28 | 0:29:31 | |
-And it's all for you. -Thank you very much. Thank you. | 0:29:31 | 0:29:34 | |
How am I supposed to choose, like? | 0:29:36 | 0:29:37 | |
AUDIENCE SHOUT OUT Nah, I... | 0:29:37 | 0:29:40 | |
Going with Ricky would give you a whole different | 0:29:44 | 0:29:47 | |
type of experience to add to your Army Swiss knife, | 0:29:47 | 0:29:50 | |
to have a whole bunch of different styles up in that. | 0:29:50 | 0:29:52 | |
So going there, awesome styles. You'll get crazy styles there. | 0:29:52 | 0:29:55 | |
Coming here, I can improve where you're going. | 0:29:55 | 0:29:58 | |
I don't know if I'm going to give you different styles. | 0:29:58 | 0:30:01 | |
Going there with Ricky, you added a new blade. | 0:30:01 | 0:30:03 | |
It all depends, you know what I mean, | 0:30:03 | 0:30:05 | |
on what you're going to be chopping up in the next couple of months. | 0:30:05 | 0:30:09 | |
-You feel me? -I'm... | 0:30:09 | 0:30:11 | |
-You get what I'm saying? -Yeah, 100%, I hear what you're saying. | 0:30:11 | 0:30:14 | |
-Yeah, word up, yeah. -Thank you for that. | 0:30:14 | 0:30:16 | |
Like I say, from the bottom of my heart, | 0:30:16 | 0:30:18 | |
just to even be here was amazing, so the fact that you guys have | 0:30:18 | 0:30:22 | |
turned around... I mean, two of you have turned around... | 0:30:22 | 0:30:24 | |
Go for Will - he turned first! | 0:30:26 | 0:30:28 | |
THEY CHEER | 0:30:28 | 0:30:30 | |
Er... | 0:30:32 | 0:30:33 | |
..the coach I'm going to go with... | 0:30:35 | 0:30:37 | |
..is... I'm going to join... | 0:30:40 | 0:30:43 | |
..Team will.i.am. Ricky, I apologise. | 0:30:45 | 0:30:48 | |
Thank you so much. | 0:30:48 | 0:30:50 | |
Well done, mate. | 0:30:53 | 0:30:55 | |
THEY CHEER | 0:30:59 | 0:31:00 | |
-Well done. Congratulations. -Thank you so much. | 0:31:00 | 0:31:02 | |
CHEERING AND APPLAUSE | 0:31:02 | 0:31:05 | |
Well done. | 0:31:10 | 0:31:11 | |
I really liked Faheem. I was going up against Will | 0:31:18 | 0:31:20 | |
and when Will really wants something, he can get it. | 0:31:20 | 0:31:23 | |
I turned literally two lines in, | 0:31:23 | 0:31:25 | |
cos the tone of his voice was just immaculate. | 0:31:25 | 0:31:28 | |
THEY CHEER | 0:31:28 | 0:31:30 | |
-Are you comfortable, Will? -Oh, yeah. Of course. -You're, like... | 0:31:33 | 0:31:37 | |
-laid-back. -Oh, you ain't comfortable? | 0:31:37 | 0:31:41 | |
-Well, I'm wearing a skirt. -Oh, you're wearing a skirt. | 0:31:41 | 0:31:45 | |
Be careful of wolves in pink skirts! | 0:31:45 | 0:31:48 | |
THEY CHUCKLE | 0:31:48 | 0:31:51 | |
EMMA: Wings of a different variety now, with 17-year-old Sammy-Jo. | 0:31:56 | 0:32:00 | |
I work as a trainee engineer at Stansted Airport. | 0:32:00 | 0:32:03 | |
My job is really important because if the power runs out... | 0:32:03 | 0:32:06 | |
..Stansted Airport will come to a close. | 0:32:08 | 0:32:10 | |
A general day for me would be getting in, checking my e-mails. | 0:32:10 | 0:32:14 | |
If we have a fault that day, then we have to go out and sort that out. | 0:32:14 | 0:32:18 | |
When we're driving from job to job in the airport, | 0:32:18 | 0:32:20 | |
we're always singing in the vans. | 0:32:20 | 0:32:22 | |
# Let's Marvin Gaye and get it on | 0:32:22 | 0:32:25 | |
# You got that feeling that I want... # | 0:32:25 | 0:32:28 | |
I normally do it, like, messing around. | 0:32:28 | 0:32:30 | |
I wouldn't really sing properly in front of them. | 0:32:30 | 0:32:32 | |
-# Ah -# Ah | 0:32:32 | 0:32:34 | |
# Trouble, trouble | 0:32:34 | 0:32:35 | |
# Ah. # | 0:32:35 | 0:32:37 | |
I've worked so hard to get the job that I'm in but it's not my dream. | 0:32:40 | 0:32:43 | |
Singing's always been my dream. | 0:32:44 | 0:32:47 | |
It's really important for me to go out there and give it my all. | 0:32:47 | 0:32:50 | |
I'm never going to have this experience again in my life, | 0:32:50 | 0:32:52 | |
so I need to prove that I can do it. | 0:32:52 | 0:32:55 | |
It's been what I've wanted for so long. | 0:32:56 | 0:32:58 | |
# I walked into a honky-tonky | 0:33:14 | 0:33:17 | |
# Just the other day | 0:33:17 | 0:33:18 | |
# I dropped a nickel in the jukebox | 0:33:18 | 0:33:21 | |
# Just to hear them play | 0:33:21 | 0:33:23 | |
# I didn't have no tune in mind, I didn't wait to choose | 0:33:23 | 0:33:27 | |
# Just dropped a nickel in the slot and I played the jukebox blues | 0:33:27 | 0:33:31 | |
# There's a guy over there with an old tin horn | 0:33:36 | 0:33:38 | |
-# And a fella on an old banjo... # -Press the button, Will! | 0:33:38 | 0:33:40 | |
# And the man on the fiddle, he were no slouch | 0:33:40 | 0:33:42 | |
# He could really drag that bow | 0:33:42 | 0:33:45 | |
# Well, the man on the fiddle, he must have got tired | 0:33:49 | 0:33:51 | |
# I didn't hear him say | 0:33:51 | 0:33:53 | |
# Cos he cut loose on the steel guitar | 0:33:53 | 0:33:55 | |
# And the jukebox ran away | 0:33:55 | 0:33:57 | |
# I've played a lot of jukeboxes | 0:34:01 | 0:34:04 | |
# Most every one in town | 0:34:04 | 0:34:06 | |
# That's the first tune I've ever heard | 0:34:06 | 0:34:08 | |
# That can make one dance around | 0:34:08 | 0:34:10 | |
-# Play the jukebox blues... # -Ricky! -Just go bam! | 0:34:12 | 0:34:15 | |
# Such a rhythm I've never heard | 0:34:15 | 0:34:17 | |
# I danced out both of my shoes... # | 0:34:17 | 0:34:21 | |
-Oh! -Oh, come on! | 0:34:21 | 0:34:22 | |
# Playing the jukebox blues. # | 0:34:22 | 0:34:24 | |
CHEERING AND APPLAUSE | 0:34:24 | 0:34:26 | |
-Hey! -Hello. -What's your name? | 0:34:36 | 0:34:40 | |
My name's Sammy-Jo Evans. | 0:34:40 | 0:34:42 | |
I'm 17, I'm from Essex | 0:34:42 | 0:34:43 | |
and I'm an electrical fitter at Stansted Airport. | 0:34:43 | 0:34:46 | |
Amazing! | 0:34:46 | 0:34:47 | |
So, the country thing - | 0:34:50 | 0:34:52 | |
tell me about that, cos it was very specific. | 0:34:52 | 0:34:55 | |
My dad started off with my country influence. | 0:34:55 | 0:34:58 | |
I like a lot of rockabilly and jive and I used to do musical theatre | 0:34:58 | 0:35:01 | |
before this but country is what I want to do now. | 0:35:01 | 0:35:05 | |
Well, you do it very well. | 0:35:05 | 0:35:06 | |
It's not something that I feel I can contribute anything to. | 0:35:06 | 0:35:10 | |
You know, I'm always looking for something a bit off the wall. | 0:35:10 | 0:35:13 | |
What you did was very accomplished. | 0:35:13 | 0:35:15 | |
I can't say anything bad about it. It was really good. | 0:35:15 | 0:35:18 | |
You got an amazing reaction from the audience, | 0:35:18 | 0:35:20 | |
so you obviously did it very well. | 0:35:20 | 0:35:22 | |
That's what you've chosen to do - it's perfect. | 0:35:22 | 0:35:24 | |
-It's just not right for me. -A touch of Loretta Lynn thing in your voice. | 0:35:24 | 0:35:27 | |
-Did you just butt in? -Sorry. | 0:35:27 | 0:35:29 | |
AUDIENCE EXCLAIM | 0:35:29 | 0:35:31 | |
-Getting my own back from earlier. -Palaver... | 0:35:31 | 0:35:34 | |
Well done. I mean, you know, it wasn't right for me and, you know, | 0:35:36 | 0:35:39 | |
I'm building my team and it just wasn't the right sound for me | 0:35:39 | 0:35:42 | |
-but you do it great. -Thank you. | 0:35:42 | 0:35:44 | |
APPLAUSE | 0:35:44 | 0:35:46 | |
I thought it was excellent and George is exactly right. | 0:35:48 | 0:35:51 | |
It was really accomplished. You couldn't really fault it. | 0:35:51 | 0:35:53 | |
You have a voice like crystal but you have a voice, like... | 0:35:53 | 0:35:57 | |
It was kind of an impression because it wasn't your voice, cos... | 0:35:57 | 0:36:00 | |
But it just wasn't for me today. That's the only reason. | 0:36:01 | 0:36:05 | |
Thank you anyway. | 0:36:05 | 0:36:06 | |
-PALOMA: -I actually don't think that was, er... | 0:36:06 | 0:36:08 | |
I thought that was very constructive criticism, | 0:36:08 | 0:36:11 | |
in the sense that I actually started out singing myself by, like, | 0:36:11 | 0:36:16 | |
impersonating singers that I like. | 0:36:16 | 0:36:17 | |
But when I started to write my own songs, | 0:36:17 | 0:36:20 | |
then all those influences piled in and then after a while, | 0:36:20 | 0:36:25 | |
I started to find my own voice that made me | 0:36:25 | 0:36:28 | |
different from those people and the next stage would be to try | 0:36:28 | 0:36:32 | |
and write and think about how you can be you. | 0:36:32 | 0:36:35 | |
OK. Thank you very much. | 0:36:35 | 0:36:37 | |
I actually... Because you... | 0:36:37 | 0:36:39 | |
Rick, you made it sound like I thought it was an impersonation. | 0:36:39 | 0:36:41 | |
-I actually didn't... -No, no, not at all. -OK, just getting that clear. | 0:36:41 | 0:36:44 | |
I didn't think you were impersonating anyone. | 0:36:44 | 0:36:46 | |
I think, you know, you're 17. Your voice is always going to develop. | 0:36:46 | 0:36:50 | |
You know, that wasn't a criticism. I don't think you sound like anyone. | 0:36:50 | 0:36:53 | |
Also, country has a sound and you've just said that's what you | 0:36:53 | 0:36:56 | |
want to do, so go and do it and I hope you get better and better. | 0:36:56 | 0:36:59 | |
-Thank you. -You look lovely! | 0:36:59 | 0:37:01 | |
APPLAUSE | 0:37:01 | 0:37:03 | |
Yeah, I have to agree - like, | 0:37:03 | 0:37:05 | |
country does have a unique twang to it. | 0:37:05 | 0:37:09 | |
You sound like YOU. | 0:37:09 | 0:37:11 | |
I don't know what people mean by, like, "That's not your voice." | 0:37:11 | 0:37:15 | |
-Well, why didn't you turn your chair? -I didn't turn my chair... | 0:37:15 | 0:37:19 | |
So many different styles of genres come out, | 0:37:22 | 0:37:24 | |
but that style of music belongs on the show, so I apologise. | 0:37:24 | 0:37:28 | |
That's OK. Thank you. | 0:37:28 | 0:37:29 | |
There's nothing better than commitment to a style and a sound | 0:37:31 | 0:37:34 | |
and by doing that, you are just going to get better and better. | 0:37:34 | 0:37:37 | |
Thank you. | 0:37:37 | 0:37:39 | |
-Thank you. It's pretty intense, isn't it? -Yeah. | 0:37:43 | 0:37:48 | |
-You did really well. -Thank you. -It was great. | 0:37:48 | 0:37:51 | |
Thank you. Thank you. | 0:37:51 | 0:37:54 | |
-Amazing. -Thank you. | 0:37:54 | 0:37:56 | |
APPLAUSE | 0:37:56 | 0:37:58 | |
Wahey! | 0:38:02 | 0:38:04 | |
George and Paloma operate with no filters, so when you have | 0:38:10 | 0:38:13 | |
people that have no filters, | 0:38:13 | 0:38:15 | |
sometimes there's going to be chemicals that mix. | 0:38:15 | 0:38:18 | |
It's a laboratory and things explode. | 0:38:18 | 0:38:21 | |
# Saturday night's all right for fighting | 0:38:21 | 0:38:25 | |
# Saturday night's all right... # | 0:38:25 | 0:38:27 | |
Like myself, Paloma doesn't always think about | 0:38:27 | 0:38:29 | |
what she says before she says it. | 0:38:29 | 0:38:31 | |
That can kind of cause quite interesting conflict. | 0:38:31 | 0:38:34 | |
Sometimes I clash with George a little bit. | 0:38:38 | 0:38:41 | |
She's lying. | 0:38:41 | 0:38:43 | |
I think it's because we're quite similar. | 0:38:45 | 0:38:49 | |
But she's also got very thick skin | 0:38:49 | 0:38:50 | |
so she gets over stuff really easily, so... | 0:38:50 | 0:38:53 | |
I don't. I hold a grudge! | 0:38:53 | 0:38:57 | |
# You've got to fight For your right... # | 0:38:58 | 0:39:01 | |
Some of the tensions that were going on - it's just natural. | 0:39:01 | 0:39:04 | |
I've been in a band for 15 years with the same people | 0:39:04 | 0:39:06 | |
and we have to share buses and stuff and there's a time when you | 0:39:06 | 0:39:09 | |
walk away and sit in another part of the bus or, you know... | 0:39:09 | 0:39:12 | |
It's like a pressure cooker. | 0:39:12 | 0:39:14 | |
Things happen. | 0:39:15 | 0:39:17 | |
-PALOMA: -That's what happens with strong personalities, | 0:39:18 | 0:39:21 | |
and we're all very emotionally invested in the show. | 0:39:21 | 0:39:24 | |
Basically, sometimes the other coaches get on your nerves. | 0:39:24 | 0:39:28 | |
It's a little awkward! | 0:39:29 | 0:39:30 | |
-MARVIN: -Competitive coaches! | 0:39:34 | 0:39:35 | |
But, unaware of the tension, welcome, J Sealy. | 0:39:35 | 0:39:38 | |
I absolutely love music, you know. It's a passion, | 0:39:38 | 0:39:42 | |
and it doesn't feel like work. I get up and I'm just enjoying my life. | 0:39:42 | 0:39:47 | |
In 2014, I woke up on a Saturday morning | 0:39:47 | 0:39:51 | |
and I heard my left ear close. I couldn't hear anything. | 0:39:51 | 0:39:55 | |
It was vertigo and I basically lost my hearing. | 0:39:55 | 0:39:58 | |
I went deaf in my left ear. | 0:39:58 | 0:40:00 | |
I've had to adapt everything I do in terms of sound to one ear. | 0:40:00 | 0:40:04 | |
Right now, I feel so great about life. | 0:40:06 | 0:40:08 | |
I just feel so great about myself. This is an amazing opportunity. | 0:40:08 | 0:40:13 | |
I'm willing to do whatever I need to do to take it to the next level. | 0:40:13 | 0:40:16 | |
Go on, J! Yes! | 0:40:17 | 0:40:19 | |
# I would have given you all of my heart | 0:40:28 | 0:40:33 | |
# But there's someone who's torn it apart | 0:40:34 | 0:40:38 | |
# And she's taken just all that I had | 0:40:40 | 0:40:44 | |
# But if you want I'll try to love again | 0:40:45 | 0:40:49 | |
# Baby, I'll try to love again but I know | 0:40:51 | 0:40:56 | |
# The first cut is the deepest | 0:40:58 | 0:41:02 | |
# Baby, I know | 0:41:02 | 0:41:04 | |
# The first cut is the deepest | 0:41:04 | 0:41:08 | |
# But when it come to being lucky, she's cursed | 0:41:09 | 0:41:14 | |
# When it come to loving me she's worst | 0:41:15 | 0:41:19 | |
# I still want you by my side... # THEY CHEER | 0:41:21 | 0:41:25 | |
# Just to help me dry these tears that I've cried | 0:41:27 | 0:41:32 | |
# Baby, I'll try to love again but I know | 0:41:32 | 0:41:36 | |
# The first cut is the deepest | 0:41:39 | 0:41:44 | |
# Whoa-oh, oh | 0:41:44 | 0:41:46 | |
# The first love is the deepest | 0:41:46 | 0:41:50 | |
# And when it comes to loving me, she's worst | 0:41:50 | 0:41:54 | |
# But if you want, I'll try, yeah. # | 0:41:56 | 0:42:02 | |
CHEERING AND APPLAUSE | 0:42:02 | 0:42:04 | |
-First of all, what's your name? -My name is J Sealy. | 0:42:18 | 0:42:21 | |
I am 43 years old. | 0:42:21 | 0:42:23 | |
That's my mum's favourite song right there, so I'm glad. | 0:42:23 | 0:42:27 | |
I appreciate you turning. Thank you very much. It's a beautiful thing. | 0:42:27 | 0:42:31 | |
-And do you know who sang the original? -Er, Cat Stevens. | 0:42:31 | 0:42:35 | |
And then Rod Stewart. | 0:42:35 | 0:42:37 | |
-Yes. -And then more people just brought this thing to life. | 0:42:37 | 0:42:40 | |
-It's beautiful. -You have a beautiful vibrato in your voice. -Thank you. | 0:42:40 | 0:42:43 | |
-You've got great chops. -Appreciated. | 0:42:43 | 0:42:45 | |
A great soul voice and there's a great | 0:42:45 | 0:42:47 | |
vulnerability in your voice, so we've got something to work with. | 0:42:47 | 0:42:50 | |
-Very happy to have you on my team. -Oh, me too. Thank you very much! | 0:42:50 | 0:42:53 | |
Whoo! | 0:42:53 | 0:42:54 | |
CHEERING AND APPLAUSE | 0:42:54 | 0:42:57 | |
JC, yeah, it was incredible. | 0:43:00 | 0:43:02 | |
You could tell you poured a lot of emotion into that | 0:43:02 | 0:43:04 | |
and it was really coming across and it's great when you hear | 0:43:04 | 0:43:07 | |
someone that understands a song, connects with it, | 0:43:07 | 0:43:09 | |
and that's what the next round's all about, I suppose, so well done. | 0:43:09 | 0:43:12 | |
-You've got through. -Thank you. Appreciate that. | 0:43:12 | 0:43:15 | |
I think with you and George, | 0:43:19 | 0:43:21 | |
you've already got a natural soul voice and a soulful soul. | 0:43:21 | 0:43:27 | |
I think George can help you fine-tune that | 0:43:27 | 0:43:30 | |
and you'll be a threat in this competition. We just don't... | 0:43:30 | 0:43:34 | |
-We didn't see that but George saw that. -Absolutely. Thank you. | 0:43:34 | 0:43:37 | |
Appreciate that. Thank you. | 0:43:37 | 0:43:39 | |
CHEERING AND APPLAUSE | 0:43:39 | 0:43:41 | |
-Great. -Very happy. I'm just getting tall people. Have you noticed? | 0:43:45 | 0:43:49 | |
-You'll have to get a bigger hat. -Exactly. | 0:43:49 | 0:43:51 | |
THEY SQUEAL | 0:43:51 | 0:43:53 | |
Yeah, he can really sing. He's a real singer. I love that. | 0:43:57 | 0:44:00 | |
We're going to sit back and let our next act talk. | 0:44:00 | 0:44:03 | |
It's what he does best. | 0:44:03 | 0:44:05 | |
My name's Steve Devereaux. | 0:44:05 | 0:44:06 | |
I'm 60 years old | 0:44:06 | 0:44:08 | |
and I'm from Kenley in Surrey. | 0:44:08 | 0:44:10 | |
It's quite a voice you've got there, Steve. | 0:44:10 | 0:44:12 | |
-Well, there we are, you see. -So, what do you do? | 0:44:12 | 0:44:14 | |
You would have heard of this little station called CBeebies. | 0:44:14 | 0:44:17 | |
-24/7 in my house. -It's a life-saver, isn't it? | 0:44:17 | 0:44:20 | |
Well, on that, I'm very happy to be part of | 0:44:20 | 0:44:24 | |
a production called Chuggington. | 0:44:24 | 0:44:25 | |
-Oh! -Yeah! | 0:44:25 | 0:44:27 | |
-BOTH: -# Chuggington | 0:44:27 | 0:44:29 | |
# Chugga-chugga, chugga-chugga, Chuggington | 0:44:29 | 0:44:31 | |
# Chuggington | 0:44:31 | 0:44:33 | |
# Chugga-chugga-chugga, chugga-chugga-chugga. # | 0:44:33 | 0:44:36 | |
But you know, I go to sleep with that song in my head sometimes. | 0:44:36 | 0:44:39 | |
I wake up to it. | 0:44:39 | 0:44:40 | |
But for me, it's great that I get to play a character called Howie. | 0:44:40 | 0:44:43 | |
Oh, dear. | 0:44:43 | 0:44:45 | |
-AS HOWIE: -And Howie, he talks like that. | 0:44:45 | 0:44:46 | |
If you're wondering, "Is it really him?", yes, it is. | 0:44:46 | 0:44:49 | |
Where The Voice could take me is | 0:44:51 | 0:44:53 | |
somewhere where I've actually always wanted to be. | 0:44:53 | 0:44:55 | |
And that is to work with music. | 0:44:55 | 0:44:58 | |
That would be a form of earthly heaven. | 0:44:58 | 0:45:01 | |
-SHE SQUEALS -Oh, he's looking sharp, isn't he? | 0:45:03 | 0:45:05 | |
Mm-mm! | 0:45:15 | 0:45:16 | |
So who are we talking? | 0:45:16 | 0:45:19 | |
A-ha! | 0:45:19 | 0:45:20 | |
# She gets too hungry | 0:45:21 | 0:45:24 | |
# For dinner at eight | 0:45:25 | 0:45:27 | |
# She likes the theatre | 0:45:29 | 0:45:32 | |
# But never comes late... # | 0:45:32 | 0:45:35 | |
Yes! Yes, yes, yes! | 0:45:35 | 0:45:36 | |
# She never bothers | 0:45:36 | 0:45:38 | |
# With people she hates | 0:45:38 | 0:45:42 | |
# That's why the lady is a tramp | 0:45:42 | 0:45:46 | |
# She likes the free, fresh | 0:45:48 | 0:45:53 | |
# Wind in her hair | 0:45:53 | 0:45:55 | |
# Life without care | 0:45:55 | 0:45:58 | |
# She's flat | 0:46:00 | 0:46:01 | |
# That's that | 0:46:01 | 0:46:02 | |
# Hates California | 0:46:03 | 0:46:06 | |
# Cold, oh, damp | 0:46:06 | 0:46:09 | |
# That's why the lady.... | 0:46:11 | 0:46:14 | |
HE SCATS | 0:46:14 | 0:46:15 | |
# She won't have crap games | 0:46:18 | 0:46:21 | |
# With sharpies and frauds | 0:46:21 | 0:46:24 | |
# Won't go to Harlem | 0:46:24 | 0:46:28 | |
# In Lincolns and Fords | 0:46:28 | 0:46:31 | |
# Don't dish that dirt Don't dish that dirt | 0:46:31 | 0:46:35 | |
# With the rest of the broads | 0:46:35 | 0:46:38 | |
# That's why the lady is a tramp. # | 0:46:38 | 0:46:45 | |
Thank you! | 0:46:46 | 0:46:48 | |
CHEERING | 0:46:48 | 0:46:49 | |
-RICKY: -All right, mate? | 0:46:58 | 0:46:59 | |
Thank you. | 0:46:59 | 0:47:00 | |
-I've found my father figure! -Oh, at last! | 0:47:00 | 0:47:04 | |
I'm so happy. | 0:47:04 | 0:47:06 | |
-Well, I'm pretty happy, too. -You know what? | 0:47:06 | 0:47:08 | |
You've got the most beautiful tone and I'm such a big fan of, like, | 0:47:08 | 0:47:12 | |
Frank Sinatra and all that, that as soon as I heard it | 0:47:12 | 0:47:16 | |
and the way you held it, you didn't wobble from it | 0:47:16 | 0:47:19 | |
and it was just like going back in time, and I just love that. | 0:47:19 | 0:47:23 | |
Like, I wish... You know, Will's in the future, well, I'm in the past. | 0:47:23 | 0:47:27 | |
-RICKY: -Paloma, I wonder what his name is? | 0:47:27 | 0:47:29 | |
-Where does that put Boy George? -Sorry, what's your name? | 0:47:29 | 0:47:32 | |
I was too excited. Apart from Daddy. | 0:47:32 | 0:47:35 | |
I think we're going to quit the story right now | 0:47:35 | 0:47:37 | |
before we get into deep trouble. | 0:47:37 | 0:47:39 | |
My name is Steve Devereux. | 0:47:39 | 0:47:41 | |
I am 60 years old. I am from London, born in Stoke Newington. | 0:47:41 | 0:47:46 | |
-Wow. -All right? | 0:47:46 | 0:47:49 | |
And I do voice-overs to make a crust. | 0:47:49 | 0:47:53 | |
- Anything we'd have heard? - Listen to his voice! | 0:47:53 | 0:47:55 | |
What voice-overs can you do? | 0:47:55 | 0:47:57 | |
Well, you want a voice-over? | 0:47:57 | 0:47:59 | |
I'll tell you what, imagine this television series was a film. | 0:47:59 | 0:48:02 | |
DRAMATIC MUSIC | 0:48:02 | 0:48:04 | |
In a world... | 0:48:04 | 0:48:05 | |
where singing is everything... | 0:48:05 | 0:48:07 | |
in a place called... | 0:48:07 | 0:48:10 | |
Manchester... | 0:48:10 | 0:48:12 | |
you will discover who... | 0:48:12 | 0:48:14 | |
will become The Voice of 2016. | 0:48:14 | 0:48:17 | |
Coming to a television set near you. | 0:48:17 | 0:48:20 | |
Terms and conditions apply. | 0:48:20 | 0:48:22 | |
-Something like that. -CHEERING | 0:48:22 | 0:48:25 | |
In a world... | 0:48:27 | 0:48:29 | |
In a world where two hat men and one sexy lady | 0:48:29 | 0:48:34 | |
and a tricky guy named Ricky | 0:48:34 | 0:48:37 | |
sit in chairs, finally... | 0:48:37 | 0:48:41 | |
You do it better, sorry. | 0:48:41 | 0:48:43 | |
Can you just do the end bit again? Just do the end. | 0:48:43 | 0:48:48 | |
Start again. Go on. | 0:48:48 | 0:48:49 | |
In a world where there's four coaches... | 0:48:49 | 0:48:53 | |
-I just picked you! -CHEERING | 0:48:53 | 0:48:55 | |
Oh, shucks! Thank you so much! | 0:48:55 | 0:48:58 | |
Come on. You do a beautiful voice-over. | 0:48:58 | 0:49:00 | |
Oh, my gosh! I just got picked! | 0:49:00 | 0:49:02 | |
CHEERING | 0:49:02 | 0:49:04 | |
-PALOMA: -Thanks, you're in. | 0:49:04 | 0:49:05 | |
-RICKY: -I think you should go and meet your competitor. | 0:49:05 | 0:49:08 | |
-PALOMA: -Yes! -Come on, then. | 0:49:08 | 0:49:09 | |
Thank you. | 0:49:11 | 0:49:13 | |
-Lovely to meet you. -You too. | 0:49:17 | 0:49:18 | |
You could rap like that. You just have to rhyme it. | 0:49:20 | 0:49:22 | |
# Ain't nothing I can't fix | 0:49:22 | 0:49:24 | |
# Cos I can do it in the mix | 0:49:24 | 0:49:26 | |
# Don't push me cos I'm close to the edge | 0:49:26 | 0:49:30 | |
# I'm trying not to lose my head Uh-huh-huh. # | 0:49:30 | 0:49:34 | |
-Thank you, Manchester! -CHEERING | 0:49:36 | 0:49:38 | |
-WILL: -He's a character. | 0:49:39 | 0:49:40 | |
# That's why the lady... # | 0:49:40 | 0:49:42 | |
-PALOMA: -I loved his voice. | 0:49:42 | 0:49:43 | |
I just shouldn't turn now for a while. | 0:49:43 | 0:49:45 | |
You did it! | 0:49:45 | 0:49:47 | |
-Josh. -You just rapped with will.i.am, lad. | 0:49:51 | 0:49:54 | |
Team Paloma invite | 0:49:54 | 0:49:57 | |
everyone else to bring it on. | 0:49:57 | 0:50:00 | |
Devereux has joined Faith. | 0:50:00 | 0:50:02 | |
Faith and Devereux. | 0:50:02 | 0:50:05 | |
Watch out. | 0:50:05 | 0:50:06 | |
Oh, stop it, Steve. | 0:50:08 | 0:50:09 | |
Make way for our next act, straight from the home of pop. | 0:50:09 | 0:50:12 | |
It's "our kid", Lester. | 0:50:12 | 0:50:14 | |
I'm Lester Preston Jr, I'm 33, from Liverpool. | 0:50:14 | 0:50:17 | |
I've got two main passions in my life - | 0:50:17 | 0:50:19 | |
singing and Everton Football Club. | 0:50:19 | 0:50:22 | |
On a match day, my dad will come round | 0:50:22 | 0:50:23 | |
and I'll cook him a bacon butty and a cup of tea. | 0:50:23 | 0:50:25 | |
Come on, lad, I'm starving here. | 0:50:25 | 0:50:27 | |
Tea will be gone before I get my butty. | 0:50:27 | 0:50:29 | |
I've got a great relationship with my dad, | 0:50:29 | 0:50:31 | |
apart from the fact that he supports Liverpool and I support Everton. | 0:50:31 | 0:50:34 | |
You're enjoying that cup, there, lad? | 0:50:34 | 0:50:35 | |
-Eh? -Why? -That's the only cup you're going to get this season. | 0:50:35 | 0:50:38 | |
Oh, is that right? | 0:50:38 | 0:50:39 | |
He thinks he's a know-it-all | 0:50:39 | 0:50:41 | |
in his Liverpool shirt. | 0:50:41 | 0:50:43 | |
He shouldn't be wearing Liverpool shirts, | 0:50:43 | 0:50:45 | |
especially not with your little beer belly neither. | 0:50:45 | 0:50:47 | |
Nothing wrong with that belly, mate. | 0:50:47 | 0:50:49 | |
Excited about the game. | 0:50:49 | 0:50:51 | |
Come on, lad, come on! | 0:50:51 | 0:50:53 | |
I go watching Everton as much as I possibly can... | 0:50:53 | 0:50:56 | |
The Blues! | 0:50:56 | 0:50:57 | |
..with my good mate Bri. | 0:50:57 | 0:51:00 | |
If you cut my blood, it would run blue, so if Martinez is listening, | 0:51:00 | 0:51:03 | |
give me a free season ticket. | 0:51:03 | 0:51:05 | |
CROWD ROARS | 0:51:05 | 0:51:07 | |
This is the biggest opportunity I've ever had in my life. | 0:51:10 | 0:51:13 | |
I'm hoping to go on and do Liverpool proud today. | 0:51:16 | 0:51:19 | |
I come from a city that's got great musical influences | 0:51:19 | 0:51:22 | |
and I want to be up there with the rest of them. | 0:51:22 | 0:51:25 | |
# Somebody said you've got a new friend | 0:51:40 | 0:51:44 | |
# But does he love you better than I can? | 0:51:48 | 0:51:52 | |
# There's a big, black sky over my town | 0:51:56 | 0:52:00 | |
# I know where you're at, I bet he's around | 0:52:04 | 0:52:08 | |
# Stilettos and broken bottles | 0:52:12 | 0:52:16 | |
# I'm spinning around in circles | 0:52:16 | 0:52:20 | |
# I'm in the corner, watching you kiss him, oh-oh | 0:52:20 | 0:52:26 | |
# I'm right over here, why can't you see me, oh-oh | 0:52:28 | 0:52:35 | |
# I'm giving it my all, I'm not the guy you're taking... # | 0:52:36 | 0:52:40 | |
Come on, Ricky! | 0:52:40 | 0:52:42 | |
# Ooh, I keep dancing on my own... # | 0:52:43 | 0:52:48 | |
THEY CHEER | 0:52:51 | 0:52:54 | |
# But still so near | 0:52:54 | 0:52:56 | |
# The lights go on | 0:52:56 | 0:52:58 | |
# The music dies | 0:52:58 | 0:53:00 | |
# You don't see me standing here | 0:53:00 | 0:53:04 | |
# I just came to say goodbye. # | 0:53:04 | 0:53:09 | |
CHEERING AND APPLAUSE | 0:53:10 | 0:53:13 | |
-PALOMA: -Ohh! | 0:53:22 | 0:53:25 | |
Hi, there, what's your name? | 0:53:25 | 0:53:26 | |
I'm Lester Preston Jr from Liverpool, 33. | 0:53:26 | 0:53:30 | |
CHEERING AND APPLAUSE | 0:53:30 | 0:53:33 | |
You've got that sort of George Clooney sexiness. | 0:53:33 | 0:53:37 | |
Why didn't you turn, then? | 0:53:37 | 0:53:38 | |
-LAUGHTER -Cos I couldn't see through... | 0:53:38 | 0:53:40 | |
I know, fair do's. | 0:53:40 | 0:53:42 | |
-RICKY: -Mate, the thing is, | 0:53:44 | 0:53:46 | |
I enjoyed it and Will thought it was aimed at me and that kind of thing, | 0:53:46 | 0:53:49 | |
because obviously I had some success last year with a guy called Stevie, | 0:53:49 | 0:53:53 | |
but I think I've explored all the options in that arena. | 0:53:53 | 0:53:57 | |
-I was looking forward to working with you as well, Ricky. -Sorry, man. | 0:53:57 | 0:54:00 | |
-PALOMA: -Aww! -Hello, Will, what's happening? | 0:54:00 | 0:54:02 | |
Um, the reason why I didn't turn was because that statement, | 0:54:02 | 0:54:05 | |
certain matches, perfect matches - | 0:54:05 | 0:54:08 | |
I was gutted that Ricky didn't turn. | 0:54:08 | 0:54:10 | |
-Yeah, me too. -So we're aligned there. | 0:54:10 | 0:54:14 | |
And if I would have turned, | 0:54:16 | 0:54:17 | |
you wouldn't have picked me, even if I'd turned by myself. | 0:54:17 | 0:54:22 | |
-LAUGHTER -That would really suck, right? | 0:54:22 | 0:54:24 | |
Imagine that - I'm the only one, you're like, "But I don't want you." | 0:54:24 | 0:54:28 | |
LAUGHTER | 0:54:28 | 0:54:31 | |
I think you should definitely keep going | 0:54:31 | 0:54:33 | |
and keep singing, | 0:54:33 | 0:54:34 | |
but I didn't feel like I could help that style of singer. | 0:54:34 | 0:54:40 | |
Yep, no worries, all right, cheers, thank you. | 0:54:40 | 0:54:42 | |
APPLAUSE | 0:54:42 | 0:54:45 | |
Hey, man. | 0:54:48 | 0:54:50 | |
CHEERING AND APPLAUSE | 0:54:53 | 0:54:55 | |
-I thought Ricky was going to turn. -Did you? | 0:55:09 | 0:55:11 | |
You always say that, though, and it puts me off. | 0:55:11 | 0:55:13 | |
The rocker even said so. | 0:55:13 | 0:55:14 | |
Well, it always puts me off when you say, "This is for you," | 0:55:14 | 0:55:17 | |
cos it makes me just go, "I don't want it." | 0:55:17 | 0:55:19 | |
-I love Ricky's rocking reputation. -I have got a rocking reputation. | 0:55:19 | 0:55:22 | |
-Rockin' Ricky Wilson. -Cos he was like... | 0:55:22 | 0:55:24 | |
I mean, all the rockers in the world are like, | 0:55:24 | 0:55:26 | |
"How come Ricky's not turning for us?" | 0:55:26 | 0:55:28 | |
I know, that puts pressure on me and I don't want to turn. | 0:55:28 | 0:55:31 | |
That's whack. | 0:55:31 | 0:55:33 | |
The thing about Will is, we're not best pals, | 0:55:33 | 0:55:35 | |
we don't go on barging holidays. | 0:55:35 | 0:55:38 | |
A barge. | 0:55:38 | 0:55:39 | |
It might be a great reality show. | 0:55:39 | 0:55:41 | |
The Voice - Barging. | 0:55:42 | 0:55:44 | |
First of all, I'm not a big fan of barges. | 0:55:47 | 0:55:49 | |
MUSIC: Messing About On The River by Josh Macrae | 0:55:49 | 0:55:53 | |
Cuts to a canal, beautiful canal. Here comes a barge. | 0:55:53 | 0:55:56 | |
"George!" "Hi, Rick." | 0:55:56 | 0:55:59 | |
"Permission to come aboard, sir." | 0:55:59 | 0:56:01 | |
"Of course, the more, the merrier." | 0:56:01 | 0:56:03 | |
"And then the other one, Paloma." | 0:56:03 | 0:56:05 | |
Wow. | 0:56:05 | 0:56:07 | |
PALOMA CHUCKLES | 0:56:07 | 0:56:08 | |
It's cold and I can't swim and they're going to make fun of me | 0:56:08 | 0:56:11 | |
and shake the boat and I'm going to get all freaked out. | 0:56:11 | 0:56:13 | |
"Aye-aye, skipper!" | 0:56:13 | 0:56:14 | |
-He's really the captain? -Yeah! | 0:56:14 | 0:56:17 | |
I'd rather just ride a bike on the land watching them have a barge. | 0:56:17 | 0:56:21 | |
Well, there'd be a dog involved. | 0:56:22 | 0:56:24 | |
DOG YELPS | 0:56:24 | 0:56:26 | |
We might get along. | 0:56:26 | 0:56:27 | |
No. | 0:56:27 | 0:56:29 | |
Maybe for, like, a day. | 0:56:29 | 0:56:30 | |
I think longer than a day would be a disaster. | 0:56:30 | 0:56:33 | |
I think I'm going to skip this holiday, | 0:56:33 | 0:56:36 | |
sun myself somewhere hot instead. | 0:56:36 | 0:56:38 | |
Well, that was random, wasn't it? | 0:56:42 | 0:56:44 | |
Let's get some glam into the proceedings. | 0:56:44 | 0:56:47 | |
This necklace - got it in a charity shop. | 0:56:47 | 0:56:49 | |
Wasn't cheap, for charity, but quite chuffed with that. | 0:56:49 | 0:56:53 | |
And my top - catalogue. | 0:56:53 | 0:56:54 | |
It's Valerie Bacon from Southport. | 0:56:55 | 0:56:58 | |
'Been married 35 years.' | 0:56:59 | 0:57:00 | |
Oh, it's my favourite programme, Arthur. | 0:57:00 | 0:57:03 | |
My husband is very good. | 0:57:03 | 0:57:04 | |
He's very good, he does look after me. | 0:57:04 | 0:57:06 | |
We've both got a turner for the telly, | 0:57:06 | 0:57:08 | |
but his is more powerful than mine. | 0:57:08 | 0:57:10 | |
I watch House Under The Hammer. | 0:57:11 | 0:57:13 | |
Don't you mean Homes Under The Hammer? | 0:57:13 | 0:57:14 | |
I think you could be right. | 0:57:14 | 0:57:16 | |
I think he's taken the batteries out of it, to be honest with you. | 0:57:17 | 0:57:20 | |
His favourite programmes are always murder mysteries. | 0:57:20 | 0:57:23 | |
I'm sure he's learning how to kill me. | 0:57:23 | 0:57:25 | |
Oh, dear. | 0:57:27 | 0:57:28 | |
-Good evening. -AUDIENCE: Good evening. | 0:57:28 | 0:57:30 | |
-Everybody OK? -AUDIENCE: Yes. | 0:57:30 | 0:57:32 | |
I perform every weekend now in Blackpool and I just love it. | 0:57:32 | 0:57:35 | |
If people don't like the singing, I throw a few jokes in, you know. | 0:57:35 | 0:57:38 | |
..so get your own blanket. | 0:57:38 | 0:57:39 | |
LAUGHTER | 0:57:39 | 0:57:42 | |
I've never told her, but I'm very, very proud of her. | 0:57:43 | 0:57:46 | |
She's the life and soul of the party. | 0:57:46 | 0:57:48 | |
I wouldn't change her, no. | 0:57:48 | 0:57:49 | |
At the minute. | 0:57:49 | 0:57:50 | |
WHOOPING | 0:57:50 | 0:57:53 | |
Well, I've always watched The Voice and loved it, but I said, | 0:57:57 | 0:58:00 | |
"Oh, I don't know, it's all kids. | 0:58:00 | 0:58:01 | |
"Don't want anybody my age there, do they?" | 0:58:01 | 0:58:03 | |
My husband said, "Oh, go!" | 0:58:03 | 0:58:05 | |
I said, "All right, then, I'll go. | 0:58:05 | 0:58:06 | |
"But if I can't park the car | 0:58:06 | 0:58:07 | |
"and I've got to stand around in the rain, I'm coming home." | 0:58:07 | 0:58:11 | |
# You're my world, you're every breath | 0:58:22 | 0:58:25 | |
# I take | 0:58:25 | 0:58:29 | |
# You're my world, you're every move | 0:58:29 | 0:58:33 | |
# I make | 0:58:33 | 0:58:36 | |
-BOY GEORGE SINGS IN ITALIAN -# Other eyes see the stars | 0:58:36 | 0:58:40 | |
# Up in the skies | 0:58:40 | 0:58:44 | |
# But for me, they shine | 0:58:44 | 0:58:47 | |
# Within your eyes | 0:58:47 | 0:58:51 | |
# As the trees reach for the sun above | 0:58:51 | 0:58:58 | |
# So my arms reach out to you for love | 0:58:58 | 0:59:05 | |
# With your hand | 0:59:05 | 0:59:09 | |
# Resting in mine | 0:59:09 | 0:59:12 | |
# I feel the power so divine... # | 0:59:12 | 0:59:18 | |
THEY SHOUT ENCOURAGEMENT | 0:59:18 | 0:59:20 | |
# You're my world, you are my night and day | 0:59:20 | 0:59:27 | |
# You're my world, you're every prayer I pray | 0:59:27 | 0:59:34 | |
# If our love ceases to be | 0:59:34 | 0:59:41 | |
# Then it's the end of my world | 0:59:41 | 0:59:47 | |
# For me. # | 0:59:47 | 0:59:52 | |
CHEERING AND APPLAUSE | 0:59:52 | 0:59:55 | |
THEY SHOUT ENCOURAGEMENT | 0:59:55 | 0:59:57 | |
-PALOMA: -Oh, hello! | 1:00:04 | 1:00:06 | |
Hiya! | 1:00:06 | 1:00:08 | |
-Hello. -You look fabulous. -Thank you. -I love your necklace. | 1:00:08 | 1:00:11 | |
-What's your name? -My name is Valerie. | 1:00:11 | 1:00:14 | |
-And where did you come from today? -I come from a place called Southport. | 1:00:14 | 1:00:17 | |
CHEERING | 1:00:17 | 1:00:19 | |
That was a wonderful performance. | 1:00:19 | 1:00:21 | |
What made you decide to be here at The Voice? | 1:00:21 | 1:00:23 | |
It's my last chance. | 1:00:23 | 1:00:24 | |
-No! -Cos I am 70. 70, you see, so there we are. | 1:00:24 | 1:00:29 | |
CHEERING | 1:00:29 | 1:00:30 | |
It's never your last chance until you decide it's your last chance, | 1:00:32 | 1:00:35 | |
and I strongly urge you not to make that decision tonight, | 1:00:35 | 1:00:37 | |
because you need to keep on singing because you entertain people | 1:00:37 | 1:00:40 | |
and this crowd were entertained. | 1:00:40 | 1:00:42 | |
-Yes, yes. -WHOOPING | 1:00:42 | 1:00:43 | |
Whoa! | 1:00:43 | 1:00:45 | |
Do you perform usually? | 1:00:49 | 1:00:50 | |
- Yes, I do, yes. - So you're a veteran singer? | 1:00:50 | 1:00:53 | |
Yes, yes, I perform anywhere if the money's right. | 1:00:53 | 1:00:55 | |
LAUGHTER | 1:00:55 | 1:00:57 | |
- I love that song. - Yes. | 1:00:59 | 1:01:01 | |
But I guess I'm looking for something | 1:01:01 | 1:01:03 | |
- a little bit more contemporary. - Yes. | 1:01:03 | 1:01:06 | |
But I love the song. | 1:01:06 | 1:01:07 | |
It reminds you of Cilla Black, doesn't it? | 1:01:07 | 1:01:09 | |
- Cilla Black was amazing. - Yes. | 1:01:09 | 1:01:11 | |
-May she rest in peace. -Oh, yes. | 1:01:11 | 1:01:14 | |
That's why I sang it, that's why I sang it. | 1:01:14 | 1:01:16 | |
I could tell that you've done this before. | 1:01:17 | 1:01:20 | |
You sounded like a veteran, you've got a good pair of chops. | 1:01:20 | 1:01:23 | |
You look great. | 1:01:23 | 1:01:24 | |
Big girl, big set of lungs, that's what it is. | 1:01:24 | 1:01:27 | |
You know, I was hoping and praying | 1:01:27 | 1:01:29 | |
I'd have got a fella to turn for me tonight. | 1:01:29 | 1:01:31 | |
LAUGHTER | 1:01:31 | 1:01:32 | |
I thought, "I've never had a fella turn for me before in my life!" | 1:01:35 | 1:01:39 | |
-LAUGHTER -I wouldn't be much good to you, babe. | 1:01:39 | 1:01:41 | |
You never know! | 1:01:41 | 1:01:42 | |
We could, like, swap make-up. | 1:01:44 | 1:01:46 | |
That's right! | 1:01:46 | 1:01:47 | |
- Yes! - I have to say, | 1:01:47 | 1:01:49 | |
you look amazing for 70! | 1:01:49 | 1:01:51 | |
- A bit of a Liz Taylor thing. - That's right! | 1:01:51 | 1:01:54 | |
- One of my favourites. - Yes. | 1:01:55 | 1:01:57 | |
-Hello, Will. -Hello, how are you? | 1:01:57 | 1:01:59 | |
-Very well, thank you. -My grandma would love that necklace. | 1:01:59 | 1:02:02 | |
Would she? Charity shop. | 1:02:02 | 1:02:04 | |
LAUGHTER | 1:02:04 | 1:02:06 | |
I'll be putting it back next week. | 1:02:07 | 1:02:09 | |
-BOY GEORGE: -You're a great comedian, is that what you do as well? | 1:02:11 | 1:02:13 | |
- Yes. - You do that? | 1:02:13 | 1:02:15 | |
You've done this before, you're just too good. | 1:02:15 | 1:02:18 | |
I'm not very good at tap dancing, though, I'm afraid. | 1:02:18 | 1:02:21 | |
-I've tried. -Kept falling in the sink. | 1:02:21 | 1:02:24 | |
LAUGHTER | 1:02:24 | 1:02:25 | |
I've got a feeling that the reason why you look so great for 70 | 1:02:26 | 1:02:30 | |
is because you keep singing, so I'd continue doing that. | 1:02:30 | 1:02:33 | |
It's wonderful and inspiring that you came today, thank you. | 1:02:33 | 1:02:35 | |
- Thank you very much. - God bless you. | 1:02:35 | 1:02:37 | |
-Oh, hey! -That's it. | 1:02:40 | 1:02:42 | |
SHE LAUGHS | 1:02:44 | 1:02:46 | |
-Let's do a quick selfie, come on. -Everybody, get in. | 1:02:46 | 1:02:48 | |
-VALERIE: -He wants to copy my make-up. -I can't see. | 1:02:48 | 1:02:51 | |
LAUGHTER AND CHEERING | 1:02:51 | 1:02:53 | |
Waay! | 1:02:58 | 1:03:00 | |
That's so sad when they say, "It's my last chance." | 1:03:01 | 1:03:05 | |
I've said that a few times. | 1:03:05 | 1:03:07 | |
Time for us all to raise our game now | 1:03:11 | 1:03:13 | |
with 16-year-old Heather from Bracknell. | 1:03:13 | 1:03:16 | |
I'm doing A levels in politics, RS, music and music tech. | 1:03:16 | 1:03:20 | |
I've been a member of Mensa for about, I think, six years now. | 1:03:21 | 1:03:25 | |
Mensa is basically an organisation that contains the top 2% | 1:03:25 | 1:03:30 | |
of intelligent adults. | 1:03:30 | 1:03:32 | |
EMMA: I'd love to do a little quiz with you. | 1:03:32 | 1:03:34 | |
- This is like The Voice Mastermind. - OK. | 1:03:34 | 1:03:36 | |
I'm around the same kind of point with my IQ as Albert Einstein | 1:03:38 | 1:03:43 | |
and Stephen Hawking, which I don't actually believe, but apparently so. | 1:03:43 | 1:03:48 | |
What is the next number in the series? | 1:03:48 | 1:03:50 | |
I have a little knack for puzzles, | 1:04:00 | 1:04:02 | |
conundrums, riddles and stuff. | 1:04:02 | 1:04:05 | |
1,597. | 1:04:05 | 1:04:12 | |
Yes! | 1:04:13 | 1:04:15 | |
Genius! | 1:04:15 | 1:04:16 | |
I'd love to have a big career in the music industry, | 1:04:17 | 1:04:21 | |
to perform loads and to gig loads. | 1:04:21 | 1:04:23 | |
It is just such a big opportunity, | 1:04:24 | 1:04:27 | |
to actually sing in front of four people | 1:04:27 | 1:04:29 | |
that are so well known | 1:04:29 | 1:04:31 | |
and absolutely amazing in the music industry. | 1:04:31 | 1:04:34 | |
THEY WHOOP | 1:04:38 | 1:04:40 | |
# It's a God-awful small affair | 1:04:47 | 1:04:51 | |
# To the girl with the mousy hair | 1:04:51 | 1:04:55 | |
# But her mummy is yelling, "No!" | 1:04:55 | 1:04:59 | |
# And her daddy has told her to go | 1:04:59 | 1:05:03 | |
# But her friend is nowhere to be seen | 1:05:03 | 1:05:07 | |
# As she walks through her sunken dream | 1:05:07 | 1:05:11 | |
# To the seat with the clearest view | 1:05:11 | 1:05:16 | |
# And she's hooked to the silver screen | 1:05:16 | 1:05:20 | |
# But the film is a saddening bore | 1:05:20 | 1:05:23 | |
# For she's lived it ten times or more | 1:05:23 | 1:05:27 | |
# She could spit in the eyes of fools | 1:05:27 | 1:05:31 | |
# As they ask her to focus on | 1:05:31 | 1:05:34 | |
# Sailors fighting in the dance hall | 1:05:34 | 1:05:38 | |
# Oh, man! THEY SHOUT ENCOURAGEMENT | 1:05:38 | 1:05:40 | |
# Look at those cavemen go | 1:05:40 | 1:05:44 | |
# It's the freakiest show | 1:05:44 | 1:05:49 | |
# Take a look at the lawman | 1:05:49 | 1:05:52 | |
# Beating up the wrong guy | 1:05:52 | 1:05:55 | |
# Oh, man! Wonder if he'll ever know | 1:05:55 | 1:06:00 | |
# He's in the best-selling show | 1:06:00 | 1:06:05 | |
# Is there life on Mars? | 1:06:05 | 1:06:11 | |
# Oh | 1:06:11 | 1:06:13 | |
# Is there life on Mars? # | 1:06:13 | 1:06:19 | |
CHEERING | 1:06:19 | 1:06:21 | |
THEY SCREAM | 1:06:26 | 1:06:29 | |
Hi! | 1:06:36 | 1:06:37 | |
-Hello, what's your name? -Hi, I'm Heather and I'm 16. | 1:06:39 | 1:06:42 | |
Heather and 16! | 1:06:42 | 1:06:43 | |
CHEERING | 1:06:43 | 1:06:44 | |
So, Heather, are you still at school? | 1:06:45 | 1:06:48 | |
Yeah, I'm a student, I've just started lower sixth, | 1:06:48 | 1:06:51 | |
-so A levels. -A levels? -Yeah. -Worst days of my life. | 1:06:51 | 1:06:55 | |
LAUGHTER I know! | 1:06:55 | 1:06:56 | |
So that's why you need to become a singer? | 1:06:56 | 1:06:58 | |
-Exactly! Quit school and... -Whoa! Whoa! Whoa! | 1:06:58 | 1:07:01 | |
Stay in school, kids. | 1:07:03 | 1:07:05 | |
(Become a rock star!) | 1:07:05 | 1:07:06 | |
-Anyway, well done. -Thank you. | 1:07:07 | 1:07:09 | |
-Obviously, there were some issues with control there. -Yeah. | 1:07:09 | 1:07:12 | |
It's nice to be vulnerable, but I liked it. | 1:07:12 | 1:07:15 | |
-Thank you very much. -I think you've got great potential. | 1:07:15 | 1:07:17 | |
-Thank you. -It gives me a chance to show off my Bowie tattoo. | 1:07:17 | 1:07:22 | |
Obviously, you know, I'm a massive Bowie fan. | 1:07:22 | 1:07:25 | |
I saw Bowie when I was 11 years old | 1:07:25 | 1:07:27 | |
at Lewisham Odeon and it was the beginning of me | 1:07:27 | 1:07:30 | |
wanting to be a musician and I'm always pleased | 1:07:30 | 1:07:33 | |
when I hear someone really young singing a Bowie song, | 1:07:33 | 1:07:36 | |
cos that's a mark of good taste. | 1:07:36 | 1:07:38 | |
Thank you very much. | 1:07:38 | 1:07:40 | |
APPLAUSE | 1:07:40 | 1:07:42 | |
I'm so happy Ricky and George turned for you | 1:07:42 | 1:07:46 | |
-and welcome to the show. -Thank you. | 1:07:46 | 1:07:48 | |
I think you know | 1:07:48 | 1:07:50 | |
the areas that your potential coach is going to help you fine-tune | 1:07:50 | 1:07:54 | |
-and I wish you the best. -Thank you. | 1:07:54 | 1:07:57 | |
Over to Paloma. | 1:07:57 | 1:07:59 | |
Well done. | 1:07:59 | 1:08:00 | |
It was definitely a really nice gravel and tone and softness | 1:08:00 | 1:08:04 | |
and everything to the way you sang | 1:08:04 | 1:08:07 | |
and I think once you build your confidence hopefully over the show, | 1:08:07 | 1:08:11 | |
we'll start seeing some more exciting performances from you. | 1:08:11 | 1:08:15 | |
-Thank you. -The thing is - | 1:08:15 | 1:08:17 | |
this is a barbed compliment in a way - | 1:08:17 | 1:08:19 | |
we haven't turned for a lot better singers in the competition, | 1:08:19 | 1:08:23 | |
but there's not been as many personalities like you. | 1:08:23 | 1:08:25 | |
-Thank you. -That was the reason, cos George went | 1:08:25 | 1:08:28 | |
and I thought it's one of those moments | 1:08:28 | 1:08:30 | |
where I wasn't going to let him get away with it. | 1:08:30 | 1:08:33 | |
Like he ever does! | 1:08:35 | 1:08:38 | |
He's the doe-eyed killer. | 1:08:38 | 1:08:40 | |
He has to be watched. | 1:08:40 | 1:08:41 | |
He has very smooth ways, I don't know what he does. | 1:08:41 | 1:08:44 | |
-It's his look, I think. -Yeah? | 1:08:44 | 1:08:46 | |
He just gives everyone a look. AUDIENCE WHOOPS | 1:08:46 | 1:08:49 | |
You're 16 - did your mother not warn you? | 1:08:49 | 1:08:52 | |
LAUGHTER | 1:08:52 | 1:08:53 | |
-So are we pitching? -PALOMA: -Yeah. | 1:08:53 | 1:08:56 | |
-RICKY: -Go for it. -Let the pitches begin! | 1:08:56 | 1:08:58 | |
I think you're definitely quirky. | 1:08:58 | 1:09:01 | |
And I'm definitely the king of quirk. | 1:09:01 | 1:09:03 | |
A lot of the young people have been going for Ricky | 1:09:03 | 1:09:06 | |
because he won last year, and that's a bit like, you know, | 1:09:06 | 1:09:10 | |
going for the fur coat before you've done the work. | 1:09:10 | 1:09:12 | |
But I think when you're young, it's always impressive if you make | 1:09:12 | 1:09:15 | |
brave moves, and I would definitely feel myself to be a brave move. | 1:09:15 | 1:09:20 | |
-I have a lot of experience. -Yeah. | 1:09:20 | 1:09:22 | |
I've had dinner with Bowie. | 1:09:22 | 1:09:24 | |
LAUGHTER | 1:09:24 | 1:09:26 | |
-Ricky's turn. -George would certainly keep you in check. | 1:09:26 | 1:09:31 | |
George has sold millions of records. Hundreds of millions of records. | 1:09:31 | 1:09:34 | |
150 million, to be precise. Sorry. | 1:09:34 | 1:09:36 | |
150 million records, and this is his first year doing this. He's got a lot to offer. | 1:09:37 | 1:09:41 | |
Everyone always says, "I would do this with you, I would do that with you, | 1:09:41 | 1:09:44 | |
"I would turn you into this. This is what you should be." | 1:09:44 | 1:09:47 | |
My job, I think, would be just to find out what really you wanted. | 1:09:47 | 1:09:50 | |
-Yeah. -That's kind of my pitch. | 1:09:50 | 1:09:52 | |
It's all about you now, it's not about what | 1:09:52 | 1:09:55 | |
-we want to project onto you. -Thank you. | 1:09:55 | 1:09:58 | |
-Those are two good pitches. -I know! | 1:09:58 | 1:10:00 | |
Two good pitches. Who are you going to choose? | 1:10:00 | 1:10:03 | |
I... I think... | 1:10:05 | 1:10:07 | |
-I kind of had an idea before I came out here. -Who was it? -I can't say! | 1:10:09 | 1:10:13 | |
But I'm very glad that he turned, so... Yeah. | 1:10:13 | 1:10:18 | |
I think... I admire you both so unbelievably much. | 1:10:21 | 1:10:24 | |
But I think the person I am going to go for is... | 1:10:26 | 1:10:29 | |
Boy George. | 1:10:33 | 1:10:34 | |
CHEERING | 1:10:34 | 1:10:36 | |
I wasn't expecting you... | 1:10:40 | 1:10:43 | |
-Thank you. I'm so sorry. -Don't apologise! -Thank you very much. | 1:10:46 | 1:10:49 | |
-There are no wrong decisions on this show. -Thank you very much. | 1:10:49 | 1:10:52 | |
-Everyone wins. -PALOMA: -You were brilliant. | 1:10:52 | 1:10:54 | |
Literally, I could not have read that. | 1:10:54 | 1:10:56 | |
She was staring down my eyes when she said, | 1:10:56 | 1:10:58 | |
"The person I'm going to choose is..." | 1:10:58 | 1:11:00 | |
-PALOMA: -I love her personality. | 1:11:00 | 1:11:02 | |
-I could not have read that. -There is definitely something in there with her voice. | 1:11:05 | 1:11:09 | |
-PALOMA: -I love her character. | 1:11:09 | 1:11:10 | |
Boy George. | 1:11:15 | 1:11:17 | |
-So that's who you wanted before you even got out there? -Exactly. | 1:11:17 | 1:11:21 | |
-Congratulations. -Thank you very much. | 1:11:21 | 1:11:22 | |
I'm so pleased for you. I'll see you at the battles. | 1:11:22 | 1:11:27 | |
Thank you so much. I am so happy. | 1:11:27 | 1:11:29 | |
-Is this the last one? -This is going to be a good one. | 1:11:31 | 1:11:33 | |
I've got a feeling. There is a good one right at the end of the day. | 1:11:33 | 1:11:36 | |
-Yeah. -Then we're all going to fight. There's going to be blood. | 1:11:36 | 1:11:39 | |
Well, let's see. | 1:11:44 | 1:11:46 | |
Last to sing is 35-year-old Kevin Simm from Chorley, | 1:11:46 | 1:11:49 | |
and he is definitely feeling the weight of expectation. | 1:11:49 | 1:11:53 | |
I'm very nervous, taking part in The Voice, I can't lie about that. | 1:11:53 | 1:11:56 | |
I've had nightmares about not having any turns. | 1:11:58 | 1:12:01 | |
I just have a feeling that this is what I have to do. | 1:12:02 | 1:12:06 | |
# Work it a little bit... # | 1:12:06 | 1:12:09 | |
I was with a band called Liberty X. It was amazing. | 1:12:09 | 1:12:12 | |
We won a Brit award, got to number one, travelled the world. | 1:12:12 | 1:12:16 | |
We just had the time of our lives for a couple of years, really. | 1:12:16 | 1:12:20 | |
We had a couple of hits | 1:12:20 | 1:12:22 | |
and then it just started going a little bit downhill. | 1:12:22 | 1:12:24 | |
The chart positions weren't great, so we got dropped. | 1:12:24 | 1:12:27 | |
# Just a little... # | 1:12:28 | 1:12:30 | |
Straight after the band, | 1:12:30 | 1:12:31 | |
I signed with a label and recorded my own album. | 1:12:31 | 1:12:34 | |
At that point, I was like, "This is going to be awesome. | 1:12:34 | 1:12:37 | |
"I'm going to be massive." | 1:12:37 | 1:12:38 | |
And then I sort of just got shelved, pretty much. What can you do? | 1:12:38 | 1:12:41 | |
It puts you off music a little bit. | 1:12:41 | 1:12:44 | |
It did knock my confidence a lot. | 1:12:44 | 1:12:47 | |
Life became a bit more normal. I was out of this little bubble. | 1:12:47 | 1:12:51 | |
I just started thinking that I have to get a job. | 1:12:51 | 1:12:54 | |
-So what have you been up to since Liberty X finished? -I got married. | 1:12:56 | 1:13:00 | |
Had two children, been singing the whole time. | 1:13:00 | 1:13:04 | |
When I go out and gig on my own, people are like, | 1:13:04 | 1:13:06 | |
"Oh, I didn't know you actually sung. | 1:13:06 | 1:13:08 | |
"I thought you just stood at the back while the girls did their bit." | 1:13:08 | 1:13:12 | |
My kids definitely spur me on to want to better myself. | 1:13:14 | 1:13:17 | |
And I think The Voice is a good opportunity to do that. | 1:13:20 | 1:13:24 | |
# Party girls don't get hurt | 1:13:33 | 1:13:35 | |
# Can't feel anything When will I learn? | 1:13:35 | 1:13:38 | |
# I push it down, push it down | 1:13:38 | 1:13:42 | |
# I'm the one for a good-time call | 1:13:44 | 1:13:47 | |
# Phone's blowin' up, ringin' my doorbell | 1:13:47 | 1:13:50 | |
# I feel the love, feel the love | 1:13:50 | 1:13:54 | |
# 1, 2, 3, 1, 2, 3, drink | 1:13:56 | 1:13:59 | |
# 1, 2, 3, 1, 2, 3, drink | 1:13:59 | 1:14:02 | |
# 1, 2, 3, 1, 2, 3, drink | 1:14:02 | 1:14:05 | |
# Throw 'em back till I lose count | 1:14:05 | 1:14:08 | |
# I'm gonna swing from the chandelier | 1:14:08 | 1:14:17 | |
# From the chandelier | 1:14:17 | 1:14:21 | |
# I'm gonna live | 1:14:21 | 1:14:25 | |
# Like tomorrow doesn't exist | 1:14:25 | 1:14:29 | |
# Like it doesn't exist | 1:14:29 | 1:14:33 | |
# I'm gonna fly | 1:14:33 | 1:14:38 | |
# Like a bird through the night | 1:14:38 | 1:14:42 | |
# Feel my tears as they dry | 1:14:42 | 1:14:45 | |
# I'm gonna swing from the chandelier | 1:14:45 | 1:14:53 | |
# From the chandelier... # | 1:14:53 | 1:14:57 | |
Come on, Will. | 1:14:58 | 1:14:59 | |
# Cos I'm holding on for dear life | 1:14:59 | 1:15:02 | |
# Won't look down Won't open my eyes | 1:15:02 | 1:15:05 | |
# Keep my glass full until morning light | 1:15:05 | 1:15:09 | |
# Cos I'm just holding on for tonight. # | 1:15:09 | 1:15:15 | |
-What's your name? -My name is Kevin Simm. | 1:15:45 | 1:15:49 | |
I'm 35 years old, from Chorley. | 1:15:49 | 1:15:52 | |
CHEERING | 1:15:52 | 1:15:54 | |
OK... | 1:15:55 | 1:15:57 | |
Question - you're 35 years old, which isn't old, but it's not young. | 1:15:57 | 1:16:02 | |
You have an incredible voice. Where have you been? | 1:16:02 | 1:16:06 | |
I used to be in a pop group a while back called Liberty X. | 1:16:10 | 1:16:13 | |
CHEERING AND APPLAUSE | 1:16:13 | 1:16:16 | |
Now I recognise you. You did that... | 1:16:16 | 1:16:18 | |
# Hot, just a little bit... # | 1:16:18 | 1:16:19 | |
-That's right? -Yeah, that's right. -I loved that record. | 1:16:19 | 1:16:22 | |
It's like one of my guilty pleasures. | 1:16:22 | 1:16:24 | |
I used to dance to that when no-one was looking. | 1:16:24 | 1:16:26 | |
# Sexy... # | 1:16:26 | 1:16:27 | |
-Great record. Wow. Well, hello. -Hello. | 1:16:27 | 1:16:30 | |
Obviously you have been in a pop group, | 1:16:31 | 1:16:33 | |
so you have experienced some of that. | 1:16:33 | 1:16:36 | |
You know what it's like to have a record deal. | 1:16:36 | 1:16:38 | |
Also, to not have a record deal. What is the current situation? | 1:16:38 | 1:16:42 | |
I've just been gigging, really, ever since the band finished. | 1:16:42 | 1:16:47 | |
I had a solo deal and it didn't really work out. | 1:16:47 | 1:16:51 | |
I was just put off for a couple of years, I guess. | 1:16:51 | 1:16:53 | |
Probably one of my biggest regrets, I suppose. | 1:16:53 | 1:16:55 | |
So you know right now that the decisions that you | 1:16:55 | 1:16:59 | |
make are very crucial. | 1:16:59 | 1:17:00 | |
Uh-huh! | 1:17:00 | 1:17:01 | |
No pressure(!) | 1:17:03 | 1:17:04 | |
It's just obvious when you hear a voice of that quality singing | 1:17:06 | 1:17:09 | |
that you have to turn around. So, well done today. | 1:17:09 | 1:17:12 | |
-APPLAUSE -Thanks very much. | 1:17:12 | 1:17:15 | |
I've just got goose bumps over my whole body. | 1:17:15 | 1:17:18 | |
Cos that was absolutely stunning. Like...aw! | 1:17:18 | 1:17:23 | |
I was absolutely on the edge of my seat, | 1:17:24 | 1:17:27 | |
and I just think you are phenomenal. | 1:17:27 | 1:17:29 | |
-That's not my pitch, that's just saying what I feel. -Thank you. | 1:17:29 | 1:17:34 | |
You are fighting for something. You can tell. | 1:17:35 | 1:17:38 | |
And your performance there, you know - in a pop band, you don't | 1:17:38 | 1:17:42 | |
really get a chance to be emotional. | 1:17:42 | 1:17:44 | |
It's, like, you've got to do as a pop band is supposed to do. | 1:17:44 | 1:17:48 | |
It's not like, "I'm writing these songs, it's how I feel right now. | 1:17:48 | 1:17:51 | |
"The world's been mean to me and this is the way it is," right? | 1:17:51 | 1:17:54 | |
It felt like you were trapped in this box and you came out here | 1:17:54 | 1:17:59 | |
to be like, "I'm coming here on The Voice, I'm just going to burn | 1:17:59 | 1:18:02 | |
"the place down, vocally." And you did that. | 1:18:02 | 1:18:06 | |
And I waited till the end, because I just wanted to listen. | 1:18:06 | 1:18:10 | |
I just want to say thanks, though. It means a lot. | 1:18:11 | 1:18:14 | |
I did really think as long as I give it my best, | 1:18:14 | 1:18:17 | |
if no-one turns around, you know... | 1:18:17 | 1:18:19 | |
The thing is, you've been in the business before. | 1:18:19 | 1:18:23 | |
You've thrown yourself back in | 1:18:23 | 1:18:24 | |
and you've thrown yourself back in at quite a high level, | 1:18:24 | 1:18:27 | |
in front of a lot of people, | 1:18:27 | 1:18:28 | |
and you have been burned before. | 1:18:28 | 1:18:31 | |
It takes a lot of guts to do that, to go back in that hard, | 1:18:31 | 1:18:35 | |
and that brilliant. | 1:18:35 | 1:18:36 | |
You don't have to worry about anything from the past, | 1:18:36 | 1:18:38 | |
any past decisions or any mistakes. | 1:18:38 | 1:18:40 | |
This is day one of the future for you and... | 1:18:40 | 1:18:43 | |
..I would like to be part of that. | 1:18:44 | 1:18:46 | |
APPLAUSE | 1:18:46 | 1:18:48 | |
I mean, there were a lot of big voices in this show. | 1:18:51 | 1:18:53 | |
You sit here and you hear different things and you think no-one can be better than that. | 1:18:53 | 1:18:57 | |
And then suddenly, something comes. | 1:18:57 | 1:18:59 | |
So it's just constant surprise, you know? | 1:18:59 | 1:19:02 | |
One thing that I do know is that I understand singers. That's my forte. | 1:19:02 | 1:19:08 | |
And I have been doing this for a long time. | 1:19:08 | 1:19:11 | |
PALOMA SNORES | 1:19:11 | 1:19:13 | |
LAUGHTER | 1:19:13 | 1:19:15 | |
Excuse me, Palaver. | 1:19:19 | 1:19:20 | |
Is it finished? Is it time for us to wake up now? | 1:19:22 | 1:19:25 | |
Excuse me? Excuse me? | 1:19:27 | 1:19:31 | |
The fire and the flames are lit. | 1:19:31 | 1:19:34 | |
I don't understand. That's extremely rude. | 1:19:34 | 1:19:36 | |
-Anyway. You're amazing. -Thanks, man. | 1:19:38 | 1:19:40 | |
APPLAUSE AND CHEERING | 1:19:40 | 1:19:42 | |
I feel like... | 1:19:44 | 1:19:46 | |
I haven't got somebody in my team who is like you. | 1:19:46 | 1:19:50 | |
When I put my mind to something, I will win. | 1:19:50 | 1:19:54 | |
I am determined, and the one extra layer that I feel | 1:19:54 | 1:19:59 | |
I would like to add to what you already have, which is very special, | 1:19:59 | 1:20:03 | |
is the fact that I am obsessed by it being creative. | 1:20:03 | 1:20:07 | |
I am just so excited, and I'm not often lost for words, but that's it. | 1:20:07 | 1:20:12 | |
Thanks. | 1:20:12 | 1:20:13 | |
Cheers. | 1:20:15 | 1:20:16 | |
I think that, you know, one thing you haven't done, Paloma, | 1:20:16 | 1:20:20 | |
is have a hit in America. | 1:20:20 | 1:20:22 | |
I've had a few, so we are talking about global strategy with me. | 1:20:22 | 1:20:26 | |
And, you know... | 1:20:26 | 1:20:27 | |
Maybe I haven't achieved that now, | 1:20:27 | 1:20:29 | |
but I haven't had as long in the game as George. | 1:20:29 | 1:20:31 | |
Eventually, hopefully, one day I will get there. | 1:20:31 | 1:20:35 | |
CHEERING | 1:20:35 | 1:20:37 | |
And who knows? Maybe it would be a duet between the two of us | 1:20:38 | 1:20:41 | |
that breaks us both at the same time. | 1:20:41 | 1:20:44 | |
Oh, jeez. | 1:20:46 | 1:20:48 | |
All right, all right, OK. I've got to do this, haven't I? | 1:20:55 | 1:21:00 | |
-WILL: -Did you have a clue who you wanted to come with before you came on the show? | 1:21:00 | 1:21:05 | |
No... | 1:21:05 | 1:21:07 | |
LAUGHTER | 1:21:07 | 1:21:08 | |
-All right, OK, OK. -OK, here it comes, guys. -Erm... | 1:21:17 | 1:21:21 | |
OK. | 1:21:23 | 1:21:24 | |
I respect everyone massively, for all different reasons. | 1:21:26 | 1:21:31 | |
He's going to go with Will. | 1:21:34 | 1:21:36 | |
I think from the reaction that got me the most... | 1:21:36 | 1:21:39 | |
It's Paloma. | 1:21:43 | 1:21:45 | |
PALOMA GASPS | 1:21:45 | 1:21:46 | |
I'm so emotional! That's so incredible. | 1:21:50 | 1:21:53 | |
I promise I'm not going to let you down. I promise. | 1:21:53 | 1:21:56 | |
You're amazing. | 1:21:58 | 1:22:00 | |
-RICKY: -Well done. You're awesome. Well done for coming back. | 1:22:00 | 1:22:03 | |
-WILL: -You sing great. -KEVIN: -Thanks, man. Thank you. | 1:22:03 | 1:22:06 | |
-WILL: -You've got a perfect beard too. | 1:22:06 | 1:22:08 | |
Cheers, mate. Thanks for turning around. | 1:22:08 | 1:22:10 | |
Give it up! It's going to be amazing, honestly. | 1:22:13 | 1:22:17 | |
It's really nice to meet you. | 1:22:17 | 1:22:19 | |
(I've upset George.) | 1:22:29 | 1:22:31 | |
-Leave it for five minutes. -PALOMA: -OK. | 1:22:31 | 1:22:33 | |
-He's great, by the way. -PALOMA: -I know. | 1:22:37 | 1:22:40 | |
She hasn't won. | 1:22:59 | 1:23:00 | |
# Cos, baby, now we got bad blood... # | 1:23:06 | 1:23:09 | |
Paloma and George had a right old barney... | 1:23:09 | 1:23:12 | |
# Now we got problems... # | 1:23:12 | 1:23:14 | |
We have Paloma full-on, George, full-on. | 1:23:14 | 1:23:17 | |
They're both people that keep their emotions a lot closer to the surface. | 1:23:19 | 1:23:22 | |
-PALOMA: -I'm gutted. -RICKY: -I think it's cos they really care. | 1:23:22 | 1:23:25 | |
We are trying to win. | 1:23:25 | 1:23:27 | |
You know, sitting in that chair, it's kind of intense. | 1:23:28 | 1:23:31 | |
There is nothing else like it. | 1:23:31 | 1:23:32 | |
They might fight, but they will always be cool. | 1:23:32 | 1:23:35 | |
She knows I love her. | 1:23:35 | 1:23:37 | |
# We are family... # | 1:23:37 | 1:23:38 | |
We are both very gobby. | 1:23:38 | 1:23:40 | |
He talks a lot, but I think I'm evenly quite matched with him. | 1:23:40 | 1:23:45 | |
They are no-holds-barred, unfiltered charisma. | 1:23:45 | 1:23:49 | |
I think everything's all right now. | 1:23:49 | 1:23:51 | |
They've kissed and made up. | 1:23:51 | 1:23:53 | |
I love you, Paloma! | 1:23:55 | 1:23:57 |