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Tonight on The Voice, the coaches are feeling the Force. | 0:00:03 | 0:00:06 | |
I definitely feel that something, gravitationally, is happening this series. | 0:00:06 | 0:00:11 | |
Everything is happening for a reason. | 0:00:12 | 0:00:14 | |
Because the stars have aligned. | 0:00:14 | 0:00:17 | |
Imagine there's a stage, and on that stage, there's a sun. | 0:00:20 | 0:00:24 | |
And around that sun, | 0:00:25 | 0:00:27 | |
four coaches orbiting around, because the season is | 0:00:28 | 0:00:32 | |
to turn that sun into a freakin' superstar. | 0:00:32 | 0:00:35 | |
RICKY: Certain acts are meant to be with certain coaches. | 0:00:35 | 0:00:39 | |
PALOMA: It's fate. | 0:00:39 | 0:00:40 | |
BOY GEORGE: It's destiny. | 0:00:40 | 0:00:41 | |
Unh! It's the blinds. | 0:00:41 | 0:00:43 | |
MARVIN: May The Voice be with you. | 0:00:43 | 0:00:46 | |
MARVIN: So, up first - one girl, one violin, one hope. | 0:00:49 | 0:00:53 | |
24-year-old Charley Blue from Kent. | 0:00:53 | 0:00:56 | |
I'm a classically trained musician | 0:00:57 | 0:00:59 | |
and I've been playing violin since I was seven. | 0:00:59 | 0:01:02 | |
It's such an amazing instrument, it's so versatile. | 0:01:02 | 0:01:04 | |
You can do so much with it. | 0:01:04 | 0:01:05 | |
Beautiful, yeah, amazing! Yeah, yeah! | 0:01:11 | 0:01:14 | |
I actually started violin because I saw the girls on Top Of The Pops | 0:01:15 | 0:01:19 | |
and I really wanted to be like them. The blonde violinist, you know. | 0:01:19 | 0:01:22 | |
I just wanted to be that person. | 0:01:22 | 0:01:24 | |
All right, Charley, come on, give us a go. Let me have a little look. | 0:01:24 | 0:01:27 | |
So, this is... Go for it. ..goes on the chin here. | 0:01:27 | 0:01:29 | |
Yep. Chin there, great. | 0:01:29 | 0:01:32 | |
EXPERT VIOLIN PLAYING | 0:01:32 | 0:01:34 | |
Yeah, good! Loved that! | 0:01:38 | 0:01:41 | |
I really want the violin to be a cool instrument to play, | 0:01:44 | 0:01:47 | |
so I'm going to be doing a big performance today. | 0:01:47 | 0:01:50 | |
CHEERING | 0:02:06 | 0:02:08 | |
# I'm gonna write a little letter Gonna take it to my local DJ | 0:02:21 | 0:02:25 | |
# Oooh! It's a jumpin' little record | 0:02:25 | 0:02:28 | |
# I want my jockey to play | 0:02:28 | 0:02:31 | |
# Come on! | 0:02:31 | 0:02:32 | |
# Roll over, Beethoven... # | 0:02:32 | 0:02:34 | |
CHEERING | 0:02:34 | 0:02:35 | |
# ..again today. # | 0:02:35 | 0:02:36 | |
Come on, come on! | 0:02:36 | 0:02:38 | |
# Yo, Beethoven, listen Now you gotta move aside | 0:02:43 | 0:02:46 | |
# Charley Blue is coming through to give you a ride | 0:02:46 | 0:02:49 | |
# This is no symphony or classical piece | 0:02:49 | 0:02:51 | |
# I'm a future winner and I will not cease | 0:02:51 | 0:02:54 | |
# Yo, turn around, Mozart you need a little break | 0:02:54 | 0:03:00 | |
# Now is the time to put the quill and ink down | 0:03:00 | 0:03:02 | |
# And let Charley Blue run this town. # | 0:03:02 | 0:03:07 | |
Come on! | 0:03:07 | 0:03:08 | |
Let's go! | 0:03:18 | 0:03:20 | |
# Roll over, Beethoven Roll over, Beethoven | 0:03:24 | 0:03:28 | |
# Woo! Roll over, Beethoven | 0:03:28 | 0:03:30 | |
# Roll over, Beethoven | 0:03:30 | 0:03:33 | |
# Roll over, Beethoven... # | 0:03:33 | 0:03:36 | |
CHANTING: Paloma! Paloma! | 0:03:36 | 0:03:37 | |
# Roll over, Beethoven! | 0:03:37 | 0:03:39 | |
# Yay, ye-e-eah! # | 0:03:39 | 0:03:44 | |
Come on! | 0:03:44 | 0:03:45 | |
CHEERING | 0:03:45 | 0:03:47 | |
Oh, my goodness! | 0:03:55 | 0:03:58 | |
RICKY: Hello! Hello, guys! | 0:04:05 | 0:04:07 | |
Oh, my goodness, I can't believe this. | 0:04:07 | 0:04:09 | |
What's your name? Charley! | 0:04:09 | 0:04:12 | |
Charley? Charley. That's my real name. | 0:04:12 | 0:04:13 | |
Is it really? Well, Charles. | 0:04:13 | 0:04:15 | |
PALOMA: He thought he'd change his name | 0:04:15 | 0:04:17 | |
from Charlie to Ricky as a stage name. | 0:04:17 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:21 | |
Just for something a bit more exotic. | 0:04:21 | 0:04:23 | |
LAUGHTER | 0:04:28 | 0:04:30 | |
Has your violin got a name? | 0:04:30 | 0:04:31 | |
He's Blue. Blue! Blue, so, I'm Charley Blue! | 0:04:31 | 0:04:35 | |
Charley Blue, see, that's a good name. | 0:04:35 | 0:04:38 | |
Aww. I thought it was awesome, | 0:04:38 | 0:04:40 | |
and three of us turned. | 0:04:40 | 0:04:41 | |
No idea why you did not turn! | 0:04:41 | 0:04:43 | |
I was just being, like, ridiculous! I'm sorry, you're wonderful. | 0:04:43 | 0:04:48 | |
CHEERING | 0:04:48 | 0:04:49 | |
I just can't believe it. I actually, it's crazy. | 0:04:49 | 0:04:53 | |
When I turned around, I wasn't expecting you. | 0:04:53 | 0:04:56 | |
It's quite a nice contradiction, | 0:04:56 | 0:05:03 | |
A little... You know, it's really nice when you see something | 0:05:03 | 0:05:08 | |
And you're it. | 0:05:08 | 0:05:10 | |
CHEERING Thank you! | 0:05:10 | 0:05:12 | |
I turned around straight away... You did! | 0:05:14 | 0:05:16 | |
..because, first off, your tone of voice, | 0:05:16 | 0:05:17 | |
I can already imagine what it can do on other songs. | 0:05:17 | 0:05:22 | |
And then I was, like, "She has to be playing that fiddle, that violin, | 0:05:22 | 0:05:25 | |
"because there's a violin solo in the beginning." | 0:05:25 | 0:05:27 | |
So, I was, like, "Oh, wow. Maybe the song is cool, great, awesome, | 0:05:27 | 0:05:31 | |
"but there's awesomer songs." | 0:05:31 | 0:05:32 | |
More awesome... Awesomer. I like that one, how about that? | 0:05:32 | 0:05:35 | |
We'll stick with that. There's awesomer songs that, | 0:05:35 | 0:05:38 | |
I know, in this competition, if you pick me, | 0:05:38 | 0:05:41 | |
you're going to slice it. | 0:05:41 | 0:05:42 | |
Yes, yes! CHEERING AND APPLAUSE | 0:05:42 | 0:05:44 | |
The rhyming thing, when you started rhyming over there, I was, like, | 0:05:46 | 0:05:49 | |
"Wait a second, I don't think they really get what she's capable of." Oh, no, I do. | 0:05:49 | 0:05:53 | |
Ricky, I think it's time. The rucksack. | 0:05:53 | 0:06:00 | |
RICKY: No, you've got to join in. Me and Paloma have known each other for years, | 0:06:00 | 0:06:07 | |
PALOMA: I was 18 and Ricky was... RICKY: Don't tell them! | 0:06:07 | 0:06:09 | |
PALOMA: 17. Oh, my God! | 0:06:09 | 0:06:11 | |
RICKY: Uh, I can't remember, was it... | 0:06:11 | 0:06:11 | |
PALOMA: Yeah. # I'm havin' a rap attack | 0:06:11 | 0:06:15 | |
BOTH: # I got beats in the back of my rucksack | 0:06:15 | 0:06:17 | |
# I'm gonna keep it in the air Like a Hacky Sack | 0:06:17 | 0:06:19 | |
RICKY: # And I'm gonna keep it fresh like a tic-tac | 0:06:19 | 0:06:21 | |
# Low calorie! Got my face in the National Gallery! # | 0:06:21 | 0:06:24 | |
LAUGHTER | 0:06:24 | 0:06:26 | |
Amazing! | 0:06:26 | 0:06:28 | |
CHEERING I like that! | 0:06:28 | 0:06:29 | |
That was good, that was amazing. | 0:06:29 | 0:06:30 | |
RICKY: It's funny what sticks with you. | 0:06:30 | 0:06:32 | |
PALOMA: That's a funny little rhyme we used to make years ago. | 0:06:32 | 0:06:35 | |
I probably shouldn't do this, but I think you should go with him. | 0:06:35 | 0:06:38 | |
LAUGHTER | 0:06:38 | 0:06:40 | |
I turned because... I keep giving people advice, | 0:06:43 | 0:06:46 | |
"Don't worry about who you turn for, it will just happen when it happens. | 0:06:46 | 0:06:49 | |
"When it feels right, it feels right." | 0:06:49 | 0:06:51 | |
And it just felt really right with you, and I think you've got to | 0:06:51 | 0:06:54 | |
feel that you're in the right place, | 0:06:54 | 0:06:55 | |
and I think you're in that place right now, | 0:06:55 | 0:06:57 | |
because that's where you belong. Well done. | 0:06:57 | 0:06:59 | |
Wow, thank you so much! | 0:06:59 | 0:07:01 | |
APPLAUSE | 0:07:01 | 0:07:02 | |
Going with Ricky would be nice, | 0:07:02 | 0:07:04 | |
I mean, Ricky's great. Ricky won last season... | 0:07:04 | 0:07:06 | |
I wouldn't let that sway you, though. | 0:07:06 | 0:07:08 | |
The season before that, I won. | 0:07:08 | 0:07:10 | |
Which means, like, you don't win again the next time. | 0:07:10 | 0:07:13 | |
LAUGHTER | 0:07:13 | 0:07:14 | |
Oh! | 0:07:14 | 0:07:16 | |
Tom won the first season, and he didn't win the second season. I'm not Tom, by the way. | 0:07:16 | 0:07:19 | |
LAUGHTER | 0:07:19 | 0:07:21 | |
No, no, no... I am! I'm Tom! | 0:07:21 | 0:07:23 | |
LAUGHTER | 0:07:23 | 0:07:25 | |
APPLAUSE | 0:07:25 | 0:07:27 | |
I think you and Will would be such an interesting combination. | 0:07:27 | 0:07:30 | |
Oh, I think we'd be great. | 0:07:30 | 0:07:31 | |
I think we could do something great. You know, the violin, the rapping. | 0:07:31 | 0:07:35 | |
Get some phat beats on there. That's what I want! | 0:07:35 | 0:07:37 | |
I'm over here! PALOMA: I'm really sorry! Oh, Ricky! | 0:07:37 | 0:07:40 | |
APPLAUSE | 0:07:40 | 0:07:41 | |
Sorry, Ricky, but, you know... Yeah, I know... Have you got phat beats? | 0:07:41 | 0:07:45 | |
I... You know... I'm sorry, sorry! | 0:07:45 | 0:07:47 | |
Somewhere! | 0:07:47 | 0:07:49 | |
LAUGHTER | 0:07:49 | 0:07:51 | |
APPLAUSE | 0:07:51 | 0:07:53 | |
Thanks, guys! Oh... | 0:07:53 | 0:07:56 | |
Aaah! | 0:07:56 | 0:07:57 | |
Hey, guys! OK, um, great. OK. | 0:08:02 | 0:08:06 | |
This is really hard, because you all are amazing. | 0:08:06 | 0:08:09 | |
I can't believe it, it's crazy, but, | 0:08:10 | 0:08:13 | |
I think the coach I'm going to choose is, um... | 0:08:13 | 0:08:16 | |
..Phat beats. Yeah. Want to do it. | 0:08:19 | 0:08:23 | |
It's Will! | 0:08:23 | 0:08:24 | |
CHEERING AND APPLAUSE | 0:08:24 | 0:08:28 | |
Thank you! You're awesome. | 0:08:31 | 0:08:34 | |
This way. Where do I go? | 0:08:35 | 0:08:37 | |
CHEERING AND APPLAUSE | 0:08:37 | 0:08:39 | |
I thought Charley Blue was kind of eccentric, | 0:08:43 | 0:08:45 | |
but I think hooking up with will.i.am was a really smart move, | 0:08:45 | 0:08:48 | |
because it's something that can only be... | 0:08:48 | 0:08:52 | |
It has to be bonkers. | 0:08:52 | 0:08:53 | |
CHEERING | 0:08:53 | 0:08:56 | |
Oh, here we go! | 0:08:58 | 0:09:00 | |
CROWD: Ooooh! | 0:09:00 | 0:09:01 | |
# I want a rap attack! | 0:09:01 | 0:09:02 | |
# Keep my beats in the back of my rucksack! | 0:09:02 | 0:09:04 | |
# Gonna keep it fresh, like a tic-tac | 0:09:04 | 0:09:06 | |
# Two calorie! | 0:09:06 | 0:09:07 | |
PALOMA: # Got my face in the National Gallery! # | 0:09:07 | 0:09:09 | |
PALOMA: 'I can't even believe that we remember it,' | 0:09:09 | 0:09:12 | |
because we wrote it 15 years ago. | 0:09:12 | 0:09:14 | |
All the coaches have this weird connection. | 0:09:16 | 0:09:18 | |
It's like the six degrees of separation. | 0:09:18 | 0:09:20 | |
Ricky was my old supervisor from a bar that I used to work in. | 0:09:22 | 0:09:27 | |
I used to make her carry barrels. | 0:09:27 | 0:09:29 | |
So I've got a bit of resentment for that. | 0:09:29 | 0:09:31 | |
I think it kind of made her the woman she is today. | 0:09:31 | 0:09:34 | |
It's weird, isn't it? | 0:09:36 | 0:09:37 | |
PALOMA: So, it just goes to show, | 0:09:37 | 0:09:39 | |
be careful on the way up, because you might meet them on the way down! | 0:09:39 | 0:09:45 | |
PALOMA: The first time I ever met Boy George, he was DJing. | 0:09:45 | 0:09:49 | |
And I was really grumpy and I was really desperate to get home, | 0:09:49 | 0:09:52 | |
and this young girl came up to me and said... | 0:09:52 | 0:09:55 | |
"George, can I get a picture, please?" | 0:09:55 | 0:09:57 | |
And he went, "Oh, God, OK." | 0:09:57 | 0:10:00 | |
I went, "Oh..." | 0:10:00 | 0:10:02 | |
And she went, "No, not of you, can you take a picture | 0:10:02 | 0:10:04 | |
"of me and my friend?" And gave me her camera! | 0:10:04 | 0:10:06 | |
And he just, like, burst out laughing, and he went, | 0:10:06 | 0:10:08 | |
"You got me, you really got me." | 0:10:08 | 0:10:10 | |
And I never forgot her. She wasn't famous then, but I never forgot her. | 0:10:10 | 0:10:13 | |
I feel like myself and Will have this weird connection through hats. | 0:10:15 | 0:10:19 | |
We're probably related. | 0:10:19 | 0:10:20 | |
Oh, yeah, yeah. I think we're, like, related. | 0:10:20 | 0:10:24 | |
# Where is the love? Where is the love? # | 0:10:25 | 0:10:30 | |
PALOMA: Rate the performances, then challenge other fans, too. | 0:10:37 | 0:10:40 | |
Our next act isn't scared of the coaches. | 0:10:49 | 0:10:53 | |
In fact, he's not scared of much at all. | 0:10:53 | 0:10:55 | |
My name is Chase Morton, I'm 30 years old, | 0:10:55 | 0:10:57 | |
and I'm a cage fighter. | 0:10:57 | 0:10:59 | |
Fighting out of the Blue Corner, Chase Morton! | 0:10:59 | 0:11:03 | |
Mixed martial arts, cage fighting, it's not for everybody. | 0:11:06 | 0:11:09 | |
It's about who's willing to do what they have to do | 0:11:09 | 0:11:11 | |
to be the best and to win. | 0:11:11 | 0:11:13 | |
Love it, it's a good sport. | 0:11:13 | 0:11:15 | |
I do have a softer side to me. | 0:11:17 | 0:11:19 | |
From the age of two, my nan raised me. | 0:11:19 | 0:11:21 | |
She wanted me to be open-minded and understand everybody. | 0:11:21 | 0:11:26 | |
When you sing, you're letting people know how you feel, | 0:11:26 | 0:11:30 | |
and I'm not afraid to show my emotions. | 0:11:30 | 0:11:32 | |
This performance is a fight. Same butterflies, same adrenaline. | 0:11:37 | 0:11:43 | |
Same doubts. | 0:11:43 | 0:11:44 | |
At the moment, the coaches are my opponents. | 0:11:46 | 0:11:49 | |
And I've got to win. | 0:11:51 | 0:11:52 | |
# Oh, no love, no, no... # | 0:12:07 | 0:12:13 | |
CHEERING | 0:12:13 | 0:12:15 | |
# If you want me to stay I'll be around today | 0:12:15 | 0:12:19 | |
# To be available for you to see | 0:12:19 | 0:12:24 | |
# I'm about to go | 0:12:24 | 0:12:26 | |
# And then you'll know | 0:12:26 | 0:12:29 | |
# For me to stay here I got to be me | 0:12:29 | 0:12:34 | |
# You'll never be in doubt And that's what it's all about | 0:12:34 | 0:12:38 | |
# You can't take me for granted and smile, no | 0:12:38 | 0:12:43 | |
# Count the days I'm gone Forget reachin' for that phone | 0:12:43 | 0:12:48 | |
# Cos I promise I'll be gone for a while | 0:12:48 | 0:12:52 | |
# And when I see you again I hope that you have been | 0:12:52 | 0:12:57 | |
# The kind of person That you really are now... # | 0:12:57 | 0:13:02 | |
CHEERING | 0:13:02 | 0:13:04 | |
Yeah, well done! | 0:13:04 | 0:13:05 | |
# I could never be late For the woman taking up my time | 0:13:05 | 0:13:11 | |
# Oh, I'll never allow | 0:13:11 | 0:13:14 | |
# I guess I wonder how | 0:13:14 | 0:13:16 | |
# I could take a pocket full of fun | 0:13:16 | 0:13:19 | |
# Hey! | 0:13:19 | 0:13:21 | |
# And if you want me to stay | 0:13:21 | 0:13:23 | |
# Come on | 0:13:23 | 0:13:24 | |
# If you want me to stay Say yeah... # | 0:13:26 | 0:13:29 | |
Come on, get up! | 0:13:29 | 0:13:31 | |
# I'll be around today | 0:13:31 | 0:13:33 | |
# If you want me to think Say yeah! # | 0:13:35 | 0:13:41 | |
CHEERING | 0:13:41 | 0:13:43 | |
OK. | 0:13:52 | 0:13:53 | |
Oh, he's gorgeous! | 0:13:53 | 0:13:55 | |
You just sang to the biggest Sly Stone fan in the world. | 0:13:57 | 0:14:00 | |
One of my favourite songs of all time. | 0:14:00 | 0:14:02 | |
That's how you won me over. How old are you? | 0:14:02 | 0:14:06 | |
30. | 0:14:06 | 0:14:07 | |
30, you're kind of young, that's good. You're younger than me! | 0:14:07 | 0:14:11 | |
What's your name? Chase, my name's Chase Morton, | 0:14:11 | 0:14:13 | |
from Northampton, but I live in London, representing. | 0:14:13 | 0:14:16 | |
I'm a professional martial art, I'm a kickboxer. I'm a cage-fighter. | 0:14:16 | 0:14:20 | |
CROWD: Whooo! | 0:14:20 | 0:14:22 | |
Oh! I cage-fight, too! | 0:14:22 | 0:14:24 | |
LAUGHTER | 0:14:24 | 0:14:27 | |
Really? You can you show me some stuff if you want. | 0:14:27 | 0:14:29 | |
I don't show my moves. LAUGHTER | 0:14:29 | 0:14:31 | |
I just demonstrate my moves when I knock people out. | 0:14:31 | 0:14:34 | |
LAUGHTER | 0:14:34 | 0:14:35 | |
Thing is, I believe you, I believe you. | 0:14:35 | 0:14:38 | |
That's how I chipped my tooth right here. | 0:14:38 | 0:14:40 | |
I got this one more, I got this one move | 0:14:42 | 0:14:44 | |
where a person come up to me like this, | 0:14:44 | 0:14:45 | |
and instead of hitting him, I fake him out. | 0:14:45 | 0:14:47 | |
So I just, like hit him with my tooth. | 0:14:47 | 0:14:49 | |
And his head got stuck in my front tooth, | 0:14:49 | 0:14:51 | |
and I was, like, "Get off, get off!" | 0:14:51 | 0:14:53 | |
LAUGHTER | 0:14:53 | 0:14:54 | |
Tell me about your performing life. | 0:14:56 | 0:14:59 | |
Well, the thing is, when I fight, I sing myself out. | 0:14:59 | 0:15:03 | |
So, I'm the singing MMA fighter. | 0:15:03 | 0:15:04 | |
What do you prefer, fighting or singing? | 0:15:04 | 0:15:07 | |
Singing. I love singing. | 0:15:07 | 0:15:09 | |
CHEERING AND APPLAUSE | 0:15:09 | 0:15:10 | |
I don't get kicked in anyway. | 0:15:17 | 0:15:19 | |
LAUGHTER | 0:15:19 | 0:15:21 | |
Nah, no, seriously... | 0:15:21 | 0:15:23 | |
I kind of fell into being a professional martial artist, | 0:15:27 | 0:15:30 | |
but music is always there. It's part of me, | 0:15:30 | 0:15:32 | |
it's who I am, and I just, I love performing. | 0:15:32 | 0:15:34 | |
Well, luckily, I'm the only one that turned, so you've got me. | 0:15:34 | 0:15:38 | |
Welcome to my team! | 0:15:38 | 0:15:39 | |
CHEERING AND APPLAUSE | 0:15:39 | 0:15:40 | |
Nice to meet you. Thanks. Thank you so much. | 0:15:42 | 0:15:45 | |
My mum, she'd love the fact I'm on your team. | 0:15:49 | 0:15:51 | |
Every Saturday. | 0:15:51 | 0:15:53 | |
# Karma, karma, karma, karma, karma chameleon... # | 0:15:53 | 0:15:57 | |
Awesome. We'll see you at the next round, yeah? Thank you very much. | 0:15:57 | 0:16:00 | |
Well done, babe. See you. AUDIENCE: Show me some moves! | 0:16:00 | 0:16:02 | |
Show you some moves? OK, do you want to see a move? | 0:16:02 | 0:16:05 | |
CHEERING | 0:16:05 | 0:16:08 | |
Come on, I won't hurt you. OK, so, if... | 0:16:12 | 0:16:14 | |
Hang on, hang on, hang on, I don't want to wear a waistcoat. | 0:16:14 | 0:16:20 | |
Come on! We're not in a boxing match! | 0:16:22 | 0:16:24 | |
OK, right, so, what happens is, | 0:16:24 | 0:16:25 | |
is he's going to grab my hair from behind. | 0:16:25 | 0:16:28 | |
Grab my hair, grab it tight. He's got my hair, | 0:16:28 | 0:16:30 | |
and I want to use a technique called a whizzer. | 0:16:30 | 0:16:32 | |
OK, a very good technique, it will give you some space | 0:16:32 | 0:16:35 | |
if anyone does attack you. | 0:16:35 | 0:16:36 | |
OK, so as the whizzer's here, I can't go nowhere. Most people go to pull. | 0:16:36 | 0:16:39 | |
I want your hand to come over the top. Boom. | 0:16:39 | 0:16:42 | |
Ahh! Here we go. | 0:16:42 | 0:16:43 | |
From there, to the floor. | 0:16:43 | 0:16:46 | |
CHEERING AND APPLAUSE | 0:16:46 | 0:16:48 | |
You're good, man! | 0:16:50 | 0:16:51 | |
APPLAUSE | 0:16:51 | 0:16:54 | |
Thank you. You're welcome. See you soon. | 0:16:54 | 0:16:57 | |
Paloma's in love now! | 0:16:57 | 0:16:59 | |
Killed it, man! | 0:17:11 | 0:17:12 | |
Yes, Boy George! | 0:17:12 | 0:17:14 | |
And they embraced the fact I'm a mixed martial artist. | 0:17:14 | 0:17:18 | |
Ricky didn't quite embrace it. | 0:17:18 | 0:17:29 | |
Next up, Manchester's Canal Street, | 0:17:29 | 0:17:32 | |
for an act with two faces. Meet Owen Farrow. | 0:17:32 | 0:17:35 | |
This morning, I got up at an ungodly hour... ALARM BEEPS | 0:17:35 | 0:17:39 | |
..to get myself ready for my blind audition. | 0:17:39 | 0:17:41 | |
This is ridiculously early for me. | 0:17:41 | 0:17:44 | |
I did my usual routine to bring Divina out. | 0:17:44 | 0:17:48 | |
Doing the base and the contour. | 0:17:48 | 0:17:50 | |
Painting on the eye-shadow. | 0:17:51 | 0:17:55 | |
AMERICAN ACCENT: Some big, luscious, juicy lips. | 0:17:55 | 0:17:58 | |
Hi, how are you? I'm Divina de Campo. | 0:18:01 | 0:18:04 | |
It's nice to see you all. | 0:18:04 | 0:18:05 | |
If you don't put the lashes on right, | 0:18:09 | 0:18:11 | |
you end up looking like Barbra Streisand, halfway through. | 0:18:11 | 0:18:15 | |
# People... # | 0:18:16 | 0:18:17 | |
I don't think there's been anybody | 0:18:22 | 0:18:25 | |
on The Voice so far who's quite like this. | 0:18:25 | 0:18:28 | |
There's still a misconception that drag queens don't sing, | 0:18:28 | 0:18:31 | |
or they can't, or they shouldn't. | 0:18:31 | 0:18:34 | |
Which might be true of one or two of us! | 0:18:34 | 0:18:37 | |
But hopefully, that's not what people will say about me. | 0:18:39 | 0:18:42 | |
# ..to paradise | 0:18:46 | 0:18:49 | |
# I've been to paradise | 0:18:52 | 0:18:56 | |
# But I've never been to me. # | 0:18:56 | 0:19:00 | |
There we go! Aww, doesn't he look amazing? | 0:19:03 | 0:19:05 | |
Look at that frock. | 0:19:06 | 0:19:07 | |
Look at those heels! Yeah. I'm so proud of him. | 0:19:07 | 0:19:10 | |
# Poor wand'ring one! | 0:19:14 | 0:19:18 | |
# Though thou hast surely strayed | 0:19:18 | 0:19:23 | |
# Take heart of grace... # | 0:19:23 | 0:19:25 | |
Come on, yes! | 0:19:25 | 0:19:27 | |
# ..poor wand'ring one | 0:19:27 | 0:19:33 | |
# Poor wand'ring one | 0:19:33 | 0:19:37 | |
# If such poor love as mine | 0:19:37 | 0:19:41 | |
# Can help thee find | 0:19:41 | 0:19:44 | |
# True peace of mind | 0:19:44 | 0:19:46 | |
# Why, take it, it is thine! | 0:19:46 | 0:19:49 | |
# Take heart, no danger low'rs | 0:19:51 | 0:19:54 | |
# Take any heart but ours | 0:19:54 | 0:19:58 | |
# Take heart Fair days will shine | 0:19:58 | 0:20:02 | |
# Take any heart, take mine | 0:20:02 | 0:20:05 | |
# A-ha-ha-ha-haaaa | 0:20:05 | 0:20:12 | |
# A-ha-ha-ha-haaaa... # | 0:20:12 | 0:20:16 | |
CHEERING | 0:20:16 | 0:20:18 | |
# Ooooh | 0:20:18 | 0:20:22 | |
# Take heart, take heart | 0:20:22 | 0:20:25 | |
# Take... # | 0:20:25 | 0:20:27 | |
This one is definitely for you! | 0:20:27 | 0:20:29 | |
# ..heart | 0:20:29 | 0:20:31 | |
# Take mine! # | 0:20:31 | 0:20:36 | |
CHEERING AND APPLAUSE | 0:20:36 | 0:20:39 | |
Oh! | 0:20:41 | 0:20:42 | |
DEEP VOICE: Thank you very much. | 0:20:42 | 0:20:44 | |
A man?! WILL.I.AM MOUTHS | 0:20:45 | 0:20:48 | |
A man, yeah. | 0:20:48 | 0:20:50 | |
Hi. Wow! | 0:20:55 | 0:20:57 | |
You are so fabulous. What's your name first? Divina de Campo. | 0:20:57 | 0:21:01 | |
Hello, everybody. Hi, Divina. | 0:21:01 | 0:21:04 | |
Thank you. You're so beautiful. If I'd have known, I'd have turned! | 0:21:04 | 0:21:08 | |
Oh, well! | 0:21:08 | 0:21:09 | |
That was so weird. Because... | 0:21:09 | 0:21:12 | |
That voice coming out of that...PERSON is just | 0:21:12 | 0:21:17 | |
so wrong that it's beautifully right. | 0:21:17 | 0:21:20 | |
LAUGHTER | 0:21:20 | 0:21:21 | |
I thought you were a much older lady. | 0:21:21 | 0:21:24 | |
Really?! Yes, I mean... How old are you? | 0:21:24 | 0:21:26 | |
Oh, is that rude to ask a lady her age? | 0:21:26 | 0:21:28 | |
No, it's fine. I'm not a lady, babe. | 0:21:28 | 0:21:30 | |
LAUGHTER AND APPLAUSE | 0:21:30 | 0:21:33 | |
Yeah, um... | 0:21:39 | 0:21:41 | |
I'm 32. I'm a little upset for not turning. | 0:21:41 | 0:21:45 | |
Last year, I had Lucy, so I was like, "Should I repeat that?" | 0:21:45 | 0:21:49 | |
But then you hit this one vocal acrobatic, and I was like... | 0:21:49 | 0:21:53 | |
I wanted to hit it, then I was like, | 0:21:53 | 0:21:56 | |
"Ah, but am I just, like, repeating?" | 0:21:56 | 0:21:58 | |
But who cares about repeats if something is...awesomer, | 0:21:58 | 0:22:02 | |
and you obviously are...at the highest level possible. | 0:22:02 | 0:22:05 | |
APPLAUSE | 0:22:05 | 0:22:07 | |
Do you just do that style of music, or...? | 0:22:07 | 0:22:09 | |
No, I sing all kinds of stuff. What language were you singing in? | 0:22:09 | 0:22:13 | |
That was English. That was English?! | 0:22:13 | 0:22:15 | |
LAUGHTER | 0:22:15 | 0:22:17 | |
APPLAUSE | 0:22:17 | 0:22:19 | |
I'm really keen to hear what other genres you sing in, | 0:22:25 | 0:22:28 | |
if we can hear a little bit of the others? | 0:22:28 | 0:22:31 | |
OK. So... Like, a little bit? Just for fun. | 0:22:31 | 0:22:34 | |
# She got a body like an hourglass but I can give it to you all the time | 0:22:34 | 0:22:40 | |
# She got a booty like a Cadillac But I can send you into overdrive | 0:22:40 | 0:22:46 | |
# Been waiting for that Step right up, swing your bat | 0:22:46 | 0:22:53 | |
# See anybody could be bad to you | 0:22:53 | 0:22:55 | |
# You need a good girl to blow your mind, yeah | 0:22:55 | 0:22:59 | |
# Bang bang into the room You know I got it | 0:22:59 | 0:23:02 | |
# Bang bang all over you You know I want it | 0:23:02 | 0:23:06 | |
# Wait a minute Let me take you there | 0:23:06 | 0:23:09 | |
# Wait a minute... # | 0:23:09 | 0:23:10 | |
Oh, my God, it's Paloma Faith. She just touched me. | 0:23:10 | 0:23:14 | |
I'm your backing dancer, babe. DIVINA CACKLES | 0:23:14 | 0:23:18 | |
# Wait a minute till you | 0:23:18 | 0:23:21 | |
# Bang bang there goes your heart. # | 0:23:21 | 0:23:23 | |
You're fabulous. | 0:23:23 | 0:23:25 | |
Hi, baby. | 0:23:34 | 0:23:37 | |
You know, you're a natural performer. No doesn't work for you. | 0:23:37 | 0:23:40 | |
You're fine! | 0:23:40 | 0:23:41 | |
When I turned, I realised that I'd really made a massive mistake. | 0:23:49 | 0:23:53 | |
Hi! | 0:23:53 | 0:23:55 | |
Congratulations. | 0:23:55 | 0:23:56 | |
Well, what a lovely time we've had. | 0:23:56 | 0:23:58 | |
I think that he's my favourite one | 0:23:59 | 0:24:01 | |
that I've seen as, like, a whole package. | 0:24:01 | 0:24:04 | |
They know they made a mistake. | 0:24:04 | 0:24:06 | |
But there's absolutely no stopping me from being absolutely fabulous. | 0:24:06 | 0:24:10 | |
I'm so annoyed I didn't spot it! | 0:24:12 | 0:24:14 | |
BOY GEORGE LAUGHS | 0:24:14 | 0:24:16 | |
My drag-dar is really failing me! Drag-dar? | 0:24:16 | 0:24:19 | |
Mine too! | 0:24:19 | 0:24:20 | |
Where d'you get that? Oh, I brought it with me. It's a little crystal. | 0:24:24 | 0:24:28 | |
What kind of crystal? I don't know, actually. | 0:24:28 | 0:24:31 | |
It's a bit of glass that got washed in the sea | 0:24:31 | 0:24:33 | |
and then ended up looking like that! | 0:24:33 | 0:24:35 | |
She's such a cynic. It's an old tumbler from IKEA. Paloma Faithless! | 0:24:35 | 0:24:40 | |
Got washed up on a beach. | 0:24:40 | 0:24:42 | |
HE LAUGHS | 0:24:42 | 0:24:43 | |
I said, "Do you believe in God?" she said, "I believe in shoes." | 0:24:44 | 0:24:47 | |
LAUGHTER | 0:24:47 | 0:24:49 | |
That's what we're dealing with! | 0:24:49 | 0:24:51 | |
My name's Megan Reece. I'm 28 and I'm from Wolverhampton. | 0:24:56 | 0:24:59 | |
I like to always be glamorous. I'm very girlie. | 0:25:01 | 0:25:04 | |
I'm never sat in my pyjamas. I'm always ready, good to go. | 0:25:04 | 0:25:07 | |
You never know what can happen next. | 0:25:07 | 0:25:08 | |
That's a great game. I've got four boys. Don't go too close. | 0:25:10 | 0:25:13 | |
I love being a mum. My boys are very much my world, as you can imagine. | 0:25:13 | 0:25:17 | |
I never thought I'd have so many children. | 0:25:17 | 0:25:19 | |
It just sort of...turned out that way. I wouldn't change anything. | 0:25:19 | 0:25:22 | |
When I'm not juggling the school runs and dinner money | 0:25:24 | 0:25:26 | |
and everything else, I love to paint and it's my way of winding down. | 0:25:26 | 0:25:30 | |
So, I've just done that one last week. That's amazing! | 0:25:32 | 0:25:36 | |
So that's Paloma. Brilliant. And I've also got a present for you, Marvin. | 0:25:36 | 0:25:39 | |
Oh, really? I have. | 0:25:39 | 0:25:41 | |
I just did you a little caricature. What do you think of that? | 0:25:41 | 0:25:44 | |
Yeah, it's good. The hairline's straight. | 0:25:44 | 0:25:47 | |
The hairline's straight. Which is good. | 0:25:47 | 0:25:48 | |
I've been looking at you all week to get that right. | 0:25:48 | 0:25:51 | |
It's brilliant. | 0:25:51 | 0:25:53 | |
Singing is my first love. When I sing, | 0:25:53 | 0:25:55 | |
it just feels like that's what I was destined to do. | 0:25:55 | 0:25:59 | |
The boys are really excited | 0:25:59 | 0:26:00 | |
that I'm going to be having my blind audition. | 0:26:00 | 0:26:03 | |
I'm doing it to show them | 0:26:03 | 0:26:05 | |
that if you work hard, you can achieve anything. | 0:26:05 | 0:26:07 | |
Come on, Megan, come on! Come on, baby. | 0:26:12 | 0:26:14 | |
# Heavy words, little lies | 0:26:30 | 0:26:33 | |
# Telling everything but the truth | 0:26:33 | 0:26:37 | |
# The truth... # | 0:26:37 | 0:26:40 | |
# ..Overheard and overused | 0:26:43 | 0:26:47 | |
# Used | 0:26:47 | 0:26:49 | |
# No sweet nothing | 0:26:49 | 0:26:52 | |
# Could ever be turned into something new | 0:26:52 | 0:26:56 | |
# I know what I got and I know where we're going | 0:26:59 | 0:27:02 | |
# You don't need to show it I already know it all | 0:27:02 | 0:27:05 | |
# It's what you don't do It's what you don't say | 0:27:05 | 0:27:10 | |
# Yeah... # | 0:27:10 | 0:27:11 | |
This is real, isn't it? Yeah, it is, mate. It's real, man, it's real. | 0:27:11 | 0:27:15 | |
# It's what you don't do It's what you don't say | 0:27:15 | 0:27:21 | |
# Oh, ooh | 0:27:22 | 0:27:25 | |
# It's what you don't do The games you don't play... # | 0:27:25 | 0:27:32 | |
Press it, press it, press it! | 0:27:32 | 0:27:33 | |
# I know you love me, I don't need proof. # | 0:27:33 | 0:27:35 | |
Thank you so much. | 0:27:40 | 0:27:42 | |
Oh, my gosh. | 0:27:47 | 0:27:48 | |
Hello, gorgeous girl. Hello, gorgeous woman! | 0:27:48 | 0:27:52 | |
What's your name and where are you from? | 0:27:52 | 0:27:54 | |
My name's Megan Reece and I'm from Wolverhampton. Great. | 0:27:54 | 0:27:57 | |
What was it that brought you to the show? | 0:27:57 | 0:28:00 | |
Like, tell us a bit about yourself. | 0:28:00 | 0:28:03 | |
Well, I've got four children, so for the last... Wow! | 0:28:03 | 0:28:05 | |
For the last few years, I've been busy with that. Hot mom! | 0:28:05 | 0:28:09 | |
Thanks, Will! You're not so bad yourself! | 0:28:09 | 0:28:11 | |
Are you a performer already? I do sing, yeah. | 0:28:14 | 0:28:17 | |
I've been gigging for the last few years. | 0:28:17 | 0:28:20 | |
I have a guitarist and, um, we do our thing. | 0:28:20 | 0:28:22 | |
And I'm an artist as well, so that's my day job. Painting? Painting, yeah. | 0:28:22 | 0:28:27 | |
Wow! Painting is just a love of mine, an actual love. | 0:28:27 | 0:28:30 | |
I've actually got a gift for all of you. | 0:28:30 | 0:28:32 | |
I brought you all a picture. Thank you! | 0:28:32 | 0:28:34 | |
APPLAUSE | 0:28:34 | 0:28:36 | |
Ricky. I love it! Thank you. It's OK. | 0:28:39 | 0:28:43 | |
You were so good. I love it. I'm going to get... | 0:28:43 | 0:28:46 | |
Aren't we supposed to be schmoozing YOU at this point? | 0:28:46 | 0:28:48 | |
Lifelike, right? | 0:28:51 | 0:28:52 | |
Well, you're absolutely fabulous. Thank you so much. | 0:29:00 | 0:29:02 | |
Do you know I used to be an art teacher? | 0:29:02 | 0:29:08 | |
He still dresses like one as well, doesn't he? | 0:29:08 | 0:29:10 | |
LAUGHTER | 0:29:10 | 0:29:12 | |
Yes, sir. It's more supply teacher. | 0:29:12 | 0:29:14 | |
I thought your performance was really great. | 0:29:17 | 0:29:19 | |
You could hear that once we'd turned, you were like, "Oh, God!" | 0:29:19 | 0:29:24 | |
Yeah. But it was, like, so brilliant and you've got a great voice | 0:29:24 | 0:29:28 | |
and I just think you're wonderful. Thank you so much. | 0:29:28 | 0:29:32 | |
That means a lot to me. So you've got four kids. | 0:29:32 | 0:29:35 | |
Yeah, they're all at home waiting for me to call them and... | 0:29:35 | 0:29:38 | |
When you call them, who're you going to say you're going with, I wonder? | 0:29:38 | 0:29:41 | |
Well, I'm yet to hear the pitch, aren't I? Oh, yeah, yeah, yeah, yeah. | 0:29:41 | 0:29:45 | |
I'm going to sell my wares to you. Oh! | 0:29:45 | 0:29:46 | |
So, first of all, I think I'm a woman's woman | 0:29:46 | 0:29:49 | |
and I love empowering women. | 0:29:49 | 0:29:52 | |
And I also love the sound of the fact that you're creative. | 0:29:53 | 0:29:58 | |
Personally, in my world, | 0:29:58 | 0:29:59 | |
I always have so much input into the visual and, like, the dramaturgy | 0:29:59 | 0:30:04 | |
of performance. Being involved with lights and visuals | 0:30:04 | 0:30:08 | |
and everything is like painting, for me. | 0:30:08 | 0:30:11 | |
If you're into painting, then I'd love to paint with you. | 0:30:11 | 0:30:15 | |
Thank you. Thank you, Paloma. | 0:30:15 | 0:30:19 | |
I'm really interested in, you know, developing you as a singer. | 0:30:24 | 0:30:29 | |
You know, it's great that you do art | 0:30:29 | 0:30:30 | |
and it's always good to have something to fall back on, | 0:30:30 | 0:30:33 | |
but I would concentrate more on the voice | 0:30:33 | 0:30:35 | |
and I'm crazy enough to take it to the end. | 0:30:35 | 0:30:39 | |
I'm very passionate about what I do. | 0:30:39 | 0:30:41 | |
I've been doing this for a long time. Yeah. Over 30 years. | 0:30:41 | 0:30:44 | |
I've sung with some amazing soul singers - | 0:30:44 | 0:30:47 | |
Luther Vandross, Stevie Wonder, Smokey Robinson... | 0:30:47 | 0:30:49 | |
APPLAUSE | 0:30:49 | 0:30:51 | |
I know about soul music. That's my pitch. | 0:30:51 | 0:30:54 | |
Woo! | 0:30:54 | 0:30:55 | |
APPLAUSE | 0:30:55 | 0:30:57 | |
Damn! | 0:30:57 | 0:30:59 | |
If we're going to go there, um, I've also sung with... | 0:30:59 | 0:31:02 | |
LAUGHTER | 0:31:02 | 0:31:04 | |
The Wombles! | 0:31:04 | 0:31:05 | |
I have sung with Prince, so, anyway. | 0:31:05 | 0:31:07 | |
I've slept with Prince. | 0:31:09 | 0:31:10 | |
LAUGHTER AND APPLAUSE | 0:31:10 | 0:31:12 | |
Oh, gosh! | 0:31:14 | 0:31:16 | |
I'm not serious! | 0:31:18 | 0:31:19 | |
What I mean is...I slept with a Purple Rain poster on my wall. | 0:31:20 | 0:31:26 | |
LAUGHTER | 0:31:26 | 0:31:28 | |
Oh, my goodness me. | 0:31:28 | 0:31:31 | |
Wow. | 0:31:31 | 0:31:32 | |
I think follow your heart. I know I have to follow my heart. | 0:31:32 | 0:31:37 | |
You're good either way. | 0:31:37 | 0:31:38 | |
I'm so happy that you turned for me. Thank you so much. | 0:31:38 | 0:31:41 | |
I think the person I'm going to choose... | 0:31:45 | 0:31:48 | |
..is... | 0:31:50 | 0:31:51 | |
..Paloma. Thank you! | 0:31:58 | 0:32:00 | |
I'm so happy. Thank you, Boy George. | 0:32:00 | 0:32:02 | |
It's so good, your performing. We're going to have a lot of fun. | 0:32:23 | 0:32:27 | |
I knew she was going to go with Paloma and I was absolutely right. | 0:32:32 | 0:32:36 | |
I can really read people. | 0:32:36 | 0:32:38 | |
You know, and I've known all day | 0:32:38 | 0:32:40 | |
whether I'm going to get someone or not and I've been right every time. | 0:32:40 | 0:32:43 | |
That was so good, George. "I slept with Prince"! | 0:32:43 | 0:32:46 | |
LAUGHTER | 0:32:46 | 0:32:49 | |
I don't know where that came from. It's not true. | 0:32:54 | 0:32:57 | |
"Boy George in Prince shocker!" | 0:32:57 | 0:32:59 | |
MUSIC: Kiss by Prince | 0:32:59 | 0:33:02 | |
Liverpool's come up with a few pop stars. | 0:33:06 | 0:33:08 | |
Can retired Stevie Calrow join them? | 0:33:08 | 0:33:11 | |
Being retired is great. | 0:33:12 | 0:33:14 | |
I'm still out there playing the music, still doing the gigs. | 0:33:14 | 0:33:18 | |
You're as young as you feel and I feel about 20 when I start singing. | 0:33:18 | 0:33:21 | |
Pleasure to meet you. And you, sir. How long have you been singing for? | 0:33:21 | 0:33:25 | |
Been singing since I was 16 years old. | 0:33:25 | 0:33:27 | |
I was a guitar vocalist and then I worked in big bands, | 0:33:27 | 0:33:30 | |
where I learned how to sing properly. | 0:33:30 | 0:33:31 | |
I've had a 60-year apprenticeship doing what I'm doing, cos growing up | 0:33:34 | 0:33:37 | |
in Liverpool in the late '50s and '60s, there was music everywhere. | 0:33:37 | 0:33:41 | |
It just exploded. | 0:33:41 | 0:33:42 | |
In 1960, when I was in the Cavern, I got a shout out from the DJ | 0:33:45 | 0:33:49 | |
at the time to go down to the band room and perform with The Beatles. | 0:33:49 | 0:33:53 | |
Are you serious? I really am serious. THE Beatles? | 0:33:53 | 0:33:56 | |
I did, and I told everybody. Nobody believed me. | 0:33:56 | 0:33:59 | |
Your granddaughters believed you. No, they didn't! | 0:33:59 | 0:34:01 | |
They never believed me, but I said, "Listen, I did. I did." | 0:34:01 | 0:34:05 | |
"I DID sing with The Beatles, three songs!" | 0:34:05 | 0:34:08 | |
So you could have been the fifth Beatle? Yeah. | 0:34:08 | 0:34:11 | |
It was the best backing I've ever had in my life. | 0:34:13 | 0:34:15 | |
Absolutely fantastic. | 0:34:15 | 0:34:17 | |
And a memory to treasure. | 0:34:18 | 0:34:19 | |
HE CHUCKLES | 0:34:21 | 0:34:23 | |
How do you feel about Dad? Really proud of him, yes. | 0:34:23 | 0:34:26 | |
This could be his opportunity he's been waiting for all his life. | 0:34:26 | 0:34:29 | |
Absolutely. | 0:34:29 | 0:34:30 | |
At 74, music still runs through me. | 0:34:33 | 0:34:36 | |
I'd like to sing till they say to me, "Look, you're really | 0:34:37 | 0:34:40 | |
"going to have to stop singing, we're trying to get the lid down." | 0:34:40 | 0:34:43 | |
Whatever happens tonight, I'm going to still sing tomorrow. | 0:34:46 | 0:34:49 | |
# Those fingers in my hair | 0:35:12 | 0:35:15 | |
# That sly come-hither stare | 0:35:16 | 0:35:19 | |
# That strips my conscience bare It's witchcraft | 0:35:20 | 0:35:25 | |
# And I've got no defence for it | 0:35:28 | 0:35:33 | |
# The heat is too intense for it | 0:35:33 | 0:35:37 | |
# What good would common sense for it do? | 0:35:37 | 0:35:40 | |
ENCOURAGING CHEERS | 0:35:43 | 0:35:45 | |
# That crazy witchcraft | 0:35:47 | 0:35:49 | |
# And although I know | 0:35:52 | 0:35:55 | |
# It's strictly taboo | 0:35:55 | 0:36:01 | |
# When you arouse the need in me | 0:36:01 | 0:36:05 | |
# My heart says "Yes, indeed" in me | 0:36:05 | 0:36:09 | |
# "Proceed with what you're leadin' me to" | 0:36:09 | 0:36:15 | |
# It's such an ancient pitch | 0:36:18 | 0:36:21 | |
# But one I'd never switch | 0:36:22 | 0:36:26 | |
# Cos there's no nicer witch than you. # | 0:36:26 | 0:36:32 | |
CHEERING AND APPLAUSE | 0:36:37 | 0:36:40 | |
Thank you so much. | 0:36:46 | 0:36:48 | |
Oh, hello! | 0:36:48 | 0:36:50 | |
Hello. What's your name? You're gorgeous. Stevie Calrow. | 0:36:52 | 0:36:56 | |
You all right? Hello, Stevie. | 0:36:56 | 0:36:58 | |
I'd like to thank one of the best bands | 0:36:58 | 0:37:00 | |
I've ever played with, ever. They are so, so good. | 0:37:00 | 0:37:03 | |
And a gentleman as well. Yeah, a real gentleman. | 0:37:03 | 0:37:06 | |
That was wonderful. | 0:37:06 | 0:37:08 | |
I have to say, the quality of your voice, the rasp, | 0:37:08 | 0:37:11 | |
it sounds like a sax. It's original. | 0:37:11 | 0:37:14 | |
And the reason why I didn't turn is not | 0:37:14 | 0:37:16 | |
because you're not super awesome. | 0:37:16 | 0:37:18 | |
You don't think I'm going to live that long. | 0:37:18 | 0:37:20 | |
LAUGHTER AND APPLAUSE | 0:37:20 | 0:37:25 | |
I know. You don't have to explain. | 0:37:25 | 0:37:27 | |
No, no. You're funny as well! | 0:37:29 | 0:37:31 | |
Yeah, your voice is amazing | 0:37:34 | 0:37:35 | |
and thanks so much for coming on the show. | 0:37:35 | 0:37:38 | |
How did you end up on this stage? Like, where did it all start? | 0:37:42 | 0:37:45 | |
I did my first gig when I was 16 in the Dove Olive pub in Speke. | 0:37:45 | 0:37:48 | |
And I sang Old Shep, an old Elvis number. | 0:37:48 | 0:37:52 | |
I was at Butlins, I was a redcoat with Jimmy Tarbuck | 0:37:52 | 0:37:54 | |
and I sang three songs with The Beatles... | 0:37:54 | 0:37:56 | |
Really?! ..in 1962. Wow! | 0:37:56 | 0:37:59 | |
CHEERING AND APPLAUSE | 0:37:59 | 0:38:01 | |
But no-one believed me and for years I've told people, | 0:38:01 | 0:38:04 | |
"I sung with The Beatles," and they were, "Yeah, didn't we all(?)" | 0:38:04 | 0:38:07 | |
No, I did. And the thing is, I've just loved playing in bands. | 0:38:07 | 0:38:11 | |
It's so rare to be able to play in a band with 15-, 12-piece orchestra, | 0:38:11 | 0:38:17 | |
because it doesn't happen any more. I agree. | 0:38:17 | 0:38:19 | |
And I'm so blessed because, the age I am now... | 0:38:19 | 0:38:22 | |
What is that age, if you don't...? 74, guys. | 0:38:22 | 0:38:26 | |
APPLAUSE | 0:38:26 | 0:38:27 | |
Own hips and own knees and the voice still stands up. | 0:38:27 | 0:38:31 | |
Well, wonderful. I couldn't tell how old you were at all. | 0:38:31 | 0:38:35 | |
I thought you were a veteran. | 0:38:35 | 0:38:37 | |
I could tell that there was a quality, | 0:38:37 | 0:38:39 | |
experienced person singing there. | 0:38:39 | 0:38:41 | |
You sound so young. Thanks very much for that. | 0:38:41 | 0:38:45 | |
# You make me feel so young... # | 0:38:45 | 0:38:47 | |
Yeah. Paloma, you swing along. | 0:38:47 | 0:38:48 | |
# You make me feel there's songs to be sung... # | 0:38:48 | 0:38:51 | |
I play in a trio in Liverpool and he said to me, | 0:38:51 | 0:38:54 | |
"You know what? Paloma, she's a swinger." | 0:38:54 | 0:39:02 | |
You know, this show has got a reputation for the girls | 0:39:03 | 0:39:06 | |
flirting with the acts. Yeah. This was a prime opportunity for me. | 0:39:06 | 0:39:10 | |
My wife's out there, somewhere, so don't push it. Oh, no! | 0:39:10 | 0:39:15 | |
It is such a rewarding experience to sing great songs, | 0:39:17 | 0:39:20 | |
with great music and great guys like that. Well done. Awesome. | 0:39:20 | 0:39:23 | |
Thank you very much. Cheers. | 0:39:23 | 0:39:25 | |
Can someone help me down? I'll help you. Come on. | 0:39:27 | 0:39:35 | |
Amazing. That voice. Awesome. | 0:39:35 | 0:39:37 | |
Come down the last step. OK, yeah. That's it. | 0:39:37 | 0:39:39 | |
There we go. Lovely to meet you. Thank you. Bye-bye, Paloma. | 0:39:42 | 0:39:46 | |
What a great voice. Gorgeous bloke. | 0:39:48 | 0:39:56 | |
I'm made up. | 0:39:59 | 0:40:01 | |
Loved his voice. It was kind of hard to fault it, you know. | 0:40:06 | 0:40:09 | |
It's been a pleasure. Take care. | 0:40:09 | 0:40:10 | |
Maybe we'll see you again soon, yeah? | 0:40:10 | 0:40:13 | |
You are never going to keep me away. I'll keep you to that. Bye-bye, now. | 0:40:13 | 0:40:16 | |
Cheers, guys, bye-bye, take care. Come on, everyone. Back to Liverpool. | 0:40:16 | 0:40:19 | |
Safe journey, bye-bye. | 0:40:19 | 0:40:21 | |
It's down Essex way, now, with 22-year-old Lydia Lucy. | 0:40:21 | 0:40:27 | |
I live at home with my parents and my brother Luke. | 0:40:27 | 0:40:30 | |
We are a really close family. | 0:40:30 | 0:40:31 | |
Whenever we're all together, it's just Essex banter, really. | 0:40:31 | 0:40:35 | |
CHAIR SQUEAKS Excuse me? Who picked these chairs? | 0:40:35 | 0:40:40 | |
and we just have such a laugh together. We're very close. | 0:40:43 | 0:40:46 | |
Yes, bruv. You know. He's also a singer. | 0:40:46 | 0:40:49 | |
That's sort of how I got into singing, through watching him. | 0:40:49 | 0:40:52 | |
Lydia is a little bit more feisty out of the two. | 0:40:54 | 0:40:57 | |
My mum says I'm like a little Jack Russell. | 0:40:59 | 0:41:02 | |
They're great kids. I'm just so, so proud of both of them. | 0:41:02 | 0:41:05 | |
Tissue? | 0:41:09 | 0:41:11 | |
I want to be successful in music. | 0:41:17 | 0:41:20 | |
There's nothing else that I would want to do | 0:41:22 | 0:41:24 | |
and I'm ready to take my chance. | 0:41:24 | 0:41:26 | |
Come on, Lydia! | 0:41:29 | 0:41:31 | |
# Yea-ea-ea-ea-ea-eah | 0:41:43 | 0:41:50 | |
I shoulda known you were bad news | 0:41:51 | 0:41:54 | |
From the bad boy demeanour and the tattoos | 0:41:54 | 0:41:56 | |
Cos most guys only want one thing | 0:41:56 | 0:41:59 | |
But I'm undecided Trying to figure out if that's you | 0:41:59 | 0:42:01 | |
Either way, though, I think you're worth a test drive | 0:42:01 | 0:42:03 | |
Cos in a way you're so much better than the next guy | 0:42:03 | 0:42:06 | |
And a little trouble only makes for a good time | 0:42:06 | 0:42:08 | |
So all the normal red flags... | 0:42:08 | 0:42:10 | |
# Don't you come here thinking you ballin' | 0:42:10 | 0:42:13 | |
# Ain't down for it | 0:42:13 | 0:42:16 | |
# You seem like trouble to me | 0:42:16 | 0:42:18 | |
# I can tell by the way that you lean | 0:42:18 | 0:42:21 | |
# And the way that you kiss your teeth | 0:42:21 | 0:42:23 | |
# And you turn up so fresh and clean | 0:42:23 | 0:42:25 | |
# Smells like trouble to me | 0:42:25 | 0:42:29 | |
I shoulda known you were bad news | 0:42:29 | 0:42:32 | |
# I knew you were bad news | 0:42:32 | 0:42:35 | |
# Just cos all the girls are falling at your feet | 0:42:36 | 0:42:39 | |
# Don't mean nothing to me | 0:42:39 | 0:42:41 | |
# Till you show me what I've got | 0:42:41 | 0:42:43 | |
# Trouble to me | 0:42:43 | 0:42:45 | |
# Just cos all the girls are falling at your feet | 0:42:45 | 0:42:48 | |
# Don't mean nothing to me | 0:42:48 | 0:42:50 | |
# Till you show me what I've got | 0:42:50 | 0:42:56 | |
# Don't you come here thinking you're ballin'... # | 0:42:57 | 0:42:59 | |
Oh, Ricky's gone! | 0:42:59 | 0:43:01 | |
# Ain't down for that | 0:43:01 | 0:43:03 | |
# You seem like trouble to me | 0:43:03 | 0:43:06 | |
# I can tell by the way that you lean | 0:43:06 | 0:43:08 | |
# And the way that you kiss your teeth | 0:43:08 | 0:43:11 | |
# And you turn up so fresh and clean | 0:43:11 | 0:43:13 | |
# Smells like trouble to me. # | 0:43:13 | 0:43:16 | |
APPLAUSE AND CHEERING | 0:43:16 | 0:43:21 | |
Go on, Lydia. | 0:43:22 | 0:43:25 | |
APPLAUSE AND CHEERING | 0:43:25 | 0:43:32 | |
Hello. Hi. What's your name? My name is Lydia Lucy. | 0:43:38 | 0:43:41 | |
I'm 22 and I'm from Essex. | 0:43:41 | 0:43:43 | |
Woo! | 0:43:44 | 0:43:46 | |
You deserved a four turner. | 0:43:48 | 0:43:50 | |
Speaking of Turners, you've got the power of Tina Turner. | 0:43:50 | 0:43:53 | |
I would love for you to be on my team. You're amazing. | 0:43:55 | 0:43:58 | |
I think you're gorgeous. I didn't press the button. I'm sorry. | 0:44:00 | 0:44:03 | |
I just felt like I didn't have much to offer you. | 0:44:03 | 0:44:07 | |
That's just me, so, ignore me. | 0:44:07 | 0:44:10 | |
All these people think you're amazing | 0:44:10 | 0:44:12 | |
and everyone in the room thinks you're amazing. | 0:44:12 | 0:44:14 | |
Thank you. | 0:44:14 | 0:44:16 | |
Do you perform? You know, how long have you been doing this? | 0:44:16 | 0:44:19 | |
Yeah, I've been performing all my life, really. | 0:44:19 | 0:44:21 | |
From about the age of seven, I've been doing, like, talent shows | 0:44:21 | 0:44:25 | |
and then I started gigging, doing different gigs around Essex | 0:44:25 | 0:44:28 | |
and then spreading out a little bit more, so... | 0:44:28 | 0:44:31 | |
I mean, I turned because I thought you were an amazing singer. | 0:44:31 | 0:44:33 | |
Thank you so much. Amazing. | 0:44:33 | 0:44:35 | |
I like how fiery you came out. | 0:44:37 | 0:44:39 | |
The rhymes were cool and there was a lot of attitude and spunk | 0:44:39 | 0:44:42 | |
and crazy, fresh personality and your singing is like, wowzers! | 0:44:42 | 0:44:47 | |
Like, seriously. | 0:44:47 | 0:44:48 | |
There's a singer Paloma has, named Beth. | 0:44:51 | 0:44:54 | |
She came out with animal print. | 0:44:54 | 0:44:57 | |
She's fierce, like, seriously fierce competition | 0:44:57 | 0:45:01 | |
and I promise you, that if you come to me, you'll have all the attention | 0:45:01 | 0:45:05 | |
to make sure that you could combat Beth. | 0:45:05 | 0:45:09 | |
Thank you. | 0:45:09 | 0:45:10 | |
So... | 0:45:15 | 0:45:19 | |
This is my third year and in the first and the second year, | 0:45:19 | 0:45:22 | |
to be honest, sometimes if I saw Will turn, I wouldn't want to turn, | 0:45:22 | 0:45:26 | |
for ego reasons, because I knew I wouldn't be able to win you over. | 0:45:26 | 0:45:29 | |
But when a singer is as good as you, | 0:45:29 | 0:45:31 | |
I can't let my ego get in the way of turning, because it was important | 0:45:31 | 0:45:36 | |
to turn and I know that, on paper, you're going to go with Will. | 0:45:36 | 0:45:41 | |
I'm not going to give up that easy and you know what I can do | 0:45:41 | 0:45:44 | |
and you know what I'm capable of and I will do that for you, so... | 0:45:44 | 0:45:48 | |
Thank you. | 0:45:48 | 0:45:49 | |
APPLAUSE AND CHEERING | 0:45:49 | 0:45:52 | |
Argh! | 0:45:52 | 0:45:55 | |
Thank you so much for all your comments. | 0:46:07 | 0:46:09 | |
APPLAUSE AND CHEERING | 0:46:12 | 0:46:15 | |
Erm... | 0:46:22 | 0:46:24 | |
The person I'm going to go with... | 0:46:25 | 0:46:28 | |
..is Will. | 0:46:31 | 0:46:33 | |
APPLAUSE AND CHEERING | 0:46:33 | 0:46:36 | |
Seriously, super dope. Well done. Lovely voice. | 0:46:40 | 0:46:43 | |
Super girl. Seriously. | 0:46:43 | 0:46:45 | |
You like this one. | 0:46:51 | 0:46:52 | |
Lydia Lucy has what it takes to be a genuine artist | 0:46:58 | 0:47:01 | |
out there in the world. The girl is fierce. She's super dope. | 0:47:01 | 0:47:05 | |
I'm really happy. I bet you are. Oh, my goodness. | 0:47:05 | 0:47:09 | |
Of course she's going to go with Will. | 0:47:09 | 0:47:11 | |
Some things aren't meant to be. | 0:47:13 | 0:47:15 | |
She was really good but she was going to go with you, | 0:47:16 | 0:47:19 | |
so there was no point fighting. | 0:47:19 | 0:47:21 | |
Sometimes, you know, the things that you want | 0:47:24 | 0:47:27 | |
are not the things that you need. | 0:47:27 | 0:47:29 | |
You know what I mean? | 0:47:29 | 0:47:30 | |
So, maybe the Buddhist gods are actually protecting me | 0:47:30 | 0:47:33 | |
and I really feel like I'm going to find someone amazing. | 0:47:33 | 0:47:36 | |
Well, I believe in energy, so crystals are really good. | 0:47:42 | 0:47:45 | |
I've got a lot of them in my life. | 0:47:45 | 0:47:46 | |
I can see George with a crystal ball. | 0:47:46 | 0:47:49 | |
He's a very spiritual man. | 0:47:49 | 0:47:51 | |
Well, call me a cynic, | 0:47:54 | 0:47:55 | |
but I really believe poor George has fallen for some con artist. | 0:47:55 | 0:48:00 | |
Star signs, they're very useful to get the measure of people. | 0:48:03 | 0:48:08 | |
Paloma is 100% a Cancer. Ricky is a Capricorn. | 0:48:08 | 0:48:12 | |
I don't even know what that means. So, quite practical. | 0:48:12 | 0:48:15 | |
I am very practical. | 0:48:15 | 0:48:16 | |
And Will is Pisces, so, quite creative, | 0:48:17 | 0:48:21 | |
likes to swim with the tide. | 0:48:21 | 0:48:22 | |
I really, really believe in astrology. | 0:48:24 | 0:48:27 | |
I'm into astronomy, definitely. | 0:48:27 | 0:48:29 | |
Er, Will, it's astrology. | 0:48:29 | 0:48:32 | |
'This is Houston, contact with Test 1. Roger, you're live...' | 0:48:32 | 0:48:35 | |
I'm into, like, where the Earth is when it's travelling around the Sun. | 0:48:35 | 0:48:40 | |
# There's a star man waiting in the sky | 0:48:40 | 0:48:45 | |
# He'd like to come and meet us but he thinks he'd blow our minds... # | 0:48:45 | 0:48:50 | |
My name is Janine Dyer. I'm 38 and I'm a full-time mum. | 0:48:52 | 0:48:56 | |
I love it, but it's quite a busy job. | 0:48:57 | 0:49:00 | |
My boys are always on the go and my little girl, | 0:49:01 | 0:49:04 | |
she's just a little terror. | 0:49:04 | 0:49:06 | |
My husband is Bruce Dyer, he's an ex-professional footballer. | 0:49:06 | 0:49:10 | |
Bruce was the first-ever teenager to be signed for ?1 million | 0:49:10 | 0:49:14 | |
in the country at the time, which was a really great achievement. | 0:49:14 | 0:49:17 | |
I am so not a WAG. | 0:49:17 | 0:49:19 | |
I'm not interested in football. Well, I wasn't then, even. | 0:49:19 | 0:49:21 | |
And I was like, Barnsley or Crystal Palace? Who are they? | 0:49:21 | 0:49:25 | |
I don't even know who they are. | 0:49:25 | 0:49:27 | |
Bruce, you've had your successful years, | 0:49:30 | 0:49:32 | |
but is it now a role reversal, now, for Janine? | 0:49:32 | 0:49:35 | |
Yeah, I think it's Janine's moment. | 0:49:35 | 0:49:37 | |
She's made a lot of sacrifice over the years. | 0:49:37 | 0:49:39 | |
It's my time to do my bit with the kids. | 0:49:39 | 0:49:41 | |
Looking after my family, I've had to put things on hold | 0:49:44 | 0:49:47 | |
but now this really is my time. | 0:49:47 | 0:49:49 | |
I'm going to do this for me. | 0:49:49 | 0:49:50 | |
PIANO STARTS | 0:50:08 | 0:50:11 | |
# When you're weary | 0:50:13 | 0:50:18 | |
# Feeling small | 0:50:20 | 0:50:23 | |
# When tears are in your eyes | 0:50:25 | 0:50:30 | |
# I will dry them all | 0:50:33 | 0:50:37 | |
# Oh | 0:50:37 | 0:50:38 | |
# I'm on your side | 0:50:40 | 0:50:44 | |
# Oh, when you're feeling down and out | 0:50:44 | 0:50:53 | |
# And friends just can't be found | 0:50:53 | 0:51:00 | |
# Like a bridge over troubled water | 0:51:00 | 0:51:07 | |
# I will lay me down | 0:51:08 | 0:51:11 | |
# Like a bridge over troubled water | 0:51:13 | 0:51:21 | |
# I will lay me down | 0:51:21 | 0:51:29 | |
# Like a bridge over troubled water | 0:51:30 | 0:51:37 | |
# I will lay me down. # | 0:51:37 | 0:51:45 | |
APPLAUSE AND CHEERING | 0:51:49 | 0:51:54 | |
Thank you. My name is Janine. | 0:52:04 | 0:52:06 | |
Janine Dyer. And where do you come from? | 0:52:06 | 0:52:10 | |
I'm from London, originally, but I live in Yorkshire now, | 0:52:10 | 0:52:12 | |
just outside Sheffield. Yorkshire! | 0:52:12 | 0:52:15 | |
When did you start singing? | 0:52:15 | 0:52:17 | |
I've been singing all my life. I'm a gospel singer. You can hear that. | 0:52:17 | 0:52:20 | |
I know it sounds stereotypical, but I've been singing in the church | 0:52:20 | 0:52:23 | |
all my life, since I was about five. | 0:52:23 | 0:52:25 | |
And you have you got loads of people with you? | 0:52:25 | 0:52:27 | |
Yeah, I've got my whole family here with me today. The whole shebang. | 0:52:27 | 0:52:30 | |
I can feel them all jumping up and down going, | 0:52:30 | 0:52:33 | |
"Turn, turn!" | 0:52:33 | 0:52:34 | |
Yes, yes, yes. | 0:52:34 | 0:52:35 | |
Sometimes, when someone has got such a great voice, | 0:52:35 | 0:52:38 | |
it would almost be kind of insulting not to turn, so... | 0:52:38 | 0:52:41 | |
Oh, thank you. I felt that way. | 0:52:41 | 0:52:44 | |
I'm so happy you got three turns and it's like, oh, my gosh... | 0:52:44 | 0:52:47 | |
It should've been four turns. | 0:52:47 | 0:52:49 | |
It should. I know that and that's why... | 0:52:49 | 0:52:52 | |
That's why I gave you the reggae horn. | 0:52:52 | 0:52:54 | |
HORN BLOWS | 0:52:54 | 0:52:55 | |
I like that, I like that. Yeah, yeah. | 0:52:55 | 0:52:57 | |
That's me, that's me. | 0:53:00 | 0:53:02 | |
Seriously, there was not one error, not one error. | 0:53:02 | 0:53:06 | |
You just kept on going and going and growing. | 0:53:06 | 0:53:09 | |
You can tell that you've been doing this a long time. | 0:53:09 | 0:53:11 | |
There was a lot of experience in your voice. | 0:53:11 | 0:53:15 | |
You know, I can hear the church thing. | 0:53:15 | 0:53:17 | |
I work with a lot of singers from the church, as does Paloma. | 0:53:17 | 0:53:20 | |
You know, we basically take them all. | 0:53:20 | 0:53:22 | |
I'm pretty sure a lot of people have caught the Holy Ghost | 0:53:24 | 0:53:27 | |
to your singing. Oh, yes. | 0:53:27 | 0:53:29 | |
My grandma, she'd kick me right now saying, | 0:53:29 | 0:53:33 | |
"Boy, you should've turned that chair. | 0:53:33 | 0:53:36 | |
"You ain't got no business not turning. | 0:53:36 | 0:53:39 | |
"The Lord's Angel is singing." Thank you so much. | 0:53:39 | 0:53:41 | |
Hi. Hi, Ricky. Hi. | 0:53:41 | 0:53:45 | |
Oh, he's so sweet. Hi, Ricky. It is a very chatty year, this year. | 0:53:45 | 0:53:49 | |
There's nothing wrong with a bit of chat. Yeah. | 0:53:49 | 0:53:52 | |
It's banter-mime. | 0:53:52 | 0:53:54 | |
Anyway, you, simply as this, you knocked me sideways. | 0:53:55 | 0:54:00 | |
My heart was leaping out of my chest. Thank you so much. It was... | 0:54:00 | 0:54:03 | |
It was obvious to turn for you. It was brilliant. | 0:54:03 | 0:54:08 | |
I honestly haven't heard someone put that much emotion | 0:54:08 | 0:54:12 | |
and soul into a song. Amazing work. | 0:54:12 | 0:54:15 | |
Thank you very much. | 0:54:15 | 0:54:17 | |
Bless you, thank you. | 0:54:17 | 0:54:18 | |
It's incredible. | 0:54:21 | 0:54:23 | |
I'm just thinking that if a guy said that to you on the first date, | 0:54:23 | 0:54:27 | |
you'd run a mile. He doesn't hold anything back, right? | 0:54:27 | 0:54:31 | |
He's lovely. | 0:54:31 | 0:54:32 | |
He's already bought the house, the white dress, picket fence. | 0:54:32 | 0:54:35 | |
He's in, honey. | 0:54:35 | 0:54:36 | |
George, I've only got one chance at this and it's important, | 0:54:36 | 0:54:39 | |
so I've really have got to give it everything I've got, | 0:54:39 | 0:54:41 | |
because I've lost out on a lot. He's lethal. | 0:54:41 | 0:54:44 | |
I've lost out on a lot of pitches to George and Paloma | 0:54:44 | 0:54:47 | |
because they're so eloquent and... That's a lie. | 0:54:47 | 0:54:52 | |
Actually, I have to concur. That's a big lie. That's a big lie. | 0:54:52 | 0:54:55 | |
Actually, I've turned more than anyone. Exactly. | 0:54:58 | 0:55:02 | |
I'm surprised I even know, I'd turned that many times, | 0:55:02 | 0:55:04 | |
you know, in my life, probably more. | 0:55:04 | 0:55:07 | |
Doo-doo-doo-bush. | 0:55:09 | 0:55:11 | |
The reason I've lost out on so many pitches against these two | 0:55:11 | 0:55:14 | |
is because I've maybe given up a little bit, | 0:55:14 | 0:55:16 | |
but I'm not going to give up with you. | 0:55:16 | 0:55:18 | |
Not on the pitch, not when you're on my team and not until I take you | 0:55:18 | 0:55:21 | |
as far as you want to go. | 0:55:21 | 0:55:23 | |
I need this. He does need it. | 0:55:24 | 0:55:28 | |
I thought it was a beautiful, beautiful rendition. | 0:55:30 | 0:55:34 | |
The song was amazing. | 0:55:34 | 0:55:35 | |
There's no denying what an exceptional voice you have | 0:55:35 | 0:55:38 | |
and I really think that whoever you go with, you're going to shine. | 0:55:38 | 0:55:42 | |
And that's a really lame pitch, but it's just a no-brainer, for me. | 0:55:42 | 0:55:47 | |
When you thought about who was going to be the coaches, | 0:55:47 | 0:55:51 | |
did you have anyone in mind? | 0:55:51 | 0:55:54 | |
I love all of you, but I was just thinking of, you know, | 0:55:54 | 0:55:58 | |
my vocal style, who would like what I do. | 0:55:58 | 0:56:01 | |
Obviously, I know Boy George, | 0:56:01 | 0:56:02 | |
you've got that soulful, gospelly roots as well, reggae in there. | 0:56:02 | 0:56:05 | |
Obviously, I know you are into R, hip-hop. | 0:56:05 | 0:56:09 | |
Paloma, you've got those big vocals, as well. | 0:56:09 | 0:56:12 | |
Ricky, I know a bit about you | 0:56:12 | 0:56:13 | |
but I know you're probably not, you know, used to my sort of singing. | 0:56:13 | 0:56:16 | |
Oh, look at his face. He's just like... | 0:56:16 | 0:56:19 | |
I just... | 0:56:21 | 0:56:22 | |
Do I choose now? | 0:56:26 | 0:56:30 | |
Listen, I've already made up my mind. | 0:56:30 | 0:56:34 | |
Honestly, my husband always says, go where you are appreciated. | 0:56:34 | 0:56:37 | |
I want... | 0:56:37 | 0:56:38 | |
APPLAUSE AND CHEERING | 0:56:38 | 0:56:43 | |
..to go with Ricky. Yes! | 0:56:45 | 0:56:47 | |
Thank you so much. Thank you so much. | 0:56:51 | 0:56:53 | |
Ricky is smooth. | 0:56:56 | 0:56:58 | |
He's a smooth criminal, basically. | 0:56:58 | 0:57:00 | |
Thank you so much. | 0:57:00 | 0:57:02 | |
He's been doing this for three years. He's very good at it. | 0:57:02 | 0:57:05 | |
He charms the pants off everybody and they buy it. | 0:57:05 | 0:57:08 | |
Cheers, man. She was good. Yeah, she was good. Well done, Ricky. | 0:57:12 | 0:57:17 | |
You're too much. Why? You're just too much. | 0:57:17 | 0:57:21 | |
Yeah, I can cry. I'm a man. | 0:57:22 | 0:57:25 | |
Brilliant. Yes! | 0:57:26 | 0:57:29 | |
My name is Niamh Breslin. | 0:57:35 | 0:57:36 | |
I'm 18 and I come from a little village in County Donegal, | 0:57:36 | 0:57:39 | |
which is in the North West of Ireland. | 0:57:39 | 0:57:41 | |
I live at home with my mum and my dad and my brother and we live on | 0:57:43 | 0:57:47 | |
a little farm and we have lots of sheep and sheepdogs, as well. | 0:57:47 | 0:57:50 | |
Down there. | 0:57:53 | 0:57:54 | |
I don't know how my dad does what he does | 0:57:54 | 0:57:56 | |
and trains the dogs to do what they do. He's just unbelievable at it. | 0:57:56 | 0:58:00 | |
Come by, come by, come by. | 0:58:00 | 0:58:02 | |
"Come by" means go around the sheep, I think and "away" means "go away". | 0:58:02 | 0:58:06 | |
ATTEMPTS TO WHISTLE | 0:58:09 | 0:58:11 | |
I'll get my dad to do it. | 0:58:13 | 0:58:15 | |
That'll do. Good boy. | 0:58:15 | 0:58:16 | |
At the minute, I'm a student and I'm a part-time barmaid. | 0:58:18 | 0:58:22 | |
I love working in the pub. I love having a craic with the locals. | 0:58:22 | 0:58:25 | |
It's a lot of fun. | 0:58:25 | 0:58:27 | |
On Thursday nights, I get an opportunity to sing, as well. | 0:58:29 | 0:58:32 | |
I love it. | 0:58:32 | 0:58:34 | |
As a little girl, I've always dreamt of getting to sing for a living. | 0:58:38 | 0:58:41 | |
Getting through today, it's really, really important to me. | 0:58:43 | 0:58:46 | |
I think I'm going to be so nervous. | 0:58:46 | 0:58:48 | |
I'm going to be shaking, but I think as soon as I start to sing, | 0:58:48 | 0:58:51 | |
hopefully, I'll just ease into it and really enjoy it. | 0:58:51 | 0:58:54 | |
# I sit by the harbour | 0:59:15 | 0:59:20 | |
# The sea calls to me | 0:59:21 | 0:59:24 | |
# I hide in the water | 0:59:27 | 0:59:33 | |
# But I need to breathe | 0:59:33 | 0:59:38 | |
# You are an ocean wave, my love | 0:59:38 | 0:59:42 | |
# If only I can find out the way | 0:59:42 | 0:59:48 | |
# To sail you | 0:59:48 | 0:59:51 | |
# I've been run aground | 0:59:53 | 0:59:58 | |
# So sad for a sailor | 0:59:59 | 1:00:04 | |
# I felt safe and sound | 1:00:04 | 1:00:09 | |
# But needed the danger | 1:00:10 | 1:00:15 | |
# You are an ocean wave, my love | 1:00:15 | 1:00:20 | |
# Crashing at the bow | 1:00:20 | 1:00:23 | |
# I am a galley slave, my love | 1:00:23 | 1:00:32 | |
# To sail you | 1:00:32 | 1:00:35 | |
# Maybe I'll just stow away. # | 1:00:35 | 1:00:41 | |
APPLAUSE AND CHEERING | 1:00:44 | 1:00:47 | |
Hello. Hello. What's your name? | 1:00:56 | 1:00:58 | |
My name is Niamh, I'm 18 and I come from County Donegal in Ireland. | 1:00:58 | 1:01:01 | |
Good Irish girl. I'll tell you why I didn't turn. | 1:01:01 | 1:01:06 | |
I thought it was a little bit of a shaky performance. Yes. | 1:01:06 | 1:01:09 | |
I mean, I could really tell your nerves, | 1:01:09 | 1:01:11 | |
but you have a really pretty voice | 1:01:11 | 1:01:14 | |
and, unfortunately, with a song like that, | 1:01:14 | 1:01:17 | |
it's all about your voice and the guitar, | 1:01:17 | 1:01:19 | |
so when you're exposed and you wobble, it's... | 1:01:19 | 1:01:23 | |
I know. Listen, about a year ago, I did a performance | 1:01:23 | 1:01:26 | |
on Strictly Come Dancing, | 1:01:26 | 1:01:27 | |
where I howled my way through Karma Chameleon. | 1:01:27 | 1:01:30 | |
A song that I've been singing since I was 21 and, you know, | 1:01:30 | 1:01:33 | |
it turned out that I had a polyp on my throat, | 1:01:33 | 1:01:36 | |
but I was ready to retire. | 1:01:36 | 1:01:38 | |
People were saying, "Oh, my God, he's really lost his voice. | 1:01:38 | 1:01:40 | |
"Give up." | 1:01:40 | 1:01:42 | |
So, really, the point of me telling you that story, | 1:01:42 | 1:01:44 | |
is there is something there and it's definitely worth exploring. | 1:01:44 | 1:01:48 | |
Us not turning, is not, you know, "Give up." | 1:01:48 | 1:01:51 | |
You didn't nail it in this performance, | 1:01:51 | 1:01:53 | |
but people have seen you and you've got something to build on | 1:01:53 | 1:01:56 | |
and what you do with that, I think, is really the essential thing. | 1:01:56 | 1:01:59 | |
Of course, of course. | 1:01:59 | 1:02:00 | |
You're a beautiful Irish girl and I wish you all the luck in the world. | 1:02:00 | 1:02:15 | |
A bit like Ricky, I was kind of like waiting for something to | 1:02:15 | 1:02:20 | |
It's kind of like a weird situation, because you've got to | 1:02:20 | 1:02:24 | |
show your capabilities in that short space of time. | 1:02:24 | 1:02:27 | |
It didn't feel like a safe pair of hands. | 1:02:27 | 1:02:29 | |
Like, it felt like you could have lost it at any moment | 1:02:29 | 1:02:33 | |
and that is just a nerve thing. | 1:02:33 | 1:02:34 | |
When I was 17, I was... I wasn't doing this, you know what I mean? | 1:02:34 | 1:02:39 | |
And it's a great start and I think you're marvellous | 1:02:39 | 1:02:41 | |
and wonderful and well done. | 1:02:41 | 1:02:43 | |
Thank you very much. | 1:02:43 | 1:02:45 | |
APPLAUSE | 1:02:45 | 1:02:47 | |
You can still keep going and pushing forward and developing. | 1:02:47 | 1:02:49 | |
You will do it. I got a record deal based on the fact | 1:02:49 | 1:02:52 | |
I was working in a shop and someone asked me a question one day. | 1:02:52 | 1:02:56 | |
"What do you do?" | 1:02:56 | 1:02:58 | |
And I said, "Well, I write loads of songs but nobody ever hears them." | 1:02:58 | 1:03:00 | |
And she was like, "I'm going to get you a meeting at a record label." | 1:03:00 | 1:03:04 | |
And I just went, "OK." | 1:03:04 | 1:03:06 | |
And I went there and he basically said to me, | 1:03:06 | 1:03:08 | |
"Your songs are rubbish, you're an average singer, | 1:03:08 | 1:03:12 | |
"but I really like you. Your personality is quite memorable." | 1:03:12 | 1:03:16 | |
And I thought, "I'm going to show him." Yeah. | 1:03:16 | 1:03:19 | |
It gives you a bit of resilience. It obviously worked. Yeah. | 1:03:19 | 1:03:22 | |
Thank you so much. | 1:03:23 | 1:03:24 | |
Thank you. | 1:03:26 | 1:03:28 | |
Look how pretty you are. Thank you so much for coming. | 1:03:28 | 1:03:32 | |
Lovely to meet you. | 1:03:32 | 1:03:34 | |
Do you think I was too harsh? No, she was... | 1:03:42 | 1:03:45 | |
It's a fine line because I loved how vulnerable she was, | 1:03:45 | 1:03:48 | |
but you don't want to be vulnerable to the point | 1:03:48 | 1:03:50 | |
that you don't think she's going to make it to the end of the song. | 1:03:50 | 1:03:53 | |
Well done. Well done. | 1:03:58 | 1:03:59 | |
I know I didn't sing it half as well as I could've, so... | 1:03:59 | 1:04:01 | |
You know, I couldn't expect them to turn, I guess, | 1:04:01 | 1:04:04 | |
when, you know...but it was really enjoyable. I did really enjoy it. | 1:04:04 | 1:04:07 | |
It wasn't meant to be for Niamh, but George has still got a good feeling. | 1:04:07 | 1:04:11 | |
My crystal is, like, directing me. | 1:04:14 | 1:04:16 | |
I feel like if someone is meant to be on your team, | 1:04:16 | 1:04:19 | |
no matter how they get there, they will get there. | 1:04:19 | 1:04:22 | |
There's no accidents. | 1:04:23 | 1:04:25 | |
Paloma. | 1:04:28 | 1:04:30 | |
It's going to be a good, this one. I've got a feeling. | 1:04:30 | 1:04:33 | |
Next to face her fate is Melissa Cavanagh from Sunderland. | 1:04:35 | 1:04:39 | |
I've pretty much sang from the age of about three. | 1:04:39 | 1:04:41 | |
I'm quite a believer in everything happens for a reason. | 1:04:44 | 1:04:47 | |
Life is too short to be comfortable. You get one shot. | 1:04:48 | 1:04:52 | |
# How long must he wait | 1:04:52 | 1:04:55 | |
# One more time for this simple twist of fate... # | 1:04:55 | 1:04:59 | |
# Keep on turning | 1:05:05 | 1:05:08 | |
# Proud Mary keep on burning... # | 1:05:08 | 1:05:11 | |
# Can't be sleeping | 1:05:17 | 1:05:19 | |
# Keep on waking | 1:05:19 | 1:05:22 | |
# Without the man next to me... # | 1:05:22 | 1:05:25 | |
Yes! | 1:05:25 | 1:05:26 | |
# Guilt is burning | 1:05:26 | 1:05:28 | |
# Inside I'm hurting | 1:05:28 | 1:05:30 | |
# This ain't a feeling I can keep | 1:05:30 | 1:05:33 | |
# So blame it on the night | 1:05:33 | 1:05:37 | |
# Don't blame it on me | 1:05:37 | 1:05:42 | |
# Blame it on the night | 1:05:42 | 1:05:46 | |
# Don't blame it on me | 1:05:46 | 1:05:56 | |
# Oh, I'm so so sorry | 1:05:57 | 1:06:02 | |
# Baby... # | 1:06:02 | 1:06:03 | |
Come on! Come on! | 1:06:03 | 1:06:04 | |
# I'll be better this time | 1:06:04 | 1:06:07 | |
# Better this time | 1:06:07 | 1:06:09 | |
# I will be better this time | 1:06:09 | 1:06:13 | |
# Oh, I've got defence | 1:06:13 | 1:06:17 | |
# Oh | 1:06:17 | 1:06:21 | |
# Just blame it on me | 1:06:21 | 1:06:25 | |
# Don't blame it on me | 1:06:25 | 1:06:27 | |
# Don't blame it on me | 1:06:27 | 1:06:30 | |
# Just blame it on me | 1:06:30 | 1:06:34 | |
# Don't blame it on me | 1:06:34 | 1:06:36 | |
# Don't blame it on me | 1:06:36 | 1:06:38 | |
# Don't blame it on me. # | 1:06:38 | 1:06:46 | |
CHEERING AND APPLAUSE | 1:06:46 | 1:06:48 | |
Well, it's me and you, babe. | 1:06:52 | 1:06:55 | |
Are you joking us right now? What's your name? | 1:06:55 | 1:06:58 | |
Hi, I'm, erm, Melissa Cavanagh and I'm from Sunderland, AKA Fun-derland. | 1:06:59 | 1:07:05 | |
Yay! | 1:07:05 | 1:07:06 | |
Oh, my God! What do you do? Well, please don't boo us. | 1:07:08 | 1:07:12 | |
OK, so, I work for a claims management company, but I promised... | 1:07:12 | 1:07:15 | |
AUDIENCE: Oh! | 1:07:15 | 1:07:17 | |
Please don't turn back around. | 1:07:17 | 1:07:19 | |
How old are you, darling? 25. Oh, you're a baby. Am I? | 1:07:20 | 1:07:24 | |
Well, compared to me, you're a baby. Tell me about yourself. | 1:07:24 | 1:07:27 | |
When did you start singing? | 1:07:27 | 1:07:29 | |
Erm, I started singing when I was, like, three years old | 1:07:29 | 1:07:33 | |
but what cemented the fact that I wanted to be a singer, | 1:07:33 | 1:07:35 | |
I had cancer when I was 13, so, erm, that kind of told me | 1:07:35 | 1:07:40 | |
that you're only here one time and so I'm living life to the full. | 1:07:40 | 1:07:43 | |
I'm actually celebrating ten years cancer-free this year. | 1:07:43 | 1:07:47 | |
APPLAUSE AND CHEERING | 1:07:47 | 1:07:48 | |
Beautiful. | 1:07:48 | 1:07:50 | |
APPLAUSE AND CHEERING | 1:07:50 | 1:07:55 | |
Amazing, amazing. | 1:07:55 | 1:07:56 | |
Well, nobody else turned, so I've got you. Yay! | 1:07:59 | 1:08:02 | |
Do you know what, George? | 1:08:02 | 1:08:04 | |
Everyone kind of likes it when four people turn round. | 1:08:04 | 1:08:06 | |
They think it's really exciting, all pitching, we're all battling, | 1:08:06 | 1:08:10 | |
but there's something really special about one person | 1:08:10 | 1:08:12 | |
seeing something in someone that the others aren't getting, | 1:08:12 | 1:08:15 | |
because it means you're with the person you are supposed to be with. | 1:08:15 | 1:08:18 | |
I think that's really special, so, for me, the single turns | 1:08:18 | 1:08:21 | |
are the most exciting ones, | 1:08:21 | 1:08:22 | |
because you've just paired up with people who get it. | 1:08:22 | 1:08:25 | |
There's stuff to work on, clearly. Yeah, yeah. | 1:08:25 | 1:08:28 | |
But, I don't know, I just felt there was a real richness to your voice. | 1:08:28 | 1:08:32 | |
I heard something and I think, now that I've seen you, | 1:08:32 | 1:08:34 | |
you look like a lovely girl. Thank you. You look like a lot of fun. | 1:08:34 | 1:08:37 | |
You look like a lovely man. Well, I am. | 1:08:37 | 1:08:39 | |
I am indeed! | 1:08:39 | 1:08:41 | |
Let's just do some great work together | 1:08:41 | 1:08:43 | |
and get you sounding amazing. | 1:08:43 | 1:08:44 | |
I'm so excited. | 1:08:44 | 1:08:46 | |
Give us a cuddle. | 1:08:49 | 1:08:50 | |
I'm so bad at these stairs. Don't fall. Thank you very much. | 1:08:52 | 1:08:56 | |
You're welcome, darling. This is really surreal. | 1:08:56 | 1:08:58 | |
How are you? Are you all right? | 1:08:58 | 1:09:00 | |
You're from Sunderland? Sunderland. Sunderland. | 1:09:01 | 1:09:04 | |
Funderland, #Funderland. | 1:09:04 | 1:09:06 | |
Fun, you know, fun, fun. | 1:09:06 | 1:09:09 | |
Funder? Like fun. F-U-N. Funder. Funder. | 1:09:09 | 1:09:13 | |
That could be the new name. I'm just giving you new ones. | 1:09:13 | 1:09:16 | |
See you soon, honey. | 1:09:16 | 1:09:17 | |
Thank you. Tell the people of Sunderland, what's up? | 1:09:21 | 1:09:23 | |
I will, absolutely, absolutely. Ah! | 1:09:23 | 1:09:25 | |
CHEERING AND APPLAUSE | 1:09:27 | 1:09:30 | |
I liked her. She was cute. She's gorgeous. | 1:09:40 | 1:09:43 | |
Her story is wonderful. I know, love that. | 1:09:43 | 1:09:46 | |
That was worth turning for, the headband, wasn't it? | 1:09:46 | 1:09:49 | |
Glitter, anything sparkly. | 1:09:49 | 1:09:50 | |
Funderland. | 1:09:52 | 1:09:54 | |
SCREAMING AND SHOUTING | 1:09:56 | 1:09:57 | |
I was surprised that nobody else turned but I was also quite pleased. | 1:09:57 | 1:10:00 | |
I heard something that the others didn't hear. | 1:10:00 | 1:10:03 | |
The blind auditions are a big deal for all our singers, but for | 1:10:05 | 1:10:08 | |
18-year-old Harry Fisher, it's another huge milestone to deal with. | 1:10:08 | 1:10:11 | |
I've lived in Southampton all my life with my family, | 1:10:12 | 1:10:16 | |
but I've just moved up to London to university. | 1:10:16 | 1:10:18 | |
Congratulations, you are now a student. | 1:10:18 | 1:10:21 | |
Moving away from home has been scary. | 1:10:21 | 1:10:23 | |
I've only ever been away from my mum for, like, a week. | 1:10:23 | 1:10:26 | |
You going to be all right? Yes, I'll be fine. Are you sure? Love you. | 1:10:26 | 1:10:30 | |
But I'm coping well. | 1:10:30 | 1:10:33 | |
He tried to put a dishwasher tablet in the washing machine, | 1:10:33 | 1:10:35 | |
so he's got a lot to learn. | 1:10:35 | 1:10:37 | |
I've been there two weeks and I haven't actually cooked | 1:10:38 | 1:10:41 | |
for myself, yet. | 1:10:41 | 1:10:42 | |
So what do you do when you're hungry? | 1:10:42 | 1:10:44 | |
There's a really good newsagents round the corner that do | 1:10:44 | 1:10:47 | |
microwave burgers and stuff. | 1:10:47 | 1:10:48 | |
Microwave burgers from the newsagent? I like it. | 1:10:48 | 1:10:52 | |
I was about seven when I started singing. | 1:10:53 | 1:10:56 | |
I just found out I had a passion for it. | 1:10:56 | 1:10:58 | |
It's the only thing that genuinely makes me happy. | 1:10:58 | 1:11:00 | |
How are you feeling about the audition today? I'm really nervous. | 1:11:00 | 1:11:03 | |
Yeah? I want to get it done. | 1:11:03 | 1:11:05 | |
I feel like the biggest opportunity in the world has just hit me | 1:11:05 | 1:11:08 | |
straight in the face. | 1:11:08 | 1:11:10 | |
Very proud of him. Good luck. | 1:11:10 | 1:11:12 | |
It's something that he wants so badly. Woo! | 1:11:12 | 1:11:16 | |
Thank you very much. | 1:11:16 | 1:11:18 | |
Go on, Harry. | 1:11:18 | 1:11:19 | |
Everything has completely changed for me in the last few weeks. | 1:11:25 | 1:11:28 | |
Now I've got a chance of a lifetime. | 1:11:28 | 1:11:31 | |
I've got to keep it together and take my chance. | 1:11:31 | 1:11:34 | |
ALL: Woohoo! | 1:11:39 | 1:11:42 | |
# To seeing shows in evening clothes with you | 1:12:10 | 1:12:19 | |
# Holding something we don't need | 1:12:19 | 1:12:21 | |
# All this delusion in our heads | 1:12:23 | 1:12:25 | |
# Is going to bring us to our knees | 1:12:25 | 1:12:28 | |
# So come on, let it go | 1:12:28 | 1:12:32 | |
# Just let it be | 1:12:32 | 1:12:35 | |
# Why don't you be you | 1:12:35 | 1:12:39 | |
# And I'll be me | 1:12:39 | 1:12:42 | |
# Everything that's broke | 1:12:42 | 1:12:45 | |
# Leave it to the breeze | 1:12:45 | 1:12:48 | |
# Why don't you be you | 1:12:48 | 1:12:52 | |
# And I'll be me | 1:12:52 | 1:12:54 | |
# Trying to push this problem up the hill | 1:12:56 | 1:13:00 | |
# When it's just too heavy to hold | 1:13:00 | 1:13:03 | |
# I think it's time to let it slide | 1:13:03 | 1:13:08 | |
# Come on, let it go... # | 1:13:08 | 1:13:10 | |
Please, turn the chair. | 1:13:10 | 1:13:12 | |
# Just let it be | 1:13:12 | 1:13:15 | |
# And you can be you, you, you | 1:13:15 | 1:13:18 | |
# And I'll be me | 1:13:18 | 1:13:21 | |
# So come on, let it go | 1:13:21 | 1:13:25 | |
# Just let it be... # | 1:13:25 | 1:13:27 | |
Come on! | 1:13:27 | 1:13:29 | |
# Why don't you be you... # | 1:13:29 | 1:13:30 | |
Spin the chair! | 1:13:30 | 1:13:32 | |
# And I'll be me | 1:13:32 | 1:13:35 | |
# And I'll be me. # | 1:13:35 | 1:13:39 | |
CHEERING AND APPLAUSE | 1:13:39 | 1:13:41 | |
ALL: Yay! | 1:13:41 | 1:13:49 | |
Aww! | 1:13:52 | 1:13:55 | |
You are such a beautiful singer. Thank you so much. | 1:14:06 | 1:14:08 | |
What's your name? I'm Harry Fisher. So good. | 1:14:11 | 1:14:17 | |
and I certainly wasn't expecting you to be wearing shoes like that! | 1:14:17 | 1:14:20 | |
Look at that, wow! | 1:14:20 | 1:14:23 | |
You're so quirky. | 1:14:23 | 1:14:25 | |
I'm getting a quirky team as it goes along. | 1:14:25 | 1:14:28 | |
Hi, Harry, how are you doing? | 1:14:28 | 1:14:30 | |
I'm good, thank you. | 1:14:30 | 1:14:31 | |
The reason I didn't turn was for egotistical ones. | 1:14:31 | 1:14:34 | |
I had my hands over the button and I saw George do it and I thought, | 1:14:34 | 1:14:37 | |
I don't want to lose to George today and I really... | 1:14:37 | 1:14:39 | |
You are such a liar. And I'm really glad. | 1:14:39 | 1:14:42 | |
I think you're an amazing singer | 1:14:42 | 1:14:43 | |
and there was no way I could have beaten George in a pitch. | 1:14:43 | 1:14:46 | |
Thank you so much. Thank you. | 1:14:46 | 1:14:47 | |
Well, if you were female, he could have batted his eyelashes at you. | 1:14:47 | 1:14:51 | |
George, I will try that on anyone. | 1:14:51 | 1:14:53 | |
LAUGHTER | 1:14:53 | 1:14:55 | |
I think you're going to be, like, a deadly threat to everyone else | 1:14:57 | 1:15:01 | |
on this show, especially you matched up and paired with Mr Boy, here. | 1:15:01 | 1:15:05 | |
I've got to tell the rest of my people on my team | 1:15:05 | 1:15:07 | |
to watch out for this combination. Your voice is amazing. | 1:15:07 | 1:15:11 | |
I could already hear it in the lives. | 1:15:11 | 1:15:13 | |
Whatever happens, you know, you're young and you will have a future. | 1:15:15 | 1:15:21 | |
You know, this is why this show is so great, because it provides you | 1:15:21 | 1:15:24 | |
with a platform, and I'm very excited to be part of it. | 1:15:24 | 1:15:28 | |
Me too, thank you. Welcome to my team. | 1:15:28 | 1:15:30 | |
Look at you. You're so cute. And you were wonderful. So are you. | 1:15:32 | 1:15:37 | |
Oh, my gosh! | 1:15:37 | 1:15:38 | |
I'm sorry I didn't turn with you there. That's OK, that's OK. | 1:15:45 | 1:15:49 | |
I should've turned, as well. | 1:15:49 | 1:15:50 | |
If I'd known what he looked like, I would've gone. | 1:15:50 | 1:15:52 | |
It's kind of awesome. | 1:15:52 | 1:15:54 | |
Well done. | 1:15:56 | 1:15:57 | |
You just don't ever think that it's going to happen to you in there | 1:15:57 | 1:16:00 | |
and when he turned around, I wanted to fall on the floor and cry. | 1:16:00 | 1:16:04 | |
You're on team Boy George! | 1:16:04 | 1:16:06 | |
Your brother and your mum were so emotional, in here, watching. | 1:16:07 | 1:16:11 | |
Has he been crying? He's been crying. Come here! | 1:16:11 | 1:16:15 | |
He's totally quirky. He's amazing. He's amazing, he's amazing. | 1:16:19 | 1:16:23 | |
What a find. He's going to the final. Wasn't he lovely? | 1:16:23 | 1:16:27 | |
AUDIENCE: Yes. | 1:16:27 | 1:16:29 | |
Great voice and great shoes. | 1:16:29 | 1:16:32 | |
You were walking across the stage and he went, "Those shoes!" | 1:16:34 | 1:16:37 | |
I was like "Oh, my goodness, those shoes!" | 1:16:37 | 1:16:40 | |
I think I'm pretty intuitive and building up my team quite nicely. | 1:16:40 | 1:16:43 | |
I was really, really happy to get him. | 1:16:45 | 1:16:47 | |
See you later. | 1:16:47 | 1:16:49 | |
It was a simple twist of fate. | 1:16:49 | 1:16:51 | |
Week two of the blind auditions has been a spiritual journey. | 1:16:56 | 1:17:00 | |
Pull up! | 1:17:00 | 1:17:01 | |
George's crystals attract three new acts, taking his total to four. | 1:17:04 | 1:17:08 | |
It's mystical, it's spiritual, I'm absolutely loving it. | 1:17:10 | 1:17:14 | |
HE SHOUTS | 1:17:14 | 1:17:16 | |
Will's ley lines connect with two acts, also bringing him to four. | 1:17:16 | 1:17:21 | |
My team is awesome. Super-duper happy. | 1:17:21 | 1:17:25 | |
I think we're off to a great start. I'm over here. | 1:17:25 | 1:17:28 | |
Cautious Capricorn Ricky added only one act to his previous two. | 1:17:28 | 1:17:32 | |
I'm really excited about how my team is shaping up. | 1:17:34 | 1:17:37 | |
Thank you so much. | 1:17:37 | 1:17:38 | |
Really enjoying myself. | 1:17:38 | 1:17:39 | |
He's level with Paloma, who's over the moon with her three. | 1:17:40 | 1:17:43 | |
Everyone I've picked is brilliant, so I'm quite chuffed. | 1:17:45 | 1:17:49 | |
But what does the future hold? | 1:17:49 | 1:17:50 | |
Find out next week as The Voice continues. | 1:17:50 | 1:17:53 | |
I'm not here to, like, make friends. I'm here to win. | 1:17:53 | 1:17:56 | |
Boom! | 1:17:56 | 1:17:57 | |
DERMOT O'LEARY: This is possibly | 1:18:30 | 1:18:32 | |
the most important moment in your entire lives. | 1:18:32 | 1:18:35 | |
# Times that I've seen you lose your way | 1:18:36 | 1:18:39 |