Browse content similar to Blind Auditions 3. Check below for episodes and series from the same categories and more!
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The moment that an amazing singer just blows us away... | 0:00:02 | 0:00:05 | |
Yeah! | 0:00:05 | 0:00:06 | |
You turn around. | 0:00:06 | 0:00:08 | |
You for real? | 0:00:08 | 0:00:09 | |
Then Ricky's like, | 0:00:09 | 0:00:11 | |
"Come with me, babe, I'm flirting with you." | 0:00:11 | 0:00:13 | |
You're worth me making a fool of myself | 0:00:13 | 0:00:15 | |
in front of 10 million people. | 0:00:15 | 0:00:17 | |
-PALOMA: -What?! | 0:00:17 | 0:00:18 | |
Boy George says, "Yeah, what's up?" | 0:00:18 | 0:00:19 | |
The choice is yours! | 0:00:19 | 0:00:21 | |
Paloma's like, "Come on my team." | 0:00:22 | 0:00:25 | |
Oh, yeah! | 0:00:25 | 0:00:26 | |
And then, there's me. | 0:00:26 | 0:00:29 | |
I'll drop that secret special sauce. | 0:00:29 | 0:00:32 | |
I want to send you off on missions to slice and dice the competition. | 0:00:32 | 0:00:35 | |
When you bite into that burger, the sauce drips all over the table | 0:00:35 | 0:00:38 | |
and you pick it up with your fingers and still lick on it. | 0:00:38 | 0:00:41 | |
I don't know what's going on in Will's head. No-one does. | 0:00:41 | 0:00:44 | |
I'm hungry, is what I'm trying to tell you. | 0:00:45 | 0:00:47 | |
On the menu tonight... | 0:00:50 | 0:00:51 | |
-Warbling... -Waistcoats... | 0:00:51 | 0:00:54 | |
Did you say waistcoats? | 0:00:54 | 0:00:56 | |
They're all wearing waistcoats! | 0:00:56 | 0:00:58 | |
Is it the waistcoat? | 0:00:58 | 0:01:00 | |
And whingeing. | 0:01:00 | 0:01:02 | |
-Yeah, Ricky, yeah! -Why do you always do that, Will? -Hold on. | 0:01:02 | 0:01:05 | |
-I'm sorry, I'm sorry. -It just makes me feel really... -I'm sorry. | 0:01:05 | 0:01:08 | |
I will never mention your name again. | 0:01:08 | 0:01:10 | |
Calm down, you're both pretty. | 0:01:10 | 0:01:11 | |
First up, there aren't enough | 0:01:18 | 0:01:19 | |
biomedical engineering students on TV, | 0:01:19 | 0:01:22 | |
so here's 21-year-old Colet Selwyn to put that right. | 0:01:22 | 0:01:25 | |
# Ready or not, here comes science | 0:01:27 | 0:01:29 | |
# They might be giants Here comes science... # | 0:01:29 | 0:01:31 | |
When people see the name of my course, | 0:01:31 | 0:01:33 | |
they think, "Nerd!" | 0:01:33 | 0:01:34 | |
HE LAUGHS | 0:01:34 | 0:01:36 | |
Basically, we take engineering | 0:01:38 | 0:01:40 | |
and then apply it to the medical side - | 0:01:40 | 0:01:43 | |
so designing hip replacements, | 0:01:43 | 0:01:45 | |
pacemakers, that sort of thing. | 0:01:45 | 0:01:48 | |
I've always known that I'd like to do science | 0:01:49 | 0:01:52 | |
at the academic kind of side, | 0:01:52 | 0:01:54 | |
but I also have another passion, which is singing. | 0:01:54 | 0:01:57 | |
-Colet, Lovely to meet you. How are you doing? -I'm doing well, thank you. | 0:02:00 | 0:02:03 | |
Good. Tell me who's with you today. | 0:02:03 | 0:02:04 | |
This is my sister. | 0:02:04 | 0:02:07 | |
This is my mum, and that's my dad. | 0:02:07 | 0:02:10 | |
We're such a tight-knit family. I love them to bits, you know? | 0:02:10 | 0:02:13 | |
This is a huge moment for me. | 0:02:15 | 0:02:18 | |
I need the question answered - | 0:02:18 | 0:02:20 | |
does my voice have what it takes? | 0:02:20 | 0:02:22 | |
Don't forget to turn your phone off, Paloma. | 0:02:29 | 0:02:32 | |
Just put it on aeroplane. | 0:02:32 | 0:02:34 | |
# This old house once knew my children | 0:02:44 | 0:02:46 | |
# This old house once knew my wife | 0:02:46 | 0:02:48 | |
# This old house was a home and comfort | 0:02:48 | 0:02:50 | |
# As we fought the storms of life | 0:02:50 | 0:02:52 | |
# This old house once rang with laughter | 0:02:52 | 0:02:54 | |
# This old house heard many shouts | 0:02:54 | 0:02:57 | |
# Now it trembles in the darkness | 0:02:57 | 0:02:59 | |
# When the lightning walks about | 0:02:59 | 0:03:01 | |
# Ain't gonna need this house no longer | 0:03:01 | 0:03:03 | |
# Ain't gonna need this house no more | 0:03:03 | 0:03:05 | |
# Ain't got time to fix the shingles | 0:03:05 | 0:03:08 | |
# Ain't got time to fix the floor | 0:03:08 | 0:03:10 | |
# Ain't got time to oil the hinges | 0:03:10 | 0:03:12 | |
# Or to mend no window pane | 0:03:12 | 0:03:14 | |
# Ain't gonna need this house no longer | 0:03:14 | 0:03:16 | |
# I'm gettin' ready to meet the saints... # | 0:03:16 | 0:03:18 | |
George is loving it. | 0:03:20 | 0:03:21 | |
# This old house is gettin' shaky | 0:03:23 | 0:03:25 | |
# This old house is gettin' old | 0:03:25 | 0:03:27 | |
# This old house lets in the rain | 0:03:27 | 0:03:29 | |
# And this old house lets in the cold | 0:03:29 | 0:03:32 | |
# Oh, my knees have been gettin' chilly | 0:03:32 | 0:03:34 | |
# But I feel no fear or pain | 0:03:34 | 0:03:36 | |
# Cos I see an angel peepin' | 0:03:36 | 0:03:38 | |
# Through a broken window pane | 0:03:38 | 0:03:40 | |
# Ain't gonna need this house no longer | 0:03:40 | 0:03:43 | |
# I'm gettin' ready to meet the saints. # | 0:03:43 | 0:03:47 | |
CHEERING AND APPLAUSE | 0:03:48 | 0:03:51 | |
That's a reaction. | 0:03:55 | 0:03:57 | |
HE LAUGHS | 0:03:58 | 0:04:00 | |
Hello. | 0:04:01 | 0:04:02 | |
CHEERING AND APPLAUSE | 0:04:02 | 0:04:05 | |
Where is he? | 0:04:08 | 0:04:09 | |
LAUGHTER | 0:04:09 | 0:04:11 | |
Where is he? | 0:04:11 | 0:04:12 | |
Where is he? | 0:04:14 | 0:04:15 | |
Oh. | 0:04:16 | 0:04:17 | |
Hello there. | 0:04:17 | 0:04:19 | |
CHEERING AND APPLAUSE | 0:04:19 | 0:04:22 | |
-RICKY: -Hi, how you doing? | 0:04:24 | 0:04:26 | |
Hey, my name is Colet Selwyn, and I'm from Larbert. | 0:04:26 | 0:04:29 | |
I'm 21 years old | 0:04:29 | 0:04:30 | |
and I study how to put machines in people. | 0:04:30 | 0:04:34 | |
CHEERING AND APPLAUSE | 0:04:35 | 0:04:37 | |
You study what? | 0:04:37 | 0:04:39 | |
It's biomedical engineering. | 0:04:39 | 0:04:40 | |
Yeah, I've got a lot of friends that do that. | 0:04:40 | 0:04:43 | |
Yeah, I've got a lot of... | 0:04:44 | 0:04:46 | |
A good friend of mine | 0:04:46 | 0:04:47 | |
named Dean Kamen, he created the robotic arm. | 0:04:47 | 0:04:51 | |
Oh, yes, yeah. | 0:04:51 | 0:04:52 | |
-IMITATING HIS DEEP VOICE: -Oh, yeah. | 0:04:52 | 0:04:54 | |
Oh, yeah. | 0:04:54 | 0:04:56 | |
LAUGHTER AND APPLAUSE | 0:04:56 | 0:04:58 | |
How you get your voice so deep? | 0:04:58 | 0:05:00 | |
-Did you engineer that? -No, no. | 0:05:00 | 0:05:04 | |
LAUGHTER | 0:05:04 | 0:05:06 | |
I'd like to think it's Mum's chicken soup, so... | 0:05:06 | 0:05:09 | |
All yours. | 0:05:10 | 0:05:11 | |
Where you from? | 0:05:11 | 0:05:13 | |
I'm originally from India, but we've been living in Scotland | 0:05:13 | 0:05:15 | |
-for the last 17 years. -CHEERING AND APPLAUSE | 0:05:15 | 0:05:18 | |
It's so strange, cos you know, often on the show, | 0:05:18 | 0:05:20 | |
you hear someone and you think you've got a really clear idea of what they're going to look like, | 0:05:20 | 0:05:24 | |
hence Ricky scouring the stage for you. | 0:05:24 | 0:05:27 | |
I mean, it's kind of a... | 0:05:27 | 0:05:29 | |
What I call a kind of beautiful contradiction. | 0:05:29 | 0:05:31 | |
It's almost impossible to connect you, the way that you look, | 0:05:31 | 0:05:34 | |
culturally and age-wise, to that style of music, | 0:05:34 | 0:05:38 | |
so well done for confusing us. | 0:05:38 | 0:05:40 | |
CHEERING AND APPLAUSE | 0:05:40 | 0:05:42 | |
I think you should build a barbershop quartet out of... | 0:05:42 | 0:05:46 | |
-Out of robots. -Out of robots. | 0:05:46 | 0:05:48 | |
-LAUGHTER -And you can do bass. Bass. | 0:05:48 | 0:05:51 | |
I know all my engineering friends are going to, like, | 0:05:53 | 0:05:55 | |
kick my butt with robotic feet for not turning. | 0:05:55 | 0:05:58 | |
-But thanks for coming. -Yeah, man. | 0:05:58 | 0:06:01 | |
CHEERING AND APPLAUSE | 0:06:01 | 0:06:03 | |
Well done. | 0:06:07 | 0:06:08 | |
Really nice to meet you. | 0:06:08 | 0:06:10 | |
Nice to meet you. | 0:06:11 | 0:06:12 | |
CHEERING AND APPLAUSE | 0:06:14 | 0:06:16 | |
Hey, Colet! Good job. | 0:06:19 | 0:06:21 | |
Goodness, you have just an exceptionally incredible deep voice. | 0:06:22 | 0:06:27 | |
My chin hit the floor when I heard you start! | 0:06:29 | 0:06:31 | |
THEY LAUGH | 0:06:31 | 0:06:33 | |
You think you can really read someone from what they do musically. | 0:06:33 | 0:06:37 | |
-Yeah. -He was so interesting. | 0:06:37 | 0:06:38 | |
THEY LAUGH | 0:06:38 | 0:06:40 | |
Every time I turn round, | 0:06:41 | 0:06:43 | |
I can hear stuff and I think I know what they're going to look like, | 0:06:43 | 0:06:45 | |
and they're completely not what I imagined. | 0:06:45 | 0:06:48 | |
Thank you very much. | 0:06:51 | 0:06:52 | |
Ahhhh! | 0:06:52 | 0:06:54 | |
I'm always wrong. | 0:06:54 | 0:06:56 | |
I like it when I hear a voice | 0:06:56 | 0:06:59 | |
and then I see a face, and the two things don't match. | 0:06:59 | 0:07:02 | |
SHE RAPS | 0:07:02 | 0:07:04 | |
I like people who defy the idea that you have of them. | 0:07:05 | 0:07:10 | |
It really throws you sometimes when you turn round | 0:07:10 | 0:07:12 | |
and they're not what you expect. | 0:07:12 | 0:07:14 | |
You tricked us all! | 0:07:14 | 0:07:15 | |
Why should people look like they sound? | 0:07:15 | 0:07:17 | |
-Oooh! -You're, like, full of surprises. | 0:07:17 | 0:07:19 | |
You never know what's coming next. | 0:07:19 | 0:07:22 | |
Wow! | 0:07:22 | 0:07:23 | |
That's why it's called The Voice. | 0:07:23 | 0:07:25 | |
Think you could do better in my chair? | 0:07:26 | 0:07:28 | |
Download The Voice app and play along now. | 0:07:28 | 0:07:30 | |
Pick your own team by hitting your button. | 0:07:30 | 0:07:32 | |
Rate the performances then challenge other fans too. | 0:07:32 | 0:07:35 | |
Who would you turn for? | 0:07:35 | 0:07:38 | |
Download The Voice UK app and be a home coach now. | 0:07:38 | 0:07:42 | |
Up next, it's a singer on a mission. | 0:07:42 | 0:07:45 | |
My name's Charley Birkin. | 0:07:45 | 0:07:46 | |
I'm 52 years old and I'm from Newcastle-upon-Tyne. | 0:07:46 | 0:07:50 | |
I have a 21-year-old son who's left for uni, | 0:07:50 | 0:07:53 | |
but still needs looking after. | 0:07:53 | 0:07:55 | |
I started singing from an early age, | 0:07:55 | 0:07:57 | |
but when my son was little and growing up, | 0:07:57 | 0:07:59 | |
singing became secondary to being a parent | 0:07:59 | 0:08:02 | |
and being a mother, because that was the most important thing to me. | 0:08:02 | 0:08:06 | |
Making sure that he had a happy childhood, a good childhood, | 0:08:06 | 0:08:09 | |
and that I was always there. | 0:08:09 | 0:08:11 | |
My parents divorced when I was quite young. | 0:08:11 | 0:08:15 | |
I think growing up, I've always had an inkling that | 0:08:15 | 0:08:18 | |
maybe something wasn't quite right. | 0:08:18 | 0:08:21 | |
I just asked my mother the question outright, | 0:08:21 | 0:08:24 | |
and then she decided to tell me the truth - | 0:08:24 | 0:08:27 | |
the man on my birth certificate | 0:08:27 | 0:08:29 | |
wasn't actually my biological father. | 0:08:29 | 0:08:31 | |
Yeah, it came as a shock. | 0:08:33 | 0:08:34 | |
My mum was married | 0:08:36 | 0:08:38 | |
and met this chap, | 0:08:38 | 0:08:40 | |
and it was a relationship that she kept very secret. | 0:08:40 | 0:08:43 | |
I was the result. | 0:08:43 | 0:08:45 | |
I have very little information about him other than a name, | 0:08:45 | 0:08:48 | |
so it's proving very difficult to find him. | 0:08:48 | 0:08:51 | |
So how long have you been looking for your father? | 0:08:59 | 0:09:01 | |
A good few years now. It's very difficult | 0:09:01 | 0:09:04 | |
when you have very little information. | 0:09:04 | 0:09:06 | |
You know, who knows? | 0:09:06 | 0:09:07 | |
Maybe he might watch The Voice, you know? | 0:09:07 | 0:09:10 | |
Maybe he might see me. | 0:09:10 | 0:09:12 | |
Maybe he might come looking for me. | 0:09:12 | 0:09:14 | |
I haven't sang for years and years. | 0:09:16 | 0:09:19 | |
I've raised my son. He's a man now, | 0:09:21 | 0:09:24 | |
so it's time for me to do something for myself | 0:09:24 | 0:09:26 | |
and go back to doing what I love, | 0:09:26 | 0:09:29 | |
and that's singing. | 0:09:29 | 0:09:30 | |
-THEY SQUEAL AND LAUGH -She looks lovely. | 0:09:42 | 0:09:45 | |
# Oooh, yeah | 0:09:51 | 0:09:53 | |
# Rescue me | 0:09:55 | 0:09:57 | |
-CHEERING AND APPLAUSE -# Oh, take me in your arms | 0:09:57 | 0:09:59 | |
# Rescue me | 0:09:59 | 0:10:01 | |
# I know your tender charms | 0:10:01 | 0:10:03 | |
# Cos I'm lonely and I'm blue | 0:10:03 | 0:10:07 | |
# I need you and your love too | 0:10:07 | 0:10:10 | |
# Come on and rescue me | 0:10:10 | 0:10:12 | |
# Come on, baby, and rescue me | 0:10:12 | 0:10:15 | |
# Come on, baby, and rescue me | 0:10:16 | 0:10:19 | |
# Cos I need you, by my side | 0:10:20 | 0:10:23 | |
# Can't you see that I'm lonely | 0:10:23 | 0:10:26 | |
# Rescue me | 0:10:26 | 0:10:28 | |
# Come on and take my heart | 0:10:28 | 0:10:30 | |
# Take your love | 0:10:30 | 0:10:32 | |
# And conquer every part | 0:10:32 | 0:10:34 | |
# Cos I'm lonely and I'm blue | 0:10:34 | 0:10:37 | |
THEY SCREAM | 0:10:37 | 0:10:39 | |
# I need you and your love too | 0:10:39 | 0:10:41 | |
# Come on and rescue me | 0:10:41 | 0:10:43 | |
# Come on, baby, and rescue me | 0:10:43 | 0:10:47 | |
# Come on, baby, and rescue me | 0:10:47 | 0:10:51 | |
# Cos I need you by my side | 0:10:51 | 0:10:54 | |
# Can't you see that I'm lonely | 0:10:54 | 0:10:57 | |
# Rescue me | 0:10:57 | 0:10:59 | |
# Rescue me | 0:10:59 | 0:11:01 | |
CHEERING AND APPLAUSE | 0:11:01 | 0:11:04 | |
# Baby | 0:11:04 | 0:11:06 | |
# I need you, I want you | 0:11:06 | 0:11:08 | |
# I love you, I need you | 0:11:08 | 0:11:10 | |
# I want you, I love, love, love, love, love you | 0:11:10 | 0:11:14 | |
# Can't you see that I need you, baby? | 0:11:14 | 0:11:17 | |
# Can't you see that I'm lonely? | 0:11:17 | 0:11:21 | |
# Rescue me. # | 0:11:21 | 0:11:22 | |
CHEERING AND APPLAUSE | 0:11:22 | 0:11:25 | |
Wow. | 0:11:26 | 0:11:28 | |
Hello. What's your name, babe? | 0:11:34 | 0:11:37 | |
My name's Charley. | 0:11:37 | 0:11:38 | |
I'm 52 years old and I'm from Newcastle. | 0:11:38 | 0:11:40 | |
Wow! | 0:11:40 | 0:11:41 | |
CHEERING AND APPLAUSE | 0:11:41 | 0:11:43 | |
I think you look amazing. What's... | 0:11:43 | 0:11:45 | |
-CHARLEY: -Thank you! -PALOMA: -Your skin's incredible. | 0:11:45 | 0:11:48 | |
You must be, like, drinking the same potion as George. | 0:11:48 | 0:11:51 | |
LAUGHTER | 0:11:51 | 0:11:52 | |
Have you sung forever? | 0:11:54 | 0:11:56 | |
I haven't sung for a very long time, | 0:11:56 | 0:11:59 | |
but I decided, why not? | 0:11:59 | 0:12:01 | |
So here I am. | 0:12:01 | 0:12:03 | |
Yeah, brilliant. What were you doing before? | 0:12:03 | 0:12:05 | |
Like, what made you stop singing? | 0:12:05 | 0:12:06 | |
Being a mum. Taking care of my child. | 0:12:06 | 0:12:09 | |
-But he's a big boy now, so he can take care of himself, I think. -LAUGHTER | 0:12:09 | 0:12:12 | |
And I'm the only one that turned. I'm quite happy about that. | 0:12:12 | 0:12:15 | |
And I am so happy! | 0:12:15 | 0:12:17 | |
I'm going to be really interested to see... | 0:12:17 | 0:12:19 | |
Hear you with singing other things. | 0:12:19 | 0:12:21 | |
You know, I think there's a real voice there, | 0:12:21 | 0:12:23 | |
-and I love real singers. -Thank you. | 0:12:23 | 0:12:25 | |
There's something very earthy about your sound. | 0:12:25 | 0:12:28 | |
I loved it. I thought it was super gravelly and everything. | 0:12:28 | 0:12:31 | |
It's amazing that you're going to be in | 0:12:31 | 0:12:33 | |
and we're going to hear you again, cos you've got an incredible voice. | 0:12:33 | 0:12:36 | |
-Thank you so much. -Yeah, come and give me a hug. | 0:12:36 | 0:12:38 | |
CHEERING AND APPLAUSE | 0:12:38 | 0:12:41 | |
-Hi, Charley. -Hey, Will. | 0:12:43 | 0:12:45 | |
-Are you Greek? -No, I'm Italian. | 0:12:45 | 0:12:47 | |
-Italiano! -Si, si. | 0:12:47 | 0:12:49 | |
THEY CHEER | 0:12:56 | 0:12:58 | |
I wanted George to turn round. | 0:12:58 | 0:13:00 | |
I wanted him to be my mentor, my coach, | 0:13:00 | 0:13:03 | |
and I'm so happy he did. | 0:13:03 | 0:13:04 | |
You've got a really good team. | 0:13:06 | 0:13:08 | |
I have got a lovely team, | 0:13:08 | 0:13:10 | |
but now I have to slow down. | 0:13:10 | 0:13:12 | |
After a slow start, George now leads the line with five acts. | 0:13:13 | 0:13:17 | |
Team Will's close behind on four. | 0:13:17 | 0:13:19 | |
While Paloma and Ricky are biding their time | 0:13:20 | 0:13:22 | |
with three acts apiece. | 0:13:22 | 0:13:24 | |
Now, you might recognise our next act. | 0:13:25 | 0:13:28 | |
My name is Tom Milner, but people may know me | 0:13:28 | 0:13:30 | |
from the popular programme Waterloo Road. | 0:13:30 | 0:13:33 | |
I was just turning 16 when I started. | 0:13:33 | 0:13:35 | |
Didn't realise how big it was. Pretty crazy. | 0:13:35 | 0:13:38 | |
My character was a bit of a troublemaker. | 0:13:38 | 0:13:40 | |
Come on! | 0:13:40 | 0:13:42 | |
Shut up! | 0:13:42 | 0:13:44 | |
But that's nothing like me. I'm a nice, good boy, obviously. | 0:13:44 | 0:13:46 | |
It's a bit quiet in terms of the TV acting at the moment. | 0:13:48 | 0:13:50 | |
I do a lot of gigging, like weddings, | 0:13:50 | 0:13:52 | |
and done panto a few times. They're good fun. | 0:13:52 | 0:13:55 | |
I'm currently working for Bradford City Football Club, | 0:13:55 | 0:13:58 | |
which is my pride and joy, as a match day announcer. | 0:13:58 | 0:14:01 | |
You get that shot? Did you get that left curler? | 0:14:02 | 0:14:04 | |
So my main responsibility is to get the crowd going. | 0:14:04 | 0:14:07 | |
Come on, quickly, down here! | 0:14:07 | 0:14:09 | |
Let's go. | 0:14:09 | 0:14:10 | |
Getting dizzy. | 0:14:10 | 0:14:11 | |
CHEERING | 0:14:13 | 0:14:15 | |
Yeah, and I announce the players as well. | 0:14:15 | 0:14:17 | |
Number two, Joe Riley. | 0:14:17 | 0:14:19 | |
Number five, Peter Clarke. | 0:14:19 | 0:14:21 | |
And I always, obviously, give my favourite player the biggest shout. | 0:14:21 | 0:14:24 | |
Kyel Reid! | 0:14:24 | 0:14:26 | |
Yeah, it's pretty cool. | 0:14:26 | 0:14:27 | |
I've loved all the acting jobs that I have done, | 0:14:30 | 0:14:33 | |
but if you said to me I had to choose between singing and acting, | 0:14:33 | 0:14:37 | |
it would be singing hands down, and that's why I'm here. | 0:14:37 | 0:14:40 | |
-RICKY SINGS: -# What a day for a daydream | 0:14:40 | 0:14:43 | |
# What a day for a daydreaming boy. # | 0:14:43 | 0:14:47 | |
# Take it, take it | 0:15:00 | 0:15:02 | |
# I give my heart to you for free | 0:15:02 | 0:15:04 | |
# Girl, don't you break it | 0:15:04 | 0:15:06 | |
# Along with every piece of me, yeah | 0:15:06 | 0:15:11 | |
# I'll go the distance but not all of the way, yeah | 0:15:11 | 0:15:15 | |
# Say what you mean to me and mean what you say, yeah | 0:15:16 | 0:15:21 | |
# I never wanna be your ex-man | 0:15:21 | 0:15:23 | |
# I'll never make you feel ignored | 0:15:23 | 0:15:26 | |
# You can go and find your next man | 0:15:26 | 0:15:28 | |
# But I know what you're waiting for | 0:15:28 | 0:15:30 | |
# Wait on me | 0:15:30 | 0:15:32 | |
# I know how to love you | 0:15:32 | 0:15:33 | |
# And I wanna love you some more | 0:15:33 | 0:15:36 | |
# You come a little closer | 0:15:36 | 0:15:38 | |
# Wanna be the one to explore | 0:15:38 | 0:15:42 | |
# A little trouble never hurt nobody | 0:15:42 | 0:15:44 | |
# Oh, I wanna feel your body | 0:15:44 | 0:15:47 | |
# I know how to love you and I wanna love you some more | 0:15:47 | 0:15:51 | |
# In your head, in your heart | 0:15:51 | 0:15:54 | |
# Like never before | 0:15:54 | 0:15:56 | |
# If a good thing is what you're waiting for | 0:15:56 | 0:16:00 | |
# Then don't you look no more | 0:16:00 | 0:16:05 | |
# I know how to love you and I wanna love you some more | 0:16:05 | 0:16:09 | |
# You come a little closer | 0:16:10 | 0:16:12 | |
# Wanna be the one to explore | 0:16:12 | 0:16:15 | |
# A little trouble never hurt nobody | 0:16:15 | 0:16:18 | |
# Oh, I wanna feel your body | 0:16:18 | 0:16:21 | |
# I know how to love you and I wanna love you some more | 0:16:21 | 0:16:24 | |
# Oh, oh, oh. # | 0:16:24 | 0:16:27 | |
CHEERING AND APPLAUSE | 0:16:27 | 0:16:30 | |
All right, mate, what's your name? | 0:16:36 | 0:16:38 | |
-My name is Tom Milner. -Tom? -Yes. -Where are you from? | 0:16:38 | 0:16:41 | |
I'm from Halifax in Yorkshire. West Yorkshire. | 0:16:41 | 0:16:44 | |
CHEERING AND APPLAUSE | 0:16:44 | 0:16:46 | |
Yeah, the accent was thick in that singing there. | 0:16:46 | 0:16:48 | |
LAUGHTER | 0:16:48 | 0:16:50 | |
So yeah, what do you do for a living? | 0:16:50 | 0:16:51 | |
-I'm an actor. -An actor? -Yes. | 0:16:51 | 0:16:53 | |
Have I seen you in anything I'd know? | 0:16:53 | 0:16:55 | |
Well, I was in a series called Waterloo Road, | 0:16:55 | 0:16:57 | |
-if anyone watched that. -CHEERING AND APPLAUSE | 0:16:57 | 0:17:00 | |
I played the character of Paul Langley, | 0:17:00 | 0:17:02 | |
which was a bit of a naughty boy, with Bolton Smilie, so yeah. | 0:17:02 | 0:17:04 | |
But I had longer hair and I was a bit chubby. | 0:17:04 | 0:17:06 | |
There's nothing wrong with losing a bit of weight and putting a waistcoat on. | 0:17:06 | 0:17:10 | |
LAUGHTER | 0:17:10 | 0:17:12 | |
We've all done it. Anyway... | 0:17:15 | 0:17:16 | |
OK, here's the thing. I heard your voice, you started singing, | 0:17:16 | 0:17:19 | |
and I thought, this is really commercial sounding. | 0:17:19 | 0:17:22 | |
And it felt like a really safe pair of hands. | 0:17:22 | 0:17:24 | |
But I think you've got a lot more to give. It was pretty linear. | 0:17:24 | 0:17:27 | |
If you'd started off a little bit... | 0:17:27 | 0:17:29 | |
a little more laid back and got to there, | 0:17:29 | 0:17:31 | |
I think a lot more people would have turned. | 0:17:31 | 0:17:33 | |
I think you saved us a pitch, really. | 0:17:33 | 0:17:35 | |
I think you were always going to go with Ricky. You've got the hair. | 0:17:35 | 0:17:38 | |
-LAUGHTER -Basically, are you brothers? | 0:17:38 | 0:17:40 | |
-Are we announcing it on TV? I'm up for that. -OK, yeah, well... | 0:17:40 | 0:17:44 | |
LAUGHTER | 0:17:44 | 0:17:46 | |
I thought it was a good performance, | 0:17:46 | 0:17:48 | |
but I really like it when somebody kind of does something a bit unusual | 0:17:48 | 0:17:53 | |
that I've not really heard before, | 0:17:53 | 0:17:55 | |
and I just felt like I heard a bit of Maroon 5 in there, | 0:17:55 | 0:17:59 | |
so I didn't turn. I'm sorry. | 0:17:59 | 0:18:02 | |
No, no, no. That's absolutely fine. That's a worthwhile point. | 0:18:02 | 0:18:05 | |
You started off great, and I see why Ricky turned around. | 0:18:05 | 0:18:08 | |
But you ended bad. | 0:18:08 | 0:18:10 | |
So you could take that and learn from it, | 0:18:10 | 0:18:13 | |
and don't let that repeat throughout the show. | 0:18:13 | 0:18:16 | |
There's an element of - I turned round and he's like... | 0:18:16 | 0:18:18 | |
-PALOMA: -"I'm in." -RICKY: -"Right, I'm in." | 0:18:18 | 0:18:20 | |
-I think that probably threw you a bit. -Yeah. | 0:18:20 | 0:18:22 | |
You can't do that. Even in marriages, | 0:18:22 | 0:18:24 | |
-you're going to get divorced. -LAUGHTER | 0:18:24 | 0:18:26 | |
You can't be like, "I've got her!" | 0:18:26 | 0:18:28 | |
If you kiss good the first date, you've got to keep kissing good. | 0:18:28 | 0:18:31 | |
LAUGHTER | 0:18:31 | 0:18:32 | |
-You've got to keep on showering. -Yeah. -You can't be like, | 0:18:32 | 0:18:35 | |
-"Oh, I've got her, I'm going to start smelling." -Anyway, he's got through! -I know, he got through! | 0:18:35 | 0:18:39 | |
You got through, you should be happy. | 0:18:39 | 0:18:41 | |
CHEERING AND APPLAUSE | 0:18:41 | 0:18:43 | |
Well done. And don't worry about me saying it's commercial. | 0:18:43 | 0:18:46 | |
But in the next thing, I want to show a little bit more | 0:18:46 | 0:18:48 | |
kind of, like, you. You know what I mean? | 0:18:48 | 0:18:51 | |
Waistcoat twins! | 0:18:51 | 0:18:53 | |
-It's like he's got a waistcoat sixth sense. -You know what it is? | 0:18:56 | 0:18:59 | |
It's like the David Essex sort of fan club, basically. | 0:18:59 | 0:19:03 | |
Maybe he's starting a boy band. | 0:19:03 | 0:19:04 | |
I'll see you soon. | 0:19:07 | 0:19:09 | |
Waistcoat man! | 0:19:09 | 0:19:11 | |
THEY LAUGH | 0:19:11 | 0:19:12 | |
He just asked if you were setting up a boy band. | 0:19:12 | 0:19:15 | |
Waistlife. | 0:19:15 | 0:19:16 | |
THEY LAUGH | 0:19:16 | 0:19:19 | |
THEY CHEER | 0:19:20 | 0:19:23 | |
Ricky wears waistcoats every day. | 0:19:24 | 0:19:26 | |
They could start a group called The Waistcoats. | 0:19:28 | 0:19:30 | |
In LA hip-hop they say, | 0:19:32 | 0:19:35 | |
"West coast." | 0:19:35 | 0:19:37 | |
He and his waistcoat singers can say, | 0:19:37 | 0:19:40 | |
"Waistcoats." | 0:19:40 | 0:19:42 | |
"Waistcoats!" | 0:19:43 | 0:19:45 | |
HE LAUGHS | 0:19:45 | 0:19:46 | |
31-year-old Stacey Lee | 0:19:50 | 0:19:52 | |
has two very loyal fans - her mum and dad. | 0:19:52 | 0:19:55 | |
-Stacey Lee's always had a talent. -She was better than all of them, wasn't she? -Everybody. | 0:19:55 | 0:19:58 | |
-All my head tingles at the back. -It's like the angels sing. | 0:19:58 | 0:20:01 | |
-Yeah. She's special. -Yeah, she's special. That's my girl. | 0:20:01 | 0:20:04 | |
-Come on, Stace. -Come on, Stace. | 0:20:10 | 0:20:12 | |
# Lately you've been quiet | 0:20:22 | 0:20:24 | |
# Is there something on your mind, baby? | 0:20:24 | 0:20:28 | |
CHEERING AND APPLAUSE | 0:20:28 | 0:20:29 | |
# The suspense is killing me | 0:20:29 | 0:20:32 | |
# So much that it's driving me crazy | 0:20:32 | 0:20:35 | |
# The three words in your head | 0:20:37 | 0:20:39 | |
# Drift ahead like they're gonna come save me | 0:20:39 | 0:20:43 | |
-Come on! -Come on! | 0:20:43 | 0:20:45 | |
# Oh, lately you've been quiet | 0:20:45 | 0:20:48 | |
# Is there something on your mind, baby? | 0:20:48 | 0:20:51 | |
# Baby, if you wanna say something, say it now | 0:20:51 | 0:20:57 | |
# Cos I ain't got the time to be waiting around | 0:20:57 | 0:21:00 | |
# Come on, what you're feeling | 0:21:00 | 0:21:03 | |
# Use your mouth | 0:21:03 | 0:21:05 | |
# If you wanna say something Say it now | 0:21:05 | 0:21:08 | |
# You've been going out without doubt | 0:21:10 | 0:21:12 | |
# What's going on, baby? | 0:21:12 | 0:21:15 | |
# I'm so tired every day | 0:21:17 | 0:21:19 | |
# Listening to the little that you're saying | 0:21:19 | 0:21:23 | |
# So baby, if you wanna say something, say it now | 0:21:23 | 0:21:28 | |
# Cos I ain't got the time to be waiting around | 0:21:28 | 0:21:32 | |
# So come on, what you're feeling | 0:21:32 | 0:21:35 | |
# Use your mouth | 0:21:35 | 0:21:37 | |
# So come on, if you think something Say it now | 0:21:37 | 0:21:39 | |
Oh, please! | 0:21:39 | 0:21:40 | |
# Na-na-na-na-na-na-now, yeah. # | 0:21:42 | 0:21:46 | |
CHEERING AND APPLAUSE | 0:21:46 | 0:21:48 | |
Oh, no! No way! | 0:21:53 | 0:21:56 | |
-Oh, no. -Never! | 0:21:56 | 0:21:58 | |
Hello. What's your name? | 0:22:05 | 0:22:07 | |
My name's Stacey Lee. I'm 30, I'm a singer, and I'm from Cambridge. | 0:22:07 | 0:22:10 | |
-And you're really good. -Oh, thank you. | 0:22:10 | 0:22:13 | |
That last lick was awesome. | 0:22:13 | 0:22:15 | |
"Na-na-na-na-na." Yeah! | 0:22:15 | 0:22:18 | |
LAUGHTER | 0:22:18 | 0:22:19 | |
There is absolutely no doubt | 0:22:20 | 0:22:22 | |
-that you have an incredible, brilliant voice. -Thank you. | 0:22:22 | 0:22:26 | |
Who are you here with? | 0:22:26 | 0:22:28 | |
I'm here with my mum, my dad, | 0:22:28 | 0:22:30 | |
my sister, my husband, and her husband. | 0:22:30 | 0:22:33 | |
So a lot of support. | 0:22:33 | 0:22:35 | |
Yeah, yeah, I've got a lot of support. Yeah. | 0:22:35 | 0:22:38 | |
CHEERING AND APPLAUSE | 0:22:38 | 0:22:40 | |
The competition is tough. | 0:22:40 | 0:22:42 | |
We're being extra analytical, | 0:22:42 | 0:22:44 | |
and you were rushing a couple of times. | 0:22:44 | 0:22:47 | |
You were ahead of the music. | 0:22:47 | 0:22:49 | |
-Aside from that your voice is flawless. -Thank you. | 0:22:49 | 0:22:52 | |
And that lick - don't wait too late to throw that in there. | 0:22:52 | 0:22:56 | |
CHEERING AND APPLAUSE | 0:22:56 | 0:22:57 | |
-Are you a professional singer already? -Yeah, I sing. | 0:22:59 | 0:23:01 | |
I do an Adele tribute, but also I do a lot of stuff | 0:23:01 | 0:23:05 | |
with, like, some DJs and stuff in clubs. | 0:23:05 | 0:23:07 | |
I understand the frustration, and it's no consolation | 0:23:07 | 0:23:10 | |
when we turn round and give you all our criticism, but you are great. | 0:23:10 | 0:23:13 | |
Thank you. | 0:23:13 | 0:23:14 | |
You know, first time I ever appeared on Top Of The Pops, | 0:23:14 | 0:23:17 | |
the day after, one of the headlines was "Wally of the week." | 0:23:17 | 0:23:21 | |
"What was it?" You know, the reaction to me was... | 0:23:21 | 0:23:26 | |
Well, from the media was pretty scathing. | 0:23:26 | 0:23:29 | |
But people loved me, | 0:23:29 | 0:23:30 | |
and people reacted really, really good to you. | 0:23:30 | 0:23:33 | |
And I'm sure you perform all the time, | 0:23:33 | 0:23:35 | |
you are used to getting a good reaction. | 0:23:35 | 0:23:37 | |
-Yeah. -We're idiots. That's basically it. | 0:23:37 | 0:23:39 | |
LAUGHTER | 0:23:39 | 0:23:41 | |
Saying that, she didn't let it affect her that no-one was turning. | 0:23:41 | 0:23:44 | |
If anything, it made you stronger. | 0:23:44 | 0:23:45 | |
I get the feeling you're never going to give up. | 0:23:45 | 0:23:48 | |
If this is in your blood, you know, nothing is going to stop you, | 0:23:48 | 0:23:52 | |
and I'm living proof of that kind of thing. | 0:23:52 | 0:23:55 | |
So please, you know, keep doing what you do, | 0:23:55 | 0:23:57 | |
cos you do it beautifully. | 0:23:57 | 0:23:59 | |
Thank you very much. | 0:23:59 | 0:24:00 | |
CHEERING AND APPLAUSE | 0:24:00 | 0:24:03 | |
She was so good. | 0:24:17 | 0:24:18 | |
Never mind, darling. | 0:24:25 | 0:24:27 | |
I'm such an old softie, and then I just... | 0:24:27 | 0:24:30 | |
Every time, I'm dreading turning round. | 0:24:30 | 0:24:33 | |
Up next, 17-year-old Cody Lee, | 0:24:38 | 0:24:41 | |
who has one chief coach firmly in his sights. | 0:24:41 | 0:24:44 | |
Today I'm going to be singing Ruby by the Kaiser Chiefs. | 0:24:44 | 0:24:47 | |
# Ruby, Ruby, Ruby, Ruby... # | 0:24:47 | 0:24:49 | |
I'm really nervous to see what Ricky will think | 0:24:51 | 0:24:54 | |
of what I've done with one of his songs. | 0:24:54 | 0:24:56 | |
Hopefully the performance goes well and the coaches really enjoy it. | 0:24:56 | 0:25:00 | |
That's what I'm aiming for. | 0:25:00 | 0:25:01 | |
# Ruby, Ruby, Ruby, Ruby | 0:25:16 | 0:25:19 | |
# Do you, do you, do you, do you, oh! | 0:25:22 | 0:25:27 | |
# Know what you're doing, doing to me? | 0:25:27 | 0:25:30 | |
# Ruby, Ruby, Ruby, Ruby | 0:25:32 | 0:25:35 | |
# Could it be, could it be? | 0:25:39 | 0:25:41 | |
# That you're joking with me | 0:25:41 | 0:25:43 | |
# And you don't really see | 0:25:43 | 0:25:46 | |
# You and me | 0:25:46 | 0:25:51 | |
# Oh, what you're doing, doing to me | 0:25:51 | 0:25:53 | |
# Ruby, Ruby, Ruby, Ruby | 0:25:57 | 0:25:59 | |
# Yeah | 0:25:59 | 0:26:01 | |
# Yeah! # | 0:26:01 | 0:26:02 | |
CHEERING AND APPLAUSE | 0:26:05 | 0:26:08 | |
-What's your name? -My name's Cody Lee. | 0:26:17 | 0:26:20 | |
I was telling Ricky to turn around, man. | 0:26:20 | 0:26:23 | |
I'm like, "Yo, that's hot right there, dude." | 0:26:23 | 0:26:25 | |
He was like, "That's my song." I was like, "Duh." | 0:26:25 | 0:26:28 | |
-That's your song? -Yeah, that's my song. | 0:26:28 | 0:26:30 | |
HE MOUTHS | 0:26:30 | 0:26:32 | |
-I didn't know you wrote for Little Richard. That's amazing. -LAUGHTER | 0:26:33 | 0:26:37 | |
You ever kind of go the whole hog and wear the real look? | 0:26:37 | 0:26:40 | |
You know, the '50s, the drape, the whole thing? | 0:26:40 | 0:26:42 | |
Oh, yeah, yeah. I've got the whole, like, suits and cravats | 0:26:42 | 0:26:45 | |
-and the waistcoats. Yeah, everything. -Waistcoats? | 0:26:45 | 0:26:47 | |
-Did you say waistcoats?! -Yeah. | 0:26:47 | 0:26:49 | |
LAUGHTER | 0:26:49 | 0:26:51 | |
Thing is, I've never heard a version like that before. | 0:26:53 | 0:26:55 | |
It was really amazing, and I'm not going to say | 0:26:55 | 0:26:57 | |
it was a bad song choice, cos it's an excellent song. | 0:26:57 | 0:27:00 | |
But there's kind of a mental block with me | 0:27:00 | 0:27:03 | |
that I couldn't get over, which was the song, that I know inside out. | 0:27:03 | 0:27:06 | |
-I couldn't get past that. But it was really impressive. -Well done. | 0:27:06 | 0:27:10 | |
Yeah, well done, mate. | 0:27:10 | 0:27:12 | |
CHEERING AND APPLAUSE | 0:27:12 | 0:27:14 | |
Nice to meet you, mate. Good luck. | 0:27:17 | 0:27:19 | |
Young kid, very talented musician, | 0:27:23 | 0:27:26 | |
but then, if someone plays your song, | 0:27:26 | 0:27:28 | |
it's a really big stumbling block to try and get over | 0:27:28 | 0:27:31 | |
in order to win you over to liking it. | 0:27:31 | 0:27:33 | |
He should have had a waistcoat. | 0:27:37 | 0:27:38 | |
Hold on - what's that he's wearing? | 0:27:41 | 0:27:43 | |
It is a distinctive look, | 0:27:46 | 0:27:47 | |
but I feel like I'm stuck in 1985. | 0:27:47 | 0:27:50 | |
It's 38-year-old Billy Black. | 0:27:50 | 0:27:52 | |
I've got my own rock band. I'm the front man. | 0:27:56 | 0:27:59 | |
We play nightclubs, social clubs, | 0:27:59 | 0:28:02 | |
up and down the UK. | 0:28:02 | 0:28:03 | |
THEY PLAY: The Final Countdown by Europe | 0:28:03 | 0:28:06 | |
I really enjoy it. We have a really good time, have a good laugh. | 0:28:07 | 0:28:11 | |
He's a great lad, and he's got a great voice. | 0:28:13 | 0:28:15 | |
-He's Billy Black. -Yeah, man. | 0:28:15 | 0:28:17 | |
The lads in the band are great. | 0:28:17 | 0:28:19 | |
They're always 100% behind me all the time. | 0:28:19 | 0:28:21 | |
Perfect bunch of lads to be with on the road. | 0:28:21 | 0:28:23 | |
We're all dead close, man. Like, we're rooting for him | 0:28:23 | 0:28:26 | |
just as strong as he's rooting for it, you know? | 0:28:26 | 0:28:28 | |
When I was younger, I listened to Guns N' Roses, Bon Jovi. | 0:28:35 | 0:28:38 | |
I thought, "That's what I want to do." | 0:28:38 | 0:28:40 | |
And I'd still like to do that. | 0:28:40 | 0:28:42 | |
# Whoa yeah | 0:28:56 | 0:29:01 | |
# A hot summer night fell like a net | 0:29:03 | 0:29:10 | |
# I've gotta find my baby yet | 0:29:10 | 0:29:15 | |
# I need you to soothe my head | 0:29:17 | 0:29:23 | |
# Turn my blue heart to red | 0:29:23 | 0:29:28 | |
# Doctor Doctor give me the news | 0:29:31 | 0:29:34 | |
# I got a bad case of lovin' you | 0:29:34 | 0:29:38 | |
# No pill's going to cure my ill | 0:29:38 | 0:29:40 | |
# I've got a bad case of lovin' you | 0:29:40 | 0:29:45 | |
# Ah | 0:29:47 | 0:29:49 | |
# I know you like it you like it on top | 0:29:51 | 0:29:56 | |
Hello! | 0:29:56 | 0:29:58 | |
# Tell me mama | 0:29:58 | 0:30:00 | |
# Are you gonna stop? | 0:30:00 | 0:30:05 | |
# Doctor Doctor give me the news | 0:30:05 | 0:30:08 | |
# I got a bad case of lovin' you | 0:30:08 | 0:30:12 | |
# No pill's gonna cure my ill | 0:30:12 | 0:30:15 | |
# I got a bad case of lovin' you | 0:30:15 | 0:30:20 | |
# Ah. # | 0:30:23 | 0:30:26 | |
APPLAUSE AND CHEERING | 0:30:27 | 0:30:30 | |
Ah! | 0:30:40 | 0:30:43 | |
A waistcoat! | 0:30:43 | 0:30:44 | |
-Ricky... -Waistcoat! Waistcoat! | 0:30:47 | 0:30:49 | |
-What's your name? -My name is Billy Black and I'm from Sunderland. | 0:30:57 | 0:31:01 | |
APPLAUSE AND CHEERING | 0:31:01 | 0:31:03 | |
You've got a great voice, you know, | 0:31:05 | 0:31:06 | |
you hit some great high notes at the end. | 0:31:06 | 0:31:08 | |
I mean, you're obviously good at what you do. | 0:31:08 | 0:31:10 | |
You got a great reaction in this house. | 0:31:10 | 0:31:12 | |
And you've got a very smooth chest. | 0:31:12 | 0:31:16 | |
-Oh! Do that again. -Only joking. | 0:31:16 | 0:31:18 | |
Are you in a band? Do you do this professionally? | 0:31:20 | 0:31:23 | |
What's the story with you? | 0:31:23 | 0:31:24 | |
I've got a rock covers band called The Billy Black Band | 0:31:24 | 0:31:27 | |
and we just travel up and down doing holiday camps, social clubs, | 0:31:27 | 0:31:30 | |
nightclubs up and down the country. | 0:31:30 | 0:31:32 | |
I bet you get an amazing reaction wherever you go, right? | 0:31:32 | 0:31:35 | |
Yeah, I enjoyed it. Thanks very much, everyone, by the way. Thank you. | 0:31:35 | 0:31:38 | |
APPLAUSE AND CHEERING | 0:31:38 | 0:31:40 | |
You know, I have a theory on this show that Ricky Wilson, | 0:31:41 | 0:31:45 | |
he can hear the waistcoat even when he's not looking | 0:31:45 | 0:31:47 | |
and he always seems to turn for anybody wearing a waistcoat, | 0:31:47 | 0:31:51 | |
but it didn't work this time. | 0:31:51 | 0:31:53 | |
Your waistcoat is not giving up the same kind of waistcoat | 0:31:53 | 0:31:56 | |
energy as normal. | 0:31:56 | 0:31:57 | |
I was hoping that Ricky would've turned because... | 0:32:00 | 0:32:03 | |
Why does he do that, why do you always do that, Will? | 0:32:03 | 0:32:05 | |
I never say to you, Will, I never go down the line when it's someone | 0:32:05 | 0:32:08 | |
that I think you should've turned for. | 0:32:08 | 0:32:10 | |
I never say, "You should've turned for it," | 0:32:10 | 0:32:12 | |
because I just think it's like... | 0:32:12 | 0:32:13 | |
I'm not judging you on who you are or your style of music. | 0:32:13 | 0:32:16 | |
-I'm sorry, I'm sorry, I'm sorry. -It just makes me feel really... | 0:32:16 | 0:32:19 | |
-I'm sorry. -It just really annoys me. | 0:32:19 | 0:32:20 | |
You can't get bent out of shape for my opinion. | 0:32:20 | 0:32:22 | |
-You can't let that ruffle your feathers. -I know, but... | 0:32:22 | 0:32:26 | |
Calm down, you're both pretty. | 0:32:26 | 0:32:28 | |
It's the waistcoat, isn't it? Is it the waistcoat? | 0:32:28 | 0:32:32 | |
AUDIENCE MEMBER: Take it off. | 0:32:32 | 0:32:34 | |
Yeah, take it off. | 0:32:34 | 0:32:35 | |
He's doing rock. | 0:32:38 | 0:32:40 | |
You do rock and he probably came on the show thinking, | 0:32:40 | 0:32:43 | |
OK, there's someone on that show that's right for this lane that | 0:32:43 | 0:32:46 | |
represents what I'm doing. | 0:32:46 | 0:32:47 | |
You don't have to turn for it but that being said, | 0:32:47 | 0:32:49 | |
-I can't keep my lips shut. -I know, man. -I have to say how I feel. | 0:32:49 | 0:32:53 | |
I'm not going to sit up here and be fake. | 0:32:53 | 0:32:55 | |
Will, if you were Ricky, would you have turned? | 0:32:55 | 0:32:57 | |
If I was Ricky, yes, just like you wore that vest. | 0:32:57 | 0:33:00 | |
Ricky, can you swap seats, dude? | 0:33:00 | 0:33:02 | |
Everything I turn for, I truly have to believe can win the show and | 0:33:04 | 0:33:07 | |
I just didn't believe that was going to win the show, so I didn't turn. | 0:33:07 | 0:33:10 | |
That's the honest, honest answer. | 0:33:10 | 0:33:11 | |
I know that, but that's why you make your decision. | 0:33:11 | 0:33:15 | |
At the same time, if I'm sitting here as a person, | 0:33:15 | 0:33:18 | |
I'm not an expertise in that genre. | 0:33:18 | 0:33:20 | |
I wish Ricky would have turned. | 0:33:20 | 0:33:22 | |
I'm sorry, I would never mention your name again. | 0:33:22 | 0:33:25 | |
The thing is, I don't know what's going on in Will's head. | 0:33:27 | 0:33:29 | |
-No-one does. -Anyways. | 0:33:29 | 0:33:31 | |
I'm really glad I got this opportunity. | 0:33:31 | 0:33:33 | |
Everyone backstage has been so nice. You know, so if any singer is | 0:33:33 | 0:33:36 | |
thinking about coming for The Voice, it's a lovely experience, you know. | 0:33:36 | 0:33:40 | |
-Keep on rocking. Cheers, man. -Thank you. | 0:33:40 | 0:33:42 | |
Well done. | 0:33:47 | 0:33:48 | |
I get annoyed when Will tells me who I should be turning for, | 0:33:56 | 0:33:59 | |
because it gets in the way of my judgment. | 0:33:59 | 0:34:01 | |
If he just kept himself to himself, nine times out of ten, | 0:34:01 | 0:34:04 | |
I'd probably turn for them, | 0:34:04 | 0:34:05 | |
but if he's telling me, I'm not going to do it. | 0:34:05 | 0:34:07 | |
-Putting the waistcoat back on? -Well, I have to. | 0:34:11 | 0:34:14 | |
I've known Ricky 15 years and I've honestly never seen him | 0:34:14 | 0:34:16 | |
-not wearing a waistcoat. -That is not true. | 0:34:16 | 0:34:18 | |
Nothing wrong with a waistcoat. | 0:34:22 | 0:34:23 | |
David Essex wore them, Ollie Murs wears them sometimes. | 0:34:23 | 0:34:27 | |
Who else wears a waistcoat? Jeeves. They're very popular. | 0:34:27 | 0:34:31 | |
In the pub we used to work in, you always wore a waistcoat. | 0:34:31 | 0:34:35 | |
-I did not. -I'm an individual. You just killed the point. | 0:34:35 | 0:34:39 | |
You're the Pied Piper. You play the pipe and people follow. | 0:34:39 | 0:34:44 | |
-The Pied Piper is not like... -Do-do-do-do-do. | 0:34:44 | 0:34:46 | |
Hey, Winston, everybody's following me. I'm out of here. | 0:34:46 | 0:34:50 | |
My name is Lauren Lapsley-Browne, I'm 18 and I'm from Dublin, Ireland. | 0:34:54 | 0:34:58 | |
I'm working part-time in a bagel shop. | 0:34:58 | 0:35:00 | |
I try to have as much fun as possible. | 0:35:00 | 0:35:02 | |
I'll bring you over the best coffee you've ever had. | 0:35:02 | 0:35:05 | |
It's so hard keeping a job when I'm this ditzy. | 0:35:05 | 0:35:07 | |
If I walked out of my house, I'd probably forget my head. | 0:35:11 | 0:35:15 | |
Forget to screw it on. | 0:35:15 | 0:35:17 | |
It would mean everything to me to become | 0:35:20 | 0:35:22 | |
a successful artist like, oh, my God, I can't imagine and I couldn't, | 0:35:22 | 0:35:27 | |
like, oh, that would just be amazing. | 0:35:27 | 0:35:30 | |
-Here she is. -Go on, Lauren. | 0:35:35 | 0:35:39 | |
# Captured effortlessly | 0:35:53 | 0:35:55 | |
# That's the way it was | 0:35:55 | 0:35:57 | |
# It happened so naturally | 0:35:57 | 0:35:59 | |
# I did not know it was love | 0:35:59 | 0:36:01 | |
# The next thing I felt was you | 0:36:01 | 0:36:03 | |
# Holdin' me close | 0:36:03 | 0:36:05 | |
# What was I going to do? | 0:36:05 | 0:36:08 | |
# I let myself go | 0:36:08 | 0:36:10 | |
# Now we're flyin' through the stars | 0:36:10 | 0:36:11 | |
# I hope this night will last forever | 0:36:11 | 0:36:15 | |
# Whoa whoa whoa whoa | 0:36:15 | 0:36:18 | |
# Ain't nobody | 0:36:18 | 0:36:20 | |
# Loves me better | 0:36:20 | 0:36:22 | |
# Makes me happy | 0:36:22 | 0:36:24 | |
# Makes me feel this way | 0:36:24 | 0:36:26 | |
# Ain't nobody | 0:36:26 | 0:36:28 | |
# Loves me better than you you you | 0:36:28 | 0:36:32 | |
# First you put your arms around me | 0:36:35 | 0:36:40 | |
# Then you put your charms around me | 0:36:40 | 0:36:44 | |
# Got a feelin' most would treasure | 0:36:44 | 0:36:48 | |
# And a love so deep we cannot measure | 0:36:48 | 0:36:54 | |
# Ain't nobody | 0:36:54 | 0:36:56 | |
# Loves me better | 0:36:56 | 0:36:58 | |
# Makes me happy | 0:36:58 | 0:37:00 | |
# Makes me feel this way | 0:37:00 | 0:37:02 | |
# Ain't nobody | 0:37:02 | 0:37:04 | |
# Loves me better than you. # | 0:37:04 | 0:37:10 | |
APPLAUSE AND CHEERING | 0:37:10 | 0:37:15 | |
-Don't cry. Don't cry. -I'm so happy. | 0:37:28 | 0:37:32 | |
-Are you Irish? -Yeah, I'm Irish. My name is Lauren from Dublin. | 0:37:34 | 0:37:41 | |
Yeah, I thought that you were a little bit shaky | 0:37:42 | 0:37:44 | |
but you got better. | 0:37:44 | 0:37:46 | |
Towards the second half, it was like you really started to settle | 0:37:46 | 0:37:49 | |
and Will had already turned, so I was like, well, you know. | 0:37:49 | 0:37:52 | |
Oh, my God. I couldn't believe it. I felt like I was in a dream. | 0:37:52 | 0:37:55 | |
I'm so sorry. | 0:37:55 | 0:37:57 | |
-It's so charming and lovely. -Thank you so much. | 0:37:57 | 0:38:01 | |
It's such a good song choice. We love that song. | 0:38:01 | 0:38:04 | |
Thanks very much, Paloma. Thank you. | 0:38:04 | 0:38:06 | |
So, you sounded great. | 0:38:08 | 0:38:10 | |
To sing that song, to sing Chaka Khan, she is a dynamic singer. | 0:38:10 | 0:38:14 | |
-Yeah. -And so a lot of times when you're listening to a person sing | 0:38:14 | 0:38:18 | |
a dynamic singer song, you expect them to do something dynamic | 0:38:18 | 0:38:23 | |
-and outperform Chaka Khan. Impossible. -Yeah. | 0:38:23 | 0:38:25 | |
So, why would anybody sing a Chaka Khan song | 0:38:25 | 0:38:28 | |
in a singing competition? | 0:38:28 | 0:38:30 | |
You've got to look past that and you're like, | 0:38:30 | 0:38:32 | |
-what other songs can she sing? -Yeah. -Because I see what she can do. | 0:38:32 | 0:38:36 | |
Great tone. So, that's the reason why I turned. I saw the potential. | 0:38:36 | 0:38:40 | |
And then I'm like, wow, check her out. | 0:38:40 | 0:38:42 | |
Did you put rollers in your hair to make it like that? | 0:38:42 | 0:38:45 | |
-Oh, my God, I've been backcombing my hair all day. -That's cool. | 0:38:45 | 0:38:49 | |
-It's kind of like Charlie's Angels going on there. -Oh, thank you. | 0:38:49 | 0:38:52 | |
-Thanks, Will. -I would like to be your Charlie. | 0:38:52 | 0:38:54 | |
That was smooth. | 0:38:55 | 0:38:58 | |
So, who are your influences? | 0:39:00 | 0:39:02 | |
I love various acts, like, you're amazing, you're amazing, | 0:39:02 | 0:39:08 | |
you're a legend, Ricky! Hello! | 0:39:08 | 0:39:10 | |
I didn't hear you speak, so I was just looking over. Hi! | 0:39:12 | 0:39:15 | |
-Just keeping a low profile. -You're amazing, too. -No, it was incredible. | 0:39:17 | 0:39:21 | |
I didn't know what didn't make me turn. | 0:39:21 | 0:39:23 | |
Sometimes it happens, sometimes it doesn't. | 0:39:23 | 0:39:25 | |
-I'm really glad I get to hear you sing again. -Thank you so much. | 0:39:25 | 0:39:28 | |
APPLAUSE AND CHEERING | 0:39:28 | 0:39:30 | |
I think we have to sell ourselves to you now. | 0:39:30 | 0:39:33 | |
It's a fruit and veg stall, so I'm about to show you my oranges | 0:39:33 | 0:39:36 | |
and cucumbers. | 0:39:36 | 0:39:37 | |
But, I feel like when we turn, we acknowledge that you've got a great | 0:39:42 | 0:39:46 | |
voice, but then I'm very concerned with what else you've got | 0:39:46 | 0:39:50 | |
going on and how we can feed those into what you do | 0:39:50 | 0:39:54 | |
and make it unusual, so that's what my aim is. | 0:39:54 | 0:39:57 | |
Thank you so much, Paloma. Thank you. | 0:39:57 | 0:39:59 | |
Wow. Brilliant. | 0:40:04 | 0:40:05 | |
-So, now you have to decide. -I have to decide. | 0:40:07 | 0:40:10 | |
Unless you want to have another round of pitches. | 0:40:10 | 0:40:12 | |
-You haven't done a pitch, yet. -Oh, my pitch. | 0:40:12 | 0:40:17 | |
I said she's like a Charlie's Angel and I would like to be her Charlie. | 0:40:17 | 0:40:22 | |
-That's not a pitch. -That is a pitch. -She's going toe to toe with Will. | 0:40:22 | 0:40:27 | |
Simple, boom, straight to the point, because Charlie sent people | 0:40:27 | 0:40:30 | |
out on missions and they came back and completed the missions | 0:40:30 | 0:40:34 | |
and he was like their coach but more importantly, | 0:40:34 | 0:40:36 | |
they assassinated mugs. | 0:40:36 | 0:40:38 | |
I think you are a great vocal assassin, so I want to | 0:40:40 | 0:40:44 | |
send you out on missions to slice and dice the competition. | 0:40:44 | 0:40:47 | |
Do you know what I'm saying? | 0:40:47 | 0:40:48 | |
You turned after, like, two words. | 0:40:50 | 0:40:52 | |
Yeah, because like I said, I have connections to the future | 0:40:52 | 0:40:58 | |
and you're going to go far. | 0:40:58 | 0:41:00 | |
Thank you. | 0:41:00 | 0:41:02 | |
I really only... | 0:41:12 | 0:41:14 | |
I honestly didn't know. | 0:41:14 | 0:41:17 | |
Two people turned and I wasn't expecting it at all. Erm... | 0:41:17 | 0:41:21 | |
I've... | 0:41:21 | 0:41:23 | |
AUDIENCE SHOUTS | 0:41:24 | 0:41:26 | |
I've always dreamed of this day and... | 0:41:26 | 0:41:31 | |
Oh, I'm really sorry but I really want to go with Will. | 0:41:37 | 0:41:43 | |
Is that OK? I'm so sorry. | 0:41:43 | 0:41:45 | |
-You're awesome. -Thank you. -You've done good. | 0:41:47 | 0:41:54 | |
We're flying at 30,000 feet. You are flying with The Voice airlines. | 0:42:03 | 0:42:07 | |
If you'd like to return to your seats, | 0:42:07 | 0:42:10 | |
we're about to experience some turbulence. | 0:42:10 | 0:42:13 | |
We'll be coming through the cabin with refreshments shortly. | 0:42:13 | 0:42:16 | |
17-year-old Olivia Kate Davies is next to face | 0:42:22 | 0:42:25 | |
the back of those chairs. | 0:42:25 | 0:42:26 | |
Obviously, nervous. Feeling sick. | 0:42:26 | 0:42:30 | |
Hopefully, it'll go well. God! | 0:42:33 | 0:42:37 | |
-There she is. Come on, Olivia. -Come on. -Come on, girl. | 0:42:44 | 0:42:48 | |
Come on, Olivia. | 0:42:48 | 0:42:50 | |
# I came here with a broken heart that no-one else could see | 0:43:06 | 0:43:10 | |
# I drew a smile on my face to paper over me | 0:43:10 | 0:43:13 | |
# But wounds heal and tears dry and cracks they don't show | 0:43:13 | 0:43:18 | |
# So don't be so hard on yourself, no | 0:43:18 | 0:43:21 | |
# Let's go back to simplicity | 0:43:22 | 0:43:24 | |
# I feel like I've been missing me | 0:43:24 | 0:43:26 | |
# But I was right and you were wrong | 0:43:26 | 0:43:28 | |
# Been telling myself all along | 0:43:28 | 0:43:30 | |
# Don't be so hard on yourself, no | 0:43:30 | 0:43:34 | |
# Learn to forgive learn to let go | 0:43:34 | 0:43:38 | |
# Everyone trips everyone falls | 0:43:38 | 0:43:42 | |
# So don't be so hard on yourself, no | 0:43:42 | 0:43:46 | |
# Oh-oh-oh, I | 0:43:46 | 0:43:50 | |
# I learned to wave goodbye | 0:43:50 | 0:43:55 | |
# So I, I won't be so hard on myself no more | 0:43:55 | 0:44:02 | |
# Don't be so hard on yourself, no | 0:44:02 | 0:44:05 | |
# Learn to forgive | 0:44:06 | 0:44:07 | |
Come on, girl. | 0:44:07 | 0:44:08 | |
# Learn to let go | 0:44:08 | 0:44:10 | |
# Everyone trips everyone falls | 0:44:10 | 0:44:14 | |
# So don't be so hard on yourself, no | 0:44:14 | 0:44:17 | |
# Cos I'm just tired of marching on my own | 0:44:17 | 0:44:22 | |
# Kind of frail I feel it in my bones | 0:44:22 | 0:44:26 | |
# Won't let my heart, my heart turn into stone | 0:44:26 | 0:44:29 | |
# So don't be so hard on yourself, no. # | 0:44:29 | 0:44:33 | |
Push the button, Paloma. | 0:44:33 | 0:44:36 | |
Oh, no, I thought she was going to push the button. | 0:44:45 | 0:44:48 | |
-Hi. -What's your name? | 0:44:55 | 0:44:58 | |
I'm Olivia Davies. I'm 17. Sorry. | 0:44:58 | 0:45:02 | |
Come on, let me just give you some reassurance. It's all right. | 0:45:02 | 0:45:05 | |
I'm coming up. Stay up there. | 0:45:05 | 0:45:08 | |
Don't worry. You did so well. Just take a little breath. OK. | 0:45:10 | 0:45:15 | |
-Take a little breath. -Thank you. | 0:45:15 | 0:45:17 | |
It's all right. | 0:45:18 | 0:45:20 | |
Where are you from, Olivia? | 0:45:23 | 0:45:26 | |
I'm from Jarrow, up north. It's near Newcastle. | 0:45:26 | 0:45:31 | |
-You all right now? -Yeah. I'm fine. -Don't be so hard on yourself. | 0:45:31 | 0:45:35 | |
The stakes are high and there was a lot of nerves | 0:45:35 | 0:45:38 | |
-you were trying to fight through. -Yeah. | 0:45:38 | 0:45:41 | |
You could hear it. When you shined, you were shining bright. | 0:45:41 | 0:45:44 | |
-Thanks for coming. -Thank you. | 0:45:44 | 0:45:46 | |
APPLAUSE | 0:45:46 | 0:45:49 | |
Let me just tell you that I've actually turned more than | 0:45:49 | 0:45:51 | |
any of the coaches and I've been turned down by quite | 0:45:51 | 0:45:54 | |
a lot of people, so I kind of know what it's like to experience that. | 0:45:54 | 0:46:00 | |
You know, you're very young and all of this, | 0:46:00 | 0:46:04 | |
this opportunity is one of the things that is going | 0:46:04 | 0:46:07 | |
-to help you to grow. -Yeah. -But you are great. Really great. | 0:46:07 | 0:46:10 | |
Thank you very much. | 0:46:10 | 0:46:12 | |
APPLAUSE | 0:46:12 | 0:46:15 | |
Yeah, really don't let it deter you, because when I was 17, | 0:46:15 | 0:46:20 | |
I didn't sing at all, so I came to it really late. | 0:46:20 | 0:46:25 | |
The fact that you've got that kind of head start is amazing | 0:46:25 | 0:46:28 | |
that you can sing that well. | 0:46:28 | 0:46:30 | |
We're being, like, really scrutinistic, | 0:46:30 | 0:46:33 | |
but I definitely think you should keep singing. It's really good. | 0:46:33 | 0:46:37 | |
Is that a new word, Paloma? Scrutinistic? I love it. | 0:46:37 | 0:46:40 | |
-Isn't it a word? -I don't think it is. It was brilliant. | 0:46:41 | 0:46:45 | |
Hi, how you doing? | 0:46:45 | 0:46:47 | |
I thought it was amazing. | 0:46:47 | 0:46:48 | |
The girl that came out and belted it from the beginning, was incredible. | 0:46:48 | 0:46:52 | |
Nerves kicked in when no-one had turned, | 0:46:52 | 0:46:54 | |
but what you need to take from that, is when no-one turns, | 0:46:54 | 0:46:57 | |
that's when you kick it up another gear. | 0:46:57 | 0:46:59 | |
All these rejections, let it feed the fire in your soul. | 0:46:59 | 0:47:02 | |
-Well done. -And also they stood up. They all stood up. | 0:47:02 | 0:47:05 | |
I know. Thank you. | 0:47:05 | 0:47:07 | |
Thank you. | 0:47:10 | 0:47:11 | |
You did so well. You've got an amazing voice. | 0:47:14 | 0:47:17 | |
Go and write songs. | 0:47:17 | 0:47:18 | |
I'm happy that I've been here. | 0:47:31 | 0:47:33 | |
I'm obviously gutted, but I'm definitely going to keep singing | 0:47:33 | 0:47:36 | |
because I know that this is the dream. | 0:47:36 | 0:47:40 | |
-It's tough, it's really tough. -As long as you keep going. | 0:47:40 | 0:47:43 | |
I think if you never give up, something will happen. | 0:47:43 | 0:47:46 | |
I had so much hunger before I had my break. | 0:47:50 | 0:47:54 | |
I just knew from about 13 that I wanted to sing. | 0:47:54 | 0:47:57 | |
I didn't fit in as a kid | 0:47:57 | 0:47:58 | |
and I just spent my whole time dreaming about being a musician. | 0:47:58 | 0:48:03 | |
I played in pubs for seven years | 0:48:03 | 0:48:06 | |
and I think I was getting a little bit fed up. | 0:48:06 | 0:48:08 | |
There are no rules about why somebody will be a star. | 0:48:08 | 0:48:13 | |
It's about being patient and hard-working | 0:48:13 | 0:48:15 | |
and trying it from all different angles. | 0:48:15 | 0:48:18 | |
It's about being fearless, it's about really wanting it, as well. | 0:48:18 | 0:48:22 | |
Well, George, our next act, knows all about wanting it, | 0:48:26 | 0:48:29 | |
but 31-year-old Efe Udugba is more used to boardroom battles | 0:48:29 | 0:48:32 | |
than blind auditions. | 0:48:32 | 0:48:34 | |
The world of sales is competitive and very tough. It's demanding. | 0:48:34 | 0:48:39 | |
It can be dog eat dog, but it's a lot of fun. | 0:48:39 | 0:48:42 | |
I'm here. | 0:48:42 | 0:48:44 | |
My job involves meeting new customers, seeing clients, | 0:48:51 | 0:48:55 | |
sometimes I get on the phones. | 0:48:55 | 0:48:57 | |
In the office, you know, I do like a bit of banter. I do like to have fun. | 0:48:58 | 0:49:02 | |
But I do like to deliver. Bang. | 0:49:04 | 0:49:06 | |
My wife and my children are my heartbeat. | 0:49:08 | 0:49:11 | |
Look at you, cheeky little monkey. | 0:49:11 | 0:49:14 | |
My little boy, Zachary and my daughter, Elia, | 0:49:14 | 0:49:17 | |
I just get lots of hugs and kisses. They are my world. | 0:49:17 | 0:49:20 | |
My job is about dreams and about passion. | 0:49:26 | 0:49:28 | |
I'm bringing that into my performance today. | 0:49:29 | 0:49:34 | |
And I hope that it's enough. | 0:49:34 | 0:49:36 | |
Come on. Yay! Come on. | 0:49:40 | 0:49:43 | |
# I turn my chin music up | 0:49:56 | 0:49:59 | |
# And I'm puffing my chest | 0:49:59 | 0:50:01 | |
# I'm getting red in the face | 0:50:01 | 0:50:04 | |
# You can call me obsessed | 0:50:04 | 0:50:06 | |
# It's not your fault that they hover | 0:50:06 | 0:50:08 | |
# I mean no disrespect | 0:50:08 | 0:50:11 | |
# It's my right to be hellish | 0:50:11 | 0:50:13 | |
# I still get jealous | 0:50:13 | 0:50:16 | |
# Cos you're too sexy beautiful | 0:50:16 | 0:50:18 | |
# And everybody wants to taste | 0:50:18 | 0:50:20 | |
# That's why | 0:50:20 | 0:50:23 | |
# I still get jealous | 0:50:23 | 0:50:26 | |
# Cos you're too sexy beautiful | 0:50:26 | 0:50:28 | |
# And everybody wants to taste | 0:50:28 | 0:50:30 | |
# That's why | 0:50:30 | 0:50:33 | |
# I still get jealous | 0:50:33 | 0:50:35 | |
# I still get | 0:50:35 | 0:50:37 | |
# I still get jealous | 0:50:37 | 0:50:40 | |
# No no | 0:50:40 | 0:50:42 | |
# I still get jealous. # | 0:50:42 | 0:50:47 | |
MUSIC: Never Too Much by Luther Vandross | 0:50:49 | 0:50:53 | |
He had a waistcoat! | 0:51:00 | 0:51:02 | |
I can feel your heart beating through your chest, man! | 0:51:08 | 0:51:11 | |
-You should feel him... -Ricky, he's wearing a waistcoat! | 0:51:11 | 0:51:15 | |
LAUGHTER | 0:51:15 | 0:51:17 | |
It was destiny! | 0:51:17 | 0:51:19 | |
-They're all wearing waistcoats! -LAUGHTER | 0:51:19 | 0:51:23 | |
-I love this, though. This is working, Will. -Huh? -That's fresh. | 0:51:23 | 0:51:27 | |
-Oh, yeah, yeah... -You look like a Essex boy. | 0:51:27 | 0:51:31 | |
Yeah, I just got my tan! | 0:51:31 | 0:51:34 | |
LAUGHTER | 0:51:34 | 0:51:37 | |
LAUGHTER AND APPLAUSE | 0:51:37 | 0:51:40 | |
-What's your name? -My name's Efe, I'm 31 and I'm from Essex. | 0:51:40 | 0:51:44 | |
CHEERING AND APPLAUSE | 0:51:44 | 0:51:47 | |
Tell us a little bit about yourself. | 0:51:47 | 0:51:49 | |
Yeah, so, I'm a regional sales manager for a software firm in London. | 0:51:49 | 0:51:53 | |
I'm married with two kids and, yeah, I love to sing. | 0:51:53 | 0:51:57 | |
My kids are so gutted they can't be here cos they're really small. | 0:51:57 | 0:52:01 | |
My son's only four and my daughter's 20 months. | 0:52:01 | 0:52:04 | |
I thought you were about to say 21! I'm, like, going, "You got started early!" | 0:52:04 | 0:52:09 | |
LAUGHTER AND APPLAUSE | 0:52:09 | 0:52:12 | |
So, you're on my team. You're right up my street as well. | 0:52:12 | 0:52:16 | |
-Oh, bless you, man. -No, it's a perfect match. | 0:52:16 | 0:52:19 | |
Exactly. Definitely. Thank you. | 0:52:19 | 0:52:21 | |
I'm so excited to work with you. | 0:52:21 | 0:52:23 | |
Erm, I'm just so glad everyone else was daydreaming or | 0:52:23 | 0:52:25 | |
-doing something else. -So am I! Thank you so much. Thank you, guys. Thank you. | 0:52:25 | 0:52:30 | |
CHEERING AND APPLAUSE | 0:52:30 | 0:52:33 | |
-He was nice. -Very nice. I thought he was a four-turner, I really did. | 0:52:40 | 0:52:44 | |
THEY CHEER | 0:52:44 | 0:52:47 | |
He wore clothes well, didn't he? | 0:52:48 | 0:52:51 | |
(Did he have a waistcoat on?) | 0:52:51 | 0:52:54 | |
It's quite a gift to be able to hear a waistcoat in someone's voice. | 0:52:56 | 0:53:01 | |
But for some reason, Ricky does! | 0:53:01 | 0:53:04 | |
Oh, man! | 0:53:07 | 0:53:09 | |
Now, our next act's tour manager has played Wembley. | 0:53:14 | 0:53:17 | |
-She's hoping for the same thing. It's Brooke Waddle. -Come on, Dad! | 0:53:17 | 0:53:21 | |
I don't do loads of gigs around the country. | 0:53:21 | 0:53:23 | |
I kind of just stay in my little patch. | 0:53:23 | 0:53:25 | |
In Sheffield, just around the social clubs. | 0:53:25 | 0:53:28 | |
I may not be playing huge arenas but one thing I do have | 0:53:28 | 0:53:32 | |
is the best roadie in the world. My dad. | 0:53:32 | 0:53:35 | |
-Are you ready? -Coming, love! -MUSIC: Match Of The Day Theme | 0:53:35 | 0:53:38 | |
Most people would know him as England footballer, Chris Waddle. | 0:53:38 | 0:53:41 | |
-COMMENTATOR: -Anything Paul Gascoigne can do, Chris Waddle can do! | 0:53:41 | 0:53:45 | |
Still got it! | 0:53:45 | 0:53:47 | |
He's a legend to me. But I know absolutely nothing about football. | 0:53:47 | 0:53:51 | |
We have to talk about other things. | 0:53:51 | 0:53:53 | |
Obviously, that's why he's a roadie! | 0:53:53 | 0:53:56 | |
MUSIC PLAYS ON RADIO | 0:53:56 | 0:53:59 | |
Get that off. I'm not listening to that. | 0:53:59 | 0:54:02 | |
We're in the social clubs and people see my dad lugging my big speaker, | 0:54:02 | 0:54:05 | |
-they do get a bit of a shock. -Chris Waddle! | 0:54:05 | 0:54:09 | |
THEY CHEER | 0:54:09 | 0:54:11 | |
Ever since I was a little girl, I have always loved to sing. | 0:54:11 | 0:54:14 | |
It's so good to see people enjoying your music. | 0:54:14 | 0:54:17 | |
I think she's got a great voice. I've always said to Brooke, | 0:54:17 | 0:54:20 | |
"Follow your dreams and you work hard and you'll succeed." | 0:54:20 | 0:54:23 | |
I love playing the social clubs but I'd like to say | 0:54:27 | 0:54:30 | |
that in my career I've done some incredible things and been places. | 0:54:30 | 0:54:34 | |
I feel like if I get a turn today, it will mean I'm destined for something else. | 0:54:34 | 0:54:38 | |
I thought I'd give it my best shot. | 0:54:38 | 0:54:40 | |
MUSIC: Chandelier by Sia | 0:54:42 | 0:54:46 | |
Go, Brooke, come on! | 0:54:46 | 0:54:49 | |
# Ain't got no trouble in my life | 0:55:07 | 0:55:12 | |
# No foolish dream to make me cry | 0:55:12 | 0:55:15 | |
# I'm never frightened or worried | 0:55:15 | 0:55:19 | |
# I know I always get by | 0:55:19 | 0:55:22 | |
# I heat up I cool down | 0:55:22 | 0:55:26 | |
# When something gets in my way I go around it | 0:55:26 | 0:55:31 | |
# Won't let life get me down | 0:55:31 | 0:55:34 | |
# Gonna take it the way that I found it | 0:55:35 | 0:55:39 | |
# I got the music in me I got the music in me | 0:55:40 | 0:55:44 | |
# I got the music in me | 0:55:44 | 0:55:47 | |
# I got the music in me I got the music | 0:55:47 | 0:55:52 | |
# I got the music in me | 0:55:52 | 0:55:55 | |
# I feel funky I feel good | 0:55:55 | 0:55:59 | |
# Gotta tell ya I feel it in me | 0:55:59 | 0:56:04 | |
# I am like a bird on the wing Hold on to your head honey | 0:56:04 | 0:56:10 | |
# Sing, sing, sing Yeah | 0:56:10 | 0:56:14 | |
# I got the music in me | 0:56:16 | 0:56:19 | |
# I got the music I got the music | 0:56:20 | 0:56:25 | |
# I got the music Pretty music | 0:56:25 | 0:56:29 | |
# I got the mu-u-u-u-sic | 0:56:29 | 0:56:34 | |
# In me-e-e-e-e. # | 0:56:34 | 0:56:40 | |
CHEERING AND APPLAUSE | 0:56:40 | 0:56:45 | |
Oh, no! I thought she was so good. | 0:56:45 | 0:56:47 | |
CHEERING AND APPLAUSE | 0:56:53 | 0:56:56 | |
-Hello! -Hello! -Well done, what's your name? | 0:56:56 | 0:56:59 | |
My name's Brooke and I'm from Sheffield. | 0:56:59 | 0:57:02 | |
-CHEERING AND APPLAUSE -Oh, well done, Brooke. | 0:57:02 | 0:57:05 | |
-Do you sing for a living? -I do. I'm a local turn. | 0:57:05 | 0:57:08 | |
-A local turn! -LAUGHTER In the social clubs, I am. | 0:57:08 | 0:57:11 | |
-How long have you been doing that? -About two years. | 0:57:11 | 0:57:14 | |
-Well, people loved you here. You were great. -Thank you so much. Thank you. | 0:57:14 | 0:57:18 | |
-Can I ask how old you are? -I'm 27. | 0:57:18 | 0:57:20 | |
You're young! I say that to everyone because everyone seems young to me. | 0:57:20 | 0:57:24 | |
LAUGHTER | 0:57:24 | 0:57:26 | |
-You couldn't really fault the performance. -No. | 0:57:26 | 0:57:29 | |
Maybe I was looking for a little hook or a quirk or something | 0:57:29 | 0:57:32 | |
that I connected with. | 0:57:32 | 0:57:34 | |
And although I know you're really good singer, | 0:57:34 | 0:57:36 | |
it was just something for me it wasn't there. But I'm just me. | 0:57:36 | 0:57:39 | |
I'm not 600 people here. Things hit people in different ways. | 0:57:39 | 0:57:42 | |
CHEERING AND APPLAUSE | 0:57:42 | 0:57:45 | |
You've got a great voice. You're obviously a great entertainer. | 0:57:45 | 0:57:49 | |
I just didn't turn because nothing made me go, | 0:57:49 | 0:57:53 | |
"Oh, that's a bit unusual!" | 0:57:53 | 0:57:56 | |
But there's loads of power in your voice | 0:57:56 | 0:57:58 | |
-and I definitely think you should keep doing it. -Thank you so much. | 0:57:58 | 0:58:01 | |
Thank you. It's been an honour singing for you. Thank you. | 0:58:01 | 0:58:04 | |
CHEERING AND APPLAUSE | 0:58:04 | 0:58:08 | |
-Good luck, lovely. Really nice to meet you. -See you. | 0:58:09 | 0:58:13 | |
CHEERING DROWNS OUT SPEECH | 0:58:13 | 0:58:16 | |
CHEERING AND APPLAUSE | 0:58:22 | 0:58:26 | |
Chris, how do you feel about it? | 0:58:30 | 0:58:33 | |
Well, she went for it, gave it everything she had, | 0:58:33 | 0:58:35 | |
and that's all we said to her, "Go and enjoy it," and she did. | 0:58:35 | 0:58:38 | |
-She did you proud. -Very much, we're very proud. -Good stuff. -Thank you. | 0:58:38 | 0:58:41 | |
-Take care. Cheers, guys. -I love you, Paloma! -Thank you! | 0:58:41 | 0:58:45 | |
And you too, George! | 0:58:45 | 0:58:47 | |
Did someone say they loved me? | 0:58:47 | 0:58:50 | |
CHEERING | 0:58:50 | 0:58:53 | |
-So, who's our next voice? Introduce yourself, please. -My name is Deano. | 0:58:55 | 0:58:59 | |
I'm 27 years old. | 0:58:59 | 0:59:01 | |
I'm a support worker for people with learning difficulties. | 0:59:01 | 0:59:04 | |
Yes, this is my mate, Deano. | 0:59:04 | 0:59:07 | |
-It's challenging but, you know, so rewarding at the same time. -High-five! | 0:59:07 | 0:59:11 | |
He's a really good person. He's very kind to us. | 0:59:11 | 0:59:15 | |
-Oh, go on, yes! -Yes! | 0:59:17 | 0:59:21 | |
THEY LAUGH | 0:59:21 | 0:59:24 | |
I've had hard times in my life. I was homeless on the streets at one point. | 0:59:24 | 0:59:29 | |
And I thought, enough is enough. I need to do something about this. | 0:59:29 | 0:59:33 | |
So, I built a better life for myself. I also become a dad. | 0:59:33 | 0:59:38 | |
-The birth of my daughter has changed everything. -Yay! | 0:59:40 | 0:59:45 | |
-It's put a different perspective on life. -Whoo! | 0:59:45 | 0:59:50 | |
And I want her to be proud of me. Mwah! Come on, then. | 0:59:51 | 0:59:55 | |
I'm really, really scared to walk out on that stage today. | 1:00:00 | 1:00:04 | |
But I'm going to give it my best shot. | 1:00:04 | 1:00:07 | |
-THEY SHOUT ENCOURAGEMENT -Come on! | 1:00:10 | 1:00:12 | |
HE EXHALES | 1:00:16 | 1:00:20 | |
# You do something to me... # | 1:00:30 | 1:00:35 | |
CHEERING AND APPLAUSE | 1:00:35 | 1:00:37 | |
# Something deep inside | 1:00:37 | 1:00:43 | |
# I'm hanging on the wire | 1:00:43 | 1:00:48 | |
# For a love I'll never find... # | 1:00:50 | 1:00:55 | |
-That's it. -Go on, son! -Come on! | 1:00:55 | 1:00:57 | |
# Mixing my emotions | 1:00:57 | 1:01:03 | |
# That throws me back again | 1:01:03 | 1:01:11 | |
# Hanging on the wire | 1:01:11 | 1:01:16 | |
# I'm waiting for a change... # | 1:01:16 | 1:01:21 | |
THEY SHOUT ENCOURAGEMENT | 1:01:25 | 1:01:27 | |
# Just to catch a flame | 1:01:27 | 1:01:30 | |
# And feel real again | 1:01:30 | 1:01:34 | |
# And you do something to me... # | 1:01:37 | 1:01:40 | |
CHEERING AND APPLAUSE | 1:01:40 | 1:01:43 | |
# Something deep inside. # | 1:01:43 | 1:01:53 | |
CHEERING AND APPLAUSE | 1:01:53 | 1:01:57 | |
THEY CHEER | 1:02:01 | 1:02:03 | |
My name's Deano and I'm from Worthing. | 1:02:18 | 1:02:21 | |
CHEERING AND APPLAUSE | 1:02:21 | 1:02:24 | |
-Deano! -Thank you so much for turning around. | 1:02:24 | 1:02:26 | |
Well, thank you for singing so wonderfully | 1:02:26 | 1:02:29 | |
and Ricky's just done what he does, which is make me feel really relaxed | 1:02:29 | 1:02:33 | |
and then I look round and I'm like, "What?! | 1:02:33 | 1:02:37 | |
"I thought it was in the bag!" | 1:02:37 | 1:02:39 | |
-Well done. -APPLAUSE | 1:02:39 | 1:02:41 | |
-I thought it was a beautiful voice. -Thank you. | 1:02:41 | 1:02:44 | |
Like someone just shoved a load of gravel down your throat | 1:02:44 | 1:02:47 | |
and that is what I like and that's why I turned. | 1:02:47 | 1:02:51 | |
-I loved it. Brilliant job. -Thank you. | 1:02:51 | 1:02:53 | |
CHEERING AND APPLAUSE | 1:02:53 | 1:02:57 | |
How you doing, man? I'm Ricky, nice to meet you. | 1:02:57 | 1:02:59 | |
The reason that I waited right to the very end... | 1:02:59 | 1:03:02 | |
You wanted to make me feel a false sense of security. | 1:03:02 | 1:03:05 | |
For once, it wasn't all about you. | 1:03:05 | 1:03:07 | |
LAUGHTER | 1:03:07 | 1:03:09 | |
It was because vulnerability, this is the thing - | 1:03:10 | 1:03:15 | |
to control that vulnerability the way you did it and to make us | 1:03:15 | 1:03:18 | |
believe in every word you said, | 1:03:18 | 1:03:20 | |
it was weird cos I was projecting who you were | 1:03:20 | 1:03:24 | |
and I think your soul is different to the way you outwardly project it. | 1:03:24 | 1:03:28 | |
The way... | 1:03:28 | 1:03:29 | |
I didn't make these clothes, right, they're a mask - | 1:03:29 | 1:03:32 | |
someone else made them and I chose them | 1:03:32 | 1:03:34 | |
cos I thought they'll represent me on the TV. | 1:03:34 | 1:03:36 | |
It's a way of me going, "Right, now I'm doing TV. | 1:03:36 | 1:03:39 | |
"Put a flipping waistcoat on." | 1:03:39 | 1:03:41 | |
LAUGHTER | 1:03:41 | 1:03:44 | |
Yeah, cos backstage, he doesn't look like that. | 1:03:44 | 1:03:46 | |
-He's in a pair of trackie bottoms. -Yeah, but it's... -And a boob tube. | 1:03:46 | 1:03:51 | |
LAUGHTER | 1:03:51 | 1:03:52 | |
I'm confusing you, sorry. | 1:03:52 | 1:03:54 | |
The beautiful thing about this programme | 1:03:54 | 1:03:56 | |
is the fact you can be that clean | 1:03:56 | 1:03:58 | |
and you can get the emotion across without any of the distractions. | 1:03:58 | 1:04:02 | |
I'm just really glad the distraction's great like you | 1:04:02 | 1:04:05 | |
cos you're perfect for it. | 1:04:05 | 1:04:06 | |
CHEERING AND APPLAUSE | 1:04:06 | 1:04:11 | |
I thought you were awesome and I'm so happy Paloma and Ricky turned. | 1:04:13 | 1:04:18 | |
There was a couple of moments that were shaky, but whatever. | 1:04:18 | 1:04:22 | |
I'm so nervous! | 1:04:22 | 1:04:24 | |
It happens in California with earthquakes, but I live there. | 1:04:24 | 1:04:27 | |
-But it was great. -Thank you. | 1:04:27 | 1:04:29 | |
APPLAUSE | 1:04:29 | 1:04:32 | |
At this point, it's about seeing the potential | 1:04:33 | 1:04:36 | |
and seeing how far someone thinks they can go and I believe you can go | 1:04:36 | 1:04:40 | |
as far as you want to go so you're the master of your own destiny. | 1:04:40 | 1:04:45 | |
-Thank you. -Can I pitch? -Yeah. | 1:04:46 | 1:04:50 | |
So, like, for me, I think sometimes, | 1:04:50 | 1:04:53 | |
something like nerves can become something incredible. | 1:04:53 | 1:04:56 | |
We're going to make those our friends | 1:04:56 | 1:04:59 | |
and that's what makes us unique | 1:04:59 | 1:05:00 | |
and I feel like I'd love to do that with you. | 1:05:00 | 1:05:03 | |
APPLAUSE | 1:05:03 | 1:05:05 | |
The thing is... | 1:05:05 | 1:05:07 | |
-The thing is... -This is called the counter-pitch now. | 1:05:07 | 1:05:10 | |
I don't know, I was just going to point out that the nerves thing, | 1:05:10 | 1:05:13 | |
I don't even see that as a problem. I didn't even really notice it. | 1:05:13 | 1:05:16 | |
It's normal. You're a normal guy with an extraordinary voice. | 1:05:16 | 1:05:20 | |
CHEERING AND APPLAUSE | 1:05:20 | 1:05:23 | |
Now we're finished with the pitching, | 1:05:26 | 1:05:28 | |
it's time for you to pick your coach. | 1:05:28 | 1:05:31 | |
Let's have a cuddle. | 1:05:31 | 1:05:33 | |
Can we get a drumroll, please? | 1:05:34 | 1:05:36 | |
-DRUMROLL -I hope it's one of us. | 1:05:36 | 1:05:38 | |
I really hope it's one of us. | 1:05:38 | 1:05:39 | |
This person is a massive inspiration to me musically. | 1:05:39 | 1:05:42 | |
The person that I'm going to go with is... | 1:05:42 | 1:05:46 | |
AUDIENCE CHANTS: Ricky! Ricky! Ricky! | 1:05:48 | 1:05:52 | |
OK, erm... | 1:05:52 | 1:05:54 | |
-..Paloma Faith. -Yes! | 1:05:56 | 1:05:57 | |
Come here! | 1:06:01 | 1:06:03 | |
-I'm so happy, I'm so excited. You're wonderful. -Thank you. | 1:06:03 | 1:06:07 | |
-You're so wonderful. -Cheers, man. | 1:06:07 | 1:06:10 | |
-Well done. -Thank you. | 1:06:13 | 1:06:16 | |
CHEERING | 1:06:20 | 1:06:23 | |
Deano! Deano! | 1:06:23 | 1:06:25 | |
-Did you really love it? -Yeah, a lot. I'm so excited. I love him. | 1:06:31 | 1:06:37 | |
Next, meet Irene, | 1:06:41 | 1:06:43 | |
whose passion for singing brought her to the UK 20 years ago. | 1:06:43 | 1:06:47 | |
I came to the UK because I decided | 1:06:47 | 1:06:50 | |
I would audition for a musical called Miss Saigon. | 1:06:50 | 1:06:54 | |
My role in Miss Saigon was Gigi. | 1:06:54 | 1:06:56 | |
When I did it, I was so young, so innocent, | 1:06:56 | 1:07:00 | |
straight from the Philippines. | 1:07:00 | 1:07:01 | |
It was an absolute wonderful experience for me. | 1:07:01 | 1:07:05 | |
When I was working in the theatre, I met this lovely man. | 1:07:05 | 1:07:08 | |
We started dating. Soon after that, we had our little bundle, Louis. | 1:07:08 | 1:07:13 | |
Life was absolutely perfect and we were very happy. | 1:07:13 | 1:07:17 | |
In 2009, I lost my dad to lung cancer, | 1:07:20 | 1:07:24 | |
then, two weeks later, I lost my husband. | 1:07:24 | 1:07:26 | |
It was the most painful year of my life. | 1:07:29 | 1:07:33 | |
When Lee passed away, the first thing I said to myself was, | 1:07:33 | 1:07:37 | |
"I'm never going to sing again," because singing would mean | 1:07:37 | 1:07:41 | |
you would have emotions, you would feel, you know. | 1:07:41 | 1:07:44 | |
When you sing, you have to feel a song | 1:07:44 | 1:07:46 | |
and I thought, you know, I'm not going to sing ever again. | 1:07:46 | 1:07:50 | |
It was a horrible time, but, I guess, it's also taught me | 1:07:50 | 1:07:55 | |
a lot of things in life - strength, faith, courage, hope. | 1:07:55 | 1:08:01 | |
There's always hope. | 1:08:01 | 1:08:03 | |
My son Louis is the reason why I'm in this show. | 1:08:04 | 1:08:08 | |
He said, "Go for it, Mum. You love to sing, you love music. | 1:08:08 | 1:08:12 | |
"Go for it, you can do this!" So I thought, "Why not?" | 1:08:12 | 1:08:15 | |
And, now, look at me, here I am! What am I doing?! | 1:08:15 | 1:08:19 | |
I'm here, taking a leap of faith. | 1:08:19 | 1:08:21 | |
I am doing this for Louis | 1:08:23 | 1:08:26 | |
because everything I do in life, really, is for him. | 1:08:26 | 1:08:29 | |
The song that I'm singing says it all, really. | 1:08:29 | 1:08:32 | |
# It must have been cold there in my shadow... # | 1:08:55 | 1:09:00 | |
CHEERING AND APPLAUSE | 1:09:00 | 1:09:02 | |
# To never have sunlight on your face | 1:09:04 | 1:09:09 | |
# You were content to let me shine | 1:09:11 | 1:09:17 | |
# You always walked a step behind | 1:09:17 | 1:09:26 | |
# Did you ever know that you're my hero... # | 1:09:26 | 1:09:33 | |
Come on! | 1:09:33 | 1:09:34 | |
# And everything I'd like to be? | 1:09:34 | 1:09:41 | |
# I can fly higher | 1:09:41 | 1:09:44 | |
# Higher than an eagle | 1:09:44 | 1:09:48 | |
# For you are the wind beneath my wings | 1:09:48 | 1:09:55 | |
# Oh, you, you, you | 1:09:55 | 1:10:07 | |
# Are the wind beneath my wings | 1:10:07 | 1:10:12 | |
# The wind beneath my wings. # | 1:10:12 | 1:10:23 | |
CHEERING AND APPLAUSE | 1:10:23 | 1:10:24 | |
THEY CHEER | 1:10:24 | 1:10:27 | |
Hi, hi, hi, hi! | 1:10:44 | 1:10:47 | |
-Lovely kimono! -Thank you. -Gorgeous. -The wings! | 1:10:47 | 1:10:51 | |
-What's your name? -I'm Irene. -Hi, Irene. Where are you from, Irene? | 1:10:53 | 1:10:57 | |
-I'm originally from the Philippines. -Irene from the Philippines. | 1:10:57 | 1:11:00 | |
Irene from the Philippines! APPLAUSE | 1:11:00 | 1:11:02 | |
-Well, that was simply wonderful. -Thank you. | 1:11:02 | 1:11:06 | |
You really got the sentiment of the song across and I loved it. | 1:11:06 | 1:11:09 | |
-Thanks very much. -I'm shaking! | 1:11:09 | 1:11:11 | |
You did something really amazing | 1:11:12 | 1:11:15 | |
that I don't think we've seen yet on this show, | 1:11:15 | 1:11:18 | |
which was that you went to a place that it felt like, for a second, | 1:11:18 | 1:11:23 | |
you could have lost control | 1:11:23 | 1:11:25 | |
and we were tense and then you saved it so well. | 1:11:25 | 1:11:29 | |
I've never been able to do that. | 1:11:29 | 1:11:30 | |
When I lose control, my mind kicks in and then I go, | 1:11:30 | 1:11:33 | |
"You're useless," and then it all just unravels. | 1:11:33 | 1:11:35 | |
So, well done for that. | 1:11:35 | 1:11:36 | |
Oh, thank you. APPLAUSE | 1:11:36 | 1:11:38 | |
Thank you very much. | 1:11:38 | 1:11:41 | |
-Hi! -Hello... | 1:11:41 | 1:11:42 | |
THEY SPEAK IN A FILIPINO DIALECT | 1:11:42 | 1:11:47 | |
-Yes. -APPLAUSE | 1:11:47 | 1:11:49 | |
Charming! | 1:11:49 | 1:11:51 | |
-Which part of the Philippines are you from? -Manila. | 1:11:52 | 1:11:55 | |
-Oh, cool. My best friend is from the Philippines. -Yes. | 1:11:55 | 1:12:00 | |
-He does The Voice Philippines, apl.de.ap. -Yeah, we know him. | 1:12:00 | 1:12:04 | |
We started The Black Eyed Peas together | 1:12:04 | 1:12:06 | |
so he makes the best lumpiyang. | 1:12:06 | 1:12:08 | |
You just made me hungry | 1:12:08 | 1:12:10 | |
cos I've been dieting for weeks to fit into this costume! | 1:12:10 | 1:12:13 | |
I turned around cos you have an amazing voice. | 1:12:18 | 1:12:21 | |
You took it there, you peaked. | 1:12:21 | 1:12:23 | |
The peak was OK and then, towards the end, I was like, | 1:12:23 | 1:12:26 | |
"Well, if she continues the fight... | 1:12:26 | 1:12:29 | |
"I don't think she's going to fight, she already pushed." | 1:12:29 | 1:12:32 | |
And then you fought more, you didn't just give up. I like a fighter. | 1:12:32 | 1:12:36 | |
I like someone who... | 1:12:36 | 1:12:38 | |
It's like you controlled my hand and pushed my button. I didn't do that. | 1:12:38 | 1:12:42 | |
Ooh! I AM a fighter. | 1:12:42 | 1:12:44 | |
Yeah, Will's right. He's rarely wrong. | 1:12:44 | 1:12:47 | |
It was one of those voices that reached over the chairs | 1:12:47 | 1:12:53 | |
into our hearts and then made our hands do the button thing | 1:12:53 | 1:12:58 | |
and I guarantee you that that happened not just for us, | 1:12:58 | 1:13:02 | |
but it went down the lens, out of everyone's TV to their sofas | 1:13:02 | 1:13:06 | |
and I think there'll have been a national standing ovation. | 1:13:06 | 1:13:10 | |
Wow, thank you. | 1:13:10 | 1:13:11 | |
APPLAUSE | 1:13:11 | 1:13:13 | |
When you go to the Philippines, everybody sings amazingly. | 1:13:15 | 1:13:18 | |
-HE MIMICS FILIPINO ENUNCIATION -Everybody in the Philippines, | 1:13:18 | 1:13:21 | |
they talk like that, but my best friend's like that so I can do that | 1:13:21 | 1:13:24 | |
because he gave me the green light and permission to do that. | 1:13:24 | 1:13:27 | |
-We're cool, we've got a sense of humour. -Yes, they do, they do. | 1:13:27 | 1:13:31 | |
The Black Eyed Peas, | 1:13:31 | 1:13:32 | |
we started our group in the Filipino community in Los Angeles | 1:13:32 | 1:13:35 | |
so we always make fun of Apl. | 1:13:35 | 1:13:37 | |
When we sing Where Is The Love, if you isolate Apl's voice, it's... | 1:13:37 | 1:13:40 | |
# Where is da lub? # | 1:13:40 | 1:13:42 | |
LAUGHTER | 1:13:42 | 1:13:44 | |
I love that guy, he's the best. | 1:13:44 | 1:13:47 | |
# The lub! # | 1:13:47 | 1:13:50 | |
LAUGHTER | 1:13:50 | 1:13:52 | |
That's exactly what he sounds like. | 1:13:52 | 1:13:53 | |
Anyway, I would like you to be on my team, | 1:13:53 | 1:13:56 | |
to officially be a part of our family. | 1:13:56 | 1:13:59 | |
APPLAUSE Thank you. | 1:13:59 | 1:14:01 | |
I mean, I can't really compete with that cos I really don't know | 1:14:01 | 1:14:04 | |
anything about Filipino culture and my best friend's from Newcastle. | 1:14:04 | 1:14:08 | |
LAUGHTER I like Newcastle, actually. | 1:14:08 | 1:14:12 | |
But I have to turn for something that's truly exceptional | 1:14:12 | 1:14:15 | |
and I was willing to turn and lose to Will because you're worth that. | 1:14:15 | 1:14:21 | |
Thank you. | 1:14:21 | 1:14:22 | |
APPLAUSE | 1:14:22 | 1:14:26 | |
OK. | 1:14:28 | 1:14:31 | |
-Do I have to pick now? -Yep. -Yes. -OK! | 1:14:31 | 1:14:33 | |
AUDIENCE SHOUTS "RICKY" AND "WILL" | 1:14:35 | 1:14:39 | |
OK. | 1:14:43 | 1:14:45 | |
OK. | 1:14:46 | 1:14:48 | |
I love family and I am a fighter and so I am going to go with... | 1:14:52 | 1:14:59 | |
..Will. | 1:15:01 | 1:15:03 | |
CHEERING AND APPLAUSE | 1:15:03 | 1:15:04 | |
INAUDIBLE | 1:15:04 | 1:15:07 | |
Thank you so much. | 1:15:12 | 1:15:14 | |
My gosh, thank you so much! | 1:15:14 | 1:15:17 | |
Thank you! | 1:15:17 | 1:15:20 | |
CHEERING AND APPLAUSE | 1:15:22 | 1:15:25 | |
Yes! | 1:15:32 | 1:15:33 | |
-You did it! -I did it, I did it! | 1:15:38 | 1:15:40 | |
Will said that you're a fighter. | 1:15:40 | 1:15:42 | |
You were fighting on that stage today, weren't you? | 1:15:42 | 1:15:45 | |
I have fought with a lot of things in life, that's why I picked him. | 1:15:45 | 1:15:50 | |
She wanted to make sure every single second, she showed how | 1:15:50 | 1:15:54 | |
she could push through and that's the reason why I turned. | 1:15:54 | 1:15:57 | |
So, that's the blind auditions - week three all wrapped up. | 1:16:03 | 1:16:07 | |
The last minute addition of Irene brought Team Will | 1:16:11 | 1:16:14 | |
to the halfway point with six acts. | 1:16:14 | 1:16:16 | |
My six acts are superstar, super-dope. Stuff just got real. | 1:16:16 | 1:16:20 | |
-Waistcoat! -Waistcoat! | 1:16:20 | 1:16:23 | |
Yes, the power of the Wilson waistcoat secured Efe and Tom, | 1:16:23 | 1:16:27 | |
taking him to five. | 1:16:27 | 1:16:29 | |
With Charley snapped up, George is also on five. | 1:16:31 | 1:16:36 | |
They have been on fire. | 1:16:36 | 1:16:39 | |
And, last but not least, it's Paloma, who added Deano, | 1:16:39 | 1:16:43 | |
taking her team to four. | 1:16:43 | 1:16:45 | |
I feel excited. I've been pacing myself. | 1:16:46 | 1:16:48 | |
-I should probably start pressing the button a bit. -I feel excited now. | 1:16:48 | 1:16:52 | |
Hee-hee-hee, it's a competition! | 1:16:52 | 1:16:55 |