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Wake up! Wake up! | 0:00:02 | 0:00:06 | |
Wake up! | 0:00:06 | 0:00:08 | |
WAKE UP! It's Season Five of The Voice. Ha-ha! | 0:00:08 | 0:00:13 | |
This is season five and we have faith. Paloma Faith. | 0:00:16 | 0:00:21 | |
And we have George. Boy George. | 0:00:26 | 0:00:28 | |
By golly, and Ricky is back. And of course the man. will.i.am | 0:00:29 | 0:00:34 | |
Season five is the jam. | 0:00:34 | 0:00:37 | |
Wham, bam. How ya like that? | 0:00:37 | 0:00:41 | |
LAUGHTER | 0:00:44 | 0:00:47 | |
Are we going to do it now? | 0:00:48 | 0:00:51 | |
All right, I'm ready. | 0:00:58 | 0:01:00 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:06 | |
# Get up, g-get up | 0:01:17 | 0:01:21 | |
-# Get on up -# Get up | 0:01:21 | 0:01:23 | |
-# Get on up -# Stay on the scene | 0:01:23 | 0:01:26 | |
-# Get on up -# Like a sex machine | 0:01:26 | 0:01:28 | |
-# Get on up, get up! -# Get on up | 0:01:28 | 0:01:31 | |
-# Get up! -# Get on up | 0:01:31 | 0:01:33 | |
-# Stay on the scene -# Get on up | 0:01:33 | 0:01:36 | |
# Like a sex machine | 0:01:36 | 0:01:39 | |
# Sometimes I feel like throwing my hands up in the air | 0:01:39 | 0:01:43 | |
# I know I can count on you | 0:01:43 | 0:01:47 | |
# Sometimes I feel like saying, "Lord, I just don't care!" | 0:01:47 | 0:01:51 | |
# Get up | 0:01:51 | 0:01:53 | |
# You've got the love I need to see me through | 0:01:53 | 0:01:57 | |
# Sometimes it seems the going is just too rough | 0:01:57 | 0:02:00 | |
# And things go wrong no matter what I do | 0:02:00 | 0:02:04 | |
# Get up | 0:02:04 | 0:02:06 | |
# Now and then I feel like life is just too much | 0:02:06 | 0:02:09 | |
# But you've got the love I need to see me through | 0:02:09 | 0:02:13 | |
-# Yay! -# Get on up | 0:02:13 | 0:02:17 | |
-# Get up! -# Get on up. # | 0:02:17 | 0:02:18 | |
Ladies and gentlemen, make some noise for the legend, Boy George. | 0:02:18 | 0:02:23 | |
# You need cooling Baby, I'm not fooling | 0:02:23 | 0:02:28 | |
# Gonna take you back Back to schooling | 0:02:28 | 0:02:33 | |
# Way down inside Below, where you feel it | 0:02:33 | 0:02:37 | |
# I'm gonna give you my love | 0:02:37 | 0:02:39 | |
-TOGETHER: -# I'm gonna give you my love | 0:02:39 | 0:02:42 | |
# Yay, yay! | 0:02:42 | 0:02:44 | |
# Wanna whole lotta love | 0:02:45 | 0:02:48 | |
# Wanna whole lotta love | 0:02:48 | 0:02:50 | |
# Wanna whole lotta love!... # | 0:02:50 | 0:02:52 | |
Fellas, let's take it to the next level. | 0:02:54 | 0:02:57 | |
# One, two, one-two-three-four! | 0:02:57 | 0:03:00 | |
# Wanna whole lotta love | 0:03:01 | 0:03:03 | |
# Wanna whole lotta love | 0:03:03 | 0:03:06 | |
# Wanna whole lotta love | 0:03:06 | 0:03:08 | |
# Wanna whole lotta love | 0:03:08 | 0:03:12 | |
# I'm gonna give you my love | 0:03:12 | 0:03:15 | |
# I'm gonna give you my love | 0:03:15 | 0:03:17 | |
# I'm gonna give you my love | 0:03:17 | 0:03:20 | |
# Wanna whole lotta love! # | 0:03:20 | 0:03:22 | |
CHEERING AND APPLAUSE | 0:03:22 | 0:03:26 | |
OK, let's get started. This is the blind auditions. | 0:03:28 | 0:03:31 | |
Super-slick Ricky Wilson coached last year's winner | 0:03:36 | 0:03:39 | |
and he is getting his fighting talk in early this time. | 0:03:39 | 0:03:42 | |
I'm not going to get wrapped up in winning. | 0:03:42 | 0:03:43 | |
I'm going to get wrapped up in everyone else losing. | 0:03:43 | 0:03:46 | |
Bring the action. | 0:03:46 | 0:03:47 | |
Our old friend producer and space cadet will.i.am is back with a new plan. | 0:03:47 | 0:03:52 | |
I have a whole new method this season because I'm on a mission. | 0:03:52 | 0:03:55 | |
But he's not the only cat in a hat. | 0:03:57 | 0:04:00 | |
Boy George trying to come on the show wearing hats. Just kidding! | 0:04:00 | 0:04:06 | |
# Karma, karma, karma, karma, karma chameleon | 0:04:06 | 0:04:10 | |
# You come and go, you come and go... # | 0:04:10 | 0:04:14 | |
Yeah, he's made up and we're made up to have him. | 0:04:14 | 0:04:17 | |
The star who's sold over 100 million singles and 50 million albums. | 0:04:17 | 0:04:21 | |
Boy George has decades of experience and has earned the name icon. | 0:04:23 | 0:04:28 | |
So, hats off to Boy George. | 0:04:28 | 0:04:31 | |
I would love to find an Amy Winehouse or a Dylan or a Bowie, | 0:04:31 | 0:04:36 | |
singers that have that thing in their voice that makes you believe them. | 0:04:36 | 0:04:42 | |
There's a part of me that's eager to push that button. Ha-ha! | 0:04:42 | 0:04:46 | |
# I just can't rely on you! # | 0:04:46 | 0:04:48 | |
And completing the line-up with style and a serious dose of soul... | 0:04:48 | 0:04:52 | |
# Trouble with my baby! # | 0:04:52 | 0:04:55 | |
..is Brit-winner and multiplatinum-selling Paloma Faith. | 0:04:55 | 0:04:59 | |
She means business. | 0:04:59 | 0:05:01 | |
I'm not really interested in vocal gymnastics. | 0:05:01 | 0:05:04 | |
The first and foremost thing is the person's soul. | 0:05:04 | 0:05:08 | |
If I can hear their life in their voice, that's my priority. | 0:05:08 | 0:05:12 | |
I'm looking forward to sitting in that big red chair! | 0:05:12 | 0:05:16 | |
New faces, new voices. Let's go! | 0:05:17 | 0:05:20 | |
APPLAUSE | 0:05:20 | 0:05:22 | |
Yes! | 0:05:29 | 0:05:30 | |
-Nervous. -It's their first one. -Yes, baby. | 0:05:33 | 0:05:36 | |
'First to take to the stage is 25-year-old Beth Morris.' | 0:05:39 | 0:05:44 | |
Whenever I go on stage, I like to be daring and be different. | 0:05:44 | 0:05:47 | |
Boy George is never worried about what anybody thinks. | 0:05:49 | 0:05:53 | |
-I don't know how you're so calm. -I'm not calm! | 0:05:53 | 0:05:57 | |
Paloma Faith, I adore her. | 0:05:57 | 0:05:59 | |
She doesn't follow the crowd. She just is who she is. | 0:05:59 | 0:06:02 | |
-Good luck. -I'm going to struggle. I want to turn for everyone. | 0:06:02 | 0:06:06 | |
will.i.am and Ricky, they are both amazing. | 0:06:06 | 0:06:09 | |
-Are you guys ready? -Let's pump it. | 0:06:12 | 0:06:14 | |
# I got the eye of the tiger, fire... # | 0:06:14 | 0:06:20 | |
So exciting. Now we're doing it, I'm excited. | 0:06:20 | 0:06:24 | |
# And you're going to hear me roar! | 0:06:24 | 0:06:28 | |
# Louder than a lion cos I am the champion... # | 0:06:28 | 0:06:34 | |
-It looks like she means business! -Go on, girl! | 0:06:34 | 0:06:38 | |
GUITAR INTRO TO NUTBUSH CITY LIMITS | 0:06:49 | 0:06:52 | |
# Church house, gin house | 0:06:56 | 0:06:58 | |
# Schoolhouse, outhouse | 0:06:58 | 0:07:02 | |
# On highway number nineteen | 0:07:02 | 0:07:04 | |
# The people keep the city clean | 0:07:04 | 0:07:08 | |
# They call it Nutbush | 0:07:08 | 0:07:11 | |
# Oh, Nutbush | 0:07:11 | 0:07:14 | |
# They call it Nutbush city limits | 0:07:14 | 0:07:16 | |
# Come on! | 0:07:16 | 0:07:18 | |
# Nutbush city | 0:07:18 | 0:07:20 | |
# You go to the fields on weekdays | 0:07:20 | 0:07:24 | |
# And have a picnic on Labor Day | 0:07:24 | 0:07:27 | |
# You go to town on Saturday | 0:07:27 | 0:07:30 | |
# But go to church every Sunday | 0:07:30 | 0:07:32 | |
# They call it Nutbush | 0:07:32 | 0:07:37 | |
# Nutbush | 0:07:37 | 0:07:40 | |
# They call it Nutbush city limits | 0:07:40 | 0:07:43 | |
# Nutbush city | 0:07:43 | 0:07:45 | |
# No whiskey for sale | 0:07:46 | 0:07:49 | |
# You can't get no bail | 0:07:49 | 0:07:52 | |
# Salt pork and molasses | 0:07:52 | 0:07:55 | |
# Is all you get in jail | 0:07:55 | 0:07:58 | |
# They call it Nutbush | 0:07:58 | 0:08:02 | |
# Oh, Nutbush | 0:08:02 | 0:08:04 | |
# They call it Nutbush city limits | 0:08:05 | 0:08:09 | |
# Nutbush city | 0:08:09 | 0:08:11 | |
# Oh, Nutbush | 0:08:11 | 0:08:14 | |
# Nutbush! # | 0:08:14 | 0:08:17 | |
CHEERING AND APPLAUSE | 0:08:17 | 0:08:22 | |
Wow! | 0:08:28 | 0:08:30 | |
Wow! | 0:08:43 | 0:08:45 | |
You are fierce on every level! What's your name? | 0:08:46 | 0:08:50 | |
My name is Beth Morris. Hi, guys. | 0:08:50 | 0:08:52 | |
-Where are you from? -I'm from Maidenhead. -Maidenhead?! | 0:08:57 | 0:09:01 | |
-I was rocking out in Maidenhead. -You were? | 0:09:01 | 0:09:03 | |
What were you doing in Maidenhead? | 0:09:03 | 0:09:05 | |
Er, just hanging out with the heads. | 0:09:05 | 0:09:08 | |
LAUGHTER | 0:09:08 | 0:09:09 | |
Have you got all your friends and family out there? | 0:09:09 | 0:09:12 | |
-Yeah, they are all here. -Cheering for you. | 0:09:12 | 0:09:15 | |
I understand why, because that was phenomenal. | 0:09:15 | 0:09:18 | |
And then, you know when you turn...? | 0:09:18 | 0:09:21 | |
APPLAUSE | 0:09:21 | 0:09:23 | |
And you are a vision. | 0:09:23 | 0:09:24 | |
You are so beautiful and even the touch of the different shoe | 0:09:24 | 0:09:28 | |
colours - don't think I didn't notice! | 0:09:28 | 0:09:31 | |
When you sing normally, what do you sing? | 0:09:34 | 0:09:37 | |
I sing sort of real old school, I love singing the blues and... | 0:09:37 | 0:09:41 | |
Oh! Let's just make musical babies now! | 0:09:41 | 0:09:45 | |
APPLAUSE | 0:09:45 | 0:09:48 | |
I don't know what the female version of bromance is, what is it? | 0:09:52 | 0:09:55 | |
Oh, this is it! | 0:09:55 | 0:09:58 | |
Will? | 0:09:59 | 0:10:01 | |
Amazing voice. And as you went on, you got better and better. | 0:10:02 | 0:10:07 | |
-That was like, freaking awesome. -Thank you. | 0:10:07 | 0:10:09 | |
And then I was looking at Paloma's face and she was like... | 0:10:09 | 0:10:13 | |
I was like, "OK, this has to be cool," cos Paloma would be like... | 0:10:16 | 0:10:19 | |
if it wasn't. | 0:10:19 | 0:10:20 | |
So... | 0:10:23 | 0:10:25 | |
Are we pitching? | 0:10:26 | 0:10:27 | |
Well, I am, as you know, all about women for women | 0:10:27 | 0:10:31 | |
and I want to be empowered and when I look at a woman, | 0:10:31 | 0:10:34 | |
I love women so much... | 0:10:34 | 0:10:36 | |
-Me too. -Yeah, but not... | 0:10:36 | 0:10:38 | |
Oh! Not in the same way as Will. | 0:10:38 | 0:10:42 | |
What I love about it is that your voice is so fierce | 0:10:42 | 0:10:46 | |
and I feel like you've got so much versatility, | 0:10:46 | 0:10:50 | |
like, that sort of ferocious, dominant thing | 0:10:50 | 0:10:54 | |
mixed with the vulnerability, | 0:10:54 | 0:10:55 | |
which all those amazing blues singers used to do, | 0:10:55 | 0:10:58 | |
like Etta James and Tina Turner, | 0:10:58 | 0:11:00 | |
-like, I'm just excited that you exist. -Oh... | 0:11:00 | 0:11:04 | |
I'm slightly worried that Paloma might keep you in your comfort zone. | 0:11:06 | 0:11:10 | |
No, there's no comfort zone with that. | 0:11:10 | 0:11:12 | |
-With an outfit like that, I don't think so! -I don't know. | 0:11:12 | 0:11:15 | |
Oh, honey, I wore stuff like that before she was born. | 0:11:15 | 0:11:18 | |
APPLAUSE | 0:11:18 | 0:11:19 | |
She's my child, Lady Gaga is the other one. | 0:11:26 | 0:11:28 | |
LAUGHTER | 0:11:28 | 0:11:31 | |
Ricky hasn't pitched. Then after Ricky pitches, I'll pitch. | 0:11:32 | 0:11:36 | |
Yeah... Sometimes it's really hard, | 0:11:36 | 0:11:39 | |
especially when there's such big characters in the room | 0:11:39 | 0:11:42 | |
-and I just sit back and listen to what they're saying. -Oh, God! | 0:11:42 | 0:11:46 | |
-PALOMA: He's so humble(!) -It's not that, no, I'm just saying, | 0:11:46 | 0:11:48 | |
cos you're all saying all the right things. | 0:11:48 | 0:11:51 | |
When I first heard the song, the band strike up | 0:11:51 | 0:11:53 | |
and I was a bit worried because it's a classic pubs and clubs song | 0:11:53 | 0:11:56 | |
and it's a brilliant song and it gets the crowd going, | 0:11:56 | 0:11:58 | |
but you did more than get the crowd going, | 0:11:58 | 0:12:01 | |
you got four people turning with just the voice. | 0:12:01 | 0:12:03 | |
APPLAUSE | 0:12:03 | 0:12:05 | |
So my pitch is this. Simple. | 0:12:08 | 0:12:11 | |
We're going to end up working with each other later on | 0:12:11 | 0:12:13 | |
whether it's on this show or later on in the future | 0:12:13 | 0:12:16 | |
cos I would work my hardest to try to work with you | 0:12:16 | 0:12:18 | |
cos you're one of those dynamic artists. | 0:12:18 | 0:12:20 | |
And then we're going to work together anyway, so... Whatever. | 0:12:20 | 0:12:24 | |
APPLAUSE | 0:12:24 | 0:12:27 | |
What career do you want? You know, do you want longevity like me... | 0:12:28 | 0:12:32 | |
Do you want to be sitting around in 30 years talking about | 0:12:32 | 0:12:35 | |
how fabulous your career is and how much more you've got to do? | 0:12:35 | 0:12:38 | |
LAUGHTER | 0:12:38 | 0:12:40 | |
You know, what kind of mentoring do you want? | 0:12:40 | 0:12:42 | |
Everybody here can offer something, you know. | 0:12:42 | 0:12:45 | |
OK, well, I did have someone in mind, | 0:12:45 | 0:12:49 | |
however, you know, Ricky, you're so charming and lovely | 0:12:49 | 0:12:52 | |
and genuine, you seem that. | 0:12:52 | 0:12:54 | |
Paloma, I just clicked with you straightaway. | 0:12:54 | 0:12:56 | |
Boy George, you are an icon. | 0:12:56 | 0:12:58 | |
You look amazing, by the way, you look really good. | 0:12:58 | 0:13:01 | |
And, Will, you know, you are just phenomenal | 0:13:01 | 0:13:05 | |
and I respect your work so much. | 0:13:05 | 0:13:07 | |
This is really hard. | 0:13:07 | 0:13:09 | |
I... | 0:13:12 | 0:13:14 | |
My instinct... | 0:13:14 | 0:13:15 | |
APPLAUSE | 0:13:15 | 0:13:18 | |
Um... | 0:13:22 | 0:13:24 | |
But I'm going to go with Paloma. | 0:13:24 | 0:13:26 | |
Yes! | 0:13:26 | 0:13:28 | |
APPLAUSE | 0:13:28 | 0:13:30 | |
-I'm so happy. -Thank you. | 0:13:35 | 0:13:37 | |
-You're gorgeous. -I really want to work with you. | 0:13:37 | 0:13:39 | |
And I think you're amazing. | 0:13:39 | 0:13:41 | |
APPLAUSE | 0:13:41 | 0:13:44 | |
Yes! | 0:13:49 | 0:13:50 | |
I'm worn out. | 0:13:55 | 0:13:58 | |
She was dope! | 0:13:58 | 0:13:59 | |
CHEERING | 0:13:59 | 0:14:02 | |
Chuffed to bits. | 0:14:05 | 0:14:07 | |
-Give it to me, let's go. -Are we ready, guys? One, two, three... | 0:14:07 | 0:14:10 | |
THEY CHEER | 0:14:10 | 0:14:11 | |
Yes! Beth, congratulations. | 0:14:11 | 0:14:14 | |
Did you enjoy that? | 0:14:14 | 0:14:15 | |
-I did enjoy it, yeah. -Wow. | 0:14:15 | 0:14:17 | |
At the end of this round, it's one point to Paloma Faith, | 0:14:17 | 0:14:20 | |
zero to the boys. | 0:14:20 | 0:14:22 | |
LAUGHTER | 0:14:22 | 0:14:25 | |
She's confident. | 0:14:27 | 0:14:28 | |
But it will wane as the hours pass. And her hair drops. | 0:14:29 | 0:14:33 | |
It's all pretend, deep down I'm vulnerable. | 0:14:35 | 0:14:37 | |
LAUGHTER | 0:14:37 | 0:14:39 | |
APPLAUSE | 0:14:41 | 0:14:43 | |
-Hello! -Hello! -Yes! | 0:14:43 | 0:14:46 | |
-George? -Hello! -George! -George! -Hello. | 0:14:47 | 0:14:51 | |
-How are you settling in? -I love it. -Yeah? -It's kind of surreal... | 0:14:51 | 0:14:55 | |
-Yeah? -It's kind of surreal but it's just such fun. -Comfy in the chair? | 0:14:55 | 0:15:00 | |
-Yeah, love it. -Happy with your button? | 0:15:00 | 0:15:02 | |
-Yeah, it's not work, is it? It's just fun. -It is. | 0:15:02 | 0:15:05 | |
-Paloma, my love? -Yes, my sweet voice from behind. | 0:15:05 | 0:15:08 | |
How are you, you OK, are you enjoying yourself? | 0:15:08 | 0:15:11 | |
Yeah, I feel great. | 0:15:11 | 0:15:12 | |
I think everyone's lovely. It's like my new home. | 0:15:12 | 0:15:15 | |
Lovely, all right, shall we get on with it, then? | 0:15:15 | 0:15:17 | |
CHEERING AND APPLAUSE | 0:15:17 | 0:15:20 | |
Think you could do better in my chair? | 0:15:21 | 0:15:24 | |
Download the Voice app and play along now. | 0:15:24 | 0:15:26 | |
Pick your own team by hitting your buttons. | 0:15:26 | 0:15:28 | |
Rate the performances, then challenge other fans too. | 0:15:28 | 0:15:31 | |
Who would you turn for? | 0:15:31 | 0:15:32 | |
Download the Voice UK app and be a homecoach now. | 0:15:33 | 0:15:37 | |
Next up, one man and his fish. | 0:15:39 | 0:15:43 | |
I'm Tom Rickels. I'm 22. | 0:15:45 | 0:15:46 | |
And I'm a fishmonger. | 0:15:48 | 0:15:49 | |
The fish are my best friends, which sounds incredibly sad, but they are. | 0:15:51 | 0:15:55 | |
I have a little pep talk with the fish. | 0:15:55 | 0:15:57 | |
"Going to have a great day, some of you won't be here at the end of it | 0:15:57 | 0:16:01 | |
"but we're going to do it, we're going to smash it." | 0:16:01 | 0:16:03 | |
Come on, team, all in. | 0:16:03 | 0:16:05 | |
Guys, stop it. | 0:16:05 | 0:16:06 | |
I'm constantly trying to think of new fish puns | 0:16:11 | 0:16:13 | |
to keep the customers happy. | 0:16:13 | 0:16:15 | |
Look at him, he's gutted. | 0:16:15 | 0:16:17 | |
He is actually gutted. | 0:16:17 | 0:16:19 | |
SHE CHUCKLES | 0:16:19 | 0:16:20 | |
For goodness "hake", I work on a fish counter. | 0:16:20 | 0:16:23 | |
It's the life and "sole" of the party. | 0:16:23 | 0:16:25 | |
We get up to a lot of "fin". Aah? | 0:16:25 | 0:16:27 | |
I absolutely love my job. | 0:16:32 | 0:16:34 | |
But I know it's not my calling. | 0:16:35 | 0:16:38 | |
I've always wanted to sing. | 0:16:38 | 0:16:40 | |
For me, today is everything. I just have to nail it. | 0:16:40 | 0:16:44 | |
MUSIC: Jaws theme | 0:16:44 | 0:16:47 | |
# It's too hard to sleep | 0:16:59 | 0:17:02 | |
# I got the sheets on the floor | 0:17:02 | 0:17:05 | |
# Nothing on me | 0:17:05 | 0:17:07 | |
# And I can't take it no more, it's a hundred degrees | 0:17:07 | 0:17:12 | |
# I got one foot out the door, wh-wh-wh-where are my keys? Yeah | 0:17:12 | 0:17:17 | |
# Cos I gotta leave, I gotta leave | 0:17:17 | 0:17:19 | |
# In the back of the cab, woohoo | 0:17:19 | 0:17:22 | |
# I tipped the driver 'head of time, get me there fast | 0:17:22 | 0:17:27 | |
# I got your body on my mind, I want it bad | 0:17:27 | 0:17:31 | |
# And just the thought of you gets me so high | 0:17:32 | 0:17:36 | |
# I'm so high, I'm so high... # | 0:17:36 | 0:17:40 | |
Yeah! Get in! | 0:17:40 | 0:17:42 | |
# Love me like you do, lo-lo-love me like you do | 0:17:42 | 0:17:45 | |
# And love me like you do, lo-lo-love me like you do | 0:17:45 | 0:17:50 | |
# And touch me like you do, to-to-touch me like you do | 0:17:50 | 0:17:54 | |
# Do | 0:17:54 | 0:17:57 | |
# What are you waiting for? Hey! # | 0:17:57 | 0:18:00 | |
-Come on! -Go on! | 0:18:00 | 0:18:02 | |
# You're the one I want to want me | 0:18:02 | 0:18:06 | |
# And if you want me, if you want me, girl, you got me | 0:18:06 | 0:18:12 | |
# There's nothing I, no, I wouldn't do | 0:18:12 | 0:18:17 | |
# What are you waiting for? # | 0:18:17 | 0:18:20 | |
CHEERING AND APPLAUSE | 0:18:21 | 0:18:25 | |
-You all right? Hello, hello. How are we? -Hi, how are you doing? | 0:18:37 | 0:18:42 | |
I was supposed to say, "Hey, what's your name?" | 0:18:42 | 0:18:45 | |
And I was just there going... | 0:18:45 | 0:18:47 | |
"That's something else, then, isn't it?" | 0:18:47 | 0:18:49 | |
I hit it so hard it didn't work, right? I was like... | 0:18:49 | 0:18:52 | |
-What's your name? -Hello, I'm Tom Rickels. | 0:18:54 | 0:18:57 | |
I'm 22, from Bristol, and I'm a fishmonger. | 0:18:57 | 0:18:59 | |
CHEERING AND APPLAUSE | 0:18:59 | 0:19:02 | |
Fishmonger's in the house! | 0:19:04 | 0:19:05 | |
I was just saying we don't have enough fishmongers on here. | 0:19:05 | 0:19:07 | |
Yeah, you know, I was thinking the same thing. | 0:19:07 | 0:19:10 | |
So, yeah, and what do you do? | 0:19:10 | 0:19:12 | |
He descales, he debones and prepares. | 0:19:12 | 0:19:15 | |
-I sing to the fish as well, the dead fish. -"Tuner" fish? | 0:19:15 | 0:19:19 | |
GROANING | 0:19:19 | 0:19:21 | |
Oh, my "cod"! | 0:19:21 | 0:19:22 | |
-He knows his "scales"! -Oh... | 0:19:22 | 0:19:25 | |
If you were a fish, what would you be? | 0:19:26 | 0:19:28 | |
I'm a Pisces. | 0:19:28 | 0:19:30 | |
LAUGHTER | 0:19:30 | 0:19:32 | |
And I'm a Gemini. Fish need air. | 0:19:32 | 0:19:35 | |
Water, water, they need water. | 0:19:35 | 0:19:37 | |
-They need air too. -Fish need water. -And air. | 0:19:37 | 0:19:40 | |
LAUGHTER | 0:19:40 | 0:19:44 | |
-I'd be a starfish. -A starfish, OK. | 0:19:44 | 0:19:47 | |
CHEERING AND APPLAUSE | 0:19:47 | 0:19:51 | |
-This is the moment of truth for you now. -A cuddly fillet. | 0:19:51 | 0:19:53 | |
I'd be "brill". | 0:19:53 | 0:19:55 | |
LAUGHTER AND APPLAUSE | 0:19:55 | 0:19:57 | |
So, my pitch is simple. | 0:19:59 | 0:20:00 | |
You're fresh, | 0:20:01 | 0:20:03 | |
dope, | 0:20:03 | 0:20:04 | |
I'm not going to promise you the world, | 0:20:04 | 0:20:06 | |
but I can promise you a fun time on Team Will. | 0:20:06 | 0:20:09 | |
And, if you don't pick me, | 0:20:09 | 0:20:11 | |
and these guys get rid of you during the battle rounds, | 0:20:11 | 0:20:15 | |
I'll probably snatch you up anyways, because we'll have saves. | 0:20:15 | 0:20:19 | |
So what you're saying is, there's many ways to fillet a fish? | 0:20:19 | 0:20:22 | |
LAUGHTER | 0:20:22 | 0:20:24 | |
I like this. | 0:20:24 | 0:20:26 | |
It's a competition, there's ups and downs. Sometimes... | 0:20:26 | 0:20:29 | |
Ricky will have somebody on his team, and I'll snatch him up. | 0:20:29 | 0:20:32 | |
So, you may think that you're not picking me, | 0:20:32 | 0:20:35 | |
but you might probably end up going with me, because you never know | 0:20:35 | 0:20:39 | |
what he's going to have later on in the competition. | 0:20:39 | 0:20:41 | |
Where he feels like, "Let me get rid of this fish later on." | 0:20:41 | 0:20:44 | |
Me being a fish myself. | 0:20:44 | 0:20:46 | |
LAUGHTER | 0:20:46 | 0:20:48 | |
I'm telling you - | 0:20:48 | 0:20:49 | |
you're probably going to end up on this team anyways. | 0:20:49 | 0:20:51 | |
-APPLAUSE -So... | 0:20:51 | 0:20:54 | |
Boy George is talking! Boy George is talking! | 0:20:56 | 0:21:00 | |
My pitch - very simple, like Will's - | 0:21:00 | 0:21:03 | |
I've sold 50 million records. | 0:21:03 | 0:21:05 | |
I am the other Queen of England. | 0:21:05 | 0:21:08 | |
APPLAUSE | 0:21:08 | 0:21:10 | |
And I have experience, lots of it. | 0:21:15 | 0:21:18 | |
Over 30 years of experience. | 0:21:18 | 0:21:21 | |
I don't really know what to say, | 0:21:21 | 0:21:23 | |
it's really hard to compete with Will and George on this, | 0:21:23 | 0:21:26 | |
because I'm not a world-class producer, | 0:21:26 | 0:21:28 | |
and I haven't sold 50 million records. | 0:21:28 | 0:21:31 | |
But... | 0:21:31 | 0:21:32 | |
You are brill. | 0:21:32 | 0:21:33 | |
-I'm br... -LAUGHTER | 0:21:33 | 0:21:36 | |
That's really a fish? A brill fish? | 0:21:36 | 0:21:37 | |
-Yeah. -LAUGHTER | 0:21:37 | 0:21:41 | |
But I've never seen anything quite like you. | 0:21:41 | 0:21:44 | |
CHEERING | 0:21:44 | 0:21:45 | |
Erm... | 0:21:50 | 0:21:51 | |
I don't know where to go! | 0:21:53 | 0:21:54 | |
Thank you so much for thinking I'm good enough. | 0:22:00 | 0:22:05 | |
I think I'm going to... | 0:22:16 | 0:22:17 | |
..go with Pisces. | 0:22:19 | 0:22:21 | |
CHEERING | 0:22:21 | 0:22:23 | |
-PALOMA: -It was amazing, so good! You're really good. | 0:22:32 | 0:22:35 | |
Good luck! | 0:22:38 | 0:22:39 | |
Congratulations. | 0:22:39 | 0:22:41 | |
The other Queen of England? | 0:22:41 | 0:22:43 | |
Yeah! | 0:22:43 | 0:22:44 | |
So stressful! | 0:22:50 | 0:22:51 | |
Ah, I didn't want him anyway. | 0:22:53 | 0:22:55 | |
LAUGHTER | 0:22:55 | 0:22:57 | |
Yes! | 0:22:57 | 0:22:58 | |
I'm getting into it now. | 0:23:04 | 0:23:06 | |
Yeah. It's good when we compete, isn't it? | 0:23:06 | 0:23:09 | |
It's not a competition, Paloma! | 0:23:09 | 0:23:10 | |
I think you'll find it is. | 0:23:10 | 0:23:12 | |
The Battle of the Pitches. | 0:23:14 | 0:23:16 | |
I think Paloma Faith will be fun to pitch against. | 0:23:16 | 0:23:19 | |
Guns a-blazing. | 0:23:19 | 0:23:20 | |
Fiery, | 0:23:20 | 0:23:21 | |
ferocious | 0:23:21 | 0:23:22 | |
pitches. | 0:23:22 | 0:23:24 | |
I'm quite well known for my honesty. | 0:23:25 | 0:23:28 | |
And I feel very ready. | 0:23:28 | 0:23:29 | |
Boy George is not just going to sit there like a bag of bricks. | 0:23:32 | 0:23:36 | |
He, too, will catch flame. | 0:23:36 | 0:23:37 | |
They are the enemy. | 0:23:40 | 0:23:42 | |
I love them all, but I want to take them down. | 0:23:42 | 0:23:44 | |
Ricky says to me, "I won last year, I don't need to win, really." | 0:23:44 | 0:23:46 | |
We'll see! | 0:23:48 | 0:23:49 | |
Slicky Tricky Ricky? | 0:23:51 | 0:23:52 | |
Ricky's sometimes too competitive. | 0:23:54 | 0:23:57 | |
Maybe it's because I want to beat Will. | 0:23:57 | 0:23:59 | |
-I don't know why. -There'll be fireworks this year. | 0:23:59 | 0:24:02 | |
Pitch! | 0:24:04 | 0:24:05 | |
LAUGHTER | 0:24:05 | 0:24:08 | |
It's been a spin frenzy so far, | 0:24:11 | 0:24:13 | |
but can our next acts keep the coaches bashing their buttons? | 0:24:13 | 0:24:17 | |
My name is Brooklynne Richards, I'm 23 years old, | 0:24:17 | 0:24:19 | |
and I'm from Birmingham. | 0:24:19 | 0:24:20 | |
I work in a slots arcade. | 0:24:20 | 0:24:22 | |
It's got 52 slot machines, and every hour I will call the bingo. | 0:24:22 | 0:24:26 | |
Yellow, two and three, 23! Blue, five and four, 54! | 0:24:26 | 0:24:30 | |
Then I'll be like, two fat ladies, I'll say 77 - huh? | 0:24:30 | 0:24:33 | |
Two fat ladies, 77? I get so confused! | 0:24:33 | 0:24:35 | |
I sing practically every day. | 0:24:37 | 0:24:40 | |
One time I performed somewhere, the man asked me if I'd go back on | 0:24:40 | 0:24:43 | |
and sing more songs, because the audience wanted me to. | 0:24:43 | 0:24:45 | |
I was like, wow! | 0:24:45 | 0:24:46 | |
I've always wanted to be a singer, always. | 0:24:49 | 0:24:53 | |
The more people that tell me how good I am, | 0:24:53 | 0:24:55 | |
the more I'm like, "I'm doing it." | 0:24:55 | 0:24:57 | |
Nothing's stopping me. | 0:24:57 | 0:24:58 | |
-Yeah! -Go on! | 0:25:01 | 0:25:03 | |
# When your baby leaves you all alone | 0:25:20 | 0:25:29 | |
# And nobody calls you on the phone | 0:25:29 | 0:25:36 | |
# Don't ya feel like crying? | 0:25:36 | 0:25:41 | |
# Don't ya feel like crying? | 0:25:41 | 0:25:45 | |
# Well, here I am, honey | 0:25:45 | 0:25:49 | |
# Come on, cry to me | 0:25:49 | 0:25:52 | |
# Well, nothing can be sadder than a glass of wine alone | 0:25:52 | 0:26:02 | |
# Loneliness, loneliness, such a waste of time | 0:26:02 | 0:26:11 | |
# You don't ever have to walk alone | 0:26:11 | 0:26:16 | |
# Oh, you see | 0:26:16 | 0:26:18 | |
# Come on, take my hand, baby, won't ya walk with me? | 0:26:18 | 0:26:24 | |
# When you're waiting for a voice to come | 0:26:24 | 0:26:32 | |
# In the night, when there is no-one | 0:26:32 | 0:26:39 | |
# Don't ya feel like crying? | 0:26:39 | 0:26:42 | |
# Crying, crying? | 0:26:42 | 0:26:47 | |
# Crying? # | 0:26:47 | 0:26:54 | |
APPLAUSE | 0:26:54 | 0:26:57 | |
APPLAUSE AND CHEERING CONTINUES | 0:27:08 | 0:27:11 | |
-Look at you, you're so cute! -Thank you! | 0:27:16 | 0:27:19 | |
-Have we got each other, baby? -Thank you. | 0:27:19 | 0:27:22 | |
# I got you, babe. # | 0:27:23 | 0:27:25 | |
LAUGHTER AND APPLAUSE | 0:27:25 | 0:27:27 | |
That was really awesome, and I'm so happy that George turned for you | 0:27:27 | 0:27:30 | |
-and then sneaky little Ricky Tricky... -Oh, you turned as well? | 0:27:30 | 0:27:34 | |
-Yeah. -..last-minute, so now... -You've got to work. | 0:27:34 | 0:27:37 | |
LAUGHTER | 0:27:37 | 0:27:38 | |
How old are you? | 0:27:38 | 0:27:40 | |
Hiya, my name's Brooklynne, I'm 23 and I'm from Birmingham. | 0:27:40 | 0:27:44 | |
CHEERING | 0:27:44 | 0:27:45 | |
-Brooklyn! -Brooklyn, America, Brooklyn, New York, Brooklynne! | 0:27:45 | 0:27:48 | |
LAUGHTER | 0:27:48 | 0:27:49 | |
# Brooklynne's in the house. # | 0:27:49 | 0:27:51 | |
Nice, nice. | 0:27:53 | 0:27:54 | |
So, Brooks, now you have to decide. You have amazing tone. | 0:27:54 | 0:27:58 | |
-Your voice is incredible. -Thank you. -Great song selection. | 0:27:58 | 0:28:01 | |
Welcome on The Voice. | 0:28:01 | 0:28:03 | |
CHEERING | 0:28:03 | 0:28:04 | |
I love the whole '60s thing, and then when I saw you I was like, | 0:28:05 | 0:28:09 | |
-"Oh, my God." You're like a little firehouse, it's amazing. -Thank you. | 0:28:09 | 0:28:12 | |
It's amazing. I love the fact that you're a little... | 0:28:12 | 0:28:14 | |
-CHEERING -You know... | 0:28:14 | 0:28:16 | |
-Yeah, the tone was delicious. -Thank you. Thank you so much. | 0:28:18 | 0:28:22 | |
CHEERING | 0:28:22 | 0:28:25 | |
# Brooklynne's in the house. # | 0:28:25 | 0:28:27 | |
Erm, so, George turned around really quite early. Great. | 0:28:27 | 0:28:31 | |
I thought, you know, he's on this. | 0:28:31 | 0:28:33 | |
I knew you were nervous at the beginning. | 0:28:33 | 0:28:34 | |
-Oh, OK. -But that... No, that is the only thing we need to work on. | 0:28:34 | 0:28:38 | |
You know, George says he's not looking for perfection, | 0:28:38 | 0:28:40 | |
-he's looking for, you know... -Heart and soul. -..heart and soul, | 0:28:40 | 0:28:43 | |
and when you suddenly realised that's where you belonged, | 0:28:43 | 0:28:46 | |
on the stage, | 0:28:46 | 0:28:47 | |
that's when it started working out and by the end of it, I thought, | 0:28:47 | 0:28:51 | |
"If I don't turn for this, then I don't really deserve to be here." | 0:28:51 | 0:28:54 | |
AUDIENCE: Aww. | 0:28:54 | 0:28:55 | |
And we've only seen a handful of people, | 0:28:55 | 0:28:57 | |
but I think you're going to be there right at the end. | 0:28:57 | 0:29:00 | |
Oh, my God, thank you! | 0:29:00 | 0:29:01 | |
CHEERING | 0:29:01 | 0:29:03 | |
So now...now we have to...pitch. | 0:29:04 | 0:29:08 | |
I mean, if you go with me, | 0:29:08 | 0:29:09 | |
I'll make you so famous drag queens will impersonate you. | 0:29:09 | 0:29:12 | |
Oh, my gosh, that's the best way I've ever heard it! | 0:29:12 | 0:29:16 | |
Oh, my God. | 0:29:16 | 0:29:18 | |
Listen, I swear to God, I've heard a lot of pitches... | 0:29:18 | 0:29:21 | |
LAUGHTER | 0:29:21 | 0:29:23 | |
That was some real pitching right there. | 0:29:23 | 0:29:25 | |
LAUGHTER | 0:29:25 | 0:29:27 | |
APPLAUSE | 0:29:27 | 0:29:29 | |
Erm, I'm not going to make you famous, | 0:29:32 | 0:29:34 | |
because you can do that all on your own and you've just done it, so... | 0:29:34 | 0:29:37 | |
Oh, that's nice! | 0:29:37 | 0:29:39 | |
CHEERING | 0:29:39 | 0:29:40 | |
That was pretty cool, but George was like a knockout, | 0:29:40 | 0:29:43 | |
that was a knockout! | 0:29:43 | 0:29:45 | |
CHEERING | 0:29:46 | 0:29:48 | |
This is like pitch ping-pong. Go on, George. | 0:29:48 | 0:29:51 | |
What does your mum say? | 0:29:51 | 0:29:53 | |
LAUGHTER | 0:29:53 | 0:29:54 | |
-That's a good one, that's a good one. -What does your mum say? | 0:29:54 | 0:29:57 | |
-I know exactly what my mum would say. -What would she say? | 0:29:57 | 0:30:00 | |
-Probably you, to be honest. -Never argue with your mother. | 0:30:00 | 0:30:03 | |
LAUGHTER | 0:30:03 | 0:30:05 | |
APPLAUSE | 0:30:05 | 0:30:06 | |
-Paloma, what would you do? -Erm... | 0:30:06 | 0:30:08 | |
LAUGHTER | 0:30:08 | 0:30:10 | |
I love Ricky to bits, but I think I'd go with George. | 0:30:10 | 0:30:13 | |
CHEERING | 0:30:13 | 0:30:15 | |
Boy George could help her perform better on stage | 0:30:15 | 0:30:17 | |
cos he's more of a showman. | 0:30:17 | 0:30:19 | |
Will, what would you do? | 0:30:20 | 0:30:22 | |
Erm, OK, so... | 0:30:22 | 0:30:24 | |
George said, | 0:30:24 | 0:30:26 | |
"I'll make you so famous drag queens will impersonate you." | 0:30:26 | 0:30:28 | |
LAUGHTER | 0:30:28 | 0:30:30 | |
-He means it. -LAUGHTER BUILDS | 0:30:30 | 0:30:33 | |
When Ricky says, "I don't need to make you famous cos you're going | 0:30:33 | 0:30:37 | |
"to do that yourself," I mean, that was cool, | 0:30:37 | 0:30:40 | |
but it's pretty much like, "You're going to do all the work." | 0:30:40 | 0:30:43 | |
LAUGHTER AND CHEERING | 0:30:43 | 0:30:45 | |
I would choose who you think is right for you, darling. | 0:30:45 | 0:30:49 | |
Your mum's always right. | 0:30:49 | 0:30:52 | |
CHEERING | 0:30:53 | 0:30:55 | |
OK, I think I've made up my mind. | 0:31:09 | 0:31:11 | |
Erm, I think... | 0:31:13 | 0:31:15 | |
I think it's Ricky. | 0:31:17 | 0:31:19 | |
# Oh, my God, I can't believe it... # | 0:31:19 | 0:31:21 | |
I'm so sorry, Boy George, I'm so sorry. I think it's Ricky. | 0:31:21 | 0:31:25 | |
CHEERING | 0:31:25 | 0:31:27 | |
CHEERING DROWNS OUT SPEECH | 0:31:30 | 0:31:32 | |
Oh, thank you so much. I really appreciate it. | 0:31:35 | 0:31:37 | |
-You're my first on my team. -Oh, really? -You're my first, yeah. | 0:31:37 | 0:31:40 | |
CHEERING | 0:31:40 | 0:31:42 | |
-Voice is amazing. -Thank you. | 0:31:42 | 0:31:44 | |
He gets no drag-queen support. | 0:31:44 | 0:31:47 | |
-Don't worry, don't worry, you've got a great voice. -Thank you. | 0:31:47 | 0:31:50 | |
-Whatever happens... -Yeah, whatever happens(!) | 0:31:50 | 0:31:52 | |
When he ruins your life, don't come running to me! | 0:31:52 | 0:31:55 | |
-LAUGHTER -When Ricky messes it up! | 0:31:55 | 0:31:58 | |
-I won't, I won't let you down. -Thank you. | 0:31:58 | 0:32:00 | |
-I won't let YOU down. -Maybe she doesn't even know what you've done. | 0:32:00 | 0:32:03 | |
-Probably doesn't know who I am! -Yeah! | 0:32:03 | 0:32:05 | |
She thinks I'm one of The Wombles! | 0:32:05 | 0:32:07 | |
THEY SCREAM | 0:32:07 | 0:32:09 | |
The first time with just me, George and a pitch. | 0:32:11 | 0:32:14 | |
And...I thought I'd lost it. | 0:32:14 | 0:32:17 | |
She chose him because he won last year. It's obvious. She's young. | 0:32:18 | 0:32:21 | |
I don't think there was any more thought process to it than that, I really don't. | 0:32:21 | 0:32:24 | |
Why did you pick Ricky over George? | 0:32:24 | 0:32:26 | |
I think he's quite sexy, to be honest. | 0:32:26 | 0:32:28 | |
LAUGHTER | 0:32:28 | 0:32:29 | |
Easy. Your dad's standing next to you, you know. | 0:32:29 | 0:32:33 | |
I think she made a mistake. | 0:32:33 | 0:32:35 | |
Although Ricky is incredible, I just think that he wouldn't | 0:32:35 | 0:32:39 | |
understand where she was coming from as well as George would. | 0:32:39 | 0:32:43 | |
-It's interesting, isn't it? -Yes. | 0:32:43 | 0:32:46 | |
-Because you do get offended when they don't choose you. -Do you? | 0:32:46 | 0:32:49 | |
-Then you get over it. -I don't know what that feels like. -You will! | 0:32:49 | 0:32:53 | |
Early days yet, darling! | 0:32:53 | 0:32:55 | |
I like all sorts of voices. | 0:33:00 | 0:33:03 | |
Dolly Parton to Bob Dylan and Bowie. | 0:33:03 | 0:33:06 | |
I'm just really excited about what I'm going to hear. | 0:33:06 | 0:33:09 | |
Well, you've come to the right place, George. | 0:33:09 | 0:33:11 | |
If you want a mashup of singers and styles, The Voice has it all. | 0:33:11 | 0:33:15 | |
Try this from Keri-Ellah. | 0:33:16 | 0:33:18 | |
I love singing country music. | 0:33:18 | 0:33:20 | |
It tells a story. | 0:33:20 | 0:33:22 | |
I don't feel like I have to try to sing country music, | 0:33:22 | 0:33:24 | |
it just happens. | 0:33:24 | 0:33:25 | |
Country is where my heart lies. | 0:33:25 | 0:33:27 | |
# Ohhhhh | 0:33:27 | 0:33:29 | |
# Then I dug my key into the side | 0:33:29 | 0:33:32 | |
# Of his pretty little souped-up four-wheel drive | 0:33:32 | 0:33:35 | |
# Carved my name into his leather seats | 0:33:35 | 0:33:38 | |
# I took a Louisville slugger to both headlights | 0:33:41 | 0:33:45 | |
# Slashed a hole in all four tyres | 0:33:45 | 0:33:48 | |
# Maybe next time he'll think before he cheats. # | 0:33:48 | 0:33:53 | |
APPLAUSE | 0:33:53 | 0:33:54 | |
Didn't turn. Why not? I don't know. | 0:33:54 | 0:33:56 | |
I just didn't want to... I don't know. | 0:33:56 | 0:33:57 | |
What I loved about it was you were doing country | 0:33:57 | 0:33:59 | |
but you were doing it in your voice. | 0:33:59 | 0:34:01 | |
I think you started off a little bit too high | 0:34:01 | 0:34:04 | |
and then there's nowhere to go | 0:34:04 | 0:34:06 | |
but I think you've got a strong voice and the world is your oyster! | 0:34:06 | 0:34:09 | |
APPLAUSE | 0:34:09 | 0:34:11 | |
So the coaches pass on country but will they hit for something heavy? | 0:34:11 | 0:34:15 | |
Here's Dublin's very own John Bonham. | 0:34:15 | 0:34:18 | |
Ever since I was a kid, I sang metal music. | 0:34:18 | 0:34:22 | |
I think what hooked me in with metal is the energy in it, | 0:34:22 | 0:34:25 | |
the sort of songs that just make you just like, "YES!" | 0:34:25 | 0:34:28 | |
# Can I play with madness? | 0:34:29 | 0:34:32 | |
# The prophet stared at his crystal ball | 0:34:32 | 0:34:35 | |
# Can I play with madness? | 0:34:35 | 0:34:37 | |
# The prophet looked at me and laughed at me - ha! | 0:34:37 | 0:34:41 | |
# He said, "Can I play with madness?" | 0:34:41 | 0:34:44 | |
# He said, "You're blind, too blind to see" | 0:34:44 | 0:34:48 | |
# Ohhhh | 0:34:48 | 0:34:50 | |
# "Listen to me!" | 0:34:50 | 0:34:53 | |
# Said the prophet | 0:34:53 | 0:34:54 | |
# Yeahhhh! # | 0:34:54 | 0:34:57 | |
APPLAUSE | 0:34:57 | 0:34:59 | |
I'm not a rocker. I just wish I was. | 0:35:00 | 0:35:03 | |
You can certainly sing a rock song. | 0:35:04 | 0:35:06 | |
I thought it was like Jack Black, you know, from School Of Rock. | 0:35:06 | 0:35:10 | |
LAUGHTER | 0:35:10 | 0:35:12 | |
I liked it in the film but I don't think I would've bought the album. | 0:35:12 | 0:35:16 | |
Cheers. | 0:35:16 | 0:35:18 | |
If someone does come in very hard on a particular style, | 0:35:18 | 0:35:22 | |
it can overtake what you're listening for. | 0:35:22 | 0:35:24 | |
Sometimes, you know, the performance, | 0:35:24 | 0:35:26 | |
if it's too specific, it can be very off-putting. | 0:35:26 | 0:35:30 | |
If there's someone that's got a definite style, | 0:35:30 | 0:35:32 | |
they have to be the best you've ever heard. | 0:35:32 | 0:35:35 | |
Can our next act call on some higher help for a spin? | 0:35:37 | 0:35:41 | |
We join with them in heaven's song. | 0:35:43 | 0:35:47 | |
I'm Reverend John Barron. | 0:35:47 | 0:35:48 | |
I'm 49 and I'm a vicar in the diocese of Durham. | 0:35:48 | 0:35:52 | |
It can be very busy as a vicar. | 0:35:53 | 0:35:55 | |
We have three services in the morning | 0:35:55 | 0:35:57 | |
so it's at St Barnabas at eight o'clock. | 0:35:57 | 0:35:59 | |
Good morning. | 0:35:59 | 0:36:00 | |
At St Patrick's at nine. | 0:36:00 | 0:36:02 | |
He will rise again. | 0:36:02 | 0:36:03 | |
Back down again for another service at St Barnabas at 1030. | 0:36:03 | 0:36:07 | |
There's quite a bit of dashing round. | 0:36:07 | 0:36:09 | |
# Our God is a great big God and he holds us in his hands. # | 0:36:09 | 0:36:13 | |
Sundays can be busy old days. | 0:36:13 | 0:36:17 | |
May the joy of the Lord keep your heart singing. | 0:36:17 | 0:36:21 | |
The first time I heard John sing, I was just blown away. | 0:36:21 | 0:36:24 | |
-Dad, are you nervous about the audition? -Do you know, I am a bit. | 0:36:24 | 0:36:29 | |
-Dad's a good singer. -Really good. -Yeah. | 0:36:29 | 0:36:32 | |
We are all passionate watchers of The Voice | 0:36:32 | 0:36:34 | |
and the kids would sit there and go, "Dad, you should do that." | 0:36:34 | 0:36:37 | |
And one night, we applied for him, | 0:36:37 | 0:36:39 | |
thinking, "That will shut them up." And here we are. | 0:36:39 | 0:36:43 | |
When I find out, it did come as a bit of a surprise. | 0:36:44 | 0:36:48 | |
But in truth, though, I was really excited. | 0:36:48 | 0:36:51 | |
I describe my voice as a musical theatre singer. | 0:36:51 | 0:36:56 | |
That's kind of home territory for me. | 0:36:56 | 0:36:58 | |
It's giving us the chance to just enjoy John singing again. | 0:36:58 | 0:37:02 | |
I'm very proud of him. | 0:37:03 | 0:37:05 | |
I'm proud of him when he walks through the streets | 0:37:05 | 0:37:07 | |
and the children shout, "Hello, Father John!" | 0:37:07 | 0:37:09 | |
I'm very proud of him. | 0:37:09 | 0:37:11 | |
When I take a bit of music, I turn that bit of music | 0:37:11 | 0:37:15 | |
into a performance - that makes me feel joyful. | 0:37:15 | 0:37:18 | |
-Oh, that's his nervous face! -Nervous face on. -Is it? -Yes. | 0:37:21 | 0:37:25 | |
# This is the moment | 0:37:37 | 0:37:40 | |
# This is the day | 0:37:40 | 0:37:43 | |
# When I send all my doubts and demons on their way | 0:37:43 | 0:37:49 | |
# Every endeavour I have made ever | 0:37:49 | 0:37:56 | |
# Is coming into play | 0:37:57 | 0:38:01 | |
# Is here and now today | 0:38:01 | 0:38:06 | |
# This is the moment | 0:38:06 | 0:38:09 | |
# When all I've done | 0:38:09 | 0:38:11 | |
# All of the dreaming, scheming and screaming become one! # | 0:38:11 | 0:38:17 | |
Come on! | 0:38:17 | 0:38:19 | |
# I won't look down | 0:38:19 | 0:38:22 | |
# I will not fall | 0:38:22 | 0:38:25 | |
# This is the moment | 0:38:25 | 0:38:28 | |
# Of them all | 0:38:28 | 0:38:30 | |
# This is the moment | 0:38:32 | 0:38:36 | |
# Damn all the odds! | 0:38:36 | 0:38:37 | |
# This day, or never | 0:38:39 | 0:38:40 | |
# I'll sit forever with the gods! | 0:38:40 | 0:38:45 | |
# When I look back | 0:38:45 | 0:38:48 | |
# I will always recall | 0:38:48 | 0:38:51 | |
# Moment for moment | 0:38:51 | 0:38:55 | |
# This was the moment | 0:38:55 | 0:38:59 | |
# The greatest moment... # | 0:38:59 | 0:39:02 | |
Turn round! | 0:39:02 | 0:39:04 | |
# Of them all! # | 0:39:04 | 0:39:09 | |
LOUD APPLAUSE AND CHEERING | 0:39:09 | 0:39:11 | |
Oh, he's a priest! | 0:39:21 | 0:39:24 | |
Guys, hi. I'm John Barron. I'm a vicar. | 0:39:24 | 0:39:28 | |
I'm 49 years old and I live in the north-east of England. | 0:39:28 | 0:39:31 | |
In the diocese of Durham, near Newcastle. | 0:39:33 | 0:39:36 | |
John, you were fabulous. | 0:39:36 | 0:39:39 | |
I don't think you guys get it. | 0:39:39 | 0:39:41 | |
We are all in spiritual trouble. | 0:39:41 | 0:39:44 | |
Oh, no! I'm so sorry to hear that. | 0:39:44 | 0:39:48 | |
I'm a Buddhist, so no, I'm not. | 0:39:48 | 0:39:49 | |
Are we going to hell? | 0:39:52 | 0:39:55 | |
No, not at all. I hope not! | 0:39:55 | 0:39:58 | |
LAUGHTER | 0:39:58 | 0:39:59 | |
So, you sing part time or... | 0:39:59 | 0:40:02 | |
Well, obviously I sing all the time in church. | 0:40:02 | 0:40:05 | |
And I've sung in the past in musical theatre productions. | 0:40:06 | 0:40:10 | |
I've always loved that. | 0:40:10 | 0:40:12 | |
I personally didn't turn, in all honesty, | 0:40:12 | 0:40:14 | |
-because I absolutely despise musicals with a passion. -Oh! | 0:40:14 | 0:40:18 | |
I could never work with somebody who liked them, because... | 0:40:18 | 0:40:21 | |
LAUGHTER | 0:40:21 | 0:40:22 | |
Oh, Paloma, no! | 0:40:22 | 0:40:23 | |
The good news is that a lot of people do love musical theatre. | 0:40:26 | 0:40:29 | |
CHEERING | 0:40:29 | 0:40:32 | |
The reason I didn't turn is | 0:40:32 | 0:40:34 | |
-because it's not an area that I'm that good at. -OK. | 0:40:34 | 0:40:38 | |
And do you perform? Do you go out and do this? | 0:40:38 | 0:40:40 | |
I don't do as much as I used to, I have to say. | 0:40:40 | 0:40:43 | |
I don't make enough time to do that. | 0:40:43 | 0:40:46 | |
You don't have time? You only work on Sundays! | 0:40:46 | 0:40:48 | |
LAUGHTER | 0:40:48 | 0:40:50 | |
Look, I think you've got what I would describe | 0:40:51 | 0:40:54 | |
as a very handsome voice | 0:40:54 | 0:40:55 | |
and we didn't stop dancing to it, because we were enjoying it. | 0:40:55 | 0:40:58 | |
I know you hate musical theatre but you were enjoying yourself. | 0:40:58 | 0:41:01 | |
I was enjoying myself. Thank you. | 0:41:01 | 0:41:03 | |
Oh, Will's saying something. | 0:41:03 | 0:41:05 | |
Thanks for coming and singing for us | 0:41:05 | 0:41:07 | |
and if you can pray for us, I will really... | 0:41:07 | 0:41:10 | |
LAUGHTER | 0:41:10 | 0:41:11 | |
-OK. -You know what? You can't argue with a reaction like that. | 0:41:12 | 0:41:16 | |
CHEERING | 0:41:16 | 0:41:17 | |
And if you want to do this, get out and sing. | 0:41:17 | 0:41:19 | |
-Singing is good for your soul. -OK. | 0:41:19 | 0:41:21 | |
APPLAUSE AND CHEERING | 0:41:21 | 0:41:25 | |
-They loved you! -They did, and that was wonderful. | 0:41:25 | 0:41:28 | |
I really appreciate it. | 0:41:28 | 0:41:30 | |
It was really lovely. | 0:41:37 | 0:41:38 | |
George. It's a real pleasure seeing you guys. | 0:41:38 | 0:41:41 | |
Nice to meet you. | 0:41:41 | 0:41:42 | |
It was absolutely fantastic. | 0:41:50 | 0:41:53 | |
-I do hate it. -All of it? Lion King? -I hate The Lion King. | 0:41:55 | 0:41:58 | |
I'm trying to think of something that you can't hate. Let's think. | 0:42:03 | 0:42:06 | |
The Sound Of Music? | 0:42:06 | 0:42:08 | |
-Not keen. -She's wrong. | 0:42:08 | 0:42:10 | |
You can't persuade me to like musicals, George. | 0:42:12 | 0:42:14 | |
-Just accept our differences. -No. | 0:42:14 | 0:42:16 | |
You know when you look out and they are all like... | 0:42:18 | 0:42:21 | |
# A place of my own... # | 0:42:21 | 0:42:24 | |
It's just like... | 0:42:24 | 0:42:26 | |
You'd clean up in musical theatre. | 0:42:26 | 0:42:30 | |
I take it to the clubs. | 0:42:30 | 0:42:32 | |
That's how I talk to girls at clubs. | 0:42:32 | 0:42:34 | |
-What, in the Little Mermaid voice? -Like... | 0:42:34 | 0:42:38 | |
# What's up, chick? | 0:42:40 | 0:42:42 | |
# Can I drink wit' you? # | 0:42:42 | 0:42:44 | |
I do it like that. | 0:42:44 | 0:42:46 | |
Right, moving on swiftly. | 0:42:48 | 0:42:50 | |
Where is Emma? | 0:42:51 | 0:42:53 | |
Proud dad 30-year-old Dwaine Hayden is next up. | 0:42:53 | 0:42:56 | |
-Hello! -How you doing? -Good. How are you? -I'm great. | 0:42:56 | 0:43:00 | |
Lovely to meet you. Who are you? | 0:43:00 | 0:43:03 | |
-Kingsley. -Kingsley? Lovely to meet you. | 0:43:03 | 0:43:06 | |
My son Kingsley. Oh, wow. He's awesome. I love him so much. | 0:43:06 | 0:43:10 | |
Everything we talked about on the camera is going on telly. | 0:43:10 | 0:43:14 | |
-Is it? -Yes. -How old are you? -Four and a half. | 0:43:14 | 0:43:18 | |
You know a lot, don't you? I like that. | 0:43:18 | 0:43:21 | |
He's so smart. He has just started school. | 0:43:21 | 0:43:23 | |
He sings as well. He sings with me sometimes around the house. | 0:43:23 | 0:43:26 | |
-Are you as good as Daddy or better? -Better. | 0:43:26 | 0:43:30 | |
Is he auditioning, or you? | 0:43:31 | 0:43:33 | |
Hopefully I can go out there and show Kingsley that anything is possible. | 0:43:37 | 0:43:41 | |
He can be like, "Yeah, well done, Daddy." | 0:43:43 | 0:43:46 | |
There he is! | 0:43:51 | 0:43:52 | |
Daddy! Daddy! | 0:43:54 | 0:43:56 | |
It's so nerve-racking when it takes ages. | 0:43:59 | 0:44:03 | |
-Anticipation! -Antici...pation. | 0:44:03 | 0:44:06 | |
It's so we get butterflies. | 0:44:06 | 0:44:08 | |
# I waited till I saw the sun | 0:44:19 | 0:44:22 | |
# I don't know why I didn't come | 0:44:24 | 0:44:28 | |
# Something has to make you run | 0:44:30 | 0:44:34 | |
# I don't know why I didn't come | 0:44:35 | 0:44:39 | |
# I feel as empty as a drum... # | 0:44:40 | 0:44:44 | |
THEY SCREAM | 0:44:44 | 0:44:46 | |
# I don't know why I didn't come | 0:44:46 | 0:44:50 | |
# But now my heart is drenched in wine | 0:44:50 | 0:44:58 | |
-# Whoa-oh-oh-oh... # -Come on, Dad! | 0:44:58 | 0:45:02 | |
# But you'll be on my mind | 0:45:02 | 0:45:08 | |
# Forever | 0:45:08 | 0:45:12 | |
# I feel as empty as a drum, whoo | 0:45:12 | 0:45:18 | |
# I don't know why | 0:45:18 | 0:45:20 | |
# I didn't come. # | 0:45:20 | 0:45:30 | |
APPLAUSE AND CHEERING | 0:45:30 | 0:45:33 | |
Thank you very much! | 0:45:33 | 0:45:36 | |
WHOOPING | 0:45:40 | 0:45:44 | |
CHEERING CONTINUES | 0:45:44 | 0:45:46 | |
How you doing? | 0:45:54 | 0:45:55 | |
Bangin'! | 0:45:55 | 0:45:57 | |
Thank you very much. | 0:45:57 | 0:45:59 | |
-What's your name? -My name's Dwaine and I'm from Derby. | 0:45:59 | 0:46:02 | |
CHEERING | 0:46:02 | 0:46:04 | |
What do you do for a living? | 0:46:04 | 0:46:07 | |
I teach young people that aren't in education at the moment, | 0:46:07 | 0:46:09 | |
getting them back into education and stuff like that. | 0:46:09 | 0:46:12 | |
APPLAUSE | 0:46:12 | 0:46:14 | |
I really... I really, really liked it. I was just... | 0:46:14 | 0:46:18 | |
I was a little bit nervous, but I feel relaxed now. | 0:46:18 | 0:46:21 | |
-I'm so buzzing right now, it's crazy. -I'm excited. | 0:46:21 | 0:46:23 | |
Relax, you haven't won him yet! | 0:46:23 | 0:46:26 | |
-Let me know when I can speak, by the way. -I'm relaxed, enjoying... | 0:46:26 | 0:46:29 | |
-LAUGHTER -Yes, you may proceed. | 0:46:29 | 0:46:31 | |
I think you started off a little bit wobbly in the lower key, | 0:46:31 | 0:46:35 | |
you could hear your nerves, you know. | 0:46:35 | 0:46:37 | |
I always look for tone rather than perfection, | 0:46:37 | 0:46:40 | |
but I think that's the area where you're most comfortable, | 0:46:40 | 0:46:42 | |
when you lift it up a bit, it was really quality. | 0:46:42 | 0:46:45 | |
-That's when I pushed the button. -Thank you so much. Thank you. -OK? | 0:46:45 | 0:46:48 | |
Like George said, you started off a little wobbly, | 0:46:48 | 0:46:51 | |
but then when you went up to that falsetto and Paloma turned around, | 0:46:51 | 0:46:54 | |
I was like, "Oh, OK!" | 0:46:54 | 0:46:56 | |
And then George turned around. | 0:46:56 | 0:46:58 | |
I was like, "Oh, OK!" | 0:46:58 | 0:46:59 | |
DWAINE LAUGHS | 0:46:59 | 0:47:01 | |
Then Ricky didn't turn around, I was like, "Oh, OK." | 0:47:01 | 0:47:04 | |
LAUGHTER | 0:47:04 | 0:47:05 | |
All right, you know what? Before I choose, my son is four... | 0:47:05 | 0:47:09 | |
-Where is he? Is he here? -He's in the back somewhere. -Let's get him out. | 0:47:09 | 0:47:13 | |
Shall we go and see him? | 0:47:13 | 0:47:15 | |
Shall we go and see him? | 0:47:15 | 0:47:16 | |
APPLAUSE | 0:47:16 | 0:47:18 | |
-What's he called? -Kingsley. | 0:47:20 | 0:47:22 | |
-Kingsley! Come on, Kingsley! -Hey, Kingsley! | 0:47:22 | 0:47:26 | |
This is going to make me cry, man. | 0:47:26 | 0:47:28 | |
Can we pitch for you while we're waiting? | 0:47:28 | 0:47:31 | |
-Yeah, you go. -Yeah, I mean... | 0:47:31 | 0:47:34 | |
I think I can probably help you, you know, finding your tone, | 0:47:34 | 0:47:37 | |
and finding you the right songs for you to use that part of your voice | 0:47:37 | 0:47:41 | |
which is the best part of your voice. | 0:47:41 | 0:47:43 | |
-OK. -You know that you're a wicked singer, | 0:47:43 | 0:47:46 | |
but for me what's more important is | 0:47:46 | 0:47:48 | |
about going into your heart and your soul and what makes you tick, | 0:47:48 | 0:47:52 | |
because I want to hear your feelings. | 0:47:52 | 0:47:55 | |
So that's what I want to do. | 0:47:55 | 0:47:57 | |
Maybe you need someone to take you out of your soul comfort zone. | 0:47:57 | 0:48:01 | |
Maybe, maybe! | 0:48:01 | 0:48:03 | |
Sometimes it's not advisable to go with somebody | 0:48:03 | 0:48:06 | |
who's going to just do what you do. I'm not saying that you will... | 0:48:06 | 0:48:09 | |
I have a very open mind and I'm quite notorious for that, George. | 0:48:09 | 0:48:12 | |
Not what I've heard! | 0:48:12 | 0:48:14 | |
LAUGHTER | 0:48:14 | 0:48:16 | |
But either way, I think Paloma can bring something to the table, | 0:48:16 | 0:48:19 | |
and I'm like, you know, my commitment is biblical, baby. | 0:48:19 | 0:48:23 | |
LAUGHTER AND CHEERING | 0:48:23 | 0:48:26 | |
There he is! Hello! | 0:48:26 | 0:48:28 | |
Kingsley! | 0:48:28 | 0:48:30 | |
-CHANTING: -Kingsley! Kingsley! | 0:48:30 | 0:48:33 | |
Oh, he's so beautiful! | 0:48:38 | 0:48:40 | |
How you doing, big man? | 0:48:40 | 0:48:42 | |
You OK? | 0:48:42 | 0:48:44 | |
You OK? Give Daddy a cuddle. | 0:48:44 | 0:48:47 | |
Hello! | 0:48:48 | 0:48:50 | |
Kingsley! Do you know how to sing like your dad? | 0:48:50 | 0:48:53 | |
# I got to wait until I saw the sun | 0:48:53 | 0:48:58 | |
# Don't know why I didn't come... # | 0:48:58 | 0:49:02 | |
LAUGHTER AND CHEERING | 0:49:02 | 0:49:05 | |
# Don't know why I didn't come... # | 0:49:07 | 0:49:12 | |
Dwaine and Kingsley! | 0:49:12 | 0:49:13 | |
-Wow. -He's stealing your limelight! | 0:49:16 | 0:49:20 | |
I know, I know, I know. | 0:49:20 | 0:49:21 | |
I'm so happy that, you know, you have to now make a tough decision | 0:49:21 | 0:49:25 | |
-between... -I do. I don't want to upset nobody. | 0:49:25 | 0:49:29 | |
We're not going to take it personally, honestly! | 0:49:29 | 0:49:32 | |
Listen, I have had enough rejections in my career to take one now. | 0:49:32 | 0:49:36 | |
But I'm still here, so...! | 0:49:36 | 0:49:38 | |
CHEERING | 0:49:38 | 0:49:40 | |
Awesome, awesome. | 0:49:40 | 0:49:43 | |
Awesome. We need to liaise for a minute. | 0:49:43 | 0:49:45 | |
MUSIC, CROWD SHOUTS ADVICE | 0:49:45 | 0:49:49 | |
I've made my decision. | 0:49:56 | 0:49:58 | |
I'm going to go for... | 0:50:00 | 0:50:01 | |
..Team Paloma. | 0:50:06 | 0:50:08 | |
APPLAUSE AND CHEERING | 0:50:08 | 0:50:10 | |
Thank you! Really nice to meet you. | 0:50:13 | 0:50:16 | |
We probably know loads of the same people. | 0:50:16 | 0:50:18 | |
-Hello! Are you going to come and work with me and Daddy? -Yeah. | 0:50:18 | 0:50:21 | |
Yeah, we can do some singing and dancing together. | 0:50:21 | 0:50:24 | |
My whole band's full of people with kids, | 0:50:24 | 0:50:26 | |
so when you hang out with us it's kids everywhere. | 0:50:26 | 0:50:29 | |
-Daddy can sing and we can dance! -Yeah! | 0:50:29 | 0:50:32 | |
-Double five! -High five, high five. | 0:50:36 | 0:50:39 | |
Double high five! | 0:50:39 | 0:50:41 | |
CHEERING | 0:50:41 | 0:50:45 | |
Good luck, good luck. You're going to need it! | 0:50:45 | 0:50:49 | |
-You sing good, Kingsley. -Daddy was cool, wasn't he? | 0:50:56 | 0:50:58 | |
-Did you like it? -Yeah. | 0:50:58 | 0:51:00 | |
-I saw him on telly! -Did you?! Upstairs? | 0:51:00 | 0:51:03 | |
-Yeah. -You're going to see more of him on telly now. | 0:51:03 | 0:51:06 | |
You're going to be on telly too. | 0:51:06 | 0:51:08 | |
-I'm already on telly. -We're already on telly, aren't we? | 0:51:08 | 0:51:10 | |
Yeah, and Mummy can see me on telly as well. | 0:51:10 | 0:51:14 | |
-Wave, wave, then. -Right there, right there, look. | 0:51:14 | 0:51:17 | |
APPLAUSE AND CHEERING | 0:51:17 | 0:51:20 | |
CHEERING DROWNS OUT SPEECH | 0:51:23 | 0:51:26 | |
THEY CHEER | 0:51:38 | 0:51:40 | |
So cute. Oh, my gosh. | 0:51:47 | 0:51:49 | |
-Kingsley was adorable. -Adorable. | 0:51:49 | 0:51:51 | |
Beautiful. | 0:51:51 | 0:51:52 | |
Yeah. Cute little kid. Him and his dad | 0:51:52 | 0:51:55 | |
-had the same haircut. -We could make a baby like him. | 0:51:55 | 0:51:57 | |
We could, huh. | 0:51:59 | 0:52:02 | |
I feel really happy to have Dwaine. | 0:52:02 | 0:52:05 | |
Well, he's yours now, Paloma. | 0:52:05 | 0:52:07 | |
'Felt like I could probably add something to what he was doing,' | 0:52:07 | 0:52:11 | |
but he chose someone else, so... | 0:52:11 | 0:52:13 | |
..blah. | 0:52:14 | 0:52:16 | |
When more than one of us turn, it's hell. | 0:52:18 | 0:52:20 | |
You've already kind of decided where you're going to take them | 0:52:20 | 0:52:24 | |
and how it's going to work and you're really excited about it. | 0:52:24 | 0:52:28 | |
And then if they don't go with you, you feel so awful. | 0:52:28 | 0:52:31 | |
"I've just literally embarrassed myself. | 0:52:31 | 0:52:33 | |
"I want to go home!" | 0:52:33 | 0:52:35 | |
Somebody makes you feel so small, you're deflated. | 0:52:36 | 0:52:40 | |
You try to do that face, you know, | 0:52:40 | 0:52:42 | |
when you don't get the award, like... | 0:52:42 | 0:52:45 | |
HE LAUGHS | 0:52:47 | 0:52:50 | |
This baby-faced hopeful is Ryan Willingham from Hull. | 0:52:50 | 0:52:53 | |
But all is not as it seems. | 0:52:54 | 0:52:57 | |
When people look at me, they probably think I'm 15 | 0:52:57 | 0:53:00 | |
so when I tell them I'm 23, | 0:53:00 | 0:53:03 | |
probably a bit of a shock. | 0:53:03 | 0:53:04 | |
I love RnB, pop, soul music. | 0:53:07 | 0:53:10 | |
I used to take singing quite seriously, | 0:53:10 | 0:53:13 | |
basically singing on any stage I could get on. | 0:53:13 | 0:53:15 | |
-Is it Grandad? -Yeah, that looks like me, don't it? | 0:53:16 | 0:53:19 | |
But I had to stop when my daughter came along | 0:53:19 | 0:53:22 | |
because I needed to get a job and put food on the table. | 0:53:22 | 0:53:24 | |
-Are you going to build a tower for Grandma and Grandad? -Yeah. | 0:53:24 | 0:53:27 | |
I've got a two-year-old daughter called Annabel. | 0:53:27 | 0:53:29 | |
It's really, really, really big! | 0:53:29 | 0:53:32 | |
'And she's just the most precious thing in the world to me.' | 0:53:32 | 0:53:35 | |
She's just changed my life completely. | 0:53:35 | 0:53:38 | |
Can I have a cuddle as well? | 0:53:38 | 0:53:40 | |
As Annabel's got older | 0:53:45 | 0:53:47 | |
I've found that I'm craving doing some singing again. | 0:53:47 | 0:53:51 | |
Singing is what I was meant to do, I think. | 0:53:53 | 0:53:55 | |
# There | 0:54:12 | 0:54:14 | |
# Out in the darkness | 0:54:14 | 0:54:18 | |
# A fugitive running | 0:54:18 | 0:54:21 | |
# Fallen from God | 0:54:22 | 0:54:26 | |
# Fallen from grace | 0:54:26 | 0:54:29 | |
# You know your place in the sky | 0:54:29 | 0:54:33 | |
# You hold your course and your aim | 0:54:33 | 0:54:36 | |
# And each in your seasons returns and returns | 0:54:36 | 0:54:41 | |
# And is always the same | 0:54:41 | 0:54:44 | |
# And if you fall as Lucifer fell | 0:54:45 | 0:54:50 | |
# You fall in flame | 0:54:50 | 0:54:55 | |
# And so it must be | 0:54:55 | 0:54:58 | |
# For so it is written | 0:54:58 | 0:55:00 | |
# On the doorway to paradise | 0:55:00 | 0:55:04 | |
# That those who falter and those who fall | 0:55:04 | 0:55:08 | |
# Must pay the price | 0:55:08 | 0:55:13 | |
# I will never rest | 0:55:16 | 0:55:21 | |
# Till then, this I swear | 0:55:21 | 0:55:28 | |
# This I swear by the stars. # | 0:55:28 | 0:55:37 | |
APPLAUSE AND CHEERING | 0:55:37 | 0:55:41 | |
-Aww! -You...! -Never mind. | 0:55:44 | 0:55:46 | |
APPLAUSE AND CHEERING | 0:55:48 | 0:55:50 | |
Aw! | 0:55:52 | 0:55:53 | |
Yo, you tricked us all! | 0:55:55 | 0:55:56 | |
What?! | 0:55:56 | 0:55:58 | |
Wait a second, what's your name? | 0:55:58 | 0:56:00 | |
Ryan. | 0:56:00 | 0:56:01 | |
-How old are you? -I'm 23 and I'm from Hull. | 0:56:01 | 0:56:04 | |
What?! | 0:56:04 | 0:56:06 | |
CHEERING | 0:56:06 | 0:56:08 | |
-First off... -What?! -..you tricked us two times. | 0:56:09 | 0:56:12 | |
First, I'm hearing you sing, I'm thinking, | 0:56:12 | 0:56:14 | |
you sound like you was old, like 78. | 0:56:14 | 0:56:18 | |
And then we turn around, I'm like, "Aw, man, he's 16." | 0:56:18 | 0:56:22 | |
-And then you're, like, 23? -Yeah. | 0:56:24 | 0:56:26 | |
-Getting ID'd for scratchcards, that's the worst. -Yeah! | 0:56:27 | 0:56:30 | |
-I'm a dad as well, got a two-year-old. -Tricky, tricky, tricky. | 0:56:32 | 0:56:35 | |
-RICKY: -You're a dad as well? -PALOMA: -You're a dad! | 0:56:35 | 0:56:38 | |
-How old's your baby? -She's two, three in January. | 0:56:39 | 0:56:43 | |
Wow. You're, like, full of surprises. | 0:56:43 | 0:56:46 | |
Like, OK, so your baby has a baby baby-face then. | 0:56:46 | 0:56:50 | |
-Yeah, yeah. -DNA... | 0:56:50 | 0:56:53 | |
You need a... I have some doctors, | 0:56:53 | 0:56:55 | |
we're going to take your DNA | 0:56:55 | 0:56:58 | |
and sequence it cos your genes are - not the pants - genetics. | 0:56:58 | 0:57:03 | |
-APPLAUSE -Can I ask a question? | 0:57:05 | 0:57:06 | |
Why, though? Like, what...? | 0:57:06 | 0:57:10 | |
You just woke up one day, you was playing football or something | 0:57:10 | 0:57:14 | |
and like... # See you guys later! # | 0:57:14 | 0:57:16 | |
No, erm... | 0:57:22 | 0:57:23 | |
I did musical theatre for a lot of years | 0:57:23 | 0:57:25 | |
while I was sort of younger, erm, | 0:57:25 | 0:57:28 | |
and then did some classical music training and then | 0:57:28 | 0:57:32 | |
when my little girl came along, I stopped, got a job selling cars | 0:57:32 | 0:57:37 | |
and this was kind of me trying to come back | 0:57:37 | 0:57:41 | |
and do this for a living so... APPLAUSE | 0:57:41 | 0:57:43 | |
-Well, I think it's a really good move, you know? -Yeah. | 0:57:43 | 0:57:45 | |
-That's what you should do. You do not look how you sound. -Yeah. | 0:57:45 | 0:57:49 | |
Which is one of my favourite things. When I hear a voice coming out | 0:57:49 | 0:57:52 | |
of a body that just doesn't seem connected, | 0:57:52 | 0:57:55 | |
that's the sort of thing that excites me | 0:57:55 | 0:57:57 | |
and unfortunately for you, you need to be seen | 0:57:57 | 0:57:59 | |
because they were all going mental going, "Turn, turn!" | 0:57:59 | 0:58:04 | |
"What are they going mad at?" | 0:58:04 | 0:58:06 | |
And, of course, it was you because they adored you. | 0:58:06 | 0:58:08 | |
But I think you're interesting enough | 0:58:08 | 0:58:10 | |
and kind of unique enough to kind of make this work. | 0:58:10 | 0:58:13 | |
-You know, it's brilliant. Sorry we didn't turn. -Thank you. | 0:58:13 | 0:58:15 | |
APPLAUSE | 0:58:15 | 0:58:17 | |
Musical theatres, how many are going on right now? | 0:58:17 | 0:58:20 | |
Like, musical... Musical theatre. | 0:58:20 | 0:58:22 | |
-Lots. -Lots, right. -Yeah. -It's an amazing career to have. | 0:58:22 | 0:58:26 | |
-Yeah. -Every time I walk into a theatre I always think, | 0:58:26 | 0:58:28 | |
"I would love to be in one of those one day." | 0:58:28 | 0:58:30 | |
-PALOMA: -But I also think as well that, like, honestly, as somebody | 0:58:30 | 0:58:33 | |
who does dislike musicals with a passion, if I had've seen you, | 0:58:33 | 0:58:39 | |
I would love musicals because, like, that's so unique. | 0:58:39 | 0:58:45 | |
Like, you've convinced me that musicals can be brilliant | 0:58:45 | 0:58:48 | |
so 100% you must never stop, | 0:58:48 | 0:58:51 | |
-like, I really think you can make a living out of this. -Thank you. | 0:58:51 | 0:58:54 | |
APPLAUSE AND CHEERING Thank you. | 0:58:54 | 0:58:56 | |
Well done, you did really well. | 0:58:56 | 0:58:59 | |
APPLAUSE AND CHEERING | 0:58:59 | 0:59:01 | |
APPLAUSE DROWNS SPEECH | 0:59:01 | 0:59:06 | |
If we could've seen you, we would've all turned. | 0:59:06 | 0:59:08 | |
-RICKY: -Definitely. -Thank you. | 0:59:08 | 0:59:11 | |
-PALOMA: -Well done. | 0:59:11 | 0:59:12 | |
APPLAUSE AND CHEERING | 0:59:12 | 0:59:16 | |
-You did well. -You did well. Never mind. | 0:59:19 | 0:59:21 | |
Never mind, son. | 0:59:21 | 0:59:24 | |
You're all right. You did really, really well | 0:59:24 | 0:59:26 | |
and we're really proud of you. | 0:59:26 | 0:59:28 | |
There was a buzz being on there. | 0:59:28 | 0:59:30 | |
I'm happy to have been on there | 0:59:30 | 0:59:31 | |
and got some really fantastic feedback. | 0:59:31 | 0:59:34 | |
However nobody pushed the button, | 0:59:34 | 0:59:37 | |
so I'm a little bit gutted but life goes on | 0:59:37 | 0:59:40 | |
and I'll keep going and I'll get there one day. | 0:59:40 | 0:59:43 | |
It was an absolute pleasure. I think you're absolutely brilliant. | 0:59:43 | 0:59:46 | |
-Thank you. -It was lovely to meet you. | 0:59:46 | 0:59:48 | |
You never know what's coming | 0:59:50 | 0:59:52 | |
so what can we expect from our next act? | 0:59:52 | 0:59:55 | |
Can we get a rewind? | 0:59:55 | 0:59:57 | |
HE BEATBOXES | 0:59:57 | 0:59:59 | |
HE BEATBOXES | 1:00:01 | 1:00:04 | |
My name is Lyrickal. | 1:00:05 | 1:00:06 | |
My real name is Brian Bennett. | 1:00:06 | 1:00:09 | |
HE BEATBOXES | 1:00:09 | 1:00:11 | |
I'm 46 and I come from east London. | 1:00:13 | 1:00:16 | |
My outfit expresses a combination of, like, Gothic style and sci-fi style. | 1:00:16 | 1:00:21 | |
It's futuristic. | 1:00:21 | 1:00:24 | |
Gives me a certain edge. | 1:00:24 | 1:00:26 | |
I picked up beatboxing from listening to hip-hop. | 1:00:30 | 1:00:34 | |
HE BEATBOXES | 1:00:34 | 1:00:36 | |
It appealed to me musically to use my voice to express the music. | 1:00:38 | 1:00:44 | |
HE BEATBOXES | 1:00:44 | 1:00:46 | |
# Marvin on the beat | 1:00:46 | 1:00:47 | |
# Rocking it unique | 1:00:47 | 1:00:48 | |
# Every time that we go | 1:00:48 | 1:00:50 | |
# Ready to drop it, lock it Stop it. # | 1:00:50 | 1:00:52 | |
Yeah, that's what I'm saying, man. Double act. You ready? | 1:00:52 | 1:00:55 | |
I believe I'm ready to show the whole world | 1:01:00 | 1:01:02 | |
what Lyrickal is capable of. | 1:01:02 | 1:01:04 | |
When I get on stage, | 1:01:07 | 1:01:09 | |
it does transform me into a sort of vocal warrior. | 1:01:09 | 1:01:12 | |
Enjoy the show. | 1:01:14 | 1:01:15 | |
# Ooh | 1:01:30 | 1:01:33 | |
# Ooh-hoo-hoo | 1:01:33 | 1:01:36 | |
# Well, it's a wonder man can eat at all | 1:01:36 | 1:01:39 | |
# Things are big that should be small | 1:01:39 | 1:01:42 | |
# Who can tell what magic spells | 1:01:42 | 1:01:45 | |
# We'll be doing for us? | 1:01:45 | 1:01:47 | |
# But that's what they said yesterday | 1:01:47 | 1:01:50 | |
# There's nothing left to do but pray | 1:01:50 | 1:01:52 | |
# I think it's time I found a new religion | 1:01:52 | 1:01:55 | |
# Future's made of virtual insanity now | 1:01:55 | 1:02:00 | |
# Always seems to | 1:02:00 | 1:02:03 | |
# Be governed by this love we have | 1:02:03 | 1:02:05 | |
# We're useless Twisting | 1:02:05 | 1:02:08 | |
# Other new technology | 1:02:08 | 1:02:10 | |
# Oh, now there is now sound | 1:02:10 | 1:02:13 | |
# We all live underground... # | 1:02:13 | 1:02:17 | |
HE BEATBOXES | 1:02:17 | 1:02:18 | |
Come on. | 1:02:18 | 1:02:19 | |
Come on. | 1:02:21 | 1:02:22 | |
Come on. | 1:02:23 | 1:02:24 | |
HE TRUMPETS | 1:02:24 | 1:02:26 | |
# Put the needle on the record when the dr-dr-drum beat goes like | 1:02:27 | 1:02:32 | |
# Goes like... | 1:02:32 | 1:02:33 | |
HE BEATBOXES | 1:02:33 | 1:02:34 | |
# Goes like this | 1:02:34 | 1:02:36 | |
# Woo-hoo-hoo | 1:02:36 | 1:02:40 | |
# Dee-dee-dee dee-dee | 1:02:40 | 1:02:43 | |
# Ba-ba ba-ba-ba-ba-ba | 1:02:43 | 1:02:45 | |
# Ba-ba-da ba-ba-da ba-ba-da | 1:02:45 | 1:02:47 | |
# Woo-hoo-hoo. # | 1:02:47 | 1:02:48 | |
What's your name? | 1:03:02 | 1:03:04 | |
My name's Brian Bennett, | 1:03:04 | 1:03:06 | |
otherwise known as Lyrickal. | 1:03:06 | 1:03:08 | |
I'm 46 and I come from east London. | 1:03:08 | 1:03:11 | |
CHEERING | 1:03:11 | 1:03:13 | |
Do you have a real job? | 1:03:16 | 1:03:17 | |
I try and be a full-time musician. | 1:03:17 | 1:03:20 | |
Try my best to stay out there in the fight, gigging all the time, | 1:03:20 | 1:03:24 | |
trying to make a living, you know? | 1:03:24 | 1:03:25 | |
-And do you? -I struggle. | 1:03:25 | 1:03:27 | |
But not after today. | 1:03:27 | 1:03:29 | |
APPLAUSE | 1:03:29 | 1:03:30 | |
All right, I'm going to be real with you right now | 1:03:34 | 1:03:37 | |
because you just raised the bar. | 1:03:37 | 1:03:38 | |
CHEERING | 1:03:38 | 1:03:40 | |
Thank you. Thank you. | 1:03:43 | 1:03:45 | |
Oh, can I ask something? | 1:03:45 | 1:03:47 | |
Throughout the whole show, | 1:03:47 | 1:03:49 | |
you got to give it up for the band. | 1:03:49 | 1:03:51 | |
APPLAUSE | 1:03:51 | 1:03:52 | |
These guys have been playing all these styles of music, | 1:03:56 | 1:03:59 | |
and keep in mind, to play all those styles of music, | 1:03:59 | 1:04:01 | |
they had to rehearse and learn all those styles, all the music | 1:04:01 | 1:04:05 | |
that they're playing today, so really give it up for the band. | 1:04:05 | 1:04:08 | |
APPLAUSE | 1:04:08 | 1:04:09 | |
It was a great performance and I'm really happy that Will turned | 1:04:15 | 1:04:19 | |
because the collaboration is going to happen | 1:04:19 | 1:04:21 | |
and we're going to watch it so that's wicked. Well done. | 1:04:21 | 1:04:24 | |
APPLAUSE | 1:04:24 | 1:04:26 | |
It's like real stuff. Like, you know, like... | 1:04:26 | 1:04:28 | |
You've been on tour before | 1:04:28 | 1:04:30 | |
and the people that opened up for you killed it and you're like... | 1:04:30 | 1:04:35 | |
And you go out on stage thinking like... You in the back, | 1:04:35 | 1:04:37 | |
you just laughing with your friends, | 1:04:37 | 1:04:39 | |
you ain't really paying attention to nothing | 1:04:39 | 1:04:41 | |
and somebody runs to the dressing room and be like, | 1:04:41 | 1:04:43 | |
-"Yo, you know the opening act just, like, is tearing it." -Smashed it. | 1:04:43 | 1:04:46 | |
"They're smashing it, right, so you guys got to do work tonight." | 1:04:46 | 1:04:49 | |
What? | 1:04:49 | 1:04:50 | |
So you've got this, like, kind of like a little bit of anger | 1:04:50 | 1:04:54 | |
but love at the same time because you're not expecting somebody | 1:04:54 | 1:04:57 | |
to really tear the stage apart then ask the freaking stage crew | 1:04:57 | 1:05:00 | |
to fix it again. | 1:05:00 | 1:05:01 | |
That's what you just did right now. | 1:05:01 | 1:05:03 | |
That's what I came to do, man. | 1:05:03 | 1:05:04 | |
I really came to tear it down with love. Passion. | 1:05:04 | 1:05:07 | |
APPLAUSE | 1:05:07 | 1:05:09 | |
What's his name? | 1:05:11 | 1:05:13 | |
Oh, sorry, what's your name besides Wrecked the Stage? | 1:05:13 | 1:05:16 | |
Brian Bennett, otherwise known as Lyrickal. | 1:05:17 | 1:05:20 | |
Do you do that all the time? | 1:05:20 | 1:05:22 | |
-What? Tear the stage down? -No, no, say your name in that order. | 1:05:23 | 1:05:27 | |
No! | 1:05:27 | 1:05:28 | |
It's like Bond, James Bond. | 1:05:28 | 1:05:31 | |
LAUGHTER | 1:05:31 | 1:05:32 | |
We have to find awesome songs | 1:05:34 | 1:05:35 | |
and then you're going to, like, twist them and turn them | 1:05:35 | 1:05:38 | |
and then I'll be there with suggestions. | 1:05:38 | 1:05:40 | |
You could be like, "Yo, Will, what's your suggestions? | 1:05:40 | 1:05:42 | |
"I'm Brian | 1:05:42 | 1:05:44 | |
"Turner, aka Lyrickal." | 1:05:44 | 1:05:46 | |
Like, "Yo, I already know your name, bro." | 1:05:46 | 1:05:48 | |
He was like, "I know, just in case you forgot. I'm Brian Turner, | 1:05:48 | 1:05:51 | |
-"aka Lyrickal, and Brian Turner, aka Lyrickal..." -Is it Brian Bennett? | 1:05:51 | 1:05:55 | |
"..because I'm Brian Turner, aka Lyrickal." | 1:05:55 | 1:05:57 | |
Isn't Brian Turner a chef? | 1:05:57 | 1:05:59 | |
LAUGHTER | 1:05:59 | 1:06:00 | |
What? Huh? | 1:06:00 | 1:06:01 | |
You take for granted that Brian Turner, aka Lyrickal, | 1:06:02 | 1:06:05 | |
they rehearsed and he probably was like, | 1:06:05 | 1:06:08 | |
"No, no, and right here I'm going to do my bebops." | 1:06:08 | 1:06:11 | |
And then you was like, "Right here, I'm going to do my horn solo." | 1:06:11 | 1:06:14 | |
They were like, "What? We've got a trumpet in the back." | 1:06:14 | 1:06:16 | |
"No, no, I'm going to play the trumpet with my lips." | 1:06:16 | 1:06:19 | |
So, guess what, our rehearsals are going to be nuts. | 1:06:19 | 1:06:22 | |
We know it, right, and Brian Turner, aka Lyrickal, | 1:06:22 | 1:06:25 | |
is going to, like, really add | 1:06:25 | 1:06:28 | |
a whole bunch of, like, layers and roller-coasters | 1:06:28 | 1:06:30 | |
so I look forward to the roller-coaster you're going | 1:06:30 | 1:06:32 | |
to send us on. It's going to be awesome. | 1:06:32 | 1:06:34 | |
APPLAUSE | 1:06:34 | 1:06:36 | |
Hey, Brian Turner, aka Lyrickal. | 1:06:41 | 1:06:43 | |
It's great to meet you, Brian Turner, aka Lyrickal. | 1:06:43 | 1:06:48 | |
-It's Brian Bennett. -Oh! Sorry, Brian Bennett, aka Lyrickal! | 1:06:48 | 1:06:52 | |
Wait a second. I've been saying your name wrong all this time? | 1:06:52 | 1:06:55 | |
Sorry, Brian. | 1:06:55 | 1:06:56 | |
LAUGHTER AND APPLAUSE | 1:06:56 | 1:06:57 | |
For all the times I said Brian Turner, I'm going to say it here. | 1:07:01 | 1:07:04 | |
Brian Bennett, aka Lyrickal. Brian Bennett, aka Lyrickal. | 1:07:04 | 1:07:07 | |
Brian Bennett, aka Lyrickal, | 1:07:07 | 1:07:09 | |
is an amazing singer and addition to Team Will, by the way. | 1:07:09 | 1:07:13 | |
Check out this watch he's got and he knows the time for me. | 1:07:15 | 1:07:17 | |
That says 10:25. | 1:07:17 | 1:07:20 | |
Dang, you could've been in The Matrix. | 1:07:20 | 1:07:22 | |
APPLAUSE | 1:07:24 | 1:07:25 | |
Brian Bennett, aka Lyrickal. Brian Bennett, aka Lyrickal. | 1:07:27 | 1:07:31 | |
-Brian Bennett. -Brian Bennett, aka Lyrickal. | 1:07:37 | 1:07:40 | |
HE BEATBOXES | 1:07:40 | 1:07:42 | |
Brian Turner's apparently a celebrity chef. | 1:07:47 | 1:07:50 | |
-No, it's Brian Bennett. -I know, but you were saying Brian Turner. | 1:07:50 | 1:07:55 | |
I've been saying Brian Bennett, aka Lyrickal, the whole time. | 1:07:55 | 1:07:58 | |
I totally messed up. | 1:08:00 | 1:08:02 | |
But I got the aka Lyrickal right, right? | 1:08:02 | 1:08:04 | |
But he was so polite. | 1:08:07 | 1:08:08 | |
He stood up there and just, like, let me call him Brian Turner. | 1:08:08 | 1:08:11 | |
I would be like, "Look, my name is..." | 1:08:11 | 1:08:13 | |
LAUGHTER | 1:08:13 | 1:08:14 | |
He stood there and let me call him Brian Turner, like, 1,000 times. | 1:08:17 | 1:08:22 | |
That's very British. | 1:08:22 | 1:08:24 | |
Oh, he's so polite. | 1:08:29 | 1:08:30 | |
Hold it together, Paloma. | 1:08:34 | 1:08:36 | |
That was really funny. | 1:08:36 | 1:08:38 | |
Over the water now to Cork in Ireland | 1:08:40 | 1:08:43 | |
and 16-year-old Aine Carroll. | 1:08:43 | 1:08:45 | |
I am still at school. I like school | 1:08:47 | 1:08:49 | |
and I'm not going to lie, like I'm one of them people. I like school. | 1:08:49 | 1:08:53 | |
I love, like, being with my friends and stuff like that. | 1:08:53 | 1:08:56 | |
My favourite subject is music because that's what I want to do. | 1:08:59 | 1:09:03 | |
THEY SING | 1:09:03 | 1:09:05 | |
I live at home with my mum and my brother. | 1:09:06 | 1:09:10 | |
On a scale of one to ten, | 1:09:10 | 1:09:14 | |
I love my mum | 1:09:14 | 1:09:15 | |
four million. | 1:09:15 | 1:09:17 | |
I don't think it's, like, sank in yet that I'm actually here. | 1:09:17 | 1:09:20 | |
I'm a mummy's girl. I'm not going to lie. Yeah, I am. | 1:09:20 | 1:09:23 | |
From a very young age, she was always like, | 1:09:25 | 1:09:28 | |
"You know, Aine, you can do this." | 1:09:28 | 1:09:29 | |
She gives me a lot of confidence in myself. | 1:09:29 | 1:09:33 | |
And what about if she does do really well in the competition | 1:09:33 | 1:09:36 | |
and she has to fly the nest, move away? | 1:09:36 | 1:09:39 | |
I've packed already. I'm ready to go. | 1:09:39 | 1:09:41 | |
I am scared to go on the stage | 1:09:45 | 1:09:48 | |
but my mum's always believed in me, | 1:09:48 | 1:09:51 | |
which I love, | 1:09:51 | 1:09:52 | |
and I think, because of her, | 1:09:52 | 1:09:54 | |
I can definitely do this. | 1:09:54 | 1:09:56 | |
THEY SHOUT | 1:10:00 | 1:10:02 | |
I ain't got no-one yet but I might get, you know... | 1:10:12 | 1:10:15 | |
Oh, yeah, they'll come. | 1:10:15 | 1:10:17 | |
# This is more than the typical kind of thing | 1:10:23 | 1:10:29 | |
# Felt the jones in my bones when you were touching me | 1:10:29 | 1:10:34 | |
# Ooh | 1:10:34 | 1:10:36 | |
# Didn't want to take it slow | 1:10:36 | 1:10:40 | |
# In a daze | 1:10:45 | 1:10:46 | |
# Going crazy I can barely speak | 1:10:46 | 1:10:50 | |
# You replayed through my brain | 1:10:50 | 1:10:53 | |
# I found it hard to breathe | 1:10:53 | 1:10:58 | |
-# Waiting for my phone to blow... # -Aine, come on! | 1:10:58 | 1:11:02 | |
# See, I've been waiting all day | 1:11:03 | 1:11:08 | |
# For you to call me, baby | 1:11:08 | 1:11:12 | |
# So let's get up Let's get on it | 1:11:12 | 1:11:15 | |
# Don't you leave me brokenhearted tonight | 1:11:15 | 1:11:20 | |
# Be honest, baby I'll do | 1:11:20 | 1:11:24 | |
# Anything you want to... | 1:11:24 | 1:11:27 | |
THEY SCREAM | 1:11:27 | 1:11:28 | |
# Can we finish what we started? | 1:11:30 | 1:11:32 | |
# Don't you leave me brokenhearted tonight | 1:11:32 | 1:11:35 | |
# Woo-oo | 1:11:35 | 1:11:37 | |
# When you gonna call? | 1:11:39 | 1:11:41 | |
# Don't you leave me brokenhearted | 1:11:41 | 1:11:43 | |
# I've been waiting up Let's finish what we started | 1:11:43 | 1:11:48 | |
# Oh | 1:11:48 | 1:11:50 | |
# I can't seem to let you | 1:11:50 | 1:11:56 | |
# Go. # | 1:11:56 | 1:12:02 | |
APPLAUSE | 1:12:03 | 1:12:05 | |
-Hello. -What's your name? | 1:12:17 | 1:12:20 | |
My name's Aine Carroll and I'm from Cork in Ireland. | 1:12:20 | 1:12:23 | |
APPLAUSE | 1:12:23 | 1:12:24 | |
You're so cute! | 1:12:26 | 1:12:28 | |
You're so lovable! | 1:12:28 | 1:12:30 | |
How old are you, baby? | 1:12:30 | 1:12:31 | |
-I'm 16. -Jaysus! | 1:12:31 | 1:12:33 | |
You weren't doing too much, nor too little, | 1:12:35 | 1:12:39 | |
which is a good thing in my view | 1:12:39 | 1:12:41 | |
and, obviously, you're a bit nervous | 1:12:41 | 1:12:43 | |
and I think, if I was 16, I would have probably crawled into a shell | 1:12:43 | 1:12:47 | |
so well done for even making it out here in the first place. | 1:12:47 | 1:12:50 | |
Thank you. | 1:12:50 | 1:12:51 | |
APPLAUSE | 1:12:51 | 1:12:53 | |
OK, I'm going to be honest, | 1:12:53 | 1:12:54 | |
you were a little bit shaky but there is a beautiful tone there. | 1:12:54 | 1:12:59 | |
Thank you so much. | 1:12:59 | 1:13:01 | |
APPLAUSE | 1:13:01 | 1:13:02 | |
And I think, you know, get over those nerves, | 1:13:02 | 1:13:04 | |
I think you could go very far in this competition. | 1:13:04 | 1:13:09 | |
Thank you so, so much, like, honestly. | 1:13:09 | 1:13:11 | |
APPLAUSE | 1:13:11 | 1:13:12 | |
-Hello. -I'm Ricky. Nice to meet you. -You, too. | 1:13:13 | 1:13:16 | |
I think George is right but you've proven yourself. | 1:13:16 | 1:13:20 | |
Look who's turned for you. Us three. | 1:13:20 | 1:13:22 | |
Two of the biggest names in pop and... | 1:13:22 | 1:13:24 | |
Oh, stop it! | 1:13:24 | 1:13:28 | |
And Paloma Faith. | 1:13:28 | 1:13:30 | |
So, yeah, I was amazed by it. | 1:13:35 | 1:13:37 | |
I didn't know you were that young. | 1:13:37 | 1:13:39 | |
It felt like you've got an old soul | 1:13:39 | 1:13:43 | |
and that was coming out there and, yeah, you're a soul singer. | 1:13:43 | 1:13:46 | |
Thank you so much. Yeah. | 1:13:46 | 1:13:48 | |
APPLAUSE | 1:13:48 | 1:13:50 | |
The reason why I didn't turn, I had a hunch. | 1:13:50 | 1:13:53 | |
I don't want to say I had a feeling because that would be like... | 1:13:53 | 1:13:56 | |
Woohoo! | 1:13:56 | 1:13:57 | |
So I had a hunch that you were 20 and under | 1:13:57 | 1:14:00 | |
and I didn't want to, you know, crowd the room | 1:14:00 | 1:14:03 | |
with, like, you know, making the decision even worse for you, | 1:14:03 | 1:14:06 | |
but George is freaking awesome, | 1:14:06 | 1:14:09 | |
Paloma - fierce. | 1:14:09 | 1:14:11 | |
Rah! | 1:14:11 | 1:14:13 | |
And then Ricky is like, you know... | 1:14:13 | 1:14:16 | |
He always runs out of things to say when it comes to me. | 1:14:16 | 1:14:18 | |
No, Ricky won the whole series last year. I think that's safe to say. | 1:14:18 | 1:14:21 | |
Exactly, yeah, yeah. | 1:14:21 | 1:14:22 | |
So, the choice is yours. | 1:14:25 | 1:14:28 | |
You know what? You're not famous till my mother's heard of you | 1:14:28 | 1:14:31 | |
so, if you stick with me, that'll happen. | 1:14:31 | 1:14:33 | |
LAUGHTER | 1:14:33 | 1:14:34 | |
And I have a good Irish mother like yourself. | 1:14:36 | 1:14:38 | |
-Really? -Yes. -Oh, that's good. | 1:14:38 | 1:14:40 | |
-Dang, George... -INAUDIBLE | 1:14:43 | 1:14:45 | |
-..freaking punches. -RICKY: What?! | 1:14:45 | 1:14:47 | |
-Can you go next? Because I need to think. -You need to think? | 1:14:47 | 1:14:50 | |
-Yeah. -You want a bit of time? -Yeah, because that's really good. | 1:14:50 | 1:14:53 | |
Yeah, that was really good. | 1:14:53 | 1:14:54 | |
LAUGHTER | 1:14:54 | 1:14:56 | |
Paloma, the thing is, when you're pitching, | 1:14:56 | 1:14:58 | |
you shouldn't need to have to think about it, it should just come out | 1:14:58 | 1:15:01 | |
and... | 1:15:01 | 1:15:02 | |
AUDIENCE: Ooh! | 1:15:02 | 1:15:03 | |
You know what I like about Ricky's tactics? | 1:15:03 | 1:15:05 | |
Is that by saying that, he had time to think about it. | 1:15:05 | 1:15:08 | |
LAUGHTER | 1:15:08 | 1:15:09 | |
-I think you'll understand... -Got him! | 1:15:10 | 1:15:12 | |
..that we sometimes need time with things | 1:15:12 | 1:15:15 | |
and I feel like what I would offer is patience and time, | 1:15:15 | 1:15:19 | |
and if Ricky is going to be that kind of unforgiving | 1:15:19 | 1:15:23 | |
for those moments, then I suggest you go with somebody | 1:15:23 | 1:15:27 | |
who's got a bit more patience. | 1:15:27 | 1:15:30 | |
-APPLAUSE -That was good, too, man - you good! | 1:15:30 | 1:15:32 | |
That was good. | 1:15:32 | 1:15:33 | |
Seriously, seriously, I didn't think I was going to be competitive | 1:15:36 | 1:15:39 | |
-when I came back, I thought... -Oh, please! | 1:15:39 | 1:15:42 | |
First year, I was terrified, second year | 1:15:42 | 1:15:43 | |
I was consumed by just wanting to win it for egotistical reasons, | 1:15:43 | 1:15:47 | |
and I thought this year I was just going to enjoy it, | 1:15:47 | 1:15:49 | |
but after hearing you, I've got my competitive edge back again, | 1:15:49 | 1:15:52 | |
because I think that you're... | 1:15:52 | 1:15:54 | |
AUDIENCE: Ooh! | 1:15:54 | 1:15:55 | |
..you're something special. | 1:15:55 | 1:15:56 | |
Thank you, it's so hard to decide, like... | 1:15:56 | 1:15:58 | |
-AUDIENCE MEMBER: -Boy George! -No, it's not! | 1:15:58 | 1:16:02 | |
AUDIENCE CHEERS | 1:16:02 | 1:16:04 | |
-I don't know, you're just so amazing. -Follow your heart. | 1:16:08 | 1:16:12 | |
-Follow my heart... -You have to follow your heart. | 1:16:12 | 1:16:14 | |
You know, this is a big decision, you know - | 1:16:14 | 1:16:16 | |
but it's really not going to make or break you. | 1:16:16 | 1:16:19 | |
You're still in the show, it's not too big, don't worry. | 1:16:19 | 1:16:22 | |
LAUGHTER | 1:16:22 | 1:16:24 | |
OK, I think I have my decision. | 1:16:24 | 1:16:25 | |
Who is it going to be? | 1:16:25 | 1:16:28 | |
I'm going to go with... | 1:16:32 | 1:16:33 | |
..Ricky. | 1:16:39 | 1:16:40 | |
AUDIENCE CHEERS | 1:16:40 | 1:16:41 | |
You made a great choice. | 1:16:53 | 1:16:54 | |
-It was really hard. -Well done. | 1:16:54 | 1:16:56 | |
-Good song, as well, for you. -Thank you. | 1:16:56 | 1:16:59 | |
I told you! He put the blue eyes on you. | 1:16:59 | 1:17:01 | |
There is no stopping him. | 1:17:01 | 1:17:04 | |
Aine was another one who made a terrible mistake not choosing me! | 1:17:14 | 1:17:17 | |
I mean, it's like, what's wrong with these kids? | 1:17:17 | 1:17:20 | |
ALL CHEER | 1:17:20 | 1:17:22 | |
George's pitch style is awesome, | 1:17:27 | 1:17:29 | |
but it's not synching with the contestants. | 1:17:29 | 1:17:32 | |
I think they're hypnotised by Friendly Fred over here. | 1:17:32 | 1:17:35 | |
That would be Ricky. | 1:17:35 | 1:17:36 | |
Ricky pretends to be all mousy, but really he's a lion. | 1:17:38 | 1:17:40 | |
I think the Buddhist gods are watching out for me - | 1:17:40 | 1:17:43 | |
they're just waiting till I find THE one. | 1:17:43 | 1:17:45 | |
'We have four superstar coaches in those chairs - | 1:17:49 | 1:17:52 | |
'but hold on, up next, the bona fide showbiz genius | 1:17:52 | 1:17:57 | |
'with the best legs in town. Really?!' | 1:17:57 | 1:18:00 | |
I'm Bernie Clifton, I'm 79 years old and I'm an entertainer. | 1:18:00 | 1:18:04 | |
I've been an entertainer now for more than 60 years. | 1:18:04 | 1:18:08 | |
I got my big break in the '70s - | 1:18:08 | 1:18:11 | |
I was asked to do the Royal Variety Show | 1:18:11 | 1:18:14 | |
in front of Her Majesty the Queen. | 1:18:14 | 1:18:16 | |
I went out and had the best eight minutes of my life. | 1:18:16 | 1:18:18 | |
I've forgotten where I was up to now. | 1:18:18 | 1:18:20 | |
LAUGHTER | 1:18:20 | 1:18:21 | |
As a result, I got launched into television. | 1:18:21 | 1:18:25 | |
I'm probably most known for being an ostrich jockey. | 1:18:25 | 1:18:28 | |
Oswald the Ostrich came along and captivated a generation or two. | 1:18:28 | 1:18:33 | |
Don't jump, don't jump! | 1:18:33 | 1:18:35 | |
He was quick, like a dervish. | 1:18:36 | 1:18:39 | |
He's much slower these days. | 1:18:39 | 1:18:41 | |
MUSIC: Baby Elephant Walk by Henry Mancini | 1:18:41 | 1:18:43 | |
He's holding up quite well, isn't he? | 1:18:43 | 1:18:45 | |
Back still going strong. | 1:18:45 | 1:18:47 | |
Good stuff! | 1:18:47 | 1:18:50 | |
HE LAUGHS | 1:18:50 | 1:18:51 | |
Whenever I was booked on television I was there to do the comedy. | 1:18:51 | 1:18:54 | |
No! No... | 1:18:54 | 1:18:56 | |
My singing was always in the background - I was pigeonholed. | 1:18:56 | 1:19:00 | |
HE CHUCKLES | 1:19:00 | 1:19:03 | |
I was ostrich-holed. | 1:19:03 | 1:19:05 | |
Whoa! | 1:19:05 | 1:19:06 | |
LAUGHTER | 1:19:06 | 1:19:07 | |
I'm here today on The Voice | 1:19:07 | 1:19:09 | |
because I felt I had to do something about it. | 1:19:09 | 1:19:11 | |
-I'll see you after the audition. -OK. | 1:19:11 | 1:19:13 | |
-Have a good one. -Cheers. Thanks. -Cheers, mate. All right. | 1:19:13 | 1:19:16 | |
HE LAUGHS | 1:19:17 | 1:19:19 | |
I'm 79 years old, but pipe and slippers are not for me. | 1:19:27 | 1:19:31 | |
I still enjoy myself, | 1:19:31 | 1:19:33 | |
but I've always retained this desire to sing, and that's why I'm here. | 1:19:33 | 1:19:39 | |
# To dream the impossible dream... # | 1:19:53 | 1:19:57 | |
APPLAUSE | 1:19:57 | 1:19:59 | |
# To fight the unbeatable foe | 1:19:59 | 1:20:03 | |
# To bear with unbearable sorrow | 1:20:05 | 1:20:10 | |
# To run where the brave dare not go | 1:20:10 | 1:20:16 | |
# This is my quest | 1:20:16 | 1:20:19 | |
# To follow that star | 1:20:19 | 1:20:21 | |
# No matter how hopeless | 1:20:21 | 1:20:24 | |
# No matter how far | 1:20:24 | 1:20:27 | |
# To fight for the right | 1:20:27 | 1:20:29 | |
# Without question or pause | 1:20:29 | 1:20:33 | |
# To be willing to march into hell | 1:20:33 | 1:20:36 | |
# For a heavenly cause | 1:20:36 | 1:20:39 | |
# And I know if I'll only be true | 1:20:39 | 1:20:44 | |
# To this glorious quest | 1:20:44 | 1:20:49 | |
# That my heart will lie peaceful and calm | 1:20:49 | 1:20:54 | |
# When I'm laid to my rest | 1:20:54 | 1:21:00 | |
# To fight the unbeatable foe | 1:21:00 | 1:21:06 | |
# To reach the unreachable star. # | 1:21:06 | 1:21:17 | |
APPLAUSE | 1:21:17 | 1:21:19 | |
Come on, Bernie! | 1:21:27 | 1:21:29 | |
Thank you. | 1:21:34 | 1:21:36 | |
Hello, sir! | 1:21:51 | 1:21:53 | |
-What's your name? -My name is, um...Bernie Clifton... | 1:21:53 | 1:21:57 | |
AUDIENCE CHEERS | 1:21:57 | 1:22:00 | |
..and I'm a 79-year-old comedian. APPLAUSE | 1:22:00 | 1:22:04 | |
Where is he? Is he back there? | 1:22:04 | 1:22:06 | |
-He's not far away, Ricky, not far away. -Where is who? | 1:22:06 | 1:22:09 | |
You know who Bernie Clifton is, right? | 1:22:09 | 1:22:11 | |
-I'll give you a clue. -Yeah. Come on. | 1:22:11 | 1:22:13 | |
LAUGHTER | 1:22:13 | 1:22:15 | |
Ricky, come here. That was really bad. | 1:22:17 | 1:22:19 | |
APPLAUSE | 1:22:19 | 1:22:21 | |
First of all, two hands. Palms up, OK? | 1:22:25 | 1:22:27 | |
-Two hands... -Move one. -Yeah? | 1:22:27 | 1:22:28 | |
Whaa! | 1:22:28 | 1:22:29 | |
LAUGHTER | 1:22:29 | 1:22:32 | |
Move two. | 1:22:32 | 1:22:33 | |
-Do you not remember Bernie Clifton? -No. | 1:22:35 | 1:22:37 | |
He had, like, the animal puppet thing. | 1:22:37 | 1:22:39 | |
Have you got it with you? | 1:22:39 | 1:22:41 | |
LAUGHTER | 1:22:42 | 1:22:44 | |
It was here when I came out. | 1:22:44 | 1:22:46 | |
LAUGHTER | 1:22:46 | 1:22:48 | |
-So, last year I had to explain to Will who Bungle was... -Yeah, yeah. | 1:22:48 | 1:22:51 | |
And I also had to describe who Orville was... | 1:22:51 | 1:22:54 | |
-PALOMA: -They are pretty much similar vibes, but more physical and funny. | 1:22:54 | 1:22:58 | |
It used to be more physical than it is now, Paloma. | 1:22:58 | 1:23:01 | |
LAUGHTER | 1:23:01 | 1:23:03 | |
He's got it. | 1:23:05 | 1:23:07 | |
APPLAUSE | 1:23:08 | 1:23:09 | |
So, Bernie, who knew you had a voice like that? | 1:23:09 | 1:23:12 | |
Well, not many people, cos in my career I did the comedy, | 1:23:12 | 1:23:16 | |
and the singing took a back seat - | 1:23:16 | 1:23:17 | |
and then a few years ago I suddenly thought, "I've got to do something." | 1:23:17 | 1:23:21 | |
I met a guy who gave me some proper singing lessons. | 1:23:21 | 1:23:23 | |
Then I found out I'd got nobody to sing to, | 1:23:23 | 1:23:25 | |
so here I am tonight on The Voice. | 1:23:25 | 1:23:28 | |
AUDIENCE CHEERS | 1:23:28 | 1:23:31 | |
Can I ask you, you're still performing, right? | 1:23:35 | 1:23:38 | |
Yes, I do, but on a relatively lower scale. | 1:23:38 | 1:23:41 | |
There's not much work about for elderly ostrich jockeys. | 1:23:41 | 1:23:45 | |
LAUGHTER | 1:23:45 | 1:23:47 | |
APPLAUSE | 1:23:50 | 1:23:51 | |
It's a bit like the clubs back in the day, you know? | 1:23:52 | 1:23:55 | |
The difference is that, in those days, | 1:23:55 | 1:23:57 | |
they were facing you when you began... | 1:23:57 | 1:24:00 | |
LAUGHTER | 1:24:00 | 1:24:02 | |
You're good at this! | 1:24:06 | 1:24:08 | |
I've had a great time, and I'll tell you what, | 1:24:08 | 1:24:10 | |
if I could just say, anybody that's out there, | 1:24:10 | 1:24:12 | |
whether you're 19, 89, 99, | 1:24:12 | 1:24:14 | |
if you've got something that you think you want to work on, | 1:24:14 | 1:24:17 | |
you should go out and have a go, because if I can do it, anybody can. | 1:24:17 | 1:24:22 | |
APPLAUSE | 1:24:22 | 1:24:24 | |
AUDIENCE CHEERS | 1:24:38 | 1:24:39 | |
Thank you very much. | 1:24:39 | 1:24:41 | |
-Well done, darling, you were brilliant. -Brilliant. | 1:24:46 | 1:24:50 | |
-God bless you, mate. -Thank you so much. Thank you. | 1:24:50 | 1:24:52 | |
Yeah! | 1:24:56 | 1:24:58 | |
AUDIENCE CLAPS AND CHANTS | 1:24:58 | 1:25:00 | |
Bernie, Bernie, Bernie! | 1:25:00 | 1:25:01 | |
I loved him. Did you? | 1:25:02 | 1:25:04 | |
He was brilliant, eh? | 1:25:04 | 1:25:05 | |
Bernie Clifton shaped my childhood. He's a big, big star. | 1:25:08 | 1:25:11 | |
It was brilliant to see him, and he has a great voice. | 1:25:13 | 1:25:16 | |
Absolutely fabulous. | 1:25:16 | 1:25:18 | |
Ricky and I could get together - maybe a bit of a double act. | 1:25:18 | 1:25:20 | |
He can do all the hard work. HE CHUCKLES | 1:25:20 | 1:25:23 | |
I came here with great, great hopes, | 1:25:23 | 1:25:26 | |
and I've had the time of my life, and I'd do it all over again. | 1:25:26 | 1:25:29 | |
-Absolutely fabulous. -Brilliant. | 1:25:29 | 1:25:31 | |
Take care. Great family, cheers. | 1:25:31 | 1:25:33 | |
See you next time. | 1:25:33 | 1:25:34 | |
ALL CHEER | 1:25:34 | 1:25:36 | |
So, how many have you... You've got two, I've got two, Will's got... | 1:25:44 | 1:25:49 | |
- Three, I reckon. - No! | 1:25:49 | 1:25:51 | |
- Two or three. - Two. | 1:25:51 | 1:25:53 | |
And George has got none. | 1:25:53 | 1:25:56 | |
It hasn't been George's night, and time's running out. | 1:25:56 | 1:25:59 | |
My name is Cody Frost, I'm 17, and I'm from Lancashire. | 1:26:03 | 1:26:07 | |
I live at home with my mum and my little sister. | 1:26:07 | 1:26:10 | |
Cody's the best sister ever. | 1:26:11 | 1:26:13 | |
It's a madhouse. Everyone's just so loud. | 1:26:13 | 1:26:17 | |
My dad still sees me as Daddy's little princess sometimes, | 1:26:19 | 1:26:23 | |
but I don't really look like a princess at the moment, | 1:26:23 | 1:26:26 | |
and I don't think I ever will. | 1:26:26 | 1:26:28 | |
-Well, Cody, it's lovely to meet you. -Nice to meet you. | 1:26:28 | 1:26:30 | |
-You look amazing! -Thank you. -How would you describe your look today? | 1:26:30 | 1:26:33 | |
-Er, failed punk. -"Failed" punk?! | 1:26:33 | 1:26:36 | |
I'd say so! | 1:26:36 | 1:26:37 | |
I like to be different, | 1:26:39 | 1:26:40 | |
because that's how you get your voice heard, | 1:26:40 | 1:26:42 | |
that's how you can make a change as opposed to, like, | 1:26:42 | 1:26:45 | |
just staying the same, getting the job, having kids - | 1:26:45 | 1:26:49 | |
and that's just boring, like, why would you want to do that? | 1:26:49 | 1:26:52 | |
I've been looking into the coaches' star signs a little bit, | 1:26:57 | 1:26:59 | |
because I'm a bit of an astrology nerd. | 1:26:59 | 1:27:01 | |
I'm a Capricorn. | 1:27:01 | 1:27:02 | |
I found out that they pretty much mix with mine - particularly Paloma, | 1:27:02 | 1:27:07 | |
because my best friend is a Cancer, and so is Paloma... | 1:27:07 | 1:27:10 | |
..and maybe our stars will align(!) | 1:27:12 | 1:27:14 | |
This is by far the biggest thing I've done in my life. | 1:27:16 | 1:27:19 | |
I've been pushed down quite a lot when I was younger, | 1:27:19 | 1:27:21 | |
and now I've got the confidence to do it, so, why not do it now? | 1:27:21 | 1:27:25 | |
I think I'm ready for a stage this big. | 1:27:25 | 1:27:28 | |
# I hope you have the time of your life. # | 1:27:28 | 1:27:32 | |
# I wasn't jealous before we met | 1:27:42 | 1:27:47 | |
# Now every woman I see is a potential threat... # | 1:27:47 | 1:27:53 | |
APPLAUSE | 1:27:53 | 1:27:54 | |
# And I'm possessive, it isn't nice | 1:27:56 | 1:28:01 | |
# You've heard me saying that smoking was my only vice | 1:28:01 | 1:28:07 | |
# But now it isn't true | 1:28:09 | 1:28:12 | |
# Whoa-oh | 1:28:12 | 1:28:14 | |
# Now everything is new | 1:28:14 | 1:28:17 | |
# Whoa-oh | 1:28:17 | 1:28:19 | |
# And all I've learned | 1:28:19 | 1:28:21 | |
# has overturned | 1:28:21 | 1:28:23 | |
# I beg of you | 1:28:23 | 1:28:26 | |
# Whoa-oh | 1:28:26 | 1:28:31 | |
# Don't go wasting your emotions | 1:28:31 | 1:28:39 | |
# Lay all your love on me | 1:28:39 | 1:28:47 | |
# Oh, don't go sharing your devotion... # | 1:28:47 | 1:28:55 | |
-Go on, Will! -Yes! | 1:28:55 | 1:28:57 | |
# Lay all your love on me. # | 1:28:57 | 1:29:07 | |
APPLAUSE AND CHEERING | 1:29:07 | 1:29:10 | |
Hiya! | 1:29:26 | 1:29:27 | |
-What's your name? -Cody, I'm 17, | 1:29:27 | 1:29:29 | |
I'm from a little town called Burnley in Lancashire. | 1:29:29 | 1:29:32 | |
AUDIENCE CHEERS | 1:29:32 | 1:29:34 | |
-I think you're so cool! -Yeah, your style is... Your style is fresh. | 1:29:36 | 1:29:40 | |
-Thank you. -You look amazing. | 1:29:40 | 1:29:41 | |
Like, what are you into - besides dressing fresh? | 1:29:41 | 1:29:45 | |
Er... Really angry music. | 1:29:45 | 1:29:47 | |
LAUGHTER | 1:29:47 | 1:29:49 | |
Like what? | 1:29:49 | 1:29:50 | |
Like... You know, metal. | 1:29:50 | 1:29:53 | |
-But you're not singing metal. -No. | 1:29:53 | 1:29:55 | |
-It's quite emotional, what you just sang - it's kind of... -Emo. -Yeah. | 1:29:55 | 1:29:59 | |
-Yeah? -Yeah. | 1:29:59 | 1:30:00 | |
-Back in the day. -Tell you what, | 1:30:00 | 1:30:02 | |
one of the most emotional performances we've had so far. | 1:30:02 | 1:30:04 | |
Yeah, I feel so moved. | 1:30:04 | 1:30:06 | |
You know, it feels like we've really... | 1:30:06 | 1:30:08 | |
I mean, 90 seconds, it's really hard to get to know someone in that time, | 1:30:08 | 1:30:11 | |
but I feel like we've really got to know you quite quickly. | 1:30:11 | 1:30:14 | |
-Thank you. -And hopefully you'll come on my team and we can... | 1:30:14 | 1:30:18 | |
If you're going to start, start early. | 1:30:19 | 1:30:22 | |
And we can carry that on and get to know you better | 1:30:22 | 1:30:25 | |
and make it so that you have the career that you want. | 1:30:25 | 1:30:27 | |
APPLAUSE | 1:30:27 | 1:30:29 | |
-There's a little bit of an '80s vibe going on in the look. -Yes. | 1:30:29 | 1:30:32 | |
So, there's really only one place for you to go, honey chile. | 1:30:32 | 1:30:36 | |
LAUGHTER | 1:30:36 | 1:30:38 | |
AUDIENCE CHEERS | 1:30:38 | 1:30:40 | |
I just thought, I always go for misfits, right? | 1:30:43 | 1:30:47 | |
-Here I am. -Yeah! | 1:30:47 | 1:30:48 | |
And I love it - and I was just sitting there, | 1:30:48 | 1:30:51 | |
and I really felt emotional from listening to you, | 1:30:51 | 1:30:55 | |
and I felt like we really heard your heart, | 1:30:55 | 1:30:57 | |
and I feel like that's really, really special | 1:30:57 | 1:31:00 | |
and I 100% believe that you should be massive in the music industry, | 1:31:00 | 1:31:06 | |
cos that was so beautiful. | 1:31:06 | 1:31:07 | |
APPLAUSE Thank you. | 1:31:07 | 1:31:09 | |
Paloma just used the word misfit - I'm the queen of misfits. | 1:31:11 | 1:31:15 | |
LAUGHTER | 1:31:15 | 1:31:16 | |
I mean, yeah, there was a beautiful vulnerability... | 1:31:16 | 1:31:19 | |
Well, you know I used to be a man, right? I'm only joking! | 1:31:19 | 1:31:21 | |
I thought we were going to keep that secret. | 1:31:21 | 1:31:23 | |
Yeah, there was a beautiful vulnerability, | 1:31:23 | 1:31:25 | |
and also the song choice - | 1:31:25 | 1:31:27 | |
because at first I wasn't sure what you were singing, I was like, | 1:31:27 | 1:31:30 | |
"OK, Abba - a sort of Goth take on Abba," | 1:31:30 | 1:31:32 | |
it was kind of beautiful, you know - and brave. | 1:31:32 | 1:31:34 | |
-Thank you! -Very brave. -And really creative. | 1:31:34 | 1:31:37 | |
APPLAUSE | 1:31:37 | 1:31:39 | |
And I think that you should be equally brave | 1:31:39 | 1:31:41 | |
in your choice of coach - | 1:31:41 | 1:31:43 | |
I mean, I'm more of a camper van than a coach, | 1:31:43 | 1:31:45 | |
but, you know, these are kind of young... | 1:31:45 | 1:31:48 | |
They are very young, I've been around for a long time, so... | 1:31:48 | 1:31:52 | |
Shall we pitch? Is this pitching? | 1:31:52 | 1:31:54 | |
Oh, I've been pitching from the minute I started. | 1:31:54 | 1:31:56 | |
I'm the pitch bitch. | 1:31:56 | 1:31:58 | |
CHEERING AND APPLAUSE | 1:31:58 | 1:32:01 | |
I always know when it's an important moment, | 1:32:06 | 1:32:08 | |
because I'm a bit shaky and a bit nervous, | 1:32:08 | 1:32:10 | |
and I'm not sure whether that's because | 1:32:10 | 1:32:12 | |
I really want you on the team, because I'm a bit... | 1:32:12 | 1:32:14 | |
I can't get my words out - | 1:32:14 | 1:32:15 | |
but either it is that, or just because of the performance. | 1:32:15 | 1:32:18 | |
Maybe it's a mixture of both. | 1:32:18 | 1:32:19 | |
I can't wait to hear you do that again, | 1:32:19 | 1:32:20 | |
I'd really like to be the person that stands next to you | 1:32:20 | 1:32:23 | |
when you do that, and I'd stand next to you for as long as it takes. | 1:32:23 | 1:32:25 | |
APPLAUSE | 1:32:25 | 1:32:28 | |
-PALOMA: -So beautiful. You are. | 1:32:28 | 1:32:31 | |
Do you have a coach... Do you have a coach in mind? | 1:32:31 | 1:32:35 | |
-Well, er, Paloma. -Well, I'm a fan of yours. | 1:32:35 | 1:32:39 | |
She may discard you like one of her old dresses - | 1:32:39 | 1:32:41 | |
-I've seen her dressing room. -LAUGHTER | 1:32:41 | 1:32:44 | |
It's a mess up there. | 1:32:44 | 1:32:46 | |
So, be careful, because you might be doing what is safe. | 1:32:46 | 1:32:48 | |
-This is a bit low. -Low?! You ain't seen me go yet. | 1:32:48 | 1:32:51 | |
LAUGHTER | 1:32:51 | 1:32:53 | |
APPLAUSE | 1:32:54 | 1:32:57 | |
ALL SHOUT | 1:32:57 | 1:32:59 | |
I can't hear what they're saying. | 1:32:59 | 1:33:01 | |
Sometimes the most obvious thing is the worst thing that you can do. | 1:33:01 | 1:33:06 | |
-I don't think this is obvious! -Of course it is! | 1:33:06 | 1:33:08 | |
You're a girl, she's a girl... | 1:33:08 | 1:33:12 | |
LAUGHTER | 1:33:12 | 1:33:13 | |
I'm going to go with Boy George. | 1:33:18 | 1:33:19 | |
# Karma, karma, karma, karma | 1:33:19 | 1:33:21 | |
# Karma chameleon... # | 1:33:21 | 1:33:22 | |
I'm so happy! | 1:33:22 | 1:33:24 | |
I'm so happy! | 1:33:24 | 1:33:26 | |
You definitely made the right choice. | 1:33:29 | 1:33:32 | |
So happy! | 1:33:38 | 1:33:40 | |
I had to, baby! | 1:33:48 | 1:33:50 | |
I had to, baby! I had to. | 1:33:51 | 1:33:53 | |
I was like, "She's so good!" | 1:33:53 | 1:33:55 | |
You stole a couple of magic ones off me, babe, | 1:33:56 | 1:33:59 | |
so I had to go low, I'm sorry. | 1:33:59 | 1:34:02 | |
HE LAUGHS | 1:34:02 | 1:34:04 | |
I love that, that was awesome. | 1:34:04 | 1:34:06 | |
I need to lie down! | 1:34:06 | 1:34:07 | |
She was awesome, though. | 1:34:09 | 1:34:10 | |
-She was amazing. -She was magical, yeah. -She was special. | 1:34:10 | 1:34:13 | |
ALL CHEER | 1:34:13 | 1:34:15 | |
I feel like I can relax now. I've got someone great. | 1:34:20 | 1:34:22 | |
I know it sounds like I'm being flash, but I really struggled. | 1:34:22 | 1:34:26 | |
-Struggled with what? -Just, like, blowing my own trumpet. | 1:34:26 | 1:34:29 | |
That's why I've got a brass section! | 1:34:29 | 1:34:31 | |
THEY LAUGH | 1:34:31 | 1:34:33 | |
That's the awesomest line ever! | 1:34:33 | 1:34:35 | |
I'm tired now. That was stressful. | 1:34:40 | 1:34:42 | |
Well, that was an eventful day. | 1:34:42 | 1:34:44 | |
ALL CHEER | 1:34:46 | 1:34:48 | |
Ladies and gentlemen, as the curtain falls on the first blind auditions, | 1:34:50 | 1:34:54 | |
there is one act left to see. | 1:34:54 | 1:34:56 | |
Hey, what's up? | 1:35:02 | 1:35:03 | |
Hello! | 1:35:03 | 1:35:05 | |
I told you he wasn't very far away. | 1:35:05 | 1:35:06 | |
LAUGHTER | 1:35:06 | 1:35:08 | |
Let's get him back in his cage. | 1:35:08 | 1:35:10 | |
All right, here we go. | 1:35:10 | 1:35:11 | |
Just hold on a sec... | 1:35:11 | 1:35:12 | |
You all right? All right, the lights might be scaring him a little bit. | 1:35:12 | 1:35:15 | |
Whoa! OK, you all right? You all right? | 1:35:15 | 1:35:17 | |
He's throwing one, he's throwing a wobbler! | 1:35:17 | 1:35:20 | |
I think they're a little bit frightened of him. | 1:35:20 | 1:35:22 | |
Showbiz! | 1:35:22 | 1:35:23 | |
All right, Bernie! | 1:35:23 | 1:35:25 | |
Night-night, everybody! | 1:35:25 | 1:35:27 | |
Yes! | 1:35:27 | 1:35:29 |